Latest / DISGRACELAND / Bonus Episode - The Band, Concert Films, and Giving Thanks

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Bonus Episode - The Band, Concert Films, and Giving Thanks · DISGRACELAND

0:01
Speaker 1: Hey, discos, need a little more Disgraceland in your life,
0:05
Speaker 1: just to touch to get you through. Yeah, me too.
0:08
Speaker 1: This is the podcast that comes after the podcast. Welcome
0:12
Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,
0:30
Speaker 1: a little thing we like to call the after party.
0:33
Speaker 1: This is the show after the show, the party after
0:35
Speaker 1: the party, the bridge to get you from one full
0:37
Speaker 1: episode of Disgraceland to the other, the backyard to dig
0:40
Speaker 1: into the dirt. On this bonus episode, we are talking
0:43
Speaker 1: about this week's subject of the Disgraceland full episode, the band.
0:48
Speaker 1: And we're doing so because it's Thanksgiving, and that means
0:51
Speaker 1: it's the week we celebrate the Last Waltz, and we
0:54
Speaker 1: are talking to you about the greatest concert films from
0:57
Speaker 1: rock and roll history. Sean Combs was back in this week,
1:01
Speaker 1: and of course we are diving into your voicemails, text
1:03
Speaker 1: and more, and as always, a whole lot of rosie.
1:06
Speaker 1: Al Right, discoes, let's get into it. My favorite thing
1:19
Speaker 1: about The Last Waltz, the Scorsese directed concert film depicting
1:23
Speaker 1: the final performance of the band, subject that we're all
1:27
Speaker 1: now pretty familiar with just because of our rock and
1:30
Speaker 1: roll pedigrees, but also it's the subject of this week's
1:32
Speaker 1: full episode of Disgraceland, a concert that took place on
1:36
Speaker 1: Thanksgiving nineteen seventy six. So apropos for this week. My
1:40
Speaker 1: favorite part of The Last Waltz isn't a musical moment.
1:44
Speaker 1: It's a cinematic moment. It's the opening seconds of the film.
1:49
Speaker 1: It's Rick Danko negotiating with that pool table like he's
1:53
Speaker 1: a freaking corporate litigator going in for the attack in
1:57
Speaker 1: a full courtroom. Rick is in total control. He looks
2:01
Speaker 1: as comfortable with that poolqueue in that pool hall as
2:04
Speaker 1: he does on stage with his bass. To me, in
2:09
Speaker 1: this moment, Rick Danko always looked like a real life
2:12
Speaker 1: version of Robert de Niro's Johnny Boy character from Mean Streets,
2:16
Speaker 1: just a little worse for wear, a little more knowing.
2:19
Speaker 1: And then after this, after Rick at the pool table,
2:22
Speaker 1: incomes this sort of burbling crowd noise from Bill Graham's
2:27
Speaker 1: Winterland ballroom, and Robbie Robertson, dazed with a cigarette in
2:32
Speaker 1: his mouth, walks back out onto stage to the applause.
2:35
Speaker 1: That's the next thing we see. The next thing we
2:37
Speaker 1: hear Robby's a little confused, confused about what. We're not
2:41
Speaker 1: sure where is he? What does the crowd want? Why
2:45
Speaker 1: are they still there? It doesn't matter. Like his bandmate
2:48
Speaker 1: Rick Danko, Robbie Robertson is beyond cool in this moment.
2:51
Speaker 1: And I know this moment well. Every rock and roller,
2:53
Speaker 1: every professional musician who's toured, knows the moment here that
2:57
Speaker 1: is being depicted on films. As a guy in a band,
3:00
Speaker 1: you live for this moment, the moment when the crowd
3:03
Speaker 1: goes in on the gag with you requesting an encore,
3:06
Speaker 1: knowing that you're gonna come back out on stage, and
3:08
Speaker 1: maybe there's a one percent chance that you won't, but
3:11
Speaker 1: still the audience can't help but give you the adulation
3:14
Speaker 1: that you deserve for scorching them for the past ninety
3:17
Speaker 1: minutes or however long your set was. So Robbie's putting
3:21
Speaker 1: it on a bit in this in this bit, really,
3:25
Speaker 1: I mean, come on, what he's not gonna do an encore?
3:27
Speaker 1: They're making a fucking movie about but the band and
3:31
Speaker 1: their live performance and this whole thing is recognizable. But
3:36
Speaker 1: as a viewer watching it, I don't care. I'm into
3:39
Speaker 1: the minor show business indulgence here, and you know, Robbie
3:43
Speaker 1: speaks into the microphone like he just woke up, you know, like.
3:45
Speaker 2: He's surprised to be there. He's surprised to see anybody there.
3:48
Speaker 2: He's like, oh, you guys are still here, That's what
3:51
Speaker 2: he asked the audience. Of course they're still there. Who
3:54
Speaker 2: the hell is they gonna go? They miss Thanksgiving dinner
3:57
Speaker 2: at home to be with you, Robbie Robertson. Their families
3:59
Speaker 2: are likely pissed off, wondering why their kids are away
4:02
Speaker 2: from home on the greatest holiday of the year while
4:04
Speaker 2: they're at a concert.
4:06
Speaker 1: Who is a concert on Thanksgiving? Anyways? I always wondered
4:08
Speaker 1: that in the back of my head, God, what did
4:10
Speaker 1: what did? What did Garth Garth Hudson tell his tell
4:13
Speaker 1: his parents It's a dumb ship you think about when
4:20
Speaker 1: you're young and stoned. And then, of course, after Robbie
4:23
Speaker 1: gets on stage in his sweatshirt over his collared shirt
4:27
Speaker 1: with a cool kind of fedora looking hat, On in
4:31
Speaker 1: his cigarette, after that, Levon and rick In, a roadie
4:35
Speaker 1: who looks like he missed the Electric Mayhem tryout, is
4:38
Speaker 1: behind him. They all, the three of these dudes come
4:41
Speaker 1: out now. They're they're all business. Levan is all business.
4:46
Speaker 1: Rick is just still all cool. Levan's cool too, but
4:49
Speaker 1: Rick is just fucking cool. Rick wishes the crowd a
4:52
Speaker 1: happy Thanksgiving, and I guess Garth and Richard Manuel were
4:57
Speaker 1: already stationed at their keyboards because in the cut, in
5:00
Speaker 1: the edit, and within seconds, Levon is on the beat
5:03
Speaker 1: for Marvin Gay's Don't You Do It? And in that moment,
5:07
Speaker 1: as the orange Scorsese esque movie font flashes the names
5:12
Speaker 1: of the band, the musicians from the band across the screen,
5:16
Speaker 1: you have no godly idea who Marvin Gay even is anymore. Okay,
5:21
Speaker 1: the song is, I guess, kind of familiar, and like
5:24
Speaker 1: the way that deja vu is familiar, right, you get
5:27
Speaker 1: a taste of what the song, but you don't care
5:30
Speaker 1: because this is now the version of the song. Okay,
5:33
Speaker 1: this is so thick, this version of the song. I
5:37
Speaker 1: hate this word funky, but it's just funk. Man. The
5:42
Speaker 1: band incredible. They sound in this song. They sound and
5:47
Speaker 1: feel and look as great as the movie looks. It's real,
5:52
Speaker 1: it's exciting, it's soulful, and as a music fan, as
5:56
Speaker 1: a rock and roll fan, I watch this just gratitude. Okay,
6:02
Speaker 1: you're watching it, and you've never been more grateful to
6:05
Speaker 1: watch anything before on television as you are right now
6:09
Speaker 1: in the moment watching the Band's Last Waltz. Sorry, I
6:12
Speaker 1: get a little lost in that, got pulled back into
6:15
Speaker 1: where I was when I used to watch this thing
6:17
Speaker 1: over and over again with my friends. This is my
6:21
Speaker 1: recollection of the Last Waltz. It's how I feel about it, anyways,
6:24
Speaker 1: And that's my favorite part of my favorite concert film.
6:28
Speaker 1: It's the beginning. And I don't know if it's because
6:32
Speaker 1: I don't want it to end, because this ends up
6:35
Speaker 1: being the end of the band. The song raps, the
6:39
Speaker 1: first song in the film, and the band exits stage left.
6:44
Speaker 1: Just genius filmmaking by Martin Scorsese and the band from
6:48
Speaker 1: that moment on in reality, if not on film, the
6:52
Speaker 1: band is no more. That's the whole point of the
6:54
Speaker 1: Last Waltz. It's the killing of the band. And I
6:57
Speaker 1: never got over it. I never got it. Actually, that's
7:02
Speaker 1: the better you know. I do now. I understand now
7:04
Speaker 1: why it was the end, and I understand why people
7:07
Speaker 1: are pissed at Robbie Robertson. But come on, man, in
7:09
Speaker 1: defense of Robbie Robertson. You can't get out there every
7:12
Speaker 1: night and do something that your heart's just not into,
7:15
Speaker 1: especially if you're afraid you're gonna die if you keep
7:16
Speaker 1: doing it. But you know, like I got, I alluded
7:21
Speaker 1: to a second ago. My friends and I we watched
7:24
Speaker 1: the shit out of this movie, me, Greg Conley, Scott Janovitz.
7:27
Speaker 1: It was like we watched this movie once a week
7:30
Speaker 1: at least. It was always on, even when we weren't
7:32
Speaker 1: watching it. It was just on in the background while we
7:35
Speaker 1: partied at Greg's house. Epic parties, by the way, But still,
7:39
Speaker 1: I mean, you just get sucked in the performances. They're arresting,
7:43
Speaker 1: they just stop you in your tracks. It's just, I
7:47
Speaker 1: don't know a better word for it than arresting. It's
7:49
Speaker 1: just like, oh my god, I can't believe what I'm watching.
7:51
Speaker 1: But you know, the dramatic side of the film, the
7:53
Speaker 1: dramatic piece of the film, which is the breakup of
7:56
Speaker 1: the band, it was confounding to me. I never bought
7:59
Speaker 1: the rat in the moment. Then I do now, like
8:02
Speaker 1: I just said, But in the moment when I was
8:03
Speaker 1: younger watching this, I never bought into why the band
8:06
Speaker 1: was breaking up, it seemed, probably because it was the
8:09
Speaker 1: breakup anyways, seemed to be solely a Robbie Robertson thing.
8:13
Speaker 1: The need for the band to end. It kind of
8:16
Speaker 1: also seemed that Robbie needed a plot for the movie
8:19
Speaker 1: that he was making with Scorsese, and this was the
8:21
Speaker 1: perfect dramatic conceit. And the other guys in the band,
8:24
Speaker 1: Richard Manuel in particular, they appear to be along for
8:28
Speaker 1: the ride, with the premise of the film like this is,
8:30
Speaker 1: you know, the band's last performance. They're breaking up after
8:33
Speaker 1: they filmed this set at Bill Graham's ballroom, Winterland Ballroom.
8:39
Speaker 1: But you can tell their hearts aren't into it, Leavon,
8:41
Speaker 1: especially now that I think about it, They just don't
8:43
Speaker 1: seem into it. They don't seem into the rationale for
8:46
Speaker 1: breaking up. They collectively seem to me to be like
8:48
Speaker 1: a like a like a nineteen sixties or seventies or eighties,
8:52
Speaker 1: like a like a mid twentieth century politician's wife on
8:55
Speaker 1: the campaign trail, kind of shell shocked but along for
8:58
Speaker 1: the ride, hijacked by their husband's ambition. The husband in
9:02
Speaker 1: this scenario, the politician being Robbie Robertson, you know, I
9:06
Speaker 1: never read Levon's book. I never read Robbie's book. I
9:09
Speaker 1: suppose I will at some point. I didn't write this
9:12
Speaker 1: episode of The Last Waltz, so I didn't have to
9:14
Speaker 1: read those books. Death Lundy did and he did an
9:16
Speaker 1: incredible job writing this as Matt Bowden as well, while
9:20
Speaker 1: I want on topic, just phenomenal job mixing this episode.
9:24
Speaker 1: Both those guys like me have deep affection for the band.
9:29
Speaker 1: But I'm grateful that I didn't have to read these
9:31
Speaker 1: books because I don't want to hate Robbie Robertson. I
9:34
Speaker 1: don't want to feel bad for Levon Helm or Rick
9:37
Speaker 1: Danko or Richard Manuel anymore than I already do or
9:39
Speaker 1: Garth Garth Hudson. I want to remember the band the
9:44
Speaker 1: way Martin Scorsese wanted them to be remembered, which is
9:48
Speaker 1: all up there on the screen in the Last Waltz.
9:51
Speaker 1: These guys are magical, they are musical giants. They are
9:55
Speaker 1: masters of their craft. They're unfuck withable on stage, sadly,
10:01
Speaker 1: especially when you look at Richard and Garth. Stage was
10:05
Speaker 1: appeared to be the only comfort zone, and Scorsese knew
10:09
Speaker 1: how to capture that and more. There are so many
10:11
Speaker 1: great moments in this film, of course, moments ago beyond
10:15
Speaker 1: the five musicians in the band, right, Okay, the Neil
10:18
Speaker 1: Young Coke thing, which we got into in the episode
10:22
Speaker 1: we did funny little detail. There's another one of my
10:26
Speaker 1: favorite moments of all time, not just in this film
10:30
Speaker 1: but just a music history, is Robbie Robertson smoking Eric
10:34
Speaker 1: Clapton on stage. Clapton, who's the guitar god, and Robbie
10:39
Speaker 1: just toasts them. It's one of the greatest burns in
10:41
Speaker 1: rock and roll history. There's Muddy Waters cementing the concepts
10:45
Speaker 1: of masculinity into my post adolescent consciousness. The guy I
10:48
Speaker 1: spell m An just amazing. There's Van Morrison with his
10:51
Speaker 1: Elaine Benis kicks, one of the most badass stage exits
10:55
Speaker 1: we've ever seen, and to bring it fully into Disgraceland
10:58
Speaker 1: in twenty twenty four, in the Last Waltz, there's a
11:01
Speaker 1: story from Robbie, Rick and Richard about playing one of
11:04
Speaker 1: their early gigs in Jack Ruby's club outside Dallas. And
11:08
Speaker 1: we've been doing all this Kennedy assassination stuff because last
11:11
Speaker 1: week was the anniversary of November twenty second. Jack Ruby,
11:14
Speaker 1: of course makes it makes a lot of sense here.
11:15
Speaker 1: There's so much that I love about this film, so much,
11:19
Speaker 1: too much, too much to list. And for all these reasons,
11:22
Speaker 1: the Last Waltz is my favorite concert film. It's hard
11:25
Speaker 1: to even come up with a close second. Maybe gimme
11:30
Speaker 1: Shelter for kind of the opposite reasons as this. I
11:34
Speaker 1: guess I don't really know what I mean by that,
11:36
Speaker 1: at least for the wrong reasons. I don't even know
11:40
Speaker 1: what else. Madonna's Truth or dare I'm serious. I love that,
11:45
Speaker 1: but I don't put it even close to The Last Waltz. Anyways,
11:49
Speaker 1: I'm excited to hear what you guys think. That was
11:50
Speaker 1: the question of the week. You know, what's the greatest
11:52
Speaker 1: concert film? What's your favorite concert film? Is there though?
11:57
Speaker 1: Another one? Is there a close second? Is there? Is
11:59
Speaker 1: there another concert film that demands yearly viewing as The
12:02
Speaker 1: Last Waltz does on Thanksgiving? Is there another concert film
12:05
Speaker 1: that causes pilgrimages to Woodstock to try to root down
12:08
Speaker 1: into the band's lord, to take that long and windy
12:11
Speaker 1: dirt road into the woods in search of the big
12:13
Speaker 1: Pink House. I don't think there is, and we're gonna
12:16
Speaker 1: try to find though we're gonna try to cope with
12:18
Speaker 1: some answers in this after party. We're gonna we're gonna
12:20
Speaker 1: dig into your voicemails and your text on concert films
12:24
Speaker 1: that maybe approach the awesomeness of the Last Waltz. We're
12:29
Speaker 1: also gonna touch on this week's rewind episode Here Remind
12:32
Speaker 1: episode on David Bowie, and we're gonna tee up next
12:36
Speaker 1: week's John Lennon episode. No, not those John Lennon episodes.
12:39
Speaker 1: This John Lennon episode John in the early early seventies,
12:42
Speaker 1: John the radical, not domestic John who was shot down
12:45
Speaker 1: by Chapman. We did a two partter on that we're
12:47
Speaker 1: gonna get. We did another one fully on John's politics
12:50
Speaker 1: in the early part of the nineteen seventies. Next week
12:53
Speaker 1: is the in versuy of John's death, so we're gonna
12:54
Speaker 1: be paying tribute to John all week long, just like
12:57
Speaker 1: we were kind of doing with the band this week
12:59
Speaker 1: for Thanksgiving and next week's Question of the Week. When
13:02
Speaker 1: you're listening to that Lenin episode, I want you guys
13:04
Speaker 1: to be thinking about just it's an obvious one. We've talked.
13:06
Speaker 1: We talked about this before, but we didn't give it
13:09
Speaker 1: enough time as I think it deserves. When you're listening
13:12
Speaker 1: to the Lenin episode next week, be thinking about UH
13:15
Speaker 1: solo beatles. Be thinking about which Beatles solo career you
13:20
Speaker 1: like the most. Is it John's? Is it? Paul's? Is it? George's?
13:25
Speaker 1: Is it? Ring Goes. There's a lot to dive into here,
13:29
Speaker 1: and I know you guys are passionate about it, so
13:31
Speaker 1: be thinking about that when you're listening to the John
13:32
Speaker 1: Lennon episode. I want to hear from the George Heads,
13:35
Speaker 1: especially Get at Me six one seven nine oh six
13:37
Speaker 1: six six three eight. But that's next week, all right.
13:40
Speaker 1: Also this week in this episode, got a Diddy update
13:43
Speaker 1: as usual in the UH and then the all access
13:45
Speaker 1: portion of this episode, I'm going to share with you
13:48
Speaker 1: my story about working with and meeting the band from
13:51
Speaker 1: back when I was a kid. I'll be back right
13:53
Speaker 1: after this with your voicemails, text and dms. All Right,
14:15
Speaker 1: we are back, guys. I'm grateful for you. You know this.
14:18
Speaker 1: It's Thanksgiving. It bears repeating, it needs to be said.
14:22
Speaker 1: I love being able to talk to you every week.
14:26
Speaker 1: I love being able to create stuff, put it out
14:28
Speaker 1: into the world and just get feedback. From you guys
14:32
Speaker 1: on what you think about it. It is truly a
14:34
Speaker 1: gift and I am truly grateful that you guys allowed
14:38
Speaker 1: me to do this and that you're here with me,
14:39
Speaker 1: along for this ride. Some of you have been with
14:41
Speaker 1: me since the beginning, going all the way back to
14:43
Speaker 1: two thousand and eighteen. Can you believe that that's when
14:46
Speaker 1: we launched Disgraceland and we're still telling stories. We're not
14:50
Speaker 1: stopping anytime soon. We're finding new ways to bring you music,
14:54
Speaker 1: storytelling and stories from the dark side of entertainment. Just
14:57
Speaker 1: really grateful all you guys who hit me up every
15:00
Speaker 1: week Instagram, email, in the Patreon wherever, keep doing it.
15:06
Speaker 1: Thank you. Love being along for the ride with you guys.
15:09
Speaker 1: I hope you all have an awesome Thanksgiving with your
15:12
Speaker 1: families this week. And I'm hoping you're digging this this
15:15
Speaker 1: last Waltz episode. I hope you're digging as well. How
15:19
Speaker 1: we've been sort of theming our programming weeks, trying to
15:22
Speaker 1: give you things in sort of bunches based on you know,
15:26
Speaker 1: historical events, world events, whatever. It's like we've been talking
15:30
Speaker 1: about last Waltz week here in Disgraceland, and you know,
15:33
Speaker 1: we're talking about the greatest concert films, and I don't
15:35
Speaker 1: think there's a close second. Some of you guys do.
15:38
Speaker 1: Some of you guys think there's a a better concert
15:41
Speaker 1: film than The Last Waltz, And who am I to disagree?
15:45
Speaker 1: All right? Six months, seven nine oh six, six sixty
15:46
Speaker 1: three eight, we're going to get into it all right now.
15:48
Speaker 1: You can leave a voicemail, send me a text on
15:50
Speaker 1: anything you know. The question of the week for next
15:52
Speaker 1: week is going to be on the Beatles solo careers.
15:54
Speaker 1: But for right now, like I said, let's check out
15:57
Speaker 1: Chips in the three to oh three on the question
16:01
Speaker 1: of the greatest concert film for music history.
16:04
Speaker 3: Yo, this is Chips from the three h three Colorful
16:07
Speaker 3: Colorado answering your question this week about the greatest concert
16:13
Speaker 3: film of all time. I do believe it's got to
16:18
Speaker 3: be stop making sense talking heads. A long time ago,
16:22
Speaker 3: I remember walking downstairs while my parents were making dinner.
16:26
Speaker 3: They're mid jam of found a Job band, and that
16:30
Speaker 3: shit really locked me in, stuck me in immediately. Been
16:34
Speaker 3: into them guys since ever since. You know, and yeah,
16:39
Speaker 3: the iconic Big.
16:40
Speaker 4: Suit, the Beautiful Lamp Dance with Naives Melody, all those
16:46
Speaker 4: songs so touching, and watching that shit, oh chills.
16:50
Speaker 3: Man, amazing. It's no awesome behind the scenes or anything
16:55
Speaker 3: like that. Nothing crazy, just the concert. But I do
16:58
Speaker 3: believe that's got to be a really good contender, and personally,
17:03
Speaker 3: that's my greatest of all time. That's my goat right there.
17:07
Speaker 3: Thanks a lot, tootle.
17:10
Speaker 1: Chips, thanks to the call.
17:11
Speaker 4: My man.
17:14
Speaker 1: Yeah, dude, stop making sense. I love it. It's fantastic,
17:19
Speaker 1: it's great. I understand why you're sucked into it, especially
17:22
Speaker 1: with that experience with your parents and your family, and
17:24
Speaker 1: so much of this is is subjective, right, I mean,
17:28
Speaker 1: so much of my loving the Last Waltz is because
17:31
Speaker 1: of the experience I had watching it with my friends
17:33
Speaker 1: when I was a young adult. Blew my mind. And
17:36
Speaker 1: I get it. But I can't go there with putting
17:39
Speaker 1: it above the last Walts. Not that you necessarily are
17:41
Speaker 1: put but you know that that is the question. And
17:45
Speaker 1: on that question, seven three to two rites in and
17:47
Speaker 1: this is I'm interested in this one because it it
17:51
Speaker 1: reveals my ignorance, and I like when I'm hip to things,
17:54
Speaker 1: or at least I'm reminded, or at least I'm reminded
17:57
Speaker 1: of things that I should be hipped to seven three
17:59
Speaker 1: to two rights in Hey, Jake Mark in the seven
18:02
Speaker 1: three to two checking in with a great concert documentary
18:05
Speaker 1: Prince's Sign of the Times from dropping off risers in
18:09
Speaker 1: those high heeled boots to dancing like James Brown to
18:11
Speaker 1: a sweet version of Little Red Corvette at the piano
18:15
Speaker 1: and well Sheila E on drums, it's Prince at his best.
18:19
Speaker 1: Check it out. I will check it out. I've never
18:21
Speaker 1: seen Sign of the Times. I think I was burned
18:25
Speaker 1: by Purple Rain. I don't love Purple Rain. I'm not
18:28
Speaker 1: gonna lie. I mean, do you, honestly do you really
18:32
Speaker 1: love Purple Rain? Not talking about the song or the record,
18:35
Speaker 1: I'm talking about the movie. I mean, seriously, do you
18:37
Speaker 1: repeat watch Purple Rain. Prince, for all of the talent
18:42
Speaker 1: that that man possessed, was not a good actor at all.
18:46
Speaker 1: And the story is not great either. Honestly, Mars Day
18:50
Speaker 1: might be the most interesting, might be the most interesting
18:55
Speaker 1: part of Purple Rain. But I haven't seen Sign of
18:58
Speaker 1: the Times, and I bet it's a lot better because
19:00
Speaker 1: it is Prince in his natural habitat, which is performing
19:03
Speaker 1: on stage, not acting under the stage lights. So I'm
19:06
Speaker 1: gonna check that out. I appreciate the text seven three
19:08
Speaker 1: to two, appreciate it reminding me of the Sign of
19:10
Speaker 1: the times. Eight one and four comes at us with Hey, Jake,
19:13
Speaker 1: my submission for other than the Last Waltz. Great music
19:17
Speaker 1: concert films are Joe Cocker's Mad Dogs and Englishmen and
19:22
Speaker 1: George Harrison's Concert for Bangladesh. I had them as a tie.
19:25
Speaker 1: Both were filmed extremely well, with some tricky photography. Both
19:28
Speaker 1: featured Leon Russell as band leader slash musical director. Large
19:32
Speaker 1: number of band members were in both concerts. Bangladesh featured Clapton,
19:36
Speaker 1: Ringo and Dylan, who also performed in the Last Waltz.
19:39
Speaker 1: I enjoyed the podcast as I do your others. Keep
19:40
Speaker 1: with the great work, John T. John T from the
19:43
Speaker 1: eight one to four great text Man. I have not
19:45
Speaker 1: seen either of those either. Hey, I guess if I'm
19:49
Speaker 1: going to ask the question what's the greatest concert film
19:51
Speaker 1: of all time or in music history, I should at
19:55
Speaker 1: least do my homework and watch some more concert films.
19:58
Speaker 1: But I've never seen Bangladesh. I've read about it. I've
20:01
Speaker 1: read a lot about it, and I've never seen Mad
20:04
Speaker 1: Dogs an Englishman, I didn't even know what existed. How's
20:06
Speaker 1: that I have the album? I guess the album is
20:09
Speaker 1: the soundtrack? Is it? I don't know. And I knew
20:12
Speaker 1: of Leon Russell's involvement with both, but I did not.
20:16
Speaker 1: I have not seen either, and now I will. They
20:18
Speaker 1: all kind of seem to be of a piece. I
20:20
Speaker 1: guess right those two films with the Last Waltz, I
20:25
Speaker 1: believe Bangladesh was it earlier? I don't know. I need
20:28
Speaker 1: to find out. Maybe I'll be updating my opinion on
20:31
Speaker 1: the greatest concert film. I don't know. We'll see nine
20:34
Speaker 1: oh four Rights and Jake Spencer from the nine oh four.
20:37
Speaker 1: I'm not sure if you've seen the HBO series White
20:39
Speaker 1: House Plumbers, but I think this connection should be pointed
20:41
Speaker 1: out given the Woody episode in The Tramp Theory with
20:44
Speaker 1: Woody's dad. In White House Plumbers, Woody plays e Howard Hunt.
20:48
Speaker 1: The show is hilarious and anyone interested in Watergate should watch. Also,
20:52
Speaker 1: I love The Last Waltz, but the best concert film,
20:54
Speaker 1: hands down, is Stopped making Sense. That, of course, is
20:58
Speaker 1: the Talking Heads concert film the Chips mentioned earlier. Spencer
21:04
Speaker 1: haven't seen White House Plumbers. Uh, it's right up my alley.
21:08
Speaker 1: I should see I should. I should have watched it
21:10
Speaker 1: by now, but I have not. I think it's because
21:12
Speaker 1: I know that it's kind of comical and I'm just
21:15
Speaker 1: not ready for humor with this subject. I just want,
21:18
Speaker 1: I want, I want All the President's Been Part two.
21:21
Speaker 1: I know that's never coming, and uh, I don't know.
21:24
Speaker 1: I should probably get over and watch this. I love Woodie,
21:26
Speaker 1: I really do. And that other dude who's in it?
21:28
Speaker 1: Who plays the other dude? What's his name? Josh? The
21:32
Speaker 1: guy with the dogs? Who am I thinking of? Doesn't matter,
21:35
Speaker 1: Let's keep going six one seven nine oh six six
21:37
Speaker 1: sixty three eight voicemail and text. You can also DM
21:41
Speaker 1: me at Disgrace Slam pod on Instagram on x I
21:45
Speaker 1: even respond to Facebook every now and then. On Instagram,
21:47
Speaker 1: Chuck the podcaster writes, oh man, I'm so excited to
21:50
Speaker 1: walk my dog this morning. My favorite group from that
21:52
Speaker 1: era and the best concert film hands down. Chuck is
21:55
Speaker 1: of course talking about the band andast Waltz and Chuck
22:01
Speaker 1: has a great taste. It's Chuck from stuff you should know.
22:04
Speaker 1: Let's see who else we got here? Ask the Nawik
22:08
Speaker 1: rights on Instagram. Thanks, I'll be thinking to this lore
22:11
Speaker 1: while I'm playing this movie during Thanksgiving dinner. And I
22:14
Speaker 1: read that because how many of you honestly put The
22:18
Speaker 1: Last Walts on every Thanksgiving? I do. I do it
22:20
Speaker 1: at some point. It might be a day late, it
22:22
Speaker 1: might be a couple days before, but it's always a
22:25
Speaker 1: reminder to watch it. And I'm never let down. And
22:28
Speaker 1: I say this only because if you're not watching The
22:30
Speaker 1: Last Walts on Thanksgiving, you should be. It's a great tradition.
22:33
Speaker 1: I invite you to celebrate in it the way that
22:35
Speaker 1: a lot of us are already doing. Okay, so go
22:37
Speaker 1: ahead and check that out Last Waltz and get on Apple.
22:40
Speaker 1: Probably get it somewhere else for free. But I own it.
22:42
Speaker 1: What can I tell you? All Right, let's see over
22:45
Speaker 1: on the old X machine. Gemma Lighton writes, Hey, I've
22:48
Speaker 1: been listening to this Disgrace slam pod for a while now.
22:51
Speaker 1: I'm so into it. I reckon some of you would
22:53
Speaker 1: be too. It's great music and true crime. If that's
22:56
Speaker 1: your jive, get on to it. Yeah, Gemma, I know you, Jemma,
23:00
Speaker 1: I haven't seen you before. I appreciate you just popping
23:03
Speaker 1: up an hour ago and shouting to the rooftops about disgracelam. Guys,
23:08
Speaker 1: hit me up on x at disgracelam pod, give us
23:11
Speaker 1: a follow. I wasn't active there for years, but I
23:15
Speaker 1: have been recently and you can follow me there elsewhere.
23:19
Speaker 1: I'm talking to people everywhere. I'm an equal opportunity talker,
23:23
Speaker 1: okay at disgracelam pod, on the socials six one seven
23:26
Speaker 1: nine oh six six six three eight on the voicemail
23:29
Speaker 1: and text disgracelam pod at gmail on email and I
23:34
Speaker 1: will be back in the flash read some of your
23:36
Speaker 1: emails and give you a little ditty update and talk
23:39
Speaker 1: about some other stuff in just one moment. All right,
23:57
Speaker 1: we are back, and as promised, you're Sean Comb's update.
23:59
Speaker 1: Here it is. Listen. I thought we were going to
24:01
Speaker 1: get on Friday. Now this is interesting for a couple
24:06
Speaker 1: different reasons. I thought we were going to get news
24:09
Speaker 1: on whether or not the judge was granting bail to Diddy.
24:13
Speaker 1: The hearing was on Friday. It's been postponed, and there's
24:16
Speaker 1: been a couple different hearings already this week, and I
24:19
Speaker 1: think there's gonna be another one today as of this
24:21
Speaker 1: recording on Wednesday. That will decide this the fate of
24:25
Speaker 1: Sean Combs and his bail, and the fact that this
24:29
Speaker 1: has not been sussed out and was not sussed out
24:31
Speaker 1: quickly and one hearing is telling, and I don't think
24:35
Speaker 1: it's good for the prosecution. So I'm not going to
24:39
Speaker 1: get into all the legal mumbo jemo and the drama
24:42
Speaker 1: of it here from the courtroom. It's not that dramatic. Actually,
24:46
Speaker 1: you read these accounts and they make it seem like it's,
24:48
Speaker 1: you know, law and order or something, and it's not.
24:51
Speaker 1: It's a lot of just kind of dry legal maneuvering.
24:54
Speaker 1: But there is drama in the fact that there wasn't
24:57
Speaker 1: a ruling, like I said, and there is a question
25:01
Speaker 1: of how authorities handled legal I should put quotes around
25:06
Speaker 1: that legal materials, air quotes around legal because there's a
25:10
Speaker 1: question of if or not, of whether or not they're
25:12
Speaker 1: actually legal documents of how authorities handled Ditty's legal documents
25:17
Speaker 1: in his cell. So I just want to I want
25:19
Speaker 1: to say this, I said it before, and I don't
25:21
Speaker 1: think this is going to happen, but there is a
25:23
Speaker 1: slight chance that the case gets tossed completely because of this. Again,
25:28
Speaker 1: I don't think that's going to happen, but in the
25:30
Speaker 1: you know what, ten percent chance that it does, I
25:32
Speaker 1: want to be on record at least having brought you
25:35
Speaker 1: that possibility. So that's what I'm doing here. So that's
25:38
Speaker 1: going on. The Other thing that's going on is Ditty's
25:42
Speaker 1: defense is making a really good case on why he
25:44
Speaker 1: should be released. And I would say beginning of this week,
25:54
Speaker 1: I thought there was a better than fifty percent chance
25:57
Speaker 1: that Diddy gets released. As of what I have read
26:01
Speaker 1: up to this point today, I would put it back
26:03
Speaker 1: at even odds that he's released on bail. On bail,
26:07
Speaker 1: not that the case is thrown out. There is another
26:10
Speaker 1: very dramatic piece of news this week related to Shawn
26:15
Speaker 1: Combs's court case and a couple other sort of just
26:17
Speaker 1: kind of conspiracy gossipy, big name things that came out,
26:22
Speaker 1: which that's what the that's what they call a tease,
26:25
Speaker 1: which I won't tease you for too long on I'll
26:27
Speaker 1: give you that information. But the prosecutor from the Southern
26:30
Speaker 1: District of New York, the federal prosecutor who's leading this
26:33
Speaker 1: whole thing, resigned this week. Now the scuttle but there
26:37
Speaker 1: is that that has more to do with our president
26:40
Speaker 1: elect than it has to do with Shawn Combs. But still,
26:44
Speaker 1: this is the face of the investigation, and he has
26:47
Speaker 1: now resigned. This is the face of the Shawan Combs investigation,
26:51
Speaker 1: and he has now resigned. What that means, I don't know,
26:55
Speaker 1: but it is worth mentioning now. So we're going to know.
26:59
Speaker 1: You might know by Thanksgiving when you're listening to this
27:01
Speaker 1: episode if Shawn Combs got out or not. But I
27:03
Speaker 1: would say fifty to fifty maybe forty nine to fifty
27:06
Speaker 1: one that he doesn't get out. It's close. We'll see.
27:09
Speaker 1: They're doing a walkthrough of the apartment where he will
27:11
Speaker 1: be living if he is to be released. Sorry, defense
27:15
Speaker 1: attorneys are doing that today for the judge, I believe
27:19
Speaker 1: at the judge's request. And there's all these stipulations that
27:22
Speaker 1: they're proposing that Combs's attorneys are proposing for if he
27:26
Speaker 1: is released security, he won't have access to the internet,
27:29
Speaker 1: he'll be under security lock and key, basically won't have
27:35
Speaker 1: access to a phone except to talk to his lawyers.
27:38
Speaker 1: So it seems like they're kind of making they're creating
27:41
Speaker 1: a pathway for this to happen. But again, we don't know.
27:44
Speaker 1: We shall see Now, in more interesting news, Jamie Fox
27:49
Speaker 1: is making some fascinating news lately. There's a lot of people,
27:52
Speaker 1: like we have talked about this, I believe, who have
27:56
Speaker 1: attended Jamie Fox's taping of his Netflix special which is
28:00
Speaker 1: coming on December tenth, and they are claiming that Jamie
28:05
Speaker 1: Fox in the special discloses information about Sean Combs's treatment
28:13
Speaker 1: of him, specifically how he was drugged and how he
28:20
Speaker 1: Jamie Fox dropped a dime on Combs to the Feds,
28:24
Speaker 1: and that's why Diddy was arrested. Is this true? I
28:28
Speaker 1: do not know, but you have a lot of people
28:32
Speaker 1: saying the same damn thing at the same damn time
28:35
Speaker 1: and putting their credibility on the line doing so. It
28:38
Speaker 1: could be some hoax, it could be completely fake. I
28:42
Speaker 1: do not know, but this shit drops on December tenth,
28:45
Speaker 1: and I'm getting my popcorn ready for that Jamie Fox
28:48
Speaker 1: special on Netflix. And no, this isn't an ad for Netflix.
28:51
Speaker 1: This is just something that's happening in the world and
28:53
Speaker 1: I'm letting you guys know about it because it is
28:55
Speaker 1: music and true crime. Now the other final thing here
28:58
Speaker 1: on Diddy, and then I'm gonna move on. Bron James
29:00
Speaker 1: was at a La Rams game in his skybox and
29:04
Speaker 1: the dude a couple of rows in front of him
29:06
Speaker 1: was just harassing him brutally about Lebron's alleged involvement at
29:12
Speaker 1: the Diddy parties. And just you know, if you want
29:14
Speaker 1: a quick laugh, if you're no fan of Lebron, go
29:18
Speaker 1: on the old Internet and search that up. You won't
29:20
Speaker 1: be let down. All right, let's do some emails. I'm
29:23
Speaker 1: a little floored at the amount of incoming emails that
29:27
Speaker 1: we received on the Kennedy assassination and very little actually
29:35
Speaker 1: on concert films. It's rare that the previous subject just
29:39
Speaker 1: keeps going and going and going and going. But that's
29:41
Speaker 1: the case, and there's a lot, there's a lot to
29:44
Speaker 1: get into. You guys love sharing this, You love sharing
29:46
Speaker 1: your conspiracy theories, and I get it. It's fascinating. I'm
29:50
Speaker 1: trying to keep it here to our corner of the street,
29:53
Speaker 1: and I'm going to read this one from Grayson Schmidt,
29:55
Speaker 1: which is very short, very concise. Grayson goes on to say, hey,
30:00
Speaker 1: nice job talking about Bush and JFK. One thousand percent
30:04
Speaker 1: he was involved or had knowledge of the hit. This
30:08
Speaker 1: is some good stuff. About him, and then Grayson gives
30:11
Speaker 1: this article I'm going to invite you all to check
30:14
Speaker 1: out called Idaho Observer deathbed Confessions photos support claims that
30:19
Speaker 1: George H. W. Bush, and then you know, you can
30:25
Speaker 1: go check out the rest. I'm not gonna read the
30:27
Speaker 1: whole thing, just Idaho Observer Deathbed Confessions search that up. Now,
30:33
Speaker 1: on the issue of conspiracy, this is not This is
30:36
Speaker 1: a hill that I'm going to waste this battle on.
30:39
Speaker 1: There's clearly interest here. Okay, you guys are clearly interested
30:43
Speaker 1: in talking about this stuff, and I'm interested in talking
30:45
Speaker 1: about it, and I want to find a way to
30:48
Speaker 1: talk about it. There's no room to talk about it here.
30:51
Speaker 1: And there's has just conspiracies as they relate to John F. Kennedy,
30:54
Speaker 1: which is the big enchilada, that's the super Bowl, like
30:57
Speaker 1: we talked about, we talked about this last week, where
30:59
Speaker 1: there's yesterday's conspiracy is today's fact. And there should be
31:03
Speaker 1: a way for us to talk about this that doesn't
31:06
Speaker 1: require tinfoil hats, because there are a lot of conspiracies
31:09
Speaker 1: that are connected to a lot of the musicians that
31:11
Speaker 1: we're talking about as well, and I don't mean talking
31:14
Speaker 1: about them though in a way that's like, we believe this,
31:17
Speaker 1: it's just objectively you can be talking about it in
31:20
Speaker 1: a way it's like, isn't the shit nuts that people
31:22
Speaker 1: actually believe the Earth is flat? Well, flat earthers are
31:25
Speaker 1: fucking fascinating to me. Not that I want to go
31:28
Speaker 1: down that road, but as those types of conspiracies apply
31:31
Speaker 1: to the subjects that we are discussing weekly, I think
31:35
Speaker 1: it's worth getting into, and I'm clearly getting the indication
31:38
Speaker 1: from you guys that you think it's worth it as well.
31:40
Speaker 1: The problem is, this episode's already these episodes here, the
31:43
Speaker 1: Aftterboarty episodes are already too long. So I don't know
31:46
Speaker 1: where the hell we're going to do it on social
31:48
Speaker 1: media on zoom. I don't know. We'll figure it out.
31:52
Speaker 1: We'll find a way to do it, because when you
31:54
Speaker 1: guys talk, I'm trying to listen. Here give you a
31:56
Speaker 1: case in point. I think I might have mentioned this
31:58
Speaker 1: last week. I'm fascinated with this now, you guys. The
32:01
Speaker 1: Britney Murphy episode of Disgraceland is one of the most
32:06
Speaker 1: listened to episodes of twenty twenty four, and we can't
32:11
Speaker 1: figure out why. It's not like Britney Murphy is a
32:18
Speaker 1: beloved musician. Like this upcoming rewind episode, the one You're
32:21
Speaker 1: Gonna hear next to Your Feet tomorrow, is on David Bowie.
32:23
Speaker 1: David Bowie occupies rare air in music history with music fans.
32:28
Speaker 1: He's like Prince, who I mentioned before. He's weird and
32:31
Speaker 1: wonderful and he's beloved. People love him, and they love
32:35
Speaker 1: him in a different way than they love Bob Dylan.
32:37
Speaker 1: They love him in a different way than they love
32:39
Speaker 1: Mick Jagger. They love him in a different way that
32:41
Speaker 1: they love Michael Jackson. It's just different. Bowie and Prince
32:44
Speaker 1: are beloved. Britney Murphy. What the fuck why is the
32:48
Speaker 1: Britney Murphy episode? I think it's gonna be the most
32:52
Speaker 1: downloaded new episode of ours from twenty twenty four. But why?
32:57
Speaker 1: And I think it has something to do with the
32:59
Speaker 1: kidspira around her death or the thinking around her death
33:03
Speaker 1: and the unsolved mystery of her death, I should say,
33:07
Speaker 1: But to my point, there's a Britney Murphy connection to
33:10
Speaker 1: Sean Combs. And this is how it always happens with
33:13
Speaker 1: me with conspiracies. I see something on the Internet and
33:15
Speaker 1: I go, no fucking way and I don't pay attention
33:17
Speaker 1: to it. Then I see it again and I go
33:19
Speaker 1: Then I see it a third time and I click
33:20
Speaker 1: on it. Then I see it a fourth time, and
33:22
Speaker 1: I'm stuck in the fucking wormhole four hours later reading
33:24
Speaker 1: about it. The Britney Murphy connection through Ashton Kutcher to
33:27
Speaker 1: Shawn Colmbs and kim Porter is really really interesting and
33:31
Speaker 1: worth getting into. But it's like a forty five minute
33:34
Speaker 1: conversation forty five minutes that we don't yet have that
33:36
Speaker 1: we're going to have to try to figure out how
33:37
Speaker 1: to have. That's what I'm getting at. And you know,
33:40
Speaker 1: the JFK thing I think is teaching me that based
33:42
Speaker 1: on your emails from this week, I'm not going to
33:43
Speaker 1: read all the emails again. We would just be here
33:46
Speaker 1: going through conspiracy, conspiracy, conspiracy. But anyhow, that's where my thinking, Zach.
33:51
Speaker 1: I'm going off on a wild tangent here. But I
33:53
Speaker 1: did get to the point that I wanted to make
33:55
Speaker 1: here about Bowie. Bowie's coming up in the rewind episode
33:58
Speaker 1: of Disgrace. Landwich is going to hit feed next. Check
34:00
Speaker 1: that out. It's a very weird episode. It's one of
34:03
Speaker 1: the weirdest I think I've ever written. I was reading
34:06
Speaker 1: a lot about Fourth Way at the time, and I
34:08
Speaker 1: was reading a lot about death. And you know, the
34:12
Speaker 1: way that Bowie treated his death as almost almost as
34:17
Speaker 1: an art project, it really spoke to me in this deep, deep,
34:22
Speaker 1: deep way. I wrote it in the in the middle
34:24
Speaker 1: of the lockdown as well. The pandemic. I think that
34:27
Speaker 1: had something to do with the craziness of it. It
34:29
Speaker 1: goes pretty nuts there at the end, and I welcome
34:31
Speaker 1: to you to buy a ticket and come along for
34:33
Speaker 1: the ride with me on it one more time. All right,
34:36
Speaker 1: check that out. It's coming your way. It's coming your
34:38
Speaker 1: way with a lot of black magic, a lot of
34:39
Speaker 1: Alistair Crowley, some Zeppelin. I think. Does Zeppelin show up
34:43
Speaker 1: in the Bowie episode or does Bowie show up in
34:45
Speaker 1: my Zeppelin episode? I don't know either way. Check it out.
34:48
Speaker 1: This episode, on the other hand, is nearing its end,
34:51
Speaker 1: but you know, the after party continues for our All
34:53
Speaker 1: Access members. Sign up today you're going to hear an
34:55
Speaker 1: extended version of this after party or this week. I'm
34:57
Speaker 1: going to get into my experience with the and as
35:00
Speaker 1: a young man, my experience with Rick Danko. Leave on Garth,
35:05
Speaker 1: all right, you're gonna get that. You're also going to
35:08
Speaker 1: get commercial free listening, ad free listening of Disgraceland. That's
35:13
Speaker 1: disgracelampod dot com slash membership to sign up and jump
35:18
Speaker 1: in the chat talk to us on a daily basis.
35:21
Speaker 1: Talk to me right now. I'm on this Beastie Boys
35:23
Speaker 1: kick in the chat talking about their influences because I'm
35:26
Speaker 1: researching the Beastie Boys episode which is coming out in
35:28
Speaker 1: early twenty twenty five. Anyways, you're gonna get that kind
35:31
Speaker 1: of all access if you sign up. All right, disgrace
35:34
Speaker 1: lampod dot com slash membership. All right, we are back.
35:55
Speaker 1: Thank you for spending your time with me on this
35:57
Speaker 1: Thanksgiving if that's when you're listening. As I said, grateful
36:01
Speaker 1: for you guys, Appreciate you all. Got my dog barking
36:04
Speaker 1: in the background there, get some got a little frog
36:06
Speaker 1: in my throat. It's all happening. We're gonna land this plane. Anyways,
36:09
Speaker 1: got a Rewind episode coming tomorrow on David Bowie top
36:13
Speaker 1: of your feed. Check that out. We talked about in
36:14
Speaker 1: this episode a couple other subjects from our archive. Van
36:17
Speaker 1: Morrison episode five actually five, released back on April third,
36:23
Speaker 1: twenty eighteen. That's surprisingly a very Boston episode inspired by
36:28
Speaker 1: Ryan Walsh's excellent book Astra Weeks. Check out Van Morrison
36:32
Speaker 1: in our archive. Also talking Heads, we talked about them,
36:34
Speaker 1: of course and Stop Making Sense The Great Concert Film
36:38
Speaker 1: episode one eighty five, released this year July ninth, twenty
36:41
Speaker 1: twenty four. Episode on Talking Heads, very very seventy seven,
36:45
Speaker 1: New York City. If you're into that vibe, you'll dig
36:47
Speaker 1: the talking Heads episode. And of course, if you're talking
36:50
Speaker 1: about the Last Waltz, you're mentioned in Bob Dylan. Also
36:53
Speaker 1: from this year, May twenty eight, twenty twenty four, episode
36:56
Speaker 1: one seventy eight. Go check that out. Thank you, guys
36:58
Speaker 1: for all the calls, all the voicemails. I didn't do
37:02
Speaker 1: reviews this week. I spaced, but you know, leave a
37:05
Speaker 1: review at disgracelamdpod for Disgraceland. Those of you who have
37:09
Speaker 1: left reviews in the past, I've seen your emails, your dms.
37:12
Speaker 1: If I have not responded, have no fear I will soon.
37:15
Speaker 1: End of the month is coming up and I will
37:17
Speaker 1: get you. Get you some special merch right now. Number
37:20
Speaker 1: one in your feed our episode on Martin Scorsese in
37:23
Speaker 1: the band's last walt Number two come in tomorrow special
37:25
Speaker 1: remind episode from our archive on David Bowie. As I mentioned,
37:27
Speaker 1: and remember, if you're listening to this bonus episode way
37:30
Speaker 1: off in the future than that Bowie episode that I'm
37:32
Speaker 1: talking about, it's going to be back in the archive,
37:35
Speaker 1: so just go give that a search. Number three. Okay,
37:37
Speaker 1: next week we're talking about John Lennon's early seventy solo career.
37:40
Speaker 1: That's the episode you're going to be getting in the
37:42
Speaker 1: question of the week is going to be which Beatles
37:45
Speaker 1: solo career are you most into John, George Ringo, Paul,
37:49
Speaker 1: let me know which Beatle solo albums as well. That's
37:52
Speaker 1: a good one. That's a good question. Number four, merch winners,
37:54
Speaker 1: get in touch. You know who you are. Number five. Remember,
37:56
Speaker 1: no one cares about great storytelling more than you guys do.
37:58
Speaker 1: And well that's a disgrace. And hey, discos, I am
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Speaker 1: grateful for you guys. Have an amazing Thanksgiving with your families.
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Speaker 1: I will talk to you next week, all right. In
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Speaker 1: honor of this week's episode on the Band, me reading
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Speaker 1: to you the Billboard charts from Thanksgiving Day back in
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Speaker 1: nineteen seventy six, one. Tonight's the Night Gonna be Alright?
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Speaker 1: Rod Stewart last week one peak position one weeks on
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Speaker 1: chart nine, number two, The reck of Them Men, Fitzgerald
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Speaker 1: Gordon Lightfoot last week two peak position two weeks on
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Speaker 1: chart fourteen number three, Love So Right Begs last week three,
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Speaker 1: peak positions three weeks on Charts eleven number four, number five,
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Speaker 1: Muskrat Captain and Tanisians last week last week four peak
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Speaker 1: positions position four, five weeks on charts ten six number five,
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Speaker 1: Spines Spinus six s position spot Quit talking and start mixing?
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Speaker 3: Could m