Latest / Corie Sheppard Podcast / Episode 162 | Creator

Transcript

Episode 162 | Creator · Corie Sheppard Podcast

• 0:20
  Speaker 1: Welcome to episode 163 of the Corey Shepard podcast.
• 0:23
  Speaker 1: Welcome back to everybody's been listening.
• 0:24
  Speaker 1: Last week I came and told you we have an episode about Lord Shorty and things is not to remain undone.
• 0:33
  Speaker 1: We have never really left things unfinished.
• 0:56
  Speaker 1: So if you do Lord Shorty, you must do Raj Shorty.
• 1:08
  Speaker 2: Life today was all like yesterday Friendship gone, leaving with patents gone, never living like strangers, we never.
• 1:28
  Speaker 3: No louser, no louser for one another, To unite people as one and create a song.
• 1:39
  Speaker 3: I hope it'll evolve For the murder, remember For the murder.
• 2:03
  Speaker 3: You should cry.
• 2:35
  Speaker 1: I think I must never remain unfinished man.
• 2:36
  Speaker 1: I want to tell you too, right, let me just make something clear, because I could never predict what's all you like and what's all you like.
• 2:44
  Speaker 1: But clearly, all you like is a little cankele and the back end is a little shorty.
• 2:47
  Speaker 1: Right, all you like is a little slackness.
• 2:49
  Speaker 1: I just want to say that the songs I play span over many, many eras.
• 2:53
  Speaker 1: So it's not like if shorty had a career slackness and then he had a career giving himself life to the lord A little bit, I suppose, cause when he turned he never really turned back.
• 3:02
  Speaker 1: It's not like he sings slackness after he went to Jammu Nation and so on.
• 3:06
  Speaker 1: He never really sings slackness after that.
• 3:08
  Speaker 1: But even in the days when he's a little slackness and he love making and things, because all I hear in this week is suck my lip and make my teeth grind, all I can hear in this house is suck my lip and make my teeth grind I didn't write, but after I played shorty, after making love, I realized I fallen short in this house.
• 3:27
  Speaker 1: You know, I thought my house was not satisfied.
• 3:31
  Speaker 1: But shorty, maybe I should not play that song, right?
• 3:34
  Speaker 1: But shorty had very, very conscious and clued a womb shanty from since back in the day, right, but I have a few line up for shorty today.
• 3:40
  Speaker 1: For a shorty I, as opposed to lord shorty right, but all week was all week was the purpose of this podcast had started off like in the early days, right, some of the main things to get done, just like how I like to listen to my stuff it's the saddest thing and drop it early in the week so that you get a nice little start off to the week with some good little music, some positivity, a little laughter and so on and so on.
• 4:01
  Speaker 1: It's slowly shifting to a mid week pick me up.
• 4:04
  Speaker 1: Right, it's a mid week pick.
• 4:06
  Speaker 1: You know when you're going over hump day and the week long, and you know when you're struggling at work and everything.
• 4:11
  Speaker 1: A little pick me up during the middle of the week is what it is now, right, and the whole method at night, because it could end up being a end of the week revival.
• 4:19
  Speaker 1: It could end up being a end of the week revival, but we're here, we're here, we're here.
• 4:24
  Speaker 1: So I had to add this week.
• 4:26
  Speaker 1: Let me do first things first, because last two weeks I ended up in problems when I didn't come on to a whole people birthday and so on.
• 4:34
  Speaker 1: So I'd like to start this episode by saying happy anniversary to myself and my wife.
• 4:39
  Speaker 1: It is our nearly number, you know, but I intend to add on.
• 4:45
  Speaker 1: I think this is about our 7th anniversary.
• 4:47
  Speaker 1: We got married in 2020, so this make it 7 years now we married, right?
• 4:53
  Speaker 1: Happy anniversary to my wife.
• 4:55
  Speaker 1: Oh, you're supposed to say I try to understand something Other people supposed to tell both of us happy anniversary, or we supposed to tell each other happy anniversary For all the people who married and I looking for counsel.
• 5:07
  Speaker 1: I have several people in this who are listeners to this podcast who have been happily married for many, many, many years.
• 5:14
  Speaker 1: Should I call people names?
• 5:15
  Speaker 1: Should I shout out people marriage?
• 5:16
  Speaker 1: You know, I have people on this, listeners of this podcast, who this counsel other people about how to get married and how to stay married and all these things.
• 5:26
  Speaker 1: Should I call names what all they want to do?
• 5:29
  Speaker 1: Because this is starting to make me realize that, among so many married bredren and sisters that I have, I have so many married bredren and sisters and nobody's advising me.
• 5:41
  Speaker 1: Right, I get on a set of bad advice because people sit down and watch me put people birthday in November, then in early December and then Christmas is in late December.
• 5:53
  Speaker 1: People watch me fall into this financial trap of trying to figure out what to do for birthday, anniversary and Christmas every year.
• 6:01
  Speaker 1: For the rest of my long legged life I got nobody in Thai, nobody in Guidemen, nobody in Sayol.
• 6:06
  Speaker 1: Boy Dodo, that Trump that you know I mean space these things out.
• 6:09
  Speaker 1: So November salary and October salary is a real, real problem in this household.
• 6:16
  Speaker 1: But we here and we had a great anniversary.
• 6:18
  Speaker 1: I want to say thank you to my wife, who always finds a way to plan and celebrate things Due to the great nickname.
• 6:25
  Speaker 1: We decided that, listen, we ain't doing too much a big gift buying for two people who have.
• 6:31
  Speaker 1: I mean, I go once again.
• 6:32
  Speaker 1: I have everything I have.
• 6:34
  Speaker 1: You know what I mean when I fire a wife.
• 6:36
  Speaker 1: I have everything I have.
• 6:37
  Speaker 1: Why I need that in this life?
• 6:39
  Speaker 1: I need nothing.
• 6:39
  Speaker 1: So instead of spending a whole set of money and gifts, we create experiences on these days, right?
• 6:44
  Speaker 1: So I mean it's not a whole set of money, but we went to church on the morning.
• 6:48
  Speaker 1: Yes, that was Tuesday morning, right?
• 6:50
  Speaker 1: We promise ourselves that every year we will go back to St Mary's church where we got married as a part of the celebration of the anniversary.
• 6:59
  Speaker 1: Now, in my mind I thought that mean on the Sunday closest to the anniversary day to your go to church.
• 7:04
  Speaker 1: But apparently that is not what it meant.
• 7:06
  Speaker 1: Again, no warning from my married bred and sister in no kind of council.
• 7:09
  Speaker 1: So I had to get up five o'clock in the morning to try and drive all the way up into St Mary's church.
• 7:17
  Speaker 1: St Mary's church was starting quarter past six.
• 7:19
  Speaker 1: We say, alright, well, we will go in a chapel in Fatima by Father Gregory.
• 7:22
  Speaker 1: They must have a mass every morning.
• 7:23
  Speaker 1: Right, and that was a challenge.
• 7:27
  Speaker 1: We can up so early to drive up during that traffic to get to church.
• 7:31
  Speaker 1: We are glad we went to see Father Gregory.
• 7:33
  Speaker 1: We went to church them.
• 7:34
  Speaker 1: They are my fellow.
• 7:35
  Speaker 1: I want to say his father Philip I can't remember the name.
• 7:37
  Speaker 1: They are my fellow with Father Gregory there and he carry on the mass.
• 7:40
  Speaker 1: Father Gregory was a where is the next man?
• 7:43
  Speaker 1: He helped the lay minister, the assistant pastor I don't know where he is calling him, but Father Gregory was that role and the fellow was the other guy.
• 7:49
  Speaker 1: He was a father of father me.
• 7:51
  Speaker 1: I think it's Philip is the shortest mass I ever hear in my life.
• 7:54
  Speaker 1: I want to tell you that what is called the homily was about two minutes long.
• 7:57
  Speaker 1: He just basically like Jesus, is beautiful and he busts out.
• 8:00
  Speaker 1: So it's the best service I ever went to.
• 8:02
  Speaker 1: The whole service was about 20 minutes long.
• 8:05
  Speaker 1: I like that a lot and listen.
• 8:08
  Speaker 1: Communion running fast, you gotta get quick.
• 8:09
  Speaker 1: When you see the man come with you bread to share quick, as you would, you gotta move fast.
• 8:14
  Speaker 1: And I see I see all teacher boy for people who went Fatima sorry, everybody, but people who went Fatima.
• 8:17
  Speaker 1: I see Mr Mahias boy, I will, retired Mr Mahias, wasn't he anything?
• 8:22
  Speaker 1: So I, father Gregory, I'm not telling you he retired, but I assume he was teaching there still and he came to mass and he had to go to school.
• 8:32
  Speaker 1: But apparently he's come to mass and Fatima.
• 8:34
  Speaker 1: There's not a lot of commitment.
• 8:35
  Speaker 1: I see our teacher by the name of Mr DeGale.
• 8:37
  Speaker 1: I was trying to figure out where I know him from all the time, but Father Gregory reminded me that he was the one who had hosted the award ceremony.
• 8:45
  Speaker 1: The awards that I had to do I'll speak in some years ago, a year or two ago.
• 8:50
  Speaker 1: So we've spent the anniversary like that.
• 8:52
  Speaker 1: We start off in church.
• 8:53
  Speaker 1: According to Christine, we started off the right way.
• 8:55
  Speaker 1: You know, we start off on your right foot.
• 8:56
  Speaker 1: You went to church in morning when the math and we want to be able to spend our time with Father Gregory by Adams, with Father Gregory.
• 9:02
  Speaker 1: I want to tell you this right for the Gregory and salute to Father Gregory.
• 9:06
  Speaker 1: I saw him on our podcast recently.
• 9:08
  Speaker 1: Oh God, I want to tell you I remember the men on them podcast a boy but I can't remember the name.
• 9:13
  Speaker 1: But as follow them, I one day I will talk about them because I find them used to do that good thing.
• 9:17
  Speaker 1: The podcast.
• 9:17
  Speaker 1: Now I really sorry that I don't have the name of Han, I mean just make it any slides or anything.
• 9:22
  Speaker 1: But they had for the Gregory podcast and I saw a clip of him talking about people taking a bunch of pictures of the food on social media and how people live in a fossil, a false life, right, and who the hell want to see your food on social media, right?
• 9:34
  Speaker 1: So it's only when we reach Adams and I don't tell you like going out with Father Gregory is like going out with a celebrity.
• 9:39
  Speaker 1: If you go anywhere with him.
• 9:40
  Speaker 1: It takes him a long time to get from the car to the table because people say hi, father Gregory, I want to take.
• 9:46
  Speaker 1: I want you to pray for my son and for Gregory I must not have again.
• 9:49
  Speaker 1: Fatima, listen is a long road, so we reaching Adams and we don't sit on already and wait for Father Gregory to reach my table now because he talking to people.
• 9:57
  Speaker 1: But and notice that Paula Stacy, when the food came she would usually take a lot of pictures of the food, much to my annoyance, because it's like we getting food, let me eat.
• 10:09
  Speaker 1: I hungry.
• 10:09
  Speaker 1: When the food come, I also find it little.
• 10:11
  Speaker 1: Never see, come see it.
• 10:12
  Speaker 1: She like if you never went.
• 10:13
  Speaker 1: No way, I find this make me look like this fellow kind of woman.
• 10:16
  Speaker 1: No way nice.
• 10:17
  Speaker 1: But she, in fairness to her as well, she is able to bring up memories of several things we've done over the years, which I'm terrible at doing.
• 10:25
  Speaker 1: So I'll confess something right most of the time when I have to post Stacy for her birthday or Christmas or whatever days they supposed to post people, because Mina got something this life and I mean I got something this life where I live in with you, I tell you happy anniversary, will they?
• 10:38
  Speaker 1: We doing things together, we buying gift, we doing all kind of different thing.
• 10:41
  Speaker 1: But I still have a post.
• 10:43
  Speaker 1: You it not complete.
• 10:45
  Speaker 1: Unless I make a public declaration of love, I don't post nothing.
• 10:49
  Speaker 1: I don't post nothing.
• 10:50
  Speaker 1: The last post I make was Mother's Day and now realize, when I go to post off the anniversary, that me impose nothing for her birthday.
• 10:57
  Speaker 1: So she must be vexed about that.
• 10:58
  Speaker 1: Plus, I didn't talk about this on the podcast so I wouldn't know again.
• 11:01
  Speaker 1: So I'll face anything right in front of me there.
• 11:03
  Speaker 1: But I'll say she took no pictures of the food none, and I was.
• 11:08
  Speaker 1: I really did find it strange, but I paid no mind.
• 11:11
  Speaker 1: I was glad.
• 11:11
  Speaker 1: But it's because Father Gregory bad ship indirectly on the youth man on the podcast.
• 11:15
  Speaker 1: So so little, father Gregory, for point.
• 11:16
  Speaker 1: I stopped it at my life.
• 11:17
  Speaker 1: I appreciate that.
• 11:18
  Speaker 1: But I was nice and we spent a day at Maracas after that.
• 11:21
  Speaker 1: But something that I enjoy doing a lot is going to the beach and taking a soak.
• 11:25
  Speaker 1: You know, I mean soak your bones.
• 11:26
  Speaker 1: So you passing Masi Marival, we get something for the worms and then we head up to Maracas and take a little bit, get some we's calling people.
• 11:35
  Speaker 1: Get some richards up in, we play some football and be Zachary, get to come out of school too, which is not.
• 11:40
  Speaker 1: That is not the norm.
• 11:41
  Speaker 1: This anniversary is a big anniversary, you know.
• 11:43
  Speaker 1: I mean when you're celebrating seven, you really had to do it big.
• 11:46
  Speaker 1: So Zachary was with us and we spent a day at Maracas and I realized that before I get into the thing I mean I've a long over talking here because I have a long list of things to talk about here but when I take time from work or let me tell you this is about all it's right.
• 12:03
  Speaker 1: You see, taking a day in the middle of the week and going to Maracas and my son in the toes and think that's all the tools in the sun and San Antonio, I feel slightly uneasy.
• 12:13
  Speaker 1: You know I speak kind of anxious.
• 12:15
  Speaker 1: I feel like everything going to go wrong in work.
• 12:16
  Speaker 1: So I like on Maracas with the little $10 so I pay for chairs.
• 12:19
  Speaker 1: Now I like don't.
• 12:20
  Speaker 1: Then I've fallen asleep on myself.
• 12:22
  Speaker 1: Every time.
• 12:22
  Speaker 1: I just jumping about my sleep everywhere.
• 12:25
  Speaker 1: Is that just me?
• 12:25
  Speaker 1: How you always be is easy for you to just stop working one day and go on a work day and do other things that I don't know, I don't know if it's just mine over matter with me.
• 12:35
  Speaker 1: I feel like everything going on go wrong when I, when I, when I take days like that and Stacy's take it to mean that I'm not enjoying the time and I do, you know, but it's not really that I really be really be just nervous about work and everything else that going on.
• 12:51
  Speaker 1: And I mean, in fairness, I've got a lot of jobs, I have a lot of jobs right, and maybe I should meet up with this night because Stacy have a job, what he helps she was doing.
• 12:58
  Speaker 1: On Maracas, I would just like to let the Ministry of Education tutor and everybody know Maracas in the middle of the week.
• 13:05
  Speaker 1: But for all my married friends who gave me no counsel whatsoever and set me up, basically thanks first.
• 13:13
  Speaker 1: But I also got you know, people always reach out to me when I post these things with me and Stacy about anniversary times.
• 13:20
  Speaker 1: Nice to see all the going strong and I'm not saying there's like couple goals, but things along those lines.
• 13:26
  Speaker 1: You know is ding and all the so happy for you all and all those things right.
• 13:29
  Speaker 1: So I thought, well, it would make sense for me, as somebody who see the light to tell the single people.
• 13:36
  Speaker 1: Let me give some counsel here today, right, I will.
• 13:38
  Speaker 1: I will give a little bit of counsel to the people who still single and looking and fed up with the dating world and what is happening.
• 13:46
  Speaker 1: So I have a few songs.
• 13:47
  Speaker 1: The first one is really dedicated to my wife and I thank you for putting that together yesterday, right?
• 14:13
  Speaker 5: All you hear is sting born food.
• 14:15
  Speaker 5: Vizena pick up a ring.
• 14:17
  Speaker 5: Mama, that is sting born food.
• 14:21
  Speaker 5: Vizena now get a ring From the day she married.
• 14:26
  Speaker 1: Stacy girl have handed.
• 14:28
  Speaker 5: Anything that she had to do is the ring on the finger she's showing you and if you hear she I am Mr St Joseph.
• 14:35
  Speaker 5: I am born food vizena.
• 14:37
  Speaker 5: Again, call me Mr St Joseph.
• 14:41
  Speaker 5: You had to put hand to my name and now a legal husband.
• 14:46
  Speaker 5: I'm a high polluting woman.
• 14:48
  Speaker 5: All you look at me visit today are reaching society.
• 14:51
  Speaker 5: If you see the man who put a ring on vizena then to really match is a faulty from South Wales calling scratch every month.
• 15:08
  Speaker 5: Scratch making a jail when he outside you sure he on bail them school children.
• 15:13
  Speaker 5: Make sure hold with missus vizena, scratch, baby fall.
• 15:16
  Speaker 5: I am Mr St Joseph.
• 15:20
  Speaker 5: I am born food vizena.
• 15:21
  Speaker 5: Again, call me Mr St Joseph.
• 15:25
  Speaker 5: You had to put hand to my name and now a legal husband.
• 15:30
  Speaker 5: I'm a high polluting woman.
• 15:32
  Speaker 5: All you look at me visit are reaching society.
• 15:36
  Speaker 5: I'm a high polluting woman.
• 15:42
  Speaker 5: This one was the best busy.
• 15:44
  Speaker 5: Gone and buy my own.
• 15:45
  Speaker 5: It is.
• 15:47
  Speaker 6: Tie up, she belly for people to feel.
• 15:49
  Speaker 5: She in pregnancy, gone by the hospital and complain, telling the doctor she getting pain.
• 15:55
  Speaker 5: They tell she on dress.
• 15:56
  Speaker 5: She said not in life.
• 15:57
  Speaker 5: All you must respect Mr Joseph.
• 16:00
  Speaker 5: I am Mr St Joseph.
• 16:03
  Speaker 5: I am born food vizena.
• 16:04
  Speaker 5: Again Call me Mr St Joseph.
• 16:11
  Speaker 5: You had to put hand to my name and now a legal husband.
• 16:13
  Speaker 5: I'm a high polluting woman.
• 16:15
  Speaker 5: All you look at me, visit are reaching society.
• 16:19
  Speaker 5: When you watch busy in the market, visit like a bee basket pack up high you will swear that is so much thing that she buy but it's free and a fake.
• 16:34
  Speaker 5: She get from a vendor to have a.
• 16:36
  Speaker 5: Let this come right over then talking loud for people here.
• 16:40
  Speaker 5: All you don't find the things in the market there.
• 16:43
  Speaker 5: I am Mr Joseph.
• 16:45
  Speaker 5: I am born food vizena.
• 16:47
  Speaker 5: Again Call me Mr St Joseph.
• 16:50
  Speaker 5: You had to put hand to my name and now a legal husband.
• 16:55
  Speaker 5: I'm a high polluting woman.
• 16:57
  Speaker 5: All you look at me, visit are reaching society.
• 17:03
  Speaker 2: All you look at me visit are reaching society.
• 17:12
  Speaker 1: That's dedicated to my wife.
• 17:14
  Speaker 1: Now a little bit of advice for those who are married, women in particular, those who are married and interested in married.
• 17:21
  Speaker 1: Not they're wrong with being unmarried.
• 17:22
  Speaker 1: Let me tell you there's something that he married people and go tell you.
• 17:25
  Speaker 1: Number one not they're wrong with being married, first and foremost, right.
• 17:30
  Speaker 1: If you're interested in getting married and there's something you're working on actively, I would like to give you a little bit of advice on how to go about doing so.
• 17:40
  Speaker 1: I'm a man.
• 18:07
  Speaker 7: Last week I saw Elsie giving she man, alexander, this recipe.
• 18:11
  Speaker 7: You know she bought, she got the code in a water and she put in, she brought up.
• 18:19
  Speaker 7: And now what happened, man?
• 18:22
  Speaker 7: She sweetened with honey and she had some red love and down and in nine days time she was Mr Alexander.
• 18:30
  Speaker 7: Last week I attended a wedding and if you see how the bridegroom smiling all through the ceremony, the man smiling would clean, but when he come to the kitchen, I started to remember.
• 18:58
  Speaker 7: Instead of biting, I sling, I bite something unmentioned and you know the girl mother boil up.
• 19:05
  Speaker 7: She keep moona with a half dirty night and a shorty beach and more man she put in.
• 19:14
  Speaker 7: She cost that strange little water with a greasy hair net.
• 19:18
  Speaker 7: He drank with a little honey and that's how she daughter walked on the island.
• 19:22
  Speaker 7: All them young girls afraid to remain as an old man, they would squeeze blood out of their hands and get a man to call their own.
• 19:44
  Speaker 7: When you see the rich 23 and they fail in their recipe man from the time they hit 28, any man that's not cheeky and not escape.
• 19:55
  Speaker 7: They don't think woman felt that and rip out the sweat buns with the old, dirty stock and full of perspiration with a steamy man, marino, boil it up with some kuzema ho, put it out and in seven days time he must say I do.
• 20:13
  Speaker 7: Young men, take this warning, be careful.
• 20:39
  Speaker 7: How you engaging.
• 20:40
  Speaker 7: Every human ambition is to get the ring on she hand.
• 20:45
  Speaker 7: They try all sort of tricks on me, man.
• 20:48
  Speaker 7: I drink all sort of recipe, but as stupid they wouldn't learn.
• 20:52
  Speaker 7: No, woman cannot be mistress.
• 20:54
  Speaker 7: Heaven, because there is a cracker here and put it in me should sleep and in my left side stocks to be black jumpy bed once a month with water from their people body.
• 21:10
  Speaker 7: That is my zippy.
• 21:12
  Speaker 1: Yes to cut away the time Voice of the one not have been.
• 21:38
  Speaker 1: First song by Duke right mighty miss Vizino, right, the first one was mighty dude.
• 21:43
  Speaker 1: They tell me I play song and I don't put it on any comments.
• 21:45
  Speaker 1: I suppose to be putting the names of all these songs in the description, right, but just in case I forget, first song was by Duke mighty Duke right Vizino.
• 21:57
  Speaker 1: Second song is nap head burn.
• 21:59
  Speaker 1: I think it's.
• 22:00
  Speaker 1: Marriage is the name of the song.
• 22:01
  Speaker 1: Marriage is the name of the song.
• 22:03
  Speaker 1: Is the great nap head burn marriage recipe.
• 22:06
  Speaker 1: So talking about marriage, right, and why it might be such a good thing if the marriage ain't come off or if you ain't get married, the conch is blessed.
• 22:13
  Speaker 1: Be grateful for whatever you have and be grateful for what you ain't have.
• 22:16
  Speaker 1: Because in this article by the Guardian people, sometimes you have get, you think you know where you have and you know where you really have.
• 22:24
  Speaker 1: So they say missing man, not lost, living comfortably in apartment.
• 22:27
  Speaker 1: Tell cops he left wife to find peace of mind.
• 22:29
  Speaker 1: Now, this are not to do with my industry, right?
• 22:31
  Speaker 1: This are not to do with that.
• 22:33
  Speaker 1: I happy, right, and I not missing and I live in comfortably home.
• 22:37
  Speaker 1: But coincidentally, the woman name is Maureen Villarelle, right.
• 22:42
  Speaker 1: So I don't know what my future?
• 22:43
  Speaker 1: I don't know me, no, me, no.
• 22:45
  Speaker 1: I'm married, a Villarelle too.
• 22:48
  Speaker 1: Who is to know what is to come?
• 22:50
  Speaker 1: But they say Maureen Villarelle spent 57 relentless days searching for common law, common law husband Leon Simmongal, who went to the bank to cash a 73,500 lump sum pension check and then mysteriously disappeared.
• 23:02
  Speaker 1: Now I, naively and foolishly, when I read this I first thought, wait now the man went to cash the woman pension check and he gone with she 73,500.
• 23:14
  Speaker 1: I said, but Leon is my hero.
• 23:16
  Speaker 1: I was then prepared to come here and talk about how Leon is my hero because he's the first man robber woman in history.
• 23:23
  Speaker 1: I was a custom to woman robbing man.
• 23:25
  Speaker 1: So when I see Leon take the pension money and go and say boy, long live Leon, long live Leon, you do good in life.
• 23:32
  Speaker 1: But me and no, is Leon his own pension check.
• 23:35
  Speaker 1: Leon had his pension check lump sum.
• 23:37
  Speaker 1: I always got pension lump sum.
• 23:38
  Speaker 1: Only how they can help me that I don't understand how he is girl lump sum pension check.
• 23:43
  Speaker 1: Is it that when you retire your lump sum to collect, or Leon a collecting money in a while and he collect it?
• 23:49
  Speaker 1: How he is got pension lump sum.
• 23:50
  Speaker 1: I just accent in case with when I reach that.
• 23:53
  Speaker 1: I only am a 70 anniversary now, but when is that my time to collect pension?
• 23:56
  Speaker 1: Who is to say that I lump sum anyway?
• 23:59
  Speaker 1: In Villarelle's request to find Simone, she knocked on every neighbor's door in her Rima community.
• 24:06
  Speaker 1: First red flag is a Rima, first red flag is ARIMA.
• 24:10
  Speaker 1: Once I'm here, all these strange things are happening in ARIMA.
• 24:14
  Speaker 1: Arima is a special place.
• 24:16
  Speaker 1: Arima have a special kind of jumpy update.
• 24:18
  Speaker 1: But they say she knocked every door on the ARIMA.
• 24:21
  Speaker 1: I'm trying to understand, I'm trying to put myself in this position, because if I'm missing for some days and you start to knock by the neighbors, what the hell you was thinking I was doing all the time?
• 24:32
  Speaker 1: I can't imagine this thing.
• 24:32
  Speaker 1: Imagine I go on missing and they see knocking by the neighbor and them.
• 24:35
  Speaker 1: So what are you telling yourself?
• 24:37
  Speaker 1: You tell it to me anyway.
• 24:38
  Speaker 1: They say she called friends and family and she turned to the Hunter Search and Rescue team.
• 24:42
  Speaker 1: I was just talking about them the other day, hoping that's what a great job they're doing.
• 24:46
  Speaker 1: And people are missing.
• 24:46
  Speaker 1: What?
• 24:47
  Speaker 1: This woman going on to interfere with the Hunter Search and Rescue team?
• 24:49
  Speaker 1: These fellas working better than the police.
• 24:51
  Speaker 1: You can't distract them with your marital issues, but she asked them for help and she made a missing report.
• 24:56
  Speaker 1: A two police station.
• 24:58
  Speaker 1: You know what I mean.
• 24:59
  Speaker 1: The key word here is relentless.
• 25:04
  Speaker 1: Maureen decided, while they feel Maureen was missing, her loving husband, or is he 73?
• 25:10
  Speaker 1: Is he 73?
• 25:11
  Speaker 1: Maureen studying and Maureen studying that 73, that man gone.
• 25:15
  Speaker 1: She looking anyway, refusing to give up.
• 25:18
  Speaker 1: She traveled to a far-flung community of Blanche shares where she believes she mongled, a jack of all trades, had been held captive against his will in a hut for his big money.
• 25:27
  Speaker 1: She said he could collect that piece of money and they kidnapped him.
• 25:30
  Speaker 1: However, after six days, a remercy ID of his investigation, villareal's report.
• 25:34
  Speaker 1: On Monday the police found Simangal, 68, living comfortably in a furnished apartment.
• 25:39
  Speaker 1: As I say in economics class all the time, when Trini get lump sum, courts is going to get money.
• 25:47
  Speaker 1: It could be back pay, it could be any win-faller.
• 25:53
  Speaker 1: Money that Trini and the Indians get Courts is going to get money.
• 25:56
  Speaker 1: You understand what I'm coming from.
• 25:58
  Speaker 1: The investigations brought closure to Villareal's persistent hunt for Simangal, who told police he had ended up 20 year relationship with Villareal and had no desire to return home.
• 26:07
  Speaker 1: Villareal was shattered and left in denial, after the man she loved barely rejected her.
• 26:14
  Speaker 1: If, if, if, if I tell her something, they between me and all of them.
• 26:22
  Speaker 1: I try to tell her something With half a 73.
• 26:26
  Speaker 1: If he had break off that Porsche and hand Villareal, you know this would not be no newspaper article.
• 26:31
  Speaker 1: She would take she half and go she way.
• 26:33
  Speaker 1: This would have never been a newspaper article.
• 26:35
  Speaker 1: But Simangal, send the woman she hand back and it's a wicked man.
• 26:39
  Speaker 1: To him he could have lived.
• 26:41
  Speaker 1: I mean I guess 73,500.
• 26:42
  Speaker 1: Give the woman he 500, not man.
• 26:44
  Speaker 1: She passage back from Blanche's chest to go Valencia and let her fill back she belly.
• 26:48
  Speaker 1: I mean, why, why, why, why let the woman leave empty handed?
• 26:51
  Speaker 1: And Monday Villareal went to a social worker a social worker for help, claiming she was going around in circles looking for Simangal and wanted media to publish his disappearance, she looking for any kind of help to get her 73.
• 27:02
  Speaker 1: This reporter was contacted and met Villareal outside the Rima police station where she related the story about her two months of persistent search for Simangal and the police's unwillingness to help.
• 27:11
  Speaker 1: On September 30th Villareal said Simangal collected a lump sum pension checker 73,000 at Titi Post and went to that village at the cashier's and first citizen's bank on Rima.
• 27:20
  Speaker 1: But that man leave with the clothes and he back it up the definition of leaving with clothes and he back.
• 27:24
  Speaker 1: He now went FCB in Rima on October 2nd and never went home.
• 27:28
  Speaker 1: Repeated calls went and said he buying you, simcaad, you have money now.
• 27:33
  Speaker 1: She told the Sunday Guardian that neighbor's, friends and family of Simangal had not seen or heard from him.
• 27:37
  Speaker 1: She insisted that the villager who transported Simangal had been eyeing Simangal's money and felt something had happened to him.
• 27:44
  Speaker 1: This was where he Villareal to no end.
• 27:46
  Speaker 1: I find he could have called home something too.
• 27:48
  Speaker 1: He could have just said here, what is this thing, monkey, what's she name?
• 27:52
  Speaker 1: She name is Simangal, common law.
• 27:54
  Speaker 1: She name is still Villareal.
• 27:55
  Speaker 1: She say Villas here.
• 27:57
  Speaker 1: What is this thing?
• 27:57
  Speaker 1: I hang around, man, I get this little lump sum here.
• 28:01
  Speaker 1: Well, if it was me I would have kept a collect my lump sum Number one.
• 28:05
  Speaker 1: I wasn't telling she.
• 28:06
  Speaker 1: I guess 73.
• 28:08
  Speaker 1: In the wise words are Harrell.
• 28:09
  Speaker 1: A man named Harrell used to go to the gym, right?
• 28:11
  Speaker 1: Harrell always used to tell me he used to call him Brady.
• 28:13
  Speaker 1: I said Brady, money between woman and man, discourse problems.
• 28:17
  Speaker 1: You know what I mean.
• 28:18
  Speaker 1: So he say Harrell, philosophy is if a woman acts here to borrow money, he say, if she acts here for 5000, say, woman, between man, money between man and woman is cause problems.
• 28:30
  Speaker 1: I don't want no problems between me and you, the love I have for you, so I'm going to give you 2500.
• 28:35
  Speaker 1: Harrell say always give them a portion of what they ask to borrow.
• 28:39
  Speaker 1: Don't lend them because you're not getting that back any house.
• 28:41
  Speaker 1: So to save yourself from getting them 5000, because as far as he consume, like me, you have to give them something.
• 28:47
  Speaker 1: If we go in Dongod, everybody had eat, right.
• 28:50
  Speaker 1: But Harrell say better give them 1500 than you lend them 5000.
• 28:55
  Speaker 1: Good advice, good advice.
• 28:58
  Speaker 1: But if it was me I would have called and said fellas here, what is this scene?
• 29:03
  Speaker 1: And I count out a portion and say here what I collect, a 14,000 pension lump sum.
• 29:09
  Speaker 1: Right, I collect a 14,000 pension lump sum.
• 29:11
  Speaker 1: I was going to give you half and I don't want this relationship again.
• 29:15
  Speaker 1: I still love you, but I don't love you from a distance.
• 29:17
  Speaker 1: This ain't working out.
• 29:18
  Speaker 1: I'm thinking I'll say I'll tell this 14,000, they love I have for you.
• 29:21
  Speaker 1: Still, I'm going to give you 12,500.
• 29:23
  Speaker 1: I go live on 1500.
• 29:23
  Speaker 1: All I need is 1500.
• 29:24
  Speaker 1: Don't ever let them know how much exactly you have.
• 29:27
  Speaker 1: That will lead to all kind of problems.
• 29:29
  Speaker 1: Don't make them wise.
• 29:31
  Speaker 1: She said I didn't want to go to the community bank because he said they had eye surgery to do in the hospital.
• 29:37
  Speaker 1: You know what she was doing Eye surgery for to see and count.
• 29:39
  Speaker 1: That eye surgery was to see and count the money when it's coming.
• 29:43
  Speaker 1: Leon had plans for his money.
• 29:45
  Speaker 1: He wanted to buy a vehicle and remove the cataract from his right eye.
• 29:49
  Speaker 1: Leon cataract, he good, villareal and Simongal have no children together.
• 29:54
  Speaker 1: Peta fett it Two days after Simongal's strange disappearance.
• 29:57
  Speaker 1: Nothing strange about it Strange disappearance.
• 29:59
  Speaker 1: Villareal said her curiosity peaked when her home was broken into and three weed wakas and Simongal's gas passport was stolen.
• 30:06
  Speaker 1: It wasn't stolen, simongal.
• 30:12
  Speaker 1: Take that 70 something toes and pay a man a 500 to break any house and get a waka and then make her live in.
• 30:18
  Speaker 1: Take my passport you know what he wanted the passport for, in case she was to find the apartment.
• 30:24
  Speaker 1: This man looking to go and plan pizza to bego.
• 30:26
  Speaker 1: Go and live in Greenada and stop seeing Soka.
• 30:29
  Speaker 1: He don't care.
• 30:30
  Speaker 1: This man is old villas.
• 30:31
  Speaker 1: They had to accept your losses, accept that you ain't getting a cent out of that money.
• 30:36
  Speaker 1: And listen, I don't know how fun it is.
• 30:39
  Speaker 1: After this story started to circulate, his come see Villareal and Simongal is a match made in the ugliness.
• 30:45
  Speaker 1: Have mine.
• 30:45
  Speaker 1: I don't understand what the what to them seeing each other is.
• 30:50
  Speaker 1: Clearly these cataracts was bad.
• 30:52
  Speaker 1: It's worse than they think.
• 30:53
  Speaker 1: You know what I mean these cataracts both are Leon and Simongal cataract and I put in it to you that if all the cataracts and them, their relationship wouldn't be over anyhow.
• 31:02
  Speaker 1: But I mean Salute to Villareal and Simongal.
• 31:04
  Speaker 1: I wish you all the best.
• 31:05
  Speaker 1: All they go on, all the separate ways it look like.
• 31:09
  Speaker 1: And one thing I would tell you, right, as much as I'm making jokes about women and the money thing, right, villas, all they had to do is be patient, right, because you see, man, let me tell you something about man After a man and other women generally, after a man, home is home, home will always be home.
• 31:28
  Speaker 1: You make a home, man will say, say man is dark and thing, man is straight, man do whatever, but home is home.
• 31:33
  Speaker 1: I wanted to be patient because, as sure as he's sonal rise, court is going to get every cent out of that $73,000.
• 31:41
  Speaker 1: What young woman they take, court go take and he's going to have no more money left and he's going to be like the prodigal husband and he going to come right back home.
• 31:49
  Speaker 1: That money go finish and he's going to be right back in your arms.
• 31:57
  Speaker 1: So there are nothing to worry about.
• 31:59
  Speaker 1: But just for those who are, especially for those who must be telling themselves then married and they unhappy with the unmarriedness and things, just remember every time you study which date it went on.
• 32:10
  Speaker 1: And it's a week out and it's still single.
• 32:12
  Speaker 1: Just remember.
• 32:14
  Speaker 1: See mongrel and villarelle.
• 32:16
  Speaker 1: So see, mongrel, send my song here, right, see mongrel send this song, and he dedicated this song to Maureen.
• 32:23
  Speaker 1: He just want villarelle to know something right?
• 32:25
  Speaker 1: So this is not me.
• 32:26
  Speaker 1: This is directly from see mongrel to Maureen.
• 32:30
  Speaker 8: She liked this song for some reason or the other.
• 32:33
  Speaker 8: It's called woman and money.
• 32:34
  Speaker 8: This for you, villarelle.
• 32:35
  Speaker 8: There are four men.
• 32:36
  Speaker 8: She's a woman and he likes she bad.
• 32:39
  Speaker 8: He had a lie, like if he married and tell she he got cars, house and property.
• 32:46
  Speaker 8: But if he only play honest and tell she the truth, he can't tell that old group.
• 32:52
  Speaker 8: Now he broke, sarny got no money.
• 32:57
  Speaker 8: Money.
• 32:57
  Speaker 8: They love money.
• 32:58
  Speaker 8: They crave money.
• 32:59
  Speaker 8: Go send them to the grave, but not me.
• 33:01
  Speaker 8: They can't spend the money.
• 33:03
  Speaker 8: Chance is jumping behind pumping they walking in sangha, singha, because they want to spend me dollars.
• 33:11
  Speaker 8: You could be pretty like the moon pretty like the sarnah.
• 33:15
  Speaker 2: Have a million dollars, or three g in the north.
• 33:18
  Speaker 8: They can't spend the money.
• 33:19
  Speaker 8: All right, Bye, bye.
• 33:32
  Speaker 8: A woman tell me the other day she didn't care what nobody say if I'm an ugly and he got a money, you don't have to be good looking Once you have the cash.
• 33:50
  Speaker 8: She was scared.
• 33:51
  Speaker 8: Don't mind how you walk in money, Money.
• 33:56
  Speaker 8: They love money, they crave money.
• 33:57
  Speaker 8: Go send them to the grave, but not me.
• 33:58
  Speaker 8: They can't spend the money.
• 34:00
  Speaker 8: Chance is jumping behind pumping they walking in sangha, singha because they want to spend.
• 34:06
  Speaker 8: They want to spend me dollars.
• 34:09
  Speaker 1: They could pretty ride a moon pretty ride a sun and I have a million dollars.
• 34:13
  Speaker 8: They're straining on not me.
• 34:14
  Speaker 8: They can't spend me money, we don't even haveassafhu, so we have to go.
• 34:21
  Speaker 8: In fact, if you see, a pretty woman with a ugly, ugly man that they had to understand.
• 34:38
  Speaker 8: That we have this doesn't make she happy.
• 34:40
  Speaker 8: She has cav甚 Rare mere m pos to mention about she.
• 34:44
  Speaker 8: Once you get in the currency the man could be only like Cindy.
• 34:48
  Speaker 8: But the money is down, but you can't tell me Money, they love money, they crave money will send them to the grave, but not me.
• 34:56
  Speaker 8: They can't spend their money Just jumping behind pumping.
• 35:00
  Speaker 8: They walk in exactly the same, but not me.
• 35:03
  Speaker 8: They can't spend their money Just jumping behind pumping.
• 35:09
  Speaker 8: They walk in exactly the same, but not me.
• 35:11
  Speaker 8: Yes, the conqueror.
• 35:16
  Speaker 1: Guys, directly from Simangar, from the voice of conqueror right, look for that from conqueror and mighty power.
• 35:24
  Speaker 1: Both of them sing this song.
• 35:25
  Speaker 1: Don't ask me how that happened, right, but when I was looking up things with where divorce concerns, this happened.
• 35:32
  Speaker 1: Nothing to do with my anniversary, I said that earlier.
• 35:33
  Speaker 1: But I was looking up this thing with money and man and woman, right, and it's a funny thing to say.
• 35:38
  Speaker 1: Financial problems is one of the main reasons that people break up and usually it's coming out of two things Lack of finances, like somebody running into problems we used to run this household on X amount of dollars and somebody running into problems and they care, only say where they're getting and they're not making the money right.
• 35:54
  Speaker 1: So when they have too much inequity in how the money is making in a particular direction, when there's inequity with the man making too much money and the woman making less, it's really the divorce thing and there's real statistics I'm talking about coming out of the US, right, not trying that but when the woman making excessively more than the man, it seemed to be a little bit of problems in the household.
• 36:13
  Speaker 1: I know if it's the woman fault, that could well be the man fault because, you know man is feel like kind of a way If they're not in control of everything, man could feel a whole.
• 36:20
  Speaker 1: But the other thing is debt, like if one partner ended up in a set of debt or gambling and all those things cited as issues why people divorce.
• 36:29
  Speaker 1: Right, but financial one is the main reason.
• 36:31
  Speaker 1: But I was reading further because I expected to see more about situations like these.
• 36:36
  Speaker 1: Right, I have a theory probably hear it all right, just like how lack of money could cause people to divorce.
• 36:42
  Speaker 1: I feel too much money could cause people to divorce too.
• 36:44
  Speaker 1: You know, like, like see Mongolia and Villarelli.
• 36:46
  Speaker 1: You know, if people run into a windfall, plenty marriages ain't surviving that windfall.
• 36:51
  Speaker 1: You know it could be Lotto, it could be wherever it is.
• 36:53
  Speaker 1: Now, according to a lifestyle, 73,000 could be a windfall.
• 36:57
  Speaker 1: Right, but all lifestyles have a figure.
• 37:01
  Speaker 1: This might philosophy.
• 37:02
  Speaker 1: Now, if you run into a certain amount of money, right, you could well watch your wife and say I don't know if this thing I, you know, I'd better be honest, if only any cow with your wife, not tell you money, truth and no lie.
• 37:15
  Speaker 1: And if your wife, not your husband, if you're listening to your husband, tell him, tell him all.
• 37:20
  Speaker 1: They would cause a figure Because, just like with that prenup, you'll have agreement and think, well, let's say, don't take all my money when you leave.
• 37:25
  Speaker 1: You know what I mean.
• 37:26
  Speaker 1: Take half and turn that on.
• 37:27
  Speaker 1: No prenup, half is theirs anyway.
• 37:29
  Speaker 1: And this is what see Mongolia know.
• 37:31
  Speaker 1: See Mongolia know that is about 40, how much thousand he had to send that way Because when he walk out he not going to keep all that money.
• 37:39
  Speaker 1: So he went like caught by a top, by apartment, some furniture.
• 37:43
  Speaker 1: He gets a nice new furniture for the cooler, like for the Christmas, and he good to go.
• 37:48
  Speaker 1: But I want you to work out with your spouse, right, what does he figure?
• 37:52
  Speaker 1: Like, if we run into what is your?
• 37:54
  Speaker 1: 73,000, 10 million?
• 37:55
  Speaker 1: And we can be like see Mongolia, right, we had to make sure we weren't good, right, we had children and all them things.
• 38:00
  Speaker 1: So if you run into 10 million, I could see, well, I run into 10 million here and I want you to live good and everything.
• 38:08
  Speaker 1: But I single now and nine is yours.
• 38:10
  Speaker 1: I could just keep one.
• 38:11
  Speaker 1: Just know that if I tell you I win 10 million and I get nine is a hundred, I win, you understand.
• 38:16
  Speaker 1: I want to give you a next song here, because man is tough, man could talk whatever it is they want, but think Calypso rose put it best.
• 38:25
  Speaker 1: So you see it comes up when it comes to matters of money and so on.
• 38:29
  Speaker 1: We can keep up.
• 39:02
  Speaker 1: I want to tell you how the woman is smarter than the man.
• 39:07
  Speaker 9: The people who say that the men are leading the woman astray.
• 39:10
  Speaker 9: But I say that the woman ought to be smarter than men in every way.
• 39:16
  Speaker 9: I want to tell you how the woman is smarter than men in every way.
• 39:28
  Speaker 9: Keep it going.
• 39:39
  Speaker 9: You meet a pretty girl and they dance, thinking that you would stand a chance.
• 39:45
  Speaker 9: You don't think she's alone, but when you do, you find she has her own life If they keep her.
• 39:53
  Speaker 9: Who say that the men are leading the women astray?
• 39:55
  Speaker 9: But I say that the women ought to be smarter than men in every way.
• 40:01
  Speaker 9: I tell you, the woman of Eden was very nice.
• 40:15
  Speaker 9: I don't ever work in paradise.
• 40:18
  Speaker 9: She beat me to sleep Paradise, won't?
• 40:21
  Speaker 9: She make Adam work from that day on?
• 40:24
  Speaker 9: Not me.
• 40:25
  Speaker 9: It's the people who say that the men are leading the women astray, but I say that the woman ought to be smarter than men in every way.
• 40:35
  Speaker 9: Yeah, yeah, yeah, yeah, yeah, yeah.
• 40:39
  Speaker 9: May too say last time it's life in chess with no woman for 900 years.
• 40:52
  Speaker 9: One day he decided to have some fun.
• 40:55
  Speaker 9: He never lived to see 901, not me.
• 40:59
  Speaker 9: It's the people who say that the men are leading the women astray, but I say that the woman ought to be smarter than men in every way.
• 41:10
  Speaker 2: Yeah yeah, yeah, yeah, yeah, yeah yeah.
• 41:21
  Speaker 1: Now I want to move on to one of the smartest men in the history, of smart manism.
• 41:26
  Speaker 1: Right, he might be the smartest man on earth, because just two weeks ago, I was talking about making song on a national anthem and talking about how nice it was that the public outcry caused this man to pull back and say, well, all right, well, maybe it's not the best thing to do.
• 41:47
  Speaker 1: People don't seem to be pleased about this, so I will stay away from it.
• 41:51
  Speaker 1: Right, I don't want to run into any problems with people.
• 41:55
  Speaker 1: People are unhappy and you all heard the great Neil Iver George Move away his song, move away his song from the national anthem and just went straight to the hook.
• 42:07
  Speaker 1: Now, the thing about it is I feel this man is semi-genius, right, the smartest man alive, and he clearly realized that if I put his song as a national anthem, we do the stir up some controversy, make the song the biggest song ever, and he could simply keep it if people don't care about it, or withdraw it and really launch the song that he wanted to launch.
• 42:29
  Speaker 1: Right, send him drinks up in the air.
• 42:31
  Speaker 1: Send him tree hands in the air.
• 42:33
  Speaker 1: Send him drinks up in the air.
• 42:34
  Speaker 1: Well, you remember, but apparently that was Nina Fai.
• 42:40
  Speaker 1: I will add the first version of the national anthem, which, I say, up to today he has not taken down because you apologize about the anthem, this and that, but he still leave it up on YouTube.
• 42:49
  Speaker 1: He put version two, which went straight to the hook of the chorus, right, but I want to let you know that the smartest man alive, the genius that is Neil Iver George, has another version of the song for us, so only one to hear.
• 42:59
  Speaker 1: I want the next version of the song.
• 43:29
  Speaker 3: In our little dreams.
• 43:31
  Speaker 3: Send us in the country.
• 43:32
  Speaker 3: Send us in the country.
• 43:33
  Speaker 3: Yes, come on, let's show this land of many very great things.
• 43:44
  Speaker 3: There we post us that come along, that boys and things as one.
• 43:51
  Speaker 2: Let me know around the world that we come from unity and take a pride in our liberty.
• 44:06
  Speaker 1: I want to explain to you how bad this song is.
• 44:08
  Speaker 1: Right Because I feel, based on what we were talking about last week, kerry John singing in national anthem and police commander talk to him he is going to get lock up singing in that national anthem because that send him trinities of hands in the air.
• 44:25
  Speaker 1: This song will last forever.
• 44:27
  Speaker 1: Right, because he is in national pride and everything All angers even need to do is win our next game or we get cash on World Cup, get a gold medal, and this is the biggest song in the world already.
• 44:36
  Speaker 1: Think about the song like we are trinidad, jump up trinidad.
• 44:42
  Speaker 1: Once you get national pride on your side, you have a song ahead for life, right?
• 44:47
  Speaker 1: So you put the anthem in that last about a week.
• 44:49
  Speaker 1: You take that out.
• 44:50
  Speaker 1: He give you the trinities hands in the air.
• 44:52
  Speaker 1: You realize that going nowhere because he, hyper on the song died on.
• 44:55
  Speaker 1: But I want to say that I don't know what the God bless our nation.
• 44:59
  Speaker 1: I know the difference between the national anthem and the national song and all them things.
• 45:03
  Speaker 1: He is supposed to stand up when the national song play.
• 45:05
  Speaker 1: Can I notice something I never really used to pay attention to it?
• 45:08
  Speaker 1: Like when you watch sports in the States and they sing the anthem Like sometimes they sing star sprangled banner and other times they sing the other song.
• 45:18
  Speaker 1: Whatever they held the other song.
• 45:20
  Speaker 1: I can't remember it now, but one is the national anthem and one is like a national song.
• 45:24
  Speaker 1: God save the queen.
• 45:24
  Speaker 1: Why can't I remember the next song?
• 45:27
  Speaker 1: Americans sing two versions of the anthem.
• 45:28
  Speaker 1: One is the anthem and one is the national song.
• 45:31
  Speaker 1: I don't know what's the name of it, but I never went to function here and they come and they say God bless our nation.
• 45:37
  Speaker 1: So I don't know if it's our official song.
• 45:38
  Speaker 1: They used to teach us in this in school.
• 45:41
  Speaker 1: We used to learn this in primary school and I want to go back to this song.
• 45:45
  Speaker 1: As a matter of fact, rewind the podcast a minute and try to sing along with this song.
• 45:50
  Speaker 1: I realize the only line I know is God bless our nation.
• 45:53
  Speaker 1: And you know something?
• 45:55
  Speaker 1: When I was in primary school in Newtown, I was never good at these things.
• 45:58
  Speaker 1: Now I remember the watch words.
• 46:00
  Speaker 1: I thought it was discipline, tolerance and reproduction.
• 46:04
  Speaker 1: I didn't realize I don't know.
• 46:07
  Speaker 1: And in this song too I used to sing.
• 46:09
  Speaker 1: I thought I had to sing and we can sing most.
• 46:13
  Speaker 1: I think that I thought I thought they're singing last to Lee.
• 46:16
  Speaker 1: You know what I mean.
• 46:18
  Speaker 1: We can sing most last to Lee.
• 46:20
  Speaker 1: I used to be singing and we can sing most last fully and take our pride.
• 46:26
  Speaker 1: I realize it now, sing last fully.
• 46:30
  Speaker 1: So I went on to something here because I don't know if anybody is going to stop him from singing.
• 46:34
  Speaker 1: God bless our nation in our faith.
• 46:36
  Speaker 1: And I think people will stand up, just like the national anthem in our faith, sometimes not even realizing that he didn't sing the national anthem.
• 46:44
  Speaker 1: Just like how I didn't realize America is singing two versions of the thing.
• 46:47
  Speaker 1: The way he went and sing this and people in the drunk state go home and say I was singing the anthem song, because this is not officially the anthem song.
• 46:56
  Speaker 1: And every sport and event or anything with our national pride.
• 47:00
  Speaker 1: If Wendy win an X Miss Universe, what else do we do as a country?
• 47:03
  Speaker 1: Everything we do and achieve.
• 47:05
  Speaker 1: Right, this is going to be Iowa, the forefront of the thing, genius, if you ask me.
• 47:10
  Speaker 1: You know what I mean.
• 47:13
  Speaker 1: And this is the what, the third version of the song.
• 47:16
  Speaker 1: So to find this song on YouTube, you need to go and look for a version three of the song.
• 47:22
  Speaker 1: Let me make sure I have it here on YouTube until I leave you writing it.
• 47:27
  Speaker 1: Iowa, version three.
• 47:30
  Speaker 1: Yeah, look for Happy People, version 3 and you will get lyrics for God Bless Our Nation, which I know you don't know, and he is keeping you well and well and well.
• 47:43
  Speaker 1: But again, all versions are their versions 1-2-3.
• 47:46
  Speaker 1: So if you prefer the anthem, or if you against the anthem and you want it by itself, or if you could take the hybrid which is God Bless Our Nation, you're inside with I Wajorji, great Neil Iwojorji.
• 47:56
  Speaker 1: You cannot go wrong.
• 48:01
  Speaker 1: I play all kinds of other songs and I forget that this is supposed to be a episode about Rash Shoti.
• 48:06
  Speaker 1: Right, rash Shoti I and I just want to play a little slice of something here for you, because many, many people are getting argued and surprisingly, that was a contentious thing on the podcast.
• 48:15
  Speaker 1: So, like people, they have people who repolarized the wrong Iwojorji, just.
• 48:19
  Speaker 1: Thankfully, most of the listeners I have salute to my guy who is so nursing who say I was a genius, I was appreciated, I was to play some voice notes from him too, and I forget.
• 48:31
  Speaker 1: But I was a genius and I want to play a song by Shoti here.
• 48:38
  Speaker 1: Right, that Iwo was real upset about him because it wasn't just the average person calling Iwo.
• 48:49
  Speaker 1: There's a lot of people who are talking about Iwo and when you hear some of these songs you had to wonder if Iwo writes any mind.
• 48:57
  Speaker 1: But I want to play a Rash Shoti I classic.
• 48:59
  Speaker 1: I want you to listen to this song, keeping in mind some of these songs from last week.
• 49:04
  Speaker 1: If you're now hearing this and listening to the episode from last week, go back to that episode from last week and hear some of the things that Shoti himself used to sing and then take in this.
• 50:22
  Speaker 3: Iwo you are a mover, step forwarder.
• 50:24
  Speaker 3: You're still singing For yourself.
• 50:26
  Speaker 3: A lot of friends singers messing up me.
• 50:28
  Speaker 3: Soka, move over For the elder statement of soka.
• 50:33
  Speaker 3: I come out to jam Jam, jam, jam wrong, lucifer.
• 50:37
  Speaker 3: I pray to be further for power.
• 50:39
  Speaker 3: I think they know that the tell me go jam Jam, jam, jam wrong, lucifer.
• 50:45
  Speaker 3: In the spirit and power of Indonesia, with Prince Soda and fire the tell me go jam Jam, jam, jam wrong, lucifer.
• 50:53
  Speaker 3: For all you that sing in, sing in, sing in the nation in trouble, and you, the monkeys and the people in responsible for your own singing, sing in, sing in the shout out to the justice and to come out and retire, men and sing, because all you've been a mess of it.
• 51:09
  Speaker 3: They called you a man singing.
• 51:11
  Speaker 3: Sing in the sad that the justice.
• 51:13
  Speaker 3: So much thing happen in the northern songs and they don't the way.
• 51:16
  Speaker 3: But you, singing for all you own, sing in, sing in the sad that the justice.
• 51:27
  Speaker 1: Yeah, yeah, yeah, yeah, shoti sing that when they all run through Iwo's serious songs and all they respected it.
• 51:33
  Speaker 1: Great Iwo Joe.
• 51:34
  Speaker 1: I had to go through so many more serious ones.
• 51:36
  Speaker 1: You know what I mean.
• 51:36
  Speaker 1: So I'll come back to IY episode, but if I line in that song, I want to touch on to write so to say all kinds of things happen in any country and only sing in foolishness, and that's how I felt earlier this week, between last few weeks actually.
• 51:51
  Speaker 1: I want to read a couple articles here, just quickly.
• 51:55
  Speaker 1: Some things on cryptocurrency not cryptocurrency as much, but digital currency.
• 52:01
  Speaker 1: Also an article by Andrea Perez-Sueber's.
• 52:04
  Speaker 1: Pesh Money Launches Mobile App.
• 52:06
  Speaker 1: The launch took place at one FinTech Avenue.
• 52:11
  Speaker 1: We have a FinTech Avenue at the International Warrant Center in Bodhispaden.
• 52:16
  Speaker 1: Janet Joseph, central Bank Assistant Management, payments and Finance, payments and financial markets infrastructure, said in September that Pesh Money received achieved full E-Money is your registration with the Central Bank of Trindiana, tobago.
• 52:30
  Speaker 1: On February 1st 2020, trindiana Central Bank issued provisional registrations to Pesh Money and TSTT as electric money issuers.
• 52:38
  Speaker 1: The provisional registrations, which cover an initial 6-month period, authorized TSTT and Pesh to issue money in TNT from March 1st as humanized next year.
• 52:47
  Speaker 1: Joseph noticed that one of the main objectives of the Central Bank is to maintain financial stability, as, with the onset of digital payments, the bank has expanded its regulatory ambit To cover the risks that arise from these emergent payment markets, such as consumer protection, cybersecurity and governance issues.
• 53:05
  Speaker 1: So the long and short story is that a few accounted about 5 of them Both private and central banks seem to be getting into themselves E-Money services, where we could have digital wallets and so on.
• 53:19
  Speaker 1: This is something that I am looking forward to, where we could start to go cashless, hoping that things like Apple Pay and so on work, which are very convenient.
• 53:32
  Speaker 1: Even going to Maracas yesterday was one of them days where you had to have cash right, because, thankfully, the bank and shock people now take card.
• 53:41
  Speaker 1: The car park in Maracas is taken card too, so you could pay with card and you don't need cash.
• 53:45
  Speaker 1: But if you need little services on the beach, right, like get a massage, fellas they see wanted to go to.
• 53:51
  Speaker 1: The people were selling a little color bash, at least they wanted to walk in the wrong.
• 53:56
  Speaker 1: Some of them stole, sell and craft, and then the two chair and umbrella for 100 people.
• 54:04
  Speaker 1: They want cash right.
• 54:06
  Speaker 1: So it would be great to get to a society where we are completely cashless, like again.
• 54:10
  Speaker 1: I do this often.
• 54:11
  Speaker 1: I am sorry, but I went to a farmers market in a place called Viscaya Museum in Miami and I am of the impression that when you go to a farmers market you need cash, right.
• 54:21
  Speaker 1: So I was encouraged to see and I guess that is a different society, right?
• 54:26
  Speaker 1: But I was happy or relieved, that when I reached there every single one of the boots was taken Apple Pay, cash shop, whatever the things were, or you could swipe your card.
• 54:35
  Speaker 1: Each one of them have portable machines, a little boy, jerry, out there, who make brisket and mac and cheese and things.
• 54:40
  Speaker 1: If you are there, check that, right.
• 54:43
  Speaker 1: But I wonder how quickly it will be for us to get to the point where every single person who is selling something could take cash like.
• 54:51
  Speaker 1: Imagine being able to just think of an apple watch or your phone and pay them for the water and keep it moving, or the awkwardness that comes with splitting a bill.
• 55:03
  Speaker 1: You know you go to a restaurant and there is a big table of people saying, alright, you are $40 on this.
• 55:08
  Speaker 1: And when splitting a bill is easier If you have things like cash up where listen, everybody could cash up me for this kind of thing or anything you have to organize these days, like again, I am sending that SOS to Ronald Rosales.
• 55:22
  Speaker 1: Anybody who see him please tell him to come back to Trinidad and Tobago.
• 55:25
  Speaker 1: Or they had whatever is happening or they are not waiting.
• 55:28
  Speaker 1: I need my barber back, but I went to another barber in St James and my boy, rudd, and Rudd is taking card.
• 55:34
  Speaker 1: It easy, ronald, I could transfer money to him on online banking.
• 55:38
  Speaker 1: So some of them you could do via online banking.
• 55:40
  Speaker 1: But it would be nice to have things like if this is where Pesche is going, and I know Alwyn Wayne, who is the founder of WePay, who is one of the pioneers, I think, locally here, of FinTech, and he has launched an app and a card service called Color, if I am not mistaken his name of it and those things getting making headway in Trinidad.
• 56:03
  Speaker 1: So salute to that.
• 56:04
  Speaker 1: I think it is a great initiative.
• 56:06
  Speaker 1: Oh yeah, look, it is in here, wepay's color app coming to TNT Caribbean mobile payment solutions and FinTech company.
• 56:14
  Speaker 1: Wepay, which was founded by 0.14 Alwyn Wayne launched its color mobile app in Medellin, colombia, last Thursday to coincide with the company's sixth WePay.
• 56:24
  Speaker 1: Wepay told the business guardian that the color app, which provides users a digital wallet and enable credit card, is a sister for launch.
• 56:31
  Speaker 1: It's slated for launch in all WePay territories, including Trinidad and Tobago.
• 56:36
  Speaker 1: It introduces a debit card with versatile features allowing online purchases, point of sale payments, atm cash withdrawals and, once an individual has a verified WePay account, acquiring the app is as simple as downloading it from iOS or Google Play Store.
• 56:50
  Speaker 1: There are no bureaucratic obstacles hindering the introduction of color in Trinidad and Tobago.
• 56:56
  Speaker 1: I am glad to hear that, because I remember him having to move his operation to Jamaica because he said it was just two bureaucratic dealing with the banks and the central bank here.
• 57:08
  Speaker 1: So salute to the central bank, salute to all the banks who are involved in this and particular salute to Alwyn Wayne and the people behind PESH, so that we have crack carriers in the modern days.
• 57:21
  Speaker 1: But I went back to Shoti talking about how the country burned down and the voices in the country talking about it, and I was listening to Rowley talking about going cashless.
• 57:29
  Speaker 1: Coincidentally, when he made a weak speech about going cashless in the comments somebody didn't say in birddan how we cashless long time.
• 57:36
  Speaker 1: We hear you talking about, but this is really on me, right what I'm going to say here don't make no sense and it's not logical at all.
• 57:51
  Speaker 1: I'm just telling you about my feelings, right?
• 57:52
  Speaker 1: I'm a therapist.
• 57:53
  Speaker 1: Tell me I don't have to explain my feelings and my feelings don't have to make a hundred percent sense.
• 57:57
  Speaker 1: So I'm going to share my feelings with all of you.
• 58:00
  Speaker 1: I really find that when I hear Rowley talking about anything except the crime situation is bottom and I know it unfair and I know it doesn't make sense, but it bothers me when I am boasting about trend dance becoming cashless by ex among the time, that's rubbed me the wrong way.
• 58:20
  Speaker 1: And maybe if he had to say well, we going cashless because of crime and we don't want people to have cash.
• 58:25
  Speaker 1: House breakings, finally, I think I would be happy with that.
• 58:30
  Speaker 1: It's not logical and it's not rational.
• 58:32
  Speaker 1: But I just don't want to hear much about much because of this crime situation.
• 58:39
  Speaker 1: It's so bad Everyday.
• 58:41
  Speaker 1: Seeing something is a house breaking, a killer, a man in Diego Martin trying to defend his own household is like nobody in this country is from a leadership standpoint.
• 58:50
  Speaker 1: I feel like they shouldn't talk about nothing else except what is the drastic and immediate plans to arrest this situation for it.
• 58:58
  Speaker 1: But I know that will make 100% sense, right, but going back to the great rash, shorty eye on digital money ني in the hospital.
• 59:40
  Speaker 3: Yeah, and we can hear a word from Helping Minister Kamal.
• 59:49
  Speaker 3: Oh, black, dirty water we had to drink Was a safe, clean but a smelly stink, and my friend, he told me I'm the air of problem, my friend, he showed me I'm the air of problem.
• 1:00:04
  Speaker 3: Oh yeah, you can't even use your phone to dial a prayer.
• 1:00:10
  Speaker 3: Yeah, all the phones in the mess and it's like nobody cares.
• 1:00:17
  Speaker 3: Oh, you can't even call the Prime Minister.
• 1:00:22
  Speaker 3: He don't be phone in the call for a prayer.
• 1:00:24
  Speaker 3: My friend, he showed me I'm the air of problem, my friend.
• 1:00:31
  Speaker 2: He showed me I'm the air of problem.
• 1:00:48
  Speaker 3: The AG started a drive to stop corruption.
• 1:00:51
  Speaker 3: Yeah, all them wheeling and dealing big shops was in confusion.
• 1:00:58
  Speaker 3: Oh, they threatened to kill but they keep on still Suddenly stopped.
• 1:01:05
  Speaker 3: They pass up in my phone.
• 1:01:07
  Speaker 3: They bother me, my friend, don't doubt me.
• 1:01:12
  Speaker 3: My friend.
• 1:01:13
  Speaker 3: Oh yeah, all them politicians today.
• 1:01:21
  Speaker 3: They just pull a smoke.
• 1:01:22
  Speaker 3: Oh, they make a foolish mistake and call it a joke.
• 1:01:30
  Speaker 3: Yeah, so much of people on the streets today and we can't be at home for them to stay.
• 1:01:36
  Speaker 3: My friend, he brought me Money and the problem.
• 1:01:40
  Speaker 3: Hey, my friend, don't doubt me.
• 1:01:42
  Speaker 3: Money and the problem.
• 1:01:58
  Speaker 3: This is Curry Band by our roads, the only ones in the Caribbean.
• 1:02:05
  Speaker 3: We have the most traffic jams you have ever seen.
• 1:02:10
  Speaker 3: Yeah, when they drain from the spinning pin, they drain on the street, so it's flood again.
• 1:02:18
  Speaker 3: My friend, don't doubt me.
• 1:02:20
  Speaker 3: Money and the problem, yeah.
• 1:02:24
  Speaker 2: Money and the problem yeah.
• 1:02:31
  Speaker 3: Public transport in this wealthy country so bad?
• 1:02:34
  Speaker 3: Yeah, trying to get home on evenings could drive you mad.
• 1:02:41
  Speaker 3: I tell you, if you see buses park up, I so care.
• 1:02:47
  Speaker 3: She quater walking properly.
• 1:02:48
  Speaker 3: My friend, they boy.
• 1:02:50
  Speaker 3: Money and the problem.
• 1:02:52
  Speaker 3: My friend, money and the problem.
• 1:02:56
  Speaker 3: Yeah, millions of dollars going down the drain.
• 1:03:13
  Speaker 3: I tell you, the airline in a mess and they buying wide body plane Daga Duga, people saying that this country like so much money and still not in the right.
• 1:03:25
  Speaker 3: My friend, the boy Money and the problem Boy Money and the problem.
• 1:03:42
  Speaker 3: Yeah, I tell you the HP shop say people in Trinidad don't pray Daga Duga.
• 1:03:48
  Speaker 3: That is why we catching so much help today.
• 1:03:51
  Speaker 3: I tell you People coming to church regularly but they conscious only of money.
• 1:03:59
  Speaker 2: My friend, they boy Money and the problem.
• 1:04:02
  Speaker 2: My friend Tell me Money and the problem.
• 1:04:11
  Speaker 1: You know I celebrate in all when we in on them and it's cash up kind of business with and they were shorty, just stop by church and then I realize you can go to church and say you know money for collection again, if it's cash up, where's the cash up collection?
• 1:04:25
  Speaker 1: I think they say I'm Joel Austin and them fellas taking cash up in adults are the do that don't know they deal with physical cash in each other and use more collection them or anything.
• 1:04:34
  Speaker 1: But as we on point 14 and all when, we in all when it is point from point 14, and I want to highlight one of the greats of point 14 and one of the greats of our culture that pass away this week, the great Rodney Riraka.
• 1:04:46
  Speaker 1: And if I could be so fast as to go to when steel talks, I like when steel talks a lot because when it comes up, pan men calipso everything and I have it archived well.
• 1:04:58
  Speaker 1: So why go through a lot when I could read directly from when steel talks?
• 1:05:03
  Speaker 1: So just to get a little bit on Rodney right, rodney was exposed to pan at a very young age and began playing when he was just four years old, grin up in Egypt village.
• 1:05:12
  Speaker 1: He spent two years as a member of the intruder steel band, which was previously known as Morningstar steel band, in 1951.
• 1:05:19
  Speaker 1: So he founded the tropical harmony steel band with Alan Jovey and became a member in national steel band in 62.
• 1:05:27
  Speaker 1: In the early 60s Rodney learned to read music and play their acoustic string bass and worked with brass and jazz bands.
• 1:05:38
  Speaker 1: He joined the Dutchie Brothers Orchestra in 1963 where he became a bassist and arranger.
• 1:05:44
  Speaker 1: After three years with the Dutchie Brothers, during which time tropical harmony disbanded, rodney joined the Harmonite Steel Band in 1967 where he took over as arranger and led the band to panorama titles in 68, 71, and 72.
• 1:05:59
  Speaker 1: In 73 he composed Friends and Countrymen a while a member of the mighty Sparrows accompanist the Troubadours, he arranged calypsoes for some of Sparrows albums, including La Cha Cha Cha in 68, more Sparrow in 69 and One for the Road in 76.
• 1:06:14
  Speaker 1: So his pan titles were in 68 with the record, 71 with play mass and 72 with St Thomas Guilds All of his winning arrangements by the great Lord Kitchener.
• 1:06:28
  Speaker 1: You know how we feel about Kitchener and Panoramic right.
• 1:06:32
  Speaker 1: So if you know one, you listen to calypso enough and you know Pan enough, you're supposed to know the kind of nickname, the record right, so I want to play a piece of that for you, and this is his first panorama.
• 1:07:14
  Speaker 10: Tell the record for me I want it them openly.
• 1:07:19
  Speaker 2: They're only for parking I need it a bit.
• 1:07:22
  Speaker 10: This $11 a head, tell them it's $11 bamboo instead.
• 1:07:26
  Speaker 10: When you hear a bone crack, it's bamboo and wood is back.
• 1:07:30
  Speaker 2: Yes.
• 1:07:48
  Speaker 10: One day, by Green Corner, a child in a Jaguar, up come the record and hook up the bumper.
• 1:07:55
  Speaker 10: The mother came crying around the corner.
• 1:07:58
  Speaker 10: Sir, can I speak to you?
• 1:07:59
  Speaker 10: The record say boo and they gone with the plignitude.
• 1:08:04
  Speaker 2: So tell the record for me.
• 1:08:06
  Speaker 2: I want it them openly.
• 1:08:07
  Speaker 2: They're only for parking.
• 1:08:08
  Speaker 2: I need it a bit.
• 1:08:12
  Speaker 10: This $11 a head?
• 1:08:14
  Speaker 10: Tell them it's $11 bamboo instead, when you hear a bone crack it's bamboo and wood is back.
• 1:08:27
  Speaker 10: Well, this was a laughter by Royal Theater Mireca attacking, sweeping from hen to chicken, Rampasad running from the market.
• 1:08:48
  Speaker 10: What's matter?
• 1:08:48
  Speaker 10: Again, it's a bitching.
• 1:08:50
  Speaker 10: And watch up like Vivantana Mialoplin Tell the record for me.
• 1:08:56
  Speaker 2: I want it them openly.
• 1:08:57
  Speaker 2: They're only for parking.
• 1:08:59
  Speaker 2: I need it a bit.
• 1:09:04
  Speaker 10: The record say boo, and they gone with the plignitude.
• 1:09:10
  Speaker 1: The man say $11, how much money do you get right now?
• 1:09:13
  Speaker 1: Going back to our article from Newsday, it says Earl Rodney shows he's still a force at 81.
• 1:09:18
  Speaker 1: When he was 81 years he held Earl Rodney and friends.
• 1:09:21
  Speaker 1: Reading from the Newsday musical arranger Earl Rodney proved that age is just a numbered cafe, blue rice and road police spain in a show entitled 8-1 and still going strong.
• 1:09:33
  Speaker 1: A legend in his own right, rodney surrounded himself with friends and music legends like Brother Valentino and Relator, as well as several young musicians to put on a fantastic show.
• 1:09:41
  Speaker 1: The evening started off with guitarist Larry Leloc, who trailed the audience with songs like Santimanite, makin', whoopee and Malawena.
• 1:09:50
  Speaker 1: He was so well received that there was an encore and again he went on with a Brazilian piece.
• 1:09:55
  Speaker 1: When asked the name of the song, he said it was original, still to be named the People's Calpsonian.
• 1:10:00
  Speaker 1: Brother Valentino came on stage, joined Rodney and the band and started with his set with Stay Ups in Babwe, a song arranged by Rodney back in 1979.
• 1:10:11
  Speaker 1: He continued with birds that fly high before doing Trinidad is nice, trinidad is a paradise.
• 1:10:16
  Speaker 1: They went on to talk about the show and him and Relator spent a long time on stage.
• 1:10:32
  Speaker 1: If you ever see Earl Rodney.
• 1:10:33
  Speaker 1: It is one of the calmest things you will ever see on a stage.
• 1:10:36
  Speaker 1: He is so calm and cool and I want to say effortless that the beauty of the music stands in front of him.
• 1:10:45
  Speaker 1: You see some performances like visual people, like when I say doge ai, what a chance to perform that God Blessing Nation.
• 1:10:52
  Speaker 1: He may feel you don't like it, you will get it like it.
• 1:10:54
  Speaker 1: I was talking about Olatunji too, where Olatunji might have a song that he hear and then like, but when you see him perform it, you will like it.
• 1:11:00
  Speaker 1: Earl Rodney is the opposite of that.
• 1:11:02
  Speaker 1: The music goes ahead of him.
• 1:11:04
  Speaker 1: He is so calm and cool and he playing in the two pansticks there, I mean it is just something to behold.
• 1:11:10
  Speaker 1: And I got an opportunity to see him in concert.
• 1:11:12
  Speaker 1: Or we Stacey and I got an opportunity to see him in concert when he was at.
• 1:11:17
  Speaker 1: I want to say Etienne Charles did a show called Creole's Soul, if I'm not mistaken, in Napper, and he brought Earl Rodney on to play with him.
• 1:11:25
  Speaker 1: I saw Etienne post about it.
• 1:11:27
  Speaker 1: I want to just read what Etienne said here.
• 1:11:29
  Speaker 1: He said I'll say a name for ever Maestro.
• 1:11:32
  Speaker 1: The touch, tone and note.
• 1:11:34
  Speaker 1: Choices on the pan, the brilliant arrangements and bass playing, the soft spoken warmth, humility and hospitality.
• 1:11:39
  Speaker 1: The way inspired generations.
• 1:11:42
  Speaker 1: I first met Mr Rodney in December 2013 and was blown away by his tone, approach and clever way of improvising.
• 1:11:49
  Speaker 1: He still performed like a piano master in the four stick chord melody technique that is seldom seen anymore on the pan and that was just one aspect of his genius In a lifetime before he was called a top arranger and bass player pending some of the iconic mighty spiral albums.
• 1:12:07
  Speaker 1: Leading the troubadours, which aspires back in band when in panorama with solo harmonites and laying down the low end on numerous calypsoes numerous classic calypsoes like playing stand in bass.
• 1:12:18
  Speaker 1: It is said that Soco was born in 1973, but Earl Rodney's baseline innovations well before that definitely marked part of the transition from Calypso to Soco.
• 1:12:29
  Speaker 1: A great example is Pan man by Mighty Sparro recording in 1970, a musical giant and unsung hero, pioneer, gentleman of class.
• 1:12:37
  Speaker 1: I'm grateful to the powers that connected us in this realm.
• 1:12:40
  Speaker 1: Surely the ancestors are already watching in awe as he serenades.
• 1:12:44
  Speaker 1: So he posted some clips of him performing together at Creole Christmas.
• 1:12:51
  Speaker 1: That was in 2019 in Lord Kitchener Auditorium in Naples.
• 1:12:55
  Speaker 1: And he said 2017, the sound of the people will premiere at Queen's Hall.
• 1:12:59
  Speaker 1: I don't think I went to that show, but definitely went to that Creole Christmas, which was an excellent show.
• 1:13:05
  Speaker 1: Rest in peace to Earl Rodney, condolences and love to his family and thanks for his contribution.
• 1:13:13
  Speaker 1: As I'm talking about Creole Christmas and we are on Etienne already, etienne has a show coming up.
• 1:13:17
  Speaker 1: I always talk about it.
• 1:13:19
  Speaker 1: It's a Fatima Boy too, right?
• 1:13:21
  Speaker 1: He has that same show, creole Christmas, that Earl Rodney performed in with him.
• 1:13:29
  Speaker 1: He's doing another version of it on the I want to say 60,.
• 1:13:33
  Speaker 1: Do I have the date right?
• 1:13:34
  Speaker 1: 16th December, lord Kitchener Auditorium.
• 1:13:37
  Speaker 1: I go be there.
• 1:13:41
  Speaker 1: I shall be there In the sand.
• 1:13:43
  Speaker 1: That's not something that I miss.
• 1:13:45
  Speaker 1: The great Ho Hoi Glam, who's the greatest Quattro players I ever see, slutor, robert Monroe plenty of great Quattro players, right, chae Otado, plenty of them.
• 1:13:52
  Speaker 1: But Ho Hoi Glam is on our next level and he on that show too.
• 1:13:55
  Speaker 1: But Etienne has this Creole Christmas and is not one to miss, right, because that show is a blender music.
• 1:14:04
  Speaker 1: That was really interesting and he had a Venezuelan singer on that show the same show with Earl Rodney who was saying I can't remember her name now, but Etienne was saying that, just like how we play Parang.
• 1:14:13
  Speaker 1: We play Spanish versions of Serenade in Christ for Christmas.
• 1:14:18
  Speaker 1: There's a Parang, basically is right, and we pick up that Venezuelan beat as part of something we bring in for Christmas.
• 1:14:25
  Speaker 1: He was saying that Venezuela does the opposite.
• 1:14:27
  Speaker 1: When you go to different parts of Venezuela, they play a more calypso type beat to celebrate their Christmas.
• 1:14:31
  Speaker 1: It's just interesting.
• 1:14:32
  Speaker 1: I mean, etienne is a man beyond how good he is with music, he's a world traveler and gives you so much insight into music and the history of our music and this is one of the things I make Etienne great too.
• 1:14:43
  Speaker 1: Etienne tends to always keep a little gem in terms of our history and our culture Because he don't have to put Earl Rodney on a show.
• 1:14:57
  Speaker 1: His show was going to sell out anyway.
• 1:14:58
  Speaker 1: If I'm not mistaken, relator was also on that show.
• 1:15:04
  Speaker 1: One of the Etienne shows I went to, relator was there singing some spoiler songs and so on.
• 1:15:08
  Speaker 1: So he does this and he also goes on the road with rhythm brass I hope I have that right and brings out several artists and veterans to sing old time calypso, new compositions, original pieces or less played radio pieces and popular songs on the road on Mondays and Tuesdays.
• 1:15:36
  Speaker 1: I don't say I'm playing Mass next year.
• 1:15:38
  Speaker 1: All my Mass partners go through plenty.
• 1:15:39
  Speaker 1: I just take a quick moment to salute my guy, op, and send him good thoughts and prayers.
• 1:15:47
  Speaker 1: I want all well wishes for him as he goes into a transition.
• 1:15:53
  Speaker 1: Here too.
• 1:15:53
  Speaker 1: Nothing wrong with him, right, but best wishes and prayers with him as well.
• 1:15:59
  Speaker 1: That's my Mass partner.
• 1:16:01
  Speaker 1: He out for the Mass next year.
• 1:16:03
  Speaker 1: Nobody in play in a damn Mass.
• 1:16:04
  Speaker 1: So what do you have to go and do?
• 1:16:06
  Speaker 1: I used to have bands with too much clothes on.
• 1:16:12
  Speaker 1: They are at my age, the way it's set up.
• 1:16:15
  Speaker 1: Now it's looking like if I had it there quickly.
• 1:16:20
  Speaker 1: So, etienne, show, I will be there.
• 1:16:22
  Speaker 1: Salute to Etienne for everything that he does to keep the music together.
• 1:16:26
  Speaker 1: And he cited Mighty Sparrow panman and you can take a quick little glimpse of that music.
• 1:16:47
  Speaker 2: Listen to the rhythm listen to the beat.
• 1:16:50
  Speaker 5: Look at all them women jumping in the street.
• 1:16:53
  Speaker 5: Steal my music.
• 1:16:55
  Speaker 5: I don't spell wrong.
• 1:16:56
  Speaker 5: You can tell the old from young women by the rocket.
• 1:17:00
  Speaker 5: And it's only one Monday, how you know.
• 1:17:02
  Speaker 5: It's kind of all time.
• 1:17:04
  Speaker 5: Women don't go to the beach flying and they have to show how to yard and they play a part with one man and they play a part so they can find it and play and they sing it.
• 1:17:16
  Speaker 5: No, we don't want no man.
• 1:17:18
  Speaker 5: We can have it banned.
• 1:17:37
  Speaker 1: Music we can't get a portion they come down the style, this beat that is still by how that boy is wise.
• 1:17:45
  Speaker 1: I like to see how that mini jumpin music so great, ul Rodney, rest in Peace.
• 1:18:15
  Speaker 1: Music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music music, music, music, music, music, music music music, music, music music music, music, music music
• 1:29:28
  Speaker 3: music, music, music, music music music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music music music, music music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music music music music music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music.
• 1:36:08
  Speaker 1: There's hardly a time where they don't have some kind of controversy around what would be the future of young people, because, even though it's not sports, when you see them at 30-something years old or 40 years old, that's a young, young person you're talking about in terms of not sports but life in general.
• 1:36:25
  Speaker 1: And when it's the real young people like this, you sometimes wonder like, what's the purpose of it?
• 1:36:31
  Speaker 1: Like, are we really playing for the best of the sport or the best of you know?
• 1:36:35
  Speaker 1: I mean, I understand too that Bravo would be a older player and he wants younger people to come in and think, but he's one of the best players and he may, can run, he struggled, but Shorty say push on, bravo, and you had to find your way to push on.
• 1:36:47
  Speaker 1: So I just wanted to highlight that and thank him for his service.
• 1:36:50
  Speaker 1: And I'm not sure how that goes, because I don't follow cricket enough to understand.
• 1:36:53
  Speaker 1: Okay, if you'd no longer play cricket for Western needs, can you still get selected and play in the T20 tournaments all over the world, which is how you'll earn.
• 1:37:02
  Speaker 1: And I didn't like the fact that, in the midst of everything he say, he say without any level of communication, I've been in a very dark place and listen, you see that shadow of a song called Do Good I played it a few times here that I like to listen to, especially when I'm struggling with anything, anything, and especially you know recording and what to say.
• 1:37:21
  Speaker 1: And if I should you know what do I cover this week I do have the energy to record it and then to talk about that Do Good song is getting me in a right place and you see that shorty push on that quickly becoming one of the songs that is getting me right.
• 1:37:33
  Speaker 1: So, bravo, continue to push on.
• 1:37:34
  Speaker 1: And I did see something from West Indies that I also wanted to highlight here real quick, because another person who I saw in Etienne show live for the first time that was the last show he did in Queensville was the piano girl, and the piano girl had opened the show with some of her own selections, some of her own compositions, as well as some covers.
• 1:37:52
  Speaker 1: If I'm not mistaken, she was playing and singing in that too.
• 1:37:54
  Speaker 1: And seeing people on social media versus seeing them live is a big difference.
• 1:38:02
  Speaker 1: She's a real performer and I mean to sit on myself with a piano and take over Queensville like that is pretty impressive.
• 1:38:08
  Speaker 1: And I saw her and Irfan Alves do a rendition or a version of Rally Wrong the West Indies that I want to play for you.
• 1:38:27
  Speaker 6: No noble thoughts brought us here to this region, but through it all, we have risen above.
• 1:38:37
  Speaker 6: We are flying in the night, flashing down below and above.
• 1:38:43
  Speaker 6: These keepers of the flame must be low and dying low.
• 1:38:53
  Speaker 6: Our passion feels the way like a raging fire.
• 1:39:06
  Speaker 6: As the sun rises, we know we can take it higher.
• 1:39:16
  Speaker 6: Let every voice be raised.
• 1:39:22
  Speaker 6: So Rally Wrong the West Indies.
• 1:39:35
  Speaker 6: No one forever.
• 1:39:37
  Speaker 6: Rally, rally Wrong the West Indies no one forever.
• 1:40:02
  Speaker 1: Let me tell you something Irfan Alves is one of the greatest all the time.
• 1:40:05
  Speaker 1: Easy, easy, easy.
• 1:40:06
  Speaker 1: One of the greatest all the time.
• 1:40:07
  Speaker 1: You see Rally Wrong the West Indies and I want to get back to Irfan Alves in a minute but Rally Wrong the West Indies is something that is very important at this time.
• 1:40:15
  Speaker 1: If you're not paying attention to it, I'm not sure if you're only watching what's going on with Guyana and Venezuela at this time and keep in mind that there's no selfishness in this matter.
• 1:40:27
  Speaker 1: This is a matter that we should be taking very seriously, not because of our relationship with Guyana and Venezuela, but also because of our proximity to that Guyana and Venezuela.
• 1:40:37
  Speaker 1: There's no war that fights in between them, two countries that are not going to affect we.
• 1:40:41
  Speaker 1: I don't know how strong Guyana army is, but they're standing up along with the great Irfan Alves, the men on the border that they're making sure that they protect their territory, and I know that Venezuela is a country that I mean from a political standpoint.
• 1:40:54
  Speaker 1: There may be a free, little war and a little battle, a little global battle.
• 1:40:57
  Speaker 1: You know what I mean.
• 1:40:58
  Speaker 1: They're not afraid of that, and I know that the powers that be, who, like what the UK's and the US of this world will be watching any kind of war, especially with oil involved, and look into coming in.
• 1:41:09
  Speaker 1: So this is a worrying thing, right, because I want you to go and look up what is the Esquibor region, as they say.
• 1:41:17
  Speaker 1: I'm starting back watching the crown the other day and in the crown when the episode where they say somebody breaking to see the queen or have you ever seen that the man?
• 1:41:29
  Speaker 1: I forgot his name.
• 1:41:30
  Speaker 1: Now he is breaking to the queen's place and sit down and talk to the queen.
• 1:41:33
  Speaker 1: I personally feel that was the queen man.
• 1:41:35
  Speaker 1: The queen used to have a lot of man used to sneak in the night.
• 1:41:38
  Speaker 1: I can't believe.
• 1:41:38
  Speaker 1: He used to come in Buckingham Palace twice.
• 1:41:40
  Speaker 1: He come in and the second night he gets to define them in the queen bedroom Because the first time they see him he run, and then the second time is because he in the queen bedroom sitting on chatting and saying me don't believe that she a little man.
• 1:41:52
  Speaker 1: But anyway, in that episode they spoke about Guyana, because Guyana had given them a gift that showed the three regions, the three rivers that define Guyana, which is Esquibor, boebe, sanidem, aurora, right.
• 1:42:04
  Speaker 1: So what guy what Venezuela is fighting over.
• 1:42:07
  Speaker 1: This is not a new dispute or new discussion, but Venezuela fighting over the Esquibor region.
• 1:42:13
  Speaker 1: Right, and they saying that belongs to them and we had been given that by the Commonwealth and England said that belongs to we.
• 1:42:21
  Speaker 1: I mean the idea that England could decide what belongs to who is crazy.
• 1:42:25
  Speaker 1: But whatever it was, this has been Guyana as it has been defined since we know it the Esquibor, the Marara and the Boebes Right, I want to go and Google the Esquibor region because sometimes when you're here in these news stories it is something like a little piece of land.
• 1:42:39
  Speaker 1: People fighting for Guyana decides a Guyana.
• 1:42:43
  Speaker 1: Listen, it is when they, if they were to take Esquibor region away from Guyana, the rest of Guyana get very, very, very small.
• 1:42:53
  Speaker 1: Let me put it like that Right, the thing looking like modern, two thirds this the size, and Guyana is a big place.
• 1:42:58
  Speaker 1: Small population, I think population about 800,000.
• 1:43:00
  Speaker 1: But they're very, very big land mass.
• 1:43:02
  Speaker 1: So when you look at what they're claiming and trying to take and if you ask me, it's all in the name of oil, because all of a sudden, guyana of oil and gas, these tensions starting to increase, because the tension wasn't there before.
• 1:43:14
  Speaker 1: We never hear about nothing like this.
• 1:43:15
  Speaker 1: But now that all the exons and so on of this world, down there is war time and here in Guyana, venezuela now pushing this narrative that that belongs to them and is their rightful thing and they want to annex Trinidad.
• 1:43:30
  Speaker 1: Don't feel Trinidad and come in and mix too, because oil and gas we have remained them.
• 1:43:33
  Speaker 1: To annex Trinidad, which is not something we're hearing for the first time either.
• 1:43:38
  Speaker 1: But over the weekend they had a referendum in Venezuela.
• 1:43:42
  Speaker 1: Sorry, venezuelans voting referendum over large swath of territory under dispute with Guyana.
• 1:43:47
  Speaker 1: So it said.
• 1:43:49
  Speaker 1: Venezuelans are voting in a referendum Sunday to supposedly decide the future of a large swath of neighboring Guyana that their government claims ownership of arguing in the territory was stolen when a North-South border was drawn more than a century ago.
• 1:44:02
  Speaker 1: Guyana considers referendum a step toward annexation and the vote has its residents on edge.
• 1:44:08
  Speaker 1: It asks Venezuelans whether they support establishing a state in the disputed territory known as the Esquibo, granting citizenship to current and future residents and rejecting the jurisdictions in the United Nations.
• 1:44:19
  Speaker 1: Stop courts in settling the disagreement between two South American countries.
• 1:44:23
  Speaker 1: They say we are solving through constitutional, peaceful and democratic means an imperial disposition of 150 years.
• 1:44:30
  Speaker 1: So, in a nutshell, they went to a referendum, which is a widespread vote in the country, so that the electorate can give their opinion on it.
• 1:44:38
  Speaker 1: They ask them five questions.
• 1:44:40
  Speaker 1: The major question is that belong to we all.
• 1:44:42
  Speaker 1: If you love it should take it back which, in my little bit of experience, is a very, very leading question which people would only answer yes to.
• 1:44:48
  Speaker 1: Turns out 90 something percent of the people answer yes to that.
• 1:44:51
  Speaker 1: I believe they say they had a couple hundred thousand people voting on it.
• 1:44:56
  Speaker 1: A couple issues with that right, because of the population size of Venezuela, that is a small percentage of people who voted for that.
• 1:45:07
  Speaker 1: Anyway, elections tend to have small percentages voted for them, right?
• 1:45:13
  Speaker 1: So let me say we could accept that.
• 1:45:16
  Speaker 1: I don't know how much trust or faith you have in Venezuela are reporting what was voted or their free and fair electoral process under Maduro anybody who was there before.
• 1:45:28
  Speaker 1: I'm not sure how much faith you have in it, but I have very little faith.
• 1:45:32
  Speaker 1: I also feel like if there's very little purpose of that.
• 1:45:37
  Speaker 1: So I read in here from the Guardian.
• 1:45:43
  Speaker 1: The first thing I saw in terms of voting had said 90 something percent and a couple hundred thousand people voting.
• 1:45:50
  Speaker 1: But reading from the Guardian this British Guardian of Venezuela has a proof of referendum called by the government of President Nicolas Maduro to claim sovereignty over an oil mineral rich piece of neighboring Ghana.
• 1:46:01
  Speaker 1: The country's electoral authority announced Few voters could be seen at voting centers, but the National Electoral Council claimed that more than 10.5 ballots were cast in the country of 20 million eligible voters.
• 1:46:13
  Speaker 1: That would mean you have a 50% voter turnout, which is unheard of, particularly in a country where it had no opposition there to go and vote for.
• 1:46:22
  Speaker 1: There's no referendum needed.
• 1:46:23
  Speaker 1: This is a farce.
• 1:46:24
  Speaker 1: It's a farce.
• 1:46:25
  Speaker 1: They do what they want anyway.
• 1:46:27
  Speaker 1: There's a or attack, or or what is it called?
• 1:46:32
  Speaker 1: Authoritarian country.
• 1:46:34
  Speaker 1: Right, they don't need no referendum and the voice of the people to do nothing, when, since then, they need the voice of the people.
• 1:46:40
  Speaker 1: So it's a big farce.
• 1:46:42
  Speaker 1: But the fact that they went to a referendum is a little bit worrying and it's something that we should pay attention to, right, because it seems as though they at least want to show some kind of public thing that, hey, democratically, we will ask to do this by our electorates and we have to do this, meaning that they're looking for some kind of international IO, international support, and they'll say well, don't get involved.
• 1:47:06
  Speaker 1: I'm doing what my population has been asking me to do for the longest while and we're taking care of this now.
• 1:47:11
  Speaker 1: So it's just one of them things to pay attention to, as we, as the song say, is rallying on the West in these times when these things are to happen, because these I find, like when I watch the news here, people not paying enough attention to that and that's a serious matter.
• 1:47:26
  Speaker 1: So I see Marshall Montana on them side of post about it, so maybe it will start to get more traction and people will pay more attention to it as the local stars start letting their voice be heard by a very, very frightening, a very, very frightening thing and a very frightening time.
• 1:47:42
  Speaker 1: Now to add a little more to this thing on Ghana, I would like to play the incoming prime minister, trinidad and Tobago and her words on Venezuela, which are on Venezuela versus Ghana, which I agree with wholeheartedly.
• 1:47:58
  Speaker 4: Listen.
• 1:47:58
  Speaker 4: My clear message to Maduro tonight is if you interfere with the Ghanis people, you interfere with the people of Trinidad and Tobago.
• 1:48:07
  Speaker 4: You touch one and you touch all.
• 1:48:13
  Speaker 4: We fully support the people of Ghana in this crisis and we call upon Maduro to obey international law and stay out of the lands occupied by Ghana.
• 1:48:24
  Speaker 4: I also tell the Gyanist people what I tell you all the time stand your ground, Stand your ground.
• 1:48:31
  Speaker 1: Oh, I thought you was going to be empty the clip.
• 1:48:33
  Speaker 1: She's like a little boy.
• 1:48:33
  Speaker 1: I mean maybe, maybe we need a ton of time and we go further, right?
• 1:48:38
  Speaker 1: Well, the sun was to become conciliary, you know what I mean.
• 1:48:42
  Speaker 1: And he, he, he, he, he tell, he tell Mike Hagan, he say you're not a wartime conciliar.
• 1:48:47
  Speaker 1: I wonder if Rolly War Talk is only for locals here when they're breaking COVID rules.
• 1:48:51
  Speaker 1: Maybe we need Kamala and George to come and empty the clip on behalf of Ghana.
• 1:48:54
  Speaker 1: But again, I'm going back to Shorty and I want to play a song from Shorty with relation to that situation.
• 1:49:03
  Speaker 3: Because he has set his love upon me.
• 1:49:07
  Speaker 3: Therefore, will I deliver him.
• 1:49:09
  Speaker 3: I will set him on high because he has known my name.
• 1:49:14
  Speaker 3: He shall call upon me and I will answer him.
• 1:49:18
  Speaker 3: I will be with him in trouble.
• 1:49:21
  Speaker 3: I will deliver and honor him with long life.
• 1:49:26
  Speaker 3: When I satisfy him and show my salvation, I will not be afraid of what man can do to me.
• 1:49:59
  Speaker 3: Man, you see his holy penalty.
• 1:50:02
  Speaker 3: You see, who call press, no man curse, he shall never honor a martyr.
• 1:50:10
  Speaker 3: Who call press, no man shall ever curse, he shall never honor a martyr.
• 1:50:21
  Speaker 3: I'll be first.
• 1:50:45
  Speaker 3: I'll be first.
• 1:50:55
  Speaker 3: I'll be first.
• 1:51:29
  Speaker 2: I'll be first.
• 1:51:30
  Speaker 2: I'll be first.
• 1:51:50
  Speaker 1: I'll be first.
• 1:51:51
  Speaker 1: I'll be first.
• 1:51:58
  Speaker 1: No, that brings me to the end of the episode.
• 1:52:08
  Speaker 1: It wouldn't be right.
• 1:52:09
  Speaker 1: It's not going to be a Shorty episode.
• 1:52:11
  Speaker 1: It has some songs that you can't leave out when you're talking about Shorty.
• 1:52:15
  Speaker 1: This is one of them.
• 1:52:18
  Speaker 11: Yes, my people which are called by my name shall humble themselves and pray and seek my face and tune from their wicked ways that I shall hear from heaven and will forgive their sin and will heal their land.
• 1:53:10
  Speaker 3: Look facility will give you the honour of praying for theiroshi and will always thank you for listening.
• 1:53:25
  Speaker 3: Good morning, hello.
• 1:53:27
  Speaker 3: Over night get so angry.
• 1:53:30
  Speaker 3: Unobtight, I search out the answer and this is what I discover All the push the creator of.
• 1:53:39
  Speaker 3: Nobody wanted any of them, so you're taken out by the school's curriculum.
• 1:53:44
  Speaker 3: No knowledge of coffee to run.
• 1:53:47
  Speaker 3: Look around you.
• 1:53:51
  Speaker 3: All you have is teenage bandits.
• 1:53:54
  Speaker 3: They might have nothing in it but O's and A's and C's and C's, but no knowledge of the Almighty, just because the push the creator out.
• 1:54:04
  Speaker 3: You didn't want any name in your mouth.
• 1:54:07
  Speaker 9: So you're taken out by the school's curriculum.
• 1:54:10
  Speaker 3: You've been the foods of your actions.
• 1:54:12
  Speaker 3: So tell me where you're balling for the ball.
• 1:54:18
  Speaker 3: Where are you crying for the fight?
• 1:54:21
  Speaker 3: Where you're balling for the ball, where are you crying for Is you?
• 1:54:25
  Speaker 3: Push the creator out.
• 1:54:27
  Speaker 3: Every generation that comes is nothing more Than a reproduction of the one gone before.
• 1:54:39
  Speaker 3: All your double standards and your false value.
• 1:54:42
  Speaker 3: They come back and catch your whole of God.
• 1:54:45
  Speaker 3: I'm confusing you.
• 1:54:47
  Speaker 3: What you're seeing is yourself Manifesting, nothing else.
• 1:54:52
  Speaker 3: Check your children's performance.
• 1:54:54
  Speaker 3: They're not deeper in your conscience.
• 1:54:57
  Speaker 3: You go seed All.
• 1:54:59
  Speaker 3: Your push the creator out.
• 1:55:01
  Speaker 9: You didn't want any name in your mouth, so you're taken out by the school's curriculum.
• 1:55:06
  Speaker 9: No knowledge of coffee to run.
• 1:55:12
  Speaker 3: Look around you.
• 1:55:13
  Speaker 3: All you have is teenage bandits.
• 1:55:15
  Speaker 3: They might have nothing in it but O's and A's and C's and C's, but no knowledge of the almighty.
• 1:55:22
  Speaker 3: Just because you're push the creator out.
• 1:55:25
  Speaker 3: You didn't want any name in your mouth, so you're taken out by the school's curriculum.
• 1:55:31
  Speaker 3: You've been the foods of your actions.
• 1:55:34
  Speaker 3: So tell me where you're balling for the ball?
• 1:55:39
  Speaker 3: Where are you crying for the fight?
• 1:55:42
  Speaker 3: Where you're balling for the ball?
• 1:55:44
  Speaker 3: Where are you crying for?
• 1:55:45
  Speaker 3: Is you push the creator out?
• 1:55:48
  Speaker 3: You didn't want any name in your mouth.
• 1:55:50
  Speaker 3: Don't condemn the children for their inequity, because it's all you who make them and shape their mentality.
• 1:56:04
  Speaker 3: Watch your dead in secret, yet when openly Go, run away from it Is your own cruelty.
• 1:56:12
  Speaker 3: A mango can bear a pig.
• 1:56:15
  Speaker 3: A donkey can make a pig.
• 1:56:17
  Speaker 3: Your soul sees a darkness.
• 1:56:19
  Speaker 3: Now you reap it with kindness.
• 1:56:22
  Speaker 3: Just because you're push the creator out.
• 1:56:26
  Speaker 9: You didn't want any name in your mouth, so you're taken out by the school's curriculum.
• 1:56:31
  Speaker 3: No knowledge of coffee to run.
• 1:56:34
  Speaker 3: Look around you.
• 1:56:38
  Speaker 3: All you have is teenage bandits Little girls who are photogenic, prostituting their body on the heat, the bomb and punch with pornography Just because you're.
• 1:56:49
  Speaker 3: Push the creator out.
• 1:56:50
  Speaker 9: You didn't want any name in your mouth, so you're taken out by the school's curriculum.
• 1:56:56
  Speaker 3: You reap in the fruits of the actions.
• 1:57:00
  Speaker 2: Pinga-ninga chick, pig chick.
• 1:57:01
  Speaker 2: So tell me where you're falling for the ball.
• 1:57:04
  Speaker 2: Where are you crying for the cry, the ball, the?
• 1:57:07
  Speaker 6: ball, the ball the cry.
• 1:57:12
  Speaker 1: And again, a cabia shorty episode with all this Right.
• 1:57:14
  Speaker 1: I leave it all here on this and I'll go ahead from Bright and early next week again.
• 1:57:19
  Speaker 1: But a cabia shorty episode with all that right.
• 1:57:26
  Speaker 3: This song is dedicated to all my sons and daughters Through the four corners of the earth.
• 1:57:43
  Speaker 1: Yes.
• 1:58:07
  Speaker 3: My sons and my daughters.
• 1:58:09
  Speaker 3: To you I plead Watch, don't get no horrors, but please take heed.
• 1:58:18
  Speaker 3: I know you don't want more sermon, but my admonition Is to guard you against all the evils of life that creates strife and destroy life.
• 1:58:37
  Speaker 3: Walk cautiously, children, be alert, because you have an enemy that roving the earth.
• 1:58:50
  Speaker 3: I know you're young and restless, but you don't have to be careless.
• 1:58:58
  Speaker 3: You see so bad thinking leads on to righteousness, to happiness, spiritual bliss.
• 1:59:09
  Speaker 3: That's why I tell you this Watch out my children.
• 1:59:13
  Speaker 3: Watch out my children.
• 1:59:16
  Speaker 3: It have a better thought.
• 1:59:19
  Speaker 3: Who's deeper with a bag of white powder and he don't want to powder your face but to bring shame and disgrace To the human race.
• 1:59:32
  Speaker 3: Now we sing it again Watch out my children.
• 1:59:36
  Speaker 3: Watch out my children.
• 1:59:39
  Speaker 3: It have a better thought.
• 1:59:42
  Speaker 3: Who's deeper with a bag of white powder and he don't want to powder your face but to bring shame and disgrace To the human race.
• 1:59:54
  Speaker 3: I give you my counsel Because I want to see All you young people live right your way.
• 2:00:07
  Speaker 3: What you feed your mind with forms your characteristics and shape the path that you must walk tomorrow, darkness or glow, enjoy yourself.
• 2:00:26
  Speaker 3: That's why I'm concerned so watch out my children.
• 2:00:32
  Speaker 2: Watch out my children.
• 2:00:34
  Speaker 3: It.
• 2:00:34
  Speaker 3: Have a better thought.
• 2:00:37
  Speaker 3: Who's deeper with a bag of white powder?
• 2:00:39
  Speaker 3: And he don't want to powder your face, but to bring shame and disgrace To the human race.
• 2:00:49
  Speaker 3: To all my sons and daughters in Germany Watch out my children, watch out my children.
• 2:00:56
  Speaker 3: It have a better thought.
• 2:01:00
  Speaker 3: Who's deeper with a bag of white powder?
• 2:01:03
  Speaker 3: And he don't want to powder your face, but to bring shame and disgrace To the human race.
• 2:01:12
  Speaker 3: Oh, you're young and your future Is ahead of you.
• 2:01:18
  Speaker 3: Right or wrong, sweet or sour, depends on what you do.
• 2:01:25
  Speaker 3: Taking the wrong direction Will drain your constitution and promote mental cares and confusion, then corruption to DNA man, and that is not what's planned To my Spanish children, to my Spanish children.
• 2:01:52
  Speaker 3: It have a better thought.
• 2:01:54
  Speaker 3: Who's deeper with a bag of white powder and he don't want to powder your face, but to bring shame and disgrace To the human race.
• 2:02:06
  Speaker 3: To my French children Watch out my children, watch out my children.
• 2:02:15
  Speaker 7: Watch out my children.
• 2:02:16
  Speaker 7: It have a better thought.
• 2:02:20
  Speaker 3: Who's deeper with a bag of white powder and he don't want to powder your face, but to bring shame and disgrace To the human race, to my East Indian children, to my children, to my children.
• 2:02:37
  Speaker 3: A man like this is a devil.
• 2:02:41
  Speaker 3: Who's faster than a tiger and he doesn't put powder on others.
• 2:02:46
  Speaker 3: A man like this is a devil.
• 2:02:55
  Speaker 2: Watch out my children.
• 2:02:56
  Speaker 2: Watch out my children.
• 2:03:02
  Speaker 3: It.
• 2:03:02
  Speaker 3: Have a better thought.
• 2:03:03
  Speaker 3: Who's deeper with a bag of white powder?
• 2:03:05
  Speaker 3: And he don't want to powder your face, but to bring shame and disgrace To the human race.