Latest / Stuff You Should Know / Short Stuff: Our Shortie Halloween Spooktacular
Transcript
- 0:08Speaker 1: Hey, and welcome to the short stuff. I'm Josh, there's Chuck,
- 0:11Speaker 1: there's Terry. Let's get reading. Yeah, this year we decided
- 0:15Speaker 1: to do a little shorty Halloween too, because you know,
- 0:18Speaker 1: we did our short stuff on Ambrose Beers started poking
- 0:22Speaker 1: around his short stories, and he wrote some super short
- 0:25Speaker 1: ones that are kind of tailor made for this. I think. Yeah,
- 0:28Speaker 1: it's almost like he was born in the nineteenth century
- 0:32Speaker 1: thinking one day, Josh and Chuck are going to have
- 0:34Speaker 1: short stuff. I want to give them something to work with. Maybe,
- 0:37Speaker 1: so so to prepare everyone for our Halloween Spooktacular, which
- 0:41Speaker 1: will be out tomorrow. We wanted to do this, right, Chuck,
- 0:45Speaker 1: you want to start? Uh? Yeah, what's um? Let's start
- 0:49Speaker 1: with the story One Summer Night. This is a good one.
- 0:51Speaker 1: This is a good one. Here we go, One Summer
- 0:54Speaker 1: Night by Ambrose Beers. The fact that Henry Armstrong was
- 1:00Speaker 1: buried did not seem to him to prove that he
- 1:03Speaker 1: was dead. He had always been a hard man to
- 1:06Speaker 1: convince that he really was buried. The testimony of his
- 1:10Speaker 1: senses compelled him to admit his posture flat upon his back,
- 1:14Speaker 1: with his hands crossed upon his stomach and tied was
- 1:17Speaker 1: something that he easily broke without profitably altering the situation.
- 1:22Speaker 1: The strict confinement of his entire person, the black darkness
- 1:26Speaker 1: and profound silence, made a body of evidence impossible to controvert,
- 1:31Speaker 1: and he had accepted it without Cavill Henry Cavill, but dead. No,
- 1:38Speaker 1: he was only very very ill. He had withal the
- 1:42Speaker 1: invalid's apathy, and did not greatly concern himself about the
- 1:47Speaker 1: uncommon fate that had been allotted to him. No philosopher,
- 1:50Speaker 1: was he just a plain, commonplace person, gifted for the
- 1:54Speaker 1: time being with a pathological indifference the organ that he
- 1:58Speaker 1: feared consequences with his torpid so with no particular apprehension
- 2:03Speaker 1: for his immediate future, he fell asleep and all was
- 2:06Speaker 1: peace with Henry Armstrong. Before we go on here, Chuck,
- 2:09Speaker 1: I just want to point out, so this man has
- 2:11Speaker 1: come to his senses in a coffin, been like, well,
- 2:15Speaker 1: I guess I'm dead, and then went to sleep. But
- 2:17Speaker 1: then then he went to sleep. That's some mellow gold totally.
- 2:23Speaker 1: You want me to pick up here, please, But something
- 2:26Speaker 1: was going on overhead. There was a dark summer night
- 2:30Speaker 1: shot through with in frequent shimmers of lightning silently firing
- 2:34Speaker 1: a cloud lying low in the west, and pretending a storm.
- 2:39Speaker 1: These brief, stammering illuminations brought out, with ghastly distinctness the
- 2:43Speaker 1: monuments and headstones of the cemetery, and seemed to set
- 2:47Speaker 1: them dancing. It was not a night in which any
- 2:50Speaker 1: credible witness was likely to be straying about a cemetery,
- 2:54Speaker 1: so the three men who were there digging into the
- 2:56Speaker 1: grave of Henry Armstrong felt reasonably secure. Two of them
- 3:01Speaker 1: were young students from a medical college a few miles away.
- 3:05Speaker 1: The third was a gigantic man known as Jess. For
- 3:09Speaker 1: many years, Jess had been employed about the cemetery as
- 3:12Speaker 1: a man of all work, and it was his favorite
- 3:14Speaker 1: pleasantry that he knew every soul in the place. From
- 3:18Speaker 1: the nature of what he was now doing, it was
- 3:21Speaker 1: inferable that the place was not so populous as this
- 3:24Speaker 1: register may have shown it to be. Back to you, Charles,
- 3:29Speaker 1: back to you outside the wall, at the part of
- 3:33Speaker 1: the grounds farthest from the public road, or a horse
- 3:36Speaker 1: in a light wagon waiting. The work of excavation was
- 3:40Speaker 1: not difficult. The earth with which the grave had been
- 3:43Speaker 1: loosely filled a few hours before, offered little resistance and
- 3:47Speaker 1: was soon thrown out. So they're Grave Robin here, right.
- 3:50Speaker 1: Oh yeah, it ties him very nice to do our
- 3:52Speaker 1: episode on Grave Robins. Right. Removal of the casket from
- 3:56Speaker 1: its box was less easy, but it was taken out
- 4:00Speaker 1: where it was a prerequisite of Jess, who carefully unscrewed
- 4:03Speaker 1: the cover and laid it aside, exposing the body in
- 4:06Speaker 1: black trousers and white shirt. At that instant, the air
- 4:10Speaker 1: sprang to flame. A cracking shock of thunder shook the
- 4:14Speaker 1: stunned world, and Henry Armstrong tranquility sat up with inarticulate cries.
- 4:21Speaker 1: The men fled in terror, each in a different direction,
- 4:25Speaker 1: for nothing on earth could Two of them had been
- 4:27Speaker 1: persuaded to return, but Jess was of another breed. In
- 4:32Speaker 1: the gray of the morning, the two students, pallid and
- 4:35Speaker 1: haggard from anxiety and with the terror of their adventure
- 4:39Speaker 1: still beating tumultuously in their blood, met at the medical college.
- 4:44Speaker 1: You saw it, cried one god, Yes, what are we
- 4:48Speaker 1: to do? They went around to the rear of the building,
- 4:51Speaker 1: where they saw a horse attached to a light wagon
- 4:54Speaker 1: hitched to a gate post near the door of the
- 4:56Speaker 1: dissecting room. Mechanically. They entered the room. On a bench
- 5:01Speaker 1: in the obscurity sat Jess. He rose, grinning. I'm waiting
- 5:06Speaker 1: for my pay, he said. Stretched naked on a long
- 5:09Speaker 1: table lay the body of Henry Armstrong, the head defiled
- 5:13Speaker 1: with blood and clay from a blow with a spade. Wow,
- 5:21Speaker 1: so jest to care business? Huh he did? He said, Oh,
- 5:24Speaker 1: you're gonna sit up right now while I'm trying to
- 5:26Speaker 1: make some money. No, we're not going to have that.
- 5:29Speaker 1: We're going to put you back in the grave. Well
- 5:32Speaker 1: that was great, but we have more to come. Everyone.
- 5:35Speaker 1: We have one more short story from the great Ambrose
- 5:37Speaker 1: Beers that we will read after these commercial messages. All right,
- 5:58Speaker 1: So Chuck, we're gonna do president a hanging it. Okay,
- 6:02Speaker 1: I'm gonna start this one, all right. An old man
- 6:08Speaker 1: named Daniel Baker, living near Lebanon, Iowa, was suspected by
- 6:12Speaker 1: his neighbors of having murdered a peddler who had obtained
- 6:16Speaker 1: permission to pass the night at his house. This was
- 6:19Speaker 1: an eighteen fifty three when peddling was more common in
- 6:22Speaker 1: the western country than it is now and was attended
- 6:25Speaker 1: with considerable danger. The peddler with his pack, traversed the
- 6:30Speaker 1: country by all manner of lonely roads, and was compelled
- 6:33Speaker 1: to rely upon the country people for hospitality. This brought
- 6:37Speaker 1: him into relation with queer characters, some of whom were
- 6:40Speaker 1: not altogether scrupulous in their methods of making a living,
- 6:44Speaker 1: murder being an acceptable means to that end. It occasionally
- 6:48Speaker 1: occurred that a peddler with diminished pack and swollen purse
- 6:52Speaker 1: would be traced to the lonely dwelling of some rough character,
- 6:55Speaker 1: and never could be traced beyond. This was so in
- 6:59Speaker 1: the case of old man Baker, as he was always called.
- 7:03Speaker 1: Such names are given in the western settlements only to
- 7:06Speaker 1: elderly persons who are not esteemed to the general disrepute
- 7:10Speaker 1: of social and worth has affixed the special reproach of age.
- 7:14Speaker 1: A peddler came to his house and none went away,
- 7:17Speaker 1: and that is all that anybody knew. All right, So
- 7:22Speaker 1: we're talking about peddler's being murdered on the road. I
- 7:25Speaker 1: have to say, Ambrose beerst makes me look succinct. Yeah,
- 7:30Speaker 1: he can write a paragraph about like a lightning bolt
- 7:33Speaker 1: flashing the sky in parentheses. All right, here we go.
- 7:39Speaker 1: Seven years later, the Reverend Mr Cummings, a Baptist minister
- 7:42Speaker 1: well known in that part of the country, was driving
- 7:45Speaker 1: by Baker's farm one night. It was not very dark.
- 7:49Speaker 1: There was a bit of moon somewhere above the light
- 7:51Speaker 1: veil of mists that lay along the earth. Mr Cummings,
- 7:55Speaker 1: who was at all times a cheerful person, was whistling
- 7:57Speaker 1: a tune which he would occasionally enter up to speak
- 8:00Speaker 1: a word, a friendly encouragement to his horse. Get on, boy,
- 8:06Speaker 1: like that, that's friendly. As he came to a little
- 8:10Speaker 1: bridge across the dry ravine, he saw the figure of
- 8:12Speaker 1: a man standing upon it, clearly outlined against the gray
- 8:15Speaker 1: background of a misty forest. The man had something strapped
- 8:19Speaker 1: on his back and carried a heavy stick, obviously an
- 8:23Speaker 1: itinerant peddler. His attitude had in it a suggestion of abstraction,
- 8:28Speaker 1: like that of a sleepwalker. Mr Cummings reined in his
- 8:32Speaker 1: horse when he arrived in front of him, gave him
- 8:35Speaker 1: a pleasant salutation and invited him to a seat in
- 8:38Speaker 1: his vehicle. If you're going my way, he added. The
- 8:44Speaker 1: man raised his head, looked him full in the face,
- 8:47Speaker 1: but neither answered nor made any further movement. The minister,
- 8:51Speaker 1: with good natured persistence, repeated his invitation. At this the
- 8:56Speaker 1: man threw his right hand forward from his side and
- 8:59Speaker 1: pointed word. As he stood on the extreme edge of
- 9:01Speaker 1: the bridge. Mr Cummings looked past him over into the ravine,
- 9:05Speaker 1: saw nothing unusual, and withdrew his eyes to address the
- 9:09Speaker 1: man again. He had disappeared. Wow, I think you can
- 9:15Speaker 1: take his home. Okay. The horse, which all this time
- 9:19Speaker 1: had been uncommonly restless, gave at the same moment a
- 9:23Speaker 1: snort of terror and started to run away. Before he
- 9:26Speaker 1: had regained control of the animal, the minister was at
- 9:29Speaker 1: the crest of the hill, a hundred yards along it's
- 9:32Speaker 1: like a football field. He looked back and saw the
- 9:35Speaker 1: figure again, at the same place and in the same
- 9:37Speaker 1: attitude as when he had first observed it on the
- 9:40Speaker 1: twenty yard line. Then, for the first time, he was
- 9:43Speaker 1: conscious of a sense of the supernatural, and drove home
- 9:47Speaker 1: as rapidly as his willing horse would go on. Arriving
- 9:51Speaker 1: at home, he related his adventure to his family, and
- 9:54Speaker 1: early the next morning, accompanied by two neighbors, John White
- 9:58Speaker 1: Corwell and Abner Ray, Sir, surprised they didn't talk about
- 10:01Speaker 1: those guys here, returned to the spot, they found the
- 10:05Speaker 1: body of old man Baker hanging by the neck from
- 10:09Speaker 1: one of the beams of the bridge. Immediately beneath the
- 10:13Speaker 1: spot where the apparition had stood. A thick coating of dust,
- 10:18Speaker 1: slightly dampened by the mist, covered the floor of the bridge,
- 10:22Speaker 1: but the only footprints were those of Mr Cunning's horse.
- 10:27Speaker 1: In taking down the body, the men disturbed the loose,
- 10:30Speaker 1: freeable earth of the slope below it, disclosing human bones
- 10:35Speaker 1: already nearly uncovered by the action of water and frost.
- 10:39Speaker 1: They were identified as those of the lost peddler at
- 10:42Speaker 1: the double inquest. The coroner's jury found that Daniel Baker
- 10:46Speaker 1: died by his own hand while suffering from temporary insanity,
- 10:50Speaker 1: and that Samuel Morritts was murdered by some person or
- 10:54Speaker 1: persons to the jury unknown. The end one of the
- 11:03Speaker 1: least satisfying endings of any short story, Samuel Moritz. They
- 11:08Speaker 1: didn't even name the guy until that point. Oh yeah,
- 11:11Speaker 1: I thought that was great. I mean, I love Ambrose
- 11:14Speaker 1: Beers for some reasons, but not for that reason, you
- 11:16Speaker 1: know what I mean, to get the feeling that like
- 11:18Speaker 1: at the end of that book, he's just like, face
- 11:20Speaker 1: down in a like a methodone torpor right, and a
- 11:25Speaker 1: trough of whiskey. Well, Chuck, I think that was short stuff. Huh,
- 11:30Speaker 1: that's right, Special Super Short Halloween Edition. The point of
- 11:33Speaker 1: this is to get your prime for tomorrow's spectacular. So
- 11:36Speaker 1: don't miss it, everybody. And because I said don't miss
- 11:39Speaker 1: it everybody, that means short Stuff is Stuff you should know.
- 11:47Speaker 1: Is a production of iHeart Radio's How Stuff Works. For
- 11:49Speaker 1: more podcasts for my heart Radio, visit the iHeart Radio app,
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