Latest / The Bridge by Sammy Chand / May 21, 2026 "The Sound — Top 15 of the Duology"

Transcript

May 21, 2026 "The Sound — Top 15 of the Duology" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and cultures can be.
• 0:02
  Speaker 2: Found around the world.
• 0:05
  Speaker 3: We track down the best and presented here for you
• 0:09
  Speaker 3: on Ruckus Avenue Radio.
• 0:15
  Speaker 4: Yo, World, this is Khan We Become War.
• 0:18
  Speaker 5: You're listening to the Three with the Boy.
• 0:22
  Speaker 1: Hey everyone listen is Rouginder and you're listening to the
• 0:25
  Speaker 1: Bridge with Sammy John.
• 0:28
  Speaker 6: Yo.
• 0:28
  Speaker 7: This is still Vangals and you're listening to The Bridge
• 0:30
  Speaker 7: with Sammy chand only on Ruckus Avenue Radio. Yeah Yeah, WhatsApp.
• 0:39
  Speaker 7: Thank you very much for finding us here wherever you
• 0:42
  Speaker 7: may be around the world. My name is Sammy John
• 0:46
  Speaker 7: and welcome everybody to a May twenty first edition of
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  Speaker 7: The Bridge. And thank you, thank you very much for
• 0:56
  Speaker 7: spending the next hour with us right here. And as
• 1:01
  Speaker 7: you guys know, we've been putting a spotlight on The
• 1:05
  Speaker 7: under and Theundered, The Revenge, the two films, the two soundtracks,
• 1:11
  Speaker 7: the impact that they've made, and today we'll go through
• 1:16
  Speaker 7: some of our favorite songs from the two soundtracks. On Monday,
• 1:21
  Speaker 7: we covered the first soundtrack and talked about the first film,
• 1:25
  Speaker 7: and I invited you all to go see the very
• 1:28
  Speaker 7: first film on Monday night and on Tuesday night. If
• 1:33
  Speaker 7: you caught the homework assignment. You saw the Revenge, but
• 1:38
  Speaker 7: you also saw the unedited or extended version of the film.
• 1:44
  Speaker 7: And yesterday, folks, we put it all into context and
• 1:49
  Speaker 7: talked about the film and the overall impact. Indeed, it's
• 1:52
  Speaker 7: pretty fast. Today it's the music we get into that.
• 1:59
  Speaker 7: Today it is a Thursday. We'll be joined by Indo Fusion.
• 2:07
  Speaker 7: It's a band. They're a cover group from out of
• 2:10
  Speaker 7: India and they recently migrated over to Dubai and they
• 2:14
  Speaker 7: continue to do their own thing. And I'm talking about
• 2:17
  Speaker 7: the two brothers and Radhika. The three of them make
• 2:21
  Speaker 7: up Indo Fusion. And if you haven't seen them or
• 2:24
  Speaker 7: if you need to go check them out on social media,
• 2:27
  Speaker 7: it's I N d O f U z O N
• 2:31
  Speaker 7: worth the visit, folks. We're all about the soundtrack today,
• 2:36
  Speaker 7: both of them. Let's get into it. We'll start with
• 2:40
  Speaker 7: Ajit saying welcome to the show.
• 2:43
  Speaker 6: Tomedy.
• 2:45
  Speaker 3: You have iedy Toomedy. Saudi ititedy tooermedy Myra.
• 3:00
  Speaker 2: Remedy.
• 3:01
  Speaker 3: U lated it to a girmedy dittle hooliated it to
• 3:06
  Speaker 3: a girmedy man who did.
• 3:13
  Speaker 8: Betas Maham.
• 3:16
  Speaker 2: But to got to collab me Rajah Eddy Vona from.
• 3:28
  Speaker 9: Got head one.
• 3:32
  Speaker 2: Got hurrah o gosh got hurd h.
• 3:43
  Speaker 1: We got hurd up, We.
• 3:47
  Speaker 2: Got hurd up.
• 3:51
  Speaker 9: Dy A got h up.
• 4:00
  Speaker 10: Lover Mary, you have I try two other Mary sorry
• 4:06
  Speaker 10: rah hat teddy two other Mary man.
• 4:30
  Speaker 11: Bulacan Japar awesome, lor father, you should talk. You had
• 4:37
  Speaker 11: to job boo boot you there Rati Mary Barati on
• 4:44
  Speaker 11: the cover plagain Chapar awesome. What's the navy to Josada
• 4:52
  Speaker 11: de con hair on up Deva had to.
• 4:56
  Speaker 12: Have job Mary Bahamaeda Hannah.
• 5:00
  Speaker 8: Yeah he had augermedy for Sana Terra to ermedy tos
• 5:08
  Speaker 8: amana Terra to ermedy man terra.
• 5:18
  Speaker 2: My home. But the time to collab.
• 5:23
  Speaker 11: Maraja steady baham harb.
• 5:31
  Speaker 1: Got had up.
• 5:35
  Speaker 2: Grab n go a shoot.
• 5:43
  Speaker 4: D h.
• 5:46
  Speaker 2: Smedy Yeah have I dary.
• 5:51
  Speaker 3: Two omedy sorry ray two othermedy.
• 5:59
  Speaker 2: Terra piscus.
• 6:03
  Speaker 6: I got my.
• 6:06
  Speaker 2: Pizza, guys, Come my god, it's a piece o guys.
• 6:11
  Speaker 2: I got my.
• 6:14
  Speaker 7: Pizza.
• 6:15
  Speaker 13: Guys.
• 6:15
  Speaker 6: Come, oh my god, there's a.
• 6:18
  Speaker 2: Very mohaba the chele.
• 6:20
  Speaker 14: Nabi or don't you say but you can't tell you
• 6:24
  Speaker 14: Nabby put you wrang up and about Nabby Manada who
• 6:34
  Speaker 14: trying to hack herd up hold Jordy said, what you go?
• 6:39
  Speaker 2: He talking about over.
• 6:41
  Speaker 11: Seas and let you get you love may.
• 6:45
  Speaker 13: Drag the.
• 6:47
  Speaker 15: Do you too.
• 6:50
  Speaker 2: May have?
• 6:52
  Speaker 3: I edy to other maedy, Sorry you don't edy to othermedy.
• 7:00
  Speaker 2: Who did us.
• 7:06
  Speaker 3: Moham to cart the Coluba Marajaa.
• 7:13
  Speaker 2: Dry Bob you got hurd up, you got hur on.
• 7:26
  Speaker 12: The ash thet up get hurd up got hurrah ddy
• 7:42
  Speaker 12: adu there are.
• 7:56
  Speaker 7: The song is called geh out who were started off
• 7:59
  Speaker 7: the show with this one? And there's some of these
• 8:03
  Speaker 7: that are studio sessions that as a producer I wish
• 8:05
  Speaker 7: I was in and of course between anybody and adij
• 8:10
  Speaker 7: saying you definitely want to be in that room. Has
• 8:13
  Speaker 7: his own process around the music, around the recording, and
• 8:17
  Speaker 7: he spends a certain amount of time on the songs
• 8:20
  Speaker 7: no matter what, no matter what he's doing on there.
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  Speaker 7: That's pretty impressive. He has a routine and something that
• 8:26
  Speaker 7: he has a bit of a ritual to his approach
• 8:29
  Speaker 7: to the music. It's very cool. This is Jasmine Sandless.
• 8:33
  Speaker 7: The song is called mah.
• 8:36
  Speaker 16: Son Manjan Manjan Manjai jan manjan manjan munjan.
• 9:00
  Speaker 4: Mad.
• 9:00
  Speaker 17: He did you mad after your birth, I can happen
• 9:07
  Speaker 17: the hoey coft theb don't get a honky ruber roll
• 9:13
  Speaker 17: the caning can happened.
• 9:17
  Speaker 6: Don't do something?
• 9:36
  Speaker 18: Thank you cat Ka baby so much more your touch
• 9:56
  Speaker 18: like agave be sweet problem.
• 9:59
  Speaker 19: What can send me comes?
• 10:02
  Speaker 9: We can yet?
• 10:04
  Speaker 6: Thank you?
• 10:04
  Speaker 19: Kill me to find them bandy that what that me
• 10:15
  Speaker 19: comes comes.
• 10:16
  Speaker 2: Till you send.
• 10:21
  Speaker 20: Your manner that nobody job the jo John him and
• 10:34
  Speaker 20: John him and dying. When Maddy did you mad that?
• 10:43
  Speaker 2: Did you pas.
• 10:47
  Speaker 20: John them and John him and John him and die?
• 10:54
  Speaker 20: When that's Maddy?
• 10:57
  Speaker 9: Did you man that?
• 10:57
  Speaker 6: Did you google?
• 11:37
  Speaker 7: Jack Vin Sandler's bringing in a little bit of that
• 11:40
  Speaker 7: d M type of a vible this song dope shout
• 11:45
  Speaker 7: out to shus what sustive and really the common thread
• 11:48
  Speaker 7: here between the two soundtracks and the man whose work
• 11:51
  Speaker 7: has really put himself into that upper echelon of Indian composers,
• 11:56
  Speaker 7: Indian Bollywood composers. If you will really have through these
• 12:01
  Speaker 7: two bodies of work, he's put himself there.
• 12:07
  Speaker 2: Again learn made what.
• 12:15
  Speaker 21: Can you give you?
• 12:17
  Speaker 6: The letter.
• 12:20
  Speaker 1: Made a.
• 12:25
  Speaker 22: Cut down, Hardy yady hoady, hardy hoside hot again, hardy
• 12:54
  Speaker 22: yady hoy horry horty y.
• 13:06
  Speaker 23: Yeah, my father raised me a winner. I would kill
• 13:08
  Speaker 23: from my people, and don't make me a sender from
• 13:10
  Speaker 23: the coast to the plains. Everybody know the name that
• 13:12
  Speaker 23: you're coming from. We got this to maintain.
• 13:14
  Speaker 19: But you got an ego. Shut a fucking me.
• 13:16
  Speaker 23: Though I may got that money like I'm running up
• 13:18
  Speaker 23: castine no ge cot Now I got that proper in
• 13:21
  Speaker 23: my geno.
• 13:21
  Speaker 2: Cut the proof.
• 13:22
  Speaker 19: Can you stand on?
• 13:23
  Speaker 1: What's the tween?
• 13:23
  Speaker 24: Does Pole put it in a paper like they were
• 13:25
  Speaker 24: crussing on each other promiking deputy bets of me.
• 13:27
  Speaker 7: I'm making a couple of mother crazy.
• 13:28
  Speaker 24: It's turning it laziest, probably to a product, probably probably
• 13:31
  Speaker 24: because I was probably prophet warns a mother warns a
• 13:33
  Speaker 24: mother two hands on that I was turning. Butther so
• 13:36
  Speaker 24: if I go to sleep, I'm probably burning covers. Turn
• 13:38
  Speaker 24: the covers. If the covers burned, I gotta turn the
• 13:39
  Speaker 24: mattress to get in the first pick you wanted to pick,
• 13:41
  Speaker 24: like a boarding caption, where come on my body by.
• 14:17
  Speaker 23: Mena wo mother, take a body oil mana wood.
• 14:32
  Speaker 25: Handy hoy yai honey, do.
• 14:42
  Speaker 6: Y yady do bana bana honey to body him.
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  Speaker 12: By.
• 15:00
  Speaker 7: There are two different types of composers out there. There's
• 15:04
  Speaker 7: the tinkerer and then there's the one that spits them
• 15:07
  Speaker 7: out and Shush what is the second? He spits them
• 15:13
  Speaker 7: out really fast. He's a very fast worker. And the
• 15:16
  Speaker 7: rumor is you cannot got a few songs in a
• 15:19
  Speaker 7: day working with SHUSHWZ. You really can. And there you go.
• 15:22
  Speaker 7: It really is helpful if you're trying to put a
• 15:24
  Speaker 7: bunch of music like they have in this film. Now,
• 15:27
  Speaker 7: let's bring in doctor Roy to this party with sub
• 15:29
  Speaker 7: Doctor Roy.
• 15:30
  Speaker 26: Hey guys, this is doctor Roy with today's word on
• 15:32
  Speaker 26: the Avenue. In film and TV news, did you know
• 15:35
  Speaker 26: that The Runder two's Netflix release is titled Raw and
• 15:39
  Speaker 26: Undie Cup. That's because it sparked online social media discussion
• 15:42
  Speaker 26: about the film and some of its new footage on
• 15:44
  Speaker 26: the scenes. Taking to their handles on the film's ott
• 15:48
  Speaker 26: debut on Netflix for international viewing, a lot of the
• 15:51
  Speaker 26: fans put out several notable differences between the streaming version
• 15:54
  Speaker 26: and the theatrical cut released in India only. Audiences will
• 15:58
  Speaker 26: be able to share their experience to the film releases
• 16:01
  Speaker 26: on Geo Hotstar.
• 16:02
  Speaker 1: In June for Indian audiences.
• 16:05
  Speaker 26: In media news, Starbucks is reportedly planning to open its
• 16:09
  Speaker 26: first corporate office in India, marking a major step in
• 16:12
  Speaker 26: the company's global technology and cost optimization strategy. Led in
• 16:16
  Speaker 26: part by CTO Annan varad Rajanan. The new tech hub,
• 16:21
  Speaker 26: expected to launch in fiscal year twenty twenty seven, will
• 16:24
  Speaker 26: focus on bringing more engineering and technology roles in house
• 16:28
  Speaker 26: as Starbucks reduces reliance on third party service providers. In
• 16:33
  Speaker 26: event news, the sari worn by Nandini Harinas during India's
• 16:37
  Speaker 26: historic Mars orbiter mission is now on display at the
• 16:40
  Speaker 26: US Smithsonian National Air and Space Museum. A key member
• 16:44
  Speaker 26: of Eastro Indian space research organizations celebrated rocket woman Harinath
• 16:50
  Speaker 26: wore the blue and red sari when Mongo Yuan began
• 16:53
  Speaker 26: its journey to Mars in twenty thirteen, making the exhibit
• 16:56
  Speaker 26: a tribute to both india space achievements and women's scientists
• 16:59
  Speaker 26: behind them. Honored by the US, that's it for today's
• 17:03
  Speaker 26: word on the avenue until next time.
• 17:05
  Speaker 7: Thank you, doctor Roy. This next artist was pretty much
• 17:10
  Speaker 7: the only thing left off of making this completely perfect
• 17:15
  Speaker 7: in terms of getting all the guns you needed for battle.
• 17:18
  Speaker 7: Ya sing and then you needed Delo sane and you
• 17:23
  Speaker 7: got him, and you got him with a song called
• 17:25
  Speaker 7: Easy Easy, and it helped really solidify the first soundtrack.
• 17:32
  Speaker 27: Adiaba Guy Buddy Adiaba not Daba Gullias by body poor
• 18:01
  Speaker 27: puny ho yah b.
• 18:05
  Speaker 28: Juddy ho y, Yeah, I should know about today, buddy
• 18:08
  Speaker 28: hoy y'all the gypsy something puddy who body cully pretty?
• 18:15
  Speaker 7: Who are your the.
• 18:16
  Speaker 27: Jypsy something hoy yah body cooly purty hoo y.
• 18:23
  Speaker 4: Yeah, that is a promise.
• 18:25
  Speaker 7: What is behind it?
• 18:26
  Speaker 1: I'm sure that I know soon, I know when I
• 18:29
  Speaker 1: find it. I'm looking for our answers.
• 18:31
  Speaker 2: I'm meaning behind it.
• 18:33
  Speaker 7: I'm taking a chance here. Yeah, I'm gambling.
• 18:36
  Speaker 29: When everyone said that we couldn't have put in the
• 18:38
  Speaker 29: word just to keep him. Their ads, the ads against me,
• 18:41
  Speaker 29: demons attainment, usually come with a smile and nothing that
• 18:44
  Speaker 29: I wouldn't do with the people I love. I've been
• 18:45
  Speaker 29: ready to die, were armed and ready. It's about to
• 18:48
  Speaker 29: get ahead. You're not telling me you're ready and that
• 18:50
  Speaker 29: yeah you ready enough? Tell me you ready at that
• 18:54
  Speaker 29: you ready at that you're really ready enough showing you ready.
• 18:57
  Speaker 7: And now're telling me penny and that.
• 19:00
  Speaker 6: You will you're ready at now?
• 19:01
  Speaker 7: Who know if you're many at now?
• 19:04
  Speaker 6: Is the matter?
• 19:05
  Speaker 7: This is a promise? Are you mad?
• 19:08
  Speaker 2: But what is behind it?
• 19:11
  Speaker 6: I'm no so.
• 19:15
  Speaker 9: I know what I've panted.
• 19:17
  Speaker 7: Pull it the d I'm looking at my hands. That's
• 19:20
  Speaker 7: are your border. They're meeting behind it?
• 19:23
  Speaker 2: Anybody not.
• 19:25
  Speaker 21: I'm taking a chance here, just to the mtter easy, easy, arty,
• 19:30
  Speaker 21: gym persy, buddy.
• 19:32
  Speaker 1: Hoy, how body poorly puny ho.
• 19:35
  Speaker 6: Y b.
• 19:38
  Speaker 1: Juddy ho y. I should know about to day.
• 19:40
  Speaker 28: I want to move puddy hoy, Y're the gypsy? Sometime
• 19:44
  Speaker 28: then all the puddy who he body? Coolly party? Who
• 19:49
  Speaker 28: are y'are the gypsy?
• 19:51
  Speaker 7: Buddy hoy?
• 19:52
  Speaker 2: How body?
• 19:53
  Speaker 7: Kolyn putty?
• 19:55
  Speaker 6: How y?
• 19:57
  Speaker 30: Yeah?
• 19:57
  Speaker 21: Yeah?
• 19:59
  Speaker 7: Battle track right there, del Gito Sange got some vocals
• 20:04
  Speaker 7: on there by hanuman Kind track is called easy Easy
• 20:08
  Speaker 7: and folks, let's invite Ashi Aurora into this Thursday episode
• 20:12
  Speaker 7: as we get you ready for Sunday. She has a
• 20:15
  Speaker 7: show on the air called leaders Creating Ruckas. How are
• 20:18
  Speaker 7: you Ashi?
• 20:19
  Speaker 2: Thanks Sammy.
• 20:20
  Speaker 30: This week on leaders Creating Ruckus, I'm sitting down with
• 20:23
  Speaker 30: doctor arun Chervu to talk about his lessons in leadership
• 20:27
  Speaker 30: on the path to retirement. Tune in this Sunday at
• 20:30
  Speaker 30: four pm Pacific Standard time to hear about our definitions
• 20:34
  Speaker 30: on work and various career choices.
• 20:37
  Speaker 1: Back to you, Sammy, thank.
• 20:39
  Speaker 7: You, Ashi, thank you so much. We'll all tune in
• 20:43
  Speaker 7: this Sunday at four pm Pacific time catch Ashi show
• 20:47
  Speaker 7: called Leaders Creating Ruckus right here on Ruckus Avenue Radio.
• 20:52
  Speaker 7: This song is called lute legy.
• 21:10
  Speaker 6: S.
• 21:14
  Speaker 9: Heart is sub let again?
• 21:17
  Speaker 1: How is your num let?
• 21:20
  Speaker 7: It there?
• 21:24
  Speaker 2: More class?
• 21:25
  Speaker 9: How is such turn up? I know the letter grid?
• 21:29
  Speaker 1: How ministrup?
• 21:31
  Speaker 9: I know it's the letter.
• 21:33
  Speaker 19: H is Sarchery's episode.
• 21:37
  Speaker 1: I look to learn again? The look, the len o,
• 21:48
  Speaker 1: the no look, the lea, the learn again.
• 21:57
  Speaker 9: I spream such as guy, I spam my happ happened?
• 22:20
  Speaker 9: I spam happy, I fami I spam happens came?
• 22:47
  Speaker 2: Not the cameo?
• 22:48
  Speaker 1: No, rat didn't the general rat.
• 22:58
  Speaker 2: Rasta?
• 23:00
  Speaker 1: What's the latter?
• 23:02
  Speaker 9: Listen to myself, man.
• 23:04
  Speaker 2: Look at your feeling for the leg I.
• 23:08
  Speaker 1: Just said, I'm ready my sen.
• 23:11
  Speaker 9: Me money annoyed to learn again.
• 23:18
  Speaker 2: O, the leg.
• 23:22
  Speaker 1: O, the look to learn, that om, the no to
• 23:27
  Speaker 1: let go.
• 23:31
  Speaker 9: I say, I see.
• 24:42
  Speaker 7: Pretty interesting dynamic. When it came to the two soundtracks,
• 24:46
  Speaker 7: the very first soundtrack, of course, was released through Sada
• 24:50
  Speaker 7: Gama Music and the second one was released through T series.
• 24:55
  Speaker 7: That largely had to do with the original song that
• 25:00
  Speaker 7: was sampled in that Hanu man Kind Jasmin Sandless track,
• 25:05
  Speaker 7: which used an old song of Sadagamas.
• 25:08
  Speaker 6: There.
• 25:10
  Speaker 7: This song right here is called move from a second soundtrack,
• 25:13
  Speaker 7: it's called ye Is.
• 25:15
  Speaker 23: There's a big Baga's on the lustick skin cope with
• 25:18
  Speaker 23: a black letter big news.
• 25:19
  Speaker 19: There way nothing that a man can do to bring
• 25:21
  Speaker 19: in the wall.
• 25:22
  Speaker 31: We pay dues.
• 25:23
  Speaker 23: That's against that against the firs. He don't speak by
• 25:26
  Speaker 23: the danger. Would tell me a ship. When you eat
• 25:28
  Speaker 23: little breeches, say your prayers, call them the gangster. Don't
• 25:30
  Speaker 23: slander the stranger. Women, you know what I wanna got
• 25:33
  Speaker 23: the trigger? Oh God, you got them move it how
• 25:36
  Speaker 23: I wanted God. I rather to keep it to myself.
• 25:41
  Speaker 23: I got no love to understand. I got this blood
• 25:44
  Speaker 23: on my hands. So baby, do not understand you gottam
• 25:50
  Speaker 23: and me give me that violence started. If we want
• 25:55
  Speaker 23: of my problems started.
• 25:56
  Speaker 32: Mob, give me that violence got it?
• 26:01
  Speaker 23: You got it, you gota and don't come for the emotion.
• 26:07
  Speaker 23: I got touched with self potent and don't block with
• 26:10
  Speaker 23: the ocean and don't fuck with these trojans off. Keep
• 26:13
  Speaker 23: that distance up on that mission up for your witness
• 26:16
  Speaker 23: out buy my business. I've been projecting out by my
• 26:18
  Speaker 23: patients on time and wasting. You got them move, baby,
• 26:23
  Speaker 23: gave me that violence, got them move.
• 26:27
  Speaker 19: If you ain't one of my problems?
• 26:28
  Speaker 1: Baby more.
• 26:32
  Speaker 21: Now so he could you now hugo there look at
• 26:38
  Speaker 21: there can be no Huggerina.
• 26:46
  Speaker 2: Had to get there.
• 26:47
  Speaker 15: He jump, he jump, held hold. It's let us to
• 27:05
  Speaker 15: know God, it's okay now you see can.
• 27:10
  Speaker 6: Okay?
• 27:10
  Speaker 15: Now if you imagine hooks.
• 27:14
  Speaker 6: He just got it.
• 27:16
  Speaker 1: Go ahead.
• 27:17
  Speaker 2: You didn't want her to say, okay.
• 27:20
  Speaker 15: Okay, it's your head, it's your heads. It's what the
• 27:29
  Speaker 15: monkey there got the monkey John John catches ahead. It
• 27:38
  Speaker 15: must be there day Brayby.
• 27:40
  Speaker 19: You know why I wanta got the Oh God, you
• 27:43
  Speaker 19: got them move it.
• 27:44
  Speaker 6: I want it?
• 27:45
  Speaker 1: Got there?
• 27:47
  Speaker 23: I bet they keep it through myself, But no love
• 27:50
  Speaker 23: to understand how glad there's blood on my head?
• 27:53
  Speaker 7: Shout? What's great at this? Shosh? What is great at
• 27:56
  Speaker 7: bringing in the right artist to come in and play
• 27:58
  Speaker 7: the right voice for his song? Does it so well?
• 28:02
  Speaker 7: And between the two soundtracks did a phenomenal job of
• 28:06
  Speaker 7: spreading around the the real type of essence he was
• 28:10
  Speaker 7: looking for in each song, A great one right there.
• 28:13
  Speaker 7: In the hip hop version, that song called move Yeah
• 28:15
  Speaker 7: is this next song We've Got for You? Is from
• 28:20
  Speaker 7: the Dunder the Revenge soundtrack. The song is called shut out.
• 28:24
  Speaker 2: A tune Bard tire.
• 28:28
  Speaker 1: Yeah Bade the whole guy.
• 28:35
  Speaker 31: Heiy yimmu labad vadi the whole guy.
• 28:45
  Speaker 2: Nana mel hamminig good Jesse you.
• 28:59
  Speaker 1: Sad oh.
• 29:20
  Speaker 31: Chickli sa damas so much Hara you no runners on her,
• 29:26
  Speaker 31: Harald the chicka is damas so much. Hara runs on.
• 29:34
  Speaker 1: But then the pick and it's over for there.
• 29:38
  Speaker 2: The pitch is a copy me catch a c.
• 29:47
  Speaker 33: Come then sa.
• 29:57
  Speaker 1: Learna ha.
• 30:00
  Speaker 31: No, not your medicam Nana you American he samanda is
• 30:07
  Speaker 31: someone boil.
• 30:11
  Speaker 20: Then scon mama jugleman Lama.
• 30:18
  Speaker 31: Then you shall at the scab jugleman learn, don't he
• 30:42
  Speaker 31: or homemokey later's out where able don't he has.
• 30:49
  Speaker 1: Had a home must in.
• 30:50
  Speaker 31: Her out the harbor, Mary love passages, Mary.
• 30:59
  Speaker 20: Laos, thank you nap small.
• 31:06
  Speaker 33: Then you shay comemaja Manama, then you shaa.
• 31:20
  Speaker 9: Man not you married.
• 31:24
  Speaker 31: You're married, then you Sha.
• 31:39
  Speaker 9: Then Shara.
• 31:56
  Speaker 7: We're gonna be joined by the band Indo Fusion here
• 31:59
  Speaker 7: shortly Varma and Sanjay Varma, the two of them doing
• 32:05
  Speaker 7: an amazing job of not only putting out covers but
• 32:08
  Speaker 7: also singing new stuff. And they'll be joined by their
• 32:11
  Speaker 7: third member, Radka today. Looking forward to the conversation.
• 32:15
  Speaker 32: The girls like to party like the bat was dud down. Shaddy,
• 32:19
  Speaker 32: let me bag some girls like the party like the
• 32:23
  Speaker 32: bat was duck down. Shaddy, let me bag.
• 32:27
  Speaker 34: Some handy Giovanni, you must be your must Harry Gavani.
• 32:38
  Speaker 34: Harry Vanni must be you mustize Harry Gavanni.
• 32:59
  Speaker 35: Why why why y'all we look up for each other
• 33:01
  Speaker 35: when the sun goes up, say you go surrender when
• 33:05
  Speaker 35: the sirens cat from like the city is gonna for
• 33:09
  Speaker 35: it if we slowed down now, just be like we
• 33:11
  Speaker 35: might not forgive what the nights.
• 33:27
  Speaker 34: N the Hona they're an't they're so honey.
• 33:31
  Speaker 1: The who you do.
• 33:33
  Speaker 20: Honey, hon, the honer they're ron they're so honey, the
• 33:39
  Speaker 20: who you done it?
• 33:41
  Speaker 1: Don't do money? Then turn turn off man, turn.
• 33:55
  Speaker 32: Turn the girls like the party like that? Let me
• 34:03
  Speaker 32: begs the girls of party like the Shari let me
• 34:10
  Speaker 32: beg so.
• 34:24
  Speaker 7: Rebel is the artist and she gets together with Sana Khan,
• 34:29
  Speaker 7: the vocalist. There lyrics by Earshot come on music of
• 34:34
  Speaker 7: course by shash Watsu's there the song called Nachana and
• 34:38
  Speaker 7: the type of track that you feel that you've heard before,
• 34:41
  Speaker 7: probably because you have. It's kind of like an interpolation,
• 34:43
  Speaker 7: as we call it in the business. There you go.
• 34:47
  Speaker 7: This one is another one from Superstar Delgito Sane. The
• 34:51
  Speaker 7: song is called.
• 35:01
  Speaker 6: Hsh gonna come the lark in.
• 35:18
  Speaker 36: Ash the lark in the boska Ja John Ja ja.
• 35:47
  Speaker 1: Sika came in Loo coming you.
• 35:55
  Speaker 15: Nikam anam in there has some keep they an then
• 36:06
  Speaker 15: Adam has some keep the alamnue ptah Disgarley passad thats
• 36:28
  Speaker 15: al arcade. Oh you want to see bag barge arc
• 36:47
  Speaker 15: dicgarle pasad. That's it at arcade Xcugarley pass Larkie's the
• 36:58
  Speaker 15: want see bag badgie ar.
• 37:01
  Speaker 7: Charlie.
• 37:02
  Speaker 15: Are you move to such a door, but there are
• 37:05
  Speaker 15: you move to such a door? But the any cardamnue,
• 37:09
  Speaker 15: but that's the man. Keep any calam there, that's the man.
• 37:16
  Speaker 6: Keep a ready avenue.
• 37:30
  Speaker 37: M car looking at the arm to say, you're Garni.
• 37:56
  Speaker 6: Looking.
• 38:10
  Speaker 7: We have them all. We have Sewitage, Sunjay and Radhika
• 38:13
  Speaker 7: joining us from the band in no fusion. Of course
• 38:16
  Speaker 7: you guys have been hearing about it. Of course this
• 38:19
  Speaker 7: across this whole episode, and we finally wrote them in
• 38:22
  Speaker 7: how are you guys great? And currently you guys are
• 38:27
  Speaker 7: in Mumbai? Correct? Yes. What's more difficult is it coming
• 38:33
  Speaker 7: up with something original or reimagining a classic song that
• 38:38
  Speaker 7: everybody knows and you have to find some sort of
• 38:41
  Speaker 7: original way of delivering it. And and that is sometimes
• 38:46
  Speaker 7: pretty difficult to do because people are married to how
• 38:49
  Speaker 7: they want to hear something, and so when you reimagine
• 38:52
  Speaker 7: some of these classics, it's not as easy as some
• 38:54
  Speaker 7: people think. Uh, we walk us through that process. Between
• 38:58
  Speaker 7: the two, they're distinctly different processes, I understand, But which
• 39:02
  Speaker 7: one is tougher for you?
• 39:04
  Speaker 5: The of use Doing a cover is always a challenge
• 39:07
  Speaker 5: because you have to you have to find a a
• 39:10
  Speaker 5: space to to give it a different, unique taste, a
• 39:14
  Speaker 5: different sound because uh, if you if you're touching, uh,
• 39:18
  Speaker 5: you know, if you're touching in a classic or very
• 39:22
  Speaker 5: legendary tracks from a bigger artists, H well known artists,
• 39:27
  Speaker 5: then you have that responsibility uh with you to to
• 39:32
  Speaker 5: to I mean make it in a very good way,
• 39:36
  Speaker 5: but it should not I mean spoil the soul of
• 39:38
  Speaker 5: the composition that the you know, the main challenge doing
• 39:43
  Speaker 5: our but we always try to to to see that
• 39:48
  Speaker 5: you know, space or to.
• 39:49
  Speaker 4: To get that you know, the sound that what we like.
• 39:54
  Speaker 4: And so doing an originally is.
• 39:58
  Speaker 5: Also a similar right now because for for indie musicians,
• 40:02
  Speaker 5: so a lot of people are you know, making tracks
• 40:04
  Speaker 5: very similiar to Hollywood right right, I'm not doing really well.
• 40:08
  Speaker 5: But you know, if I talk about new artists, new
• 40:11
  Speaker 5: musicians who are going very fast with the original numbers,
• 40:15
  Speaker 5: So I think they have that uh you know hat
• 40:19
  Speaker 5: they have got that you know, the tricks to to
• 40:22
  Speaker 5: to tend you know, out of the.
• 40:26
  Speaker 4: The other people.
• 40:28
  Speaker 7: Yeah, yeah, outside of your echo chamber. Correct, that's correct. Yeah,
• 40:33
  Speaker 7: you know, the original stuff probably as you put it,
• 40:36
  Speaker 7: it brings you into new audiences, It connects you to
• 40:38
  Speaker 7: different places. But I think there's something very comfortable that
• 40:42
  Speaker 7: the audience feels when they're hearing the cover work that
• 40:45
  Speaker 7: you do. It's so familiar, you know, you know, I
• 40:47
  Speaker 7: was gonna ask you, what is the song that you
• 40:50
  Speaker 7: guys perform no matter where you go, it's always a
• 40:54
  Speaker 7: hit with the audience.
• 40:57
  Speaker 4: They are a lot of tracks I think rather something.
• 41:02
  Speaker 19: So uh.
• 41:08
  Speaker 13: I mean, you know, there are songs that were definitely
• 41:11
  Speaker 13: known for because again it comes with a lot of strategy.
• 41:16
  Speaker 6: Uh.
• 41:16
  Speaker 13: As I would say this is when you when you
• 41:19
  Speaker 13: saw something on on your social media and and when
• 41:22
  Speaker 13: you sort of push that through.
• 41:24
  Speaker 6: Uh.
• 41:25
  Speaker 13: There are songs which which get that high.
• 41:28
  Speaker 4: So the name of you maybe from Sufi with say
• 41:31
  Speaker 4: maybe that's the rue.
• 41:33
  Speaker 13: Uh Like songs like that, they're so legendary and they're
• 41:38
  Speaker 13: loved by everybody, so they're always a hit.
• 41:40
  Speaker 7: Yeah, you can't go wrong with consop anywhere. So that's
• 41:43
  Speaker 7: definitely that's definitely the case for sure. Yeah, now that
• 41:47
  Speaker 7: that that's a great one. You know, rather got a
• 41:49
  Speaker 7: question for you. You know, the these two gentlemen have
• 41:51
  Speaker 7: been working together for such a long time and they
• 41:54
  Speaker 7: had a foundation there that you had to kind of
• 41:55
  Speaker 7: fit into in a way. And to me, it's very
• 41:58
  Speaker 7: natural though, you know, it's it seems like you your
• 42:01
  Speaker 7: voice has been there and even on stage, how you
• 42:04
  Speaker 7: guys have kind of this interaction amongst you it seems
• 42:07
  Speaker 7: very natural and there's a kind of a pace about
• 42:11
  Speaker 7: you that matches the other guys. You know, how much
• 42:14
  Speaker 7: how how much work was that? Was that something that
• 42:16
  Speaker 7: you have to kind of sit back and is it
• 42:18
  Speaker 7: because you knew them already and you're like, Okay, I'm
• 42:20
  Speaker 7: going to fit right into this or was that like
• 42:22
  Speaker 7: a thing for you and is that still a thing
• 42:24
  Speaker 7: for you where you're like, Okay, I have to find
• 42:26
  Speaker 7: myself in this. Even though I do represent the female voice,
• 42:29
  Speaker 7: there's stylistic kind of adjustments to be made.
• 42:34
  Speaker 13: You know, I lost because I mean, it's still something
• 42:40
  Speaker 13: that we struggled with. It's definitely not easy because I
• 42:43
  Speaker 13: come from a very different background as a bonet and
• 42:47
  Speaker 13: they've been in you know, they've been together.
• 42:51
  Speaker 4: They know each other.
• 42:51
  Speaker 13: They have a chemistry that that you know, it takes
• 42:54
  Speaker 13: a life long to build. But for me, when I
• 42:58
  Speaker 13: came in, I think I started to wanted to bring
• 43:01
  Speaker 13: what I do best. I wanted to create an identity
• 43:05
  Speaker 13: within that identity as well. So it was a lot
• 43:09
  Speaker 13: of understanding, which I think is is it's constant across
• 43:15
  Speaker 13: any relationship, any artistic relationship that you work with.
• 43:20
  Speaker 4: It does come with work.
• 43:21
  Speaker 13: But then at the end of the day, what you
• 43:22
  Speaker 13: do on stage, it's your collaborations to your efforts from everybody.
• 43:27
  Speaker 13: So yeah, it's something we've worked on and it's something
• 43:30
  Speaker 13: that we're still working on.
• 43:32
  Speaker 7: Yeah, absolutely, as with any band and as with any group,
• 43:36
  Speaker 7: and and and that's always the case. And that's something
• 43:39
  Speaker 7: of course that uh, you know, whatever the discussions are
• 43:42
  Speaker 7: and the negotiations are, as far as the product is
• 43:45
  Speaker 7: on stage, it just fits wonderfully. So whatever you guys
• 43:48
  Speaker 7: are doing, keep doing it all right. Uh you know, gentlemen,
• 43:53
  Speaker 7: you went from turning our to Dubai. What did that
• 43:56
  Speaker 7: change of your music?
• 44:00
  Speaker 5: So it's a it's a I mean that process was
• 44:04
  Speaker 5: like complete you know, self learning for for for both
• 44:09
  Speaker 5: of us and for all of us. So in two
• 44:12
  Speaker 5: thousand and thirteen, so we used to sound i mean
• 44:16
  Speaker 5: very very different. And what we what we see now,
• 44:19
  Speaker 5: what we what we see now that that individual sounds
• 44:22
  Speaker 5: totally different because because of a lot of things, Because
• 44:25
  Speaker 5: this journey was like learning and it will be a
• 44:31
  Speaker 5: continuous learning.
• 44:32
  Speaker 4: For for.
• 44:34
  Speaker 7: Yeah, It's it's funny because when you're in the audience,
• 44:39
  Speaker 7: all you get to see is the product. You get
• 44:41
  Speaker 7: to see, you know, the beautiful music that comes about it.
• 44:43
  Speaker 7: I think some of the conversation that we've had also
• 44:46
  Speaker 7: kind of touches on the process behind the scenes as
• 44:48
  Speaker 7: far as you know what it takes, and it takes
• 44:51
  Speaker 7: a lot, and and you guys have certainly done an
• 44:53
  Speaker 7: amazing job with this. You're you're talking to an international
• 44:56
  Speaker 7: market today. You're talking to people that have maybe never
• 45:00
  Speaker 7: heard of you before. And if there's something that you
• 45:03
  Speaker 7: want the international market to get to know as they
• 45:06
  Speaker 7: discover you today, what is it that you could say
• 45:09
  Speaker 7: about how Indian music is doing in India and how
• 45:12
  Speaker 7: it's traveling now internationally, and as you guys have spread
• 45:16
  Speaker 7: your basis, We've talked about that from Tunderguard to Dubai
• 45:19
  Speaker 7: now and hopefully some of it spreads this way, you know,
• 45:24
  Speaker 7: tell us about the story of Indian music from a
• 45:27
  Speaker 7: global perspective. Given the work you're doing.
• 45:33
  Speaker 13: You know, I think people around the globe, even if
• 45:38
  Speaker 13: we say the you know, the diaspora that that you're
• 45:42
  Speaker 13: talking about, I think everybody is getting a lot more
• 45:46
  Speaker 13: connected to their roots.
• 45:48
  Speaker 4: Everybody is becoming slightly.
• 45:52
  Speaker 13: It's not the culture is not diluted at all, and
• 45:55
  Speaker 13: people are actually trying to connect a lot more in
• 45:58
  Speaker 13: a schedual way, be to their roots, lead to their culture.
• 46:02
  Speaker 13: So when we perform, and even because Dubai is a
• 46:06
  Speaker 13: global market, Dubai doesn't have just Indians in it, so
• 46:09
  Speaker 13: we cater to a lot.
• 46:10
  Speaker 5: Of people who stem from uh, those regions.
• 46:13
  Speaker 13: As well that you're talking about.
• 46:16
  Speaker 25: And we definitely note that.
• 46:18
  Speaker 4: The acceptance, the awareness, the ability to.
• 46:22
  Speaker 13: Sort of accept what an artist is doing and trying to.
• 46:25
  Speaker 4: Present that has sort of evolved, you know, because people.
• 46:30
  Speaker 13: Want things that that are familiar, uh in this place
• 46:34
  Speaker 13: where there's so much uncertainty, there's so much conflict about sells,
• 46:39
  Speaker 13: people just want to be connected to where they come from.
• 46:42
  Speaker 13: And so that's why, no matter where you belong on
• 46:44
  Speaker 13: the globe, Indian music is definitely going back to h
• 46:49
  Speaker 13: nostalgia where we talk about Lataji, where we talk about
• 46:53
  Speaker 13: you know, Kishoda, or we can talk about our Sufi legends,
• 46:56
  Speaker 13: beat Avidaji, be it. You know, so everybody is sort
• 47:01
  Speaker 13: of just you know, rooting in all together and sort
• 47:04
  Speaker 13: of connecting, you know, globally, there's there's no borders today.
• 47:08
  Speaker 7: I think you very articulately defined Indo fusion to everyone
• 47:11
  Speaker 7: right there and and that's that's a good way to
• 47:14
  Speaker 7: kind of summarize it all. You know. I wanted to
• 47:18
  Speaker 7: first of all, thank you all for joining us today,
• 47:20
  Speaker 7: and I wanted to thank you all for the great conversation.
• 47:23
  Speaker 7: I wanted to turn the floor over. I see a
• 47:25
  Speaker 7: guitar here, and I wanted to know if there's anything
• 47:29
  Speaker 7: fun that you can perform for everybody, you know, not
• 47:31
  Speaker 7: to not to take too much of your performance time.
• 47:34
  Speaker 7: Maybe a couple of minutes here to give everybody a
• 47:36
  Speaker 7: little taste of some Indo Fusion on the air.
• 47:40
  Speaker 4: Sure the.
• 48:03
  Speaker 6: The you know that to Una the.
• 48:12
  Speaker 25: Particle may game the bana because I am the kana
• 48:27
  Speaker 25: made you know that Huda from the perm hicle that
• 48:49
  Speaker 25: you understand it. But you look a day by John like.
• 48:59
  Speaker 6: That, you know, said.
• 49:07
  Speaker 7: To be.
• 49:14
  Speaker 21: God.
• 49:39
  Speaker 7: Yeah, thank you very much. How about that everybody? What
• 49:44
  Speaker 7: a treat that was. And of course a big shout
• 49:48
  Speaker 7: out to the band Indo Fusion for joining us, and
• 49:51
  Speaker 7: thank you so much there two gentlemen putting it together
• 49:54
  Speaker 7: for us, Sewage and Sunjay for for the beautiful rendition
• 49:58
  Speaker 7: of this quite a metal of stuff right there. You
• 50:01
  Speaker 7: got a pretty good cross section of the work that
• 50:03
  Speaker 7: they do right there in those couple of minutes. So
• 50:05
  Speaker 7: thank you very much, gentlemen, and thank you so much
• 50:07
  Speaker 7: Radica for joining us today.
• 50:10
  Speaker 13: Thank you, thank you so much.
• 50:12
  Speaker 4: Fama doing.
• 50:14
  Speaker 7: All right, guys, we'll be right back after this.
• 50:17
  Speaker 6: But the.
• 50:19
  Speaker 38: Hondo locomemedy, But hondocome many.
• 50:35
  Speaker 20: As you breathed, Lona Jesse.
• 50:39
  Speaker 1: Hold holy on my body.
• 50:47
  Speaker 31: Breathing ho on, Sorry, joh't Belanyny.
• 51:05
  Speaker 39: Sorry, r Card Pussage, Yes, so sorry, Rama Card Pussage.
• 51:23
  Speaker 31: Yes, there come my body and the tennis recap some
• 51:40
  Speaker 31: roa sorry.
• 51:44
  Speaker 40: John l y oh you Knowternity, I'm sorry, Rama Card
• 51:58
  Speaker 40: a pussy, yes, Son said, looking.
• 52:10
  Speaker 2: Kind of pussy.
• 52:12
  Speaker 7: Yes, I've saved my favorite few songs here. Towards the
• 52:56
  Speaker 7: end of this show, of course, as we start to
• 53:00
  Speaker 7: in on what was a week long spotlight on the
• 53:04
  Speaker 7: Runder and the Runder the Revenge. And it's been fun
• 53:08
  Speaker 7: doing this, folks, it really has, because it's given us
• 53:10
  Speaker 7: a chance to really put this film into perspective for
• 53:13
  Speaker 7: everybody and its impact. And it's large because the film really,
• 53:18
  Speaker 7: in a lot of people's eyes, came in and saved
• 53:21
  Speaker 7: the industry as it was kind of decimated and breaking
• 53:24
  Speaker 7: into a million pieces. It's kind of re established. The
• 53:28
  Speaker 7: institution of Bollywood is good. Now let's bring Induitadas Gupta
• 53:32
  Speaker 7: to the show. What's up?
• 53:33
  Speaker 41: Thanks Sammy. Hey everyone, this is your Ruckus Avenue Radio music.
• 53:38
  Speaker 41: Crispondent back with some fun sacs about your favorite artists.
• 53:42
  Speaker 41: Let's talk about any unkind the Kerala Bourne Houston Brett
• 53:45
  Speaker 41: rapper tearing through the global hip hop scene. He crashed
• 53:48
  Speaker 41: onto charts with big Dogs, the high velocity anthem and
• 53:51
  Speaker 41: motor stunt visual that was so electric even asap Rocky hopped.
• 53:56
  Speaker 30: On the remix.
• 53:57
  Speaker 7: Now his debut mistake Monsoon Season is out.
• 54:00
  Speaker 41: Think twelve tracks Alive with Sonic Grain featuring fire collaps
• 54:03
  Speaker 41: like Reckless with Densel Curry, Goons with Maxo Cream and
• 54:06
  Speaker 41: the emotional ripples. As someone told me with Roycy, it's
• 54:09
  Speaker 41: not just a record, It's a sonic Monsoon bringing immersive
• 54:13
  Speaker 41: emotion and unfiltered energy. However, he did not stop there
• 54:17
  Speaker 41: this summer. He headlined Coachella, packed venues across the UK
• 54:21
  Speaker 41: and Europe and even had a nod from the Indian
• 54:23
  Speaker 41: Prime Minister. Then Global Wrap Energy with soul and authenticity.
• 54:28
  Speaker 19: Well that's all for me now, back to.
• 54:30
  Speaker 2: You, Sammy.
• 54:30
  Speaker 7: Hanumankind has taken Indian hip hop and put some respect
• 54:36
  Speaker 7: on its name globally. He really has. And of course
• 54:39
  Speaker 7: this performance on this song to big Dogs, to all
• 54:44
  Speaker 7: kinds of stuff that he's been doing, shout out to
• 54:47
  Speaker 7: hanuman kind. Everybody, get ready.
• 55:00
  Speaker 6: Up to mistake.
• 55:00
  Speaker 7: They come me, you're bad man.
• 55:01
  Speaker 1: That's a funny good thing.
• 55:02
  Speaker 29: I'm gonna say, swing back when another man swing.
• 55:05
  Speaker 7: So.
• 55:05
  Speaker 29: I made my mama cry when they made your heads
• 55:07
  Speaker 29: round ither forgive me.
• 55:08
  Speaker 6: I can't forgive them.
• 55:09
  Speaker 2: You know my head streak.
• 55:10
  Speaker 4: You know what I did then, what I do now?
• 55:13
  Speaker 2: All hours heaviest the head. It's a blessing and a curse.
• 55:45
  Speaker 6: Up, joke up.
• 56:09
  Speaker 9: The only coin the phone.
• 56:10
  Speaker 6: He's going in my mom all he's done.
• 56:15
  Speaker 4: Well, he it all.
• 56:17
  Speaker 9: The only coin the phone.
• 56:19
  Speaker 6: He's going all, he's done, He's it all.
• 56:26
  Speaker 29: I'm a king, but a bum mistake. That come me,
• 56:28
  Speaker 29: you're bad man. That's a good good thing. I said,
• 56:30
  Speaker 29: swing back when in the mess wing so I make
• 56:32
  Speaker 29: my mama prow and I make the ram. Heavy's the head.
• 56:38
  Speaker 29: Heavy is the head. Heavy is the head. It's a
• 56:40
  Speaker 29: blessed anticise.
• 56:41
  Speaker 7: Heavy is the head. Heavy is the head man. When
• 56:44
  Speaker 7: Jasmine Sandlist and honeyman Kind dropped the song, they certainly
• 56:48
  Speaker 7: moved the needle in the culture, much like the rest
• 56:51
  Speaker 7: of the music in this soundtrack certainly shout out to
• 56:54
  Speaker 7: Jasmine Sandlist, honeyman Kind and shut what such the folks.
• 56:58
  Speaker 7: I've been making music for years and I've spent four
• 57:01
  Speaker 7: days on this show inside one film franchise. That's not
• 57:04
  Speaker 7: something I do lightly. I don't do these weeks because
• 57:07
  Speaker 7: they're cute. I do them because every once in a while,
• 57:09
  Speaker 7: something happens in this culture that deserves the full hour
• 57:11
  Speaker 7: four days in a row. The under was that not
• 57:15
  Speaker 7: because of the box office, not because of the Netflix release,
• 57:18
  Speaker 7: because of what it proved that a Hindi film can
• 57:21
  Speaker 7: still command three and a half hours of your attention
• 57:24
  Speaker 7: if it earns it, that a soundtrack can carry a
• 57:27
  Speaker 7: story instead of just dressing it up, That a thirty
• 57:30
  Speaker 7: year old Punjabi folk song can sit underneath the twenty
• 57:34
  Speaker 7: twenty five spy thriller and make the whole thing feel inevitable.
• 57:38
  Speaker 7: And the voice of the duology sat right here today
• 57:41
  Speaker 7: and told you how that actually got made. The version
• 57:45
  Speaker 7: of the music in cinema we just spent a week inside,
• 57:48
  Speaker 7: and that's what we should be measuring everything against now,
• 57:52
  Speaker 7: not whether a film opened, whether the music did its job.
• 57:56
  Speaker 7: Tomorrow on the show, folks, it's our weekly top twenty.
• 58:00
  Speaker 7: I want you to do is listen for the songs
• 58:02
  Speaker 7: on the chart that do their job the way that
• 58:04
  Speaker 7: the Runder soundtrack did its job, because the ones that
• 58:08
  Speaker 7: did are the future of this music business. This song
• 58:11
  Speaker 7: right here is called Firse. It's my favorite song from
• 58:15
  Speaker 7: the two soundtracks. Sing Shush what such Dave. I've had
• 58:19
  Speaker 7: a great time hanging out with you all today, see
• 58:22
  Speaker 7: you tomorrow.
• 58:23
  Speaker 4: You do not.
• 58:32
  Speaker 2: Mor Yeah do s Macky many right yeah do.
• 59:00
  Speaker 8: On it GUSI, Perceon and Vody some jam from c
• 59:09
  Speaker 8: Coom do norm On Everson, a Nobody, some jam room
• 59:18
  Speaker 8: Heldom do he normOn Eperson and a body some.
• 59:25
  Speaker 2: Jail from the Cartom, I'm.
• 59:29
  Speaker 8: On every person and Nobody some jee
• 59:36
  Speaker 2: Room Cottom do he rm on ep