Latest / Who Did What Now With Katie Charlwood / 46 - Lizzie Borden - Axe Murderer (Part 02)
Transcript
- 0:00Speaker 1: You're listening to an airwave media podcast. Washing is unique.
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- 0:17Speaker 1: dot Education. Hi everybody, and welcome back to Who Did
- 0:35Speaker 1: What Now? The history podcast. It's not your history class
- 0:38Speaker 1: with me, your host, Katie Charlwood, history Harla and reader
- 0:42Speaker 1: of books. So there is less of chatty going on
- 0:46Speaker 1: today because we are running straight into part two of
- 0:50Speaker 1: Lizzie Borden, the axe murderer, murderess, murderer, murderres. Both both
- 0:56Speaker 1: are fine, both are acceptable. This is part two in
- 1:00Speaker 1: a series. I know I usually don't do two parters,
- 1:02Speaker 1: but there was just so much information we had no
- 1:06Speaker 1: choice but to add more. So, if you haven't already
- 1:10Speaker 1: listened to part one, go back, listen to that and
- 1:13Speaker 1: then come back here because I am going to skip
- 1:15Speaker 1: the jibber jabber and just fact you. So we recap
- 1:20Speaker 1: probably best. Lizzie and her sister Emma are in their thirties.
- 1:24Speaker 1: They're still living at home with their father. They have
- 1:27Speaker 1: gone way past spinster and are now into level Thornback, which,
- 1:32Speaker 1: let's face it, much cooler name. There have been disagreements
- 1:36Speaker 1: over the years in the Boording household, mainly due to
- 1:39Speaker 1: the fact that Andrew Jackson Borden, their father, is hella rich,
- 1:45Speaker 1: but still doesn't have you know, plumbing or heating in
- 1:50Speaker 1: the house, which seems like kind of a necessity one
- 1:54Speaker 1: could argue. And of course there's the fact that instead
- 1:58Speaker 1: of ensuring that they had better lives, what he did
- 2:02Speaker 1: was by his sister in law house, which kind of
- 2:06Speaker 1: rked the girls awey bit when all the girls wanted
- 2:09Speaker 1: to do was move away from the industrial sort of
- 2:13Speaker 1: area that they were in and live a luxurious life
- 2:18Speaker 1: up on the hill. Also, in addition, further moore Andrew's
- 2:23Speaker 1: second wife, who had been married to for like thirty
- 2:26Speaker 1: odd years, Abbe, who just so happens to be the
- 2:29Speaker 1: only person in the household who calls their maid by
- 2:33Speaker 1: her actual name, because apparently she's the only one who
- 2:35Speaker 1: bothered to learn it. In this little mixed family, there
- 2:39Speaker 1: were problems bubbling and they rose to the surface. Big
- 2:42Speaker 1: disagreements were had and the girls had to go on
- 2:45Speaker 1: a wee break for reasons that we don't actually have
- 2:50Speaker 1: they go away, Lezzie comes back and the family start
- 2:53Speaker 1: getting sick. Their maternal uncle biological maternal uncle John. He
- 2:58Speaker 1: comes to visit some business stuff with Andrew, and then
- 3:03Speaker 1: the whole household mysteriously starts getting sick. And this is
- 3:08Speaker 1: where we left off. The next day, Andrew, the uncle,
- 3:15Speaker 1: Abby and Bridget the maid all eat mutton for breakfast.
- 3:22Speaker 1: Why ah, you know, we think we're being poisoned and
- 3:25Speaker 1: we've all been sick after eating this. Let's have more
- 3:29Speaker 1: on a scale of zero between invading Russia in the winter,
- 3:32Speaker 1: I feel like eating day old, unrefrigerated meat on one
- 3:36Speaker 1: of the warmest days of the year, considering that you
- 3:39Speaker 1: believe you are being poisoned, probably is like a midway point.
- 3:44Speaker 1: So after breakfast, Andrew and John they retire to the
- 3:48Speaker 1: sitting room and they're getting ready for the day. Abby
- 3:51Speaker 1: starts doing all like the daily chores, and Bridget goes
- 3:54Speaker 1: into the garden to puke because there's nowhere else to go.
- 3:57Speaker 1: There's not a kitchen sink. Where are you gonna chuck up? Like?
- 4:00Speaker 1: You know what I mean? So John Morris leaves, Lizzie
- 4:03Speaker 1: gets up and has like a light breakfast of cookies,
- 4:06Speaker 1: and tea. I would call them biscuits, but like in America,
- 4:09Speaker 1: other cookies. So she has like this really light breakfast
- 4:11Speaker 1: because you know she doesn't want to eat day old
- 4:14Speaker 1: mutton for breakfast. So well, Lizzie's having her breakfast, Andrew
- 4:18Speaker 1: heads off to start his day. You know, he's going
- 4:20Speaker 1: to do business stuff, but he's also going to post
- 4:22Speaker 1: the mail, including letters that Lizzie gave him for him
- 4:26Speaker 1: to post for her. I mean, he's on his way
- 4:28Speaker 1: away may as well. After Andrew leaves, Abby asks Bridget
- 4:33Speaker 1: to go clean some windows. Bridget, who is you know,
- 4:37Speaker 1: quite literally throwing up in their garden, is like, okay,
- 4:42Speaker 1: I mean it's incredibly hot and I've just spent half
- 4:46Speaker 1: the morning chucking up into the petunias. But fine, of
- 4:51Speaker 1: course I'll clean the windows absolutely, So Bridget he's outside
- 4:56Speaker 1: washing windows, and Lizzie she's a part ironing napkins because
- 5:03Speaker 1: that's a thing people do. And Abby goes up to
- 5:07Speaker 1: clean the guest bedroom, which is where uncle John John
- 5:10Speaker 1: Morris is staying now. Cleaning the guest room that was usually
- 5:13Speaker 1: like Lizzie and Emma's job, but one Emma's not fucking there.
- 5:18Speaker 1: And Lizzie maybe she thought Lizzie was too sick to
- 5:21Speaker 1: do it. Whom's to say, But she's up there, and
- 5:24Speaker 1: as Abby is cleaning that guest room, she gets axed.
- 5:28Speaker 1: She takes a hatchet to the neck and head nineteen
- 5:33Speaker 1: times she gets a proper whack. So Abby is facing
- 5:48Speaker 1: her killer at the time of the attack. The manner
- 5:51Speaker 1: in which she's hit like, it's quite possible she was
- 5:53Speaker 1: on her knees. She gets whacked right on the side
- 5:56Speaker 1: of the head of the hatchet, getting her like just
- 5:58Speaker 1: above the ear. As she falls, the killer just keeps
- 6:02Speaker 1: like whacking her, getting her in the head. And Nick
- 6:06Speaker 1: so Andrew he comes back from his morning walk between
- 6:09Speaker 1: like half ten eleven. He goes to put his key
- 6:11Speaker 1: in the front door. But the door's locked, isn't it
- 6:13Speaker 1: Because ever since the Barklaryly, they've been keeping the doors locked.
- 6:17Speaker 1: So he shouts for Maggie Bridget Sullivan. So she goes
- 6:20Speaker 1: in and she unlocks the door, and as she's doing that,
- 6:23Speaker 1: she swears, she curses and whatever shit she said, it
- 6:29Speaker 1: made Lizzie laugh, and Maggie Bridget Sullivan, the maid in Sullivan,
- 6:35Speaker 1: she testified that like Lizzie was at the top of
- 6:37Speaker 1: the stairs when she'd had this like muffled laugh. So, yeah,
- 6:41Speaker 1: Andrew Jackson Boarden, he is back from his morning walk,
- 6:44Speaker 1: and he decides he's gonna take away nap on the couch.
- 6:47Speaker 1: Just been a busy day, he's not feeling well. He's
- 6:49Speaker 1: gonna have a way. He's gonna have awey lounge on
- 6:52Speaker 1: the lawn. Lizzie says that at this point, she goes
- 6:55Speaker 1: out to the barn to look for fishing weights, even
- 6:59Speaker 1: though she hasn't gone fishing in like several years. But yeah,
- 7:02Speaker 1: now is the day she decides she needs fishing weights.
- 7:06Speaker 1: So off she pops. And while she goes out, bridgets
- 7:09Speaker 1: are living the maid. She heads up to bed. She's
- 7:11Speaker 1: gonna go in her like top floor attic servants quarters
- 7:15Speaker 1: place because she's like, fuck this for a game of soldiers.
- 7:20Speaker 1: I'm gonna have a lad because it's hot. She feels
- 7:23Speaker 1: like shit and she just wants to sleep it off. Plus,
- 7:26Speaker 1: you know Andrew Borden is napping. She can nap too,
- 7:29Speaker 1: why not live her best life? So off she goes.
- 7:32Speaker 1: And so while Andrew is having his nap, having a
- 7:35Speaker 1: wee nap on the couch. Plus he's in his sixties.
- 7:38Speaker 1: You know, all people sleep more, they just don't like cats.
- 7:41Speaker 1: And while he's trying to catch is forty winks, he
- 7:44Speaker 1: gets an axe to the face, attacked with a hatchet,
- 7:48Speaker 1: and he's struck like ten or eleven times in total.
- 7:52Speaker 1: His face is fucking annihilated. There's a lot of rage
- 7:58Speaker 1: whoever did this and holding back, but by waiting for
- 8:02Speaker 1: him to be like dozing, this was definitely the work
- 8:05Speaker 1: of someone who did not want him fighting back and
- 8:09Speaker 1: also wanted to pulverize his whole fucking face into nothingness.
- 8:14Speaker 1: So just after eleven Bridget she's upstairs having an app
- 8:18Speaker 1: Lizzie shouts for her. She's shouting for Maggie. She's like,
- 8:20Speaker 1: come quick, father's dead. Somebody came in and killed him.
- 8:24Speaker 1: And the maids like, okay, fuck, that's not good. So
- 8:28Speaker 1: first things first, she sends her across the street to
- 8:32Speaker 1: doctor Bowen, you know, the family doctor, but he's not there.
- 8:36Speaker 1: Because he's not there, Lizzie tells her to go get
- 8:38Speaker 1: a friend from down the street, which is kind of
- 8:40Speaker 1: weird to me because like, which is you know, you
- 8:44Speaker 1: can understand someone being panicked, but there's a fucking doctor
- 8:47Speaker 1: that lives next door to her, like there's an Irish
- 8:51Speaker 1: immigrant doctor next door, and there was a French Canadian
- 8:55Speaker 1: doctor just like round the bat as well, So there
- 8:58Speaker 1: were other doctors really fucking close, and she's like, Nope,
- 9:03Speaker 1: keep going to this other person, like ignore these guys.
- 9:07Speaker 1: Eventually they do manage to get like doctor Bowen, and
- 9:10Speaker 1: somehow someone does manage to actually inform the police that's happened.
- 9:15Speaker 1: And so the first thing they do is send one officer. Listen,
- 9:20Speaker 1: I understand not having like a fully fledged like police
- 9:24Speaker 1: force that's used to dealing with murderers and shit, like
- 9:27Speaker 1: they're probably dealing with like town drunks and missing cats
- 9:31Speaker 1: and burglaries and the like, you know, smaller, smaller quins.
- 9:36Speaker 1: But they send one guy and at this point, and
- 9:40Speaker 1: he's like trying to talk to Lizzie, but Lizzie is
- 9:44Speaker 1: on drugs. Her doctor has doped her the fuck up,
- 9:47Speaker 1: Like she is on morphine, so much morphine. So doctor Bowen,
- 9:53Speaker 1: in his infinite wisdom, he decided that you know, he
- 9:56Speaker 1: needed to cam Lizzie's nerves and instead of using like ascetitu,
- 10:00Speaker 1: he's like, morphine is definitely the way to do it. Morphine.
- 10:03Speaker 1: So Lizzie is on morphine and she's being interviewed by
- 10:07Speaker 1: Deputy Marshall Fleet and he's like, right, okay, here's your dad,
- 10:11Speaker 1: there's the maid, there's you, your sister's away. Where's missus Borden? Like,
- 10:16Speaker 1: where's your mother? And Lizzie's response, I swear to God,
- 10:21Speaker 1: not exactly an inconspicuous one was she's not my mother,
- 10:26Speaker 1: she's my stepmother. Like she corrects her like straight away.
- 10:29Speaker 1: But she tells them, oh, she's not here. She got
- 10:32Speaker 1: a note from a sick friend, so she had to
- 10:34Speaker 1: go visit her. She's not here, don't worry about it.
- 10:37Speaker 1: But then her story changes and she's like, oh, wait, no,
- 10:40Speaker 1: she came back, so she should be here. So then
- 10:43Speaker 1: he's like, maybe we should go look for her, and
- 10:46Speaker 1: so they start spreading out and they go looking for,
- 10:49Speaker 1: you know, missus Borden, and as Bridget is going up
- 10:53Speaker 1: the stairs, once she gets to a certain stare, she
- 10:57Speaker 1: screams because she sees the body of Abbey boarding. The
- 11:02Speaker 1: way that this works so like they actually tested this
- 11:05Speaker 1: out with like a bunch of detectives and stuff. At
- 11:06Speaker 1: one point there was like one step on like the
- 11:10Speaker 1: whole staircase that you could see a body lying on
- 11:13Speaker 1: the guest room floor. And like, granted they did do
- 11:16Speaker 1: it with somebody who was like a few inches to
- 11:19Speaker 1: a foot taller than Abby, but that's neither her out there.
- 11:22Speaker 1: So like from this one particular spot you could see
- 11:25Speaker 1: like the body, but like only from this one step,
- 11:29Speaker 1: depending on well, depending on your height, from Bridget's height,
- 11:33Speaker 1: you could see it from this one step, like from
- 11:36Speaker 1: another like taller person that would have been the step below.
- 11:39Speaker 1: You know, That's what I way, just because of the
- 11:41Speaker 1: way this weird layer it worked because all the rooms
- 11:44Speaker 1: kind of interconnected, so like a telegram gets sent out
- 11:48Speaker 1: to you know, notify Emma of what's going on. So
- 11:52Speaker 1: they found the bodies and they're like, Okay, what are
- 11:54Speaker 1: we gonna do? They decide to get the doctors to
- 11:58Speaker 1: perform postmortems on the dining room table, and they do
- 12:03Speaker 1: this autopsy and they determine that because Abby's blood is
- 12:07Speaker 1: more like coagulated than Andrews. Now, if you listened to
- 12:13Speaker 1: the Elizabeth Bathy episode, you would know that blood coagulates
- 12:18Speaker 1: pretty quickly, like, so it would be more stickier and
- 12:21Speaker 1: glopier and harder than say Andrews, especially when like the
- 12:26Speaker 1: day is so hot. So that's one of the reasons
- 12:29Speaker 1: why they were able to determine that Abby was definitely
- 12:32Speaker 1: killed before Andrew because of coagulation science. So I was
- 12:38Speaker 1: looking at the crime scene photos, which is something no
- 12:41Speaker 1: reasonable same person should do, Like it's not good for
- 12:45Speaker 1: you to do that, Like, don't do that. What I
- 12:48Speaker 1: found pretty interesting is like you'd think that being axed
- 12:53Speaker 1: in the head, like multiple trauma ones would be very bloody.
- 12:59Speaker 1: There's not a lot of blood at this end of
- 13:03Speaker 1: the crime. Like there's a bit, obviously, but there's not
- 13:05Speaker 1: a lot of spatter. So anyway, a telegram is sent
- 13:09Speaker 1: out for Emma and she comes back. Oh yeah, So
- 13:12Speaker 1: like there were a fuck town of people coming in
- 13:15Speaker 1: and out of this house, like right away, like neighbors
- 13:17Speaker 1: are coming in and they're like tidying up and getting
- 13:19Speaker 1: stuff ready and like cleaning. There are neighbors coming in
- 13:23Speaker 1: to help clean up with the blood, which nowadays is
- 13:26Speaker 1: like ah, but back then, it's not as if they
- 13:28Speaker 1: had the forensics to do with it. Anyway, Mister and
- 13:32Speaker 1: missus Borden, they're you know, autopsied corpses are in the
- 13:37Speaker 1: house on the dining room table, and Emma and Lizzie
- 13:42Speaker 1: stay in the house like they sleep there. I think
- 13:45Speaker 1: Lizzie's friend comes and stays with him as well. Her
- 13:48Speaker 1: friend Alice comes over, but like, what the actual fuck?
- 13:53Speaker 1: Oh yeah, I'm just gonna have a nap here next
- 13:55Speaker 1: to the mutilated corpses of my father and stepmother. What
- 14:01Speaker 1: is that? Not ruinging any alarm bells for anybody and
- 14:05Speaker 1: not seem fucking weird? No, anyway, back to back to
- 14:10Speaker 1: the investigation. So the police officers they're going around the
- 14:14Speaker 1: house and they're looking for stuff, and Lizily like points
- 14:17Speaker 1: out like a hatchet in the barn and there's like
- 14:21Speaker 1: this little hatchet and it's covered in ash, like it's
- 14:25Speaker 1: dirty and the handle is broken. And the police are like, yep,
- 14:28Speaker 1: this seems like the murder weapon. Like they think that
- 14:31Speaker 1: it was used, it was cleaned and then it was
- 14:33Speaker 1: like put an ash to dry it or cover up
- 14:36Speaker 1: blood or something. So Alice Russell, she comes in, stays
- 14:41Speaker 1: with the two sisters in the house, and John Morrise
- 14:45Speaker 1: he's staying there too, he's still there. He decides not
- 14:48Speaker 1: to stay in the guest room, which is you know, valid,
- 14:51Speaker 1: but he doesn't like go to any of the other
- 14:53Speaker 1: rooms either, like he could have had the master bedroom,
- 14:56Speaker 1: like partly he was sleeping in the guest room in
- 14:58Speaker 1: the attic, but like I couldn't see a guest in
- 15:00Speaker 1: the attic. I thought it was just the maid's room,
- 15:01Speaker 1: but currently he was up there. So the next day,
- 15:05Speaker 1: everybody's like going in and out of the house, like
- 15:08Speaker 1: there's police, there's neighbors, so on and so forth. It's
- 15:12Speaker 1: like the police are searching the house and they find
- 15:14Speaker 1: this they call it a slop pail and it's basically
- 15:18Speaker 1: this bucket with bloody rags in it, right, and they're like, Lizzie,
- 15:23Speaker 1: what is this And she has to explain to these old, stuffy,
- 15:27Speaker 1: fucking Victorian men that they're herd menstruation rags. So yeah,
- 15:34Speaker 1: they find the hatchet. So they do like this big thing,
- 15:36Speaker 1: and like everyone in their granny has been in and
- 15:39Speaker 1: out of this house. So they find the hatchet. Later
- 15:41Speaker 1: on that day, the mayor of Fall River visits Lizzie
- 15:46Speaker 1: and is like, hey, just so you know, you're the
- 15:49Speaker 1: main suspect, which I'm sure was super fun. The next day,
- 15:53Speaker 1: Alice sees Lizzie burn this blue corduroy dress and she's like,
- 15:58Speaker 1: that's weird, that's suspicious. Nobody knows if Lizzie was wearing
- 16:04Speaker 1: that kind of dress that day. So anyway, there's this
- 16:07Speaker 1: inquest and she is on all the drugs, and so
- 16:10Speaker 1: they have this inquest and she's questioned and she's on
- 16:14Speaker 1: all this morphine and everything she says basically contradicts with itself.
- 16:18Speaker 1: And she didn't answer questions properly, even if answering them
- 16:22Speaker 1: would have been better for her. She was like everything
- 16:25Speaker 1: from like when her father returned home, like, what were
- 16:27Speaker 1: you doing? I was reading a magazine? Wait, no I was,
- 16:29Speaker 1: I was ironing, Or no, I wasn't ironing. I was
- 16:33Speaker 1: actually coming down the stairs. Like she said that she
- 16:36Speaker 1: helped her father take off his boots and put his
- 16:38Speaker 1: slippers on so we could nap, but like he still
- 16:41Speaker 1: had his boots on when he was sleeping. So basically,
- 16:45Speaker 1: after this inquest, Lizzie is arrested and is sent to
- 16:49Speaker 1: this prison eight miles north because there's no there's no
- 16:54Speaker 1: lady's prison in Falls River, there isn't one, So she
- 16:57Speaker 1: gets sent up to this other prison. And like, she
- 16:59Speaker 1: has found guilty of three counts of murder, one the
- 17:02Speaker 1: murder of Andrew Jackson Boordon, two Abby Borden, and three
- 17:07Speaker 1: Abby and Andrew together like they I don't know why,
- 17:11Speaker 1: but that's the thing. So, yeah, she ends up in
- 17:14Speaker 1: this jail in taunting because there's there's no women's prison
- 17:19Speaker 1: in Ful River, so she's she's up there. So Lizzie's
- 17:22Speaker 1: arrest it basically ignites this whole fucking moment, like a
- 17:27Speaker 1: national moment. So like women's groups like all over the country,
- 17:33Speaker 1: they start rallying for Lizzie because they're like, this is
- 17:37Speaker 1: a good Christian woman. She's of high society, like even
- 17:41Speaker 1: the Falls River like people from the Hill. They're like,
- 17:44Speaker 1: you can't do this to our girl. She's one of us.
- 17:46Speaker 1: She wouldn't do that. The suffrage movement got behind her
- 17:49Speaker 1: as well, because they argued that she didn't have a
- 17:52Speaker 1: jury of her peers because obviously the entire jury's men,
- 17:58Speaker 1: so if there were no women in the jury, she
- 18:00Speaker 1: definitely couldn't have a jury of her peers. So in
- 18:03Speaker 1: eighteen ninety three, because of just all of this noise
- 18:07Speaker 1: that's being made, there's a new trial, you know, because
- 18:11Speaker 1: you've called all of these sort of women's movement in
- 18:13Speaker 1: women's leagues kind of involved, but you still also have
- 18:17Speaker 1: the idea that a respectable women would not be capable
- 18:22Speaker 1: of doing something so egregious and aggressive and revile. You know,
- 18:26Speaker 1: there's another trial Emma who because Lizzie has been jailed,
- 18:30Speaker 1: because she's been tried to murder, Emma is the sole
- 18:32Speaker 1: beneficiary too, like the board and fortune or Andrew's fortune,
- 18:36Speaker 1: because Lizzie's been jailed, and she uses this money to
- 18:41Speaker 1: get the best fucking lawyer money can buy. He is
- 18:44Speaker 1: like the Billy Flynn of lawyers. Give him the own
- 18:47Speaker 1: razzle dazzle razzle dazzlem and he decides to have Lizzie
- 18:51Speaker 1: appear in court very demure. It is at this point
- 18:57Speaker 1: it's like high art. You know. He has her in
- 19:01Speaker 1: very expensive, very beautiful black clothing. She's in mourning. He
- 19:06Speaker 1: has her show up with like mourning flowers. Also during
- 19:09Speaker 1: this time period, flowers are really important, like it's very
- 19:12Speaker 1: much a thing. So she's got her mourning flowers. You know,
- 19:15Speaker 1: there's a point during the trial where they show like
- 19:18Speaker 1: the skulls of Andrew and Abbey, and when they are
- 19:22Speaker 1: he like dramatic, chucks him up on a table and
- 19:25Speaker 1: opens up Lizzie. She ah promptly faints. And this is
- 19:30Speaker 1: like a massive like spectacle because the reason the skills
- 19:34Speaker 1: are there is they were checking size of the hatchet
- 19:36Speaker 1: to the size of the wounds, so there was a
- 19:39Speaker 1: reason for the skills to be there. But it all
- 19:41Speaker 1: leaned into this whole like drama of the trial. So
- 19:45Speaker 1: at this trial as well, Lizzie does not like testify,
- 19:50Speaker 1: not at all, not in her defense, none of that,
- 19:53Speaker 1: and the judge rules that her initial testimony from her
- 19:56Speaker 1: initial like inquest is not admissible. Another thing they don't
- 20:01Speaker 1: allow is a local pharmacist and like come forward and
- 20:05Speaker 1: said I didn't think it was like odd at the time,
- 20:09Speaker 1: but then afterwards I thought a bit weird that Lizzie
- 20:12Speaker 1: had tried to buy prussic acid, which is like very
- 20:15Speaker 1: poisonous and you need a prescription for that, and like
- 20:18Speaker 1: her reason for buying it was like I needed to
- 20:20Speaker 1: clean the seal skin cape. I do it all the time,
- 20:24Speaker 1: even though like that's not what it's used for. But
- 20:28Speaker 1: like that seemed just admissible because they weren't poisoned, so
- 20:32Speaker 1: there was no reason to have any mention of poison.
- 20:35Speaker 1: And they bring up like Alice Russell noticing like the
- 20:37Speaker 1: dress being burned, and Emma and the dressmaker like state
- 20:43Speaker 1: like that was just a thing they did. They both
- 20:45Speaker 1: like attest to this, like, oh, yeah, we just burned
- 20:47Speaker 1: dresses when they're when they're no good because there was
- 20:50Speaker 1: paint on it, so we had to do that. And
- 20:52Speaker 1: so like all these other suspects are like brought forward
- 20:54Speaker 1: and stuff like, including like Uncle John. What's weird about
- 20:58Speaker 1: this trail as well, is they don't try and like
- 21:01Speaker 1: blame anybody else, Like there was an underlying tone of
- 21:05Speaker 1: maybe an immigrant came in and killed them because there
- 21:08Speaker 1: was another like hatchet job I think a few days
- 21:11Speaker 1: before the trial had happened, and because it was a
- 21:13Speaker 1: Portuguese immigrant who like committed the crime and the crimes
- 21:17Speaker 1: were eerily similar to the Borden murders that it was
- 21:21Speaker 1: like brought up again, even though this person wasn't even
- 21:24Speaker 1: in full river at the time of the board and murders.
- 21:26Speaker 1: But anyway, like Lizzie's defense, they don't try and provide
- 21:30Speaker 1: any other suspects. Emma was away of friends Uncle John Morse.
- 21:36Speaker 1: He had like the weirdest but very airtight alibi because
- 21:42Speaker 1: he went to visit relatives. The relatives were like, well,
- 21:44Speaker 1: he was here, but he was able to like remember
- 21:49Speaker 1: the street car number he was on because of the
- 21:51Speaker 1: number on the street car driver's hat. And the reason
- 21:55Speaker 1: he remembers this particular street car is because they were
- 21:58Speaker 1: five priests on it. I don't know how difficult it
- 22:01Speaker 1: is to ensure something so peculiar happens. And like the
- 22:06Speaker 1: street cart driver remembers the priest, but he doesn't remember John.
- 22:10Speaker 1: Ae shame, so wee shame for John. But anyway, this
- 22:14Speaker 1: is like a massive, massive thing and it's a huge,
- 22:18Speaker 1: just ficking sensationalist drama, and Lizzie is painted as very
- 22:24Speaker 1: much the demure lady, has a sidy lady who would
- 22:27Speaker 1: never hurt she's incapable of murdering. On the twentieth of
- 22:31Speaker 1: June eighteen ninety three, trial is over and the jury
- 22:34Speaker 1: have to go deliberate. The judge sort of ends the
- 22:38Speaker 1: session the trial with he does this like big speech
- 22:43Speaker 1: and he basically tells the jury, I'm not telling you
- 22:47Speaker 1: to say she's not guilty, but you know, so he
- 22:50Speaker 1: didn't exactly tell them to, you know, say not guilty,
- 22:52Speaker 1: but he told them to say not guilty. So anyway,
- 22:55Speaker 1: they go off. The jury the chat for an hour
- 22:57Speaker 1: and a half and come back and I think most
- 22:59Speaker 1: of the is just paperwork, Like they just go in
- 23:03Speaker 1: smoked some pipes. Well they waited and you know, just
- 23:06Speaker 1: make it seem like they took more effort they did.
- 23:09Speaker 1: Come back out and they're like and you know, like
- 23:11Speaker 1: there's not guilty. The courtroom erupts into like applauds and cheers,
- 23:14Speaker 1: and like Lizzie's like, I'm the happiest woman in the world.
- 23:18Speaker 1: And after this, so Lizzie and Emma they returned to
- 23:21Speaker 1: fall River, and all of this support that she had
- 23:25Speaker 1: from like the high society folks, once she's back home,
- 23:30Speaker 1: that support kind of just like trickles away. So Emma
- 23:34Speaker 1: and Lizzie they move into this massive, gorgeous new house
- 23:39Speaker 1: in fall River, up on the hill, and Lizzie names
- 23:43Speaker 1: it Maplecroft, which most people didn't name their houses back then,
- 23:47Speaker 1: but she was like, fuck it, fuck this for Game
- 23:49Speaker 1: of Soldiers, I'm naming my house. They have everything, They've
- 23:53Speaker 1: got maid's, housekeepers, coachmen, the whole shebang. And when Lizzie
- 23:59Speaker 1: moves in, she changes her name from Luzzie Andrew Borden
- 24:03Speaker 1: to Elizabeth A Borden. I mean, it's not a massive change,
- 24:07Speaker 1: but you do you the Bordon sisters, they're just like
- 24:11Speaker 1: living their best lives. And Lizzie more so than Emma.
- 24:16Speaker 1: So what Emma was just happy to just kind of
- 24:18Speaker 1: chill out and exist. Lizzie was out hanging out with
- 24:23Speaker 1: like actors and shit who were not seen as like nowadays,
- 24:28Speaker 1: like actors are like a big deal. They're you know,
- 24:30Speaker 1: they're the stars. Back then, they were sort of very
- 24:34Speaker 1: low class. They performed for you, they served you. It
- 24:38Speaker 1: was kind of seedy to hang out with actors, people
- 24:42Speaker 1: of the stage. Like Emma does not like these these
- 24:46Speaker 1: actor people. And Lizzie ends up having this party in
- 24:50Speaker 1: nineteen oh five for this actress Nance O'Neil, who was
- 24:53Speaker 1: very much latched on to Lizzie, or Lizzie latched on
- 24:56Speaker 1: to her him to say. And after this party, Emma
- 24:59Speaker 1: is like, I'm done, I'm off, and she just leaves.
- 25:05Speaker 1: She moves out, and the two sisters never see each
- 25:09Speaker 1: other again. Now is Lizzie. She stays in full river
- 25:13Speaker 1: and she becomes this kind of urban legend, like children
- 25:18Speaker 1: saying rhymes about her. She's like openly mocked and like
- 25:22Speaker 1: when she goes to church. When she goes to her
- 25:25Speaker 1: normal Satan church, no one else sits around her. It's
- 25:29Speaker 1: like when you put a magnet down and it repels
- 25:31Speaker 1: all the other stuff. Like that's what she's like. It's
- 25:33Speaker 1: like no one's around her. By nineteen twenty seven, Lizzie
- 25:38Speaker 1: is ill as fuck and she ends up getting her
- 25:41Speaker 1: goll bladder removed. Any surgery someone had to have pre
- 25:46Speaker 1: nineteen sixty is always going to be it's always going
- 25:49Speaker 1: to end poorly. I don't care who you are, there's
- 25:51Speaker 1: always a bad side effect to it. So after getting
- 25:54Speaker 1: a goll bladder removed, she's really fucking sick, and she
- 25:57Speaker 1: ends up dying of pneumonia on June first, nineteen twenty seven.
- 26:03Speaker 1: And what's weird is like nine days later, nine days later,
- 26:08Speaker 1: Emma Boorden passes away from chronic nephritis in a nursing
- 26:13Speaker 1: home in New Hampshire, and both sisters were buried side
- 26:17Speaker 1: by side in the family plot in the Oak Grove
- 26:20Speaker 1: Cemetery in Forever. So like in her will, Lizzie Borden
- 26:26Speaker 1: was worth two hundred and fifty thousand dollars, which is
- 26:30Speaker 1: worth over five million today, and because she owned like
- 26:33Speaker 1: properties and had shares and utilities and stuff like that.
- 26:38Speaker 1: Because she owned like properties like from rentals to like
- 26:41Speaker 1: commercial places and had shares and utilities. I had loaded
- 26:46Speaker 1: jewelry like because she had all that, she was really
- 26:49Speaker 1: well off. And she ends up leaving like in today's money,
- 26:53Speaker 1: like six hundred grand to an animal rescue league and
- 26:58Speaker 1: then like another ten brand to ensure that her father's
- 27:01Speaker 1: grave is like maintained, and like her closest friend and
- 27:05Speaker 1: relative ends up with one hundred and twenty five grand,
- 27:07Speaker 1: and then like the rest of her relatives can end
- 27:09Speaker 1: up with somewhere between twenty to one hundred grand, Like
- 27:12Speaker 1: it's all just spread out to everybody like to take
- 27:15Speaker 1: the money. So like, over the years, a bunch of
- 27:18Speaker 1: theories have come out as to like why Lizzie did it.
- 27:21Speaker 1: I'm convinced Lizzie did it, Like the timeline makes sense,
- 27:25Speaker 1: you know, but like the question is why, Like was
- 27:29Speaker 1: she greedy? Did she just want money? Or was there
- 27:32Speaker 1: like something like darker effect. Here's the thing.
- 27:35Speaker 2: Would any sort of scandal, any sort of massive event
- 27:39Speaker 2: that happens in a close knit town like this, especially
- 27:44Speaker 2: when it becomes national news, there was always going to
- 27:47Speaker 2: be a why.
- 27:50Speaker 1: Why did she do this? Why did someone do this?
- 27:53Speaker 1: Why were these two elderly people hacked to death? Whether
- 27:58Speaker 1: we acts it's actual question. We always want to know
- 28:01Speaker 1: why somebody did a thing or why a thing happened.
- 28:04Speaker 1: We always want to look for reasons and justifications, but
- 28:07Speaker 1: sometimes there isn't one. So there are theories of why
- 28:12Speaker 1: Lizzie did it, and it goes from one end of
- 28:14Speaker 1: the spectrum to the other. Plus, you know, we aren't
- 28:18Speaker 1: going to hung up on motives, you know, a general
- 28:20Speaker 1: rule of thumb. But I firmly believe that Lizzie did it,
- 28:24Speaker 1: but that Emma is the mastermind behind it, because Lizzie
- 28:29Speaker 1: was always trying, you know, she was trying to be social,
- 28:33Speaker 1: she was trying to have friends, she was trying to
- 28:36Speaker 1: go on adventures like she was constantly reaching out for something,
- 28:41Speaker 1: but nothing was really coming back for her. And the
- 28:44Speaker 1: only constant, the only love and affection she really got
- 28:48Speaker 1: in her life was from her big sister, who was
- 28:51Speaker 1: effectively a surrogate parent for her, and as far as
- 28:55Speaker 1: we know, Emma didn't really look for anything else until
- 28:59Speaker 1: Lizzie actually found a group of friends that weren't within
- 29:03Speaker 1: the right social class, but she found people to connect with,
- 29:08Speaker 1: to spend time with, and she had parties. Whether it
- 29:11Speaker 1: was because she wanted to have parties or because she
- 29:14Speaker 1: was so desperate to be cared for and to be wanted,
- 29:18Speaker 1: we don't know whom's to say, but which I think
- 29:22Speaker 1: is one of the more reasonable theories. You know, after
- 29:26Speaker 1: years and years of just constantly being an afterthought for
- 29:31Speaker 1: not being given the life that they felt they deserved,
- 29:33Speaker 1: the sisters ensured they got the lives they deserved or
- 29:36Speaker 1: that they believe they deserved. Also, from here on end,
- 29:40Speaker 1: the theories are going to get just a wee bit
- 29:42Speaker 1: whack yah. Of course, there's the rumor that Emma and
- 29:45Speaker 1: or Lizzie had a suitor whom their father deemed less
- 29:50Speaker 1: than worthy of his daughter's hand, and as such, the
- 29:56Speaker 1: only way for them to be together was to get
- 29:59Speaker 1: rid of him. That also plays into the idea of
- 30:02Speaker 1: why Emma didn't return because she was with her lover
- 30:07Speaker 1: and not her family, Because she was with her lover
- 30:11Speaker 1: at the time of the murders. Hmmm. Interesting. And it
- 30:16Speaker 1: only gets more salacious from here because the river mount
- 30:19Speaker 1: keeps churning and at one point Lizzie is whatever the
- 30:23Speaker 1: female equivalent of balls deep is and a sea of
- 30:27Speaker 1: men like Lizzie was out there shagging this fella, fucking
- 30:31Speaker 1: that fella, blowing the other dude like she was getting
- 30:34Speaker 1: her goods. The woman was swimming in a sea of
- 30:38Speaker 1: penises like all right, which brings us, of course, to
- 30:42Speaker 1: the uncle theory. The bones of it is Lizzie is
- 30:46Speaker 1: embroiled in an incestuous affair with her uncle, and as
- 30:49Speaker 1: such they plot the demise of the elderly boardens together
- 30:53Speaker 1: so that they can get them out of the way
- 30:55Speaker 1: and seize their fortune. Uncle John manipulated Lizzie into more
- 31:00Speaker 1: during both her father and her stepmother, and it was
- 31:03Speaker 1: his idea to make sure that Abby got killed first
- 31:07Speaker 1: to ensure that the board and daughters would receive the
- 31:09Speaker 1: full inheritance and not Abby's family, which branches off into
- 31:15Speaker 1: the uncle with a suspiciously specific and airtight alibi. Lots
- 31:21Speaker 1: of people find it weird that he happened to remember
- 31:23Speaker 1: the number on the hat of the street car driver
- 31:26Speaker 1: who happened to be carrying five priests. But like, for
- 31:30Speaker 1: all we know, the dude could have been like super
- 31:32Speaker 1: into street cars. I'm just saying, or he could have
- 31:34Speaker 1: been on the spectrum and one of his things was
- 31:36Speaker 1: remembering numbers and stuff. Hem's to say, so he has
- 31:39Speaker 1: this oddly ironclad alibi, but instead of being with family,
- 31:45Speaker 1: which he said, he was in fact murdering the burden
- 31:51Speaker 1: for like money. Like there's all these theories that Lizzie
- 31:55Speaker 1: and Bridget were in on it together. Lizzie was secretly
- 31:57Speaker 1: a lesbian and she was coppy Abby doing the horizontal
- 32:02Speaker 1: tango with the maid. And the way this little theory
- 32:05Speaker 1: goes is that Bridget was not in fact going outside
- 32:10Speaker 1: washing windows, but instead she was a cannoddling. Abby walked
- 32:16Speaker 1: in on this scene with Lizzie and Bridget together cunnddling, snuggling, stooping,
- 32:24Speaker 1: knocking boots, so on and so forth. And the discovery
- 32:28Speaker 1: of such a scandalous scene, well, and it's the reason
- 32:31Speaker 1: that Lizzie and or Bridget grabbed a hatchet and attacked Abby.
- 32:38Speaker 1: And there's like another theory that says that you know,
- 32:40Speaker 1: she was out banging her way through Fall River and
- 32:44Speaker 1: she just wanted her freedom at that point, driven by
- 32:47Speaker 1: the power of lust and stuff. She wanted the money,
- 32:50Speaker 1: and so she killed everybody. And then you have the
- 32:53Speaker 1: incest theory that Andrew Borden abused as girls, especially Lizzie,
- 33:00Speaker 1: and you know this was her retaliation. Abuse comes in
- 33:03Speaker 1: many forms now, whether he was physically assaulting them, or
- 33:07Speaker 1: whether this was just sort of a continual emotional destruction,
- 33:11Speaker 1: or perhaps even financial abuse, which still even right now
- 33:15Speaker 1: isn't understood to a great extent. Like I think there's there,
- 33:19Speaker 1: definitely feels like there's something there. I'm not discounting greed
- 33:23Speaker 1: by any any means, but it definitely feels like there's
- 33:26Speaker 1: something more sinister underlying. Of course, mental illness has to
- 33:32Speaker 1: have a seat at the table, and it's been argued
- 33:34Speaker 1: that maybe Lizzie was in some sort of fugue state
- 33:37Speaker 1: and she went and just killed them but didn't realize
- 33:40Speaker 1: she was doing it, or like she was perhaps schizophrenic
- 33:43Speaker 1: and she had an episode. But it's weird that it
- 33:46Speaker 1: wouldn't happen before or after, Like there was no like
- 33:51Speaker 1: to our knowledge, she never attacked or resulted anyone before
- 33:57Speaker 1: or after the incident. We've covered that. Of course, some
- 34:02Speaker 1: people thought it was demons, demons, demons possession, the occult
- 34:09Speaker 1: spooky spirits, wiggly woos. Lizzie was possessed by an evil
- 34:14Speaker 1: spirit or even a demon who forced her to slaughter
- 34:20Speaker 1: her family against her will. But not the maid cause
- 34:24Speaker 1: because the spirits are part of the proletariat. They're like
- 34:27Speaker 1: super happy to kill off the wealthy people, but not
- 34:29Speaker 1: the maid. She's a working class We're gonna leave her alone.
- 34:32Speaker 1: Even demons have roles, sometimes last, but not least pure
- 34:37Speaker 1: unadulterated greed. Lizzie wanted the finer things in life. She
- 34:43Speaker 1: wanted to live the high life that she should have.
- 34:48Speaker 1: She should have been born with a silver spin in
- 34:51Speaker 1: her mouth, but her father always kept it just out
- 34:54Speaker 1: of arm's reach. She was sick of waiting. She wanted
- 34:58Speaker 1: her money, and she wanted it now. However, there's always
- 35:03Speaker 1: the possibility that Lizzie is but a red herring and
- 35:08Speaker 1: the real murder was committed by someone else, either Uncle
- 35:14Speaker 1: John Emma or a quote unquote suspicious looking man hanging
- 35:22Speaker 1: outside the Borden House. It's almost as if they lived
- 35:26Speaker 1: at the bottom of the hill in a neighborhood full
- 35:29Speaker 1: of immigrant workers, near textile factories and places of work
- 35:34Speaker 1: and other areas of commerce, and that people as a
- 35:39Speaker 1: general rule, tend to be around either way. I am
- 35:44Speaker 1: absolutely convinced that Lizzie Borden did commit those murders. Whether
- 35:50Speaker 1: she had an accomplice or whether she was pushed into
- 35:53Speaker 1: it one way or the other, or if it was
- 35:55Speaker 1: her own idea, we don't know. We don't and so
- 36:00Speaker 1: in a sea of ambiguity, this ends the story of
- 36:05Speaker 1: Lizzie Borden. So what did we learn today? We learned
- 36:11Speaker 1: that if you were rich enough, you can get away
- 36:13Speaker 1: with murder. I mean, we already knew that. Basically, we
- 36:17Speaker 1: learned that sisters are in fact doing it for themselves,
- 36:21Speaker 1: and that quite probably Andrew Jackson Borden had it coming.
- 36:26Speaker 1: He had it coming. He only had himself to blame.
- 36:29Speaker 1: And if you like today's episode, feel free to rate
- 36:32Speaker 1: and review five stars on Apple Podcasts or Spotify. I
- 36:36Speaker 1: love your reviews so much. I read every single one
- 36:38Speaker 1: of them, like every single one. So I actually have
- 36:42Speaker 1: started the website, so I think I might just like
- 36:44Speaker 1: screenshot and put up my favorites. I haven't decided yet, Like,
- 36:49Speaker 1: I'm so tempted to like take my favorites and post
- 36:51Speaker 1: them on the website. Because here's the thing. You are
- 36:55Speaker 1: fucking fantastic, all of you. You're amazing and I'm so
- 37:00Speaker 1: happy that you keep coming back listening week after week
- 37:04Speaker 1: or after almost three week hiatus because of my health issues.
- 37:10Speaker 1: But really it means a lot. But I'm really happy
- 37:14Speaker 1: that you're still here or if you're new, welcome hi now.
- 37:18Speaker 1: Of course, if you want to get more of this
- 37:21Speaker 1: history stuff, you can follow me on TikTok, Twitter and Instagram.
- 37:26Speaker 1: Who Did What Now Pod? On everything apart from Twitter,
- 37:30Speaker 1: where I'm hooded what now pd because there weren't enough characters.
- 37:35Speaker 1: Oh goodness. Recommendation time watching. I am going to recommend
- 37:39Speaker 1: that you watch obi Wan Kenobi because it's so good. Always.
- 37:44Speaker 1: I'm a big Star Wars fan, and it gives me
- 37:46Speaker 1: an excuse to go, hello, there us fucking obi Wan Kenobi.
- 37:51Speaker 1: I love it. Oh no. I actually started reading The
- 37:53Speaker 1: Seven Husbands of Evelyn Hugo and it is just ah,
- 37:56Speaker 1: go read it, go read it, go read it, go
- 37:58Speaker 1: read it. And listening. I actually listened to this podcast
- 38:02Speaker 1: and I found it very interesting. I was listening to
- 38:06Speaker 1: American Hostage with John Hamm. It's sort of like, I
- 38:10Speaker 1: don't know, like a radio series, like a podcast series,
- 38:13Speaker 1: a radio play type thing. It's so good. It's so good.
- 38:17Speaker 1: I really really enjoyed that one. I really enjoyed it
- 38:20Speaker 1: because it's like historical, but it's also like a wee dramatization.
- 38:24Speaker 1: I was listening to it as I looked at the
- 38:26Speaker 1: whole world. I was putting this basically world map decal
- 38:30Speaker 1: on my kid's bedroom wall. And I like to listen
- 38:34Speaker 1: to stuff when I'm doing physical things. It just makes
- 38:37Speaker 1: me feel better or it makes me work better, either way,
- 38:41Speaker 1: so I was doing that. So those are your recommendations
- 38:44Speaker 1: this week, and with that, I shall bid you adieu,
- 38:48Speaker 1: adios au revoir of Wait as Them my friends, a
- 38:52Speaker 1: bye bye