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The EPSTEIN Photos TOO EXTREME For Mainstream Media... · The conspiracy

• 0:00
  Speaker 1: Here is Epstein with a literal child on his shoulders.
• 0:04
  Speaker 1: As you know, on Friday, the Department of Justice released
• 0:07
  Speaker 1: thousands of photographs from Jeffrey Epstein's estate and the Epstein Files.
• 0:11
  Speaker 1: In today's video, I'm going to show you about one
• 0:13
  Speaker 1: hundred or so different photographs that I found within those
• 0:16
  Speaker 1: files that I haven't seen reported on by the mainstream
• 0:19
  Speaker 1: media that I find to be more disturbing than anything
• 0:22
  Speaker 1: that they're showing you on the nightly news. These are
• 0:25
  Speaker 1: photos that contain bizarre ritualistic items, strange color patterns, unexplained photographs,
• 0:31
  Speaker 1: bizarre and disturbing artwork, and so much more. Today, I'm
• 0:35
  Speaker 1: going to show you my hand picked selection of what
• 0:37
  Speaker 1: I believe to be some of the strangest things that
• 0:40
  Speaker 1: I've seen in the first kind of quarter of these
• 0:44
  Speaker 1: Epstein files. I've gone through thousands of these images already.
• 0:48
  Speaker 1: They're all on PDF documents. You have to download them
• 0:50
  Speaker 1: and then go one by one through all of them.
• 0:52
  Speaker 1: I went through them for hours and hours looking for
• 0:54
  Speaker 1: things that the mainstream media necessarily wouldn't point out to you,
• 0:59
  Speaker 1: things that I think we're really weird, things that I
• 1:01
  Speaker 1: thought were really disturbing and keep an open mind here now.
• 1:05
  Speaker 1: In the past, if you've seen this show before, you
• 1:07
  Speaker 1: know that I've done a bunch of different deep dives
• 1:09
  Speaker 1: into Jeffrey Epstein, his connections to is Real, his connections
• 1:13
  Speaker 1: to the political elite, the allegations of him obviously hanging
• 1:17
  Speaker 1: a spy and collecting and gathering blackmail compromat on world
• 1:21
  Speaker 1: leaders and politicians. There's so much evidence out there to
• 1:25
  Speaker 1: show that that's what Epstein was that they aren't acknowledging.
• 1:28
  Speaker 1: But in these files there are some giveaways and some
• 1:32
  Speaker 1: pieces of information that I haven't seen people talking about
• 1:34
  Speaker 1: that we're going to discuss today that are that's really weird.
• 1:37
  Speaker 1: It's just really however you cut it, it's really weird shit. Now,
• 1:40
  Speaker 1: we'll go through some of my thoughts on all of
• 1:42
  Speaker 1: this at the very end, but without further ado, we
• 1:45
  Speaker 1: are going to take a look at this. Got this
• 1:47
  Speaker 1: all pulled up here, So I'm just going to go
• 1:49
  Speaker 1: through this stuff one by one and talk you through
• 1:53
  Speaker 1: these photographs that I found that were interesting. We're going
• 1:56
  Speaker 1: to talk about a lot of different weird stuff here today,
• 2:00
  Speaker 1: different kind of episode, but I could do a whole series.
• 2:03
  Speaker 1: I mean, I only got through about a little over
• 2:05
  Speaker 1: four thousand of the photos last night, and it's only
• 2:09
  Speaker 1: folder one out of the four folders that were released.
• 2:13
  Speaker 1: So but we're gonna get specific. We're gonna talk about
• 2:16
  Speaker 1: some stuff that you probably haven't seen today. So here's
• 2:19
  Speaker 1: one of the first photographs that I found. Obviously, this
• 2:22
  Speaker 1: one has been reported on by the mainstream media. You've
• 2:25
  Speaker 1: got Epstein here with literal children on his lap. This
• 2:33
  Speaker 1: one we're gonna talk about in a little bit. This
• 2:35
  Speaker 1: one I find to be particularly creepy. Looks like Epstein
• 2:39
  Speaker 1: in maybe a children's store of some sort, with the
• 2:42
  Speaker 1: child in his arms. Just lots of very young looking
• 2:45
  Speaker 1: girls with Epstein. To see someone like Epstein with children
• 2:49
  Speaker 1: this young is disgusting and deeply frightening. But it gets
• 2:56
  Speaker 1: so much worse than that. So this is our jumping
• 2:59
  Speaker 1: off point is this file. We got another picture of
• 3:03
  Speaker 1: what looked to be very young girls that was hanging
• 3:07
  Speaker 1: in Epstein's house. You can see this was in two
• 3:09
  Speaker 1: thousand and five, August twelfth. I think that says two
• 3:13
  Speaker 1: thousand and five found that just to be eerie. There's
• 3:16
  Speaker 1: so many pictures of Epstein with young girls throughout his
• 3:18
  Speaker 1: home and his properties. This one's interesting because here's parsing Bill. Now.
• 3:24
  Speaker 1: We've talked about this on this show before. How Epstein
• 3:27
  Speaker 1: actually had this hanging in his house, This painting of
• 3:33
  Speaker 1: Bill Clinton in a dress pointing at the viewer. Painted
• 3:37
  Speaker 1: by a somewhat famous artist. I believe she's from New York. This,
• 3:43
  Speaker 1: from what I could tell, was right near the entrance
• 3:45
  Speaker 1: to Epstein's home. We're gonna see Clinton a lot in
• 3:50
  Speaker 1: these drops, and it's bizarre. You could write this off
• 3:54
  Speaker 1: and say it's just nothing, but how many of you
• 3:57
  Speaker 1: online have a painting of one your best friends in
• 4:01
  Speaker 1: address pointing at you. It's unbelievably weird, especially with some
• 4:08
  Speaker 1: of the stuff that we're gonna keep seeing throughout these files. Now,
• 4:13
  Speaker 1: one thing I will say also is that, just like
• 4:16
  Speaker 1: we all suspect it, it appears that the DOJ and
• 4:18
  Speaker 1: the FBI have been very meticulous in removing almost every
• 4:24
  Speaker 1: reference to Trump from these files. Regardless of your politics,
• 4:29
  Speaker 1: regardless of you're a Democrat, Republican, independent, leftist, right wing,
• 4:33
  Speaker 1: I don't give a shit. You should care about exposing
• 4:36
  Speaker 1: these people. And before we move any further, if you're
• 4:39
  Speaker 1: unhappy with the way that the Epstein files have been handled.
• 4:43
  Speaker 1: That is the Trump Administration's doing. That is nobody but
• 4:48
  Speaker 1: Trump and Pambody. And you can say all day, what
• 4:50
  Speaker 1: about is, and well, why didn't Biden do this? And
• 4:53
  Speaker 1: why didn't blah blah. That doesn't matter to me. I
• 4:56
  Speaker 1: was advocating for them to release this shit when Biden
• 4:59
  Speaker 1: was in office. I was making videos that entire time
• 5:01
  Speaker 1: talking about this. I've been saying this for years, and
• 5:04
  Speaker 1: that's because they're all in on it at the top level,
• 5:08
  Speaker 1: the highest echelon of society, politics, power. These people intermingle
• 5:14
  Speaker 1: and the show that they put on. Some of them
• 5:17
  Speaker 1: are really passionate about it. But a lot of it
• 5:20
  Speaker 1: is is theater. It's political theater. So that's why you
• 5:23
  Speaker 1: see pictures of Trump grabbing Bill Clinton's penis them all laughing,
• 5:28
  Speaker 1: Trump and Hillary and Clinton all hanging out. They all
• 5:30
  Speaker 1: used to hang out because they have all these relationships.
• 5:33
  Speaker 1: So I'm more than happy to see Bill Clinton get exposed.
• 5:36
  Speaker 1: I think he's a I think he's a terrible person,
• 5:39
  Speaker 1: and I think he never got what was coming to
• 5:42
  Speaker 1: him for decades. But you cannot go after Clinton alone
• 5:48
  Speaker 1: and not go after also the guy who's literally the
• 5:50
  Speaker 1: president of the United States and we're gonna see Trump
• 5:53
  Speaker 1: in some of these. But those are just my thoughts.
• 5:56
  Speaker 1: It's literally like brain rot to me to have people
• 5:59
  Speaker 1: coming on my videos and saying, you know that they're
• 6:03
  Speaker 1: angry about the Epstein files, but they don't have the
• 6:06
  Speaker 1: cognitive ability to take a step back and say, well,
• 6:09
  Speaker 1: that's because of this administration, like they lied, they edited
• 6:12
  Speaker 1: the jailhouse video of Epstein. And just remember, just remember, guys,
• 6:18
  Speaker 1: in July, you had Pambondi, the FBI, the DOJ, Cash
• 6:22
  Speaker 1: Petal come together and they released that statement saying there
• 6:27
  Speaker 1: is no evidence to warrant further investigation into Epstein. They
• 6:32
  Speaker 1: tried to close the lid on this and seal it.
• 6:36
  Speaker 1: That was an actual move by the government where they
• 6:39
  Speaker 1: tried to blow it all over, and they happened to
• 6:42
  Speaker 1: put out that statement at the same time when there
• 6:44
  Speaker 1: were huge floods here in Texas and that was all
• 6:46
  Speaker 1: over the national news, all these unfortunately young girls who
• 6:49
  Speaker 1: drowned in this extremely catastrophic, very dark flooding. But yeah,
• 6:55
  Speaker 1: it's it's you if you're angry about the way that
• 6:57
  Speaker 1: these files have been handled in this whole thing and
• 6:59
  Speaker 1: the cover up it stuff, you have to be angry
• 7:01
  Speaker 1: at the current administration as well, because it's absolutely inexcusable,
• 7:06
  Speaker 1: especially with this two and a half gigabytes out of
• 7:08
  Speaker 1: three hundred. To me, it's insanity. It's anyways, I could
• 7:12
  Speaker 1: rant all day. Let's get back to the pictures. So
• 7:15
  Speaker 1: there you have the photographic evidence of Parsing Bill, that
• 7:18
  Speaker 1: infamous painting. So I thought this was an interesting photograph.
• 7:23
  Speaker 1: This seems to be a decor room in Epstein's home.
• 7:28
  Speaker 1: Now you're gonna see lots of gaudy, over the top
• 7:31
  Speaker 1: decorations found all throughout Epstein's Manhattan mansion, and that's where
• 7:35
  Speaker 1: all these these pictures are coming from. Today we're only
• 7:39
  Speaker 1: examining this set of photographs that was released from Epstein's
• 7:43
  Speaker 1: actual Manhattan house. I'm gonna do a separate episode for
• 7:48
  Speaker 1: disclosures from the Epstein island and the celebrities and everything.
• 7:51
  Speaker 1: But it's really interesting, Like there's there's definitely a color
• 7:54
  Speaker 1: coordination that I noticed with all of this decor. And
• 7:57
  Speaker 1: we're gonna talk about colors in a bit and some powers.
• 8:00
  Speaker 1: But I thought it was it's just strange to have
• 8:03
  Speaker 1: just a whole room of like chandeliers and like matching
• 8:10
  Speaker 1: statues and figurines and globes. You're gonna see. Epstein was
• 8:17
  Speaker 1: obsessed with making himself look incredibly smart, so that's why
• 8:21
  Speaker 1: you'll see I don't know if this is Albert Einstein
• 8:23
  Speaker 1: down here, which is just so strange that just sitting
• 8:26
  Speaker 1: on the floor and it just looks like the shit's
• 8:28
  Speaker 1: been like just thrown in here. It's so bizarre. Books like, oh,
• 8:31
  Speaker 1: they look like grim noires, like spell books and magical books.
• 8:37
  Speaker 1: But yeah, I just thought that was interesting. The crystal ball,
• 8:41
  Speaker 1: all right, So I thought this was crazy. Here on
• 8:46
  Speaker 1: one of Epstein's staircases. As you can see, we're gonna
• 8:49
  Speaker 1: talk about the color blue. Just start looking out for
• 8:52
  Speaker 1: anything blue that you see. We're gonna talk about it later.
• 8:54
  Speaker 1: I thought this was crazy that there's there appears to
• 8:56
  Speaker 1: be a crystal ball. Now, if you know anything about
• 8:59
  Speaker 1: magic or a no and magic or scrying or the
• 9:03
  Speaker 1: occult crystal balls are, they're hokey in a way in
• 9:07
  Speaker 1: modern day because of the connotations with witches and sorcery
• 9:12
  Speaker 1: and oh it's a crystal ball. Look into the crystal
• 9:14
  Speaker 1: ball Haunter Mansion, Madame Liota. You know, it's it's almost
• 9:17
  Speaker 1: kind of funny. But a lot of these people, and
• 9:20
  Speaker 1: a lot of practitioners of magic and these sort of
• 9:23
  Speaker 1: esoteric things, they genuinely believe in this stuff, and crystal
• 9:26
  Speaker 1: balls and black mirrors and obsidian mirrors are very important
• 9:30
  Speaker 1: to people who practice those beliefs. They're very important tools
• 9:34
  Speaker 1: in connecting with these sorts of gods or deities or spirits.
• 9:39
  Speaker 1: So when I was looking at it's just extremely bazire.
• 9:42
  Speaker 1: You'll see the full picture of the stairs on a
• 9:44
  Speaker 1: little bit. I mean, I couldn't help but notice that
• 9:47
  Speaker 1: there's there's an actual this appears to be a crystal ball,
• 9:51
  Speaker 1: and it's very blue. Keep in mind, keep looking out
• 9:54
  Speaker 1: for the color blooing these pictures, So make of that
• 9:57
  Speaker 1: what you will. But I mean, it's just so much.
• 10:00
  Speaker 1: This doesn't really make sense to me. It's so bizarre,
• 10:02
  Speaker 1: all right. So I named this one Creepy Art fourteen,
• 10:06
  Speaker 1: and this is indeed very creepy. This was in one
• 10:10
  Speaker 1: of Epstein's rooms. Once again, notice the blue inherently on
• 10:15
  Speaker 1: the floor in another room. I don't really know what
• 10:18
  Speaker 1: this is depicting. To me, this looks almost like Alice
• 10:21
  Speaker 1: in Wonderland attacking Little Red riding Hood. But she's got
• 10:26
  Speaker 1: her legs up. This appears to this leg it's like
• 10:30
  Speaker 1: fighting her off. She obviously this woman has what looks
• 10:34
  Speaker 1: like maybe mascara running down her face. She's obviously she
• 10:38
  Speaker 1: looks possessed. I don't see any pupils or actual eyes,
• 10:41
  Speaker 1: just black holes, and she looks it looks like an
• 10:45
  Speaker 1: angry demon with her fist raysed, like she's gonna punch
• 10:48
  Speaker 1: little red riding hood. No explanation. I have no clue
• 10:53
  Speaker 1: what this means. And you'll also see this throughout all
• 10:56
  Speaker 1: of Epstein's all these photos. There's so much shit in
• 11:01
  Speaker 1: his house and it's all just thrown everywhere, Like a
• 11:06
  Speaker 1: lot of this stuff. It looks like Epstein or somebody
• 11:10
  Speaker 1: was just walking, like let's say, with this figure, and
• 11:12
  Speaker 1: they're just walking around the house and they go right
• 11:15
  Speaker 1: here and they just put it somewhere and just leave
• 11:16
  Speaker 1: it there as a decoration. Like as you can see
• 11:19
  Speaker 1: in this image, this doll figure whatever the hell is
• 11:24
  Speaker 1: just on some little bench. I believe this is under
• 11:27
  Speaker 1: a TV or an entertainment station. There's nothing around it.
• 11:31
  Speaker 1: It's just so weird, like you know what I mean, Like,
• 11:35
  Speaker 1: what the hell is the meaning of this? I don't know,
• 11:39
  Speaker 1: all right, So next photo, I got a couple labeled
• 11:42
  Speaker 1: blackmail anytime you see in Epstein's properties, because one of
• 11:47
  Speaker 1: the big stories about Epstein was that when you walk
• 11:49
  Speaker 1: into his mansion there was a room Florida ceiling essentially
• 11:54
  Speaker 1: television screens or recording screens. And I believe that some
• 11:57
  Speaker 1: of these photos that I'm gonna show you actually for
• 12:00
  Speaker 1: the first time we're seeing that room. It could not
• 12:02
  Speaker 1: be the first time. I don't know, to be honest,
• 12:04
  Speaker 1: but I think we're gonna see that room. But anytime
• 12:07
  Speaker 1: you see in his house, there's a lot of pictures
• 12:10
  Speaker 1: that I found of this things that look like recording
• 12:13
  Speaker 1: equipment or computer devices. I'm automatically thinking in my mind,
• 12:17
  Speaker 1: was this used to gather blackmail? There's tons of stuff
• 12:22
  Speaker 1: like this, Like here's another this is labeled nineteen ninety
• 12:25
  Speaker 1: seven Jee Jeff something Epstein. I don't know what these
• 12:31
  Speaker 1: things are. I believe these are like floppy disks, hard drives,
• 12:36
  Speaker 1: maybe cassettes, clearly discs, though this one's got Epstein written
• 12:40
  Speaker 1: on it. Like the real question is what's on all
• 12:42
  Speaker 1: these disks and what's on all these drives? Unexplain though
• 12:46
  Speaker 1: this whole drop of information. There's no context with any
• 12:50
  Speaker 1: of it. So I got another disturbing image right here
• 12:56
  Speaker 1: of what appears to be a very young girl obviously
• 13:01
  Speaker 1: on Epstein's plane. I can assume or maybe this is
• 13:04
  Speaker 1: a helicopter tour, and then I have a feeling this
• 13:09
  Speaker 1: is CP or CSAM. Regardless, it's really disturbing. These are
• 13:13
  Speaker 1: just photos that Epstein had printed out laying in his house.
• 13:16
  Speaker 1: And again you see the color blue here. Just keep
• 13:20
  Speaker 1: going back to that. So here's a canvas print of
• 13:25
  Speaker 1: Epstein that was hanging in his house, and once again
• 13:29
  Speaker 1: it appears that he is with a younger girl. Obviously
• 13:32
  Speaker 1: he can't tell the age of these girls. If some
• 13:36
  Speaker 1: of them, you can tell their children, like legit children,
• 13:40
  Speaker 1: you know, eight to fifteen, eight to fourteen, and I
• 13:43
  Speaker 1: know children goes all the way up to eighteen. I'm
• 13:45
  Speaker 1: not saying it doesn't, but it's like you can tell
• 13:47
  Speaker 1: when it's like a child versus a teenager. It's totally
• 13:50
  Speaker 1: different stature and kind of like height. This is a
• 13:54
  Speaker 1: little more unclear, but clearly it's him with a very
• 13:56
  Speaker 1: young girl and knowing that he was sex trafficking these
• 14:00
  Speaker 1: young girls. Not good, not a good look. Now, this
• 14:07
  Speaker 1: one I found to be very interesting. So here this
• 14:09
  Speaker 1: appears to be that same victim. From another angle, it
• 14:15
  Speaker 1: looks like pulling up I hate to even say this,
• 14:20
  Speaker 1: it's disturbing, pulling up what appears to be like some
• 14:25
  Speaker 1: suit or some sort of underwear to show the viewer.
• 14:30
  Speaker 1: I hate to imagine who that is or what that is.
• 14:33
  Speaker 1: But it's clearly been redacted, and Epstein had this printed out.
• 14:37
  Speaker 1: But then up here I mentioned we'd talk about this
• 14:39
  Speaker 1: picture again once. I have no context for this image.
• 14:46
  Speaker 1: But this appears obviously to be a middle Eastern guy.
• 14:50
  Speaker 1: I don't know who this guy is or what he wanted,
• 14:53
  Speaker 1: what he's doing here. But then you've got him talking
• 14:57
  Speaker 1: to Epstein at like a dinner table, and there's a
• 15:03
  Speaker 1: very very young girl sitting on Epstein's lap, eating maybe
• 15:07
  Speaker 1: cereal or something. And I don't know who this is.
• 15:10
  Speaker 1: This could be Glaine on the left side of the image.
• 15:14
  Speaker 1: But you know, not being provided any context and not
• 15:17
  Speaker 1: knowing what this means is like, it's just up, dude,
• 15:23
  Speaker 1: It's up. And I don't even want to know the
• 15:26
  Speaker 1: implications of this photo, like what the real implications would be.
• 15:30
  Speaker 1: Another one, so he got Epstein's workout room inside of
• 15:33
  Speaker 1: his New York mansion. He's got a ton of equipment
• 15:36
  Speaker 1: in here, something really interesting, because you're gonna see throughout his, uh,
• 15:41
  Speaker 1: his house, he's got these full sized religious spiritual sculptures
• 15:48
  Speaker 1: and statues. Like in one he's got like a terra
• 15:52
  Speaker 1: Cotta warrior just standing in a random room. I mean,
• 15:56
  Speaker 1: it's so weird, like I've never seen shit like this,
• 16:00
  Speaker 1: but here you just have another example of this huge artwork,
• 16:03
  Speaker 1: but this time it's in his workout room. And I
• 16:08
  Speaker 1: don't mean to call it artwork. I mean it technically,
• 16:10
  Speaker 1: I'm sure that he viewed it as art. I know
• 16:12
  Speaker 1: it's like religious iconography and all of that, but it's
• 16:14
  Speaker 1: just weird. However you cut it actually to show that.
• 16:17
  Speaker 1: Here is a picture of one of the terra Cotta
• 16:21
  Speaker 1: warriors just standing in one of Epstein's rooms. There's a
• 16:24
  Speaker 1: full sized what appears to be actual terra Cotta warrior.
• 16:29
  Speaker 1: Like you walk into this room, you walk in through
• 16:32
  Speaker 1: this door, and this dude is just staring at you,
• 16:35
  Speaker 1: full sized, Like how truly off putting in bizarre is that?
• 16:41
  Speaker 1: I mean he's huge and I've never seen something like that.
• 16:45
  Speaker 1: In my life, and we're gonna see so much of that.
• 16:48
  Speaker 1: So interestingly, here we've got in some later pictures that
• 16:53
  Speaker 1: I'll show you. There was a safe, and I even
• 16:56
  Speaker 1: labeled this what is this? Because when I first came
• 16:58
  Speaker 1: across this in the files, I thought this might be
• 17:01
  Speaker 1: like a TV set was taken apart. I don't know.
• 17:04
  Speaker 1: It was kind of late at night and my brightness
• 17:06
  Speaker 1: was really low on my laptop, so I don't know
• 17:08
  Speaker 1: what this was. But it looks like they cracked open
• 17:10
  Speaker 1: the safe, which is really interesting. And what did Eve
• 17:13
  Speaker 1: seem keep inside his safe? Well, it appears that he
• 17:17
  Speaker 1: kept these binders, multiple binders, and I'm not exactly clear
• 17:21
  Speaker 1: on what this is, but yeah, this binder appears to
• 17:28
  Speaker 1: have photos in it. Does this not look like a
• 17:31
  Speaker 1: photo binder? Like? Look at that what I'm circling on
• 17:34
  Speaker 1: the screen. Those look like the sheets that you put
• 17:38
  Speaker 1: in there if you're keeping photos. And then here you've
• 17:41
  Speaker 1: got also in the binder what looks to be like
• 17:44
  Speaker 1: a purse, maybe a smaller wallet that's with that per set.
• 17:49
  Speaker 1: Multiple passports for from what I can see visually, here
• 17:53
  Speaker 1: four passports, two cell phones, slash electronic devices, multiple binders,
• 17:59
  Speaker 1: and then see in here multiple CDs. So we don't
• 18:03
  Speaker 1: know what's on these CDs. We don't know whose passports
• 18:06
  Speaker 1: these are, I mean, to my knowledge at least, we
• 18:09
  Speaker 1: don't know what was in the binders to my knowledge.
• 18:11
  Speaker 1: But here's what's interesting. So in my mind, let's say
• 18:15
  Speaker 1: Epstein is a deep state black mail intelligence asset, if
• 18:20
  Speaker 1: the FBI was involved in that, or the CIA, if
• 18:23
  Speaker 1: they were involved in Epstein in his operation, I don't
• 18:27
  Speaker 1: personally think that they would allow photographs like this to
• 18:31
  Speaker 1: be released. I don't think those photographs would have ever
• 18:35
  Speaker 1: been taken. That's just my opinion. So do I think
• 18:38
  Speaker 1: that this could be black mail material? Yeah, I do
• 18:42
  Speaker 1: actually think it could be. I mean, you can never
• 18:44
  Speaker 1: say that there's no chance of it, because I mean,
• 18:47
  Speaker 1: at the end of the day, these people aren't gods,
• 18:49
  Speaker 1: they're humans. They make these mistakes, and there are some
• 18:52
  Speaker 1: good people I believe in the government that do want
• 18:55
  Speaker 1: to fight for good. So I don't know, but more
• 18:59
  Speaker 1: than likely, I don't think that that's what this stuff
• 19:01
  Speaker 1: would have been, because then if that's what it really was,
• 19:04
  Speaker 1: then they would have been acknowledging that was happening and
• 19:07
  Speaker 1: that it existed. In the first place, and I don't
• 19:09
  Speaker 1: think that they're ever going to do that, to be honest,
• 19:11
  Speaker 1: and I also don't think that I just I don't
• 19:15
  Speaker 1: think that they've released a photo of it. To be
• 19:17
  Speaker 1: very frank, they would just delete the photo. I cannot
• 19:20
  Speaker 1: release the photo. I don't know why they'd put this
• 19:22
  Speaker 1: photo out. I think we got one more here. Yeah,
• 19:25
  Speaker 1: here's the lid of the safe. And once again, I
• 19:28
  Speaker 1: don't know what this stuff is over here. What these are.
• 19:32
  Speaker 1: Someone could provide some clarity. Maybe these are like photos,
• 19:35
  Speaker 1: but it's got some like weird stamp or signage on it,
• 19:40
  Speaker 1: like an emblem. I've never seen something like this. I
• 19:43
  Speaker 1: don't know what it is. So if maybe someone in
• 19:45
  Speaker 1: the comments knows what these things are and could provide
• 19:47
  Speaker 1: some clarity, that would be great. So we've got a
• 19:50
  Speaker 1: letter that was found in Epstein's place. This is pretty damning.
• 19:54
  Speaker 1: This letter, as you can see, was sent by I believe,
• 19:57
  Speaker 1: this says a Stephen D. Small from Buffalo, New York.
• 20:00
  Speaker 1: I'm just gonna read this to you. It's crazy, says
• 20:03
  Speaker 1: dear mister Jeffrey Epstein. I hate that you got into
• 20:05
  Speaker 1: this mess with these girls over the years, these girls
• 20:08
  Speaker 1: knew what they were doing. You didn't put a gun
• 20:10
  Speaker 1: to their head. He misspells a bunch of words in
• 20:14
  Speaker 1: this their t h e r E. It's t h
• 20:17
  Speaker 1: e i r their head. But you have to watch
• 20:21
  Speaker 1: it too. But you have to watch it too. All
• 20:26
  Speaker 1: rich people are targets in this world. People are going
• 20:28
  Speaker 1: to come at you to get a dollar. Women are
• 20:31
  Speaker 1: really I think this says, Oh, women are really sticking
• 20:35
  Speaker 1: it to the men on every level, it seems, and
• 20:38
  Speaker 1: a lot is justify in some cases. In your case,
• 20:42
  Speaker 1: you really need to watch yourself. You are a target
• 20:45
  Speaker 1: and you never should get yourself caught up in this
• 20:47
  Speaker 1: BS In the first place, you knew these girls would
• 20:50
  Speaker 1: come at you in the long run and mess up
• 20:53
  Speaker 1: your reputation. You should have knew. You should have knew,
• 20:58
  Speaker 1: I don't know this guy's like alliterate. Should have knew
• 21:01
  Speaker 1: that axel and go after your pockets. That makes no sense.
• 21:10
  Speaker 1: A lot of these girls who you dealt with is
• 21:14
  Speaker 1: or was runaways in the first place, justifying the sex,
• 21:17
  Speaker 1: trafficking and pulling. For you now and in the future,
• 21:20
  Speaker 1: to take care of self, your health and watch out
• 21:23
  Speaker 1: for people coming at you. I will be pulling for you,
• 21:26
  Speaker 1: mister Epstein. I'm really am So there's some knowledge of
• 21:32
  Speaker 1: Epstein's operation in a letter. These girls were runaways, girls
• 21:37
  Speaker 1: that you dealt with. You're dealing with girls, and these
• 21:40
  Speaker 1: girls just want money. I don't know the date on
• 21:42
  Speaker 1: this letter, but it's pretty damning stuff. So moving on,
• 21:47
  Speaker 1: because there's a lot of pictures to get through. Got
• 21:50
  Speaker 1: some coats in Epstein's closet. I put this. I put
• 21:54
  Speaker 1: this on here because I don't know what this patch
• 21:57
  Speaker 1: is from. It might be stupid, but if someone could
• 22:00
  Speaker 1: point that out, that would be great to figure out
• 22:03
  Speaker 1: what this jacket means or where it comes from. Looks
• 22:06
  Speaker 1: like a military style patch could just be fashioned. If
• 22:09
  Speaker 1: someone has any clarity on that, that would be great
• 22:12
  Speaker 1: to comment as well. So we have the one reference
• 22:16
  Speaker 1: to Trump that I could find. So we've got Epstein's
• 22:20
  Speaker 1: wall of photos. We've seen these before. This is nothing
• 22:24
  Speaker 1: new to my knowledge, like for example, Epstein and Kahlene
• 22:28
  Speaker 1: Maxwell with the Pope, which just insane. I believe could
• 22:34
  Speaker 1: this might be Trump? Potentially, I'm not gonna say it is,
• 22:39
  Speaker 1: but they missed a little bit. Down here, you've got
• 22:45
  Speaker 1: some random people, some photo albums with Epstein. But then
• 22:50
  Speaker 1: what's interesting is you got this huge printed pick of Trump, Milania, Epstein,
• 22:55
  Speaker 1: and Gallaine, which we all know, we've seen that a
• 22:59
  Speaker 1: million times. But then down here you've got another picture
• 23:01
  Speaker 1: of Trump with models. I don't know who these women are.
• 23:06
  Speaker 1: I don't know if this is at a runway show,
• 23:08
  Speaker 1: if this is at Trump's beauty pageant, but very once
• 23:12
  Speaker 1: again interesting that Epstein had this actually printed out in
• 23:18
  Speaker 1: his house. And as you can see, it's also I
• 23:21
  Speaker 1: think this is cut because you can see how it's
• 23:24
  Speaker 1: cut like that. I don't know what that's for, but yeah,
• 23:28
  Speaker 1: so the presence is there. But that was I think
• 23:31
  Speaker 1: the only reference I could find a Trump in any
• 23:34
  Speaker 1: of these files so far, which is very interesting. Right,
• 23:38
  Speaker 1: It's almost as if there were reports that Pam Bondy
• 23:42
  Speaker 1: had told Trump that he's all over the files. Then
• 23:46
  Speaker 1: they were trying to order the files to come out,
• 23:48
  Speaker 1: and they were about to release them, and then the
• 23:51
  Speaker 1: government shut down for like a month and a half
• 23:54
  Speaker 1: and they couldn't sign the law that would force the
• 23:57
  Speaker 1: files to be released. I was crazy, Actually was weird.
• 24:00
  Speaker 1: How right when they were about to get that final vote,
• 24:03
  Speaker 1: they shut the government down and then months later at
• 24:07
  Speaker 1: the deadline, all references to the cittying US President have
• 24:11
  Speaker 1: been removed from the files for the most part, but
• 24:15
  Speaker 1: there's a lot of references to Bill Clinton, the citty
• 24:18
  Speaker 1: US President's one of his worst enemies besides Biden, which
• 24:21
  Speaker 1: I find also to be compelling at minimum. But we'll
• 24:26
  Speaker 1: move on. So here's just another picture perfect encapsulation. What
• 24:30
  Speaker 1: I think is so weird about Epstein in these pictures is,
• 24:34
  Speaker 1: first of all, they just look evil. Like I know
• 24:37
  Speaker 1: that these are like technically crime scene photos, but they
• 24:40
  Speaker 1: all look like crime scene photos. Like these spaces, they're
• 24:44
  Speaker 1: like really weirdly liminal spaces, and they just look so shitty,
• 24:51
  Speaker 1: so many blank walls, and it looks so claustrophobic, and
• 24:56
  Speaker 1: everything looks tacky and just ugly. It's really hard to
• 25:00
  Speaker 1: put a finger on what I'm trying to say and
• 25:03
  Speaker 1: get across her. But these pictures and the designs and
• 25:05
  Speaker 1: it just looks like evil. I mean, even this shit,
• 25:09
  Speaker 1: like I wrote this down, like what the hell is this?
• 25:11
  Speaker 1: Or these just giant old books sitting next to this
• 25:14
  Speaker 1: couch in this lamp, what the heck? It's so bizarre,
• 25:18
  Speaker 1: Like these look like old like grim wires like magical
• 25:22
  Speaker 1: ritual spell books. You know, it's just so weird to
• 25:26
  Speaker 1: have them sitting next to a thing. And then you
• 25:28
  Speaker 1: got over here. I don't know what is it's a
• 25:29
  Speaker 1: cat toy. I mean, that's hard to explain. Here's something
• 25:36
  Speaker 1: I thought was interesting that they photographed. This was a
• 25:39
  Speaker 1: what looks like a Manila envelope to Karina from Daphne.
• 25:45
  Speaker 1: No true identifying information about who those are, but I'd
• 25:50
  Speaker 1: be keen to find out what Karina was being given
• 25:53
  Speaker 1: or sent and why Daphne was the one sending it
• 25:55
  Speaker 1: to her. So here's this is really particularly disturb being
• 26:00
  Speaker 1: troubling to me. So here's another bedroom in Epstein's house.
• 26:06
  Speaker 1: To me, I want you guys to look at this
• 26:08
  Speaker 1: and tell me what is this scream to you? To me,
• 26:15
  Speaker 1: this looks like a teenager's bedroom in the too late
• 26:19
  Speaker 1: two thousands, twenty tens, bright pink, lots of color. It
• 26:26
  Speaker 1: looks like something for a child. It looks like, you know,
• 26:30
  Speaker 1: just obviously this is not like luxurious, rich adult theming.
• 26:36
  Speaker 1: And it's really it's just so sparse in places, which
• 26:39
  Speaker 1: is what is so trippy to me. Is like even here,
• 26:42
  Speaker 1: like what I was saying before like the lack of
• 26:44
  Speaker 1: anything on the walls, it is just eerie and haunting.
• 26:48
  Speaker 1: So this looks like a teenager's bedroom, which is disturbing enough,
• 26:51
  Speaker 1: but then you flip it on the other side of
• 26:53
  Speaker 1: the wall. Is this now this image could be depicting anything.
• 27:05
  Speaker 1: I mean, I don't know this work of art. This
• 27:08
  Speaker 1: might be a famous work of art. If someone once
• 27:10
  Speaker 1: again could clarify, that would be great. Keep in mind,
• 27:15
  Speaker 1: this looks like it's in like a teen's bedroom on
• 27:17
  Speaker 1: a pink wall, and so in my opinion, this looks
• 27:23
  Speaker 1: like an image of a nude child with interaction is
• 27:30
  Speaker 1: what it looks. This figure looks to be very short,
• 27:35
  Speaker 1: especially compared to the body length of like someone like
• 27:38
  Speaker 1: this who looks to be an adult, maybe like an
• 27:41
  Speaker 1: alien creature, I don't know. And this naked woman seems
• 27:45
  Speaker 1: to be looking longingly at this child with the erection,
• 27:50
  Speaker 1: staring at him with desire. I don't know what's going
• 27:54
  Speaker 1: on in the background here, some like dancing or ritualistic movement,
• 27:59
  Speaker 1: but I mean, this is incredibly bizarre. Regardless of if
• 28:03
  Speaker 1: this is an adult or a child, it's definitely got
• 28:07
  Speaker 1: an erection on it at least from what I can see,
• 28:10
  Speaker 1: and then this woman looks to be staring almost right
• 28:12
  Speaker 1: at it. And this is in a pink bedroom that
• 28:15
  Speaker 1: looks like it's themed for a teenager. So I don't
• 28:20
  Speaker 1: know what to tell you. Another bizarre thing. So you
• 28:24
  Speaker 1: got Epstein's study here. As you can see, this is
• 28:28
  Speaker 1: one of many in his house. He's got lots of
• 28:30
  Speaker 1: what looks to be like African Eastern Asian artwork all
• 28:35
  Speaker 1: throughout his properties and his homes. Just tons of little
• 28:38
  Speaker 1: weird things like trinkets everywhere and all of his properties.
• 28:44
  Speaker 1: But something I found disturbing out of this was this
• 28:48
  Speaker 1: bowl of candy and lollipops specifically, and you can see
• 28:54
  Speaker 1: it again in this picture, just a different view of
• 28:58
  Speaker 1: the same room. So when you think of like a lollipop,
• 29:05
  Speaker 1: what do you think of? Do you think of an
• 29:06
  Speaker 1: adult or a child? I clearly think of a child.
• 29:10
  Speaker 1: I don't know that many adults, to be honest, that
• 29:14
  Speaker 1: enjoy lollipops and suckers, you know, all the time, to
• 29:19
  Speaker 1: the point where you're gonna need a bowl of them
• 29:22
  Speaker 1: for your business meetings. I mean, if you're having like
• 29:25
  Speaker 1: high profile executive financial meetings in here. I've never seen
• 29:29
  Speaker 1: something like that, like a bowl of like almost childish candy.
• 29:34
  Speaker 1: It's also got a connection to Lolita, which you've seen
• 29:37
  Speaker 1: in some of the recent drops. Lolita the book by
• 29:40
  Speaker 1: I can't remember the author's name, but basically about the
• 29:45
  Speaker 1: quote love story between an underage girl and a very
• 29:49
  Speaker 1: old man, and like in the cover, she's sucking on
• 29:52
  Speaker 1: a lollipop and Epstein named his nickname, is playing the
• 29:57
  Speaker 1: Lolita Express. So the presence of this candy and these lollipops,
• 30:01
  Speaker 1: to me is f is very frightening, to say the least.
• 30:08
  Speaker 1: So yeah, you've got multiple pictures of these suckers. So
• 30:12
  Speaker 1: another thing I noticed in Epstein's place is there's tons
• 30:15
  Speaker 1: of shoes everywhere. I don't know if these are all
• 30:17
  Speaker 1: his shoes. I mean they look to be. This is
• 30:20
  Speaker 1: in his gym area, tons of different shoes. But then
• 30:24
  Speaker 1: also look at all these pairs of shoes and the
• 30:27
  Speaker 1: way that they're like clinically organized. It it's just so
• 30:31
  Speaker 1: off putting, like are these all his? Or whose shoes
• 30:35
  Speaker 1: are are these? There's tons of shoes. I didn't even
• 30:38
  Speaker 1: get pictures save pictures of all of them. But there's
• 30:41
  Speaker 1: a lot of stuff like this, and I don't really
• 30:43
  Speaker 1: know what it is. So here's a picture from one
• 30:45
  Speaker 1: of his massage rooms. And as you can see in
• 30:48
  Speaker 1: the massage room, these these appear to be sex toys.
• 30:52
  Speaker 1: So you've got here is a scalp massager. I actually
• 30:56
  Speaker 1: love those things. They feel really good on your on
• 30:58
  Speaker 1: your scalp. I'm not gonna lie, but I don't think
• 31:02
  Speaker 1: that's necessarily a sex toy. But then you got clearly
• 31:05
  Speaker 1: a paddle for spanking, a leather paddle. Then you got
• 31:09
  Speaker 1: these look to be like handcuffs, not necessarily handcuffs, but
• 31:14
  Speaker 1: like wrist restraints. Maybe I don't know, I could be
• 31:17
  Speaker 1: wrong about that. And then here's a This looks to
• 31:21
  Speaker 1: be a massive ball and chain, obviously with a large
• 31:26
  Speaker 1: ball weighing down like a neck collar, so keeping someone
• 31:29
  Speaker 1: chained to the ground unable to get up, which is
• 31:37
  Speaker 1: creepy as hell too. And then curiously, I also noticed
• 31:41
  Speaker 1: this little hole. Could this have been like a camera?
• 31:46
  Speaker 1: Put a camera through here? I know it's really obvious
• 31:49
  Speaker 1: and I'm just thinking out loud, but I don't know.
• 31:52
  Speaker 1: So this was just ear And this is in the
• 31:53
  Speaker 1: massage room, so you know that's where a lot of
• 31:55
  Speaker 1: the raping took place. So this is another disturbing image
• 31:59
  Speaker 1: that I found it. I haven't seen anybody really talking
• 32:01
  Speaker 1: about so it appears to be school work. I saw
• 32:04
  Speaker 1: this picture first. This is in the massage room as well,
• 32:07
  Speaker 1: I believe, and it says intensive writing. I did some researching.
• 32:11
  Speaker 1: I couldn't find any clarity on whether or not in
• 32:14
  Speaker 1: New York State has actual intensive writing classes. I mean,
• 32:17
  Speaker 1: maybe it's a college thing. A grade can be defined
• 32:20
  Speaker 1: as marking your accomplishments. So to me, it's clearly school
• 32:25
  Speaker 1: work of some sort. Whether it's high school or college,
• 32:28
  Speaker 1: I don't know. But what made me swing towards high
• 32:30
  Speaker 1: school was this. This is the next photo that was
• 32:34
  Speaker 1: in there, and this looks to be high school or
• 32:36
  Speaker 1: even I mean, in my mind it's even like middle schoolly,
• 32:40
  Speaker 1: but you know, we'll just go high school for now.
• 32:42
  Speaker 1: But these stickers, I mean, I don't know anybody who
• 32:44
  Speaker 1: would carry a binder like this in college unless you're
• 32:47
  Speaker 1: like a really funky person. Maybe no hate if you
• 32:50
  Speaker 1: do have that, But to me, this screams more age
• 32:53
  Speaker 1: group of like young teenager rather than you know, eighteen
• 32:58
  Speaker 1: to twenty four. So there's just tons of stuff like that.
• 33:01
  Speaker 1: All over these properties and his properties that are just
• 33:04
  Speaker 1: like so here's a picture of the safe. This was
• 33:07
  Speaker 1: before they opened it up. That's what I was looking
• 33:09
  Speaker 1: for before. Interestingly, here we go. We got a picture
• 33:15
  Speaker 1: of Virgin Airlines founder Virgin Mobile, Richard Branson with Jeffrey Epstein.
• 33:23
  Speaker 1: Don't know where they're at, don't know why this woman's
• 33:26
  Speaker 1: face is redacted and not this woman's creepy that the
• 33:28
  Speaker 1: guy's company's called Virgin. I'm not going to really comment
• 33:34
  Speaker 1: on that. And then he got Epstein with what appears
• 33:36
  Speaker 1: to be maybe this girl. I can't really tell, but
• 33:40
  Speaker 1: once again, obviously just from what we can barely see,
• 33:43
  Speaker 1: she looks to be very small and very young, and
• 33:46
  Speaker 1: he's just so creepy you look at him. He looks
• 33:49
  Speaker 1: like he's going like like a troll or some shit.
• 33:53
  Speaker 1: Here's another clear image of parsing Bill that painting that
• 33:58
  Speaker 1: we talked about at the top of this. I'm sorry
• 34:01
  Speaker 1: these are a little scattered. I don't know who this
• 34:03
  Speaker 1: is from. This looks like Bill's signature. I don't know
• 34:08
  Speaker 1: what this is, but I just wrote this as ominous stairs.
• 34:12
  Speaker 1: I mean, it just it looks ominous, doesn't it look ominous.
• 34:15
  Speaker 1: This is the entryway to his home, and it's like
• 34:18
  Speaker 1: it's just so freaky looking. Like these pictures just feel
• 34:22
  Speaker 1: like they're filled with malice, each of them. They just
• 34:25
  Speaker 1: look like it's it's inhuman almost. It's hard to even
• 34:29
  Speaker 1: describe how I feel looking at these photos because you
• 34:33
  Speaker 1: just don't feel good, you know what I mean. So
• 34:35
  Speaker 1: we got another office in his place I thought was weird,
• 34:40
  Speaker 1: and it's just once again it's that weird, weird vibe.
• 34:43
  Speaker 1: Where's all the wal art in this room? Why does
• 34:46
  Speaker 1: this all just look like it's just been thrown there.
• 34:49
  Speaker 1: It doesn't look designed or planned out, luxurious, wealthy, It
• 34:52
  Speaker 1: doesn't look anything like I would imagine a billionaire's place
• 34:55
  Speaker 1: to look. This looks like the back office at like
• 34:59
  Speaker 1: a in state something. It's just it's so ugly and
• 35:04
  Speaker 1: what the hell is this? I don't know what this is?
• 35:06
  Speaker 1: Is this a huge printer? I would also love some
• 35:09
  Speaker 1: clarity on that. I'm assuming this is a huge printer epsoen,
• 35:13
  Speaker 1: But what he would be printing, I don't know. Maybe
• 35:17
  Speaker 1: I don't know. You guys would have to provide me
• 35:19
  Speaker 1: some clarity on that. And then this appears to just
• 35:21
  Speaker 1: be two pictures maybe just taped to the wall, so
• 35:27
  Speaker 1: I don't really know, all right, So then we move
• 35:29
  Speaker 1: on to some of the more disturbing stuff here. So
• 35:32
  Speaker 1: here we've got one nude. I believe this was hanging
• 35:36
  Speaker 1: in the massage room. This clearly looks to be a
• 35:38
  Speaker 1: very young girl. Don't know the approximate age, but very young. Censored.
• 35:46
  Speaker 1: This was hanging in the massage room. Here's I think
• 35:49
  Speaker 1: this was in the massage room as well. Here's another
• 35:52
  Speaker 1: young girl slash woman. I don't know how old this
• 35:55
  Speaker 1: person is, but I don't know if they're like spreading
• 35:58
  Speaker 1: something down here in this. I hate to be that graphic,
• 36:01
  Speaker 1: but just trying to figure out what this really depicts. Creepy. Nonetheless,
• 36:06
  Speaker 1: don't know the context of this, who this is, what
• 36:08
  Speaker 1: happened to them. Here's another image. I think this was
• 36:10
  Speaker 1: also in the massage room. This is just another fully naked,
• 36:14
  Speaker 1: full frontal of a girl. It's weird how some of
• 36:18
  Speaker 1: the photos they censor out, like the entire abdomen and
• 36:21
  Speaker 1: space around the head. Others they just censored around the genitals.
• 36:25
  Speaker 1: I don't know what the reasoning is for that. And
• 36:28
  Speaker 1: then we've got just another picture hanging on his wall.
• 36:31
  Speaker 1: One thing that you'll notice with Epsteine is we haven't
• 36:34
  Speaker 1: even really gotten into all this stuff yet. That you'll
• 36:36
  Speaker 1: see in a little bit. So much of his stuff,
• 36:40
  Speaker 1: so much of his art, so much of the stuff
• 36:42
  Speaker 1: that he collected and displayed on his properties, was really sexual.
• 36:48
  Speaker 1: It was figures having sex with each other, sexual painting,
• 36:52
  Speaker 1: sexual art, sexual photo. It's like the dude was the
• 36:55
  Speaker 1: horniest guy I've ever seen. Or he's sending subliminal messages,
• 36:58
  Speaker 1: and like when you come into his house, like say
• 37:01
  Speaker 1: you're a politician and you're they're trying to honeypot you.
• 37:04
  Speaker 1: They're trying to get you with this blackmail. It's almost
• 37:07
  Speaker 1: like all these subliminal things like young naked girls over here,
• 37:12
  Speaker 1: and statues of people having sex here, and more full
• 37:15
  Speaker 1: frontal nude photos here, and books about sexuality and drawers
• 37:20
  Speaker 1: full of sex toys. It's almost in my mind, I
• 37:22
  Speaker 1: could see it being a priming for these guests that
• 37:25
  Speaker 1: he had to get them subconsciously into that mood of
• 37:31
  Speaker 1: you know, ready to you know, you would say have sex,
• 37:34
  Speaker 1: but I mean it would really be rape, rape a
• 37:37
  Speaker 1: child or a very young woman. So that's just how
• 37:40
  Speaker 1: I think about it, but you'll see there's so much
• 37:42
  Speaker 1: of it everywhere. And this is just another instance that
• 37:45
  Speaker 1: I kind of thought was compelling because this is just
• 37:47
  Speaker 1: hanging on a wall, just some random girl in a swimsuit.
• 37:53
  Speaker 1: Here's some from his drawer. You can see redacted here.
• 37:57
  Speaker 1: This I think is another nude of a woman. It's
• 38:00
  Speaker 1: redacted here is I don't know what this is depicting,
• 38:05
  Speaker 1: but I'm assuming this is a nude of some sort.
• 38:08
  Speaker 1: There's so much of this everywhere, more nudes, nudes that
• 38:11
  Speaker 1: he apparently took nudes of a girlma lawn chair, nudes
• 38:15
  Speaker 1: by a pool. And then just how weird is this?
• 38:20
  Speaker 1: Like looking for a way out on here? Just such
• 38:27
  Speaker 1: weird on this page of these girls and it's upside down,
• 38:30
  Speaker 1: like there's got to be some significance to this right
• 38:33
  Speaker 1: what that is? I don't know. Internationally, it's just weird.
• 38:38
  Speaker 1: It's just weird, isn't it? If you also got in
• 38:41
  Speaker 1: the same book, so creepy active enjoyment. It's like he's
• 38:45
  Speaker 1: scrapbooking this now that I'm thinking about it, scrap book
• 38:49
  Speaker 1: there's another top list what I consume to be young
• 38:51
  Speaker 1: girl by a pool and fully naked girl in a
• 38:55
  Speaker 1: shower and it looks like these are pictures he's taken,
• 38:57
  Speaker 1: especially back then in the these nineties early two thousands,
• 39:01
  Speaker 1: like these would be, you know, most likely pictures that
• 39:04
  Speaker 1: you took yourself. Here's another phrase. What does this say?
• 39:09
  Speaker 1: Who was Oh? My god, that is crazy. Who was
• 39:13
  Speaker 1: that masked man? I did not see that until now,
• 39:17
  Speaker 1: So if you don't know, recently, there was another disclosure
• 39:20
  Speaker 1: and we're gonna talk about him in the Epstein Island,
• 39:23
  Speaker 1: But there was a room in Epstein's on Epstein's Island
• 39:27
  Speaker 1: that had like it looks like a dental chair, and
• 39:29
  Speaker 1: there are masks on every wall. And there's been a
• 39:31
  Speaker 1: lot of discourse online about what those masks are and
• 39:34
  Speaker 1: what they were used for. It's it's one of the
• 39:36
  Speaker 1: creepiest things, truly, I've ever seen. So see this in
• 39:40
  Speaker 1: the scrap book. Who was that masked man active enjoyment
• 39:44
  Speaker 1: next to these nude young girls or whatever age they are.
• 39:50
  Speaker 1: That is really crazy? Actually, who was that masked man?
• 39:54
  Speaker 1: They actually Epstein or Glene whoever cut this out because
• 39:57
  Speaker 1: they felt like it was important. So what's up the
• 40:00
  Speaker 1: masked man? Are they talking about Epstein wearing a mask?
• 40:03
  Speaker 1: Lying about who he is. Are they talking about an
• 40:05
  Speaker 1: orgy where men were wearing these masks that we know exist.
• 40:10
  Speaker 1: That's really weird. I didn't even notice that until right now.
• 40:14
  Speaker 1: It's creepy as shit. And we got more nude photos,
• 40:18
  Speaker 1: like on his walls, That's what I'm saying, Like in
• 40:20
  Speaker 1: the walls, in the hallways. Everywhere you walk there's sexual
• 40:24
  Speaker 1: stuff and nude stuff and nude photos and women. I
• 40:28
  Speaker 1: guess this is in a bathroom, but it's in the
• 40:30
  Speaker 1: hallways too. And then I don't know who this is.
• 40:32
  Speaker 1: Looks once again like a young girl laying on a couch.
• 40:37
  Speaker 1: Here we go stairway leading I believe, to the second
• 40:41
  Speaker 1: floor from the first just a full on set of boobs.
• 40:45
  Speaker 1: Don't know who those are, what art this is? But
• 40:48
  Speaker 1: this is just in the hallway and the stairway. Then
• 40:50
  Speaker 1: we've gotten in an upper floor. Here's just an open
• 40:54
  Speaker 1: looks to be art book with more nude art. Someone
• 40:58
  Speaker 1: just sitting there nude on a table. It's like a
• 41:00
  Speaker 1: photography book that's been laid out like this on this
• 41:03
  Speaker 1: table specifically to show this. And even here here's what
• 41:06
  Speaker 1: I'm talking about. Once again, we'll go back to that
• 41:08
  Speaker 1: blue remember blue. We're gonna get to blue. But even this,
• 41:12
  Speaker 1: look at this on the shelf going up the stairs,
• 41:15
  Speaker 1: just a little thing on the shelf. Sexual art looks
• 41:18
  Speaker 1: to be a woman and a man kissing about to
• 41:22
  Speaker 1: have sex or something like that. All right, So yeah,
• 41:26
  Speaker 1: as you can see sexual art everywhere in Epstein's place,
• 41:31
  Speaker 1: his place is really there's just more. Here's another photo.
• 41:35
  Speaker 1: I think it's from the massage room as well. You
• 41:36
  Speaker 1: can see that binder. Another naked I can't tell if
• 41:40
  Speaker 1: this is a man or a woman. I'm assuming that
• 41:43
  Speaker 1: that's a girl, but I just can't really tell. From behind.
• 41:48
  Speaker 1: Here you got a disturbing, obviously site, the infamous massage table,
• 41:54
  Speaker 1: one of the many that Epstein owned and had in
• 41:57
  Speaker 1: his properties. To it is a bottle of astroglide lubricant,
• 42:04
  Speaker 1: which you know clearly, I don't think massage texts use
• 42:08
  Speaker 1: for massages. Those probably used for the sexual assaults against
• 42:11
  Speaker 1: the girls. Interestingly, here's some more imagery from that massage
• 42:18
  Speaker 1: room with as you can say, I think these are
• 42:20
  Speaker 1: different massage oils, massage product, rubbering, fabulous skin reviving, rubberising mask.
• 42:34
  Speaker 1: I think then under here you got sex products. You
• 42:38
  Speaker 1: got I don't know what these are. These may might
• 42:41
  Speaker 1: be like they look like rubber bands, but maybe ponytails, disturbingly,
• 42:45
  Speaker 1: or condom something I don't know. A bunch of astroglide,
• 42:49
  Speaker 1: different types of lube. You can literally see here lube
• 42:53
  Speaker 1: and then I don't know what this stuff is underneath,
• 42:55
  Speaker 1: but probably nefarious considering where it is. Also, here's just
• 43:02
  Speaker 1: another bigger shot. You can see these toys like the
• 43:04
  Speaker 1: ball and chain we just talked about, tons more massage products.
• 43:09
  Speaker 1: Here's another ball. I I don't know what this is,
• 43:13
  Speaker 1: but it looks similar to the one that's on Epstein's stairs.
• 43:17
  Speaker 1: Once again, if someone knows what this is and could
• 43:19
  Speaker 1: provide me with some clarity, that would be great. And
• 43:22
  Speaker 1: then yeah, here's a wider shot of the massage room. Oh,
• 43:25
  Speaker 1: I didn't notice that these were like two different versions
• 43:30
  Speaker 1: of the same young girl nude and another nude. Pick
• 43:36
  Speaker 1: this one I'm assuming it's topless. This might be the
• 43:39
  Speaker 1: other one. If they censored this, I think this is
• 43:42
  Speaker 1: that other picture. I'd have to go back and look.
• 43:44
  Speaker 1: But if so weird that they censored this growing area
• 43:50
  Speaker 1: and the other pick and didn't do it here and
• 43:53
  Speaker 1: then clearly another and this is weird. I mean, this
• 43:57
  Speaker 1: is very strange. Why they censor the face on the painting,
• 44:02
  Speaker 1: you know what I mean, why censor? Uh? This is
• 44:05
  Speaker 1: clearly a painting, and yet they censored the face and
• 44:08
  Speaker 1: there are other images where this isn't censored. It makes
• 44:11
  Speaker 1: no sense to me. Also, I don't know if you
• 44:13
  Speaker 1: go if you could go back and look, but the
• 44:15
  Speaker 1: actual cabinet that the massage oils and stuff are held
• 44:20
  Speaker 1: in or whatever you would call that piece of furniture
• 44:22
  Speaker 1: has got some really weird dudes carved on it. I mean,
• 44:26
  Speaker 1: it's just very strange, like it's a creepy piece of furniture. Yeah,
• 44:29
  Speaker 1: here's another view of the same room. You got this
• 44:31
  Speaker 1: piece of art, which is once again it appears to
• 44:34
  Speaker 1: be a full frontal nude. Don't know who painted this
• 44:37
  Speaker 1: what it's depicting. Clearly there's like artistry going on here
• 44:41
  Speaker 1: with one of these I don't know if they're called
• 44:42
  Speaker 1: marionettes or whatever these little painting puppets are. And you
• 44:45
  Speaker 1: got I think these are paint brushes. There looks to
• 44:49
  Speaker 1: be like a stool or an easel. I don't really know.
• 44:51
  Speaker 1: But this is just hanging by chains in the room.
• 44:55
  Speaker 1: So odd, and see this one is fully uncensored, so
• 44:58
  Speaker 1: maybe we'll zoom of the same picture. But yeah, I mean,
• 45:03
  Speaker 1: look at this. Here's what I was talking about. How
• 45:05
  Speaker 1: weird is this furniture? These like religious figures or maybe
• 45:10
  Speaker 1: medieval figures. And then you got I don't know what
• 45:14
  Speaker 1: this is, maybe like a decorative plate, maybe even a light,
• 45:19
  Speaker 1: but all these people stacked up on top of each other,
• 45:22
  Speaker 1: on top of I believe these are religious figures, but
• 45:24
  Speaker 1: I don't really know. So interestingly, back to that mask comment,
• 45:28
  Speaker 1: I noticed this in another one of his rooms, one
• 45:31
  Speaker 1: of his studies. I remember, like I said, Epstein liked
• 45:33
  Speaker 1: to make himself look really smart and appear to be smart.
• 45:37
  Speaker 1: We're gonna talk about this in a bit. But he's
• 45:40
  Speaker 1: got so many books everywhere, and it's like, you know
• 45:44
  Speaker 1: that he didn't read all these books. There's so many books.
• 45:48
  Speaker 1: I find it hard to believe that he would have
• 45:50
  Speaker 1: actually read all of these, and I think they were
• 45:52
  Speaker 1: more for show than actual things that he learned, things
• 45:59
  Speaker 1: that he read. But here you got some creepy masks.
• 46:02
  Speaker 1: So you got these masks and a sort of pattern
• 46:05
  Speaker 1: up on the wall. I believe these are like African masks,
• 46:09
  Speaker 1: and a lot of these masks have obviously, I'm pretty
• 46:13
  Speaker 1: sure all of them do, but a spiritual meaning to
• 46:15
  Speaker 1: the tribe or the people that these masks come from.
• 46:20
  Speaker 1: Sometimes they can mean, you know, good things, like they
• 46:25
  Speaker 1: can represent a powerful like healing figure or just a
• 46:28
  Speaker 1: powerful spiritual figure in their cultures and belief systems. But
• 46:32
  Speaker 1: other times these masks can represent darker spirits, or angrier spirits,
• 46:38
  Speaker 1: or more evil spirits. To me, I'm not an expert,
• 46:43
  Speaker 1: so I don't know what these are necessarily, but this
• 46:47
  Speaker 1: one definitely looks a little bit off to me. Doesn't
• 46:50
  Speaker 1: look like you would represent a happy spirit really, but
• 46:52
  Speaker 1: more of a more of a darker spirit. So I
• 46:56
  Speaker 1: don't know what this thing is in the center, but
• 46:58
  Speaker 1: once again it's just creepy with the masks and everything.
• 47:01
  Speaker 1: And then you've got over here. I believe this is
• 47:03
  Speaker 1: like a sort of like evil eye like to have
• 47:06
  Speaker 1: in Greece or different countries, supposed to ward off evil.
• 47:10
  Speaker 1: Interesting though, because they're usually blue and this one's orange
• 47:13
  Speaker 1: almost to fit the coloring of the wall. We'll talk
• 47:17
  Speaker 1: about this later too. This is just a closet of
• 47:20
  Speaker 1: Epstein's I believe this is a safe. Maybe I don't
• 47:23
  Speaker 1: know what this is. It's not really that clear. More shoes,
• 47:27
  Speaker 1: but then you got these torsos of just chesty nude women,
• 47:35
  Speaker 1: no heads, no arms, just the torsos sat there in
• 47:38
  Speaker 1: the closet, which is so off putting and strange. And
• 47:42
  Speaker 1: then next to it, you can see we'll talk about
• 47:44
  Speaker 1: this later as well, there's a giant stone head just
• 47:48
  Speaker 1: sitting on the shelf here. Epstein really liked to, as
• 47:51
  Speaker 1: you will see, and we're gonna talk about this drought
• 47:53
  Speaker 1: this as well. He liked to. It's almost like he
• 47:56
  Speaker 1: collected humans or human body parts. I can't remember who
• 48:00
  Speaker 1: was quoted as saying Epstein is a collector of people.
• 48:04
  Speaker 1: That's a quote from one of his friends or somebody
• 48:06
  Speaker 1: that was in Epstein's orbit, that he was a collector
• 48:08
  Speaker 1: of people. But what I've noticed, just from looking over
• 48:11
  Speaker 1: all these materials hundreds of times over the years, he
• 48:14
  Speaker 1: really has an obsession with human body parts and almost
• 48:20
  Speaker 1: dismembered body parts. Like right, here's a perfect example. He's
• 48:24
  Speaker 1: got just the chests and the breasts of two women,
• 48:28
  Speaker 1: no arms, no head, no identity. There's clearly would have
• 48:31
  Speaker 1: been enough space I think in here to have the
• 48:33
  Speaker 1: head on there. Then in his mansion I believe in Florida,
• 48:38
  Speaker 1: he had a woman's butt like it was just an
• 48:42
  Speaker 1: ass hanging off the wall, just the butt cheeks hanging
• 48:46
  Speaker 1: on his wall. You're going to see in here, there's
• 48:49
  Speaker 1: a leg. There are other Torso sculptures. He's got a
• 48:54
  Speaker 1: lot of this art of human body parts that he's collecting,
• 48:58
  Speaker 1: which I don't know what the state would be really there,
• 49:02
  Speaker 1: but it's very strange and it's something that you notice
• 49:06
  Speaker 1: looking through all his stuff over and over and over again.
• 49:09
  Speaker 1: He has this desire to collect these sorts of things,
• 49:12
  Speaker 1: and on top of that, to also display them. You'll
• 49:16
  Speaker 1: see in a lot of pictures he actually displays this
• 49:18
  Speaker 1: stuff prominently. There's a really creepy one that we're gonna
• 49:21
  Speaker 1: get to. I don't know where it is in here. Oh,
• 49:23
  Speaker 1: this one's disturbing as well. So when I was going
• 49:26
  Speaker 1: through these pictures once again, what comes to mind when
• 49:29
  Speaker 1: you see this right here? I'll ask you guys online,
• 49:34
  Speaker 1: This to me looks like a child's room. It's bright purple,
• 49:41
  Speaker 1: the walls are painted bright purple. There looks to be
• 49:44
  Speaker 1: a black and white striped pattern on the bed sheets.
• 49:47
  Speaker 1: Almost like a zebra pattern. The curtains have that purple
• 49:50
  Speaker 1: curvature design on them. And then the biggest give whatever
• 49:56
  Speaker 1: the word would be, is the stuffed animal. There's a
• 49:59
  Speaker 1: stuffed animal, and how creepy is this. It's a stuffed
• 50:02
  Speaker 1: animal next to a box of tissues, which, as we know,
• 50:06
  Speaker 1: usually in a bedroom. I mean, you could blow your nose,
• 50:10
  Speaker 1: but a lot of it's a common thing that people
• 50:13
  Speaker 1: would keep tissues in their bedroom for wiping up after
• 50:18
  Speaker 1: doing sexual things. So to have this right next to
• 50:21
  Speaker 1: this stuffed animal of lion. There's lots of lion, big
• 50:26
  Speaker 1: apex predator iconography all throughout Epstein's places too, which we
• 50:30
  Speaker 1: could talk about, but it is where it's a lion
• 50:33
  Speaker 1: looking at this bed that I'm thinking about it right now,
• 50:35
  Speaker 1: which is almost a zebra pattern, almost zebra stripes. So
• 50:40
  Speaker 1: I don't know if that's intentional. The lion is watching
• 50:42
  Speaker 1: the zebra in the bed, the predator is watching the victim.
• 50:46
  Speaker 1: Here's another view of this room. As you can see,
• 50:49
  Speaker 1: this purple extends out here, but it's just so eerie
• 50:52
  Speaker 1: and this little lion you can see it's I think
• 50:55
  Speaker 1: this is a purple lamp as well. That he's got
• 50:58
  Speaker 1: set up in here, yeah, or it's maybe once again
• 51:01
  Speaker 1: blue this though, tell me this is not a bed
• 51:05
  Speaker 1: for a young prepubescent child. As disturbing as that is,
• 51:11
  Speaker 1: look at this. Does this look like something that Epstein
• 51:15
  Speaker 1: would send the Duchess of York, Sarah Ferguson to stay in.
• 51:19
  Speaker 1: Does this look like somewhere Bill Gates would sleep, Prince
• 51:23
  Speaker 1: Andrew would sleep when he visited. No, this looks like
• 51:27
  Speaker 1: specifically it was meant for children. And I know some
• 51:32
  Speaker 1: people could say, oh, what if he had young relatives
• 51:36
  Speaker 1: that visited him, YadA YadA at me, he could say
• 51:37
  Speaker 1: that about anything. But still to have this full time.
• 51:41
  Speaker 1: I have multiple bedrooms like this, and that's so off putting.
• 51:44
  Speaker 1: There's nothing on the walls. It just looks so I
• 51:50
  Speaker 1: don't know, I really, I don't know what the word is.
• 51:52
  Speaker 1: Maybe someone knows the word, but something's just not right,
• 51:55
  Speaker 1: especially with the coloring and the design and everything. It's
• 51:58
  Speaker 1: just so creepy to me. Then I just included this
• 52:01
  Speaker 1: picture cause it's just weird. There's all these all these
• 52:03
  Speaker 1: pictures I think are just these liminal spaces. If you
• 52:08
  Speaker 1: know what a liminal space is, like the back rooms
• 52:11
  Speaker 1: that's what these pictures give me, the energy of They're
• 52:14
  Speaker 1: so creepy looking and there's just an there's an energy
• 52:17
  Speaker 1: within these pictures that is so off putting and just bizarre.
• 52:22
  Speaker 1: Like even this picture just gives me the willies. Uh,
• 52:26
  Speaker 1: and it shouldn't. It's just a hallway, but something about
• 52:29
  Speaker 1: it is just off. You know, here we got something
• 52:32
  Speaker 1: interesting I noted is that Epstein actually uses some Christian
• 52:38
  Speaker 1: iconography once again in the house. Here you've got a
• 52:41
  Speaker 1: standing crucifix with Jesus Christ on the cross next to
• 52:45
  Speaker 1: this golden sink. I don't know what room this is,
• 52:48
  Speaker 1: but it's just like a sink and a cross. They
• 52:51
  Speaker 1: look to be the same color. I don't know if
• 52:52
  Speaker 1: they're connected, if this is some sort of blessed sink
• 52:55
  Speaker 1: or I don't really know. But once again, it's just
• 52:59
  Speaker 1: thrown there, isn't that weird, Like it's just like it's
• 53:02
  Speaker 1: just been thrown And it makes no sense because like
• 53:05
  Speaker 1: if you're looking at the screen when I'm showing you,
• 53:08
  Speaker 1: if you were to open this cabinet up, you'd topple
• 53:11
  Speaker 1: this crucifix over. So why is it there? Was it
• 53:15
  Speaker 1: just moved there recently? What's the point of having it
• 53:18
  Speaker 1: there if you're gonna use this cabinet, it just makes
• 53:21
  Speaker 1: no sense. So another I think this is Jesus as well.
• 53:26
  Speaker 1: Could not be Jesus, I'm not too sure. Maybe it's
• 53:29
  Speaker 1: a Greek person. I feel like it looks like Jesus
• 53:31
  Speaker 1: though with the praying hands. I could be wrong though,
• 53:34
  Speaker 1: But this is just another piece of art in another
• 53:37
  Speaker 1: room slash hallway in the house. So here's another really
• 53:42
  Speaker 1: bizarre thing. In inside of one of Epstein's rooms. He
• 53:46
  Speaker 1: had this setup literally like patio furniture set up indoors,
• 53:52
  Speaker 1: like you've got a hanging light there like a lantern
• 53:55
  Speaker 1: of sorts. You got an umbrella inside, fully extended, fully opened,
• 54:02
  Speaker 1: and then four chairs set up under the umbrella. And
• 54:06
  Speaker 1: this is inside of his house, not in the on
• 54:10
  Speaker 1: a terrace or anything like that. This is fully indoors.
• 54:14
  Speaker 1: I've never seen something like this. There's a bunch of
• 54:17
  Speaker 1: different pictures and angles of this setup. It's just so peculiar,
• 54:21
  Speaker 1: like why why have an umbrella indoors with patio furniture
• 54:26
  Speaker 1: set up around the umbrella in a room where this
• 54:31
  Speaker 1: does not fit at all? And it's once again, it's
• 54:33
  Speaker 1: not like some luxurious looking setup or anything. It looks
• 54:36
  Speaker 1: like an umbrella you'd get at academy or shields or
• 54:41
  Speaker 1: wherever you're watching from whatever your sporting goods store is
• 54:44
  Speaker 1: near you. It's just so strange. Another thing, I found
• 54:49
  Speaker 1: some hats in here. This is one of Epstein's Closets's
• 54:51
  Speaker 1: just some weird. I don't know if these are outfits
• 54:53
  Speaker 1: or what these distinct pieces of clothing are. But may've
• 54:57
  Speaker 1: you got a hat with maybe? I think this might
• 54:59
  Speaker 1: be right or Greek. If someone could clarify what this says,
• 55:03
  Speaker 1: that would be great. And then a king's crown next
• 55:07
  Speaker 1: to it on the shelf. A king's crown. It's ironic
• 55:11
  Speaker 1: and bizarre. What the use that Epstein would have for
• 55:15
  Speaker 1: that is? I don't really know. So here you go.
• 55:19
  Speaker 1: Here's another weird one. Hard drives, boxes of hard drives
• 55:25
  Speaker 1: marked with evidence stickers, evidence tape. Don't know what's on
• 55:30
  Speaker 1: these hard drives. I don't know if it's ever been
• 55:32
  Speaker 1: specified what was on these things? Once again, could this
• 55:35
  Speaker 1: be the blackmail materials? It could be. Could some of
• 55:39
  Speaker 1: these hard drives have contained images and videos of Epstein's
• 55:44
  Speaker 1: rich and powerful friends raping children. It's a possibility, but
• 55:50
  Speaker 1: do I think the FBI would actually release photos of
• 55:54
  Speaker 1: the blackmail holding devices. I don't think so, because they
• 55:58
  Speaker 1: technically would have been in on this whole thing, so
• 56:01
  Speaker 1: those pictures would never have been released unless, like I said,
• 56:04
  Speaker 1: they're sloppy or stupid. But I still don't think there's
• 56:07
  Speaker 1: any clarity on what was found on these hard drives.
• 56:11
  Speaker 1: Right here, We've talked about this before. There are just
• 56:14
  Speaker 1: some other angles of the hanging bride that looks like
• 56:18
  Speaker 1: she's escaping, just hanging from his ceiling. It's so creepy.
• 56:22
  Speaker 1: Once again, here's that chess set that we talked about
• 56:25
  Speaker 1: in my Epstein art episode, where it's all like the
• 56:28
  Speaker 1: women and assistance in his life that he had turned
• 56:30
  Speaker 1: into a custom chessboard so he could literally play games
• 56:33
  Speaker 1: with them. Some more creepy looking art, but I mean
• 56:37
  Speaker 1: the main thing is obviously this the hanging bride. I mean,
• 56:41
  Speaker 1: just look at this thing. This is like horror movie material.
• 56:45
  Speaker 1: I don't know, I think this is an investigator down
• 56:47
  Speaker 1: here or somebody. We haven't really seen another person in
• 56:50
  Speaker 1: these pics. It's interesting, but yeah, this is so creepy.
• 56:54
  Speaker 1: I don't know how you could look at this and
• 56:56
  Speaker 1: not be fucking creeped out, Like, just look at this thing, guys.
• 56:59
  Speaker 1: It's so spooky. It's almost like a ghost, you know, ghosts.
• 57:04
  Speaker 1: There's like the Ghost Bride, the phantom woman who floats
• 57:08
  Speaker 1: in with the veil over her face and once again
• 57:10
  Speaker 1: not to hearken back to the Haunted Mansion, but it
• 57:13
  Speaker 1: is like the Haunted Mansion, the Ghost Bride. It's got
• 57:15
  Speaker 1: to be one of the weirdest things I've ever seen
• 57:17
  Speaker 1: in someone's house. And it's just hanging there. Like, imagine
• 57:21
  Speaker 1: walking into someone's mansion and they've got a full sized
• 57:25
  Speaker 1: what looks like woman in complete distress attempting to escape
• 57:29
  Speaker 1: from somewhere, hanging from the ceiling like this is a
• 57:33
  Speaker 1: full sized human being. It's so eerie. It's just so eerie.
• 57:37
  Speaker 1: All right. Now we get into some fines that were
• 57:40
  Speaker 1: made in one of Epstein's rooms. I can't remember what
• 57:42
  Speaker 1: room this is in, but tons of fetish cosplay role
• 57:47
  Speaker 1: play outfits. As you can see here. This is kind
• 57:49
  Speaker 1: of how they were found. Then in here you can
• 57:52
  Speaker 1: see there's condoms. I don't know what this device is.
• 57:56
  Speaker 1: I think this is like a dual vibrator thing. It's
• 58:00
  Speaker 1: like a dog collar, a collar of some story. Here's
• 58:03
  Speaker 1: another collar. Here's definitely another caller. I think these two
• 58:07
  Speaker 1: callers are linked. And then a pink, furry butt plug
• 58:11
  Speaker 1: all kind of BDSMI objects this is a strap on
• 58:17
  Speaker 1: I think. So you've got some strap on play who
• 58:21
  Speaker 1: knows Clinton Trump, any of them. Maybe they were getting
• 58:23
  Speaker 1: pegged while they were there, victimizing these women. You don't know,
• 58:29
  Speaker 1: but clearly this is here in Epstein's house. I'm more
• 58:33
  Speaker 1: than willing to bet that this thing was used. You've
• 58:36
  Speaker 1: also got this creepy nurses outfit thing for dress up.
• 58:42
  Speaker 1: I believe. Here's some more stuff that was found in
• 58:45
  Speaker 1: another drawer. You got wigs. We're gonna examine this stuff.
• 58:48
  Speaker 1: It's like a sailor girl's outfit, almost like sailor moon.
• 58:51
  Speaker 1: This could be, I believe, maybe like a flight attendance
• 58:54
  Speaker 1: outfit or school outfit. I don't know necessarily, but these
• 58:59
  Speaker 1: are clear all like sex playing outfits. Because then he
• 59:02
  Speaker 1: got a wig here as well. Once again a sailor
• 59:05
  Speaker 1: type thing. This looks like a school girl outfit maybe
• 59:09
  Speaker 1: or some sort of military I don't know. And then
• 59:13
  Speaker 1: it says baby cry, but I mean cry baby outfit
• 59:16
  Speaker 1: with a little bow tie and baby colors, which I
• 59:20
  Speaker 1: don't know how to interpret that or what that would be,
• 59:22
  Speaker 1: but clearly this is like sexual stuff. Also to include
• 59:26
  Speaker 1: a screenshot of this. Now, this, this is what I
• 59:29
  Speaker 1: imagine wealth and luxury to look like. This is like
• 59:33
  Speaker 1: the foe. This is the what I believe the Epstein.
• 59:36
  Speaker 1: This is the Epstein that he wanted people to believe
• 59:38
  Speaker 1: he was. I think this really ultra wealthy, ultra rich,
• 59:43
  Speaker 1: very established, old money type of dude. I mean, look
• 59:47
  Speaker 1: at this chandelier. It's a beautiful chandelier. Like I know
• 59:50
  Speaker 1: my wife would kill to have a chandelier like this
• 59:53
  Speaker 1: in our house. And I was talking to my producer
• 59:55
  Speaker 1: from a project that I'm working on right now last
• 59:58
  Speaker 1: night when we were looking at these things, and it's like,
• 1:00:00
  Speaker 1: this just looks like a super villain's evil villain's layer
• 1:00:05
  Speaker 1: in like James Bond. You know, you got the chandelier,
• 1:00:08
  Speaker 1: the low lighting, the dark wood, You've got these weird
• 1:00:12
  Speaker 1: objects like golden eggs everywhere, an old sailboat, another crystal ball.
• 1:00:18
  Speaker 1: I'll make none of that. Interestingly enough, I didn't notice
• 1:00:21
  Speaker 1: that before. There's another crystal ball, a stuffed tiger skin.
• 1:00:27
  Speaker 1: It's just really really, it's gaudy. It's over the top,
• 1:00:31
  Speaker 1: and I will ask you to take one more look
• 1:00:34
  Speaker 1: because we're gonna get to that eventually. Blue. You got
• 1:00:36
  Speaker 1: a blue frame. You got blue tassels on this blue cushion,
• 1:00:42
  Speaker 1: This floor has blue in the carpet. There's a blue
• 1:00:46
  Speaker 1: podium over here, a blue ceiling. Lots of blue. And
• 1:00:51
  Speaker 1: we'll get to the blue in a bit. But even
• 1:00:54
  Speaker 1: done here, I don't know if this is like a
• 1:00:55
  Speaker 1: photo distortion or what, but blue blue books, it's just
• 1:00:59
  Speaker 1: so weird. Then you got some more stuff found in
• 1:01:03
  Speaker 1: just various drawers in his home. He got a vibrator
• 1:01:06
  Speaker 1: with some of course, very classy voss water. I think
• 1:01:10
  Speaker 1: this might be a tampon maybe, I don't know what
• 1:01:13
  Speaker 1: this is. And that was found right near this book
• 1:01:17
  Speaker 1: called Erotica universalis so yeah, this book of erotica, and
• 1:01:23
  Speaker 1: you're a vibrator. And then I thought it was an
• 1:01:25
  Speaker 1: interesting little detail. You also got his reading glasses, I
• 1:01:28
  Speaker 1: think right here, all right, so you can read the
• 1:01:31
  Speaker 1: Eurotica disturbing images here Epstein with once again what looked
• 1:01:38
  Speaker 1: to be very young girls or women. He looks almost
• 1:01:41
  Speaker 1: high in these pictures, and these two girls are dressed
• 1:01:45
  Speaker 1: the exact same, the same. I think this might be
• 1:01:48
  Speaker 1: like a pajama pajama outfit or some sort of nightgown
• 1:01:54
  Speaker 1: looking thing. I don't really know. And then two girls
• 1:01:57
  Speaker 1: down here. Notice this one is got her head way
• 1:02:01
  Speaker 1: above this one, which leads me to believe this would
• 1:02:03
  Speaker 1: be a significantly younger girl. But they're totally blacked out
• 1:02:07
  Speaker 1: the front. I just thought it was interesting, Jaye, right
• 1:02:10
  Speaker 1: on the front of his house. I've actually been to
• 1:02:13
  Speaker 1: his mansion, been to the exterior, and they've removed this,
• 1:02:16
  Speaker 1: but you can still see where it was. It's kind
• 1:02:18
  Speaker 1: of interesting. Just a closet, pick some boots. Now, this
• 1:02:24
  Speaker 1: one is very interesting. So you got this is a notebook.
• 1:02:28
  Speaker 1: I can't remember where this was found in his house,
• 1:02:30
  Speaker 1: but it's been alleged, you know, by many people that
• 1:02:33
  Speaker 1: here at three oh one sixty sixth Street in New
• 1:02:38
  Speaker 1: York City, Epstein was keeping some of his girls that
• 1:02:40
  Speaker 1: he was trafficking. He owned a block of apartments in
• 1:02:44
  Speaker 1: that building, and that's where it's been alleged that, you know,
• 1:02:47
  Speaker 1: he's keeping his trafficking victims and also maybe men or
• 1:02:51
  Speaker 1: friends or people you know, they could stop either have
• 1:02:53
  Speaker 1: sex with these girls. I don't know most of the
• 1:02:55
  Speaker 1: abuse took place at Epstein's mansion. I believe, I don't
• 1:02:58
  Speaker 1: really know if any of it took place, said that
• 1:03:01
  Speaker 1: apartment complex full transparency. But what's interesting is you got
• 1:03:07
  Speaker 1: down here, all right. So number one, what I want
• 1:03:11
  Speaker 1: to point out is staff contact. You got Karina right here,
• 1:03:16
  Speaker 1: So we got to go back to that Manila envelope
• 1:03:20
  Speaker 1: that we talked about before. I believe it was too
• 1:03:22
  Speaker 1: Karina from Daphne. I don't see a Daphne on here.
• 1:03:25
  Speaker 1: But you got two names redacted from this list. Who
• 1:03:28
  Speaker 1: are those names and why are they redacted? That's the
• 1:03:31
  Speaker 1: question that I have that's not answered. But then you
• 1:03:34
  Speaker 1: got here the apartments. You got once again, Karna. She's
• 1:03:38
  Speaker 1: a guest at one of the apartments, AKA what we
• 1:03:42
  Speaker 1: can assume is a trafficking victim, a girl. You know,
• 1:03:45
  Speaker 1: Epstein got a lot of girls from Russia, Ukraine. There
• 1:03:48
  Speaker 1: was some disclosures about that in this drop. But Arena,
• 1:03:52
  Speaker 1: I don't know what this name is. Rabata, I don't know.
• 1:03:55
  Speaker 1: I'd have to look. I just can't really tell. But Korea,
• 1:04:00
  Speaker 1: you know, those definitely seem kind of like Eastern European names.
• 1:04:05
  Speaker 1: And then you got here Nilly and a hood on
• 1:04:11
  Speaker 1: the list. So Ahod Barack, the former Prime Minister of Israel,
• 1:04:16
  Speaker 1: the former head of the Israeli intelligence apparatus, a master
• 1:04:23
  Speaker 1: in intelligence gathering and spying. Ahod Barrock is listed here
• 1:04:28
  Speaker 1: as being in one of Epstein's apartments at three oh
• 1:04:31
  Speaker 1: one sixty sixth, which is where he was keeping victims
• 1:04:35
  Speaker 1: of sex trafficking. A who was staying there with I
• 1:04:37
  Speaker 1: think this is his wife, Nilly. Crazy connection to see
• 1:04:40
  Speaker 1: that name on here, staying literally like eleven J and
• 1:04:44
  Speaker 1: eleven B. It says there's one of his trafficking girls.
• 1:04:48
  Speaker 1: So they're staying in extreme close proximity to some of
• 1:04:52
  Speaker 1: the victims. Uh, never said anything and definitely, according to them,
• 1:04:56
  Speaker 1: never saw anything hard to believe. So here's that stone
• 1:05:00
  Speaker 1: head that I was talking about that was next to
• 1:05:02
  Speaker 1: the torsos in the closet. I don't know if this
• 1:05:05
  Speaker 1: is Easter Island or what, but how weird is this?
• 1:05:08
  Speaker 1: It's just a gigantic stone head on a dresser with
• 1:05:11
  Speaker 1: a mirror. Another thing. Kind of like how I said
• 1:05:15
  Speaker 1: Epstein collected body parts, he also collected faces and masks
• 1:05:21
  Speaker 1: like we've talked about and it seems like all throughout
• 1:05:24
  Speaker 1: his houses and his properties, it seems like there was
• 1:05:28
  Speaker 1: always someone watching you. I mean, even right here. You've
• 1:05:31
  Speaker 1: got this giant what I believe is a stone face
• 1:05:34
  Speaker 1: staring at you. You got paintings on the walls, you
• 1:05:37
  Speaker 1: got figures of people on the shelves, you got masks,
• 1:05:41
  Speaker 1: you got statues, even the terra cotta guy in the
• 1:05:45
  Speaker 1: doorway staring at you in the room. It looks like
• 1:05:47
  Speaker 1: you're always being watched. Now, whether that is a subliminal
• 1:05:51
  Speaker 1: message or not, I don't really know. But that's just
• 1:05:56
  Speaker 1: how I interpret this, because it's really hard to quantify,
• 1:06:00
  Speaker 1: find what that means, or come to terms with it. Now,
• 1:06:03
  Speaker 1: this is interesting. I noticed, and this was taken this photo.
• 1:06:07
  Speaker 1: I don't know what these scribbles are or what these
• 1:06:10
  Speaker 1: numbers mean. This looks like maybe a phone number, But
• 1:06:14
  Speaker 1: what are these scribbles? Who drew these? And what do
• 1:06:20
  Speaker 1: they mean? Everything here has a meaning. So these these
• 1:06:25
  Speaker 1: are not just random. They look juvenile, I'll say that,
• 1:06:30
  Speaker 1: but it's just so. I don't know how to explain that.
• 1:06:33
  Speaker 1: The circles, the spirals, I don't know. Once again, this
• 1:06:38
  Speaker 1: is kind of just like I was saying, like it
• 1:06:40
  Speaker 1: looks like the back room of a Staples or some
• 1:06:43
  Speaker 1: shit like this just looks so not wealthy, Like, it's
• 1:06:48
  Speaker 1: just so bizarre how some of those rooms, like that
• 1:06:51
  Speaker 1: main dining room like I was talking about, look like
• 1:06:53
  Speaker 1: they were really planned and meticulously decorated in everything, and
• 1:06:58
  Speaker 1: then you got rooms like this that are just like
• 1:07:00
  Speaker 1: it looks like the cheapest, the cheapest little furniture, all
• 1:07:03
  Speaker 1: the wires exposed, a cheap little chair, super messy desks,
• 1:07:08
  Speaker 1: supplies everywhere, random shit tacked on the walls, very utilitarian,
• 1:07:15
  Speaker 1: not wealthy coded like does this scream wealth to you?
• 1:07:20
  Speaker 1: It's my note that I wrote here, No it doesn't
• 1:07:23
  Speaker 1: to me, which is the duality of Epstein and the
• 1:07:26
  Speaker 1: weirdness of the whole thing. This just literally screams like
• 1:07:29
  Speaker 1: back office of like some shitty chain store, not like
• 1:07:34
  Speaker 1: one of the richest dudes in America's room in the
• 1:07:38
  Speaker 1: biggest house in New York City, the biggest private residents.
• 1:07:43
  Speaker 1: So here we got some more found in one of
• 1:07:44
  Speaker 1: his rooms. As you can see, here are those pictures
• 1:07:47
  Speaker 1: we talked about before down here that were found on
• 1:07:49
  Speaker 1: this strawer. But you've also got what looked to be
• 1:07:52
  Speaker 1: DVC Panasonic. I think these would be video cassettes, playing cards,
• 1:07:57
  Speaker 1: a bunch of discs, bunch of different materials. What we're
• 1:08:03
  Speaker 1: on these discs and in this like for example, this
• 1:08:08
  Speaker 1: little what looks to be photo book or book. If
• 1:08:11
  Speaker 1: there were any recordings on these tapes, we still don't know.
• 1:08:16
  Speaker 1: I don't know. But those are just the things that
• 1:08:18
  Speaker 1: we'd like to get clarity on. Okay, something else interesting too.
• 1:08:22
  Speaker 1: Throughout all this you will notice Epstein has an obsession
• 1:08:26
  Speaker 1: with also skin and animal skin and fur. Like there's
• 1:08:33
  Speaker 1: the tiger in the main dining room that we just
• 1:08:39
  Speaker 1: talked about, but also here you've got cheetah print chairs,
• 1:08:42
  Speaker 1: like the skin of cheetahs. I know it's probably foe,
• 1:08:45
  Speaker 1: but it's the concept that we're talking about here. It's
• 1:08:48
  Speaker 1: like the skin of an animal. You've got a photo
• 1:08:50
  Speaker 1: that we'll talk about later of an eviscerated looking zebra
• 1:08:54
  Speaker 1: who's being cut open from the bottom up and its
• 1:08:57
  Speaker 1: skin is being flayed. And then you've got the obvious
• 1:09:00
  Speaker 1: to the tiger skin other animal skin chairs. I don't
• 1:09:04
  Speaker 1: know what that is and what the obsession is there,
• 1:09:06
  Speaker 1: but once again I would like to I don't mean
• 1:09:09
  Speaker 1: to read too far into things, but you never can
• 1:09:12
  Speaker 1: read too far into stuff in a case like this,
• 1:09:14
  Speaker 1: And then obviously got up here. I don't know who
• 1:09:17
  Speaker 1: this is. If this is Poseidon. Epstein and Glenn Maxwell
• 1:09:21
  Speaker 1: had an obsession with Atlantis, so this could be Poseidon.
• 1:09:23
  Speaker 1: It could be Zeus, a Greek god. A lot of
• 1:09:27
  Speaker 1: ps are obsessed with ancient Greek tales of boy love
• 1:09:32
  Speaker 1: and kind of the gods that gave an ok to
• 1:09:36
  Speaker 1: those relationships. And we can talk about all that, like
• 1:09:38
  Speaker 1: there was an entire magazine that we've talked about on
• 1:09:41
  Speaker 1: the show recently with some of the John David Norman
• 1:09:44
  Speaker 1: episodes called hermeaz Hermes, which was dedicated to boy love.
• 1:09:49
  Speaker 1: And that's a whole rabbit hole wee could go down.
• 1:09:53
  Speaker 1: But I find that interesting. It's all that Greek stuff.
• 1:09:56
  Speaker 1: It could even be God. I don't know if it
• 1:09:57
  Speaker 1: could be an old depiction of angry God for all
• 1:10:00
  Speaker 1: I know. But here's just another view of this. Then
• 1:10:04
  Speaker 1: you got this really creepy art here once again of
• 1:10:06
  Speaker 1: a toddler. This time I believe I don't know what
• 1:10:10
  Speaker 1: this is. They're clearly leaning over something and this is
• 1:10:13
  Speaker 1: just set on the table there. It's so bizarre and
• 1:10:18
  Speaker 1: more of the cheetah. And then once again, like I said,
• 1:10:21
  Speaker 1: like just look, there's like wires everywhere. It's like so
• 1:10:25
  Speaker 1: not planned and just not really clean. For like a billionaire,
• 1:10:29
  Speaker 1: you would imagine everything would be immaculate and super clean,
• 1:10:33
  Speaker 1: but it's not. There's just another view. I don't know
• 1:10:37
  Speaker 1: what this sculpture statue is, but once again body parts,
• 1:10:42
  Speaker 1: the upper torso and head of a person. It's not
• 1:10:44
  Speaker 1: a full person, right next to the dining room table.
• 1:10:47
  Speaker 1: And like I said before, it's looking out as you
• 1:10:50
  Speaker 1: can see watching the dinner party subliminal right there. Here's
• 1:10:55
  Speaker 1: one more of that. You get a little bit of
• 1:10:56
  Speaker 1: a view. This looks like a kid. Actually it looks
• 1:10:59
  Speaker 1: like a child's face just based on what I can see.
• 1:11:02
  Speaker 1: So extra creepy. And then a gong. Don't know what
• 1:11:05
  Speaker 1: a gong would be used for in here, but clearly
• 1:11:09
  Speaker 1: this thing was like brought in and rang or played
• 1:11:14
  Speaker 1: however you would describe that. Here's another view of the
• 1:11:16
  Speaker 1: blue stairs and there's that crystal ball again that we
• 1:11:21
  Speaker 1: talked about at the beginning. Just gives me like wizardry vibes.
• 1:11:25
  Speaker 1: This gives me like Hogwarts, wizard occult vibes. I don't
• 1:11:29
  Speaker 1: know about you, and we're gonna We're still getting to
• 1:11:31
  Speaker 1: the blue. The blue section will blow your minds creepily.
• 1:11:35
  Speaker 1: Here is a room I think this was off of
• 1:11:38
  Speaker 1: the workout room that has a drain in the floor
• 1:11:43
  Speaker 1: and then like a rinsing station with hot and cold water.
• 1:11:49
  Speaker 1: The purpose of this, I once again don't know, but
• 1:11:53
  Speaker 1: it's interesting in filming a documentary. I've been working on
• 1:11:56
  Speaker 1: this series for over a year now. Last May we
• 1:12:00
  Speaker 1: were in Amsterdam filming and we got access to this
• 1:12:04
  Speaker 1: location where it was it was alleged that children had
• 1:12:07
  Speaker 1: been sold and purchased in traffic through this bar decades
• 1:12:13
  Speaker 1: ago by Mark de True. If you remember that name,
• 1:12:16
  Speaker 1: markd True ran the biggest ball ring arguably in European history.
• 1:12:20
  Speaker 1: He didn't run it. He was a cagu, I should say,
• 1:12:22
  Speaker 1: but he's the figurehead of that story. If you dive
• 1:12:24
  Speaker 1: into Mark de True, evil guy responsible for the deaths
• 1:12:28
  Speaker 1: of many, many children pedaling to the elite. He's kind
• 1:12:31
  Speaker 1: of like the Epstein of Europe, if you want to
• 1:12:33
  Speaker 1: just think of it like that. But there was a
• 1:12:35
  Speaker 1: bar that Mark de' true had allegedly traffick kids in
• 1:12:38
  Speaker 1: and out of and we got access. The stroke of luck,
• 1:12:43
  Speaker 1: the owner allowed us to go into the basement. This
• 1:12:45
  Speaker 1: bar used to be used to have a sex dungeon,
• 1:12:48
  Speaker 1: like an extreme sex club, and that's where I guess
• 1:12:51
  Speaker 1: a lot of these acts were occurring. And in the
• 1:12:55
  Speaker 1: basement they had to set up extremely similar to this,
• 1:12:59
  Speaker 1: where it was this really yanky looking mini shower thing
• 1:13:04
  Speaker 1: and a little bit of tiling on the walls and
• 1:13:07
  Speaker 1: then a drain on the floor, but that was specifically
• 1:13:10
  Speaker 1: for after, Like orgies are really kind of disgusting sex
• 1:13:14
  Speaker 1: acts that people could really quickly wash off right there
• 1:13:17
  Speaker 1: before going back upstairs. So I don't know what the
• 1:13:22
  Speaker 1: deal is with this here, but just personally based on
• 1:13:25
  Speaker 1: my experience and investigation and what I've seen and documented
• 1:13:30
  Speaker 1: that this looks very similar to that. So take that
• 1:13:34
  Speaker 1: at face value, do with it what you want. Here's
• 1:13:36
  Speaker 1: some more just general creepiness with Epsteine looks like someone's
• 1:13:39
  Speaker 1: colored in this photo of him, colored him green. I
• 1:13:42
  Speaker 1: don't know who this woman is laying on him, but
• 1:13:46
  Speaker 1: it's just so eerie looking. Gave me the chills. I
• 1:13:49
  Speaker 1: don't know the meaning of green here, what this is
• 1:13:52
  Speaker 1: or represents. Also blue, I hate to say it again,
• 1:13:58
  Speaker 1: blue table. Here's some more art found I believe in
• 1:14:02
  Speaker 1: the kitchen area. I think these are sand dollars, right.
• 1:14:05
  Speaker 1: It looks like a girl just leaning over on a
• 1:14:09
  Speaker 1: dock with a bunch of sand dollars by the water,
• 1:14:12
  Speaker 1: dressed in this white robe. Once again, don't know the
• 1:14:16
  Speaker 1: meaning of it. There's a creepy art from the massage room.
• 1:14:19
  Speaker 1: We already covered that. Here's the creepy art from the
• 1:14:22
  Speaker 1: massage room again. But look it's the unredacted face. Why
• 1:14:25
  Speaker 1: they redacted this, I don't know. It's a painting. It's
• 1:14:30
  Speaker 1: a very eerie painting. It's definitely not a happy painting.
• 1:14:33
  Speaker 1: It looks more like representing kind of a broken woman
• 1:14:38
  Speaker 1: or really despondent woman that's in despair. Yeah, but they
• 1:14:43
  Speaker 1: redacted it. I don't know. He also got this extremely
• 1:14:48
  Speaker 1: creepy artwork with what looks to be a fully nude
• 1:14:52
  Speaker 1: woman on a picnic blanket with a well dressed almost
• 1:14:56
  Speaker 1: businessman looking guy, fully dressed with a blank over him.
• 1:15:01
  Speaker 1: But she's just out in public, fully nude. And then
• 1:15:03
  Speaker 1: on the other side of this there's another business guy
• 1:15:05
  Speaker 1: over here, which I don't know if I got a
• 1:15:07
  Speaker 1: picture of it, but he's like talking to them and
• 1:15:10
  Speaker 1: the girl's looking right at the viewer. Once again, I
• 1:15:13
  Speaker 1: don't know what that's supposed to mean, and I don't
• 1:15:14
  Speaker 1: know if it's supposed to be like, here's what we
• 1:15:17
  Speaker 1: could set up, here's what we could do in here,
• 1:15:19
  Speaker 1: or I'm watching you, or it's just so weird. It's
• 1:15:22
  Speaker 1: just so weird. So much creepy art. This section is
• 1:15:25
  Speaker 1: full of it. So I'm gonna let you guys look
• 1:15:28
  Speaker 1: at the screen here while I take a sip of water.
• 1:15:29
  Speaker 1: Do you see anything weird? Yeah, that was very weird.
• 1:15:37
  Speaker 1: First of all, you got another nude female hung up
• 1:15:41
  Speaker 1: on the wall above the toilet. But this is this
• 1:15:44
  Speaker 1: has gotta be one of the creepiest things I've seriously
• 1:15:47
  Speaker 1: i've ever seen. Right above the bathtub. It's a ballerina's
• 1:15:55
  Speaker 1: what I can assume to be a ballerina's leg as
• 1:15:57
  Speaker 1: she's tying her shoe, coming out of the wall. It
• 1:16:03
  Speaker 1: literally looks ghostly. This looks like something you would see
• 1:16:07
  Speaker 1: in like Insidious or a horror film. Just a severed
• 1:16:12
  Speaker 1: set of body parts two arms, hands, and one leg
• 1:16:17
  Speaker 1: coming out of the wall as you're taking your bubble
• 1:16:21
  Speaker 1: bath and Remember it's like I said, he collected body parts.
• 1:16:24
  Speaker 1: This is a perfect example of what I'm talking about.
• 1:16:26
  Speaker 1: There's just a severed leg and two arms. It's so creepy.
• 1:16:32
  Speaker 1: It's so creepy. This is not normal. This is so
• 1:16:35
  Speaker 1: not normal at all. It looks ghostly and evil. It
• 1:16:38
  Speaker 1: looks so creepy. Oh jesus, here's another picture. I just
• 1:16:43
  Speaker 1: labeled this creepy because I thought we've seen this room ready.
• 1:16:47
  Speaker 1: But how creepy does this look? I hate to keep
• 1:16:50
  Speaker 1: using the word creepy, but it's off putting. The different
• 1:16:54
  Speaker 1: color schemes, the completely blank and empty walls, the kind
• 1:16:57
  Speaker 1: of cheapness of the room, the way it's just not
• 1:17:02
  Speaker 1: It doesn't look like anyone lives here does. It looks
• 1:17:06
  Speaker 1: fake and weird, like there's no decor anywhere on the walls.
• 1:17:10
  Speaker 1: It's clinical white. And then you've got these green and
• 1:17:14
  Speaker 1: green chairs with pink pillows two of them, and then
• 1:17:17
  Speaker 1: white chair and white couch and yellow carpet, and it
• 1:17:22
  Speaker 1: just none of it is normal. It just gives me
• 1:17:25
  Speaker 1: the willies. Dude, same here, this one I labeled creepy
• 1:17:29
  Speaker 1: as well. It's like looks like haunted mansion. What different
• 1:17:33
  Speaker 1: vibes to go from that creepy just kind of like
• 1:17:36
  Speaker 1: janky room I showed you to this. This looks like
• 1:17:39
  Speaker 1: a Victorian ghost is about to come out from behind
• 1:17:42
  Speaker 1: one of these doors at any second, which is incredibly
• 1:17:47
  Speaker 1: I mean, the dichotomy is crazy, and they're so polar
• 1:17:51
  Speaker 1: opposite from one room to the next. It's just such
• 1:17:54
  Speaker 1: a mismatched house of just general weirdness. And this obviously
• 1:18:00
  Speaker 1: screams in a way luxury to me, old Victorian, old money.
• 1:18:05
  Speaker 1: This is the elevator, I believe right here. I hate
• 1:18:08
  Speaker 1: to say it, but notice the color of the carpet.
• 1:18:12
  Speaker 1: It is blue. Once again, this sign. I just thought
• 1:18:17
  Speaker 1: this was funny. Every floor they had a picture like
• 1:18:20
  Speaker 1: this of the uh. I don't know where this would lead,
• 1:18:23
  Speaker 1: maybe to the floor or whatever, but twenty four hour
• 1:18:27
  Speaker 1: video surveillance. It's a sign on a door inside of
• 1:18:30
  Speaker 1: Epstein's mansion, which is crazy and just so on the
• 1:18:36
  Speaker 1: nose spot on for Epstein. Twenty four hour video surveillance
• 1:18:42
  Speaker 1: on the door. It's like literally just telling you, hey,
• 1:18:45
  Speaker 1: you're being secretly recorded at all times, you know. So
• 1:18:50
  Speaker 1: when I was scrolling through, I literally laughed out loud
• 1:18:52
  Speaker 1: when I saw this. I'm like, this is crazy. I
• 1:18:55
  Speaker 1: have to be just playing right in our faces showing
• 1:18:58
  Speaker 1: us this stuff. Then I don't know, why would they
• 1:19:01
  Speaker 1: show this? Then this is all this is a part
• 1:19:04
  Speaker 1: of the cover up in a way. But then why
• 1:19:07
  Speaker 1: are they showing this? I mean, I don't know. Okay,
• 1:19:11
  Speaker 1: So here's one that I haven't also I haven't seen
• 1:19:13
  Speaker 1: people talking about. Here's yet another picture. This is yeah,
• 1:19:19
  Speaker 1: this is above the toilet in one of the bathrooms.
• 1:19:21
  Speaker 1: But here we clearly see another artistic rendering of here's Epstein,
• 1:19:28
  Speaker 1: and I'm assuming this clearly to me is Bill Clinton.
• 1:19:31
  Speaker 1: I don't know who these two other men are that
• 1:19:33
  Speaker 1: are getting onto Epstein's plane, But Epstein looks like he's
• 1:19:36
  Speaker 1: given himself a very small waist and like a six pack,
• 1:19:39
  Speaker 1: and he's ripped and Bill Clinton's tucked into a polo,
• 1:19:42
  Speaker 1: but he's patting him on the shoulder. They're going on
• 1:19:44
  Speaker 1: a trip together. You know, a lot of people believe
• 1:19:47
  Speaker 1: Epstein's intelligence gathering operation was put together and really implemented
• 1:19:52
  Speaker 1: first during the Bill Clinton White House, like that was
• 1:19:55
  Speaker 1: his first big target to gather compromise materials on was
• 1:19:59
  Speaker 1: Bill Clinton's. So that's why you see so much Bill Clinton,
• 1:20:03
  Speaker 1: and clearly they were like very very good friends. I mean,
• 1:20:06
  Speaker 1: he's got tons of custom artwork of Bill Clinton in
• 1:20:09
  Speaker 1: the house, which is crazy to me. But I haven't
• 1:20:12
  Speaker 1: seen people really talking about this picture. It's just really eerie.
• 1:20:16
  Speaker 1: It's bizarre, and it's in his house. Is above the toilet.
• 1:20:18
  Speaker 1: Here's what I've seen a lot of people talk about.
• 1:20:20
  Speaker 1: Here is in that kind of haunted mansion looking Victorian hallway.
• 1:20:26
  Speaker 1: Here is Epstein with a literal child on his shoulders.
• 1:20:31
  Speaker 1: But to see Epstein carrying a kid on his shoulders
• 1:20:34
  Speaker 1: is disturbing, to say the least, very disturbing. I would say,
• 1:20:41
  Speaker 1: here's another once again, just so eerie. This is in
• 1:20:45
  Speaker 1: that same hallway. This is a picture of a child,
• 1:20:48
  Speaker 1: what looks to be a very young child, sleeping on
• 1:20:52
  Speaker 1: a blanket. Maybe I don't know who this is, who
• 1:20:55
  Speaker 1: this picture is depicting, but it is a child. Just
• 1:20:59
  Speaker 1: a giant picture of a kid, blown up and hung
• 1:21:02
  Speaker 1: up in the hallway. So I'd love to figure out
• 1:21:05
  Speaker 1: who these kids are. Oh God, yeah, here you go.
• 1:21:09
  Speaker 1: So here's another. So there's lots to talk about here.
• 1:21:13
  Speaker 1: So before we address the elephants in the room, I
• 1:21:18
  Speaker 1: thought these were interesting. These appear to be bugs, like
• 1:21:21
  Speaker 1: bug displays that are in the wall. I think this
• 1:21:24
  Speaker 1: shows that it has some depth. So these are preserved bugs.
• 1:21:27
  Speaker 1: I don't know what type of bugs those are. Here's
• 1:21:30
  Speaker 1: a little glimpse. We'll get a better shot of it
• 1:21:33
  Speaker 1: in a second. But here's that zebra that I was
• 1:21:35
  Speaker 1: talking about, where it's skin is being literally removed. Like
• 1:21:38
  Speaker 1: I said, he has what appears to be a fascination
• 1:21:41
  Speaker 1: with animal skin. You can see the skin is being
• 1:21:44
  Speaker 1: removed and the guts are coming out. Just such a
• 1:21:47
  Speaker 1: weird piece of art. And then you've got this little kid,
• 1:21:53
  Speaker 1: full child's statue in his hallway. The kid is gleaming
• 1:22:01
  Speaker 1: ear to ear. I don't know if this is like
• 1:22:03
  Speaker 1: a shoeshine boy. I can't tell what this is really
• 1:22:08
  Speaker 1: supposed to represent, but this is a full sized child
• 1:22:13
  Speaker 1: sculpture in his hallway. We got another pick of it
• 1:22:17
  Speaker 1: right here. It's so eerie. It's so eerie, and as
• 1:22:23
  Speaker 1: you can see, here's another bug over here. The kid's
• 1:22:27
  Speaker 1: got such an eerie, creepy expression on his face. And
• 1:22:31
  Speaker 1: then from the other side here is the kid and yeah,
• 1:22:36
  Speaker 1: I mean this is some more on the nose stuff.
• 1:22:40
  Speaker 1: When you say that Epstein had the creepiest collection of
• 1:22:43
  Speaker 1: art one can possibly imagine, it's an understatement. I mean,
• 1:22:46
  Speaker 1: this is so damn creepy. Imagine going into your friend's
• 1:22:52
  Speaker 1: house and they have this just sitting in their house.
• 1:22:56
  Speaker 1: First of all, hell, no creepy as hell, But then
• 1:23:00
  Speaker 1: you find out that that friend was one of the
• 1:23:03
  Speaker 1: world's most notorious of all time. And it just adds
• 1:23:08
  Speaker 1: such a dark veneer to all of this art and
• 1:23:13
  Speaker 1: these sculptures and these things. I mean, you can't look
• 1:23:16
  Speaker 1: at it any other way. Here it is again. Here's
• 1:23:19
  Speaker 1: one more shot, and you can see, oh, what is
• 1:23:22
  Speaker 1: this a bathroom? Yeah, I guess this kid is watching
• 1:23:25
  Speaker 1: you in the bathroom. And there you go. Yeah, once again,
• 1:23:27
  Speaker 1: it's another statue or a humanoid figure that is watching
• 1:23:31
  Speaker 1: you at all times. There's always eyeballs on you. It
• 1:23:34
  Speaker 1: seems like every corridor, every room, there's somebody or something
• 1:23:38
  Speaker 1: watching you. But I mean, it's just so off putting.
• 1:23:40
  Speaker 1: When I opened this picture, I was like, oh my god, dude,
• 1:23:44
  Speaker 1: here's another cheetah. There's more cheetah chairs with the animal
• 1:23:48
  Speaker 1: skin that I was talking about. This is in a
• 1:23:49
  Speaker 1: different area. I think this is the top of the
• 1:23:52
  Speaker 1: stairs with that hanging bride. Now, this will be great
• 1:23:56
  Speaker 1: for some of you people online. You guys are gonna
• 1:24:00
  Speaker 1: see this and go, oh my god. So you see
• 1:24:04
  Speaker 1: the checkered floors. There's another picture of the checkered floor
• 1:24:07
  Speaker 1: as the checkered floor hallway. I don't know what this
• 1:24:09
  Speaker 1: building is that's in this picture checkered floors. So to
• 1:24:13
  Speaker 1: explain Masonic temples, Freemasons often feature checkered floors known as
• 1:24:18
  Speaker 1: the mosaic pavement to symbolically represent the ground floor of
• 1:24:22
  Speaker 1: King Solomon's temple as described in Masonic tradition, though not
• 1:24:27
  Speaker 1: literally described like that in the Bible. The black and
• 1:24:29
  Speaker 1: white pattern serves as a profound emblem of human life
• 1:24:32
  Speaker 1: checkered with both good and evil, reminding Freemasons practicing Freemasons
• 1:24:37
  Speaker 1: when they see this floor, this checkered pattern of life's
• 1:24:41
  Speaker 1: dualities and the need for moral balance amidst joys and sorrows. Now,
• 1:24:46
  Speaker 1: it is interesting. It's interesting to me that this pattern
• 1:24:52
  Speaker 1: is actually found in Epstein's place, although in a back room,
• 1:24:56
  Speaker 1: a back area, and yes this is a kitchen area,
• 1:24:59
  Speaker 1: but I mean, you don't know what could have possibly
• 1:25:02
  Speaker 1: happened in a room like this. I mean, you can
• 1:25:04
  Speaker 1: move a chair and move tables and clear this space
• 1:25:06
  Speaker 1: out at any time. So to find these checkered floors
• 1:25:11
  Speaker 1: to me was like, that's weird. You know. I'm not
• 1:25:14
  Speaker 1: one to immediately conflate masonry with like evil. And I've
• 1:25:21
  Speaker 1: talked about this many times before, because there's nuanced to
• 1:25:23
  Speaker 1: every subject on earth. Now. There are extremely evil people
• 1:25:28
  Speaker 1: within the Freemason's organizations all the way at the top,
• 1:25:31
  Speaker 1: and I've done a whole documentaries about them in France
• 1:25:34
  Speaker 1: and here in America. But this is I this is
• 1:25:37
  Speaker 1: hard to ignore. It clearly looks like he's got the
• 1:25:40
  Speaker 1: Masonic checkering in at least one large area in his home.
• 1:25:44
  Speaker 1: I don't know if he installed that or if that
• 1:25:46
  Speaker 1: was there, but could just be a kitchen thing. Strange though, nonetheless,
• 1:25:52
  Speaker 1: So here's another of the bride. So creepy. Once again,
• 1:25:55
  Speaker 1: I feel like I've said the word creepy a million times.
• 1:25:59
  Speaker 1: Some more of the like I was talking about before.
• 1:26:01
  Speaker 1: He's got books everywhere. Just look at these pictures, so
• 1:26:04
  Speaker 1: many books, libraries and libraries, different libraries, all different. You
• 1:26:08
  Speaker 1: can see sets of books and books and books. There's
• 1:26:12
  Speaker 1: no way he read all these books. Look at all
• 1:26:14
  Speaker 1: these books. This is another room. So many different books,
• 1:26:17
  Speaker 1: so many different titles. There's no way that he read
• 1:26:19
  Speaker 1: all this. Here's more books, here's even more books. He's
• 1:26:24
  Speaker 1: just got these everywhere. And to me it screams like
• 1:26:29
  Speaker 1: want to be academic, wanna be smart guy, when he
• 1:26:36
  Speaker 1: really wasn't that person. He was just you know, pretending
• 1:26:38
  Speaker 1: to be when people would come over and visit. So
• 1:26:42
  Speaker 1: here you go. Here's another set, like I said before,
• 1:26:45
  Speaker 1: of what appeared to be severed or dismembered body parts.
• 1:26:49
  Speaker 1: This is just the breasts of a woman, not even
• 1:26:52
  Speaker 1: a full torso, no shoulders, no head, no arms, just
• 1:26:57
  Speaker 1: the It looks to be hyper realists stick molding of
• 1:27:01
  Speaker 1: a set of female breasts. The collector of people, a
• 1:27:05
  Speaker 1: collector of body parts. Once again, you can see that happening. Here.
• 1:27:10
  Speaker 1: Some more art that is bizarre. Here. I believe this
• 1:27:14
  Speaker 1: is a lion attacking I don't know what animal this
• 1:27:17
  Speaker 1: would be mean to me. It looks like a damn horse,
• 1:27:19
  Speaker 1: or like a gazelle or something, but it's the classic thing.
• 1:27:23
  Speaker 1: It's predator in prey. Here's the lion and he's killing
• 1:27:27
  Speaker 1: the prey. I remember there was the lion stuffed animal
• 1:27:30
  Speaker 1: looking at the bed in what looks to be the
• 1:27:32
  Speaker 1: child's room. There's animal skin everywhere. I don't know. I mean,
• 1:27:36
  Speaker 1: this could just be weird artistic taste, or it could
• 1:27:40
  Speaker 1: have been in a way symbolically chosen to have been
• 1:27:43
  Speaker 1: placed here. And then you got another little statue of
• 1:27:46
  Speaker 1: a person. But again the eyes. You're being watched again,
• 1:27:49
  Speaker 1: someone else is looking at you. And blue, of course blue.
• 1:27:53
  Speaker 1: The statue is blue, this vase is blue. The walls
• 1:27:56
  Speaker 1: are blue over here, So now we get into blue.
• 1:27:59
  Speaker 1: I guess this the blue section. This is blue twenty
• 1:28:03
  Speaker 1: so look at all this blue. I was talking to
• 1:28:05
  Speaker 1: Courtney and my wife saying, I do not understand what
• 1:28:09
  Speaker 1: Epstein's obsession is with blue. You see it on epstein
• 1:28:12
  Speaker 1: Island with the blue temple. You see it all throughout
• 1:28:16
  Speaker 1: the island with a lot of the decorations and the
• 1:28:19
  Speaker 1: accouterments that are throughout the property and on the island itself.
• 1:28:23
  Speaker 1: I mean, blue water surrounds the island. So I don't
• 1:28:25
  Speaker 1: know if that's a reference to that or whatever. But
• 1:28:29
  Speaker 1: throughout almost every room in Epstein's New York City mansion,
• 1:28:33
  Speaker 1: you got this motif of blue and I don't know
• 1:28:36
  Speaker 1: exactly what that is, but it feels weird to me, Like, yeah,
• 1:28:41
  Speaker 1: it could be his favorite color, but it's I've never
• 1:28:46
  Speaker 1: seen something like this. You typically don't see just because
• 1:28:50
  Speaker 1: it's someone's favorite color. Such a dedication to putting that
• 1:28:54
  Speaker 1: color everywhere. So you got blue rugs. You got this
• 1:29:00
  Speaker 1: once again. This is multiple levels on this picture. Here's
• 1:29:04
  Speaker 1: again body parts. There's no head, no arms, no legs,
• 1:29:07
  Speaker 1: but it's a fully naked woman's body. Very once again
• 1:29:11
  Speaker 1: hyper realistic. You can see like the rib cage and
• 1:29:14
  Speaker 1: like bones and different different muscles on this completely blue
• 1:29:19
  Speaker 1: on a blue rug with a blue paint behind it.
• 1:29:22
  Speaker 1: So you got multiple You got his obsession with blue,
• 1:29:25
  Speaker 1: and he got his obsession with collecting body parts and
• 1:29:27
  Speaker 1: bodies in this picture. I saw this because I'm looking
• 1:29:31
  Speaker 1: at these pictures in reverse versus how I found them.
• 1:29:34
  Speaker 1: So after this is blue seventeen, after getting sixteen other
• 1:29:38
  Speaker 1: blue pictures, I saw this and I'm like, holy shit,
• 1:29:41
  Speaker 1: this is just so I can't believe it. So here's
• 1:29:46
  Speaker 1: another blue. This is an entire bedroom painted deep blue
• 1:29:50
  Speaker 1: the rug as well. There are blue highlights in the rug.
• 1:29:54
  Speaker 1: I don't know if this is blue. On the cushion,
• 1:29:56
  Speaker 1: but it appears to be in this picture. But you
• 1:29:58
  Speaker 1: got blue rug, blue on the sheets, as you can
• 1:30:03
  Speaker 1: see there. The patterning on the sheets is blue. Blue.
• 1:30:06
  Speaker 1: Walls here you got blue outlines on the walls, blue
• 1:30:11
  Speaker 1: on white with that blue rug. So just more blue
• 1:30:16
  Speaker 1: once again, blue rug, blue outlines, blue highlights, blue highlights
• 1:30:22
  Speaker 1: on cabinets and other rooms. The stairs, the railings appear
• 1:30:27
  Speaker 1: to be painted a blue color. They're a bluish hue.
• 1:30:30
  Speaker 1: The entire stairs and everything is blue. The elevator doors
• 1:30:34
  Speaker 1: are blue, as you can see here, blue elevator doors.
• 1:30:38
  Speaker 1: Then you got we're coming back here, blue all the
• 1:30:40
  Speaker 1: way up these magical looking steps. That crystal ball is blue. Remember.
• 1:30:45
  Speaker 1: Then you got this, I think chandelier. This looks to
• 1:30:50
  Speaker 1: be a chandelier hanging from a giant blue string or rope.
• 1:30:55
  Speaker 1: So blue again. And then I haven't pointed this out before,
• 1:30:59
  Speaker 1: but and you got another just sexual statue cupping her breasts.
• 1:31:05
  Speaker 1: And this looks like either covering herself or doing something
• 1:31:08
  Speaker 1: to herself. This statue more eyes watching you right here.
• 1:31:12
  Speaker 1: Even look blue books, blue books, blue blue blue, everywhere,
• 1:31:17
  Speaker 1: tons of blue books, blue blue blue. You got on
• 1:31:21
  Speaker 1: the same thing. Blue wallpaper, blue wallpaper up here to
• 1:31:25
  Speaker 1: compliment your blue stairs. And I don't know what this is.
• 1:31:29
  Speaker 1: If someone has an answer to this, I would gladly
• 1:31:33
  Speaker 1: take any theories. But this is clearly some sort of
• 1:31:36
  Speaker 1: maybe art. It looks like something a child drew, just
• 1:31:41
  Speaker 1: the lines and kind of how not really professional. It
• 1:31:45
  Speaker 1: looks not to insult someone of this is like a
• 1:31:47
  Speaker 1: famous piece of art. But I have no clue what
• 1:31:50
  Speaker 1: this means or what this is, So if anybody does
• 1:31:53
  Speaker 1: have an idea, once again, please do let me know,
• 1:31:57
  Speaker 1: because it's so strange. Then you got, yeah, here we
• 1:32:01
  Speaker 1: go blue partially crystal ball with blue wallpaper, all all
• 1:32:07
  Speaker 1: out blue wallpaper. I don't know who this guy is,
• 1:32:09
  Speaker 1: but look he's got a blue tie. He's actually got
• 1:32:12
  Speaker 1: a blue tie on that is crazy, blue tie, blue rope.
• 1:32:16
  Speaker 1: There's another bedroom. I mean this is the one of
• 1:32:20
  Speaker 1: the infamous bedrooms because there's the camera you can see
• 1:32:23
  Speaker 1: right here, which seems to be really obvious to me.
• 1:32:26
  Speaker 1: But yeah, I mean you could dissect this piece by piece.
• 1:32:29
  Speaker 1: You got blue chair, blue lines on the floor, blue
• 1:32:33
  Speaker 1: flowers or whatever these are. Yeah, it looks to be
• 1:32:37
  Speaker 1: blue flowers, blue curtains, a fucking blue chandelier. Blue chandelier.
• 1:32:43
  Speaker 1: There's a blue chandelier there. Another view of the room.
• 1:32:46
  Speaker 1: You got more blue, blue pillows. The blue extends over here,
• 1:32:51
  Speaker 1: blue chandelier. Here's a painting of once again, what looks
• 1:32:54
  Speaker 1: to be a naked younger woman, and she's got something
• 1:32:59
  Speaker 1: blue on her in the painting itself, so even more blue.
• 1:33:04
  Speaker 1: Another view of the same room, just blue, blue, blue.
• 1:33:07
  Speaker 1: You can see in the next room. The blue continues.
• 1:33:10
  Speaker 1: Here's another blue bedroom. This might be the other one
• 1:33:12
  Speaker 1: that Yeah, I think this other one we talked about.
• 1:33:14
  Speaker 1: But yeah, blue tassels, like I was saying on that
• 1:33:16
  Speaker 1: autumn or whatever. This is blue on the floors, blue walls,
• 1:33:20
  Speaker 1: blue everywhere. So what that means, I don't know. If
• 1:33:24
  Speaker 1: you have a theory, please let me know. But it's
• 1:33:27
  Speaker 1: a consistent color that you see throughout Epstein's properties is blue.
• 1:33:32
  Speaker 1: So I don't know spiritual esoteric significance of the color blue.
• 1:33:38
  Speaker 1: Even in I tried to find a connection between like
• 1:33:41
  Speaker 1: Greek mythology or modern day pederisty and the color blue,
• 1:33:46
  Speaker 1: and I couldn't uncover anything that was worth noting. But
• 1:33:49
  Speaker 1: it is something that you notice you look at all
• 1:33:51
  Speaker 1: these pictures and you cannot help but start to think, damn,
• 1:33:55
  Speaker 1: this guy really loved the color blue. So then here
• 1:33:58
  Speaker 1: we go. This is right near the entrance Epstein's home. Remember,
• 1:34:02
  Speaker 1: like I said, many of the people testified that. You
• 1:34:05
  Speaker 1: walk in, you go basically to the right in his
• 1:34:09
  Speaker 1: house through the entryway, and you come across like the
• 1:34:12
  Speaker 1: security camera recording room. So in my mind, once again,
• 1:34:16
  Speaker 1: I don't know why they would release these photos if
• 1:34:18
  Speaker 1: it isn't true, or if they're trying to cover it up.
• 1:34:21
  Speaker 1: This is the hub of blackmail gathering. In my opinion,
• 1:34:24
  Speaker 1: this would be where the blackmail was recorded. As you
• 1:34:29
  Speaker 1: can see, you've got seven monitors right here, huge monitors.
• 1:34:34
  Speaker 1: This is where I'm assuming somebody, one or two people
• 1:34:37
  Speaker 1: would sit here and run this operation. It's kind of
• 1:34:40
  Speaker 1: hard to believe that they would have this hardcore of
• 1:34:42
  Speaker 1: security at all times of the day just for his house.
• 1:34:46
  Speaker 1: I mean, I can believe it, But look at that.
• 1:34:49
  Speaker 1: This is then you got the other kind of security
• 1:34:51
  Speaker 1: room over here that we talked about before. But all
• 1:34:55
  Speaker 1: these monitors, I mean, this this scream is blackmailed to me.
• 1:34:58
  Speaker 1: This screams blackmail gathering. Security cameras CCTV throughout the house,
• 1:35:04
  Speaker 1: watching and observing and recording. I don't know what to
• 1:35:08
  Speaker 1: tell you, but I'd heard about this room many times,
• 1:35:13
  Speaker 1: but to see it is pretty shocking and really bizarre.
• 1:35:17
  Speaker 1: So what was recorded on these? Like? I think this
• 1:35:21
  Speaker 1: would be what a computer or a DVR system. I
• 1:35:24
  Speaker 1: think this is a DVR because here's like a CD input.
• 1:35:27
  Speaker 1: So they were clearly recording I believe stuff off of these.
• 1:35:32
  Speaker 1: Where is that stuff? What were they recording? Where are
• 1:35:34
  Speaker 1: the security camera videos? I mean, these are huge pictures,
• 1:35:40
  Speaker 1: and of course he got a blue cushion and blue wires.
• 1:35:42
  Speaker 1: But I'm not gonna say say anything. So here's more.
• 1:35:46
  Speaker 1: Here's just tons of albums I think, or documents. These
• 1:35:50
  Speaker 1: were in one of his closets for storage, Brazil miscellaneous,
• 1:35:55
  Speaker 1: Ariel Walter, Cronkite, Saint Bart's chateau, chateau. These are all
• 1:36:02
  Speaker 1: different trips and I'd imagine pictures of people. Could there
• 1:36:06
  Speaker 1: be black mail, compromise materials in these binders? I'm sure
• 1:36:10
  Speaker 1: where's the contents of those binders? Have we seen it yet?
• 1:36:13
  Speaker 1: I don't believe. So here's more. Here's a diploma. I
• 1:36:17
  Speaker 1: don't know what this is. I couldn't make out what
• 1:36:20
  Speaker 1: this says or what this means. But Selena AV shoot
• 1:36:25
  Speaker 1: AV photos. Could that be adult video? I don't know.
• 1:36:29
  Speaker 1: Tons of discs. Could this be blackmail? Yes it could.
• 1:36:34
  Speaker 1: What's on these discs? We don't know. There's tons of them,
• 1:36:37
  Speaker 1: tons stored throughout all this. And then even look over here.
• 1:36:40
  Speaker 1: I think I'm going crazy at this point. Here's some
• 1:36:43
  Speaker 1: blue ribbon, blue ribbon, guys, blue ribbon once again, more filing,
• 1:36:51
  Speaker 1: more materials. Here's Zoro ranch. So this is stuff taken
• 1:36:57
  Speaker 1: at I'm assuming his ranch in New Mexico, which we're
• 1:37:01
  Speaker 1: doing an episode on soon. I don't know if these
• 1:37:03
  Speaker 1: are all photos or discs or what is in all
• 1:37:06
  Speaker 1: this stuff documents. I still don't think they've disclosed what
• 1:37:10
  Speaker 1: was found in these things fb PB, I don't know
• 1:37:14
  Speaker 1: what that would be. Paris, You know, Epstein worked very
• 1:37:17
  Speaker 1: closely with John Luke Brunel, the French modeling scout who
• 1:37:22
  Speaker 1: was a statistic serial who was trafficking girls of his own.
• 1:37:26
  Speaker 1: He provided Epstein with a lot of victims. So I
• 1:37:28
  Speaker 1: don't know if there's some insight into Jean Luke Brunel
• 1:37:30
  Speaker 1: in these can't make out what this says, don't know
• 1:37:35
  Speaker 1: what's in there either. Think of all these materials though
• 1:37:37
  Speaker 1: this thousands and thousands and thousands of pictures and documents,
• 1:37:41
  Speaker 1: what's in here? What is all this stuff? Same with this,
• 1:37:44
  Speaker 1: it just keeps going. I mean, office supplies, art and furniture, purchases,
• 1:37:49
  Speaker 1: Jeffrey Epstein's awards, which is crazy, photos of Jeffrey Epstein.
• 1:37:53
  Speaker 1: Can't read a lot of this stuff. Jeffrey Epstein in magazines,
• 1:37:56
  Speaker 1: is collecting press about himself. More on Zoro, more on Paris.
• 1:38:01
  Speaker 1: Don't know what this stuff is or what these stand for.
• 1:38:04
  Speaker 1: But what is in all this stuff? I mean, you
• 1:38:06
  Speaker 1: could also have a box labeled office supplies that inside
• 1:38:10
  Speaker 1: of the box contained blackmail materials or compromat. We don't
• 1:38:13
  Speaker 1: know what's in these boxes. I don't think there's any
• 1:38:16
  Speaker 1: There was no photos that I could find of what
• 1:38:17
  Speaker 1: was in these boxes, so we have no clue. Will
• 1:38:21
  Speaker 1: they release this stuff? I don't know. Was there damning
• 1:38:24
  Speaker 1: material in here? I don't know. Did he store blackmail
• 1:38:26
  Speaker 1: stuff in here? I don't know. Here's another view of
• 1:38:30
  Speaker 1: that station that I talked about before, where it just
• 1:38:32
  Speaker 1: looks like everything's just thrown thrown together. Wires, everywhere and everything.
• 1:38:37
  Speaker 1: More shots of the black mail what I can assume
• 1:38:40
  Speaker 1: CCTV gathering system. More shots of that. I guess there's
• 1:38:45
  Speaker 1: some redundant pictures. So here here's another interesting one in
• 1:38:48
  Speaker 1: that filing storage area, document data storage area. Here is
• 1:38:55
  Speaker 1: a giant cabinet. I couldn't find any photos of these open,
• 1:39:00
  Speaker 1: so I don't know what was in these, But you
• 1:39:02
  Speaker 1: got planes on top of it. So could this have
• 1:39:05
  Speaker 1: been flight logs, records, blackmail materials, compromising materials, things related
• 1:39:13
  Speaker 1: to his sex trafficking enterprise. I don't know, but it
• 1:39:15
  Speaker 1: does seem very intentional. It was very intentional to place
• 1:39:20
  Speaker 1: these planes. Two of the planes on top of this
• 1:39:23
  Speaker 1: cabinet has to have some significance, but I don't know.
• 1:39:27
  Speaker 1: Here's another view of this storage room. I found this
• 1:39:30
  Speaker 1: interesting that this was through a bathroom, so this might
• 1:39:33
  Speaker 1: have been like a locked door. I'm assuming you can
• 1:39:36
  Speaker 1: see that there's a lock, so maybe this was a
• 1:39:39
  Speaker 1: door that was kept locked at all times, that was
• 1:39:41
  Speaker 1: in kind of an unused bathroom area. And you can
• 1:39:44
  Speaker 1: see I think this is like what fingerprints are dust
• 1:39:47
  Speaker 1: on there. Here's just more more of the binders, more
• 1:39:51
  Speaker 1: of the boxes. This was all stored down here. Here's
• 1:39:54
  Speaker 1: more stuff. Couldn't make out what any of these say,
• 1:39:57
  Speaker 1: but the slide project frames. I'm assuming this is all
• 1:40:02
  Speaker 1: photos and documents and maybe reels of film CDs, discs.
• 1:40:06
  Speaker 1: What is on the stuff or what was in any
• 1:40:08
  Speaker 1: of these boxes, still do not know. Okay, so we
• 1:40:11
  Speaker 1: got a bizarre clock. I don't know what the Greek
• 1:40:14
  Speaker 1: story would be for this clock. If someone knows, please
• 1:40:17
  Speaker 1: enlighten me. But once again, just a weird, random little
• 1:40:23
  Speaker 1: furnishing garnishment to add to his house. Another bedroom in
• 1:40:30
  Speaker 1: the home, once again with that eerie, blank, soulless feeling.
• 1:40:36
  Speaker 1: The bathroom. Here's that bathroom with the child's the child's
• 1:40:42
  Speaker 1: statues right here, and then you can see this is
• 1:40:44
  Speaker 1: that zebra once again being flayed, its skin and muscle
• 1:40:48
  Speaker 1: and fat being torn away from its muscles in that
• 1:40:54
  Speaker 1: same bathroom once again, right on the nose. He got
• 1:40:58
  Speaker 1: something watching you, But it's a girl. He's obsessed with animals.
• 1:41:02
  Speaker 1: And once again it's not a full gorilla. It's the
• 1:41:04
  Speaker 1: head of a gorilla, so technically a severed body part.
• 1:41:07
  Speaker 1: Again a face and eyeballs that are watching you. This
• 1:41:10
  Speaker 1: time it's watching you while you take a dump or
• 1:41:13
  Speaker 1: whatever you're doing in here. Yeah, you had Epstein with
• 1:41:18
  Speaker 1: what looks to be a very young toddler once again.
• 1:41:21
  Speaker 1: Don't know if that's family or who that is. But
• 1:41:24
  Speaker 1: here's another disturbing one that I found. This is in
• 1:41:26
  Speaker 1: another one of his bathrooms. But this looks to be
• 1:41:29
  Speaker 1: two children looking at their genitals next to each other
• 1:41:33
  Speaker 1: in the bathroom, clearly looking down at their uh what
• 1:41:38
  Speaker 1: I assume to be penises, right above the bathroom. And
• 1:41:41
  Speaker 1: then this looks like it's probably some more nude art
• 1:41:45
  Speaker 1: in the bathroom. Then you got this once again. I
• 1:41:51
  Speaker 1: think this is a what appears to be probably a
• 1:41:54
  Speaker 1: nude child or extremely young boy, like a picture of
• 1:41:58
  Speaker 1: a sculpture or a painting. But once again, this is
• 1:42:02
  Speaker 1: in the bathroom as well. And you got this guy.
• 1:42:05
  Speaker 1: I don't know who this is, most likely another Greek dude,
• 1:42:08
  Speaker 1: but he's got a scythe and wings and a beard,
• 1:42:12
  Speaker 1: so I'm not that red up on that, and I
• 1:42:14
  Speaker 1: don't know who that would be, but maybe you guys
• 1:42:16
  Speaker 1: could tell me. Another room here got more baby art.
• 1:42:19
  Speaker 1: This is another naked baby. It appears to be this
• 1:42:23
  Speaker 1: time the naked baby. Our extremely young child is leaned
• 1:42:28
  Speaker 1: up on something once again staring at you. It's so creepy,
• 1:42:33
  Speaker 1: it's looking right at you, and it is a fully
• 1:42:36
  Speaker 1: naked child again in the art just spread throughout the house.
• 1:42:42
  Speaker 1: There's more here, very young woman or child. Then you
• 1:42:48
  Speaker 1: got this lamp which appears to be made of naked women.
• 1:42:53
  Speaker 1: I believe they're like stacked on top of each other.
• 1:42:55
  Speaker 1: The meaning of that, I don't know. What I noticed
• 1:42:59
  Speaker 1: that's unbelievably, undeniably disturbing is underneath here you got like
• 1:43:04
  Speaker 1: sculptures of huddled I mean, these look like babies to me,
• 1:43:08
  Speaker 1: two of them, just babies on the floor stone babies
• 1:43:12
  Speaker 1: huddled up, looking like they're really sad or in despair,
• 1:43:19
  Speaker 1: just sitting there on his floor in a random hallway.
• 1:43:23
  Speaker 1: See stuff like that that I haven't seen anybody really
• 1:43:26
  Speaker 1: talking about in a mainstream way. The so bizarre and
• 1:43:30
  Speaker 1: is so important I feel to discuss and talk about.
• 1:43:34
  Speaker 1: You know, son, you got here just yet another picture.
• 1:43:38
  Speaker 1: Then you got epscene over here with the young girl
• 1:43:40
  Speaker 1: on his shoulders unredacted. You can see it's clearly a child.
• 1:43:46
  Speaker 1: And then right next to him and his young whatever
• 1:43:49
  Speaker 1: it is, family member, if not, you know, whoever It
• 1:43:52
  Speaker 1: is fully nude woman in a construction zone. Piece of art,
• 1:43:56
  Speaker 1: fully full frontal nudity right next to the child a
• 1:44:00
  Speaker 1: few feet away in the same hallway. Again more nude art,
• 1:44:05
  Speaker 1: just hanging up in his house. We talked about this already.
• 1:44:09
  Speaker 1: Then just some art. I don't know what these are
• 1:44:13
  Speaker 1: or what places these represent. It is interesting, though, because
• 1:44:18
  Speaker 1: you got once again the blue motif. You got blue.
• 1:44:21
  Speaker 1: This looks almost like I think this is Epstein's place. Actually,
• 1:44:26
  Speaker 1: this looks like art. I mean, this is clearly I
• 1:44:28
  Speaker 1: would say his stairway. Right. This is the entrance stairway,
• 1:44:31
  Speaker 1: the one I described as being really eerie. Then you
• 1:44:35
  Speaker 1: got the blue, the blue in the painting, the masks
• 1:44:38
  Speaker 1: on the wall watching you. Here's some of that kind
• 1:44:40
  Speaker 1: of Eastern art. This stuff, it looks like it would
• 1:44:44
  Speaker 1: be Epstein's. He got the cheetah print, chairs, a blue
• 1:44:47
  Speaker 1: crystal ball, more blue. It's it's really weird. And then
• 1:44:52
  Speaker 1: a rock from Little Saint James. Here's more of that art.
• 1:44:56
  Speaker 1: The chess chess pieces we talked about. I've seen people
• 1:44:59
  Speaker 1: say that this looks this looks like it could be Trump.
• 1:45:03
  Speaker 1: I don't know if I buy that, but it's creepy.
• 1:45:06
  Speaker 1: It's so creepy. Nonetheless, it's so damn eerie. Man, what
• 1:45:13
  Speaker 1: is this and who made this? And why is it here?
• 1:45:16
  Speaker 1: You know? And also you know, you have to state,
• 1:45:19
  Speaker 1: this looks like the Oval Office nowadays. This looks exactly
• 1:45:22
  Speaker 1: like the whatever you'd call them garnishments that were added
• 1:45:26
  Speaker 1: to the Oval Office. If you look at pictures of
• 1:45:29
  Speaker 1: the current White House, this looks exactly like that. So
• 1:45:32
  Speaker 1: I don't know if someone got inspiration from the mansion
• 1:45:35
  Speaker 1: or what. And then you got another view of these
• 1:45:38
  Speaker 1: what looked to be really sad babies sitting over there
• 1:45:42
  Speaker 1: underneath in the main area. If we can skip that,
• 1:45:45
  Speaker 1: it's pretty much the same more of that office we
• 1:45:48
  Speaker 1: were talking about, except over here you can see these statues,
• 1:45:53
  Speaker 1: I believe depict young children. Again, there's that bowl of
• 1:45:57
  Speaker 1: candy that we talked about before. Same here Venice. I
• 1:46:02
  Speaker 1: think this is some art from Venice. And then more nudes.
• 1:46:05
  Speaker 1: These look to be nude women. Here's a really creepy
• 1:46:08
  Speaker 1: piece of art. I think this might be a toddler.
• 1:46:14
  Speaker 1: I don't know, you guys be the judge of that.
• 1:46:17
  Speaker 1: Maybe it's a very young woman or a teenager or
• 1:46:19
  Speaker 1: a young girl. Regardless, it just is very creepy, and
• 1:46:23
  Speaker 1: it's the person is almost posed in a way like
• 1:46:26
  Speaker 1: my mom has pictures of me as a baby laying
• 1:46:29
  Speaker 1: on a bed staring at the camera. So I don't know,
• 1:46:32
  Speaker 1: it gives me the same vibes as that. Here's just
• 1:46:36
  Speaker 1: another office hit, like seven eight offices. We've talked about
• 1:46:39
  Speaker 1: this one already technically, but he had so many offices
• 1:46:42
  Speaker 1: in his house. Here's a close up of that predator
• 1:46:45
  Speaker 1: and prey art. More of the animal skinning. I was
• 1:46:50
  Speaker 1: pointing this out to myself. Animal skin, animal skin. Oh shit,
• 1:46:54
  Speaker 1: here's that stuffed dog that we talked about in I
• 1:46:58
  Speaker 1: mean talk about the weirdness of possessing things and possessing
• 1:47:02
  Speaker 1: their skin and their bodies. This is a stuffed from
• 1:47:06
  Speaker 1: what I can tell, real dog. I saw this picture.
• 1:47:10
  Speaker 1: I saw this picture thigh. Is this a real dog? No,
• 1:47:13
  Speaker 1: it's an actual stuffed dog, a dead stuffed dog. I
• 1:47:22
  Speaker 1: don't know how to uh to explain that. And it's
• 1:47:27
  Speaker 1: just sitting on the floor. It's it's not like an
• 1:47:29
  Speaker 1: art piece or it's up displayed somewhere. It's just on
• 1:47:32
  Speaker 1: the floor. And once again, it's looking out right into
• 1:47:35
  Speaker 1: the main part of the room watching you, and it
• 1:47:39
  Speaker 1: looks almost I think we talked about before how it
• 1:47:41
  Speaker 1: was supposed to be like taking a shit that was
• 1:47:42
  Speaker 1: part of the art thing. It looks almost like it's pooping,
• 1:47:46
  Speaker 1: like the way its tails up and it's kind of
• 1:47:49
  Speaker 1: hunched over like that. But I don't see like the
• 1:47:52
  Speaker 1: turred anywhere. I don't know. So just some some art
• 1:47:57
  Speaker 1: of what appears to be a tribal person. I don't know
• 1:48:00
  Speaker 1: if Epstein took this, but he's obsessed with those cultures.
• 1:48:02
  Speaker 1: As you can see a few more before we're done.
• 1:48:06
  Speaker 1: Just that same library room, but you've got blue carpet,
• 1:48:09
  Speaker 1: blue couch, a piano, telescopes, astronomy items, just more of
• 1:48:16
  Speaker 1: that Greek sculptures or Greek sculpture. This might be mozart,
• 1:48:21
  Speaker 1: just general strangeness, more and more of the couch, the masks.
• 1:48:24
  Speaker 1: Here's a literal rotating thing of books. I don't know
• 1:48:28
  Speaker 1: if it rotates circular, just right along with what I
• 1:48:32
  Speaker 1: was saying, more of the masks, and just like how
• 1:48:35
  Speaker 1: kind of eerie this whole setup is. It's so peculiar,
• 1:48:40
  Speaker 1: All of it is so peculiar. Same with this, I
• 1:48:42
  Speaker 1: don't know what this art is or what this art means?
• 1:48:46
  Speaker 1: You guys could tell me. Definitely, some kind of I
• 1:48:49
  Speaker 1: would say Greek style patterning on hearing, which looks similar
• 1:48:53
  Speaker 1: to Epstein Island, gives me those vibes. This pattern, I
• 1:48:57
  Speaker 1: don't know it's depicted here on the carpet. But this,
• 1:49:00
  Speaker 1: I mean this kind of looks like a face, like
• 1:49:02
  Speaker 1: a nose of mouth, eyes, maybe horns or something. I
• 1:49:05
  Speaker 1: don't know what these things are. This looks like a
• 1:49:08
  Speaker 1: giant penis. I'm not gonna lie. Looks like the tip
• 1:49:12
  Speaker 1: the head and then the shaft. I don't know. I've
• 1:49:15
  Speaker 1: been looking at these pictures for too long. This is
• 1:49:17
  Speaker 1: a long episode. Yeah, yeah, it's animals. It is an
• 1:49:21
  Speaker 1: actual head. I guess there's more animals. Stripes, so maybe
• 1:49:26
  Speaker 1: zebra reference. Again, I don't know what's going on with them.
• 1:49:29
  Speaker 1: More art. I don't know what this is. Once again,
• 1:49:32
  Speaker 1: looks like it could be a finger painting from a
• 1:49:34
  Speaker 1: child or some sort of advanced art. But these look
• 1:49:38
  Speaker 1: like little figures their hands together. Here's another view of
• 1:49:44
  Speaker 1: that indoor set up. I guess it's in that room.
• 1:49:49
  Speaker 1: No clue what this is or why this is here.
• 1:49:52
  Speaker 1: Umbrella and patio furniture indoors. Here's more of that you
• 1:49:56
  Speaker 1: can see, all right, Well, it looks like I'm so
• 1:50:01
  Speaker 1: we've gone through a lot of stuff today. And keep
• 1:50:04
  Speaker 1: in mind that that's only i'd say a fifth a
• 1:50:08
  Speaker 1: quarter of the first folder out of four that were
• 1:50:11
  Speaker 1: dropped dealing with Epstein on Friday of this week, which
• 1:50:17
  Speaker 1: represents also a fifteenth, no, three hundred, that would be
• 1:50:23
  Speaker 1: a one hundred and fiftieth of the total materials that
• 1:50:28
  Speaker 1: they have. So this what I've shown you today, times
• 1:50:34
  Speaker 1: let's say like eight or so. Because of the other
• 1:50:36
  Speaker 1: things I haven't gone through so far, then times one
• 1:50:38
  Speaker 1: hundred and fifty. That's how many photos they have and
• 1:50:42
  Speaker 1: documents and videos that they haven't released. As we all know,
• 1:50:46
  Speaker 1: the Epstein files were not fully released this week. This
• 1:50:50
  Speaker 1: is not an allegation. This has already been admitted to
• 1:50:53
  Speaker 1: Congress by the DOJ. You see Representative Rocana, an elected
• 1:50:57
  Speaker 1: US official from California who just so happened to be
• 1:51:00
  Speaker 1: the co sponsor of the discharge petition that basically has
• 1:51:04
  Speaker 1: forced the United States Government to release these files. He,
• 1:51:08
  Speaker 1: along with the FBI and the DOJ, they've all stated that,
• 1:51:11
  Speaker 1: according to their knowledge, the entire Epstein library. The entire
• 1:51:15
  Speaker 1: amount of storage that all of the Epstein files take
• 1:51:19
  Speaker 1: up is about three hundred gigabytes. So you've got three
• 1:51:22
  Speaker 1: hundred gigabytes of photos, videos, documents. That's a lot of data.
• 1:51:26
  Speaker 1: But how many gigabytes were released yesterday? I'm going to
• 1:51:29
  Speaker 1: let you guys take a guess real quick. On Friday,
• 1:51:32
  Speaker 1: I should say, I don't know when this is coming out,
• 1:51:33
  Speaker 1: but on Friday they released two and a half gigabytes
• 1:51:36
  Speaker 1: out of three hundred. And let me remind you that
• 1:51:39
  Speaker 1: the law states that they were supposed to have released
• 1:51:42
  Speaker 1: all three hundred gigabytes on Friday, not two and a half,
• 1:51:47
  Speaker 1: not one hundred gigabytes, three hundred gigabytes. It's an absolute joke.
• 1:51:51
  Speaker 1: And once again, let me remind you guys that I
• 1:51:55
  Speaker 1: don't personally believe that these files are going to have
• 1:51:57
  Speaker 1: any major disclosures anything crazy. Z. It's not like there's
• 1:52:00
  Speaker 1: going to be a smoking gun file that's released that
• 1:52:03
  Speaker 1: shows that Epstein was sex trafficking to the world's elite
• 1:52:08
  Speaker 1: and that he was running a blackmail gathering intelligence operation.
• 1:52:12
  Speaker 1: Those files either were destroyed a long time ago, or
• 1:52:15
  Speaker 1: they were never written down or created in the first place.
• 1:52:18
  Speaker 1: That's just kind of the nature I can imagine or
• 1:52:20
  Speaker 1: assume of an operation like the one that Epstein was
• 1:52:23
  Speaker 1: a part of. But what we can hope for in
• 1:52:26
  Speaker 1: these disclosures, at least in my mind, is maybe they
• 1:52:29
  Speaker 1: slip up. As we've seen in some of these documents,
• 1:52:32
  Speaker 1: they haven't redacted everything. They rushed through stuff. They released
• 1:52:37
  Speaker 1: some files that were partially redacted that I'm sure should
• 1:52:41
  Speaker 1: have been fully redacted. So maybe they'll make a mistake
• 1:52:44
  Speaker 1: and reveal something. But it's not looking so good as
• 1:52:47
  Speaker 1: of right now. The one good thing I think that's
• 1:52:49
  Speaker 1: coming out of all of this is the fact that
• 1:52:51
  Speaker 1: people are finally waking up to the fact that Epstein
• 1:52:54
  Speaker 1: was who he was, and that he was not just
• 1:52:56
  Speaker 1: some rich creep that like children. He was. Obviously we
• 1:52:59
  Speaker 1: all know he was trafficking to powerful, wealthy individuals, but
• 1:53:04
  Speaker 1: they're also starting to wake up to the fact that
• 1:53:06
  Speaker 1: this was not just for the pleasure. This was for
• 1:53:09
  Speaker 1: Epstein business and power alongside that pleasure, and he was
• 1:53:13
  Speaker 1: gathering these photos and videos of politicians and celebrities and
• 1:53:17
  Speaker 1: world leaders in compromising positions in order to use those files,
• 1:53:22
  Speaker 1: those photos and videos as blackmail Interestingly, though, if you've
• 1:53:25
  Speaker 1: taken a look at some of the stuff that was
• 1:53:27
  Speaker 1: released on Friday, you have probably noticed by now that
• 1:53:30
  Speaker 1: there are a lot of reactions. Plenty of faces were redacted,
• 1:53:34
  Speaker 1: Entire documents, like the grand jury testimony which was ordered
• 1:53:37
  Speaker 1: to be unsealed, those were all redacted. And even the
• 1:53:40
  Speaker 1: faces of men, just random men, people who were there,
• 1:53:44
  Speaker 1: men who were in Epstein's orbit. Those faces were technically
• 1:53:47
  Speaker 1: not supposed to be redacted. Those people's identities were supposed
• 1:53:51
  Speaker 1: to be revealed. In fact, a lot of the stuff
• 1:53:53
  Speaker 1: that was redacted shouldn't have been redacted, and it was
• 1:53:57
  Speaker 1: illegal for the FBI DOJ to make those redactions. So
• 1:54:01
  Speaker 1: what gives? Why did they just freely do whatever they
• 1:54:05
  Speaker 1: seem to want to do with these files? Well, Deputy
• 1:54:08
  Speaker 1: Attorney General Todd Blanche the same guy who set up
• 1:54:11
  Speaker 1: the meeting with Glaine Maxwell this summer, and after that
• 1:54:14
  Speaker 1: meeting we all know Ghlaine Maxwell exonerated. Donald Trump said
• 1:54:18
  Speaker 1: Epstein was wrongfully accused of a lot of things, and
• 1:54:22
  Speaker 1: after she gave that softball interview, she was moved to
• 1:54:24
  Speaker 1: a low security prison here in Texas. Totally not correlated
• 1:54:27
  Speaker 1: with each other, but that same Deputy Attorney General Todd Blanche,
• 1:54:30
  Speaker 1: who met with Glaine and I assume facilitated her transfer
• 1:54:34
  Speaker 1: to a company or prison. He wrote a letter to
• 1:54:36
  Speaker 1: Congress on Friday explaining some of these things. Now, according
• 1:54:39
  Speaker 1: to the actual wording of the Epstein Transparency Act, the
• 1:54:42
  Speaker 1: law that was passed that was supposed to facilitate the
• 1:54:45
  Speaker 1: release of these files and documents, Specifically, it says that
• 1:54:48
  Speaker 1: certain things can be redacted, things like victims, identifying information
• 1:54:53
  Speaker 1: about victims, sensitive or sexual materials, obviously, anything that could
• 1:54:57
  Speaker 1: jeopardize on going investigations, or really any sort of information
• 1:55:01
  Speaker 1: that could technically jeopardize national security. And I mean, I
• 1:55:04
  Speaker 1: guess that's understandable maybe, but that's it. There are no
• 1:55:08
  Speaker 1: redactions allowed for random civilians. There were no redactions technically
• 1:55:12
  Speaker 1: allowed for the grand jury testimony. And there was supposed
• 1:55:15
  Speaker 1: to be zero wiggle room with these reactions. This is
• 1:55:18
  Speaker 1: a US law. This wasn't a suggestion. This was a
• 1:55:22
  Speaker 1: law passed almost unanimously in the Senate and the House
• 1:55:26
  Speaker 1: of Representatives. Now, Interestingly, in his little letter that he
• 1:55:30
  Speaker 1: sent to Congress, Todd Blanche stated that the DOJ got
• 1:55:33
  Speaker 1: a little bit creative and decided to redact some things
• 1:55:36
  Speaker 1: that they were told not to redact, but they redacted
• 1:55:38
  Speaker 1: that information. Anyways, this information they withheld apparently included law
• 1:55:42
  Speaker 1: enforcement names and email addresses, the names of Justice Department officials,
• 1:55:47
  Speaker 1: and other things that he claimed could be considered attorney
• 1:55:49
  Speaker 1: client privilege. But let me remind you all those reactions
• 1:55:53
  Speaker 1: were not allowed in the Epstein Transparency Act. They were,
• 1:55:58
  Speaker 1: at least to my knowledge, in a fact, completely illegal,
• 1:56:02
  Speaker 1: illegal reactions. Now, interestingly, I've already seen a lot of
• 1:56:06
  Speaker 1: chatter online. I mean, I've seen a lot of people
• 1:56:08
  Speaker 1: talking about what was disclosed, but I've seen even more
• 1:56:12
  Speaker 1: people talking about what we weren't given in this initial
• 1:56:16
  Speaker 1: batch of documents and photos, which keep in mind, was
• 1:56:18
  Speaker 1: supposed to be all three hundred gigabytes and is only
• 1:56:21
  Speaker 1: two and a half gigabytes. The things that weren't released
• 1:56:23
  Speaker 1: that people were expecting to be released, that should have
• 1:56:26
  Speaker 1: been released according to this Transparency Act include Jeffrey Epstein's
• 1:56:30
  Speaker 1: full and final autopsy report, the full and unredacted sixty
• 1:56:34
  Speaker 1: count federal indictment that the US government decided to throw
• 1:56:37
  Speaker 1: out in two thousand and seven to give Epstein that
• 1:56:40
  Speaker 1: notorious sweetheart deal, and as people online have pointed out,
• 1:56:43
  Speaker 1: were missing to our knowledge, any and all files that
• 1:56:46
  Speaker 1: Epstein would have kept on his computer or electronic devices.
• 1:56:50
  Speaker 1: This information could potentially include images, videos, stills of men
• 1:56:55
  Speaker 1: accomplices in Epstein's sex trafficking ring, obviously, flight logs, and
• 1:56:59
  Speaker 1: other documents. And obviously it could have included black mail materials,
• 1:57:03
  Speaker 1: the real juicy stuff, the stuff that we know exists
• 1:57:07
  Speaker 1: or existed, that truth be told, they're never going to
• 1:57:10
  Speaker 1: give us Even if they had black mail photos and
• 1:57:13
  Speaker 1: they found that stuff on Epstein's hard drives, they're not
• 1:57:15
  Speaker 1: going to release that to the public. Now. On paper,
• 1:57:18
  Speaker 1: the law specifically states the DOJ shall released these files
• 1:57:22
  Speaker 1: in their entirety on twelve, nineteen twenty five. Once again,
• 1:57:25
  Speaker 1: it doesn't say a portion of the files should be released.
• 1:57:27
  Speaker 1: It doesn't say two and a half gigabytes ode of
• 1:57:29
  Speaker 1: the three hundred should be released. It says very clearly
• 1:57:32
  Speaker 1: in the document all files should be released full stop.
• 1:57:36
  Speaker 1: So now we're faced with a Department of Justice and
• 1:57:39
  Speaker 1: an Attorney General Pam Bondi, who are both actively impeding
• 1:57:43
  Speaker 1: the investigation and the release of these files and in
• 1:57:46
  Speaker 1: effect breaking the law and the Statute of limitations on
• 1:57:49
  Speaker 1: breaking this law and laws like this doesn't expire anytime
• 1:57:52
  Speaker 1: in the near future. This means that technically, even if
• 1:57:55
  Speaker 1: the Trump administration doesn't want to prosecute Pambondi for what
• 1:57:59
  Speaker 1: she's done here, the next administration ken. So if I
• 1:58:03
  Speaker 1: were them, I'd get to it. Because a lot of
• 1:58:05
  Speaker 1: people are really pissed about this. I'm really pissed about this,
• 1:58:09
  Speaker 1: and it's just not looking very good. So please let
• 1:58:13
  Speaker 1: me know what you thought about all this in the
• 1:58:15
  Speaker 1: comments section, because I'm eager to hear. This whole thing
• 1:58:18
  Speaker 1: was so incredibly strange to me, and these pictures are
• 1:58:20
  Speaker 1: so striking and bizarre and just like Eerie, I'm gonna
• 1:58:24
  Speaker 1: keep going through these files. I already have a bunch
• 1:58:26
  Speaker 1: saved from Epstein Island, and there's so much more to
• 1:58:29
  Speaker 1: go over still. But until next time, folks, thank you
• 1:58:33
  Speaker 1: for joining me for this extremely extended episode of The
• 1:58:36
  Speaker 1: Conspiracy Files. If you guys have enjoyed me doing this,
• 1:58:39
  Speaker 1: please let me know because I'm eager to hear what
• 1:58:41
  Speaker 1: you guys have to say because this was a really,
• 1:58:42
  Speaker 1: really deep dive. But anyways, y'all, thank you for tuning in.
• 1:58:47
  Speaker 1: We'll be back next week with another episode. If I
• 1:58:50
  Speaker 1: don't see you guys before Christmas, I believe I'm releasing
• 1:58:53
  Speaker 1: this on Monday, so it's gonna be my birthday the
• 1:58:56
  Speaker 1: twenty second of December, So happy early birthday to me,
• 1:58:59
  Speaker 1: and Merry Christmas, Happy holidays, whatever you celebrate. Hopefully you
• 1:59:03
  Speaker 1: have a great time with your family and your friends
• 1:59:05
  Speaker 1: and doing whatever you're gonna do. But yeah, see you
• 1:59:09
  Speaker 1: next week and keep that tin fall hat on. Always
• 1:59:12
  Speaker 1: stay suspicious, question everything. I'll see you next Wednesday.