Latest / The Joe Rogan Recap / Bob Lazar & Luigi Vendittelli (2026) - S4: Reconstructing the Alien Technology Project

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Bob Lazar & Luigi Vendittelli (2026) - S4: Reconstructing the Alien Technology Project · The Joe Rogan Recap

• 0:00
  Welcome to the Joe Rogan recap, and before we get going, please
• 0:03
  follow us right here on Spotify to make sure you get sight of
• 0:05
  our latest episodes in your feed.
• 0:07
  So imagine for a second putting on a virtual reality headset,
• 0:11
  right? You step into a completely
• 0:13
  digital room and suddenly just this flood of really visceral,
• 0:17
  locked away memories from a top secret government project 40
• 0:21
  years ago just comes rushing back to you.
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  Oh man, that is yeah. It's intense just thinking about
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  it. Right.
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  Your brain somehow recognizes the exact, exact curvature of
• 0:31
  the walls, you know the specific height of the workbenches, even
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  the way the lighting behaves in the room.
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  And that is exactly the scenario that played out recently and
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  it's the main focal point of what we're unpacking today for
• 0:40
  you. It really is one of the most
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  wild things we've looked at. Absolutely.
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  We are venturing into this massive, just mind bending
• 0:47
  conversation from the Joe Rogan Experience, the return of Bob
• 0:50
  Lazar alongside the filmmaker Luigi Banditelli, and honestly,
• 0:54
  whether you are a die hard believer in unidentified aerial
• 0:57
  phenomena or you know, a total uptick who thinks this is all
• 1:01
  just desert folklore, this deep dive is completely designed for
• 1:04
  you. Yeah, there is something in here
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  for everyone, definitely. For sure, because we are going
• 1:09
  to explore the newly released physical recreations of the
• 1:13
  infamous S4 base, the deeply bizarre physics of the sport,
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  model craft, and honestly, we're going to confront the frankly
• 1:22
  terrifying existential questions this entire narrative raises
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  about, well, human evolution in ancient history.
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  Right. And what makes this source
• 1:29
  material so compelling to me isn't just the sheer scale of
• 1:32
  the claims, which I mean, let's be honest, they are massive.
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  Oh yeah, totally massive. But it's the unyielding
• 1:38
  consistency of Lazar's story. He has told the exact same
• 1:42
  narrative with the exact same technical specifications since
• 1:45
  1989. Which is incredibly rare for
• 1:48
  these kinds of stories. Exactly.
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  And now, for the first time, that 4 decade old memory has
• 1:53
  been meticulously visualized through cutting edge 3D
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  software. Venetelli's team spent over
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  three years building a film to do this, and here is a really
• 2:01
  crucial technical detail from the sources.
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  The film is 90% handmade CGI using a program called Blender
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  and only about 10% AI. Wait, I actually want to clarify
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  that right away because you know, AI gets thrown around a
• 2:13
  lot right now. People hear AI and think the
• 2:16
  whole thing is fake. The sources specify the AI
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  wasn't used to hallucinate the base or like design the ship for
• 2:22
  them, right? Correct.
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  Not at all. The AI was strictly used as a
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  deep fake tool to de age Bob Lazar.
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  OK, got it. Yeah, so he looks like his 1980s
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  self in the documentary footage. The actual S4 environment and
• 2:35
  the craft were built by hand in Blender down to the millimeter,
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  based entirely on Lazar's blueprints and descriptions.
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  It's. A ton of work.
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  It's unbelievable. They essentially built a digital
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  reconstruction of a memory, and when Lazar put on those VR
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  goggles to actually walk through the 3D environment, the spatial
• 2:54
  accuracy literally triggered lost memories for him.
• 2:56
  Oh wow. Yeah, he remembered specific
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  interactions and sightlines he hadn't even thought about in
• 3:01
  decades. That is wild.
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  But you know, what blows my mind even more about this process is
• 3:05
  how the software itself inadvertently acted as a sort of
• 3:08
  polygraph test for Lazar. Oh, the lighting engine.
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  Thing, yes, because I've messed around a little bit with 3D
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  modeling and from what I understand, modern physics
• 3:17
  engines, they don't just, you know, paint light onto a screen,
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  they actually calculate how photons should physically bounce
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  off surfaces. That is the defining feature of
• 3:26
  modern rendering. Yeah, right.
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  So when Vedatelli's team built the 52 foot interior of this
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  craft in Blender, they had to apply digital material
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  properties to the walls based precisely on Lazar
• 3:39
  specifications from 1989. Then they digitally placed these
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  massive industrial halogen work lights inside the craft to
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  illuminate the scene, but when they rendered it, the interior
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  was pitch black. That is so weird.
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  The 3D team legitimately thought there was a glitch in the
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  software. They increased the light
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  intensity 20 fold, pumping absurd amounts of digital lumens
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  into this space still dark. The digital material they had
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  inputted was literally absorbing the light.
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  It's like Vantablack. I mean, for anyone listening who
• 4:10
  isn't familiar, Vantablack is that modern material that just
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  eats photons so completely that it looks like a hole cut out of
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  the universe. Right, it's totally disorienting
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  to look at. Exactly, but Lazar was claiming
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  the interior of this craft swallowed light back in 1989,
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  way before Vantablack. Or you know, this kind of
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  physics based lighting software even existed.
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  The software essentially proved that a material with the
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  physical properties Lazar described would in fact they
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  hate exactly the way he claimed it did.
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  That is a phenomenal unintentional validation.
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  It really is, and the sources detail how it happened again
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  with a very specific spatial geometry problem.
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  Oh, the flag sticker thing. Yep.
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  For years, critics have argued Lazar was lying about one
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  specific visual detail. He claimed he saw a reversed
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  American flag sticker on the top hole of the craft.
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  And the criticism was always that at 5 feet 10 inches tall,
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  standing on the floor of the hanger, the curvature of the
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  craft makes it geometrically impossible to see the top hole
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  right? Yes.
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  That has been a major sticking point for skeptics for decades,
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  so Vendatelli's team decided to test.
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  It oh I love this. They set the VR camera at
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  exactly 5 feet, 10 inches tall and positioned it precisely
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  where Lazar said he stood in relation to the craft's
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  dimensions. Let me guess, he could see it.
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  Erfectly visible no. Way.
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  Yeah, and the reverse flag detail is important too, because
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  that is standard military protocol for the right side of a
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  vehicle. It indicates forward movement
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  into battle. The VR model proved the sight
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  line works. Florida State.
• 5:40
  OK, that is a fascinating validation of what the craft
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  looked like, but I really want to understand how it actually
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  functions. Yeah, physics.
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  Yes, because when the sources get into the physics of this
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  sport model, my brain just hits a brick wall.
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  We are talking about a reactor that runs on something called
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  element 115. Which is another interesting
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  historical no. By the way, element 115, or
• 6:02
  Muscovium, wasn't officially synthesized by human scientists
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  until 2003. Right way after his initial
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  claims. Exactly.
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  But according to the S4 briefings Lazar read, this
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  element is machined into a very specific wedge shape.
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  When bombarded in the reactor it allegedly creates a repulsive
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  anti gravitational field. OK, hold on, slow down an anti
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  gravitational field. The sources mentioned Lazar
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  walked up to this active reactor and tried to push his hand
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  against the field. Right, he tested it himself.
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  And he said he felt an elastic resistance that violently pushed
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  his hand back. But how does that actually work?
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  Like if I push 2 strong magnets together, the repulsive force
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  doesn't just disappear. But the energy has to go
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  somewhere. Exactly.
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  If I push down on a magnet hovering over a table, that
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  downward force is translated through the bottom magnet and
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  pushes into the table. That is the core of why this
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  technology breaks our understanding of physics.
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  You're describing Newtonian mechanics right?
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  Where every action has an equal and opposite reaction.
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  Right. But Lazar specifically noted
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  that this field didn't translate any of that weight or downward
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  force to the floor. Wait, it didn't?
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  No, it didn't push back against the Earth at all.
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  It simply canceled out the mass entirely.
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  That is insane it. Isolated itself from normal
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  physical laws, effectively creating its own distinct
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  gravitational bubble. So it's not repelling, it's
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  literally just deleting mass from the equation.
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  That's the implication, yeah. That is incredibly hard to wrap
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  your head around, and the mechanics of the ship get even
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  weirder. There is this waveguide emitter
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  pipe that transfers the the. Pipe that shrinks.
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  Yes, Lazar describes having to lift and compress this hollow
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  pipe. But conservation of mass
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  dictates that if you compress a metal cylinder, the material has
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  to go somewhere. It has to bulge in the middle or
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  get thicker. But according to Lazar, it
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  didn't. It just didn't.
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  The material just shrank into a smaller volume without changing
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  his physical thickness or buckling.
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  It behaved more like a fluid or a projected field than a solid
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  metal. Furthermore, he noted, the
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  entire craft had absolutely no seams, no rivets, no bolts, no
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  welding marks. It looked like it was 3D
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  printed, or as he described it, grown from a single piece of
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  cold metallic substance. Grown like a metallic pumpkin.
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  How do you even begin to reverse engineer something that looks
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  like it was grown? I mean, if you're the US
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  government and you have this thing sitting in a hangar, where
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  do you even start? You would think they would throw
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  the absolute greatest collaborative scientific minds
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  at. It you would hope so.
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  But the sources reveal a really frustrating reality.
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  The project was crippled by extreme compartmentalization.
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  Right, the secrecy. Exactly.
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  Lazar was hired to work on the propulsion system, however, he
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  was strictly forbidden from speaking to the metallurgists
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  who are studying the hall in the very next room.
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  That is ridiculous. If his team needed to
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  communicate with the materials team, they couldn't just walk
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  over and talk. They had to pass written notes
• 9:02
  up a chain of command to supervisors, who would then pass
• 9:05
  them down. That is the exact opposite of
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  the scientific method. I mean, think about your
• 9:09
  smartphone right? Now imagine trying to reverse
• 9:11
  engineer an iPhone, but the hardware engineers aren't
• 9:14
  allowed to be in the same building as the software coders.
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  Right, and they can only talk through a security guard.
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  Yes, via sticky notes vetted by security.
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  It is so deeply ironic. The government's absolute
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  paranoia and obsession with extreme security essentially
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  defeated the entire purpose of the science.
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  No wonder they stalled out for decades.
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  But you know that immense secrecy forces us to ask a
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  difficult question. What's that?
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  If this technology is real and it the paradigm shifting ability
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  to manipulate gravity and time, why keep it so obsessively
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  hidden from the world? Right, the energy implications
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  alone are huge. This is where the source
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  material takes a very sharp, very dark turn, moving away from
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  nuts and bolts hardware into the terrifying existential threats
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  this technology poses. And this is a massive pivot for
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  Lazar personally. Isn't it?
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  Completely. For decades, he was the
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  whistleblower championing the idea that the public has a right
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  to know that this technology could give us limitless clean
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  energy. Now, he admits his stance has
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  completely changed. He is legitimately wondering if
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  the government was right to lock this away.
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  Because if you strip away the sci-fi wonder of flying saucers,
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  you are looking at the ultimate weapon of mass destruction.
• 10:29
  Exactly. Think about the mechanics of an
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  anti gravity field that bends space and time to move.
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  If a military possesses that, they don't need a missile.
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  They could instantaneously deliver a nuclear payload to
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  anywhere on the surface of the earth. 0 warning.
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  No trajectory for radar to. Track no defense systems could
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  stop it just. Boom.
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  OK, I completely understand the military threat.
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  If you hand that to a volatile species, we destroy ourselves by
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  Tuesday pretty much. But the sources don't stop at
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  military threats. They delve into into something
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  that sounds like pure psychological horror.
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  The containers briefing. Yes, Lazar calls reading
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  briefing documents at S4 that casually referred to human
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  beings not as a sovereign species, but as containers.
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  Yes, containers and the sources bring in the lore of John Lear,
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  an incredibly brilliant but eccentric pilot who was deeply
• 11:20
  involved in this subculture. Lear claims he had access to
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  information suggesting there is a soul catcher on the moon.
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  A soul catcher. A mechanism that intercepts
• 11:28
  human consciousness or souls after biological death,
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  utilizing them for some unknown cosmic purpose.
• 11:35
  OK, I have to play the skeptic here because that sounds like
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  absolute madness. We are jumping from a weird
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  metal pipe that doesn't bulge to a literal soul trapped on the
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  moon. It's a huge leap, I know.
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  How do we even process a claim like that?
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  Are we supposed to take that seriously?
• 11:49
  It sounds absurd on its face, certainly, but within the
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  context of the sources it acts as a profound thought experiment
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  about our place in the universe. OK, how so?
• 11:59
  If higher intelligence views us simply as biological vessels,
• 12:03
  containers, it suggests we are fundamentally immature.
• 12:07
  We are a territorial, aggressive primate species, right?
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  The implication is that giving us the physics of the cosmos
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  would be like giving a caveman the launch codes to a nuclear
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  submarine. We are not spiritually or
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  evolutionarily ready for what this technology represents.
• 12:23
  OK, that makes sense. So if we are just temporary
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  containers or some kind of engineered species, what exactly
• 12:29
  are we evolving into? Are we just going to stay
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  territorial primates forever? That leads directly into the
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  biological data discussed in the sources, which draws a highly
• 12:38
  disturbing parallel between our modern environment and the
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  classic aesthetic of the grey alien.
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  Right, the typical alien you see in movies.
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  Massive head, tiny Gray body, no gender.
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  Exactly. The sources pivot to modern
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  biology, specifically focusing on endocrine disruptors,
• 12:54
  microplastics and phthalates saturating our environment.
• 12:58
  For the listener who hasn't dug into the biology of this, how
• 13:01
  exactly do microplastics and phthalates actually change us?
• 13:05
  Phthalates are chemicals used to make plastics more durable, but
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  at a molecular level they act as endocrine disruptors.
• 13:12
  They mess with our hormones. Precisely.
• 13:14
  They mimic our natural hormones. When they enter the body, they
• 13:17
  bind to hormone receptors and block or alter the natural
• 13:20
  chemical signals that dictate biological development.
• 13:23
  Wow. The sources highlight data
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  showing this is causing precipitously dropping
• 13:27
  testosterone levels and actual physical changes in mammalian
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  anatomy. Like what kind of changes?
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  They specifically cite studies where alligators in heavily
• 13:35
  polluted rivers are experiencing shrinking reproductive gaps and
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  significantly smaller sexual organs.
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  So our environment is fundamentally altering our
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  biological blueprint. Yes, and the conversation links
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  these environmental changes, alongside the massive rise of
• 13:51
  neurological differences like autism and ADHD, to the human
• 13:55
  obsession with endless technological innovation.
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  We are adapting to our tech. We are prioritizing intellectual
• 14:02
  and computational output over physical biological resilience.
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  We spend our lives sitting in front of screens, offloading our
• 14:10
  physical labor to machines. Oh, I see where this is going.
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  If you extrapolate that trajectory out a few thousand
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  years, especially as we start integrating our brains with
• 14:17
  artificial intelligence, the result isn't a human anymore.
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  Not as we know it, no. The theory presented here is
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  that the classic grey alien, genderless, physically frail,
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  with no muscle mass, no reproductive organs, but an
• 14:30
  absolutely massive head designed purely for computation, isn't a
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  monster that traveled here from another star system.
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  It is simply the logical evolutionary endpoint of a
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  primate that fully integrates with AI and ruins its own
• 14:43
  biological environment in the pursuit of comfort.
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  It is a profoundly sobering thought.
• 14:49
  We naturally assume evolution means getting stronger, faster
• 14:53
  or better. But from a biological
• 14:55
  standpoint, evolution simply means adapting to the
• 14:58
  environment you create. So true.
• 15:00
  If we create a purely digital synthetic environment, our
• 15:03
  biology will adapt to match it. I keep thinking about the
• 15:06
  analogy of domesticating wolves. That's a good one.
• 15:09
  You take a fierce apex predator, a creature perfectly adapted to
• 15:12
  survive the harsh wilderness, and over centuries of
• 15:15
  selectively breeding them for comfort, compliance and human
• 15:18
  companionship. You end up with a French bulldog
• 15:21
  that can barely breathe on its own and can't survive outside of
• 15:24
  climate control department. Yeah, that's spot on.
• 15:27
  Are we inadvertently doing the exact same thing to ourselves
• 15:29
  through our addiction to technology?
• 15:31
  Are we just domesticating ourselves into Grays?
• 15:34
  It's a haunting parallel, and it forces another question if these
• 15:38
  beings are actually our future or a reflection of where we are
• 15:42
  headed, where did they originally come from?
• 15:45
  What do you mean? The sources pivot to the idea
• 15:47
  that this technology might not be extraterrestrial at all.
• 15:50
  It might be from Earth's ancient past, or perhaps it's bleeding
• 15:54
  through from another dimension. Wait, but.
• 15:55
  What about the star maps? The sources bring up the famous
• 15:58
  Betty Hill abduction case from the 1960s.
• 16:00
  Right, the star map she drew. Under hypnosis, she drew a
• 16:04
  complex star map that she claimed the beings showed her on
• 16:07
  their craft. Years later, an astronomer
• 16:10
  analyzed her drawing and said it perfectly matched the Zeta
• 16:12
  Reticuli system. Which is a binary star system,
• 16:16
  two stars orbiting a common center of mass located about 39
• 16:20
  light years from Earth. Right, And Bob Lazar
• 16:22
  specifically recall seeing Zeta Reticuli mentioned in his top
• 16:26
  secret briefing documents at S4 as the origin of the craft.
• 16:30
  So how does that square with the idea that they are from Earth's
• 16:33
  past? Is Zeta Reticuli just a cover
• 16:35
  story fed to Lazar? To explore that, the narrative
• 16:38
  takes it's a fascinating turn toward archaeology.
• 16:41
  The sources discuss recent highly anomalous discoveries
• 16:45
  right here on Earth. Like what?
• 16:47
  For instance, in Egypt, ground penetrating radar has supposedly
• 16:51
  identified 100m deep labyrinth hidden far beneath the sands.
• 16:55
  100 meters. Yeah, and inside this completely
• 16:58
  buried massive atrium, the radar data outlines a 40 meter unknown
• 17:04
  metallic object shaped remarkably like a Tic Tac.
• 17:07
  A 40 meter metallic pill buried hundreds of feet under ancient
• 17:11
  Egypt that completely disrupts the timeline of human history.
• 17:15
  And it isn't just large structures.
• 17:16
  The sources highlight the work of Stanford researcher Gary
• 17:19
  Nolan, who has analyzed alleged crash retrieval materials.
• 17:22
  OK, he is studying layered bismuth and magnesium alloys
• 17:25
  that are engineered down to the one to four Micron level.
• 17:28
  OK, stop there. Why is layering bismuth and
• 17:30
  magnesium at the Micron level so miraculous?
• 17:33
  If we have the metals, why couldn't someone in the 19 40s
• 17:36
  just make that? Because of how the metals
• 17:37
  behave, Bismuth is heavy and highly diamagnetic, meaning it
• 17:41
  repels magnetic fields. Magnesium is incredibly light.
• 17:45
  OK. So they don't mix well.
• 17:46
  Exactly. If you try to smelt or combine
• 17:49
  them using 1940s metallurgical technology, they just melt
• 17:53
  together into a useless sludge, or they oxidize and ruin the
• 17:56
  material. Oh, I see.
• 17:58
  To layer them cleanly at a thickness of 1 to 4 microns,
• 18:02
  which is thinner than a human hair by the way, without the
• 18:05
  layers bleeding into each other, requires atomic level vapor
• 18:08
  deposition. Which didn't exist back then,
• 18:10
  not at all. Yeah, that kind of precision
• 18:12
  manufacturing acts as an atomic level wave guide for
• 18:15
  electromagnetic energy. It is engineering precision that
• 18:19
  human science couldn't even dream of in the 1940s.
• 18:22
  So we have atomic level metamaterials supposedly found
• 18:25
  decades before we could make them.
• 18:27
  You combine that with megalithic structures in Peru where massive
• 18:32
  multi Titan stones are interlocked perfectly like
• 18:35
  melted jigsaw puzzles to absorb earthquake energy.
• 18:37
  Right, the stones that don't even have space for a razor
• 18:39
  blade between them. Exactly.
• 18:42
  Or the perfectly symmetrical granite vases in Egypt that
• 18:45
  completely defy the copper chisels and true tools available
• 18:48
  at the time. The implications staring us in
• 18:51
  the face is that highly advanced engineering existed long before
• 18:55
  our current recorded history. It really makes you wonder about
• 18:58
  S4 itself. What if the S4 base in Nevada
• 19:01
  was actually built over an ancient archaeological dig site
• 19:04
  rather than a crash retrieval site?
• 19:06
  That's a profound thought. What if the US government didn't
• 19:09
  shoot a saucer out of the sky in Roswell?
• 19:12
  What if they dug it out of the dirt in Nevada?
• 19:15
  It challenges us to consider the idea that we are a species with
• 19:18
  amnesia. We are just building our modern
• 19:20
  strip malls and highways on top of forgotten highly advanced
• 19:24
  ebox that somehow wipe themselves out.
• 19:26
  But, you know, grounding these sweeping historical theories
• 19:29
  back into modern physical reality requires tangible
• 19:32
  evidence. Which is always the tricky part.
• 19:34
  Right. And what is remarkable about the
• 19:36
  sources is that they provide actual geographic bread crumbs
• 19:39
  pointing to the physical existence of the S4 base itself,
• 19:42
  right in the mountain where Lazar claimed it was.
• 19:44
  Exactly because for years the primary pushback against Lazar
• 19:48
  was simply He is lying. There's nothing at Papoose Lake.
• 19:51
  It's just an empty, dry lake bed.
• 19:54
  What did the sources uncover? They.
• 19:56
  Reveal a recently discovered 1941 Department of Interior map.
• 20:00
  This is public domain document, and it shows a dirt Rd. leading
• 20:03
  directly into the exact side of the specific mountain at Papoose
• 20:07
  Lake where Lazar claimed the camouflaged hangar doors were
• 20:10
  located. And curiously, that road was
• 20:13
  mysteriously scrubbed from all subsequent maps after the
• 20:16
  intelligence community took over the area in the 1950s.
• 20:19
  They literally. Erased the road from the map.
• 20:21
  But it's not just 80 year old maps, right?
• 20:23
  No, the physical evidence extends into the modern era.
• 20:26
  In December 2020, right in the middle of the pandemic
• 20:29
  lockdowns, a time when the base may have been running on a
• 20:32
  skeleton crew, a private Cessna pilot gained incredibly rare
• 20:36
  clearance to fly near the restricted airspace.
• 20:38
  Talk about lucky timing. Very lucky.
• 20:41
  Using a high-powered telephoto lens, he photographed the
• 20:44
  mountainside. When researchers took those
• 20:47
  images, analyzed the pixel data and adjusted the contrast, they
• 20:52
  found clear, geometric, unnatural shapes perfectly
• 20:55
  matching the sloped, camouflaged hangar doors Lazar described
• 20:59
  built directly into the hillside.
• 21:01
  And the government's attempts to hide this stuff today are almost
• 21:04
  comical. The sources note that just
• 21:06
  recently, in June 2024, Google Earth applied a bizarre,
• 21:10
  perfectly square yellow filter directly over Papoose Lake.
• 21:13
  It's the big yellow square. Yes, it heavily blurs out the
• 21:16
  landscape, the brush, and the specific specific details of the
• 21:19
  mountain, but whoever programmed that digital filter made a
• 21:23
  massive operational error. Oops.
• 21:25
  While it obscures the mountain, the filter accidentally
• 21:27
  highlights and accentuates all these artificial tracks and
• 21:30
  vehicle paths running directly across the dry lake bed toward
• 21:33
  the mountain. The juxtaposition of that is
• 21:35
  just wild. I mean we are living in an era
• 21:38
  where we have artificial intelligence and software like
• 21:40
  Blender that can recreate hyper realistic, physically accurate
• 21:44
  virtual worlds based on a guy's 40 year old memory.
• 21:48
  It's. Incredible.
• 21:49
  Yet simultaneously, we are all still sitting around, squinting
• 21:53
  at blurred pixels on Google Earth and tracking down redacted
• 21:57
  1940s maps just to figure out what our own government is
• 22:01
  hiding in the desert. Synthesizing all of this
• 22:03
  material, what we're really looking at is how fundamentally
• 22:07
  the Bob Lazar story has evolved. It really has.
• 22:10
  In 1989, it was a simple, albeit shocking, tale of flying saucers
• 22:15
  and reverse engineering. Today, grounded by 3D software
• 22:19
  validation and new physical evidence, it is ballooned into a
• 22:23
  deeply complex web. It's so much more than just
• 22:26
  ships now. It involves ancient buried
• 22:28
  labyrinths, the biological fate of human evolution, and the
• 22:31
  terrifying weaponization of time and gravity itself.
• 22:34
  It really is something else. If you're driving in your car
• 22:36
  right now or commuting to work, you probably just easily accept
• 22:38
  the narrative of your daily routine.
• 22:40
  We all do. But all the while you are
• 22:42
  ignoring these massive paradigm shifting mysteries happening
• 22:44
  right beneath our feet. Or, you know, hidden away behind
• 22:47
  camouflage doors in the Nevada desert.
• 22:49
  A lot to process. And as we wrap up, I want to
• 22:52
  leave you with one final mind bending thought to chew on.
• 22:55
  We've spent a lot of time talking about these crafts
• 22:58
  manipulating gravity and by extension, bending time, right?
• 23:01
  If these machines truly bend the fabric of space and time to
• 23:04
  travel, then perhaps our rigid linear concepts of ancient
• 23:08
  history and the distant future are just a biological illusion.
• 23:12
  Oh, that's interesting. Maybe the ancient labyrinth
• 23:14
  builders carving perfectly symmetrical vases in Egypt, the
• 23:18
  beings piloting these flying saucers in 1989, and the
• 23:22
  sentient, highly integrated AI of our distant future aren't
• 23:26
  actually separated by thousands of years at all.
• 23:29
  Maybe in a universe where time can be folded, they are all
• 23:33
  existing at the exact same time and we are simply the ones
• 23:35
  catching momentary glimpses of them just bleeding through the
• 23:38
  fabric of reality.