Latest / Artists on Artists on Artists on Artists / Angela Giarratana Picks Her Favorite AOAOAOA Episodes: An Artists on Artists Video Marathon
Transcript
- 0:04Speaker 1: Hello, you clicked on Angela's favorite a oh way, oh way,
- 0:08Speaker 1: oh way o episode.
- 0:10Speaker 2: Yeah, okay.
- 0:12Speaker 1: This is a marathon of some of our favorite past episodes,
- 0:15Speaker 1: and this episode is mine.
- 0:17Speaker 3: I have four that are some of my favorites.
- 0:20Speaker 1: We have too many. I love them all. This was
- 0:22Speaker 1: very hard to pick, okay, and I don't want you
- 0:24Speaker 1: to be mad at me for what I picked.
- 0:25Speaker 4: Okay, okay, but I'm going to hold you to it.
- 0:27Speaker 5: Yeah.
- 0:27Speaker 1: So what is the difference between holding me to it
- 0:29Speaker 1: and being mad at me?
- 0:30Speaker 5: I don't know.
- 0:31Speaker 1: Number One on the docket is mister Beasts writers whoa.
- 0:37Speaker 1: This is a pre dynasty tape, so if you're new here.
- 0:39Speaker 1: We have a lot of old episodes that are filmed
- 0:42Speaker 1: in a lot of weird places airbnb's, friend's houses. This
- 0:45Speaker 1: is one of them.
- 0:46Speaker 4: It was us setting everything up, shooting for three days,
- 0:50Speaker 4: and then taking it all down and all of us
- 0:52Speaker 4: getting sick by the end of it.
- 0:53Speaker 5: Yep, exactly.
- 0:54Speaker 2: We weren't ill, but we had a great time.
- 0:56Speaker 1: I think this is the beginning of a lot of
- 0:57Speaker 1: writers room episodes.
- 0:58Speaker 5: This was our first writer's room episode.
- 1:00Speaker 6: I chugged in a Lani energy drink in the mere
- 1:03Speaker 6: beginning moment of the episode and it changed my entimes.
- 1:06Speaker 5: That's two hundred and eighty milligrams of Kathy. I felt
- 1:08Speaker 5: like I was made of metal.
- 1:10Speaker 7: Used to be one of the official drinks of this
- 1:12Speaker 7: podcast is no longer not a sponsored thing.
- 1:15Speaker 2: We just liked it.
- 1:16Speaker 4: Yeah, this one went freaking off, dude.
- 1:19Speaker 3: Yeah, we really love this one.
- 1:21Speaker 1: Enjoy it and if you want to hear us talk
- 1:23Speaker 1: more about these episodes in more depth behind the scenes,
- 1:27Speaker 1: there's a Patreon link below that you could be a
- 1:29Speaker 1: part of that helps us out greatly. Goodbye.
- 1:37Speaker 5: This week on Artists.
- 1:39Speaker 6: On Artists, we got four crazy people in a room
- 1:42Speaker 6: and we lock them in until they talked about who
- 1:44Speaker 6: they worked for. That's right, we talked to the writer's
- 1:47Speaker 6: room of mister Beast.
- 1:49Speaker 4: Mister Beasts is an icon in the YouTube sphere known
- 1:53Speaker 4: for his over the top, amazingly produced and astoundingly scaled
- 1:59Speaker 4: crazy challenge videos and what.
- 2:03Speaker 1: Are the people behind the Beast? The Beast behind the machine.
- 2:07Speaker 1: It's a room of writers pitching ideas and other things.
- 2:12Speaker 7: So gather your closest friends ages one to one hundred
- 2:15Speaker 7: and listen in.
- 2:20Speaker 1: I think we have like an hour.
- 2:21Speaker 5: Great, Yeah, Okay, cool. We have an hour to talk before.
- 2:25Speaker 2: An hour to talk. We have an hour to talk.
- 2:26Speaker 1: We have Yeah, we have like meetings, we have Yeah,
- 2:29Speaker 1: we have like a lot.
- 2:30Speaker 4: Yeah, this is insane, guys. It's so insane to like
- 2:33Speaker 4: sit down and talk to you guys. And I know
- 2:35Speaker 4: we talk all the time on the slack and every
- 2:37Speaker 4: day in person too.
- 2:38Speaker 5: And it's so fun.
- 2:38Speaker 4: You are really chugging that and that's about milligrades of
- 2:43Speaker 4: caffeine of caffeine.
- 2:45Speaker 5: Sorry, sorry, it is my lunch. Sorry, it's lunchhie too.
- 2:48Speaker 6: We're doing this on lunch.
- 2:49Speaker 5: Totally fun.
- 2:50Speaker 4: I've seen you have a full cold, grew first, and
- 2:52Speaker 4: now you're chugging an energy drink.
- 2:56Speaker 5: I'm good.
- 2:57Speaker 6: Let's talk about it.
- 2:59Speaker 5: To you strong.
- 3:02Speaker 2: That looked like it really hurt.
- 3:04Speaker 5: Why did you do that?
- 3:05Speaker 1: For real?
- 3:06Speaker 5: This is a this is a podcast. I'm good, I'm good,
- 3:09Speaker 5: I'm good.
- 3:10Speaker 6: You don't can we wait?
- 3:12Speaker 5: Is this a video? Is this a video?
- 3:14Speaker 6: I got my friend to chuck and energy drink? How
- 3:16Speaker 6: long does it take him for his head to bleed?
- 3:18Speaker 7: That's gonna work, It's not gonna be.
- 3:23Speaker 4: We remember positivity, positivity, and I think bigger think, bigger
- 3:27Speaker 4: think bigger.
- 3:27Speaker 2: Than bigger thing, bigger thing.
- 3:29Speaker 1: Let's just in one minute of positivity, two minutes positive good,
- 3:33Speaker 1: two minutes positivity, ten minutes of positivity.
- 3:35Speaker 7: And if you are trapped with one hundred strangers ages
- 3:38Speaker 7: one to two hundred, and you are as positive as
- 3:40Speaker 7: you can for and whoever is the least positive has
- 3:43Speaker 7: to eat an apple.
- 3:45Speaker 5: Yeah, gosh, okay, I like that video.
- 3:49Speaker 4: Trapped in with a strangers one to two hundred and
- 3:52Speaker 4: whoever is the least positive has to eat apple.
- 3:54Speaker 5: No, maybe he'll like that. No money reward this.
- 3:57Speaker 2: There's no there's no money right down of the word.
- 4:00Speaker 2: You know what, you know what.
- 4:01Speaker 7: As we say in the mister Beast writer's room, everything
- 4:04Speaker 7: goes on the board.
- 4:04Speaker 1: Everything goes to the board. And listen, there are we
- 4:07Speaker 1: are in a room of boards, and we made a
- 4:09Speaker 1: complete room. Our writer's room is all the walls are
- 4:12Speaker 1: white boards, and everything goes on.
- 4:14Speaker 4: All the boards are white boards. There's no seats, there's
- 4:17Speaker 4: nothing to sit on. We just pitch. We just pitch
- 4:20Speaker 4: out ideas.
- 4:22Speaker 5: Are you all right? I'm actually good?
- 4:24Speaker 2: Does that hurt no?
- 4:26Speaker 6: Does it look like it hurts?
- 4:27Speaker 5: No? No bleeding.
- 4:29Speaker 2: You kind of have like an indent though.
- 4:32Speaker 6: We got a guy to bleed in front of everybody.
- 4:34Speaker 6: Is this a good video?
- 4:36Speaker 4: Okay, okay, every stop, stop, every shop. We're gonna introduce
- 4:39Speaker 4: ourselves in our positions. Okay, really quick, really quick.
- 4:41Speaker 5: Go Hi.
- 4:43Speaker 4: I'm Darryl and I work for mister Beast. I'm the
- 4:46Speaker 4: main creative board writer. I come up with a lot
- 4:48Speaker 4: of the ideas and I try to tell them I'm
- 4:50Speaker 4: the main person that pitches coach.
- 4:53Speaker 5: I'm known as coach.
- 4:54Speaker 4: I'm right as coach, coach, coach, coch, coach, coach, coach,
- 4:57Speaker 4: you're my homie, coach, coach, coach, coach.
- 4:59Speaker 2: Coach, coach, coach.
- 4:59Speaker 7: Hi, I am I'm I'm Leslie.
- 5:04Speaker 2: I don't remember my last name. I'm Leslie, and I
- 5:07Speaker 2: am thirty six. Yes, thirty six, yes, yes.
- 5:10Speaker 1: Say your last name or a number, write it down
- 5:13Speaker 1: out loud.
- 5:15Speaker 2: Let me write it on the board.
- 5:18Speaker 5: Forty number.
- 5:22Speaker 2: So that's the number.
- 5:23Speaker 7: My last name is Myers. God, okay, Leslie Myers, no
- 5:28Speaker 7: dog shit. Stop beating yourselves up. Stop beating yourselves up.
- 5:33Speaker 7: I am head writer of mister Bast, and I have
- 5:36Speaker 7: been so for the last thirty six hours. We've had
- 5:39Speaker 7: a lot of turnover, and in this time, I've learned
- 5:42Speaker 7: a lot of lessons.
- 5:43Speaker 2: But I'm really excited to you.
- 5:45Speaker 5: Okay, good, I'm good. I swear I'm good listening. Okay,
- 5:49Speaker 5: So can't listen anymore?
- 5:51Speaker 2: Nope, they can.
- 5:52Speaker 7: Okay, So here's the deal. We have one thousand energy
- 5:55Speaker 7: drinks in this room. Wait no, I'm pitching a video.
- 5:58Speaker 7: Here's the deal.
- 5:58Speaker 5: Yeah, your name, your name, name, just your name?
- 6:02Speaker 8: Where?
- 6:02Speaker 2: Just your name is Leslie thirty five? That's your number?
- 6:05Speaker 7: Fuck Leslie Myers. I am from See Me Balley?
- 6:09Speaker 5: Great?
- 6:09Speaker 1: Are you from See Me Valley or fifty six?
- 6:11Speaker 4: No further questions. Just get through the name, Just get
- 6:15Speaker 4: through the names. No follow up questions. Just get through
- 6:17Speaker 4: the names. Me listen to coach. Listen to coach, See.
- 6:21Speaker 1: Me Valley and amount? You would win it a pair?
- 6:24Speaker 5: Where's your name?
- 6:24Speaker 6: We lock nine people in a room and the winner
- 6:26Speaker 6: gets See Me Valley.
- 6:28Speaker 5: Did that work?
- 6:30Speaker 2: No? No, no, no, it doesn't. It doesn't.
- 6:33Speaker 5: It doesn't because that's my name.
- 6:34Speaker 7: My name is Leslie, see me Ballely. You can't use
- 6:37Speaker 7: my last name in a video.
- 6:38Speaker 1: No, No, it's Myers, it's Myers. You're not from Myers.
- 6:41Speaker 1: You're from see me, Valley, and your name is Leslie Myers.
- 6:43Speaker 1: I got it.
- 6:44Speaker 2: What's your name? What's your name?
- 6:46Speaker 5: Whoa moving on? What is your name?
- 6:52Speaker 6: My name's Paul Trace. I'm in charge of the first
- 6:55Speaker 6: fifteen seconds of every video and.
- 6:57Speaker 4: You and I gotta say you crushed it this time.
- 7:01Speaker 1: It's what we call the quarterback.
- 7:04Speaker 5: Let's just say.
- 7:04Speaker 6: Sometimes after the first fiftew seconds, I literally leave. So
- 7:08Speaker 6: I'm not always good for the rest of the mid
- 7:11Speaker 6: but I'll tell you in the first fifteen okay, I
- 7:13Speaker 6: can nail it. And that's also what I'm like in
- 7:16Speaker 6: conversation and the bedroom. Okay, in everybody, take a deep breath. See,
- 7:26Speaker 6: And this is why we need to breathe more, because
- 7:29Speaker 6: sometimes if you don't breathe, you don't.
- 7:31Speaker 2: Remember norething is bad. Breathing stops engagement. Breathing stops engagement.
- 7:35Speaker 2: You have to keep doing only ex sales, only exhales.
- 7:38Speaker 6: We have been we have been cutting Jimmy's breaths out
- 7:41Speaker 6: of a lot of videos, and people are beginning to
- 7:42Speaker 6: think he's part fish.
- 7:43Speaker 5: What is Jimmy mister?
- 7:46Speaker 1: Oh my god, you are seeing me, Valley.
- 7:51Speaker 9: You are.
- 7:53Speaker 5: Valley, She's Leslie Meyer.
- 7:55Speaker 2: You're a girl. What is your name?
- 7:57Speaker 1: Hey, guys, what's up. I'm Fumblina. Yeah, that's right. I
- 8:01Speaker 1: work in the thumbs department, thumbnail department, and I'm still
- 8:05Speaker 1: on my skateboard. That's a fact about me.
- 8:08Speaker 5: Huh.
- 8:09Speaker 3: I said a fact about me within the first ten
- 8:10Speaker 3: seconds of explaining myself.
- 8:12Speaker 1: It's some Melina.
- 8:14Speaker 5: Okay, okay, this is huge.
- 8:15Speaker 3: This is huge.
- 8:16Speaker 5: Everybody, listen to coach.
- 8:18Speaker 2: We have all the blocks laid out, everything we need.
- 8:21Speaker 5: We're listening to a coach.
- 8:22Speaker 4: We have an hour. We can get through this. Okay,
- 8:25Speaker 4: we can talk about process. I mean, we just need
- 8:27Speaker 4: to talk about process. We just need to focus the
- 8:29Speaker 4: listener to the listener.
- 8:31Speaker 1: What you might be experiencing is is the fact that
- 8:34Speaker 1: we are we are running on a lot of adrenaline, right,
- 8:37Speaker 1: and talking about our process is actually kind of crazy
- 8:39Speaker 1: because it's like it's like if you were an astronaut
- 8:42Speaker 1: and you were explaining as the ship took off, how
- 8:46Speaker 1: the ship ship?
- 8:48Speaker 5: Oh, we lock twelve ships in a school bus.
- 8:52Speaker 1: But what if you put a spaceship in a school
- 8:54Speaker 1: bus and try to drive the.
- 8:55Speaker 6: School bus, and if somebody is lying and you and
- 8:59Speaker 6: if you mind it then you have the honor of
- 9:02Speaker 6: gathering one hundred people ages.
- 9:03Speaker 2: One to one hundred, okay, and you put them in the.
- 9:06Speaker 7: Driver's seat, and whoever drives the school bus the best
- 9:08Speaker 7: get stab a birthday.
- 9:09Speaker 4: Okay, great, great, As we always say, it's going on
- 9:12Speaker 4: the board. What if we put what if we put
- 9:16Speaker 4: twelve ships in a spaceship and one of them is lying,
- 9:19Speaker 4: and so if you win, we gather one hundred people.
- 9:22Speaker 1: Here here comes Thumblina, the thumb, mister bees and he's
- 9:28Speaker 1: looking at the ship and he's looking at the bus
- 9:30Speaker 1: and he's going, Thumblina.
- 9:33Speaker 6: That's awesome. And I like when you pitch in song, okay,
- 9:36Speaker 6: and I prefer it.
- 9:37Speaker 5: I don't think we made one sentence of sense.
- 9:39Speaker 6: Yet.
- 9:40Speaker 5: I don't think we made one sentence of sense.
- 9:42Speaker 2: Okay.
- 9:43Speaker 7: Your job is to create one sentence that makes sense.
- 9:46Speaker 7: And if you could do it in fifteen seconds, I
- 9:49Speaker 7: have to eat a chicken nugget.
- 9:50Speaker 5: Yes, okay, it's going on. This is this is what chick.
- 9:56Speaker 6: So sometimes we only get through real things like filling
- 9:59Speaker 6: out our nines and applying for healthcare when we treat
- 10:02Speaker 6: them like challenges. So here's the challenge okay, challenges. You
- 10:05Speaker 6: have to say three actual sentences about your life. Let's
- 10:09Speaker 6: call it two truths in a truth about your life. Okay,
- 10:13Speaker 6: So I will start because I came up with the game,
- 10:16Speaker 6: and that's what we like to do here.
- 10:19Speaker 5: Truth number one. I have been working here since two
- 10:23Speaker 5: thousand nineteen.
- 10:26Speaker 4: Get there.
- 10:27Speaker 5: It feels like a lie. Truth number two.
- 10:31Speaker 6: We work eighty hour days and we produce one hundred
- 10:35Speaker 6: ideas a week, and we usually only shoot one to
- 10:39Speaker 6: zero of them. Truth number three.
- 10:42Speaker 5: Lunch is a huge argument every day.
- 10:47Speaker 1: I love this game.
- 10:47Speaker 3: Can I play?
- 10:48Speaker 2: Yes?
- 10:49Speaker 1: Truth number one, I've been working here since two thousand
- 10:53Speaker 1: dollars and eighteen cents.
- 10:55Speaker 5: Interesting I make.
- 11:00Speaker 1: Truth number two. Though we pitch so many ideas and
- 11:04Speaker 1: not a lot get picked, it is a part of
- 11:07Speaker 1: the process and nothing is bad and everything is good.
- 11:11Speaker 3: Number three.
- 11:13Speaker 1: We get the biggest Mendocino Farms order you've ever seen
- 11:16Speaker 1: in your entire life. Have you ever seen the not
- 11:18Speaker 1: so fried chicken the size of a room I have.
- 11:23Speaker 7: We get one giant not so fried chicken, but one
- 11:26Speaker 7: not so fried chicken in the middle of the room,
- 11:28Speaker 7: and we all eat it.
- 11:29Speaker 2: But we can't use our hands and.
- 11:31Speaker 6: That's why logit and argument, because sometimes I don't want
- 11:34Speaker 6: to do that.
- 11:35Speaker 1: It's usually the boys on the not so Fried Chicken
- 11:37Speaker 1: and the girls get soup.
- 11:39Speaker 7: The girls get soup, no, and we have to use
- 11:42Speaker 7: our hands because mister Best, the women's hands are smaller.
- 11:46Speaker 2: Here's the facts about me. I'm playing the game.
- 11:49Speaker 7: Number one, I've been working here since one thousand years ago.
- 11:53Speaker 7: Number two, every day we have fifteen minutes of brainstorm
- 11:58Speaker 7: where we come up with the idea that we would
- 12:01Speaker 7: like to do, followed by forty five hours of additional
- 12:04Speaker 7: brainstorming but fast and okay. Number three, we all have
- 12:10Speaker 7: matching jackets and none of them are our clothing sizes,
- 12:14Speaker 7: so we have to switch them back and forth like
- 12:17Speaker 7: hermit crabs trading their shells until we find the jacket
- 12:20Speaker 7: that was fit for us.
- 12:22Speaker 4: Okay, my facts. Number one, I used to be the
- 12:26Speaker 4: head writer of the Wire. I used to work out.
- 12:32Speaker 4: Unfortunately life took a turn and now I'm here. Number two,
- 12:37Speaker 4: I have three kids at home. They love mister Beeston,
- 12:39Speaker 4: they love my job. And number three, I am so
- 12:42Speaker 4: happy to be working with these gen alpha gangsters is
- 12:46Speaker 4: what I would call them. You guys are jen alpha
- 12:49Speaker 4: gangsters that I love skimbity toilet.
- 12:51Speaker 6: Yeah, I like you, although you have skibbity ohio is,
- 12:55Speaker 6: I would not take you out.
- 12:56Speaker 4: Number four, no idea. Half of the time what they're
- 12:58Speaker 4: talking about. My idea here is to give value, a
- 13:01Speaker 4: sense of deep interest of what is the human experience
- 13:05Speaker 4: to our ideas. I want to tell these ideas happen
- 13:07Speaker 4: is it's word verbal vomit. It's the strangest things you've
- 13:11Speaker 4: ever heard, and we just try to connect it through
- 13:13Speaker 4: a human connective tissue.
- 13:15Speaker 5: I also want to say.
- 13:16Speaker 1: For you, coach, I'm so thankful for you because you
- 13:18Speaker 1: came and started working with us at a time when
- 13:20Speaker 1: you were super sad. You were so sad.
- 13:23Speaker 5: I'm not very sad.
- 13:25Speaker 1: And I think out of that came our slide, which
- 13:27Speaker 1: is the way we get in and out of our
- 13:29Speaker 1: white boardroom a fly.
- 13:30Speaker 5: So I came up with the idea of the slide.
- 13:33Speaker 4: It was a big thing to try to just I
- 13:34Speaker 4: wanted to get these kids out of here.
- 13:39Speaker 5: It's so funny.
- 13:39Speaker 7: He blows the whistle every day at five oh one,
- 13:41Speaker 7: and he goes tweet go and we all and we
- 13:44Speaker 7: file out.
- 13:45Speaker 6: And it was funny too because first, we didn't know
- 13:47Speaker 6: what the slide was for. It was like the mystery slide,
- 13:50Speaker 6: and we realized so it was to leave. So he
- 13:53Speaker 6: would say, we would say an idea, and we wouldn't
- 13:55Speaker 6: know if the idea was good or bad to him,
- 13:57Speaker 6: and but it would cause us to go on the slide.
- 14:00Speaker 6: And then we realized, oh, that actually puts us half
- 14:03Speaker 6: a mile away, and then we have to walk back.
- 14:06Speaker 6: So it actually was a punishment, and so the slide
- 14:09Speaker 6: ended up being a great way because it was don't
- 14:11Speaker 6: pitched off like that again, or you will get the slide.
- 14:13Speaker 4: It's a slide punishment, but it's also exercise. It's like
- 14:16Speaker 4: walking the dog. You guys have to go use the bathroom.
- 14:18Speaker 5: All those things. It's like to put you on the
- 14:20Speaker 5: slide half a mile away, get all the business done.
- 14:22Speaker 5: It's like a mobile tiger. Look at me like that,
- 14:24Speaker 5: don't look.
- 14:26Speaker 1: What do you mean so much patience, because what happens
- 14:30Speaker 1: with us is that like he implemented the slide and
- 14:32Speaker 1: we kept we kept cutting it open to see if
- 14:34Speaker 1: there's cash inside it.
- 14:36Speaker 4: And you guys, but for a long time he thought
- 14:38Speaker 4: it was caked.
- 14:39Speaker 5: Time.
- 14:39Speaker 2: I was trying to is it cake.
- 14:41Speaker 7: It it's either because it is it is it is it?
- 14:46Speaker 4: Where they found her? Actually this week they found her.
- 14:50Speaker 4: Actually they found her.
- 14:51Speaker 5: They did find her.
- 14:52Speaker 4: Say this, they actually found her.
- 14:53Speaker 5: Are you I just I knew it would hit you
- 14:56Speaker 5: guys harder than anything else.
- 14:58Speaker 4: They actually just found it.
- 15:00Speaker 7: People to an island to find Amelia Earhart and whoever
- 15:03Speaker 7: does gets to fly the plane back and interesting and one.
- 15:07Speaker 5: Of them I'm putting.
- 15:12Speaker 6: Pretty good. I wanted to ask if everyone has specific
- 15:16Speaker 6: videos they are most proud of that.
- 15:18Speaker 5: We have actually done.
- 15:19Speaker 4: Okay, that's really good because for me, I'm not an
- 15:22Speaker 4: ideas person. I am a processor. You guys are the
- 15:25Speaker 4: ideas people. My ideas just don't seem to hit with
- 15:28Speaker 4: the younger generation.
- 15:29Speaker 1: Well, I mean, like, one of my favorite ideas that
- 15:31Speaker 1: we thought of came out of you being so sad
- 15:34Speaker 1: and we heard him crying on the toilet and we
- 15:38Speaker 1: were like, okay, here's an idea, Coach. We put a
- 15:40Speaker 1: bunch of fireworks in the house. We blow the house up, yes,
- 15:42Speaker 1: and we made and we made him smile.
- 15:45Speaker 5: It made me smile on the toilet.
- 15:46Speaker 4: It was one of the first times usually I'm crying
- 15:48Speaker 4: on the toilet but I actually smiled on the toilet,
- 15:50Speaker 4: and that's when you guys started calling me skippity smiley.
- 15:53Speaker 2: Toilet, skippity smiley toilet.
- 15:55Speaker 5: Which was fun for me.
- 15:56Speaker 2: Skimney smiley.
- 15:57Speaker 6: It still means bad though.
- 15:59Speaker 5: Oh shoot, okay, So.
- 16:02Speaker 4: Wellness check time check, Okay, okay, So this is a
- 16:06Speaker 4: lovely thing, mister Beasts implemented. Is every about forty five minutes,
- 16:10Speaker 4: alarm goes up and we have to have a wellness check.
- 16:14Speaker 7: It's really good for company culture, and I think that
- 16:16Speaker 7: it's actually not scary when we do the wellness check.
- 16:18Speaker 2: It's not scary.
- 16:20Speaker 1: Sure, the alarm's loud, but the wellness check comes with
- 16:23Speaker 1: an ice cream truck.
- 16:24Speaker 5: Okay, let's check it in.
- 16:25Speaker 2: The ice cream truck is there for thirty seconds, so
- 16:27Speaker 2: you have.
- 16:27Speaker 5: To catch it.
- 16:29Speaker 4: Okay, really quick, let's check in on the wellness.
- 16:32Speaker 2: No, it's gone.
- 16:33Speaker 4: Okay, sorry, okay, next time.
- 16:35Speaker 5: So let's go back to the one question we have
- 16:37Speaker 5: at hand.
- 16:38Speaker 6: What are your favorite videos you've made works in the house?
- 16:41Speaker 2: Yes, yes, okay. My favorite video I made came when.
- 16:45Speaker 7: Okay, so I was once kidnapped and when and the
- 16:49Speaker 7: guy who kidnapped me instituted some mind games, and from
- 16:53Speaker 7: those mind games, I learned how to make a video
- 16:57Speaker 7: that would be interesting to watch. So I trapped thirty Okay, no,
- 17:02Speaker 7: but I didn't, Mister Beasts.
- 17:04Speaker 2: The video is I.
- 17:05Speaker 7: Trapped thirty people in the basement to see if they
- 17:09Speaker 7: could get out, and if they did, they would get
- 17:13Speaker 7: a kind bar. And one of the kind bars is cake.
- 17:17Speaker 7: The others have money, but some of the money is cake,
- 17:21Speaker 7: and so if you cut open the money, some of
- 17:23Speaker 7: them is nugget.
- 17:26Speaker 4: This is a situation. I'll show what happened.
- 17:28Speaker 1: This was earlier, early before we really found our voice
- 17:32Speaker 1: as a teeth.
- 17:32Speaker 7: It was I was kind of just grasping its straws. Yeah,
- 17:36Speaker 7: but it's my favorite because it's the only one I
- 17:38Speaker 7: can think of.
- 17:40Speaker 6: So we have a term here specifically, and it's not
- 17:42Speaker 6: lost in the sauce. It's slipped in the soup, and
- 17:44Speaker 6: you slipped in the soup.
- 17:45Speaker 5: It definitely. What was your favorite video?
- 17:47Speaker 6: Well, my favorite video was where we got a bunch
- 17:52Speaker 6: of people and we did gave them a free surgery
- 17:55Speaker 6: to turn them vegan.
- 17:57Speaker 5: That was one of my favorites.
- 17:59Speaker 7: That was one of the first Mister Beasts lobotomies we
- 18:01Speaker 7: ever did.
- 18:02Speaker 5: Yeah, we turned one hundred people vegan.
- 18:04Speaker 6: We put a little chip in their brain that made
- 18:05Speaker 6: them want to throw up every time they ate meat.
- 18:07Speaker 5: And we're doing good.
- 18:09Speaker 1: I like when we do good, Like that was really
- 18:11Speaker 1: good for the environment, Paul.
- 18:13Speaker 6: Yeah, thank you so much. And it's really good for
- 18:16Speaker 6: mister beasts. Vegan burgers, mister Feast, mister vegan feast coming
- 18:21Speaker 6: out soon, mister Veast, mister Veast.
- 18:26Speaker 7: Let's talk about mister Beast's alter egos in the office,
- 18:29Speaker 7: because mister Veast is vegan.
- 18:32Speaker 5: Yeah, he's kind of like Trader Joe's.
- 18:34Speaker 2: But mister East loves bread.
- 18:36Speaker 1: Yes, yes, mister sneezed sneezed.
- 18:42Speaker 5: Mister Least is when he's humble.
- 18:45Speaker 4: I love when that one comes out during Christmas.
- 18:47Speaker 5: I know it's nice.
- 18:48Speaker 7: Mister grease is when we have the big pot of
- 18:51Speaker 7: grease that we have to dig through to find the fries.
- 18:54Speaker 4: Mister East is when he's kind of only heading to
- 18:57Speaker 4: the wars the direction of the sun rise, when he's
- 19:01Speaker 4: loving John Cleats.
- 19:02Speaker 2: Mister Cleats is when he plays soccer.
- 19:05Speaker 4: Mister Feats is when he only talks about his his accomplishments.
- 19:09Speaker 5: Mister when there's a rat infestation, mister freaking the sheets.
- 19:13Speaker 4: Okay, okay, okay, okay, kids, bring it back, bring it back,
- 19:16Speaker 4: bring it back, skimity.
- 19:18Speaker 5: You guys got me going.
- 19:19Speaker 4: Okay, let's just focus on process. So I think they
- 19:23Speaker 4: understand what our process is. It's saying words until one works.
- 19:26Speaker 4: So why don't I give you guys a little sample
- 19:30Speaker 4: of what can get what we can happen. You guys
- 19:32Speaker 4: are gonna throw out words and I will be able
- 19:34Speaker 4: to surmount the best One's Vegas Okay, not yet, okay, okay, okay,
- 19:40Speaker 4: Las Vegas.
- 19:41Speaker 2: Can you say what you said again?
- 19:42Speaker 4: Okay, I'm gonna say it one more time. And so
- 19:47Speaker 4: have you guys all taken your out urroll yet?
- 19:49Speaker 1: Yeah?
- 19:50Speaker 6: I'm drinking.
- 19:52Speaker 4: Not the same buttube. Okay, great? All right, kids listen,
- 19:58Speaker 4: all right, kids, listen, listen. This is exactly what I
- 20:00Speaker 4: do with my own kids.
- 20:01Speaker 5: Listen.
- 20:02Speaker 4: We are going to I'm going to give you an
- 20:04Speaker 4: idea and you are going to make mister beasts.
- 20:06Speaker 5: Las Vegas. No, you don't give the idea. I give
- 20:10Speaker 5: the idea. I was the head writer for the Wire.
- 20:14Speaker 4: I'm going to give you the idea, and you are
- 20:17Speaker 4: going to give me the video that inspires you. Okay, okay,
- 20:20Speaker 4: are you guys focusing. It's not going to be Las Vegas.
- 20:23Speaker 4: It's not going to be Las Vegas. The idea MGM
- 20:28Speaker 4: gran No, no, no, you guys are starting to ideate off.
- 20:31Speaker 2: Of Las Vegas. Built a second Las Vegas. There's somebody
- 20:36Speaker 2: trapped in a Flamingo hotel.
- 20:38Speaker 4: Killed Stigfried and Roy, but we blamed it on a tire. No,
- 20:41Speaker 4: that's that's a statement, not a video.
- 20:43Speaker 5: Okay, okay. The idea is the sea, the ocean, the ocean.
- 20:53Speaker 1: Vegas in an ocean.
- 20:54Speaker 5: Okay, it's not possible, but interesting.
- 20:56Speaker 4: Atlantis okay, atlantis Okay.
- 20:58Speaker 6: Well, so this is what I like to do because
- 21:00Speaker 6: I like to go in and see, like what we
- 21:03Speaker 6: have at hand, So the ocean, and then what's our
- 21:05Speaker 6: budget and what we're giving away.
- 21:08Speaker 4: So we're gonna give away two million dollars. Now you
- 21:10Speaker 4: guys can choose to divide that among winners or give
- 21:12Speaker 4: it to one person. And our budget is no no
- 21:16Speaker 4: budget restraints ever.
- 21:18Speaker 2: And our budget is questioned, you.
- 21:20Speaker 4: Know, the GDP of a minor country like Japan, that's
- 21:23Speaker 4: our budget.
- 21:24Speaker 2: That's a pretty major country.
- 21:25Speaker 5: And our budget is GDP Japan, Japan's GDP.
- 21:29Speaker 1: Paul's question.
- 21:30Speaker 5: Yeah, go ahead, Paul, I actually have a pitch for this. Okay,
- 21:33Speaker 5: you don't need to raise your hand. You've never done
- 21:34Speaker 5: that before. Oh what was I doing?
- 21:37Speaker 4: No, Paul, pitch, pitch. Don't get distracted by your hand.
- 21:40Speaker 4: Don't get distracted by your hand.
- 21:41Speaker 1: Paul, did you eat your head?
- 21:43Speaker 5: Wait? When I do this, does it draw attention?
- 21:46Speaker 6: If?
- 21:46Speaker 4: Paul, don't get distracted from your hand.
- 21:48Speaker 7: Don't have love dog yourself into learning what we're handing raises.
- 21:51Speaker 5: So when I do this, people look at me.
- 21:54Speaker 1: PAULA you're in a thumbnail.
- 21:59Speaker 2: Okay, so I'll pitch I though.
- 22:03Speaker 6: Okay, we get ten people together and they have to
- 22:06Speaker 6: do Real Life water World. They have to live on
- 22:08Speaker 6: a boat with nothing but what they brought, and the
- 22:11Speaker 6: winner gets two million dollars.
- 22:12Speaker 5: That's easy, gentlemen.
- 22:13Speaker 4: That was the process.
- 22:14Speaker 5: But how joab? But how do they win? Is it killing?
- 22:18Speaker 5: How do they win?
- 22:19Speaker 6: They stay out there and then someone says I want
- 22:21Speaker 6: to go home, and that means they don't win.
- 22:23Speaker 5: Okay, I like that. I like that. That's good.
- 22:25Speaker 4: We're riding that on the board. Real Life water World great.
- 22:28Speaker 4: Anybody else here's my idea.
- 22:31Speaker 7: We build a giant tube across the English Channel. It
- 22:35Speaker 7: is a glass tube, so that the fish can tell
- 22:38Speaker 7: who is in there. The fish will see who is there,
- 22:41Speaker 7: ages one.
- 22:42Speaker 2: To one hundred.
- 22:44Speaker 5: Again, you have to let go one to one hundred.
- 22:46Speaker 5: You made one good video. You made one good video.
- 22:50Speaker 1: Here's our numbers, gal.
- 22:52Speaker 5: She pitched, she did pitch.
- 22:54Speaker 4: We'd lock eight people wages one to one hundred in
- 22:57Speaker 4: a room and they choose.
- 22:59Speaker 5: You did pitch that was great. You cannot let go
- 23:00Speaker 5: of the age.
- 23:01Speaker 1: Things like when may weel Rand wrote one musical and
- 23:04Speaker 1: now everyone says all the other musicals sound like that.
- 23:08Speaker 2: That's not gonna happen.
- 23:08Speaker 6: And I do also want to say numbers gal is
- 23:11Speaker 6: a different term here than at a normal office numbers
- 23:16Speaker 6: counts pale. But here the person, the numbers, the guys, guys.
- 23:23Speaker 2: Let's click back about because I'm through an idea.
- 23:27Speaker 4: A glass a glass, a glass tube through the English Channel,
- 23:32Speaker 4: and the fish no, and.
- 23:34Speaker 2: The fish no, who has the money?
- 23:37Speaker 7: And so the fish are going to eat a certain treat.
- 23:40Speaker 7: They are going to follow the treat of who has
- 23:43Speaker 7: the money, because the money is coated in fish treats.
- 23:46Speaker 7: So the job of the person who has the money
- 23:48Speaker 7: coded in fish treats supposed skimmity toilet, So they have
- 23:55Speaker 7: to swim around and choose the person who has the
- 23:57Speaker 7: fish treats. If they win, they get to meet Penn
- 24:01Speaker 7: and Teller in Las Vegas.
- 24:03Speaker 5: So the fish, the fish getta meet Pen and Teller.
- 24:07Speaker 5: I gonna write it down. I'm gonna write it down.
- 24:09Speaker 4: It seems like you're pitching that the people have the
- 24:12Speaker 4: money and if the fish choose the treats, right, they.
- 24:15Speaker 5: Get to meet Penny. No no, no, but no, no
- 24:17Speaker 5: for real.
- 24:18Speaker 6: Look, fish love Penn and Teller because jo just like
- 24:21Speaker 6: Tellerfish don't talk.
- 24:23Speaker 2: But here's the thing.
- 24:24Speaker 7: If the fish know what what Penn and Teller is,
- 24:28Speaker 7: if they figure that, if they go like oh yeah,
- 24:30Speaker 7: I get that, then they a million dollars.
- 24:33Speaker 4: Okay, great, So I'm gonna write it down, big glass
- 24:37Speaker 4: tube people with treats. If the fish eat the treats,
- 24:41Speaker 4: they get a meat Pen and Teller. But if they
- 24:43Speaker 4: develop sentience and understand the ability to identify Penn and Teller,
- 24:47Speaker 4: they win a million dollars.
- 24:48Speaker 7: It's like if they recognize that he's like a special
- 24:51Speaker 7: type of God.
- 24:51Speaker 5: I don't like to say anymore. I got it.
- 24:54Speaker 1: What I get for that is mouths agape.
- 24:59Speaker 5: That's good, exactly. Okay, go ahead, it's my turn.
- 25:03Speaker 3: Okay.
- 25:04Speaker 1: If we build one hundred different Las Vegas is and
- 25:09Speaker 1: one is actually Las Vegas and the others were just
- 25:12Speaker 1: a big hunk.
- 25:13Speaker 2: Of cash out the city.
- 25:16Speaker 5: How could you tell the difference?
- 25:17Speaker 4: Okay, I just want to say, fundamentally, I think you
- 25:19Speaker 4: guys are missing the game element can really strong, and
- 25:24Speaker 4: then all of a sudden when money gets involved. You
- 25:26Speaker 4: guys don't understand how people win. Coach, Can I say
- 25:28Speaker 4: why I think that one doesn't work? Yeah, go ahead,
- 25:30Speaker 4: because we're already doing that with New York. We're building
- 25:33Speaker 4: one hundred New York's.
- 25:34Speaker 1: I know, I know.
- 25:36Speaker 7: I still don't understand how that video works because we're
- 25:39Speaker 7: building one hundred New York's, but we're putting them in
- 25:42Speaker 7: the actual New York.
- 25:43Speaker 2: But one hundred New York's can't fit in the size
- 25:46Speaker 2: of one New York.
- 25:47Speaker 6: Well, we didn't tell you how big old the New
- 25:49Speaker 6: York's are. We built one hundred New York's a different size.
- 25:53Speaker 4: We're gonna start yelling. I hate when this happens. When
- 25:55Speaker 4: you guys disagree, it starts yelling. Okay, let's bring it back.
- 25:59Speaker 4: Job is not to understand how the videos work.
- 26:05Speaker 5: Your job is to pitch the title.
- 26:07Speaker 2: I get it, I get it, I get it.
- 26:09Speaker 5: Mister Gus, he will figure out how it works. Okay,
- 26:13Speaker 5: I'm so sorry.
- 26:14Speaker 3: Get my submission on the Google doc for a hundred
- 26:16Speaker 3: New York's.
- 26:16Speaker 1: Yeah, I did face for the thumb Billina, it's gonna
- 26:20Speaker 1: be his mouth came.
- 26:21Speaker 5: Yeah again, lovely pitch on the.
- 26:24Speaker 7: Wait wait, wait, wait, wait, I'm getting a million dollar idea.
- 26:28Speaker 1: Okay, go, we gather and stay with me.
- 26:33Speaker 5: You have not lost me yet.
- 26:34Speaker 1: Stay here.
- 26:35Speaker 6: Coach is not yet. I am lost.
- 26:42Speaker 5: Who's weak?
- 26:44Speaker 7: Okay, mister Beast and his entity. Mister Beast uses the
- 26:48Speaker 7: royal wheat. Mister Beast uses the royal wheat. We gathered
- 26:52Speaker 7: one hundred people. I just wanted one hundred. Don't say
- 26:54Speaker 7: it yet.
- 26:54Speaker 5: Are you still with her?
- 26:58Speaker 1: You're still with him?
- 26:59Speaker 5: Write it out. I'm gonna ride it.
- 27:01Speaker 2: And every and every.
- 27:05Speaker 10: Behind you, behind you, behind me, behind you.
- 27:16Speaker 4: You're okay, you said stay with me. Everybody else got lost,
- 27:21Speaker 4: including you. Let's stay on it.
- 27:23Speaker 5: We gather one.
- 27:24Speaker 9: Hundred one hundred and we do a surgery where we
- 27:30Speaker 9: switch all of their arms and there so everybody's left
- 27:35Speaker 9: arm moves to the next person like a hermit crab
- 27:38Speaker 9: exchanging their shows.
- 27:39Speaker 5: So you're bringing up a hermit crab again.
- 27:41Speaker 7: So then then then they have to guess whose arm
- 27:45Speaker 7: is whose. If they get it correct, everybody gets to
- 27:50Speaker 7: fight for one.
- 27:52Speaker 5: Okay, I'm gonna write it down. I'm definitely gonna hold on,
- 27:55Speaker 5: Hold on you.
- 27:57Speaker 4: I don't think this one is a good one. I'm
- 27:59Speaker 4: definitely writing this.
- 28:04Speaker 6: Yes, I'm curiously looking into something, so hold on. So
- 28:08Speaker 6: you had a little cough, but sometimes when you cough,
- 28:11Speaker 6: it's actually the truth trying to come out. Was it
- 28:13Speaker 6: a secret you wanted to give?
- 28:17Speaker 4: So, just so you guys know listeners, Yeah, we do
- 28:20Speaker 4: have a thing in the office. If your cough, usually
- 28:22Speaker 4: a secret is trying to come out.
- 28:23Speaker 7: Okay, I want to be a field producer for the
- 28:32Speaker 7: Daily Show.
- 28:33Speaker 5: WHOA what a huge secret? And we're gonna put.
- 28:36Speaker 4: That on the scond dream So just on the secret wall.
- 28:39Speaker 5: I'm gonna write that down. Secret wall is harder.
- 28:42Speaker 4: One that was just a Cough's a dream cough?
- 28:48Speaker 2: See what is a dream? Secret? Cough and what's a
- 28:49Speaker 2: real call?
- 28:50Speaker 5: The Secret Wall is scary. It's full of spikes.
- 28:52Speaker 4: It's full of spikes and things we don't like thinking about.
- 28:55Speaker 7: Sometimes mister Beast pulls something out of the Secret Wall
- 28:59Speaker 7: and he makes his guess who's is who's.
- 29:01Speaker 1: And it's kind of like taking a piece of shit
- 29:03Speaker 1: and being like did you do this? Putting in your
- 29:06Speaker 1: face and being like, yeah, sometimes I do have other
- 29:08Speaker 1: dreams and aspirations.
- 29:09Speaker 6: And I'm and I do want to apologize. I'm sorry
- 29:12Speaker 6: I did that to you. Once I have been told
- 29:16Speaker 6: I'm not allowed to take people's poop away from the
- 29:18Speaker 6: bathroom anymore, and I'm really sorry that I did that.
- 29:20Speaker 4: One you didn't flush my eyes?
- 29:22Speaker 1: Can you identify this?
- 29:25Speaker 4: That was the worst thing for me, really solid poop
- 29:28Speaker 4: that if you could hold.
- 29:28Speaker 2: It like that.
- 29:29Speaker 4: I was one of the worst days for me too,
- 29:31Speaker 4: because I said, well, that's a skivity toilet and you
- 29:33Speaker 4: guys hated that.
- 29:34Speaker 5: You guys, really what is that? Literally?
- 29:37Speaker 4: And I really thought that was skimmy toyl.
- 29:38Speaker 1: Don't evoke the Fifth Amendment unless you know what it is.
- 29:41Speaker 4: I don't know if you know what the Fifth Amendment
- 29:43Speaker 4: is at all.
- 29:44Speaker 7: Don't we invoke amendments one through ten and if we
- 29:48Speaker 7: can't remember what they are, we have to go to
- 29:50Speaker 7: jail for one hundred to the power of ten hours.
- 29:52Speaker 4: Can you start so strong? Halfway through it becomes absolutely slipped.
- 29:58Speaker 1: Let's talk about PTO.
- 30:02Speaker 5: That's okay, we don't have it.
- 30:03Speaker 6: I was gonna ask, I was gonna say, let's talk
- 30:05Speaker 6: about PTO, what is it?
- 30:08Speaker 2: Let's talk about do we want that?
- 30:10Speaker 5: And the cameras in the room, you know what he
- 30:15Speaker 5: feels about unionizing. We cannot talk about it.
- 30:17Speaker 1: But I do want to say, like, I actually do
- 30:19Speaker 1: want to say that, like a lot of people don't
- 30:21Speaker 1: really know like what's going on underneath it all right,
- 30:24Speaker 1: because you're always just like trying to see, like is
- 30:26Speaker 1: their cash underneath us? But like with us, like we
- 30:29Speaker 1: are treated like really well, we have the wellness jacks.
- 30:33Speaker 1: We we have one week every every month, we have
- 30:38Speaker 1: one week that we get to sleep inside an arcade if.
- 30:41Speaker 6: We want, yes, if we want, if we want, that
- 30:45Speaker 6: is available to us one week.
- 30:49Speaker 1: Nice Richmond enrichment.
- 30:51Speaker 4: It's so nice that he was thinking that's something that
- 30:53Speaker 4: we would want. And I know you guys do it
- 30:54Speaker 4: all the time. I pass on it.
- 30:57Speaker 7: I fall asleep on the big Tuna machine because I
- 31:00Speaker 7: reel in too big a tuna and then my arm's hurt.
- 31:03Speaker 4: Like watch just such a loud machine too. It's yelling
- 31:06Speaker 4: at you non stop.
- 31:08Speaker 1: PTO when we could sleep in an arcade once a week.
- 31:11Speaker 4: Yeah, Galaga is my white noise.
- 31:13Speaker 6: Now I can't go to sleep unless I'm under a
- 31:15Speaker 6: Galaga thing making noise. So sometimes I have to play
- 31:18Speaker 6: Galaga ten hour loop on my phone to go to
- 31:21Speaker 6: sleep when I'm at my house.
- 31:22Speaker 7: Yeah, and we get snacks. We get snacks every all.
- 31:25Speaker 7: The fun fact about the Bister b Snacks is that
- 31:28Speaker 7: everything on our craft service table is caffeinated.
- 31:31Speaker 2: The bananas are caffeinated, the granola bars are caffeine.
- 31:34Speaker 1: We haven't lived it since until you've had a meatball
- 31:37Speaker 1: with caffeine in it.
- 31:39Speaker 6: And oh my gosh. And the sleeps on caffeinated melatonin
- 31:43Speaker 6: hit different.
- 31:44Speaker 2: Yet it really different.
- 31:46Speaker 7: My dreams tell me to do stuff in a way
- 31:48Speaker 7: that the dreams didn't tell me to do stuff before.
- 31:51Speaker 1: I make a little sleepy cocktail. It's selsius with a
- 31:53Speaker 1: little coffee and an espresso martini drop drop a melotone
- 31:57Speaker 1: and chocolate.
- 31:58Speaker 2: Do you, guys ever do it's cocaine to wind down.
- 32:01Speaker 5: I used to be the head rider of the wire.
- 32:03Speaker 5: I used to be the head writer.
- 32:04Speaker 7: Something I will say about the office is that it's
- 32:08Speaker 7: not like It's not like we got trapped here. We
- 32:11Speaker 7: were assigned by the government to work here because of
- 32:14Speaker 7: our specific dispositions.
- 32:16Speaker 1: Let's talk about it.
- 32:16Speaker 6: So these are federal positions, and technically we are in
- 32:19Speaker 6: line to be the president and everyone else is killed.
- 32:22Speaker 5: So let me explain this.
- 32:23Speaker 1: We don't understand is there's a judicial system, there's the
- 32:26Speaker 1: government brand one are the three branches.
- 32:28Speaker 5: So now let's see. Let's see you knew the fifth Amendment.
- 32:31Speaker 5: You got this one too.
- 32:32Speaker 1: Do not invote the amendment unless you are ready to
- 32:35Speaker 1: invoke skimmity toilet.
- 32:37Speaker 7: We gather one through one hundred amendments in a room
- 32:40Speaker 7: and see if we can guess which fish are real.
- 32:43Speaker 4: Okay, you're combining all your ideas in the past. You
- 32:45Speaker 4: can let go of one idea.
- 32:47Speaker 5: This works, guys, what's how this works?
- 32:49Speaker 1: What day with her?
- 32:50Speaker 2: That's how this works.
- 32:51Speaker 7: We have to combine every idea we've ever had before.
- 32:54Speaker 5: I do that. I will combine the ideas.
- 32:57Speaker 4: I will take it and I will. Okay, you're raising
- 32:59Speaker 4: your handing. This is the second time you've ever done that.
- 33:01Speaker 4: What do you want to say?
- 33:04Speaker 6: So, would I raise my hand you look at?
- 33:06Speaker 4: No? No, don't figure out what I was raising your hand?
- 33:08Speaker 1: Is everyone raises their hand in the room. Who do
- 33:11Speaker 1: you look at?
- 33:12Speaker 2: Wait a minute, let's look.
- 33:13Speaker 5: Okay, hold on, close your eyes and everyone raised their hand.
- 33:17Speaker 5: See this is not gonna work.
- 33:18Speaker 6: Now open your eyes and see who you look at first?
- 33:20Speaker 1: No bad ideas.
- 33:21Speaker 5: Oh it looked at you because you weren't raising your hand.
- 33:23Speaker 1: You win a million dollars.
- 33:25Speaker 5: What?
- 33:25Speaker 2: Oh my god, I have to pay I have to pay.
- 33:28Speaker 2: Where's my wallet?
- 33:29Speaker 4: No? And you don't have to pay me. Okay, okay, okay, okay,
- 33:32Speaker 4: everybody listen to me. Everybody quiet, kyoty great?
- 33:40Speaker 5: Okay.
- 33:40Speaker 4: What's your favorite video that almost got made.
- 33:44Speaker 5: That you guys pitched?
- 33:45Speaker 2: This is a fun question.
- 33:47Speaker 4: Oh.
- 33:47Speaker 1: I think mine was we gave a bunch of hornets
- 33:49Speaker 1: fifty dollars and they created and they created an economy.
- 33:54Speaker 4: I do love that one. That was a little bit
- 33:56Speaker 4: of my brand. I loved the idea that horns. What
- 34:00Speaker 4: would happen if a hornet had power?
- 34:02Speaker 5: It was.
- 34:03Speaker 7: It was awesome because they also sort of created a
- 34:05Speaker 7: system of like education and mental health.
- 34:07Speaker 5: It was beautiful.
- 34:08Speaker 1: Ultimately, the only reason why I never like saw screen
- 34:10Speaker 1: or saw YouTube is because we were working with GoPro
- 34:13Speaker 1: at the time, and GoPro could not figure out a
- 34:15Speaker 1: way to keep the GoPros on the Hornet.
- 34:17Speaker 6: It was illuminating.
- 34:19Speaker 7: She realized how small a camera could be, and how
- 34:22Speaker 7: small a camera's allowed to be.
- 34:23Speaker 2: Yeah, not hornet size.
- 34:25Speaker 1: There's government regulations on that.
- 34:27Speaker 5: They made a beautiful society. It was devastating that we never.
- 34:30Speaker 4: Got to release that footage because it was it was.
- 34:33Speaker 4: It was groundbreaking to realize hornets created together.
- 34:36Speaker 7: And it's not like it was just one country who
- 34:38Speaker 7: created a utopia or like a fascist society. It was
- 34:41Speaker 7: like it was two hundred and seventy unique nations.
- 34:44Speaker 5: The money did not correct them. The money didn't only.
- 34:47Speaker 7: Brought them together, and I take care of even their
- 34:49Speaker 7: weakest links.
- 34:51Speaker 6: Also, to Jimmy's credit, like there was some serious negotiating
- 34:54Speaker 6: and some treaties, and Jimmy gave them an island and
- 34:57Speaker 6: so they are happy now. The Hornets are like a
- 35:00Speaker 6: I mean good.
- 35:00Speaker 1: He didn't know is people don't know that nat Geo
- 35:03Speaker 1: offered Mister's five million for the footage because they this
- 35:06Speaker 1: was like huge and they wanted it, and he said
- 35:09Speaker 1: no because he's just like such a stand up guy.
- 35:11Speaker 5: He realized and he knew that we.
- 35:13Speaker 1: Loved that footage.
- 35:14Speaker 7: He didn't want the hornets to be exploited in that
- 35:16Speaker 7: way and that that's so awesome because they also just
- 35:19Speaker 7: invented math, and so I would hate.
- 35:21Speaker 5: To like it was a hornet math.
- 35:22Speaker 4: So it was a completely different type of calculation, which
- 35:25Speaker 4: I thought was insane, But I do respect he's trying
- 35:28Speaker 4: to respect their privacy and they doesn't want to be exploited.
- 35:30Speaker 1: That's like, it's just such a stand.
- 35:31Speaker 2: Up Guy's a stand up guy.
- 35:34Speaker 6: My favorite video we almost did was, uh, we'll give
- 35:38Speaker 6: a million dollars to a none if they say the
- 35:41Speaker 6: word quief.
- 35:43Speaker 5: So long.
- 35:44Speaker 6: Well, there's so long. It wasn't and we lost so
- 35:47Speaker 6: much money because they said it's so fast.
- 35:49Speaker 4: All those they don't know what quif really means and
- 35:52Speaker 4: so they're fine saying there's.
- 35:54Speaker 2: Nothing in the Bible that says you can't say queen.
- 35:56Speaker 5: Well, and like that was what.
- 35:57Speaker 2: We didn't think.
- 35:57Speaker 6: There's so many nunneries that are tricked out, like there's
- 36:01Speaker 6: one in the south of France that has a shark
- 36:04Speaker 6: take in it.
- 36:05Speaker 1: There's no reason for the none to have a shark.
- 36:10Speaker 6: But they have the money.
- 36:11Speaker 1: Now I know, that's that's what frustrating.
- 36:13Speaker 4: I love that video and I'm so sorry it didn't
- 36:15Speaker 4: come out. I'm so sorry. You worked really hard on
- 36:17Speaker 4: that one, really hard.
- 36:19Speaker 11: Sick.
- 36:19Speaker 7: My favorite video that didn't come out was I tried
- 36:22Speaker 7: to pair it way back and say, we gathered one
- 36:27Speaker 7: hundred people who are all fifty two years old, we
- 36:32Speaker 7: give each of them a dollar, and we see how
- 36:36Speaker 7: much money they have when all of this is over.
- 36:40Speaker 4: So I love this idea, but we couldn't wait that long.
- 36:43Speaker 4: We just couldn't. We ended up waiting too.
- 36:45Speaker 6: Long, I know.
- 36:46Speaker 7: And I really fought for it, and I was like,
- 36:48Speaker 7: this is like, this is my art house move, this
- 36:50Speaker 7: is my art house pivot.
- 36:51Speaker 2: I shot it on thirty.
- 36:52Speaker 7: Five millimeter camera on my own and I submitted it
- 36:55Speaker 7: to sun Dance and they said what And so I
- 36:59Speaker 7: really like and I thought we could use it, but
- 37:01Speaker 7: we couldn't.
- 37:01Speaker 2: I'm so sorry.
- 37:03Speaker 5: No one's ever seen one hundred and fifty two year
- 37:05Speaker 5: olds together.
- 37:06Speaker 4: You know that.
- 37:09Speaker 1: GEO also wanted that footage because you never see that
- 37:12Speaker 1: many It was logically, it was very it was so good.
- 37:16Speaker 4: It was just a little loose ended at the end
- 37:17Speaker 4: of just to see to see what happened where they'd
- 37:20Speaker 4: end up.
- 37:21Speaker 1: You know what about the one where we made Yale
- 37:23Speaker 1: try to apply to Harvard and Harvard try to apply
- 37:25Speaker 1: to one.
- 37:27Speaker 5: Yes, we try to make see if Yale were.
- 37:29Speaker 4: Already get a building to write an essay because there
- 37:32Speaker 4: was no money incentive.
- 37:33Speaker 2: It kind of felt still can't get over how genius
- 37:36Speaker 2: that is.
- 37:37Speaker 4: My One of my favorite ones was when we were
- 37:39Speaker 4: try to sit down and figure out how drugs are
- 37:42Speaker 4: spreading around America and see if we can mitigate and
- 37:46Speaker 4: slow that down.
- 37:47Speaker 7: Literally once in a while, the algorithm creates a system
- 37:50Speaker 7: of mad lives that we arranged together in such a
- 37:52Speaker 7: sentence that almost involves us making a video that would
- 37:55Speaker 7: solve a societal problem.
- 37:56Speaker 1: Here's my thing for that one. The thing that stops
- 37:58Speaker 1: me and the reason why I think it never went
- 38:00Speaker 1: to production is I cannot tell you what mister's face
- 38:03Speaker 1: and the thumbnail should be for.
- 38:04Speaker 6: That exactly exactly, so like do we put like like
- 38:08Speaker 6: a kilo of cocaine in his mouth as it's open,
- 38:11Speaker 6: Like what is it?
- 38:12Speaker 7: Like?
- 38:12Speaker 1: What does he hold like a flat.
- 38:14Speaker 5: I'm not an ideas person. That was just really close
- 38:16Speaker 5: to my heart.
- 38:17Speaker 2: So like what we did.
- 38:20Speaker 6: There were a couple of revisions and it turned into
- 38:22Speaker 6: U we gave fifty parrots of peanuts.
- 38:25Speaker 4: Yeah, so and that's created right after a couple of rewrites,
- 38:28Speaker 4: the video turned in.
- 38:29Speaker 5: We gave her fifty parrots a peanut that.
- 38:34Speaker 7: The game of telephone to see the first draft of
- 38:37Speaker 7: the five hundredth draft.
- 38:38Speaker 2: Oh, it was well, this.
- 38:39Speaker 5: Is great because we actually got to talk about the process.
- 38:41Speaker 5: So we pitched some things. We pitched and pitched them.
- 38:44Speaker 4: Do you guys have any rewrites on things we've already
- 38:46Speaker 4: sent the room or anything spontaneously coming to you right now?
- 38:49Speaker 1: Each department gets to give each other notes, which is
- 38:50Speaker 1: so nice. And I feel like my note on yours,
- 38:52Speaker 1: Paul is Las Vegas, okay.
- 38:54Speaker 5: And I'll put that word in the first fifteen seconds, and.
- 38:59Speaker 1: That's how it goes.
- 39:01Speaker 4: That's basically that's the only note we usually get.
- 39:04Speaker 7: Because I'm sort of like I these departments talk to
- 39:07Speaker 7: each other, I'm sort of spinning around in a circle
- 39:09Speaker 7: trying to.
- 39:10Speaker 4: Like get literary literally literally.
- 39:12Speaker 2: Like ya ya ya ye yea.
- 39:13Speaker 5: We should say how many more people there are in
- 39:15Speaker 5: the writer's room.
- 39:16Speaker 4: There's about fifty other people in their riders room.
- 39:17Speaker 2: They're all fit for camera. No, they are not fit
- 39:23Speaker 2: for camera.
- 39:23Speaker 5: They are not and will never be camera ready.
- 39:27Speaker 2: They are not. And I don't mean they're ugly. I
- 39:29Speaker 2: mean this would break.
- 39:30Speaker 5: Them well, and they'd break the camera.
- 39:33Speaker 1: And those are those are those are.
- 39:35Speaker 2: Their minds, and they have more wellness checks than we do.
- 39:39Speaker 7: They have a wellness check alarm every fifteen minutes, we
- 39:41Speaker 7: get every forty five because we can handle sure.
- 39:44Speaker 1: They all came from a clinical trial and we picked
- 39:46Speaker 1: them all up.
- 39:48Speaker 5: It was a clinical trial.
- 39:51Speaker 2: We get a lot of our writers for you.
- 39:54Speaker 5: And so here's the twist. Are mister beast writers room
- 39:57Speaker 5: clinically But here's the big twist.
- 39:59Speaker 6: We only picked the people from the clinical trials who
- 40:02Speaker 6: took the control, which was usually non the not the pill,
- 40:05Speaker 6: the sugar pill.
- 40:06Speaker 2: We got a room full of policy bo.
- 40:07Speaker 6: Yeah, but the placebos who act the craziest. So we
- 40:10Speaker 6: see somebody in a clinical trial who's like this, masone's
- 40:13Speaker 6: making me crazy. But we don't.
- 40:15Speaker 5: That's them.
- 40:15Speaker 1: And you know what you hear in the word placebo playlazbo,
- 40:21Speaker 1: not what it spells.
- 40:22Speaker 5: But what you hear.
- 40:23Speaker 2: We we give one hundred people a placebo and.
- 40:29Speaker 5: See, okay, this is going somewhere. Okay, we give one
- 40:32Speaker 5: hundred people.
- 40:34Speaker 2: And see are my eyes reel?
- 40:36Speaker 7: Yes?
- 40:36Speaker 5: Yeah?
- 40:36Speaker 4: Keep going, don't get distracted staying one hundred people.
- 40:40Speaker 2: We give one hundred people.
- 40:42Speaker 7: A placebo, yes, and make them run in a circle,
- 40:46Speaker 7: and see stay with her, stay with her, and see
- 40:52Speaker 7: who's migraine goes away the fastest.
- 40:55Speaker 6: That actually is very interesting to me.
- 40:58Speaker 5: Okay, you lost me, you really.
- 41:00Speaker 7: I am.
- 41:02Speaker 12: But what if.
- 41:04Speaker 6: What if one does go away? What if one does
- 41:07Speaker 6: go away and it's placebo? So it's like, why did
- 41:10Speaker 6: it go away? Because nothing happened.
- 41:14Speaker 4: Nobody's gonna watch this video, I don't know.
- 41:18Speaker 1: And that can I tell you the amount of videos
- 41:20Speaker 1: that do so well on our channel that have that logic.
- 41:23Speaker 1: No one's gonna watch this, And then we are shocked
- 41:27Speaker 1: by our fans and our and our beautiful, our beautiful
- 41:30Speaker 1: like watcher Base, which is so good.
- 41:32Speaker 4: That is the amazing thing about mister Beast. It's a
- 41:34Speaker 4: combination of the best words that actually make you go,
- 41:38Speaker 4: you know what, I actually do want to see what
- 41:41Speaker 4: this is about. Yeah, yeah, that's the beauty of it.
- 41:43Speaker 4: Sounds crazy, but it actually works. It's actually actually interesting.
- 41:46Speaker 6: I actually have an exciting offer when it comes to
- 41:48Speaker 6: brainstorming and situations and the like. This energy drink is
- 41:52Speaker 6: coursing through me, like, uh, I'm wondering when I was
- 41:55Speaker 6: gonna kick. It has been kicking and I have been
- 41:58Speaker 6: fighting it like a man on a ball. But what
- 42:01Speaker 6: I would say is we have a very exciting opportunity,
- 42:04Speaker 6: which is we like to take advantage of sometimes in
- 42:06Speaker 6: the room where when somebody is fully energeyed out, it's
- 42:09Speaker 6: like we can talk to the drink.
- 42:10Speaker 5: Okay, yeah, drink.
- 42:12Speaker 6: I am the source. So I'm the source. So if
- 42:13Speaker 6: you want me to, so you want me to just
- 42:15Speaker 6: free figure out what the sword?
- 42:16Speaker 5: So I'll give you some words. Okay, this one. I
- 42:18Speaker 5: wanted to be a competition between two people. What what's
- 42:21Speaker 5: the thing? Okay?
- 42:22Speaker 6: Two people?
- 42:24Speaker 5: Okay, translate translate.
- 42:26Speaker 2: Translate, translate, get there, get there.
- 42:28Speaker 5: Punmun pump pump Tom, pump Tom.
- 42:37Speaker 6: That two people are scared. They're scared of something in
- 42:40Speaker 6: a room. There's two people. They both can't say the
- 42:42Speaker 6: word snake, but there's a snake in the room. There's
- 42:44Speaker 6: two people. There's two people, but a bull but there's
- 42:47Speaker 6: a fight. There's a fight. There's two bullfighters that have
- 42:50Speaker 6: to fight a snake. There's two in a condas and
- 42:53Speaker 6: they are interested in one person. And there's a twinkie.
- 42:56Speaker 6: So there's two twinkies. There's two people, and if they
- 43:00Speaker 6: eat the twinkie they can get a million dollars. But
- 43:02Speaker 6: they don't know what's in the side the twinkie. It's
- 43:04Speaker 6: a mystery twinkie. Two people eat a mystery food for
- 43:08Speaker 6: a million dollars. But the twist is the food is
- 43:11Speaker 6: nothing different. The food is normal, but we freak them
- 43:14Speaker 6: out with the amount of money, so they're scared to
- 43:16Speaker 6: eat the food, and their exes call them and tell them,
- 43:19Speaker 6: if you don't eat that food, we'll get back together.
- 43:22Speaker 5: Good.
- 43:25Speaker 4: So your pitch was two people eat food for a
- 43:27Speaker 4: million dollars, and that's.
- 43:32Speaker 2: That was the drink pitching, and.
- 43:34Speaker 5: That was the drink. Sometimes the.
- 43:38Speaker 4: Drink was a mistake for me to bring in that
- 43:41Speaker 4: woe drink. P U s history teacher that one tied
- 43:44Speaker 4: to pitch some ideas because it feels like you guys
- 43:46Speaker 4: really luck to do a lot of government things.
- 43:49Speaker 5: I mean, it wasn't a mistake for the teacher.
- 43:50Speaker 6: He was fucking creaming his pants to be around us.
- 43:54Speaker 5: Okay, so happy he was weird.
- 44:00Speaker 1: The first teacher to ever get it a million dollar boner.
- 44:03Speaker 2: It made me.
- 44:03Speaker 6: It made me rethink all the teachers I ever had,
- 44:06Speaker 6: because I was like, oh, people are teachers actually weird people.
- 44:10Speaker 2: I hate to say it. I don't think teachers should
- 44:12Speaker 2: watch mister beast. I don't think they should know. People
- 44:14Speaker 2: don't tell you that enough.
- 44:16Speaker 5: Okay, we've had a lot of fun, have it.
- 44:19Speaker 2: We we gather one to one hundred people.
- 44:23Speaker 5: Oh my gosh, who's this? Oh no, this is Leslie's
- 44:26Speaker 5: granny voice.
- 44:28Speaker 7: This is when I drank the caffeinated caffeinated work originally
- 44:32Speaker 7: just kicked in. It just kicked in, It just kicked in. Well,
- 44:35Speaker 7: you get one hundred people, ages.
- 44:38Speaker 2: One to one hundred.
- 44:40Speaker 7: Wait, but vand an island, and if they can guess
- 44:44Speaker 7: everybody's age, they get a million dollars.
- 44:48Speaker 5: Leslie, hold on a minute. You didn't even drink your drink. No,
- 44:56Speaker 5: don't don't put me told me, Leslie.
- 45:00Speaker 4: I'm so sorry, sorry, Leslie, we have to put you
- 45:03Speaker 4: in the tar and feather wrong.
- 45:04Speaker 5: But we don't tar and feather. Okay, it's calm down, Okay,
- 45:11Speaker 5: calm down, calm down.
- 45:12Speaker 4: Com We don't actually tarn feather. It's just a way
- 45:16Speaker 4: to kind of scare them.
- 45:17Speaker 2: It's a it's a it's an app.
- 45:21Speaker 4: It's an app we make them play. It's a feather
- 45:25Speaker 4: for four hours. It's the word tar, it's the word
- 45:27Speaker 4: tarn feather with all the vowels taking out. It drives
- 45:30Speaker 4: me crazy.
- 45:31Speaker 7: It drives me crazy because every answer the crossword is
- 45:33Speaker 7: the same. The one with three letters it's tar, and
- 45:35Speaker 7: the one with seven letters is feather, and it's.
- 45:38Speaker 6: It's turned for there my drink, it's quissy.
- 45:48Speaker 1: We give a t rex a wallet.
- 45:56Speaker 5: That's the idea.
- 45:57Speaker 1: Pretty good.
- 45:58Speaker 2: Actually, that's pretty good right.
- 45:59Speaker 5: Now, a wallet. Yes, okay, I'm gonna write that down
- 46:06Speaker 5: for sure.
- 46:09Speaker 3: Okay, I'm to go in the hole right now.
- 46:15Speaker 4: Just sometimes you realize where your life is taking you
- 46:18Speaker 4: and you have to have perspective.
- 46:19Speaker 5: But you know what, I love these kids like they're
- 46:21Speaker 5: my own. There's something about them.
- 46:23Speaker 1: What'd you do to get fired?
- 46:24Speaker 3: From the wire.
- 46:25Speaker 4: I didn't get fired the show ended.
- 46:27Speaker 6: Oh yeah, that'll never happen to us.
- 46:30Speaker 2: That'll never happen to us.
- 46:32Speaker 6: Let's pitch a bunch of episodes coming out, guys, there's
- 46:36Speaker 6: a lot of very cool Mister's episode.
- 46:38Speaker 7: We can pitch one hundred episodes in a row to
- 46:41Speaker 7: camera until we stop.
- 46:42Speaker 6: Okay, here's all of our favorite Mister Beast episodes, or
- 46:45Speaker 6: here's all of our favorite Mister Beast videos that are
- 46:49Speaker 6: coming out that you cannot wait to see.
- 46:51Speaker 5: And I'll jump into an opera.
- 46:53Speaker 1: Singer has a million dollars in her mouth? How can
- 46:55Speaker 1: she get it out?
- 46:56Speaker 7: One cake has one trillion dollars and she has to
- 46:59Speaker 7: get it to the president before we die.
- 47:02Speaker 6: Four high school seniors have to complete their dissertation, but
- 47:06Speaker 6: they all get to only they can only split one
- 47:09Speaker 6: adderall between all of them.
- 47:10Speaker 4: A thousand teenagers have four thousand minutes to make an
- 47:15Speaker 4: exam possible.
- 47:16Speaker 1: Organize these Christians in order of tallest, shortest, and one
- 47:20Speaker 1: million dollars.
- 47:23Speaker 7: We give one thousand toddlers one thousand frogs and see
- 47:28Speaker 7: if they can match the toddpole to the tadpole to
- 47:30Speaker 7: its moms.
- 47:32Speaker 6: We made a dog swallow a big diamond, and if
- 47:35Speaker 6: you walk it and at poops while you're walking it,
- 47:38Speaker 6: you get to keep the diamond.
- 47:40Speaker 4: We built the biggest slippitt site in the world in
- 47:43Speaker 4: the de militarized zone between North Korea and South Korea
- 47:46Speaker 4: to see if there be peace.
- 47:48Speaker 1: We made a small town go upside down for a day.
- 47:51Speaker 7: We got into an abandoned island and put cash registers
- 47:56Speaker 7: in the island and then see one hundred people to
- 47:58Speaker 7: see if they can see what they're buying.
- 48:01Speaker 6: We hid a treasure in crypto in a microchip and
- 48:05Speaker 6: implanted it into the brain of a loved one of
- 48:07Speaker 6: one hundred and fifty people.
- 48:09Speaker 5: We made real life up, but the old man and
- 48:11Speaker 5: boy don't come back.
- 48:14Speaker 1: We gave a t irax a wallet.
- 48:17Speaker 2: We gave bitcoin to Julie Andrews to see what she
- 48:20Speaker 2: buys with it.
- 48:21Speaker 6: We didn't fall out in real life, where we locked
- 48:23Speaker 6: Jimmy in a bunker for one hundred years.
- 48:26Speaker 4: We forced Jimmy to become the new president of Iraq.
- 48:29Speaker 4: To see what happens on a global level.
- 48:31Speaker 3: We created a small.
- 48:32Speaker 1: Town inside a fireplace and Santa fell through it.
- 48:36Speaker 7: We made up a fake country to see if we
- 48:40Speaker 7: could break into the UN. And whoever in the UN
- 48:43Speaker 7: eats the most cake it gets to answer, is it cake?
- 48:47Speaker 5: We tell fifteen seven year olds what porn is.
- 48:51Speaker 1: We got these Buddhists to make mack jeesu.
- 48:56Speaker 4: We got forty thousand French residents to try to move
- 49:00Speaker 4: to America for two years to see if they liked
- 49:03Speaker 4: the cuisine. If they do, they have the opportunity to
- 49:05Speaker 4: win one million French dollars.
- 49:08Speaker 6: We sent twenty five scaracters directly from a haunted house
- 49:12Speaker 6: into a hospital.
- 49:14Speaker 7: We asked one hundred doctors in a hospital what their
- 49:17Speaker 7: pet peeve is, and then did that pet peeve to
- 49:19Speaker 7: them until they messed up a surgery.
- 49:21Speaker 1: Can you tell the ten people who were in a
- 49:24Speaker 1: room with air conditioning versus the other ten people who
- 49:26Speaker 1: were in a room from with no air conditioning apart?
- 49:31Speaker 4: We buried forty fifty two year olds alive to see
- 49:34Speaker 4: if they could survive, and if they do, they win
- 49:38Speaker 4: over a million dollars of breath. We put the president
- 49:42Speaker 4: and a fifteen year old and a manatee in a
- 49:46Speaker 4: room and we put bags on their heads and they
- 49:47Speaker 4: had to feel each other and figure out who is who.
- 49:50Speaker 7: We gather one hundred people ages one to one hundred
- 49:54Speaker 7: to the power of ten and.
- 49:55Speaker 2: See who falls in love the fastest.
- 49:58Speaker 1: We found every h John Benet Ramsey could be and
- 50:02Speaker 1: we put her in a room.
- 50:05Speaker 6: We did real life Missus Masel, and we let a
- 50:07Speaker 6: woman be a stand up comedian and if she does well,
- 50:11Speaker 6: she has the chance to win a million dollars.
- 50:13Speaker 5: But if the crowd booze, they have the chance to
- 50:15Speaker 5: win two million.
- 50:16Speaker 2: But if you.
- 50:17Speaker 7: Hackle her, you get a bonus and you could win
- 50:19Speaker 7: one hundred million dollars as the steal.
- 50:22Speaker 1: That's the one. That's the one.
- 50:25Speaker 4: Well, thank you guys, this hopefully made sense. Thanks for
- 50:29Speaker 4: listening into our process. We're really excited. Keep watching, mister Beast.
- 50:33Speaker 5: We love you, Jimmy, Love you, Jimmy. Okay, kids, down
- 50:37Speaker 5: the slide, let's get some exercise in those legs. Oh.
- 50:44Speaker 6: This has been artists on artists on arists and artists
- 50:46Speaker 6: answering the question. Now, that's why they call it show business.
- 50:48Speaker 6: Good Night, Hollywood.
- 50:52Speaker 4: Did you like it?
- 50:53Speaker 5: Did you like it?
- 50:53Speaker 12: Or like it?
- 50:54Speaker 5: Did you like that episode?
- 50:55Speaker 2: Are you like us?
- 50:56Speaker 1: Are you in the middle of cleaning your house or
- 50:58Speaker 1: getting a long task done in your place this video.
- 51:00Speaker 2: Yes, Jeremy is the audience?
- 51:06Speaker 5: Yes, what is the next episode? Jumped to?
- 51:10Speaker 1: This sounds really special to me.
- 51:11Speaker 3: Okay, this is difficult Actors round Table.
- 51:16Speaker 1: This is a round table of some of Hollywood's most
- 51:19Speaker 1: difficult actors.
- 51:20Speaker 3: These are fictional people we made up, but it's.
- 51:22Speaker 5: Really deep cut.
- 51:24Speaker 4: We shot this in Big Bear, in a house that
- 51:28Speaker 4: looked like an am It was like the bachelor room,
- 51:34Speaker 4: and I had a bunch of tiger stuff ever and
- 51:38Speaker 4: we got on the hot tub and as soon as
- 51:39Speaker 4: we got in the water short the hot tub. We're
- 51:43Speaker 4: sitting in a very lukewarm bath in the middle.
- 51:46Speaker 7: Of the snow Lensioga Tiger with the gigantic like kind
- 51:50Speaker 7: of like really charged shower.
- 51:53Speaker 13: It was.
- 51:58Speaker 5: In order to use you had to walk through the shower.
- 52:03Speaker 2: Through the.
- 52:06Speaker 5: If AI built at Airbnb. We shot it in this.
- 52:10Speaker 1: House, ply crazy.
- 52:11Speaker 3: We are all playing monsters and this.
- 52:13Speaker 4: Was one of your most iconic characters of all time,
- 52:16Speaker 4: early iconic.
- 52:17Speaker 5: It was wild. I you plugged into something.
- 52:20Speaker 1: There's a part of me that gets really happy when
- 52:22Speaker 1: Kylie and I are playing old like an old and
- 52:25Speaker 1: another iconic.
- 52:27Speaker 6: I don't think did you know you have Sam Elliott impression.
- 52:29Speaker 2: Before I didn't know this. I didn't know this. Okay.
- 52:39Speaker 14: Welcome back to Artists on Artists on Artists on artists.
- 52:42Speaker 2: This week we focus on the divas who make Hollywood
- 52:47Speaker 2: what it is.
- 52:48Speaker 7: That's right, We've gathered four of the most difficult actors
- 52:52Speaker 7: to work with in Hollywood.
- 52:54Speaker 6: When you are labeled a difficult actor, it is more
- 52:56Speaker 6: challenging to find work. So these four came together and
- 53:02Speaker 6: embraced the term difficult to discuss what it means to
- 53:07Speaker 6: be difficult.
- 53:09Speaker 3: Now listen, in bitch, I really have to in Okay,
- 53:14Speaker 3: I'll do it.
- 53:16Speaker 2: My name is John Wick Food.
- 53:17Speaker 12: I've been playing cowboys and playing people like that for
- 53:22Speaker 12: the past forty years. And I guess I'm guess I'm
- 53:25Speaker 12: fucking difficult.
- 53:25Speaker 3: I don't know.
- 53:27Speaker 5: Hey, guys, what's up. My name is Sky the Ground
- 53:35Speaker 5: and nice. Thanks, Thanks, guys. Thanks.
- 53:40Speaker 4: It's an honor being here with such prolific working actors.
- 53:43Speaker 4: And I'm really excited to get into the work, the
- 53:45Speaker 4: process and all the things like that. And yeah, in
- 53:49Speaker 4: the past, I've been labeled as difficult, for sure, but
- 53:52Speaker 4: it happens to the best of us.
- 53:55Speaker 5: And you know, I don't really see it.
- 53:57Speaker 6: My name is Cody Grouplay, and I am honestly surprised.
- 54:05Speaker 6: Everyone that I've worked with has told me they like
- 54:07Speaker 6: working with me. I'm an actor.
- 54:09Speaker 3: Well, you could be a good actor and people could
- 54:11Speaker 3: like acting with you, but you could be a pain
- 54:13Speaker 3: in the act.
- 54:13Speaker 6: Yeah, I don't know.
- 54:14Speaker 5: I don't know. Maybe.
- 54:15Speaker 6: I mean I write and direct and a lot of
- 54:17Speaker 6: my own stuff that I act in as well. I
- 54:20Speaker 6: guess i'm you know, in particular, I have a specific
- 54:23Speaker 6: way I like to do things, but I always like
- 54:25Speaker 6: to make sure that you know. I have donut trucks
- 54:29Speaker 6: coming at lunch at the last day of wrap, and
- 54:31Speaker 6: I have a lot of gifts and a lot of
- 54:33Speaker 6: inside jokes, and I know.
- 54:34Speaker 5: Every crew member's name.
- 54:35Speaker 6: So it's really funny that I'm here because I don't
- 54:38Speaker 6: think they would describe me as difficult.
- 54:40Speaker 5: I really don't. I really don't think they would. Wow,
- 54:43Speaker 5: that's crazy, man, that's absolutely insane. Yeah, for you, and
- 54:47Speaker 5: last but not least, the legend herself.
- 54:49Speaker 3: Thank you. I'm the ow marker and I'm Ripe age
- 54:54Speaker 3: of sixty five.
- 54:56Speaker 1: Oh we're not saying all right, just fuck damn shit,
- 54:59Speaker 1: delete that now, no, sir, I won't keep doing this
- 55:02Speaker 1: unless I see you deleted.
- 55:04Speaker 6: I don't think they can do that.
- 55:05Speaker 3: Well, I need you to see I need to see
- 55:07Speaker 3: you delete my age.
- 55:09Speaker 5: Just pretend, man, just pretend the.
- 55:11Speaker 12: Lady said, goddamn deleted age. I why don't you delete
- 55:14Speaker 12: it from your little computer or swear.
- 55:16Speaker 3: To God thank you?
- 55:18Speaker 4: Well, Uh, this is great to meet all you guys.
- 55:20Speaker 4: I'm really excited to get into the process. I love
- 55:23Speaker 4: each and every one of you as an actor, and
- 55:24Speaker 4: I've been watching you guys for years, especially you two.
- 55:26Speaker 5: And for me, I don't understand.
- 55:29Speaker 4: For me, a big problem is my method is difficult,
- 55:33Speaker 4: you know, because I'm method actor.
- 55:34Speaker 5: I get in the weeds with you.
- 55:36Speaker 3: So you're not difficult to work with, but difficult in process,
- 55:40Speaker 3: like you'll have many steps.
- 55:41Speaker 4: Well, people say my method is difficult, and then when
- 55:43Speaker 4: I'm out of method, I'm also difficult, you know.
- 55:46Speaker 12: So you're one of those freeing Panzies or things. He
- 55:49Speaker 12: can run around pretending that he's the Batman when he's
- 55:53Speaker 12: not the Batman. Whenever you're playing the Batman.
- 55:55Speaker 4: Well, I've been cast in The Batman actually a reboot
- 55:58Speaker 4: of the Batman. So yeah, I can pretend actually the Batman.
- 56:00Speaker 4: So what do you say, well, finishing my method?
- 56:05Speaker 2: I think that's fucking silly.
- 56:07Speaker 12: I think you go home and you are who you are,
- 56:09Speaker 12: and then when you're onset, you are who you are
- 56:12Speaker 12: when you're playing the part. I don't understand why you
- 56:14Speaker 12: have to be the Batman while you're taking a ship.
- 56:18Speaker 4: Well, I have to be the Batman because how would
- 56:19Speaker 4: the Batman take a ship? You know, he wouldn't just
- 56:22Speaker 4: take a regular ship. He might do it on somebody's car.
- 56:24Speaker 4: To prove a point about Benjo. You yawning at my method,
- 56:29Speaker 4: like I'm talking about my acting.
- 56:30Speaker 3: Message, I'm sorry. I'm tired.
- 56:34Speaker 6: Guys. I think they would want us to go after
- 56:37Speaker 6: each other. So I'm gonna try to encourage, you know,
- 56:39Speaker 6: I like to have a safe set on set. I
- 56:41Speaker 6: like to make sure everyone is comfortable. I want to
- 56:43Speaker 6: encourage that we keep an open mind because I think
- 56:46Speaker 6: it's important that we all listen to each other and
- 56:48Speaker 6: we don't dismiss each other.
- 56:49Speaker 3: And we know I didn't.
- 56:50Speaker 1: No, I don't think so nobody dismissed anybody.
- 56:53Speaker 4: I was tired they dismiss me, dude. Actually, you know,
- 56:57Speaker 4: to come discourse is common.
- 56:58Speaker 5: I was trying to help. I was just trying to help.
- 57:00Speaker 1: Protect him from what huh to old people?
- 57:03Speaker 3: To old people, well, all generations differ than yours.
- 57:07Speaker 12: It's way different, the way that the way that you
- 57:10Speaker 12: fucking pansys run a set these days.
- 57:14Speaker 3: What's your name again?
- 57:16Speaker 2: My name is John Wickfood. That's a good name for it, John,
- 57:18Speaker 2: and your name is nice to meet your you know,
- 57:23Speaker 2: based ass see you.
- 57:26Speaker 5: Sorry. You guys are film legends and you've never met,
- 57:29Speaker 5: never heard of her.
- 57:31Speaker 2: I don't read the papers. I'll watch movies, John, I don't.
- 57:33Speaker 6: I don't mean to call you on your bluff, but
- 57:35Speaker 6: there is literally footage of you accepting your oscar from
- 57:38Speaker 6: her in nineteen seventy three.
- 57:40Speaker 2: I don't go to award shows. I'll do those things.
- 57:43Speaker 3: Probably were probably both blocked out. You know, I have
- 57:47Speaker 3: been absince back in the day, they are as out
- 57:51Speaker 3: of the picture.
- 57:52Speaker 12: That was when men could fucking drink. That was back
- 57:58Speaker 12: when men could take a fucking drink.
- 58:01Speaker 3: And that was when women could fucking shake their asses.
- 58:05Speaker 2: Not anymore.
- 58:06Speaker 12: No, Now women are putting their ashes in blue jeans,
- 58:09Speaker 12: and they're going to work, and they're demanding to be directors.
- 58:12Speaker 2: For some reason, directing is hard. You don't want to
- 58:15Speaker 2: do it. It doesn't make any sense.
- 58:18Speaker 3: Go it's not war bitches, it's not more changed.
- 58:25Speaker 2: How hasn't it changed?
- 58:27Speaker 12: Setters full of full of keen wah, It's full of
- 58:33Speaker 12: full of people talking about yoga, talking about people.
- 58:38Speaker 2: Are talking about people have their phones out. I don't
- 58:40Speaker 2: even have one. I don't even have one.
- 58:44Speaker 3: Someone asked me for a charger the other day. I said,
- 58:46Speaker 3: what the fuck do you mean a charge?
- 58:48Speaker 2: What are they doing asking you for a charger?
- 58:51Speaker 6: So we're talking about being difficult on set today. I
- 58:54Speaker 6: wanted to ask you guys, if you remember the first
- 58:57Speaker 6: time you were deans difficult or you heard the thought
- 59:00Speaker 6: you were difficult, and and and why it was on
- 59:03Speaker 6: that specific project.
- 59:05Speaker 2: Well, I remember I wasn't always deemed as difficult.
- 59:09Speaker 12: There was the first some thirty thirty five years of
- 59:13Speaker 12: my career when I was not considered difficult. I was
- 59:16Speaker 12: considered just another wonderful actor.
- 59:21Speaker 2: But there's something.
- 59:22Speaker 12: Around some around year two thousand, two thousand and five,
- 59:28Speaker 12: some some started to changing because I, you know, you know,
- 59:33Speaker 12: I came up, I found a woman on set, and I,
- 59:38Speaker 12: you know, I started took a took a liking to her.
- 59:41Speaker 12: I started talking to her. I was just being real friendly,
- 59:44Speaker 12: and then next thing you know, I'm getting a talking to.
- 59:47Speaker 2: So I felt disrespected, so trailer.
- 59:50Speaker 4: I remember the story. Didn't you take upskirt photos of
- 59:53Speaker 4: that girl?
- 59:54Speaker 2: Yeah? Total liking to her. And also that means I
- 59:58Speaker 2: want to walking to the world.
- 1:00:00Speaker 5: And and.
- 1:00:02Speaker 12: Exactly people from our generation we dated a little differently,
- 1:00:07Speaker 12: and now people do it in all kinds of crazy ways.
- 1:00:10Speaker 2: And I've all the Tinder.
- 1:00:14Speaker 3: Sexual harassment.
- 1:00:16Speaker 12: What makes me difficult is that I don't take no ship.
- 1:00:20Speaker 12: Is there when people tell me that what I'm doing
- 1:00:23Speaker 12: is wrong, I don't take none of that ship?
- 1:00:26Speaker 5: Okay?
- 1:00:27Speaker 2: And so apparently that makes me difficult to work with.
- 1:00:30Speaker 2: I don't know.
- 1:00:32Speaker 3: I'm smoking here.
- 1:00:34Speaker 5: Yeah, no, I'm cool with it. Do you mind if
- 1:00:36Speaker 5: I light up to.
- 1:00:37Speaker 6: Look, I'm not gonna stop you. You can smoke. I mean, look,
- 1:00:40Speaker 6: I'm right here with you, guys. I have a little vape.
- 1:00:42Speaker 6: I have a little.
- 1:00:47Speaker 5: It's like, why don't you taste and candy?
- 1:00:51Speaker 2: I have a question for you, why don't you smoke
- 1:00:54Speaker 2: like a fucking man?
- 1:00:55Speaker 6: Hey?
- 1:00:56Speaker 2: Why don't you smoke a real cigarette? Your fucking pants.
- 1:00:59Speaker 3: What makes you young?
- 1:01:02Speaker 6: I don't quite know. I mean, I'm here. I can't
- 1:01:04Speaker 6: think of the first time that I was Dean's difficult.
- 1:01:07Speaker 6: It's probably on the set of the first movie that
- 1:01:10Speaker 6: I wrote, directed and acted in. It was called Uh,
- 1:01:15Speaker 6: My House is Not Your House, and it it was
- 1:01:20Speaker 6: really fun. I love that film, by the way, thanks
- 1:01:23Speaker 6: so much, Thank you so much. Yeah, it's about you know,
- 1:01:26Speaker 6: it's about a guy, kind of a slacker in his
- 1:01:28Speaker 6: thirties who has his cleaning lady move in with him
- 1:01:33Speaker 6: and kind of all hell breaks lose, mumble core kind
- 1:01:35Speaker 6: of stuff. We really We shot it actually over seven days,
- 1:01:39Speaker 6: and we shot it in my apartment.
- 1:01:42Speaker 5: Well you're doing it, kind of, you're doing it.
- 1:01:45Speaker 12: Yeah, yeah, I don't need to project I have That's
- 1:01:48Speaker 12: why I have a fucking microphone.
- 1:01:51Speaker 6: Yeah, it's just like you talk normal, Like if I.
- 1:01:53Speaker 2: Was shooting this, you're doing that, and that's a whole movie.
- 1:01:56Speaker 6: Yeah. So we were shooting that back and forth, and
- 1:01:58Speaker 6: I guess I just had a very specific taste.
- 1:02:00Speaker 15: You know.
- 1:02:01Speaker 6: The lead actress who I was working with, who is
- 1:02:03Speaker 6: that again? Her name was Elaine Galante, and she fantastic.
- 1:02:10Speaker 6: She was incredible, she was so talented, but she wasn't
- 1:02:13Speaker 6: doing what I needed her to do, and I kind
- 1:02:17Speaker 6: of had to make things happen, you know, And like
- 1:02:18Speaker 6: as a director, we only had seven days, and I
- 1:02:21Speaker 6: had to push her certain ways and I had to
- 1:02:24Speaker 6: ask her to do certain things.
- 1:02:26Speaker 5: So what did you do?
- 1:02:26Speaker 2: Grab her by the scruff? Scream matter, what did you do?
- 1:02:31Speaker 3: Surely she didn't have any scruff.
- 1:02:33Speaker 6: I just kind of belittled her slowly and surely she
- 1:02:35Speaker 6: didn't have any scruff. I just kind of belittled her
- 1:02:38Speaker 6: over and over and over again. I kind of reduced
- 1:02:40Speaker 6: her to nothing in the matter of three hours, and
- 1:02:42Speaker 6: then she was everything I needed to do. But the
- 1:02:44Speaker 6: thing is that that that's the director's method, you know.
- 1:02:46Speaker 6: I'm sure you guys have worked with people who have
- 1:02:48Speaker 6: wanted a certain thing and this is.
- 1:02:49Speaker 5: How they get it. I don't think that that's difficult.
- 1:02:52Speaker 6: I think that that's collaboration and that's that's a vision
- 1:02:55Speaker 6: and carrying it through. So that's frustrating to years.
- 1:02:57Speaker 3: Well, you said that upset me. It did, Yes, I
- 1:03:02Speaker 3: can't imagine where would be to be that woman.
- 1:03:04Speaker 1: And I hope and I hope you really think about
- 1:03:06Speaker 1: your power and that situation and you go back and
- 1:03:09Speaker 1: you realize why you were difficult.
- 1:03:12Speaker 6: That's really crazy for you to tell me that, because
- 1:03:14Speaker 6: you just are.
- 1:03:16Speaker 5: People literally have written too.
- 1:03:17Speaker 3: I'll tell you why they call it mumblecore. Did I
- 1:03:21Speaker 3: interrupt you?
- 1:03:22Speaker 5: Yeah?
- 1:03:22Speaker 6: You did.
- 1:03:24Speaker 3: So what are you gonna do?
- 1:03:24Speaker 2: Be little mate?
- 1:03:26Speaker 6: No, because I'm not gonna cast you in something, and
- 1:03:28Speaker 6: I probably never would. To be honest, you usually missed
- 1:03:31Speaker 6: the mark in your movies.
- 1:03:32Speaker 3: I work with Woody Allen and Woody Allen only yeah,
- 1:03:34Speaker 3: I know, and stick with it.
- 1:03:37Speaker 2: To be fair, things are heating up.
- 1:03:40Speaker 6: You haven't been in a Woody Allen movie since that
- 1:03:41Speaker 6: one he tried to release on Amazon two years ago
- 1:03:44Speaker 6: with a Christen Stewart. Yeah, Selena Gomez, and now you are.
- 1:03:49Speaker 6: Now that's the only person you work with. He's not
- 1:03:52Speaker 6: making move my choice.
- 1:03:53Speaker 5: Yeah, I know.
- 1:03:54Speaker 6: Well he can have you, okay, because I just don't
- 1:03:56Speaker 6: think that we would gel.
- 1:03:57Speaker 3: I don't think so either. I don't know why you're
- 1:03:59Speaker 3: even talking about us, Ellen.
- 1:04:00Speaker 4: Okay, So I ended up sending a bunch of rats
- 1:04:04Speaker 4: to my co host co co.
- 1:04:07Speaker 2: Host there, that's what the Batman would do.
- 1:04:11Speaker 5: You Actually, before the Batman, I was a news anchor.
- 1:04:15Speaker 2: Oh you just did that.
- 1:04:17Speaker 4: You were doing the show called Newsnightly, and it was
- 1:04:20Speaker 4: like this kind of like like you know, fucked up
- 1:04:22Speaker 4: night News, and it was supposed to be kind of funny,
- 1:04:24Speaker 4: but I didn't feel like it was a comedy. I
- 1:04:26Speaker 4: felt like it was a straight drama. So this guy
- 1:04:29Speaker 4: is kind of like weird with rats. He has a
- 1:04:31Speaker 4: bunch of rats at home. And so I just got
- 1:04:33Speaker 4: a bunch of rats and I broke their necks and
- 1:04:34Speaker 4: I would just put them in a box and send them.
- 1:04:37Speaker 3: To all the other He broke the rats.
- 1:04:38Speaker 5: Next, Yes, I broke the rats.
- 1:04:40Speaker 6: Next the microphone.
- 1:04:43Speaker 5: How tell us why? I mean? I've read?
- 1:04:54Speaker 3: Do you want to answer for me? Young spry?
- 1:04:57Speaker 6: You're painting me in a light. That's not right.
- 1:04:59Speaker 1: I'm just talking to I'm not I'm not what do
- 1:05:00Speaker 1: you mean painting you in a lot. I don't know
- 1:05:02Speaker 1: one thing about you.
- 1:05:04Speaker 5: Okay, this is what I do.
- 1:05:06Speaker 3: That is why I think I'm here today. I find
- 1:05:08Speaker 3: someone and I swat him like a fly.
- 1:05:12Speaker 5: Dang, you chose your target.
- 1:05:13Speaker 1: And I try to stop.
- 1:05:15Speaker 6: I try, well, good luck because because that's not gonna
- 1:05:17Speaker 6: happen to me.
- 1:05:18Speaker 1: See, you're you're getting me excited. See, I this is
- 1:05:21Speaker 1: I don't know. I don't know what kind of households
- 1:05:23Speaker 1: y'all get growing up in. I don't know what kind
- 1:05:25Speaker 1: of households y'all grow up in. Because this this discourse
- 1:05:29Speaker 1: gets me on and it turns me on, and I
- 1:05:33Speaker 1: bought back, and when you buy back at me, I'm
- 1:05:35Speaker 1: about back too.
- 1:05:36Speaker 5: I'm not biting.
- 1:05:37Speaker 6: I'm not biting.
- 1:05:38Speaker 1: What you just said about there was inherently about what
- 1:05:40Speaker 1: do you mean I'm not biting when you.
- 1:05:42Speaker 5: Did that that now you're being insulting to my behavior.
- 1:05:47Speaker 3: You talk down and you do that, that's a bout.
- 1:05:50Speaker 5: I'm not biting. I'm not biting.
- 1:05:51Speaker 6: I mean, I'm literally I'm not. I don't know why
- 1:05:54Speaker 6: I'm here. So like you're kind of pulling me into
- 1:05:56Speaker 6: this and you're implicating me, and you're trying to put
- 1:05:58Speaker 6: what you are on to me like we're.
- 1:05:59Speaker 3: Just in a talk like it's so bored by this
- 1:06:02Speaker 3: young spray.
- 1:06:04Speaker 7: What is?
- 1:06:05Speaker 5: Why were you deemed difficult or just that's what little.
- 1:06:08Speaker 2: I don't like the youth.
- 1:06:10Speaker 3: That's why I work with Woody Allen. I don't. I
- 1:06:13Speaker 3: don't work well with the youth. I don't I don't.
- 1:06:15Speaker 3: I'm all over the place. What are you gonna get? John?
- 1:06:18Speaker 12: Well, I'm just wondering because I'm trying to place you,
- 1:06:21Speaker 12: because I think I do remember now we may have
- 1:06:24Speaker 12: been on a set together, maybe twelve, twelve, twenty twenty
- 1:06:28Speaker 12: years ago.
- 1:06:28Speaker 3: I think it was, uh, I think it may have been.
- 1:06:32Speaker 12: I think it may have been a sitcom, real fucking
- 1:06:35Speaker 12: piece of ship ass sitcom. I remember being worse than dirt.
- 1:06:40Speaker 12: I remember the script being real rotten stuff.
- 1:06:43Speaker 5: You didn't tell anybody, did you.
- 1:06:45Speaker 12: Oh? I told everybody that I went up to the
- 1:06:49Speaker 12: writer's room when I said, knock, knock, knock. When are
- 1:06:52Speaker 12: your clowns gonna give me a good joke? When are
- 1:06:55Speaker 12: your clown's gonna write me a script that's worth spitting on?
- 1:07:00Speaker 6: Oh?
- 1:07:00Speaker 2: I do remember.
- 1:07:01Speaker 3: I remember you when you like the script, you spit
- 1:07:04Speaker 3: all over it.
- 1:07:05Speaker 2: Yeah.
- 1:07:05Speaker 12: Well, I was always looking for someone to spit on
- 1:07:07Speaker 12: because I shoot tobacco and show it a little byproduct.
- 1:07:11Speaker 2: But I do remember.
- 1:07:12Speaker 12: You wouldn't take ship from anybody. I remember you locking
- 1:07:16Speaker 12: yourself in every damn room in that studio, Every trailer
- 1:07:21Speaker 12: didn't matter if it was yours or somebody else's. You
- 1:07:23Speaker 12: were locking yourself in there, slepting people left and right,
- 1:07:27Speaker 12: and I really admired that.
- 1:07:29Speaker 1: I believe in kindness.
- 1:07:30Speaker 12: I do, but.
- 1:07:33Speaker 3: I fix it on one person like you and I met,
- 1:07:42Speaker 3: and I think that's what my mother did and my father.
- 1:07:45Speaker 6: Well, it's not gonna work on me because I've ever
- 1:07:48Speaker 6: up with a difficult people than you. Okay, because difficult,
- 1:07:55Speaker 6: I'm not trying to throw people into the meat pit
- 1:07:57Speaker 6: like we are, Like I don't want other people to
- 1:07:59Speaker 6: have to come to this kind of stuff because this
- 1:08:01Speaker 6: is so embarrassing. I'm missing my surfing lesson for this.
- 1:08:03Speaker 6: So it's like frustrating.
- 1:08:04Speaker 3: You teach or you take I teach.
- 1:08:08Speaker 6: I I look, I don't want to name any names,
- 1:08:12Speaker 6: but tea.
- 1:08:14Speaker 7: No.
- 1:08:14Speaker 5: Those who can do really well teach to spread their gifts.
- 1:08:19Speaker 12: Why are you wasting your time dancing on the waves
- 1:08:22Speaker 12: like some sort of ballerina.
- 1:08:25Speaker 6: I would love to see you surfing. It's really difficult.
- 1:08:28Speaker 6: You want, I'll give all of you a free lesson.
- 1:08:31Speaker 6: I already surf probably better than you, Okay. I was
- 1:08:35Speaker 6: a surfer catching a surfer for this movie called Zero
- 1:08:39Speaker 6: point ten. It was this great flick and it was
- 1:08:41Speaker 6: supposed to be a comedy, but I just didn't see it.
- 1:08:43Speaker 6: I just thought it was a drama, paramount plus paramount
- 1:08:47Speaker 6: plus film. Yeah, Ellie Kemper really difficult to work with.
- 1:08:52Speaker 5: Really just just only the nicest, only wonder the world.
- 1:08:57Speaker 5: Ellie Kemper was so awful to me. If I on
- 1:08:59Speaker 5: a day, this really really hard, wonderful, really hard to
- 1:09:03Speaker 5: work with.
- 1:09:04Speaker 6: Does not know how to take a note.
- 1:09:06Speaker 4: Truly, you're giving Viola Davis notes now, please.
- 1:09:11Speaker 1: Because I swear to God, if you only list women,
- 1:09:13Speaker 1: I'll come over there and whop you like a whopper.
- 1:09:17Speaker 6: Okay, what I'll list a man? Okay, whah well, well, no,
- 1:09:31Speaker 6: Leo is fun.
- 1:09:31Speaker 5: I I love Leo. I love Leo. He's great.
- 1:09:41Speaker 6: Sindaya, that's I believe in one.
- 1:09:49Speaker 4: Chez. Can I ask the question, just check post checking.
- 1:09:53Speaker 4: Everybody's beat up a PA, right, everybody's going to just
- 1:09:56Speaker 4: toe to toe with the PA emotionally physically both either
- 1:10:01Speaker 4: either everybody's done that.
- 1:10:02Speaker 3: Go around and guess if it's emotional physical. I think
- 1:10:05Speaker 3: you physically.
- 1:10:08Speaker 5: Wrong emotional.
- 1:10:09Speaker 3: I think yours was emotional because your arms are the
- 1:10:12Speaker 3: size of fork.
- 1:10:13Speaker 5: I could see you swinging back in the day. Though
- 1:10:14Speaker 5: you kind of remind me of me.
- 1:10:17Speaker 12: Back in the day I was swinging. Back in the day,
- 1:10:20Speaker 12: I was swinging left and right, and I don't know
- 1:10:22Speaker 12: who I was hidding. But in the current day, yeah,
- 1:10:26Speaker 12: it could be emotional. But I don't talk to the
- 1:10:28Speaker 12: pas and I don't look at them, and that alone
- 1:10:30Speaker 12: has made him cry because they asked me what kind
- 1:10:32Speaker 12: of yogurt I want? They bang on my trailer all
- 1:10:34Speaker 12: the word, all hours of the day. They say, mister, mister,
- 1:10:38Speaker 12: mister Wigwood, what yogurt do you want? And I look
- 1:10:42Speaker 12: at them in a way that makes them want to
- 1:10:45Speaker 12: throw themselves off a bridge because they should know what
- 1:10:51Speaker 12: is it.
- 1:10:52Speaker 6: It's peach, that's what you want.
- 1:10:57Speaker 5: That's you want, peach yogurt on yogurt. Now, to quote yourself,
- 1:11:03Speaker 5: that sounds like a yogurt. That a girly girl. Why
- 1:11:08Speaker 5: would you say that?
- 1:11:09Speaker 2: You guys, you god be a damn bout son.
- 1:11:15Speaker 7: You step back in your goddamn lane, pansy ass smoking
- 1:11:20Speaker 7: a fucking computer in your phone.
- 1:11:23Speaker 3: That's a damn computer you're smoking.
- 1:11:25Speaker 7: Ah, You're smoking a damn computer and you're here to
- 1:11:29Speaker 7: lecture me about what a man is.
- 1:11:31Speaker 2: Risen, Go fund yourself.
- 1:11:33Speaker 5: Steve drops.
- 1:11:34Speaker 1: No one thinks to talented.
- 1:11:35Speaker 5: You're not gonna get to me, none of you are.
- 1:11:37Speaker 1: I'm physical.
- 1:11:40Speaker 5: What do you think? Yeah, absolutely, he's a.
- 1:11:46Speaker 2: Fucking batman running around in a cape.
- 1:11:48Speaker 4: Of course, beating up well, because when you batman literally
- 1:11:52Speaker 4: beats up people.
- 1:11:54Speaker 11: You know.
- 1:11:54Speaker 4: That's so you have to practice, and sometimes you have
- 1:11:56Speaker 4: to put people in uncomfortable situations to get an uncomfort result.
- 1:12:00Speaker 4: You know, movies are supposed to make the audience always
- 1:12:03Speaker 4: feel comfortable. They're making it supposed to make you feel
- 1:12:05Speaker 4: like you have to change. Sure, so yeah, I fucking
- 1:12:08Speaker 4: emotionally teared this pa down and then beat the ship
- 1:12:11Speaker 4: out of them. Apparently people were mad.
- 1:12:13Speaker 5: I didn't get it.
- 1:12:14Speaker 2: Man, it's a job. You gotta do your fucking job.
- 1:12:17Speaker 12: You don't just get to show up Will and Nelly
- 1:12:19Speaker 12: playing pretend you're an actor.
- 1:12:22Speaker 5: What do you think acting is? You're act It's real,
- 1:12:27Speaker 5: it's real life.
- 1:12:28Speaker 12: Be a goddamn man for once. Be fucking normal until
- 1:12:33Speaker 12: they roll action, so.
- 1:12:34Speaker 5: You're completely normal that you just continue, I'm.
- 1:12:37Speaker 7: Fucking normal And then I snapped into character, which is
- 1:12:41Speaker 7: a slightly varied version of what I'm doing now.
- 1:12:45Speaker 2: Well, were you physical or emotional? I'm atal emotional.
- 1:12:49Speaker 3: I would never touch a soul.
- 1:12:51Speaker 4: Well that's crazy. I read that article though, but you
- 1:12:53Speaker 4: just slapping the ship out of three. PA's kind of
- 1:12:56Speaker 4: in a line was back in twelve on the set
- 1:13:03Speaker 4: of the Brats Live action movie.
- 1:13:09Speaker 2: Wow.
- 1:13:10Speaker 3: That was when Woody and I went to the wrong
- 1:13:11Speaker 3: set what and I what do?
- 1:13:14Speaker 2: And I, oh, yeah, showed up to the wrong damn set.
- 1:13:19Speaker 2: You know, the yellow set.
- 1:13:21Speaker 1: Back in the day, they didn't have the code word,
- 1:13:23Speaker 1: so you knew which production company you're going to so.
- 1:13:26Speaker 2: And there weren't that many, so you just follow the
- 1:13:28Speaker 2: yellow er the same set we were on Brats.
- 1:13:32Speaker 1: One thing led to another two hours later. I'm slapping
- 1:13:35Speaker 1: these girls so they could tell me what the fuck's
- 1:13:37Speaker 1: going on.
- 1:13:39Speaker 12: Sometimes you gotta get answers to other people. But to
- 1:13:41Speaker 12: answer your question, my favorite role was in a western
- 1:13:45Speaker 12: called high Noon. I played a cowboy who'd seen too much.
- 1:13:51Speaker 12: That was my favorite part because I got to really
- 1:13:55Speaker 12: tap into a guy with a big hat. Cowboy with
- 1:13:59Speaker 12: a big hat, hat bigger than any of those pussy
- 1:14:04Speaker 12: ass for Dora hats they have running around on Glee.
- 1:14:08Speaker 6: Show's been off the air for ten years.
- 1:14:10Speaker 5: You've seen it you've heard of it.
- 1:14:14Speaker 12: I saw a commercial for Once around two thousand and eight,
- 1:14:18Speaker 12: and it made my blood boil. What everybody because? Because
- 1:14:26Speaker 12: why are those men singing and dancing like that? And
- 1:14:30Speaker 12: why are those women walking around like that, all like
- 1:14:34Speaker 12: they know they're something?
- 1:14:38Speaker 2: Why you know when you you could know? You guys
- 1:14:40Speaker 2: all know when a woman walks around and she thinks
- 1:14:43Speaker 2: she's something.
- 1:14:45Speaker 6: By that job, I believe I you know, I first
- 1:14:48Speaker 6: of all believe women. I say, yes, oh women, I say,
- 1:14:51Speaker 6: I say that women are better than men.
- 1:14:54Speaker 3: But you're by women.
- 1:14:56Speaker 6: Well, they just don't seem to understand where I'm coming
- 1:14:59Speaker 6: from from, and it frustrates me. That's all.
- 1:15:03Speaker 5: Like, I love women. I think women are amazing.
- 1:15:05Speaker 6: If they treated you with the same respect, I think
- 1:15:07Speaker 6: we would really get along well together. I just can't
- 1:15:10Speaker 6: seem to kind of figure that out.
- 1:15:12Speaker 2: Let me ask yourself, are you getta laid?
- 1:15:15Speaker 3: That's a good question.
- 1:15:17Speaker 5: I am a celibate actively that. That's why you're difficult.
- 1:15:24Speaker 5: We found it.
- 1:15:25Speaker 2: You're all stopped up, man, you're all stopped.
- 1:15:28Speaker 6: I read twenty five screenplays a year. I don't have
- 1:15:30Speaker 6: time to nut. I don't. It doesn't work for me.
- 1:15:32Speaker 6: It's not gonna happen.
- 1:15:33Speaker 1: The com is building up in your in your hall.
- 1:15:37Speaker 5: If you man, the coum is building up in your turn.
- 1:15:41Speaker 6: I don't need you to tell me about my coum.
- 1:15:42Speaker 6: That do not comesplain to me. Okay, I know about
- 1:15:47Speaker 6: my cum. I know about and come really well, Okay,
- 1:15:49Speaker 6: was a man.
- 1:15:49Speaker 3: And I told you about your cumb would that sill?
- 1:15:51Speaker 6: He comes minding, Yes, it would, because my coum is
- 1:15:53Speaker 6: my com.
- 1:15:53Speaker 2: Okay, what does this country fucking come to? Is this
- 1:15:57Speaker 2: a fucking porn set? Answer me?
- 1:15:59Speaker 11: That?
- 1:15:59Speaker 2: Is this a poor sett?
- 1:16:03Speaker 5: Yeah?
- 1:16:06Speaker 2: Fuckings?
- 1:16:08Speaker 6: What's your favorite podcast?
- 1:16:10Speaker 5: So you don't like porn sets?
- 1:16:13Speaker 2: The Daily?
- 1:16:16Speaker 5: That's crazy. I did not take you for The Daily
- 1:16:20Speaker 5: because I was gonna.
- 1:16:21Speaker 4: Say, we're all we're all Republican here right, Well, I'm
- 1:16:24Speaker 4: not really Republican.
- 1:16:25Speaker 5: I just am.
- 1:16:26Speaker 4: I'm so left that all of the left people annoy me,
- 1:16:29Speaker 4: and I find myself actually aligning with a little bit.
- 1:16:32Speaker 2: Of Oh okay, okay, so horseshoe theory.
- 1:16:36Speaker 6: Yeah, and from both sides. There's so much on both sides.
- 1:16:40Speaker 3: I wish I wish both sides would listen to each other.
- 1:16:42Speaker 6: Oh, I wish we could all get along. I mean
- 1:16:44Speaker 6: that's truly. I mean with something we.
- 1:16:46Speaker 1: Agree on, how well you have a come black backup?
- 1:16:50Speaker 1: The come in your body is turning?
- 1:16:52Speaker 2: Hey, you shut your damn mouth.
- 1:16:54Speaker 5: Woman.
- 1:16:54Speaker 2: I don't want to hear women talking about cumb.
- 1:16:59Speaker 5: This is gonna be.
- 1:16:59Speaker 6: Bad afterable down.
- 1:17:02Speaker 5: Against each other. I don't know what's gonna happen.
- 1:17:05Speaker 1: John, does it make your blood ball?
- 1:17:06Speaker 3: And then I'm talking about calm?
- 1:17:08Speaker 2: You know what makes my blood fucking boil?
- 1:17:11Speaker 12: I've I remember when women used to be women, and
- 1:17:16Speaker 12: they'd go home and they'd put on their dress and
- 1:17:18Speaker 12: they'd have a steak ready for their husband.
- 1:17:20Speaker 3: What makes you think I won't have a stake ready
- 1:17:21Speaker 3: for my husband?
- 1:17:22Speaker 12: And I, well, that's that's just what women used to be.
- 1:17:28Speaker 12: And now this country is all upside down. People are
- 1:17:30Speaker 12: running around their shopping malls.
- 1:17:32Speaker 5: And you listen to the Daily every day. That's a
- 1:17:39Speaker 5: daily podcast, very left leading. I listen to it every day.
- 1:17:45Speaker 2: Just to get mad. I listened to it. I hear
- 1:17:49Speaker 2: what they have to say, and then I'll get mad.
- 1:17:52Speaker 4: Well, I just I don't understand where we're at too,
- 1:17:54Speaker 4: because I'm like, how can people like live when Coca
- 1:17:57Speaker 4: Cola is poisoning our water, you know, like co Co
- 1:18:00Speaker 4: Cola is inserting sugar into our water, so we get
- 1:18:02Speaker 4: addicted to sugar. And then they close Yeah, they close
- 1:18:05Speaker 4: down the gyms because Coca Cola wants them to close
- 1:18:08Speaker 4: down the gyms. And big government, Biden controlled by Big
- 1:18:11Speaker 4: Coke and Big Nestley, closes down the gyms. And I
- 1:18:14Speaker 4: can't go to the gyms with my friends. Now I
- 1:18:16Speaker 4: can't drink air. It's like fucking bogus. You know, it's
- 1:18:19Speaker 4: fucking bullshit. I should be able to go to a
- 1:18:22Speaker 4: gym and work out.
- 1:18:24Speaker 2: Do you talk about do you talk about those on set.
- 1:18:27Speaker 5: All the time? The grips love me, no one.
- 1:18:31Speaker 3: You're the type that doesn't like the COVID officers.
- 1:18:33Speaker 6: I I.
- 1:18:35Speaker 4: Literally cannot stand a COVID officer. If I'll be wearing
- 1:18:40Speaker 4: and I see.
- 1:18:41Speaker 5: I don't care. I was a kid one.
- 1:18:44Speaker 3: I like everybody except you, your little twattish But.
- 1:18:47Speaker 5: You said you hated kids specifically.
- 1:18:50Speaker 4: I hate the youth.
- 1:18:52Speaker 1: That's what I said.
- 1:18:53Speaker 3: I hate the youth.
- 1:18:54Speaker 5: I'm so difficult. You are so difficult.
- 1:19:01Speaker 2: You are just a mess of contradictions.
- 1:19:03Speaker 4: I get why you're but yeah, I hate the COVID people,
- 1:19:06Speaker 4: this whole new COVID thing. I will not stand those people.
- 1:19:09Speaker 5: I love.
- 1:19:09Speaker 6: You know what, if we can get the sets to
- 1:19:11Speaker 6: be more inclusive, I'll bring anybody on. I think it's
- 1:19:14Speaker 6: amazing to have a new voice in there. I let
- 1:19:16Speaker 6: COVID officers come in. Some of them can watch the
- 1:19:20Speaker 6: editing with me if I if I'm on set, then
- 1:19:21Speaker 6: there's room for me to edit, and I get them
- 1:19:25Speaker 6: their own donut track on the last day.
- 1:19:28Speaker 5: Just the COVID people, just the COVID people feels creepy.
- 1:19:31Speaker 5: It feels really cood.
- 1:19:31Speaker 6: No, I think it's great. I think there's a lot
- 1:19:33Speaker 6: for them to do, and I think it's really exciting.
- 1:19:35Speaker 6: I don't like when they give me notes. If they
- 1:19:37Speaker 6: say anything, that's where kind of I have a problem.
- 1:19:40Speaker 2: But what type of notes do they give me?
- 1:19:43Speaker 5: They say, hey, can I can I can I pitch something?
- 1:19:46Speaker 6: Because I like to say that I have a inclusive set,
- 1:19:49Speaker 6: And I literally.
- 1:19:50Speaker 4: Go, no, Well that makes sense. COVID people should not
- 1:19:54Speaker 4: be pitching stuff.
- 1:19:55Speaker 5: Thank you.
- 1:19:56Speaker 2: I think you're.
- 1:19:58Speaker 5: Difficult.
- 1:19:59Speaker 4: Yeah, that's if any COVID officers are coming up to
- 1:20:02Speaker 4: the director and say, could I pitch a couple of
- 1:20:04Speaker 4: things in a scene that's probably rehearsed.
- 1:20:06Speaker 5: You know, you were so bold.
- 1:20:08Speaker 4: They're breaking COVID. That was thank you, thank you, so
- 1:20:13Speaker 4: notthing I care or no because COVID. I don't want
- 1:20:15Speaker 4: to get.
- 1:20:16Speaker 12: Into Hey man, as they say on the daily, if
- 1:20:19Speaker 12: we all just wear our masks for about three more months,
- 1:20:22Speaker 12: everything's gonna sorted.
- 1:20:23Speaker 2: So you're on it, you low listen. I agree with them,
- 1:20:29Speaker 2: but then I get mad about it.
- 1:20:32Speaker 5: Okay.
- 1:20:33Speaker 4: I'm just trying to fall, like, figure out where your virtue,
- 1:20:36Speaker 4: you know, your morals, Like what side do you on.
- 1:20:38Speaker 5: I'll just hit you with some things and you just
- 1:20:40Speaker 5: wrap it.
- 1:20:41Speaker 2: Tell me, tell me, give me, give me a bunch
- 1:20:43Speaker 2: of things, and I'll tell you yes or no.
- 1:20:45Speaker 5: Okay, COVID, the fighting of.
- 1:20:48Speaker 4: It, or that I'm wearing masks, yes, vaccines yes, uh, bathrooms,
- 1:20:56Speaker 4: gay marriage.
- 1:20:59Speaker 5: Past okay. Women getting buried to other women.
- 1:21:04Speaker 6: Yes, guns uh uh, banning the Second Amendment.
- 1:21:10Speaker 3: No, oh. Women dressing like tomboys, yes, a woman not
- 1:21:19Speaker 3: in the dress.
- 1:21:20Speaker 2: Past, I know it.
- 1:21:23Speaker 4: I know, okay, here we go, Ukraine, yes, Saudi Arabia past.
- 1:21:31Speaker 4: I don't know enough about.
- 1:21:32Speaker 1: It when you say passes it because you don't want
- 1:21:34Speaker 1: to answer, or you don't know enough about it passes me.
- 1:21:37Speaker 2: Not knowing, knowing what, knowing enough about it?
- 1:21:40Speaker 5: France? How do you feel about France?
- 1:21:43Speaker 6: Is a No?
- 1:21:43Speaker 5: Germany yes, England no, Canada.
- 1:21:49Speaker 6: No taxes, raising taxes.
- 1:21:53Speaker 2: Do your god, I'm gonna punch your right in the most.
- 1:21:56Speaker 4: Come on, public school, No organic food no so vaccines yes,
- 1:22:03Speaker 4: or getting a food no. Alright, I feel like we
- 1:22:05Speaker 4: figured it out. We figured it out that very don't box.
- 1:22:11Speaker 5: You're right, that was on us.
- 1:22:16Speaker 1: Thought there was an area that you would be categorized bathrooms,
- 1:22:20Speaker 1: pass on gay marriage.
- 1:22:25Speaker 6: There is a rumor about you that I have and
- 1:22:30Speaker 6: I want to ask you about one.
- 1:22:31Speaker 5: Can I finish the sentence? No, it's fine. I knew
- 1:22:34Speaker 5: that was gonna come. Jesus see you.
- 1:22:38Speaker 6: And there's a rumor that you were on You were
- 1:22:39Speaker 6: in a movie in the seventies, a really incredible noir film.
- 1:22:44Speaker 6: It's called Historic Filipino Town. It is well known that
- 1:22:50Speaker 6: on the set of Historic Filipino Town.
- 1:22:52Speaker 12: You.
- 1:22:54Speaker 5: Made pas wiped your butt for you when you diarrhea.
- 1:22:59Speaker 6: Is that true?
- 1:23:02Speaker 11: No?
- 1:23:03Speaker 1: Not multiple one?
- 1:23:05Speaker 5: Wow? Who was that?
- 1:23:07Speaker 3: A boy by the name of Chester Hallmark? Okay, the
- 1:23:11Speaker 3: ways that Now I'm not sure.
- 1:23:16Speaker 5: I thought you're really leading that.
- 1:23:18Speaker 3: Were asking if you've heard of it. No, I don't
- 1:23:21Speaker 3: like you said an apology note, Oh you're sorry about that? No,
- 1:23:24Speaker 3: you fucking idiot. I don't even know what roomor you're
- 1:23:26Speaker 3: talking about. You're trying to pulsh it from me, and
- 1:23:28Speaker 3: I want to have it.
- 1:23:29Speaker 6: I like this.
- 1:23:31Speaker 12: I like this.
- 1:23:31Speaker 2: In the seventies, you could ask people to do stuff.
- 1:23:34Speaker 7: We you.
- 1:23:35Speaker 1: No, I think it's I think that smoke where there's
- 1:23:38Speaker 1: fire and that room was probably kind of true. But
- 1:23:40Speaker 1: I don't like you bringing it up.
- 1:23:42Speaker 5: What did you say.
- 1:23:44Speaker 3: Where there's fire?
- 1:23:45Speaker 1: Well, there's smoke where there and maybe people are talking
- 1:23:49Speaker 1: about the ways my butt gets washed on set, and
- 1:23:51Speaker 1: maybe I do have a specific process, But.
- 1:24:14Speaker 5: You guys are mocking me that love You're all right,
- 1:24:21Speaker 5: you know, I like, Oh, go ahead, I love this.
- 1:24:24Speaker 5: I love my theory. Unless, like when I'm pulling from his.
- 1:24:28Speaker 2: Name was sho ask him what fucking character's methodize? Right now?
- 1:24:33Speaker 2: What are you right now? Superman?
- 1:24:35Speaker 4: No, I wouldn't be doing this podcast if I was
- 1:24:37Speaker 4: doing a character right now. I do have a movie
- 1:24:38Speaker 4: lined up and I'm going to start preparing for it
- 1:24:40Speaker 4: in about two weeks.
- 1:24:43Speaker 5: It's this beautiful indie film.
- 1:24:45Speaker 4: It's about a pilot that takes this one propeller plane
- 1:24:48Speaker 4: and it crashes with like ten people in the desert
- 1:24:51Speaker 4: and they have to figure out how to get back home.
- 1:24:54Speaker 4: But he is an addict, so throughout the whole journey
- 1:24:57Speaker 4: is his kind of going through that discovery. So in
- 1:25:01Speaker 4: two weeks I start hardlining Heroin to get into the role,
- 1:25:05Speaker 4: and we're gonna take it from there. And this guy
- 1:25:08Speaker 4: is supposed to be very nice pilot, but I want
- 1:25:09Speaker 4: to kind of take it off. He is mean to
- 1:25:11Speaker 4: these people. He's brutal to these people. So I'm thinking,
- 1:25:15Speaker 4: I invite these people over to I have a plane.
- 1:25:17Speaker 4: I have a private plane. Invite my other cast mates,
- 1:25:20Speaker 4: or as I like to call them, hosts cohosts, just fucking.
- 1:25:24Speaker 5: Fake plane a crash, right, just to get in their
- 1:25:26Speaker 5: heads a little bit.
- 1:25:27Speaker 12: Make sure they don't fake plane crash, just so convince
- 1:25:33Speaker 12: another human being next to you that they're about to
- 1:25:35Speaker 12: end their life.
- 1:25:37Speaker 5: Yeah, and you think that's acting, I mean, it's the
- 1:25:39Speaker 5: closest thing to it.
- 1:25:40Speaker 3: So then you'll remember what that felt like and then
- 1:25:43Speaker 3: use that on set. Is that what I mean?
- 1:25:45Speaker 4: No, the idea is to make them so scared of
- 1:25:47Speaker 4: me that they don't know what to expect when they're
- 1:25:49Speaker 4: on set with me, because that's what the whole script
- 1:25:51Speaker 4: is about. It's your the person in charge doesn't always
- 1:25:54Speaker 4: have to be a good guy.
- 1:25:56Speaker 12: Now, this is a difficult man right here. This is
- 1:25:58Speaker 12: the most difficult man of me. Yeah, there's a difficult man.
- 1:26:03Speaker 12: That's a difficult man.
- 1:26:04Speaker 2: You're terrorizing people. I'd just show up and I'd do
- 1:26:07Speaker 2: my job.
- 1:26:08Speaker 5: Yeah, where were you born?
- 1:26:10Speaker 12: I was born in Colorado? Okay, okay, any more questions.
- 1:26:16Speaker 5: No, I was just wondering that. It seems just a
- 1:26:18Speaker 5: very interesting accent.
- 1:26:19Speaker 12: And I was born in Colorado, and then I came
- 1:26:22Speaker 12: down to uh La to start acting right around.
- 1:26:28Speaker 2: Sixties.
- 1:26:29Speaker 3: Well, you know, you know you don't have an accent.
- 1:26:31Speaker 12: Your job was punched it, Yeah, I said, of a
- 1:26:34Speaker 12: couple of cowboy movies. I I earned this accent like
- 1:26:38Speaker 12: a man earns an accent. I got punched in the
- 1:26:41Speaker 12: mouth from both directions while I was saving a woman
- 1:26:43Speaker 12: from the train tracks.
- 1:26:46Speaker 5: That was a movie that that was made up?
- 1:26:49Speaker 2: No, that that had to be real. That if that
- 1:26:53Speaker 2: wasn't real, so.
- 1:26:55Speaker 5: Did one man punch you on both sides. There were
- 1:26:57Speaker 5: two people punching with one fist.
- 1:26:59Speaker 7: No, two evil train barons, and they were trying to
- 1:27:02Speaker 7: catch the beautiful lady tied to the train tracks, and
- 1:27:05Speaker 7: I stepped in and they each sucker punched me to
- 1:27:08Speaker 7: half the jaw and dog leg.
- 1:27:10Speaker 5: This that's method, man, that's literally method. That's not literally method.
- 1:27:14Speaker 2: This is just my life.
- 1:27:15Speaker 4: There's no way that there was two evil train beards
- 1:27:18Speaker 4: of the sixties with a dame attached to the.
- 1:27:21Speaker 5: He don't guy, don't try to cop his experience. I
- 1:27:24Speaker 5: would remember what kind of moment try to co op
- 1:27:27Speaker 5: his experience. You don't have to, You don't have to
- 1:27:29Speaker 5: question his truth like this is no this was real question.
- 1:27:33Speaker 2: Shut the hell up, man, this was real. There's job
- 1:27:38Speaker 2: they tho.
- 1:27:39Speaker 7: Both those trained barons came out of nowhere. They punched
- 1:27:42Speaker 7: me in the face, and then they went over to
- 1:27:44Speaker 7: a little snack table where a bunch of rice crispies
- 1:27:46Speaker 7: were set up and started going craft people.
- 1:27:49Speaker 2: No, God, damn it, I know what a crafty is.
- 1:27:52Speaker 1: There's no way multiple snacks, not just rice crispies, You
- 1:27:55Speaker 1: fucking idiot, bastard.
- 1:27:56Speaker 6: Well are you saying he's.
- 1:28:02Speaker 5: You believe him.
- 1:28:05Speaker 1: We grew up in a different time.
- 1:28:08Speaker 5: We know, Jesus, you saw this kind of stuff all
- 1:28:10Speaker 5: the time.
- 1:28:11Speaker 3: No, I just believe that somebody would punch a man.
- 1:28:14Speaker 12: Thank you so, because that's what would happen all the
- 1:28:17Speaker 12: time when men had disagreements.
- 1:28:19Speaker 2: We punch yourselves each other out.
- 1:28:22Speaker 12: And now when men have disagreements, they go walk themselves
- 1:28:25Speaker 12: into a therapist's office, bend over and get fucked.
- 1:28:31Speaker 4: Wow, oh my god, I actually I actually agree with that.
- 1:28:34Speaker 4: I fucking hate modern medicine and all that fucking that's bullshit.
- 1:28:38Speaker 5: I agree with you.
- 1:28:39Speaker 2: I don't know we'll be in with that. I'll still
- 1:28:41Speaker 2: take a time.
- 1:28:43Speaker 5: I will literally never touch it. Poison.
- 1:28:46Speaker 6: I go to the therapist. I can't recommend it enough.
- 1:28:48Speaker 6: I go three times a week. And she says I'm
- 1:28:51Speaker 6: the best. Yeah, she's doing you. She absolutely, she says
- 1:28:54Speaker 6: I'm really.
- 1:28:54Speaker 5: Good, her the best.
- 1:28:55Speaker 6: She said, I'm her favorite client and I'm the best,
- 1:28:58Speaker 6: and I do really well in there. Yeah, she she
- 1:29:02Speaker 6: hates you. You don't know that, No, we I definitely
- 1:29:05Speaker 6: know that.
- 1:29:05Speaker 5: What are you talking.
- 1:29:06Speaker 3: I don't think she hates you. I just think she's
- 1:29:07Speaker 3: bad at a job you shouldn't win, You just shouldn't.
- 1:29:13Speaker 6: That's a great point. And I'm surprised at that. Surprised
- 1:29:16Speaker 6: you had to wear with all to figure that out.
- 1:29:18Speaker 6: Was the Xanax coming down? Or what's up?
- 1:29:21Speaker 3: Are your years getting bigger because you're looking like Dumbo?
- 1:29:24Speaker 5: That's goods.
- 1:29:32Speaker 2: No, it was very funded.
- 1:29:35Speaker 3: Okay, last question, last question? What is everyone up to?
- 1:29:39Speaker 3: What's that? What's next?
- 1:29:41Speaker 16: Well?
- 1:29:41Speaker 4: I got that plane crash movie coming up, and besides that,
- 1:29:43Speaker 4: I'm just posting on Twitter.
- 1:29:45Speaker 1: I was gonna my specond. Part of the question was
- 1:29:46Speaker 1: what's next? And how are you going to be less difficult?
- 1:29:49Speaker 5: Oh?
- 1:29:49Speaker 2: Yeah, what do we learn today?
- 1:29:53Speaker 4: I guess nobody really told me why it was difficult,
- 1:29:56Speaker 4: and I guess what I learned was yeah, nothing at all,
- 1:30:03Speaker 4: Literally nothing at all. I don't think you guys were
- 1:30:06Speaker 4: the people to teach me anything.
- 1:30:08Speaker 2: So damn damn man, I'm trying to get through to yourself.
- 1:30:14Speaker 5: You are you trying to get through to me? You
- 1:30:19Speaker 5: have you taken a liking to be what's going? Are you?
- 1:30:21Speaker 7: Like? No?
- 1:30:22Speaker 5: Don't you fucking not like a sun thing?
- 1:30:25Speaker 12: But I okay, sure I'm not. I didn't just be
- 1:30:29Speaker 12: clear I didn't take a liking to you in the
- 1:30:31Speaker 12: way I take a liking to a woman.
- 1:30:33Speaker 4: Okay, we know, we definitely. I'm just saying, good daily
- 1:30:39Speaker 4: thing is just still throwing me up. But anyway, continut, No,
- 1:30:43Speaker 4: I see men like you.
- 1:30:45Speaker 12: I see men like you go a wayward, and I
- 1:30:48Speaker 12: don't want you to become the kind of man who
- 1:30:50Speaker 12: can't act because he's looking for something else.
- 1:30:53Speaker 2: And you gotta show up to work every day and work.
- 1:30:58Speaker 2: Put in the work.
- 1:30:59Speaker 12: Don't work outside of work, because then you're not working.
- 1:31:02Speaker 12: You gotta go to set. You gotta go to work.
- 1:31:05Speaker 4: You understand, I don't follow. I don't really understand.
- 1:31:09Speaker 12: Your mouth is saying that you don't follow, but your
- 1:31:11Speaker 12: eyes are saying you're scared.
- 1:31:12Speaker 2: And you do follow.
- 1:31:13Speaker 4: Son, You're not gonna get You're not gonna get through
- 1:31:15Speaker 4: to me. Okay, my fucking method is my fucking method. Okay,
- 1:31:18Speaker 4: my fucking method is my fucking method, because what is
- 1:31:21Speaker 4: my life without it?
- 1:31:22Speaker 1: This guy pissed himself. I thought I smelled something in.
- 1:31:25Speaker 4: The room that's hilarious, So yes, I pede. But that's
- 1:31:30Speaker 4: all part of my method. So why don't you back
- 1:31:32Speaker 4: the fuck off?
- 1:31:32Speaker 5: Old man? And why don't you listen to one episode
- 1:31:35Speaker 5: of the Daily, because all they're mostly trying to say
- 1:31:37Speaker 5: is women are allowed to do anything they want.
- 1:31:40Speaker 2: Now, I can listen to the Daily and disagree with it.
- 1:31:43Speaker 2: I'm open to different viewpoints, but listen to me.
- 1:31:45Speaker 3: I'm not gonna stop.
- 1:31:48Speaker 5: We're talking, all right, We'll.
- 1:31:50Speaker 6: Do that later.
- 1:31:52Speaker 2: You better stop before you head down this path. Okay,
- 1:31:54Speaker 2: I mean it. I mean it if you any problem
- 1:31:57Speaker 2: you have with me is a problem you have with yourself.
- 1:31:59Speaker 5: I love to get a thing of whiskey with you
- 1:32:02Speaker 5: and just drink and see who can drink more.
- 1:32:04Speaker 2: Are you gonna show up as a man or are
- 1:32:06Speaker 2: you gonna show up as a bad man?
- 1:32:08Speaker 5: I'm gonna show up as whatever the fuck I want.
- 1:32:10Speaker 5: How about that I actually own We're not going to
- 1:32:14Speaker 5: your distillery.
- 1:32:15Speaker 2: Oh we'll never come there.
- 1:32:17Speaker 1: Do you have a distillary?
- 1:32:19Speaker 3: Or are you a fucking idiot?
- 1:32:20Speaker 5: Men can do it all right now? We can do
- 1:32:22Speaker 5: anything we want. Okay, what did you learn? What did
- 1:32:25Speaker 5: you learn at? What did I learn?
- 1:32:27Speaker 6: I learned that I am so not difficult compared to
- 1:32:32Speaker 6: you guys.
- 1:32:33Speaker 4: I think actually you're the worst part, the worst form
- 1:32:36Speaker 4: of difficulty. We are obviously difficult. Why do we understand
- 1:32:40Speaker 4: how we're difficult? You won't even accept it?
- 1:32:43Speaker 3: What you are so far up your own box? What
- 1:32:46Speaker 3: that you will never know? Even your therapist is up
- 1:32:50Speaker 3: your hus You guys are just.
- 1:32:52Speaker 2: Like you made a house and your colon and you
- 1:32:55Speaker 2: ain't never leaving it.
- 1:32:56Speaker 5: What you went up? You made a house.
- 1:33:00Speaker 2: I'm saying you bought property inside your own ass.
- 1:33:04Speaker 1: You guys, I can't even buy.
- 1:33:05Speaker 3: He's renting property.
- 1:33:06Speaker 5: And I feel so sorry for.
- 1:33:09Speaker 6: All of you guys. I just feel really, I just
- 1:33:11Speaker 6: feel really sorry for all of you guys.
- 1:33:14Speaker 2: I'm just taking so damn.
- 1:33:16Speaker 6: I just feel like I just feel like I am
- 1:33:19Speaker 6: so I just feel like you guys are fucked up.
- 1:33:22Speaker 3: Take he pissed himself too? Can I get a napkin?
- 1:33:25Speaker 6: I like it when I pissed myself. Don't piss shame me.
- 1:33:28Speaker 5: This is a kink.
- 1:33:29Speaker 3: I'll pish shame anybody. It smells like shit.
- 1:33:31Speaker 2: It's a kink. Man pisoned himself out of embarrassment, and
- 1:33:35Speaker 2: suddenly it's a kink. I will what does this world
- 1:33:38Speaker 2: come to? Well, I've learned that I can't keep up.
- 1:33:42Speaker 2: I've learned that I can't keep up, but I am starting.
- 1:33:44Speaker 5: You know much more than any of them. Yeah.
- 1:33:49Speaker 12: I know a lot about what presidents of the Lenski
- 1:33:52Speaker 12: is doing in the path and the different factors that
- 1:33:55Speaker 12: led to him being elected. I know a lot about
- 1:33:57Speaker 12: greenhouse gas emissions.
- 1:33:59Speaker 2: And I know a lot about how.
- 1:34:01Speaker 12: The Trump family is girl lad is throwing away money
- 1:34:04Speaker 12: in certain parts of Moorrow logo.
- 1:34:07Speaker 2: But Old, I just to say, what do you think
- 1:34:09Speaker 2: about that?
- 1:34:10Speaker 3: Do you like that you don't know the facts?
- 1:34:14Speaker 5: I don't know. I just think it's interesting.
- 1:34:19Speaker 2: If you want, if you want my opinions, you have
- 1:34:25Speaker 2: to buy me a whiskey.
- 1:34:27Speaker 12: Like Batman over years offering too, I literally will. Yeah,
- 1:34:33Speaker 12: maybe if he doesn't piss himself. But no, I think
- 1:34:35Speaker 12: I did learn something today, and I can. I'm coming
- 1:34:39Speaker 12: around to the fact that I can finally admit that
- 1:34:41Speaker 12: I'm a stubborn old cow.
- 1:34:44Speaker 1: Steven Old Cow.
- 1:34:45Speaker 3: We worked together on a sitcom, The Cow's Home.
- 1:34:48Speaker 2: It was the cows Home. We were married in that.
- 1:34:51Speaker 2: I was on the air for nine We did nineteen together,
- 1:34:55Speaker 2: That's what it was. Because you did look very familiar
- 1:34:58Speaker 2: to me.
- 1:35:00Speaker 3: Sweat smelled familiar.
- 1:35:01Speaker 5: Okay, what did you learn, ah.
- 1:35:06Speaker 3: That I have to drag clean this dress because it
- 1:35:08Speaker 3: smells like piss.
- 1:35:09Speaker 5: This has been answering the question. Now, that's why they
- 1:35:12Speaker 5: call it show business. Good night.
- 1:35:16Speaker 3: Guess what I have another one from the Big Bear tapes,
- 1:35:20Speaker 3: a second Big Bear video.
- 1:35:22Speaker 5: We we got some bangers off of Big Bear.
- 1:35:24Speaker 4: It's amazing if you go back, and this is before
- 1:35:27Speaker 4: we were just filming these just to use them for promo,
- 1:35:29Speaker 4: and luckily we kept the tapes and so now.
- 1:35:31Speaker 5: We've been releasing every releasing.
- 1:35:35Speaker 4: Actually we were like, no, we're a podcast, it's audio.
- 1:35:38Speaker 17: It's crazy.
- 1:35:39Speaker 1: Okay, So this one's really special because it's a singing one,
- 1:35:42Speaker 1: and you guys love singing ones. But most importantly, it's
- 1:35:45Speaker 1: before we realize that Kylie only sings in five to four,
- 1:35:48Speaker 1: so we have to see if when she sings in
- 1:35:50Speaker 1: this video, if she's seen before.
- 1:35:52Speaker 2: I knew as well? Which one I don't think I
- 1:35:55Speaker 2: knew this about myself.
- 1:35:56Speaker 6: You guys.
- 1:35:58Speaker 5: Jukebox music.
- 1:36:01Speaker 2: Clip.
- 1:36:08Speaker 7: Welcome back to artists on artists on artists on artists.
- 1:36:11Speaker 7: If you were alive in twenty eleven, you may have
- 1:36:15Speaker 7: heard of a little song called shots and party rock Anthem.
- 1:36:20Speaker 7: Well those songs are now the foundation of a brand
- 1:36:24Speaker 7: new LMFAO jukebox musical.
- 1:36:27Speaker 6: This musical, party rock anthem brings all the music you
- 1:36:31Speaker 6: know and love of LMFAO to a theatrical stage.
- 1:36:36Speaker 1: Musicals are a celebration of story and music come together,
- 1:36:40Speaker 1: especially at jukebox musical with a powerful artist behind it.
- 1:36:44Speaker 5: Let's listen in.
- 1:36:48Speaker 6: Damn, this is fucking awesome, guy, cool, This is fucking rock.
- 1:36:52Speaker 17: Is a party rock moment, right.
- 1:36:54Speaker 6: I'm gonna be honest with you, guys. I'm sorry if
- 1:36:56Speaker 6: I smell like shit. I feel like I've been running
- 1:36:58Speaker 6: all day.
- 1:36:59Speaker 3: Well, you guess sexy, and I'm I would love that.
- 1:37:03Speaker 6: We'd love to say that to each other on the team.
- 1:37:05Speaker 6: This is fucking dope, guys. This ship's fucking dope, and
- 1:37:07Speaker 6: I'm so fucking excited.
- 1:37:08Speaker 7: It's fucking amazing. This ship's fucking amazing, and I'm so
- 1:37:11Speaker 7: excited about it. And I couldn't be more excited to
- 1:37:15Speaker 7: have a freaking team with me because I'm in Miami, bitch, right,
- 1:37:22Speaker 7: that's right, pre Broadway, in the Miami Regional Theater that
- 1:37:28Speaker 7: we all know and love.
- 1:37:29Speaker 6: Yeah, yeah, yeah, we are workshopping this show in Miami, bitch.
- 1:37:34Speaker 5: Bitch bit.
- 1:37:36Speaker 6: We're at the Miami Sun Theater right on the beach.
- 1:37:40Speaker 6: We've been there for three weeks so far. We got
- 1:37:43Speaker 6: three more months to work out the kinks and hopefully
- 1:37:45Speaker 6: we're taking our asses to Broadway to Broadway.
- 1:37:50Speaker 7: Okay, Well, we are obviously the creative team behind Party Rockanthas.
- 1:37:56Speaker 2: I'm Jenna Fou.
- 1:37:58Speaker 7: I am a producer of this musical, and I am
- 1:38:05Speaker 7: by a few degrees removed related to Red Foo of
- 1:38:09Speaker 7: Party Rock an.
- 1:38:12Speaker 2: Did you guys hear that I am Damn that's damn royalty.
- 1:38:17Speaker 5: Wow, we bow down down, you know.
- 1:38:20Speaker 2: I try and keep it.
- 1:38:25Speaker 4: Up.
- 1:38:26Speaker 6: Guys.
- 1:38:26Speaker 5: My name is Stevie Shred's that's my YouTube name. I
- 1:38:32Speaker 5: am the book writer for this.
- 1:38:34Speaker 6: I wrote the script for this, came up with the
- 1:38:36Speaker 6: fucking sick ass wicked idea that ended up being this
- 1:38:39Speaker 6: whole show, because this thing's gotta have a narrative yet,
- 1:38:42Speaker 6: this is what I've been told so and I actually
- 1:38:45Speaker 6: am a Red Foo's uh tenant in the guest house
- 1:38:50Speaker 6: behind his house. So it's really fucking sick to be here,
- 1:38:55Speaker 6: Like it's awesome, and I'm really proud of this thing.
- 1:38:58Speaker 5: I'm really fucking proud of this thing.
- 1:39:01Speaker 1: Damn, what's up, y'all? It's me Vanessa Tugeons, not Vanessa Hudgens.
- 1:39:07Speaker 1: Vanessa Tudgins because she's always touching. Haha, that's awesome. I
- 1:39:10Speaker 1: don't know what that means, but it's awesome.
- 1:39:12Speaker 5: She's always touching.
- 1:39:14Speaker 1: I'm always touching, more likely touching my toes because I'm
- 1:39:17Speaker 1: a dancer, y'all, choreographer, and I'm helping the boys here
- 1:39:20Speaker 1: with a little bit of music direction on the side.
- 1:39:22Speaker 1: I am been in the business for about thirty years,
- 1:39:26Speaker 1: grew up in Le Mez, been around the fucking block,
- 1:39:30Speaker 1: and I'm so happy to be in Miami.
- 1:39:32Speaker 5: Bitch, Miami bitch.
- 1:39:35Speaker 4: Hey, guys, what's up. I'm Kyler Josh.
- 1:39:40Speaker 2: Fine.
- 1:39:42Speaker 4: I just graduated usc at Theater School and got cast
- 1:39:47Speaker 4: in this amazing musical.
- 1:39:49Speaker 2: She swooped him up, She swooped him up, She swooped jay.
- 1:39:53Speaker 4: It was so fun, a dream come true. And yeah,
- 1:39:56Speaker 4: I'm playing leading this musical. I don't know what I
- 1:39:58Speaker 4: can give away.
- 1:39:59Speaker 5: But can give away your character's name.
- 1:40:01Speaker 4: Oh yeah, Pits, Pits, So I am playing Pits. He's
- 1:40:07Speaker 4: kind of a kooky guy. He really really loves partying
- 1:40:12Speaker 4: and he loves music, and I don't know what else
- 1:40:15Speaker 4: I can say.
- 1:40:16Speaker 1: Well, you're really you're really stressed.
- 1:40:18Speaker 4: About the day, You're really nervous. I'm really nervous. I
- 1:40:22Speaker 4: just graduated college. I don't want to pay buddy.
- 1:40:25Speaker 2: Buddy's not gonna blow it.
- 1:40:26Speaker 5: Kyler.
- 1:40:27Speaker 6: Honestly, we're the disruptors, right like you came in in
- 1:40:30Speaker 6: the right crowd because we're trying to kind of blow
- 1:40:33Speaker 6: the fucking you know, Dusty Dentures off of Broadway.
- 1:40:38Speaker 7: We're gonna blow him right out of their freaking crusty
- 1:40:41Speaker 7: old mouths. And I gotta say that, Kyler, you have
- 1:40:44Speaker 7: nothing to worry about because you were such a disruptor.
- 1:40:46Speaker 7: I actually found Kyler at the USC graduate student showcase
- 1:40:51Speaker 7: for the theater program.
- 1:40:53Speaker 5: I was just the audience.
- 1:40:54Speaker 4: I was in the audience, yes, but he.
- 1:40:56Speaker 7: Was shouting so much, so I was like, who is
- 1:41:01Speaker 7: that fucking kid? He has got something. This is a
- 1:41:04Speaker 7: party rock guy.
- 1:41:05Speaker 4: I just love monologues. I go crazy for a good monologue.
- 1:41:09Speaker 4: And I wanted to show the graduates who were like
- 1:41:11Speaker 4: in the graduate program that like the underground had their back,
- 1:41:15Speaker 4: like so incredible.
- 1:41:16Speaker 5: I just wanted to support these guys, give them love
- 1:41:19Speaker 5: give them acted. So I was like whoa after every
- 1:41:23Speaker 5: monologue and.
- 1:41:23Speaker 7: Like even some during it, like incredible he was he
- 1:41:27Speaker 7: was shouting along a little bit of Hamlet while it
- 1:41:29Speaker 7: was happening, just to show backup for a guy.
- 1:41:31Speaker 5: Sick man.
- 1:41:33Speaker 1: I'll tell you. Before we got here to Miami, we
- 1:41:35Speaker 1: were at the La Joya Playhouse for just a little
- 1:41:37Speaker 1: bit of some like big number worksito bit.
- 1:41:41Speaker 6: Yeah, three days there.
- 1:41:43Speaker 1: We were there for three days and the Loyal Playhouse
- 1:41:46Speaker 1: if you don't know it, if you are not a
- 1:41:48Speaker 1: theater person, it shares a backstage with some of the stages.
- 1:41:52Speaker 3: It has multiple stages.
- 1:41:54Speaker 1: And we're shouters here in our party Rock Anthem company,
- 1:41:57Speaker 1: So we are distructors and we are shouters. So backstage
- 1:42:01Speaker 1: during our pre show, we are motherfucking shouting.
- 1:42:05Speaker 2: That production of street Car Name Desire was not happy
- 1:42:08Speaker 2: with us.
- 1:42:09Speaker 6: They no way, but that's the past. Like they they
- 1:42:13Speaker 6: were unhappy with themselves because they can keep up with
- 1:42:15Speaker 6: the future of what we're up to. So it's really
- 1:42:17Speaker 6: fucking sick. It's really amazing looking around. I feel like
- 1:42:21Speaker 6: such an energy because Broadway has never seen anything like this.
- 1:42:24Speaker 6: You know, I'm hoping that we get into the August
- 1:42:26Speaker 6: Wilson Theater, I think that's really gonna shake everything up.
- 1:42:29Speaker 1: It's that'll blow the dentures off the place.
- 1:42:32Speaker 2: To be littered with dentures.
- 1:42:34Speaker 4: Yeah, by the time we're done, I'm just so excited,
- 1:42:36Speaker 4: like to be attached to something that's like so new
- 1:42:39Speaker 4: and so shaking up. And like, I love the story
- 1:42:42Speaker 4: of this musical and I don't I don't know how
- 1:42:45Speaker 4: much I can give away about it.
- 1:42:46Speaker 6: We give it all the way to Kyler. I love
- 1:42:47Speaker 6: your energy, by the way, and I keep coming forward
- 1:42:49Speaker 6: with this. People are gonna try to knock you down
- 1:42:51Speaker 6: as you keep going in this industry. People are gonna
- 1:42:53Speaker 6: keep trying to like make you not be who you are.
- 1:42:56Speaker 6: Keep this always, just because it's exciting to see this
- 1:42:59Speaker 6: in refreshing, right, don't we feel refreshed by this?
- 1:43:01Speaker 3: Are you kidding? Of course?
- 1:43:02Speaker 18: Yeah.
- 1:43:02Speaker 2: This dude's a fucking shout and that's why I found him.
- 1:43:05Speaker 2: You're a disruptor.
- 1:43:06Speaker 1: You will go into a Thanksgiving dinner and say, let's
- 1:43:08Speaker 1: not be thankful, let's disrupt.
- 1:43:10Speaker 4: I just want to say, like now that I have
- 1:43:12Speaker 4: the second to do it, like and I know I
- 1:43:13Speaker 4: tell you, guys, this all the time. But I look
- 1:43:15Speaker 4: up to all of you guys so much and like,
- 1:43:17Speaker 4: thank you for giving me this opportunity.
- 1:43:19Speaker 6: Like, of course, of.
- 1:43:20Speaker 2: Course, Kyler, you rock man.
- 1:43:21Speaker 6: I mean you change everything, You change the room when
- 1:43:23Speaker 6: you walk in.
- 1:43:24Speaker 11: You.
- 1:43:24Speaker 6: I've been lucky enough to go to some USC parties with.
- 1:43:26Speaker 4: You and and when I'm glad you could come, I'm
- 1:43:30Speaker 4: so glad you invited me.
- 1:43:31Speaker 6: I think you invited me as a joke, And I said,
- 1:43:34Speaker 6: I don't take invitations as jokes.
- 1:43:36Speaker 5: It's not a joke.
- 1:43:37Speaker 6: Yeah, awesome, because I saw you take one jellow shot
- 1:43:40Speaker 6: and you were on the fucking roof, like you are
- 1:43:43Speaker 6: so fucking bad.
- 1:43:44Speaker 2: And he's a lightweight, which I think is awesome.
- 1:43:46Speaker 6: Yes, exactly, that's awesome.
- 1:43:47Speaker 3: We need more lightweight to musical figures, artist.
- 1:43:50Speaker 2: But I would love to hear more about.
- 1:43:51Speaker 6: The So let me tell you guys about what's going
- 1:43:53Speaker 6: on in the show and what we kind of discovered.
- 1:43:55Speaker 6: So we realized that this music would fit really well
- 1:43:58Speaker 6: into a modern re telling of Dante's Inferno. No, yes,
- 1:44:03Speaker 6: but it's the Nine Circles of Hell as set in
- 1:44:07Speaker 6: a Las Vegas pool party, so so smart. It's really
- 1:44:11Speaker 6: smart and it's really brave, like nobody's ever kind of
- 1:44:14Speaker 6: reimagined Dante's Inferno like this, And it's the kind of
- 1:44:18Speaker 6: thing where.
- 1:44:18Speaker 5: It's we're ready for it, We're ready for something new,
- 1:44:21Speaker 5: and the Nine Circles of Hell you get farther and
- 1:44:23Speaker 5: farther in.
- 1:44:24Speaker 7: And I think most people were surprised when, like they
- 1:44:28Speaker 7: first saw it, because they didn't expect the concept to
- 1:44:31Speaker 7: be actually pretty good.
- 1:44:34Speaker 2: I think they weren't expecting that.
- 1:44:36Speaker 7: I think they were just expecting some ham fisted elements songs, but.
- 1:44:40Speaker 5: The Green Day jukebox musical or something like that, right.
- 1:44:42Speaker 6: Yeah, right, totally, like try to make it fit around.
- 1:44:45Speaker 6: There's the thing is I listened to music so much.
- 1:44:47Speaker 6: I listened to that music when I'm sitting in the
- 1:44:49Speaker 6: guest house. Red Food plays it constantly, and it hit
- 1:44:52Speaker 6: me one day, Yeah what if I was in hell?
- 1:44:54Speaker 6: And that's when I realized this story would be perfect
- 1:44:57Speaker 6: for this shit because this.
- 1:44:58Speaker 3: Is such a different jukebox musical.
- 1:45:00Speaker 1: Because this music, like with Billy Joel music or Green
- 1:45:03Speaker 1: Day music, that's like a genre and a time.
- 1:45:07Speaker 3: Elamfao is timeless and around always always, so that music
- 1:45:13Speaker 3: we have to show a.
- 1:45:14Speaker 1: Different version of it because it's it sounds like elevator
- 1:45:18Speaker 1: music to an American because we hear it all the time, exactly,
- 1:45:21Speaker 1: because sometimes.
- 1:45:22Speaker 7: We're like, oh, like I am not a horse playing
- 1:45:25Speaker 7: and you're like honkshoo, hankshoo, time to go to bed.
- 1:45:28Speaker 1: Because it's just constant, you know, because you're like shopping
- 1:45:31Speaker 1: it forever twenty one and that's just the current state
- 1:45:34Speaker 1: exactly exactly.
- 1:45:35Speaker 6: And the thing is, there's two ways to go to
- 1:45:36Speaker 6: the JUGARXS musical right when I kind of when I
- 1:45:40Speaker 6: pitched this idea it's a red food because this was
- 1:45:42Speaker 6: my idea and he's been going with it.
- 1:45:44Speaker 1: Everything knock on his door like from the Yeah, I
- 1:45:46Speaker 1: knock on.
- 1:45:47Speaker 6: The kitchen door and I said, hey man, I got
- 1:45:48Speaker 6: an idea for you. It just hit me and I
- 1:45:51Speaker 6: had done my research and I'd set everything up beforehand.
- 1:45:54Speaker 6: There's two ways you can go. You can go with
- 1:45:55Speaker 6: the Billy Joel, you can go with the American idiot.
- 1:45:57Speaker 6: You can go with the on the nose right be beep.
- 1:46:00Speaker 6: This is a musical called moving Out. We're just going
- 1:46:04Speaker 6: to be having a guy who looks like Billy Joel.
- 1:46:05Speaker 6: We will rock you Angel, Yeah, exactly, just like very
- 1:46:11Speaker 6: very obvious, or you can go with the Mama Mia
- 1:46:13Speaker 6: the head over heels. You take another story, you find
- 1:46:16Speaker 6: a new adventure and.
- 1:46:17Speaker 3: I on its head.
- 1:46:19Speaker 6: Yeah, and let's reimagine it and see it in the
- 1:46:20Speaker 6: way we've never seen before. You know what is uh sexy?
- 1:46:24Speaker 6: And I know it as sung by a security guard
- 1:46:27Speaker 6: who is representing Cerberus, you.
- 1:46:29Speaker 5: Know what I mean?
- 1:46:29Speaker 6: Like, that's that's what I'm looking for, and that's what
- 1:46:33Speaker 6: we found, which I'm so fucking excited that we fucking
- 1:46:37Speaker 6: found that.
- 1:46:38Speaker 5: All of us found that. You found that you We
- 1:46:41Speaker 5: all found it in our own way.
- 1:46:43Speaker 1: I think in each generation of the show, it's being
- 1:46:45Speaker 1: written right, Like you are writing that fearless fucking book
- 1:46:48Speaker 1: and you come in and you are rewriting this in
- 1:46:51Speaker 1: all these ads, like how do you how do you
- 1:46:53Speaker 1: put an ad campaign together for this? I don't know,
- 1:46:56Speaker 1: like nuts?
- 1:46:57Speaker 3: And then I'm rewriting it with our bodies. You are
- 1:47:00Speaker 3: rewriting it with your mother fucking soul.
- 1:47:02Speaker 5: No way, No, you.
- 1:47:06Speaker 6: Have to reject one of our compliments again. I'm gonna
- 1:47:08Speaker 6: give you the biggest fucking wet willie ever felt.
- 1:47:11Speaker 5: Okay, okay, okay, okay, what is it?
- 1:47:13Speaker 1: For you, like just experiencing like selling this fucking music,
- 1:47:17Speaker 1: because the budget on this thing is ginormous.
- 1:47:19Speaker 2: It's ginormous, And I think what we had to do because.
- 1:47:24Speaker 7: As we know, like Broadways Denture City, right, it's the dusty,
- 1:47:29Speaker 7: dusty denture cabin.
- 1:47:31Speaker 3: Both the dentures off the roof.
- 1:47:33Speaker 2: So what what I had to do?
- 1:47:35Speaker 7: I had to think outside the box because obviously these
- 1:47:38Speaker 7: old people were not gonna go for something like this
- 1:47:41Speaker 7: unless I had a pitch that was gonna do it.
- 1:47:44Speaker 2: And I really pitched this as what are you afraid of?
- 1:47:49Speaker 6: Fuck?
- 1:47:50Speaker 5: What are you?
- 1:47:51Speaker 7: What are your deepest fears? I pitched this as a
- 1:47:54Speaker 7: horror for them. I pitched this as do you want
- 1:47:57Speaker 7: to be fucking scared? This?
- 1:48:00Speaker 2: This is what we'll do it.
- 1:48:00Speaker 7: It's the music of LMFAO is going to deeply terrify you.
- 1:48:05Speaker 7: I played them the song yes over and over again,
- 1:48:09Speaker 7: like yes, the party is working, Yes, Yes, and SA
- 1:48:14Speaker 7: the amount of old people who fainted back in their
- 1:48:17Speaker 7: chairs upon hearing it because it was so terrifying to.
- 1:48:20Speaker 5: Them, repetitive.
- 1:48:21Speaker 2: Yeah, they fainted and then they took out their checkbooks.
- 1:48:24Speaker 6: You should have seen the shit we used to have
- 1:48:26Speaker 6: to go into these pitch meetings and these financing meetings.
- 1:48:28Speaker 5: We used to have to buckle them into their seats
- 1:48:31Speaker 5: because they were getting hurt.
- 1:48:32Speaker 3: How did you get Monster Energy on board?
- 1:48:35Speaker 2: Oh, they were on board without with like three words.
- 1:48:38Speaker 2: They didn't know.
- 1:48:40Speaker 7: They told me afterwards. They didn't even read the body
- 1:48:42Speaker 7: of the email. They just read the subject line that
- 1:48:44Speaker 7: said lmfao.
- 1:48:45Speaker 4: I heard they they wrote you back. They start writing
- 1:48:48Speaker 4: back right at LMF. They just didn't even read it.
- 1:48:51Speaker 2: I got a response within thirty seconds that said yes.
- 1:48:54Speaker 1: And so how did you know they wanted to break
- 1:48:56Speaker 1: into the musical theater world.
- 1:48:58Speaker 7: It's just a sense when when you're a producer, it's
- 1:49:02Speaker 7: your job to anticipate what things are gonna happen, and
- 1:49:06Speaker 7: so we did. We heavily featured Monster Energy in this show,
- 1:49:11Speaker 7: as you guys know. But it wasn't hard, like it
- 1:49:15Speaker 7: was almost a benefit to us.
- 1:49:16Speaker 2: A lot of times with.
- 1:49:17Speaker 7: Ads and with the sponsorship, you have to like find
- 1:49:19Speaker 7: a way to work it in and it's kind of clumsy,
- 1:49:22Speaker 7: but this is a symbiotic relationship. This is bringing Monster
- 1:49:27Speaker 7: Energy to the elderly, which is a market they don't have.
- 1:49:31Speaker 2: We have what they need and you Well, I was.
- 1:49:35Speaker 6: Just gonna say what we found in the device because
- 1:49:38Speaker 6: the whole thing about musicals, everyone has a different philosophy
- 1:49:41Speaker 6: of who's singing and why are we singing? Can everybody
- 1:49:44Speaker 6: in the room hear me singing?
- 1:49:45Speaker 5: Am I singing? My inner thoughts?
- 1:49:47Speaker 2: Why is this a song? Why is the style?
- 1:49:49Speaker 6: We found the device? Every time you drink a monster,
- 1:49:51Speaker 6: you start belting lmfao. So they all chug a monster
- 1:49:56Speaker 6: and start going kyler. How's that process for you?
- 1:49:58Speaker 4: It's been so fun. I'm a big fan of Monster
- 1:50:01Speaker 4: Energy drink.
- 1:50:02Speaker 5: Yeah, I love that.
- 1:50:03Speaker 4: Like I try to use water for the first couple
- 1:50:05Speaker 4: of days, but it just it wasn't working for you guys.
- 1:50:08Speaker 4: So I quickly made the switch to actual Monster Energy drink.
- 1:50:11Speaker 4: So I'm drinking like eight or nine because we are
- 1:50:13Speaker 4: running through water.
- 1:50:15Speaker 3: Wasn't giving them twitches.
- 1:50:16Speaker 5: It was bad. Water was bad.
- 1:50:18Speaker 1: I wasn't getting like the eye twitches when someone's overly caffeinated.
- 1:50:21Speaker 1: I wasn't getting that. And watching that you need.
- 1:50:25Speaker 4: That in the in the p Yeah, I mean this,
- 1:50:26Speaker 4: this performance is a dream come true for me. I mean,
- 1:50:29Speaker 4: like the whole blocking process and building a show from
- 1:50:31Speaker 4: the ground up. I've never experienced anything like that other
- 1:50:34Speaker 4: than like when I was in the ninth like my
- 1:50:37Speaker 4: freshman year, I was in a short film and we
- 1:50:39Speaker 4: were kind of building that together.
- 1:50:41Speaker 2: It feels so fun and so unique, way different than that.
- 1:50:44Speaker 6: Yeah, it's nothing compared to this.
- 1:50:45Speaker 4: Yeah, so different actually, and it's so much better. Awesome,
- 1:50:48Speaker 4: It's so like, but how did it, Like, you guys
- 1:50:51Speaker 4: meet though, like we Well.
- 1:50:53Speaker 2: I'm a distant cousin of red Food.
- 1:50:56Speaker 6: Yeah, yeah, yeah, so she was over four.
- 1:51:00Speaker 2: I was over for Shabbat, and you know, I'm over
- 1:51:03Speaker 2: a lot because.
- 1:51:05Speaker 1: I roots every week.
- 1:51:07Speaker 7: Yeah, I'm over frequently. Yeah, so I know the family
- 1:51:13Speaker 7: very well because I'm in it. And sky Blue, who
- 1:51:17Speaker 7: was obviously Red Foo's nephew, the second member of LMFAO,
- 1:51:22Speaker 7: he no longer comes around because of the feud, and
- 1:51:25Speaker 7: so everyone in the family was sort of forced to
- 1:51:29Speaker 7: take a side. Everybody along the like third fourth cousins
- 1:51:33Speaker 7: even everybody had.
- 1:51:34Speaker 2: To take a spot, and it split us right down
- 1:51:37Speaker 2: the middle.
- 1:51:38Speaker 7: And it got to a point where because I was like, Skyblue,
- 1:51:41Speaker 7: you're awesome, You're a great kid. But I had to
- 1:51:44Speaker 7: flip a coin because I couldn't choose, and so I
- 1:51:48Speaker 7: had to go with Red Food. But I think it
- 1:51:50Speaker 7: led us to a good direction because he really wanted
- 1:51:54Speaker 7: to do this musical and he had the idea for it,
- 1:51:57Speaker 7: so we went behind it. But yeah, I was over
- 1:51:59Speaker 7: at the house, and I think the first time we
- 1:52:02Speaker 7: met you were you were in the guest house.
- 1:52:05Speaker 6: I was in the guest house. I accidentally lit my
- 1:52:07Speaker 6: fucking shirt on fire.
- 1:52:09Speaker 2: Yeah, because I was seeing and I was like, that
- 1:52:12Speaker 2: guy is dancing so good.
- 1:52:13Speaker 5: That guy ran out. I ran out smoking smoke. Alarms
- 1:52:17Speaker 5: went off.
- 1:52:17Speaker 6: I jumped into the pool, and you were there, and
- 1:52:21Speaker 6: then we didn't see each other for three or four
- 1:52:23Speaker 6: more years.
- 1:52:24Speaker 3: Crank you crank that pan really high with the for
- 1:52:27Speaker 3: the eggs.
- 1:52:27Speaker 6: I like to cook eggs hard. I like to cook
- 1:52:30Speaker 6: them until they're hard, right right. I just don't like
- 1:52:32Speaker 6: soft ship in my mouth, Like I go hard all
- 1:52:34Speaker 6: the time, even with eggs, so right right, right, right
- 1:52:36Speaker 6: right right, you know, I like to cook them up
- 1:52:38Speaker 6: in My shirt was just too long for what I
- 1:52:40Speaker 6: was cooking with. So that's just kind of what happened.
- 1:52:42Speaker 2: But that's kind of what I met.
- 1:52:44Speaker 5: We met later, I think at a some sort of
- 1:52:47Speaker 5: industry event, yeah, and.
- 1:52:49Speaker 2: Then were ravers in Broadway.
- 1:52:51Speaker 7: That's what It was a networking event for raps and yeah,
- 1:52:55Speaker 7: rip and we met because there was a there was
- 1:52:59Speaker 7: a fountain of uh.
- 1:53:02Speaker 2: It wasn't chocolate and it was it was niquil, That's
- 1:53:06Speaker 2: what it was.
- 1:53:07Speaker 7: Because they had they had niquel fountain and then they
- 1:53:10Speaker 7: had like a little dish of molly, but it baked
- 1:53:13Speaker 7: into candy that you could.
- 1:53:14Speaker 2: Have, So it was a little something crazy.
- 1:53:17Speaker 6: It was wild those us. It was Cheyenne Jackson. Who
- 1:53:21Speaker 6: are the other ravers in Broadway?
- 1:53:22Speaker 2: Ravers in Broadway?
- 1:53:23Speaker 5: It was well.
- 1:53:24Speaker 7: Scrill X was there because he was briefly involved in
- 1:53:29Speaker 7: PIP and so.
- 1:53:31Speaker 1: He was there for a brief He did it in
- 1:53:34Speaker 1: He like amazing, I mean your newest raver on Broadway,
- 1:53:37Speaker 1: beany Feltsteine.
- 1:53:38Speaker 5: Yes, yes, he hit the scene.
- 1:53:41Speaker 7: Hard, hard and fast. That's why she burned. She hasn't
- 1:53:44Speaker 7: been to ribbon, it's so crazy.
- 1:53:45Speaker 6: Hasn't been a rib when she first got cast and
- 1:53:48Speaker 6: Funny Girl she came. She picked up a big hand,
- 1:53:52Speaker 6: a big pile of pixie to us as we call it,
- 1:53:55Speaker 6: and she said, this is the only music that makes
- 1:53:57Speaker 6: me dance. Funny Girl holy shit freebas right in front
- 1:54:01Speaker 6: of us and we were having a.
- 1:54:02Speaker 2: Blast and she showed up in full rave gear like
- 1:54:07Speaker 2: candied out.
- 1:54:08Speaker 7: Hand bracelets, totem of like, uh, it was like it
- 1:54:13Speaker 7: was like a giant like Saturn.
- 1:54:17Speaker 6: Remember I think she went home with Joel Gray that
- 1:54:19Speaker 6: that night.
- 1:54:20Speaker 5: Yeah, yeah, that was crazy. She was crazy.
- 1:54:23Speaker 2: I can't believe they did that.
- 1:54:25Speaker 3: I love Joel Gray and I love Beanie.
- 1:54:28Speaker 6: What a good com Can I just say the fact
- 1:54:30Speaker 6: that we got Joel Gray in this show is so amazing?
- 1:54:33Speaker 6: How is it amazing to work with the original wizard himself? Cabaret.
- 1:54:37Speaker 5: He's so good.
- 1:54:38Speaker 3: It's come in bitches.
- 1:54:40Speaker 4: Hell yeah, he is so so good when we do
- 1:54:44Speaker 4: uh that he is kind of the party rock, like
- 1:54:47Speaker 4: he is.
- 1:54:48Speaker 2: He's taking me through the layers of some people are rocks.
- 1:54:52Speaker 5: So he is the party rock.
- 1:54:54Speaker 4: And as you guys know, every l M F a
- 1:54:55Speaker 4: O song includes the word party rock in it or
- 1:54:58Speaker 4: or surrounds the theme of party. So he has he's
- 1:55:01Speaker 4: in all of the things and just getting to know
- 1:55:03Speaker 4: like a pro like that and like being opened up
- 1:55:05Speaker 4: to a world and a guy who is kind of
- 1:55:08Speaker 4: over it, you know, like he is very it there's
- 1:55:11Speaker 4: a reason he's not here today.
- 1:55:13Speaker 6: Yeah, well, there's a lot of reasons. It gives me
- 1:55:15Speaker 6: fucking chills when I see him do because we have
- 1:55:18Speaker 6: him come in with some solos and.
- 1:55:20Speaker 5: He's the.
- 1:55:23Speaker 6: Legendary every day I'm chuffling, right, everything stops and you
- 1:55:26Speaker 6: can talk about that because that's in obviously party rock anthem.
- 1:55:30Speaker 5: The opening song, it's also a middle of.
- 1:55:32Speaker 6: Act one song, into Act one song and then middle
- 1:55:35Speaker 6: of back two song and finale song.
- 1:55:36Speaker 5: It's reprised.
- 1:55:37Speaker 6: Yeah, yeah, it's it's different every time.
- 1:55:39Speaker 7: And the middle of act two reprise a bit is
- 1:55:43Speaker 7: absolutely heartbreaking.
- 1:55:45Speaker 2: The duet that you have with oh my gosh, our
- 1:55:50Speaker 2: co star I can't remember her name.
- 1:55:52Speaker 5: Is Seezy the girl sez right, I remember.
- 1:55:56Speaker 7: Because we kept changing it back and forth between Steezy
- 1:55:59Speaker 7: and Sleeves, and so I.
- 1:56:01Speaker 3: Couldn't totally not decide.
- 1:56:03Speaker 2: We could not decide.
- 1:56:04Speaker 5: He is great. He is really Palm.
- 1:56:07Speaker 3: She went straight from the Jordan Peele movie and now
- 1:56:09Speaker 3: she on a pre probably one with Yes.
- 1:56:12Speaker 7: That duet that you have, that second act reprise duet
- 1:56:16Speaker 7: that you have of every day I'm shuffling with Kiki
- 1:56:18Speaker 7: Palmer is absolutely heartbreaking.
- 1:56:20Speaker 2: The way that you guys harmonize your the.
- 1:56:21Speaker 4: Choice to slow it down, the choice to slow it
- 1:56:24Speaker 4: down and play it slowly and heartbreaking every day.
- 1:56:28Speaker 2: I'm shoeve Well, let's talk about that.
- 1:56:33Speaker 3: I love somebody, Yes, Yes, And we talked to the
- 1:56:36Speaker 3: boys about that. I talked to the guys about that.
- 1:56:38Speaker 1: When we are workshopping a lot of the music and
- 1:56:40Speaker 1: the workshops that we were presenting to Monster and presenting
- 1:56:43Speaker 1: to investors, it was like, we gotta we gotta hear
- 1:56:47Speaker 1: dynamics in LMFAO, and that though we get LMFAO's spirit
- 1:56:52Speaker 1: in their albums, you don't need dynamics from them because
- 1:56:54Speaker 1: they are dynamic in themselves. But in a musical, we
- 1:56:57Speaker 1: have a beginning of middle of an end. We have
- 1:56:58Speaker 1: peaks and we have valleys, so we need we need
- 1:57:02Speaker 1: a parking bark, as we say in our business, we
- 1:57:04Speaker 1: need a moment where a character stands and proclaims their
- 1:57:07Speaker 1: emotion out. It's hard to sing almfao's music and not
- 1:57:12Speaker 1: move your body, so.
- 1:57:13Speaker 2: We have to slow it down.
- 1:57:15Speaker 6: I need to bring that scene up because that's reprisal
- 1:57:19Speaker 6: four of Party Rock Anthem that turns into a dream
- 1:57:22Speaker 6: ballet under the wavepool, right, and so the choreography that
- 1:57:26Speaker 6: you did for that so beautiful. It knocks my balls
- 1:57:29Speaker 6: into my fucking ass when I see it.
- 1:57:31Speaker 5: It's so thank you.
- 1:57:32Speaker 3: I appreciate that.
- 1:57:33Speaker 4: I love.
- 1:57:34Speaker 1: I love when men respond to choreography and they and
- 1:57:37Speaker 1: their balls shake.
- 1:57:38Speaker 5: I'm not gay, but I like choreography.
- 1:57:40Speaker 3: I love that, and I love that.
- 1:57:42Speaker 5: Yeah say that, Yeah, and I'm glad to say that.
- 1:57:44Speaker 3: Yeah. Yeah. We also, I mean every day I'm shuffling.
- 1:57:48Speaker 1: The second you approached me about like adding so much
- 1:57:51Speaker 1: movement and just life to this piece, I remember realizing,
- 1:57:54Speaker 1: like the first thing came to my mind, every day,
- 1:57:56Speaker 1: I'm shuffling, shuffle, tap shuffle. We got to make this
- 1:57:59Speaker 1: a tap piece. And then I sat down with you
- 1:58:01Speaker 1: and you said, hold it right there, sister, let's sit
- 1:58:04Speaker 1: down and talk ideas here. And then I realized a
- 1:58:07Speaker 1: tap dance number to every day imn shuffling to that
- 1:58:11Speaker 1: part of the song is not deconstructing Broadway. It is
- 1:58:16Speaker 1: not disrupting Broadway. What is swimming in a pool? Lyrical dances,
- 1:58:22Speaker 1: that's what's going to like.
- 1:58:24Speaker 4: That is a lot of work to do under a pool,
- 1:58:27Speaker 4: like you know, and and also ballet I'm not professionally
- 1:58:30Speaker 4: trained in ballet.
- 1:58:33Speaker 6: It's been really hard to figure out the dynamics of
- 1:58:35Speaker 6: that wavepool and the machine that makes the waves is
- 1:58:38Speaker 6: so loud.
- 1:58:39Speaker 4: Yeah, and get into it every single day, even though
- 1:58:43Speaker 4: it's like I've almost done a couple of times.
- 1:58:45Speaker 5: I'm happy to put my body on.
- 1:58:46Speaker 2: The Energy, I will say was very intent on it
- 1:58:51Speaker 2: being a real pool, Monster filled.
- 1:58:55Speaker 1: They came in when we had the Monster Energy. We
- 1:58:57Speaker 1: ran out of Monster when we had the wavepool. Pitch,
- 1:59:00Speaker 1: you're out of money from Monsters, so you went to
- 1:59:02Speaker 1: rock Star.
- 1:59:02Speaker 2: Yes, yes, say yes.
- 1:59:04Speaker 7: I went to Rockstar Energy and they really really really
- 1:59:07Speaker 7: wanted a pool and like we were because we were
- 1:59:09Speaker 7: going to do it like traditional ballet style where there's
- 1:59:12Speaker 7: these beautiful like silk things that were blowing and it's
- 1:59:15Speaker 7: supposed to symbolize pool. But they were like, fuck that.
- 1:59:18Speaker 7: We're an energy drink company. What the fuck is a
- 1:59:21Speaker 7: silk sheet gonna do for us? That doesn't sell energy drinks?
- 1:59:25Speaker 1: And then you pit them against each other.
- 1:59:27Speaker 2: Yeah, it was a bidding war.
- 1:59:28Speaker 5: It was a bitding war within our own production. Last
- 1:59:30Speaker 5: Ship was risky as hell and I love you.
- 1:59:33Speaker 7: That's what we're doing we're disrupting. We're disrupting. We're saying
- 1:59:36Speaker 7: these two sponsors are giving us money.
- 1:59:38Speaker 5: It's just like good and bid.
- 1:59:40Speaker 2: Against each other.
- 1:59:41Speaker 4: That part, for me is like such a crazy show
- 1:59:42Speaker 4: because the pool is filled with rockstar energy drink and
- 1:59:45Speaker 4: then they're Monster energy drink motorcyclists that do flips over
- 1:59:48Speaker 4: the pool and I'm crazy to get them holding my
- 1:59:51Speaker 4: breath for dear life. Waves like eight foot waves are
- 1:59:55Speaker 4: hitting because it's a full wave pool.
- 1:59:57Speaker 1: Well, I also think we should shout out our incredible
- 2:00:01Speaker 1: set designer who designs Salay, okay, Mommy, ste Mommy.
- 2:00:10Speaker 6: Bitch, motherfucker, I mean Steffan Mommy came in with some
- 2:00:15Speaker 6: incredible stuff, especially because that specific segment, you know, we
- 2:00:19Speaker 6: in monster versus rock stars all happening on the stage.
- 2:00:21Speaker 6: It kind of felt like, uh, somebody dealing with two
- 2:00:25Speaker 6: Christmases from recently divorced parents. It felt like they were
- 2:00:28Speaker 6: fighting against each other in a massive fucking way. And
- 2:00:31Speaker 6: I can relate to that, you know what I mean.
- 2:00:33Speaker 6: So that was like really crazy. Steffan had to come
- 2:00:36Speaker 6: in and had to had to lump all that together
- 2:00:38Speaker 6: and connect it and make build those bikes. Yeah, you
- 2:00:41Speaker 6: build the bikes, the motorcycles. I couldn't believe it when
- 2:00:45Speaker 6: I said the bike. When I said, Stefan, I want
- 2:00:46Speaker 6: a completely original motorcycle, he said where.
- 2:00:51Speaker 2: And we can't just get one, we have to buy
- 2:00:54Speaker 2: all the parts.
- 2:00:55Speaker 7: And he also the way that he sort of flipped
- 2:00:58Speaker 7: the set upside down out like deconstructed in each act.
- 2:01:02Speaker 7: So it's hard to describe, but the set sort of
- 2:01:05Speaker 7: flips in ane of itself because we're going into another
- 2:01:08Speaker 7: layer and it sort of becomes this like noises Off
- 2:01:12Speaker 7: style thing where at the very end we are backstage
- 2:01:16Speaker 7: of Miami's Hell. We are in like the essentially the
- 2:01:22Speaker 7: Devil's backstage for Hell.
- 2:01:24Speaker 2: That's where they keep all the hell stuff that they
- 2:01:26Speaker 2: aren't using at that time.
- 2:01:28Speaker 7: It's introduced that there's a storage closet where all the
- 2:01:30Speaker 7: demons live.
- 2:01:31Speaker 4: It's a greater metaphor for the yes yes at beautiful,
- 2:01:36Speaker 4: like a great beautiful moment, and like, I don't know
- 2:01:38Speaker 4: if I'm allowed to say this, but you.
- 2:01:40Speaker 3: Can't say anything you want.
- 2:01:43Speaker 2: Trying to sell those things.
- 2:01:45Speaker 4: Like one of my favorite moments to get on board
- 2:01:49Speaker 4: or get off.
- 2:01:51Speaker 7: Get out the motorcycle or get off, get it awaypool
- 2:01:54Speaker 7: or get out.
- 2:01:55Speaker 2: Because I can go back to USC and find another no, no.
- 2:02:00Speaker 5: Of people at those parties.
- 2:02:01Speaker 1: I could throw a diamond, find a kid yelling at
- 2:02:02Speaker 1: us like no, I'm so into it.
- 2:02:05Speaker 2: You're special, but come on.
- 2:02:07Speaker 4: So one of my favorite moments of the show, one
- 2:02:09Speaker 4: of my favorite momentes of the show is I thought
- 2:02:11Speaker 4: you were did such a beautiful job. And it was
- 2:02:13Speaker 4: both the combination of your choreography and your beautiful writing.
- 2:02:17Speaker 4: Where where there's that line and where little John in
- 2:02:20Speaker 4: the song shots goes all the alcoholics put your hands up,
- 2:02:24Speaker 4: and I put my hand up and the music cuts out,
- 2:02:27Speaker 4: and I realize that's why I'm here. I'm walking down
- 2:02:34Speaker 4: the steps of hell to deal with.
- 2:02:36Speaker 6: My alcoholism, saying is alcohol and we're saying alcoholics go
- 2:02:40Speaker 6: to hell.
- 2:02:43Speaker 2: The thesis statement of this show.
- 2:02:45Speaker 7: Common misconception about LMFAO is that we are pro drinking.
- 2:02:48Speaker 11: No.
- 2:02:49Speaker 2: LMFAO is a morality tale. It shows you what not
- 2:02:53Speaker 2: to do.
- 2:02:54Speaker 7: Anytime they're saying sorry my bitch through a hissy bit
- 2:02:57Speaker 7: about my whiskey dick, that is you.
- 2:03:00Speaker 2: Don't drink alcohol. It is poison.
- 2:03:04Speaker 1: Can I tell you who believes this is why you're
- 2:03:06Speaker 1: so fucking brilliant and the best producer I've ever met
- 2:03:09Speaker 1: who believes that alcoholics are going to hell.
- 2:03:12Speaker 3: Energy drink creators.
- 2:03:14Speaker 2: Yes, yes, because you.
- 2:03:15Speaker 7: Know, there was that viral thing that went around that
- 2:03:18Speaker 7: the Monster Energy was actually the symbol of the devil
- 2:03:21Speaker 7: or the symbol of the beast.
- 2:03:22Speaker 2: Sometimes it's actually the opposite. So you did that.
- 2:03:28Speaker 5: Yeah, that's fun. It just like I like disrupting every time.
- 2:03:31Speaker 7: Yeah, that is disrupting because Monster Energy turns out as
- 2:03:34Speaker 7: a deeply Christian and deeply sober organization and that's why
- 2:03:38Speaker 7: they're an energy drink, and not because I sat down
- 2:03:41Speaker 7: with the CEO a while.
- 2:03:41Speaker 2: Because he was so excited and we sat down fucking
- 2:03:45Speaker 2: we were fucking.
- 2:03:46Speaker 7: So I sat down on his penis and we had
- 2:03:48Speaker 7: a discussion and we were talking about it, and he
- 2:03:57Speaker 7: was like, you know, I have everything in the world.
- 2:04:00Speaker 7: I have the money, I had the funding, and like
- 2:04:02Speaker 7: I was born into money. I got these investors. I'm
- 2:04:05Speaker 7: a brilliant entrepreneur. I could have made the most insane
- 2:04:10Speaker 7: whiskey or tequila or vodka, but I didn't because I'm sober,
- 2:04:15Speaker 7: and so I poured it into the opposite of a
- 2:04:18Speaker 7: depressant which is a stimulant, and what is more stimulating
- 2:04:23Speaker 7: than a monster energy drink?
- 2:04:25Speaker 6: And I'm not here to judge any of these people, right,
- 2:04:27Speaker 6: I don't know what they're talking about most of the time.
- 2:04:29Speaker 6: But I am here to make lemonade out of whatever
- 2:04:32Speaker 6: lemons they're fucking around with. So that's what I'm up
- 2:04:34Speaker 6: to with this musical, and I think we're doing a
- 2:04:36Speaker 6: great job of that.
- 2:04:37Speaker 4: I mean, it's a beautiful story just about ye, like
- 2:04:40Speaker 4: the trials and tribulations of partying, but how you can
- 2:04:42Speaker 4: party sober, you can party rock with your sopriety.
- 2:04:47Speaker 3: You know, let's talk about the eleven o'clock number, because
- 2:04:50Speaker 3: we're talking about variety.
- 2:04:51Speaker 6: Let's talk about it.
- 2:04:52Speaker 5: Well, let's and we haven't mentioned this yet.
- 2:04:54Speaker 6: Red Fu wrote fifteen original songs for this musicful they
- 2:04:59Speaker 6: all sound.
- 2:04:59Speaker 2: I yeah, they're all pretty much the same.
- 2:05:02Speaker 7: I thought they were from the original album the first
- 2:05:05Speaker 7: thirteen times I heard it.
- 2:05:06Speaker 2: Then I realized, oh, wait a minute, this shit is new.
- 2:05:08Speaker 3: And that's what's amazing is that we have brand new
- 2:05:11Speaker 3: stuff that feels familiar.
- 2:05:12Speaker 6: Yeah, and you're gonna you're not gonna know for a
- 2:05:14Speaker 6: second you hadn't heard it before.
- 2:05:16Speaker 3: Yeah, and so that's the same shit, well.
- 2:05:19Speaker 7: And not eleven o'clock number, as you were saying, is
- 2:05:21Speaker 7: so powerful because it is that big, sobriety turning point
- 2:05:25Speaker 7: moment where it's like, oh God, what's gonna happen? And
- 2:05:28Speaker 7: so red Fu reimagined shots as like this deeply haunting
- 2:05:33Speaker 7: number and he added a lot of new lyrics.
- 2:05:35Speaker 5: It's great. Can we play it?
- 2:05:37Speaker 6: Is that cool?
- 2:05:38Speaker 5: Yeah?
- 2:05:38Speaker 2: Yeah, this is so. This is footage from last night's rehearsal.
- 2:05:42Speaker 5: Yeah, this is the song song.
- 2:05:44Speaker 15: Okay, no shots, no shots, no shots, no shots, no shots,
- 2:05:48Speaker 15: no shots, no shots, no shots.
- 2:05:50Speaker 5: Shot shot shot shot shot shot shot, party rock, party rock, party,
- 2:06:01Speaker 5: I don't know, party rock. What's happening?
- 2:06:04Speaker 1: Part party rock, party rocking, party rock.
- 2:06:10Speaker 5: Everybody up, good.
- 2:06:13Speaker 3: Time rock and we can make it.
- 2:06:16Speaker 15: Lose everybody just a good time shot shot shot shot
- 2:06:25Speaker 15: shot shot, shot, shot, shot, shot, shot, shot, shot, shot,
- 2:06:29Speaker 15: shot shots.
- 2:06:31Speaker 5: Welcome to the pool party.
- 2:06:35Speaker 3: I just think it is first of all, I commend you.
- 2:06:40Speaker 1: I don't know whose idea it was to bring on
- 2:06:42Speaker 1: the like a vocal coach for everybody, because even though
- 2:06:45Speaker 1: everyone is really trained, the amount of scrouching in the
- 2:06:49Speaker 1: piece you have to untrain them.
- 2:06:51Speaker 5: Yeah, it was.
- 2:06:52Speaker 4: I mean I'm not musically trained. I just have a
- 2:06:55Speaker 4: very strong voice. Yeah, so I had to do a
- 2:06:59Speaker 4: lot Well, actually didn't have to do that much work.
- 2:07:01Speaker 4: It was actually pretty easy to sing the songs. A
- 2:07:03Speaker 4: lot of it was just me recording one thing of
- 2:07:06Speaker 4: my voice and then you guys repeating that a million times.
- 2:07:09Speaker 3: Yeah.
- 2:07:09Speaker 1: Yeah, yeah, to which we do have a Broadway original
- 2:07:12Speaker 1: Broadway cast album that.
- 2:07:13Speaker 3: We are laying down too.
- 2:07:15Speaker 6: It's available at Sears.
- 2:07:18Speaker 17: Yeah, we're just doing like a little releasing it already.
- 2:07:21Speaker 6: We're releasing it at Sears. You can go to Sears.
- 2:07:24Speaker 6: We have a specific exclusive deal with them, so you
- 2:07:26Speaker 6: can get it there.
- 2:07:27Speaker 2: But not just Sears. It's the Sears and Encino, it's
- 2:07:30Speaker 2: the Seis in San Diego. You're limited.
- 2:07:33Speaker 6: Yeah, we're all my cousins work. It's really fucking exciting.
- 2:07:37Speaker 6: I'm so excited. And then hopefully if it picks up,
- 2:07:39Speaker 6: we'll get more sales and all that stuff. But I'm
- 2:07:42Speaker 6: just so fucking pumped. I mean, there's so much good
- 2:07:44Speaker 6: in this and I think we are going to change
- 2:07:46Speaker 6: the world with it. And I mean the acting process
- 2:07:49Speaker 6: to get into this, we haven't even talked about that
- 2:07:51Speaker 6: we were taking you guys out. You know, we were like,
- 2:07:53Speaker 6: run this musical, now, run this at a rave, run
- 2:07:55Speaker 6: this musical at in the ocean, getting rehearsals.
- 2:07:58Speaker 1: From seven to eleven every now and then you guys
- 2:08:01Speaker 1: head out. You guys, put on your chubbies, those bright shore.
- 2:08:05Speaker 6: Ubbies and.
- 2:08:07Speaker 3: Chubbies, you book, get the fuck out of the rehearsal space.
- 2:08:10Speaker 3: And then you guys come back like coped out of
- 2:08:12Speaker 3: your mind the next morning.
- 2:08:14Speaker 6: Yeah. Yeah, I mean we had the Nutritions come in
- 2:08:16Speaker 6: and watch you guys. Turns out you guys burned eight
- 2:08:19Speaker 6: thousand calories every time we run the show.
- 2:08:21Speaker 4: Yeah, and what's actually times by two because all of
- 2:08:23Speaker 4: them the caffeine.
- 2:08:24Speaker 7: Oh yeah, but the risk of heart attack for this
- 2:08:29Speaker 7: show is something we had to factor into the budget.
- 2:08:31Speaker 2: So we do have a lot more empt standing by.
- 2:08:34Speaker 5: And our insurance is fucking balls crazy, it's not come on.
- 2:08:37Speaker 1: Bikes and a wavepool plus a ORDA issues and have
- 2:08:40Speaker 1: the I mean, Joel Gray alone, his Aorda is hanging
- 2:08:43Speaker 1: on by a threat.
- 2:08:44Speaker 5: Exactly already had a couple of strokes. Joel Gray literally
- 2:08:47Speaker 5: looks like a worm with a head on it.
- 2:08:49Speaker 6: Right now, he's burning so many galleries a way to
- 2:08:53Speaker 6: go out, you know, yeah, yeah, yeah, absolutely.
- 2:08:55Speaker 7: I also would love to talk about that incredibly haunting number.
- 2:09:01Speaker 7: It's and it just gets really into this sobriety thing again.
- 2:09:07Speaker 7: Sorry for party rocking, Oh, which comes around the end
- 2:09:11Speaker 7: of act one, and it's just you on stage, just
- 2:09:15Speaker 7: really really wrestling with yourself. You are so sorry in
- 2:09:19Speaker 7: that thank you, thank you.
- 2:09:21Speaker 4: I mean a lot of that is coming from pure
- 2:09:23Speaker 4: exhaustion at that point, because the show has been going
- 2:09:25Speaker 4: for two hours at this point, and you know, I'm exhausted.
- 2:09:29Speaker 4: We're running around all these hells, and I think for
- 2:09:32Speaker 4: my character, for Pitts, he's realizing how how low he's
- 2:09:36Speaker 4: gotten for partying. You know, he's an alcoholic because his
- 2:09:39Speaker 4: father was an alcoholic, because his mother was an alcoholic.
- 2:09:43Speaker 4: But he's still going to hell. Yeah, even though it's generational,
- 2:09:48Speaker 4: he's still going to help. And I will say you
- 2:09:51Speaker 4: helped me so much with the internal because your understanding
- 2:09:55Speaker 4: of choreography for that number was so simple. If you
- 2:09:57Speaker 4: if you don't mind talking about that, I can go
- 2:09:59Speaker 4: into my act stuff because I feel like a lot
- 2:10:01Speaker 4: of it was about your choreography.
- 2:10:03Speaker 6: Because corporate is in a way I've never imagined.
- 2:10:06Speaker 1: Yeah, well, I remember being I'd love to hear that.
- 2:10:08Speaker 7: I'd love to play the song for people because the
- 2:10:09Speaker 7: fist bumps are very audio like.
- 2:10:12Speaker 2: You can hear the fist bumps with it.
- 2:10:14Speaker 3: I think we have a track of Kyler doing the
- 2:10:15Speaker 3: fist bumps. Let's play that.
- 2:10:17Speaker 2: Okay, Sorry for.
- 2:10:21Speaker 5: Party Do Do Do Do Do? Sorry, Party Rock can
- 2:10:34Speaker 5: sorry for Party Rock.
- 2:10:39Speaker 16: I'm sorry dad, sorry for Party's Welcome.
- 2:10:50Speaker 5: To the Pool Party.
- 2:10:52Speaker 12: Oh.
- 2:10:52Speaker 1: I love that number so much and the way we
- 2:10:55Speaker 1: can hear you hitting the ground and hitting the air,
- 2:10:58Speaker 1: it's incredible.
- 2:10:59Speaker 3: I took a lot of inspiration when we first took
- 2:11:01Speaker 3: had our meetings.
- 2:11:02Speaker 1: I was I sat with just how basic all of
- 2:11:06Speaker 1: LMFAO's choreography is and just their body of work right.
- 2:11:10Speaker 2: Because they are not particularly dancers, they're not even particularly.
- 2:11:15Speaker 1: And they move in a way they go, they move
- 2:11:18Speaker 1: in a way, but that way is the same way,
- 2:11:21Speaker 1: and that's what you're dealing with here is like just
- 2:11:23Speaker 1: again dynamics. And I was thinking, like, okay, repetition the
- 2:11:28Speaker 1: same thing over and over and over again. How can
- 2:11:32Speaker 1: I do this fist pump in basically every single number
- 2:11:36Speaker 1: and how do I keep that going? And I went
- 2:11:38Speaker 1: back to the Queen of repetition. I used to study
- 2:11:40Speaker 1: her in dance school, Peena Bousch, We love Peanut.
- 2:11:45Speaker 6: Peanut Bouchus was.
- 2:11:47Speaker 2: Actually a huge red Buff fan. I don't know if
- 2:11:49Speaker 2: you guys know that.
- 2:11:50Speaker 6: No fucking way in Berlin. She had them come out
- 2:11:53Speaker 6: to Berlin.
- 2:11:54Speaker 3: Yeah, I played for Kyler and the whole gang.
- 2:11:56Speaker 1: I played these little pixelated videos I've never seen, like
- 2:12:00Speaker 1: the Depths of Berlin, the Depths of Berlin.
- 2:12:02Speaker 3: I think it was in a meat locker and one
- 2:12:04Speaker 3: girl's going over and over and over.
- 2:12:07Speaker 5: Oh Cafe barleos.
- 2:12:09Speaker 3: Yes, And I said, what does that look like, guys,
- 2:12:12Speaker 3: that looks like a fist pump.
- 2:12:16Speaker 2: Yes.
- 2:12:16Speaker 1: And what is beautiful about Peanabouche's work is her understanding
- 2:12:20Speaker 1: of repetition.
- 2:12:21Speaker 5: And that's what I really really made us repeat.
- 2:12:24Speaker 4: I mean, there was probably three weeks where we were
- 2:12:27Speaker 4: just fist bumping, and every single time we did, you
- 2:12:29Speaker 4: would say, no, you're not hitting it right. You've got
- 2:12:32Speaker 4: to hit a little bit tighter, a little bit better.
- 2:12:34Speaker 5: It was my fucking mind.
- 2:12:35Speaker 6: You're fucking shit, man, I mean the way your brain
- 2:12:38Speaker 6: knocks my balls into my fucking mouth.
- 2:12:39Speaker 1: You're so but I love when men say that I
- 2:12:43Speaker 1: move their balls. Thank you, and thank you for saying that,
- 2:12:46Speaker 1: just like hell. Yeah, of course I wanted to mention too,
- 2:12:50Speaker 1: for all the LMFAO heads. A shuffle Bot does make
- 2:12:54Speaker 1: an appearance.
- 2:12:55Speaker 2: Yes, yeah, got we got.
- 2:12:58Speaker 6: Shuffle Bot does make an appearance. Che is on the
- 2:13:01Speaker 6: seventh Ring of Hell. Shufflebot is hell once you get
- 2:13:05Speaker 6: to you know, the very choice. Yeah, it's more of
- 2:13:08Speaker 6: Shufflebots Inferno if you will, Yeah, yeah, yeah. And he
- 2:13:11Speaker 6: comes in and I can't tell you how incredible Aaron
- 2:13:15Speaker 6: Tobate is as Shufflebot. He is so amazing and I
- 2:13:21Speaker 6: can't believe. You know, we did kind of a King
- 2:13:24Speaker 6: George thing where we had you know, it's a great role.
- 2:13:26Speaker 6: You get an incredible actor, you say, you're so talented,
- 2:13:29Speaker 6: let's have you on stage for ten minutes and we'll
- 2:13:31Speaker 6: give you three million dollars a year. That's what we're
- 2:13:34Speaker 6: doing with it.
- 2:13:34Speaker 1: And he's now he's doing Death of a Salesman down
- 2:13:37Speaker 1: the Road. Yeah he is, and he'll come and he'll
- 2:13:39Speaker 1: come in. I think the stage manager calls him at
- 2:13:42Speaker 1: like nine thirty nine forty five comes in, does this
- 2:13:44Speaker 1: thing goes back as Willie Lowman?
- 2:13:45Speaker 6: Yeah, he's happy, You're happy. Yeah, it's great, it's fucky dope.
- 2:13:50Speaker 5: H I'm so excited about this.
- 2:13:52Speaker 7: I can't wait to go to get this thing to Broadway.
- 2:13:56Speaker 7: I mean, can we talk about like we're so close?
- 2:14:00Speaker 5: I can taste it. Where's that?
- 2:14:02Speaker 1: There are just a couple of kinks we have to
- 2:14:05Speaker 1: worry about money less.
- 2:14:08Speaker 2: I think we did well. Okay, there are a couple
- 2:14:11Speaker 2: of kinks that I feel like I sho talk about.
- 2:14:13Speaker 2: This is a budget thing.
- 2:14:14Speaker 7: It's also a okay at the very end, you know,
- 2:14:17Speaker 7: we it's obviously a morality play about sobriety. At the
- 2:14:21Speaker 7: very end, we hand out fifteen hundred of the King
- 2:14:25Speaker 7: James Bible to every single audience member who's there as
- 2:14:29Speaker 7: a sort of to leave them with a lasting impact
- 2:14:33Speaker 7: of what the show is trying to say. And a
- 2:14:35Speaker 7: lot of people didn't take too kindly to that. They
- 2:14:38Speaker 7: felt like we were trying to push LMFAO's agenda on them,
- 2:14:42Speaker 7: their highly religious agenda, and so I think that might
- 2:14:46Speaker 7: be one also very expensive, Yeah, it was very fie.
- 2:14:50Speaker 4: Brand new King James Bibles is very but also this.
- 2:14:54Speaker 3: What's the difference between that and the Blue Man Group
- 2:14:55Speaker 3: selling blue T shirts?
- 2:14:57Speaker 5: Exactly, it's the same thing.
- 2:14:59Speaker 3: It's the same, and I showed me something different between
- 2:15:02Speaker 3: the two.
- 2:15:03Speaker 6: Yeah, exactly. I mean that kink I think is going
- 2:15:04Speaker 6: to be worked out in a second. It's going to
- 2:15:08Speaker 6: be obvious. The other kink, which I think is clearing up.
- 2:15:11Speaker 6: I bet you has even been cleared up while we've
- 2:15:13Speaker 6: been sitting here, Like, I'll get an email and it's
- 2:15:15Speaker 6: all good. Red Food has rescinded the rights to all
- 2:15:18Speaker 6: the songs currently. But I think that's gonna kind of
- 2:15:21Speaker 6: blow over.
- 2:15:22Speaker 2: I think he's just I'm across that deeply as that.
- 2:15:27Speaker 4: Is there a reason why he pulled it pulled it back?
- 2:15:29Speaker 2: Yeah, he saw the show. That's the main reason reason.
- 2:15:34Speaker 5: Oh yeah he didn't. Was it me?
- 2:15:37Speaker 2: Sorry, yl No, it was Noyler. No, it's.
- 2:15:41Speaker 3: There's so much in the show.
- 2:15:43Speaker 1: It wasn't you the last peace you got to work
- 2:15:46Speaker 1: out that I'm not worried about. I think it will
- 2:15:48Speaker 1: just naturally handle. Is that he doesn't want to do
- 2:15:50Speaker 1: the shows.
- 2:15:51Speaker 5: Figure it out. That's going to take care of that.
- 2:15:54Speaker 2: I'm deeply across that. It's what we're fine, We're fine.
- 2:15:57Speaker 5: It's the other giant.
- 2:15:58Speaker 4: I guess tiny tiny little is in the after the
- 2:16:04Speaker 4: second intermission. There's that giant automaton of Little John that's
- 2:16:09Speaker 4: just malfunctioning and caught one of.
- 2:16:11Speaker 5: The actors and crushed them, squished them. Today.
- 2:16:13Speaker 6: That was difficult.
- 2:16:15Speaker 2: Yeah, our insurance has gone up significantly since then.
- 2:16:18Speaker 3: Sant family. We sent flowers Sallas Ripley's family.
- 2:16:22Speaker 6: And we feel feel we loved her. I saw her
- 2:16:25Speaker 6: in next to Normal. I'm gonna miss her so much.
- 2:16:28Speaker 6: I mean, I thought she's incredible. Luckily, you know, she
- 2:16:31Speaker 6: made CDs of her stuff around, she did covers.
- 2:16:36Speaker 7: We ever, forever, everyone lives on through music, just as
- 2:16:40Speaker 7: the I mean, I was so sad when Redfood and
- 2:16:44Speaker 7: Sky Blue broke up. I mean it literally family, I
- 2:16:50Speaker 7: was grieving a death. I bet USC had to cancel classes.
- 2:16:54Speaker 4: It was awful. It was absolutely awful that that those
- 2:16:58Speaker 4: two weeks, it was no party. Everybody was just in mourning.
- 2:17:01Speaker 4: The fraternities. People did not Yeah, they wore masks and
- 2:17:05Speaker 4: they didn't like. The fraternities fell apart like there was
- 2:17:08Speaker 4: it was like almost like our.
- 2:17:10Speaker 5: Grandfather had died. That shit sucks.
- 2:17:13Speaker 4: Yeah, USC fell apart that we were like, what do
- 2:17:15Speaker 4: we turn to?
- 2:17:16Speaker 5: You know who do we turn to?
- 2:17:18Speaker 2: But they live on through music? Right.
- 2:17:20Speaker 7: LMFAO released two absolutely perfect albums.
- 2:17:24Speaker 6: Who else can say, just can say that they're so
- 2:17:29Speaker 6: fucking good.
- 2:17:29Speaker 1: Lawless albums and so so consistent because it's the same
- 2:17:34Speaker 1: sound exactly.
- 2:17:36Speaker 5: Yeah, to release two albums.
- 2:17:38Speaker 4: Were on both of the albums, every single song says
- 2:17:42Speaker 4: the words party rock in it or has the theme
- 2:17:44Speaker 4: about party. Party rock is insane. It's a it's an
- 2:17:48Speaker 4: art form unto itself.
- 2:17:50Speaker 6: Show me anyone else who has done that, shiit.
- 2:17:53Speaker 5: No one has.
- 2:17:54Speaker 2: Billy Joel only mentioned piano man once.
- 2:17:57Speaker 6: Billy Joel talks about so many different things. I don't
- 2:17:59Speaker 6: even know what he's fucking a.
- 2:18:00Speaker 2: Yeah, he's so, he's just like rambling.
- 2:18:03Speaker 5: Yeah, it's like okay in encyclopedia, great, let me put you.
- 2:18:05Speaker 6: On my fuck.
- 2:18:07Speaker 1: He's an alcoholic.
- 2:18:08Speaker 2: What are we talking about? And that's why we're mad
- 2:18:11Speaker 2: at him? Listen.
- 2:18:12Speaker 7: But I think to end on a positive note, I
- 2:18:14Speaker 7: do think that the thing that is going to sail
- 2:18:17Speaker 7: us straight to Broadway is that unforgettable finale song, that
- 2:18:23Speaker 7: unforgettable mash up sort of thing of all of their
- 2:18:27Speaker 7: different songs together in like a perfect harmony.
- 2:18:31Speaker 2: Is so good and the motorcycles are going and it's
- 2:18:35Speaker 2: just so good. I would love to play that.
- 2:18:37Speaker 1: We shall play that before as we leave, and just
- 2:18:39Speaker 1: before we play it, just say, buy your tickets now.
- 2:18:42Speaker 5: Get him now.
- 2:18:43Speaker 6: We have seven tickets available every show. You're gonna want
- 2:18:47Speaker 6: to say, James, but this is just the pre chial.
- 2:18:50Speaker 6: So there's we're only doing.
- 2:18:52Speaker 1: We can only have seven people.
- 2:18:54Speaker 6: The way the motorcycles ended up being a lot bigger
- 2:18:57Speaker 6: than regular motorcycles.
- 2:18:59Speaker 2: So come to my heavy buy your tickets now.
- 2:19:04Speaker 6: And come fast, because monster energy erodes metal. All right, guys,
- 2:19:09Speaker 6: we play that ship, play that ship party, rocky.
- 2:19:17Speaker 5: Girl.
- 2:19:17Speaker 18: Look at that body, girl, Look at that body girl.
- 2:19:22Speaker 18: Look at that body. Work out, work out, work out.
- 2:19:28Speaker 5: I am not of work.
- 2:19:33Speaker 17: Work for party, sory for party, s for party. Look
- 2:19:53Speaker 17: out for that bike.
- 2:19:56Speaker 5: Well into the pool party.
- 2:19:58Speaker 1: This was a O, a O answering the question. Now,
- 2:20:02Speaker 1: that's why they call it showbiz.
- 2:20:03Speaker 3: Good Night Broadway.
- 2:20:05Speaker 5: Wow, we're at the final one, Your final fave, your
- 2:20:09Speaker 5: final fave.
- 2:20:10Speaker 1: This isn't my final fave. Okay, this is god, I
- 2:20:12Speaker 1: don't know. This is to me my fave deep cut
- 2:20:15Speaker 1: that I feel like doesn't get enough attention.
- 2:20:16Speaker 6: Love that.
- 2:20:17Speaker 4: Okay, it's a guest and that was a guest jukebox
- 2:20:20Speaker 4: musical that's a huge favorite.
- 2:20:23Speaker 5: People won't stop quoting that one.
- 2:20:26Speaker 1: This is a roundtable of BFA majors that are just
- 2:20:30Speaker 1: graduating doing their senior showcase with the one and only
- 2:20:33Speaker 1: Lauren Lopez.
- 2:20:34Speaker 5: Oh my god, I love this episode.
- 2:20:37Speaker 6: This one is really really special. I think we all
- 2:20:39Speaker 6: went to a special place. Whoever you were that inspired
- 2:20:43Speaker 6: the character that we played, every single one of us,
- 2:20:45Speaker 6: Thank you.
- 2:20:45Speaker 5: It was amazing. Thank you.
- 2:20:47Speaker 1: Laura Lopez, I think is one of the most brilliant people.
- 2:20:50Speaker 1: And I know we say this about all our guests,
- 2:20:51Speaker 1: but I really do believe this about Lauren. She's brilliant.
- 2:20:54Speaker 4: She did something on this episode that made us all go, wow,
- 2:20:59Speaker 4: we are not as talent.
- 2:21:00Speaker 7: As we think for an impossible assignment, or not impossible,
- 2:21:04Speaker 7: but just like incredibly specific assignment.
- 2:21:07Speaker 12: What was it?
- 2:21:08Speaker 5: It was singing the song.
- 2:21:11Speaker 4: About Jersey Mind, which is about changing all the words
- 2:21:14Speaker 4: from Samson Regina Spector, a very difficult song. She knew
- 2:21:17Speaker 4: that song like the back of her hand and changed
- 2:21:20Speaker 4: all the words. You can see it in this episode.
- 2:21:21Speaker 4: It's insane. Yeah, and who I really didn't know. I
- 2:21:24Speaker 4: said do this, and she literally stranger.
- 2:21:29Speaker 7: She did.
- 2:21:30Speaker 2: Imagine turning to someone on the bus and saying doing this.
- 2:21:34Speaker 1: Thank you guys for watching the marathon. If you want
- 2:21:35Speaker 1: to see more of these, let us know and also
- 2:21:37Speaker 1: join our Patreon. It really helps us.
- 2:21:38Speaker 7: Bye bye, Welcome back to Artists on Artists on Artists
- 2:21:48Speaker 7: on Artists. This week, the future of musical theater is here.
- 2:21:52Speaker 7: This week, we talked to the prestigious graduating senior class
- 2:21:57Speaker 7: of ever Mount University.
- 2:22:00Speaker 4: Air Mount University is known for one thing, their BFA
- 2:22:04Speaker 4: Musical theater program, and these future stars are looking to
- 2:22:09Speaker 4: dish it out of what their last four years have
- 2:22:11Speaker 4: been like. In the middle of Vermont lies a little
- 2:22:15Speaker 4: gem known as Evermount University.
- 2:22:18Speaker 1: So before summer starts and our careers begin, let's close
- 2:22:22Speaker 1: the curtain and open up that process.
- 2:22:25Speaker 5: Let's listen in O god, o, Wow, guys, Wow, this
- 2:22:34Speaker 5: is so crazy for us.
- 2:22:35Speaker 14: Crazy.
- 2:22:36Speaker 6: It was my first time doing camera work. Oh yeah,
- 2:22:44Speaker 6: I'm totally panicking.
- 2:22:45Speaker 7: Well, I took a workshop, so I'm happy to hold
- 2:22:47Speaker 7: your hand through it. It feels like too difficult is.
- 2:22:50Speaker 1: Like shon the land workshop you did over the summer.
- 2:22:54Speaker 2: Did you do that too? Did you do that in
- 2:22:55Speaker 2: July or August?
- 2:22:56Speaker 3: I never did it. I just applied. Oh okay, did
- 2:22:59Speaker 3: you do it?
- 2:23:00Speaker 14: The application fee was four hundred dollars, so.
- 2:23:02Speaker 2: I couldn't do it.
- 2:23:03Speaker 7: Yeah, yeah, yeah, I ended up paying it just because
- 2:23:08Speaker 7: I had a few jobs that I'm really grateful for.
- 2:23:11Speaker 6: My last What is trying to say, because like, like,
- 2:23:14Speaker 6: is this a normal whib hi? I I am a
- 2:23:18Speaker 6: musical theater actor.
- 2:23:19Speaker 7: Okay, So what Shonda would say, what Shonda would say,
- 2:23:22Speaker 7: and what she really drilled into us was oh my god,
- 2:23:25Speaker 7: so Shonda her son.
- 2:23:27Speaker 5: Yeah she So it turned out.
- 2:23:34Speaker 2: It was actually a really good deal when you consider
- 2:23:38Speaker 2: was actually there.
- 2:23:39Speaker 1: I heard at for like six hundred dollars a month,
- 2:23:43Speaker 1: and you can't talk Shanda does.
- 2:23:45Speaker 2: The whole summer for four hundred Oh my god.
- 2:23:47Speaker 5: I had no idea.
- 2:23:48Speaker 2: But she said, comes in through the soul and and
- 2:23:52Speaker 2: out and you are not.
- 2:23:54Speaker 7: So it wasn't a very catchy catchphrase. She said, in
- 2:23:57Speaker 7: through the soul, out through the mouth, and I'm not
- 2:24:02Speaker 7: you're not and you're not playing to the back of
- 2:24:05Speaker 7: the room.
- 2:24:05Speaker 2: You're playing to your friend so good.
- 2:24:08Speaker 5: It sounds like that wasn't that wasn't necessarily advice, but
- 2:24:10Speaker 5: a specific note for you.
- 2:24:13Speaker 2: She said it to me, but I think it kind
- 2:24:16Speaker 2: of applied to everything.
- 2:24:18Speaker 5: I'm taking it in.
- 2:24:19Speaker 7: That's so And I'm just so grateful to her because
- 2:24:21Speaker 7: Shanda and I got to have she got she got
- 2:24:23Speaker 7: lunch with me.
- 2:24:24Speaker 2: After well, what do you mean?
- 2:24:26Speaker 7: So I was eating a granola bar outside the classroom
- 2:24:30Speaker 7: and she was there, and she was on her way
- 2:24:33Speaker 7: to her car.
- 2:24:34Speaker 4: It was just FaceTime with Shanda. This is this is
- 2:24:38Speaker 4: gonna be so good for you.
- 2:24:39Speaker 5: Oh my god.
- 2:24:39Speaker 2: We're not here to talk about me, about the screen.
- 2:24:42Speaker 1: It's not about about.
- 2:24:44Speaker 5: Okay, you're right, it's about us.
- 2:24:46Speaker 2: Can we maybe last year, can we maybe.
- 2:24:49Speaker 6: Get back in first position and maybe talk about.
- 2:24:52Speaker 13: Places, places, places, Thank you, places.
- 2:24:56Speaker 5: Thank you, thank you from the top.
- 2:24:58Speaker 4: Thank you.
- 2:24:59Speaker 6: Oh and also our director, uh, mister mister Mark.
- 2:25:04Speaker 5: We love him.
- 2:25:05Speaker 6: He told me when we go into places and we're
- 2:25:10Speaker 6: auditioning or talking to anyone, we have to look at
- 2:25:12Speaker 6: every single person in the eye before we start. So
- 2:25:14Speaker 6: I just want to go to every crew person.
- 2:25:16Speaker 1: Okay, for the audio listener, we're holding space I'm holding
- 2:25:23Speaker 1: space with the boom.
- 2:25:24Speaker 7: We're holding space for the crew and we're thanking them
- 2:25:26Speaker 7: for their generosity and being here today.
- 2:25:29Speaker 5: For me, I'm just kind of letting this moment breathe
- 2:25:31Speaker 5: and holding space for everybody that wants to.
- 2:25:33Speaker 6: Be with me.
- 2:25:34Speaker 1: I'm actually, I'm actually, I'm actually, I'm actually so happy
- 2:25:37Speaker 1: you said that, because what's happening right now is like
- 2:25:40Speaker 1: a moment we will forget because because and I want
- 2:25:44Speaker 1: to hold space before, like like John Mayer said, stop this.
- 2:25:47Speaker 5: Train, don't even bring him up.
- 2:25:54Speaker 1: Weeks from the beginning of our lives and we're just
- 2:25:57Speaker 1: together in this space.
- 2:25:59Speaker 5: You know, he's automatic Mary and Mary Kill every time
- 2:26:02Speaker 5: we play it's right.
- 2:26:04Speaker 1: No matter what, he's automatic Mary.
- 2:26:06Speaker 5: If he comes back, automatic Mary. All three.
- 2:26:08Speaker 14: Sometimes he's the Big three for him, the Big three.
- 2:26:12Speaker 7: And we talk and we all voted on our senior song,
- 2:26:16Speaker 7: our official senior song being Oh there's been good to
- 2:26:20Speaker 7: your Dog?
- 2:26:22Speaker 4: Vot definitely. I love that song so much. I'm such
- 2:26:27Speaker 4: a big John Mayne. I love doing one on my guitar.
- 2:26:30Speaker 6: One of our classmates is the great granddaughter Bernie Telsea,
- 2:26:33Speaker 6: so we're hearing a lot of stuff about Bay and
- 2:26:38Speaker 6: maybe age musical coming might be.
- 2:26:41Speaker 2: And it might be about a coffee shop barista who has.
- 2:26:44Speaker 5: Dreams of more, and it might be in the Cold War.
- 2:26:47Speaker 5: It's in very early stages.
- 2:26:48Speaker 1: Right, Okay, we cannot start talking about other projects and
- 2:26:51Speaker 1: other books without saying our inner books. Let's go around
- 2:26:54Speaker 1: and say, and we have to slay.
- 2:26:56Speaker 4: You're so right, you go first.
- 2:27:00Speaker 12: No, you.
- 2:27:02Speaker 5: Guys, don't put me on the spot like this. This
- 2:27:04Speaker 5: is crazy. Okay, Hey, what's up. I'm Cash.
- 2:27:13Speaker 4: I'm a musical theater major, and I do things a
- 2:27:15Speaker 4: little bit differently. I'm straight, but I'm definitely not opposed
- 2:27:21Speaker 4: to experience. So I've had a great four years and
- 2:27:25Speaker 4: this has been the best four years of my life.
- 2:27:27Speaker 4: I've played a lot of the leads, uh, and I
- 2:27:30Speaker 4: played a lot of the love interests. And I'm really
- 2:27:34Speaker 4: excited for what happens in the future for me. I'm
- 2:27:37Speaker 4: going to New York to pursue my dreams forever. So Cash,
- 2:27:41Speaker 4: now stop, come on.
- 2:27:43Speaker 5: Please.
- 2:27:47Speaker 2: You guys are crazy like that and like there's no
- 2:27:51Speaker 2: one around here like you.
- 2:27:53Speaker 7: And it's almost like by default, I don't want to
- 2:27:55Speaker 7: say by default, you get these roles because like you,
- 2:27:58Speaker 7: you do so much work.
- 2:27:59Speaker 2: But it's like, who else would play this? But Cash
- 2:28:04Speaker 2: could play these.
- 2:28:05Speaker 3: Honestly, I want to just say, like, you haven't lived
- 2:28:07Speaker 3: till you've seen Cash. Do king Lear?
- 2:28:10Speaker 5: Come on?
- 2:28:12Speaker 6: Come on?
- 2:28:12Speaker 4: Well, So mister Mark wrote a musical version of king
- 2:28:15Speaker 4: Lear and kind of brought the house down. It was
- 2:28:18Speaker 4: a new version set in the eighties, kind of a
- 2:28:20Speaker 4: goth punk king Lear.
- 2:28:22Speaker 2: And I was shocked personally that king Lear was a tenor.
- 2:28:25Speaker 5: Yeah, so it turns out a straight tenor.
- 2:28:28Speaker 6: Yes, graphic from mister Mark's experience going to Beche Mode concerts.
- 2:28:32Speaker 4: Yes, the king Lear part was not out of biographical,
- 2:28:36Speaker 4: but the Depeche Mode was.
- 2:28:40Speaker 5: So yeah.
- 2:28:41Speaker 4: So thanks guys, Thanks for the love much love that stay.
- 2:28:49Speaker 4: That's kind of my catchphrase. Yeah.
- 2:28:53Speaker 2: Well, I'm Emma McDonald's yeah you are Yeah, Yeah, I
- 2:29:00Speaker 2: I'm so excited to be here.
- 2:29:01Speaker 7: I am a senior at evermunt University. I am an
- 2:29:04Speaker 7: alto one and I I've played some of the some
- 2:29:11Speaker 7: of the leads in in previous years, not so much
- 2:29:14Speaker 7: the last two years because I've been focusing on myself.
- 2:29:16Speaker 2: But four year I was the lead in Well, I
- 2:29:21Speaker 2: guess there are lots of leads and lames. But I
- 2:29:24Speaker 2: say there are castle on a cloud, right, Yes, I was.
- 2:29:31Speaker 1: In some fashion it's a lead.
- 2:29:33Speaker 6: Yeah.
- 2:29:33Speaker 14: Well and even though you're in Alto.
- 2:29:37Speaker 2: You did a really good job though, remember that. But yeah,
- 2:29:45Speaker 2: I really.
- 2:29:48Speaker 6: Yeah.
- 2:29:48Speaker 2: You guys are being really little bitchous about the way
- 2:29:51Speaker 2: I say. It was so good.
- 2:29:54Speaker 14: They lowered it like three keys. It was insane.
- 2:29:57Speaker 2: I've heard so much.
- 2:29:59Speaker 5: What's so interesting is that song used to be hopeful
- 2:30:01Speaker 5: and when you're thinking.
- 2:30:01Speaker 6: It sounds it.
- 2:30:05Speaker 5: Was so good.
- 2:30:06Speaker 2: It was so good.
- 2:30:08Speaker 7: So sorry, we just have limited opportunities in front of
- 2:30:10Speaker 7: a camera, and so could I play the clip really quickly?
- 2:30:13Speaker 1: Because let's play a clip Like mister Mark told us,
- 2:30:23Speaker 1: we have to play the clips.
- 2:30:25Speaker 6: Said, you never get as much time for the camera
- 2:30:27Speaker 6: as you wish you had. She has, Yes, you have to.
- 2:30:33Speaker 5: Clip. I know what place were no one flowt.
- 2:30:40Speaker 2: Please wear no one class trying at all?
- 2:30:49Speaker 5: Not in my castle. Close unbelievable.
- 2:30:57Speaker 4: And let's been back.
- 2:30:58Speaker 1: I might be a bass.
- 2:31:01Speaker 5: Definitely, definitely your baby.
- 2:31:07Speaker 7: It's so goodn't wait to see what I'm castings.
- 2:31:14Speaker 5: Let moving cash.
- 2:31:17Speaker 1: Hey, what's up, guys, My name is Channing. I'm so
- 2:31:22Speaker 1: I'm so blessed to be here. I'm blessed and grateful.
- 2:31:26Speaker 1: I am a distant distant I'll.
- 2:31:29Speaker 2: Just be honest.
- 2:31:30Speaker 1: Like my uncle by marriage by law two times over
- 2:31:35Speaker 1: is Jason Robert Brown, And I'm just so thankful to
- 2:31:40Speaker 1: be here.
- 2:31:41Speaker 2: And I actually did.
- 2:31:43Speaker 11: I don't know how I went like so long without
- 2:31:45Speaker 11: knowing that. Yeah, oh my god, it's like that's amazing.
- 2:31:48Speaker 18: Yeah.
- 2:31:48Speaker 1: No, and I it's just like one of those things
- 2:31:51Speaker 1: where everyone in my family, because of this distant uncle
- 2:31:53Speaker 1: by law, everyone in my family does musical theater and.
- 2:31:57Speaker 11: About her David, I didn't take I've never said anything.
- 2:32:04Speaker 5: Oh, you know, you guys talk mass You guys are
- 2:32:07Speaker 5: so messy. Sometimes you have your own language even.
- 2:32:12Speaker 1: Though even though they're talking in full volume, sometimes they
- 2:32:14Speaker 1: talk so fast that I just can't understand it. So
- 2:32:17Speaker 1: that's why I think they get away with talking literally
- 2:32:19Speaker 1: in front of us.
- 2:32:19Speaker 2: But I love you.
- 2:32:21Speaker 5: You think we should delete some Facebook comments we made.
- 2:32:23Speaker 2: Maybe for you.
- 2:32:26Speaker 5: It's so quick I can here. It feels like it's
- 2:32:28Speaker 5: on times too.
- 2:32:31Speaker 1: I feel like they have their own language that I mean, listen,
- 2:32:33Speaker 1: we've been in school together for four years. I've learned
- 2:32:36Speaker 1: to tune them off.
- 2:32:37Speaker 6: They can.
- 2:32:38Speaker 3: They can call me whatever they want in front of
- 2:32:39Speaker 3: my face and I won't hear it.
- 2:32:41Speaker 1: People anyway. So I so what I am doing for
- 2:32:48Speaker 1: my college audition song, I'll just say it. I am
- 2:32:50Speaker 1: doing both parts of the next ten minutes.
- 2:32:53Speaker 2: Oh my god, can we hear it?
- 2:32:56Speaker 13: Oh?
- 2:32:56Speaker 2: No, my god, I'm so sorry.
- 2:32:59Speaker 5: I think that's so brave and so wonderful.
- 2:33:03Speaker 4: And I love people that follow their gutsh Yeah, my gosh.
- 2:33:08Speaker 1: I don't know if it's since we ran that. We
- 2:33:10Speaker 1: ran those Moliere scenes and scenes I.
- 2:33:13Speaker 5: Remember those WHOA.
- 2:33:16Speaker 4: Together.
- 2:33:17Speaker 5: It was so good.
- 2:33:24Speaker 7: I think we tackled more really well. I think that
- 2:33:28Speaker 7: nineteen year olds can tackle better than anyone.
- 2:33:31Speaker 1: And we added the music of Nicky and that was so.
- 2:33:37Speaker 6: Experience in West Hollywood.
- 2:33:39Speaker 4: Yeah, Channing, I gotta say I loved your wisdom over
- 2:33:44Speaker 4: the last couple of years. Like I feel like because
- 2:33:46Speaker 4: of your uncle's connection, you've just been this like you've
- 2:33:49Speaker 4: always felt like a senior to me, Like the way
- 2:33:51Speaker 4: that you give notes to your scene partners and you
- 2:33:54Speaker 4: really help them a lot with their scenes and.
- 2:33:56Speaker 5: Kind of the whole program like mad respect.
- 2:33:59Speaker 2: And you know, like when you're scene with Channing, you
- 2:34:02Speaker 2: don't have to ask for notes, you know, Like.
- 2:34:08Speaker 1: Like immediately coming today, I was like, I know, my
- 2:34:11Speaker 1: girly over here is going to overplay because the camera's
- 2:34:14Speaker 1: closed and you're going to be playing for the back
- 2:34:15Speaker 1: of the room, right, And I just knew immediately just
- 2:34:18Speaker 1: because of my family, like my my uncle from my
- 2:34:21Speaker 1: law down three lines is it's just theater and it's
- 2:34:25Speaker 1: just in my blood and.
- 2:34:26Speaker 14: I often do you see him? Do you assume one
- 2:34:29Speaker 14: of a lot?
- 2:34:31Speaker 3: We did a family zoom.
- 2:34:33Speaker 4: During them, Yeah, like four years ago.
- 2:34:37Speaker 3: Yeah, we did a family zoom and that's when I
- 2:34:38Speaker 3: met him.
- 2:34:40Speaker 5: I bet he's so interesting on zoom.
- 2:34:42Speaker 4: Yeah, like really probably like really takes up a lot
- 2:34:44Speaker 4: of space, even when it's a gallery mode.
- 2:34:46Speaker 1: It's really awesome. Yeah, we're playing heads up that old
- 2:34:49Speaker 1: game anyway game Anyway, enough about me, I'm taking up
- 2:34:55Speaker 1: too much space and I want to hold space for
- 2:34:57Speaker 1: the others in the room.
- 2:34:58Speaker 2: Thanks Channing, Thanks.
- 2:35:00Speaker 3: You, my guys.
- 2:35:01Speaker 5: You guys know me.
- 2:35:02Speaker 6: I'm contra Brockway Hillhurst and contor counter serving, conter serving
- 2:35:10Speaker 6: concert serving.
- 2:35:12Speaker 5: You guys say that, you guys make me a thing
- 2:35:14Speaker 5: that I don't always want to be.
- 2:35:18Speaker 2: Girlfriend.
- 2:35:19Speaker 14: You are always serving hunter, if you're serving your slaying.
- 2:35:25Speaker 5: Thank you guys so much, Thank you guys so much. Yeah, totally.
- 2:35:28Speaker 5: So I am a senior. I'm graduating.
- 2:35:32Speaker 1: I am moving to Hell's Kitchen in the Bar.
- 2:35:37Speaker 5: I'm so excited. I'm so excited. Not the musical, the
- 2:35:42Speaker 5: area obviously, I know New York.
- 2:35:44Speaker 6: Yeah, yeah, yeah, So it's gonna be really fun.
- 2:35:49Speaker 5: I have had so many fun roles here.
- 2:35:51Speaker 6: I played uh Will in Oklahoma and then ensemble all
- 2:35:58Speaker 6: the way through and it's been so fun.
- 2:36:01Speaker 13: But that was so fun and I got to play
- 2:36:02Speaker 13: you were my ellien, I know, and I like so
- 2:36:06Speaker 13: like truthfully, like I feel like we became like the
- 2:36:08Speaker 13: best friends of the world, and like we're inseverable because
- 2:36:10Speaker 13: I don't even want to I don't even want to
- 2:36:13Speaker 13: think about it.
- 2:36:14Speaker 1: We can't know about talk about it.
- 2:36:15Speaker 4: And it's crazy that you guys kind of just became
- 2:36:17Speaker 4: friends in the last show, right, that's crazy to me.
- 2:36:20Speaker 5: Well yeah, well.
- 2:36:21Speaker 14: Yeah, but we kind of always knew there was like
- 2:36:23Speaker 14: that thing.
- 2:36:24Speaker 1: Let me say, Cunter, when we did counter, when Conter Cunter,
- 2:36:28Speaker 1: when we did Cunter, when we did I think we
- 2:36:34Speaker 1: were doing like ensemble numbers in class, Like I don't
- 2:36:36Speaker 1: think we did a full hair spray, but we did
- 2:36:38Speaker 1: Welcome to the Sixties. And you were in the back,
- 2:36:41Speaker 1: and I remember mister Marx went, everyone, hold, hold, look
- 2:36:45Speaker 1: at Hunter, look at Hunter in the back, and you
- 2:36:49Speaker 1: were doing full space work. And you were and like,
- 2:36:53Speaker 1: there are no small parts, only small actors. And you
- 2:36:55Speaker 1: have completely displayed that. You displayed that there are no
- 2:36:58Speaker 1: small parts, because every small part you get, you treat
- 2:37:01Speaker 1: it like it's the lead.
- 2:37:02Speaker 6: Well, like my whole thing is, like we need good mailmen,
- 2:37:06Speaker 6: we need good construction workers, we need good people who
- 2:37:10Speaker 6: know how to unclog a toilet, because those are like
- 2:37:13Speaker 6: important things. And the difference between somebody who can, like
- 2:37:16Speaker 6: you know, like send your letter at four fifty five
- 2:37:18Speaker 6: PM versus somebody who's zoned out and wants to just
- 2:37:21Speaker 6: go home and so your letter gets sent the next day,
- 2:37:23Speaker 6: so your rent is late. Like the butterfly effect of
- 2:37:25Speaker 6: somebody being better their job is unparalleled. And so like
- 2:37:28Speaker 6: my whole thing is, you have to be the best
- 2:37:31Speaker 6: at what you are. And for me, the ensemble is
- 2:37:33Speaker 6: the Greek chorus. We did that whole Greek chorus, that section. Yeah,
- 2:37:38Speaker 6: we did a lot of Greek. Remember when we got
- 2:37:40Speaker 6: to do together.
- 2:37:43Speaker 2: Oh my god, it was like hilarious.
- 2:37:45Speaker 14: We like brought so much comedy.
- 2:37:46Speaker 5: Yes, like no one was really we said it in
- 2:37:48Speaker 5: like a funky small town.
- 2:37:50Speaker 14: It's like people's minds.
- 2:37:51Speaker 6: It was like hilarious.
- 2:37:52Speaker 2: Yeah, you guys many funny ad libs in Oedipus. Yeah
- 2:37:58Speaker 2: we could hear. I mean, you guys are saying them
- 2:38:00Speaker 2: a little quietly, but they were kind of in my ears.
- 2:38:03Speaker 5: Oh yeah, yeah, sixteen minutes do it.
- 2:38:08Speaker 2: Lit many time in front of a camera.
- 2:38:10Speaker 1: I'm ripping out my eyes.
- 2:38:12Speaker 5: I'm ripping out my eyes because I kiss my mama.
- 2:38:15Speaker 2: Oh my god, not my eyes.
- 2:38:17Speaker 5: I'm ripping out my eyes.
- 2:38:18Speaker 6: Mama.
- 2:38:18Speaker 1: We can't be kissing no more, mama, Oh my god.
- 2:38:22Speaker 11: But I want to kiss my son. And what's wrong
- 2:38:24Speaker 11: with that? And what this town needs to get like
- 2:38:26Speaker 11: a little more funky than it already is. So let's
- 2:38:28Speaker 11: funk this town.
- 2:38:29Speaker 5: That's right. And I was born this way, born from
- 2:38:32Speaker 5: my mama to love my mama.
- 2:38:34Speaker 2: That's right, baby, you were serving serving.
- 2:38:37Speaker 7: The funniest thing about your ad libs is the rest
- 2:38:40Speaker 7: of the play was not set in the South, right, right,
- 2:38:43Speaker 7: But I kind of felt.
- 2:38:44Speaker 11: Like the southern stuff that we have lived was kind
- 2:38:46Speaker 11: of almost like our inner monologue like kind of coming out.
- 2:38:49Speaker 11: So it's like maybe that's who my character was inside. Yes,
- 2:38:52Speaker 11: I like I couldn't help.
- 2:38:53Speaker 5: It's just like fall, You're like amazing, and you're like incredible.
- 2:38:57Speaker 1: Truly like yourself.
- 2:39:00Speaker 14: You please, Okay, this is your moment to stop.
- 2:39:04Speaker 5: Okay, I'm gonna stand like, ensemble member, thank you.
- 2:39:08Speaker 6: Thank you.
- 2:39:08Speaker 14: You're so he's always so dialed in.
- 2:39:11Speaker 5: It's like number one wild.
- 2:39:15Speaker 11: I'm Christine Turt. I. I gosh, I mean, what do
- 2:39:22Speaker 11: I say? You know, in a world full of people,
- 2:39:24Speaker 11: who's like second cousin, father's husband is by law, Jason
- 2:39:30Speaker 11: Robert Brown, I actually have no family ties to the business.
- 2:39:33Speaker 14: I am completely self made.
- 2:39:35Speaker 5: Yeah, christ came from nothing, y'all.
- 2:39:39Speaker 14: The family, the turt family has no artists in it
- 2:39:44Speaker 14: at all.
- 2:39:44Speaker 5: I went home with spring break to her house.
- 2:39:48Speaker 3: It's wild.
- 2:39:54Speaker 14: He brings his own thing.
- 2:39:55Speaker 11: He brings his own thing always. I like so appreciate
- 2:39:58Speaker 11: that they need to know the backstory the household. There's
- 2:40:01Speaker 11: no art, Like I never even saw a painting growing up,
- 2:40:04Speaker 11: so like I didn't even know what art was. I
- 2:40:06Speaker 11: just knew I like had to sing, and I it's
- 2:40:10Speaker 11: like it's so funny because it's like, how did I
- 2:40:12Speaker 11: even conceptualize singing? Like there was no music, Like it's
- 2:40:16Speaker 11: like exactly, And so that's why it's like, you know,
- 2:40:19Speaker 11: no offense to anyone who has connections or anything.
- 2:40:22Speaker 14: No, I am completely self made.
- 2:40:24Speaker 11: And yeah, I couldn't spend four hundred dollars for the
- 2:40:26Speaker 11: application fee to see Shonda.
- 2:40:28Speaker 14: You know, I missed out on that truly, like and I.
- 2:40:31Speaker 6: And I don't want to like steal your spotlight, but
- 2:40:33Speaker 6: like the place she came from, I'm telling you slacked
- 2:40:36Speaker 6: so much art. Instead of family photos, they literally just
- 2:40:39Speaker 6: hung like tax forms on the wall. It was freeing
- 2:40:41Speaker 6: w twos.
- 2:40:42Speaker 2: My parents so sad, Yeah it was.
- 2:40:47Speaker 14: It was so sad.
- 2:40:48Speaker 11: We were so poor, We're so poor. And so I just, yeah,
- 2:40:52Speaker 11: I think I'm here to like really celebrate the working man.
- 2:40:56Speaker 11: And yeah, I just kind of like I'm here because
- 2:40:59Speaker 11: I have something.
- 2:41:01Speaker 14: I'm sorry, I.
- 2:41:06Speaker 11: Feel really good. I feel like I've never really said
- 2:41:08Speaker 11: that out loud. So I really thank you guys for
- 2:41:10Speaker 11: like holding space for me. And yeah, if anyone you
- 2:41:14Speaker 11: know wants to help me on my journey my Venmo
- 2:41:18Speaker 11: Christine Turt.
- 2:41:19Speaker 2: So it's trt, but also like.
- 2:41:22Speaker 5: That's a huge mists.
- 2:41:24Speaker 1: You are being so humble, Christine, because like we're not
- 2:41:27Speaker 1: even talking about like, well, I'm sure we're going to
- 2:41:29Speaker 1: get into all of our milestones like.
- 2:41:31Speaker 5: These last year.
- 2:41:33Speaker 1: Wasn't talking to you, guess just I think I think
- 2:41:37Speaker 1: I glanced at you and you thought I said something, yeah, Christine, Yeah,
- 2:41:41Speaker 1: so yeah, So I was like, I'm sure we're gonna
- 2:41:45Speaker 1: get into each of our milestones throughout our career and
- 2:41:47Speaker 1: our blossom and his artists. I will never forget the
- 2:41:50Speaker 1: moment we like to call the Turt triple when you
- 2:41:53Speaker 1: landed that fucking triple What I was I.
- 2:41:57Speaker 6: Think that happen.
- 2:42:00Speaker 11: It was in the audience, yes, and mister Marx actually
- 2:42:04Speaker 11: led the standing ovation for that.
- 2:42:05Speaker 14: One, and it was like that meant, that meant so much, like.
- 2:42:08Speaker 3: You are a triple threat.
- 2:42:10Speaker 2: You are all three.
- 2:42:11Speaker 7: You are all three, and I think, like I remember
- 2:42:14Speaker 7: at the end of our junior year final project, you
- 2:42:18Speaker 7: devised a ten minute one act starring yourself and it
- 2:42:22Speaker 7: was all about how your struggles of having to get
- 2:42:25Speaker 7: a summer.
- 2:42:26Speaker 3: Job, and that really like so much.
- 2:42:29Speaker 7: It broke my heart hearing you talk about working at
- 2:42:32Speaker 7: Jersey Mike's like yeah, to see to think about you there,
- 2:42:35Speaker 7: like and and just.
- 2:42:37Speaker 2: Working through it. I'm sorry. Like at the end minute
- 2:42:40Speaker 2: made me cry.
- 2:42:40Speaker 6: Wait wait and remember the moment where you rework the
- 2:42:44Speaker 6: lyrics to Regina Spectors Sampson to be about sandwiches.
- 2:42:48Speaker 5: Yes, oh my gosh, cl three.
- 2:42:56Speaker 1: Respectively.
- 2:42:58Speaker 5: I don't know what I'm doing. You had a chance
- 2:43:00Speaker 5: to play a clip and you didn't play.
- 2:43:03Speaker 4: I just like if my father wuns an opportunity to
- 2:43:05Speaker 4: play a clip, I would have played.
- 2:43:06Speaker 1: This is the only interview really we're gonna happen. We
- 2:43:10Speaker 1: need to use this to play as many clips as
- 2:43:12Speaker 1: we can.
- 2:43:12Speaker 5: All right, we're playing clips. Oh, this is you reworking.
- 2:43:23Speaker 11: And like, okay, wait, can I just give a little Okay, guys,
- 2:43:27Speaker 11: I like literally should have been on vocal rest to
- 2:43:29Speaker 11: this whole show. Okay.
- 2:43:31Speaker 4: I need you to know you were pushing through crazy
- 2:43:34Speaker 4: you were.
- 2:43:34Speaker 11: Saying that, and for noticing, I need you to know
- 2:43:36Speaker 11: before we play the clip, I literally sound this is
- 2:43:39Speaker 11: not how it usually sound. Okay, because everyone knows I'm
- 2:43:42Speaker 11: a fucking powerhouse metso everyone knows.
- 2:43:44Speaker 6: Everyone knows like she's.
- 2:43:48Speaker 2: That's so good, my uncle.
- 2:43:51Speaker 14: Okay, we have to play the clip.
- 2:43:54Speaker 2: I play the clip.
- 2:43:55Speaker 14: It's so it's literally so short and so okay, just
- 2:43:58Speaker 14: play it and play. Sandwiches come on bread.
- 2:44:03Speaker 2: Not too much to put some bood.
- 2:44:08Speaker 14: Onions, onions onion spesses oven.
- 2:44:15Speaker 2: Everyone just tap read.
- 2:44:19Speaker 5: Oh my god.
- 2:44:20Speaker 2: I'm literally like I'm gonna cry you guys, Okay, but
- 2:44:29Speaker 2: it sounds so bad. I'm like so embarrassed, so poor
- 2:44:32Speaker 2: in it.
- 2:44:33Speaker 6: It's so.
- 2:44:35Speaker 2: Things like so oh my god. I mean, we should
- 2:44:38Speaker 2: do a bake sale at showcase.
- 2:44:39Speaker 17: For you, your family, for you, we should do to
- 2:44:44Speaker 17: raise money anyone.
- 2:44:46Speaker 6: Her spot. But she wrote those lyrics. Yeah, because your
- 2:44:56Speaker 6: face should be on your cakes.
- 2:44:58Speaker 2: Honestly, thank you. I'm just saying that everywhere everybody.
- 2:45:04Speaker 5: I think people should being on your I didn't say that.
- 2:45:12Speaker 5: I'm trying to.
- 2:45:13Speaker 6: I know.
- 2:45:14Speaker 2: Not what you said. It's what you meant.
- 2:45:16Speaker 5: Sam Clean, You're bad, queen.
- 2:45:20Speaker 1: It's not what you said, what you meant.
- 2:45:23Speaker 5: Serving once again now and.
- 2:45:24Speaker 6: You can do that the least. Okay, Well we should
- 2:45:33Speaker 6: probably discuss uh our showcase.
- 2:45:36Speaker 5: Oh my god.
- 2:45:37Speaker 4: Well this is actually a really interesting showcase because we
- 2:45:40Speaker 4: get a song we get a monologue. And actually this
- 2:45:42Speaker 4: year they're doing something really interesting. They've paired us up
- 2:45:45Speaker 4: for scenes, so we're gonna do scenes with each other
- 2:45:47Speaker 4: the first.
- 2:45:47Speaker 5: Time they're writing scenes into the show.
- 2:45:49Speaker 1: We can use something Me and my girl Emma, we
- 2:45:51Speaker 1: are slaying. Our scene from Broad City.
- 2:45:53Speaker 5: We are slaying.
- 2:45:54Speaker 7: We wanted to do some comedy and we we really
- 2:45:56Speaker 7: fought to do like a contemporary like really contemporary.
- 2:46:01Speaker 1: Yeah, because my monologue from Glass and Asherie and yours
- 2:46:04Speaker 1: is like I am I ate the divorce papers, Charles,
- 2:46:09Speaker 1: Like we had to like show that, like we can
- 2:46:12Speaker 1: also play like like HBO girly.
- 2:46:14Speaker 7: Yeah, we have to show that, like because as we
- 2:46:17Speaker 7: pivot to screen, as we pivot to screen, like we
- 2:46:20Speaker 7: need to be you know, showcasing that we can do that.
- 2:46:23Speaker 2: And so I'm glad that they were allowing us to
- 2:46:26Speaker 2: do that.
- 2:46:27Speaker 11: And that'll be so good for you, like to have
- 2:46:29Speaker 11: the TV to kind of fall back on when like
- 2:46:31Speaker 11: there's not a lot of like bass parts available for women,
- 2:46:34Speaker 11: like because there's lulls.
- 2:46:35Speaker 1: You know what I mean, there's and like we're we're
- 2:46:37Speaker 1: at the forefront of maybe composers and writers making those
- 2:46:41Speaker 1: parts for women and.
- 2:46:43Speaker 6: That's what mister said to like go for a musical theater,
- 2:46:46Speaker 6: but plan for a career and TV as a backup.
- 2:46:48Speaker 2: Yes, exactly, And.
- 2:46:50Speaker 7: So I'm hoping to like take it sort of as
- 2:46:52Speaker 7: a summer almost like the way that you worked at
- 2:46:54Speaker 7: Jersey Mics.
- 2:46:54Speaker 2: Like to take TV work sort of as like to
- 2:46:57Speaker 2: support myself.
- 2:46:57Speaker 5: That's right, So grave that.
- 2:47:00Speaker 3: Yeah.
- 2:47:00Speaker 5: Yeah, And Christina asked, you guys are doing a scene together?
- 2:47:05Speaker 2: Yeah, come on, it's right.
- 2:47:07Speaker 5: Stop. Yeah, we're doing a scene together.
- 2:47:09Speaker 2: It's not really compliment, it's more of a fact.
- 2:47:11Speaker 5: Crazy, Thank you so much.
- 2:47:13Speaker 1: What's your scene it?
- 2:47:16Speaker 2: Yeah, what is it?
- 2:47:17Speaker 5: What is the scene? Oh it's we're doing a red
- 2:47:21Speaker 5: light win. Yeah, thank you Winter.
- 2:47:24Speaker 1: Yes work, Yes, really edgy to show that you can
- 2:47:29Speaker 1: play sexy and poor and yes and rich. Show what's
- 2:47:34Speaker 1: hard about this? Your show cases. People need to know.
- 2:47:36Speaker 3: We're trying to show you every part we can play
- 2:47:39Speaker 3: within these like twenty minutes.
- 2:47:41Speaker 2: And you got to get it in instantly.
- 2:47:44Speaker 7: Especially Shonda was saying, like Hollywood will make a snap
- 2:47:47Speaker 7: judgment about you, and that judgment will be negative.
- 2:47:50Speaker 2: And this was something she said to me, but it
- 2:47:52Speaker 2: sort of applies to everyone.
- 2:47:53Speaker 4: I think it's crazy that she said just to you.
- 2:47:56Speaker 2: Well, she was making eye contact with me, but it
- 2:47:59Speaker 2: was like a note of the class.
- 2:48:01Speaker 4: Okay, red Light Winter, it's pretty crazy working on with you.
- 2:48:05Speaker 4: It's been like so intent just getting to know you
- 2:48:07Speaker 4: a little bit better.
- 2:48:08Speaker 5: It's just super.
- 2:48:11Speaker 2: Okay, Okay, I'm.
- 2:48:13Speaker 5: Good, I'm good.
- 2:48:14Speaker 6: I'm just getting so hot in here.
- 2:48:17Speaker 4: This is all well, it's because like we're kind of
- 2:48:20Speaker 4: playing this like I'm kind of cast against I'm playing
- 2:48:23Speaker 4: the guy who's kind of obsessed with you, which is
- 2:48:24Speaker 4: usually like something I'm not used to, and it's been
- 2:48:26Speaker 4: such a struggling.
- 2:48:27Speaker 6: Being into women.
- 2:48:30Speaker 5: Is that a gay joke? I'm just literally asking, okay, okay,
- 2:48:36Speaker 5: you've never said my name.
- 2:48:37Speaker 14: I'm sorry. He's my scene partner.
- 2:48:38Speaker 6: It's like, yeah, but he's your scene What is that?
- 2:48:40Speaker 2: Like we can't hear.
- 2:48:45Speaker 5: End because that's what it is.
- 2:48:47Speaker 14: Yeah, but but like for the moment I need to
- 2:48:49Speaker 14: be in this, I have to be.
- 2:48:53Speaker 4: Forwarding podcast on three times three.
- 2:48:56Speaker 1: It's like suddenly the video went fast. Okay.
- 2:49:00Speaker 4: Yeah, So we're doing Red Light Winter and it's just
- 2:49:03Speaker 4: been like great, Like our private rehearsals has been crazy.
- 2:49:06Speaker 4: You're just so good at playing poor like a poor
- 2:49:09Speaker 4: prostitute has like been wild for me to like be
- 2:49:12Speaker 4: in a room with somebody so talented, you know, and
- 2:49:15Speaker 4: thank you for listening to my guitar songs, my solo songs.
- 2:49:17Speaker 3: Yeah.
- 2:49:18Speaker 14: Absolutely.
- 2:49:18Speaker 4: We spend half the time rehearsal and then half the
- 2:49:20Speaker 4: time I show her my.
- 2:49:21Speaker 11: Music, yeah, which I love and I love whenever, like
- 2:49:24Speaker 11: a streak, I whips out a guitar, you know, not
- 2:49:28Speaker 11: in the context of like a concert, but just like
- 2:49:29Speaker 11: kind of in everyday life.
- 2:49:31Speaker 14: Yeah, I get really excited.
- 2:49:32Speaker 1: About what's to come.
- 2:49:33Speaker 3: Yeah.
- 2:49:33Speaker 7: Yeah, I also feel it's also feel excited about what's
- 2:49:36Speaker 7: to come.
- 2:49:37Speaker 2: It's like, oh my god, what's to come is going
- 2:49:39Speaker 2: to be a big Yes.
- 2:49:40Speaker 1: I remember, like sophomore year, you and I did that
- 2:49:42Speaker 1: scene from Caucasian Chock Circle.
- 2:49:44Speaker 4: Yeah.
- 2:49:44Speaker 1: Yeah, you brought out your guitar and you did love
- 2:49:47Speaker 1: Bug by the Jonas Brothers.
- 2:49:48Speaker 5: I just love that song. I think they're so talented,
- 2:49:50Speaker 5: those boys are.
- 2:49:52Speaker 14: They're really good.
- 2:49:52Speaker 5: They're like kind of my idols.
- 2:49:54Speaker 2: Yeah.
- 2:49:54Speaker 1: So, Cuzer, why don't you explain what you're doing for
- 2:49:56Speaker 1: the showcase.
- 2:49:57Speaker 6: I'm singing the song play with your Food Buy the
- 2:50:00Speaker 6: Cat from the musical Honk.
- 2:50:02Speaker 2: Oh my god, this is like so brave.
- 2:50:07Speaker 14: It's literally like there's one every year.
- 2:50:10Speaker 2: There's one every year, and some people say it's overused, but.
- 2:50:15Speaker 13: Like that and it's under and I said that, and
- 2:50:18Speaker 13: I said, I don't want to do the Sassy Cat
- 2:50:20Speaker 13: from Honk.
- 2:50:21Speaker 5: I don't even want to. I'm not interested. And I
- 2:50:25Speaker 5: would I would like to not do that.
- 2:50:31Speaker 6: I would like to do something that maybe shows something
- 2:50:33Speaker 6: a little more different. I said, maybe I could just
- 2:50:36Speaker 6: like leterally project that would be interesting. I could do
- 2:50:38Speaker 6: the monologue that the father says to the to the uh,
- 2:50:42Speaker 6: to the to the guy from from the from the court,
- 2:50:45Speaker 6: where he said like I wish you a life not
- 2:50:47Speaker 6: of death but of pain, you know, And then now
- 2:50:50Speaker 6: I'm before you eat it and he's making me wear
- 2:50:53Speaker 6: this mustache.
- 2:50:55Speaker 5: It's so funny.
- 2:50:58Speaker 2: It's so funny, like from my scenes.
- 2:51:01Speaker 6: So I guess everyone got paired up when I went
- 2:51:03Speaker 6: to the bathroom and I came back and nobody nobody
- 2:51:07Speaker 6: was paired with me. So uh, mister Mark found this
- 2:51:10Speaker 6: really really cool monologue from Fifty Monologues for Young Adults.
- 2:51:17Speaker 2: I Love I Love.
- 2:51:20Speaker 6: Everywhere, and it's about somebody who loves chocolate chips so much,
- 2:51:24Speaker 6: he's asking me a witch to turn into one.
- 2:51:27Speaker 2: From the comic side, the comedy comic, the comic side.
- 2:51:31Speaker 7: I love the comic section of that book because it's
- 2:51:33Speaker 7: sort of like they arrange like a mad lib of
- 2:51:36Speaker 7: comedic premises usually revolves around like food or.
- 2:51:42Speaker 2: Like being random songs.
- 2:51:44Speaker 7: And I think that's really good to like Showcase, especially
- 2:51:47Speaker 7: for the screen brushing it.
- 2:51:48Speaker 5: Queen, you're absolutely thanks so much.
- 2:51:51Speaker 1: For the monologue.
- 2:51:52Speaker 14: Please we have to roll the Queen.
- 2:51:53Speaker 6: We don't have to.
- 2:51:56Speaker 5: That was a private video. I sent notes.
- 2:52:03Speaker 2: It was so good.
- 2:52:04Speaker 14: I'm sorry. Like everybody has a gift to the world.
- 2:52:10Speaker 5: So this is your monologue about about asking which to
- 2:52:15Speaker 5: turn me into a chocolate yeh, yeh. Listen.
- 2:52:19Speaker 6: I love chocol chips so much. I would love to
- 2:52:21Speaker 6: be on right away. I am so into chocolate chips.
- 2:52:24Speaker 6: Oh my gosh, I could eat a chocolate chip every
- 2:52:26Speaker 6: single day all year. I cannot wait to be a
- 2:52:29Speaker 6: chocolate chip witch.
- 2:52:30Speaker 5: Witch, Witch, please grant me this wish. Come on.
- 2:52:33Speaker 6: I know you have a lot to do. I know
- 2:52:34Speaker 6: that you're looking for more eye of nude. I know
- 2:52:36Speaker 6: that your salamander is salivating to become a cauldron stew.
- 2:52:41Speaker 6: But I am interested and becoming a chocolate chip. Please
- 2:52:45Speaker 6: please today, Let it today be the day that I'm
- 2:52:48Speaker 6: a chocolate chip and I can go into the mouth
- 2:52:50Speaker 6: of my favorite beloved, my.
- 2:52:52Speaker 5: Darling wife, Josephine. Oh my gosh, so good. I love
- 2:52:57Speaker 5: how we can tell how disgusting you are. Yeah, I
- 2:53:01Speaker 5: started to pass.
- 2:53:04Speaker 2: If I could offer, like, not a note, but maybe
- 2:53:07Speaker 2: maybe like a pitch.
- 2:53:08Speaker 1: She should, she should, and I thank you.
- 2:53:11Speaker 6: You know what, can you give it to Christine and
- 2:53:12Speaker 6: then she'll give it to me.
- 2:53:13Speaker 7: Yeah, Okay, Christine, I don't know if you feel this way,
- 2:53:16Speaker 7: but I just feel like he should be putting Since
- 2:53:18Speaker 7: it's a comedy scene, I feel like he should be
- 2:53:19Speaker 7: putting his hands on his hips more.
- 2:53:21Speaker 14: Okay, Okay, that is a fucking good point.
- 2:53:24Speaker 2: Goddamn, Okay, it might be coming from you.
- 2:53:28Speaker 14: Okay, counter, she has she has a point. You know,
- 2:53:33Speaker 14: it's a comedy. We have to remember comedy, right, So
- 2:53:36Speaker 14: I let's do hands on hips the whole way through.
- 2:53:39Speaker 14: Just don't don't move them.
- 2:53:40Speaker 5: Just yeah, I'll take that note and thank you for me.
- 2:53:44Speaker 1: Thank you so much.
- 2:53:45Speaker 14: I'll take it.
- 2:53:48Speaker 5: It's so good you guys work that.
- 2:53:49Speaker 14: Out, slay queen and.
- 2:53:59Speaker 2: That come from God.
- 2:54:02Speaker 5: Song.
- 2:54:03Speaker 11: Okay, Cash, can I point something out about just one
- 2:54:05Speaker 11: more thing about his performance?
- 2:54:06Speaker 6: Can? Okay?
- 2:54:08Speaker 14: Then we can go. We can absolutely go to Fast Card.
- 2:54:10Speaker 11: We don't have to thank you, I know you even
- 2:54:12Speaker 11: working on it. We can listen to We don't have
- 2:54:14Speaker 11: to Can we just say, okay?
- 2:54:17Speaker 1: This is like such.
- 2:54:18Speaker 11: I think this is such a good piece of advice
- 2:54:20Speaker 11: to give to like young actors, because I think most
- 2:54:22Speaker 11: people who are listening to this will be like young actors.
- 2:54:24Speaker 3: And you need to hear this, like you should be
- 2:54:26Speaker 3: already yes, yes, trust you.
- 2:54:32Speaker 6: Follow what we did? Right?
- 2:54:33Speaker 3: Yeah?
- 2:54:34Speaker 5: Right?
- 2:54:35Speaker 11: So if you noticed in his text he said like please, please, please,
- 2:54:38Speaker 11: like like three times in a row, his character really
- 2:54:40Speaker 11: starts repetition, repetition exactly. And so when you have repetition,
- 2:54:44Speaker 11: what I loved is that for the first please, you
- 2:54:46Speaker 11: added a double us.
- 2:54:47Speaker 2: It was please, which I thought was so good.
- 2:54:50Speaker 1: It was so exciting.
- 2:54:52Speaker 11: Yes, and so like as soon as you see your
- 2:54:54Speaker 11: character go please, you're like you're like locked in, You're like,
- 2:54:57Speaker 11: what's coming next?
- 2:54:58Speaker 14: You know what I mean?
- 2:54:58Speaker 11: And then it was to rite gular pleases, which I
- 2:55:01Speaker 11: think we're so surprising, and I just really love how
- 2:55:03Speaker 11: you switch that up.
- 2:55:04Speaker 1: I absolutely and I think I keep You're at home
- 2:55:06Speaker 1: right now and you're like writing things down, like remember
- 2:55:08Speaker 1: that with repetition you can always throw in the w yes. Yes,
- 2:55:12Speaker 1: and it's just going to keep them.
- 2:55:13Speaker 2: On their toes.
- 2:55:14Speaker 4: Stuff like you're so good at like your comedy mastermind,
- 2:55:18Speaker 4: Like I cannot figure out how to do that stuff,
- 2:55:20Speaker 4: like like you're so gifted with improv in our improv classes,
- 2:55:25Speaker 4: like when we do improv WMAs, it's so fast as.
- 2:55:29Speaker 5: You're so you lean so hard and you kind of
- 2:55:31Speaker 5: yell at people when they mess up.
- 2:55:33Speaker 14: Yes, which is so good.
- 2:55:34Speaker 6: Can the secret my zipzeps off?
- 2:55:36Speaker 8: Yeah?
- 2:55:36Speaker 5: I keep the hands out.
- 2:55:37Speaker 1: Whoam Like you're ready for the call action, I'm ready
- 2:55:41Speaker 1: for the call.
- 2:55:42Speaker 7: It's good because you can a lot of people think
- 2:55:44Speaker 7: you can't win zip zaps up, but I feel like
- 2:55:47Speaker 7: you clearly win it.
- 2:55:49Speaker 6: Yeah, And I want to say, guys, we're talking a
- 2:55:50Speaker 6: lot about me, and I appreciate the love. I kind
- 2:55:52Speaker 6: of know that it's because everybody else is getting fifteen
- 2:55:57Speaker 6: more minutes in the showcase than I am. I appreciate
- 2:56:01Speaker 6: the love, but I also see that like, you guys
- 2:56:03Speaker 6: are all amazing, and I.
- 2:56:04Speaker 7: Don't know, it was just sort of like how it
- 2:56:07Speaker 7: shook out, but like as we keep saying, no part,
- 2:56:10Speaker 7: no small parts, only small actors.
- 2:56:12Speaker 5: And I feel like it was unfair.
- 2:56:14Speaker 4: You should be able to do improv games or like,
- 2:56:17Speaker 4: like you should be able to do like party quirks
- 2:56:21Speaker 4: like New Choice.
- 2:56:22Speaker 5: I would love for them.
- 2:56:24Speaker 6: Maybe I'll tell mister Mark that it's funny. Sometimes I
- 2:56:27Speaker 6: feel like mister Mark is in love with me, and
- 2:56:29Speaker 6: sometimes I feel.
- 2:56:30Speaker 5: Like he hates my guts. He can't hate you. He
- 2:56:37Speaker 5: can probably loves you.
- 2:56:38Speaker 14: Yeah, he loves you.
- 2:56:40Speaker 11: Sorry, Oh my god, I'm talking my head voice because
- 2:56:42Speaker 11: I'm like feeling a little horse.
- 2:56:46Speaker 3: Take care of it.
- 2:56:48Speaker 1: Your head voice is so angelous about Conter.
- 2:56:53Speaker 5: It doesn't help.
- 2:56:54Speaker 1: Honestly, Let's talk about we have a huge fresh batch
- 2:56:58Speaker 1: of freshmen that came into our program.
- 2:57:04Speaker 5: When I was.
- 2:57:06Speaker 1: And I see them in the d H and I'm like,
- 2:57:08Speaker 1: oh my god, they're so young and so silly, and
- 2:57:11Speaker 1: I know they're going to watch this video. So let's
- 2:57:13Speaker 1: like let's give some advice.
- 2:57:14Speaker 19: Of like like what I wish someone told me when
- 2:57:18Speaker 19: I was in your exactly well, I I really wish
- 2:57:22Speaker 19: someone had told me to avoid the mashed potatoes in
- 2:57:28Speaker 19: the quad.
- 2:57:29Speaker 5: You are so funny.
- 2:57:31Speaker 2: I'm sorry, that's straight through you. Yeah, like not to
- 2:57:38Speaker 2: be too Yeah, well they're both hard as rocks and
- 2:57:42Speaker 2: make you poop. There's like there's sort of no in
- 2:57:45Speaker 2: between the quad.
- 2:57:48Speaker 5: I've never gotten an answer.
- 2:57:49Speaker 1: I've never gotten and like, if you want like a protein,
- 2:57:54Speaker 1: you have to go to the dining hall. But if
- 2:57:56Speaker 1: you want like a carb, if just that.
- 2:57:58Speaker 2: Carb the quad.
- 2:57:59Speaker 7: Well, they want to be able to discern which food
- 2:58:03Speaker 7: groups are which, so they do all carbs in the quad.
- 2:58:07Speaker 2: All carbs are served in the quad. Oh, dairy is
- 2:58:10Speaker 2: in the Student Center Protein dining Hall. And then if
- 2:58:13Speaker 2: you want to dessert, you gotta go to the gym.
- 2:58:16Speaker 1: We should have learned that lesson earlier.
- 2:58:19Speaker 5: Such good advice. And that's not gonna be something I
- 2:58:21Speaker 5: think about. If you want to you have to go
- 2:58:22Speaker 5: to the gym.
- 2:58:23Speaker 6: That's not gonna affect me.
- 2:58:26Speaker 14: There's nothing subleminal on.
- 2:58:28Speaker 3: That, especially on a day.
- 2:58:33Speaker 6: Yes, yes, I learn from Yeah, I learned that from
- 2:58:37Speaker 6: Parks and a creation.
- 2:58:38Speaker 2: Dude.
- 2:58:39Speaker 5: You see, that's the thing. You're always like so funny.
- 2:58:44Speaker 1: But let me just say, okay, Boice and Speech class.
- 2:58:49Speaker 5: Okay, you're crying, thank you, sorry, go ahead a compliment.
- 2:58:58Speaker 1: So you're a freshman and you are doing voice and
- 2:59:03Speaker 1: speech with doctor Paul, I highly recommend, I highly recommend
- 2:59:10Speaker 1: practicing your sonnet right before bed. Right when I learned
- 2:59:14Speaker 1: to like read my sonnet before bed, everything changed for me.
- 2:59:19Speaker 5: Everything.
- 2:59:21Speaker 2: Yeah.
- 2:59:22Speaker 7: Yeah, because it like it bakes in overnight. That's something
- 2:59:25Speaker 7: doctor Paul always said. It is like you memorized before
- 2:59:28Speaker 7: and then it bakes in, and then you wake up
- 2:59:30Speaker 7: and you've got like.
- 2:59:31Speaker 2: A totally new perspective on it. I felt that way
- 2:59:33Speaker 2: with Broad City a lot.
- 2:59:35Speaker 1: And I think, like what's so important is your vocal
- 2:59:38Speaker 1: warm up is specific to you. Like your vocal warm
- 2:59:41Speaker 1: up is so specific to you.
- 2:59:45Speaker 7: Okay, fine, okay, fine, freshman. I mean this is just
- 2:59:49Speaker 7: one way to do it.
- 2:59:50Speaker 2: This is not every way to do it. So that like,
- 2:59:53Speaker 2: don't take it from there's lots of do what works
- 2:59:55Speaker 2: for you.
- 2:59:56Speaker 7: But lelylyly wow, that love love love love.
- 3:00:09Speaker 2: And then you said it back and you send it forward.
- 3:00:12Speaker 6: And you guys were freshman roommates, right, we were.
- 3:00:16Speaker 2: I love our posters were so fun.
- 3:00:18Speaker 1: Yes, we did all.
- 3:00:21Speaker 5: Yeah.
- 3:00:22Speaker 14: That kind of was like triggering a little bit because
- 3:00:23Speaker 14: I was.
- 3:00:24Speaker 2: Like, yeah, but back.
- 3:00:28Speaker 14: Yeah, like sucked through like a dark tunnel like back
- 3:00:31Speaker 14: into that time, you know.
- 3:00:34Speaker 2: So that was fun.
- 3:00:35Speaker 5: It was fun.
- 3:00:36Speaker 2: We had a lot of fun.
- 3:00:37Speaker 14: Yeah, And it was like it was just so.
- 3:00:38Speaker 11: Funny because like we're from two different worlds, you know,
- 3:00:42Speaker 11: and I'm like, I'm you know, I came with my one.
- 3:00:45Speaker 2: I was like, I'm ready for school, like you know,
- 3:00:48Speaker 2: like a classic story. Yes, my little like cap.
- 3:00:53Speaker 7: Yeah, it's sort of like a like a wicked like
- 3:00:56Speaker 7: a Glinda and and the other one situation.
- 3:01:00Speaker 1: It's alphaba, never fucking do that again, So it's alphabet
- 3:01:03Speaker 1: never do that.
- 3:01:05Speaker 2: It's actually so embarrassed.
- 3:01:06Speaker 1: That embarrassed gonna ruined our broad city, So you fuck
- 3:01:10Speaker 1: that up again.
- 3:01:12Speaker 6: It doesn't matter if he does rolls.
- 3:01:13Speaker 2: She's never never it's never a plage.
- 3:01:16Speaker 5: Literally the Wizards and.
- 3:01:21Speaker 4: Can you imagine that, literally thousand much just changed the
- 3:01:29Speaker 4: live on Gosh gosh.
- 3:01:31Speaker 1: They literally told us you can't do like, no thanks
- 3:01:34Speaker 1: say anything positive cash.
- 3:01:36Speaker 5: Sorry, my mind is just spinning.
- 3:01:40Speaker 2: Spinn Listen.
- 3:01:42Speaker 6: You think you know what, how about a minute of
- 3:01:44Speaker 6: unadulterated cash yeah, her monologue.
- 3:01:50Speaker 1: Monologue cash.
- 3:01:53Speaker 2: Okay, We're gonna be so quiet for literally sixty seconds, and.
- 3:02:00Speaker 5: Gay, I guess I'm letting you guys in. Yeah, this
- 3:02:03Speaker 5: like silence makes.
- 3:02:04Speaker 4: Me uncomfortable, and uncomfortable makes me think of food, and
- 3:02:07Speaker 4: then food is kick and then all of a sudden,
- 3:02:10Speaker 4: like kick by.
- 3:02:11Speaker 2: The Ocean, I got Kick by the.
- 3:02:13Speaker 4: Ocean, and I realized, like, man, I love that song,
- 3:02:17Speaker 4: and like if I could learn it, then I could
- 3:02:19Speaker 4: perform it. And so like maybe tonight I'll go home,
- 3:02:23Speaker 4: I'll smoke the littlest, littlest bit of.
- 3:02:25Speaker 5: A cigarette.
- 3:02:28Speaker 4: And look at that song on guitar tabs dot com.
- 3:02:32Speaker 4: And for me, like, then I have to do my
- 3:02:34Speaker 4: finance homework because I was never really a musical theater major.
- 3:02:37Speaker 4: They just let me do all the shows. And then
- 3:02:41Speaker 4: so I'll do my finance homework. And then my friend
- 3:02:43Speaker 4: Gregory is gonna come over and we're gonna play Super
- 3:02:45Speaker 4: Smash Bros. And I love Super Smash Bros. And Smash
- 3:02:48Speaker 4: Bros make me think of Smash Bath Rip. Yeah, the
- 3:02:53Speaker 4: days start coming and they don't start coming. Hit to
- 3:02:56Speaker 4: the roof and I hit the run in.
- 3:02:58Speaker 2: Okay, this was really illumined and that was exactly a minute.
- 3:03:01Speaker 4: So yeah, I guess I'm a little twisted, guys, So
- 3:03:07Speaker 4: I guess it's a little funked up in there.
- 3:03:08Speaker 5: I'm sorry you had to see that.
- 3:03:10Speaker 3: I'm crazy. If I want another minute.
- 3:03:14Speaker 14: I think we should do another minute.
- 3:03:15Speaker 2: I kind of want to know more.
- 3:03:16Speaker 5: Can we do a vote?
- 3:03:18Speaker 6: And can I vote? Count?
- 3:03:19Speaker 5: Four times?
- 3:03:24Speaker 1: We're talking about hawk?
- 3:03:27Speaker 5: That is a classic moment.
- 3:03:34Speaker 6: That's not kind of what I'm going for right now.
- 3:03:36Speaker 5: That's so bad.
- 3:03:37Speaker 1: Has everyone rehearsed? They're they're part for our finale of we.
- 3:03:42Speaker 7: Do it for them like one time, and this is
- 3:03:44Speaker 7: the one where it's about they kind of change all
- 3:03:47Speaker 7: the lyrics to be about our school. It's like that
- 3:03:50Speaker 7: annual showcase and it's filmed and it's actually watched by
- 3:03:53Speaker 7: a lot of people.
- 3:03:55Speaker 5: It gets hundreds of thousands of views. It's kind of stressful.
- 3:03:58Speaker 1: Actually, Yeah, I mean I could, I could give them
- 3:04:00Speaker 1: a little taste. I could start and you guys can
- 3:04:02Speaker 1: add on, just because great my uncle by law two
- 3:04:06Speaker 1: times over we get yeah, yeah, yeah, have you heard
- 3:04:09Speaker 1: of the last five years?
- 3:04:11Speaker 5: Yeah?
- 3:04:11Speaker 14: Yeah, I think we've had we've heard of it.
- 3:04:13Speaker 1: Yeah, we actually sing it together a lot, five hundred
- 3:04:16Speaker 1: twenty five thousand days in these classrooms.
- 3:04:21Speaker 3: I'll just leave it there.
- 3:04:23Speaker 6: Five hundred twenty five thousand mashed potato quos.
- 3:04:28Speaker 7: Five hundred twenty five thousand solos to practice.
- 3:04:33Speaker 1: How do you measure measure a degree?
- 3:04:38Speaker 5: In guitars?
- 3:04:40Speaker 14: In in soljas, I'm sorry, I have to rest my voice.
- 3:04:46Speaker 14: I'm so sorry.
- 3:04:48Speaker 1: In Mister Mark and the Times He's Gone to Oho,
- 3:04:52Speaker 1: in Doctor Paul.
- 3:04:54Speaker 4: In solos, in grivices, in ad libs, oine bocal warm ups.
- 3:05:04Speaker 3: It's so cute how we're doing one lining.
- 3:05:06Speaker 7: It's really cute because I kind of it takes a
- 3:05:09Speaker 7: while to remember when your part is yeah, yeah, yea yeah.
- 3:05:11Speaker 14: It was like I was so like into what all
- 3:05:14Speaker 14: of you were doing.
- 3:05:14Speaker 2: I'm sorry, I'm not the sandwiches part.
- 3:05:16Speaker 7: Wait, we should just skip to the we should just
- 3:05:18Speaker 7: skip to the final line of the chorus.
- 3:05:20Speaker 2: How about ever, how about how about.
- 3:05:35Speaker 5: Talk about er Mo.
- 3:05:41Speaker 1: Yay University?
- 3:05:54Speaker 5: Talking about love?
- 3:05:57Speaker 2: Yeah, yeah, we're excited to show it, obviously, like we
- 3:06:00Speaker 2: just got the sheet music.
- 3:06:01Speaker 5: It's gonna be freaking curate.
- 3:06:03Speaker 2: Still walking through believe they let me.
- 3:06:05Speaker 4: Do a guitar solo in that it's like crazy neither
- 3:06:08Speaker 4: on my acoustic guitar, but they let me bring it out.
- 3:06:11Speaker 1: I can't get like more than fifteen minutes.
- 3:06:13Speaker 5: It's just it's no guys, it's not about me. Like
- 3:06:15Speaker 5: it's fun and like and I I kind of know
- 3:06:19Speaker 5: I had a dream where I saw the future.
- 3:06:21Speaker 6: I realized when I'm forty five or fifty, I'm gonna
- 3:06:25Speaker 6: get the funniest roles. But it's gonna be a tough
- 3:06:28Speaker 6: twenty years for me. It's gonna be a tough twenty years.
- 3:06:32Speaker 5: I think you had a dream here in this room,
- 3:06:34Speaker 5: but that listened to.
- 3:06:35Speaker 11: That, that really really yes, And I think you know what,
- 3:06:38Speaker 11: That's gonna build character because if I can tell you
- 3:06:41Speaker 11: anything from my time working at Jersey Mike's.
- 3:06:44Speaker 2: It builds character. I could have been at a Shawn.
- 3:06:47Speaker 11: To workshop, I could have been zooming, which is Arbert Brown.
- 3:06:49Speaker 11: But that's not gonna build character. And that's what you're
- 3:06:51Speaker 11: gonna build. And you're gonna be fucking best actor anyone's
- 3:06:54Speaker 11: ever seen in twenty years.
- 3:06:55Speaker 5: And we're gonna be best friends for ever. And I'm
- 3:06:56Speaker 5: not gonna get weird of your wedding.
- 3:06:58Speaker 7: No.
- 3:06:59Speaker 2: I love you. I love you.
- 3:07:00Speaker 1: So much you like this is the beginning of our lives.
- 3:07:04Speaker 1: I can't believe it. I'll never forget the moments we
- 3:07:07Speaker 1: were in class together, the moments we did we did
- 3:07:10Speaker 1: sheet music together. I'll just I just love all of
- 3:07:13Speaker 1: you were.
- 3:07:13Speaker 7: Literally I've never felt closer to a group of people
- 3:07:16Speaker 7: in my life. This bond will last forever.
- 3:07:20Speaker 5: I'm never forgetting any of you guys.
- 3:07:22Speaker 4: You guys have literally rocked my world and opened me
- 3:07:25Speaker 4: up to be the more complex guy that I am.
- 3:07:28Speaker 1: Yes, you guys know so much about me. You know
- 3:07:30Speaker 1: the size of my shit, you know every single little
- 3:07:33Speaker 1: thing about.
- 3:07:34Speaker 5: Well because you won't flush, because there's.
- 3:07:37Speaker 1: No reason why not just pile it off.
- 3:07:40Speaker 14: I'm going to miss so much like my family, like literally.
- 3:07:45Speaker 5: Yeah, oh my god.
- 3:07:46Speaker 6: I'm not gonna let anything changes. I know there's some
- 3:07:48Speaker 6: big people coming to the showcase. I know the artistic
- 3:07:51Speaker 6: director of the Poconost Counting Playhouse is coming like huge,
- 3:07:54Speaker 6: and I don't want that to change.
- 3:07:56Speaker 2: And it's not going to change us.
- 3:07:57Speaker 7: I trust each and every one of us that when
- 3:08:00Speaker 7: I I mean, we get famous, like nothing is going
- 3:08:03Speaker 7: to change.
- 3:08:04Speaker 4: It's kind of reminded me of a song. Do you guys,
- 3:08:06Speaker 4: mind if I bring up my guitar, sure O, sure yeah,
- 3:08:09Speaker 4: just the chorus.
- 3:08:11Speaker 8: Stop this train, get off and go home again, the
- 3:08:26Speaker 8: John mayor stop this train, stop.
- 3:08:33Speaker 1: This I'm inviting my uncle to the showcase. What I'm
- 3:08:38Speaker 1: doing it.
- 3:08:38Speaker 2: Okay, and I'm doing the fucking Father's be good.
- 3:08:51Speaker 5: Artists. I answer the question. Now, That's why we call
- 3:08:53Speaker 5: it shows is good.
- 3:08:55Speaker 3: Night Artists on artists on artists on artists.
- 3:08:59Speaker 1: He provides Hollywood Round People podcasts, created and performed and
- 3:09:02Speaker 1: produced by Kylie Braakman, Jeremy Colhane, Angela Jerretana, and Patrick McDonald.
- 3:09:06Speaker 1: Music is by Gabriel Ponton. The opinions expressed on this
- 3:09:09Speaker 1: podcast do not reflect the opinions of anyone who works
- 3:09:12Speaker 1: on it, not even the performers, because this is an
- 3:09:14Speaker 1: improvised podcast and we're spelling. Full video versions of ao
- 3:09:17Speaker 1: ao AOA are available on YouTube, so please like and
- 3:09:20Speaker 1: subscribe and leave us a five star review wherever you
- 3:09:23Speaker 1: get your podcasts.
- 3:09:24Speaker 3: Good Night, Hollywood.