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A Daystar Is Born · The Breakfast Club

• 0:01
  Speaker 1: This is your week of Hallau Breakfast Club to show
• 0:05
  Speaker 1: you love to hate from the East to the West Coast,
• 0:08
  Speaker 1: dj En Vangeli, ye Cholomagne, The Rulers show on the Planet.
• 0:12
  Speaker 1: This is who I respect this show because this is
• 0:14
  Speaker 1: a voice of society, change in the game. Guys are
• 0:17
  Speaker 1: the coveted morning show. But y'all earn impacting the culture.
• 0:21
  Speaker 1: Wake up in the morning and the day. Want to
• 0:23
  Speaker 1: hear that Breakfast the World's most dangerous morning show. Good
• 0:39
  Speaker 1: Morning Usa, yo ya ya ya ya yo ya ya
• 0:42
  Speaker 1: ya yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo yo yo.
• 0:47
  Speaker 1: Good morning manually yea good money used the planet. Guess
• 0:52
  Speaker 1: what day it is? Guess what day it is? Good morning,
• 1:01
  Speaker 1: what's happening now? I had a great night last night.
• 1:03
  Speaker 1: I hosted the premiere of that show Atlanta that's coming
• 1:06
  Speaker 1: on FX that Donald Glover created and Childish Scam being on.
• 1:10
  Speaker 1: I've seen the promo for that. It looks really really fruity.
• 1:12
  Speaker 1: They all standing there with peaches and the out Yes
• 1:15
  Speaker 1: they are, because obviously Georgia Peach. You know, it's a
• 1:18
  Speaker 1: hilarious show, though. I think you guys are really enjoy it.
• 1:21
  Speaker 1: I actually watched the episodes at home just to get
• 1:24
  Speaker 1: ready for the Q and A, and then I watched
• 1:25
  Speaker 1: the two first two episodes. Again hilarious the audience and
• 1:29
  Speaker 1: loved it. Great reaction. But you know, I think it's
• 1:32
  Speaker 1: a great show. They said it was semi autobiographical, but
• 1:35
  Speaker 1: that's not true because I was, like to Donald Glover
• 1:38
  Speaker 1: on the show. He plays this guy Ernest, and he
• 1:40
  Speaker 1: wants to go manage his cousin who's a rapper paperboy. Okay,
• 1:44
  Speaker 1: that never. I don't think he ever really did that
• 1:46
  Speaker 1: in real life. But I did Donald Glover smell last night.
• 1:48
  Speaker 1: He smelled great. He actually had on a nice looking suit.
• 1:51
  Speaker 1: He every okay good. I told y'all, most creative types
• 1:55
  Speaker 1: don't wash, and Donald Glover is one of those. But
• 1:58
  Speaker 1: last night. The show starts September six, so I'll be
• 2:00
  Speaker 1: watching it now. I want to tell you what else
• 2:02
  Speaker 1: I did last night. You're gonna be so jealous. Charlotagne's
• 2:05
  Speaker 1: gonna be jealous. Guess who I saw last night. Serena
• 2:08
  Speaker 1: Williams really in Brooklyn dropped on a clues bons with
• 2:11
  Speaker 1: Serena Williams and Brooklyn and she, Oh my god, and
• 2:15
  Speaker 1: I see now you're talking about a whole packager dived chocolate.
• 2:18
  Speaker 1: That's just incredible. But what are they doing eating? We
• 2:22
  Speaker 1: were all at the same place eating them. I did not.
• 2:27
  Speaker 1: I'm sure I never met Serena. She's still aware. But
• 2:30
  Speaker 1: but before I was married, I had a list of
• 2:31
  Speaker 1: women who I would suck a fart out of there.
• 2:33
  Speaker 1: But in Serena, Kelly Rowland, Patti LaBelle Um, Jennifer Lopez,
• 2:38
  Speaker 1: and Stacy Dash on that list. That list has since
• 2:40
  Speaker 1: been modified because I'm married. Stacy Dash is no longer
• 2:43
  Speaker 1: on it. But it looks like they were having a
• 2:45
  Speaker 1: nice girls night out. There was about seven of them
• 2:48
  Speaker 1: all together. And I guess Serena's been in Brooklyn for
• 2:51
  Speaker 1: the past few days working on something. So Oh, God,
• 2:54
  Speaker 1: bless Serena Williams and Kelly Roland, God bless all that. Melanie.
• 2:57
  Speaker 1: Why you close your eyes? You really want God to
• 2:59
  Speaker 1: bless her? Yes? I do. Why Why can't I send
• 3:02
  Speaker 1: some sire blessing beautiful black women? Chealomie will talk all
• 3:05
  Speaker 1: of that ish, But if he saw them and he
• 3:07
  Speaker 1: was there, just like that time, We ran into Eva
• 3:09
  Speaker 1: Marsal We were at a restaurant and she said, hey,
• 3:12
  Speaker 1: I'm a big fan, and he got all nervous, said,
• 3:15
  Speaker 1: I situation, What issue am I talking about? Saying God
• 3:20
  Speaker 1: bless You would think that if he saw he would
• 3:23
  Speaker 1: run up to Oh, you know, I love you, Serena,
• 3:25
  Speaker 1: but he would get nervous. I've never got nervous around
• 3:29
  Speaker 1: Kelly Roland. Kelly Rowland, but you never met Serena. He
• 3:33
  Speaker 1: only got nervous in front of Eva and getting nervous
• 3:36
  Speaker 1: from you. Didn't get nervous in front the print. You know,
• 3:38
  Speaker 1: you say, you say something awkward, and you're like, why
• 3:43
  Speaker 1: did I say that? I don't like y'all putting even
• 3:45
  Speaker 1: princes in the same sentence, like they're on the same
• 3:47
  Speaker 1: caliber human at all. No, okay close, But you got
• 3:50
  Speaker 1: nervous when you see him. I didn't get nervous. I
• 3:54
  Speaker 1: just didn't know what to say. Hello. I did say that,
• 3:57
  Speaker 1: but then I said, I grew up Jehovah's witness too,
• 3:59
  Speaker 1: just like him. That was And he said, and he said, well,
• 4:02
  Speaker 1: we need to discuss that one day. And then what
• 4:04
  Speaker 1: are you supposed to do with a man? And just
• 4:05
  Speaker 1: floating in front of you. You're not supposed to get
• 4:07
  Speaker 1: nervous when you see a man float. You're not gonna
• 4:10
  Speaker 1: get nervous to say, how are you floating? Yeah? I should,
• 4:12
  Speaker 1: That's what I shout, how are you floating? I couldn't
• 4:15
  Speaker 1: speak in front of Prince. We know. It's almost like
• 4:16
  Speaker 1: all your signals get shut off, you know, like you're
• 4:18
  Speaker 1: not when you like your phones around certain things. Just
• 4:21
  Speaker 1: call a field, it just shuts off. That's what Prince
• 4:23
  Speaker 1: does the people. I just got another note in my
• 4:25
  Speaker 1: laptop now. Yesterday I got a note left by Tory Lanes. Today,
• 4:29
  Speaker 1: now there's another note. When I opened it. This one says,
• 4:32
  Speaker 1: what's that bitch? Love you? That must be from Remy Martin?
• 4:36
  Speaker 1: Are Young? Definitely Remy mar or seven because Remmy was
• 4:40
  Speaker 1: here seven a ready seven. Speaking of Tory Lanes, he'll
• 4:45
  Speaker 1: be here today. Yeah, Tory Lanes will be joining us
• 4:47
  Speaker 1: this morning. Been listening to his album in the past
• 4:49
  Speaker 1: couple of days, don't you think so far? I think
• 4:51
  Speaker 1: it's good, but he needs to develop his own sign.
• 4:53
  Speaker 1: It sounds like everybody else, sounds like about three different people.
• 4:56
  Speaker 1: Part of it is because he probably writes for those
• 4:57
  Speaker 1: three different people maybe saying that they might sound like
• 5:00
  Speaker 1: him because he probably wrote a lot of songs for him.
• 5:02
  Speaker 1: Possibly that happened with Travis Scott. When I heard Travis
• 5:04
  Speaker 1: Scott album, I'm like, damn, I feel like I heard
• 5:06
  Speaker 1: all this before. But it conse trivised me writing for
• 5:07
  Speaker 1: so many people. But we know, we'll talk to the
• 5:10
  Speaker 1: young Tory about it. Okay, front page knows what we're
• 5:12
  Speaker 1: talking about next year. Well, it used to be that
• 5:14
  Speaker 1: cigarettes was what people use in prison as currency. Guess
• 5:18
  Speaker 1: what people are using something else for an orfiic station
• 5:22
  Speaker 1: properly right, we'll get into it when we come back.
• 5:27
  Speaker 1: Keep a lot of test to Breakfast club. Good morning morning.
• 5:31
  Speaker 1: Everybody is DJ mzy angela Ye, Charlemagne and God we
• 5:35
  Speaker 1: are the Breakfast Club. They don't forget. Next our Tory
• 5:37
  Speaker 1: Lanes will be joining us. Now let's get to some
• 5:40
  Speaker 1: front Page news. Now, what is the new currency in prison? Ye? Oh, well,
• 5:44
  Speaker 1: you know, it used to be that cigarettes was what
• 5:47
  Speaker 1: prisoners would use kind of as currency. Now prisoners are
• 5:52
  Speaker 1: using ramen noodles. They're saying that is actually higher on
• 5:56
  Speaker 1: the list currency in prison than I been going down
• 6:00
  Speaker 1: more than cigarettes though. Well, they actually did a study
• 6:03
  Speaker 1: in male state prisons with more than five thousand inmates,
• 6:06
  Speaker 1: and one surprising finding was the role of ramen noodles. Now,
• 6:09
  Speaker 1: part of the reason is that more than a decade ago,
• 6:12
  Speaker 1: prisoners no longer were served three hot meals a day
• 6:15
  Speaker 1: because now they got their second mail change to a
• 6:17
  Speaker 1: cold sandwich and a bag of chips, and lunch was
• 6:19
  Speaker 1: eliminated from weekend menus all together. They also have small
• 6:22
  Speaker 1: apportion sizes, so you can imagine for a lot of
• 6:25
  Speaker 1: people they need to get some more food some way, somehow.
• 6:28
  Speaker 1: So now because ramen noodles don't cost a lot and
• 6:31
  Speaker 1: they have a long shelf life, that's why people are
• 6:33
  Speaker 1: using ramen noodles. Could it also because prisoners are getting
• 6:36
  Speaker 1: healthier and they know that cigarettes aren't healthy. I don't
• 6:39
  Speaker 1: know that ramen noodles. That could be part of it though, too,
• 6:41
  Speaker 1: because people that are maybe not smoking or they're getting
• 6:43
  Speaker 1: in trouble for smoking as well. But I don't know
• 6:44
  Speaker 1: that ramen noodles are really that healthy either. They have
• 6:46
  Speaker 1: a lot of sodium in them. A lot of us
• 6:49
  Speaker 1: were raised off ramen noodles. Okay, so a lot of
• 6:51
  Speaker 1: healthy individuals out here in these streets because of ramen noodles.
• 6:53
  Speaker 1: Trust me, I ate a lot of those when I
• 6:55
  Speaker 1: was in college. But they really aren't that good for you,
• 6:58
  Speaker 1: all right, So they said that the our side of
• 7:00
  Speaker 1: ramen noodles is inmates who don't pay up. I'm sure
• 7:02
  Speaker 1: you ate a lot of stuff in raped over some
• 7:05
  Speaker 1: ramen noodles. No, I don't want to imagine that some
• 7:06
  Speaker 1: of them actually have had to enter protective custody to
• 7:10
  Speaker 1: escape debts. Will get your butt taken over some ramen noodles.
• 7:15
  Speaker 1: You've promised me some ramen noodles. You don't meat some
• 7:16
  Speaker 1: ramen noodles. Give it up or give up the button?
• 7:18
  Speaker 1: And okay, now let's talk about cheese. Well, the federal
• 7:23
  Speaker 1: government is announcing a plan. They're gonna buy it, literally
• 7:25
  Speaker 1: all of the extra cheese, which is about eleven million
• 7:27
  Speaker 1: pounds of cheese cheese. Now that cheese is going to
• 7:31
  Speaker 1: be given to food banks and charity groups to provide
• 7:33
  Speaker 1: the families in need across the country. So they're saying
• 7:36
  Speaker 1: that extra cheese is valued at twenty million dollars. Now,
• 7:40
  Speaker 1: cheese is definitely something growing up. Cheese. You could get
• 7:43
  Speaker 1: a big, huge block of cheese and then have to
• 7:46
  Speaker 1: cut it yourself. I would eat cheese at all, really,
• 7:49
  Speaker 1: no more like I've been cut out cheese only because
• 7:51
  Speaker 1: cheese really binds me up, like I like for my
• 7:53
  Speaker 1: bows the movies, and the cheese doesn't allow that. Now.
• 7:56
  Speaker 1: I had an argument about this the other day about
• 7:57
  Speaker 1: whether or not cheese is good for you, because one
• 7:59
  Speaker 1: of my friends and to say cheese is great for you,
• 8:01
  Speaker 1: and I was saying what you can get like calcium
• 8:03
  Speaker 1: and things like that in other places. I don't cheese
• 8:06
  Speaker 1: taste great. I used to think I needed cheese on everything.
• 8:08
  Speaker 1: I love cheese on my hamburgers, cheese on my pizza,
• 8:11
  Speaker 1: but I don't really eat that. Like I can't really
• 8:13
  Speaker 1: even eat a turkey burger without cheese on it. Pizza
• 8:17
  Speaker 1: I used to loveday, I listen, I love some cheese,
• 8:21
  Speaker 1: but I definitely understand that it's I don't. I don't
• 8:24
  Speaker 1: know the value of cheese. Some people say it's good
• 8:26
  Speaker 1: for you, and I've always looked at it as it's not.
• 8:29
  Speaker 1: Really cheese is great. I need easy path bows, man.
• 8:31
  Speaker 1: I can't be eating no cheese and then be sitting
• 8:33
  Speaker 1: on the toilet for you know, minutes on it like
• 8:36
  Speaker 1: macaroni and cheese, and then my left leg always be
• 8:38
  Speaker 1: going to sleep. Cheese. Now, now I will do some
• 8:41
  Speaker 1: mac and cheese with some you're making foods don't. But
• 8:44
  Speaker 1: that's probably the only time I really dodd with some
• 8:47
  Speaker 1: some baked ziti with some matza relli cheese on it.
• 8:49
  Speaker 1: That's too rich. And I can't really eat eggs without cheese.
• 8:52
  Speaker 1: I gotta have a little cheese and leggs cheese, cheese.
• 8:57
  Speaker 1: And there's nothing like a good old fashioned grilled cheese sailing.
• 9:00
  Speaker 1: I go to Chick fil A, I'm getting me in
• 9:01
  Speaker 1: a number one with cheese now, But those occasions are rare.
• 9:04
  Speaker 1: And and so you like cheese? No, I don't like cheese,
• 9:07
  Speaker 1: he said, it's all like cheese. I do. I do
• 9:10
  Speaker 1: enjoy cheese. I like cheese. And why do the kids
• 9:13
  Speaker 1: run around saying cheese? I don't know. It's a new thing,
• 9:15
  Speaker 1: and I don't know. It's not a new thing. Stupid,
• 9:19
  Speaker 1: it's not when they take pictures. Wow, did you hear
• 9:23
  Speaker 1: what he said? Did you hear that? I didn't hit it?
• 9:25
  Speaker 1: I'm act like I didn't hear that. Not when they
• 9:27
  Speaker 1: take Have you ever heard somebody say good morning in
• 9:29
  Speaker 1: the morning. That's the new thing too. It's just thing
• 9:30
  Speaker 1: and say they say good and then they say morning
• 9:32
  Speaker 1: after you. Why do people put cheese in the mouth? Check?
• 9:35
  Speaker 1: Where were you raised that people were number saying cheese
• 9:38
  Speaker 1: when they took pictures, not when they're taking pictures. It's
• 9:41
  Speaker 1: a new thing that they run around and they'll run
• 9:43
  Speaker 1: up to people and just go cheese. It's just you know,
• 9:45
  Speaker 1: what does that? You guys are old, all right, yes
• 9:47
  Speaker 1: we are, and so you and you need to start
• 9:49
  Speaker 1: acting like you say random? Why kids say cheese? Says
• 9:54
  Speaker 1: it's a camera in their face and take the other day,
• 9:56
  Speaker 1: I went to a fast food wrestler. My daughter and
• 9:58
  Speaker 1: her friend ordered food and it was so fun Even
• 10:00
  Speaker 1: when she got to the thing, it was like cheese.
• 10:01
  Speaker 1: I didn't know what's so funny as maybe they ordered
• 10:04
  Speaker 1: the burglar with cheese, Chick fil a sandwich with cheese.
• 10:07
  Speaker 1: Maybe maybe they want to cheese on their pizza. You
• 10:09
  Speaker 1: want the restaurant food. Actually they ordered nuggets and they
• 10:12
  Speaker 1: didn't want cheese on it. It was funny to them,
• 10:14
  Speaker 1: and I act like I knew what it was they
• 10:15
  Speaker 1: were talking about, and I laughed. That's when you know
• 10:18
  Speaker 1: that's when you know you didn't know, when you start
• 10:19
  Speaker 1: acting like you know what's going on with the young
• 10:21
  Speaker 1: kids instead of just asking, why do y'all think chee?
• 10:23
  Speaker 1: I asked, y'all. I told y'all, why would I know?
• 10:25
  Speaker 1: I'm old? I know, matter of fact, I'm taking a picture.
• 10:27
  Speaker 1: You cheese? All right? Why do people say? What's up? All?
• 10:33
  Speaker 1: Right now? F y'all closing break? Y'allself? Tell them why
• 10:39
  Speaker 1: your man eight hundred five eighty five one on five one.
• 10:42
  Speaker 1: Maybe you work with two jerks? Whatever, y'all setting cheese?
• 10:46
  Speaker 1: Call us up right now? Eight five eighty five one
• 10:48
  Speaker 1: on five one. There's the reason why they go cheese?
• 10:50
  Speaker 1: I don't know, not because they're taking pictures. Some kids.
• 10:52
  Speaker 1: People call up and telling me why y'all see cheese?
• 10:54
  Speaker 1: Please please let the old man know what's going on.
• 10:56
  Speaker 1: Oh you don't want to know. No, I've never heard it.
• 10:59
  Speaker 1: You know that you said that I need to hang
• 11:01
  Speaker 1: around some young people. And five eighty five one on five,
• 11:05
  Speaker 1: and you want to hit out with us? Forget y'all.
• 11:08
  Speaker 1: Let's the breakfast club. Good morning, the breakfast club. Hey y'all, y'all, Hey, y'all,
• 11:15
  Speaker 1: come morning. This is the mad rap. I tell you why, man,
• 11:17
  Speaker 1: tell you why back man? Because I don't know the
• 11:18
  Speaker 1: club last night and there was too many good girls
• 11:20
  Speaker 1: and then yo for men, we don't need none of
• 11:21
  Speaker 1: your good girls in the club. We need loose girls
• 11:23
  Speaker 1: with the drug gvidy, sloppy girls. We didn't girls that
• 11:25
  Speaker 1: just gonna go away. We don't need ane of your
• 11:27
  Speaker 1: guys girls and then go on go away, talk about
• 11:29
  Speaker 1: it and tell me why are you mad? Breakfast club?
• 11:31
  Speaker 1: For real? I'm just so pissed off that people forget
• 11:33
  Speaker 1: them about the whole Black Lives matter? You know it was,
• 11:36
  Speaker 1: it was hard for like a while. Now everyone seems
• 11:38
  Speaker 1: to be forgetting about it. When did people black lives matter?
• 11:41
  Speaker 1: I see black lives matter every day? I mean, I
• 11:44
  Speaker 1: mean here where I live at personally I live in
• 11:46
  Speaker 1: Ohio comes so hire, Man, I'll be trying to rally
• 11:49
  Speaker 1: and stuff, but like, don't nobody'd be wanting to participate
• 11:52
  Speaker 1: in them? You know what I mean? Well, have you
• 11:53
  Speaker 1: been trying to organize just rallies and stuff? Because the
• 11:57
  Speaker 1: college y'all go to, it's a majority is like eighty
• 12:00
  Speaker 1: percent black, and don't nobody want to participate in it?
• 12:03
  Speaker 1: You know what I mean, I got more white people
• 12:05
  Speaker 1: participating in black people. Well, don't worry to consul shooting
• 12:08
  Speaker 1: unarmed black man in Ohio soon when I'm sure it
• 12:12
  Speaker 1: just happened recently too. Somebody got shot up. I think
• 12:15
  Speaker 1: it was three or four weeks ago. It was a
• 12:17
  Speaker 1: it was a college student that rally was popping, right, Yeah,
• 12:20
  Speaker 1: yeah it was. It wasn't That's what it takes. Somebody
• 12:23
  Speaker 1: always gotta get shot for the rallity to be popping.
• 12:25
  Speaker 1: That's the problem. Actually, you gotta keep it, keep that
• 12:27
  Speaker 1: energy going when people aren't getting shot. Yeah. Man, I
• 12:30
  Speaker 1: made a song about it too. Man, I'm not okay,
• 12:32
  Speaker 1: all right, I have a blessed day to see y'all
• 12:34
  Speaker 1: be going too. Four. He didn't do anything and promote
• 12:38
  Speaker 1: the music. Hello, who's this yo? Stuff? Man? Steph? Tell
• 12:43
  Speaker 1: him why you mat yo? I had met Nick Kennon
• 12:47
  Speaker 1: like like like last week literally like he was at
• 12:50
  Speaker 1: the movie there, like I just wish like I posted
• 12:52
  Speaker 1: him better, Like I was just so shocked that I
• 12:54
  Speaker 1: seen it, Like, what did you do? Man? What did
• 12:56
  Speaker 1: you do? I want to be on walling out? No not.
• 13:01
  Speaker 1: I purchased some my ticket and I turned around, it's nick.
• 13:04
  Speaker 1: Everybody's looking at me like, was he with Chilli? Nah?
• 13:08
  Speaker 1: He's que girls like I shook his hand on your nick.
• 13:11
  Speaker 1: Kid is like, why do you even know who Chili is? Sir? Kay? Wow,
• 13:18
  Speaker 1: So that's how you acted. So what do you say?
• 13:20
  Speaker 1: Was he nice and he was cute? Acting like he was?
• 13:24
  Speaker 1: He said he was cute. He was with a bunch
• 13:25
  Speaker 1: of chicks at the movies? Man, leave me alone out
• 13:30
  Speaker 1: and how old are you? How old? How old are you? Sir?
• 13:32
  Speaker 1: How old are you? Grow up and stopped being a groupie?
• 13:35
  Speaker 1: What's your name? What's your last name? Shannon? I don't know.
• 13:41
  Speaker 1: Get your group you ass off my phone. If anybody
• 13:44
  Speaker 1: knows the stuff, he's a groupie? Why are you mad?
• 13:46
  Speaker 1: Eight hundred five eight five one oh five one. If
• 13:49
  Speaker 1: you're upset, you need to vent call us right now.
• 13:52
  Speaker 1: It's the Breakfast Club of the Morning, the breakfast club
• 13:59
  Speaker 1: that was Drink one Dance Morning. Everybody is DJ Mvy,
• 14:03
  Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club.
• 14:05
  Speaker 1: And let the record show not one kid called up
• 14:08
  Speaker 1: here to tell Envy what the hell cheese meet? Right? So?
• 14:10
  Speaker 1: I don't even know if that's a but he said,
• 14:11
  Speaker 1: my kids say that all the time for no reason. Y'all. Well,
• 14:16
  Speaker 1: Tory Lanes will be joining us next hour, jeez, from Canada. Tory,
• 14:21
  Speaker 1: he'll be here. What's wrong with y'all this morning. What's
• 14:27
  Speaker 1: the name of Tory's album? I told you so? No,
• 14:29
  Speaker 1: it's co Cheese. I don't know. I told you I
• 14:32
  Speaker 1: told you Yeah. So we'll talk to him about that
• 14:34
  Speaker 1: and everything that's going on in his life, his beefs,
• 14:36
  Speaker 1: his problems, and all the good stuff as well. Yeah,
• 14:38
  Speaker 1: he's confusing because one minute he'll be like, I don't
• 14:40
  Speaker 1: want to talk about Drake. I want to have my
• 14:42
  Speaker 1: own lane, right, But then he'll get online and do
• 14:45
  Speaker 1: a video in Philly, in Philly saying this this is
• 14:47
  Speaker 1: what I'm from Canada. Other rappers for Canada can't come here. Yeah,
• 14:50
  Speaker 1: he confuses me with that too. We'll talk about it.
• 14:52
  Speaker 1: They we'll talk to him when we come back. But
• 14:54
  Speaker 1: next year we got rumors called up. Yes, we are
• 14:56
  Speaker 1: going to talk about Sierra and Russell Wilson. Why they
• 14:58
  Speaker 1: were originally supposed to get married in North Carolina but
• 15:01
  Speaker 1: actually moved their wedding. Also Kodak Black some more details
• 15:04
  Speaker 1: on why he still is in jail. What are these
• 15:07
  Speaker 1: warrants about? All right, we'll get into the rumors when
• 15:09
  Speaker 1: we come back. Keep a lock. It's the Breakfast Club.
• 15:11
  Speaker 1: Good morning, the Breakfast Club. Listen, it's just report it.
• 15:25
  Speaker 1: So last week we talked about Kodak Black. He was
• 15:27
  Speaker 1: supposed to be released from prison, but then they discovered
• 15:30
  Speaker 1: there were two outstanding arrest warrants. One was two a
• 15:34
  Speaker 1: misdemeanor drug related charges and the other involved a felony
• 15:37
  Speaker 1: charge of criminal sexual conduct that happened in South Carolina. Now,
• 15:41
  Speaker 1: according to investigators, they're saying that he is alleged to
• 15:45
  Speaker 1: have engaged in the sexual battery of a victim at
• 15:48
  Speaker 1: a hotel. Apparently he was performing at club Compound in
• 15:52
  Speaker 1: Florence in South Carolina, and what happened next people are
• 15:56
  Speaker 1: not sure. Now he's accused of sexual battery at a
• 15:59
  Speaker 1: Comfort to be hotel, which is right near the club
• 16:01
  Speaker 1: where he performed. What does criminal sexual conduct mean in
• 16:05
  Speaker 1: South Carolina could be a number of different circumstances. The
• 16:08
  Speaker 1: victim could be forced to have sex through aggravated force
• 16:10
  Speaker 1: during a kidnapping, oh while physically helpless due to the
• 16:13
  Speaker 1: influence of a controlled substance and that crime does carry
• 16:16
  Speaker 1: a punishment of up to thirty years in prison. That
• 16:19
  Speaker 1: is all the details that they have right now. I
• 16:21
  Speaker 1: had one of those same charges in so criminal sexual conduct, right.
• 16:24
  Speaker 1: Not a good situation. Yeah, everything was dry. I got
• 16:28
  Speaker 1: somebody that wants to actually represent colda black in South Carolina,
• 16:31
  Speaker 1: a very reputable attorney. So if he doesn't need any representation, yeah,
• 16:35
  Speaker 1: I believe he has a pretty good attorney. I know
• 16:37
  Speaker 1: that Atlantic has stepped up to the plate to help
• 16:40
  Speaker 1: him out and spoken out on his behalf, and they
• 16:43
  Speaker 1: do believe that these charges are partly because of his popularity.
• 16:48
  Speaker 1: Now you know, all right, Sierra and Russell Wilson, they
• 16:51
  Speaker 1: had all kinds of plans. They were supposed to get
• 16:53
  Speaker 1: married in North Carolina. The reason why they moved their
• 16:56
  Speaker 1: wedding was because of the anti LGBT laws. See, that's
• 17:00
  Speaker 1: not gonna help dispel the rumors that Sierra is a man,
• 17:04
  Speaker 1: no man, A lot of things actually gotta moved from
• 17:07
  Speaker 1: North Carolina just because of that. They were supposed to
• 17:10
  Speaker 1: get married, but because of those transgender bathroom laws, that's
• 17:13
  Speaker 1: why they changed where they were supposed to get mar
• 17:16
  Speaker 1: I mean all of that you don't really make sense
• 17:17
  Speaker 1: because they still Russell are gonna play that next year
• 17:19
  Speaker 1: if they got to play the Panthers right now, it's
• 17:22
  Speaker 1: just I guess making a statement if I'm gonna get
• 17:24
  Speaker 1: married and I have a chance statement like you said,
• 17:27
  Speaker 1: they're still gonna play that this shit, and I'm sure
• 17:28
  Speaker 1: she's still gonna perform it if she needs to. Like
• 17:30
  Speaker 1: what the Panthers gonna do this shit? I mean, I
• 17:32
  Speaker 1: don't know, but that's exactly why they moved their their
• 17:35
  Speaker 1: plans originally. Okay, but they're taking a lot of money
• 17:38
  Speaker 1: from that state by doing it, supporting their people. Stop.
• 17:42
  Speaker 1: I hope people man all right, fifty cent. A lot
• 17:44
  Speaker 1: of people were going in on him about this BMF
• 17:46
  Speaker 1: movie and acting like why is he making this? And
• 17:49
  Speaker 1: some people were rumored to have been saying that big Meat,
• 17:51
  Speaker 1: you wouldn't want this. Well, fifty posted a letter from
• 17:54
  Speaker 1: Big Meat and he said, read carefully, I'm not playing
• 17:57
  Speaker 1: no games. BMF coming soon, and the letter it says,
• 18:01
  Speaker 1: what's cracking? First, I must say fifth and Rando. Given
• 18:03
  Speaker 1: the success of your past creative collaborations on numerous feature
• 18:07
  Speaker 1: films and particularly your television series Power, I feel the
• 18:11
  Speaker 1: two of you are the perfect team to tell my story.
• 18:13
  Speaker 1: I've given no one permission to do any type of
• 18:16
  Speaker 1: film on BMF or a Big Meat, especially since we've
• 18:18
  Speaker 1: been in agreement and under contract for a little more
• 18:20
  Speaker 1: than two years. I would never give my consent, permission,
• 18:24
  Speaker 1: or a blessing to any film that is considered being
• 18:28
  Speaker 1: done without me. I'm the only one that can tell
• 18:30
  Speaker 1: the BMF Big Meat stories. So any person or person's
• 18:33
  Speaker 1: trying to do a film is one percent faking loyalty.
• 18:36
  Speaker 1: Loyalty is not just the word, it's a lifestyle. What
• 18:38
  Speaker 1: would make people think fifty cent is not consulting with
• 18:41
  Speaker 1: Big Meat though, I make them think he would just
• 18:44
  Speaker 1: jump out the window do a BMF film and not
• 18:46
  Speaker 1: know he gotta highlight meat, like come on? Fifty Cent
• 18:50
  Speaker 1: then posted it don't get realer than this. Now watch
• 18:52
  Speaker 1: me work. I get the job done. You think I'm
• 18:54
  Speaker 1: playing out here? And he also previously had said that
• 18:57
  Speaker 1: casting for this series will be handled differently. It's not
• 19:00
  Speaker 1: going to require to all talent to have an agent
• 19:02
  Speaker 1: to read for a role. He wants to find some
• 19:05
  Speaker 1: diamonds and the dirt on this one to come out.
• 19:07
  Speaker 1: I've read the Rising Fall of BMF. I've seen the
• 19:10
  Speaker 1: documentary I Love with Fifties, Doing with Power. This TV
• 19:13
  Speaker 1: show has the potential to be classic, it does, okay
• 19:17
  Speaker 1: without question? All right, Well, as soon as he tells us,
• 19:19
  Speaker 1: tells us where you can audition, and he gives those dates,
• 19:21
  Speaker 1: times and locations, we'll make sure we pass that information
• 19:24
  Speaker 1: onto you so that you guys know how you can audition.
• 19:27
  Speaker 1: All right, and that is your rumor report. I'm angela yee.
• 19:30
  Speaker 1: All right, thank you, mache. Now when we come back,
• 19:32
  Speaker 1: Tory Lanes will be joining us. He has a new
• 19:34
  Speaker 1: album ount right now. Of course he's from Toronto. We'll
• 19:37
  Speaker 1: kicking with him with all what's going on with him,
• 19:39
  Speaker 1: So don't go anywhere as the Breakfast Club, Good morning,
• 19:41
  Speaker 1: here's Bryson Tiller with exchange. That was Drake controller morning.
• 19:46
  Speaker 1: Everybody is DJ Envy, angela ye, Charlomagne the guy. We
• 19:49
  Speaker 1: are the Breakfast with tapping battles. We got a special
• 19:53
  Speaker 1: guest in the building who left angela ye a nice
• 19:55
  Speaker 1: little love lettered the other day. You're shooting your shot, bro,
• 19:58
  Speaker 1: You're just saying something nice, something y'all men need to
• 20:01
  Speaker 1: learn from. So cool. It was like, hey, babe, you
• 20:03
  Speaker 1: look beautiful. It just made you weird what you wore
• 20:06
  Speaker 1: the other night, your baby. It was like, yo, youre sexy. Mother,
• 20:12
  Speaker 1: just want you to know that something to loan those
• 20:14
  Speaker 1: that sweet Yeah you wake up in the morning, y'all
• 20:17
  Speaker 1: stuck it to a computer. What you mean mine was better?
• 20:19
  Speaker 1: He left you know too, what you talking about talking
• 20:23
  Speaker 1: about yours better? And I got him a gift, you know,
• 20:26
  Speaker 1: because it's new. You don't play in the show. I
• 20:29
  Speaker 1: was nobody wanted to take the shot. I was like, ye,
• 20:31
  Speaker 1: y'all gonna take. I'm like, y y'all gonna take a
• 20:33
  Speaker 1: shot of me. Everybody stays silent. Sat Angela. She was
• 20:35
  Speaker 1: the only one that el was ready to part. I said, yeah,
• 20:38
  Speaker 1: I went on the coup. Was just taking Okay, congrats on.
• 20:42
  Speaker 1: I told you, thank you so much. Now. I was
• 20:43
  Speaker 1: calling you Drake like you know for a minute, and
• 20:46
  Speaker 1: you were calling him, Well, I didn't. I still don't
• 20:50
  Speaker 1: know the difference. Sometimes, but the album is good, but
• 20:54
  Speaker 1: it sounds like you ain't developed your own sound yet. Bro,
• 20:57
  Speaker 1: you feel that way like you sound like Trade. Sometimes
• 20:59
  Speaker 1: you sound like Fatty Wap on some records, like well
• 21:02
  Speaker 1: do you think that is who else, probably just Freddy
• 21:05
  Speaker 1: Fattie Trade, Freddie Trade. And I think it was a
• 21:08
  Speaker 1: one song that people were saying, this sounds reminiscent of
• 21:11
  Speaker 1: Fatty Wap. Okay, but I don't know about the whole album,
• 21:14
  Speaker 1: Nicole hard Love, I like it. It sounds like trade though. Okay, no,
• 21:22
  Speaker 1: but the album has gotten a really great reception, and
• 21:24
  Speaker 1: I know I was jamming to it as well. So
• 21:26
  Speaker 1: thank you so much, and think and thank you to
• 21:29
  Speaker 1: everybody who purchased the album, whether or not it was
• 21:32
  Speaker 1: like you know, a hard copy or online or streaming. Yeah,
• 21:36
  Speaker 1: you know, I'm just thankful to be at this point
• 21:38
  Speaker 1: of my life in my career. I've always wanted to
• 21:39
  Speaker 1: drop album, so the fact that anybody has anything to
• 21:42
  Speaker 1: say about it just makes me happy. You know. And
• 21:45
  Speaker 1: you have three songs that are pretty big from off
• 21:47
  Speaker 1: the album already, which a lot of artists will never see,
• 21:50
  Speaker 1: you know, too successful at least, I would like to say.
• 21:52
  Speaker 1: The second one is you know, on Waited, you know, success.
• 21:55
  Speaker 1: I like to say I have two successful singles right
• 21:57
  Speaker 1: now that I personally i'm proud of and you know,
• 22:00
  Speaker 1: just happy to like you said that they came from
• 22:01
  Speaker 1: the album and that you know, this pushes the album
• 22:04
  Speaker 1: and things of that nature. I've been a fan of
• 22:06
  Speaker 1: nineties music of course, could just say it. And then
• 22:08
  Speaker 1: the Everybody falls in Love some time definitely, Yeah, definitely everything.
• 22:12
  Speaker 1: And that's that Toronto influence too, for sure, that west
• 22:15
  Speaker 1: In in that Beijing he's had. You know, we go
• 22:16
  Speaker 1: to the because like you know, we we grew up
• 22:18
  Speaker 1: in like the culture of going to the basement jam
• 22:22
  Speaker 1: you know what I mean, all the parties Toronto as well.
• 22:24
  Speaker 1: Why we liked the well, I don't know how it
• 22:26
  Speaker 1: was out. Yeah, we was like the we was like
• 22:29
  Speaker 1: the we felt like we liked the home of that,
• 22:31
  Speaker 1: like you know, because like that's where yeah, like that's
• 22:33
  Speaker 1: how how it always went in the North. It's like
• 22:34
  Speaker 1: you always had a basement in your house or something
• 22:36
  Speaker 1: like that, and that's where all the parties would be
• 22:38
  Speaker 1: inside the house. So um nah, definitely that's a lot.
• 22:44
  Speaker 1: You were in Texas. You in a lot of different
• 22:46
  Speaker 1: places in the US as well. Yeah, yeah, definitely, but
• 22:48
  Speaker 1: I was in Texas like a little bit later, Like
• 22:50
  Speaker 1: I'm talking about when I was like in high school
• 22:52
  Speaker 1: and stuff like that. That's when we were going to
• 22:54
  Speaker 1: the gyms and like, you know, because my wife heard
• 22:56
  Speaker 1: the love joint and controller joint and she was like
• 22:59
  Speaker 1: that Weston. He was like he could pull that off
• 23:02
  Speaker 1: without being true west Like she's Jamaicans. He was like,
• 23:06
  Speaker 1: he has to be true Weston because it's hard for
• 23:07
  Speaker 1: some people somebody that's not Westending to try to do
• 23:09
  Speaker 1: that pass. But I never said definitely, no, I'm I'm
• 23:12
  Speaker 1: I'm actually Besian. I'm just Jamaican by association's bean to
• 23:16
  Speaker 1: like you know, oh, he's just now I'm Besian Like
• 23:23
  Speaker 1: um uh, like my dad is is Beijian and my
• 23:26
  Speaker 1: mom is technically from Guyana, but she she's from a
• 23:30
  Speaker 1: Dutch country, so I'm Dutch. Uh carousales she from course
• 23:33
  Speaker 1: out whatever. Now, a lot of people start talent in
• 23:35
  Speaker 1: you early on, like Justin Bieber actually definitely was one
• 23:39
  Speaker 1: person that reached out to you, and then you ended
• 23:40
  Speaker 1: up signing to Sean Kingston because well, actualisi no, no, no,
• 23:45
  Speaker 1: I was. I was like, I was like seventeen going
• 23:48
  Speaker 1: on eighteen, and at that time what originally was was
• 23:51
  Speaker 1: Bieber and Sean was supposed to sign me. But you
• 23:54
  Speaker 1: know what that means. That means, Scooter is supposed to
• 23:57
  Speaker 1: sign you. So at the end of the day, I
• 24:01
  Speaker 1: didn't say all that, but you know, at that time,
• 24:03
  Speaker 1: like you know, that was like the thing that I
• 24:04
  Speaker 1: wanted to do. You know what I'm saying. At the
• 24:06
  Speaker 1: end of the day, I'm a kid from Canada. I
• 24:07
  Speaker 1: had no way out. I'm sleeping in the basement on
• 24:10
  Speaker 1: the floor recording myself, Like why would I not sign?
• 24:13
  Speaker 1: I was like seventeen at the time, you know. Um,
• 24:15
  Speaker 1: it ended up being a situation where I think Justin
• 24:18
  Speaker 1: was just too young at the time, and the things
• 24:19
  Speaker 1: that I was talking about and things that he was
• 24:21
  Speaker 1: talking about, it was just wasn't the same, you know. So, um,
• 24:25
  Speaker 1: it ended up being a situation where Sean ended up
• 24:27
  Speaker 1: signing me at one point and it went on for
• 24:29
  Speaker 1: like three years. Um, I got out of that deal.
• 24:31
  Speaker 1: I was independent for like a year or two or
• 24:34
  Speaker 1: something like that. To that effect. That must have been
• 24:36
  Speaker 1: some fun time. So running around at that young age
• 24:38
  Speaker 1: with Justin Bieber, did y'all ever like hang out go
• 24:41
  Speaker 1: play studio together? No? No, we hung out on the tour.
• 24:47
  Speaker 1: We was on the because that's originally where I met him,
• 24:49
  Speaker 1: was on the tour. Um, that kid's a busy kid
• 24:52
  Speaker 1: like that kid everywhere, but I would always see him
• 24:55
  Speaker 1: at various times in my life, like randomly, Like one
• 24:57
  Speaker 1: time he had some dude randomly hit me up and
• 25:00
  Speaker 1: like this is like back when I wasn't verified on
• 25:01
  Speaker 1: Twitter and stuff, and he got me verified. He was like,
• 25:03
  Speaker 1: you need to get verified. Yeah, he was like, Yo,
• 25:05
  Speaker 1: make sure this guy gets verified. I was verified this morning.
• 25:08
  Speaker 1: How to say it blow? Because you know, say it
• 25:10
  Speaker 1: was a record that caught fast, nastally. It seemed like
• 25:13
  Speaker 1: there was a lot of money behind him because before
• 25:14
  Speaker 1: we knew your name and before we knew your face,
• 25:17
  Speaker 1: the record came in. The thing about that record was
• 25:19
  Speaker 1: that was just the first time that I finally had
• 25:22
  Speaker 1: got to push from like from like a major standpoint,
• 25:25
  Speaker 1: like I was putting out records like this from time.
• 25:29
  Speaker 1: I want to say, like if you go back into
• 25:31
  Speaker 1: the old records, like you go back to records like
• 25:34
  Speaker 1: TLC that I had on the Chicks tape too, it's
• 25:37
  Speaker 1: the same effect, you know what I mean. It's just
• 25:39
  Speaker 1: like the records just kind of went over people's heads
• 25:42
  Speaker 1: because nobody knew me, but that that ball did because
• 25:43
  Speaker 1: they knew your record but not your face. Or your name,
• 25:46
  Speaker 1: maybe saying nobody knows that you look like No he's
• 25:49
  Speaker 1: but no, no, no, Before they but honestly, honestly up
• 25:52
  Speaker 1: his records bigger than his face. Well see, now it's
• 25:54
  Speaker 1: a little different, I guess, because I guess he's not
• 25:59
  Speaker 1: lying though, because before, for before this moment, now it
• 26:02
  Speaker 1: was exactly like that. Now it's like, I go anyway,
• 26:04
  Speaker 1: if you're blackie, you just know me, like or if
• 26:07
  Speaker 1: you're like, uh, some type of somebody who looks like
• 26:09
  Speaker 1: you listen to hip hop or music or some sort
• 26:11
  Speaker 1: you know me randomly. Um, But it's like beforehand, it
• 26:15
  Speaker 1: was that exact problem. But I think my problem was
• 26:17
  Speaker 1: I would never shot videos for the right songs, or
• 26:20
  Speaker 1: I never was consistent with my visual base because I'm
• 26:24
  Speaker 1: such a picky guy. I take more into the pride
• 26:27
  Speaker 1: of it. So I can't just do videos like this
• 26:29
  Speaker 1: in posting stand in the corner because that's just not
• 26:31
  Speaker 1: my way. You know, I care more so I think
• 26:34
  Speaker 1: that was the problem back then. But now you know,
• 26:35
  Speaker 1: I'm on my I don't know the girls think I'm pretty.
• 26:39
  Speaker 1: I learned a lot about you from this album this
• 26:41
  Speaker 1: That's how I know you know you're you're a good
• 26:44
  Speaker 1: songwriter because I know things about you. Who is this
• 26:47
  Speaker 1: girl that she was living with? Said? You said on
• 26:50
  Speaker 1: the album she wasn't much, but she was mine. Yeah,
• 26:54
  Speaker 1: I mean, you know he was just we was We
• 26:57
  Speaker 1: was young, you know what I mean? Like we was young.
• 27:00
  Speaker 1: I was. I was sneaking in her house when I
• 27:02
  Speaker 1: was sixteen. Mom didn't even know, like even under the
• 27:05
  Speaker 1: bad just in case, like like sometimes she was coming upstairs,
• 27:08
  Speaker 1: she got to get ready for hide in the closet.
• 27:10
  Speaker 1: It was bad, you know what I mean? But that
• 27:12
  Speaker 1: was what I was going through. So I wanted to
• 27:14
  Speaker 1: be at least vulnerable enough to allow people to understand
• 27:19
  Speaker 1: that side of me. You know. I wanted this album
• 27:21
  Speaker 1: to be something that beyond all of the media headlines
• 27:25
  Speaker 1: and a Tory Skoki and I wanted to give the
• 27:28
  Speaker 1: people this is this is me, you know, this is
• 27:30
  Speaker 1: real me, like you know, minus what everybody says, like
• 27:33
  Speaker 1: this is what the music is. What do you want
• 27:35
  Speaker 1: to but you said on the album she had three abortions,
• 27:39
  Speaker 1: three scrapes, Tory. No, look, man, I don't condone abortion
• 27:44
  Speaker 1: or nothing like that, but I've been in some situations
• 27:48
  Speaker 1: very young in my life and between me and the
• 27:51
  Speaker 1: person that they were with. It was something I just
• 27:54
  Speaker 1: didn't want to hold in and you know, not talk
• 27:57
  Speaker 1: about because it's like so many of us go through that,
• 27:59
  Speaker 1: and not a lot of us is willing to talk
• 28:01
  Speaker 1: about that. Like there's so many rappers I probably out
• 28:04
  Speaker 1: here that's just got mad abortions. That's just Matt out here,
• 28:08
  Speaker 1: just you. But it's like, at the end of the day,
• 28:14
  Speaker 1: that wasn't my situation. My situation was with somebody that
• 28:17
  Speaker 1: you know, I loved, and you know, at the end
• 28:19
  Speaker 1: of the day, like I felt bad even though I
• 28:22
  Speaker 1: know it wasn't fully my decision or one of those situations.
• 28:25
  Speaker 1: But that's just a topic that I felt like I
• 28:26
  Speaker 1: had to touch on because you know, we deal with this.
• 28:29
  Speaker 1: The main point of it was saying what I did
• 28:32
  Speaker 1: wasn't right or what we did wasn't right. All Right,
• 28:34
  Speaker 1: we got more with Tory Lanes when we come back.
• 28:36
  Speaker 1: We'll also find out why he did drake controller record
• 28:39
  Speaker 1: over keep it locked as the Breakfast Club, Good Morning,
• 28:42
  Speaker 1: The Breakfast Club that was Beyonce with Sorry Morning. Everybody
• 28:49
  Speaker 1: is DJ mvy angela Ye, Charlomagne, the guy we are
• 28:52
  Speaker 1: the Breakfast Club Tory Lanes is in the building his
• 28:55
  Speaker 1: new albums out right now. What made you do Drake's
• 28:58
  Speaker 1: Controller over? I like the song? Were you surprised that
• 29:01
  Speaker 1: Jack move? We're surprised at the feedback of Controller because
• 29:05
  Speaker 1: it's it. It's one of the biggest records in the club.
• 29:09
  Speaker 1: People said they like it better than the original version.
• 29:11
  Speaker 1: Oh wow, that's great man, not man for me personally,
• 29:14
  Speaker 1: Like you know, we treat the Beast like it's like
• 29:16
  Speaker 1: it's like a y'all thing, like cheat the Beast, like rhythms,
• 29:19
  Speaker 1: like you know, you hop on them and you do
• 29:21
  Speaker 1: your thing. But I knew at one point you wasn't
• 29:23
  Speaker 1: trying to talk hop on I got the keys that
• 29:25
  Speaker 1: day too, and I bodied that too. But it's just
• 29:26
  Speaker 1: I guess people just reacted to them. But you said
• 29:29
  Speaker 1: you didn't want to talk about Drake because you wanted to.
• 29:32
  Speaker 1: I mean, I just feel like I feel like the
• 29:34
  Speaker 1: media kind of makes it such a thing to the
• 29:36
  Speaker 1: point where it's like they just want me to feed
• 29:38
  Speaker 1: into it at every point, and it's just not what
• 29:40
  Speaker 1: it is. You know, I kind of do it on
• 29:41
  Speaker 1: your own. I mean, I feel you do have a
• 29:43
  Speaker 1: video when we really out here in Philly, Real, Toronto.
• 29:49
  Speaker 1: Did you get out here in Philly not the other guys?
• 29:51
  Speaker 1: You know what I'm saying. I need know what we
• 29:52
  Speaker 1: really be out here. You were like you, I'm gonna
• 29:55
  Speaker 1: Philly a nice try, buddies. Hey you did that nice? No? No,
• 30:02
  Speaker 1: But I know what we're doing it. We're trying to
• 30:04
  Speaker 1: sleek into this subject. We're not gonna do that. We
• 30:06
  Speaker 1: had to talk about that. I told you that's out now.
• 30:08
  Speaker 1: Would never bring it up if you didn't do stuff
• 30:10
  Speaker 1: like that, And I'll feel you, but I told you
• 30:12
  Speaker 1: it's out now. You have a lot of artists support too,
• 30:14
  Speaker 1: on your side too. I saw a lot of artists, um,
• 30:16
  Speaker 1: you know, promoting the album, like I saw Rick Ross,
• 30:19
  Speaker 1: Meek Mel, I saw Push your t a lot of
• 30:22
  Speaker 1: other artists. Are these people that you have personal relationships
• 30:25
  Speaker 1: friendships with or is it just honestly yeah, I mean no,
• 30:28
  Speaker 1: I honestly, Um, I try to send music to everybody.
• 30:31
  Speaker 1: I make hooks and stuff. You're not right, you know?
• 30:34
  Speaker 1: So you know people have heard about me either through
• 30:36
  Speaker 1: those weird ways or we've met each other in person,
• 30:38
  Speaker 1: and it's always been loved. Um. I'm just happy for
• 30:41
  Speaker 1: anybody who did you know post the album and you know,
• 30:43
  Speaker 1: especially all MMG guys, yeah, readily, they all just did it.
• 30:47
  Speaker 1: There's the reason why they did that. I don't think so.
• 30:50
  Speaker 1: I mean, while I know personally told him beforehand and
• 30:53
  Speaker 1: he saw me before all. This h has just been
• 30:56
  Speaker 1: my man's from long time. I've been making music with
• 30:59
  Speaker 1: me since the Swavy mixtape, which is like seven mixtapes ago.
• 31:03
  Speaker 1: And Ross, I just met him randomly, and I think
• 31:05
  Speaker 1: the reason why he may have posted my album was
• 31:07
  Speaker 1: because randomly, like the first time I really actually met him,
• 31:11
  Speaker 1: we was in Miami. I don't know how. I randomly
• 31:13
  Speaker 1: had the album in the car that I was just in,
• 31:16
  Speaker 1: so I was randomly listening to him when he walked
• 31:18
  Speaker 1: out of through between three booming and someone was like, yo,
• 31:21
  Speaker 1: this story just Ross and we met each other and
• 31:23
  Speaker 1: he was like, anything you need, I got you. But
• 31:24
  Speaker 1: I think it was off the level you had mine
• 31:27
  Speaker 1: and support choice, you know, I don't think it was
• 31:29
  Speaker 1: a calculation or something like that. Let's talk about your
• 31:32
  Speaker 1: goon days. Because I'm listening to the album. You used
• 31:35
  Speaker 1: to be going broke into somebody's house. I mean, when
• 31:39
  Speaker 1: I don't want to sit there and talk about exact
• 31:41
  Speaker 1: and details, but you did on that album. Yeah. But
• 31:44
  Speaker 1: see that's the thing. That's why you should cop the
• 31:45
  Speaker 1: album because the album has, you know, stories that I
• 31:49
  Speaker 1: wouldn't necessarily come in an interview and just talk about
• 31:51
  Speaker 1: because here's not things to gloat about, you know, my
• 31:54
  Speaker 1: whole of course, And that's that's the change, and that's
• 31:57
  Speaker 1: the whole point of the album. You know, um is
• 32:01
  Speaker 1: to is to show people from where we came. And
• 32:04
  Speaker 1: that's the thing like a lot of people have and
• 32:06
  Speaker 1: I think that I think that's about like, you know,
• 32:07
  Speaker 1: even a lot of my other interviews, a lot of
• 32:09
  Speaker 1: people have this misconception about Canada and about Toronto. Like
• 32:13
  Speaker 1: it's like, what misconception? Because and I do soon, you
• 32:17
  Speaker 1: know what I mean. But I think people have a
• 32:19
  Speaker 1: misconception of how rough it is out there for us
• 32:22
  Speaker 1: when we grow up, and the things in the politics
• 32:25
  Speaker 1: that we still deal with that people don't think we
• 32:27
  Speaker 1: deal with, you know. But I'm not here to you know,
• 32:30
  Speaker 1: greasy up Canada. No, it's not what I'm here to do.
• 32:33
  Speaker 1: But I am here to tell the real stories and
• 32:35
  Speaker 1: to talk the stories that we go through as young
• 32:37
  Speaker 1: men in Canada, you know, most men I know love Toronto,
• 32:41
  Speaker 1: especially because of the women. That's because they're going downtown.
• 32:45
  Speaker 1: They're having a great time. They're going downtown party and
• 32:47
  Speaker 1: at nice clubs and doing great things. But when we're
• 32:49
  Speaker 1: growing up, we're not doing that. Like we're not in
• 32:52
  Speaker 1: any of those clubs, and we're definitely not downtown in
• 32:55
  Speaker 1: the inner city. That's just not what we're doing. Like,
• 32:57
  Speaker 1: you know what I mean, you're in your own neighborhood
• 32:59
  Speaker 1: and you're pushed the bag and you're in you know
• 33:02
  Speaker 1: what I mean, and you go through what you go
• 33:03
  Speaker 1: through in the city so small that there's just no
• 33:06
  Speaker 1: escaping anything. So at this point, it's like all the
• 33:09
  Speaker 1: young young kids, I'm who they look up to, you know,
• 33:12
  Speaker 1: I'm the person that they look up to say to yo,
• 33:14
  Speaker 1: I seen him. I was out there and saw him.
• 33:17
  Speaker 1: I remember when you didn't have that rain, that watch
• 33:19
  Speaker 1: that bracelet, you know. But but for real, people feel
• 33:23
  Speaker 1: like that, like I remember when he was sleeping on
• 33:25
  Speaker 1: my couch. A lot of couches, A lot of couches, man,
• 33:32
  Speaker 1: a lot of back seats, a lot of like yo,
• 33:34
  Speaker 1: now I real talk like like I lived in a
• 33:37
  Speaker 1: lot of cars and I sucked on a lot of couches.
• 33:39
  Speaker 1: Bro I was at a lot of people's houses and
• 33:41
  Speaker 1: I told a lot of people to believe in this,
• 33:43
  Speaker 1: and and you know, a lot of people didn't believe
• 33:45
  Speaker 1: in it. A lot of people just looked at me
• 33:46
  Speaker 1: and it was like, I can't foresee this thing that
• 33:50
  Speaker 1: you see, you know, and that's why we're here at
• 33:52
  Speaker 1: this point. And I told you it's out. And that's
• 33:54
  Speaker 1: what that I told you. It's for us. For all
• 33:55
  Speaker 1: the doubts that they say, is do you guys get
• 33:57
  Speaker 1: a loan in your Toronto orders? Get along? I get
• 33:59
  Speaker 1: along with everybody. I don't actually like that's the thing
• 34:01
  Speaker 1: people think. I have a you gotta stop drinking hentyilly
• 34:06
  Speaker 1: telling people they can't come there, but then come to
• 34:07
  Speaker 1: the best club and saying you get along with everybody.
• 34:10
  Speaker 1: Nice try. But every artist, whether it's just a beeB,
• 34:15
  Speaker 1: whether it is Belly, whether it's whoever maybe weekend. No,
• 34:19
  Speaker 1: I mean that's what I'm saying, Like, I get along
• 34:21
  Speaker 1: with everybody. I don't have a problem with anybody in Toronto.
• 34:25
  Speaker 1: Somebody has a problem with me, that's different. But for me,
• 34:29
  Speaker 1: I personally don't have a like beef with me. If
• 34:32
  Speaker 1: you're gonna know when I have beef with somebody because
• 34:35
  Speaker 1: one of us is just falling out the cruise. You're
• 34:39
  Speaker 1: gonna start seeing people missing from either my crew or
• 34:42
  Speaker 1: his crew. That's just you're gonna know when I have
• 34:45
  Speaker 1: a beef with somebody. I don't have a beef with nobody.
• 34:47
  Speaker 1: You know. I want to make people disappear. That's all
• 34:52
  Speaker 1: I said. I'm just saying that's that's just how it is.
• 34:55
  Speaker 1: Like if it was beef, we would be It feels
• 34:57
  Speaker 1: like how New York used to be, where nobody got
• 34:59
  Speaker 1: along and everybody. Don't get me wrong, everybody does do
• 35:01
  Speaker 1: the own thing. But that's why I'm saying, like, if
• 35:04
  Speaker 1: it was beef, you you know when it's beef, because
• 35:06
  Speaker 1: then we just start playing scoreboard and nobody wants to
• 35:10
  Speaker 1: play scoreboard. Who wants to do that. We want to
• 35:12
  Speaker 1: get money. You want to get money. Came out here
• 35:15
  Speaker 1: to get money to be young. You know what I'm saying,
• 35:16
  Speaker 1: live all life, that's all. But for me, I love
• 35:20
  Speaker 1: the music that comes out of my city from everybody.
• 35:23
  Speaker 1: Let's not let this, you know, be a misconcepted statement.
• 35:28
  Speaker 1: I like the music from Drake. I like the music
• 35:30
  Speaker 1: from party. I like the music from the Weekend, Justin Bieber,
• 35:33
  Speaker 1: everything that comes out of Canada musically. I do support.
• 35:38
  Speaker 1: I support Toronto one hundred percent because I'm on the
• 35:40
  Speaker 1: side of the music. Do you want to be Drake
• 35:42
  Speaker 1: a little? No? I want to be me and the
• 35:44
  Speaker 1: best means that I could possibly be, you know. And
• 35:47
  Speaker 1: and I would hope that I love shutting me because
• 35:50
  Speaker 1: he's doing his job, you know what I'm saying. And
• 35:51
  Speaker 1: when he's here to do his job, I go, that's
• 35:54
  Speaker 1: my nick whatever. You know what I mean, you know
• 35:56
  Speaker 1: what I'm sat me personally, I want to be the
• 36:01
  Speaker 1: best me that I could be, you know what I mean.
• 36:03
  Speaker 1: I want to go outside and walk down the street
• 36:06
  Speaker 1: and be the best walking down that street, you know.
• 36:08
  Speaker 1: And for me, I realized even sometimes, you know, as
• 36:11
  Speaker 1: an artist, I played too much into the media sometimes
• 36:14
  Speaker 1: and the media gets me madden. But then I gotta realize, Tory,
• 36:17
  Speaker 1: You're on the side of the music. You appreciate good music,
• 36:21
  Speaker 1: appreciate good music and keep it moving. All right, Well,
• 36:24
  Speaker 1: let's get into a Tory Lanes mini mix. Let me
• 36:26
  Speaker 1: know your favorite Tory Lanes joint. We'll get on for
• 36:28
  Speaker 1: you right now. Don't go anywhere. It's the Breakfast Club.
• 36:30
  Speaker 1: Good Morning. That was a Tory Lanes mini mix Morning.
• 36:36
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlemagne the guy we
• 36:40
  Speaker 1: all the breakfast club, Tory Lanes is in the building
• 36:43
  Speaker 1: on the Breakfast club. You know, does sound like an
• 36:48
  Speaker 1: episode of Power though. Power. Now what we're gonna do is, um,
• 36:52
  Speaker 1: we're gonna shoot a movie. Okay, a little short film.
• 36:55
  Speaker 1: I don't want to talk too much into it because
• 36:57
  Speaker 1: we're still in the process of doing it right now.
• 36:59
  Speaker 1: But it's not gonna come out far down the road.
• 37:01
  Speaker 1: It's gonna come out very soon. It seemed like you've
• 37:03
  Speaker 1: always been conscious of where you want to go in
• 37:05
  Speaker 1: your life, though, because I even think about your mother
• 37:07
  Speaker 1: pass and you were eleven and then you ended up
• 37:09
  Speaker 1: living with your grandma. At any point in that time,
• 37:11
  Speaker 1: you could have just been like, I'm just gonna dug
• 37:13
  Speaker 1: it out. I mean, I'm not gonna lie to you guys.
• 37:15
  Speaker 1: It was sometimes when I was just like, I'm gonna say,
• 37:17
  Speaker 1: like fifteen sixteen, I had like four court cases and
• 37:22
  Speaker 1: I remember going to court one morning, four court cases Toronto. Yeah,
• 37:26
  Speaker 1: and I was young. I was Juneile like I was.
• 37:27
  Speaker 1: I was young. Cases keep stacking up, and I kind
• 37:30
  Speaker 1: of started not being able to see it from myself,
• 37:32
  Speaker 1: like in a weird way, because you know, music was
• 37:35
  Speaker 1: my main thing. And I talked about this on a
• 37:37
  Speaker 1: song called Question Is. But I think the influences that
• 37:40
  Speaker 1: I had grown up and the people that I started
• 37:41
  Speaker 1: looking up to growing up that kind of gave me
• 37:43
  Speaker 1: the wrong inside of the things that I was supposed
• 37:46
  Speaker 1: to be looking forward to. How were you able to travel?
• 37:48
  Speaker 1: Because Toronto serious about them court cases. I was a juvenile.
• 37:52
  Speaker 1: I got my life straight up, like that could change
• 37:54
  Speaker 1: my lad You could have have hits and not be
• 37:56
  Speaker 1: able to I would have turned if I would have
• 37:57
  Speaker 1: turned nineteen, because you know, nineteen the legal age out there.
• 38:00
  Speaker 1: If I had turned nineteen and i'd a been dealing
• 38:04
  Speaker 1: with the things that I was dealing with when I
• 38:05
  Speaker 1: was like sixteen fifteen, there's no way I'd have been traveling.
• 38:08
  Speaker 1: What got you right sex to the girl in Toronto?
• 38:10
  Speaker 1: You gotta this nineteen, na I think the consensual age
• 38:13
  Speaker 1: is still seventeen or something out there, like him saying,
• 38:17
  Speaker 1: I'm like, what, Noah, But the legal drinking age is it?
• 38:20
  Speaker 1: Stuff is nineteen Okay, what got you right? What got you?
• 38:22
  Speaker 1: What made you think and say? You know what, I
• 38:24
  Speaker 1: gotta change my life honestly, God, you know, Uh, you know,
• 38:28
  Speaker 1: I'm a very god fearing man. You know I care
• 38:30
  Speaker 1: about my purpose. You know. My real name is day
• 38:33
  Speaker 1: Star Peterson. You know my first name, day Star means
• 38:37
  Speaker 1: a revolutionary light of progression to my generation. Like the
• 38:41
  Speaker 1: way I was named is different, you know, And I
• 38:44
  Speaker 1: know that I'm not you know, by coincidence. Uh, you know,
• 38:49
  Speaker 1: just giving these talents? Why are you so able or
• 38:52
  Speaker 1: why are you so good at at rapping? And why
• 38:54
  Speaker 1: are you so good at singing? Just because yet a man, Nah,
• 38:57
  Speaker 1: it's because God gave me this, because I actually have
• 38:59
  Speaker 1: to do something with it that's deeper than what everybody thinks.
• 39:03
  Speaker 1: You know, people think you're dope now, but I think
• 39:06
  Speaker 1: when you really develop your own sound, you're gonna be
• 39:09
  Speaker 1: like dope dope Nah, at the end of the day.
• 39:12
  Speaker 1: You know, I feel what you what you're what you're saying,
• 39:15
  Speaker 1: and if you don't feel like the sound is there yet,
• 39:18
  Speaker 1: I'm gonna work harder to make you feel that way,
• 39:21
  Speaker 1: you know. But for me, I'm just working on just
• 39:24
  Speaker 1: feeling good. About my music. I don't care who says
• 39:26
  Speaker 1: it sounds like anybody like to be honest with you,
• 39:29
  Speaker 1: I take from a lot of musicians. I don't give
• 39:32
  Speaker 1: a stuff from all you nick Listen. You know what's
• 39:36
  Speaker 1: funny though, you write for a lot of people too.
• 39:38
  Speaker 1: So I was thinking when out here in the album,
• 39:39
  Speaker 1: I'm like, because some of those songs should have been
• 39:41
  Speaker 1: for other people, some of those songs with for other people,
• 39:44
  Speaker 1: and see I would think it's kind of like that
• 39:46
  Speaker 1: with Travis Scott. By the time Travis came out, I
• 39:47
  Speaker 1: was like, damn, I feel like I've heard Travis so
• 39:49
  Speaker 1: much before, but that's because he writes for so many
• 39:50
  Speaker 1: other people. I was wondering that I definitely write for
• 39:53
  Speaker 1: a lot of people, and some of those songs were
• 39:55
  Speaker 1: originally for other people when I wrote them. And then
• 39:57
  Speaker 1: I was just like, nah, I have to keep this,
• 40:00
  Speaker 1: Like I can't keep doing this to myself, give them
• 40:01
  Speaker 1: my greatest songs to all these other artists. Like what
• 40:04
  Speaker 1: songs do you regret giving away? Or you feel like, man,
• 40:07
  Speaker 1: I love this song, I'm not like I don't regret
• 40:10
  Speaker 1: it now, Like like I can't really answer that question
• 40:12
  Speaker 1: because I don't really feel regret about anymore. I mean,
• 40:14
  Speaker 1: come every day, but sometimes in the moment it's like, yeah,
• 40:20
  Speaker 1: but you know, hold on time, I'll shout out to
• 40:22
  Speaker 1: the fact that I'm in here for this long, last
• 40:24
  Speaker 1: time my interview is done like in half this time,
• 40:27
  Speaker 1: like I know something something hey, but the fact that
• 40:32
  Speaker 1: we know that something is bubbling and we're in here
• 40:34
  Speaker 1: for this long. Okay, all right, cool drinks? We have
• 40:37
  Speaker 1: a drags you know what I'm saying. They got got
• 40:39
  Speaker 1: me your bottle and Hennessy with the new label on it,
• 40:41
  Speaker 1: and you get two records percent of all people. But um, yeah,
• 40:45
  Speaker 1: so what about the ladies? How hard is it for
• 40:47
  Speaker 1: you to date? Because I'm sure now the women are everywhere.
• 40:49
  Speaker 1: I mean, we have interns that came in today just
• 40:52
  Speaker 1: because you were coming. We have people that were like
• 40:54
  Speaker 1: Tory Lanes is coming up there, Yes, So how hard
• 40:57
  Speaker 1: is it for you now? I'm sure with people coming
• 40:59
  Speaker 1: at you on it, DMS and the snapchats and everywhere.
• 41:03
  Speaker 1: I mean, you know, I just want you though, I
• 41:05
  Speaker 1: really come down to everything, you know what I'm saying.
• 41:07
  Speaker 1: I got a better question. How hard is it for
• 41:09
  Speaker 1: you to wear condoms? Because you had three or both
• 41:10
  Speaker 1: Nahoa Lettle, listen to me. I don't want every girl
• 41:13
  Speaker 1: to get this straight. I do not with no condoms. No,
• 41:19
  Speaker 1: understand what I said. I do not without having condoms,
• 41:24
  Speaker 1: with no condoms, with no condoms that I like, hold
• 41:27
  Speaker 1: on for am with no condoms about the girls should
• 41:34
  Speaker 1: know I'm not nothing you can do. You could be
• 41:37
  Speaker 1: you could be Beyonce, you could be Oprah. No, I'm lying.
• 41:41
  Speaker 1: You can't be open about to say you might have
• 41:43
  Speaker 1: to not but for all jokes aside, not but all
• 41:46
  Speaker 1: jokes aside, Like, I don't care how bad you are.
• 41:48
  Speaker 1: I don't care what it is, if if if the
• 41:51
  Speaker 1: gold pack down around, I'm not not hitting. I don't
• 41:53
  Speaker 1: care what it is. I don't care what kind of
• 41:55
  Speaker 1: situation we're in. I'm not I'm not like I know
• 42:00
  Speaker 1: Charlomagne on the album you had three abortions. You don't
• 42:02
  Speaker 1: get abortions. Hey. First of all, I will say that
• 42:08
  Speaker 1: two of those situations was accident. Columns, bro, why I
• 42:11
  Speaker 1: stopped using you know of a column? I was young young,
• 42:17
  Speaker 1: you know already already I'm already in here, already know
• 42:22
  Speaker 1: what I'm saying, that's what and in plus it you
• 42:24
  Speaker 1: know it's not with anybody. That was my girl. Huh,
• 42:29
  Speaker 1: why are we talking about this shin now? Next question?
• 42:33
  Speaker 1: What about this song you got with Drake's that? What
• 42:37
  Speaker 1: do you think a picture with Drake and Charlomagne had
• 42:41
  Speaker 1: a picture couple of years ago. I didn't say it.
• 42:43
  Speaker 1: You know when you you know where you buy your
• 42:45
  Speaker 1: chicken some bottles happy, That's what kind of looked like
• 42:49
  Speaker 1: it was. I'm sorry, move the Pokemon, go play me
• 42:59
  Speaker 1: and my enemies. We appreciate you joining us. Thank y'all.
• 43:06
  Speaker 1: All right, there you have it. Let me get his
• 43:09
  Speaker 1: name right day, start pod morning, the Breakfast Club. This
• 43:23
  Speaker 1: is the Ruble Report with a well what re ignited
• 43:33
  Speaker 1: this beef between meek Mill and Drake? A lot of
• 43:35
  Speaker 1: people were saying, why would Drake take shots at meek
• 43:38
  Speaker 1: Mill out of nowhere? According to Timz, meek Mill was
• 43:41
  Speaker 1: actually trying to block Drake and Philly basically tell all
• 43:46
  Speaker 1: the promoters don't book Drake for any after parties, letting
• 43:49
  Speaker 1: everybody know to come on out and put up a
• 43:53
  Speaker 1: show of force at the Wells Fargo Center where Drake
• 43:55
  Speaker 1: was performing. Then the Cruise contact contacted each other directly.
• 44:00
  Speaker 1: Team allegedly warned Drake that they're better not be any
• 44:02
  Speaker 1: disrespect when they got to Philly. But then you know
• 44:04
  Speaker 1: what happens. Of course they have to do the exact
• 44:08
  Speaker 1: opposite to show that they're not scared. So that's why
• 44:12
  Speaker 1: Drake got agitated by everything that Meek Mill was doing,
• 44:15
  Speaker 1: and thus Drake going on stage throwing shots in the
• 44:18
  Speaker 1: back and forth. You can't go past the mark you
• 44:21
  Speaker 1: aim for in victory. Okay, it's time to Drake to
• 44:23
  Speaker 1: let that go. And I hope Meek didn't do that either,
• 44:26
  Speaker 1: because those people in Philly don't be playing with me,
• 44:28
  Speaker 1: and I could see them using that the violated probation
• 44:30
  Speaker 1: or something stupid. Right. Well, this is all according to TMZ,
• 44:33
  Speaker 1: so we don't know exactly what happened. But people who
• 44:35
  Speaker 1: are wondering, why is Drake reigniting things? Why doesn't he
• 44:39
  Speaker 1: just leave it alone? So perhaps because of the behind
• 44:42
  Speaker 1: the scenes of what happened, that could be maybe you
• 44:45
  Speaker 1: can't you can't run an old victory left, that's an
• 44:47
  Speaker 1: old victory. Now, imagine you're about to go somewhere and
• 44:50
  Speaker 1: people try to block you and say, okay, the breakfast club,
• 44:52
  Speaker 1: don't let them come. Do no After parties, they call
• 44:54
  Speaker 1: all the promoters. I'm cool on that. I'm gonna do
• 44:57
  Speaker 1: it anyway. You know, anyway, ain't got nobody more petty
• 45:01
  Speaker 1: or would you say, okay, let me just chill. I'm
• 45:03
  Speaker 1: going to get my bag. I'm going to get my
• 45:05
  Speaker 1: bag from where I'm supposed to be and then I'm
• 45:06
  Speaker 1: I'm I'm about to go get my bag. I don't
• 45:08
  Speaker 1: care about all. I gotta be in no club. I
• 45:10
  Speaker 1: got be in club for what. I'm gonna be in
• 45:11
  Speaker 1: the club. One. I just performed in front of twenty
• 45:12
  Speaker 1: dollsand people to get some more money. No, I'm cooling
• 45:15
  Speaker 1: it all right. Forbes has released their highest paid Actresses
• 45:18
  Speaker 1: for twenty sixteen, their top ten highest paid. Who do
• 45:21
  Speaker 1: you think was number one? Who made forty six million
• 45:23
  Speaker 1: dollars this last year? Said acting actresses A female, So
• 45:28
  Speaker 1: I don't know Jennifer, that's correct. She was number one.
• 45:32
  Speaker 1: Volved from me, So for her number one, you ain't
• 45:35
  Speaker 1: number one? Slowdown, but we were playing a video a game.
• 45:38
  Speaker 1: I'd have got a question, right, Damn can I get
• 45:41
  Speaker 1: some little something? That's largely because of a profit slice
• 45:46
  Speaker 1: that she got from the final Hunger Games installment and
• 45:49
  Speaker 1: a big upfront fee she got for the forthcoming movie Passengers. Now,
• 45:53
  Speaker 1: who do you think was number two? With thirty three?
• 45:55
  Speaker 1: Get this one? Actresses number two and even think I
• 45:58
  Speaker 1: don't see movie. Um, I don't know. Melissa McCarthy, Oh, okay,
• 46:03
  Speaker 1: all right, and then Scarlett Johansson was number three. All right,
• 46:06
  Speaker 1: all right, all right. So y'all now, all right, John
• 46:10
  Speaker 1: Legend in the meantime, has another project that he is
• 46:13
  Speaker 1: working on now. His production company is going to be
• 46:16
  Speaker 1: doing a new movie about Black Wall Street. Or it's
• 46:20
  Speaker 1: actually a series about Black Wall Street. Wow, drop one
• 46:23
  Speaker 1: of clues bombs for that. Damn it really So it's
• 46:25
  Speaker 1: still early in the development stage, and they're saying that
• 46:28
  Speaker 1: Black Wall Street could debut in twenty eighteen if it
• 46:31
  Speaker 1: does get picked up as a series. And if you
• 46:34
  Speaker 1: don't know about Black Wall Street, that was based on Greenwood, Oklahoma,
• 46:38
  Speaker 1: and all black community that built their own wealth and
• 46:41
  Speaker 1: stood economically independent back in the nineties, black hospitals, black schools,
• 46:47
  Speaker 1: and that time was attacked and burned to the ground
• 46:49
  Speaker 1: by white rioters. And that's one of the most tragic
• 46:51
  Speaker 1: acts of terrorism in US history. Yes, they flew over
• 46:54
  Speaker 1: with share things, Share crop of planes, dropped gas canisters
• 46:58
  Speaker 1: on the city, on the town and everything. They don't
• 47:00
  Speaker 1: teach the black people lost their lives. More than nine
• 47:02
  Speaker 1: thousand people were left homeless after that. They don't teach
• 47:04
  Speaker 1: you that in school. To all. It's not the games
• 47:06
  Speaker 1: record label. John Legend is not making a TV show
• 47:08
  Speaker 1: about the Games record labels an actual Black Wall Street.
• 47:11
  Speaker 1: All right, And amber Rose has a new show that
• 47:14
  Speaker 1: she's gonna be on. She will be competing on the
• 47:17
  Speaker 1: next season of Dancing with the Stars, the twenty third season.
• 47:21
  Speaker 1: They're saying that she has already signed on to that
• 47:23
  Speaker 1: reality competition and they haven't announced the fall line up yet,
• 47:27
  Speaker 1: but they are trying to get Simone bios also from
• 47:29
  Speaker 1: the Olympics as well. Sow show can cancel at Ambrose
• 47:37
  Speaker 1: Christ maybe it's doing well. I'm just asked. I do
• 47:41
  Speaker 1: believe Nick Cannon was just on this past week. She
• 47:44
  Speaker 1: should do good at you Dance with the Stars too.
• 47:47
  Speaker 1: Come on, she should be a dancer. Okay, shut up,
• 47:51
  Speaker 1: she was a scripple. Okay, she has no poles on
• 47:54
  Speaker 1: Dancing with the Stars, sir. We call them actual ballroom
• 48:00
  Speaker 1: it's actual ballroom dancing, snow stripping, going on on dancing
• 48:04
  Speaker 1: with this, not just ballroom dance, a little bit everything.
• 48:06
  Speaker 1: They might do a little tork here. Let us don't
• 48:09
  Speaker 1: I don't watch this. I'm only tuned in once and
• 48:12
  Speaker 1: that's when m Smith was on there because he is
• 48:14
  Speaker 1: the goat, because he's former Dallas cowboy. All right, well
• 48:17
  Speaker 1: that is your report. I'm angela year top three greatest
• 48:20
  Speaker 1: running backs of all time. All right, now, when we
• 48:22
  Speaker 1: come back, who are you giving that? Donkey? Oh, donkey?
• 48:28
  Speaker 1: The dance going to somebody you've never heard before. His
• 48:30
  Speaker 1: name is Rudolph. Oh what's his last name? Rudolf, But
• 48:34
  Speaker 1: Rudolf Bottiglia might might be. But what's the shoe we called?
• 48:39
  Speaker 1: What's some shoes called? I don't know, b A T
• 48:45
  Speaker 1: T A G L I A. How you pronounced that year?
• 48:47
  Speaker 1: Ta taglia? Rudolph Bataglia needs to come to the front
• 48:50
  Speaker 1: of the congregation. We'd like to have a world in place.
• 48:52
  Speaker 1: We'll get into that when we come back. Keep it locked.
• 48:54
  Speaker 1: This to breakfast clug Donkey of the day. I'm a democrat,
• 49:03
  Speaker 1: so being dunky of the day a little bit of
• 49:06
  Speaker 1: a mixed so like a dog day. No, I've been
• 49:14
  Speaker 1: called a lot in my twenty three years that donkey
• 49:16
  Speaker 1: of the day is a new wife donkey to day
• 49:21
  Speaker 1: for winter. The day August twenty fourth goes to a
• 49:23
  Speaker 1: fifty nine year old Florida man named Rudolph. Hey you
• 49:26
  Speaker 1: nothing's last name Taglia, but Taglia. Okay, Now, let the
• 49:30
  Speaker 1: record show all the craziest people in America live in Florida.
• 49:33
  Speaker 1: That is a fact that has been proven beyond a
• 49:34
  Speaker 1: shadow of a doubt time and time again, and this
• 49:36
  Speaker 1: story is just further proof. Now, Rudolph Protaglia is a
• 49:39
  Speaker 1: convicted pedophile. That white history fact has nothing to do
• 49:43
  Speaker 1: with this story. It's just a small detail that they
• 49:45
  Speaker 1: decided to place in this article. Sean sharing, I'm sharing it, okay,
• 49:48
  Speaker 1: So I repeat. Rudolph Particulia is a convicted pedophile, and
• 49:51
  Speaker 1: he was arrested on battery and aggravated battery charges for
• 49:55
  Speaker 1: cutting his fifty four year old girlfriend at their crib.
• 50:00
  Speaker 1: Why does a man stabbed his girlfriend? They ever a
• 50:02
  Speaker 1: good reason. He caught her cheating, jealous rage, she stole
• 50:06
  Speaker 1: some money from him, harm their kids. Nope, none of
• 50:09
  Speaker 1: those reasons. Okay. Rudolph became enraged and stabbed his girlfriend
• 50:12
  Speaker 1: after she wouldn't give him a kiss. That's right, the
• 50:17
  Speaker 1: all important good night kiss. Now, any real man knows
• 50:19
  Speaker 1: what I'm talking about. You're married, I have a living girlfriend.
• 50:22
  Speaker 1: You gotta get that smooth before bedtime. Okay. It's important,
• 50:25
  Speaker 1: makes us sleep better, makes us have sweet dreams, possibly
• 50:29
  Speaker 1: leads to sex. It's a stress reliever. I don't think
• 50:32
  Speaker 1: women know how important that good night kiss is to him. Man. Well,
• 50:35
  Speaker 1: clearly Rudolph's lady doesn't know or doesn't understand the importance
• 50:38
  Speaker 1: of his bedtime smooch because she refused to give him one. Well,
• 50:42
  Speaker 1: actually she refused to give him another one. Okay, she
• 50:45
  Speaker 1: gave him one but didn't want to give him another one.
• 50:47
  Speaker 1: Let me brick this down for you, ladies. One kiss
• 50:49
  Speaker 1: before bed really means good night. Trying to get another
• 50:52
  Speaker 1: kiss means I'm trying to smash before bedtime. Rudolph wasn't
• 50:55
  Speaker 1: mad he didn't get another kiss. Rudolph was mad that
• 50:57
  Speaker 1: his wife wasn't gonna let him smash well off through
• 51:00
  Speaker 1: the woman onto the bed, broke a crystal decoration and
• 51:03
  Speaker 1: swung a broken piece of glass while shouting, I'm going
• 51:05
  Speaker 1: to cut you in the private area and kill you. Yeah,
• 51:08
  Speaker 1: oh my goodness this, I know you wanted to smash
• 51:10
  Speaker 1: if you threatened to cut over Vergina, that's the classic.
• 51:12
  Speaker 1: If I can't have your poom poom, nobody can. Well.
• 51:15
  Speaker 1: The woman suffered to cut to her left thumb and
• 51:17
  Speaker 1: not Rootolf is in jail on a ten thousand dollar bar. Now, Fellas,
• 51:20
  Speaker 1: let me give you some game to avoid charges. If
• 51:22
  Speaker 1: your woman doesn't want to kiss you before bed, don't
• 51:24
  Speaker 1: get enraged, don't get upset, Just go to sleep and
• 51:28
  Speaker 1: go see your side chick the next day. Getting raged,
• 51:31
  Speaker 1: storm out the house and go see your side chick
• 51:33
  Speaker 1: that night. Either way, it has to be firmly established
• 51:36
  Speaker 1: that what your significant other doesn't do the next woman
• 51:39
  Speaker 1: will you even got a mumble stuff loud enough for
• 51:41
  Speaker 1: here for her to hear. Okay, she don't want to
• 51:42
  Speaker 1: give you a good night kiss, just roll over and say, hm,
• 51:45
  Speaker 1: I knew where to get a kiss. That's how you
• 51:47
  Speaker 1: keep on her toes. Okay. Getting mad and stabbing your
• 51:49
  Speaker 1: woman because she won't kiss you is the act of
• 51:51
  Speaker 1: a desperate man, and it is a characteristic of wisdom
• 51:54
  Speaker 1: not to do desperate things. You're fifty nine years old, Rudolf.
• 51:57
  Speaker 1: If you don't have the wisdom to have a side
• 51:59
  Speaker 1: chick yet. I don't know what to tell you. Okay,
• 52:01
  Speaker 1: before you make an emotional decision and do something that's
• 52:04
  Speaker 1: gonna land you in jail, fellas, just always remember your
• 52:08
  Speaker 1: side chick serenity prayer. Please cut the music so I
• 52:10
  Speaker 1: can repeat this for the people. Oh boy, God, grant
• 52:14
  Speaker 1: me the serenity to accept the woman I cannot change,
• 52:16
  Speaker 1: courage to change the woman I can, and the wisdom
• 52:19
  Speaker 1: to know when I need to have a side chick.
• 52:21
  Speaker 1: Please get Rudolf back to whatever his last name is,
• 52:24
  Speaker 1: the biggest he hall. Please what's his last name? Partagulia,
• 52:31
  Speaker 1: Hold off, Partagulia. Just always remember your side chick serenity
• 52:34
  Speaker 1: prayer before you make any emotional decisions to your main woman. Okay,
• 52:38
  Speaker 1: all right, all right, all right, we'll thank you for that.
• 52:40
  Speaker 1: Donkey off to day. Now when we come back, ask
• 52:44
  Speaker 1: Ye eight five eight five one oh five one. If
• 52:47
  Speaker 1: you got a question for Ye, you can call it
• 52:49
  Speaker 1: right now. Eight hundred five eight five one oh five one.
• 52:52
  Speaker 1: She'll put your live on the air and help you
• 52:54
  Speaker 1: with all your problems. So if you got a problem,
• 52:56
  Speaker 1: you're going through some things, call ye right now she
• 52:59
  Speaker 1: got your ond. Five eighty five one on five one
• 53:02
  Speaker 1: is the number. Here's Drake re read It's too good.
• 53:05
  Speaker 1: It's the breakfast logan morning. That was little Chrispin. What's
• 53:13
  Speaker 1: your fantasy morning? Everybody's dj Envy Angela Yee, Charlomagne the
• 53:17
  Speaker 1: guy we all to breakfast club at time to ask
• 53:20
  Speaker 1: Yee eight hundred five eighty five one on five one. Hello,
• 53:23
  Speaker 1: who's this? This is written from Houston. Hey Brittany from
• 53:26
  Speaker 1: the age ten? What's your course? To fee? Easy? So
• 53:29
  Speaker 1: I have a best friend who I've been they're really
• 53:32
  Speaker 1: really good friends for the for a couple of years,
• 53:34
  Speaker 1: and we've had sex and I don't know, and we're
• 53:39
  Speaker 1: go falling for each other, but I don't know if
• 53:41
  Speaker 1: we should continue our friendship or relationship. He always says
• 53:44
  Speaker 1: things like he doesn't want to hurt me, and I
• 53:47
  Speaker 1: got him, but I just don't know, and it's really
• 53:50
  Speaker 1: eating me up. I don't know really what to do. Okay,
• 53:52
  Speaker 1: So you guys started off as best friends? How long ago?
• 53:55
  Speaker 1: You said? A couple of years? Yeah, a couple of
• 53:58
  Speaker 1: years ago. He all of it is just came your
• 54:00
  Speaker 1: best friend a couple of years ago. Were you always
• 54:01
  Speaker 1: attracted to him. Wha, he was always attracted to me,
• 54:05
  Speaker 1: but I never I kind of pushed him away because
• 54:07
  Speaker 1: he was, you know, kind of a hole stuff with
• 54:09
  Speaker 1: plenty of girls that I know, so I always kind
• 54:12
  Speaker 1: of pushed him away. But we just came good friends.
• 54:14
  Speaker 1: And now we're like really really close, like really close.
• 54:17
  Speaker 1: And I moved to Houston, I too, on ago, and
• 54:19
  Speaker 1: he's still back home, and I don't know if I
• 54:22
  Speaker 1: want him to come here or stay there, like, but
• 54:25
  Speaker 1: does he want to come there? He does, Yes, he
• 54:28
  Speaker 1: doesn't want to come to Houston. But sometimes I go
• 54:30
  Speaker 1: like daves without talking to him, just because I'm so
• 54:32
  Speaker 1: in my feelings about it. But then I'm like, damn,
• 54:34
  Speaker 1: that's not really being like a really good friend. So
• 54:38
  Speaker 1: it's like I kind of let my emotions take over
• 54:40
  Speaker 1: our friendship. Okay, so let's talk about a couple of things.
• 54:44
  Speaker 1: So you knew he was a whole when you first
• 54:45
  Speaker 1: started talking to him, because he was messing with a
• 54:47
  Speaker 1: lot of other checks and he probably told you a
• 54:49
  Speaker 1: lot of stuff, right, Yeah, And I've seen it from myself,
• 54:52
  Speaker 1: So but that's not the issue. I don't really know.
• 54:54
  Speaker 1: I just want to get some some backstory on this now.
• 54:57
  Speaker 1: Is he saying that he wants to change his ways
• 54:59
  Speaker 1: and be with you? He didn't say those exact words,
• 55:01
  Speaker 1: but like we even talked about marriage before, like like
• 55:05
  Speaker 1: how dope would it be to marry your best friend?
• 55:07
  Speaker 1: Like we talked about that before. So he didn't say
• 55:10
  Speaker 1: those exact words that he wants to change. But I
• 55:12
  Speaker 1: know that he's growing, like I see growth in him,
• 55:15
  Speaker 1: but he did not say those exact words. No, okay,
• 55:17
  Speaker 1: because that's something that you really need to get straight.
• 55:20
  Speaker 1: Is he trying to give up his old ways which
• 55:22
  Speaker 1: people do, and change and settle down and be with
• 55:24
  Speaker 1: one person? Or is he just saying, hey, you're my
• 55:28
  Speaker 1: best friend, I'm still keep doing what I was doing
• 55:30
  Speaker 1: because you know how I am? Which one? Is it? Okay?
• 55:35
  Speaker 1: All right? So I mean have you have you asked
• 55:37
  Speaker 1: him like is he trying to be committed monogamous? Yeah?
• 55:42
  Speaker 1: And he told me what he wants and I told
• 55:45
  Speaker 1: him what I want, and it's just kind of just
• 55:49
  Speaker 1: never just I don't know, really paint together in a relationships,
• 55:52
  Speaker 1: sam plants always just like we were so close we
• 55:54
  Speaker 1: didn't want to hurt each other. Well, it's a little
• 55:57
  Speaker 1: too late. For that. Now, Okay, this could go one
• 55:59
  Speaker 1: or two ways. Either you guys will be really hurt
• 56:02
  Speaker 1: or you guys will be together forever and in love.
• 56:06
  Speaker 1: And it could be one or the other. But what
• 56:07
  Speaker 1: you need to do is get straight. What what does
• 56:09
  Speaker 1: he want? We know what you want. You want to
• 56:12
  Speaker 1: be with him. You want to be with him, but
• 56:13
  Speaker 1: you're scared. Yeah. Do you think that if I like
• 56:19
  Speaker 1: cut them on for a couple of days or even weeks? Why? No,
• 56:22
  Speaker 1: I would say this, do not play games? Because cutting
• 56:25
  Speaker 1: somebody off for a couple of days not talking to
• 56:27
  Speaker 1: them for a few days, now you're sending signals it's
• 56:30
  Speaker 1: never good to play games or somebody. If you want
• 56:32
  Speaker 1: to know something and that's your best friend, would you
• 56:34
  Speaker 1: cut your best friend off for a couple of days. No?
• 56:38
  Speaker 1: All right, So you're saying he's your best friend and
• 56:40
  Speaker 1: that should come first right now, and you should learn
• 56:43
  Speaker 1: and you should let him know. Look, I know it's
• 56:45
  Speaker 1: a complicated situation for both of us, so let's just
• 56:48
  Speaker 1: put it on the table. Do I want to be
• 56:49
  Speaker 1: with you? Yes? Am I nervous about it? Absolutely? And
• 56:53
  Speaker 1: let's just put it on the table. What is it
• 56:55
  Speaker 1: that you want to do so we can work towards that.
• 56:56
  Speaker 1: Because if you don't want to be with me and
• 56:58
  Speaker 1: you still want to be messing with other chicks, just
• 57:00
  Speaker 1: let me know. I'mna still be your friend, but I
• 57:03
  Speaker 1: need to know what's going on with us. And because
• 57:05
  Speaker 1: really there's no choice to be made here unless that's
• 57:08
  Speaker 1: what he wants to do. Also, unless you guys are
• 57:09
  Speaker 1: on the same page, then what's the decision to make Okay? Okay,
• 57:15
  Speaker 1: but don't play games with your quote unquote best friend
• 57:17
  Speaker 1: make shall y'all keep it? Yeah? Ute? All right? Ask
• 57:26
  Speaker 1: ye eight hundred five eight five one on five one.
• 57:29
  Speaker 1: If you need some advice, call ye now. And I
• 57:31
  Speaker 1: just want to say, anytime you want to get in
• 57:33
  Speaker 1: a relationship, you are always taking a risk that you're
• 57:35
  Speaker 1: gonna get your feelings hurt. So sometimes you gotta just
• 57:37
  Speaker 1: go out out and put it out there. Okay, call
• 57:40
  Speaker 1: us now. It's the Breakfast Local Morning. That was Meek
• 57:43
  Speaker 1: Mill all eyes on you morning. Everybody's DJ mvy Angela Yee,
• 57:48
  Speaker 1: Charlemagne the God We all the breakfast club that it
• 57:51
  Speaker 1: was time for? Ask ye, hello, who's this all right?
• 57:56
  Speaker 1: What's your question for you? Bro? Games eighty one to
• 58:00
  Speaker 1: hear the truth right then when you're when we tell
• 58:02
  Speaker 1: y'all the truth, y'all turned into schizophrenia momas cities. Yea,
• 58:05
  Speaker 1: I've been with my girlfriend a couple of years. At
• 58:08
  Speaker 1: the end of the day, were men go back to
• 58:11
  Speaker 1: that excuse. So as a man, you're a god and
• 58:15
  Speaker 1: you're a work in progress, and you've made some mistakes. Yeah,
• 58:19
  Speaker 1: and when she first goal with me, I was a
• 58:21
  Speaker 1: little young. Now what I mean for twenty eight now
• 58:26
  Speaker 1: she come mean when I was like twenty six, na,
• 58:29
  Speaker 1: maybe like twenty four, okay, and I still had some
• 58:33
  Speaker 1: tendom bad out Tennessee. So since so you confess to
• 58:37
  Speaker 1: some things because she probably already knew because no one,
• 58:40
  Speaker 1: no one knew she didn't. She just kept on it
• 58:43
  Speaker 1: and she insinuated and attenuated. Then I might know what
• 58:47
  Speaker 1: I'm gonna being a man, and what I will tell
• 58:49
  Speaker 1: you what the funny thing is, she ain't never really
• 58:52
  Speaker 1: did know, unto me. So I ticketed at her as
• 58:54
  Speaker 1: it being a good woman to me, I being a
• 58:56
  Speaker 1: good man to you for me? Okay, So what is
• 59:00
  Speaker 1: you have to tell her? Well that what did I
• 59:01
  Speaker 1: have to tell her? Yeah? Like, what did you tell her?
• 59:04
  Speaker 1: I told you what went down? When we want to know,
• 59:10
  Speaker 1: well went down? I want to hear how bad it is?
• 59:12
  Speaker 1: What did you have to tell her? I want to
• 59:15
  Speaker 1: go chill mom? Man, he had two girls around little
• 59:18
  Speaker 1: little get together. Okay, So now you can't even trust
• 59:22
  Speaker 1: you to be around your friend because not only did
• 59:24
  Speaker 1: you cheat, but you cheatedn't You don't even want me
• 59:27
  Speaker 1: to go to the thorough So here's the problem. Now,
• 59:29
  Speaker 1: when you're around your friends, she's automatically gonna always think
• 59:32
  Speaker 1: that you are being around the whole my whole know,
• 59:37
  Speaker 1: the personal right because she doesn't trust you because you
• 59:40
  Speaker 1: did that and not only did you not cheat privately,
• 59:42
  Speaker 1: but you did it in front of a bunch of people.
• 59:45
  Speaker 1: Everybody that was their nose. Even your friends, they don't
• 59:47
  Speaker 1: know her. So how do your friends not know your
• 59:50
  Speaker 1: girl that you've been with for the past four years?
• 59:53
  Speaker 1: Because you know, I keep my friends in my personal
• 59:56
  Speaker 1: business totally separate. Now does she how does she feel
• 59:59
  Speaker 1: about the fact that she he doesn't even know your friends?
• 1:00:02
  Speaker 1: She knows who wants to bring on sick girl? What
• 1:00:08
  Speaker 1: did you think was gonna happen? You thought you was
• 1:00:09
  Speaker 1: gonna tell her that you cheated? And she was just
• 1:00:11
  Speaker 1: gonna be okay with it. No, No, that was like,
• 1:00:15
  Speaker 1: that was like the first time I actually right, you've
• 1:00:18
  Speaker 1: been lying all this time. She kind of knew already,
• 1:00:20
  Speaker 1: and then you finally told something that you've been lying
• 1:00:23
  Speaker 1: about for all this time exactly. So now it's hurt
• 1:00:26
  Speaker 1: her to get over the fact that you've been lying,
• 1:00:28
  Speaker 1: been lying. What else did you lie about, because now
• 1:00:31
  Speaker 1: you open up the door for everything else? Right, Well, okay,
• 1:00:35
  Speaker 1: she knows funds up to this. Okay, Well, let me
• 1:00:39
  Speaker 1: just give you some advice. Okay, she found out some
• 1:00:42
  Speaker 1: information that you told her. She feels betrayed, she's hurt.
• 1:00:45
  Speaker 1: It's gonna take her some time to get over that.
• 1:00:48
  Speaker 1: Your period, there's just nothing you could do about that
• 1:00:51
  Speaker 1: except keep doing what you're supposed to be doing and
• 1:00:54
  Speaker 1: making her feel comfortable. But now that you did the crime,
• 1:00:56
  Speaker 1: you gotta do the time, Okay, time and the love
• 1:01:01
  Speaker 1: and the effort, all right, So you just keep on
• 1:01:04
  Speaker 1: doing that. It's not gonna be fixed overnight. It takes
• 1:01:06
  Speaker 1: a long time for somebody to build up that trust again,
• 1:01:09
  Speaker 1: just as it would take a long time for you
• 1:01:10
  Speaker 1: to trust somebody again if you felt betrayed all right,
• 1:01:13
  Speaker 1: can I start at my shop real quick? Go ahead, yo,
• 1:01:17
  Speaker 1: shut up. The five glass man were in his b
• 1:01:19
  Speaker 1: book to stand up, all right, bro good up man
• 1:01:22
  Speaker 1: ask you eight hundred five eight five one oh five one.
• 1:01:24
  Speaker 1: If you got a question for you, you could call
• 1:01:26
  Speaker 1: it at any time. Now you've got rumors coming up. Yes,
• 1:01:28
  Speaker 1: we'll talk about Michael straighthand he's landed yet another gig.
• 1:01:32
  Speaker 1: Will tell you what he's going to be doing. And
• 1:01:33
  Speaker 1: since we're talking relationships, let's discuss the Diddy and Cassie.
• 1:01:37
  Speaker 1: There were some rumors about a domestic incident. The two
• 1:01:40
  Speaker 1: of them allegedly broke up, she dumped them. Well, we'll
• 1:01:43
  Speaker 1: tell you where they stand now. All right, we'll get
• 1:01:45
  Speaker 1: into that and more. Keep it locked it to Breakfast
• 1:01:46
  Speaker 1: clogal Morning, the breakfast clubs. It's just oh my gosh,
• 1:01:55
  Speaker 1: gott it's the report. Oh well, it looked like things
• 1:02:03
  Speaker 1: are going left for Diddy and Cassie. Actually, her mom
• 1:02:06
  Speaker 1: had called the cops when allegedly Diddy had took her
• 1:02:08
  Speaker 1: phone and was going through it, And part of that
• 1:02:11
  Speaker 1: was because Cassie allegedly broke up with him. But the
• 1:02:14
  Speaker 1: two of them have kind of taken the social media
• 1:02:17
  Speaker 1: to address these issues. First, Cassie posted a picture herself
• 1:02:20
  Speaker 1: in a bikini with a jacket on, and she put
• 1:02:22
  Speaker 1: earlier today we always good. And then Diddy responded by
• 1:02:27
  Speaker 1: posting that very same picture and said always now. Cassie
• 1:02:31
  Speaker 1: also then posted another picture herself and said self control.
• 1:02:34
  Speaker 1: So it looks like the two of them are going
• 1:02:36
  Speaker 1: to work it out as they always do. They ain't
• 1:02:38
  Speaker 1: got no reason not to. Why do you say that?
• 1:02:41
  Speaker 1: We're Cassie going, that's the reason. Why exactly where's she going?
• 1:02:45
  Speaker 1: All right? It looks like Tiger is having some more issues. Now.
• 1:02:48
  Speaker 1: We told you before that he had a worn out
• 1:02:50
  Speaker 1: and he was supposed to get arrested because he did
• 1:02:52
  Speaker 1: not pay for one of the properties that he was renting. Well,
• 1:02:55
  Speaker 1: it looks like another landlord is now sewing Tiger one.
• 1:02:58
  Speaker 1: He's seeing all these judgments to get settled and felt
• 1:03:00
  Speaker 1: like he wants to get his money to his ex
• 1:03:02
  Speaker 1: landlord has also filed a complaint for one hundred and
• 1:03:06
  Speaker 1: eighty six thousand dollars. Yes, you can't be on MTV
• 1:03:10
  Speaker 1: ball In every week with that King In with Tiger
• 1:03:12
  Speaker 1: show and not paying your bills now, Well, People Magazine
• 1:03:14
  Speaker 1: had some legal documents saying that Tiger quit paying rent
• 1:03:17
  Speaker 1: and abandoned the premises without notice. Back in June twenty fifteen.
• 1:03:21
  Speaker 1: They found that the house was in gross disrepair, utility
• 1:03:24
  Speaker 1: bills were unpaid, and there was hazardous environmental waste that
• 1:03:27
  Speaker 1: required a professional cleanup. They said. Allegedly, there was ink
• 1:03:31
  Speaker 1: that was poured down the drain and into a public
• 1:03:33
  Speaker 1: sewer sink. Yeah, I don't know what that's about. That
• 1:03:37
  Speaker 1: Collie dyeing her hair, all right, Well, that house was
• 1:03:40
  Speaker 1: actually something that he had rented to run his side business,
• 1:03:43
  Speaker 1: Egypt Last King's Clothing, So all kinds of issues. You
• 1:03:47
  Speaker 1: can't just leave a house in gross disrepair and not
• 1:03:50
  Speaker 1: pay the bills. You can't be on TV every week
• 1:03:52
  Speaker 1: ball and not paying your bills. Maybe there's another reason
• 1:03:55
  Speaker 1: why it just seems like an ongoing issue here, because
• 1:03:58
  Speaker 1: because it maybe that's the problem. You're always buying calls
• 1:04:03
  Speaker 1: instead of pinion, damn house, noe or whatever it is,
• 1:04:05
  Speaker 1: drink whatever. I don't know, all right, Michael Straighthand has
• 1:04:09
  Speaker 1: sold his first script to ABC. Now we all know him,
• 1:04:13
  Speaker 1: of course from being on Good Morning American. We watched
• 1:04:16
  Speaker 1: the drama play out when he left Live Well. Now
• 1:04:19
  Speaker 1: he has sold his first scrip to ABC and it
• 1:04:21
  Speaker 1: is called Hobbs. It actually centers around a college football
• 1:04:24
  Speaker 1: player and a former Heisman Trophy winner who joins the
• 1:04:27
  Speaker 1: Miami Police Force after not being picked up by an
• 1:04:30
  Speaker 1: NFL team dropped one of clues bonds from Michael Sprehand,
• 1:04:32
  Speaker 1: the most successful gap tooth man ever in the history
• 1:04:35
  Speaker 1: of any field. That man is milking his situation for
• 1:04:38
  Speaker 1: all of this work. And I am not mad at him,
• 1:04:40
  Speaker 1: but milking having a gap between his teeth. No, the
• 1:04:43
  Speaker 1: ABC situation, Oh yeah, absolutely. I think he has a
• 1:04:46
  Speaker 1: deal to develop all kinds of shows. So Michael's grayhand
• 1:04:49
  Speaker 1: is win absolutely with her, all right, And that is
• 1:04:53
  Speaker 1: your rumor report. Did you guys see Nipsey Hustle's chain
• 1:04:55
  Speaker 1: that he got See a picture of this. It's actually
• 1:04:59
  Speaker 1: a one hundred percent smokable gold chain. That means one
• 1:05:03
  Speaker 1: hundred grams of weed that's rolled into joints with gold
• 1:05:05
  Speaker 1: papers and then they link the papers together. You have
• 1:05:07
  Speaker 1: to see a picture of it. They said the papers
• 1:05:09
  Speaker 1: cost three hundred dollars and dependent is three thousand dollars
• 1:05:13
  Speaker 1: worth of weed retail, So so how much now, three
• 1:05:17
  Speaker 1: thousand dollars worth of weed. Okay, three hundred dollars just
• 1:05:20
  Speaker 1: for the papers. He got it for free apart part.
• 1:05:22
  Speaker 1: But yeah, but when do you smoke it though? Like,
• 1:05:25
  Speaker 1: at what point do you decide I'm gonna smoke this
• 1:05:27
  Speaker 1: jury chain? Yeah, it's got to be a special occasion, right,
• 1:05:30
  Speaker 1: you just don't smoke that on any given day, not
• 1:05:33
  Speaker 1: a right. It's got to be some something you're celebrating
• 1:05:36
  Speaker 1: or and you got to do it via periscope. Everybody
• 1:05:39
  Speaker 1: got to see this one. Let me smoke might change. Yeah,
• 1:05:42
  Speaker 1: that's different. Now that's some different type of ball drop
• 1:05:44
  Speaker 1: on a clue, bombs and nipsey hustle, minding a new
• 1:05:46
  Speaker 1: way to ball on these holes. That's a new way
• 1:05:48
  Speaker 1: to ball. Okay, goodness, Grace, I'm gonna buy me a
• 1:05:51
  Speaker 1: chain just to smoke it. You do what you're doing,
• 1:05:54
  Speaker 1: and that is your rumor report. I'm Angelie and a
• 1:05:57
  Speaker 1: happy National Waffle DMV. Let me tell y'all spoiled. I am.
• 1:06:00
  Speaker 1: I'm so spoiled. We've been working at our hard for
• 1:06:02
  Speaker 1: what I've been here almost six years now, six years.
• 1:06:05
  Speaker 1: Every year it seems like Elvis Durant does a waffle house. Yeah,
• 1:06:09
  Speaker 1: And I came in here mouth water in the day thinking,
• 1:06:11
  Speaker 1: you know what, I'm gonna have a little cheat. He
• 1:06:14
  Speaker 1: ain't got no waffle house today, and I'm feeling bad.
• 1:06:16
  Speaker 1: I'm like, oh, yeah, no waffle house at the job today,
• 1:06:19
  Speaker 1: even though there's no waffle houses in New York Tri
• 1:06:22
  Speaker 1: state area at all. That's how spoiled I've gotten. Well,
• 1:06:25
  Speaker 1: I see, well, it is National Waffle Day. So if
• 1:06:28
  Speaker 1: you look on my Twitter, I did post all the
• 1:06:30
  Speaker 1: places that are giving free waffles today. If you want
• 1:06:32
  Speaker 1: to find a location near you where you can get
• 1:06:34
  Speaker 1: some free waffle And if you work with a waffle
• 1:06:36
  Speaker 1: colored negro, get a package surf and smack them with it,
• 1:06:38
  Speaker 1: shut up. That's not what you do. Um. So we're
• 1:06:41
  Speaker 1: celebrating with dj MV today for a national whiff. Somebody
• 1:06:43
  Speaker 1: getting package surf and smacking being the face shut up
• 1:06:46
  Speaker 1: and went in turn, want to make twin dolls real quickly,
• 1:06:48
  Speaker 1: some of y'all last day to day anyway, We ain't
• 1:06:51
  Speaker 1: hiring none of y'all. Come on, you stop it all right,
• 1:06:55
  Speaker 1: shout to our family at Revote Man. We'll see you
• 1:06:57
  Speaker 1: guys tomorrow. Everybody else to peoples choice mixes. Next, you
• 1:07:00
  Speaker 1: want to hear something eight hundred five eight five one
• 1:07:02
  Speaker 1: oh five one hit us. Now, that's the breakfast cluck
• 1:07:04
  Speaker 1: of onrning