Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - March 2026 (Physical Media Show!)

Transcript

After Hours - March 2026 (Physical Media Show!) · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:00
  Speaker 1: Whoa, whoa, whoa, whoa. Ohoa okay, okay, okay, okay, I'm ready.
• 0:05
  Speaker 1: Welcome to Split Your Head, a biweekly podcast hosted by
• 0:09
  Speaker 1: me Bob that covers the gamut of all things horror, exploitation, cult, underground, experimental, transgressive, bizarre,
• 0:17
  Speaker 1: and indie. I have been fortunate enough to connect with
• 0:19
  Speaker 1: some of the most groundbreaking and upcoming filmmakers, writers.
• 0:22
  Speaker 2: And artists.
• 0:23
  Speaker 1: Don't expect a typical interview.
• 0:25
  Speaker 3: I love shooting the shoot with my guests and stumbling
• 0:27
  Speaker 3: on surprising topics that will literally split our heads. From
• 0:30
  Speaker 3: spider comedies to nihilistic sleeves, a comfortable art house to
• 0:34
  Speaker 3: genre classics. If that gets my brain buzzing and cracking
• 0:37
  Speaker 3: wide open like a watermelon full of blood, then I
• 0:39
  Speaker 3: would like to share it with your emails. Now a
• 0:44
  Speaker 3: part of the Someone's Favorite Productions Podcast Network.
• 0:47
  Speaker 4: Hi mom, you are now listening to the Someone's Favorite
• 0:51
  Speaker 4: Productions Podcast Network.
• 1:16
  Speaker 5: Opp So, what do you guys think is gonna come first?
• 2:06
  Speaker 6: You think World War three?
• 2:08
  Speaker 2: Or or g T A six g T A six.
• 2:15
  Speaker 6: I'll try to think what the other the other thing
• 2:17
  Speaker 6: was gonna be? I was gonna pick At this point,
• 2:19
  Speaker 6: I'm afraid. At this point, I'm afraid we're not gonna
• 2:22
  Speaker 6: get the Wolverine it's in the fall or the new
• 2:26
  Speaker 6: Guitar Hero.
• 2:28
  Speaker 5: Dude, the New Guitar Hero. Did you watch the trailer
• 2:30
  Speaker 5: for that?
• 2:30
  Speaker 6: Yeah, it looks, it looks terrible. But if I just want,
• 2:36
  Speaker 6: I just want. I saw today the picture of the
• 2:39
  Speaker 6: new guitar, like the the concept designed for it. It
• 2:43
  Speaker 6: looks exactly the same.
• 2:45
  Speaker 5: What's it supposed to be, like a Les Paul or something.
• 2:48
  Speaker 6: I don't know. I don't know guitars like sorry, maybe
• 2:51
  Speaker 6: it's I think it's.
• 2:52
  Speaker 2: Gonna be uh, poor Jordan just got shut down.
• 2:55
  Speaker 5: I don't I don't know. I don't know guitars like that.
• 2:57
  Speaker 6: But it looks it's the same, you know, standard style.
• 3:01
  Speaker 6: I don't think they're doing the Guitar Hero World Tour
• 3:03
  Speaker 6: thing where they added the like that sensitive touch bar
• 3:06
  Speaker 6: at the bottom. Remember they did it at the bottom
• 3:09
  Speaker 6: of the sem Oh.
• 3:11
  Speaker 5: Yeah, where you can like you get solo slide or do.
• 3:15
  Speaker 6: Yeah, the sliding. Yeah, I don't think they're doing that again.
• 3:17
  Speaker 6: But this is the same. Because I think I read
• 3:21
  Speaker 6: that people are like, is this a fucking movie podcast
• 3:24
  Speaker 6: or podcast? This is the same creators right of the
• 3:27
  Speaker 6: Guitar Hero franchise, but they don't own the rights to
• 3:29
  Speaker 6: Guitar Hero anymore, so they had to make their own.
• 3:32
  Speaker 5: Oh I think it's something like that, like the same
• 3:35
  Speaker 5: ones that did what was the third one, Legends of
• 3:37
  Speaker 5: Rock or something like that. Oh yeah. What was really
• 3:40
  Speaker 5: cool with that, as I saw, is it's gonna be online,
• 3:43
  Speaker 5: So it's like the songs are easy to easibly downloaded,
• 3:47
  Speaker 5: and they're gonna have like seasons and stuff. Fuck yeah, dude,
• 3:49
  Speaker 5: day one.
• 3:51
  Speaker 2: Listen. It's taking everything in me to not buy the
• 3:54
  Speaker 2: New Breast of the Evil. That game looks incredible and
• 3:57
  Speaker 2: I've heard nothing but good things about it. I don't
• 3:59
  Speaker 2: know if you guys are a fan, but I love
• 4:01
  Speaker 2: those games so much.
• 4:03
  Speaker 6: I have a feeling it's gonna be free on like
• 4:07
  Speaker 6: PlayStation Premium, like or PlayStation Plus within the next like
• 4:11
  Speaker 6: before summer. So I'm gonna hold out a little bit
• 4:13
  Speaker 6: because I almost paid the seventy dollars for Spider Man
• 4:17
  Speaker 6: two and then it popped up for free as.
• 4:19
  Speaker 5: A PlayStation Plus.
• 4:20
  Speaker 2: That's an game.
• 4:21
  Speaker 6: Now afraid to buy anything, honestly, PlayStation Plus.
• 4:26
  Speaker 2: Chris is forever on hold from buying games.
• 4:28
  Speaker 5: He loves physical when it comes to movies, but digital
• 4:31
  Speaker 5: when it comes to video games. Is that what I'm hearing? Dude?
• 4:33
  Speaker 6: Listen. The only new game that i've I didn't even
• 4:36
  Speaker 6: buy it. My wife got it for me was Indiana
• 4:38
  Speaker 6: Jones on PlayStation five, and I own that physically, thank
• 4:43
  Speaker 6: you very much. Games are already expensive.
• 4:45
  Speaker 5: Enough, Chris.
• 4:46
  Speaker 2: Are you trying to tell me that you didn't splurge
• 4:48
  Speaker 2: and get a Pokemon fire Red or Leaf Green?
• 4:51
  Speaker 5: Well?
• 4:51
  Speaker 6: I also listen to music on Spotify, so you know
• 4:54
  Speaker 6: I'm not completely physical media reliant, you know. Oh sorry,
• 4:59
  Speaker 6: I feel speaking of this before I get in trouble
• 5:02
  Speaker 6: with the Internet, because these guys are just making me
• 5:05
  Speaker 6: feel terrible that my life decisions lately. Pickups, you guys
• 5:11
  Speaker 6: were like, right before we went live, You're like, oh,
• 5:13
  Speaker 6: let's talk about what we picked up? And I was like,
• 5:15
  Speaker 6: I got one thing for the entire month of February,
• 5:20
  Speaker 6: so I figure I'll talk about that real quick. So
• 5:23
  Speaker 6: from the movie room dot Com, they were nice enough
• 5:26
  Speaker 6: to send me a copy over.
• 5:29
  Speaker 5: Of a set of movies that.
• 5:33
  Speaker 6: I don't know enough about to discuss in any real detail.
• 5:39
  Speaker 6: I listened to an incredible podcast called Perverse Permission with
• 5:42
  Speaker 6: Sam Deagan. I think I've talked about it multiple times
• 5:45
  Speaker 6: on here. It's co hosted by Oscar Babe, and they
• 5:49
  Speaker 6: did and I think their first two or three, maybe
• 5:53
  Speaker 6: even four episodes were on a series of pink u
• 5:57
  Speaker 6: films called the Angel Trilogy, and I kind of immediately
• 6:03
  Speaker 6: started diving in and trying to see where I can
• 6:05
  Speaker 6: find these movies. Some of these were in pretty rough shape.
• 6:07
  Speaker 6: But for those who don't know, Angel Guts is a
• 6:11
  Speaker 6: series of six Japanese pink films otherwise known as Pink You.
• 6:15
  Speaker 6: They were made between nineteen seventy eight and nineteen ninety four,
• 6:18
  Speaker 6: and they're based on a manga by Takashi Ishi. These
• 6:23
  Speaker 6: are very traditional in the pink u form, so extreme violence,
• 6:29
  Speaker 6: heavy sexuality are part of it. But one thing that
• 6:33
  Speaker 6: I learned from Perverse Permission about them is kind of
• 6:36
  Speaker 6: some of the deeper context to the movies and kind
• 6:38
  Speaker 6: of the relevance that they have in Japanese cinema as
• 6:41
  Speaker 6: a whole and world cinema. And at the time this
• 6:46
  Speaker 6: had just got announced, so I picked up the Angel
• 6:48
  Speaker 6: Guts collection from Third Window Films, and.
• 6:52
  Speaker 5: This is sort of like a digibook style. There is
• 6:58
  Speaker 5: four disks in here and five films, so you have
• 7:02
  Speaker 5: Red Classroom, Nami, Red Porno, Red Vertigo, and Red Flash
• 7:08
  Speaker 5: all available across four discs.
• 7:10
  Speaker 6: And there's a bunch of really cool new stuff on here.
• 7:12
  Speaker 6: So Red Classroom has a new commentary by Jasper Sharp,
• 7:15
  Speaker 6: Nami has a new audio commentary by Jasper Sharp. Red
• 7:18
  Speaker 6: Porno doesn't have any bonus features, but Red Verdigo has
• 7:22
  Speaker 6: a new audio commentary by Tom mess and then a
• 7:25
  Speaker 6: new audio commentary Oh no, I'm sorry, Red Porno does
• 7:27
  Speaker 6: They're on the same disc has a new audio commentary
• 7:30
  Speaker 6: by Sam Began, and then there's a new audio commentary
• 7:34
  Speaker 6: track on Red Flash.
• 7:35
  Speaker 5: With Jasper Sharp.
• 7:36
  Speaker 6: And this is sort of kind of up my alley
• 7:40
  Speaker 6: recently because I've been diving into like the Sato collection
• 7:43
  Speaker 6: from Viniger Syndrome, getting a little bit more in This
• 7:46
  Speaker 6: is my first pickup from Third Window Films and very
• 7:51
  Speaker 6: very very excited to have this and to get into this.
• 7:55
  Speaker 6: I'm definitely a little nervous because I know I've seen
• 8:00
  Speaker 6: some pretty extreme contrast between the content of Pink You films,
• 8:04
  Speaker 6: but diving into something new like this is something that
• 8:07
  Speaker 6: I love so much, and I was happy. I was
• 8:10
  Speaker 6: a little nervous that the movie room wasn't gonna get this,
• 8:12
  Speaker 6: or if this wasn't going to be accessible on most places,
• 8:15
  Speaker 6: so I was stoked to pick this up. I don't
• 8:18
  Speaker 6: know if you guys ever seen any of the Japanese
• 8:20
  Speaker 6: Pink You films before.
• 8:21
  Speaker 2: No, but I've wanted to get into them.
• 8:23
  Speaker 5: No, can you? Can you read the description for Red
• 8:28
  Speaker 5: Porno for me? I would like to know what that
• 8:31
  Speaker 5: movie is about.
• 8:32
  Speaker 6: Yeah, of course, man, I imagine that it probably a
• 8:38
  Speaker 6: porno and it's red, and I'm just kidding.
• 8:40
  Speaker 5: That's very good.
• 8:41
  Speaker 6: So it actually says, according to IMDb that, well, I
• 8:46
  Speaker 6: clicked on an ad Michael Later's Going Nuts Nami. As
• 8:51
  Speaker 6: a staff member at an exclusive department store, her libido
• 8:54
  Speaker 6: is chiefly satisfied alone until a coworker talks her into
• 8:57
  Speaker 6: subbing on a porno. Modeling of her appearance in the
• 9:00
  Speaker 6: magazine has no end of complications for her.
• 9:03
  Speaker 5: And it's only sixty seven minutes. Well, two more minutes,
• 9:09
  Speaker 5: and it's been just the perfect movie.
• 9:12
  Speaker 6: Yeah, stop, that's inappropriate, man.
• 9:17
  Speaker 7: No.
• 9:17
  Speaker 6: I seriously stoked to have these incredible work. Sam Deagan
• 9:21
  Speaker 6: Jasper Snow for your workingness or I hope or Jester's sharp.
• 9:24
  Speaker 6: I'm sorry, I said the Snow. I'm very excited to
• 9:27
  Speaker 6: pick that up. That's literally my only brand new pickup
• 9:30
  Speaker 6: for the month of February, and I pre ordered that
• 9:32
  Speaker 6: in December.
• 9:34
  Speaker 2: You've got a lot on your hands, that's for sure.
• 9:36
  Speaker 5: I got a lot going on. Man, what about you
• 9:38
  Speaker 5: guys who wants to talk about?
• 9:39
  Speaker 2: Will you picked up Jordan? Have had it?
• 9:43
  Speaker 5: Well, I'm gonna talk about three kind of pretty quickly.
• 9:48
  Speaker 5: Two from technically there are Vavision releases. One is this
• 9:54
  Speaker 5: masterpiece right here that I got in and I think
• 9:58
  Speaker 5: it's called a on Flux or eon flux.
• 10:02
  Speaker 6: Oh god, I remember.
• 10:03
  Speaker 5: I'm just kidding this now that this one was kind
• 10:06
  Speaker 5: of a joke. Yes, it was a new pickup. This
• 10:09
  Speaker 5: movie sucks so that that's that's the only reason I
• 10:11
  Speaker 5: brought this up. Visually, it's a beautiful film, like The
• 10:14
  Speaker 5: Four Killer's great, but the movie's just just awful. The
• 10:18
  Speaker 5: lady with the hands for feet walking around, that's I
• 10:22
  Speaker 5: tell you.
• 10:23
  Speaker 6: That was two thousand and five. Who directed Karen Usama? Interesting, okay,
• 10:31
  Speaker 6: made a whole bunch of wow. I feel like I
• 10:35
  Speaker 6: remember renting that back in the day and not loving it.
• 10:41
  Speaker 5: No, it's not good. It's based off of it's.
• 10:46
  Speaker 6: A woman who directed Jennifer's Body.
• 10:50
  Speaker 7: Look, it's based off of a anime or like a
• 10:55
  Speaker 7: h I guess it's an MTV anime or I don't know,
• 11:00
  Speaker 7: to be an anime would be a cartoon.
• 11:01
  Speaker 6: I don't know, I don't know. It looks like though
• 11:04
  Speaker 6: it was directed by Paul W. S Anderson post resident
• 11:07
  Speaker 6: Evil though you know, like when you got super stylized. Yeah,
• 11:14
  Speaker 6: not the good move. And also reference if you're listening
• 11:17
  Speaker 6: to this, then our episode on Event Horizon dropped only
• 11:21
  Speaker 6: only like six days from.
• 11:22
  Speaker 2: This episode, so out for that.
• 11:25
  Speaker 5: Speaking of Paul W.
• 11:26
  Speaker 6: S Anderson, I'm sorry, Jordan, I'm.
• 11:27
  Speaker 5: Excited for that. But that's okay. This next one was
• 11:29
  Speaker 5: another Vavision release I got. This is John Carpenter's Vampires.
• 11:33
  Speaker 5: Oh yeah. In my opinion, it's an underrated John Carpenter film.
• 11:39
  Speaker 5: Not a lot of people really talk about this one.
• 11:41
  Speaker 5: It's look, it's not his best film, but I I
• 11:44
  Speaker 5: really enjoy the vampires in this, the way they look,
• 11:48
  Speaker 5: the way they explode and burst into flames in the
• 11:51
  Speaker 5: in the Sun you got James Woods, but no I did.
• 11:57
  Speaker 5: I did really enjoy this film quite a lot. Yeah.
• 12:01
  Speaker 5: And to the this, uh the lenticular that's on this
• 12:05
  Speaker 5: Via Vision release, I mean, it's it's so cool.
• 12:09
  Speaker 6: Somebody posted on a Facebook group chat and they were like, oh,
• 12:13
  Speaker 6: John Carpenter, has he ever made like a truly gory movie?
• 12:17
  Speaker 6: And I commented, I was like, have you ever seen
• 12:18
  Speaker 6: the hotel scene from Vampires?
• 12:21
  Speaker 5: You know when he.
• 12:21
  Speaker 6: Splits a guy in half vertically with his nail? Yeah,
• 12:26
  Speaker 6: I've never seen that one.
• 12:26
  Speaker 5: I'm like, oh, yeah, all right, Or how about I
• 12:30
  Speaker 5: don't know, the thing like one of his most popular films.
• 12:33
  Speaker 6: Yeah, I think I think he was trying to go
• 12:37
  Speaker 6: like outside of body horror, you know what I mean, likee.
• 12:45
  Speaker 5: But yeah, that that scene. Yeah. Oh anyways, one more.
• 12:51
  Speaker 5: This one was a film that everyone I had talked
• 12:54
  Speaker 5: to had been trying to convince me to watch. I
• 12:56
  Speaker 5: had never seen it. This is actually a Nova Media release,
• 13:00
  Speaker 5: and the professional leon the professional I had never seen
• 13:06
  Speaker 5: this movie. And yeah, everybody was telling me, Jordan, you
• 13:10
  Speaker 5: need to watch it. Check it out. It's like a
• 13:13
  Speaker 5: master Bich You're gonna love it. Yeah, they were right.
• 13:17
  Speaker 5: I loved this movie. The uh, the dynamic between him
• 13:25
  Speaker 5: and a very young Natalie Portman, which, by the way,
• 13:29
  Speaker 5: for her being as young as she was, she had
• 13:31
  Speaker 5: no business acting as good as she did in that movie.
• 13:33
  Speaker 6: I was gonna ask you if you knew how old
• 13:35
  Speaker 6: offhand she was in that movie, and she.
• 13:37
  Speaker 5: Like fourteen, yeah, thirteen, fourteen, twelve somewhere in there. Yeah,
• 13:43
  Speaker 5: But her performance in that movie was just wow. I
• 13:48
  Speaker 5: was shocked.
• 13:49
  Speaker 6: That movie to me as a kid, was like what
• 13:52
  Speaker 6: I imagine to like a twelve year old movie fan now
• 13:56
  Speaker 6: would be like John Wick.
• 13:58
  Speaker 5: Yeah.
• 13:59
  Speaker 6: Yeah, it almost felt like larger than life. By the
• 14:02
  Speaker 6: time I finally saw it, like everybody had talked about it.
• 14:05
  Speaker 6: I had seen so many just at the time, you know,
• 14:09
  Speaker 6: the earlier days of the internet. I've seen so many
• 14:11
  Speaker 6: people talk about Lee on the professional. When I finally
• 14:13
  Speaker 6: saw it at like thirteen, it just blew me away.
• 14:17
  Speaker 5: Dude, it's so good. Yeah, yeah, no, I really enjoyed it.
• 14:23
  Speaker 5: Gary Oldman, you know, yeah, it's great, great, baby. What
• 14:28
  Speaker 5: do you guys, what is your favorite not main star
• 14:34
  Speaker 5: Gary Oldman performance?
• 14:38
  Speaker 2: Uh, true Romance is the first one that comes to mind.
• 14:41
  Speaker 6: That's what I was gonna say, okay, yeah, his character
• 14:44
  Speaker 6: in True Romance dying a quarter of the way through
• 14:47
  Speaker 6: the movie.
• 14:48
  Speaker 2: That movie I just watched recently. Oh my god, I
• 14:52
  Speaker 2: swear that's one that gets better with ever viewing.
• 14:56
  Speaker 6: Yeah. Yeah, True Romance is incredible.
• 14:58
  Speaker 2: Man.
• 14:58
  Speaker 6: I watched that not too long ago and just fell
• 15:02
  Speaker 6: in love with it again, like fell I love, I
• 15:07
  Speaker 6: love the the whole deal at the theme park.
• 15:10
  Speaker 2: Oh yeah, yep, I just fell in love.
• 15:13
  Speaker 6: With that movie again.
• 15:14
  Speaker 5: Man.
• 15:14
  Speaker 6: Have you ever seen your Romance Jordan?
• 15:19
  Speaker 5: I don't. I don't think so. I don't know. It's
• 15:21
  Speaker 5: I feel like I have, but I gotta check.
• 15:25
  Speaker 2: You gotta get that Aerol four K that that's incredible.
• 15:28
  Speaker 5: Great Hans, Oh my gosh, yes, why am I? Yes,
• 15:32
  Speaker 5: that's the movie that Quentin Tarantino wrote. Yes, no, yes,
• 15:39
  Speaker 5: shootout scene at the end of the movie stack cast. Yes. Yes,
• 15:44
  Speaker 5: I don't know. I'm sorry, I don't know why. Yes,
• 15:47
  Speaker 5: I have that movie. I love that movie.
• 15:49
  Speaker 6: I was confused a little bit when you said you hadn't.
• 15:51
  Speaker 5: Yeah. Great, great score. I was gonna just about to
• 15:55
  Speaker 5: say the score on that is so good.
• 15:57
  Speaker 2: Was that a movie that you guys discovered early on?
• 16:01
  Speaker 2: Like getting into I guess Quentin Tarantino to a certain extent,
• 16:06
  Speaker 2: or Tony or maybe Tony Scott was your entry point.
• 16:11
  Speaker 5: Mine was more Tarantino.
• 16:14
  Speaker 2: That's how I found out about it was.
• 16:16
  Speaker 5: From Tarantino, because it feels there are sections of that
• 16:19
  Speaker 5: movie that's like, this is a Tarantino film.
• 16:22
  Speaker 6: Yeah, yeah, I feel like I saw it when I
• 16:26
  Speaker 6: was younger. I just didn't. I wasn't of maturity yt
• 16:31
  Speaker 6: to love it like I do now, you know. To me,
• 16:36
  Speaker 6: it was very much like in the realm, you know
• 16:39
  Speaker 6: what movie I always compare it to in some weird way,
• 16:42
  Speaker 6: and it's because it's a film structure. I really like.
• 16:45
  Speaker 6: Same with like Smoking Aces, the Joe Carnahan film, where
• 16:49
  Speaker 6: you have three quarters of the movie is build up
• 16:52
  Speaker 6: to the one big action scene. That's like the True
• 16:56
  Speaker 6: Romance style to me, you know what I mean, where
• 16:58
  Speaker 6: True Romance is not an action packed movie until the end.
• 17:01
  Speaker 6: And I remember when I was younger seeing the I
• 17:04
  Speaker 6: call it the interrogation scene, you know, between Christopher Walker
• 17:11
  Speaker 6: walking and Dennis Hopper. Yeah, I remember seeing that scene.
• 17:16
  Speaker 6: I remember being fascinated with Patricia Arquette, but not not
• 17:21
  Speaker 6: being mature enough to understand kind of the real themes
• 17:25
  Speaker 6: of the movie that I understand it now.
• 17:28
  Speaker 5: So I don't know. I feel like it was probably
• 17:32
  Speaker 5: more Tarantino because pulp fiction was just such a.
• 17:35
  Speaker 6: Pop culture icon, you know, you just kind of had
• 17:39
  Speaker 6: to see it.
• 17:40
  Speaker 2: That Reservoir Dogs. I remember, those were definitely movies very
• 17:44
  Speaker 2: early on that were like gateway movies for me to
• 17:48
  Speaker 2: get more into cinema and take it a little bit
• 17:50
  Speaker 2: more seriously and really want to see what else is
• 17:53
  Speaker 2: out there. I after seeing both those movies, I feel
• 17:57
  Speaker 2: like pulp Fiction.
• 17:58
  Speaker 6: Was much more accessible than Reservoir So I saw Reservoir
• 18:01
  Speaker 6: Dogs before Pulp Fiction, but I didn't appreciate Reservoir Dogs
• 18:04
  Speaker 6: until years later, until I was older and I saw it.
• 18:09
  Speaker 6: It's like, it's like that thing where in my mind
• 18:12
  Speaker 6: I remember seeing the year get cut off and it
• 18:15
  Speaker 6: never you don't see it. It's like one of those things. Yeah,
• 18:19
  Speaker 6: So just wasn't really you know. Now, when I watched
• 18:22
  Speaker 6: True Romance, I love it. I'm obsessed with Christians Later
• 18:25
  Speaker 6: and Patricia Arkat's relationship in that movie and how well moved.
• 18:28
  Speaker 5: I think Patricia Arqat is.
• 18:31
  Speaker 6: So fucking adorable in that movie. Man, she just steals
• 18:35
  Speaker 6: every single scene.
• 18:36
  Speaker 2: She's Uh, she's definitely an actress. That's very captivating because
• 18:40
  Speaker 2: you look at the range that she has from something
• 18:43
  Speaker 2: like that all the way to Lost Highway, where I
• 18:46
  Speaker 2: mean it's almost a complete opposite style of character that
• 18:50
  Speaker 2: she's playing in that. But yeah, she's she's definitely incredible.
• 18:53
  Speaker 2: And Christian Slayer's fucking awesome.
• 18:56
  Speaker 5: Dude, Christian Slater is so good, man, it's so good.
• 19:00
  Speaker 6: Brad Pitt I love Brad Plittz character or Brad pitt
• 19:03
  Speaker 6: He's just a fucking burnout. That's the roommate.
• 19:05
  Speaker 2: Young James Scandalfini.
• 19:08
  Speaker 6: Incredible, Michael Rappaport as Dick Richie and that.
• 19:12
  Speaker 5: All those all those actors were in that movie.
• 19:15
  Speaker 6: Yeah, ud dude, Tom Sizemore mm hm yeah. Chris penn
• 19:20
  Speaker 6: is also in it as well. Chris penn Man, Samuel
• 19:23
  Speaker 6: Jackson pops up at like. There's so many characters Andrew Romance,
• 19:27
  Speaker 6: so many great character actors. Val Kilmer has it, plays
• 19:31
  Speaker 6: Elvis Presley in the scenes with Christian Slater.
• 19:34
  Speaker 2: Victor Arco is another one.
• 19:36
  Speaker 6: Yeah, it's really that's a that's a stacked one, man,
• 19:39
  Speaker 6: that's a really stacked one.
• 19:42
  Speaker 5: Steve, what do you got for pickups for us? Man?
• 19:45
  Speaker 2: All right, I'm gonna give you guys, slow down. Let's
• 19:49
  Speaker 2: start off with the classic boogie Knights at the four
• 19:54
  Speaker 2: K Steel book Chris look away.
• 19:57
  Speaker 6: Tell me, how does how does the final shot of
• 19:59
  Speaker 6: that movie looking.
• 20:00
  Speaker 2: For K that's something.
• 20:05
  Speaker 6: I remember in four K?
• 20:06
  Speaker 5: I don't know.
• 20:07
  Speaker 2: Oh my god, it's a fun movie. I didn't really
• 20:13
  Speaker 2: have a chance to appreciate this movie until a little
• 20:16
  Speaker 2: bit later on. It wasn't one that it really gravitated
• 20:19
  Speaker 2: towards until after like repeat viewings. But getting this in
• 20:25
  Speaker 2: four K, I kind of waited some time to be
• 20:27
  Speaker 2: able to pick up the steal book for this. I
• 20:29
  Speaker 2: picked this up over at Gloria Video and then let's
• 20:33
  Speaker 2: see what else I got. So that one.
• 20:36
  Speaker 5: That one's awesome, Probably one of my favorite, like early
• 20:39
  Speaker 5: John c Riley performances in movie nights.
• 20:41
  Speaker 2: Oh yeah, and the cast, the cast is incredible. Just
• 20:46
  Speaker 2: it feels like the I know the movie is a
• 20:48
  Speaker 2: little bit longer, it feels like it just breezes by engaging.
• 20:56
  Speaker 6: Yeah, yeah, that movie's one hundred and fifty five minutes long.
• 21:00
  Speaker 6: Holy hell, it doesn't.
• 21:01
  Speaker 5: Feel like that.
• 21:02
  Speaker 2: No, not at all.
• 21:03
  Speaker 6: Like, when you're watching it, I'm just checking out this
• 21:05
  Speaker 6: cast again. It's it's been a couple of years, but yeah,
• 21:08
  Speaker 6: Heather Graham as the roller Girl. Yes, she's incredible, John Cheatle,
• 21:12
  Speaker 6: Louis Guzman, Burt Reynolds, Julianne Moore. Yeah, staff cast so good.
• 21:21
  Speaker 2: This is complete opposite of that. This is another one
• 21:23
  Speaker 2: that I got in that same order. Jean Claude van
• 21:28
  Speaker 2: Dam's Double Impact. I am so excited to watch this.
• 21:32
  Speaker 2: I've been waiting on this for a minute. So happy
• 21:35
  Speaker 2: to have this in the collection. I think at this
• 21:37
  Speaker 2: point I'm finally rounding out. I think his peak era
• 21:42
  Speaker 2: of films in my collection now. So very happy to
• 21:45
  Speaker 2: have that one.
• 21:47
  Speaker 6: I just have to say I love that. Brian, our
• 21:50
  Speaker 6: friend Brian, last movie standing. The first thing he sends
• 21:54
  Speaker 6: us is that I think is it the opening shot?
• 21:58
  Speaker 2: I'm pretty sure?
• 21:58
  Speaker 5: Yeah, Yeah, He's like, yes, we looks great in four K.
• 22:05
  Speaker 2: Listen. It's got everything you can ask for. I'm gonna
• 22:08
  Speaker 2: let you know, however's listening find out for themselves with
• 22:11
  Speaker 2: what we're referring to.
• 22:12
  Speaker 5: But.
• 22:13
  Speaker 2: That one is definitely peak. Sean Claude van Dam and
• 22:18
  Speaker 2: I got in spent a long time coming. I don't
• 22:22
  Speaker 2: know why I didn't have this in the collection. I
• 22:24
  Speaker 2: got Fatal Attraction on four K. Michael Douglas Glenn Close,
• 22:29
  Speaker 2: as you guys know, a big fan of erotic thrillers,
• 22:31
  Speaker 2: and this one is what I consider probably st here
• 22:36
  Speaker 2: when it comes to just how good of a movie
• 22:39
  Speaker 2: this is, and and this is one that I've been
• 22:45
  Speaker 2: waiting on. I caved. I blame Jordan for this sport
• 22:48
  Speaker 2: before you.
• 22:49
  Speaker 6: Get what is the better Adrian Line directed erotic thriller?
• 22:53
  Speaker 6: The Last or not Last Deduction? Oh my god, In
• 22:56
  Speaker 6: Decent Proposal or Fatal Attraction, I.
• 23:02
  Speaker 2: Would have to go Fatal Attraction just because of I
• 23:07
  Speaker 2: think the memories that I have attached to when I
• 23:09
  Speaker 2: saw Fatal Attraction probably way too young, and I would yeah,
• 23:13
  Speaker 2: but more from a nostalgia standpoint, they're both incredible films.
• 23:18
  Speaker 2: I actually have Indecent Proposal on the way, so I'm
• 23:21
  Speaker 2: excited to get that one coming up here soon.
• 23:24
  Speaker 6: So I'm curious because I love I mean, I think
• 23:26
  Speaker 6: in Decent Proposal has a heavyweight of Demi.
• 23:29
  Speaker 2: Moore, you know, is Oh yeah, yeah.
• 23:32
  Speaker 6: I think it's also Woody Harrelson, right, I think in
• 23:36
  Speaker 6: that who plays her husband. Yes, it's Woody Harrelson, right,
• 23:40
  Speaker 6: Yes it is. I'm pretty sure, Adrian Lyne and decent proposal.
• 23:45
  Speaker 6: I think it's double check. The Internet's like, yeah it is, yeah,
• 23:48
  Speaker 6: Woody Harrelds. And then of course Robert Redford is the
• 23:52
  Speaker 6: rich man who pays to sleep. It is with Demi
• 23:54
  Speaker 6: Moore for a night.
• 23:55
  Speaker 2: What an incredible director that I just don't think gets
• 23:59
  Speaker 2: his furs.
• 24:01
  Speaker 6: Yeah, so no, real quick, before we jacobs Ladder r dude,
• 24:06
  Speaker 6: Jacob's Ladder. Unfaithful another incredible Uh well, actually, okay, hold on,
• 24:12
  Speaker 6: I asked, I asked you which was the best erotic thriller?
• 24:16
  Speaker 6: And then you could also put in Unfaithful and Lolita
• 24:19
  Speaker 6: and nine and a half.
• 24:20
  Speaker 2: Weeks nine and a half weeks is another good one.
• 24:23
  Speaker 6: Yeah, and then he where's the four K for that
• 24:25
  Speaker 6: for nine and a half weeks?
• 24:26
  Speaker 5: It's coming out nine and a half weeks.
• 24:28
  Speaker 2: Man, you son of a don't tease me. Okay, So,
• 24:36
  Speaker 2: after much build up, blame Jordan for this one. I
• 24:41
  Speaker 2: was morally conflicted on whether or not I should pick
• 24:44
  Speaker 2: this up, but I caved and I got Jade from Imprint.
• 24:51
  Speaker 2: I mean, listen, I don't think the Vinegar Syndrome release
• 24:54
  Speaker 2: did this film justice with the chosen cover art. And
• 25:00
  Speaker 2: that's totally fine because I have this now and everything
• 25:03
  Speaker 2: is right in the world. So I am so happy
• 25:05
  Speaker 2: to have this. I will excuse me another excuse to
• 25:08
  Speaker 2: rewatch this movie again.
• 25:10
  Speaker 5: So yeah, I'm sorry, Jordan, go ahead. Now, I was gonna
• 25:13
  Speaker 5: say that they threw in a new documentary. I don't know, Yes,
• 25:16
  Speaker 5: I don't know if it's is it brand new? I
• 25:18
  Speaker 5: know it's another documentary in there that's not on the
• 25:22
  Speaker 5: Vinegar Syndrome release, So I mean there's quite a bit
• 25:25
  Speaker 5: of extra stuff on there that you're not getting.
• 25:28
  Speaker 6: Well, in case you guys were wondering, there are a
• 25:31
  Speaker 6: couple of new bonus features on that that are actually
• 25:33
  Speaker 6: produced by our podcast network, that were produced by someone's
• 25:40
  Speaker 6: favorite Productions and Will Dotson and Ryan Beryl that disconnected.
• 25:44
  Speaker 6: Hell yeah, just but I forgot that vision site is
• 25:47
  Speaker 6: currently down for some maintenance. So I'm just going on
• 25:51
  Speaker 6: here to see if I can figure out which ones
• 25:54
  Speaker 6: it was.
• 25:56
  Speaker 2: Maybe they're doing a release for nine and a half
• 25:58
  Speaker 2: weeks because you spoke into exist Suits.
• 26:01
  Speaker 6: Yeah right, I believe I would have to double check
• 26:06
  Speaker 6: with Ryan, but I believe they produce the subversive heart
• 26:10
  Speaker 6: of William Freakin's JA the video Essay by Michelle Kisner.
• 26:14
  Speaker 6: Oh yes, and then they're the new audio commentary with
• 26:17
  Speaker 6: Nina K. Martin and Will Dotson of Someone's Favorite Productions
• 26:20
  Speaker 6: as well. I believe those are the two that are
• 26:22
  Speaker 6: produced by our podcast network.
• 26:25
  Speaker 2: You can't wait to check them out.
• 26:26
  Speaker 6: But I'll double check and edit in the description if
• 26:28
  Speaker 6: I need to. So very personal connection to that one.
• 26:32
  Speaker 5: Well, you know, I convince you know, Stephen, you get that.
• 26:36
  Speaker 5: But he in turn convinced me to pick up the
• 26:39
  Speaker 5: last seduction, So I splurged on that a little bit.
• 26:44
  Speaker 5: Good work.
• 26:45
  Speaker 2: That's okay, that's worth it.
• 26:46
  Speaker 5: Yeah, proud of you guys.
• 26:48
  Speaker 6: You guys definitely picked up more than me this month.
• 26:50
  Speaker 6: But I'm okay. I'll just sit here with my red one.
• 26:53
  Speaker 5: Hey. You know what, you have more self control than
• 26:56
  Speaker 5: we do, so good for you. What about you guys?
• 27:01
  Speaker 5: Want to get into what we've been watching?
• 27:05
  Speaker 2: Yeah, Jordan, you're the Gustav Honor.
• 27:08
  Speaker 6: Somebody wants to start.
• 27:09
  Speaker 5: Please take it away, please carry out man. Jesus my goodness,
• 27:15
  Speaker 5: So we have this one right here. Uh it is
• 27:19
  Speaker 5: it's a new Hammer release. It's not really a Hammer film.
• 27:23
  Speaker 5: They started this new line called Hammer Presents where they're
• 27:26
  Speaker 5: taking British horror films and basically distributed them, giving them
• 27:32
  Speaker 5: a little bit of a Hammer treatment on there. And
• 27:34
  Speaker 5: the first one is Cry the Banshee I get. I
• 27:37
  Speaker 5: don't know if you guys have seen this. The stars
• 27:39
  Speaker 5: Vincent Price, he plays this, this ruthless magistrate that is
• 27:45
  Speaker 5: out to rid the world of witchcraft by any means necessary.
• 27:51
  Speaker 5: It's he has a terrible just the family. It's all bad.
• 27:56
  Speaker 5: And essentially one day is while they're out witch they
• 28:00
  Speaker 5: come across this coven and actually end up killing quite
• 28:06
  Speaker 5: a few of them. And so the leader of this
• 28:09
  Speaker 5: coven named Una calls upon the power of Satan to
• 28:14
  Speaker 5: send a banshee out to kill the family. I forget,
• 28:19
  Speaker 5: I forget what his family's name. It isn't well anyways,
• 28:22
  Speaker 5: Vincent Price's family. So the banshee she sends basically a
• 28:25
  Speaker 5: death curse after them. I loved this movie. What's really
• 28:32
  Speaker 5: cool about this is you're actually getting two different cuts.
• 28:34
  Speaker 5: You're getting the theatrical cut, the US version, which really a
• 28:40
  Speaker 5: neutered the film. They went for a PG rating for
• 28:44
  Speaker 5: the US. The whole opening sequence of this movie is
• 28:48
  Speaker 5: completely different, but the director's cut, I mean, they really
• 28:52
  Speaker 5: don't hold anything back. There's like, there's tons of exploitation
• 28:57
  Speaker 5: in this movie. It's pretty wild. Actually, it opens up
• 29:01
  Speaker 5: with a witch trial that Vincent Price is overseeing. But
• 29:07
  Speaker 5: what's great with this is I mean you're getting audio
• 29:09
  Speaker 5: commentary by Chris Alexander.
• 29:12
  Speaker 6: Yeah, Chris Alexander, owner of a delirium magazine. Now the
• 29:18
  Speaker 6: Delirium film's sublievable vinegar syndrome.
• 29:21
  Speaker 5: Yeah, dude, Chris Alexander, you want to talk about wealth
• 29:24
  Speaker 5: and knowledge? The dude knows his who knows his stuff?
• 29:26
  Speaker 5: He especially when it comes to like uh, I mean,
• 29:30
  Speaker 5: he's been on so many Hammer releases now they keep
• 29:33
  Speaker 5: bringing him back. But you're gonna interview with Kim Newman
• 29:36
  Speaker 5: on here, and then there's an interview with the it's
• 29:40
  Speaker 5: an archival interview with the director Gordon Hessler. Yeah. I
• 29:46
  Speaker 5: highly recommend this one. It's it's very folk horror, like
• 29:51
  Speaker 5: a folk tale. And what's interesting is the Banshee I
• 29:54
  Speaker 5: was reading is more of an Irish scott More Irish
• 29:59
  Speaker 5: folk our folk tale, and they kind of take that
• 30:02
  Speaker 5: name and twisted. Make it a British full horror film. Okay,
• 30:07
  Speaker 5: but but I really enjoy it. The Banshee's more like
• 30:10
  Speaker 5: a like a werewolf type guy. It's a good movie. Steve.
• 30:15
  Speaker 6: This is the director of Murders in the Room Work.
• 30:19
  Speaker 2: Yeah.
• 30:20
  Speaker 6: I don't know if you've ever seen that from seventy one.
• 30:25
  Speaker 2: It's been a long time since I've seen that.
• 30:26
  Speaker 6: Screen Factory put it out. I think a couple of
• 30:31
  Speaker 6: years ago they did a release of it. He also directed, uh,
• 30:37
  Speaker 6: he directed an episode of Cool Shakta Nightstalker. He directed
• 30:41
  Speaker 6: some episodes I believe one episode and Yeah, Alfred Hitchcock
• 30:45
  Speaker 6: presents This guy's done a lot of cool work.
• 30:49
  Speaker 5: Man.
• 30:49
  Speaker 6: That's actually, like, you know, a lot of the hammer
• 30:51
  Speaker 6: stuff I've been not into enough to like buy because
• 30:56
  Speaker 6: I mean I feel like once I buy one, I'm
• 30:59
  Speaker 6: gonna have to buy all and some of them are
• 31:00
  Speaker 6: pretty expensive. And but that one, especially after your description
• 31:05
  Speaker 6: kind of reading into this as you were talking about it,
• 31:08
  Speaker 6: I think that's when I want to go back and
• 31:09
  Speaker 6: pick up.
• 31:10
  Speaker 5: Yeah, you know what's good. What's what's nice about this is,
• 31:13
  Speaker 5: like I said, this is I mean, this is kind
• 31:15
  Speaker 5: of their standard line is kind of what they're going with.
• 31:19
  Speaker 5: Like you said, this isn't a Hammer film, but they're
• 31:22
  Speaker 5: just they're trying to bring these British horror films, you know,
• 31:27
  Speaker 5: into bring him out today, give him a four K treatment,
• 31:31
  Speaker 5: you know that kind of stuff. So this isn't really
• 31:35
  Speaker 5: a Hammer film per se. So but what's nice is
• 31:38
  Speaker 5: this Hammer resents it's not that expensive and this line
• 31:42
  Speaker 5: would be a lot easier to keep up with than there.
• 31:46
  Speaker 5: You know, they're bigger releases like they did with uh,
• 31:49
  Speaker 5: with the Curs Frankenstein and the Quator Masses and and
• 31:54
  Speaker 5: Captain Captain Cronos and stuff like that. Are you thinking
• 31:57
  Speaker 5: of the documentary? I'm sorry, see, oh no, it's sorry,
• 32:01
  Speaker 5: I am Yeah. Yeah that did you guys see the
• 32:03
  Speaker 5: slip cover on that thing.
• 32:04
  Speaker 6: Yeah, it's like the stage curtain.
• 32:06
  Speaker 5: Mm hmm. It's going to be interesting because from what
• 32:09
  Speaker 5: I'm hearing, I was reading Ryan's post about it, and
• 32:13
  Speaker 5: that supposedly there's a lot of AI work in it.
• 32:18
  Speaker 6: That's so wonderful.
• 32:19
  Speaker 5: I'm still I'm going to pick it up. I'm curious
• 32:22
  Speaker 5: to see it though, but you know, it looks that aside,
• 32:27
  Speaker 5: it still looks really really good.
• 32:29
  Speaker 2: I feel like Hammer Films is doing just a phenomenal
• 32:32
  Speaker 2: job giving these films the boutique treatment that they deserve,
• 32:40
  Speaker 2: but also I feel like it's allowing a new audience
• 32:42
  Speaker 2: to really discover them in the process and making it
• 32:45
  Speaker 2: more of like a collectible experience with how they've rolled
• 32:48
  Speaker 2: them out. I know you're obviously a huge fan of them,
• 32:52
  Speaker 2: and I feel like, I mean, you have all of them,
• 32:54
  Speaker 2: don't you, the ones that they've released so far.
• 32:56
  Speaker 5: So far. Yeah, what I think is just so great
• 32:59
  Speaker 5: about it is there. It's obviously it's the Hammer company
• 33:04
  Speaker 5: who made these movies, so they own everything about these movies.
• 33:07
  Speaker 5: They have like a wealth of knowledge with be able
• 33:11
  Speaker 5: to put everything they possibly can within these releases, which
• 33:15
  Speaker 5: that's what I like a lot about it is it's
• 33:18
  Speaker 5: not like another company, you know, say a Second Side
• 33:24
  Speaker 5: or seven putting out a Hammer film. You know they're
• 33:27
  Speaker 5: not going to be able to put pack as much
• 33:30
  Speaker 5: stuff as say if the Hammer themselves did it, and
• 33:33
  Speaker 5: you'd think a lot of the studios they don't do
• 33:36
  Speaker 5: this kind of treatment. Man, Hammer's really hammering in with
• 33:40
  Speaker 5: with these releases. Aha, that's what I love about it.
• 33:44
  Speaker 5: And they're like they are like college level courses on
• 33:49
  Speaker 5: some of these releases, the more deluxe collectible ones, I
• 33:53
  Speaker 5: should say, well, I feel like they give you everything.
• 33:55
  Speaker 5: They lay it out all that on the table. They're like, hey,
• 33:57
  Speaker 5: look this is what we have for lobby card.
• 34:01
  Speaker 6: You know, uh like re you know, rescans and editorial pieces, newspaper,
• 34:08
  Speaker 6: newspaper articles. They kind of give you it all in
• 34:10
  Speaker 6: various ways, whether it's embedded into the packaging or it's
• 34:12
  Speaker 6: in your booklet. You know, they give you everything. And
• 34:16
  Speaker 6: you know, especially like watching guys like Keith Holland from
• 34:19
  Speaker 6: Cereal at Midnight, who's now done multiple commentaries for them
• 34:23
  Speaker 6: and and and some work for them. He's really dove
• 34:25
  Speaker 6: into Like there's no they're sparing no expense with these.
• 34:28
  Speaker 6: They're giving you an exhausting amount of stuff that they
• 34:32
  Speaker 6: have on this movie and putting it all into the
• 34:36
  Speaker 6: packaging and the presentation and the bonus features, where it's
• 34:38
  Speaker 6: actually kind of exhausting, Like I feel like it would
• 34:40
  Speaker 6: take you some time to get through everything, especially multiple
• 34:45
  Speaker 6: cuts of the movie and audio commentaries and yeah, a lot,
• 34:49
  Speaker 6: it's a lot of work.
• 34:50
  Speaker 5: M so, but I actually want to is it still available,
• 34:55
  Speaker 5: like on any any site?
• 34:56
  Speaker 6: That we buy from.
• 34:58
  Speaker 5: Yeah, so I believe. So the movie room that's where
• 35:01
  Speaker 5: I got mine. Right, let me see what's on it
• 35:09
  Speaker 5: is still available? Yeah? Sweet?
• 35:13
  Speaker 6: How much is it? I should already have these pages
• 35:16
  Speaker 6: up when we start recording.
• 35:18
  Speaker 5: It's it's twenty nine nine and it's this is part
• 35:21
  Speaker 5: of which also is I just was seeing the picture
• 35:25
  Speaker 5: of it. It's what's interesting about this too, is it's
• 35:28
  Speaker 5: part of their series of films that I forget the
• 35:33
  Speaker 5: company who actually did the movie, but they it was
• 35:38
  Speaker 5: AIP American International Productions or Pictuture or something. They they
• 35:44
  Speaker 5: pushed Edgar Allan Poe as a selling point and it
• 35:50
  Speaker 5: was a series of films they did Edgar Allan Poe
• 35:52
  Speaker 5: and Vincent Price, and they kind of put those two together.
• 35:55
  Speaker 5: The film has nothing to do with Edgar Allan Poe whatsoever,
• 35:58
  Speaker 5: but that it's marketed that I mean, even the film
• 36:01
  Speaker 5: opens up with a poem, an excerpt from it. Nothing
• 36:05
  Speaker 5: to do with it. It's it's it's purely a marketing technique,
• 36:09
  Speaker 5: but it's very it's very cool. It's just a piece
• 36:12
  Speaker 5: of history that I love.
• 36:14
  Speaker 6: That's so funny that they did that.
• 36:18
  Speaker 5: Yeah, it looks like there's four copies left.
• 36:20
  Speaker 6: Over at the movie Room twenty nine ninety nine, So
• 36:24
  Speaker 6: head on over there and grab that still available. As
• 36:26
  Speaker 6: artwork is pretty incredible. I know people can't see it,
• 36:28
  Speaker 6: but that artwork is pretty insane.
• 36:32
  Speaker 5: Good work, Man, good good pick. Talk about the very
• 36:35
  Speaker 5: nice pick, very good Steve.
• 36:37
  Speaker 6: What do you got for us?
• 36:39
  Speaker 5: Man?
• 36:40
  Speaker 2: All right, I'm gonna pivot and I've got a recent
• 36:46
  Speaker 2: release from Vinegar Syndrome's Canadian International Pictures. Is this considered
• 36:51
  Speaker 2: a sub label underneath them?
• 36:54
  Speaker 5: I think so?
• 36:55
  Speaker 2: Okay. I just know that this is how it was marketed,
• 36:58
  Speaker 2: and that is none other then Ghostkeeper. This one moved
• 37:09
  Speaker 2: very quickly and I'm so happy that I was able
• 37:13
  Speaker 2: to get my hands on this. I'm sure, as you
• 37:17
  Speaker 2: guys know, especially with New Year's Eve esque horror, we're
• 37:22
  Speaker 2: pretty limited on movies that we get. So we've got
• 37:25
  Speaker 2: New Year Evil and Terror Trained you know, those are
• 37:27
  Speaker 2: a little bit more known. But I feel like you
• 37:30
  Speaker 2: can confidently add Ghostkeeper to your watch lists come New
• 37:34
  Speaker 2: Year's Eve. This movie was just this was actually a
• 37:38
  Speaker 2: first time watch for me and it definitely delivered. This
• 37:44
  Speaker 2: is a very atmospheric, feels like a more low budget
• 37:52
  Speaker 2: eighties horror film, but it's so rich in the atmosphere,
• 37:56
  Speaker 2: has an incredible atmospheric score from Paul's Aza, who did
• 38:01
  Speaker 2: the score for My Bloody Valentine as well. Yeah, yeah,
• 38:05
  Speaker 2: So obviously on this release there's a newly scanned four
• 38:10
  Speaker 2: K transfer that we get with this new audio commentary
• 38:13
  Speaker 2: featuring some of the stars, their co writer, co writer
• 38:17
  Speaker 2: and associate producer Doug McCloud. You get one other featuring
• 38:25
  Speaker 2: new audio commentary featuring Hysteria Continues and author film historian
• 38:30
  Speaker 2: Amanda Rayes. See there are a few new interviews on
• 38:36
  Speaker 2: here which you could check out. I mean, this release
• 38:39
  Speaker 2: is pretty stack. Pluster's some archival special features on here
• 38:43
  Speaker 2: as well. I just genuinely really enjoyed this movie. It
• 38:47
  Speaker 2: was a very unexpected surprise and it's one of those
• 38:51
  Speaker 2: times that I'm glad that I was able to move
• 38:55
  Speaker 2: quickly and take advantage of getting this movie. But have
• 38:59
  Speaker 2: either of you guys seen it or had a chance
• 39:00
  Speaker 2: to check it out?
• 39:03
  Speaker 5: No? Yeah, I picked it up.
• 39:06
  Speaker 2: What did you think?
• 39:08
  Speaker 5: I loved it? I loved it. I loved the you know,
• 39:12
  Speaker 5: very isolated trapped in snowed in part of that. What
• 39:18
  Speaker 5: did you think about so you have the couple and
• 39:21
  Speaker 5: that the girl. The relationship between the dude and that
• 39:25
  Speaker 5: other girl. I mean it was they definitely hinted at
• 39:29
  Speaker 5: he was or at least she was one of the two. Uh,
• 39:34
  Speaker 5: wasn't being very faithful.
• 39:36
  Speaker 2: No. No, You're basically getting a group of friends that
• 39:40
  Speaker 2: basically they run into heavy snowfall, and then they actually
• 39:45
  Speaker 2: stumble upon an abandoned hotel and they meet this really
• 39:51
  Speaker 2: really creepy woman and everything escalates from there. I think,
• 39:58
  Speaker 2: dependent on when you're watching, this just feels like a
• 40:01
  Speaker 2: very winter horror film to check out. But yeah, as
• 40:07
  Speaker 2: as Jordan said this, this was a very welcome surprise
• 40:10
  Speaker 2: out of the movies that we're gonna be discussing.
• 40:12
  Speaker 5: I enjoyed it a lot. I really didn't.
• 40:15
  Speaker 6: Doesn't look like there's a lot of info out about
• 40:18
  Speaker 6: this movie because I've never seen this, but I stumbled
• 40:20
  Speaker 6: across the IMDb trivia and learned a couple interesting things.
• 40:25
  Speaker 6: One is that the film's money started to run out
• 40:28
  Speaker 6: during production, so rather than cancel, Jim mcachuck, the director,
• 40:33
  Speaker 6: decided to make things up as we as he went along,
• 40:36
  Speaker 6: and he said that that explains the film's uneven incoherence
• 40:39
  Speaker 6: section sections of the movie. Did you guys notice anything
• 40:43
  Speaker 6: that might make you think that they ran out of
• 40:45
  Speaker 6: money halfway through?
• 40:46
  Speaker 2: I could see that.
• 40:48
  Speaker 5: Did you guys?
• 40:48
  Speaker 6: Also, did you guys also notice any of the reused
• 40:52
  Speaker 6: score pieces from prom Night that Paul's as I used
• 40:55
  Speaker 6: in this.
• 40:57
  Speaker 5: No, I'm gonna have to go back and look and
• 40:58
  Speaker 5: listen to it.
• 41:00
  Speaker 6: Yeah, it's interesting. Yeah, there's not a lot of info
• 41:03
  Speaker 6: out about this movie, man, I mean never heard of this.
• 41:06
  Speaker 6: It's sold out over at themovie room dot com. It
• 41:10
  Speaker 6: is a New World Pictures film. It looks like at
• 41:13
  Speaker 6: least for US distribution. So I look to see if.
• 41:18
  Speaker 5: One of our partners shows the New World Pictures podcast
• 41:20
  Speaker 5: that cover this, and they haven't yet. So interesting, man,
• 41:23
  Speaker 5: I want to check this out. Yeah, it's you know,
• 41:26
  Speaker 5: you saying they lost money kind of basically, you know,
• 41:30
  Speaker 5: ran out of money midway the movie. It's solow budget,
• 41:34
  Speaker 5: so you could tell that, Like, Okay, that makes a
• 41:36
  Speaker 5: whole lot of sense for sure. Yeah, But like like
• 41:41
  Speaker 5: Steve said it, that's just part of its charm. It's
• 41:43
  Speaker 5: what makes the movie what it is.
• 41:46
  Speaker 6: Yeah, of course. Yeah, Well I'm putting that on my radar.
• 41:49
  Speaker 6: Thank you, Steve for making me spend some more money.
• 41:51
  Speaker 2: You got it, man, That's what I'm here for.
• 41:56
  Speaker 6: I think you guys are gonna like the first title
• 41:58
  Speaker 6: I'm going to talk about. This was not a first
• 41:59
  Speaker 6: time I'm watching. We have seen this movie plenty of times,
• 42:02
  Speaker 6: but I decided to go back and rewatch Cronenberg's nineteen
• 42:06
  Speaker 6: ninety six film Crash. I know, I know. I think
• 42:09
  Speaker 6: both of you guys are a fan of this one, right,
• 42:11
  Speaker 6: big fan. Yeah.
• 42:13
  Speaker 5: Yeah, It's been a while since I watched it. I'm
• 42:15
  Speaker 5: gonna have to go back and rewatch it again. But
• 42:17
  Speaker 5: I like the movie.
• 42:18
  Speaker 6: Yeah, go back and rewatch it. I think this is
• 42:20
  Speaker 6: like the fourth time I've rewatched it in the past
• 42:23
  Speaker 6: two years.
• 42:24
  Speaker 5: This movie has such a.
• 42:25
  Speaker 6: Like an alluring, almost like a magnetism to it that
• 42:29
  Speaker 6: makes me want to keep coming back to it in
• 42:31
  Speaker 6: this weird way, almost like the you know, the the
• 42:34
  Speaker 6: the allures of the accidents that our characters are sucked into.
• 42:40
  Speaker 6: I don't remember when or where, but somehow, maybe a
• 42:44
  Speaker 6: podcast or something I'd kind of stumbled across, Oh, Mike
• 42:46
  Speaker 6: Monster's Evolution of Horror podcast. This season, he's doing man
• 42:51
  Speaker 6: Made Monsters.
• 42:52
  Speaker 5: They did a double feature of Crash and Titan, And
• 42:59
  Speaker 5: that's double feature.
• 43:01
  Speaker 2: That's a movie we need on four K two to
• 43:03
  Speaker 2: go alongside with those.
• 43:05
  Speaker 5: Yeah. Yeah, their discussion of Crash, I was like, Oh,
• 43:08
  Speaker 5: I gotta go back and watch this again. And you know,
• 43:11
  Speaker 5: you guys might think I'm a little hyperbolic with this.
• 43:14
  Speaker 5: I think this has become my favorite Cronenberg film.
• 43:20
  Speaker 2: We were talking about that the other night.
• 43:22
  Speaker 6: It's ballsy, man, this movie's really fucking good, dude, Like,
• 43:30
  Speaker 6: there's just and I can't even tell you what it is,
• 43:33
  Speaker 6: because when it comes to Cronenberg, I find myself more
• 43:38
  Speaker 6: a fan of his a little bit more straight narrative films,
• 43:42
  Speaker 6: you know, like the fly things that are easier to
• 43:44
  Speaker 6: follow than opposed to his more offbeat, very Kronenbergian films
• 43:50
  Speaker 6: like I.
• 43:50
  Speaker 5: Would kind of put Crash under. But I think what
• 43:53
  Speaker 5: I love about Crash so much is every time I
• 43:56
  Speaker 5: rewatch it, I pick up on a little bit more
• 43:58
  Speaker 5: and a little bit more and a little bit more
• 44:00
  Speaker 5: that I just didn't pick up on before. And every
• 44:03
  Speaker 5: time I listen to somebody else kind of break down
• 44:05
  Speaker 5: and discuss the movie, I want to go back and
• 44:08
  Speaker 5: pick up on what they picked up on and it
• 44:11
  Speaker 5: just kind of it keeps getting better every time I
• 44:14
  Speaker 5: go back and I watch it again.
• 44:18
  Speaker 6: I think this is one of his best shot movies.
• 44:21
  Speaker 2: Oh it's gorgeous.
• 44:22
  Speaker 5: This movie's beautiful.
• 44:23
  Speaker 6: There is nobody, Nobody shoots sex on screen like David Cronenberg.
• 44:31
  Speaker 6: It's absolutely crazy. Holly Hunter is incredible in this Devora
• 44:37
  Speaker 6: Hunger is unbelievable. She is like a magnet, dude. Every
• 44:43
  Speaker 6: scene that she's in is just ferocious. She's incredible.
• 44:49
  Speaker 5: Elias Kotias as Vaughn, that guy is absolutely phenomenal. His character,
• 44:57
  Speaker 5: it's it's it's a wonderful, wonderful movie, man. That is
• 45:01
  Speaker 5: so strange and sexy, and like, I don't know, man,
• 45:09
  Speaker 5: I read this quote from Cronenberg. I guess a critic
• 45:13
  Speaker 5: had kind of talked about how the car crash scenes
• 45:16
  Speaker 5: in the movie aren't exciting, and he was like, and
• 45:19
  Speaker 5: they're very fast, And he's like, well, yeah, car crashes
• 45:21
  Speaker 5: in real life are fast.
• 45:25
  Speaker 6: You know, which is the most real answer you could give.
• 45:29
  Speaker 2: Don't forget Rosanna Arquette.
• 45:31
  Speaker 5: Yeah, Rosanna Arquette.
• 45:34
  Speaker 6: Yeah, there's a lot about this movie, man, that's really
• 45:38
  Speaker 6: just really alluring. And I have the Criterion Blu ray,
• 45:43
  Speaker 6: and there's an hour long discussion with David Cronenberg on
• 45:46
  Speaker 6: it that was taken from I believe it was nineteen
• 45:53
  Speaker 6: ninety six at the National Film Leader in London. It's
• 45:56
  Speaker 6: a Q and A with him.
• 45:59
  Speaker 5: Just I don't know, man, I don't know how to
• 46:01
  Speaker 5: talk about this movie in a way that's just it's so.
• 46:09
  Speaker 2: Seductive.
• 46:10
  Speaker 6: Yeah, it's seductive, and it's really fucking weird. Like the
• 46:15
  Speaker 6: wound fucking scene is so strange, But it's not like
• 46:22
  Speaker 6: it doesn't turn me away from some of the more
• 46:26
  Speaker 6: like the obscurity of a movie doesn't make the movie
• 46:29
  Speaker 6: feel less real to me, you know what I mean.
• 46:31
  Speaker 6: It's not so weird that I feel like I'm taking
• 46:33
  Speaker 6: out and I'm in a different world.
• 46:35
  Speaker 2: And the Howard Shore's score on top of all.
• 46:38
  Speaker 6: That incredible, dude. But I'll tell you what has become
• 46:41
  Speaker 6: my favorite scene. This whole movie feels like it's on
• 46:44
  Speaker 6: another planet, right, Like everything these characters do feel so
• 46:49
  Speaker 6: abnormal that everything feels like you're on a different planet,
• 46:53
  Speaker 6: and it almost feels like an out of body experience,
• 46:55
  Speaker 6: especially when you get to the car crash scene that
• 46:58
  Speaker 6: they stumble across and they're just walking around this live
• 47:04
  Speaker 6: active car crashing and Vond's taking photos like a full
• 47:09
  Speaker 6: blown photo shoot, and nobody is saying anything to them.
• 47:14
  Speaker 6: They just drive the car like on the side of
• 47:17
  Speaker 6: the road, past the accident, past the cops, and nobody
• 47:20
  Speaker 6: stops them. It's almost like they're in their own world
• 47:24
  Speaker 6: and nobody can see them. They're just they're not active
• 47:27
  Speaker 6: participants in it. They're just like these outside viewers to
• 47:31
  Speaker 6: the whole thing that can somehow kind of interact. And
• 47:34
  Speaker 6: it feels like they're on a totally different plane of existence,
• 47:37
  Speaker 6: which I think is kind of like a metaphor for
• 47:41
  Speaker 6: what it's like to become so engrossed and obsessed and
• 47:46
  Speaker 6: allord to something like they are into, like car accidents
• 47:49
  Speaker 6: and kind of this whole uh fetish. I guess that
• 47:52
  Speaker 6: they're that they've discovered I don't know, I fetish will
• 47:55
  Speaker 6: be the right word.
• 47:56
  Speaker 2: I think that's putting it lightly.
• 47:57
  Speaker 5: You know, you know, Chris, I want to know your
• 48:02
  Speaker 5: he must like cars. I mean, Christine, it's another one
• 48:05
  Speaker 5: where he has kind of a a little fetish about
• 48:09
  Speaker 5: the car. You know, when when when when when Christine
• 48:13
  Speaker 5: heels herself, I mean he's over there.
• 48:15
  Speaker 2: He's the twists and metals.
• 48:18
  Speaker 6: I'm discovering something, man. Pretty sure I'm going to start
• 48:20
  Speaker 6: re enacting my favorite celebrity crashes. Man, I think I'm
• 48:25
  Speaker 6: getting there.
• 48:25
  Speaker 2: I was gonna say, Chris, has your interest in car
• 48:27
  Speaker 2: crashes suddenly increased after watching Crash?
• 48:31
  Speaker 6: I don't know, Man, Christ kind of sweaty find out
• 48:35
  Speaker 6: man sweating over here. Yeah, it's just interesting, man, It's
• 48:42
  Speaker 6: it's going back to these and I think for me
• 48:45
  Speaker 6: a lot of times, it's just the it's the nineties
• 48:49
  Speaker 6: aesthetic that I love so much, and as I get older,
• 48:52
  Speaker 6: I continuously go back to There's just there's something about
• 48:57
  Speaker 6: the practicality of these movies and the lack of cgi
• 49:02
  Speaker 6: and everything being so real. You can feel out and
• 49:04
  Speaker 6: you can you can just touch everything, and everything looks
• 49:07
  Speaker 6: and just has this great mood.
• 49:09
  Speaker 5: This movie just has a vibe to.
• 49:12
  Speaker 6: It that's, you know, very sensational, and I absolutely love
• 49:16
  Speaker 6: it and I just keep coming back to it.
• 49:18
  Speaker 5: Man, It's it's really good. I think this is the
• 49:21
  Speaker 5: power I talk about all the time of rewatching movies,
• 49:24
  Speaker 5: going back and just throw them on again. It's what
• 49:29
  Speaker 5: your thoughts on I wanted to ask you, you had
• 49:32
  Speaker 5: you had talked to you, kind of talked about Cronenberg's
• 49:34
  Speaker 5: more straightforward stories films as compared to you know, Crash, Videodrome,
• 49:41
  Speaker 5: those types of films. Where would you put this along
• 49:45
  Speaker 5: with his more straightforward, let's say, History of Violence. I
• 49:50
  Speaker 5: do kind of feel like I could create two different
• 49:53
  Speaker 5: categories for Cronenberg. Yeah, I do feel like I could
• 49:56
  Speaker 5: do like.
• 49:58
  Speaker 6: I could do, like, you know, History of Violence, the
• 50:02
  Speaker 6: Fly Eastern Promises. I feel like they can kind of
• 50:07
  Speaker 6: be lumped in their own category. And if you're talking
• 50:08
  Speaker 6: about the three of those, I'm probably gonna say History
• 50:11
  Speaker 6: of Violence is my favorite. If you're if you're gonna
• 50:14
  Speaker 6: talk about, you know, the David Cronenberg of like Crimes
• 50:19
  Speaker 6: of the Future, Videodrome, Naked Lunch, you know what I mean, Like,
• 50:24
  Speaker 6: this's the really weird Kronenberg stuff. I think Crash has
• 50:27
  Speaker 6: become a favorite of mine. I haven't seen The Shrouds yet.
• 50:32
  Speaker 6: I haven't the Janus Film's release of it. I haven't
• 50:35
  Speaker 6: watched it yet.
• 50:39
  Speaker 5: Yeah, i'd probably I mean.
• 50:40
  Speaker 6: The Crimes of the Future, I'm getting into more and
• 50:45
  Speaker 6: more as I watch it. Videodrome is obviously incredible, existends.
• 50:51
  Speaker 6: It is incredible.
• 50:52
  Speaker 5: I would I would probably put for me it would probably.
• 50:57
  Speaker 6: Be like a video drome Scanners, you know what I mean,
• 51:04
  Speaker 6: Like I don't know, man, because then like I want
• 51:09
  Speaker 6: to put Rabbit.
• 51:10
  Speaker 5: Up there too. Rabbit's great, Like Rabbit.
• 51:13
  Speaker 6: Is incredible, And there's actually a lot of crossover that
• 51:16
  Speaker 6: I was reading about from Rabbit and Crash. People were
• 51:19
  Speaker 6: saying that Crash could technically kind of be an extension
• 51:21
  Speaker 6: of the survivors of Rabbit, you know what I mean,
• 51:25
  Speaker 6: like or not not from Rabbit from Shivers. I'm sorry, Shivers, I.
• 51:30
  Speaker 2: Could say that.
• 51:31
  Speaker 6: Yeah, people were saying, like all the survivors from Shivers
• 51:34
  Speaker 6: could go on to be kind of like our characters
• 51:37
  Speaker 6: and Crash. Uh So I would probably if I'm talking
• 51:43
  Speaker 6: like top three Cronenberg right now, in that category, I'd
• 51:46
  Speaker 6: probably go Shivers, video Drome, and probably Naked Lunch. I've
• 51:53
  Speaker 6: had a little bit of a fascination with bugs lately
• 51:55
  Speaker 6: and Naked Lunch, so that it is a good one,
• 51:58
  Speaker 6: and that arrow box set at least is pretty pretty phenomenal.
• 52:02
  Speaker 6: So I'm done talking about my fetishes, though I'm willing
• 52:05
  Speaker 6: to du you.
• 52:06
  Speaker 2: Got me oneing to rewatch this and I just watched
• 52:08
  Speaker 2: this movie not that long ago, so put it on.
• 52:10
  Speaker 5: Chris, remind me to send you a couple of hot
• 52:12
  Speaker 5: wheels for your birthday.
• 52:15
  Speaker 6: To watch crash some hot wheels.
• 52:23
  Speaker 5: That's funked up, dude. I'll accept it, though, You're just
• 52:29
  Speaker 5: gonna be uploading POV shots of you of your hands
• 52:32
  Speaker 5: pushing the cars around. Chris.
• 52:34
  Speaker 6: Chris can't stop watching car movies, like He's watched Maximum
• 52:37
  Speaker 6: Overdrive four times this week.
• 52:39
  Speaker 2: I don't know, It's like, what's what's all the heavy
• 52:40
  Speaker 2: breathing going on?
• 52:44
  Speaker 5: He's got like the you know those like when you
• 52:46
  Speaker 5: had a kid, the carpet with the roads on it.
• 52:49
  Speaker 5: He has one of those with the hot wheel, and
• 52:52
  Speaker 5: all I do want there is crash the cars. Oh god, well, Jordan,
• 52:59
  Speaker 5: I hope your next movie is just as horny as
• 53:01
  Speaker 5: my pick was. I mean there there's a there's a
• 53:08
  Speaker 5: horny esque scene, a couple of scenes in here. But no,
• 53:12
  Speaker 5: this is a new era release. Actually, what is I forget?
• 53:17
  Speaker 5: John Borman directed this film and it is his film
• 53:21
  Speaker 5: ex Caliber. I had never seen this one. This was
• 53:25
  Speaker 5: a blind by for me. And when I tell you,
• 53:30
  Speaker 5: this movie is incredible, I got I got like destroyed
• 53:38
  Speaker 5: in my comment section for calling saying the score in
• 53:41
  Speaker 5: this is incredible, which it is, but I guess technically
• 53:44
  Speaker 5: it's kind of a soundtrack, I know, but still, the
• 53:48
  Speaker 5: music in this movie is just phenomenal. I think the
• 53:53
  Speaker 5: it's the story is almost biblical like in how grand
• 53:58
  Speaker 5: it is. I just love the learning about the the family,
• 54:06
  Speaker 5: starting with Uther, King Arthur, and his his son all
• 54:10
  Speaker 5: in the connection with EXCaliber and you got a young
• 54:17
  Speaker 5: oh what's his name, Patrick Stewart's in this Young Liam
• 54:20
  Speaker 5: Neeson makes an appearance as well, Helen Mirren, Helen Maren
• 54:25
  Speaker 5: And that's kind of you you said about you know,
• 54:27
  Speaker 5: little little Horny. You know she uh, she does a
• 54:31
  Speaker 5: little bit of magic to sleep with her brother to
• 54:35
  Speaker 5: have their son. But Merlin, I think Merlin's probably my
• 54:39
  Speaker 5: favorite character of this whole movie. I love that character
• 54:43
  Speaker 5: and the way they talk about the old religion, which is,
• 54:48
  Speaker 5: you know, of sorcery and magic compared to King Arthur,
• 54:50
  Speaker 5: what he's bringing in the new religion of Christianity. And
• 54:53
  Speaker 5: it's it's just this epic tale that I just I
• 54:57
  Speaker 5: I bought into it wholehearted.
• 55:01
  Speaker 6: I've heard nothing but incredible things about this movie, and
• 55:04
  Speaker 6: I've never seen it. But speaking of horny, John Borman directs,
• 55:11
  Speaker 6: he directs Deliverance in the seventies, right, and then so
• 55:17
  Speaker 6: he directs Deliverance and then tell me how before he
• 55:20
  Speaker 6: directs Excalibur, he directs The Exorcists too.
• 55:24
  Speaker 5: Yeah, they mentioned that in one of the videos or something,
• 55:29
  Speaker 5: and I was like, that's right, he did that trash.
• 55:36
  Speaker 5: Oh man, Well, we don't talk about that movie. What
• 55:40
  Speaker 5: do you think is a better movie Excalibur or A
• 55:42
  Speaker 5: Kid in King Arthur's Court? I love Excalibur. No, you know,
• 55:51
  Speaker 5: just the way I'm going on about this movie, the
• 55:53
  Speaker 5: way it shot, the way that they do, like that
• 55:57
  Speaker 5: he uses light that shines off the armor. Just the
• 56:04
  Speaker 5: best way I can describe it is just grand. The
• 56:06
  Speaker 5: film with the music and it's it almost looks like
• 56:14
  Speaker 5: it opens up. It's like a fairy tale. But visually,
• 56:17
  Speaker 5: the coloring of it, the way it's told is like
• 56:21
  Speaker 5: it's like a fairy tale. I don't know how to
• 56:23
  Speaker 5: describe it. You need to check it out. But I
• 56:25
  Speaker 5: think this release too, from raw video, I mean, they
• 56:28
  Speaker 5: they absolutely killed it. You are getting multiple cuts of
• 56:32
  Speaker 5: the film like a documentary in here. The making of
• 56:40
  Speaker 5: you're getting the one hundred and twenty minute TV version
• 56:43
  Speaker 5: of the film. Yeah, lots of lots of awesome stuff
• 56:48
  Speaker 5: in this release. Very very.
• 56:51
  Speaker 2: Dude.
• 56:51
  Speaker 6: I've heard nothing but the most incredible things about this release,
• 56:55
  Speaker 6: Like I haven't seen one out of criticism about it.
• 57:00
  Speaker 6: If the limited edition hangs around, I think I will
• 57:02
  Speaker 6: pick it up at some point, but I might just
• 57:04
  Speaker 6: grab the standard because I've never seen it. But the
• 57:08
  Speaker 6: year community coming together and praising this the way they
• 57:12
  Speaker 6: have it makes me want to get it.
• 57:14
  Speaker 5: Just from that. I'm just saying, next year for the
• 57:18
  Speaker 5: shell Chack rewards, don't be surprised if this gets brought up.
• 57:23
  Speaker 5: It's it's that it's just amazing, I'm sure.
• 57:27
  Speaker 6: Yeah, Steve, are you a fan of this one?
• 57:30
  Speaker 2: I am. I haven't seen it in a long time,
• 57:32
  Speaker 2: but I'm definitely excited to get it in four K
• 57:36
  Speaker 2: and be able to I feel like, see this film
• 57:40
  Speaker 2: and most likely the best it'll ever look.
• 57:44
  Speaker 5: Yeah, hell yeah, do good choice. Jordan, goodpool. He's distracted.
• 57:49
  Speaker 6: I don't know what he's looking at.
• 57:50
  Speaker 2: No, I was just I was just reading He's look
• 57:53
  Speaker 2: at car crashes.
• 57:53
  Speaker 5: Oh yeah, what I was gonna say is that there's
• 57:58
  Speaker 5: a there's a document entery in here. It's kind of
• 58:01
  Speaker 5: a short one is forty eight minutes, but it's a
• 58:05
  Speaker 5: it's a documentary on the making of the film that
• 58:10
  Speaker 5: has never got a home video release and was very
• 58:13
  Speaker 5: rarely shown at all because there was like a few
• 58:16
  Speaker 5: prints of it, And you're getting that in here, which
• 58:18
  Speaker 5: I think is stunning.
• 58:20
  Speaker 6: Oh yeah, dude, that's awesome. Good pick EXCaliber EXCaliber Aero
• 58:26
  Speaker 6: four K still available. Definitely kind of running low though.
• 58:30
  Speaker 6: Let's do a quick let's do a quick movie room
• 58:34
  Speaker 6: check here and see what's going on with it. Got
• 58:37
  Speaker 6: ex EXCaliber forty one ninety nine. They're a zero available
• 58:41
  Speaker 6: to order. It's sold out. Good riddance. I know it's
• 58:46
  Speaker 6: still on I know it's still on Amazon and stuff.
• 58:48
  Speaker 6: I was I was peeping that a little bit earlier today. Also,
• 58:51
  Speaker 6: Barnes and Noble. Don't sleep on Barnes and Noble, for
• 58:54
  Speaker 6: I know that they typically yeah, I know they typically
• 58:57
  Speaker 6: sell at that MSRP, but usually erro stuff on some
• 59:01
  Speaker 6: sort of sale which puts it at just about what
• 59:03
  Speaker 6: you're gonna pay online retailers. So don't be afraid to
• 59:07
  Speaker 6: support the support Brick and Mortar that way, please, Steve,
• 59:15
  Speaker 6: I hope your I hope your next pick is just
• 59:18
  Speaker 6: as great. Man, we're on a I just want to
• 59:19
  Speaker 6: say everything we've talked about has been baller.
• 59:22
  Speaker 2: So rolling. Okay. So the next one that I have
• 59:27
  Speaker 2: just to branch off from my previous pick kind of
• 59:30
  Speaker 2: fallows under the same uh same label, but this is
• 59:36
  Speaker 2: at close range hmmm. So this is a release under
• 59:41
  Speaker 2: the Cinematograph line that Vindegar Syndrome has been working on
• 59:46
  Speaker 2: a lot of their releases. I've been recently picking up
• 59:51
  Speaker 2: and I have to say, the amount of like love
• 59:54
  Speaker 2: and effort that goes into each one of these makes
• 59:57
  Speaker 2: it I feel like a standout out of my collection.
• 1:00:02
  Speaker 2: And this is the movie that I had seen years ago,
• 1:00:05
  Speaker 2: and to finally have it in four K, not only
• 1:00:08
  Speaker 2: just that, but how beautiful this releases. It was incredible.
• 1:00:15
  Speaker 2: So this is basically like a crime drama. I would
• 1:00:20
  Speaker 2: consider it. Have either of you guys seen this before?
• 1:00:23
  Speaker 5: I know the poster, like the theatrical poster, I recognize that,
• 1:00:28
  Speaker 5: but I've never seen it. Yeah, I just that's the
• 1:00:31
  Speaker 5: one with Christopher.
• 1:00:32
  Speaker 2: Walkin right, yep, Christopher Walking, Sean Penn yep, yep, you got.
• 1:00:37
  Speaker 5: All I know about that is Sean Penn, I think
• 1:00:39
  Speaker 5: plays his son, yes, and there's just like it's he
• 1:00:44
  Speaker 5: introduces him into a world of crime or something. I mean,
• 1:00:46
  Speaker 5: I could completely wrong, but I've heard amazing things about this.
• 1:00:50
  Speaker 5: I just have never seen it.
• 1:00:52
  Speaker 2: I can't recommend this one any higher. This is a
• 1:00:55
  Speaker 2: film that I feel like doesn't get enough love and
• 1:01:00
  Speaker 2: and if you're into those type of like gritty crime thrillers,
• 1:01:05
  Speaker 2: this is definitely I would say one that I think
• 1:01:11
  Speaker 2: is probably like top tier when it comes to the
• 1:01:13
  Speaker 2: ones I can think of. But overall, this release is incredible.
• 1:01:18
  Speaker 2: So you actually get a new audio commentary with film
• 1:01:23
  Speaker 2: historians Bill Ackerman and Jim Liskowski. You also get an
• 1:01:29
  Speaker 2: archival audio commentary with director James Foley and it's moderated
• 1:01:33
  Speaker 2: by film historian Nick Redman. You get a new video
• 1:01:37
  Speaker 2: interview with Christopher walk In, new video interview with Sean
• 1:01:42
  Speaker 2: Penn as well, and then you get a couple other
• 1:01:46
  Speaker 2: ones on here as well as some archival interviews. So
• 1:01:51
  Speaker 2: I just feel like that this is a release that's
• 1:01:53
  Speaker 2: incredibly stacked. Some of the other films I could think
• 1:01:57
  Speaker 2: of off the top of my head that this line
• 1:01:59
  Speaker 2: has put out. The Gambler is another great release that
• 1:02:02
  Speaker 2: I would strongly recommend, Married to the Mob Dangerous Games.
• 1:02:06
  Speaker 2: So I can't emphasize enough at least checking out this line.
• 1:02:12
  Speaker 2: Finderger Syndrome is doing some incredible work here and this
• 1:02:16
  Speaker 2: gets my highest recommendation by far.
• 1:02:18
  Speaker 6: I'm looking into this Unfortunately. Director James Foley we lost
• 1:02:24
  Speaker 6: the last May at seventy one years old.
• 1:02:28
  Speaker 5: He directed.
• 1:02:31
  Speaker 6: Glen Garry Glenn Ross, which was a film I studied
• 1:02:34
  Speaker 6: in high school for my writing class, which is I
• 1:02:38
  Speaker 6: think anybody who's been through any sort of film education
• 1:02:41
  Speaker 6: has seen Glengarry Glenn Ross. He also directed, He's done
• 1:02:45
  Speaker 6: a lot of work with Mark Warber. He directed Fear
• 1:02:49
  Speaker 6: with market Mark good one, that's a very good one.
• 1:02:51
  Speaker 6: Then he directed Marky Mark Hey DJ music video. He
• 1:02:57
  Speaker 6: also directed The Corruptor, which is Chiayon Fat and Mark Wahlberg.
• 1:03:04
  Speaker 6: But just to top it off, he did also direct
• 1:03:08
  Speaker 6: Fifty Shades Darker and Fifty Shades Free.
• 1:03:10
  Speaker 5: That looks like those were his last two directing efforts
• 1:03:14
  Speaker 5: twenty eighteen.
• 1:03:16
  Speaker 2: Very diverse filmography.
• 1:03:18
  Speaker 6: Yeah, yeah it is, you know, but I feel like
• 1:03:22
  Speaker 6: these types of directors don't exist anymore where they just
• 1:03:25
  Speaker 6: have the like we talked about earlier with Adrian Line,
• 1:03:28
  Speaker 6: these are just directors for hire that you can kind
• 1:03:30
  Speaker 6: of give them anything and they'll make it work. They'll
• 1:03:33
  Speaker 6: do great work with I feel like these really don't
• 1:03:35
  Speaker 6: exist much anymore.
• 1:03:36
  Speaker 5: Man. That's sad to we lost him in twenty twenty
• 1:03:39
  Speaker 5: five res in Peace James Foley.
• 1:03:44
  Speaker 6: At close range, very nice.
• 1:03:46
  Speaker 2: Pick what you got next me? Yeah?
• 1:03:50
  Speaker 6: Man, all right, he'll be shy, fine, I'll talk about it.
• 1:03:54
  Speaker 6: I decided to go back the other day and revisit
• 1:03:57
  Speaker 6: a movie of mine that I think deserves a better
• 1:03:59
  Speaker 6: really than we do have. We just have a studio
• 1:04:01
  Speaker 6: released from it on on physical media, and I wish
• 1:04:04
  Speaker 6: we could go back and kind of get something a
• 1:04:05
  Speaker 6: little bit better. But I revisited Mike Flanagain's Doctor Sleep
• 1:04:11
  Speaker 6: the three hour director's cut. I've never seen the theatrical
• 1:04:13
  Speaker 6: cut before. I've only ever seen the director's cut of this.
• 1:04:17
  Speaker 6: I have just a regular, you know, studio blue of
• 1:04:20
  Speaker 6: this very nice. What's your guys' thoughts before I go
• 1:04:25
  Speaker 6: into it of Doctor Sleep versus The Shine.
• 1:04:34
  Speaker 2: I'll be honest, I haven't, and I'm being totally honest.
• 1:04:37
  Speaker 2: With you, guys. I have not checked out a lot
• 1:04:39
  Speaker 2: of Mike Flanagainst works, that being one of them. Some
• 1:04:44
  Speaker 2: sell me on this.
• 1:04:47
  Speaker 6: Jordan Doctor Sleep versus The Shining.
• 1:04:49
  Speaker 5: I mean, I've got a soft spot for The Shining.
• 1:04:52
  Speaker 5: That's uh, that's up there is like my favorite Quboric film.
• 1:05:00
  Speaker 5: This is a very good film. I've actually never seen
• 1:05:02
  Speaker 5: the three hour cut. I've only seen the theatrical cut. Okay,
• 1:05:07
  Speaker 5: that being said, that's I might feel different about this.
• 1:05:12
  Speaker 2: Now.
• 1:05:12
  Speaker 5: I'm not saying I don't like this movie. I'm just
• 1:05:14
  Speaker 5: saying I might feel different if I saw his three
• 1:05:17
  Speaker 5: hour theatrical cut, might sway me over to Doctor Sleep
• 1:05:21
  Speaker 5: a little more, because I hear there's some people that
• 1:05:23
  Speaker 5: actually prefer this over The Shining. I am one of
• 1:05:27
  Speaker 5: Stephen King being one of them. Yes, you know, uh,
• 1:05:32
  Speaker 5: but yes, I do agree that we do need a
• 1:05:34
  Speaker 5: better release, and I do know that that three hour
• 1:05:38
  Speaker 5: theatrical cut is only available on Blu Ray and there's
• 1:05:41
  Speaker 5: no four K for it.
• 1:05:43
  Speaker 6: Yeah, I so I am one of those people who
• 1:05:47
  Speaker 6: prefer Doctor Sleep over The Shining. Before people get in
• 1:05:50
  Speaker 6: an uproar about that, I love Stanley Kubrick's The Shining
• 1:05:54
  Speaker 6: and I don't think anybody can deny the technical wizardry
• 1:05:58
  Speaker 6: of Kubrick. I think Shining is a pretty perfect movie
• 1:06:01
  Speaker 6: as far as technical direction and sound design goes. So
• 1:06:06
  Speaker 6: Doctor Sleep Steve is the sequel that Stephen King wrote
• 1:06:10
  Speaker 6: to The Shining, and we follow an older Danny, okay,
• 1:06:15
  Speaker 6: And essentially what we learn is that there is a
• 1:06:20
  Speaker 6: group of people who are hunting people with the Shine
• 1:06:28
  Speaker 6: and they're essentially stealing their shine from them, and that
• 1:06:33
  Speaker 6: is giving them the ability to live practically forever for
• 1:06:37
  Speaker 6: a long time. They're not immortal, but they live for
• 1:06:39
  Speaker 6: a very very long time basically hunting down and feeding
• 1:06:42
  Speaker 6: off of these people shine.
• 1:06:45
  Speaker 2: Now, had either of you guys seen or seen had
• 1:06:49
  Speaker 2: either of you guys read the book before seen the
• 1:06:51
  Speaker 2: movie my wife? Okay, I'm just scurious.
• 1:06:56
  Speaker 5: My wife did, and she said it was pretty close.
• 1:06:58
  Speaker 6: It's pretty interesting, pretty faithful. It is definitely a large,
• 1:07:07
  Speaker 6: like immersive experience. It is three hours with the director's
• 1:07:09
  Speaker 6: cut exactly three hours long. It spans a long time.
• 1:07:13
  Speaker 6: There is an eight year time jump kind of in
• 1:07:16
  Speaker 6: the middle of the movie, but it doesn't feel.
• 1:07:21
  Speaker 5: Sudden.
• 1:07:22
  Speaker 6: It also doesn't ruin the pace of the movie at
• 1:07:25
  Speaker 6: all you know, I mean, it feels very fluid. Eo
• 1:07:28
  Speaker 6: McGregor plays older Danny. He is phenomenal in the role.
• 1:07:33
  Speaker 6: You have Rebecca Ferguson who plays Rose the Hat, who
• 1:07:35
  Speaker 6: is sort of our main villain, the leader of this
• 1:07:39
  Speaker 6: group of people that are stealing the shine.
• 1:07:42
  Speaker 5: There is one of the most.
• 1:07:46
  Speaker 6: Traumatizing scenes of this movie involving the murder of a
• 1:07:53
  Speaker 6: boy of a young kid in this movie that is
• 1:07:57
  Speaker 6: traumatizing as all hell, and Mike Flanagan holds no punches
• 1:08:03
  Speaker 6: and it's one of the most talked about moments of
• 1:08:05
  Speaker 6: the book and it's a very highly talked about moment
• 1:08:08
  Speaker 6: of this movie. One interesting thing about Doctor Sleep is
• 1:08:14
  Speaker 6: that Mike Flanagan came to a very strange crossroad where
• 1:08:18
  Speaker 6: he tried to pay homage and respect the Stanley Kubrick's
• 1:08:22
  Speaker 6: of Shining but also respect to Stephen King and his
• 1:08:27
  Speaker 6: love for the ending of the Shining Book. So they
• 1:08:31
  Speaker 6: changed the ending of Doctor Sleep to kind of satisfy
• 1:08:34
  Speaker 6: all like all interested parties, and he got one hundred
• 1:08:41
  Speaker 6: percent approval from Stephen King to do this. But the
• 1:08:45
  Speaker 6: ending of this movie is very faithful to the ending
• 1:08:47
  Speaker 6: of the Shining Book. While also wrapping up Doctor Sleep nicely.
• 1:08:53
  Speaker 6: So there is a little bit of like band aiding
• 1:08:55
  Speaker 6: here to kind of like treat Die King fans who
• 1:09:01
  Speaker 6: had some gripe with Kubrick's The Shining, as well as
• 1:09:05
  Speaker 6: kind of giving Stephen King, you know, the respect of
• 1:09:08
  Speaker 6: the ending that he wanted to see and doing it
• 1:09:10
  Speaker 6: in a typical Mike Flanagan way. I think Flanagan's an
• 1:09:14
  Speaker 6: incredible director. He's got the same technical, you know, magical
• 1:09:20
  Speaker 6: work that Koprick had. The movie is incredibly well directed.
• 1:09:23
  Speaker 6: It looks phenomenal, It balances the many plot points very
• 1:09:29
  Speaker 6: very well. Things never feel lost or crazy. There's also
• 1:09:32
  Speaker 6: a beautiful visual component here. There's this great scene when
• 1:09:35
  Speaker 6: Rose the Hat kind of goes out of body to
• 1:09:38
  Speaker 6: track down this this girl who's been kind of invading
• 1:09:43
  Speaker 6: her mind lately, and it does this really cool thing
• 1:09:45
  Speaker 6: where she's kind of floating over the earth, she's kind
• 1:09:48
  Speaker 6: of flying above, and it's this really cool visual stuff.
• 1:09:51
  Speaker 6: It's just it's really really cool and Freddie fans of
• 1:09:54
  Speaker 6: Gerald's game Mike Flanagan's Netflix movie. There is another like
• 1:09:58
  Speaker 6: hand skinning scene, de gloving scene, I think is that
• 1:10:01
  Speaker 6: they call it so lots of really good stuff here man,
• 1:10:05
  Speaker 6: and I just I see this kind of becoming a
• 1:10:09
  Speaker 6: comfort movie of mine. It just flows so well, and
• 1:10:13
  Speaker 6: I think the story is so well told, and I
• 1:10:15
  Speaker 6: think it got a lot of really good reception when
• 1:10:18
  Speaker 6: it came out, and then conversation since then has kind
• 1:10:20
  Speaker 6: of just died out about it. But I think it's
• 1:10:23
  Speaker 6: because Flanagin just keeps doing like everything that he does
• 1:10:26
  Speaker 6: is like headline with the Exorcists and the Carry's you
• 1:10:30
  Speaker 6: know TV show, and now he's going to remake The
• 1:10:31
  Speaker 6: Mists or he's going to readapt the Mist. So I
• 1:10:34
  Speaker 6: feel like this has kind of fallen off as far
• 1:10:36
  Speaker 6: as as far as attention goes. But I think if
• 1:10:38
  Speaker 6: we got like a nice like second site four K
• 1:10:40
  Speaker 6: of this or a nice arrow or a set of
• 1:10:43
  Speaker 6: this with like a good documentary and a good commentary,
• 1:10:46
  Speaker 6: I think this would reignite kind of the fire under
• 1:10:49
  Speaker 6: the discussion of this versus the shining.
• 1:10:53
  Speaker 5: So I don't even know if this has any Oh yeah,
• 1:10:57
  Speaker 5: there's a making of and then.
• 1:11:00
  Speaker 6: These are just like ePK bonus features, you know what
• 1:11:03
  Speaker 6: I mean, It's nothing, nothing crazy. I would love to
• 1:11:05
  Speaker 6: season more Come come from a Good Doctor Sleep release
• 1:11:08
  Speaker 6: so I'm gonna put it out in the universe now
• 1:11:12
  Speaker 6: hopefully somebody's listening umbrella excuse me? Oh yeah, so that
• 1:11:19
  Speaker 6: is my second pick, Jordan, what's next?
• 1:11:25
  Speaker 5: I'm gonna go with this one now. I just got
• 1:11:29
  Speaker 5: this in. I haven't finished watching this. I've seen this
• 1:11:31
  Speaker 5: movie before, just this release. I haven't finished diving through
• 1:11:35
  Speaker 5: the whole thing. But it's it's Second Sight's first release
• 1:11:38
  Speaker 5: of this year. Only one they've announced Second Side. I'm
• 1:11:43
  Speaker 5: waiting for that other announcement.
• 1:11:44
  Speaker 6: It's March March second Come on, second Say, that's what
• 1:11:47
  Speaker 6: I'm saying.
• 1:11:48
  Speaker 5: Anyways, it's their four K release of The Ugly step Sister.
• 1:11:52
  Speaker 5: This movie came out last year on It was a
• 1:11:54
  Speaker 5: shutter title. It's a Norwegian body horror period piece film
• 1:12:00
  Speaker 5: that takes the story of Cinderella and it kind of
• 1:12:05
  Speaker 5: flips on his head and tells the story through the
• 1:12:07
  Speaker 5: lens of one of the ugly stepsisters, actually the older
• 1:12:10
  Speaker 5: one in this case, and it's closer to the original
• 1:12:17
  Speaker 5: Grim's fairy Tale of Cinderella. The film opens up with
• 1:12:25
  Speaker 5: the step mother and the stepsisters going and moving into
• 1:12:30
  Speaker 5: the house to meet Cinderella's dad. I think her name
• 1:12:35
  Speaker 5: in this movie is Agnes. They changed some of the names,
• 1:12:38
  Speaker 5: but goes to meet him, and how he dies in
• 1:12:42
  Speaker 5: this movie is ridiculous. He kind of not ridiculous, it's
• 1:12:45
  Speaker 5: it's pretty gruesome. They're at a dinner table and he's
• 1:12:48
  Speaker 5: eating and he starts to like have a heart attack
• 1:12:51
  Speaker 5: or choke or something, and he just like spews blood
• 1:12:53
  Speaker 5: out of his mouth. And anyways, what I love about
• 1:12:58
  Speaker 5: this movie is it's so beautifully shot. It is a
• 1:13:03
  Speaker 5: gorgeous film. It feels so of that time. You feel,
• 1:13:09
  Speaker 5: it feels so lived, and it feels that you buy
• 1:13:11
  Speaker 5: right into it. And of course the body heart aspect
• 1:13:15
  Speaker 5: of it because it goes. It's interesting what they do
• 1:13:19
  Speaker 5: is because it's through the eyes of one of the stepsisters.
• 1:13:23
  Speaker 5: It's really her going through this. It talks about generational
• 1:13:27
  Speaker 5: trauma in the movie. And so the youngest, the stepster's
• 1:13:31
  Speaker 5: ely stepsis is basically the step mom is treating her
• 1:13:37
  Speaker 5: horribly because of what happened to her, and so she
• 1:13:41
  Speaker 5: is she goes to school. Right they're getting ready for
• 1:13:43
  Speaker 5: the ball for the prince and the whole scheme that
• 1:13:47
  Speaker 5: the stepmother decides. You guys probably know the story is
• 1:13:51
  Speaker 5: that Okay, you're gonna go marry the prince so we
• 1:13:53
  Speaker 5: can get all this money because we have no money
• 1:13:56
  Speaker 5: after you know, the Cinderella's dad died, so she's trying
• 1:14:01
  Speaker 5: to she's going to the school because they're gonna teach
• 1:14:04
  Speaker 5: them to dance. And so they say, no, you're ugly.
• 1:14:06
  Speaker 5: You need to lose weight. You've got, you know, all
• 1:14:10
  Speaker 5: the stuff you have to do to yourself. Get in
• 1:14:12
  Speaker 5: the back of the class of the you know, we
• 1:14:14
  Speaker 5: don't want to see you. It gets to the point
• 1:14:18
  Speaker 5: where I don't know if it's really spoiling anything, but
• 1:14:21
  Speaker 5: on the back they have it right there, that's a
• 1:14:24
  Speaker 5: tapeworm egg. So one of the teachers says, hey, you
• 1:14:27
  Speaker 5: need to lose some weight. Eat this tapeworm egg and
• 1:14:30
  Speaker 5: it's gonna eat everything you eat. So she does, and
• 1:14:36
  Speaker 5: the front, as you can see, I mean it's in
• 1:14:37
  Speaker 5: the trailer, she wears this little nose piece. It has
• 1:14:40
  Speaker 5: a very brutal scene of her, you know, getting essentially
• 1:14:47
  Speaker 5: plastic surgery to get a new nose. All this stuff.
• 1:14:51
  Speaker 5: It gets really wild and gross at the end, but
• 1:14:56
  Speaker 5: it does tell a good story of you. No matter
• 1:14:59
  Speaker 5: what you change on the outside, there's still something on
• 1:15:01
  Speaker 5: the inside. You know, some beauty is only skin deep. Yeah, yeah,
• 1:15:07
  Speaker 5: but man, it's I was so happy when I saw
• 1:15:11
  Speaker 5: that Second Site. It seems like a film that's right
• 1:15:14
  Speaker 5: up second sides out of the really to release. You're
• 1:15:17
  Speaker 5: getting some great things in this, Uh they brought back.
• 1:15:21
  Speaker 5: You're getting a brand new audio commentary by the director.
• 1:15:25
  Speaker 5: Two actually two brand new audio commentaries, one from the director,
• 1:15:28
  Speaker 5: one from Megan Navuro. Yeah, she's getting a bunch of
• 1:15:32
  Speaker 5: new interviews in this, some feature rats. You're also getting
• 1:15:36
  Speaker 5: a short film in this as well. It's a really
• 1:15:39
  Speaker 5: packed release. And then of course, you know Second Site
• 1:15:41
  Speaker 5: with their booklets are always incredible, So.
• 1:15:43
  Speaker 2: I gotta pick this one up.
• 1:15:45
  Speaker 6: Yeah, there's currently fourteen still available over at the Movie
• 1:15:48
  Speaker 6: Room for forty eight ninety nine.
• 1:15:50
  Speaker 5: I'm surprised there's still that many left. I thought this
• 1:15:52
  Speaker 5: one was gonna be a quick sellout.
• 1:15:56
  Speaker 6: Yeahony page book, Wow.
• 1:15:59
  Speaker 5: It's uh yeah. And and and the presentation that seconds
• 1:16:02
  Speaker 5: I gave this release. The artwork is stunning, So I
• 1:16:08
  Speaker 5: really enjoy this one.
• 1:16:10
  Speaker 6: Very nice.
• 1:16:10
  Speaker 5: Man.
• 1:16:10
  Speaker 6: I've never seen this one.
• 1:16:12
  Speaker 5: Yeah, it's on it's on shutter so you can watch
• 1:16:14
  Speaker 5: it there.
• 1:16:14
  Speaker 6: Yeah, it's been on. It's been on my list. I
• 1:16:17
  Speaker 6: remember I showed my wife the trailer and the trailer
• 1:16:20
  Speaker 6: was like very uh over stimulating. It remind me I
• 1:16:26
  Speaker 6: feel like it was still part of that like style
• 1:16:28
  Speaker 6: of marketing posts to substance when everything was very like
• 1:16:33
  Speaker 6: like beat heavy and like very fast, very stimulating, you
• 1:16:37
  Speaker 6: know what I mean. So yeah, a lot, but yeah,
• 1:16:41
  Speaker 6: I I gotta check this out. Actually might just pick
• 1:16:43
  Speaker 6: this up from from the new rooms. There's still so
• 1:16:46
  Speaker 6: many available. One hundred and twenty page book. It's a
• 1:16:48
  Speaker 6: very thick boy. Chris, oh yeah calling me man, I
• 1:16:52
  Speaker 6: hear it.
• 1:16:53
  Speaker 5: I mean, Chris, you can take a look at that.
• 1:16:57
  Speaker 6: It was like the Drive book. Yeah, oh yeah nice.
• 1:17:03
  Speaker 5: But I really enjoy this. The music's great. They it's
• 1:17:06
  Speaker 5: not period accurate music, so it's kind of cool what
• 1:17:11
  Speaker 5: they did with the music in this. I love when
• 1:17:13
  Speaker 5: movies do that, when it's like nights Tale, where we.
• 1:17:15
  Speaker 6: Will rock you you know please.
• 1:17:17
  Speaker 5: I mean, it doesn't go that crazy, but.
• 1:17:20
  Speaker 6: It's like the first example my brain goes to.
• 1:17:22
  Speaker 5: It's like people people actually complain about Nightsdale and they're like, ye,
• 1:17:26
  Speaker 5: it's not period accurate music. I'm like, are you sure, queen?
• 1:17:28
  Speaker 5: Didn't write that night. A pretty sure about that, all right? Uh,
• 1:17:35
  Speaker 5: great pick man.
• 1:17:36
  Speaker 6: Second Sight Films always knocking it out of the park.
• 1:17:39
  Speaker 6: A huge fan of them. If anybody wants a little
• 1:17:42
  Speaker 6: bit more insight through their process, go back to All
• 1:17:45
  Speaker 6: Guests of twenty twenty five and we interviewed Second Sight's
• 1:17:47
  Speaker 6: Philip Scott. He gives a lot of insight into uh,
• 1:17:50
  Speaker 6: producing bonus features for Second Sight Films.
• 1:17:53
  Speaker 5: So just a little a little plug there, Steve, what's
• 1:17:57
  Speaker 5: your next pick for us? Man? Man?
• 1:18:01
  Speaker 2: Okay, I'm excited to talk about this one. Okay, So
• 1:18:05
  Speaker 2: I know this release has been out for some time.
• 1:18:08
  Speaker 2: I just never got around to actually picking it up.
• 1:18:11
  Speaker 2: But that is none other than the nineties erotic thriller
• 1:18:15
  Speaker 2: Wild Things. Yes, oh my gosh. Okay, So this film
• 1:18:24
  Speaker 2: is directed by John McNaughton. So he's actually the same
• 1:18:29
  Speaker 2: director who did Henry Portrait of a serial Killer and
• 1:18:33
  Speaker 2: Wild Things is I would say, almost like a complete
• 1:18:37
  Speaker 2: one eighty from that style of film, because I feel
• 1:18:39
  Speaker 2: like that's pretty gritty and this is very seductive. So, guys,
• 1:18:45
  Speaker 2: what's what's the consensus on Wild Things?
• 1:18:49
  Speaker 6: This is great, man.
• 1:18:50
  Speaker 5: This is a very hoigh episode of after hours. I
• 1:18:53
  Speaker 5: enjoy it, and it's it's very it's what's word I'm
• 1:18:59
  Speaker 5: looking for. It's appropriate that you're choosing this movie with
• 1:19:04
  Speaker 5: Nev Campbell.
• 1:19:06
  Speaker 2: Oh for yeah, this is Denise Richards.
• 1:19:09
  Speaker 5: Denise Richards Man.
• 1:19:11
  Speaker 6: I love Wild Things, Man. I think this is just
• 1:19:14
  Speaker 6: like the perfect example.
• 1:19:15
  Speaker 5: Of late nineties, you know, like sleazy sweaty seeazy Florida weather.
• 1:19:23
  Speaker 6: My only gripe with this movie in the spoiler alert
• 1:19:26
  Speaker 6: for anybody who hasn't seen the almost is what is
• 1:19:33
  Speaker 6: nineteen ninety thirty year old.
• 1:19:37
  Speaker 2: Movie.
• 1:19:37
  Speaker 6: But I really wish they kept in the Kevin Bacon
• 1:19:44
  Speaker 6: Matt Dillon shower sex scene. That's the only thing I
• 1:19:47
  Speaker 6: wish they had kept in because I thought that would
• 1:19:48
  Speaker 6: have brought this movie to the next level.
• 1:19:52
  Speaker 2: Just saying Chris, I feel like you're finding too close
• 1:19:54
  Speaker 2: to the sun.
• 1:19:55
  Speaker 5: No, did you guys not know that?
• 1:19:58
  Speaker 2: I remember hearing something about I'm not super familiar with.
• 1:20:01
  Speaker 5: No enlighten me.
• 1:20:02
  Speaker 2: I gotta yeah. Yeah.
• 1:20:03
  Speaker 6: So, well, you know, at the end of Kevin Bacon's
• 1:20:06
  Speaker 6: in the shower and you know you have Matt Dylan
• 1:20:10
  Speaker 6: looking in on him. You know, originally in the original script,
• 1:20:14
  Speaker 6: Matt Dylan goes into the shower with him and it's
• 1:20:17
  Speaker 6: revealed that they are together, and I feel like, ah,
• 1:20:21
  Speaker 6: that's the swing that really would have like brought this
• 1:20:26
  Speaker 6: movie to that next level, like once I heard about that,
• 1:20:30
  Speaker 6: because I remember watching this and thinking like, Okay, there's
• 1:20:33
  Speaker 6: something here. I just feel like it felt like a
• 1:20:36
  Speaker 6: pulled punch. It was like, we have this idea, we're
• 1:20:40
  Speaker 6: afraid to do it, and they pulled the punch by
• 1:20:45
  Speaker 6: just kind of if you catch it then you can, okay.
• 1:20:50
  Speaker 6: I feel like they it's on record that they were
• 1:20:53
  Speaker 6: going to do it, and they didn't.
• 1:20:56
  Speaker 5: I just wish they did.
• 1:20:57
  Speaker 6: I feel like that would have been you know, I
• 1:20:58
  Speaker 6: mean not not that that's not that saying that's what
• 1:21:00
  Speaker 6: I wanted to see, but I feel like that just would.
• 1:21:03
  Speaker 2: Have been It would have fully committed basically what they
• 1:21:06
  Speaker 2: were trying to do with it exactly.
• 1:21:07
  Speaker 6: I mean, you have this movie has one of the
• 1:21:09
  Speaker 6: rare like threesome scenes from the nineties, like you can
• 1:21:13
  Speaker 6: do that, but you're afraid to have two men in
• 1:21:15
  Speaker 6: the shower, you know what I mean?
• 1:21:20
  Speaker 2: This is I mean, I don't know about you guys,
• 1:21:23
  Speaker 2: even watching it now, It's a movie that I would
• 1:21:29
  Speaker 2: best describe as you think you have an idea what's
• 1:21:31
  Speaker 2: going on in this movie, and you definitely don't. Like
• 1:21:35
  Speaker 2: there are so many twists and turns with this movie.
• 1:21:38
  Speaker 2: I remember the first time watching it and I just
• 1:21:41
  Speaker 2: remember walking away from it, like, what in the absolute
• 1:21:43
  Speaker 2: fuck I just watch? But that's what I love about it,
• 1:21:47
  Speaker 2: and that's why I feel like that this is such
• 1:21:50
  Speaker 2: a highlight of the nineties for me. I know we
• 1:21:54
  Speaker 2: had previously covered Bound before, and that's like another one.
• 1:21:58
  Speaker 2: It's like, I think around this time, you know, you're
• 1:22:01
  Speaker 2: kind of getting directors pushing the envelope with like what
• 1:22:05
  Speaker 2: you can get away with, and this I definitely feel
• 1:22:08
  Speaker 2: like has to be I would say up there as
• 1:22:12
  Speaker 2: far as like a thriller that we were getting around
• 1:22:15
  Speaker 2: this time. But Erro Video did an incredible job with
• 1:22:19
  Speaker 2: the four K restoration. So you have the theatrical and
• 1:22:23
  Speaker 2: extended unrated edition, and let's see what else we got
• 1:22:28
  Speaker 2: on here. So you actually get an exclusive new audio
• 1:22:32
  Speaker 2: commentary by director John McNaughten and producer stephen A. Jones.
• 1:22:37
  Speaker 2: There's a commentary by the director, cinematographer Jeffrey Kimball, producers
• 1:22:42
  Speaker 2: stephen A. Jones, and Rodney Lieber, editor Elena Imaginating, and
• 1:22:50
  Speaker 2: then score composer George S. Clinton, as well as a
• 1:22:54
  Speaker 2: bunch of new interviews with some of the casts and director.
• 1:23:00
  Speaker 2: This is one that I feel like if you're looking
• 1:23:04
  Speaker 2: at Aero Video and like their limited edition box sets
• 1:23:07
  Speaker 2: from when they were like really really getting more established,
• 1:23:10
  Speaker 2: this is definitely one of the releases I come back
• 1:23:12
  Speaker 2: to for sure.
• 1:23:14
  Speaker 6: I actually bought this and True Romance in the same
• 1:23:17
  Speaker 6: Barnes and Noble trip. Like early on Barnes and Noble
• 1:23:21
  Speaker 6: carrying limited editions, I bought Wild Things and True Romance together,
• 1:23:26
  Speaker 6: and I think.
• 1:23:27
  Speaker 2: Took a one two punch.
• 1:23:28
  Speaker 6: I think I paid like thirty bucks apiece if I
• 1:23:31
  Speaker 6: remember correctly that trip. I think it was like sixty
• 1:23:33
  Speaker 6: bucks for the two of them. Wild Things is great, dude.
• 1:23:37
  Speaker 6: That movie is so much fun. It's it's incredibly aware
• 1:23:41
  Speaker 6: of what it is and it just leans into it
• 1:23:44
  Speaker 6: so heavily. I think Matt Dillon is a treasure. I've
• 1:23:49
  Speaker 6: always loved that guy. Kevin Beagan is great. Dedise Richards,
• 1:23:53
  Speaker 6: you know, I think we all kind of had some
• 1:23:55
  Speaker 6: feelings towards her that that's you know, gamble coming off
• 1:23:59
  Speaker 6: of uh scream at this point. You know, Yeah, there's
• 1:24:06
  Speaker 6: a lot about this movie that's incredibly alluring, and I.
• 1:24:10
  Speaker 2: Think that's putting it mildly due it is.
• 1:24:13
  Speaker 5: Yeah, I think I think I think the hottest part
• 1:24:16
  Speaker 5: about this movie though, is Bill Murray.
• 1:24:19
  Speaker 2: Yeah. I always forget about that, Like it's so it's
• 1:24:23
  Speaker 2: so so out it is.
• 1:24:26
  Speaker 6: Yeah, having him, he's like in the cast. He's like, yeah,
• 1:24:30
  Speaker 6: it's it's it's a crazy movie, man. I mean, this
• 1:24:32
  Speaker 6: is like essential late nineties cinema. You know, I feel
• 1:24:36
  Speaker 6: like I feel bad for the generations of kids that
• 1:24:40
  Speaker 6: are being raised without sneaking in a viewing of wild
• 1:24:44
  Speaker 6: things in your life. You know, it's not the same.
• 1:24:47
  Speaker 6: It's not the same. We are not the same.
• 1:24:49
  Speaker 5: No, so great pick, Steve, great pick. Of course.
• 1:24:57
  Speaker 6: Of course I have one more, okay and ready for it.
• 1:25:02
  Speaker 6: This one is kind of an interesting one to talk about.
• 1:25:06
  Speaker 6: I'm still kind of diving into the book a little
• 1:25:08
  Speaker 6: little bit. I think I got like two more essays
• 1:25:10
  Speaker 6: left to read. I'm talking about Ever released from Eureka Entertainment.
• 1:25:15
  Speaker 5: It's my first Eureka pickup and it is a four
• 1:25:19
  Speaker 5: K of Claire Denise's Trouble every Day any of you guys.
• 1:25:23
  Speaker 6: Picked this one up.
• 1:25:25
  Speaker 5: Oh yeah, I did not. Okay, okay, Jordan, did you
• 1:25:28
  Speaker 5: watch it?
• 1:25:28
  Speaker 6: Oh yeah, all right. What's your thoughts on Trouble every Day?
• 1:25:31
  Speaker 5: It's wild? It's yeah, dude, that you know what' seeing
• 1:25:36
  Speaker 5: I'm talking about. At the end, I know what you're
• 1:25:38
  Speaker 5: talking about.
• 1:25:39
  Speaker 6: Yeah, I know what you're talking about.
• 1:25:42
  Speaker 5: It gets a little, uh, a little chompy, does It
• 1:25:45
  Speaker 5: does get very chompy chompy.
• 1:25:48
  Speaker 6: It does get chompy.
• 1:25:49
  Speaker 5: It does get chomping. Trouble every Day is interesting one.
• 1:25:53
  Speaker 6: So this comes from two thousand and one, and this
• 1:25:55
  Speaker 6: is sort of lumped into the New French Extremity movement,
• 1:26:01
  Speaker 6: which is really interesting because most of the prominent names
• 1:26:05
  Speaker 6: in the New French Extremity movement are kind of known
• 1:26:08
  Speaker 6: for this genre of film. Where Claire Denis, while her
• 1:26:12
  Speaker 6: films have always been very important and have heavy aspects
• 1:26:17
  Speaker 6: of kind of of violence in them, this is really
• 1:26:20
  Speaker 6: the only one that you could lamp lump into like
• 1:26:23
  Speaker 6: the New French extremity film for her, and which is
• 1:26:26
  Speaker 6: funny because it's such a landmark title for that subgenre.
• 1:26:30
  Speaker 6: But Trouble every Day tells the story of kind of
• 1:26:34
  Speaker 6: a double story happening. You have an American couple, a
• 1:26:39
  Speaker 6: doctor and his new and his wife just married, who
• 1:26:41
  Speaker 6: go to Paris on their honeymoon, and we kind of
• 1:26:48
  Speaker 6: get caught up in that the husband's not really interested
• 1:26:51
  Speaker 6: in his wife and he's too busy out.
• 1:26:55
  Speaker 5: Searching for another doctor.
• 1:26:56
  Speaker 6: We don't really know why, and we also kind of
• 1:27:00
  Speaker 6: follow this other doctor and kind of this the story
• 1:27:04
  Speaker 6: of him taking care.
• 1:27:05
  Speaker 5: Of his sick wife, who has some some some vampiric
• 1:27:11
  Speaker 5: qualities to her. She loves to She goes out and
• 1:27:16
  Speaker 5: sort of.
• 1:27:18
  Speaker 6: Seduces men, and then in the height of her passion,
• 1:27:21
  Speaker 6: begins to like physically consume them and eat them, and
• 1:27:28
  Speaker 6: not eat them like fully, but just tear bits of
• 1:27:30
  Speaker 6: flesh away and bite.
• 1:27:32
  Speaker 5: She she nibbles at them. I mean there are some
• 1:27:35
  Speaker 5: pretty you know, she does take some some some big
• 1:27:37
  Speaker 5: chunks every now and then.
• 1:27:38
  Speaker 6: But uh, this is an incredibly interesting one because it's
• 1:27:43
  Speaker 6: a very slow burn, very slow burn. This is a
• 1:27:47
  Speaker 6: movie that really takes its time, and it's much more
• 1:27:51
  Speaker 6: focused on the drama and the kind of contrast single
• 1:28:00
  Speaker 6: love stories that are at play here between this very loving,
• 1:28:05
  Speaker 6: nurturing relationship between our doctor and our main character who
• 1:28:10
  Speaker 6: is out eating people, and our American couple who this
• 1:28:14
  Speaker 6: relationship feels very kind of he's very neglectful of her.
• 1:28:19
  Speaker 6: She just wants her attention. And at the same time,
• 1:28:22
  Speaker 6: there's this kind of subplot of the mate of not
• 1:28:25
  Speaker 6: the mate of, like the one of the caretakers at
• 1:28:28
  Speaker 6: the hotel who sort of becomes fascinated with him, and
• 1:28:32
  Speaker 6: there's a couple of plots happening. But Claire Deny's direction
• 1:28:35
  Speaker 6: here is incredible. The violence in this film is is sparing,
• 1:28:44
  Speaker 6: but it's so intense when it When it happens, it's
• 1:28:48
  Speaker 6: very very gratuitous in always both with the volume of
• 1:28:55
  Speaker 6: nudity and the volume of violence, even though they kind
• 1:28:58
  Speaker 6: of don't pop up as often. And it's a movie
• 1:29:02
  Speaker 6: I think much more interested with the drama and kind
• 1:29:05
  Speaker 6: of the showcasing of the human body and kind of
• 1:29:07
  Speaker 6: playing with all of these very what's the term I
• 1:29:12
  Speaker 6: want to look for, very kind of like objective ideals,
• 1:29:16
  Speaker 6: but really interesting part of the French extremity movement because
• 1:29:21
  Speaker 6: it's not as extreme as I think some of the
• 1:29:23
  Speaker 6: other cases, you know, but definitely one worth looking into.
• 1:29:29
  Speaker 6: This release from Eureka is absolutely fantastic. This was my
• 1:29:35
  Speaker 6: first exposure to Eureka. And on this release, you have
• 1:29:39
  Speaker 6: a four K, you have a Blu ray. You only
• 1:29:41
  Speaker 6: have two bonus features, but I think two very prominent
• 1:29:44
  Speaker 6: pieces that you have to look into. One of them
• 1:29:47
  Speaker 6: is an interview with the New French extremity expert Alice
• 1:29:50
  Speaker 6: Haylett Bryan. That's like a twenty five minute conversation with her,
• 1:29:55
  Speaker 6: and it's incredible. She gives a lot of insight into
• 1:29:57
  Speaker 6: clear Deni as a filmmaker, but as well as kind
• 1:29:59
  Speaker 6: of like the subgenre of New French extremity. Then you
• 1:30:03
  Speaker 6: also have material Vampires and the Defeat of Science, which
• 1:30:06
  Speaker 6: is a new video essay by film scholar I think
• 1:30:09
  Speaker 6: her name is Virginia Sillabi. Forgive me if I'm saying
• 1:30:14
  Speaker 6: that wrong.
• 1:30:15
  Speaker 5: But yeah, great.
• 1:30:16
  Speaker 6: There's also five essays, including a booklet here. It's about
• 1:30:19
  Speaker 6: fifty seven pages long.
• 1:30:21
  Speaker 5: All of them are very good at expanding the education
• 1:30:25
  Speaker 5: of the film, so much so that I actually went
• 1:30:28
  Speaker 5: back and watched this again after diving into the visual
• 1:30:31
  Speaker 5: essay and stuff.
• 1:30:32
  Speaker 6: I gave it a day and I kind of went
• 1:30:33
  Speaker 6: back into it and liked it even more on that
• 1:30:36
  Speaker 6: second round.
• 1:30:37
  Speaker 5: So yeah, hell yeah, Trouble every Day from Eureka. I
• 1:30:40
  Speaker 5: don't know if this is still available.
• 1:30:44
  Speaker 6: It's a good choice, thank you sir.
• 1:30:47
  Speaker 2: This is a four K.
• 1:30:48
  Speaker 6: There are twenty eight available over at the movie room
• 1:30:50
  Speaker 6: dot com for thirty nine ninety nine. I didn't expect
• 1:30:54
  Speaker 6: this to be a big hit among general audiences, but yeah,
• 1:30:59
  Speaker 6: there's there's available. It is supposed to be limited in
• 1:31:02
  Speaker 6: three thousand copies, but it looks like there's still a
• 1:31:04
  Speaker 6: bunch kind of floating around out there. So if you're
• 1:31:06
  Speaker 6: into if you're into kind of the more extreme side
• 1:31:13
  Speaker 6: of international cinema and you want a story that's very
• 1:31:17
  Speaker 6: actually Jordan, you know what this makes me feel?
• 1:31:19
  Speaker 5: Like?
• 1:31:20
  Speaker 6: This movie gives me very heavy like genre on vibes. Yeah,
• 1:31:26
  Speaker 6: like just sort of some of the direction, in some
• 1:31:28
  Speaker 6: of the visual sense, but also like I know, I
• 1:31:31
  Speaker 6: think Alice brings up like some comparisons to like Fascination,
• 1:31:35
  Speaker 6: which Indicator did a incredible release of.
• 1:31:38
  Speaker 5: Yeah, I'll have to go back. I need to go
• 1:31:40
  Speaker 5: back and rewatch Trouble every Day since really getting into
• 1:31:44
  Speaker 5: genre on, because I think I would see this movie
• 1:31:47
  Speaker 5: with a different lens. Yeah, so that's something I'd have
• 1:31:50
  Speaker 5: to do. But from what I can remember of the film,
• 1:31:54
  Speaker 5: it does have that about it.
• 1:31:59
  Speaker 6: Yeah, it does. It was something that I picked up on,
• 1:32:02
  Speaker 6: like I was kind of like, oh, I could see
• 1:32:04
  Speaker 6: the comparison here. And then when I was listening to
• 1:32:06
  Speaker 6: the interview with with Alice Halt, I was like she
• 1:32:10
  Speaker 6: brought it up and I was like, ah, yes, that
• 1:32:12
  Speaker 6: was exactly. I'm like, I'm glad we kind of picked
• 1:32:13
  Speaker 6: up on the same thing because I got the same vibes.
• 1:32:16
  Speaker 5: But uh, yeah, that was my last like you know,
• 1:32:18
  Speaker 5: real like kind of like watch to talk about for
• 1:32:23
  Speaker 5: the next stories. Thank you, Thank you, Jordan.
• 1:32:27
  Speaker 6: What up me? Man?
• 1:32:29
  Speaker 5: Oh man, Well we'll see. I have this film right here.
• 1:32:34
  Speaker 5: It's a uh that's a little Wes Craven film. It's
• 1:32:39
  Speaker 5: got a new release this actually it's a four K
• 1:32:43
  Speaker 5: and that is going to be swamp thing.
• 1:32:48
  Speaker 2: Now.
• 1:32:48
  Speaker 5: Look, we all like this movie for Adrian Barbo. I'm
• 1:32:51
  Speaker 5: not gonna sugarcoat it. That's why we watched this movie.
• 1:32:53
  Speaker 6: I don't know what you're talking about.
• 1:32:55
  Speaker 5: Yeah, sure you don't. Now, this is a great This
• 1:32:59
  Speaker 5: is a a very fun movie. I have a great
• 1:33:02
  Speaker 5: time with this. You know, it had been a long
• 1:33:07
  Speaker 5: time since I've seen this movie. I know MVD has
• 1:33:10
  Speaker 5: a four K, and I wasn't gonna pick that up.
• 1:33:12
  Speaker 5: But when eighty eight announced this, especially with the cover
• 1:33:15
  Speaker 5: art that this thing has and just the presentation that
• 1:33:18
  Speaker 5: they were able to give this film, I was like,
• 1:33:19
  Speaker 5: this is a no brainer for me to pick up.
• 1:33:21
  Speaker 5: This has the actor with I think his name is
• 1:33:27
  Speaker 5: David Hess. Yeah, dude, due that dude. I feel like
• 1:33:31
  Speaker 5: is in everything as a small roles. He pops up everywhere.
• 1:33:35
  Speaker 5: I was just watching Hitchhike. Yeah, and he's like the
• 1:33:41
  Speaker 5: main villain. You know, he's obviously in House by the
• 1:33:44
  Speaker 5: Cemetery or not House by the Cemetery, I'm sorry, House
• 1:33:47
  Speaker 5: on the Edge of the Park.
• 1:33:50
  Speaker 6: And I spent on your Grave and.
• 1:33:56
  Speaker 5: Last and he was just in another movie that I
• 1:33:59
  Speaker 5: was just watching but I can't remember it anyways. He's
• 1:34:04
  Speaker 5: just one of those actors that happens to be everywhere
• 1:34:07
  Speaker 5: yet nowhere at the same time. That's how it feels
• 1:34:11
  Speaker 5: with no not a bad way, but it's like you
• 1:34:13
  Speaker 5: never think that, oh, David Hess, this is his movie,
• 1:34:16
  Speaker 5: but he happens to be in everything.
• 1:34:18
  Speaker 6: I think we all kind of like, you know, last,
• 1:34:20
  Speaker 6: House on the Left and House on the edge of
• 1:34:22
  Speaker 6: the park are pretty impactful roles for him.
• 1:34:26
  Speaker 5: Yeah, and he's always oh he always played and swamp thing. Yes,
• 1:34:32
  Speaker 5: but he always plays that sleazy, dirt bag type of character.
• 1:34:39
  Speaker 5: Maybe a little bit in this. Uh. But the creature
• 1:34:42
  Speaker 5: effect work in this I think is great. With the
• 1:34:47
  Speaker 5: swamp thing, it's funny. His face is a little wonky.
• 1:34:50
  Speaker 5: But I think my favorite character in this whole movie
• 1:34:52
  Speaker 5: has got to be the little kid that she meets
• 1:34:55
  Speaker 5: at the at the gas station. He is my favorite.
• 1:34:59
  Speaker 5: I love the way he talks.
• 1:35:00
  Speaker 6: Yeah, Jude right, JUDEA is the name I think.
• 1:35:03
  Speaker 5: Yeah, yep, uh Harry Manfordini, Yeah, did the score for this?
• 1:35:10
  Speaker 5: It makes sense like Friday the thirteen. Yep, uh yeah.
• 1:35:15
  Speaker 5: I mean there really isn't a lot to say about
• 1:35:17
  Speaker 5: this film, one that hasn't already been said. It's not
• 1:35:20
  Speaker 5: a very deep thought provoking film. It's a d C
• 1:35:24
  Speaker 5: comics movie, but it's still such a fun film.
• 1:35:29
  Speaker 2: It laid the ground worked out for everything that followed
• 1:35:32
  Speaker 2: after that.
• 1:35:33
  Speaker 5: If it was the Snyder Verse, would not happen without Swamp.
• 1:35:37
  Speaker 5: But uh, yeah, I just watched this. I think we
• 1:35:40
  Speaker 5: were talking about in our group chat. I just watched
• 1:35:42
  Speaker 5: this like two weeks ago, the m v D four K,
• 1:35:45
  Speaker 5: and uh, I love that movie.
• 1:35:48
  Speaker 6: Man, it makes me miss There's the you know, rebber
• 1:35:50
  Speaker 6: suit style of horror, you know what I mean. And uh,
• 1:35:55
  Speaker 6: the Adrian Barbo obviously, the bathing scene is incredible, you
• 1:36:00
  Speaker 6: know what I mean.
• 1:36:00
  Speaker 5: I don't think you know what I'm talking about, but
• 1:36:02
  Speaker 5: if you do, you know what I'm talking about.
• 1:36:05
  Speaker 6: But also, like just the stunts of this era, like
• 1:36:08
  Speaker 6: the the laboratory explosion is insane, you know, all the
• 1:36:14
  Speaker 6: characters getting thrown around. I just want to give a
• 1:36:16
  Speaker 6: special shout out to Nicholas worth Is Bruno. I think
• 1:36:19
  Speaker 6: Bruno is kind of like one of my favorite characters
• 1:36:21
  Speaker 6: is the whole time he's so worried about Ferret and
• 1:36:24
  Speaker 6: he's just always down to like he's like this supportive,
• 1:36:27
  Speaker 6: nice guy, but he's got to be a bad guy, you.
• 1:36:29
  Speaker 5: Know what I mean. Well, and then he becomes this
• 1:36:32
  Speaker 5: little imp. You know, but you did hit the nail
• 1:36:38
  Speaker 5: on the head with the stunts. I mean, how about
• 1:36:40
  Speaker 5: that whole scene when they're on the boats on the swamp,
• 1:36:43
  Speaker 5: that whole shootout scene. I mean, I feel like this
• 1:36:46
  Speaker 5: is almost Michael bayesque. I mean, come on, you know
• 1:36:50
  Speaker 5: what I mean.
• 1:36:51
  Speaker 6: I mean the the rail machine gun on the on
• 1:36:55
  Speaker 6: the boat is pretty wild, you know, like tossing grenades
• 1:36:59
  Speaker 6: in thettle water and it's out of control. Man, it
• 1:37:02
  Speaker 6: just feels I know that there was safety caution, there
• 1:37:05
  Speaker 6: was safety you know, used precautions being used here, but
• 1:37:09
  Speaker 6: it just feels so unsafe, you know what I mean?
• 1:37:11
  Speaker 5: Mm hmm. Yeah, this one was just a guilty pleasure
• 1:37:15
  Speaker 5: of mine. Fun watch and I really enjoy this pick
• 1:37:19
  Speaker 5: up from eighty eight Films.
• 1:37:21
  Speaker 2: So that artwork is awesome.
• 1:37:23
  Speaker 5: Yeah, the artwork is fantastic on this exactly.
• 1:37:26
  Speaker 6: Yea great pick man.
• 1:37:29
  Speaker 5: Unfortunately it did not come with a booklet, crisp but
• 1:37:33
  Speaker 5: still still not fine. It comes with art cards. I
• 1:37:37
  Speaker 5: have the MPD four K. It's probably the same exact
• 1:37:42
  Speaker 5: trends bonus features, That's what I'm looking here. Let me
• 1:37:48
  Speaker 5: see here, do you commentary?
• 1:37:51
  Speaker 6: There's six available left on the movie room. No, it
• 1:37:55
  Speaker 6: looks like, I mean, doesn't say that anything's new. You haven't. Yeah,
• 1:38:01
  Speaker 6: but r and on readA versions very nice, brand new
• 1:38:05
  Speaker 6: four K remaster, very nice, very cool. Yeah, that's a
• 1:38:11
  Speaker 6: great one man, awesome pick.
• 1:38:14
  Speaker 5: Steve.
• 1:38:16
  Speaker 6: I know you got something hide in there, man.
• 1:38:19
  Speaker 2: I actually I do kind of like the secrets that
• 1:38:22
  Speaker 2: were kept in one of my favorites, and that's none
• 1:38:26
  Speaker 2: other than The Last Seduction.
• 1:38:30
  Speaker 6: This is a very horny episode of After.
• 1:38:34
  Speaker 5: Well.
• 1:38:34
  Speaker 2: I mean, you know, I think we had everyone all
• 1:38:38
  Speaker 2: riled up after Swamp Thing. I got them nice and sweaty,
• 1:38:41
  Speaker 2: so I figured I might as well close, Yeah, close
• 1:38:44
  Speaker 2: it out on a high note. What do you guys
• 1:38:46
  Speaker 2: think of this movie?
• 1:38:49
  Speaker 5: I've never seen it, to be honest with you, same
• 1:38:52
  Speaker 5: you don't one who convinced me to get this and
• 1:38:54
  Speaker 5: I have never seen it.
• 1:38:55
  Speaker 6: Okay, I mean I know, so I can't resist the
• 1:38:57
  Speaker 6: Peterberg you know star movie. But Linda Fiorantino, yep, I know.
• 1:39:03
  Speaker 6: I mean she's in here smoking SIGs, you know, pre
• 1:39:08
  Speaker 6: Men in Black. I'm into it. I gotta, I gotta get.
• 1:39:10
  Speaker 2: It this well, I know I was. I was obviously
• 1:39:16
  Speaker 2: speaking very highly of the other releases, but this one
• 1:39:20
  Speaker 2: definitely knocked it out of the park for me. This
• 1:39:22
  Speaker 2: is from Imprint Films. This is another nineties zerotic thriller.
• 1:39:27
  Speaker 2: It's kind of like neo noir, I would say, with
• 1:39:30
  Speaker 2: the style of film that's directed by John doll See.
• 1:39:34
  Speaker 2: He directed Red Rock West, which is another film that
• 1:39:38
  Speaker 2: is part of the Cinematograph line, which I highly recommend,
• 1:39:45
  Speaker 2: and it's got an incredible cast a Linda Fiorentino. You've
• 1:39:49
  Speaker 2: got Peter Berg, Bill Pullman in it, and it's I
• 1:39:54
  Speaker 2: would say it deals with a lot of like, uh, passion, greed, revenge, desperate.
• 1:40:01
  Speaker 2: It's really really probably like another one of the highlights
• 1:40:05
  Speaker 2: that I would if I'm looking back on the nineties
• 1:40:08
  Speaker 2: as far as erotic thrillers, this is definitely up there
• 1:40:10
  Speaker 2: as well. I've been getting more than my fair share
• 1:40:13
  Speaker 2: of these either four K releases, whether they're box sets
• 1:40:17
  Speaker 2: or any of these movies. I absolutely adore getting the
• 1:40:21
  Speaker 2: boutique treatment. So pretty cool to be getting this. And
• 1:40:25
  Speaker 2: with this release, actually we get this thing is loaded,
• 1:40:30
  Speaker 2: so we have the four K transfer for the theatrical
• 1:40:34
  Speaker 2: cut as well as the Blu ray release for it.
• 1:40:38
  Speaker 2: We actually have the four K noir edition, which is
• 1:40:44
  Speaker 2: actually specifically created in black and white, restored from the
• 1:40:48
  Speaker 2: original thirty five millimeter negative by imprint. You've got a
• 1:40:53
  Speaker 2: plethora of behind the scenes features, commentaries, eighty page booklet
• 1:41:03
  Speaker 2: with it. I mean, I don't know how much more
• 1:41:05
  Speaker 2: you can really get in a release like this. And
• 1:41:07
  Speaker 2: I have to say, between this and I haven't had
• 1:41:11
  Speaker 2: a chance to really dive into Jade just yet, but
• 1:41:14
  Speaker 2: between both of these two movies, like, I'm good. I
• 1:41:18
  Speaker 2: don't think I ever need another edition of either of
• 1:41:20
  Speaker 2: these movies ever again, so I'm very happy and I
• 1:41:24
  Speaker 2: highly recommend.
• 1:41:25
  Speaker 5: Imprint if you're listening, which I know you are.
• 1:41:28
  Speaker 6: John Dall also directed another fantastic thriller from the nineties,
• 1:41:32
  Speaker 6: and I need this level of treatment for and that's
• 1:41:35
  Speaker 6: a joy Ride Leey Sobieski, Steve Jan Paul Walker. I
• 1:41:41
  Speaker 6: need a good release of that, thank you.
• 1:41:42
  Speaker 5: Hey, you know what their website is down says they're
• 1:41:44
  Speaker 5: working on something big. Maybe that's what it is.
• 1:41:46
  Speaker 6: That's what they're working on. Man, a four K Deloxe
• 1:41:48
  Speaker 6: edition of joy Ride.
• 1:41:50
  Speaker 2: I need nine and a half weeks. I put all
• 1:41:52
  Speaker 2: this aside, nine and a half weeks. Come on, I'm
• 1:41:54
  Speaker 2: not asking for much.
• 1:41:56
  Speaker 5: You know.
• 1:41:57
  Speaker 6: The disc with the new R edition is bringing me
• 1:41:59
  Speaker 6: back to the days of Logan, you.
• 1:42:01
  Speaker 5: Know what I mean?
• 1:42:01
  Speaker 6: When they have the new ardis oh yeah, yeah, yeah, yep,
• 1:42:05
  Speaker 6: that's very cool. I mean, you know, what's your thoughts
• 1:42:08
  Speaker 6: on I know that the director's cut here one hundred
• 1:42:11
  Speaker 6: and twenty eight minutes is only available on Blu Ray.
• 1:42:14
  Speaker 5: Have you have you watched the director's cut versus theatrical
• 1:42:16
  Speaker 5: cut of this?
• 1:42:18
  Speaker 2: I need to go back. I'll have more time to
• 1:42:20
  Speaker 2: dive into both of these. I intend to go back
• 1:42:22
  Speaker 2: and at least give the newer edition a watch, just
• 1:42:25
  Speaker 2: to you know, get a feel for that. But yeah,
• 1:42:29
  Speaker 2: both this and the Jade release I want to take
• 1:42:31
  Speaker 2: a little bit more time on, just because I know
• 1:42:33
  Speaker 2: that they're so loaded with extras and different editions of
• 1:42:36
  Speaker 2: the film.
• 1:42:37
  Speaker 6: So yeah, yeah, man, this is this is thunder of
• 1:42:41
  Speaker 6: our releases is sold out over at my side of choice,
• 1:42:44
  Speaker 6: which is the Room. This is one hundred percent sold out,
• 1:42:46
  Speaker 6: one hundred and nine to ninety nine for two four
• 1:42:48
  Speaker 6: K discs and two Blu rays, eighty page booklet. Pretty incredible, man,
• 1:42:54
  Speaker 6: I love like. I just hope we continue on this
• 1:42:56
  Speaker 6: route of putting out these nineties erotic thrillers.
• 1:42:59
  Speaker 3: Man.
• 1:43:00
  Speaker 6: I hope please for me, Yeah, I just hope they
• 1:43:03
  Speaker 6: keep on the man, you know what I mean?
• 1:43:05
  Speaker 2: I see what you did there.
• 1:43:07
  Speaker 5: I didn't mean to do that. I'll take look at
• 1:43:10
  Speaker 5: I see Jordan keeping his copy of Last.
• 1:43:14
  Speaker 2: Half Hours.
• 1:43:17
  Speaker 6: Anything that you guys want to throw in quick talk
• 1:43:21
  Speaker 6: about quick mention with anything you've been watching or picking up.
• 1:43:27
  Speaker 2: I have one on Oh Jordan, did you get one?
• 1:43:32
  Speaker 5: I don't have. I don't have it with me at
• 1:43:35
  Speaker 5: the moment. But I just did a review of West
• 1:43:39
  Speaker 5: World from seventy three. That one. Actually some of my
• 1:43:44
  Speaker 5: subscribers were pushing me to get it, so I picked
• 1:43:48
  Speaker 5: it up and watched it, and I do that movie
• 1:43:52
  Speaker 5: is great. What what? I was very hesitant with it,
• 1:43:57
  Speaker 5: just because I'm a fan of Westerns. I just don't
• 1:44:00
  Speaker 5: know how it was gonna feel with the whole sci
• 1:44:01
  Speaker 5: fi aspect of it. But I thought it was great.
• 1:44:05
  Speaker 5: I love James Brolin in this movie, one of my
• 1:44:10
  Speaker 5: favorite characters, and it the movie has a it's kind
• 1:44:14
  Speaker 5: of ahead of its time. If you guys know the story.
• 1:44:17
  Speaker 5: It's kind of these these androids that get a mind
• 1:44:21
  Speaker 5: of their own, go go off, go against programming and
• 1:44:26
  Speaker 5: start attacking the guests of uh dulls. The there's different,
• 1:44:31
  Speaker 5: you know, West World, Roman World and all that stuff.
• 1:44:34
  Speaker 5: And it's the scientist in the movie even say, we
• 1:44:38
  Speaker 5: don't know how this stuff works, and you know, it's
• 1:44:41
  Speaker 5: almost that it touches in kind of where we are
• 1:44:44
  Speaker 5: with AI and where that can go. And it's it's
• 1:44:47
  Speaker 5: very timeless in that way, and it's kind of creepy,
• 1:44:49
  Speaker 5: but it's also a fun movie. I have a lot
• 1:44:52
  Speaker 5: of fun. The scene of the two main characters characters
• 1:44:57
  Speaker 5: exploring Westworld, I think is it's the best part of
• 1:45:01
  Speaker 5: the movie of them just learning about it that you know,
• 1:45:05
  Speaker 5: one gets to be a sheriff for you know, while
• 1:45:08
  Speaker 5: they're there. They you know, they can go rob a bank,
• 1:45:11
  Speaker 5: they can choose to be you know, lawman or whatnot.
• 1:45:15
  Speaker 5: It's a great movie. And plus I forget the Russian
• 1:45:19
  Speaker 5: actor who plays the outlaw in this movie. He yes,
• 1:45:26
  Speaker 5: such a fantastic villain in this film. Do you guys
• 1:45:31
  Speaker 5: know Do you guys know who directed West World?
• 1:45:34
  Speaker 6: Off hand?
• 1:45:34
  Speaker 5: It Yeah, it's the author Yep, Michael Crichton who wrote
• 1:45:38
  Speaker 5: Jurassic Park, Lost World and the And yeah, it's very
• 1:45:44
  Speaker 5: much like a It's like a This is like a
• 1:45:46
  Speaker 5: more adult kind of precursor to Jurassic Park. I feel
• 1:45:49
  Speaker 5: like I feel like West World was kind of like
• 1:45:52
  Speaker 5: the film practice of what he would do with Jurassic Park,
• 1:45:55
  Speaker 5: where he would really well, was so cool about this.
• 1:45:58
  Speaker 5: So this was his directorial debut, was this movie West World,
• 1:46:02
  Speaker 5: And he shot it as he edited as he shot it,
• 1:46:07
  Speaker 5: so he didn't have to go and you know, that's
• 1:46:09
  Speaker 5: how he shot the film. He knew the shots, he wanted,
• 1:46:12
  Speaker 5: the different scenes, so that's how he shot the film
• 1:46:14
  Speaker 5: and completely so the production company couldn't do anything about it.
• 1:46:17
  Speaker 5: They're just like, okay, you know, there's nothing they can
• 1:46:20
  Speaker 5: do at that point. And it was a hit for sure.
• 1:46:23
  Speaker 5: I mean it's had a span off two TV series. Yeah,
• 1:46:28
  Speaker 5: so yeah, yeah, that's a great one man, Steve. Anything
• 1:46:32
  Speaker 5: last you want to throw.
• 1:46:33
  Speaker 2: In, I just wanted to close out with one that
• 1:46:37
  Speaker 2: is I wouldn't say this one is as erotic as
• 1:46:41
  Speaker 2: the other ones we've been talking about so far tonight,
• 1:46:44
  Speaker 2: but I absolutely adore this movie. And that is none
• 1:46:48
  Speaker 2: other than Twin Peaks fire Walk with Me, very nice
• 1:46:53
  Speaker 2: from the Criterion collection. So this is the four K
• 1:46:56
  Speaker 2: release that they came out with. And I don't know,
• 1:47:00
  Speaker 2: are you, either of you guys big in Twin Peaks.
• 1:47:02
  Speaker 5: Like that or not?
• 1:47:04
  Speaker 2: Really?
• 1:47:05
  Speaker 5: I'm trying to grind through the series right now.
• 1:47:08
  Speaker 2: Per grind grind through it.
• 1:47:13
  Speaker 5: You should just say, you know what I'm running. I'm
• 1:47:15
  Speaker 5: trying to add in to this, you know, the hornerrific
• 1:47:21
  Speaker 5: episode we've got going on. No, per the recommendation of
• 1:47:25
  Speaker 5: Steve here, I am trying to I'm going through the
• 1:47:27
  Speaker 5: show right now.
• 1:47:29
  Speaker 2: Okay. Twin Peaks for those of you guys and I
• 1:47:33
  Speaker 2: was familiar with it was a series, our TV series
• 1:47:37
  Speaker 2: that was on like early nineties, and this film actually
• 1:47:40
  Speaker 2: followed in ninety two. This serves as a prequel to
• 1:47:44
  Speaker 2: the series and kind of gives you some backstory as
• 1:47:48
  Speaker 2: to the days leading up to when Laura Palmer was
• 1:47:52
  Speaker 2: murdered played by none other than Cheryl Lee in this film.
• 1:47:57
  Speaker 2: In this movie and the TV series is direct by
• 1:48:00
  Speaker 2: David Lynch, this is I would say a lot darker
• 1:48:07
  Speaker 2: in tone compared to the TV show. I think with
• 1:48:11
  Speaker 2: having the creative liberties that David Lynch had with this
• 1:48:14
  Speaker 2: film to be able to go to those darker aspects
• 1:48:17
  Speaker 2: of what Laura Palmer was dealing with, it definitely goes there.
• 1:48:21
  Speaker 2: There are some very uncomfortable moments that we get in
• 1:48:24
  Speaker 2: the movie, but as a whole, I think that this
• 1:48:28
  Speaker 2: just further enhances the experience that I feel like I
• 1:48:33
  Speaker 2: have whether I'm watching the TV series or watching this
• 1:48:38
  Speaker 2: on top of it. But I love this TV show,
• 1:48:43
  Speaker 2: this movie as well as an extension, more than probably
• 1:48:47
  Speaker 2: any other show. I hold this in high regards up
• 1:48:49
  Speaker 2: there with the Sopranos. And if you guys, like again,
• 1:48:54
  Speaker 2: this is kind of like almost like fringe noir, Like
• 1:49:00
  Speaker 2: I don't know what would you consider David Lynch. It's
• 1:49:03
  Speaker 2: just almost like dream.
• 1:49:04
  Speaker 6: Like in a lot of ways in a world of
• 1:49:06
  Speaker 6: its own.
• 1:49:07
  Speaker 2: Man, it really is. But I was really impressed with
• 1:49:14
  Speaker 2: how nice the four K looked for this film, and
• 1:49:18
  Speaker 2: this isn't I would say this is kind of why
• 1:49:20
  Speaker 2: I wanted to kind of save this towards the end,
• 1:49:22
  Speaker 2: because it's not as lowed as some of the other
• 1:49:24
  Speaker 2: releases that we talked about, but I do think that
• 1:49:27
  Speaker 2: it deserves a place in your collection. There's some additional
• 1:49:32
  Speaker 2: interviews in with this release as well as the Missing Pieces,
• 1:49:37
  Speaker 2: which is ninety minutes of deleted and alternate takes from
• 1:49:40
  Speaker 2: the film assembled by David Lynch, and then there's some
• 1:49:44
  Speaker 2: older interview on here as well.
• 1:49:47
  Speaker 5: So.
• 1:49:49
  Speaker 2: Listen next Criterion sale. I would definitely suggest picking this
• 1:49:54
  Speaker 2: up or any of David Lynch's other films are incredible.
• 1:49:58
  Speaker 5: Yeah, yeah, great, finish her there, man, I don't have
• 1:50:02
  Speaker 5: anything that exciting.
• 1:50:05
  Speaker 6: Really. The only other, like I guess the genre film
• 1:50:07
  Speaker 6: I watched this month, Well, I don't.
• 1:50:11
  Speaker 5: I wouldn't say this month because I've watched a lot,
• 1:50:13
  Speaker 5: but I've talked about a lot. I did revisit on
• 1:50:17
  Speaker 5: Blu Ray, which which which we own. I revisited Alexandra Aja's.
• 1:50:21
  Speaker 6: Mirrors with Keefer Sutherland.
• 1:50:24
  Speaker 5: Do you guys remember this movie from two thousand and eight.
• 1:50:28
  Speaker 5: I don't know.
• 1:50:30
  Speaker 2: I know, I know of it. I don't think I've
• 1:50:32
  Speaker 2: actually seen it though.
• 1:50:34
  Speaker 5: Yeah. This is Alexandra Aja after the Hills of Eyes.
• 1:50:39
  Speaker 6: Keefer Sutherland plays a police officer who has been taking
• 1:50:44
  Speaker 6: off the job. Picks up a job as a security
• 1:50:46
  Speaker 6: officer at a burn down department store and kind of
• 1:50:51
  Speaker 6: gets sucked into this paranormal mystery surrounding these mirrors which
• 1:50:57
  Speaker 6: are leading people to a road where essentially they see
• 1:51:03
  Speaker 6: alternate versions of themselves in the mirrors. And this is
• 1:51:07
  Speaker 6: a remake of a Japanese film. It's sort of like
• 1:51:12
  Speaker 6: it's got some really crazy gore effects. Amy Smart makes
• 1:51:16
  Speaker 6: an appearance in this, and she has a really crazy
• 1:51:20
  Speaker 6: death in it where her jaw she kind of like
• 1:51:22
  Speaker 6: rips her own jawl off. It's really wild, it's really shocking.
• 1:51:26
  Speaker 6: Other than that, it's still sort of really suffers from
• 1:51:29
  Speaker 6: the two thousands need to over explain everything, and it's
• 1:51:31
  Speaker 6: just sort of really long and kind of drawn out,
• 1:51:34
  Speaker 6: and you know, it does kind of feel like a
• 1:51:36
  Speaker 6: little bit of a slam one of breaks compared to
• 1:51:39
  Speaker 6: what he did with the Hills of Eyes, just you know,
• 1:51:41
  Speaker 6: two years earlier before this.
• 1:51:45
  Speaker 5: But I watched that, and you know, it's not one
• 1:51:47
  Speaker 5: I'm upset to.
• 1:51:47
  Speaker 6: Own, but it's one that I'll never really upgrade from
• 1:51:50
  Speaker 6: the four dollars Blu ray that I have. You know,
• 1:51:54
  Speaker 6: I've also been doing a little bit of reading thanks
• 1:51:55
  Speaker 6: to Jordan. Jordan here bought a bundle of seven films,
• 1:52:01
  Speaker 6: one of them being the Feeding Frenzy box set, and
• 1:52:03
  Speaker 6: along with that bundle, he sent me over a book
• 1:52:08
  Speaker 6: by Christian Bowe called Shark into the Jaws of an
• 1:52:12
  Speaker 6: Unstoppable Genre And this was available exclusively through Severn and
• 1:52:19
  Speaker 6: in Psychopocalypse Publications our friends over there, and this was
• 1:52:24
  Speaker 6: only available during this Severn bundle sale and has not
• 1:52:28
  Speaker 6: been available outside of it. This is translated the first
• 1:52:32
  Speaker 6: time it was ever in English, to complete book, and
• 1:52:35
  Speaker 6: I'm about to a quarter the way through it and
• 1:52:37
  Speaker 6: having an absolutely incredible time. Truly the definition of a
• 1:52:42
  Speaker 6: book that if you're not into shark films, which I am.
• 1:52:44
  Speaker 6: I have a Jaws tattoo, but you know I'm not
• 1:52:47
  Speaker 6: as into it as as this book goes into. It's
• 1:52:51
  Speaker 6: making me become a shark film fan, you know. Truly
• 1:52:55
  Speaker 6: an incredible piece of writing that I hope gets a
• 1:52:58
  Speaker 6: little bit more exposure here in the US. Maybe another
• 1:53:00
  Speaker 6: release in Psychopocalypse if we're listening, which I know for
• 1:53:03
  Speaker 6: a fact you are, Let's let's get this reprinted and
• 1:53:09
  Speaker 6: put back out because I think more people need to
• 1:53:11
  Speaker 6: get their hands on this.
• 1:53:13
  Speaker 5: I believe you can still get it at Seven's website.
• 1:53:17
  Speaker 6: Actually, is it still on?
• 1:53:19
  Speaker 5: You have it for thirty five bucks? Okay? All right,
• 1:53:22
  Speaker 5: Shark into the Jaws of an Unstoppable genre. Okay, yep.
• 1:53:26
  Speaker 6: So En Psychopocalypse shared my post today and said that
• 1:53:29
  Speaker 6: it's sold out last summer, so.
• 1:53:32
  Speaker 5: I'm hoping, okay, you know, I'm hoping you'll if.
• 1:53:34
  Speaker 6: They can get it through seven website, then please seven
• 1:53:36
  Speaker 6: Films dot Com pick up shark. It's a fantastic read,
• 1:53:41
  Speaker 6: not too long, lots of cool pictures if that's what
• 1:53:43
  Speaker 6: you need in your books.
• 1:53:45
  Speaker 5: It's all there, so man, it's like there's a whole
• 1:53:49
  Speaker 5: section on Shark Nado.
• 1:53:51
  Speaker 6: Dude, there's a whole section on a lot of stuff
• 1:53:53
  Speaker 6: in it, including one of my wife's favorite ghost shark
• 1:53:56
  Speaker 6: m And what's most what's most interesting about it is
• 1:54:00
  Speaker 6: the book actually starts with a couple of pages about
• 1:54:05
  Speaker 6: just sharks, like almost like national geographic level research of sharks,
• 1:54:09
  Speaker 6: and then it goes into the sort of sharks in
• 1:54:12
  Speaker 6: myth and in pre film and then the very first
• 1:54:17
  Speaker 6: kind of shark film that shows up in nineteen thirty one.
• 1:54:19
  Speaker 6: And it's a it's an incredible read, man, It's it's
• 1:54:22
  Speaker 6: so much fun, and there's so much great insight and
• 1:54:25
  Speaker 6: truly like you can feel the passion from the author
• 1:54:28
  Speaker 6: on the topic and every single sentence, every single paragraph,
• 1:54:31
  Speaker 6: it's so well written. Jordan, I can't thank you enough
• 1:54:34
  Speaker 6: for sending me that way, man.
• 1:54:35
  Speaker 5: Of course, of course, I'm glad. I'm glad you enjoyed it,
• 1:54:39
  Speaker 5: and I hope you continue to enjoy it.
• 1:54:41
  Speaker 6: Of course, dude, we'll do of course another episode of
• 1:54:46
  Speaker 6: After Hours Down guys, thanks for making this man. This
• 1:54:50
  Speaker 6: this was like truly everything we talked about was so
• 1:54:52
  Speaker 6: much fun. This was a great, great lineup of stuff
• 1:54:55
  Speaker 6: to be chatting about. So Jordan has always left will know.
• 1:55:00
  Speaker 6: Let people know where they can find you.
• 1:55:02
  Speaker 5: Man.
• 1:55:02
  Speaker 6: What's going on?
• 1:55:04
  Speaker 5: Yeah, you can find me over on YouTube, the movie
• 1:55:07
  Speaker 5: Den on Instagram, the movie DN pretty much anywhere. It's
• 1:55:12
  Speaker 5: just the movie Dan. Not a whole lot going on
• 1:55:16
  Speaker 5: right now. We just did our so I host a
• 1:55:20
  Speaker 5: fear by Year episode with these guys where we talk
• 1:55:23
  Speaker 5: about every episode six horror films within a certain year.
• 1:55:27
  Speaker 5: We did nineteen eighty three. Unfortunately Chris wasn't not able
• 1:55:31
  Speaker 5: to make this last one, so it was me and Stephen.
• 1:55:33
  Speaker 5: We had our buddy PiZZ ol on. So that just
• 1:55:38
  Speaker 5: got finished on about a couple of days ago. That
• 1:55:42
  Speaker 5: was a lot of fun. But right now, I just
• 1:55:46
  Speaker 5: did my review of Westworld, like we talked about earlier.
• 1:55:49
  Speaker 5: Coming up, I need to want to talk more about
• 1:55:52
  Speaker 5: the Ugly Stepsister. I just have to get through some
• 1:55:55
  Speaker 5: of the special features and stuff with that. But I mean, really,
• 1:55:59
  Speaker 5: other than that, that's it's really about it. Nothing too
• 1:56:02
  Speaker 5: crazy going on right now just talking about movies in
• 1:56:07
  Speaker 5: film and our favorite genre, horror. Hell yeah, man, Hell yeah, Steve.
• 1:56:12
  Speaker 5: Let people know where they can find you, what you
• 1:56:15
  Speaker 5: got going on.
• 1:56:16
  Speaker 2: You guys can find me at after Ours Hours abbreviated video.
• 1:56:21
  Speaker 2: I'm on social media all over the place, just watching
• 1:56:24
  Speaker 2: some of my favorite movies. And I'm really excited for
• 1:56:29
  Speaker 2: Beyond the Blood. We're gonna be recording Event Horizon or
• 1:56:32
  Speaker 2: special for that film. Super pumped to talk about that.
• 1:56:36
  Speaker 2: And then I actually have a live stream see on
• 1:56:39
  Speaker 2: the fourth at eight pm Eastern time with his We're
• 1:56:44
  Speaker 2: doing the movies that made us. I'm pretty pumped to
• 1:56:46
  Speaker 2: do that. It's going to be Jake from Steelbook Obsessed
• 1:56:50
  Speaker 2: in the night Watch Zone on there as well, so
• 1:56:52
  Speaker 2: it should be a good time.
• 1:56:54
  Speaker 6: Awesome. Yeah, And as always, you guys can find me
• 1:56:56
  Speaker 6: at Bearded Film Guy on Instagram. Very excited for Event Horizon.
• 1:57:01
  Speaker 5: We're gonna be recording that just a couple of days here,
• 1:57:03
  Speaker 5: so in less than a week from when you're listening
• 1:57:05
  Speaker 5: to this, our official episode will be out.
• 1:57:08
  Speaker 6: Very excited for that. I would encourage everyone to go
• 1:57:11
  Speaker 6: back and listen to kind of some of the previous
• 1:57:13
  Speaker 6: stuff that we've been putting out here. I feel like
• 1:57:16
  Speaker 6: twenty six has been a really fun year for beyond
• 1:57:19
  Speaker 6: the blood and kind of some stuff that we've been
• 1:57:21
  Speaker 6: doing kind of outside of our normal run. The last
• 1:57:26
  Speaker 6: episode we put up was our first episode of a
• 1:57:28
  Speaker 6: kind of spin off series called staff Picks, where we
• 1:57:31
  Speaker 6: talk about just kind of some of our favorite genre films,
• 1:57:35
  Speaker 6: but not as in depth as a regular commentary one.
• 1:57:37
  Speaker 6: You know, we're gonna be picking movies that maybe don't
• 1:57:39
  Speaker 6: have commentary tracks but are still a lot of fun
• 1:57:42
  Speaker 6: to talk about. We broke down nineteen ninety one's Popcorn
• 1:57:47
  Speaker 6: with my wife, so make sure to go back and
• 1:57:49
  Speaker 6: listen to that absolutely incredible episode. I'm very proud of
• 1:57:52
  Speaker 6: that one, very happy that she came on and made
• 1:57:55
  Speaker 6: me look like an idiot. She did incredible, So every
• 1:58:00
  Speaker 6: compliment about our show for the last three weeks has
• 1:58:02
  Speaker 6: been about my wife on that episode, So go back
• 1:58:05
  Speaker 6: and listen to that. And then last month we put
• 1:58:09
  Speaker 6: out an episode, a very special episode with Jake from
• 1:58:12
  Speaker 6: Steel Book Obsessed and Dave Lee from Umbrella Entertainment where
• 1:58:16
  Speaker 6: we broke down their upcoming umbrellas and our monsters and
• 1:58:19
  Speaker 6: curiosity set from Umbrella entertainment. We talked about kind of
• 1:58:24
  Speaker 6: some of the controversies around the bonus features on that episode,
• 1:58:29
  Speaker 6: and a bunch of a bunch of a whole bunch
• 1:58:32
  Speaker 6: of positives that came out of that change. So if
• 1:58:34
  Speaker 6: you're really interested into the insight of physical media and
• 1:58:37
  Speaker 6: kind of behind the scenes stuff, go give that a listen. Also,
• 1:58:43
  Speaker 6: just going to replug our first episode of the year
• 1:58:46
  Speaker 6: which we did, which was Torso from nineteen seventy three
• 1:58:51
  Speaker 6: with Ryan from Disconnected. We dove into the commentary track
• 1:58:56
  Speaker 6: and film as a whole, So that is available right
• 1:58:59
  Speaker 6: now wherever wherever you're listening to this podcast. So as always,
• 1:59:04
  Speaker 6: appreciate everyone who listens to this. Thank you to you
• 1:59:07
  Speaker 6: guys for coming on to this as always, and we'll
• 1:59:10
  Speaker 6: see you again next time.
• 1:59:12
  Speaker 2: Let's catch you guys the next one.
• 1:59:14
  Speaker 5: See ya.
• 1:59:21
  Speaker 4: Thank you for listening to hear more shows from the
• 1:59:24
  Speaker 4: Someone's Favorite Productions podcast network. Please select the link in
• 1:59:27
  Speaker 4: the description.