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Capitulo 006: Bailando.Resistiendo · Locatora Radio [A Radiophonic Novela]

• 0:02
  Speaker 1: Radio Radio Radio Commies, a Myth and Bullshit, a radiophonic
• 0:16
  Speaker 1: novella Look Radio hosted by Malam Hello, look As, welcome
• 0:23
  Speaker 1: back to Look at Thought our radio. Thank you for
• 0:25
  Speaker 1: tuning in once again to Brown Girl, our our radiophonic novella.
• 0:31
  Speaker 1: This is cap Loss and today we are really excited
• 0:35
  Speaker 1: because we are honoring, we're celebrating, we're recognizing Black History Month,
• 0:40
  Speaker 1: and we're doing so in an Afric Latino context. Yes,
• 0:44
  Speaker 1: we are so excited to have a guest speaker with us.
• 0:47
  Speaker 1: This is our first bi lingual episode. It'll mainly be
• 0:50
  Speaker 1: in Spanish with some Spanglish here and there. So I'm
• 0:53
  Speaker 1: really excited to introduce our beautiful, brilliance fabulous guests. Her
• 0:59
  Speaker 1: name is Nadiaka met So, Naria Contado b grass Chicas,
• 1:09
  Speaker 1: celeb reconosco Estas don't say Alan, it's a dig and
• 1:18
  Speaker 1: cosas Marco. They'll they'll miss de la Cuta Afro a
• 1:23
  Speaker 1: Qia Pejuana Area professional especially dancer Afro Pejuana, Lego Mastaro
• 1:44
  Speaker 1: at Trees Medico Metell Production Artistic and Henderando Yeah Grassio Cabama,
• 1:54
  Speaker 1: class Violet Malayo gon Nadia to primesoque espanos movie Bueno
• 2:10
  Speaker 1: your soy and the El Pocha. So I speak a
• 2:14
  Speaker 1: lot of Spannglish, you know, but for vamos so tomamos
• 2:19
  Speaker 1: in classic Cornaria if when we fising, when we fil
• 2:24
  Speaker 1: porque amos passos movie intricas eon like those so really
• 2:31
  Speaker 1: stink past i pres and Cara carapaso, you know, Caento
• 2:45
  Speaker 1: Braso's last manos toad Grandpa historia, the los africanos um
• 3:06
  Speaker 1: colonia yes um now to conton realized story afropawana or
• 3:13
  Speaker 1: like buello a meesa lad and s and Principio mejeva
• 3:27
  Speaker 1: reconnocerla storia del romantica San conta is for so constant
• 3:37
  Speaker 1: conc respecto the story ancestros porque clara flow you know,
• 3:47
  Speaker 1: so longer Presidentia from Ericano No and tododa moda a
• 4:04
  Speaker 1: former de scrito movie and class Momento peroa form to
• 4:14
  Speaker 1: the academic comenten peru luo. It also posci pero creo
• 4:24
  Speaker 1: canestra formac modo sentez and tender context to historico. The
• 4:32
  Speaker 1: loando dancer afro peruana fillon context to cultural important and
• 4:40
  Speaker 1: too poco and me by its inclusio now to critical
• 4:46
  Speaker 1: nono de los Espanoles, no movie moalas areoso mesti felice
• 5:04
  Speaker 1: mentez no mesclado, SeMet de Louispano por puesto, della rio Espania,
• 5:15
  Speaker 1: p grand migration a China, Peru, no zella and tonss
• 5:23
  Speaker 1: bueno Renciandina sta presente in Togo in total territori Yes,
• 5:31
  Speaker 1: yesque imperio mass grande, the Latin America, imperio losincas and
• 5:42
  Speaker 1: is bueno cousco simpresi ismbligo delmundo, concentro, Limpeio Peroca, Venezuela, norte, estella,
• 5:54
  Speaker 1: nosque perua grande, loqua knows, nosendem dviding no pro Bolivia,
• 6:12
  Speaker 1: no toys and plus las simile to differencia equanto and
• 6:25
  Speaker 1: past your me marthering telemente mains crivio president Interference, socials,
• 6:41
  Speaker 1: familiar Arouana on the tost Bivaracho, Festivo, Prima, no necessitam
• 6:58
  Speaker 1: inscrib and Premier the Dancer, the Folklore pero claros, they
• 7:09
  Speaker 1: host Sonia, the Media and c commordenci and cestral you
• 7:22
  Speaker 1: let the neo cellos pero professional Wow Indian Peru. Are
• 7:39
  Speaker 1: you not inferencia entre comme on associated save lost violence
• 7:47
  Speaker 1: nationalist peruanos los violence, Afroperuanos or s consider and lost
• 7:52
  Speaker 1: violence aroperuanos parte gracias ariosla c the como part in
• 8:01
  Speaker 1: tea c M prel racismo is says lamental lementeluda. No,
• 8:09
  Speaker 1: it's it's just, it's just, it's as Frances d be
• 8:14
  Speaker 1: SoRs No, it's a nosmber diamos como como e stranos
• 8:20
  Speaker 1: and afrope one includes poem and internet cancer. Frances mura
• 8:30
  Speaker 1: sistas No, there's de la forma commotives toos el color
• 8:38
  Speaker 1: asta commotevist cosa's tongue como sells mente pasta sano companions
• 8:55
  Speaker 1: the in in the integral companions can la diversita cultural
• 9:03
  Speaker 1: estevez can you don't referencia ethnica and historical pea reconnos
• 9:15
  Speaker 1: correct the la colonia, la colonia negavau historia afro porque
• 9:26
  Speaker 1: evident mente la colonia for a c to be the
• 9:32
  Speaker 1: most process blanc all Atlanta politic republic as a specific
• 9:41
  Speaker 1: as paraplationes the contiversia cultural the v selva, the loriental
• 9:49
  Speaker 1: peru wal integra allas nos c las minorias correct tormente
• 10:00
  Speaker 1: member the statistic tres pero sense of possistance to peru
• 10:20
  Speaker 1: no no recono semos no contooco like necessaries. A specifically
• 10:33
  Speaker 1: historical included is a specific in Mexico rescientamente yeah and
• 10:46
  Speaker 1: includido umlia negra are from Mexicano um in a census
• 10:54
  Speaker 1: right in Mexico, soque i'm my femous bases like you
• 10:59
  Speaker 1: know Ricano squestan in cuiendo cambier um los recursos stand
• 11:05
  Speaker 1: is piles, distances met and contrast masta he causes a
• 11:18
  Speaker 1: c so implicate conocimiento is mild de la problematica aum
• 11:26
  Speaker 1: criminal par correcto, as a meau minister says, including a
• 11:48
  Speaker 1: calendari scholar, lana correct pero aria propria e contra cla
• 12:16
  Speaker 1: creolea staniel marco cees mucho masi some festivos, vilimentes, porto,
• 12:26
  Speaker 1: lucre po, festivo, certolla maxima, sacarano properano the only camente
• 12:36
  Speaker 1: of estivo exactamente and really celebra la del afro peruano
• 12:46
  Speaker 1: m pro, the La Lucca, the Crecimento Peru, There's the
• 12:54
  Speaker 1: Labano Obra, There's La Porte Economico called pep Amos, podas
• 13:04
  Speaker 1: guanto Nero, noviramos correcto, san plumas Parte Economicalla Partecia, Ela
• 13:16
  Speaker 1: Medicina like story and recognoction and los ares hero Inas
• 13:21
  Speaker 1: del Peru, Afro, pejuanas Correcto, con town stories, simple, Romanticallo
• 13:27
  Speaker 1: negroec claritude, Joe miss ancestros des clabos, masomenos como Caniva,
• 13:42
  Speaker 1: less a proveno, the regis Africa conarchitectos, coos, com medicos correcto, ciento, maravioso,
• 13:57
  Speaker 1: the Loquerra stertorioles clavito to see on episode of the
• 14:02
  Speaker 1: like Storia Peroneso, unicoa Festiva, Salvi too, mas corana, los
• 14:17
  Speaker 1: los noales ascing okay, Conifer, manifestationes sa Transmita, Ela Portela Flo,
• 14:32
  Speaker 1: Storia del Peru, no so lamente and the port Que
• 14:41
  Speaker 1: Pipo is sinco song Afro, corecto, ces esperda Gastronomia. Put
• 14:53
  Speaker 1: some of Jena perno solo in the number. Then Ricardo
• 15:09
  Speaker 1: por yaos mocho mac persona Francisco, Congo, Francisco combo Congo,
• 15:18
  Speaker 1: como party de la forest the tola porte de fron bio, alceno, cosa, positiva, converso,
• 15:44
  Speaker 1: c so, compensation economica and lost. This club was for
• 15:55
  Speaker 1: know to cuantos afro I is porque are you bobby?
• 16:07
  Speaker 1: Civiliz are problematic as a specific as personal condescendencial soma
• 16:17
  Speaker 1: propensis at the informa pecifica como cardio cardio patillas or
• 16:23
  Speaker 1: the vets cosas some bassicles okay, associated sor universitari okaya
• 16:43
  Speaker 1: carrera clara No I to your young come on on
• 16:59
  Speaker 1: mastis no they no suits, ancestors, no soon, afros perga
• 17:04
  Speaker 1: yeah susaveloson, dctoresosperda ilogo serto pre illego, cert afros and
• 17:18
  Speaker 1: dinos vera estan and pestando nivel noque recurs look stuff
• 17:30
  Speaker 1: like how do you know what? We didn't play incredible pot.
• 17:35
  Speaker 1: There is a problematical esto him commo america, Yes, last
• 17:42
  Speaker 1: here porque simply panto the differencia opportunia eso yes um
• 18:00
  Speaker 1: historia um people ignorancia can ok connocer like storia cannot Yeah, tempo,
• 18:14
  Speaker 1: you know I can record the historia you no. No.
• 18:19
  Speaker 1: In Latino America, sopo paces on the storia. Yeah, repeated,
• 18:28
  Speaker 1: last consequences repeated and qualtis you know, you know middle
• 18:42
  Speaker 1: concreto no no no I can, I can local auto critica,
• 18:55
  Speaker 1: con consciencia. You em look graze it. Someone has set
• 19:08
  Speaker 1: correcto pero yours esperance massacreta, tesoro romantico and nechakari storia
• 19:27
  Speaker 1: contar like story he m porgo tot story of stordo,
• 19:38
  Speaker 1: money that Blanco stores and don't, says monster of proper
• 19:51
  Speaker 1: liberos correct compo nostras historians, historians exact access alas formal.
• 20:10
  Speaker 1: Laura Ramenta moved, moved for the cantos arroyos, lamana pertar,
• 20:29
  Speaker 1: cuando lerando cravely porque claro mare Africa metida bores and
• 20:46
  Speaker 1: to says too it comes too resist. Wow, same creoque
• 20:55
  Speaker 1: necessity almost to break every break, Yeah, or castera belly
• 21:09
  Speaker 1: ros and and and spend and and and and spend
• 21:17
  Speaker 1: and and and and spend and and and and and
• 21:25
  Speaker 1: and and and belly rong and and and spend elly
• 21:31
  Speaker 1: rong parents and and and elly wrong and and and
• 21:39
  Speaker 1: m from from from from from from from from from
• 21:49
  Speaker 1: a and m. In our last um, when we talked
• 21:55
  Speaker 1: about the women's march, I told you guys that instead
• 21:58
  Speaker 1: of going to the women's march, I took a dance.
• 22:00
  Speaker 1: So your tamils cornaria, coustos, angeles narios contoes merchant lamos,
• 22:13
  Speaker 1: yes so comico who so erro or a lamos commor resistencia,
• 22:27
  Speaker 1: commer resistencia, exactamenta resillencia ortr espiens your loundo porque africana
• 22:45
  Speaker 1: devastato correct ya oh India does melis says call implica
• 23:09
  Speaker 1: bercos negreos and esos and esos atlanticos correcto, tracian nicos,
• 23:20
  Speaker 1: sacha sugardes de suctura, vo santa littorio in nospital lenno
• 23:28
  Speaker 1: serro deferentes video deferenti is clemas bueno cape serves so
• 23:38
  Speaker 1: oh plato rickissimo antico corrector on plato plato cac implica
• 23:50
  Speaker 1: residencia recistio m h Reisio said, so delicioso para contartell
• 24:00
  Speaker 1: astronomia elanti ricoques elanti couco is e colonia tovada like
• 24:18
  Speaker 1: the United States the same exactamentelam is my storia and
• 24:23
  Speaker 1: tosas creativasas leponecon dementos leon more leon creativi in bentwn
• 24:34
  Speaker 1: plato can non calcodo no resistete platos commendo angost plato
• 24:51
  Speaker 1: and tolsasta commerce martea clvida perol problem is b cvi
• 25:02
  Speaker 1: lista grandetica correctolano bonito puestod k tubo not problematicaaa communica
• 25:31
  Speaker 1: romatta romata, this is romata doma nodo pero questamata toro
• 25:50
  Speaker 1: viejo se morio, mariana comos car romata toro via joe
• 25:58
  Speaker 1: morio No, no, no, yeah, why no? And in the
• 26:15
  Speaker 1: United States, what we see is that like you were
• 26:19
  Speaker 1: describing the history where it was like the throwaway the
• 26:24
  Speaker 1: trash parts of the meat that were given to enslaved Africans.
• 26:29
  Speaker 1: But now you see a lot of white people. They
• 26:33
  Speaker 1: want to open restaurants, and they want to make wings,
• 26:36
  Speaker 1: and they want to make fried chicken, and they want
• 26:38
  Speaker 1: to make all these things that are traditional African American dishes.
• 26:41
  Speaker 1: But it was the garbage before. Is it similar in Peru?
• 26:50
  Speaker 1: They America? And I was like, what is loo president, No,
• 26:58
  Speaker 1: this is this is the music latina. It's yeah, the appropriation,
• 27:12
  Speaker 1: appropriation c and tonsas estamos lunico pao, it's coming on
• 27:20
  Speaker 1: maske colas lestetica, sexy guest, guest, look at the festina
• 27:28
  Speaker 1: violec los los momento and lapero storia and or it's
• 27:38
  Speaker 1: ther second attractiesto responsibilita social MEAs porquitracien porquea loa flo
• 28:00
  Speaker 1: yea for fitness. It goes cardio ilogo anda noesl peru
• 28:13
  Speaker 1: I group of tradition, no load. It was the last
• 28:32
  Speaker 1: deficience accessive less pores male nos the documenting everything on
• 28:53
  Speaker 1: our place in history and your place in history, and
• 28:57
  Speaker 1: you're here and work here celebra archestamos bibles right right
• 29:09
  Speaker 1: and important information informac information corrector isabella fisa muchasteta is shine,
• 29:27
  Speaker 1: No ceo no accessively that paratos I a for probably
• 29:38
  Speaker 1: a jazz for accessively commodia North American perola tradition I
• 29:59
  Speaker 1: killed with estonia doesn't see I can't take it. No,
• 30:11
  Speaker 1: it is Africa. No no Africana African ancestros storya corretta
• 30:26
  Speaker 1: and nolamente I noes yeah, get Christ came um and rastismo,
• 30:51
  Speaker 1: strand last is more alo endoraciso No, it's cloa finaque
• 31:11
  Speaker 1: complexo moreno Africa and Tone says conoco to come on
• 31:24
  Speaker 1: to no no, no, no, no no poco no centrata
• 31:35
  Speaker 1: cetrata lo Afro, comicosi, mos nero, marioso celotas mm hm
• 31:52
  Speaker 1: no African Yeah, elopeo elendora sismon forque victoria, casa claro
• 32:08
  Speaker 1: casas this is rano persona serrano, clo, clo, ceo, clara peru,
• 32:34
  Speaker 1: lolo tambien esta malvisto to this isla claro, diferencia, glago
• 32:50
  Speaker 1: tinto and the loqu peru andina verda gotriana for a
• 33:05
  Speaker 1: coloniao para discrimina significant costa and RelA tratando run costas peroa,
• 33:38
  Speaker 1: context contexto di criminatoria, colonia, senores, porque, clardo, comol, Negro estababra,
• 33:52
  Speaker 1: the Lombriandino and mss s d even Serras Cologne, colonizad
• 33:59
  Speaker 1: or DVD even serras pulling and and plago and Negro
• 34:07
  Speaker 1: and intention the historian contralty, colonial transmitia, staura, port familiars
• 34:16
  Speaker 1: and dinas where your familiar sonandos at the anti negre
• 34:24
  Speaker 1: porque form no correct colonial list e mastristiclavia okay, where
• 34:36
  Speaker 1: repeated colonist the listoria ware is pores crito no ramon
• 34:49
  Speaker 1: castillo fermon porque casa replicando rama yeah, same based, same
• 35:06
  Speaker 1: bcv lisu broma no no nodinaria. And they think that
• 35:25
  Speaker 1: they're giving you a compliment. They think that they're giving
• 35:28
  Speaker 1: you a compliment by putting down your people exactly right,
• 35:32
  Speaker 1: is school tonalia m right blancasra right no, it will
• 35:44
  Speaker 1: tell your meo no, but right. And they think that
• 35:54
  Speaker 1: they're complimenting you, that they're saying something nice, or that
• 35:57
  Speaker 1: you don't care about how they talk of out other
• 36:01
  Speaker 1: women other Afro peruanasfects come yeah right, never si that
• 36:13
  Speaker 1: you canto compassi misma opportunity h correct colone paro claro,
• 36:34
  Speaker 1: I don't no, no, thank you, no thang noo pero
• 36:48
  Speaker 1: porquino marinerallgo puest no ports classic medica. No you're mangos
• 36:58
  Speaker 1: para two office. No, that's class is morelos and marte
• 37:08
  Speaker 1: put borques nejora porque massa andropologic s mejor parisera lo
• 37:28
  Speaker 1: blanco folklore, the dollar is accessorios aretes dollars enos grassiso
• 37:52
  Speaker 1: by loeste, porque characteristic or valentina No requesta beta soles
• 38:09
  Speaker 1: soferenci economica e claroo c joe blanco major it was
• 38:25
  Speaker 1: porque porteco, no PUAs flamenco clados ma chic the wilds
• 38:43
  Speaker 1: No no, mm hmm why nos plibos musica puana musicaea. No,
• 38:54
  Speaker 1: it was right. It's not sophisticated glado soph No, no
• 39:04
  Speaker 1: lore and gando exists estemas in logo claroao at ne
• 39:26
  Speaker 1: farsos fans poportant casa masks primas PRIs. Actually I know
• 39:41
  Speaker 1: where that is? No simplements and CEOs castronome No, oh no,
• 39:57
  Speaker 1: of course ce n Actually no, it's was destined tho
• 40:26
  Speaker 1: Patria and contrastra cima and sisters San piesa Mexicano and
• 40:40
  Speaker 1: funny No, right, no, it's not funny, simplemented No, I
• 40:45
  Speaker 1: do right right right, right right well. And because all
• 40:52
  Speaker 1: the jokes are not focused on white people, they're not
• 40:56
  Speaker 1: getting made funny, so it's easy for them to say, oh,
• 40:59
  Speaker 1: it's just joke. Are you upset? They're not being attacked
• 41:06
  Speaker 1: by larina no aarvola okay narvola right, no, no, no,
• 41:38
  Speaker 1: and soon a former latypical afroperuano casina No is he not?
• 41:51
  Speaker 1: Say so? I nadia to problem blanc cappara, los negrosancos,
• 42:11
  Speaker 1: cattle e cano Benetton. Are we called tin beneton Chica?
• 42:24
  Speaker 1: I don't know, yes, publicitario inclusions cast cast in a
• 42:35
  Speaker 1: blanca China. Oh like the Benetton Like now I get it,
• 42:44
  Speaker 1: I get it. Interesting, Mr Mestio Groupo, the exotic, exotic,
• 43:02
  Speaker 1: all the United colors at the time. Yeah, the roo
• 43:15
  Speaker 1: maslations blancos. Best do you think about me, your negrossngest
• 43:27
  Speaker 1: Oh yeah, Lucina a negro Monton the context or se
• 43:35
  Speaker 1: is queer, that s it is a queer miragrans negra.
• 43:50
  Speaker 1: That's that's me rand right. And I think when you
• 43:57
  Speaker 1: talk about like white people improved, that probably people who
• 44:00
  Speaker 1: maybe look like us, right, that we would be classified
• 44:06
  Speaker 1: as white in Latin America and in Englist so lamented English,
• 44:41
  Speaker 1: right right. I was raised speaking English. That's why exactly,
• 44:47
  Speaker 1: because there sometimes in the history here you were beaten
• 44:52
  Speaker 1: in school if you spoke Spanish. So a lot of parents,
• 44:56
  Speaker 1: especially of second and third generation X an American Central Americans,
• 45:02
  Speaker 1: whatever type of Latin American you are, A lot of
• 45:05
  Speaker 1: us were not raised speaking Spanish right because of that history,
• 45:09
  Speaker 1: and I was I wanted to ask you if there's
• 45:11
  Speaker 1: a similar history in Peru related to dance Afro Peruana.
• 45:17
  Speaker 1: If Afro Peruvians had to hide their dance for a
• 45:21
  Speaker 1: certain amount of time before they could really, you know,
• 45:24
  Speaker 1: dance publicly and part of the national culture. Roo no
• 45:37
  Speaker 1: um go for it, say so publicolavan yao clandestino so
• 45:54
  Speaker 1: get violet um public to Principio Mira and l Contexto
• 46:03
  Speaker 1: Afro combera provido and toto a portas patrons stan dormos
• 46:13
  Speaker 1: to sever my historia correcto Pero and los Angosta grass Victoria,
• 46:22
  Speaker 1: Santa Cruz, q Sancestra dell concunto nacionaldi foul clord den
• 46:29
  Speaker 1: peru Aya and ten Loperuano, Necessita Billi Sarce and tonces
• 46:40
  Speaker 1: Crea ciertas dancers Illa scenario and Tosa Grazi Victoria Paena
• 46:48
  Speaker 1: de loa Fro Peruano concertos dances cold Festejo, Sana Cueca,
• 46:56
  Speaker 1: cipres histro caltura ea with and mucho elan cestro storico
• 47:06
  Speaker 1: with much a party Correcto e Bata Villardo Basquez, part
• 47:13
  Speaker 1: important storm, Yes, Ronaldo campus familess importantes luego Victoria the
• 47:23
  Speaker 1: pue Rictoria sees la est personal Mexico and ton says
• 47:31
  Speaker 1: lois mismosas as a popular in pion Morena and Victoria
• 47:40
  Speaker 1: loquequo to serves cua cono tre consacacho ronocq iaque and
• 47:56
  Speaker 1: restaurant restaurantes para las Yeah negro group famoso and used
• 48:10
  Speaker 1: by la di neo okay nalos lo positive perio the
• 48:26
  Speaker 1: loquetra analysis a historic countropologico, SoC Corretoola, Flobi scenariogosa, Cantida
• 48:39
  Speaker 1: groupos internationalism. But which groups get in Pempo in the
• 48:52
  Speaker 1: northern Peru, in Sania Sanau sciendo and to pure Colombio
• 49:05
  Speaker 1: northe you know and right correcto Lima chincha ica solo
• 49:18
  Speaker 1: ma mas fama contradis the king Premier, Yes, party seambienceando
• 49:39
  Speaker 1: lo the loca thank you so much, Yes, sich is
• 49:57
  Speaker 1: near mass resistencia ras like story and lad so thank
• 50:16
  Speaker 1: you for tuning into another capitol brown girl hour, I
• 50:20
  Speaker 1: really hope you enjoyed this. Um for you non Spanish speakers,
• 50:23
  Speaker 1: you know, I hope you were able to capture a
• 50:26
  Speaker 1: little bit of it. Um. We're gonna leave you with
• 50:29
  Speaker 1: another song by Victoria Santa Cruz. Um Um bueno Victoria
• 50:39
  Speaker 1: Negra vamosa, the hard lest the poem. I hope you
• 50:50
  Speaker 1: enjoy it. Um let us know what you think. Has
• 50:53
  Speaker 1: always comments on the Instagram, Twitter, Facebook, as everything, iTunes,
• 50:59
  Speaker 1: subsc gribe, hit the like if you feel like it,
• 51:03
  Speaker 1: and thank you for keeping you know, Brown Girl hour
• 51:06
  Speaker 1: with us again. Thank you for keeping time with us,
• 51:08
  Speaker 1: for turning tuning into our radio phonic novella. And we'll
• 51:11
  Speaker 1: see you next time.