Latest / I Am All In with Scott Patterson / I’ll make you some coffee (S4 E20 "Luke Can See Her Face”)

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I’ll make you some coffee (S4 E20 "Luke Can See Her Face”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Oh that's you. I am all
• 0:17
  Speaker 1: in with Scott Patterson an I Heeart radio podcast. Hi kids,
• 0:21
  Speaker 1: Hi hie, Oh my god, happen Luke can see your face?
• 0:30
  Speaker 1: What is going on with the episode? Wow? I mean,
• 0:36
  Speaker 1: there's a lot of pack, so many words. There's just
• 0:40
  Speaker 1: too much to even deal with. It's so much. You
• 0:42
  Speaker 1: said when you just said when Luke can see your face?
• 0:45
  Speaker 1: I literally was like, yeah, I know you can. My
• 0:48
  Speaker 1: camera's on. And then oh my god, that's the title
• 0:52
  Speaker 1: of the episode or not Luke. That must be a
• 1:00
  Speaker 1: stay on the street. People on the streets say Luke. Yeah. Yeah,
• 1:04
  Speaker 1: they say Luke. Yeah. Tori Spelling said she answers to Donna,
• 1:08
  Speaker 1: so you can answer them. I do, I do. I
• 1:11
  Speaker 1: look and I turn and there they are. You know,
• 1:14
  Speaker 1: it's wonderful. It's all wonderful. But why Wow, what an episode? Wow?
• 1:19
  Speaker 1: Season four just taken over all right. Here's the synopsis.
• 1:23
  Speaker 1: Luke decides to make some changes in his love life
• 1:26
  Speaker 1: after listening to an inspiring tape and reading books about love.
• 1:31
  Speaker 1: Liz and tj announced are going to get married and
• 1:33
  Speaker 1: have a Renaissance themed wedding in the town square. Then
• 1:36
  Speaker 1: Jess comes into town and admits he's trying to avoid
• 1:39
  Speaker 1: Rory after dropping the L word. Lori lia is stressed
• 1:42
  Speaker 1: out about the breakup and the end and stresses everyone
• 1:45
  Speaker 1: else too. Meanwhile, Paris makes a decision about her and
• 1:48
  Speaker 1: Asher's future. Did anyone knows? At the end? On Netflix,
• 1:51
  Speaker 1: it said like, two more episodes left of the season
• 1:53
  Speaker 1: when you hit next? Did you notice that? No? Yeah,
• 1:56
  Speaker 1: so you know how like it always like speeds through
• 1:59
  Speaker 1: and it's like, oh, like I can hit next. They
• 2:00
  Speaker 1: said two more left of season, like two more episodes
• 2:03
  Speaker 1: left of season four. I was like, well, this is
• 2:05
  Speaker 1: exciting it and Netflix says that it takes all my
• 2:08
  Speaker 1: season to end. It has all my strength to not
• 2:12
  Speaker 1: watch the next one. Yeah, you can't do it. You
• 2:14
  Speaker 1: can't do it. It will quit. Scott, is it coming
• 2:17
  Speaker 1: back to you? Like? No, none of this. I remember
• 2:21
  Speaker 1: none of this. I remember God, and least of all
• 2:25
  Speaker 1: I the strip club shocked me. I couldn't believe that
• 2:29
  Speaker 1: I did that scene. And I just don't remember any
• 2:33
  Speaker 1: of it. I don't remember any of it. I don't remember.
• 2:36
  Speaker 1: This was literally your episode. Like there's a lot of luke,
• 2:40
  Speaker 1: a lot of luke. This is luke this whole episode
• 2:43
  Speaker 1: is Luke like, it's all you WoT next? Oh really,
• 2:52
  Speaker 1: I don't even want to say. Here's the thing. This
• 2:55
  Speaker 1: goes to show how great Lauren is because she had
• 3:01
  Speaker 1: to do that. She has to carry every show, right,
• 3:04
  Speaker 1: She's in like more scenes than anybody. Yeah, and it's
• 3:09
  Speaker 1: hard to do it. You know, it's like really hard
• 3:12
  Speaker 1: to be in so many scenes because of the you know,
• 3:15
  Speaker 1: the tone that you have to hit and if and
• 3:17
  Speaker 1: if you're off on one scene and I think, and
• 3:19
  Speaker 1: we'll get into this because I was. I think I
• 3:21
  Speaker 1: was really off on one particular scene that we'll talk about.
• 3:24
  Speaker 1: I can't wait to hear about. Well, we'll we'll you know,
• 3:28
  Speaker 1: hash it out when we get there. But but it's
• 3:30
  Speaker 1: hard to really kind of lay out that sort of
• 3:32
  Speaker 1: game plan. When you get the script and you see
• 3:35
  Speaker 1: her on all these scenes, it's like, you know, it's
• 3:38
  Speaker 1: you can fall into you know, these inevitable acting sort
• 3:42
  Speaker 1: of traps um if there are so many scenes and
• 3:47
  Speaker 1: you don't really plot your course through you can't wait
• 3:50
  Speaker 1: to hear about the like inside Baseball and I'm laughing, yeah,
• 3:54
  Speaker 1: because we had sales called us yesterday and they were like,
• 3:58
  Speaker 1: do you have a show where your home don't agree,
• 4:01
  Speaker 1: And I was like, I'm on it. It is called
• 4:06
  Speaker 1: I'm all it. We all disagree. I already was laughing
• 4:11
  Speaker 1: because I'm already like, disagree, disagree. Oh anyway, all I
• 4:16
  Speaker 1: have to do is listen to like any of the episodes.
• 4:19
  Speaker 1: But I don't. I can't wait to hear because I'm
• 4:21
  Speaker 1: going to see if we noticed it or if you're
• 4:23
  Speaker 1: just like hard on your performance. I hope you're not,
• 4:27
  Speaker 1: because you were outstanding. Oh no, I'm gonna I'm gonna
• 4:31
  Speaker 1: tear myself a new one. One particular scene. The rest
• 4:36
  Speaker 1: I'm fine with. Okay, I'm gonna be the one with
• 4:38
  Speaker 1: the boom box because literally I wrote down phenomenal performance
• 4:44
  Speaker 1: in that. Scott just entertained me for a good long
• 4:48
  Speaker 1: amount of time with a boom box. It's a good point.
• 4:55
  Speaker 1: If I was an actor, I would think that would
• 4:58
  Speaker 1: be the hardest scene ever her and effing nailed it.
• 5:03
  Speaker 1: I was like, I am not bored. I completely believe
• 5:07
  Speaker 1: it everything. I was like, he is acting with a
• 5:10
  Speaker 1: tape recorder. I wonder you that's the one that is
• 5:16
  Speaker 1: not the scene I'm referring to. I enjoyed that scene too.
• 5:20
  Speaker 1: That's that you are great, that's thank you. That's active listening.
• 5:23
  Speaker 1: Active listening. Um, so listening. That's like what teachers say, right,
• 5:30
  Speaker 1: So what does that mean? You're listening like you're in
• 5:34
  Speaker 1: it because you're listening. It's just thinking the thoughts. It's
• 5:38
  Speaker 1: like thinking the thoughts the character would think in that situation,
• 5:42
  Speaker 1: and the thoughts are always changing. And acting is listening.
• 5:46
  Speaker 1: It's listening. It's reacting to what you're listening to in
• 5:50
  Speaker 1: the moment and being truthful. That's all that scene comes
• 5:54
  Speaker 1: across across so believable because you're in it, like you're
• 5:57
  Speaker 1: really listening to I'm connected to that tape recorder. Wow,
• 6:03
  Speaker 1: And what is coming out of it? Yeah? Is it
• 6:05
  Speaker 1: not acting? Is it just living? Yeah? I guess it's yeah.
• 6:10
  Speaker 1: You try to do that living thing. Sometimes it's it's
• 6:13
  Speaker 1: hard in the acting, you know, I know we're getting
• 6:15
  Speaker 1: a little wonky, but it's interesting. I'm I'm interested. Yeah,
• 6:19
  Speaker 1: it's I don't know. I think if you can live
• 6:23
  Speaker 1: the role, it's better, right, Not that you have to.
• 6:26
  Speaker 1: I mean there's a lot, there's a lot of press.
• 6:29
  Speaker 1: Brian cox Is is after Jeremy strong succession. He's like
• 6:35
  Speaker 1: this guy won't let it go on set, and it's
• 6:37
  Speaker 1: like two methody. It's like what Dustin Hoffman did in
• 6:40
  Speaker 1: Marathon Man and Laurence Olivier criticized. It's like, yeah, you know,
• 6:43
  Speaker 1: young man, just learn how to act, you know, you
• 6:46
  Speaker 1: don't have to live it, you know, twenty four seven,
• 6:48
  Speaker 1: that kind of thing. But it's like everybody has their process, right,
• 6:51
  Speaker 1: every you've got to respect everybody's process. So, um, and
• 6:55
  Speaker 1: you can't argue with the results right from from what
• 6:58
  Speaker 1: Jeremy Strong's doing. And and I know Brian and I
• 7:01
  Speaker 1: know how gifted an actor he is, um and and
• 7:04
  Speaker 1: so he just has a process. But he's been doing
• 7:06
  Speaker 1: it a lot longer than Jeremy Strong's been doing it, right, Um,
• 7:11
  Speaker 1: So maybe one day Jeremy Strong got to that point
• 7:14
  Speaker 1: where he it's just you know, part of his process
• 7:16
  Speaker 1: is not living it all the time on set, but
• 7:19
  Speaker 1: that's just how he works. Yeah, well, and I want
• 7:22
  Speaker 1: to and you gotta respect it. That's what I was
• 7:24
  Speaker 1: going to say, A commitment. Yeah, people do what they're
• 7:27
  Speaker 1: gonna do, just if it's even if it's not your
• 7:29
  Speaker 1: way right right right. I don't know, I feel like
• 7:33
  Speaker 1: and I could be wrong about Lauren because I don't
• 7:36
  Speaker 1: know her, but I feel like there's a lot of
• 7:38
  Speaker 1: Laura Lae in Lauren, even just when I see her
• 7:40
  Speaker 1: in interviews. I'm like, that's a lot of lorel And
• 7:44
  Speaker 1: we do know you. There's a lot of Luke in Scott. Yeah.
• 7:47
  Speaker 1: And I stayed in character, you know, while I was
• 7:50
  Speaker 1: on set because it was it was so far away
• 7:52
  Speaker 1: from me and that you know, that energy and that
• 7:56
  Speaker 1: type of concentration. I had to maintain it throughout the
• 8:00
  Speaker 1: shooting day. Yeah, yeah, I kind of let if you
• 8:04
  Speaker 1: let it go. Man, It's just like and then after
• 8:08
  Speaker 1: nine years and coming back doing the episode the Netflix thing, man,
• 8:11
  Speaker 1: I had no clue. I was scared. Interesting. I don't
• 8:15
  Speaker 1: know this guy anymore. I've changed so much and maybe
• 8:18
  Speaker 1: he's changed so much, but it took me a little
• 8:20
  Speaker 1: bit to get him back, get the scent back. Yeah.
• 8:23
  Speaker 1: How many years later? Was it? Nine? I can't wait
• 8:26
  Speaker 1: to break down the movies. But yeah, so Laura lies
• 8:31
  Speaker 1: a cat lady, I guess we'll start that was that
• 8:34
  Speaker 1: was good stuff, really funny, good cat acting. And I
• 8:38
  Speaker 1: will say the phone call acting does not bother me
• 8:43
  Speaker 1: on this show. It's like I'm used to it. It
• 8:46
  Speaker 1: doesn't take me out like it's fine. Well, they do
• 8:53
  Speaker 1: it so often that you know people are bound to
• 8:56
  Speaker 1: get great at it. But it's still but it's still
• 9:00
  Speaker 1: it's still that Gilmore cadence. It's still the Gilmore energy,
• 9:03
  Speaker 1: it still has the humor. Can you remember if you
• 9:06
  Speaker 1: I mean, you don't have as many it'd more be
• 9:09
  Speaker 1: a question for Alexis and Lauren what phone calls? Did
• 9:13
  Speaker 1: they do them together? So they would shoot it with
• 9:18
  Speaker 1: just another person a stand in or whatever? Well, yeah,
• 9:23
  Speaker 1: or you know, somebody reading off camera, because you know
• 9:27
  Speaker 1: if usually those two were there all the time so
• 9:30
  Speaker 1: they can give each other the lines. I mean, there
• 9:33
  Speaker 1: weren't a lot of off days for either one of them,
• 9:35
  Speaker 1: so they were together in the scenes all the time.
• 9:37
  Speaker 1: So but now that they're splitting it up and doing
• 9:39
  Speaker 1: this different locations in Yale and Lorialize at our house,
• 9:43
  Speaker 1: So that's different, right. Can you imagine if in real
• 9:45
  Speaker 1: life they did I mean I believe that they totally
• 9:48
  Speaker 1: love each other, but can you imagine if you were
• 9:50
  Speaker 1: in that many scenes together working together with someone you
• 9:55
  Speaker 1: did not like, oh I've done that, I've done that.
• 10:00
  Speaker 1: It's hard. That's acting. Yeah. I mean it's like working
• 10:04
  Speaker 1: with somebody you don't like either, like deal with it
• 10:08
  Speaker 1: the same same. Yes, I'm trying to think if there's
• 10:10
  Speaker 1: anyone we work with that I really don't like, but
• 10:13
  Speaker 1: I can't think of it. I mean other than down,
• 10:16
  Speaker 1: you know, I really don't like Amy was like, I
• 10:21
  Speaker 1: must really love Amy. We call each other at ten
• 10:23
  Speaker 1: pms and no, we all actually love each other. And
• 10:26
  Speaker 1: Scott included, you should see our text, chambe I think
• 10:29
  Speaker 1: we should. Like people saw our text, they would just
• 10:33
  Speaker 1: kee their pants. They would actually, did anyone notice like
• 10:36
  Speaker 1: the little itty bitty cell phone, Like it's so weird
• 10:39
  Speaker 1: to me, like raise a little itty dy right? It
• 10:43
  Speaker 1: wasn't it a flip phone? Isn't a little tiny flip phone?
• 10:45
  Speaker 1: I feel like hers was even like not a flip phone.
• 10:48
  Speaker 1: It was just like this idiot I had a phone
• 10:51
  Speaker 1: one time before they were like, you know, before you
• 10:54
  Speaker 1: did emails, and I saw it was a little one
• 10:56
  Speaker 1: inch like it was just a little um okay. Relatable
• 11:05
  Speaker 1: hashtag relatable Lorelai leaving herself messages of the things she
• 11:10
  Speaker 1: has to do. Do you guys, ever, text yourself to
• 11:12
  Speaker 1: remind yourself of things I've done that. Yeah, Oh, I
• 11:16
  Speaker 1: just put in my notes page. Well I don't know
• 11:18
  Speaker 1: how to use that, but if I'm yeah, I do that.
• 11:21
  Speaker 1: But like sometimes I just text myself because if it's
• 11:23
  Speaker 1: like a link too, I just text myself. Like literally, yesterday,
• 11:29
  Speaker 1: I'm laying on my couch here in my office and
• 11:32
  Speaker 1: it's two thirty and my phone goes off if there's
• 11:35
  Speaker 1: an alert, and I pick it up and I'm like,
• 11:38
  Speaker 1: I'm all like groggy, and I'm like, because I was
• 11:39
  Speaker 1: up early with my son and all that stuff, and
• 11:42
  Speaker 1: so I look at it says podcasting. Oh no, David
• 11:47
  Speaker 1: tay Luis. So I ran in the kitchen, you know,
• 11:49
  Speaker 1: and oh is that when you texted us and you're like,
• 11:51
  Speaker 1: is there a podcast? I was out of it, man,
• 11:55
  Speaker 1: I was nodding out. I can't wait for people to
• 11:57
  Speaker 1: listen to that on this week though. We can tell
• 12:02
  Speaker 1: you is We got a text from Scott after that
• 12:04
  Speaker 1: said that was epic. He's epic. It was because this
• 12:11
  Speaker 1: morning we had one of these this morning and we
• 12:14
  Speaker 1: call it Gilmore. They call it I a AI I am,
• 12:18
  Speaker 1: and I call it Gilmore and I'm like Gilmore at
• 12:20
  Speaker 1: ten and then someone's like we rescheduled it, and I'm
• 12:22
  Speaker 1: like to what, like it was literally who's on first
• 12:24
  Speaker 1: to ten? Well it is said ten ten, we resled it.
• 12:35
  Speaker 1: Danyelle's email hasn't been working. I can't even talk about it.
• 12:39
  Speaker 1: It's gonna really put me in a spiral if we
• 12:41
  Speaker 1: talk about it. Here's what I want to say, Here's
• 12:44
  Speaker 1: what I want to say. Uh. When I took away
• 12:49
  Speaker 1: one of the things I took away from this episode
• 12:50
  Speaker 1: was how on earth did Michael and David day Louise
• 12:56
  Speaker 1: and even Peter Day Louise did not get their own
• 12:59
  Speaker 1: series together? I don't know. They are hysterical, Scott. I
• 13:06
  Speaker 1: literally agree because I was thinking this last night, right,
• 13:10
  Speaker 1: because I was like reading the transcripts from your interview
• 13:16
  Speaker 1: with David. Right, It's like the three of them were amazing.
• 13:21
  Speaker 1: Oh does Peter too, I mean, and in such a
• 13:24
  Speaker 1: different way. Twenty one Jump Street was like freaking iconic, right,
• 13:28
  Speaker 1: and they all look exactly this. Well. But but the
• 13:32
  Speaker 1: thing is they're they're all such strong personalities, they're all
• 13:37
  Speaker 1: so incredibly talented. They're also really funny guys and good guys. Totally.
• 13:43
  Speaker 1: Why didn't somebody sit them down and say, let's make
• 13:46
  Speaker 1: a deal. You guys need to either have your own
• 13:49
  Speaker 1: sitcom or your own single camera comedy show. Tara, it
• 13:52
  Speaker 1: would be Brotherly Love the adult version. Ye who dropped
• 13:58
  Speaker 1: the ball on that some network? And it's really not
• 14:01
  Speaker 1: too It's not too late, you know. I mean, I know,
• 14:04
  Speaker 1: I think Michael's not acting anymore. He emailed. I think
• 14:07
  Speaker 1: he emailed one of us that he's like just not
• 14:10
  Speaker 1: acting anymore. That's just soft. And this was like David
• 14:15
  Speaker 1: is on fire. The strip club scene was hysterical. I
• 14:19
  Speaker 1: laughed so hard. You know, the good host too. I
• 14:22
  Speaker 1: cannot wait for people to hear you guys, it's an illusion.
• 14:28
  Speaker 1: We'll get to it. I got so many mud questions
• 14:31
  Speaker 1: a couple of years before Wizards of Waverley Place too.
• 14:34
  Speaker 1: So yeah, because that was in two thousand and seven,
• 14:36
  Speaker 1: Is that right? Yeah? I think seven or a. Do
• 14:39
  Speaker 1: you think it's possible that they didn't want to work together? No,
• 14:42
  Speaker 1: I don't. I know, I don't either. I don't think so. No. Hey, everyone,
• 14:50
  Speaker 1: it's Bethany Frankel. We are reliving the best moments from
• 14:54
  Speaker 1: all the seasons of the Real Housewives on my new
• 14:57
  Speaker 1: podcast Rewives from the Table Flip New Jersey to the
• 15:01
  Speaker 1: craziest hills of Beverly. No city will be spared. And
• 15:05
  Speaker 1: I'm joined by my most fabulous celebrity friends that you
• 15:08
  Speaker 1: will never expect to help me break down the drama.
• 15:11
  Speaker 1: Kristin Channawi, Tori Spelling, Jerry Springer, Snookie, even Emmy winner
• 15:17
  Speaker 1: Elizabeth Moss. The list goes on and on. So let's
• 15:20
  Speaker 1: whoop it up and mention it all because you can
• 15:23
  Speaker 1: binge episodes of rewives right now with so much more
• 15:27
  Speaker 1: to come. Listen to rewives on the iHeartRadio app or
• 15:31
  Speaker 1: wherever you listen to your podcasts. One thing about the
• 15:35
  Speaker 1: opening credits, Milo was in them. There's that that you yeah,
• 15:41
  Speaker 1: that you know right away Milo and Jared are in
• 15:46
  Speaker 1: this episode. I was just like, oh, heck yeah, stoved.
• 15:50
  Speaker 1: Couldn't be like I literally wrote it down Milo on
• 15:53
  Speaker 1: opening credits exclamation points like Danielle wait, tell me when
• 15:57
  Speaker 1: this episode aired again. It aired on May fourth, two thousand. Sweeps. Dude, sweeps,
• 16:04
  Speaker 1: they know how to bring it sweeps. Yeah, okay, so
• 16:09
  Speaker 1: it's almost like every every episode in the season four
• 16:12
  Speaker 1: has been a sweeps episode. I totally agree. So okay,
• 16:16
  Speaker 1: So then we go Luke's opening the diner. Lore lies
• 16:18
  Speaker 1: on the steps. She's all jacked up on coffee, right,
• 16:23
  Speaker 1: like she she's already had the coffee, and then she
• 16:25
  Speaker 1: ran out right, yes, yeah, this is a mess. And
• 16:29
  Speaker 1: you make her eat oatmeal? I mean right away. We're
• 16:32
  Speaker 1: just seeing their connections. Yeah, yeah, they were. They had
• 16:37
  Speaker 1: a nice flow together. They just have a nice flow together. Yeah,
• 16:41
  Speaker 1: you know, um, because she's tough enough to take his grumpiness, yeah,
• 16:45
  Speaker 1: and his sarcasm, and but vulnerable enough to be delight
• 16:50
  Speaker 1: a delight, you know what I mean? And ell and
• 16:52
  Speaker 1: light King wants the one table right then realizes the
• 17:00
  Speaker 1: lighting over there is pretty good? Right? Did this stand
• 17:04
  Speaker 1: out to anybody else? How dressed up she is? I
• 17:07
  Speaker 1: mean she's wearing heels, like for all of us, like
• 17:10
  Speaker 1: after the pandemic, Like hard pants, you're like, who wears
• 17:13
  Speaker 1: literally wearing sweatpants as we speak, the same a fool
• 17:17
  Speaker 1: sweat set, Like how are you wearing sweatpants or hard pants?
• 17:20
  Speaker 1: Oh yeah, I never wear hard pants. If we go
• 17:26
  Speaker 1: out to sushi or something, I'll put on some hard pants.
• 17:29
  Speaker 1: But around the house, forget about it. Yea. And where
• 17:37
  Speaker 1: tracks is Harry? Because it's like it really stood out
• 17:42
  Speaker 1: to me. Now how pansy she is and then those heels,
• 17:45
  Speaker 1: I mean, she looks amazing. Like, yeah, shout out to
• 17:48
  Speaker 1: everybody who like joins me in being obsessed with this
• 17:51
  Speaker 1: fashion and thank you for telling me where to get
• 17:53
  Speaker 1: things because she's dressy, especially her five am I know. Wait, Okay,
• 18:03
  Speaker 1: so then we go to the inn and Michelle's on
• 18:04
  Speaker 1: the floor, which just was relatable. Again, I'm like, when
• 18:08
  Speaker 1: you're opening up something, how many times have we all
• 18:11
  Speaker 1: just been on the floor a day? So many like
• 18:16
  Speaker 1: we have so many jobs where there's just nothing there
• 18:19
  Speaker 1: and you literally like have a laptop and he was
• 18:21
  Speaker 1: like on the cement. I remember one time my therapist
• 18:26
  Speaker 1: told me, like a great way to like decompress for
• 18:29
  Speaker 1: your stress, and I actually have done this before is
• 18:32
  Speaker 1: you lay on the floor and you put your legs
• 18:34
  Speaker 1: up in like a tabletop position on the couch and
• 18:37
  Speaker 1: like like you put your legs up like yeah, yeah, saying,
• 18:41
  Speaker 1: so your your body's on the floor, but your legs
• 18:43
  Speaker 1: are on the couch. Okay, just sit there and it
• 18:45
  Speaker 1: like helps you like distress. You know what else you
• 18:48
  Speaker 1: can do is like is you can take these deep
• 18:50
  Speaker 1: breaths and just sort of let them out, like just
• 18:54
  Speaker 1: like just so you empty everything out. That's an acting
• 18:57
  Speaker 1: exercise laxation. Actually, what you just described is you get
• 19:03
  Speaker 1: on your back and you put your legs up on
• 19:04
  Speaker 1: the couch and you take deep breasts and just and
• 19:07
  Speaker 1: you go ruh and you just let everything out. You
• 19:09
  Speaker 1: do like twenty times your high as a kite from
• 19:12
  Speaker 1: from the hyperventilation, and you're relaxed as hell. So you
• 19:15
  Speaker 1: can get in front of a camera and just sort
• 19:18
  Speaker 1: of chill. Wait, should we all do it right now?
• 19:20
  Speaker 1: Everyone in their car? Absolutely ready? Did you say in
• 19:23
  Speaker 1: the car? Everyone in the car, everyone on their walks. Oh,
• 19:30
  Speaker 1: but you make it sound you make it sound like
• 19:32
  Speaker 1: a hippopotamus. Have you ever been in a yoga class
• 19:35
  Speaker 1: where they make you like exhale loud? Yes, you're just
• 19:39
  Speaker 1: like Scott. That reminds me you would have been great
• 19:46
  Speaker 1: in like finding Nemo. You sound like dor Let's do
• 19:53
  Speaker 1: another one? Here? Shall we? Here? You're go there you go?
• 20:03
  Speaker 1: You know what else? It's so funny, how like things
• 20:06
  Speaker 1: that make you feel dorky. I want everyone to do
• 20:08
  Speaker 1: it right now, because whenever I do a workout and
• 20:10
  Speaker 1: they're like pose, pose and I just skip them anyway.
• 20:17
  Speaker 1: So okay, So then Luke comes in and he's analyzing
• 20:21
  Speaker 1: the stairs with Tom, and Tom's all peoed about it,
• 20:24
  Speaker 1: and you guys are like, I'm not kid it singing
• 20:27
  Speaker 1: right right, don't don't come in here and kim its
• 20:30
  Speaker 1: and then oh, you don't usually see you know, you
• 20:34
  Speaker 1: don't usually see Luke back on his heels like that,
• 20:36
  Speaker 1: you know, no, which is which is why, which is
• 20:39
  Speaker 1: why Tom is such a good like sort of Luke
• 20:42
  Speaker 1: surrogate dad totally and an extension of Luke because he
• 20:46
  Speaker 1: respects him. He's he's a workingman. Right. Then we get
• 20:49
  Speaker 1: to what could be one of my favorite things ever
• 20:52
  Speaker 1: in all of Gilmore Girls. We go in and shell
• 20:58
  Speaker 1: shall I couldn't tell the shell the peltry supplier, the
• 21:02
  Speaker 1: shell sauceman or whatever, Yes, the poultry, and clearly Suki's
• 21:06
  Speaker 1: trying to like hook them up and lower light and
• 21:10
  Speaker 1: then the physical comedy body language between Scott and Lauren
• 21:16
  Speaker 1: slash Luke Lorelei. I literally was like it was so hilarious.
• 21:23
  Speaker 1: I mean when she's putting her armor in my armor, yeah,
• 21:26
  Speaker 1: and it's just all it's like hilarious and awkward and
• 21:29
  Speaker 1: amazing and then like she's all, don't touch my stomach. Hey,
• 21:35
  Speaker 1: what's this thing between I guess there's a thing between
• 21:37
  Speaker 1: Luke and Suki. They don't like each other too much,
• 21:40
  Speaker 1: because hey, look, you know she wasn't happy to see him.
• 21:45
  Speaker 1: I think they're mad. I don't know. I don't know.
• 21:47
  Speaker 1: Maybe him behind the k is there supposed to be.
• 21:50
  Speaker 1: I don't know. I was only in the show for
• 21:52
  Speaker 1: one hundred years, so how would I know. But I
• 21:55
  Speaker 1: think they're good. But I think they have their moments
• 21:57
  Speaker 1: because they're both in the culinary world, so yeah, little competition.
• 22:04
  Speaker 1: But he comes by to check out the kitchen. He's curious.
• 22:07
  Speaker 1: He's providing support. You know, he's not stealing ideas. He's
• 22:10
  Speaker 1: not like Steve job jobbing it going into Honeywell and
• 22:14
  Speaker 1: stealing the laptop idea or whatever. There was one part
• 22:19
  Speaker 1: in this scene that confused me. I'm sure, pretty sure.
• 22:21
  Speaker 1: It's the scene that Luke didn't know that she was
• 22:23
  Speaker 1: in a relationship. I don't know why I thought that
• 22:27
  Speaker 1: he knew. Luke didn't know that Laura yeah with um digger.
• 22:33
  Speaker 1: Oh yeah, because she kept it kind of on the
• 22:36
  Speaker 1: d L. I guess because he came to town and
• 22:39
  Speaker 1: like him and Luke kind of had that moment. I
• 22:41
  Speaker 1: assumed out right, yeah, we're sneaking around to say the least,
• 22:46
  Speaker 1: you know. Like I think just in that moment, because
• 22:48
  Speaker 1: of that scene in the car, like from a couple
• 22:50
  Speaker 1: episodes ago, I was like, wait, he didn't know they're
• 22:53
  Speaker 1: in a relationship. But it's just like yeah, like don
• 22:56
  Speaker 1: ll males like, oh, also doesn't I think on subconscious
• 23:01
  Speaker 1: level that's sort of inten Yeah that's me. But yeah,
• 23:08
  Speaker 1: I agree, I'm no simund Smund, right, I think I'm
• 23:14
  Speaker 1: a therapist. Yeah. I felt like she doesn't want him
• 23:17
  Speaker 1: to know, and she doesn't want to know about it
• 23:20
  Speaker 1: guts her every time she has to know about his stuff.
• 23:23
  Speaker 1: You don't remember the cruise and the marriage and the
• 23:26
  Speaker 1: divorce and how she was just so devastated. It's like yeah, whoa, yeah,
• 23:30
  Speaker 1: yeah that's true. Yeah. The funniest part lest we stop
• 23:36
  Speaker 1: cutting each other with our knives. The funniest part is
• 23:39
  Speaker 1: when they're they're talking. So after the sort of physical
• 23:44
  Speaker 1: awkward and then everybody leaves and it's just Luca Lorela
• 23:47
  Speaker 1: and then they like are talking and I think something like,
• 23:52
  Speaker 1: you're not destined to be alone and something about doctor
• 23:55
  Speaker 1: but you have shell and then you'd never want for chicken.
• 24:03
  Speaker 1: Oh god, their banter is as good as anybody's. He
• 24:07
  Speaker 1: can keep up. I venture to say this is the
• 24:09
  Speaker 1: best written episode, potentially of all Gilmour episodes. I agree.
• 24:14
  Speaker 1: Maybe maybe you're right. Oh god, no, unbelievable. Okay, So
• 24:21
  Speaker 1: now you got you got a double barrel of Palladino's
• 24:24
  Speaker 1: writing cranking it out. That is like the that's lethal,
• 24:30
  Speaker 1: that's not even fair. Yeah, it's like stop, Okay, we
• 24:35
  Speaker 1: can only handle that once in a while. Yep, I
• 24:38
  Speaker 1: agree with you. It's too good. Okay. So then we
• 24:40
  Speaker 1: go to Asher, which I thought he looked handsome. I
• 24:45
  Speaker 1: get it. Why the ladies love it. It's Michael Yorke.
• 24:48
  Speaker 1: He's the most dashing, charming actor ever. Yeah, he looks good.
• 24:53
  Speaker 1: I'm telling you go look go look at those old
• 24:55
  Speaker 1: photos of him and Raquel Welsh and three Musketeers. I mean,
• 24:58
  Speaker 1: the guy you forgot to do that. The guy's dashing.
• 25:01
  Speaker 1: People don't like when I google stuff while we're on
• 25:04
  Speaker 1: But dashing and talented and charming, and what do you
• 25:08
  Speaker 1: think of him asking Paris to go to Oxford Oh
• 25:14
  Speaker 1: why wouldn't he. I'm indifferent about it because I obviously
• 25:18
  Speaker 1: don't want them to be a real thing. But I'm
• 25:20
  Speaker 1: kind of like, oh, that's a big thing. If he
• 25:23
  Speaker 1: invited her to go to Oxford. Yeah, maybe he does
• 25:27
  Speaker 1: like her. Well, I don't want to jump ahead, but wow,
• 25:31
  Speaker 1: when when we get to the hospital, we'll save it.
• 25:34
  Speaker 1: But like, yow. Hey everyone, it's Dean Unglert and Kayla
• 25:41
  Speaker 1: Miller Keys and jaredhyn I'm I'm here. I'm here too, guys,
• 25:44
  Speaker 1: hosts of the new podcast. Help we suck at being
• 25:48
  Speaker 1: newlyweds because I guess we just don't suck at dating anymore. No,
• 25:52
  Speaker 1: I mean you're newly weds. I am not a newlywed anymore. Yeah,
• 25:56
  Speaker 1: I'm curious if I sucked at being a newlywed. I
• 25:58
  Speaker 1: don't think so. I mean, I'm made it to the altar,
• 26:01
  Speaker 1: and I am so happy to be joining you, guys.
• 26:03
  Speaker 1: I can't wait to talk about relationships, marriage and just
• 26:06
  Speaker 1: everything in between. It's about time we have someone smart
• 26:08
  Speaker 1: to join this podcast. It's too long between us. This
• 26:11
  Speaker 1: young lady's a broadcast journalism major. She knows what she's doing.
• 26:14
  Speaker 1: I'm so excited to be hosting a podcast with my
• 26:16
  Speaker 1: soon to be wife and of course my best friend Jared.
• 26:20
  Speaker 1: How's that going to make you feel? Working together? Now
• 26:22
  Speaker 1: you guys live together, we're together, going to get married. Yeah,
• 26:25
  Speaker 1: it'll be interesting. You think you need to get tired
• 26:27
  Speaker 1: of each other? Absolutely? Yes, be sure to listen to help.
• 26:30
  Speaker 1: We kept being nearly LEDs on the iHeartRadio app, Apple
• 26:33
  Speaker 1: Podcasts or wherever you listen to podcasts. Oh my god,
• 26:38
  Speaker 1: Oh my god. Okay, So then we have the scene
• 26:41
  Speaker 1: with Luke at the bookstore hiding it, didn't want anyone
• 26:47
  Speaker 1: to see, and then when he grabs the boombox, I'm like,
• 26:52
  Speaker 1: oh my god, what's happening and pops out the old cassette.
• 26:57
  Speaker 1: That's my favorite part is that it was an audio
• 27:00
  Speaker 1: tape with the workbook. Yeah he's really trying. Uh So
• 27:09
  Speaker 1: I thought this scene was like brilliant and I just wrote,
• 27:12
  Speaker 1: this must be so hard to do, Like how hard
• 27:16
  Speaker 1: was that to do? Just listen? You just listen. Are
• 27:20
  Speaker 1: they playing the tape back for you? Like? Are they
• 27:22
  Speaker 1: playing that exact audio? Oh? That's good. I think that
• 27:26
  Speaker 1: they were, And I think that boombox actually worked. Wow?
• 27:31
  Speaker 1: Was the boom box miked, I can't. No, I don't
• 27:36
  Speaker 1: remember that, but I do think that I was getting,
• 27:41
  Speaker 1: you know, the tape. I was. I was hearing it,
• 27:44
  Speaker 1: and because I think I insisted on it, I said,
• 27:46
  Speaker 1: I want to hear yeah, yeah, yeah, it because because
• 27:49
  Speaker 1: because how else can I respond? Yeah? And it was
• 27:52
  Speaker 1: so over the top it was great, like, yeah, now
• 27:56
  Speaker 1: I have a weird job that I don't think Jackie, Jackie,
• 27:58
  Speaker 1: I have all the faith in you. Jack He's our producer.
• 28:01
  Speaker 1: Who is the voice on the tape? I was wondering
• 28:05
  Speaker 1: question and I didn't start doing a deep dive. I'm
• 28:09
  Speaker 1: going to guess it was Christian Bail. Oh they got
• 28:13
  Speaker 1: Christian Bail. Is find outable a word, because I think
• 28:17
  Speaker 1: it's gonna be find outable. It's not, it's now it is.
• 28:22
  Speaker 1: It is so Scott. Can you when you watch that
• 28:29
  Speaker 1: where you like, huh really good? Yeah? I liked it.
• 28:33
  Speaker 1: I enjoyed it. I thought, yeah I did. I thought
• 28:34
  Speaker 1: I did a commendable job. I thought I was pleased.
• 28:38
  Speaker 1: I mean, I was like, this has to be hard,
• 28:41
  Speaker 1: and that was legit because I believed every second of it. Yeah,
• 28:45
  Speaker 1: I look, I didn't have a problem with any of
• 28:47
  Speaker 1: it except for one scene, Oh, I'm nervous, but we'll
• 28:50
  Speaker 1: get I'm nervous, so okay. So then Dean's working late
• 28:54
  Speaker 1: and we have the epic Lindsay Dean fight. Yeah that
• 28:58
  Speaker 1: was uncomf Yeah, you know, I got aside with Lindsay
• 29:03
  Speaker 1: on this one though, because oh no, no is working.
• 29:12
  Speaker 1: No no, no, okay, okay, hold on, guys, hold on
• 29:19
  Speaker 1: the fact that she's like, I want to go on
• 29:21
  Speaker 1: this double date with you, Like she is recognizing that
• 29:25
  Speaker 1: something is not right in their marriage. Like she's saying
• 29:29
  Speaker 1: that she's bored that Dean never calls her and that
• 29:32
  Speaker 1: she that he never thinks about her, and all she
• 29:35
  Speaker 1: wants him to do is to go on this double
• 29:37
  Speaker 1: date and he can't do it, and he's working because
• 29:41
  Speaker 1: he's trying to get her what she wants. I call
• 29:44
  Speaker 1: b s because if he really wanted to go, he
• 29:48
  Speaker 1: would have gone out of work on time or whatever. Like,
• 29:52
  Speaker 1: if he truly wanted to go on that double date
• 29:54
  Speaker 1: and spend time with her, he would make it happen
• 29:57
  Speaker 1: like he does with Rory. You know, I'm saying so
• 30:00
  Speaker 1: like in this situation, I was kind of like, oh,
• 30:04
  Speaker 1: Lindsay is definitely recognizing that something's off and that I
• 30:08
  Speaker 1: know something's off. He's playing pac Man all that. No,
• 30:11
  Speaker 1: I know totally, but she's just kind of like calling
• 30:13
  Speaker 1: his bluff. You know, she's calling his bluff right now.
• 30:17
  Speaker 1: But that's highly addictive. Pac Man's highly addictive. That's not
• 30:19
  Speaker 1: his fault when you put it that way. About the
• 30:21
  Speaker 1: double date that I agree with, I think it was
• 30:24
  Speaker 1: more of her line of like, I'm at home all
• 30:26
  Speaker 1: day and I'm bored, and he's like, well, I'm working.
• 30:28
  Speaker 1: That's the part that bothered me because yeah, but it's
• 30:32
  Speaker 1: but what she's saying is that called a check up
• 30:35
  Speaker 1: on me and she he does not care. He doesn't care,
• 30:39
  Speaker 1: Yeah at all, he does care. No, he doesn't. He
• 30:44
  Speaker 1: is not he's not getting that. He's not that indoor anymore.
• 30:47
  Speaker 1: But he does care because he's feeling like, I am
• 30:49
  Speaker 1: working all day long because you want a townhouse. No,
• 30:53
  Speaker 1: he's working all day long because he doesn't want to
• 30:55
  Speaker 1: be with her. Oh, I understand. Like if I totally
• 30:58
  Speaker 1: agree with that, I don't know. I think I think
• 31:01
  Speaker 1: he's trying both sides. Yeah, Scott, what do you think.
• 31:07
  Speaker 1: I think what's gnawing at him is the fact that
• 31:11
  Speaker 1: he has Rory concerned about his long term future with
• 31:18
  Speaker 1: his education, and he's probably you know, thinking he should
• 31:22
  Speaker 1: get back to college because she's right, right, I mean,
• 31:27
  Speaker 1: if he gets a degree. And I know this triggers
• 31:31
  Speaker 1: a lot of people in our in our audience about
• 31:34
  Speaker 1: you know, my opinion on education. But you know, even
• 31:37
  Speaker 1: if it doesn't lead to a high paying probably still
• 31:39
  Speaker 1: think it's a good idea. Uh. And you know, there
• 31:42
  Speaker 1: are a lot of ways to get an education without
• 31:44
  Speaker 1: going into tremendous amount of debt, right, you can, there's
• 31:46
  Speaker 1: there's a lot of you know, you can go to
• 31:48
  Speaker 1: the library and read on your anyway. Anyway. I just
• 31:50
  Speaker 1: think that what's gnawing at him is is the fact
• 31:54
  Speaker 1: that Rory has a long term vision for him and
• 32:00
  Speaker 1: it's not necessarily selfish, but it's for his own being,
• 32:06
  Speaker 1: his own happiness, his own long term happiness, his own
• 32:09
  Speaker 1: good and that's powerful, right, because it's not attached to
• 32:14
  Speaker 1: a romance anymore. And maybe a budding roman you know,
• 32:17
  Speaker 1: the romance is springing up again, but you know, and
• 32:22
  Speaker 1: plus on top of the fact that he's working that
• 32:25
  Speaker 1: extra job and getting that extra money because she wants
• 32:27
  Speaker 1: a townhouse. But he should not. But the thing is
• 32:29
  Speaker 1: I kind of agree with Danielle because he should want
• 32:32
  Speaker 1: the townhouse too for them. Yeah yeah, so why is
• 32:38
  Speaker 1: he settling and not doing the extra things it takes
• 32:41
  Speaker 1: and then being the great husband and checking in and
• 32:43
  Speaker 1: all that. So you know, I kind of see both
• 32:45
  Speaker 1: points of view. Just too young. Like if he was
• 32:49
  Speaker 1: working late too, would he be like, hey, I call
• 32:51
  Speaker 1: her instead of her showing up like hey, I'm so sorry,
• 32:53
  Speaker 1: Like I'm gonna be working late tonight like you'd usually give.
• 32:56
  Speaker 1: Just working he's like doing manual labor, like horror ass work.
• 33:01
  Speaker 1: And the last thing he's like, well, let me go
• 33:03
  Speaker 1: call my wife while I'm like literally yeah, but they're newlyweds, yeah,
• 33:09
  Speaker 1: thirty years. Also he doesn't if you we already know this.
• 33:12
  Speaker 1: If you say you're gonna be home at six pm,
• 33:14
  Speaker 1: and you're not gonna be home at six pm, like
• 33:17
  Speaker 1: you've deserved like your significant other, he's waiting for you,
• 33:20
  Speaker 1: deserves to get a call. Hey, I'm not gonna be
• 33:22
  Speaker 1: home till nine. I'm gonna work extra hours just to
• 33:25
  Speaker 1: save a little bit more. That is the right thing
• 33:28
  Speaker 1: to do. Yeah, communication is key. Lack of communication. No,
• 33:32
  Speaker 1: I like though I stand strong on this flag on
• 33:38
  Speaker 1: the play. We're gonna call a time out and we're
• 33:40
  Speaker 1: gonna go to Thank you, Scott, thank you so much
• 33:42
  Speaker 1: so Danielle. Yeah, her husband, I'm gonna give you two scenarios,
• 33:45
  Speaker 1: who works his ass off and is in the concert business,
• 33:49
  Speaker 1: so those shows go late. Drama happens all day, always
• 33:52
  Speaker 1: sends me a text, right, but he's working late, but
• 33:57
  Speaker 1: he tells me he's gonna be home late. Issue was
• 33:59
  Speaker 1: just he's not calling her my issues. He doesn't care
• 34:04
  Speaker 1: like we saw this episode. But God, no way, and
• 34:10
  Speaker 1: I hope, I hope this isn't cringe. But we do
• 34:14
  Speaker 1: not know what's going on behind closed doors so to speak. Right, No,
• 34:19
  Speaker 1: that's so we don't know if that activity is ongoing
• 34:22
  Speaker 1: or it's just stopped. Correct I I think Scott, that's
• 34:26
  Speaker 1: not cringe. That you make a good point in that
• 34:28
  Speaker 1: the mother's always around. She's fully nagging him, like it's
• 34:33
  Speaker 1: way too much like June Cleaver making the picnic basket whatever.
• 34:38
  Speaker 1: It's just also shout out to everybody who reminded us
• 34:41
  Speaker 1: of the episode, Oh my god, when Rory the old
• 34:46
  Speaker 1: TV show they watched, it's the names out of my head. Um,
• 34:50
  Speaker 1: everybody knows it's listening, don't get mad. Shout out to
• 34:53
  Speaker 1: that because that was an excellent point. Everyone's like, Dean
• 34:56
  Speaker 1: loves this life where he's you know, um, it's not
• 35:01
  Speaker 1: Doris Day, Who was it, Scott? Come on, come on,
• 35:03
  Speaker 1: I know no. So remember the episode Donna Dancing on
• 35:08
  Speaker 1: Donna her name is shown red. So shout out to
• 35:13
  Speaker 1: those people because that was a great call out that, like,
• 35:16
  Speaker 1: Dean loves the Donna Reed show life. So he does
• 35:19
  Speaker 1: like that with the picnic basket and the lunch. But
• 35:21
  Speaker 1: I think he thought he liked it. Oh yeah, from
• 35:25
  Speaker 1: back then he didn't like it, right, because Rory did
• 35:30
  Speaker 1: that whole deal. Yeah, but just that point, he doesn't
• 35:33
  Speaker 1: like it, don't doesn't like it, right, so he doesn't
• 35:35
  Speaker 1: like Lindsay, I get it, but also right, I think
• 35:38
  Speaker 1: Scott cringe. There's no bomb chicken, Yeah, which is very
• 35:49
  Speaker 1: concerning being that they're like nineteen years old. He's not
• 35:54
  Speaker 1: lying and that rabbit mom's always around yeah too. Yeah,
• 36:00
  Speaker 1: I don't know. I don't know, right, we go too
• 36:04
  Speaker 1: far yet again, broken down Lindsay and Dean. Yeah to
• 36:11
  Speaker 1: the as yeah as you can, but we just don't know.
• 36:14
  Speaker 1: We just don't know. It's like messy. Yeah. So then
• 36:17
  Speaker 1: Lukes and his truck with the audio tape and upcomes
• 36:22
  Speaker 1: his sister and TJS. I love them. That was a
• 36:27
  Speaker 1: terrific scene, the renaissance weathering, the two of them coming
• 36:31
  Speaker 1: in with all that energy and positivity and happiness and celebration.
• 36:35
  Speaker 1: And we're getting married next week right here in the
• 36:40
  Speaker 1: town square. We have nothing ready, but we're getting married,
• 36:44
  Speaker 1: and you're getting be my best man. And then he's like, obviously,
• 36:46
  Speaker 1: there's four hundred and twelve people ahead of you. You're
• 36:49
  Speaker 1: not my best man's, but you are invited to the
• 36:54
  Speaker 1: bat and then he goes, wait a minute, I smell
• 36:58
  Speaker 1: beer and he goes off. Physical The physicality is what
• 37:04
  Speaker 1: kills me with Michael day Louise. The physicality is so great,
• 37:09
  Speaker 1: the voice to the what a great characterization. Geez, man,
• 37:13
  Speaker 1: there should have been more of him, you know. That's
• 37:15
  Speaker 1: the thing. It's like, gosh, why isn't there more of him?
• 37:18
  Speaker 1: You know? And then you are being really sweet to
• 37:20
  Speaker 1: your sister. Yeah, like yeah, you really are. Luke's being
• 37:24
  Speaker 1: really sweet and you know, and then we find out
• 37:27
  Speaker 1: that Jess isn't coming, and that's obviously like, I think
• 37:31
  Speaker 1: we saw far more vulnerable Luke in this episode. He
• 37:34
  Speaker 1: was soft around the edges in a lot of places.
• 37:36
  Speaker 1: You know, Yeah, because you're trying to better yourself and
• 37:39
  Speaker 1: you're trying to figure out love making his family happy.
• 37:44
  Speaker 1: Like he's the one who went out, like Liz didn't
• 37:47
  Speaker 1: go to Jess's apartment like Luke what he wants to
• 37:51
  Speaker 1: make it work and and Jess comes because of because
• 37:56
  Speaker 1: of Luke. Yeah, we have to talk about that apartment
• 38:00
  Speaker 1: where we will disgusting. But first it's like Lorely and
• 38:05
  Speaker 1: Marie eating is one of the most unbelievable things. First
• 38:11
  Speaker 1: of all, nothing is grosser to me than a chicken
• 38:14
  Speaker 1: chow mate sandwich. I did agree with that? Is that?
• 38:19
  Speaker 1: Is that noodles in a sandwich like that? Yeah, that's
• 38:22
  Speaker 1: really good. What I've never heard of such thing. Have
• 38:26
  Speaker 1: you ever put spaghetti? Yes, oh that's good spaghetti. That's sandwich.
• 38:33
  Speaker 1: But that's the same thing. It's just different flavor. Yeah,
• 38:35
  Speaker 1: the flavors are different. Wait, you've put spaghetti left over
• 38:41
  Speaker 1: spaghetti the next day and put it into sandwich bread
• 38:44
  Speaker 1: and just oh you grind it. It's so good. Yeah,
• 38:47
  Speaker 1: how many carbs are you guys? Eating many. But it's
• 38:50
  Speaker 1: a lot, I guess and wanna and I don't have
• 38:57
  Speaker 1: to worry. Way you have to try that now, dude,
• 39:00
  Speaker 1: I don't even know just one bite is there in there?
• 39:04
  Speaker 1: Like sphett could be it can anything about it? When
• 39:08
  Speaker 1: you eat spaghetti, you like have a garlic bread or
• 39:10
  Speaker 1: you know, like eat chicken chow mate sandwich. Why not
• 39:19
  Speaker 1: where the funniest part is there's a call back to it,
• 39:24
  Speaker 1: So like, yeah, we learn about it and then I
• 39:26
  Speaker 1: think Luke says it again if he says it's a
• 39:30
  Speaker 1: Jess right, so are like he says it again? Yeah, yeah,
• 39:34
  Speaker 1: I think Jess is getting Yeah. So they were eating
• 39:37
  Speaker 1: nutter butters, tizza, chips and what were they eating during
• 39:41
  Speaker 1: the scene though it looked like they were putting like
• 39:43
  Speaker 1: wads of gum in their mouth or something. What were
• 39:45
  Speaker 1: they eating? Well, what was that? Was it taffy? Was
• 39:49
  Speaker 1: it salt water? Go back and look, yeah, we got
• 39:52
  Speaker 1: to go back. She kept like breaking Lola kept breaking
• 39:55
  Speaker 1: off this white sort of stretchy thing and shove it
• 39:58
  Speaker 1: in her mouth. Combo that was gagging. But if it
• 40:02
  Speaker 1: was like the Abba zappas or something. And we learned
• 40:07
  Speaker 1: that there's no Friday Night Dinner. Oh canceled, Yeah, especially
• 40:12
  Speaker 1: after last week, Like I thought that was a great
• 40:14
  Speaker 1: like follow up to the last week's episode of just
• 40:16
  Speaker 1: like they're not even in the episode, so like something's
• 40:19
  Speaker 1: going on. So I have a question. So because they
• 40:23
  Speaker 1: canceled Friday Night Dinner, they did a movie night, there's
• 40:26
  Speaker 1: they're still using VHS tapes, like we're DVDs not a
• 40:31
  Speaker 1: thing in two thousand and four, I think it was
• 40:33
  Speaker 1: like I think that's why I think, Yeah, I think
• 40:37
  Speaker 1: you could kind of go either way, like yeah, it
• 40:40
  Speaker 1: was like the yeah really really so I remember the
• 40:45
  Speaker 1: red Box was starting to be a thing. Oh yeahs
• 40:52
  Speaker 1: was still think two thousand and four. I'm trying to
• 40:54
  Speaker 1: think I was just when did Blockbuster? Yeah? Also, while
• 40:58
  Speaker 1: you guys look for house, Oh my god, Laura's wearing
• 41:01
  Speaker 1: this blouse that says it's only rock and roll. Two
• 41:05
  Speaker 1: thousand and ten, where is that yahouse? Yeah, two thousand
• 41:10
  Speaker 1: and ten was the end of Blockbuster. Yes, two thousand
• 41:13
  Speaker 1: and four it was. I think it was like two
• 41:15
  Speaker 1: thousand and four was like if the movie was already out,
• 41:17
  Speaker 1: you had a VHS. The newer movies were turning into DVDs.
• 41:21
  Speaker 1: So you were kind of in the middle. I just
• 41:24
  Speaker 1: heard if you still have your original Back to the
• 41:27
  Speaker 1: Future in the packaging VHS, it's worth like five hundred dollars.
• 41:30
  Speaker 1: I have all the Disney vhss, which apparently is worth
• 41:34
  Speaker 1: a lot if they have a special symbol on it.
• 41:35
  Speaker 1: So I need to go have the symbol. I need
• 41:38
  Speaker 1: to go. I have a box of just vhs Disney VHS,
• 41:41
  Speaker 1: so I need to go through. That was a Mark
• 41:44
  Speaker 1: Jacobs blouse. I believe, Wow, chic, super cool Mark Jacobs.
• 41:53
  Speaker 1: Oh no, that's a pink rocker t that said, it's
• 41:56
  Speaker 1: only rock and roll. So I still don't know totally
• 41:58
  Speaker 1: who did the blouse. I'm um it might be Mark Jacobs.
• 42:01
  Speaker 1: Also also, I will say something about your stylus on
• 42:05
  Speaker 1: this show. The fashion is much more expensive than Rory
• 42:09
  Speaker 1: and Lorla. I have the money for they are. I
• 42:13
  Speaker 1: mean when Rory was wearing the Moncler vest, I still
• 42:16
  Speaker 1: have regard. Yeah, little cafeteria and her vest was seven hus.
• 42:23
  Speaker 1: Well maybe it was in Emily and Richard present. True. True,
• 42:27
  Speaker 1: Actually that's a great point. They have a lot of money,
• 42:29
  Speaker 1: so they could get closed anyway. Um, should we have
• 42:34
  Speaker 1: chef right or make a chicken chamming sandwich. Here, I
• 42:37
  Speaker 1: have the episode pulled up. Do we want to see
• 42:38
  Speaker 1: what they're eating? Of course we do. Um, okay, can
• 42:48
  Speaker 1: you see this, I'll look at that blouse? Okay, yeah,
• 42:51
  Speaker 1: so what yeah? What do they have? Chinese food? Plus
• 42:53
  Speaker 1: there are butter sandwiches, but they were eating the nutter butter. No, no, no,
• 43:01
  Speaker 1: she's she's she's gonna start eating something there she goes,
• 43:04
  Speaker 1: she's getting it on. Oh yeah, oh I feel like eating. No,
• 43:12
  Speaker 1: I'm talking there, it is? What is? Then? It's nothing?
• 43:18
  Speaker 1: The fake eating is on a scale of fake eating,
• 43:21
  Speaker 1: it's a five. It's not the worst, but it's it's
• 43:24
  Speaker 1: not good. You don't think they're eating. They're fake eating.
• 43:27
  Speaker 1: There's a lot of like putting in your hand and
• 43:30
  Speaker 1: like moving your hands with it in it. Yeah, like
• 43:32
  Speaker 1: who eats a nutter? What is Rory eating? There? She's
• 43:35
  Speaker 1: eating a nutter butter right, or a sandwich. But here's
• 43:38
  Speaker 1: the thing. If you have to do multiple takes of
• 43:43
  Speaker 1: that scene and you have to eat during that scene,
• 43:46
  Speaker 1: you're not going to eat very much. That's Ory eating.
• 43:49
  Speaker 1: Like Rory's fake eating is so weird. And what is that?
• 43:55
  Speaker 1: It's a nutter? Butter with marshmallows. Yeah, that's that's small art. Look.
• 44:01
  Speaker 1: I did a scene once We're a breakfast scene where
• 44:04
  Speaker 1: I ate pancakes and I was famished. The character what
• 44:08
  Speaker 1: didn't say it was fanished, but I acted like I
• 44:10
  Speaker 1: was fanished. I did do that for half the day.
• 44:12
  Speaker 1: Oh my vomit. Yeah. So then Lorlie says gossip and
• 44:21
  Speaker 1: she gives the gossip about the fight the h and
• 44:27
  Speaker 1: somebody pricked up their ears right away. Yeah. I think
• 44:32
  Speaker 1: Roya heard that loud and clear, deep in her soul.
• 44:37
  Speaker 1: Then the moment Danielle has been waiting, Oh my god,
• 44:40
  Speaker 1: it was so bad. Yes, his apartment was vile. Okay,
• 44:46
  Speaker 1: let's now here. Here we are, now here we are.
• 44:49
  Speaker 1: I think this was a very very, very bad acting
• 44:55
  Speaker 1: job on my part. I thought I was unhinged, unnecessar
• 45:00
  Speaker 1: saily unhinged in this scene. I did not like what
• 45:04
  Speaker 1: I saw. I did not if I was directing this episode.
• 45:08
  Speaker 1: I was directing myself and I saw this in the dailies,
• 45:11
  Speaker 1: I would call myself and say, Scott, we need to
• 45:13
  Speaker 1: reshoot this, and you need to calm down a little bit,
• 45:16
  Speaker 1: you know, because it was just too much. Really, Yeah,
• 45:19
  Speaker 1: I was just like vibrating all over the place and yelling.
• 45:22
  Speaker 1: There was a door slam that was scary, door slam.
• 45:25
  Speaker 1: The whole thing. It was just too much. It was
• 45:26
  Speaker 1: too much. It was it was over the top and
• 45:30
  Speaker 1: I'm throwing a flag on that. I'm throwing a flag.
• 45:33
  Speaker 1: I don't know. I mean, it wasn't like you were
• 45:36
  Speaker 1: not happy. But I don't know. Is it that Milo
• 45:39
  Speaker 1: nailed it? Because the scene was great. I love when Yeah,
• 45:42
  Speaker 1: I think he was. I think he was great in it. Um.
• 45:46
  Speaker 1: But the thing is is he wasn't going to let
• 45:48
  Speaker 1: himself get caught up. He wasn't gonna let himself get riled.
• 45:52
  Speaker 1: The only way to save my butt in that scene
• 45:55
  Speaker 1: is if he gets involved and it starts escalating. Right.
• 46:00
  Speaker 1: But the fact that he didn't, that that he didn't
• 46:03
  Speaker 1: made me come off like I was unhinged, and I
• 46:06
  Speaker 1: just thought I thought it made me like the scene more.
• 46:08
  Speaker 1: I came in too hot. I just I came in
• 46:11
  Speaker 1: too hot and ramped up too much and it was
• 46:13
  Speaker 1: just too much. Like, who's going to respond to that
• 46:16
  Speaker 1: in a positive way? He did? He feel like it's
• 46:19
  Speaker 1: only Jess. I think that's why it worked. I think
• 46:22
  Speaker 1: it's I think it's one of those uh you know,
• 46:25
  Speaker 1: I was feeling it too much and showing it too
• 46:28
  Speaker 1: much and acting too hard. That's all throwing a flag
• 46:31
  Speaker 1: being honest with you. Didn't like it, I don't know.
• 46:34
  Speaker 1: I liked it. And I love when Jesse says I'll
• 46:38
  Speaker 1: catch the next one like this says you aren't coming, Well,
• 46:41
  Speaker 1: I'll catch the next one like that was that was funny.
• 46:44
  Speaker 1: I don't know. I liked this scene. I liked it
• 46:47
  Speaker 1: too because you said you owe me. Yeah, he did
• 46:50
  Speaker 1: say that it paid off the very next scene. I think. Okay,
• 46:55
  Speaker 1: So here's what I also think. I think this scene
• 46:58
  Speaker 1: fell victim to gilmore case. It didn't need it. This
• 47:02
  Speaker 1: scene could have breathed and and we could have taken
• 47:09
  Speaker 1: a lot more time in this scene to play out
• 47:11
  Speaker 1: these beats. I'm just technically and and and emotionally. I
• 47:16
  Speaker 1: thought it was just too fast to read. Who am
• 47:20
  Speaker 1: I to judge? You might be right, but I liked
• 47:22
  Speaker 1: it all. Well, yeah, what you like? It got away
• 47:26
  Speaker 1: with another one to wait, So then we go. I know,
• 47:32
  Speaker 1: we're at the diner and we've got the your to
• 47:34
  Speaker 1: do list versus my to do list, and all the
• 47:36
  Speaker 1: to do list, and is that when we realized Jess
• 47:38
  Speaker 1: made it Jess, Jess shows okay, all right, so it
• 47:43
  Speaker 1: worked finally. Way what was he reading? I didn't catch
• 47:45
  Speaker 1: that when I watched the episode because it was I
• 47:47
  Speaker 1: don't know what I wrote? What's LORELEI reading too? What
• 47:50
  Speaker 1: was Jess reading? At the strip club? When you shoot it?
• 47:52
  Speaker 1: O're not there yet there yet? Said? Comes first say
• 47:58
  Speaker 1: I'm going too fast again? I I'm too weird. That's
• 48:01
  Speaker 1: the problem, gilmore speed. So then we see Glenn. So
• 48:06
  Speaker 1: then we go over to to Yale. We see Glenn flirting,
• 48:12
  Speaker 1: and then we realize there's an emergency. Rory gets the call.
• 48:16
  Speaker 1: Can we can we just talk about Glenn? Please? Can
• 48:19
  Speaker 1: we just talk about how funny that guy is? What
• 48:23
  Speaker 1: did he say? You're stalking me? And he what did
• 48:25
  Speaker 1: he say? It's not stalking? What did he He's just
• 48:27
  Speaker 1: but you leave your your curtains open after her? He's
• 48:34
  Speaker 1: he's got the hard job because he's got a couple
• 48:36
  Speaker 1: of little lines, right, and he's got a nail them,
• 48:37
  Speaker 1: and he always nails them. I don't know, I love
• 48:41
  Speaker 1: that guy? Does I love this guy? So then we
• 48:44
  Speaker 1: see Jess and Luke interacting and Luke's eating dinner and
• 48:47
  Speaker 1: he says, eat what you like. I hear there's a
• 48:49
  Speaker 1: good chawman. So that was I like lauralized reaction when
• 48:53
  Speaker 1: Jess just like walked in and she's like, what like
• 48:57
  Speaker 1: when she's just sitting there? Is that the scene? Right?
• 49:00
  Speaker 1: Did I skipt? Yeah? Yeah, yeah, no, it was right
• 49:02
  Speaker 1: before the flirt, right before oh yeah yeah yeah yeah right.
• 49:06
  Speaker 1: And then we see Luke doing the dishes back with
• 49:08
  Speaker 1: the tapes again and we get the do you see
• 49:11
  Speaker 1: her face? What is fantasy? You see her face? I
• 49:16
  Speaker 1: just kept saying Laura la at the end of that scene,
• 49:21
  Speaker 1: Did I go whoa or something like that? Did I
• 49:24
  Speaker 1: go whoa? Something like that? Did I? I don't think so.
• 49:28
  Speaker 1: We kind of were just like, oh you did, like
• 49:30
  Speaker 1: bulb no, but something came out of my mouth. I
• 49:34
  Speaker 1: verbalized something wow, ah, good writing. Good scene. So then
• 49:40
  Speaker 1: we're at the hospital, Harris is losing her leap. Just
• 49:48
  Speaker 1: you don't you don't expect that from her, do you?
• 49:51
  Speaker 1: You just don't expect it? Didn't you feel like Emily
• 49:55
  Speaker 1: when Richard was in the hospital though, That's what it
• 49:56
  Speaker 1: reminded me of who That is a really great comparison. Yeah,
• 50:00
  Speaker 1: it's very similar. Yeah, when he had a heart attack. Yeah,
• 50:04
  Speaker 1: and I thought it was two things. First of all,
• 50:06
  Speaker 1: we get a mention of an anvil again, which I thought,
• 50:10
  Speaker 1: no way, now that I've learned what an anvil is
• 50:13
  Speaker 1: came back into my life. And then it really made
• 50:17
  Speaker 1: sense when she's she realized like he's old. Yeah, yeah,
• 50:22
  Speaker 1: and you're like, yeah, nobody I saw him. His eyes
• 50:25
  Speaker 1: were staring at the ceiling. He's only gurney, he was looking. Look.
• 50:32
  Speaker 1: I love what she says. I should be in a discotheq.
• 50:40
  Speaker 1: She Uh, she's all heart and soul. Did she that one?
• 50:44
  Speaker 1: I mean the guys in trouble? I want to dump him. Yeah, seriously,
• 50:49
  Speaker 1: it's like wow. But I was like, yeah, Harris, he's old. Yeah,
• 50:53
  Speaker 1: I will get to it. But she she she didn't
• 50:56
  Speaker 1: notice this beforehand, you know, exactly, like we're assuming there
• 51:01
  Speaker 1: she had to help him into the tub, you know,
• 51:03
  Speaker 1: but I think post coital, That's what I'm saying, we're
• 51:07
  Speaker 1: assuming they boum. So that's the whole basis of it.
• 51:12
  Speaker 1: Old cat naked. I think she likes like the old
• 51:16
  Speaker 1: scholarly side of him, but not like an Oh. In
• 51:20
  Speaker 1: a few years, I'm gonna have to kind of take
• 51:22
  Speaker 1: care of this. But we're thinking they are sixty and twenty, Like,
• 51:25
  Speaker 1: what is their age different? She has to be like nineteen,
• 51:30
  Speaker 1: Say she's twenty at the most, it's twenty. She's not
• 51:33
  Speaker 1: she could be seventeen or eighteen. No, she's not seventeen
• 51:36
  Speaker 1: because she's eighteen. Yeah, she's eighteen or nineteen nineteen. Okay, fine,
• 51:42
  Speaker 1: And what is he? He's Richard's age, it might be
• 51:46
  Speaker 1: more than that. And no, dude, no, he's in his sixties.
• 51:50
  Speaker 1: He's early sixties. So they are forty years apart. Yeah,
• 51:55
  Speaker 1: they have nothing to talk about. There's nothing, no conversation
• 51:58
  Speaker 1: they could possibly that's too many, too many years. It's yeah,
• 52:01
  Speaker 1: it is hm, it's her grandpa's Yeah, okay, So then
• 52:08
  Speaker 1: we go to because then the granddaughter shows up. That's
• 52:12
  Speaker 1: my granddaughter. And by the way, by the way, Rory's
• 52:18
  Speaker 1: never been funnier totally when when she was leaving, when
• 52:22
  Speaker 1: she you know, stepped in it with the granddaughter, you know,
• 52:25
  Speaker 1: realized it was granddaughter and like, well I got to
• 52:27
  Speaker 1: be going now by See that's the thing. That's the
• 52:31
  Speaker 1: thing I admire so much about Alexis is because she
• 52:34
  Speaker 1: stays relaxed through every year. She never lets her body
• 52:38
  Speaker 1: get all tense, and she never blows a scene or
• 52:41
  Speaker 1: blows a line because she's trying too hard. And that's
• 52:44
  Speaker 1: the thing. That's that's the takeaway from me is like,
• 52:47
  Speaker 1: if I'm the lead of a series and I've got
• 52:49
  Speaker 1: to be there every day and do this every time, man,
• 52:51
  Speaker 1: you better be relaxed. You can't go into Jesse's apartment
• 52:54
  Speaker 1: and be all tight and tense, interesting and interesting. You
• 52:57
  Speaker 1: can't do that. You just can't do that. That's bad.
• 53:00
  Speaker 1: But she's she's just great. She's she's just so she
• 53:05
  Speaker 1: still has the proper amount of energy for the scene. Right,
• 53:08
  Speaker 1: it's still alive and it's all happening, but she's so relaxed,
• 53:11
  Speaker 1: understated or it's very relaxed. Yeah, it's really nice. All right,
• 53:15
  Speaker 1: So we're we're got one thing. Before that, we got
• 53:18
  Speaker 1: Suki lore Lyne Michelle realizing laundry is isn't spelled wrong,
• 53:24
  Speaker 1: which it isn't, although I don't know how you spell
• 53:26
  Speaker 1: consumme also consummes gross, but uh, And then I think
• 53:33
  Speaker 1: we find out that the zucchini issue sleeping with the
• 53:38
  Speaker 1: zucchini and Davies of the grandparents and YadA YadA. Okay,
• 53:43
  Speaker 1: so now we go to the bachelor party and I
• 53:47
  Speaker 1: died when he said I spoon with your sister. And
• 53:50
  Speaker 1: Luke's just like and that the lap is an illusion
• 53:55
  Speaker 1: that was hysterical, the best stuff man. And then oh god, well,
• 54:02
  Speaker 1: Jess's in the bathroom and he says, use it before
• 54:04
  Speaker 1: the puking. Oh my gosh, Jess has his book. Did
• 54:10
  Speaker 1: Luke overreact to the lap dance offer? I feel like
• 54:15
  Speaker 1: that was a very lucris ye, like, yeah, you didn't
• 54:19
  Speaker 1: think it was an overreaction. It was too much. I
• 54:22
  Speaker 1: don't think anything was too much, only you think it
• 54:24
  Speaker 1: was too much. It's a free country. I ever right
• 54:29
  Speaker 1: to how I feel. So then we go back, Okay, disagree.
• 54:35
  Speaker 1: So before the Mud, we go back to the hospital.
• 54:37
  Speaker 1: I think, right, That's what made me, Yeah, was like
• 54:39
  Speaker 1: we like, this is the most ungilmore Girls scene. We
• 54:42
  Speaker 1: go from a strip club to a hospital, like usually
• 54:46
  Speaker 1: it's like stars Hollow to like Emily and Richards, you know,
• 54:50
  Speaker 1: and we think that Paris is gonna up. But this
• 54:55
  Speaker 1: is where this is where TJ takes us. I mean,
• 54:58
  Speaker 1: he just takes us into the the mud. Doesn't he
• 55:01
  Speaker 1: so good? They're so good. So we go back to
• 55:05
  Speaker 1: the hospital and this is where Paris and Roy are
• 55:07
  Speaker 1: having this heart to heart and we think they're going
• 55:10
  Speaker 1: to break up, and she goes in and I think
• 55:11
  Speaker 1: he said thank you angel. He called her angel. I mean,
• 55:15
  Speaker 1: dare I say it? He and I hate I hate
• 55:18
  Speaker 1: this term, but he kind of like gaslit her in
• 55:21
  Speaker 1: this a little bit. You mean you mean where He's like,
• 55:25
  Speaker 1: if you don't want to, I don't think that's gas No, no,
• 55:28
  Speaker 1: it wasn't gaslight. He realized that she was free. I
• 55:33
  Speaker 1: don't know, no, no, no. He picked up on her vibe,
• 55:36
  Speaker 1: but she was coming in too like dump the he
• 55:38
  Speaker 1: wanted to give her. He just was giving her an out. Yeah,
• 55:42
  Speaker 1: the wise man could feel the vibes. He knew what
• 55:45
  Speaker 1: she was thinking, and it was a gaslighter would have
• 55:48
  Speaker 1: been like a gaslighter would have been like, I've done
• 55:51
  Speaker 1: everything for you, and now that I had one bit
• 55:53
  Speaker 1: of Amgina, you're dumping me. You're the it's all your
• 55:56
  Speaker 1: fault like that you have Angina, like you know what? Yeah,
• 56:01
  Speaker 1: to me, he was like making I don't know when
• 56:03
  Speaker 1: he said, after all, I'm old, like I was to me.
• 56:08
  Speaker 1: I was just like he was just kind of like,
• 56:11
  Speaker 1: I don't know, but that's but that's the nature of
• 56:14
  Speaker 1: I guess his experience with young Yeah girls, true, this
• 56:19
  Speaker 1: happens time and time. This happens every semester. To him,
• 56:22
  Speaker 1: he sees it coming. He knows he probably ends up
• 56:25
  Speaker 1: in the hospital every semester because the girl is you know,
• 56:29
  Speaker 1: I don't know, to flights out and then he gets
• 56:32
  Speaker 1: low on electric lights, he passes out, He ends up
• 56:34
  Speaker 1: in the hospital. The girl wants a dumb It's like
• 56:37
  Speaker 1: he doesn't care. It's like, next time to be sweet
• 56:41
  Speaker 1: and give her the out. And he was very He's
• 56:43
  Speaker 1: like your wonderful company, but if you want to reassess,
• 56:48
  Speaker 1: and then she falls for it in the sense that
• 56:51
  Speaker 1: like he is so sweet and she's like no, like
• 56:55
  Speaker 1: she does genuinely like him. Yeah, really likes him. I
• 56:58
  Speaker 1: think they like each other. Although when it was a granddaughter,
• 57:03
  Speaker 1: she was so unfazed by two young students being in
• 57:06
  Speaker 1: the hospital for her grandfather, and I totally thought that
• 57:09
  Speaker 1: was a girlfriend at first, like, yeah, yeah, another daughter.
• 57:14
  Speaker 1: I just thought it was the daughter Asher Fleming been there,
• 57:17
  Speaker 1: done that. This happens every semester. Let's get let's get
• 57:24
  Speaker 1: the granddaughters. Like she's back, he's back in the hospital.
• 57:26
  Speaker 1: Two new girls. Literally, we're back at the bachelor party
• 57:33
  Speaker 1: with the mud, and wow, I tell you this is
• 57:39
  Speaker 1: pretty racy for Gilmore girls right here, and took an
• 57:42
  Speaker 1: aggressive turn with the fight, like all about walking down
• 57:45
  Speaker 1: the aisle, get Luke to do it right and then
• 57:49
  Speaker 1: fight and TJ was trying to do the right thing
• 57:52
  Speaker 1: by his you know, soon to be wife. Yeah, like
• 57:56
  Speaker 1: I wish, I wish Jess would walk her down the aisle,
• 58:00
  Speaker 1: you know, like that would have been a cute moment. Yeah,
• 58:01
  Speaker 1: but well yeah, I wish they didn't go to blows.
• 58:03
  Speaker 1: That was nearly wasn't nearly neally hilarious, but nearly had
• 58:11
  Speaker 1: to man handled us a little bit crazy way hilarious though,
• 58:19
  Speaker 1: And you have no memory of just that mud. I
• 58:21
  Speaker 1: do not remember a single second of that. Oh my god,
• 58:24
  Speaker 1: I just don't. That's why I was shocked when I
• 58:28
  Speaker 1: saw myself walk into that set. I was like, I
• 58:30
  Speaker 1: do not remember this because that's something you'd remember. You'd
• 58:33
  Speaker 1: think you'd remember the mud. Nope, and like being messy,
• 58:37
  Speaker 1: Well I wasn't. I I just don't remember any of it,
• 58:42
  Speaker 1: but I get it. I actually thought to myself, like,
• 58:44
  Speaker 1: if somebody said to me, do you remember episode season
• 58:49
  Speaker 1: one twelve of the podcast, I'd be like, no, no,
• 58:54
  Speaker 1: you said, blah blah. I'd be like, oh yeah, that
• 58:57
  Speaker 1: time we were laughing and we didn't a grand something.
• 59:00
  Speaker 1: I remember that. Oh my god. All right. So then
• 59:04
  Speaker 1: we go to the like garden, which I thought was
• 59:07
  Speaker 1: kind of a lovely cute thing, you know, where they're
• 59:12
  Speaker 1: all in the garden together and they're just I thought
• 59:15
  Speaker 1: that was actually really cute get ourselves when they said,
• 59:23
  Speaker 1: let's take something off of our plates and we decide
• 59:26
  Speaker 1: what you take off someone else's. Mm, that was cool.
• 59:31
  Speaker 1: Who said that? Remember they all they're all in the garden. Yeah,
• 59:35
  Speaker 1: they're looking at the stars, right. They know they've got
• 59:38
  Speaker 1: too much on their plates, so they're going to take
• 59:40
  Speaker 1: something off. Yeah, and they picked what it was, dropped
• 59:45
  Speaker 1: something off your list, and then they picked what it
• 59:48
  Speaker 1: was something, you know, each of them had a thing.
• 59:51
  Speaker 1: I thought that was cute. Hey dude, I'm David Lasher
• 59:58
  Speaker 1: and I'm Christine Taylor and host the podcast Hey Dude
• 1:00:02
  Speaker 1: the nineties called If You All Are nostalgic for the nineties.
• 1:00:05
  Speaker 1: We just wanted to make sure you didn't miss amazing
• 1:00:08
  Speaker 1: guests like the Brady Bunch cast reunion, the White Squall
• 1:00:12
  Speaker 1: cast reunion with Jeff Bridges. We've got Ben Stiller, We've
• 1:00:16
  Speaker 1: got the lead singer of Counting Crows, Adam Durrett's Jerry O'Connell.
• 1:00:20
  Speaker 1: We also had a Hey Dude cast reunion, So come
• 1:00:24
  Speaker 1: join us on Hey Dude the Nineties called. We have
• 1:00:27
  Speaker 1: so many more great guests coming up, so please come
• 1:00:30
  Speaker 1: back and join us. Listen to Hey Dude, the Nineties
• 1:00:33
  Speaker 1: called on the iHeartRadio app, Apple Podcasts or wherever you
• 1:00:36
  Speaker 1: listen to podcasts. Then we get to the one of
• 1:00:41
  Speaker 1: my favorites, Luke and Jess m I love him Luke
• 1:00:45
  Speaker 1: and Jess there may be some of my favorite to
• 1:00:48
  Speaker 1: be honest, And then and they talk about well, first
• 1:00:51
  Speaker 1: of all, we learned that he came because of Luke Yeah.
• 1:00:54
  Speaker 1: And then we also learned why he didn't come. To
• 1:00:57
  Speaker 1: begin with the I Love you Yeah because Rory my
• 1:01:03
  Speaker 1: favorite was a conversation between Luke and Jess and Luke
• 1:01:06
  Speaker 1: was like, and you just left, and Jesse was like, yeah,
• 1:01:09
  Speaker 1: I left. It was such a Luke move it was.
• 1:01:13
  Speaker 1: And then you give him the tapes. Oh my god.
• 1:01:17
  Speaker 1: Then then you go over to Laurelize. Wow, big move.
• 1:01:27
  Speaker 1: Made the move. He made the move. I grew a
• 1:01:31
  Speaker 1: pair and made a move. It was so smooth, smooth move.
• 1:01:37
  Speaker 1: It wasn't obvious, just so good. It was pretty good, right,
• 1:01:43
  Speaker 1: pretty good? It was. I want to know what I
• 1:01:46
  Speaker 1: wrote on my paper, slick smooth? Was it smooth? Ten? Ten? Ten?
• 1:01:52
  Speaker 1: This is a ten. The whole episode's a ten. Oh yeah,
• 1:01:56
  Speaker 1: I agree, this is a ten. Yeah. And her and
• 1:02:03
  Speaker 1: when she got in her cheap and she looked back
• 1:02:06
  Speaker 1: that last time with a smile in her face, was yeah.
• 1:02:12
  Speaker 1: You know, these two it's like they're so happy. They're
• 1:02:16
  Speaker 1: pretty happy because you could just feel that nervousness between
• 1:02:21
  Speaker 1: you know, you know when that when you're in that
• 1:02:22
  Speaker 1: situation and you ask somebody and it's like they said yes,
• 1:02:25
  Speaker 1: and you just you don't want to, you know, do
• 1:02:28
  Speaker 1: do you know, leap around and celebrate. You just you
• 1:02:31
  Speaker 1: have to contain your joy, right yeah? Yeah yeah, And
• 1:02:35
  Speaker 1: they were just both doing that. It's really fun, really
• 1:02:38
  Speaker 1: fun to watch. Ten. This episode was so good. I
• 1:02:42
  Speaker 1: actually can't get over it. It was so great. How
• 1:02:45
  Speaker 1: many zucchinis do you give it? At the very end,
• 1:02:48
  Speaker 1: when he gives the boom box, suggests, I know, I know,
• 1:02:52
  Speaker 1: Like he's like I figured out. Yeah. Can we just
• 1:02:55
  Speaker 1: sort of like, you know, look, you do your zucchinis,
• 1:02:57
  Speaker 1: I'm gonna do my boom boxes. Can we just agreed
• 1:03:00
  Speaker 1: that this is a ten? Yeah? Yes, everybody, Yes, I can. Yeah,
• 1:03:04
  Speaker 1: it's my boombox. As you do, how many whatever things
• 1:03:09
  Speaker 1: you're going to give it? Yeah? Ten? This is this
• 1:03:12
  Speaker 1: is a ten. This is a strong, This is like
• 1:03:14
  Speaker 1: a ten plus. Yeah, I agree. I didn't want it
• 1:03:18
  Speaker 1: to end. I wanted to watch. I can't even have
• 1:03:20
  Speaker 1: a favorite line because I literally said, this is the
• 1:03:22
  Speaker 1: best script of the entire series so far. I don't know.
• 1:03:27
  Speaker 1: My favorite line was Rory escaping to the elevator in
• 1:03:31
  Speaker 1: the hospital. She's cracking me up. I liked them when
• 1:03:37
  Speaker 1: Luke was responding to the tape and it's like I
• 1:03:39
  Speaker 1: feel angry. He's like, because I'm listening to this tape
• 1:03:41
  Speaker 1: and like he's back and forth with the tape. Mine
• 1:03:45
  Speaker 1: was similar a Luke line, um when he got the
• 1:03:49
  Speaker 1: tape and the workbook and he goes it doesn't get
• 1:03:51
  Speaker 1: lower than this. Again, here's another Here's another thing that
• 1:03:59
  Speaker 1: that at me watching alexis, why didn't somebody give her
• 1:04:04
  Speaker 1: a romantic comedy to star in? They did? Who? Who did? What? Big? Yes?
• 1:04:10
  Speaker 1: It's her traveling. Was she the star of that? Yeah?
• 1:04:13
  Speaker 1: Yeah she was. I never saw them, but she's the
• 1:04:16
  Speaker 1: lead of that film, The four four? Okay, so, but
• 1:04:21
  Speaker 1: she had the love story like she she had the
• 1:04:24
  Speaker 1: Greek There was a sequel to and was she? Was
• 1:04:28
  Speaker 1: she great in it? Yeah? Amazing? Okay, So where's the
• 1:04:31
  Speaker 1: rest of the movie offers? Why wasn't that girl? They
• 1:04:35
  Speaker 1: could have made her a big movie star? Right, I
• 1:04:38
  Speaker 1: don't get it. She's so she's so great in these
• 1:04:41
  Speaker 1: scenes and so funny and so likable, right, totally. I
• 1:04:47
  Speaker 1: don't understand why she didn't get a bigger career. And
• 1:04:50
  Speaker 1: she did. She's done very very well. Don't get me wrong.
• 1:04:53
  Speaker 1: She You're right, she has done very well. But she's
• 1:04:56
  Speaker 1: not Jennifer Lawrence. But she's in hand. She's in hand tale.
• 1:05:00
  Speaker 1: Wait a minute, Jennifer, No, there's Jennifer Lawrence is a
• 1:05:03
  Speaker 1: totally different type of person. She's not Emma Stone. See
• 1:05:06
  Speaker 1: what I'm saying is like Alexis is a big star,
• 1:05:09
  Speaker 1: and she's she was in Madman, she's in handmaids Tale,
• 1:05:11
  Speaker 1: all these things, but she's never she has not become
• 1:05:15
  Speaker 1: Emma Stone, Jennifer Lawrence. Those well, let me ask you this,
• 1:05:18
  Speaker 1: because they're movie stars. It's like, I feel like, sometimes
• 1:05:21
  Speaker 1: it's different when someone's on this show for seven seasons,
• 1:05:24
  Speaker 1: no kind of you can make that transition that happens.
• 1:05:27
  Speaker 1: But you're saying if they're only on a show for
• 1:05:29
  Speaker 1: one or two seasons, then they make the transition. Then
• 1:05:32
  Speaker 1: feel not so known as TV people because the people
• 1:05:34
  Speaker 1: you're listing, like Jennifer Lawrence, like she wasn't on a
• 1:05:36
  Speaker 1: show for like eight years, right, People people get used
• 1:05:42
  Speaker 1: to somebody like Alexis that they can see on television
• 1:05:44
  Speaker 1: for free. They're less likely to pay for crossover. I
• 1:05:48
  Speaker 1: don't know, but I just think she's so good with that.
• 1:05:51
  Speaker 1: She's so amazing, and she's so great at light comedy.
• 1:05:54
  Speaker 1: You know, there's like an Audrey Hepper. She's also so
• 1:05:57
  Speaker 1: good at handmaids Tale, her kid. Yeah, and it's not
• 1:06:01
  Speaker 1: it's not a comedy. That's well, I mean she's had
• 1:06:06
  Speaker 1: she's had a wonderful career. Yeah, and mad Man. She's
• 1:06:09
  Speaker 1: great too. I mean, if I was a producer of
• 1:06:11
  Speaker 1: films back then and work for a studio, I'd say, Man,
• 1:06:14
  Speaker 1: let's get her into these total films. I mean, let's
• 1:06:16
  Speaker 1: get her opposite. Well, give it time. It's not too late. True, true,
• 1:06:21
  Speaker 1: I don't I don't care. A tough business, Isn't it
• 1:06:26
  Speaker 1: like that day Louise has never had their own show,
• 1:06:29
  Speaker 1: you know, it's like, what man, the talent coming out
• 1:06:33
  Speaker 1: of this show smoking? Anyway? All right, so I think
• 1:06:39
  Speaker 1: we all agree that this was a wonderful episode. Season
• 1:06:43
  Speaker 1: four is just kicking ass and taking names people. Um,
• 1:06:49
  Speaker 1: all right, so one is the next. The next episode
• 1:06:52
  Speaker 1: is Season four episode twenty one. Were one away, two
• 1:06:55
  Speaker 1: away from end last week fights, this week tights. Draw
• 1:07:05
  Speaker 1: your own conclusions anyway. Thank you Tara, Thank you Danielle,
• 1:07:08
  Speaker 1: Thank you Amy. Who's no brushing her hair? What are
• 1:07:12
  Speaker 1: you just doing? My training? Gonna take a little break
• 1:07:14
  Speaker 1: before we're gonna take a little break before we we're
• 1:07:18
  Speaker 1: not what we're out and just do my hair? Okay,
• 1:07:22
  Speaker 1: all right, everybody, thanks for downloading. Best fans on the planet.
• 1:07:27
  Speaker 1: Thank you so much for your comments. Keep them coming, um,
• 1:07:31
  Speaker 1: keep them coming. For sure, and we'll see you next time.
• 1:07:34
  Speaker 1: Stay safe, hey everybody, and don't forget Follow us on
• 1:08:07
  Speaker 1: Instagram at I Am all In podcast and email us
• 1:08:11
  Speaker 1: at Gilmore at iHeartRadio dot com. Oh you're Gilmore fans.
• 1:08:16
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