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Pretty Woman part 2 · Cuff’s Basement

• 0:01
  Speaker 1: Aaron, do you know that for this? I know, you know,
• 0:03
  Speaker 1: like I'm worried about copyrights. I don't want the podcast
• 0:05
  Speaker 1: to be taken down, so we don't play copyrighted music.
• 0:07
  Speaker 1: I actually scraped together some money. I bought a copyrighted
• 0:12
  Speaker 1: song for this episode. I couldn't get the original pretty
• 0:15
  Speaker 1: Woman by Roy Orbison, it was too much money. But
• 0:18
  Speaker 1: The Traveling Wilberry's actually did a cover for it. He's
• 0:23
  Speaker 1: in them, Roy Orbison, Yes, yeah, he is in The
• 0:28
  Speaker 1: Traveling Will Burris.
• 0:29
  Speaker 2: Yeah.
• 0:29
  Speaker 1: Do you know who else is in there?
• 0:31
  Speaker 3: You have Tom Petty, you have George Harrison, you have
• 0:35
  Speaker 3: Jeff what's his last name from Eelo?
• 0:38
  Speaker 1: Yep?
• 0:39
  Speaker 2: Jeff Well and yeah, a little shit?
• 0:43
  Speaker 3: How did I back myself into this traffic again?
• 0:45
  Speaker 1: Let me just let me just just speak WI, I'll
• 0:47
  Speaker 1: just play the song, all right.
• 0:48
  Speaker 2: Sure, go ahead, Will You're down the street.
• 0:56
  Speaker 1: So I liked to me.
• 1:00
  Speaker 4: Podcast stream Lushing fast walking out this year.
• 1:05
  Speaker 2: This is his years were Loving Claire Love and Swing Mirror.
• 1:22
  Speaker 1: Yes, yeah, I didn't know.
• 1:24
  Speaker 2: I don't. Yeah. Well, we're gonna get to it in
• 1:27
  Speaker 2: a few seconds probably, but.
• 1:30
  Speaker 3: Yeah, it's one of the few quotes I wrote down
• 1:34
  Speaker 3: because that was pretty funny year.
• 1:36
  Speaker 1: Yeah, like there's not really anything to the surface level
• 1:42
  Speaker 1: of his character. He's just sort of like a quiet,
• 1:44
  Speaker 1: put together guy. It doesn't really require the zaniness of
• 1:48
  Speaker 1: a Paccino in my opinion.
• 1:51
  Speaker 3: I also just think to like, obviously this was like
• 1:53
  Speaker 3: it was the eighties. I know it came out in ninety,
• 1:55
  Speaker 3: but it's made in the eighties. Like the age gap
• 1:58
  Speaker 3: being twenty one years I thought was just like I
• 2:03
  Speaker 3: thought Gear was not that much older than her, but
• 2:05
  Speaker 3: I was like, wow, but like Bacino would be in
• 2:09
  Speaker 3: nineteen ninety, Pachina would have to be in his fifties.
• 2:12
  Speaker 1: They never never stopped all the Wood from doing that.
• 2:15
  Speaker 2: Oh true, it still doesn't to this day. But yeah,
• 2:19
  Speaker 2: because what isn't there.
• 2:20
  Speaker 3: I just heard of another movie recently. It was like
• 2:23
  Speaker 3: a twenty six year age gap. Oh it's Madonna and
• 2:28
  Speaker 3: Warren Baby. I forgot they dated in real life.
• 2:30
  Speaker 1: Yeah they did it in real life.
• 2:32
  Speaker 2: Yeah I know that.
• 2:35
  Speaker 1: Yeah, I guess I just would buy that though the
• 2:38
  Speaker 1: Madonna would date warm Baby. I just hate when it's
• 2:41
  Speaker 1: like a seventy year old, like ugly actor with like
• 2:45
  Speaker 1: the hottest, like twenty eight year old supermodel it's like, no,
• 2:49
  Speaker 1: you know what I mean.
• 2:51
  Speaker 4: You know which one I always thought you had a
• 2:53
  Speaker 4: problem with, Kuf was zach Brath and what's her name?
• 2:57
  Speaker 1: Oh that was real life Florence Peugh.
• 3:01
  Speaker 2: Yeah.
• 3:01
  Speaker 4: Yeah, I feel like Coffy, You're always liked that zach
• 3:04
  Speaker 4: Brath has come back.
• 3:05
  Speaker 1: Oh I hate I hated that and thank god that
• 3:08
  Speaker 1: broke up. But because he's so irrelevant now and he
• 3:11
  Speaker 1: started dating her when she was like a twenty year
• 3:13
  Speaker 1: old up and coming actress, and oh, I just I
• 3:18
  Speaker 1: really don't like him. There was some there was something
• 3:21
  Speaker 1: about zach Brath. It was like there was some meat,
• 3:24
  Speaker 1: not like anything bad, but there was some very light
• 3:27
  Speaker 1: me too stuff I read about zach Brath and I
• 3:29
  Speaker 1: just don't like him. I hate fucking hate Garden State.
• 3:32
  Speaker 1: We should do Garden State with Ben. Ben said Garden
• 3:34
  Speaker 1: State was his least favorite movie of all time.
• 3:37
  Speaker 4: Please do.
• 3:38
  Speaker 1: Yeah, that'd be great. But AnyWho, So they're hanging out
• 3:43
  Speaker 1: in the hotel and she's like, Edward's like, I know
• 3:47
  Speaker 1: I'm paying this prostitute. Just spend the week with me,
• 3:50
  Speaker 1: And I know it's nighttime at the hotel and we
• 3:52
  Speaker 1: could have sex, but I'm gonna mysteriously take off and
• 3:55
  Speaker 1: play piano in a conference room. Red flags, red flags everywhere.
• 4:00
  Speaker 2: It's that there's more to me seem too.
• 4:03
  Speaker 1: Yes, yes, absolutely, She buys a hook line and sinker.
• 4:07
  Speaker 1: She comes down to the robe. What he's in pain?
• 4:11
  Speaker 4: You know, he doesn't want to take over this guy's company.
• 4:13
  Speaker 4: He likes him, and he doesn't know how to cope,
• 4:15
  Speaker 4: you know, piano.
• 4:17
  Speaker 1: He She comes down in a robe, which I thought
• 4:19
  Speaker 1: was an odd decision given what Barney and her talked
• 4:22
  Speaker 1: about and speaking of, like things Barney would not like.
• 4:27
  Speaker 1: She starts listening and playing piano, and there's some like
• 4:31
  Speaker 1: random janitorial staff hanging out, like smoking cigarettes, and Richard
• 4:36
  Speaker 1: gears like. Edward says, hey, can you guys leave the
• 4:38
  Speaker 1: room so we can bang? And they all just leave
• 4:42
  Speaker 1: and then they bang on the piano.
• 4:45
  Speaker 4: Yeah it was awkward. Yeah, I was like, yes, them
• 4:48
  Speaker 4: to leave for this.
• 4:49
  Speaker 1: He wants to bang. And then Barney's like watching the
• 4:52
  Speaker 1: security camera just shaking his head, like how did I
• 4:55
  Speaker 1: get to get into this as a job. But he
• 4:57
  Speaker 1: is paying for the penthouse, so whatever.
• 5:00
  Speaker 3: Imagine He's like, because everyone is rooting for Edward. It
• 5:03
  Speaker 3: seems like every character. It's like the room is like
• 5:05
  Speaker 3: on Edward's side of the god. What is Edward thinking?
• 5:08
  Speaker 1: Yeah, They're all like, oh, we're rooting for him. He's
• 5:11
  Speaker 1: the most eligible bachelor.
• 5:12
  Speaker 2: It's like, what such a good guy.
• 5:14
  Speaker 1: Yeah, and he's like, why did you only get one
• 5:21
  Speaker 1: dress last night or yesterday? Why didn't you buy more clothes?
• 5:25
  Speaker 1: I told you could buy whatever you wanted And she
• 5:27
  Speaker 1: said it wasn't fun because the staff was mean to me.
• 5:30
  Speaker 1: So he takes her to a different store and there's
• 5:35
  Speaker 1: the dad from Ten Things I Hate About You. What's
• 5:36
  Speaker 1: his name?
• 5:38
  Speaker 2: Larry Miller?
• 5:39
  Speaker 1: Yeah, yeah, Larry Miller has been in a million things.
• 5:42
  Speaker 2: But did he die like he recently?
• 5:46
  Speaker 1: I haven't seen him in anything in like twenty years,
• 5:48
  Speaker 1: but he was in everything for a while.
• 5:51
  Speaker 3: Yeah, a long time. Yeah. Another Gary Marshall regular too.
• 5:55
  Speaker 2: Yeah.
• 5:56
  Speaker 1: Yeah. And Edward's like, you know, do whatever. She says,
• 5:59
  Speaker 1: we're spending an absolute scene amount of money today. I
• 6:02
  Speaker 1: want her fitted for everything whatever she wants. And he
• 6:06
  Speaker 1: says like, yes, sir, this is great. And then she
• 6:09
  Speaker 1: she gets this really nice outfit. It looks like it's
• 6:12
  Speaker 1: Chanel or something. It's a white dress, black hat, kind
• 6:14
  Speaker 1: of like an Audrey Hepburn look. And she has just bags,
• 6:17
  Speaker 1: like ten bags, shopping bags, a hat box. And she
• 6:21
  Speaker 1: goes into the store of the women that kicked her out.
• 6:24
  Speaker 1: She's like, do you work on commission? It was a
• 6:26
  Speaker 1: big mistake kicking me out yesterday, and she holds up
• 6:29
  Speaker 1: all her bags. I did love that moment.
• 6:34
  Speaker 4: I liked when that guy Larry Larry Miller's there, he
• 6:37
  Speaker 4: says his name, Yeah, He's like, wait, how much are
• 6:41
  Speaker 4: you going to spend here? Like how offensive? Richard kears
• 6:43
  Speaker 4: like very really very offensive amount of money and he's
• 6:49
  Speaker 4: and he's like, you need to be more. You need
• 6:51
  Speaker 4: to suck up more to that guy and he's like, well,
• 6:53
  Speaker 4: you're not only handsome, you're very powerfully He's like no
• 6:56
  Speaker 4: to her, not me.
• 6:57
  Speaker 2: Like.
• 7:00
  Speaker 1: Absolutely. And at work, Edward is building a tower out
• 7:06
  Speaker 1: of upside down glasses and says to Jason Alexander, I
• 7:10
  Speaker 1: really loved playing with bob blocks when I was a child,
• 7:13
  Speaker 1: And Jason Alexander's like, uh oh, this is not good.
• 7:18
  Speaker 1: This is not good. Man sh oh. Also, I really
• 7:24
  Speaker 1: liked because rich Richard gear is like, I have to
• 7:26
  Speaker 1: When she's at the store, He's like, I have to leave.
• 7:28
  Speaker 1: You finished shopping by yourself, and she says to an employee, oh,
• 7:32
  Speaker 1: Edward would love that tie. And then Larry Miller looks
• 7:34
  Speaker 1: at the employee goes, take off your tie and give
• 7:36
  Speaker 1: it to her. So when Edward, this would be nice.
• 7:43
  Speaker 1: Shannon take notes. When Edward comes home from work into
• 7:46
  Speaker 1: the hotel room, Julia Roberts is only wearing the tie. Yep,
• 7:52
  Speaker 1: well done, yep. And then they I feel a little
• 7:57
  Speaker 1: bit weird about this. She's bathing him.
• 8:03
  Speaker 3: This is where I thought they would al Pacino might
• 8:06
  Speaker 3: do a better job as Vivian than Julia Roberts. This scene,
• 8:10
  Speaker 3: I thought I was watching this movie too, So, like
• 8:14
  Speaker 3: she's bathing him and just talking about and he's discussing
• 8:18
  Speaker 3: his relationship with his father, how it fell apart, and
• 8:21
  Speaker 3: his family and he was like his divorces and he's like,
• 8:26
  Speaker 3: and I paid ten thousand dollars for therapy to only
• 8:30
  Speaker 3: say that I have, you know, to say the sentence
• 8:32
  Speaker 3: that like, I have trouble connecting with people, which I
• 8:37
  Speaker 3: thought was a nice little moment for him. And then
• 8:40
  Speaker 3: she says, did I mention my leg is forty four
• 8:44
  Speaker 3: inches from hip to toe, So basically we're talking about
• 8:50
  Speaker 3: eighty eight inches of therapy wrapped around you for the
• 8:54
  Speaker 3: Boggain price of And they both say three thousand dollars.
• 9:00
  Speaker 2: And they cut right back and it Julie Roberts again.
• 9:03
  Speaker 1: And then they cut to the t. In the background,
• 9:06
  Speaker 1: there's a TV and you see Bernie Mack winking at
• 9:08
  Speaker 1: the camera.
• 9:11
  Speaker 3: Oh are you here audio of a baseball game and
• 9:13
  Speaker 3: mister three thousand.
• 9:15
  Speaker 1: That would not make any sense because the movie is
• 9:18
  Speaker 1: about how he gets three thousand hits, so he would
• 9:20
  Speaker 1: be nowhere near three thousand hits in nineteen ninety.
• 9:24
  Speaker 2: Well, here he is with mister two thousand and seventy.
• 9:27
  Speaker 2: It's just like they're just like they retroactively.
• 9:30
  Speaker 3: Turn this movie into a Mister three thousand prequel would
• 9:32
  Speaker 3: be great.
• 9:33
  Speaker 4: He got his hits revoked and he has to go
• 9:35
  Speaker 4: back into the game.
• 9:36
  Speaker 1: I'm glad you remember the plot. That's awesome. He's putting
• 9:41
  Speaker 1: the ieback in team. That's what the poster says.
• 9:44
  Speaker 3: True, Bernie mac oh miss him all right? Oh oh,
• 9:50
  Speaker 3: such a great show.
• 9:52
  Speaker 1: So Edward, go ahead.
• 9:54
  Speaker 3: I honestly think Patina would have been a better Vivian,
• 9:56
  Speaker 3: now that I think about it more and more, throughout
• 9:58
  Speaker 3: the first part.
• 9:59
  Speaker 1: I think so Jack and Jill, which is the Adam
• 10:02
  Speaker 1: Sandler movie where Adam Sandler plays a woman. Al Pacino
• 10:06
  Speaker 1: is in that and the joke of the character is
• 10:09
  Speaker 1: he's extremely attracted to Jill, who's Adam Sandler as a woman.
• 10:13
  Speaker 1: And I think that that, like that role in casting
• 10:16
  Speaker 1: was somehow created by God for Ryan.
• 10:19
  Speaker 3: It it is because it's not even a cameo. He
• 10:22
  Speaker 3: is a full on character and supporting role in that movie.
• 10:26
  Speaker 3: He's in the movie numerous times. I also just love
• 10:28
  Speaker 3: him going to a Lakers game with Johnny Depp and
• 10:31
  Speaker 3: Johnny Depp is wearing a Justin bieber T shirt. It's like, like,
• 10:34
  Speaker 3: what is this? It's just so bizarre. And I love
• 10:36
  Speaker 3: when he first sees Jill. He's like, hang on, whoa
• 10:40
  Speaker 3: who is that? And it's just like he's just completely
• 10:43
  Speaker 3: blown away, like how beautiful she is. It's amazing. We
• 10:47
  Speaker 3: should do a pretty woman with Jill and al Pacino.
• 10:50
  Speaker 1: Oh my god, just the I couldn't watch just the
• 10:53
  Speaker 1: Adam Sandler like woman voice the whole movie. That's why
• 10:56
  Speaker 1: I hate David Wayne's and I can't stand his movies,
• 10:59
  Speaker 1: is when he's doing a voice the entire movie, like
• 11:04
  Speaker 1: like major pain, and then what's the Spike Love Love
• 11:07
  Speaker 1: Major Pain, No laj pain is so bad, and then
• 11:11
  Speaker 1: the Spike the Spike Lee movie because of What's the
• 11:14
  Speaker 1: Spike Lee movie where he does voice the entire time
• 11:18
  Speaker 1: the bamboozle bamboozle, Yeah, bamboozol. So Edward brings her to
• 11:25
  Speaker 1: a polo match. It's all rich people, and there's a
• 11:28
  Speaker 1: lot of like attractive rich women, but they're you know,
• 11:31
  Speaker 1: in their thirties. Edward's the most eligible bachelor. Julia Roberts
• 11:35
  Speaker 1: looks awesome, she's twenty one, she looks very classy. So
• 11:39
  Speaker 1: they're all hating on her and they go, oh, are
• 11:41
  Speaker 1: you Edward's flavor of the week, And she says, Oh,
• 11:44
  Speaker 1: I'm not trying to land him. I'm just using him
• 11:46
  Speaker 1: for sex.
• 11:47
  Speaker 2: That was That's great, that was really good.
• 11:49
  Speaker 1: Actually, yeah, and this is my favorite time, my favorite time.
• 11:53
  Speaker 1: This is my favorite line of the entire movie. So
• 11:56
  Speaker 1: all these people are awful. It's like Jason Alexander and
• 11:59
  Speaker 1: all these rich pe people who are just terrible. And
• 12:01
  Speaker 1: she says, are these people your friends? And he shrugs
• 12:05
  Speaker 1: and is like, kind of, I mean, I spend time
• 12:06
  Speaker 1: with them, and she says in response, no wonder you
• 12:10
  Speaker 1: came looking for me?
• 12:12
  Speaker 2: Yeah.
• 12:15
  Speaker 3: Yeah, something's missing in his life. It's like he's getting
• 12:18
  Speaker 3: deeper as the movie goes on. It's crazy a piano
• 12:20
  Speaker 3: now this.
• 12:23
  Speaker 2: Wow?
• 12:25
  Speaker 1: So yep. Jason Alexander Phil starts to realize, like Edward's
• 12:32
  Speaker 1: acting weird. He's building last hours at work talking about
• 12:36
  Speaker 1: playing with blocks as a kid. He's never at work.
• 12:38
  Speaker 1: He like randomly leaves important meetings, and he starts to
• 12:44
  Speaker 1: see him in the distance interact with Julia Roberts, and
• 12:47
  Speaker 1: he's like, oh, he's falling in love. That's why he's
• 12:50
  Speaker 1: so weird. So that dinner that went very badly. One
• 12:53
  Speaker 1: of the guys at that dinner that really like Vivian
• 12:55
  Speaker 1: is playing in the poll match. So he sees Vivian,
• 12:58
  Speaker 1: it comes up to her. It's like, Vivian, I really
• 13:00
  Speaker 1: enjoyed her dinner the other night. Why don't you come
• 13:01
  Speaker 1: see my horse? So Jason Alexander Phil sees this interaction
• 13:06
  Speaker 1: and he gets this like paranoid delusion that she's a
• 13:09
  Speaker 1: it's corporate espionage. And he comes up to Edward and
• 13:13
  Speaker 1: he's like, that company, we're trying to buy planted her.
• 13:17
  Speaker 1: She's in cahoots with them because they want to ruin
• 13:20
  Speaker 1: the sale. And she's changing your behavior because you're falling
• 13:23
  Speaker 1: in love and you're getting sympathy for these people. And
• 13:26
  Speaker 1: then what does Edward come out and say?
• 13:30
  Speaker 4: Andy tells Jason Alisanner that she's a hooker and he
• 13:36
  Speaker 4: just hired her for the week, kind of spills the
• 13:39
  Speaker 4: beans and it's not the best person to tell.
• 13:43
  Speaker 1: Yeah, He's like, you need you're being paranoid. She's a hooker.
• 13:45
  Speaker 1: I hired her for the week. She's a hooker. And
• 13:48
  Speaker 1: he's like, are you serious, and he's like, yeah, you
• 13:51
  Speaker 1: have nothing to worry about. She's not a spy. So
• 13:54
  Speaker 1: then Jason Alexander I love this move and this line.
• 13:58
  Speaker 1: What does Jason Alexander do after this Ryan At the
• 14:01
  Speaker 1: polo match.
• 14:03
  Speaker 3: He approaches her being like, I'm a I know what's
• 14:06
  Speaker 3: going on, and when you're done with Edward, you know
• 14:12
  Speaker 3: we can do the same thing. And she's pretty repulsed.
• 14:16
  Speaker 1: He starts touching her and it's like, yes, when you're
• 14:19
  Speaker 1: done with Edward, maybe you and me can get together.
• 14:23
  Speaker 1: It's it's just it's great. I went I went nice.
• 14:26
  Speaker 5: I said that, So this is the most insane Edward
• 14:35
  Speaker 5: is in the entire film.
• 14:36
  Speaker 1: They go back to the hotel, Vivian's pissed and they
• 14:39
  Speaker 1: get in their first fight. They've never been in a
• 14:42
  Speaker 1: fight because they're not in a relationship, and she's screaming
• 14:45
  Speaker 1: at him, why did you do this? I felt so awkward?
• 14:48
  Speaker 1: And he just goes, whoa, whoa, whoa, whoa whoa. You
• 14:51
  Speaker 1: are a hooker. I am paying you to do what
• 14:54
  Speaker 1: I say. We don't get in fights, like, we're not
• 14:58
  Speaker 1: doing this. You're a hooker. You literally are paid to
• 15:01
  Speaker 1: do exactly what I say. And I went, He's right,
• 15:03
  Speaker 1: Like I said it out loud to myself, He's right.
• 15:06
  Speaker 1: How about thank you for bringing me to a nice
• 15:09
  Speaker 1: polo match? Like how about thanking him for giving you
• 15:13
  Speaker 1: seventy six hundred dollars which is the most you've ever
• 15:15
  Speaker 1: made in your life and having you live in a
• 15:17
  Speaker 1: penhouse for a week? Like what are you doing getting
• 15:19
  Speaker 1: in a fight with him?
• 15:21
  Speaker 3: Maybe she was feeling more towards him and maybe thought
• 15:25
  Speaker 3: he was feeling the same way and thought there was
• 15:28
  Speaker 3: more to this than just the business arrangement.
• 15:30
  Speaker 1: Thanks Yan sa Ryan.
• 15:33
  Speaker 4: I think in her defense, if this is work right,
• 15:37
  Speaker 4: Maybe he should have prepped her for the meeting a
• 15:39
  Speaker 4: little bit like, oh, reay, these people suck. I Oh,
• 15:44
  Speaker 4: I just told this guy you're a hooker, Like maybe
• 15:47
  Speaker 4: you know he needs to do some prep. His communication
• 15:49
  Speaker 4: skills are bad, and you know, I think she has
• 15:52
  Speaker 4: a right to call him out performance review feedback, whatever.
• 15:56
  Speaker 1: Well he does say to her in his apology, I
• 15:59
  Speaker 1: was not prepared to answer questions about us, and I
• 16:01
  Speaker 1: wrote what did he think was going to happen when
• 16:04
  Speaker 1: he brought her to this polo match? Didn't prepare her,
• 16:07
  Speaker 1: didn't think anything of it, didn't think anybody would ask
• 16:10
  Speaker 1: questions about them, like what are you doing? Edward?
• 16:14
  Speaker 4: No consequences for Edward, for old Eddie.
• 16:17
  Speaker 1: And she's like, I don't want to do this anymore.
• 16:20
  Speaker 1: I'm done. Just give me the money and I'll leave.
• 16:22
  Speaker 1: So he put He says, fine. He takes three thousand
• 16:25
  Speaker 1: dollars out of his wallet because he just walks around
• 16:28
  Speaker 1: with that kind of cash, throws it on the bed
• 16:30
  Speaker 1: and just walks into the other room. She leaves, and
• 16:34
  Speaker 1: then Ryan, what does Edward notice?
• 16:38
  Speaker 3: She does not take the money? That's right, It was
• 16:42
  Speaker 3: more than just a business relationship.
• 16:45
  Speaker 1: So she's at the Penthouse elevator and he runs after
• 16:48
  Speaker 1: and he says, all right.
• 16:50
  Speaker 4: I got chills. I got chills. And Ryan said that.
• 16:53
  Speaker 1: Me too, because all right, I'll be honest, I was
• 16:56
  Speaker 1: jealous of you talking to the guy that was playing
• 16:57
  Speaker 1: on the polo match. That's why I got weird about
• 17:00
  Speaker 1: of things. I'm like, Edward again, what are we doing?
• 17:04
  Speaker 1: You're just she's talking to a guy. First of all,
• 17:06
  Speaker 1: she was talking to the guy and she was your girlfriend.
• 17:08
  Speaker 1: That's unhealthy for you to get jealous with that. But
• 17:11
  Speaker 1: given the situation, so they end up making sweet, passionate
• 17:16
  Speaker 1: love and they're talking about her background. She worked in
• 17:21
  Speaker 1: fast foods and Ryan, do you do you remember her
• 17:24
  Speaker 1: other job other than working in fast food She?
• 17:28
  Speaker 3: Oh, she was a ticket take at wrestling.
• 17:32
  Speaker 1: She arge cars for professionals. Yep. Love that. Love that details.
• 17:38
  Speaker 1: She's a fan, So I'm even more. I'm even more
• 17:40
  Speaker 1: into Vivian.
• 17:42
  Speaker 2: You didn't notice the e W tattoo? Yeah?
• 17:45
  Speaker 1: Oh my god. Chuckie just got stuck in a box.
• 17:50
  Speaker 1: Chuck here, all right, he's out of control. He just
• 17:54
  Speaker 1: loudly got stuck in a box and was freaking out.
• 17:57
  Speaker 4: Did help him, didn't even help him.
• 17:59
  Speaker 1: No, he tellb before I can help him, all right,
• 18:03
  Speaker 1: So she couldn't make ends meet. She didn't have any money.
• 18:05
  Speaker 1: What's this is? Why did I even ask that? I
• 18:08
  Speaker 1: was just gonna say, what city is this? It's La.
• 18:09
  Speaker 1: We already talked about this. Yeah, Chuckie, chill, Man.
• 18:15
  Speaker 4: Chill, it's this pillow talk scene is reminds me of
• 18:21
  Speaker 4: is Chappelle's.
• 18:22
  Speaker 1: Show explain that Andy.
• 18:26
  Speaker 4: Well chappelle show has that skit like what is it movies?
• 18:29
  Speaker 4: When movies are real? Or what's I forgot what it's called,
• 18:32
  Speaker 4: like if movies were real? And it's it's like two
• 18:37
  Speaker 4: people lying in bed like pretty woman, and then Richard
• 18:40
  Speaker 4: Gear's character like taps are on the nose and says
• 18:42
  Speaker 4: like you got to get out of here, and you
• 18:44
  Speaker 4: got to get the f out of here or something
• 18:46
  Speaker 4: like that.
• 18:48
  Speaker 1: Yeah, you know, she's explaining her whole history because it's
• 18:50
  Speaker 1: supposed to be like what when a Richard Gear person
• 18:53
  Speaker 1: gets a prostitute in real life? What happens? And she's
• 18:55
  Speaker 1: explaining her whole life story and he says, you gotta
• 18:57
  Speaker 1: get the fuck out of here. Yeah, And she met
• 19:02
  Speaker 1: Kit and Kit was like, oh, I know VIVI in
• 19:05
  Speaker 1: a great way that you can make ends meet, you
• 19:06
  Speaker 1: can be your prostitute. And she's like all right, but
• 19:11
  Speaker 1: you know, it's it's nobody's choice. It's like I feel
• 19:15
  Speaker 1: like women more so. I mean, guys are pigs, so
• 19:18
  Speaker 1: they don't care, but I feel like women are very
• 19:20
  Speaker 1: judgmental against strippers or people that work in like a
• 19:25
  Speaker 1: certain industries and it's like nobody, nobody chose to be
• 19:28
  Speaker 1: a stripper. It kind of happens, and it's usually not good.
• 19:33
  Speaker 1: So it's I just don't feel like you should judge
• 19:35
  Speaker 1: those people.
• 19:36
  Speaker 3: I also like her line here because he's like, you're like,
• 19:39
  Speaker 3: like when she finished the stories, like wow, I think
• 19:40
  Speaker 3: you're an incredibly amazing and special person, and like he
• 19:44
  Speaker 3: like makes a comment that he's like surprised again that
• 19:46
  Speaker 3: like she is a prostitute, and she just says the
• 19:50
  Speaker 3: bad stuff is always easier to believe than they're good.
• 19:54
  Speaker 2: That was a very interesting way to put it.
• 19:56
  Speaker 4: Yeah, and she's very like she can make like cocky
• 20:00
  Speaker 4: comments or you know, she has this like appearance of
• 20:03
  Speaker 4: confidence sometimes, but she's lacking the confidences you know makes
• 20:07
  Speaker 4: her a good character.
• 20:10
  Speaker 1: So Edward does at work and randomly decides to leave,
• 20:13
  Speaker 1: and Phillip's concern says, where are you going? He says,
• 20:16
  Speaker 1: I have a date and phil Phillips says with the hooker,
• 20:20
  Speaker 1: and Edwards turns to him says watch it. Then she
• 20:26
  Speaker 1: is another reveal, like she's all that walking down the
• 20:28
  Speaker 1: stairs moment. Is I think this is her most famous
• 20:31
  Speaker 1: outfit in the movie, the red Dress.
• 20:34
  Speaker 4: Yeah, yeah, she's in.
• 20:35
  Speaker 1: This beautiful red dress. And he says, I rented this
• 20:42
  Speaker 1: like five hundred thousand dollars necklace and it's just a rental,
• 20:45
  Speaker 1: it's not a gift, but you're gonna wear it this
• 20:47
  Speaker 1: evening and I read a trivia fact. So he opens
• 20:50
  Speaker 1: the box and she goes to grab it and he
• 20:51
  Speaker 1: shuts it on her hand, and she's just the laugh
• 20:55
  Speaker 1: that she has in response is so genuine and appealing.
• 20:59
  Speaker 1: And I read that Richard Gear did that to her
• 21:01
  Speaker 1: as a surprise, and her reaction is genuine, and I
• 21:03
  Speaker 1: feel like nobody is that good of an actor to
• 21:07
  Speaker 1: pull off that laugh the way that she does in
• 21:09
  Speaker 1: that scene. So I believe that it's real.
• 21:12
  Speaker 3: I literally wrote that question. I was like, was that
• 21:15
  Speaker 3: laugh real? Because that reaction was so crazy.
• 21:17
  Speaker 1: Yeah, that was real. Then she she got nominated for
• 21:20
  Speaker 1: an Oscar for this movie. Laugh, She did not know
• 21:25
  Speaker 1: she did.
• 21:28
  Speaker 2: Yeah, yeah, okay, yep.
• 21:31
  Speaker 1: I read that.
• 21:32
  Speaker 4: Gary Marshall like told Richard Gear to do it. Like
• 21:35
  Speaker 4: they did a bunch of takes, and he's like it,
• 21:37
  Speaker 4: close the box on her finger once.
• 21:38
  Speaker 1: And it's her genuine reaction.
• 21:40
  Speaker 3: All right, it's a I was looking at the other
• 21:42
  Speaker 3: nominees that year because I obviously knew she was nominated
• 21:45
  Speaker 3: in one for Aaron Brockovich. I thought that was the
• 21:47
  Speaker 3: first one she ever got nominated for, but I had
• 21:49
  Speaker 3: no clue she was nominated her Best Actress, but she
• 21:52
  Speaker 3: lost to Kathy Oh my god, what the hell is
• 21:57
  Speaker 3: her last name? Kathy Bates for us?
• 22:00
  Speaker 1: Oh yeah, great, great movie.
• 22:03
  Speaker 2: She's phenomenal on that too. Yeah.
• 22:11
  Speaker 1: So then they Richard Gear Edward takes her on a
• 22:14
  Speaker 1: PJ and Andy. I was watching with Ryan and Andy.
• 22:18
  Speaker 1: Andy turned to me during the scene he said, take
• 22:20
  Speaker 1: a girl on a PJ, get a BJ and I said,
• 22:22
  Speaker 1: that's okay, cool, Andy.
• 22:26
  Speaker 4: Yeah, blew over just to watch it. Yeah, it's great.
• 22:32
  Speaker 2: Andy w a PJ to watch it together.
• 22:34
  Speaker 1: Just to make that comment. He's like writing the entire
• 22:37
  Speaker 1: time choosing the wording of it. But again, whenever there's
• 22:41
  Speaker 1: a a PJ, I always think of Juice World's death
• 22:44
  Speaker 1: and how the pilot on the PJ like called the
• 22:47
  Speaker 1: cops because he thought the people on the PJ had drugs.
• 22:51
  Speaker 1: Guaranteed that was because he's black, And it makes me
• 22:54
  Speaker 1: angry every time, Like, do you think if Edward was
• 22:57
  Speaker 1: cutting lines in the p the pilot would be calling
• 23:01
  Speaker 1: the cops. Nobody called the cops on Epstein's jet, right,
• 23:04
  Speaker 1: like infuriating Anyways, Edward piece of shit. So they go
• 23:11
  Speaker 1: to see this opera which apparently is about a prostitute.
• 23:15
  Speaker 1: I didn't know that, but I read the trivia and someone,
• 23:20
  Speaker 1: a woman in the crowd, asked her like, oh, wasn't
• 23:22
  Speaker 1: that so moving? And Julia Roberts says it was so
• 23:25
  Speaker 1: good I almost peed my pants. I really really liked that,
• 23:31
  Speaker 1: and it made me think of I said that I
• 23:33
  Speaker 1: want Cuff's Basement to be quoted on a movie poster,
• 23:37
  Speaker 1: and I made a fake movie poster for Dune two,
• 23:41
  Speaker 1: and the quote at the bottom of the poster was
• 23:44
  Speaker 1: it was a Cuffs Basement quote. There's so much sand
• 23:46
  Speaker 1: you'll shit your pants.
• 23:49
  Speaker 2: That's the one they pick.
• 23:53
  Speaker 1: And so they get back from this random trip. Edward
• 23:58
  Speaker 1: decides I'm gonna take the day off tomorrow and Phil
• 24:00
  Speaker 1: Phil is like, I'm really worried about we're closing this
• 24:04
  Speaker 1: billion dollar deal. You're taking random days off, You're building
• 24:07
  Speaker 1: glass castles at work, You're just acting very weird. You
• 24:11
  Speaker 1: took a prostitute to a polo match, Like are you okay?
• 24:14
  Speaker 1: Which I think he's totally justified in this.
• 24:16
  Speaker 4: You're really connecting with Phil in this in this movie, Like,
• 24:20
  Speaker 4: let's call it what it is.
• 24:21
  Speaker 1: I mean, I don't think so.
• 24:24
  Speaker 4: You're connecting with Phil, like I don't talk about what
• 24:28
  Speaker 4: he does later.
• 24:28
  Speaker 1: I don't know what he does later. Let's talk about
• 24:31
  Speaker 1: what he does later. Uh. So they have this like
• 24:35
  Speaker 1: what do they do for their date day? Ryan?
• 24:38
  Speaker 3: They go to that like that water fountain they get
• 24:41
  Speaker 3: did they call it a snack dog that they called
• 24:43
  Speaker 3: them hard snapdog?
• 24:47
  Speaker 1: Yeah, the skin and you bite into it it kind
• 24:50
  Speaker 1: of snaps.
• 24:50
  Speaker 2: Yeah. Yeah.
• 24:51
  Speaker 3: And then they had they lied in the park, read
• 24:54
  Speaker 3: some Shakespeare quotes, love for a.
• 24:57
  Speaker 2: Look here by the way, looking great here. Then they
• 25:01
  Speaker 2: go to that diner at night.
• 25:04
  Speaker 1: Yeah.
• 25:04
  Speaker 3: Yeah, the purple dress then they kiss on the lists
• 25:12
  Speaker 3: on something that they both don't do.
• 25:14
  Speaker 4: He's asleep when she does this. Yep, sneak and kiss.
• 25:20
  Speaker 1: That's assault, brother. But yeah, no, And I think like
• 25:24
  Speaker 1: cheap dates, you know, expensive dates are memorable and the
• 25:29
  Speaker 1: like they go to the you know, if you if
• 25:30
  Speaker 1: you fly to you all right, Ryan, Like, nothing gives
• 25:40
  Speaker 1: you that, right, That's what he says to her. If
• 25:45
  Speaker 1: you like flew to Paris and went to this really
• 25:47
  Speaker 1: fancy restaurant, that'd obviously be memorable. But I think the
• 25:50
  Speaker 1: most like magical kind of dates, or when you go
• 25:53
  Speaker 1: on this casual, cheap date where you like go to
• 25:55
  Speaker 1: a diner and get a hot dog and then just
• 25:58
  Speaker 1: sit in the park and you just have such a
• 25:59
  Speaker 1: great time. That's that's the sign that like, oh this
• 26:04
  Speaker 1: person is the one, not you know, going to the
• 26:07
  Speaker 1: opera on a private jet, you know what I mean?
• 26:09
  Speaker 2: Yeah, it's not spectacle.
• 26:10
  Speaker 1: Yeah, And I like the contrast of these two dates.
• 26:15
  Speaker 4: Do you think they're built to last? Last at the end?
• 26:18
  Speaker 1: But well, there's been rumors for years they're gonna do
• 26:21
  Speaker 1: Pretty Woman too.
• 26:24
  Speaker 2: What's that?
• 26:28
  Speaker 1: Oh it was run Away Bride. I didn't I don't
• 26:29
  Speaker 1: remember run Away Bride.
• 26:31
  Speaker 3: I don't think it was a sequel to this movie,
• 26:32
  Speaker 3: but it's like the same cast, same crew.
• 26:34
  Speaker 1: Yeah, O is Gear in it.
• 26:38
  Speaker 2: Gear, Hector Alesondo.
• 26:40
  Speaker 4: He does like a he's like a reporter. He does
• 26:43
  Speaker 4: a story because she has left a couple of husbands
• 26:47
  Speaker 4: or fiancees at the altar, which is I think that's
• 26:51
  Speaker 4: the movie.
• 26:52
  Speaker 2: I don't.
• 26:52
  Speaker 1: Yeah, So we we pick up CCI today and I
• 26:56
  Speaker 1: was like, I have twenty minutes left a pretty woman?
• 26:59
  Speaker 1: Can I just put pretty Woman on? While we're hanging
• 27:01
  Speaker 1: with Cecia. I don't think like anything bad happens, and
• 27:04
  Speaker 1: Shannon says, yeah, no, I've seen it before. I don't
• 27:06
  Speaker 1: think anything bad happens. So I press play and literally
• 27:10
  Speaker 1: it was like at the scene where they're having sex
• 27:13
  Speaker 1: and they finally kissed in the lips and I pressed
• 27:15
  Speaker 1: play and CC literally yell oh no when she looked
• 27:20
  Speaker 1: at the screen and then I said, I said, they're
• 27:23
  Speaker 1: just wrestling. And when I said they're just wrestling, Shannon
• 27:25
  Speaker 1: like loved that. But they do. So. Julia Roberts has
• 27:30
  Speaker 1: been very anti on screen nudity, and she like championed
• 27:35
  Speaker 1: actresses shouldn't have to do this in Hollywood and like
• 27:39
  Speaker 1: moving forward. She was very against doing it, and it
• 27:42
  Speaker 1: allowed a lot of actress actresses to not do it
• 27:44
  Speaker 1: because I feel like it was more common before Pretty Woman. Yeah,
• 27:48
  Speaker 1: but I feel like they do show her topless for
• 27:50
  Speaker 1: like a split second in this scene in this part.
• 27:55
  Speaker 1: Really yeah, Yeah, I just I just watched the last
• 27:58
  Speaker 1: twenty minutes and so did my daughter traumatize for life?
• 28:01
  Speaker 4: So I didn't pick up on it, So maybe I'm
• 28:05
  Speaker 4: trying to think.
• 28:05
  Speaker 1: Yeah, I said, you should be like Vivian CC, find
• 28:07
  Speaker 1: a nice man, settle down. So it's there. It's their
• 28:13
  Speaker 1: last night together and he tells her his intentions for
• 28:20
  Speaker 1: their relationship moving forward, which is what.
• 28:22
  Speaker 3: Ryan He set up an apartment for her and that
• 28:29
  Speaker 3: he's like found a good area and it's like, I
• 28:33
  Speaker 3: just like want to be able to see you when
• 28:35
  Speaker 3: I come through here. And she's like like what do
• 28:39
  Speaker 3: I do when you're not here? Like what like what
• 28:41
  Speaker 3: does this mean? Like what is what's the what's the
• 28:43
  Speaker 3: definition of this? And he's like, well, it's just you're here?
• 28:48
  Speaker 3: And her quote is that's just geography.
• 28:51
  Speaker 1: Yeah. He says, I want to get you off the streets,
• 28:53
  Speaker 1: and she says, that's just geography. So he's like, you're
• 28:56
  Speaker 1: going to be my LA person. I'm going to get
• 28:59
  Speaker 1: you a condo in LA. You live in a nice
• 29:00
  Speaker 1: condo in LA. I bankroll your life, and I'm gonna
• 29:03
  Speaker 1: live in New York. I whenever I come through LA
• 29:05
  Speaker 1: will like hook up and whatnot. And she's totally against
• 29:09
  Speaker 1: this and I and then he says, what did you
• 29:12
  Speaker 1: think was going to happen between us? Great point? And
• 29:15
  Speaker 1: I said, how about thanks. This is way more than
• 29:21
  Speaker 1: their business arrangement that they came to. And I also wrote,
• 29:25
  Speaker 1: every NBA player in the entire league does this. They
• 29:29
  Speaker 1: have their paying for a condo in LA, in Boston
• 29:32
  Speaker 1: and New York. I used to work with a girl
• 29:35
  Speaker 1: that was the Baltimore girl, Like, hey, I'm a major
• 29:40
  Speaker 1: league pitcher. When I play the Orioles for whatever team
• 29:43
  Speaker 1: I'm on, will hook up. Derek Jeter had a Boston girl.
• 29:49
  Speaker 1: There was a girl that went to Marion Andy that
• 29:52
  Speaker 1: was allegedly doing the same thing. So, yeah, this I
• 29:56
  Speaker 1: think this should be she she should be totally psyched
• 29:58
  Speaker 1: about this arrangement.
• 30:01
  Speaker 2: Again.
• 30:04
  Speaker 4: No, no, you should go right, Yeah, you know you
• 30:06
  Speaker 4: do it. I think I think you got it again.
• 30:09
  Speaker 3: Similar to the scene when she leaves the money. She
• 30:13
  Speaker 3: feels there's something more here. She knows there's something more.
• 30:17
  Speaker 3: They just kissed. They both don't do this, she just
• 30:22
  Speaker 3: kissed the line together.
• 30:24
  Speaker 1: Also, every Instagram model that is hooking up with every
• 30:27
  Speaker 1: NBA player has figured this out. Get pregnant. That's what
• 30:31
  Speaker 1: you do in this situation. Then you got it made
• 30:34
  Speaker 1: in the shade.
• 30:37
  Speaker 4: That's pretty women too.
• 30:38
  Speaker 2: You think.
• 30:42
  Speaker 1: The boot and start poking holes in the condoms you're
• 30:44
  Speaker 1: using with Edward.
• 30:45
  Speaker 3: They have a son played by Tim We have a child.
• 30:50
  Speaker 4: I think Gary Marshall couldn't take your pretty woman too, and.
• 30:55
  Speaker 1: Ryan and that child is Chris McCandless and into the wild. No, no, no,
• 31:01
  Speaker 1: did you want to say something else?
• 31:04
  Speaker 4: I was just gonna say, the game's changed, cuff. No, yes,
• 31:07
  Speaker 4: it's changed the game. It's changed all the variables. She
• 31:10
  Speaker 4: doesn't just want to be paid for her time. She says,
• 31:14
  Speaker 4: like I don't want to be kept. She's she's on
• 31:16
  Speaker 4: the bigger and better things.
• 31:17
  Speaker 2: Cuff.
• 31:18
  Speaker 3: He was all work and now he's building glass castles.
• 31:22
  Speaker 3: Like you said, he can't even stay in the building anymore.
• 31:25
  Speaker 2: He has been scrooged.
• 31:27
  Speaker 1: And then this is how delusional she is. So she
• 31:29
  Speaker 1: goes back to Kit, who's living in their apartment, still
• 31:32
  Speaker 1: a hooker, and she's dressing this like Rodeo drive outfit
• 31:35
  Speaker 1: and she's like, yeah, so I'm done with Edward's week.
• 31:39
  Speaker 1: He offered to buy me a condo in La so
• 31:42
  Speaker 1: I could live there and he would see me whenever
• 31:44
  Speaker 1: he comes through, and he offered to make roll my life,
• 31:47
  Speaker 1: but I said no. And then Kit's like, are you
• 31:50
  Speaker 1: out of your mind? Like look at me, I'm a
• 31:54
  Speaker 1: drug addicted prostitute that's living in Squalor. You were me
• 31:59
  Speaker 1: seven days years ago, Like what are you doing?
• 32:04
  Speaker 4: Games changed, cuff, games changed? She doesn't want to be
• 32:07
  Speaker 4: La Vivian, okay.
• 32:08
  Speaker 1: And she asks a very important question like this dream
• 32:12
  Speaker 1: of temporarily being a prostitute until we get enough money
• 32:16
  Speaker 1: to go do something else, Like who does this ever
• 32:18
  Speaker 1: work out for the answer is no one, It never
• 32:21
  Speaker 1: worked out for anyone.
• 32:22
  Speaker 2: I love. I love her response though, cinder fucking rolla. Yeah, yeah,
• 32:26
  Speaker 2: that was very good.
• 32:28
  Speaker 1: Uh So now there's a big board meeting about the
• 32:32
  Speaker 1: sale and the old guy is like, Edward, you were right.
• 32:36
  Speaker 1: You bent me over a barrel, Like I can't do
• 32:38
  Speaker 1: anything I'm gonna say.
• 32:39
  Speaker 2: Say a minute, we're missing a critical line.
• 32:40
  Speaker 1: I'm sorry, Oh no, go ahead, go ahead.
• 32:43
  Speaker 3: Before he leaves, and he's like, gives her the offer
• 32:46
  Speaker 3: and she says no, and he just says, just like,
• 32:49
  Speaker 3: I hope you know I never treated you like a prostitute.
• 32:51
  Speaker 3: And he walks away and says, you just did.
• 32:54
  Speaker 1: She says, you just did. Yeah, that's a great Yeah,
• 32:57
  Speaker 1: that's a great point, Ryan, that is a very important line.
• 33:00
  Speaker 4: Yeah, it's not a transaction. It's not a transaction.
• 33:05
  Speaker 1: When he said I never treated you like a prostitute,
• 33:07
  Speaker 1: Shannon and said out loud, you just did. Because she's
• 33:10
  Speaker 1: seen this movie a bunch of times before. So the
• 33:13
  Speaker 1: old guys like Edward You're I love that he's not
• 33:19
  Speaker 1: Richard Gear. He's Vivian. So old guys like I'm gonna
• 33:26
  Speaker 1: sell you my company. You win, You're gonna shop it
• 33:29
  Speaker 1: up and lay everybody off whatever, like fuck you, but
• 33:32
  Speaker 1: you win and.
• 33:33
  Speaker 2: The bank is going to make a whole lot of money.
• 33:35
  Speaker 1: And Richard Gears like, would everyone please leave the room,
• 33:39
  Speaker 1: even you, Phil, I'd like to speak to miss Remorse alone,
• 33:44
  Speaker 1: and everybody leaves.
• 33:46
  Speaker 4: He felt bad for Phil, You felt bad for Phil, No,
• 33:50
  Speaker 4: you did.
• 33:50
  Speaker 2: You probably did.
• 33:51
  Speaker 1: Oh No, I didn't feel bad for Phil. I mean,
• 33:54
  Speaker 1: to be fair, Phil is his attorney for these specific negotiations,
• 34:00
  Speaker 1: should be in the room, but I don't know. And
• 34:05
  Speaker 1: he's like, you know what, mister Morris, I don't want
• 34:08
  Speaker 1: to buy your company and chop it up. I want
• 34:09
  Speaker 1: to buy your company and build chips, because that's what
• 34:14
  Speaker 1: the company does. And his whole thing is like, I
• 34:16
  Speaker 1: don't do anything. I just like buy failing companies and
• 34:20
  Speaker 1: tear them apart and take the money and run. But
• 34:22
  Speaker 1: I don't actually like do anything. I don't build anything.
• 34:26
  Speaker 1: I don't like. That's why it seemed insane that he's
• 34:29
  Speaker 1: building a tower out of glasses in his office. But
• 34:31
  Speaker 1: he's like, I used to love blocks as a kid
• 34:33
  Speaker 1: because he wants to build something in the world.
• 34:36
  Speaker 2: You're doing it, Peter, You're doing it.
• 34:38
  Speaker 1: Yeah, And mister Morris says, it's hard for me to
• 34:43
  Speaker 1: say this without sounding condescending, but I'm proud of you,
• 34:46
  Speaker 1: and he puts his hand on his shoulder like a
• 34:48
  Speaker 1: father would, and that clearly affects Richer Gear. Then Richard
• 34:52
  Speaker 1: Gear goes outside, takes off his shoes and socks and
• 34:55
  Speaker 1: starts walking in the grass, and if you're Phil, You're like,
• 34:59
  Speaker 1: this dude has fucking crap, Like what is going on?
• 35:07
  Speaker 1: So Phil's concerned, And then I wrote, my next note
• 35:12
  Speaker 1: is Jason Alexander pulls in Andy. That was my note.
• 35:16
  Speaker 2: Whoa, whoa, oh.
• 35:20
  Speaker 1: Oh, So I'll want to Andy describe this. So Jason
• 35:24
  Speaker 1: Alexander goes to Edward's apartment or sorry, hotel penhouse looking
• 35:28
  Speaker 1: for Edward and what transpires at the end the scene.
• 35:32
  Speaker 4: So I took this as like, you know, if you're
• 35:34
  Speaker 4: upset at work, like you don't write an email response
• 35:37
  Speaker 4: right away, like take some time. I think Phil needed
• 35:40
  Speaker 4: to take a little more time after this business, because
• 35:43
  Speaker 4: he just shows up at Richard Gear's penthouse looking for
• 35:46
  Speaker 4: him like God knows what he's gonna do, but yeah,
• 35:51
  Speaker 4: he tells and just Vivian's there and he basically says
• 35:55
  Speaker 4: like I'm gonna wait for Edward here. He starts assaulting
• 36:00
  Speaker 4: her essentially, and then Richard Gear shows up. I don't
• 36:05
  Speaker 4: know if you can quote Phil in this stuff, but
• 36:07
  Speaker 4: I don't know what he says. He just starts assaulting
• 36:09
  Speaker 4: her and getting handsy, and Richard Gear shows up and
• 36:13
  Speaker 4: pulls him off them and gives him a solid nose punch.
• 36:16
  Speaker 1: Yeah, he says some awful stuff like oh you're you're
• 36:19
  Speaker 1: a fifty dollars hooker, you know, like, oh, like all
• 36:23
  Speaker 1: this awful stuff. And so when this started to happen again,
• 36:26
  Speaker 1: I'm watching the last twenty minutes with CC, so he
• 36:29
  Speaker 1: like he like grabs her. So immediately pause and I said, oh,
• 36:34
  Speaker 1: I'm like okay, like I'm not going to watch this
• 36:36
  Speaker 1: in front of CC. And then Cec was into the
• 36:39
  Speaker 1: movie at this point, so she started crying because I
• 36:42
  Speaker 1: had paused it. And Shannon was like, oh, it's okay, Cec,
• 36:46
  Speaker 1: and I said, she just really wants to watch the
• 36:48
  Speaker 1: sexual assault. So I made I watched the rest of
• 36:53
  Speaker 1: it somewhere else, but uh good. I thought, yeah, this
• 36:58
  Speaker 1: is like awful disgusting. I could see it like making
• 37:01
  Speaker 1: people hate Jason Alexander. If he wasn't George, I feel
• 37:04
  Speaker 1: like he would be very you know, people just remember
• 37:07
  Speaker 1: this very strongly. He's just a terrible, terrible person. So
• 37:12
  Speaker 1: Richard gear punches him and then she's saying goodbye to
• 37:18
  Speaker 1: Barney at the hotel and I said to Shannon if
• 37:22
  Speaker 1: when she goes, how much would it change the dynamic
• 37:25
  Speaker 1: of the movie and of Barney. And when she goes
• 37:27
  Speaker 1: to say goodbye to Barney, he does the same thing
• 37:30
  Speaker 1: as Jason Alexander.
• 37:34
  Speaker 2: Yeah, yes, it.
• 37:37
  Speaker 4: Would ruin Barney.
• 37:38
  Speaker 1: Yeah, dead silence. Barney kisses her hand and says, come
• 37:43
  Speaker 1: and visit us anytime.
• 37:46
  Speaker 4: Yeah, wherever she needs to go, and the limma.
• 37:51
  Speaker 3: It's like you said before, like we don't want to
• 37:52
  Speaker 3: see you here again, and now it's coming any time.
• 37:54
  Speaker 2: It's great.
• 37:54
  Speaker 1: Yep yep.
• 37:56
  Speaker 4: So she goes to oh, I was just gonna say,
• 37:59
  Speaker 4: this is like the you was just talking about the
• 38:01
  Speaker 4: soundtrack earlier. It's must have been love in in the limo.
• 38:05
  Speaker 1: Oh, yes, but.
• 38:09
  Speaker 2: It must have been God lost suits.
• 38:19
  Speaker 1: Must have been anyways, So she says goodbye to Kit.
• 38:26
  Speaker 1: She comes over to think about a kid, and Kit
• 38:28
  Speaker 1: is training a new prostitute to like come live with her.
• 38:32
  Speaker 1: And I loved this line. I burst out laughing.
• 38:34
  Speaker 2: She goes, oh my god.
• 38:36
  Speaker 1: She goes, do you have anything you need to move
• 38:39
  Speaker 1: into the apartment. She goes, no, Carlos burned all my.
• 38:42
  Speaker 2: Stuff when I said I was moving out.
• 38:46
  Speaker 1: Yeah, Carlos burned all my stuff. Carlos, Good guys.
• 38:50
  Speaker 4: What Juliet Roberts. She says she's gonna like start a
• 38:53
  Speaker 4: new life. What does she say she's gonna do. She's
• 38:55
  Speaker 4: going to San Francisco.
• 38:56
  Speaker 1: To San Francisco to start new like gonna finish high school,
• 39:00
  Speaker 1: all right, yep. And there's a like a really intimidating
• 39:04
  Speaker 1: look looking limo driver named Darryl, and Darryl is a
• 39:08
  Speaker 1: really good guy, drives Julie Roberts to her apartment because
• 39:11
  Speaker 1: Barney says, Darryl take her wherever she wants to go. Now, Vivian,
• 39:15
  Speaker 1: we forgot to mention this. Earlier had told Edward that
• 39:19
  Speaker 1: her mother used to lock her in the attic when
• 39:22
  Speaker 1: she was bad as a kid, when she would envision
• 39:25
  Speaker 1: that she was trapped in the attic and a knight
• 39:27
  Speaker 1: in shining armor would come save her. So she's in
• 39:34
  Speaker 1: her apartment like grabbing her stuff to move out, and
• 39:38
  Speaker 1: Edward's leaving the hotel, also with Daryl. Daryl goes back
• 39:41
  Speaker 1: and gets Edward taking him to the airport to fly
• 39:45
  Speaker 1: to New York. And he says, you know, Edward, your
• 39:48
  Speaker 1: flights on time, so you're good, And Barney says the
• 39:52
  Speaker 1: same line, take Edward to wherever he needs to go.
• 39:55
  Speaker 1: So then what does what does Edward do? Andy?
• 39:58
  Speaker 4: So I was gonna say, Barney has the line where
• 40:02
  Speaker 4: I think Edward's bringing back the necklace, and Barney says, like,
• 40:05
  Speaker 4: you know, equating it to Vivian, just says like it
• 40:08
  Speaker 4: must be hard to have to give up something so beautiful.
• 40:13
  Speaker 4: So Barney MVP.
• 40:17
  Speaker 2: But tru Yeah.
• 40:19
  Speaker 4: So Richard gears and the limo. He's supposed to be
• 40:21
  Speaker 4: going back to New York. But where does he go.
• 40:24
  Speaker 1: He goes to Vivian's and he says, Princess Vivian, come down,
• 40:29
  Speaker 1: and he comes up the fire escape like a knight
• 40:32
  Speaker 1: in shining armor coming to save her from the top
• 40:34
  Speaker 1: of the castle, and she embraces him on the fire escape.
• 40:40
  Speaker 4: I was gonna say, what he's like afraid of heights.
• 40:42
  Speaker 4: I don't we really talk about that, but he's on
• 40:44
  Speaker 4: the second floor and he's afraid like this. I don't know,
• 40:47
  Speaker 4: you know, it's supposed to be like her.
• 40:50
  Speaker 3: I don't know that that whole idea of like him
• 40:52
  Speaker 3: being afraid of heights was like a little bit in there,
• 40:54
  Speaker 3: and it wasn't like enough to be like, oh my god,
• 40:56
  Speaker 3: this is going to be brutal for him to be
• 40:58
  Speaker 3: afraid of heights the connection to Wayne's world, so it
• 41:01
  Speaker 3: worked for me.
• 41:02
  Speaker 1: Well two comments to that, Andy. Number one, you, of
• 41:06
  Speaker 1: all people, really hipocritical of you to say that. And
• 41:09
  Speaker 1: number two, those fire those fire escapes are like really yanky,
• 41:14
  Speaker 1: so they're kind of scary. If you ever better on
• 41:16
  Speaker 1: a fire escape like that in real life? Oh yes, no, yeah,
• 41:20
  Speaker 1: they're they're scary.
• 41:23
  Speaker 4: I don't know, you know, but he's got the flowers
• 41:26
  Speaker 4: in his mouth, and you know he's he's he's going
• 41:30
  Speaker 4: to climb the tower for Vivian.
• 41:32
  Speaker 1: Yep, and he they embrace. And I like this because
• 41:35
  Speaker 1: it's a very white trash ending, and I mean that
• 41:38
  Speaker 1: in a good way, Like I like white trash. I
• 41:40
  Speaker 1: embrace aspects of white trash are fantastic, and like the
• 41:45
  Speaker 1: hoity toity pretentiousness of Edward's world sucks. So I like
• 41:49
  Speaker 1: that Their final meeting is not at the hotel, it's
• 41:52
  Speaker 1: on this like shitty fire escape in a bad neighborhood.
• 41:56
  Speaker 1: And he says, what happens after the night, climbs the
• 41:59
  Speaker 1: tower and rest he's the princess, and she says she
• 42:03
  Speaker 1: rescues him right back. That's my second favorite line of
• 42:07
  Speaker 1: the movie. So love that. And then there's this random
• 42:13
  Speaker 1: guy that's like, you can always dream in Hollywood, dreams
• 42:16
  Speaker 1: do come true sometimes.
• 42:18
  Speaker 3: Yeah, the beginning, he was the guy at the beginning
• 42:22
  Speaker 3: the police were interviewing at them.
• 42:25
  Speaker 1: Yeah, not a great message. Nobody should be like I
• 42:28
  Speaker 1: want to be Vivian. Uh yeah.
• 42:34
  Speaker 2: Yeah.
• 42:35
  Speaker 1: So that's the end of Pretty Woman.
• 42:39
  Speaker 4: I have I have like a follow up question.
• 42:43
  Speaker 1: Yeah, so like.
• 42:46
  Speaker 4: Edward, you know, do you like the whole courting process?
• 42:51
  Speaker 4: You know, Edward's exciting, he's rich, he can get whatever
• 42:53
  Speaker 4: he wants. Do you think like there's anything beyond the
• 42:56
  Speaker 4: courting between the two of them, like would because she's
• 42:59
  Speaker 4: pretty great, Like she just get bored of Edward after
• 43:02
  Speaker 4: six months, Like come on, that's what That's what I
• 43:05
  Speaker 4: was thinking of my head the all time. Like you think, yeah,
• 43:10
  Speaker 4: he's not he's like working. I don't know, he doesn't
• 43:13
  Speaker 4: have much personality to me, Like he's kind I guess
• 43:16
  Speaker 4: he shows kindness, but you think, like after the private
• 43:21
  Speaker 4: jets for a year, she's like, this guy's fun and
• 43:25
  Speaker 4: I don't know, I didn't see it. I was gonna
• 43:27
  Speaker 4: ask a question.
• 43:28
  Speaker 1: Well, I think that she has very little options like
• 43:33
  Speaker 1: in their power dynamic, he holds all the cards, so
• 43:37
  Speaker 1: all she has is her body and like being young
• 43:40
  Speaker 1: and pretty. Some really don't think that I'd be worried
• 43:44
  Speaker 1: about her being emotionally like the whole movie is about
• 43:48
  Speaker 1: him being emotionally distant and like doesn't have his shit
• 43:52
  Speaker 1: worked out, So I'd be really concerned about him losing interest,
• 43:57
  Speaker 1: not so much about her, because what are her options?
• 44:03
  Speaker 1: He obviously is gonna have her let's say they get married,
• 44:06
  Speaker 1: He's obviously gonna have her signed a prenub, So like,
• 44:09
  Speaker 1: what are her options if she leaves him?
• 44:12
  Speaker 2: Was she better off?
• 44:12
  Speaker 4: Like going off on her own too? Also another thought
• 44:15
  Speaker 4: at the end, like maybe.
• 44:16
  Speaker 3: She should have just gone off to you know, and
• 44:19
  Speaker 3: I thought it was going there, yeah and done.
• 44:22
  Speaker 1: Well that was the end of the original movie. Was
• 44:25
  Speaker 1: she leaves him? Ah, she like goes off on her
• 44:29
  Speaker 1: own and does her own things like I don't need
• 44:31
  Speaker 1: a man, which I think is a better ending. But again,
• 44:36
  Speaker 1: you want this to be this is like if if
• 44:39
  Speaker 1: if somebody wrote this, Yeah, I mean it is what
• 44:43
  Speaker 1: it is. If somebody wrote like a dark, edgy script
• 44:45
  Speaker 1: about a prostitute and then a major studio was like
• 44:48
  Speaker 1: let's make this into a romantic comedy and have it
• 44:50
  Speaker 1: make money. This is exactly what they would do to it.
• 44:53
  Speaker 3: I feel like to like a lot of romantic movies,
• 44:56
  Speaker 3: though a lot of them do, it's like more romantic
• 44:59
  Speaker 3: to have the not happy ending in a weird way,
• 45:02
  Speaker 3: to have like the cash up blanket ending where like
• 45:05
  Speaker 3: you acknowledge the feelings were real, but you can't be
• 45:07
  Speaker 3: together kind of thing like you don't have kind of
• 45:10
  Speaker 3: like the Notebook ending, where like you think it was
• 45:13
  Speaker 3: gonna be one way, but it's another.
• 45:16
  Speaker 2: I especially the way they ended.
• 45:17
  Speaker 3: It where it's like, especially just watching it, like I
• 45:20
  Speaker 3: didn't realize the movie was two hours, so it's kind
• 45:21
  Speaker 3: of like oh when like not in that way, but
• 45:23
  Speaker 3: I'm like, how does this end?
• 45:24
  Speaker 2: Like it seems like it kind of goes.
• 45:26
  Speaker 3: Like certain points they could have ended the movie and
• 45:28
  Speaker 3: kind of capped it off, but when she was like leaving,
• 45:31
  Speaker 3: I'm like, oh, they're legit like not gonna have them
• 45:33
  Speaker 3: or they're gonna have them like kind of again like
• 45:34
  Speaker 3: have one scene together and say like we'll see you around.
• 45:38
  Speaker 3: So yeah, But I mean, I guess it's also very
• 45:40
  Speaker 3: product of its time, like romantic comedy have them get together. Yeah,
• 45:43
  Speaker 3: but I think a lot of romantic comedy suffer this
• 45:45
  Speaker 3: thing to andy where like you kind of wonder like
• 45:48
  Speaker 3: where do they go after this?
• 45:49
  Speaker 2: Like how long does this last?
• 45:52
  Speaker 1: And that's why the end of the graduate is so
• 45:53
  Speaker 1: great because there's that moment where they're like, oh fuck,
• 45:56
  Speaker 1: what do we do now?
• 45:57
  Speaker 2: Exactly? Yeah, like what we do at the day after? Yeah?
• 46:01
  Speaker 1: So yeah yeah yeah, So I I mean, do they
• 46:09
  Speaker 1: last in real life? I would say almost certainly. Not
• 46:12
  Speaker 1: in real life. In this world that they exist in.
• 46:16
  Speaker 1: I think probably yeah they do, because that's what everybody wants.
• 46:20
  Speaker 2: Yeah, yeah, Okay.
• 46:24
  Speaker 4: And my other thing was Julie Roberts, is she like
• 46:27
  Speaker 4: the the goat of rom coms? I don't know, probably
• 46:35
  Speaker 4: like who else? Like I was thinking, like Meg Ryan,
• 46:39
  Speaker 4: is she the goat? I just thought, like woman made
• 46:42
  Speaker 4: so much money too.
• 46:44
  Speaker 3: In terms of like I'm curious of like success and
• 46:47
  Speaker 3: like reception because like Sandra Bullock had that title for a.
• 46:51
  Speaker 2: While, that was her thing.
• 46:52
  Speaker 4: Okay, I'm not.
• 46:54
  Speaker 2: Sure they had like the staying power as this movie does.
• 46:57
  Speaker 1: No no way, no way, because I think like fifty
• 47:00
  Speaker 1: years from now, we'll still be talking about pretty warm, like,
• 47:04
  Speaker 1: who's the heavyweight champion of rom coms? Like Sandra Bullock
• 47:09
  Speaker 1: was the heavyweight champion at one time, but so was
• 47:11
  Speaker 1: Dolf Ziggler. You know, Like I love Dolf Ziggler, but
• 47:15
  Speaker 1: we're not gonna be talking to our grandkids about Dolf Ziggler,
• 47:18
  Speaker 1: you know what I mean. So, yeah, I would say
• 47:22
  Speaker 1: to Julia Roberts, I don't even really like her, but.
• 47:26
  Speaker 2: Yeah, I mean, you have.
• 47:29
  Speaker 4: The only person I can think is Meg Ryan because
• 47:31
  Speaker 4: they have like Sleepless in Seattle.
• 47:33
  Speaker 1: And You Got Mail when Harry Matsel.
• 47:37
  Speaker 3: They they both did the same thing too. That's so interesting.
• 47:40
  Speaker 3: They made kind of same sequels with the same cast. Yeah,
• 47:44
  Speaker 3: with You Got Mail on Slipers and Seattle. Actually have
• 47:46
  Speaker 3: not seen those two either.
• 47:47
  Speaker 1: And My best Friend's wedding we already did a podcast
• 47:49
  Speaker 1: on it, but totally we did.
• 47:51
  Speaker 2: We did, We did my best friend's wedding. Yeah, I'm
• 47:55
  Speaker 2: trying to think. I can't.
• 47:56
  Speaker 3: I'm even looking up now, like I'm curious who else
• 47:59
  Speaker 3: even comes.
• 48:00
  Speaker 2: Remotely near it? Yeah, per Meg Ryan, kind of Cameron
• 48:05
  Speaker 2: Diaz maybe maybe maybe maybe Anna Faris.
• 48:11
  Speaker 1: No, what do we do it?
• 48:14
  Speaker 2: What are we doing? Made in Manhattan that's what I
• 48:16
  Speaker 2: want to know.
• 48:16
  Speaker 1: What's your number?
• 48:18
  Speaker 2: Oh? J Loo j Loo and Ray Findes. What a combination? Weird? Hyeah,
• 48:25
  Speaker 2: Jennifer Aniston kind of?
• 48:27
  Speaker 1: Oh, Kate Hudson, Yeah, McConaughey.
• 48:32
  Speaker 4: Reese Witherspoon. I just I just looked it up.
• 48:35
  Speaker 2: I don't know.
• 48:37
  Speaker 1: Yeah, but I don't think that she reached with a
• 48:38
  Speaker 1: spoon is not like I don't think like what defines
• 48:41
  Speaker 1: her career as rom comms necessarily.
• 48:43
  Speaker 4: That's true, that's true.
• 48:44
  Speaker 2: That's true.
• 48:45
  Speaker 1: I feel like what defined Julie Roberts career is wrong coms.
• 48:48
  Speaker 1: Like what else are we talking about? Like flat Liners?
• 48:53
  Speaker 1: Wasn't she in that?
• 48:55
  Speaker 2: Yes? Yeah, I think that was that like her first movie?
• 48:58
  Speaker 1: Right, I thought it was Mystic Pizza, But I could
• 49:01
  Speaker 1: be wrong.
• 49:02
  Speaker 4: I think I think it's Mystic Pizza. I think Flatlands
• 49:05
  Speaker 4: is the one where she ran she ran off.
• 49:07
  Speaker 1: With Keeper after Jason Patrick or one of them she
• 49:13
  Speaker 1: was nuts with with men she didn't she like Mary
• 49:15
  Speaker 1: Lyle love it or was engaged a lot?
• 49:19
  Speaker 2: Yes, yeah, bizarre, bizarre, Yeah, I really can't. I guess
• 49:26
  Speaker 2: Like in male form, it's like.
• 49:28
  Speaker 3: Hugh Grant's another one for wedding funeral, also nodding Hill.
• 49:32
  Speaker 3: Julia's other moment with the championship, the Money in the
• 49:35
  Speaker 3: Bank Challenge. Yeah, yeah, I haven't seen that one forever too.
• 49:41
  Speaker 1: Yeah, that's a good question, but yeah, I would say
• 49:44
  Speaker 1: probably her.
• 49:45
  Speaker 2: Yeah, I think it has to be. Looking at this,
• 49:49
  Speaker 2: what's her best movie?
• 49:52
  Speaker 1: That's hard because she's not in a lot of good movies.
• 49:56
  Speaker 3: She's also been very infrequent, like in the past, like
• 49:58
  Speaker 3: ten to fifteen years. It's not up and a lot
• 50:00
  Speaker 3: of stuff.
• 50:01
  Speaker 1: She was Also, she was so so big and famous
• 50:06
  Speaker 1: and never really like did anything that good. It was
• 50:09
  Speaker 1: more like she it's sort of like the Rock, Like
• 50:13
  Speaker 1: the Rock is not in good movies. He's famous for
• 50:15
  Speaker 1: being the Rock. She's sort of famous for being Julie Roberts.
• 50:19
  Speaker 3: I mean, I already know who we're both gonna say
• 50:21
  Speaker 3: is her best movie?
• 50:22
  Speaker 2: We already did this this year.
• 50:24
  Speaker 1: But Hook, But she's like a background character.
• 50:27
  Speaker 2: I'm kidding, yeah, kidding, obviously.
• 50:28
  Speaker 4: Yeah, No, I haven't seen Notting Hill. But I feel
• 50:31
  Speaker 4: like that's well received, isn't it.
• 50:33
  Speaker 1: Let me look at that.
• 50:34
  Speaker 2: Hill is good.
• 50:35
  Speaker 3: I mean, obviously this Aaron Brockovich, but like, I haven't
• 50:37
  Speaker 3: seen that one in Forever.
• 50:40
  Speaker 1: So Misic, Pizza Steel, Magnolia is Pretty Woman, flat Liners.
• 50:43
  Speaker 2: Sleeping with the Magnolia's is Tough, Sleeping with.
• 50:47
  Speaker 1: The Enemy, Hook Pelican Brief, Mary Riley, that's random. Michael
• 50:54
  Speaker 1: Collins forgot she was in that My best Friend's Wedding
• 50:58
  Speaker 1: Conspiracy theory, Stepmom Nonning Hill, Runaway Bride Aaron, she ever
• 51:03
  Speaker 1: forgot about that? Mexican Random, America's Sweethearts, Oceans.
• 51:09
  Speaker 2: Great James Cambell Feeding the Mexican Grace.
• 51:12
  Speaker 1: Yes, uh yeah not not really like nothing good.
• 51:19
  Speaker 3: Oh, Smurfs, The Lost Village, yeap o, Sir, I found
• 51:25
  Speaker 3: closer to being very overrated trilogy The Room would Love. Yeah,
• 51:37
  Speaker 3: so from the room what elsa smile?
• 51:44
  Speaker 4: She's still she's holding the rom com title, you know,
• 51:46
  Speaker 4: and it's like we're not we don't even think about,
• 51:48
  Speaker 4: like we're not like, oh, she's in all these great movies.
• 51:51
  Speaker 4: It's like, but she's holding that title strong, Like that's
• 51:53
  Speaker 4: not even.
• 51:54
  Speaker 3: As I mean, it makes a very good point though,
• 51:56
  Speaker 3: I feel like she became so famous for being her
• 51:59
  Speaker 3: that like there's even the joke of that in Ocean's twelve,
• 52:01
  Speaker 3: where a character she plays in Ocean's twelve. Everyone says
• 52:03
  Speaker 3: you look like Julia Roberts, so they pretend she's Julia
• 52:06
  Speaker 3: Roberts and Ocean's twelve. Okay, And it's like this whole
• 52:09
  Speaker 3: thing of like, I think she had a lot of empoint,
• 52:13
  Speaker 3: you know, respected movies and stuff like that, but none
• 52:15
  Speaker 3: of them I've ever felt like these are stone cold classics.
• 52:19
  Speaker 2: Yeah, but I mean I like them, don't get me wrong, but.
• 52:25
  Speaker 1: Yeah, yeah, all right, do we have any other questions
• 52:30
  Speaker 1: or a pretty woman advice.
• 52:35
  Speaker 2: To pretty woman advice?
• 52:37
  Speaker 4: Pretty woman advice?
• 52:38
  Speaker 1: I would say my advice is, no one chooses to
• 52:40
  Speaker 1: be a prostitute. What's your advice, Andy.
• 52:49
  Speaker 4: I'd say it'd be open to new experiences, whether.
• 52:52
  Speaker 2: You're okay good.
• 52:54
  Speaker 4: Oh. I also want to say, Mark, that's market advice.
• 52:58
  Speaker 1: Well, that's very market advice. I don't want to say
• 53:01
  Speaker 1: when I was saying that, like Julia Roberts is a
• 53:04
  Speaker 1: barrel of trash in this movie, I wasn't saying. I'm
• 53:06
  Speaker 1: saying that's like how Edward is acting and how people
• 53:09
  Speaker 1: act in this movie. I've always said, I've always said,
• 53:13
  Speaker 1: you never want to marry a girl who's zero percent
• 53:17
  Speaker 1: white trash. You don't want to marry a girl that's
• 53:19
  Speaker 1: eighty percent white trash. That's too much. But you always
• 53:22
  Speaker 1: need a sliver of white trash, because if they don't
• 53:24
  Speaker 1: have a sliver of white trash, they're just they're just
• 53:26
  Speaker 1: like not fun. And I said this one time and
• 53:31
  Speaker 1: Shedon said, well, I'm zero percent white trash. And I
• 53:33
  Speaker 1: burst out laughing, and she was like, what does that mean.
• 53:37
  Speaker 1: I go, you love hot dogs? And she was like,
• 53:39
  Speaker 1: I do love hot dogs. And I said, okay, that's
• 53:41
  Speaker 1: one example. I could name twenty. But if a girl
• 53:45
  Speaker 1: is zero percent white trash, she sucks. She's not fun.
• 53:49
  Speaker 1: You need like ten percent.
• 53:53
  Speaker 4: What's the most white trash thing about you?
• 53:56
  Speaker 1: Do you have that? Oh?
• 53:57
  Speaker 4: No, id a lot.
• 53:59
  Speaker 1: There's a lot of white trash things about me. My
• 54:01
  Speaker 1: love of Bologney, my love of American cheese, my love
• 54:04
  Speaker 1: of pro wrestling. I don't really care about fashion for
• 54:08
  Speaker 1: the most part. Chef God, I'm trying to think.
• 54:17
  Speaker 4: I think I'm lying. I don't know.
• 54:20
  Speaker 1: I think I'm a combination of a lot of things.
• 54:22
  Speaker 1: I think that they are like talking about masculinity recently,
• 54:26
  Speaker 1: I think there are a lot of things about me
• 54:27
  Speaker 1: that are very stereotypically masculine, and a lot of things
• 54:30
  Speaker 1: about me that are very stereotypically not masculine at all,
• 54:36
  Speaker 1: like my love of the UFC and you know, like
• 54:41
  Speaker 1: stuff like that. But I think that people are complicated
• 54:45
  Speaker 1: and they're an amalgamation of different things, and you shouldn't
• 54:48
  Speaker 1: put somebody like Vivian in a box.
• 54:52
  Speaker 2: Truth.
• 54:54
  Speaker 1: Ryan's your advice.
• 54:57
  Speaker 3: I'm just gonna say Vivian's advice. If you shouldn't neclect
• 54:59
  Speaker 3: you gums. Make sure you guys floss.
• 55:04
  Speaker 1: I do floss every day. I flus every night. Do
• 55:06
  Speaker 1: you guys floss I do every night?
• 55:08
  Speaker 2: Yeah?
• 55:09
  Speaker 1: I flus once a day and it's at night.
• 55:12
  Speaker 2: Yeah. Just here.
• 55:14
  Speaker 1: Electric toothbrush, I do, yes. So for years my dentists
• 55:19
  Speaker 1: are telling me to get one and I never did.
• 55:21
  Speaker 1: And then like five years ago, she goes, you know,
• 55:23
  Speaker 1: you can put it on your HSA.
• 55:25
  Speaker 2: So I go like, what, oh shit? Really?
• 55:28
  Speaker 1: So I bought a four hundred dollars toothbrush with HSA.
• 55:33
  Speaker 1: It is the most expensive electric toothbrush you can find
• 55:35
  Speaker 1: on Amazon. I bought it with my HSA.
• 55:38
  Speaker 3: I am going to get the receipt from Amazon now
• 55:40
  Speaker 3: and claim it. I did not know you could do that.
• 55:42
  Speaker 3: With toothbrushes.
• 55:44
  Speaker 1: I didn't even claim it. I used my HSA card
• 55:47
  Speaker 1: and yeah to purchase it, and they didn't question it
• 55:50
  Speaker 1: because like, it's because it depends on because I've done
• 55:52
  Speaker 1: different jobs with different HSA's. Some HSA's are chill and
• 55:55
  Speaker 1: they just let you use it for whatever. They don't ask.
• 55:58
  Speaker 1: Some hsas are like, why did you buy something on Amazon?
• 56:01
  Speaker 1: Did you buy a video game? And then you have
• 56:03
  Speaker 1: to like send them a reced in.
• 56:05
  Speaker 2: Yeah, buying a scan of the receipt. They want to
• 56:08
  Speaker 2: buy glasses with it all the time. I just buy
• 56:10
  Speaker 2: extra pairs of glasses. I have to use it. So
• 56:12
  Speaker 2: it's like, yeah, there you go.
• 56:15
  Speaker 1: So you're welcome every but by my advice is buying,
• 56:18
  Speaker 1: like you too, the press with your HSA money.
• 56:20
  Speaker 2: It'll save you a lot of work.
• 56:22
  Speaker 4: Yeah, get the pre tax accounts.
• 56:25
  Speaker 2: Yeah, there you go.
• 56:27
  Speaker 1: All right, this isn't the accountant hour.
• 56:29
  Speaker 2: All right.
• 56:30
  Speaker 1: Let's well, thank you Andy for joining.
• 56:33
  Speaker 4: Us, Thanks for having me.
• 56:37
  Speaker 2: Yes, thank you. This is great. It was great to
• 56:39
  Speaker 2: see this too.
• 56:40
  Speaker 4: I have no connection to this movie, but I thought
• 56:42
  Speaker 4: it was.
• 56:42
  Speaker 2: It was a good watch.
• 56:43
  Speaker 4: It was fun, better than like Brian Bosworth's whatever.
• 56:47
  Speaker 1: No You're very wrong there.
• 56:48
  Speaker 2: Football Killer what same director?
• 56:50
  Speaker 1: Football Killer. That's what it's called Football Killer. Same director.
• 56:57
  Speaker 2: Did Brian before you could skull. It's like, be great,
• 57:04
  Speaker 2: all right.
• 57:04
  Speaker 1: So the movie's called Dirty Prostitute. That's what he does
• 57:08
  Speaker 1: in the pitch Me to.
• 57:09
  Speaker 2: I just love him hollering and it boy him three thousand.
• 57:12
  Speaker 1: No, no, well, I would like to thank Julia Roberts
• 57:17
  Speaker 1: for being a pretty woman and a good one. Yeah,
• 57:23
  Speaker 1: thank you for listening. Catch on the flip.
• 57:31
  Speaker 4: Whip.
• 57:32
  Speaker 1: No, actually only yeah, you say you say
• 57:34
  Speaker 4: It, Catch on the flip