Latest / The Shadow | Old Time Radio / The Shadow - "Murder with Music" (Old Time Radio)
Transcript
- 0:00Speaker 1: At a society musicale in Harriet Hamilton's mansion, actress Jennifer
- 0:04Speaker 1: Gay is found murdered. From February 3rd, 1946, this is
- 0:10Speaker 1: The Shadow, episode 357, Murder with Music, heard over the
- 0:16Speaker 1: Mutual Broadcasting System. Brett Morrison is Lamont Cranston and The Shadow,
- 0:21Speaker 1: with Leslie Woods as Margot Lane. Joe Bates-Smith wrote the script,
- 0:26Speaker 1: and John Cole directed. As suspicion settles over the gathered guests,
- 0:32Speaker 1: Cranston takes up the investigation. And now, our story begins.
- 0:39Speaker 2: The End.
- 1:00Speaker 3: The hearts of men. The shadow knows. In reality, Lamont Cranston,
- 1:12Speaker 3: wealthy young man about town. Years ago in the Orient,
- 1:16Speaker 3: Cranston learned a strange and mysterious secret. The hypnotic power
- 1:20Speaker 3: to cloud men's minds so they cannot see him. Cranston's
- 1:23Speaker 3: friend and companion, the lovely Margo Lane, is the only
- 1:27Speaker 3: person who knows to whom the voice of the invisible
- 1:29Speaker 3: shadow belongs. Today's drama, Murder with Music. Why are you
- 1:46Speaker 3: just standing there staring at me? Why don't you say something? No!
- 1:53Speaker 3: Don't come near me. You wouldn't hear me. You wouldn't
- 1:58Speaker 3: hear me. Oh, my feet. Why? Why are you.
- 2:03Speaker 4: Stop.
- 2:04Speaker 2: Stop or the members of Heaven don't hear me.
- 2:06Speaker 5: Oh, no. Please.
- 2:09Speaker 3: No. Get away from me. Get away from me.
- 2:14Speaker 5: No.
- 2:15Speaker 3: Stop. Yes. Help me.
- 2:21Speaker 5: Oh, yes.
- 2:22Speaker 3: Help me.
- 2:23Speaker 2: Help me. He does play well, doesn't he, Lamont?
- 2:46Speaker 3: I suppose so, Marlowe. It's getting late. Isn't he ever
- 2:50Speaker 3: going to stop? Oh, darling. Mrs.
- 2:52Speaker 6: Hamilton has planned this recital for weeks. Edward Meland is
- 2:56Speaker 6: a prodigy.
- 2:58Speaker 4: Now, he must be polite.
- 2:59Speaker 3: Why? Just because he's in the social register and has
- 3:02Speaker 3: a mansion uptown? Mrs.
- 3:03Speaker 4: Hamilton is a patron of the arts. This Edward Meland
- 3:07Speaker 4: is the latest discovery.
- 3:09Speaker 3: She's put him up here at her home.
- 3:11Speaker 4: She's given him the finest teachers.
- 3:12Speaker 3: She's completely responsible for his success. Now, if you ask me,
- 3:15Speaker 3: the old girl's probably just got a crush on that
- 3:17Speaker 3: young piano.
- 3:18Speaker 2: Now, you better hear this.
- 3:20Speaker 3: It's his music, John.
- 3:22Speaker 4: He wants it out of town.
- 3:25Speaker 3: Good night. Well, that's over.
- 3:30Speaker 5: Oh, it's past 11.
- 3:31Speaker 3: Let's say thanks and good night and get out of
- 3:32Speaker 3: here before the darlings and you played so divinely, sir.
- 3:35Speaker 5: Darlings!
- 3:36Speaker 3: Too late. Miss Lane, how charming to see you again. Hello.
- 3:39Speaker 5: Hello.
- 3:40Speaker 3: How are you?
- 3:41Speaker 6: Lamont, you know Oliver Viceroy, the society columnist, don't you?
- 3:44Speaker 3: Of course. Of course, everybody knows me, Miss Lane. Harriet's
- 3:47Speaker 3: got a real find in Edward Milan, don't you think?
- 3:49Speaker 3: Going to make him a big star. He's quite young,
- 3:53Speaker 3: isn't he? The aesthetic, I do know. But Harriet doesn't
- 3:55Speaker 3: push him too hard. But you know Harriet Hamilton, once
- 3:58Speaker 3: she sets her mind to a thing.
- 3:59Speaker 6: Well, she's certainly got some of the most influential people up.
- 4:02Speaker 3: Here to hear his first recital. Oh, Harriet can do anything.
- 4:05Speaker 6: Oh, um, oh, by the way, have you seen Jennifer
- 4:08Speaker 6: Gay around?
- 4:09Speaker 3: No, I haven't seen her. Well, she's a.
- 4:11Speaker 4: Friend of yours and, uh, Mrs.
- 4:13Speaker 3: Hamilton, isn't she? Uh, the truth is, Mr. Viceroy, I
- 4:15Speaker 3: made Miss Lane promise to introduce me to Miss Jennifer Gay...
- 4:18Speaker 3: I was anxious to meet the famous actress. No, I
- 4:21Speaker 3: don't think you're likely to see her here tonight. Well, Tata,
- 4:24Speaker 3: I must make a round. Oh, that old sloth. The
- 4:28Speaker 3: day I see him without that silly blue cornflower boutonniere,
- 4:31Speaker 3: I give him a big red apple, right? Lamont, Lamont,
- 4:33Speaker 3: stop it. That's a trademark. You know, best-dressed man in town.
- 4:38Speaker 3: Let's get out of here, Marguerite.
- 4:39Speaker 6: Sorry you played so divinely.
- 4:41Speaker 3: Foiled again. Didn't he play.
- 4:43Speaker 4: Divinely, Miss Lane, Mr.
- 4:44Speaker 3: Cranston? Yes, he certainly did. This is my protege, Edward Nair.
- 4:48Speaker 3: How do you do? How do you do, Mr.
- 4:49Speaker 6: Nairland?
- 4:50Speaker 3: We did enjoy your playing very much. Thank you. Really, Harriet,
- 4:53Speaker 3: I'd like to be excused if I may. Oh, just
- 4:55Speaker 3: a few more introductions, Edward.
- 4:57Speaker 4: Recital's upset Edward deathly.
- 5:00Speaker 3: It's the first time he's played before so many well-known people. Oh,
- 5:03Speaker 3: by the way, Mrs. Hamilton, is Jennifer Gay around? I'd
- 5:06Speaker 3: like to meet her. I've enjoyed her plays so much.
- 5:08Speaker 3: Jennifer Gay? No, she's not around, Mr. Cranston.
- 5:12Speaker 4: As a matter of fact, she wasn't invited.
- 5:15Speaker 3: She won't be here tonight. What's that? Sounds like someone
- 5:21Speaker 3: rapping on the French door.
- 5:22Speaker 4: There is someone standing outside me.
- 5:24Speaker 3: It's a girl. And there's something wrong with her. Look. Harriet, look.
- 5:27Speaker 3: She's falling against the glass. What is it? Stand aside, everybody.
- 5:32Speaker 4: Oh, my God.
- 5:33Speaker 3: Jennifer, Jennifer. Keep away from her, Mr. Nicolai. No, let
- 5:35Speaker 3: me help her. Jennifer, my darling. Harriet, it is Jennifer.
- 5:38Speaker 2: Oh, don't look, Edward.
- 5:39Speaker 3: Come on, we've got to do something to help her.
- 5:42Speaker 3: Too late, Margot. She's dead. Oh, what?
- 5:45Speaker 5: Been brutally beaten. Oh.
- 5:48Speaker 3: I'm afraid this is murder. Now, quiet, please, everybody. Just
- 6:04Speaker 3: stay right here in the living room. The police will
- 6:06Speaker 3: be here in a minute.
- 6:06Speaker 4: Oh, but this can't be murder, Mr.
- 6:08Speaker 5: Cranston.
- 6:09Speaker 3: Here in my home. I'm afraid it is, Mrs. Hamilton.
- 6:11Speaker 3: People don't commit suicide that way. Jennifer, Jennifer murdered this woman. Now,
- 6:15Speaker 3: please try to control yourself, Mr. Wrightson. Who could have
- 6:17Speaker 3: killed her and murdered her?
- 6:18Speaker 5: It's so brutal, isn't it?
- 6:20Speaker 3: Oh, it couldn't have been any of my guests, Mr. Cranston.
- 6:23Speaker 3: We were all in this room when Jennifer was killed.
- 6:25Speaker 4: You and Miss Lane had shared right by the door.
- 6:28Speaker 3: You'd have seen if anyone had slipped out. Yes, that's true. Hello, everybody.
- 6:33Speaker 3: Sorry I'm late. Come on, that's God's bread.
- 6:36Speaker 6: I found you.
- 6:36Speaker 3: Oh, my God. Oh, I see. Body beautiful himself. What's wrong, Harriet?
- 6:40Speaker 3: I thought this was a party. You all looked as
- 6:42Speaker 3: though you'd seen a ghost. Not a ghost, Mr.
- 6:44Speaker 5: Bartholomew.
- 6:46Speaker 3: A body. What? Jennifer Gay's dead body is under that robe. Oh,
- 6:49Speaker 3: not Jennifer. Know her, Mr. Bartholomew? Well, certainly I know her.
- 6:53Speaker 3: She's one of my best friends. I wouldn't exactly say friends, Mr. Bartholomew. Oh,
- 6:58Speaker 3: you here too, Papa Viceroy? Where were you all evening, Mr. Bartholomew,
- 7:02Speaker 3: if you were invited here? I was having a few
- 7:04Speaker 3: drinks at the Penguin Club after dinner. I didn't realize
- 7:07Speaker 3: it was so late. Oh, I see.
- 7:09Speaker 4: Oh, Mr. Cranston, can't my guests leave now?
- 7:11Speaker 3: We were all in this room at the time. Yes, please, Mr.
- 7:14Speaker 5: Cranston.
- 7:15Speaker 3: I'm afraid that will have to be for the police
- 7:16Speaker 3: to say. They should be here any minute now. Uh, Mr. Bartholomew,
- 7:20Speaker 3: would you step over here a minute? Well, yes, of course.
- 7:23Speaker 3: It's been a terrible thing, hasn't it? Yes, it certainly has.
- 7:30Speaker 3: Particularly since you were such a good friend of Jennifer Gay. Well, actually,
- 7:34Speaker 3: I just met Jen since I came east. We were
- 7:37Speaker 3: really only acquaintances, I see. You know, I've admired those strong,
- 7:43Speaker 3: silent roles you play in the movies, Mr. Bartholomew. They
- 7:46Speaker 3: really give you some rugged parts to play. Well, thanks, Cranston. Yes,
- 7:50Speaker 3: I really have to keep in trim for pictures. Of course.
- 7:54Speaker 3: You say you were at the Tenzin Club all evening? Yes,
- 7:57Speaker 3: I was. Say, are you trying to pump me, Cranston?
- 8:01Speaker 3: I've heard you're mixed up in some kind of amateur criminology.
- 8:03Speaker 3: Not at all. Well, don't then. When the police get here,
- 8:07Speaker 3: they can check my alibi. I was at the Penguin
- 8:10Speaker 3: Club all evening. Mr. Jenkins, the owner, will verify that.
- 8:13Speaker 3: He's a close friend of mine. I imagine he is. Well, thanks, Mr. Bartholomew.
- 8:18Speaker 3: It was nice having the opportunity to get to know
- 8:21Speaker 3: you better.
- 8:33Speaker 4: You know, Lamar, I'm amazed the police let everybody go.
- 8:35Speaker 3: Well, they really have nothing to hold them on yet, Margo.
- 8:38Speaker 3: Of course, they're all well-known names.
- 8:39Speaker 4: Yeah, it's true.
- 8:41Speaker 3: How did you make out with the Greek guard, Brad Bartholomew?
- 8:44Speaker 3: You two seem to be having quite a chat. So far,
- 8:47Speaker 3: Bartholomew seems to be the only suspect with the strength
- 8:49Speaker 3: to commit that brutal murder and also the motive. Motive? Jealousy, darling.
- 8:54Speaker 3: According to the society columns, he and Jennifer were having
- 8:57Speaker 3: a pretty hectic romance.
- 8:58Speaker 4: Yes, but how could Brad have done it?
- 9:00Speaker 3: He was supposed to be at the penguin club all evening. Yes,
- 9:02Speaker 3: I know. When Brad left this evening, I happened to
- 9:05Speaker 3: notice him pick up a pair of men's gloves from
- 9:07Speaker 3: the hall table. Well, darling, they were probably his own.
- 9:09Speaker 3: I'm sure they were. I also noticed that those same
- 9:12Speaker 3: gloves were on the hall table when we first came in. Oh,
- 9:15Speaker 3: you think he was there before the recital?
- 9:17Speaker 6: Attacked Jennifer in the garden, say, and then made a
- 9:20Speaker 6: grand entrance to establish his alibi.
- 9:21Speaker 3: Alibi that might have been framed. I know, darling, the
- 9:24Speaker 3: police checked with the Penguin Club before we left. By
- 9:27Speaker 3: Bartholomew's own admission, he is a close friend of Mr. Jenkins,
- 9:30Speaker 3: the owner of the club. I think the shadow had
- 9:34Speaker 3: better pay a little call on Mr. Jenkins and double-check
- 9:37Speaker 3: that airtight alibi. Okay, boys, close up and you can
- 9:43Speaker 3: all go.
- 9:44Speaker 4: I'm going over.
- 9:46Speaker 2: The books for a while.
- 9:50Speaker 3: There's something else we must go over first, Mr. Jenkins.
- 9:58Speaker 3: Who's that? There's nobody in this office. The Shadow is
- 10:05Speaker 3: here to pay you a call, Mr. Jenkins. The Shadow?
- 10:09Speaker 3: Who are you? What do you want? The truth. A
- 10:12Speaker 3: man's life is at stake. A man's life? Brad Bartholomew.
- 10:17Speaker 3: Why did you say he was here in your club
- 10:18Speaker 3: with you all evening? Why did you instruct your help
- 10:21Speaker 3: to tell the same lie if anyone questioned? Oh, Brad's
- 10:24Speaker 3: a friend of mine. He asked me to say that.
- 10:26Speaker 3: I didn't want to see him get in any trouble
- 10:28Speaker 3: with that Jennifer Gay. Jennifer Gay? What trouble, Mr. Jenkins? Well,
- 10:33Speaker 3: he's been trying to ditch her. He's got another girl.
- 10:35Speaker 3: He was with that girl when he left here right
- 10:37Speaker 3: after dinner tonight. If Bartholomew wasn't here at your club,
- 10:40Speaker 3: where was he? Where did he go? I don't know,
- 10:43Speaker 3: I swear. I wouldn't have lied about him being here
- 10:46Speaker 3: if I'd thought I was going to get in any trouble.
- 10:48Speaker 3: You're in plenty of trouble, Jenkins. If Brad Bartholomew is
- 10:51Speaker 3: the murderer, you've made yourself an accomplice. And you'll pay
- 10:55Speaker 3: for that stupid lie.
- 10:56Speaker 4: Really, Lamont, you're going to get into trouble sometimes.
- 11:10Speaker 3: Barging into Mr.
- 11:11Speaker 4: Bartholomew's hotel three to three in the morning.
- 11:14Speaker 3: His ballot token wasn't in. Well, I wanted to make sure.
- 11:16Speaker 3: Can't believe anybody when you're on the trail of a killer, Margo.
- 11:20Speaker 3: I believe Jenkins. I've never found out what I know now.
- 11:22Speaker 4: Do you really think Bartholomew's the killer?
- 11:24Speaker 3: Well, it looks now as if Brad Bartholomew deliberately faked
- 11:27Speaker 3: an alibi so he could kill Jennifer.
- 11:29Speaker 4: Oh, dear God, isn't it? Bartholomew's ballot said he hadn't
- 11:33Speaker 4: seen him since he went down to the hotel's storage
- 11:35Speaker 4: room to open up one of his books.
- 11:37Speaker 3: Funny time of night for that sort of thing. Unless
- 11:41Speaker 3: he was getting some clothes out for a quick getaway. Margo,
- 11:43Speaker 3: we're going to slip down into the basement into that
- 11:46Speaker 3: storage room.
- 11:46Speaker 6: Oh, darling, if he is down there and he is
- 11:48Speaker 6: the killer, our lives won't be worth two cents.
- 11:50Speaker 5: We'll have to take that chance, darling.
- 11:52Speaker 2: Come on.
- 12:04Speaker 3: Take my hand, Margo. These stairs have been steep.
- 12:07Speaker 4: It may be a trap, Margo. He knows you're on
- 12:09Speaker 4: his trail.
- 12:11Speaker 3: And they just want us.
- 12:12Speaker 5: To come down here.
- 12:13Speaker 3: Watch it.
- 12:13Speaker 4: There, that's the last bit. Well, there's nobody down here
- 12:18Speaker 4: at this hour.
- 12:19Speaker 3: Holly. And the place is pissed off, too. Oh, God,
- 12:25Speaker 3: I can't find a life. Here, here.
- 12:27Speaker 4: Take my life.
- 12:28Speaker 3: Oh, thanks. What else from?
- 12:32Speaker 6: Look at all those dusty old trunks.
- 12:36Speaker 4: I want him to be.
- 12:36Speaker 5: Hiding behind those.
- 12:37Speaker 3: Yes, and he may have skipped out.
- 12:38Speaker 5: Oh, come on, let's go.
- 12:41Speaker 3: You know how strong the killer must be.
- 12:42Speaker 4: He could be just like the big Jennifer.
- 12:44Speaker 3: He could snap our necks the way he pulled her and.
- 12:48Speaker 2: Keep behind me and quiet.
- 12:49Speaker 5: What was that?
- 12:51Speaker 3: It sounded like something moved over there. Look.
- 12:55Speaker 4: Look at that trunk. It's got Bartholomew's name on it.
- 12:58Speaker 3: The trunk's right up against this closet door. Here, I'll
- 13:00Speaker 3: pull it away to see if it's locked. Wait, wait, I.
- 13:07Speaker 3: Margo, look out.
- 13:08Speaker 5: That closet door is opening.
- 13:09Speaker 3: There's something in there. What? Back, Margo. Quick. It's coming out.
- 13:12Speaker 3: It's alive. Come on. It's got me. Help.
- 13:15Speaker 2: Help.
- 13:27Speaker 3: Well, here it is, winter again.
- 13:29Speaker 7: And for lots of you, that means the common cold
- 13:32Speaker 7: with all its usual miseries. Now, for 51 years, millions
- 13:36Speaker 7: of cold sufferers have known just what to do. Pray
- 13:39Speaker 7: turn to Grove Cold Tablets for comforting relief, fast.
- 13:44Speaker 3: Maybe you didn't know that Grove Cold Tablets get right
- 13:47Speaker 3: down inside and work internally to give relief from all
- 13:50Speaker 3: these usual miseries of a cold at once. Relief number one,
- 13:55Speaker 3: help reduce fever. Relief number two, ease your headache. Relief
- 14:00Speaker 3: number three, alleviate body aches. Relief number four, reduce nasal stuffiness.
- 14:06Speaker 3: Relief number five, lessen muscular pain. Grove cold tablets can
- 14:11Speaker 3: do all this because they're a multiple medicine, compounded like
- 14:14Speaker 3: a doctor's prescription. Yes, a combination of eight active medical
- 14:19Speaker 3: ingredients specifically for.
- 14:20Speaker 5: Your cold relief.
- 14:22Speaker 3: Now remember to rest and avoid exposure. Get Grove cold
- 14:26Speaker 3: tablets and take exactly as directed. Look for the name Grove.
- 14:31Speaker 7: G-R-O-V-E.
- 14:33Speaker 5: Grove cold tablets for relief.
- 14:35Speaker 3: Of cold miseries. Now, back to the shadows. Avant Cranston
- 14:51Speaker 3: and Margo Lane, on the trail of a brutal killer,
- 14:55Speaker 3: stumbled on something hidden in the closet of a hotel
- 14:58Speaker 3: basement storage room. What was it, Lamar? What was it
- 15:02Speaker 3: that grabbed me? Corpse, Margo. Oh. Tell again soon. You
- 15:05Speaker 3: pushed that trunk away from the closet door.
- 15:07Speaker 4: It was in the bed, Margo.
- 15:09Speaker 3: Brad Bartholomew's body, Margo. What? The neck broken, the head
- 15:13Speaker 3: nearly yanked. Oh, Lamar, I... Brad Bartholomew killed the same
- 15:17Speaker 3: way Jennifer Gay was killed this afternoon by someone with
- 15:19Speaker 3: the strength of a giant.
- 15:20Speaker 4: Oh, it's horrible, Lamar.
- 15:21Speaker 3: I want to get out of here. Wait. What? Something
- 15:27Speaker 3: on his coat, Margo. Oh. Two tiny petals of blue cornflower.
- 15:33Speaker 3: Oliver Biceroy. He must have seen Bartholomew tonight.
- 15:36Speaker 6: But how could Biceroy have killed Bartholomew this way? Biceroy
- 15:41Speaker 6: is not a young man and certainly not the strong
- 15:43Speaker 6: bill type.
- 15:43Speaker 3: Maybe Biceroy didn't kill him. He could have hired some thug,
- 15:46Speaker 3: brought him along to do his killing for him. Revenge
- 15:48Speaker 3: for Jennifer's death. Bartholomew's always been in love with her.
- 15:51Speaker 6: You mean you think Bartholomew killed Jennifer this evening and
- 15:54Speaker 6: then Bartholomew had him kill for revenge?
- 15:56Speaker 3: What more perfect revenge could he have than to see
- 15:58Speaker 3: Bartholomew die in the same brutal way he'd used to
- 16:00Speaker 3: kill Jennifer? Let's go, Marlowe.
- 16:03Speaker 6: You're going to Oliver Bartholomew?
- 16:05Speaker 3: Alone. Right now.
- 16:07Speaker 5: As the shadow.
- 16:26Speaker 3: Now, let's see. The revolver lies beside me on my
- 16:29Speaker 3: desk here in my room as I write this, my
- 16:32Speaker 3: last column. The famous society matron will shed no tears
- 16:36Speaker 3: over my suicide. Even now, she sheds no tears over
- 16:41Speaker 3: the murder of a beautiful actress. I name no one
- 16:45Speaker 3: who's guilty. But I know that a woman's jealousy and
- 16:50Speaker 3: hate That is my betrayal.
- 17:01Speaker 5: Now the gun.
- 17:03Speaker 3: Who's that? The Shadow has your gun now, Oliver Viceroy.
- 17:09Speaker 3: The Shadow? Who?
- 17:12Speaker 5: Where are you?
- 17:13Speaker 3: What's happened here? Why did you kill Brad Bartholomew? Bartholomew?
- 17:19Speaker 3: He's been murdered, too? Yes, Oliver Weisroyd beaten, his neck
- 17:22Speaker 3: broken like Jennifer Gay. You hired someone to kill him.
- 17:25Speaker 5: No, I didn't.
- 17:26Speaker 3: I swear I didn't. Then why were petals from your
- 17:28Speaker 3: boutonniere found on the lapel of his coat? Petals? From
- 17:32Speaker 3: my blue flower? It's a trick. Someone deliberately planted them there.
- 17:35Speaker 3: You wanted Brad killed for revenge. You believed he killed Jennifer. No.
- 17:39Speaker 3: I know that he didn't. Brad didn't kill Jennifer, but
- 17:43Speaker 3: I know who did. Yes? Who? Harriet Hamilton. She hated
- 17:48Speaker 3: Jennifer because Jennifer was trying to steal Edward Milan, her protege,
- 17:51Speaker 3: from her. You have proof?
- 17:53Speaker 5: I have.
- 17:55Speaker 3: This letter. Listen. Dear Oliver, you are the only person
- 18:01Speaker 3: I know who has influence over Jennifer Gay. She's trying
- 18:04Speaker 3: to take Edward from me. Keep her away. I'll kill
- 18:08Speaker 3: her if she dares interfere. Find Harriet Hamilton. Why have
- 18:12Speaker 3: you hidden this evidence? Why didn't you go to the
- 18:14Speaker 3: police with it? And it helped me, too, to get started.
- 18:19Speaker 3: But I feel no gratitude now for that woman. She
- 18:23Speaker 3: planted my flower so the police would suspect.
- 18:25Speaker 5: Me of Brad's murder.
- 18:26Speaker 3: You're naming her to save your own life. Why would
- 18:29Speaker 3: I lie when I was about to kill myself? You
- 18:31Speaker 3: saw Shadow. You saved me from suicide. But I have
- 18:36Speaker 3: a reason to live now. To see her hang. I'll
- 18:40Speaker 3: take that letter, Viceroy. Shadow has all the information he
- 18:44Speaker 3: needs now. You can rest assured that the real murderer
- 18:49Speaker 3: will be brought to justice. Don't hit those corners like that.
- 19:05Speaker 3: You'll get arrested. There's no one in the streets at
- 19:07Speaker 3: this time of morning.
- 19:09Speaker 4: The sense Harriet Hamilton might try.
- 19:11Speaker 3: To get away? She must know that Bartholomew's disappearance can't
- 19:13Speaker 3: go undiscovered very long.
- 19:15Speaker 4: But if she did kill Jennifer, why would she also
- 19:17Speaker 4: kill Bartholomew?
- 19:18Speaker 3: Because she had to.
- 19:19Speaker 5: If Brad was at her house before the recital, he
- 19:21Speaker 5: probably witnessed the murder.
- 19:23Speaker 6: I can't see how a woman like Harriet Hamilton could
- 19:25Speaker 6: be a vicious, cruel killer.
- 19:27Speaker 5: Well, we'll know that when we get there, Margo, if we're.
- 19:29Speaker 3: Not too late. Edward. Edward Browning. Yes, Harriet? Sitting alone
- 19:48Speaker 3: in this dark room. playing by the light of a candle.
- 19:52Speaker 3: If someone heard you at this hour, they might think
- 19:55Speaker 3: it's very odd. I'm too nervous to sleep, Harriet. I've
- 20:01Speaker 3: got to be. You've got nothing to be nervous about, Edward. Nothing? Nothing.
- 20:09Speaker 3: So what happened here in this house this evening? Stop playing, Edward.
- 20:15Speaker 3: Playing is the only thing that helps me now. You
- 20:19Speaker 3: heard me, Edward. Stop playing. Stop it, I said! That's better, Edward. Harriet,
- 20:30Speaker 3: I'm sorry. Let's go to sleep. You're not frightened of me,
- 20:36Speaker 3: are you, Edward? Why, I'm the one who gives you strength.
- 20:39Speaker 3: I'll make you drink. I know, Harriet. I've always taken
- 20:42Speaker 3: care of you.
- 20:43Speaker 5: I'm very fond of you, Edward. I couldn't get along
- 20:46Speaker 5: without you, Edward. You've given me everything.
- 20:51Speaker 3: But this tonight, this horrible thing, Jennifer and Brad.
- 20:57Speaker 5: What if the police find out?
- 20:58Speaker 3: Edward. They're dead, aren't they? Edward. They're dead, they're... You've
- 21:04Speaker 3: got me! You're acting like a hysterical child.
- 21:10Speaker 4: Sounded like someone coming up the drive.
- 21:12Speaker 3: There's a car just drove up. One of the neighbors?
- 21:18Speaker 5: At 4.30 in the morning.
- 21:20Speaker 3: No, Harriet. It's the police. Oh, no, no. They couldn't
- 21:22Speaker 3: have found out.
- 21:23Speaker 5: Tell them the truth, Harriet.
- 21:24Speaker 3: Tell them everything. Listen to me, Edward.
- 21:27Speaker 5: I've made plans for this.
- 21:29Speaker 3: They're running away. No, they've got you. Five of the
- 21:31Speaker 3: names for you already packed, and one for me, too.
- 21:34Speaker 3: I've hidden them in the second-floor room in the garage
- 21:36Speaker 3: above the car. Harriet, I'm afraid.
- 21:37Speaker 5: Together we'll manage.
- 21:38Speaker 4: Come with me now.
- 21:39Speaker 5: I can't, Harriet.
- 21:41Speaker 3: I'm afraid. You can. You must, Edward. Let me go.
- 21:44Speaker 5: No.
- 21:44Speaker 4: Out of the garage.
- 21:48Speaker 3: Quick.
- 21:49Speaker 5: You're coming with me.
- 21:57Speaker 3: You'll face the night here on the second floor of
- 21:59Speaker 3: the garage. They'll stay here for a moment while they
- 22:01Speaker 3: search the house. I can't go on. I can't hurry it.
- 22:06Speaker 3: Tell the police the truth. I'll tell them the truth.
- 22:08Speaker 5: All right.
- 22:09Speaker 3: You fool, tell them. You'll hang. I won't. I'll hang.
- 22:16Speaker 3: Of course you will. But it was worth it, wasn't it?
- 22:20Speaker 3: I've always wanted Jennifer out of the way. I'm glad
- 22:22Speaker 3: she's dead. Brad, too, had to be killed. I didn't
- 22:26Speaker 3: even know he was in the house until I saw
- 22:28Speaker 3: him looking out, watching you kill Jennifer. You wanted them killed.
- 22:32Speaker 3: I'll hang. Jennifer was asking you for her sense. She
- 22:37Speaker 3: would have taken you from me. You didn't kill them, Boyle.
- 22:40Speaker 3: You told me lies. Jennifer was laughing at us. You
- 22:45Speaker 3: made me hate her until I killed her in a
- 22:48Speaker 3: blind rage. Yes, but no one would suspect you, Edward.
- 22:51Speaker 3: You're so weak and so dependent. No one would dream
- 22:54Speaker 3: of the great prince.
- 22:55Speaker 4: That lies in those two hands of yours.
- 22:58Speaker 3: Yes, my two strong hands I exercised and developed to
- 23:02Speaker 3: make beautiful music. You urged me on so they'd bring
- 23:06Speaker 3: pain and death. You made me kill for your own
- 23:09Speaker 3: selfish purpose. Listen. They're down below now.
- 23:14Speaker 4: You ought to get out of here somehow.
- 23:16Speaker 5: The window.
- 23:17Speaker 3: We're not going anywhere, Harriet. Edward, why are you locked
- 23:23Speaker 3: in that door? We're trapped, Harriet. You know it. You
- 23:28Speaker 3: don't care because you're not the murderer. They won't take you, Edward.
- 23:31Speaker 4: You could beat them.
- 23:33Speaker 3: Let them next if you chose. No, Harriet. It's your
- 23:37Speaker 3: neck I'm after this time. Oh, no. Yes, look at
- 23:41Speaker 3: these powerful hands, Harriet. The hands that beat Jennifer and
- 23:45Speaker 3: Brad to a pulp. I'm going to show you how
- 23:49Speaker 3: I killed Jennifer. First one blow on her face like this.
- 23:55Speaker 3: She got up herself just like that. I smashed down
- 24:00Speaker 3: with another hit. And another. Now, Harriet. This is how
- 24:09Speaker 3: Jennifer felt when I... Grab her throat. Choke her throat.
- 24:18Speaker 3: Come in here. Door's locked. Lamont, you've got no gun
- 24:22Speaker 3: and the killer's in there. Please. I'm going to try
- 24:24Speaker 3: to save that woman. I'm going to break through this door.
- 24:28Speaker 3: Come on, I'll get it. Get over it. Lamont, keep
- 24:30Speaker 3: away from him.
- 24:31Speaker 4: He's the killer.
- 24:31Speaker 3: Please, please, Lamont. Stay away from him. All right, my man.
- 24:34Speaker 3: You're coming with me.
- 24:35Speaker 5: No, you don't.
- 24:36Speaker 3: Lamont! I've got him. Phone the police, Margot. He's not
- 24:48Speaker 3: going to give us any more trouble now. Well, they've
- 25:02Speaker 3: got Edwin Moran locked up.
- 25:03Speaker 5: He can test everything, Margot.
- 25:05Speaker 3: So he did kill Jonathan and Dad. Yes. But Harriet
- 25:08Speaker 3: Hamilton was the mind and force behind those murders, Margot. Yes.
- 25:12Speaker 5: She told him she could never be happy or help.
- 25:14Speaker 3: Him with his career as long as Jennifer lived.
- 25:16Speaker 4: And she persuaded him to kill Bartholomew to cover that murder?
- 25:19Speaker 5: Yes.
- 25:21Speaker 3: Jennifer came out early before the recital. Edward killed her
- 25:23Speaker 3: in a fit of rage and left her for dead.
- 25:26Speaker 3: But she managed to revive long enough to crash through
- 25:28Speaker 3: those strange doors. Then Bartholomew must have followed Jennifer out
- 25:31Speaker 3: and witnessed the murder. That's why his gloves were in
- 25:34Speaker 3: that room.
- 25:35Speaker 4: But, darlings, why didn't he go right to the police?
- 25:38Speaker 5: Afraid of being involved in a murder that might ruin
- 25:40Speaker 5: his screen career.
- 25:42Speaker 3: Besides, it did get rid of Jennifer for him at
- 25:43Speaker 3: a most convenient time. Oh. What about Viceroy's blue cornflower petals?
- 25:48Speaker 5: Mrs.
- 25:49Speaker 3: Hamilton planted those on Brad's body just as Viceroy claimed
- 25:51Speaker 3: she had. Well, darling, I still get weak every time
- 25:54Speaker 3: I think of you facing that brutal killer. How on
- 25:57Speaker 3: earth did you accept to win?
- 25:59Speaker 5: I nearly didn't, Margo.
- 26:00Speaker 3: I felt the terrific strength in those two hands.
- 26:03Speaker 5: Then suddenly when he looked down at Mrs.
- 26:05Speaker 3: Hamilton's dead body, a strange thing happened. Strength seemed to
- 26:10Speaker 3: leave him.
- 26:12Speaker 5: It was as if all the power Edward Milan possessed
- 26:14Speaker 5: left him.
- 26:14Speaker 3: The moment he realized he'd murdered Harriet Hamilton, the one
- 26:19Speaker 3: person who had made him strong.
- 26:23Speaker 2: The weight of crime bears weight.
- 26:45Speaker 3: Shadow knows.
- 26:47Speaker 4: Shadow knows.
- 27:06Speaker 1: This concludes The Shadow, Murder with Music, first heard on
- 27:10Speaker 1: Mutual in 1946. Follow The Shadow for more classic broadcasts.