Latest / Mic Drop Comedy / Brendan Fraser - On Taking Risks_ Hollywood_ and His New Film _Pressure_ _ The Daily Show
Transcript
- 0:00Speaker 1: Please welcome Brendan Fraser. They love you. They love you.
- 0:02Speaker 1: They love you. This was the longest standing ovation anyone's
- 0:37Speaker 1: ever gotten. As deservedly so, Mr. Brandon Fraser. I love you.
- 0:43Speaker 1: You're the best, man. I love you so much. I've
- 0:45Speaker 1: been loving you since I was a kid.
- 0:46Speaker 2: Ronnie, I'm old.
- 0:50Speaker 1: Let's talk about this project. So I love this fantasy
- 0:56Speaker 1: World War II movie where white people join forces to
- 1:00Speaker 1: fight Nazis.
- 1:02Speaker 2: I wish.
- 1:03Speaker 1: We actually still did that.
- 1:07Speaker 2: What leadership once looked like. Why we did that in
- 1:10Speaker 2: the first place.
- 1:11Speaker 1: It moves pressure. So period piece in World War II.
- 1:14Speaker 1: You play General Eisenhower.
- 1:16Speaker 2: I am Ike. I didn't know a lot about him
- 1:20Speaker 2: as a historical figure apart from the lapel pen. I
- 1:25Speaker 2: like Ike. In his war years, I learned that he
- 1:28Speaker 2: never fired a shot in anger. I was never... fired
- 1:31Speaker 2: at his entire career. He intended to fight the First
- 1:36Speaker 2: World War, but he concluded, you know, inconveniently for him,
- 1:40Speaker 2: but over the next successive four or so years, he
- 1:42Speaker 2: kept getting promoted as an excellent strategist and diplomat. And
- 1:50Speaker 2: so when we meet Ike in the world of this film,
- 1:56Speaker 2: It's on the eve of D-Day. And that was originally
- 2:02Speaker 2: set for Monday, June 5th, 1944. And I did not
- 2:07Speaker 2: know when the project came my way that it was
- 2:10Speaker 2: postponed from inclement weather that was inbound that they really
- 2:15Speaker 2: only learned about that weekend before at the initiative and
- 2:20Speaker 2: assistance of James Crick, who Skaggs. I should know this.
- 2:29Speaker 2: Played by Andrew Scott. And he was the meteorologist. He
- 2:34Speaker 2: worked with the Home Office for a number of weeks
- 2:36Speaker 2: before then, and he was, I guess, the one who
- 2:41Speaker 2: had the temerity to rely on science and facts for
- 2:44Speaker 2: how to determine the weather when it was an age
- 2:47Speaker 2: when looking out the window was kind of the way
- 2:49Speaker 2: it was done. Yeah.
- 2:51Speaker 1: And I've never seen a more tension-filled weather report. Then
- 2:57Speaker 1: this movie, I watched the whole thing, and the whole
- 3:00Speaker 1: time I was engaged, it was like, is this gonna
- 3:02Speaker 1: rain or not? I didn't know what was going to happen.
- 3:07Speaker 1: I followed this movie more than I was following the
- 3:10Speaker 1: weather for my outdoor wedding. The stakes were extremely high
- 3:15Speaker 1: in this. And you see literally the pressure building of the.
- 3:19Speaker 2: It's not just barometric pressure that we're concerned about in
- 3:22Speaker 2: this world.
- 3:23Speaker 1: Yeah, and you're right. So I mean, the story of
- 3:25Speaker 1: this brave weatherman who basically delayed Allied invasion of Normandy
- 3:31Speaker 1: to defeat the Nazis. And he made the call. And
- 3:35Speaker 1: as you said, it was back in the day when,
- 3:38Speaker 1: you know, now we get weather sent to our phones
- 3:40Speaker 1: while we're taking a shit on the toilet. But these
- 3:43Speaker 1: guys had to deal with, like, paper charts and some
- 3:46Speaker 1: guy letting off a balloon. And then someone had to
- 3:48Speaker 1: call from Ireland.
- 3:49Speaker 2: That was science, you know. But prior to that, it
- 3:51Speaker 2: was relying on analogs like the Farmer's All Mac, you know. Well,
- 3:54Speaker 2: it didn't snow in... 1888, it won't today.
- 3:58Speaker 1: Analogues being kind of historical charts.
- 4:01Speaker 2: Records and records of records. And that's not good enough
- 4:04Speaker 2: when you've got 300,000 troops standing by in relative secrecy.
- 4:10Speaker 2: In the fate of the free world. In the balance.
- 4:13Speaker 2: And to delay that or even turn it around is
- 4:17Speaker 2: really quite near impossible. And when the Joint Chiefs of
- 4:21Speaker 2: Staff received the report, it... was conflicting because they couldn't
- 4:28Speaker 2: just say, oh, we'll do it next week very easily.
- 4:31Speaker 2: Although they would have had to wait a considerable amount
- 4:34Speaker 2: of time because the phases of the moon would go through,
- 4:37Speaker 2: the tides.
- 4:38Speaker 1: Yeah, in the movie, General Montgomery says that the paratroopers
- 4:42Speaker 1: can only land when there's a full moon. And the
- 4:44Speaker 1: next full moon would be the next week. And then
- 4:48Speaker 1: everyone's like, well, now the Nazis are going to find
- 4:50Speaker 1: out we're invading because no one can shut the up
- 4:52Speaker 1: for two weeks.
- 4:55Speaker 2: But for the courage of the weatherman who came forward
- 4:58Speaker 2: and said, if you're going to go, there is going
- 5:02Speaker 2: to be a break in the storm the following day,
- 5:05Speaker 2: which is Tuesday, June 6th, which we all know is D-Day.
- 5:07Speaker 2: And if they were to attack, there was a window
- 5:11Speaker 2: of opportunity. It would have been that morning. It wasn't ideal,
- 5:14Speaker 2: but the chop was less than the ocean. Air Force
- 5:17Speaker 2: could hit targets through the cloud cover.
- 5:19Speaker 1: Yeah. And... Did it work?
- 5:23Speaker 2: Well... You'll have to go see the film. The fate
- 5:28Speaker 2: of humanity. I hope it works, yeah.
- 5:31Speaker 1: And the other theme of the movie is this idea,
- 5:34Speaker 1: as you were kind of alluding to it, was this
- 5:36Speaker 1: idea of back in the good old days when leaders
- 5:41Speaker 1: met with scientists to make informed decisions that benefited most
- 5:45Speaker 1: of the audience.
- 5:47Speaker 2: Gave them that forum, had the courage to believe in them.
- 5:50Speaker 2: Listen to them. Didn't just hear them. And that's who
- 5:54Speaker 2: the kind of leader that I'm, my big takeaway in
- 5:57Speaker 2: my research was who Ike was. He was a diplomat.
- 5:59Speaker 2: And apparently, at all accounts, he was a lot of
- 6:01Speaker 2: fun at dinner parties where he probably did some of
- 6:05Speaker 2: his best diplomatic work. I don't know, like magic tricks
- 6:09Speaker 2: with napkins or something. I don't know. But he was
- 6:12Speaker 2: a personable guy and he cared intensely for the troops.
- 6:15Speaker 2: And that kind of respect is earned. It's not commanded.
- 6:21Speaker 2: And in my view, I think that that in itself
- 6:24Speaker 2: becomes almost like a secret asset, weapon of sorts. That
- 6:29Speaker 2: we show respect for one another. And it goes a
- 6:31Speaker 2: long way to understanding why they're even doing that.
- 6:33Speaker 1: In the first place. Yeah. Again, it's a great takeaway
- 6:41Speaker 1: from this movie. The lessons you can learn, weirdly enough,
- 6:45Speaker 1: from history of how to defeat nazis the.
- 6:50Speaker 2: Scourge of tyranny and fascism yeah right read a.
- 6:55Speaker 1: Book yeah you you know you're playing eisenhower in this
- 7:04Speaker 1: like how much of this just if i could talk
- 7:06Speaker 1: technique a little bit acting technique like how much of
- 7:08Speaker 1: this were you were you trying to like you know
- 7:11Speaker 1: when you're playing a historical figure obviously there's so much
- 7:13Speaker 1: footage and materials available and Were you trying to, you know,
- 7:16Speaker 1: how much of that were you trying to do?
- 7:17Speaker 2: It was a first for me. I know I'm not
- 7:18Speaker 2: a carbon copy to look like Eisenhower. I got about.
- 7:23Speaker 1: You guys are both white guys.
- 7:24Speaker 2: We're.
- 7:24Speaker 1: It's in the ballpark.
- 7:26Speaker 2: Yeah. But I know that with an audience's generational perspective,
- 7:35Speaker 2: I think we can go back and look at, you know,
- 7:37Speaker 2: who the essence of it is. And remember, this is
- 7:39Speaker 2: a film. We all kind of know the conclusion, but
- 7:41Speaker 2: The compelling part is how we're on the edge of
- 7:44Speaker 2: our seat watching this film, and we still wonder if
- 7:49Speaker 2: we humans are arrogant enough to shake our fist at
- 7:52Speaker 2: the sky and expect a different result. And you're going
- 7:56Speaker 2: to get it wrong if you do that. So it's
- 8:01Speaker 2: a film that I know will mean a great deal
- 8:04Speaker 2: to our veterans, and it will certainly mean a a
- 8:10Speaker 2: great deal towards understanding what went into the operation in
- 8:14Speaker 2: the first place. It was news to me that only
- 8:18Speaker 2: six weeks earlier, Eisenhower had given the order to use
- 8:24Speaker 2: live fire on a training exercise called Operation Tiger, and
- 8:28Speaker 2: that was in late April, the 28th and 29th, wherein
- 8:33Speaker 2: American troops were rehearsing, charging a beach in, the southern
- 8:40Speaker 2: beach in England. And there was confusion at sea with frequencies.
- 8:49Speaker 2: German e-boats were harassing landing craft. And in the exercise,
- 8:54Speaker 2: an hour was lost. And the first wave in the
- 8:57Speaker 2: exercise attacked the beach. Unbeknownst to them, they walked right
- 9:02Speaker 2: into Eisenhower's And sadly, 749 Army and Navy lost their
- 9:12Speaker 2: lives that day. And it wasn't until the late 70s,
- 9:17Speaker 2: a man called Burns, who lived on that beach, was
- 9:20Speaker 2: wondering why did the fishing nets keep getting stuck at
- 9:23Speaker 2: the same part in the surf? So somebody went down
- 9:25Speaker 2: with a mask and came up and said, tank. Oil, water? No, Sherman, tank.
- 9:32Speaker 2: they had forgotten that that was the beach that was
- 9:35Speaker 2: used for the exercise. So sad as that is, to
- 9:39Speaker 2: answer your question, I took that as a springboard to
- 9:42Speaker 2: understanding who Eisenhower was and that he could not have
- 9:45Speaker 2: had seen his own son's eyes when he wished them
- 9:52Speaker 2: well and greeted them. You only look at the file
- 9:54Speaker 2: photos of the 101st and you can tell that there's
- 9:57Speaker 2: such consistency there. And it wasn't just because he was
- 10:02Speaker 2: talking about fly fishing and your mom and how bad
- 10:04Speaker 2: the food is. It was that he was even told
- 10:10Speaker 2: by them that, sir, don't worry, we'll take care of this.
- 10:13Speaker 2: And I think it gave him some sort of sense
- 10:16Speaker 2: of consolation knowing that he was sending these guys into...
- 10:20Speaker 2: bare knuckle fight with a chainsaw to begin with, but
- 10:23Speaker 2: he's going to do it now in the eye of
- 10:25Speaker 2: a storm. And this is all news to me. I
- 10:28Speaker 2: got to ask, anybody know any of this historical perspective?
- 10:34Speaker 2: Nor I. So I read a book. Come see the film.
- 10:40Speaker 1: You'll see yourself. These guys are... You're asking the wrong crowd.
- 10:47Speaker 1: These are TikTokers over there. They don't... Yeah, so, I mean, again.
- 10:53Speaker 2: Great movie.
- 10:53Speaker 1: I was on the edge of my seat the whole time.
- 10:55Speaker 1: Thank you. Great portrayal.
- 10:56Speaker 2: I appreciate it.
- 10:57Speaker 1: And again, I didn't know about this, and I think
- 11:00Speaker 1: I'm a little.
- 11:00Speaker 2: Too- It gives you a new perspective and appreciation. It
- 11:02Speaker 2: totally does. Doesn't it? I felt the same way. And hey,
- 11:07Speaker 2: I'm glad that I worked with Andrew Scott. He's like
- 11:08Speaker 2: a boulder in the stream. He plays the weatherman who
- 11:13Speaker 2: brings this.
- 11:14Speaker 1: Well, the cast is all-star cast, I would say. You
- 11:17Speaker 1: got who's who. You got Damian Lewis, Montgomery- You got Kay,
- 11:21Speaker 1: I think.
- 11:23Speaker 2: Cary Condon. Cary Condon playing Kay.
- 11:25Speaker 1: And Andrew Scott.
- 11:26Speaker 2: Andrew Scott. And you'll likely recognize a lot of faces
- 11:29Speaker 2: from really great British television that populated the rest of
- 11:32Speaker 2: the cast. And the Keen Observers will see that the
- 11:36Speaker 2: location we used was actually also used in the second
- 11:42Speaker 2: Mummy movie.
- 11:43Speaker 1: Oh.
- 11:44Speaker 2: And I learned that because walking on, I went, I
- 11:46Speaker 2: think I jumped out of that window. It's weird.
- 11:50Speaker 1: The universe is so weird.
- 11:51Speaker 2: Weird. Well, it was a body double of me, but,
- 11:54Speaker 2: you know, it looked.
- 11:54Speaker 1: Right, it looked like that. And this brings me back
- 11:59Speaker 1: to you, I guess. I mean, you are one of
- 12:02Speaker 1: the few beloved people in Hollywood. Seriously, everybody hates everybody.
- 12:09Speaker 1: There's only, like... Yeah, look, there's only, like, four people. It's, like, you,
- 12:15Speaker 1: Keanu Reeves, Randall Park, and me. You know, everyone else
- 12:20Speaker 1: just hates everyone else. So how did, I mean, maybe
- 12:23Speaker 1: it's too general a question, but how did you manage that?
- 12:25Speaker 2: Bribery.
- 12:27Speaker 1: Well, how much? Let us know so we can, you know.
- 12:30Speaker 2: For me?
- 12:31Speaker 1: Yeah, you're genuinely one of the most beloved people. And
- 12:32Speaker 1: you know, you've had this really wide-ranging career, man. You've
- 12:37Speaker 1: done it all. You've done, you did Encino Man, comedies,
- 12:40Speaker 1: you did School Ties, you did... You did Crash. You
- 12:44Speaker 1: did Oscar. You got Whale. You did the Whale. You
- 12:46Speaker 1: won Oscar for the Whale. You did the Rental Cam. Like,
- 12:50Speaker 1: it's been everything. I've been really lucky. Is there a
- 12:53Speaker 1: method to this?
- 12:54Speaker 2: I just want a job, man. Keep working. Keep working.
- 12:59Speaker 2: Repeat if I can. And it's not always like that.
- 13:01Speaker 2: There are ups and downs. And it is a corkscrew.
- 13:04Speaker 1: Well, I guess, more specifically, it's that your career, you've
- 13:07Speaker 1: done a lot of different genres and tones, is what
- 13:10Speaker 1: I'm asking.
- 13:11Speaker 2: Is that.
- 13:12Speaker 1: I mean, is that.
- 13:13Speaker 2: I've seen a lot of changes, a lot of trends
- 13:15Speaker 2: in the way films are made in my time and,
- 13:18Speaker 2: you know, last century in the early 1990s.
- 13:21Speaker 1: You mean the last millennium, yeah, when you were.
- 13:24Speaker 2: When I was a whippersnapper.
- 13:25Speaker 1: Yeah.
- 13:27Speaker 2: The films that were made were, for one thing, they
- 13:30Speaker 2: were shot on film. What's that? It's this stuff that
- 13:36Speaker 2: you got to get it wet.
- 13:37Speaker 1: The long shit that you have to cut.
- 13:38Speaker 2: If you turn the light on.
- 13:40Speaker 1: Charlie Chaplin.
- 13:43Speaker 2: Good times.
- 13:44Speaker 1: But how did you pick these projects? Sorry, you're actually
- 13:46Speaker 1: explaining your perspective on the industry. I was just going to.
- 13:50Speaker 2: Say that I think early on I had a sort
- 13:54Speaker 2: of personal creed, one for them, Two for them, one
- 13:58Speaker 2: for me, you know? And sequel culture was, I think,
- 14:04Speaker 2: really sort of coming into its own in maybe around
- 14:06Speaker 2: the 1980s. I don't remember really getting excited as a
- 14:10Speaker 2: phone goer for a sequel since, like, Empire Strikes Back,
- 14:14Speaker 2: you know?
- 14:15Speaker 1: And.
- 14:15Speaker 2: This is.
- 14:17Speaker 1: An easy crowd. Easy, totally.
- 14:22Speaker 2: But then films, you know, if it worked once, why
- 14:25Speaker 2: not make it again? And then when I... first came
- 14:27Speaker 2: to town, I can remember there was a three Musketeers
- 14:32Speaker 2: movie getting made, but there were nine Musketeers running around
- 14:35Speaker 2: Hollywood trying to get a Musketeer movie made. So it
- 14:39Speaker 2: was sort of like monkey see, monkey do. If it
- 14:43Speaker 2: worked once, then keep doing, do it, do it. Now,
- 14:46Speaker 2: I don't know if there's so much mimicry in how
- 14:50Speaker 2: we approach which is going to be done. There's more
- 14:53Speaker 2: of a... penchant to look for the next event film
- 14:59Speaker 2: to get people to come to the theaters again. COVID
- 15:02Speaker 2: changed everything for us. And you sink or swim if
- 15:06Speaker 2: you decide, oh, I'm just going to wait and hope
- 15:10Speaker 2: that your audience doesn't stay at home and, you know,
- 15:13Speaker 2: look at their phone. And... On the toilet taking a shit.
- 15:16Speaker 2: That too. Looking out the window, see if it's going
- 15:19Speaker 2: to rain. Right.
- 15:20Speaker 1: But, I mean, to ask you specifically, I guess we
- 15:22Speaker 1: have this... There's this kind of vibe right now. Everyone
- 15:25Speaker 1: likes to kind of shit on movies these days, you know,
- 15:28Speaker 1: and you're one of the few guys who has a
- 15:30Speaker 1: perspective on this, so... how much truth is there to
- 15:32Speaker 1: this idea that, you know, we used to make things
- 15:34Speaker 1: better back then, or was it always a problem?
- 15:37Speaker 2: Oh, we can make crappy movies back then, too. Don't worry.
- 15:39Speaker 2: You're guilty.
- 15:41Speaker 1: What do you mean? That's not true at all. Everything
- 15:45Speaker 1: you made was great. But your perspective, as in your perspective,
- 15:47Speaker 1: so is this kind of, you know, rose-tinted glasses, we
- 15:50Speaker 1: kind of look back and... 50-50.
- 15:52Speaker 2: I think that there's a whole generation now who really
- 15:58Speaker 2: feel not but, you know, yeah, TikTok generation, but everyone
- 16:02Speaker 2: has an image rendering device in their pocket, and what
- 16:06Speaker 2: it can do is pretty remarkable, and you can, you know,
- 16:10Speaker 2: you can shake your fist at it, like you can
- 16:11Speaker 2: try to shake your fist at the sky, but... That's
- 16:14Speaker 2: what I do. You're not always going to get your way,
- 16:18Speaker 2: so I think it's just a matter of accepting, you know,
- 16:22Speaker 2: what the technology is, where it is now, and, hey,
- 16:26Speaker 2: if it.
- 16:27Speaker 2: If it worked once or twice, try it again. Like,
- 16:31Speaker 2: maybe I'll make another mommy movie.
- 16:41Speaker 1: Yeah, my last question is, you've been making some really
- 16:43Speaker 1: cool indie movies lately. You did The Whale, you did
- 16:46Speaker 1: Rental Family. I just wanted to ask.
- 16:48Speaker 2: It was great.
- 16:49Speaker 1: You worked with Fokaru. We had her on the show.
- 16:51Speaker 1: She spoke very highly of you. I watched the movie.
- 16:53Speaker 1: Your Japanese is... I don't know. Can you speak Japanese?
- 16:55Speaker 1: You look like you can.
- 16:56Speaker 2: Speak Japanese in that movie.
- 17:03Speaker 1: Yeah, so I guess my question is.
- 17:05Speaker 2: I just told them you owe me 50 bucks. Well, um, sure.
- 17:12Speaker 1: I just want to know, how did you go about
- 17:13Speaker 1: picking these indie movies? Because it's not a... You're talking
- 17:17Speaker 1: about the struggles the industries are having right now, the
- 17:19Speaker 1: industry's having right now, and you managed to pick these
- 17:22Speaker 1: really cool kind of, I would say, diamonds in the rough.
- 17:25Speaker 2: I look for what the content is in the story.
- 17:28Speaker 2: Has it really been done before as some kind of
- 17:31Speaker 2: sequel or not? Is it an idea that scares me
- 17:35Speaker 2: a little bit? I think it's good to take creative,
- 17:38Speaker 2: calculated risks. That's where the most growth can come from,
- 17:43Speaker 2: you know, um, creatively speaking. Uh, and I also honestly
- 17:48Speaker 2: look to see what, what do people really want to see?
- 17:52Speaker 2: You know, we, we want to be taken somewhere. We
- 17:54Speaker 2: want to be shown something new. We, we want to
- 17:56Speaker 2: feel like, like we've learned something. So, I mean, like
- 17:59Speaker 2: I feel like pressure. I did not know that there
- 18:02Speaker 2: was an operation that went horribly wrong that influenced the
- 18:06Speaker 2: mind of one of our great leaders. And, Certainly I
- 18:08Speaker 2: had no idea that the weather almost caused this catastrophic
- 18:12Speaker 2: delay that would have put us in, I don't know
- 18:15Speaker 2: what kind of science fiction world we would be living
- 18:17Speaker 2: in now if they had attacked on that day.
- 18:19Speaker 1: You'd be in a fascist dictator state. Thank God that
- 18:24Speaker 1: didn't happen. But great job.
- 18:30Speaker 2: Yeah, thanks.
- 18:31Speaker 1: Anyway, Brendan Fraser. Hey, you're the best, man. I love
- 18:37Speaker 1: everything you do. Everybody loves you. You're the best, and
- 18:39Speaker 1: you're amazing. Thanks for coming on the show.
- 18:41Speaker 2: Pressure is in theaters on.
- 18:43Speaker 1: May 29th with special sneak previews. Nationwide, it will be
- 18:46Speaker 1: Memorial Day weekend.
- 18:47Speaker 2: Brandon Fraser.