Latest / BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show / Driving Through Dystopia: The Last Chase (EILFM Crossover)

Transcript

Driving Through Dystopia: The Last Chase (EILFM Crossover) · BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show

• 0:00
  Grand Touring Motorsport started as a social group of car enthusiasts,
• 0:04
  but we've expanded into all sorts of motor sports disciplines and we
• 0:08
  want to share our stories with you.
• 0:10
  Years of racing wrenching and motorsports experience brings together
• 0:14
  a topnotch collection of knowledge and information through our podcast.
• 0:18
  Break Fix.
• 0:22
  A former race car driver's car is confiscated.
• 0:25
  He rebuilds it and drives to free California with a teen's help agents
• 0:29
  dispatch a jet pilot to stop him.
• 0:31
  Fearing his autonomy.
• 0:32
  Threatens their control.
• 0:34
  Yeah.
• 0:36
  Yeah, that was wrong.
• 0:39
  Did we watch the same movie?
• 0:40
  That's the official read for this movie.
• 0:43
  That's lies.
• 0:44
  It was never confiscated.
• 0:45
  He hid it in his basement the whole time.
• 0:48
  I cannot fact check everything on IMDB.
• 0:51
  Okay.
• 0:52
  You were fact checking two lines also.
• 0:55
  I was told there would be no fact checking.
• 0:59
  That's super fun facts.
• 1:00
  That's your guys' job.
• 1:01
  I think he even said it an hour and 20 minutes into the movie.
• 1:05
  But yeah guys, oh, we are in the year of the apocalypse on our podcast.
• 1:11
  Everything I learned from movies, maybe you've heard of us.
• 1:14
  Wow.
• 1:15
  This is a perfect fit because we have apocalyptic, dystopian future.
• 1:22
  Yeah.
• 1:22
  We have cars, we have jets, lasers, Burgess, Meredith, like we are
• 1:28
  going full out for 1980 ones.
• 1:31
  The last Chase.
• 1:33
  Yes.
• 1:35
  Excellent.
• 1:36
  Oh, but babe, we're not alone for this one either.
• 1:38
  What do I need to put a bra on?
• 1:40
  Nah, we're, we're going without Sand's video on this one, but, uh oh.
• 1:45
  Thank God we have with us the Grand Touring Motor Sports Break Fix podcast.
• 1:49
  Welcome.
• 1:50
  Mm-hmm.
• 1:51
  We are excited to be back with you guys.
• 1:53
  And this is, like you said, Steve Special.
• 1:55
  This one has been hiding in the filing cabinet for quite a while.
• 1:59
  I'm looking forward to breaking this one down with you guys.
• 2:01
  And of course, the voices you're gonna be hearing.
• 2:02
  Sorry, I should have been more specific.
• 2:04
  We have Eric, Tanya, and Mountain Mike.
• 2:07
  I'm sorry.
• 2:07
  Mountain man.
• 2:07
  Dan, he is Forever Mountain Mike from now on.
• 2:13
  So what are you guys gonna hut down Mountain Mike's
• 2:14
  Pizza and try the mountain.
• 2:16
  Mike's Pizza.
• 2:16
  Dan, you've been spending a bunch of time out west.
• 2:19
  Have you gone to a Mountain Mike's yet?
• 2:20
  I have not seen one.
• 2:21
  I'm gonna have to try to find one.
• 2:22
  There's gotta be one in Colorado.
• 2:24
  Do it.
• 2:24
  I highly recommend the Everest.
• 2:27
  It is basically a mountain of meat and cheese on a pie, and it's delightful.
• 2:31
  I like it.
• 2:32
  I like it.
• 2:33
  So are we drinking tonight?
• 2:35
  Oh, of course we are.
• 2:36
  I don't know, Steve.
• 2:37
  I'm still sober.
• 2:38
  Well, let's see, from, uh, you went to brewing in Salt Lake City, Utah,
• 2:42
  we have their yard sale, winter lager, because we need to drink.
• 2:46
  We as we're in the heart of winter.
• 2:47
  Yeah.
• 2:49
  I don't know.
• 2:49
  It's snowed today.
• 2:51
  That is true.
• 2:51
  Welcome to Life on the Mountain.
• 2:53
  Oh, our tops.
• 2:55
  Nice.
• 2:56
  I'll see your beer and I'll raise you from the Highlands of Scotland.
• 2:59
  Ooh, the one and only Urn Brew.
• 3:03
  Caffeinated.
• 3:04
  Quain bubbly.
• 3:06
  It tastes weird, but it's good at the same time.
• 3:09
  I don't know.
• 3:09
  It's pretty awesome.
• 3:10
  I got this from an import store.
• 3:11
  I've had it before.
• 3:12
  If you've never had Iron Brew is another way to pronounce it.
• 3:14
  This stuff's pretty cool.
• 3:15
  It's pretty good because this is what Eric needs is more caffeine.
• 3:18
  A hundred percent.
• 3:19
  Oh my God.
• 3:20
  Yeah.
• 3:21
  A hundred percent caffeine.
• 3:23
  Watch this.
• 3:24
  Not stop at real time.
• 3:27
  Have those downers on standby.
• 3:28
  You know what it tastes like.
• 3:29
  You remember the Creamsicle Ddus from when we were kids?
• 3:33
  Yeah.
• 3:33
  This is that in liquid form with a ton of caffeine.
• 3:37
  Wow.
• 3:39
  Ooh, pardon me.
• 3:40
  Threw off in my mouth.
• 3:41
  Alright.
• 3:42
  Intrigued.
• 3:43
  I mean, as somebody who still drinks all of the Mountain Dew flavors.
• 3:45
  Yeah.
• 3:46
  Interested.
• 3:46
  Was it the, uh, Henry Wein hards or whatever orange sodas we love?
• 3:50
  Oh, yeah, yeah, yeah.
• 3:51
  Good stuff.
• 3:52
  How about you, Tony?
• 3:53
  Are you drinking sourced from a hundred to 500 feet below me?
• 3:57
  I come to you with dye hydrogen monoxide.
• 4:02
  She's got her own well or something out back.
• 4:05
  Apparently somebody should have warned me about this chair.
• 4:09
  It is lethal.
• 4:10
  Holy shit.
• 4:13
  Oh, I just figured out why it lost the wheel.
• 4:15
  Kind of like this movie.
• 4:17
  I have to stop on the side of the road and repair this thing really quick.
• 4:21
  What about Dan?
• 4:21
  What's he, oh man.
• 4:22
  Dan, how about you?
• 4:23
  Much like Tanya just drinking some odd oil.
• 4:25
  Mine's 350 feet below the house, so I know that for sure.
• 4:28
  So, yeah.
• 4:31
  Nice.
• 4:31
  Is this uh, your guys' first time watching this movie?
• 4:34
  I know it was for us, so yeah.
• 4:36
  Yes, it was not for me.
• 4:38
  This movie was recommended to me and I gotta give a shout out.
• 4:41
  To one of our friends, Scotty B, if you're listening, he sent
• 4:44
  me this movie a long time ago.
• 4:46
  You're gonna love it.
• 4:47
  It's got a car chase and it's got Lee majors and race cars and da da da da.
• 4:51
  And I'm like, okay.
• 4:52
  And I watched it and I'm not gonna say my opinion on it because that's
• 4:55
  what we're here to talk about.
• 4:56
  But I was delighted to revisit it with you guys again and get your perspective on it.
• 5:01
  'cause I have seen it before.
• 5:02
  You've watched it numerous times.
• 5:04
  This is your trading paint.
• 5:05
  No, no, no.
• 5:05
  We're not, no, we never, you never go trading paint.
• 5:07
  You never go full mountain Mike.
• 5:10
  Never go full trading paint.
• 5:11
  We need like the billboard of the movie so that we constantly
• 5:15
  reorder their goodness because you know, we'll get to it at the end.
• 5:19
  But I dare say this, this is still leagues above the stuntman.
• 5:22
  The poster's quite misleading.
• 5:25
  Like, I mean, there's some facts in there, but a lot of times like, wait, that, but
• 5:29
  that never really, so we'll get into it.
• 5:31
  1980 one's.
• 5:32
  The last Chase, we watched it on the Blood bank.
• 5:35
  You may have to pirate this movie.
• 5:37
  It is not readily available or I guess it was on YouTube, right?
• 5:41
  Yes, it was.
• 5:42
  Oh, okay.
• 5:42
  It's on YouTube from time to time.
• 5:44
  But it's Steve, what's the blood bank?
• 5:45
  Oh, well, if you go to uh, patreon.com/bloody bits of the Bloody
• 5:49
  Bits Horror Show for $10 a month, you get access to A VPN that has thousands of hard
• 5:55
  to find obscure, mostly horror movies.
• 5:57
  But this wasn't a horror movie, but it was on there.
• 6:00
  Check it out.
• 6:02
  Oh, but this comes from writer director Martin Burke.
• 6:07
  Who's he?
• 6:07
  Steve.
• 6:08
  Oh, I'm glad you asked.
• 6:09
  You might know him from Carnivals 1973.
• 6:12
  No.
• 6:13
  How about the clown murders?
• 6:15
  I'll pass on that one.
• 6:16
  No.
• 6:16
  How about Power Play?
• 6:18
  No.
• 6:18
  No.
• 6:19
  It is a porn, I'm pretty sure.
• 6:20
  Right.
• 6:21
  This Pirates of Silicon Valley.
• 6:23
  Oh, I know that movie.
• 6:24
  Mm-hmm.
• 6:25
  That was like his next one.
• 6:26
  Avenging Angelo America.
• 6:28
  A Crossroads and Under Fire.
• 6:30
  Colon Journalists in Combat.
• 6:32
  I like that.
• 6:33
  You read the colon?
• 6:34
  Of course.
• 6:35
  Nope.
• 6:36
  Nope.
• 6:36
  And nope.
• 6:37
  This is my first movie by him.
• 6:39
  Yeah.
• 6:40
  Did we watch S of Silicon Valley?
• 6:42
  Is that the Yeah.
• 6:43
  One I'm thinking of.
• 6:43
  Okay.
• 6:44
  Yeah, that's the Bill Gates, Steve Jobs, dramatization.
• 6:47
  Anthony Michael Hall is one of 'em, right?
• 6:49
  Yeah, yeah, yeah.
• 6:50
  Okay.
• 6:50
  There's that same one.
• 6:51
  One more before we get into the actors.
• 6:53
  We have to go to the screenwriter.
• 6:55
  Oh boy.
• 6:56
  Christopher Crow.
• 6:57
  Does that name sound familiar to anybody?
• 6:58
  It does sound familiar actually.
• 7:00
  Yeah.
• 7:00
  Who's he?
• 7:00
  Steve?
• 7:01
  Well, he has 20 plus credits, including three episodes of Beretta, nine episodes
• 7:05
  of the Hardy Boy slash Nancy Drew Mysteries, but he's the creator of.
• 7:10
  The misadventures of Sheriff Lobo, this BJ and the Bear Streets of Justice,
• 7:17
  BL Stryker, starring friend of the podcast, uh, William Shatner lasted
• 7:20
  The Mohicans The Untouchables TV series, the watcher TV series, fear.
• 7:25
  He skipped over Miami Vice.
• 7:27
  What?
• 7:27
  He did, Miami Vice An episode at least, I guess.
• 7:30
  Oh, an episode.
• 7:31
  Yeah.
• 7:31
  Yeah.
• 7:32
  But babe, he's also married to Christina Rains.
• 7:35
  Does that name sound familiar?
• 7:36
  Who's she?
• 7:37
  Steve.
• 7:38
  Remember the Sentinel?
• 7:39
  Yeah.
• 7:39
  The main model chick.
• 7:40
  That's her.
• 7:40
  She basically retired after marrying him.
• 7:43
  I mean, who would, oh, and the act, we lost another
• 7:46
  great actress from that movie.
• 7:48
  Not really.
• 7:49
  She basically spent the whole movie passing out.
• 7:51
  It was great.
• 7:52
  The other screenwriter, Roy Moore, he wrote Black Christmas
• 7:56
  10 episodes of The Adventures of Timothy Pilgrim, whatever that is.
• 7:59
  And then he gets credit on all the, uh, black Christmas remakes.
• 8:02
  That's about it.
• 8:03
  Oh, wow.
• 8:03
  Makes a lot of sense.
• 8:04
  Right.
• 8:04
  But our beloved eighties Action Hero though.
• 8:07
  Oh yes.
• 8:08
  The one, the only Lee Majors as Franklin Hart.
• 8:12
  Who's he?
• 8:13
  Steve, uh, let's see.
• 8:15
  Over 130 credits, including.
• 8:17
  The Virginian, he's Steve Austin from The $6 million Man.
• 8:21
  Uh, the Secret of Bigfoot Steal this.
• 8:24
  The Fall guy.
• 8:26
  Yeah, yeah.
• 8:29
  Scrooged Musketeers, forever Out.
• 8:31
  Cold, big Fat Liar.
• 8:33
  Eight episodes of Ash versus Evil Dead, A Gettysburg Christmas, and of course.
• 8:37
  The Fall guy, the movie from last year.
• 8:39
  You know what I appreciate, Steve, is out of 130 credits that Lee Majors
• 8:43
  has, you've listed Scrooge in there.
• 8:46
  He's in it for all of 45 seconds with that best one liner.
• 8:49
  You've been a good boy this year, Lee, but it's like epic, right?
• 8:53
  It sets the tone and I'm, I appreciate that you singled that out on the list.
• 8:57
  Steve only picks the most iconic moments in actors storied careers.
• 9:02
  I like to pick things.
• 9:03
  They've actually been seen in, you know, like the 15 seconds.
• 9:06
  He was in the fall guy last year and you know, Musketeers Forever, which I
• 9:12
  know we all have a DVD copy of, right?
• 9:14
  I mean, some of us do.
• 9:15
  It's on the shelf with my Sinbad movie.
• 9:18
  Yeah, it usually comes in one of those like 12 action movie packs or whatever.
• 9:24
  Also starring in this movie, of course, legend of Phil Man
• 9:27
  screen, Burgess Meredith has Captain JG Williams, who's he?
• 9:32
  Steve.
• 9:33
  Well, he has over 180 credits, but here are the ones you've actually
• 9:36
  seen him in Burned offerings.
• 9:38
  Yeah.
• 9:38
  Yeah.
• 9:39
  You know, he's Mickey in the first three Rocky movies and then like
• 9:42
  voice clips, the rest of them, the Sentinel popping up again.
• 9:45
  The Manitou Magic Guys, if you've not seen Magic, please, please go watch Magic.
• 9:52
  Anthony Hopkins is a ventriloquist who may or may not be insane
• 9:56
  and or have a possessed doll.
• 9:57
  And Burgess Meredith is his manager and Margaret's in it.
• 10:01
  Ugh, it's great.
• 10:02
  What else is he been in?
• 10:02
  A clash of the Titans, Santa Claus Colon.
• 10:05
  The movie Grumpy Old Man.
• 10:07
  Grumpy old man.
• 10:08
  And uh, of course he passed away in 1997.
• 10:10
  Wait, wait, wait, wait, wait, wait.
• 10:11
  Did we skip the biggest thing, the most important thing about Burgess Meredith,
• 10:15
  1966 to 67, whatever, he was the penguin.
• 10:20
  In Batman.
• 10:21
  In Batman.
• 10:22
  Yes.
• 10:22
  Yes, yes.
• 10:25
  How is it that in this movie, which took place 20 years later, let's just say,
• 10:30
  does he look younger in this than he did when he was the Penguin and Batman?
• 10:34
  Good makeup.
• 10:34
  Yeah.
• 10:35
  Makeup, yeah.
• 10:35
  When you have Lee Major's makeup team on, on your side.
• 10:41
  Oh, and uh, a couple.
• 10:42
  Just two more.
• 10:43
  Chris.
• 10:43
  Make peace as, I guess the kid's name was Ring.
• 10:46
  I never caught that in the movie.
• 10:48
  He had a name.
• 10:49
  I caught it at the end during the credits.
• 10:51
  That was us too.
• 10:52
  We were like, alright, what is the name of shit kid?
• 10:55
  I was like, wait, did the teacher say it earlier?
• 10:56
  Because I totally missed it.
• 10:58
  Like, oh, ring James, whatever his name is.
• 11:00
  I don't know.
• 11:01
  Could have been young.
• 11:01
  Egon Spangler was the same thing.
• 11:03
  Yeah, right.
• 11:04
  25 or so credits including meatballs.
• 11:08
  This Mazes and Monsters.
• 11:11
  Oh shit, y'all lost out last year.
• 11:13
  Falcon and the Snowman, and of course Izzy's favorite movie of all time Vamp.
• 11:18
  I do really like that movie.
• 11:20
  It's a rare movie where it starts out as a, uh, college comedy of
• 11:24
  like, oh man, get into this frat.
• 11:26
  We have to find a stripper by 8:00 PM but it's already five
• 11:30
  and town's two hours away.
• 11:31
  And then it becomes just like a bond girl eating people.
• 11:36
  It's Grace Jones starring in from Dusk till Dawn.
• 11:38
  It's great.
• 11:38
  Ah, okay.
• 11:39
  She has zero lines and is phenomenal the whole time.
• 11:44
  Wow.
• 11:44
  Yeah.
• 11:45
  Billy d Dragos in it.
• 11:46
  Check it out.
• 11:46
  Yeah.
• 11:46
  Guys, I, I really can't recommend this movie enough.
• 11:49
  Like I'm not even being sarcastic.
• 11:51
  It's just one of those things you have to sort of experience because it.
• 11:56
  So bonkers and it wildly shifts, tones, and yet somehow it just works.
• 12:01
  Does it involve a van?
• 12:05
  They, they, they borrowed Long Duck Don's, uh, drop top, tell, get to town.
• 12:09
  That's awesome.
• 12:10
  That's right.
• 12:10
  But on Van News guys, sorry Steve to break up this movie.
• 12:14
  Oh yeah.
• 12:15
  I bought a Ford Econo line 2008 Long Body Big Girl.
• 12:21
  You bought a church van?
• 12:22
  Yeah.
• 12:23
  For $400.
• 12:25
  No.
• 12:25
  That's awesome.
• 12:26
  Yeah, it did require a new transmission,
• 12:30
  but for four grand we basically have a van.
• 12:33
  Yes.
• 12:34
  Added a zero there.
• 12:35
  I heard.
• 12:36
  Yeah, yeah, yeah.
• 12:37
  Basically.
• 12:38
  So did you name her?
• 12:39
  It's not Van Nessa.
• 12:40
  You didn't go that easy.
• 12:41
  Yeah, we definitely did.
• 12:43
  It's, it's Vanessa, Steve, what's her last name?
• 12:46
  Van Gogh.
• 12:47
  Oh, but it's the French spelling with the EAUX at the end.
• 12:50
  Oh, very nice.
• 12:52
  Very nice.
• 12:52
  We're classy.
• 12:53
  We classy bitches.
• 12:55
  Speaking of classy, Alexandra Stewart has Eudora.
• 12:58
  Who's she?
• 12:59
  Steve, 150 plus credits, but most of it's French stuff, so who gives a shit?
• 13:03
  But.
• 13:04
  Babe, she's been on the podcast before?
• 13:06
  No, she is Mrs. Sharon in Under the Cherry Moon.
• 13:11
  Oh.
• 13:12
  Oh man.
• 13:13
  And she's also Catherine Lagree in two episodes of Highlander.
• 13:17
  Ooh, okay.
• 13:18
  Oh my.
• 13:18
  Yeah.
• 13:19
  It's the season two unholy alliance, like the, uh, season finale there where
• 13:23
  McLeod confronts Joe Dawson about Horton.
• 13:25
  The man who killed Darius.
• 13:26
  Darius Darius then.
• 13:27
  Oh yeah, yeah, yeah, I remember that.
• 13:29
  And then follows the trail of Xavier St. Cloud to Paris.
• 13:32
  And of course, Xavier St. Cloud is played by the lead
• 13:34
  singer of fine young cannibals.
• 13:36
  Yeah.
• 13:38
  We're really doing a good job of procrastinating talking about this movie.
• 13:42
  We need to fill some time.
• 13:44
  She was the last one.
• 13:45
  It's so rare we have someone from under the Cherry Moon
• 13:47
  pop into one of our movies.
• 13:48
  It, it's true though.
• 13:49
  Alright, so we hit play.
• 13:50
  Oh my gosh.
• 13:51
  See a racetrack and we see a car sputter out because it ran out of gas.
• 13:56
  I, I'm assuming this was like a, like a test run or something?
• 13:59
  'cause the e the stands were all empty?
• 14:01
  No, this was already in Postapocalyptic or dystopian world.
• 14:05
  He took his, was it okay?
• 14:06
  He just took his race car out of the basement to go for a
• 14:10
  ride and then ran outta fuel.
• 14:12
  I'm imagine he bury it in the garage.
• 14:15
  I think it was still together at this point.
• 14:16
  Yeah.
• 14:17
  Yeah.
• 14:17
  Okay.
• 14:17
  Yeah, because I, I feel like this was like supposed to be, let's
• 14:20
  say the late eighties or whatever.
• 14:22
  What, uh, as we find out, they say there's no more oil.
• 14:26
  Like it was a beautifully upkept racetrack.
• 14:28
  If it's been sitting around for the last five or six years,
• 14:30
  I'm also gonna argue all of the blacktops than this our pristine.
• 14:34
  Yeah.
• 14:34
  Mm-hmm.
• 14:35
  And I do believe you need oil and petroleum to make asphalt.
• 14:39
  I mean, I might be wrong.
• 14:40
  I've been known to be wrong before.
• 14:42
  You are correct.
• 14:43
  Now, I did try to pinpoint which racetrack it was, and I did not do
• 14:48
  a very good job of finding a result.
• 14:49
  But based on the fact that the movie was filmed in Canada, it has to be
• 14:53
  one of the Canadian racetracks, even one of the smaller ones up in the
• 14:57
  Ontario area of that time period.
• 15:00
  There's not many that exist anymore other than like Mosport, which
• 15:03
  is now Canadian Tire Motor Park.
• 15:04
  It wasn't filled in Canada at all.
• 15:05
  It says at the end that it was, I also read that it was filmed
• 15:08
  in like Flagstaff, in Sedona and probably for the airplane scenes.
• 15:13
  Yeah, yeah, yeah, yeah.
• 15:14
  Definitely.
• 15:14
  Definitely.
• 15:15
  Anytime there's an airplane involved.
• 15:16
  Yeah.
• 15:17
  Clearly, because that looked very not Canadian.
• 15:21
  Yeah, they're talking about like West Pennsylvania, that it's like showing
• 15:23
  Southern Utah for what it looks like.
• 15:25
  This like, yeah, but, well, where are they now then?
• 15:27
  It's in the, uh, the after after time.
• 15:29
  Yeah.
• 15:30
  Oh, yeah, yeah, yeah, yeah.
• 15:31
  Ohio's a wasteland at this point.
• 15:33
  You know what, it's moss port.
• 15:35
  It is Mosport.
• 15:36
  Okay.
• 15:37
  Just found it.
• 15:37
  Oh, gene Heckman's down the street from that angle.
• 15:40
  I didn't recognize it.
• 15:41
  'cause most ports really long as a track, so they only used one section of it then.
• 15:46
  Very cool.
• 15:46
  And then we also get, I swear, a solid minute of ominous music staring
• 15:50
  at a gas pump product placement.
• 15:52
  Okay.
• 15:52
  I guess that was an Exxon commercial.
• 15:55
  That's what that was, but it was ominous, so it wasn't like a good Exxon commercial.
• 15:59
  Yeah, maybe it's paid for by Shell.
• 16:03
  Oh wait, no.
• 16:03
  A shell station gets blown up later in the movie too.
• 16:06
  Yeah.
• 16:06
  Maybe this is paid for by the electric car.
• 16:09
  It's very much like looking at the gas pump, like this is why there is no future.
• 16:14
  I just like the fact that he can cut open an Exxon gas pump with a set of tin snips.
• 16:19
  It just baffled me like.
• 16:20
  Cut through the outer wall.
• 16:22
  That made sense to me.
• 16:23
  But when he knocks it over to the side and like the pipe inside and
• 16:26
  everything just falls over with it.
• 16:28
  Nothing was connected.
• 16:29
  Yeah.
• 16:29
  Oh, I'm sorry.
• 16:30
  The $6 million, man, knocking out a gas pump was confusing.
• 16:34
  And then suddenly he had like a siphoning device and he's like,
• 16:36
  squish, squish, squish, squish.
• 16:38
  Like what?
• 16:39
  He had it in the back of his car.
• 16:40
  I guess.
• 16:40
  I don't, some people keep, you know, jumper cables and the professionals
• 16:44
  keep the little siphon ready to go.
• 16:46
  So we go from his lone track day, you know, stealing gas from underground,
• 16:51
  which actually is foreshadowing for later in the movie as we come to find out into
• 16:54
  this very long exposition monologue of just Lee Majors talking for like the
• 17:00
  next, what seems like forever about what's going on and did anybody really understand
• 17:05
  other than there was a disease and there was a pandemic that killed everybody.
• 17:10
  Yeah, an epidemic, a plague that killed his wife and son.
• 17:15
  And then of course that led to gas, not existing anymore.
• 17:19
  Hi.
• 17:20
  His buddy fetch kind of filled us in.
• 17:22
  You know what's sad?
• 17:23
  I literally watched this movie three hours ago.
• 17:25
  Like I started it at like five and I already can't remember what happened.
• 17:30
  I, I do like during his thing, he was like, I like to help out at
• 17:33
  the hospital from time to time.
• 17:35
  Of course, I don't wear a mask 'cause why the fuck would I
• 17:38
  do that during a, an epidemic?
• 17:40
  I'll be all right.
• 17:40
  I'm Lee fucking majors, I'm half robot.
• 17:42
  But then cars are outlawed, but they're not.
• 17:46
  But I was so confused.
• 17:48
  Like all transportation is like gone because.
• 17:51
  I don't know.
• 17:52
  That was polluting the earth also.
• 17:55
  I didn't get it.
• 17:56
  And this disease too, it could be a form of Legionnaire's disease,
• 17:59
  it could be chemical warfare.
• 18:01
  I don't know.
• 18:01
  Fake news.
• 18:05
  There's so much foreshadowing.
• 18:06
  Yeah.
• 18:07
  Yeah.
• 18:07
  From 1981, the first part of this movie, I'm like, oh my
• 18:10
  God, had we not see it coming?
• 18:12
  But he was like, well, he just kinda learned to live with the panic and
• 18:15
  the fear and until it becomes normal.
• 18:17
  And I'm like, fuck.
• 18:19
  All right.
• 18:20
  Okay, so this is where two things I kind of wanna diverge on.
• 18:24
  One is super fun.
• 18:25
  Carfax, maybe I can save that for later if you want, but you
• 18:28
  guys just hit on something.
• 18:29
  We're talking about 1981.
• 18:30
  We're talking about foreshadowing, you know, things that happened
• 18:32
  only just a couple years ago.
• 18:34
  Really.
• 18:34
  The film felt older than it was, and I wanted to ask you, Steve, and if
• 18:39
  I'm spoiling one of your fun facts, is this like the stunt man where it
• 18:43
  took this guy 10 years to make this movie happen because it feels like a
• 18:48
  seventies film and not an eighties film.
• 18:50
  There's just something off about the whole thing.
• 18:53
  I don't think I have anything in the fun facts about it.
• 18:55
  Like, you know, sitting on somebody, was it Christopher Crow's?
• 18:59
  You know, like, oh, I gotta make like 15 TV shows.
• 19:01
  Then I can make a movie.
• 19:02
  It releasing in 81.
• 19:04
  It's.
• 19:04
  Conceivable that he started making it obviously in the seventies or at
• 19:08
  least the thought process was, and with the oil thing they'd just gone
• 19:11
  through not even a decade before the whole gas crisis in the US Right.
• 19:16
  So like they're probably pulling strings from that because I think now I remember
• 19:20
  the thing with the cars, they were trying to preemptively stop some bigger
• 19:24
  crisis that they assumed was gonna happen with like people's use of planes
• 19:28
  and boats and cars and all this stuff.
• 19:30
  So they out like outlawed it all and rocket ships and makes no sense.
• 19:35
  And the reason I bring that up is because the car itself, when I started
• 19:39
  digging into its fun facts is from 1972, it sort of triggered this,
• 19:43
  when was this film actually made?
• 19:46
  Because that car looked super new and very futuristic compared to the Grand
• 19:50
  Marquee with the Woody Family Truckster thing that he was driving around to go
• 19:54
  help the medical people or whatever.
• 19:55
  And I was like, okay.
• 19:57
  And then I dug into the car a little bit and we can talk about that later.
• 19:59
  But that was my pinpoint to say this movie feels like it's off by 10 years.
• 20:04
  And, and the thing that got me the most is 'cause like basically after
• 20:07
  the scene we cut to 20 years later and I think it's supposed to be
• 20:11
  2010 or 2011 or something like that.
• 20:14
  Yeah.
• 20:14
  Like, you know, in the future, oh, I missed that.
• 20:16
  2011. Oh, okay.
• 20:17
  Yeah.
• 20:17
  It's what takes place at 2011.
• 20:19
  And the pandemic thing was 20 years before that.
• 20:22
  Yeah.
• 20:22
  Yeah.
• 20:22
  So it's 20 years later.
• 20:23
  'cause now Lee Majors doesn't have as much makeup on.
• 20:26
  He looks a little more Lee Majorish and uh, he's taking
• 20:29
  the subway to work and all that.
• 20:30
  Yeah.
• 20:31
  So the pandemic broke out in 1991, but I think he stopped racing from
• 20:35
  what you learned later before that.
• 20:37
  But that would still maybe have put him stopping racing in the eighties.
• 20:40
  So that's still the eighties.
• 20:40
  A decade, yeah, after that car came out.
• 20:43
  So who knows?
• 20:44
  So you talked about Lee Major's makeup, what do you call his hairdo?
• 20:46
  Was that a perm or is that like a fro Like what was that?
• 20:50
  The shatner.
• 20:51
  The sha.
• 20:52
  Oh shit.
• 20:53
  This chair,
• 20:56
  Eric.
• 20:56
  Don't gimme a goal of making you fall out of your chair.
• 20:58
  Legitimately.
• 20:59
  I have to sit up straight or I'm gonna die in this chair.
• 21:03
  This is like that episode where the spider came in.
• 21:06
  Remember?
• 21:06
  It was Oh yeah.
• 21:08
  Like, well, Eric's fighting ghosts now.
• 21:11
  This chair is brutal.
• 21:12
  So talking about other old stuff at this point, after the whole
• 21:16
  car thing and cutting open the gas pump, we cut to the computer room.
• 21:19
  No.
• 21:20
  No, we watch him tow that thing home.
• 21:23
  No, we learn about how it's this police state that it's turned into with cameras
• 21:28
  everywhere and cars are outlawed.
• 21:30
  The M fers going down the road in this big ass wagon with a trailer with a
• 21:35
  bright orange race car on it going down the highway and nobody knows.
• 21:39
  He has this secret car hidden in his basement.
• 21:42
  What?
• 21:42
  Yeah, yeah, yeah.
• 21:45
  See Tanya gets it, his boldness of it when he goes to help out at the like
• 21:48
  hospital or whatever, he drives right up and the guy's like, Hey, this was supposed
• 21:52
  to be turned into the impound water.
• 21:54
  Yeah.
• 21:54
  And then he just gets out and it's like, so was it gone now?
• 21:57
  Okay, cool.
• 21:59
  He lived in the middle of nowhere.
• 22:00
  How is he getting to work every day?
• 22:02
  Bicycle.
• 22:02
  Well, you know, the amount of time it used to take to go from A to
• 22:06
  Z is the time it now takes to go to A to B or whatever the heck.
• 22:09
  He's speech he made.
• 22:11
  Yeah, he brings that up later.
• 22:13
  Yeah.
• 22:13
  He wasn't complaining.
• 22:15
  He's like trying to explain cars to a kid and that's what he pulls out and I'm like,
• 22:18
  oh god dammit, Lee, or what's his name?
• 22:21
  Frank Hart.
• 22:22
  Frank Hart?
• 22:23
  Yeah.
• 22:23
  Yeah.
• 22:23
  So he works at the Department of Transportation.
• 22:25
  That's what I'm getting to.
• 22:26
  Is this computer room at the DOT?
• 22:28
  Yes.
• 22:28
  He's the spokesperson for the Mass Transit Authority.
• 22:32
  Yeah.
• 22:32
  And he pops up like he works in the fucking Trump administration.
• 22:36
  Just like, yeah.
• 22:37
  So, uh, yeah, he used to be a race car driver.
• 22:40
  And uh, now they want me to talk about how, uh, riding bikes is cool as shit.
• 22:44
  Yeah.
• 22:45
  Any questions?
• 22:46
  No.
• 22:47
  You guys don't even know what a race car is.
• 22:49
  What are you kids that have never seen such a thing?
• 22:52
  I wish I had a PowerPoint presentation.
• 22:54
  I could give, eh, you know what?
• 22:56
  Next scene.
• 22:57
  And see I got from that scene, I got more of the Simpsons.
• 23:00
  Hi, I'm Tom Hanks.
• 23:01
  Government's lost all credibility.
• 23:03
  So the borrowing, some of mine tole my hair, Mr. Hanks.
• 23:06
  Okay.
• 23:09
  Oh.
• 23:11
  So this computer room master control, like a scene outta Tron.
• 23:15
  I was waiting for Sark to come out or something, but what got me again, talking
• 23:19
  about this movie feels really outta place.
• 23:21
  Did you all get the same vibe?
• 23:23
  I did.
• 23:24
  When you first saw the computer room, it was like this marriage
• 23:27
  between Willy Wonka and Dr.
• 23:30
  Strange love.
• 23:30
  It was totally strange.
• 23:31
  Love.
• 23:32
  Yeah, yeah, yeah, right.
• 23:33
  Boop boop.
• 23:34
  Well, and here's the best thing, like what?
• 23:35
  Two people run that whole thing and it's like.
• 23:38
  This cavernous cineplex of beeps and boops all over in a giant fucking screen.
• 23:44
  Like if this were the taking a poem, 1, 2, 3, there'd be 40 people from the Bronx
• 23:48
  running all the levers and shit in there.
• 23:50
  But no, if there's just one balding guy and some chick observing him, the great
• 23:54
  thing is the one guy that's running it sits in the center and there's no
• 23:56
  access point for him to get in or out.
• 23:58
  Yeah.
• 23:59
  I assume he just jumps in and jumps out like the Dukes of hazard, right?
• 24:02
  Yeah.
• 24:03
  But I was also thinking, what is Robert Vaughn gonna show up in like a tower,
• 24:07
  like in Superman two looking down and then suddenly Richard Pryor runs in
• 24:10
  from the side, or I'm not with them.
• 24:12
  Superman.
• 24:13
  Oh, so cliche.
• 24:14
  The lady in this room apparently pulls the spokesperson aside and is like,
• 24:18
  Mr. Hart, we've got you on videotape going to one of the confiscation yards.
• 24:23
  We used to call 'em a junkyard back in my day.
• 24:25
  Like, yeah, same thing.
• 24:26
  Confiscation yard is what we call it.
• 24:28
  Sir, looking into your record.
• 24:29
  I understand you quit racing cars after a crash where you killed
• 24:32
  someone back in the eighties.
• 24:34
  And he's like, Uhhuh.
• 24:36
  Yeah.
• 24:36
  Thanks for filling in the explanation so I don't have to, what are we doing here?
• 24:39
  When do we talk about that flashback scene?
• 24:42
  That was real footage.
• 24:43
  That was Andretti in that Lotus, by the way, the Formula one cars,
• 24:46
  they're talking right, and they're like, and he lost it in the corner.
• 24:51
  They're on a straight uhhuh.
• 24:54
  They're on a straight, but they lost it in the corner.
• 24:58
  What corner?
• 24:59
  And then flipped like eight or nine times and ended up in the straight.
• 25:02
  It's like being drunk in public.
• 25:04
  I wasn't drunk until you put me in public.
• 25:06
  Right?
• 25:08
  This exposition dump is nice and all.
• 25:10
  So then we cut to a nerd and an attic hacking the government.
• 25:15
  It's like the Goonies.
• 25:16
  Meanwhile, in war games, like, what the fuck are we doing?
• 25:19
  A young Neil Breen is getting his first taste of the internet
• 25:23
  hacking all the government secrets.
• 25:25
  This is where we get introduced to radio free California.
• 25:29
  The rebel state?
• 25:30
  Yeah, yeah, yeah.
• 25:32
  They do the interruption of the, like when he goes home.
• 25:34
  Because, 'cause he, they're talking about sending him to rehab center,
• 25:36
  like you mean jail rehab center.
• 25:39
  We're gonna deport El Salvador.
• 25:40
  It's perfectly fine.
• 25:42
  Fucking does.
• 25:43
  Is it too soon or is it too late?
• 25:45
  Uh, so yeah, so he is at home watching the replay of the crash for whatever reason.
• 25:50
  I think he likes to watch his wife crying or something.
• 25:54
  That's, that's how he goes to bed every night, I assume.
• 25:57
  Usually in this scene, like you have someone like looking at their wedding
• 26:00
  footage or something like that.
• 26:02
  'cause anyone has ever done that in the history of forever and no, no one.
• 26:06
  All right, but yeah, he is watching like the crash and his wife's
• 26:10
  like, oh my God, is everybody okay?
• 26:13
  God so terrible.
• 26:15
  Oh, and yeah, this is when his replays interrupted by, hello everybody.
• 26:19
  Uh, this is free California.
• 26:22
  San Francisco has returned to machines and we have our land back and we're not
• 26:26
  under the government's thumb, so please come on out here and blah, blah, blah.
• 26:30
  Then they lose the signal, like it's very, they live kind of vibes like, you know.
• 26:34
  Yeah.
• 26:35
  Obey, put on the glasses that that'd have been great actually.
• 26:39
  So this is where we also learned that the car was disassembled
• 26:42
  and buried underground.
• 26:44
  Right.
• 26:44
  Because he's gotten the notion that now he wants to go to California.
• 26:48
  He wants to break away from the monotony of his Department of Transportation life
• 26:52
  and everything that's oppressing him.
• 26:54
  And I think he's in New England.
• 26:55
  I heard Boston, I think.
• 26:57
  Yeah.
• 26:57
  Yeah.
• 26:57
  I think he's in Boston.
• 26:58
  Yeah.
• 26:59
  Yeah.
• 26:59
  Yeah.
• 26:59
  So he starts digging in his garage like someone killed his
• 27:02
  fucking dog and he needs his guns.
• 27:04
  John Wick referenced.
• 27:05
  Yeah.
• 27:05
  But during this rebuild montage that happens over the course of 15 minutes,
• 27:10
  it feels like in the film there's also that moment where his coworker's
• 27:14
  like, we'll just call him Lee.
• 27:15
  He's like, Hey, come on Lee.
• 27:16
  We're going to the bar.
• 27:17
  You're coming out to the bar with me.
• 27:19
  Right?
• 27:20
  And I was like, did anybody else feel like we suddenly stepped into a Kubrick film?
• 27:24
  Oh, totally.
• 27:25
  What was going on in this bar?
• 27:27
  So his buddy slash speech writer, whatever, walking to the bar where the
• 27:31
  walls are covered in aluminum foil.
• 27:33
  And I'm like the future.
• 27:35
  But then, uh, you know, they go in a back room and Oops.
• 27:38
  Orgy, oops.
• 27:39
  And, and apparently in the original version there was a lot more
• 27:42
  nudity and stuff in this scene.
• 27:44
  Like an extra minute, minute and a half, something like that.
• 27:46
  I think I read somewhere.
• 27:47
  Yeah.
• 27:48
  Out of fucking nowhere in this movie, like.
• 27:51
  But the next day he's uh, you know, talking to kids again, you
• 27:54
  know, in his spokesperson role.
• 27:55
  We know one of the kids is the nerd that was hacking the
• 27:57
  government secrets earlier.
• 27:59
  He starts going off script and he is like, yeah.
• 28:01
  So, uh, you know, normally I get up here, tell him a race car driver and
• 28:05
  how not having cars is great and great for the environment and great for,
• 28:08
  you know, your duty to your country.
• 28:09
  But, uh, it's all bullshit.
• 28:11
  It's all rules and guilt.
• 28:13
  And guys think for yourselves and of course the one nerd kid
• 28:16
  gets up like starts clapping.
• 28:18
  Yeah.
• 28:18
  Everybody else is a dead silent.
• 28:21
  Yeah.
• 28:21
  Like think for ourselves, was it just me or did they all look
• 28:24
  like they were from Hogwarts?
• 28:26
  Very Harry Potter vibes.
• 28:28
  Yeah.
• 28:28
  Yeah.
• 28:29
  JK rolling.
• 28:30
  You hack.
• 28:31
  They hint at the fact it's like a prep school that a kid got sent to,
• 28:34
  I guess to try to straighten him out.
• 28:36
  'cause Yeah, he's.
• 28:37
  Rebellious what they try to hand at, but he didn't seem it.
• 28:40
  He's one of them free thinkers and so you know, the jocks slash other nerds
• 28:44
  have to like beat him up and like hang him from a statue upside down.
• 28:48
  Oh wait, he did that himself.
• 28:50
  All right, nevermind.
• 28:51
  I wish I could do the carradine laugh, right?
• 28:53
  You're talking about revenge of the nerd deck.
• 28:56
  I've never seen that movie.
• 28:57
  Is it good?
• 28:58
  No.
• 28:58
  I've literally seen it a thousand times as a 5-year-old.
• 29:01
  It shaped who I am to this very day.
• 29:02
  Yeah, especially the second one.
• 29:05
  Nah, nerd's and Paradise isn't my bag.
• 29:08
  Oh yeah.
• 29:08
  And also his, uh, speech writer buddy basically says like,
• 29:10
  look dude, you're an idiot.
• 29:12
  You're gonna get fired.
• 29:13
  I don't know what they're gonna do with you if they don't have a use for you.
• 29:16
  You're over 40.
• 29:17
  We're in like the Logan's run timeframe or something.
• 29:20
  Oh yeah.
• 29:20
  We see the kid, they set up for like a class photo and he blows the head off
• 29:23
  the statue as they're taking the photo.
• 29:26
  That was awesome.
• 29:26
  Great stuff.
• 29:27
  What's the next thing that actually happens?
• 29:29
  Uh oh Yeah.
• 29:29
  He sends a message to Hart like an email.
• 29:32
  But you know, it's one of those early eighties emails on a matrix printer.
• 29:37
  Yeah, you are not alone.
• 29:41
  And I was expecting heart to be like, be looking around like he's all listen sudden
• 29:44
  transporting to like black Christmas.
• 29:46
  Like the call is coming from inside the house.
• 29:48
  By the way, kids today will never know the joy of peeling the
• 29:53
  edges off the dot matrix paper.
• 29:55
  Oh.
• 29:55
  And folding it into little accordions.
• 29:57
  Right.
• 29:57
  And then just like seeing how long you can like stretch that a hundred percent.
• 30:03
  Simple joys is these simple joys.
• 30:05
  So the next day, Hart gets a memo and he is basically like,
• 30:08
  yeah, you've been suspended.
• 30:09
  Probably gonna go to jail.
• 30:10
  So then the police golf carts show up at the school.
• 30:13
  Oh my God.
• 30:14
  These are the funniest recurring jokes in the whole film.
• 30:17
  Like every time I saw these, what looked like they were reused for
• 30:21
  Johnny Cabs later in total recall, I just kept cracking up because
• 30:25
  they're like cyber police vehicles.
• 30:27
  Like Tesla designed these things, right?
• 30:28
  Yeah.
• 30:28
  I mean, that's what they look like and I'm just cracking up the whole time.
• 30:31
  Like, this is so hitting close to home.
• 30:34
  They didn't even know what they were doing, you know, 44 years ago now.
• 30:38
  This is incredible stuff.
• 30:39
  But yeah, they're tracking the, this signal that apparently
• 30:42
  this kid sending out, you know, hacking the government secrets.
• 30:45
  But then it's like, wait, why are they outside of Hart's house?
• 30:48
  And then we see Hardee's inside, you know, sipping his
• 30:51
  whiskey whatever for the night.
• 30:52
  And then you hear someone like break in through the front door and I'm like, well,
• 30:56
  illegal search and seizure right there.
• 30:59
  Oh no, it's just the kid.
• 31:00
  And he is like, Hey, the cops are following me.
• 31:02
  Can I hide here for the team?
• 31:03
  He is like, what?
• 31:04
  And knock, knock, knock.
• 31:05
  Who is it?
• 31:07
  And the part about that, that, you know, they found the signal emanating from Lee
• 31:10
  Majors house, Frank's house or whatever.
• 31:12
  And I kept thinking, this is the moment this kid is gonna open his
• 31:16
  jacket up, like data from the Goonies and he's gonna be wired up with
• 31:19
  electronics and he's carrying around some mobile emitter or something.
• 31:22
  And it was like totally benign.
• 31:24
  It was, it was such a big plot hole that they found him in the first
• 31:27
  place was emanating from the school.
• 31:30
  Because the one teacher's like, what?
• 31:32
  There nothing like that could be here.
• 31:33
  When they were going up steps and the cop popped his head up into the
• 31:36
  attic where the equipment was at, I think they were following the kid
• 31:39
  and he went running that direction.
• 31:40
  That's why they just stopped at the house and hey you, oh, that makes
• 31:43
  more sense because I thought for about three seconds he was living in Lee
• 31:46
  Major's fucking attic for a second.
• 31:48
  Like wait.
• 31:50
  This whole time when the kid gets there and he breaks the window,
• 31:53
  the cop comes up to the front door.
• 31:54
  Wouldn't you notice broken glass?
• 31:56
  Yes.
• 31:56
  There was no broken glass.
• 31:58
  And that's where I'm like, fire that gaff guy.
• 31:59
  You know the, they added the scene later.
• 32:02
  They had to fire the sound effect.
• 32:04
  Like during that scene, while the cops are talking to him, you see
• 32:07
  Lee major looking off to the side.
• 32:09
  Mm-hmm.
• 32:09
  And any normal circumstance that I would imagine if a cop is there and
• 32:14
  someone's looking off to the side and you can obvious movement from the
• 32:17
  lighting when the kid opens the door to the garage, I think a cop would be
• 32:19
  like, well, what's going on in there?
• 32:21
  Outta curiosity, but they didn't seem to care at all.
• 32:23
  And then a kid goes in and sees the race car just snowballs from there.
• 32:26
  Yeah, it does.
• 32:26
  And he adds the, uh, horse racer for what, 1972.
• 32:30
  Like Eric was saying.
• 32:31
  Whoa, wait, I got, I gotta interject.
• 32:33
  If we expect anything more from these Keystone COP characters,
• 32:40
  they're not coming back later in the movie.
• 32:41
  Dang.
• 32:42
  Nope.
• 32:42
  Not at all.
• 32:43
  But the, the kid's like, Hey, you, uh, you going to California?
• 32:47
  Uh, no.
• 32:48
  Why?
• 32:48
  Why would you think that?
• 32:49
  No, I'm totally going to California.
• 32:51
  Can I come with, I don't know, man, that's kind of weird going on a Smokey
• 32:55
  and the Bandit run on roads that haven't been used in 25 years and it's okay.
• 33:00
  I got chemicals and like electronics and stuff like, well, shit, I don't know.
• 33:04
  Hop in shotgun.
• 33:05
  Let's go.
• 33:06
  Hold on, let me change my outfit.
• 33:07
  Puts on his racing suit.
• 33:09
  Hell yeah.
• 33:10
  What?
• 33:10
  Yeah, less drag that way.
• 33:11
  And the kid, no helmet, but he's got his helmet and he's got his racing suit on.
• 33:15
  Yeah.
• 33:15
  How did he blow the garage door up?
• 33:17
  When did he have time to rig the garage with explosives?
• 33:19
  When he was hiding from the cop?
• 33:21
  Yeah.
• 33:21
  Did I miss the scene?
• 33:23
  No, no, no.
• 33:24
  We just assumed that in the eight seconds it took Lee Majors
• 33:27
  to be like, Nope, no kids here.
• 33:30
  I guess he was already rigging a plan B into the garage door.
• 33:33
  Oh, okay.
• 33:33
  Again, if this was the Goonies data would've hit a button on
• 33:37
  the box and it would've shot out and attached to the door.
• 33:40
  I, I can totally see a scene where this kid's like in the garage, like
• 33:42
  this motherfucker narks on him.
• 33:43
  I'm gonna blow up his whole goddamn house.
• 33:46
  Yeah, it said they, uh, you know, they get in the car.
• 33:49
  Keystone cops are back.
• 33:50
  So, uh, your neighbor said a kid was just here, like, or No.
• 33:54
  Was the, was it security people that like told 'em?
• 33:56
  Yeah, like, yeah.
• 33:56
  Yeah.
• 33:57
  That have similar golf carts to the police.
• 33:59
  They hop in the car, blow the garage door and you're like, take me with you.
• 34:02
  Okay, cool.
• 34:03
  Get in.
• 34:05
  Well real quick, what?
• 34:05
  The garage door blowing.
• 34:06
  I'm amazed with the 30 seconds.
• 34:08
  The kid was standing there looking in.
• 34:10
  He managed to put whatever this goo is all over the garage door to lock it shut.
• 34:14
  It's explosive, Mike.
• 34:15
  That's impressive.
• 34:16
  This kid's ability, he's a genius.
• 34:17
  He's Batman, he's race or whatever his name is.
• 34:21
  Ring, ring, ring.
• 34:22
  Like the doorbell.
• 34:23
  Yeah, ring.
• 34:23
  Yeah.
• 34:24
  It's one of those.
• 34:25
  Yeah.
• 34:25
  So you know how I'm sensitive to car sound effects, right?
• 34:29
  We've talked about this.
• 34:30
  Yeah.
• 34:30
  Never forget, right.
• 34:31
  And this will go into my super fun fact about the car when he fires it up.
• 34:34
  That is the sound, actual sound of a Porsche flat six idling.
• 34:39
  And it sounds so good 'cause it's straight piped and it's amazing
• 34:43
  what they use for the action scenes.
• 34:46
  Is not quite right and I don't know why they did that, because
• 34:49
  that car is so naturally loud.
• 34:51
  It just, to me, it didn't make sense.
• 34:52
  But I was really impressed.
• 34:53
  I was like, when he fires it up and it's idling and they're dying
• 34:56
  from carbon monoxide in that scene.
• 34:58
  Yeah.
• 34:58
  I was like, that's the real thing right there.
• 35:00
  That's awesome.
• 35:00
  I have a fun fact about the car that I found.
• 35:03
  I have some fun facts too.
• 35:04
  I'll interject it at the appropriate time, I suppose.
• 35:07
  Alright, we're gonna have a lot of fun Facts.
• 35:09
  Good, because I don't, I don't think I have that many.
• 35:11
  So, yeah, they drive off and you know, the kid holds like the million candle power
• 35:15
  flashlight or whatever to do you remember those flashlights from the eighties?
• 35:19
  They sucked.
• 35:20
  It was barely enough to light the top of the hood in front of the, the lights.
• 35:24
  Yeah.
• 35:25
  And it only took like 18 D cell batteries and you know, and you're plug it into
• 35:29
  the cigarette lighter in my race car.
• 35:31
  Like what?
• 35:33
  Like, okay.
• 35:34
  I love the fact that there just happened to be a passenger seat in it as well.
• 35:36
  Yeah.
• 35:36
  But then they, uh, they take the tunnel outta town, but, oh no.
• 35:40
  There's a roadblock.
• 35:40
  How are we gonna get out of this one?
• 35:42
  Hard pull to the right, explodes against the wall roll credits.
• 35:45
  Guys.
• 35:45
  What do we think of?
• 35:47
  Chase.
• 35:48
  At first I thought, I was like, did he just u-turn in?
• 35:51
  Like 'cause you couldn't see anything.
• 35:53
  Yeah.
• 35:53
  I was like, did he just like do a 180 in this tunnel?
• 35:56
  He is gonna drive back the other way and then all you see is noise and blackness
• 35:59
  says, oh, we made a a right turn in the middle of the straight tunnel.
• 36:02
  Really?
• 36:02
  What tunnel does that?
• 36:04
  The big dig does that, I'm assuming this would be like an
• 36:06
  older tunnel for water stuff.
• 36:08
  'cause I do like have it where it'll shoot off at a 45 degree angle.
• 36:12
  A lot of older tunnels and especially like older places like London
• 36:15
  that had tunnels underground.
• 36:16
  Yeah.
• 36:16
  We weren't in London, but I know we're not, but we're in New London.
• 36:20
  AKA Boston.
• 36:21
  We're in Canada, folks.
• 36:23
  Flagstaff, it was Looney Tunes.
• 36:26
  It was straight up Looney Tunes.
• 36:27
  Yeah.
• 36:27
  Oh, when he popped out the sign, it was Smokey the Bear.
• 36:30
  Yeah, yeah.
• 36:31
  Pop out the smokey poster, and I thought it was weird.
• 36:34
  Earlier in the movie, he made a Smokey The Bear reference.
• 36:36
  Yeah.
• 36:36
  He said, I, I got a friend in Smokey The Bear or something.
• 36:40
  You're like, what?
• 36:41
  Yeah, I got a friend that's gonna help me out here.
• 36:43
  Who is it?
• 36:43
  Smokey The Bear.
• 36:45
  Okay.
• 36:45
  Old man.
• 36:45
  Whatever you say.
• 36:46
  Okay, boomer.
• 36:50
  Yeah.
• 36:50
  Then we're uh, driving in the autumn in New England.
• 36:53
  So we see the leaves falling and they're going upwards of a hundred miles an hour.
• 36:59
  No, not really.
• 37:00
  But then guys at the security council from Dr.
• 37:03
  Strangelove or whatever they call in Hawkins from dc.
• 37:06
  This guy, I guess he just kind of shows up and he is like, well, what's going on?
• 37:10
  Like, oh yeah, he is going 130 miles an hour on this brand new road he's driving
• 37:15
  on that hasn't been used in 25 years.
• 37:17
  How are they tracking his speed?
• 37:19
  Exactly.
• 37:19
  That's what I wanted to, because they have cameras out the middle of the woods.
• 37:22
  Oh, okay.
• 37:22
  You didn't realize that?
• 37:23
  Oh yeah.
• 37:24
  Okay, got it.
• 37:25
  You're reading the script.
• 37:27
  That's how they're doing it.
• 37:31
  But, uh, but then, uh, I was like, uh, he just gotta run outta gas any minute now.
• 37:35
  And then kins is like, well, there's a few inches of gas they can siphon every
• 37:41
  pump, every gas station in America.
• 37:42
  And I'm like, still, really?
• 37:44
  No one's done this in 30 years.
• 37:45
  Okay.
• 37:46
  It gets go bad for like 18 months or something.
• 37:48
  Also that.
• 37:49
  I mean, after 20 years, it might be suspect 25 years.
• 37:53
  It might be turpentine at that point.
• 37:54
  Yeah.
• 37:55
  Yeah.
• 37:55
  I mean, turpentine does burn.
• 37:57
  So it's a race car could run on anything.
• 37:59
  Exactly.
• 38:00
  This was probably fuel which would last a little longer than the new ethanol fuel.
• 38:04
  So, oh, here we go.
• 38:08
  Back in my day, we ran the cars on shine.
• 38:12
  Look, my parents have this story about now they're divorced, but when, uh, when
• 38:15
  they got married for their honeymoon, they took their, uh, CJ four out to the middle
• 38:19
  of the BlackRock Desert in the middle, in the seventies, and were camping.
• 38:23
  And my dad did not notice that the fender had rubbed a hole
• 38:25
  in the gas tank on the Jeep.
• 38:27
  So they're in the middle of the desert, like 30 miles from
• 38:30
  any civilization with no gas.
• 38:33
  My dad didn't know about the hole yet.
• 38:34
  He was just like, why are we outta gas?
• 38:36
  So he dumped all of their lantern fuel into the Jeep and apparently
• 38:40
  they just blasted right into town.
• 38:42
  And they pulled up to the gas station like puck.
• 38:44
  It a puck it up.
• 38:45
  My dad started filling it up.
• 38:46
  My mom went to the bathroom.
• 38:47
  She came out, gas was just pouring outta the back of the Jeep.
• 38:50
  They ran into the bathroom and got the bar of soap, rubbed the bar of soap over
• 38:54
  the hole in the gas tank to plug it.
• 38:56
  Finished their honeymoon and apparently my dad did fix it for
• 38:59
  three or four more, uh, Jeep runs.
• 39:01
  That's some good soap.
• 39:02
  I do not recommend you do this at home.
• 39:04
  These are also the people who, when my radiator had a hole in it in my
• 39:07
  1975 Ford Micro pickup, they said just put some uh, raw eggs in the radiator
• 39:12
  every so often and drive it around.
• 39:14
  The eggs will cook in the radiator and get stuck in the hole.
• 39:17
  And it does work, but I don't recommend it for months on end.
• 39:20
  Wow.
• 39:21
  It works until it works too well and close up the passage and overheats the motor.
• 39:25
  I mean, it's a 1975 Ford Courier that ran on three cylinders.
• 39:28
  That was not its biggest problem.
• 39:30
  That's 'cause the fourth one was full of eggs.
• 39:32
  But you know, we'll just leave that way.
• 39:33
  Eggs probably.
• 39:34
  It's poaching the shit outta those eggs.
• 39:36
  Hey, the truck was free from a crazy hippie.
• 39:38
  So you're starting to establish a pattern for us, Izzy.
• 39:40
  That's all I'm saying.
• 39:41
  Yeah, yeah, yeah, yeah.
• 39:42
  Then I like to buy shitty old cars and drive them around.
• 39:45
  Yes.
• 39:46
  And you guys are wondering, Hmm?
• 39:47
  I wonder if I bought a car from Izzy's dad.
• 39:50
  No, no, no.
• 39:51
  My dad runs them to the ground.
• 39:52
  Yeah.
• 39:52
  See there's dozens of you out there.
• 39:54
  I'm sure.
• 39:54
  Probably lost it in a poker game or something.
• 39:57
  No, no, no.
• 39:57
  My dad has never sold a car, sold a car.
• 39:59
  He's taken people's money, but they've never actually ended up with the car.
• 40:02
  So my apologies if my dad owes any of you any money.
• 40:05
  There's only like a 20% chance.
• 40:09
  So then, uh, speaking of free California, we start getting a signal or we started
• 40:13
  like hearing on the radio and they're like, alright, we're getting reports
• 40:16
  of a car on its way to California.
• 40:18
  But it, you know, shows them like stuck in the mud.
• 40:20
  So this is vanishing point.
• 40:22
  The same thing, right?
• 40:23
  And I'm like, oh my God, here we go.
• 40:25
  Stuck in the rain scene too.
• 40:27
  I was just like, oh man, this is pathetic.
• 40:29
  But this is the fun part.
• 40:30
  We cut back to DOT headquarters.
• 40:34
  The penguin shows up for the first time, right?
• 40:36
  Eh?
• 40:37
  Yeah.
• 40:38
  Yeah.
• 40:38
  We see like his whole like exposition video about jets and like, ah, JEG
• 40:43
  Williams, the, the one guy that runs all of the boop boops at the security
• 40:47
  thing is Santa to pick up this JG Williams who's, you know, Burgess
• 40:52
  Meredith, a 85-year-old man or whatever, because you know, it's the future.
• 40:57
  And I guess he flew in Nam and so this is like 50 years later or whatever.
• 41:01
  He's basically like.
• 41:03
  Would my wife send you?
• 41:04
  No.
• 41:05
  All right.
• 41:05
  You wanna go fly a kite?
• 41:07
  So weird.
• 41:08
  Give like a Chinese history lesson as he's drinking Jack Daniels and talking
• 41:12
  about how he flew 138 missions in Nam.
• 41:15
  And then, uh, the guy's like, well, do you wanna fly a jet again?
• 41:19
  What?
• 41:20
  What the fuck are you talking about?
• 41:22
  I don't think they have those anymore, but yeah.
• 41:24
  Then we cut back to Harting.
• 41:25
  The kid, they're driving along, they got outta the mud.
• 41:27
  We see our first fox hunting posse, like it's just a bunch of yokels
• 41:31
  in West Virginia or whatever.
• 41:32
  Like we, we gotta find this guy on the race car and put a
• 41:35
  bullet in them or something.
• 41:37
  Is this the part where they're on the dock?
• 41:39
  Right after they passed the people, they wound up at the dock.
• 41:41
  Okay, okay.
• 41:42
  They like pull off road.
• 41:44
  Yeah.
• 41:45
  Yeah.
• 41:45
  That's crazy.
• 41:46
  So I was wondering at this point, I dunno if anybody caught it, there was
• 41:48
  a reddish orange object in the water.
• 41:51
  It was a boat, like a rowboat, and I couldn't tell if it was a boat or
• 41:55
  if they had crashed the car or not.
• 41:56
  But then obviously they got back and I was like, well that's the
• 41:58
  end of the movie right there.
• 41:59
  So that was a little strange.
• 42:01
  But that whole scene was a little strange because it was
• 42:03
  like a bonding scene, right?
• 42:05
  Like they're coming to terms with this adventure that they're
• 42:07
  now really committed to going on and getting to California.
• 42:10
  So I was like, okay.
• 42:11
  Well it was for the fact that as Lee Major's standing on the kid,
• 42:14
  like after he'd been pushed in, he actually, he's gonna lift the dock.
• 42:18
  The dock doesn't move at all, but Lee Majors goes flying off
• 42:20
  like he got thrown off on mic.
• 42:21
  Yeah, yeah, yeah.
• 42:23
  He like damn near does a back flip on his own or whatever.
• 42:25
  Like I think he was supposed to be shaking it, but he realized he's like a 45 pound
• 42:30
  kid trying to shake a dock or whatever.
• 42:32
  And so Lee Major's improv, that's that fall guy stuff right there.
• 42:35
  Exactly.
• 42:37
  Probably my favorite part of this whole movie, I'm not gonna
• 42:39
  lie, we cut back to the security council or the DOT or whatever.
• 42:44
  And Hawkins is like talking to the, the other two people in this department.
• 42:48
  Like what do you see?
• 42:50
  Uh, just two guys driving across the country, like, no, no, no.
• 42:54
  This is dangerous to the balance that we've created.
• 42:57
  It's a metaphor.
• 42:59
  It's an allegory.
• 43:01
  Yeah.
• 43:01
  And for our system of protection and tranquility and keeping people
• 43:07
  under control so they don't do crazy things like drive cars or have
• 43:13
  opinions or chop up billionaires with guillotines or anything like that.
• 43:18
  No.
• 43:19
  This is how we keep them complacent.
• 43:22
  This is the time where I wrote it down.
• 43:24
  I made a note, I underscored it, I bolded it, wrote over it several times.
• 43:27
  This is the first time in a long time I've heard the word
• 43:30
  defecate be used in a movie.
• 43:32
  Yes.
• 43:33
  And I could not stop laughing because you have the penguin talking about defecating.
• 43:38
  And I'm just like, wait, what?
• 43:40
  What just happened?
• 43:41
  And so yeah, he goes on a rant and then yeah, this is where, uh, he talks about
• 43:45
  defecating on flowers or whatever.
• 43:47
  Yeah, exactly.
• 43:48
  Yeah.
• 43:48
  So then, uh, yeah, we cut to Williams.
• 43:51
  He's put on his outfit to be, I don't know, train Rocky.
• 43:54
  Like he's got his legit mickey outfit on and he goes to see his
• 43:58
  jet plane and it's dusty as fuck.
• 44:01
  And we get a nice little fixed team coming in and cleaning it up and stuff for him.
• 44:05
  There's a nice quote in there too.
• 44:07
  Remember, he walks up to the plane, he is by himself, touches
• 44:09
  little, he's like, never fear.
• 44:11
  Papa's here.
• 44:13
  You're like, oh God.
• 44:15
  Oh, oh, you think, oh God, until it's all fixed up.
• 44:18
  It's got its new paint job and he goes flying off in it.
• 44:21
  It looks awesome.
• 44:22
  That's a good looking plane.
• 44:24
  The process where they're rebuilding it, he's very involved in that.
• 44:27
  Maybe Vietnam veteran pilots had more knowledge of the aircraft.
• 44:31
  All of the pilots I dealt with in the military had like no knowledge of
• 44:35
  anything mechanical in the aircraft.
• 44:36
  So it was amazing to see a pilot actually putting it back together.
• 44:39
  It was a missed opportunity for all those mechanics to wear a
• 44:42
  black t-shirt and a bowler hat.
• 44:44
  And on the t-shirt it says goon because that's what I was expecting, right?
• 44:47
  Just like seeing out a Batman.
• 44:49
  Yeah.
• 44:50
  Wha wha wha wha wha telling them all what to do.
• 44:52
  And they're just running around like idiots.
• 44:53
  I mean, it's perfect.
• 44:54
  Oh, but he's flying in that jet plane and he's talking to
• 44:57
  it like it's his lost love.
• 44:58
  And he is like, oh, that's okay, baby.
• 45:01
  I'm just gonna take it nice and easy.
• 45:04
  Oh.
• 45:06
  Oh, I wrote the quote down.
• 45:08
  Here we go.
• 45:09
  And Tanya's already cringing.
• 45:10
  Oh baby, that's it, baby.
• 45:12
  You're better and sexier than ever.
• 45:14
  And then he starts going and he's like, howling like a wolf.
• 45:19
  How whatcha doing?
• 45:21
  Like a fucking Tex Avery cartoon So bad.
• 45:24
  Cringe.
• 45:24
  This is where he came.
• 45:25
  It was like 1970s audio from a porn or something.
• 45:28
  It was terrible.
• 45:29
  So then, uh, we got a roadblock set up in West Pennsylvania for 'em,
• 45:33
  and I'm like, that's all they've gone in, like those last three days.
• 45:36
  Okay, that's cool.
• 45:37
  That's exactly what I wrote down too.
• 45:39
  I was like, that's as far as they've made it to this point.
• 45:41
  Like, holy hell.
• 45:43
  That's how it is in all of these movies between New York
• 45:46
  or Boston, wherever they start.
• 45:47
  And western Pennsylvania, that's like a four day drive and then it's
• 45:51
  18 hours from there to California.
• 45:54
  Yeah, it's nuts.
• 45:55
  Yeah.
• 45:55
  We see, uh, har and the kid, they go on like the railroad tracks to like.
• 45:59
  Try to get around this roadblock and they're like, oh
• 46:02
  man, how are we gonna do it?
• 46:03
  The kid starts going off, like, I, they got like a satellite
• 46:05
  hookup and I can mess with that.
• 46:07
  So that night, I don't know, a Coke truck pulls up and like, as part of
• 46:11
  the roadblock and it's still good, and somehow the kid like blows it up and
• 46:17
  they drive the car right on through.
• 46:19
  I'm like, what the fuck is happening in this scene?
• 46:21
  Right?
• 46:22
  And then there's that one military guy who's like, you think
• 46:24
  this stuff is still any good?
• 46:26
  So now you're like, this is an old Coke truck that was never unloaded.
• 46:30
  You think gas goes bad after six months, right?
• 46:32
  Yeah.
• 46:33
  But also, uh, fallout, you hacks
• 46:38
  also.
• 46:38
  I did just have a thought.
• 46:39
  Ohoh.
• 46:40
  I know I'm scared too.
• 46:41
  We're talking about how they don't seem to know where states start and end.
• 46:45
  It is in the future.
• 46:46
  Maybe they've changed the lines since we're talking about the
• 46:49
  root and how long it takes.
• 46:51
  And at one point they're like, they're going a hundred miles an hour.
• 46:55
  We estimate that that's going to be, that they're going to
• 46:58
  run outta fuel in 300 miles.
• 47:00
  What was the fuel economy on the nine 17?
• 47:03
  Yeah, it was not that at wide open throttle.
• 47:06
  It is not that.
• 47:07
  That's why they only have to get gas.
• 47:09
  Like what?
• 47:10
  Maybe once in a 500 mile race, right?
• 47:12
  According to Google, it's two miles a gallon.
• 47:15
  Wow.
• 47:16
  So a van gets better mileage than that?
• 47:18
  Oh, far better.
• 47:18
  Far better.
• 47:19
  We get like 14, this escape sequence.
• 47:23
  We talked about the Smokey The Bear one from earlier was like Looney Tunes
• 47:27
  level and the Keystone cops to include the military and the security guards
• 47:31
  haven't gotten any smarter or any better.
• 47:33
  This was straight up Smokey and the Bandit Chicanery.
• 47:37
  Mm-hmm.
• 47:37
  I mean, I busted out laughing 'cause I forgot how cornball this scene is,
• 47:41
  and especially the fact that he's pushing his own car dressed like one.
• 47:46
  I was like, where did he get the clothes?
• 47:47
  Like who did he mug?
• 47:48
  And the kid got one too.
• 47:50
  So the satellite that was up on the tracks they flashed back to.
• 47:53
  And the two guys that I got, oh, that's right.
• 47:55
  They're like hog tied in their tidy white and T-shirts.
• 47:58
  You know why it didn't register?
• 47:59
  Because it's such a cartoon trope that it just doesn't stick in my brain.
• 48:03
  Like how many times have you seen that before where the guy gets knocked
• 48:06
  out and they steal his clothes?
• 48:08
  It's like Star Wars.
• 48:09
  All those movies do the same thing.
• 48:10
  You're like, all right, whatever.
• 48:12
  It's so cornball.
• 48:13
  But guys, now we cut to the best part.
• 48:15
  They've just got past the West Pennsylvania checkpoint.
• 48:18
  We then cut to a jet flying over the American southwest near Flagstaff.
• 48:22
  Well, and they made a reference to Kansas at one point.
• 48:25
  Yes.
• 48:25
  They said they're in Kansas, cut to them driving in the mountains, and
• 48:29
  I'm like, there is not one fucking mountain in the entire state of Kansas.
• 48:33
  What the hell has happened in this post apocalyptic future?
• 48:35
  Well also, how slow is this supersonic jet that he's flying?
• 48:39
  Well, what do you mean?
• 48:39
  He's flying in Arizona already.
• 48:42
  So Lee Majors and this kid.
• 48:44
  Race ring, whatever his name is, they're stealing gas wherever they can find it.
• 48:48
  Mm-hmm.
• 48:49
  Okay, fine.
• 48:50
  We, we will, we will suspend disbelief here.
• 48:52
  Where is the plane getting refueled?
• 48:55
  I wondered that.
• 48:56
  Yeah.
• 48:56
  Well the one time he landed, the guy was like, well, you couldn't
• 48:58
  refill while you're there.
• 49:00
  Right.
• 49:01
  And it's like he's the middle of nowhere, but Okay.
• 49:04
  Apparently there was a fuel station.
• 49:05
  What's the, uh, fuel economy on that jet again?
• 49:07
  Is it, uh, similarly, two miles to gallon or It is a negative number, I believe.
• 49:12
  Yeah, it's gallons per mile.
• 49:14
  Yeah.
• 49:15
  Many aircraft burn, almost half their fuel.
• 49:17
  Just taking off.
• 49:18
  Good lord.
• 49:19
  Or in the air is actually really efficient.
• 49:21
  But on the ground is when they're not, not the way he was flying,
• 49:24
  that thing wasn't efficient.
• 49:25
  My God.
• 49:26
  Yeah.
• 49:26
  Eight feet off the ground, half the movie.
• 49:28
  Yeah.
• 49:29
  So yeah, they're flying in America somewhere and uh, you know, that night
• 49:33
  hearting the kid, they stop, have a little campfire, and, uh, the kid's like,
• 49:37
  well, what do you do besides race cars?
• 49:40
  What.
• 49:41
  Oh wait, did you have a son?
• 49:42
  About my age?
• 49:44
  Yeah.
• 49:44
  A little older, but whatever.
• 49:46
  And that conversation goes fucking nowhere.
• 49:48
  Yeah, it was so dumb.
• 49:49
  I feel like they didn't get the script, like the day they were shooting it, they
• 49:53
  were just kinda like trying to improv, but then it's like, I can't talk to this kid.
• 49:57
  Yeah.
• 49:57
  I don't know.
• 49:58
  I think I'm the fall guy in this one because I think it was before the
• 50:00
  boat or the water on the dock thing.
• 50:03
  We already passed the time where the kid is like whining, like
• 50:06
  a little bee about Oh yeah.
• 50:07
  Not being able to drive.
• 50:08
  And I'm like, how do you even know how to drive?
• 50:10
  You do trust me, cars have been outlawed since you've been born and you're
• 50:14
  gonna get in race car and drive it.
• 50:16
  If memory serves me correctly.
• 50:18
  When he is in the garage, he's like, what is this?
• 50:21
  It's a car.
• 50:22
  It's a little before your time and not 12 hours later, he is
• 50:25
  like, you won't even let me drive.
• 50:26
  And I'm like, you don't know how to start this dude.
• 50:28
  Like, you're lucky I let you sit here instead of in the
• 50:31
  trunk, which doesn't exist.
• 50:34
  Oh.
• 50:34
  Which is where he stores his transfer pump, don't forget.
• 50:37
  And his helmet.
• 50:38
  Yeah.
• 50:38
  All this extra stuff that they have.
• 50:40
  Okay.
• 50:41
  So where were we now?
• 50:42
  We we were the hell, oh well we're 18 hours later.
• 50:44
  'cause they had the one night they're in Kansas.
• 50:46
  Mountains of Kansas.
• 50:48
  So now we're in the middle of southern Utah.
• 50:50
  Oh, we're in Utah.
• 50:51
  Okay.
• 50:52
  We left the mountains of Kansas or Arizona, I don't know, like it's
• 50:54
  all kind of blurs Castle Rock or whatever that's called out there
• 50:57
  where he flies through the first time.
• 50:59
  I was like, that looks like Utah.
• 51:00
  Yeah.
• 51:00
  It all looks like the, what was it, monument Valley or, yeah, monument Valley.
• 51:03
  That's it.
• 51:04
  Grand Escalante staircase.
• 51:05
  Like all that.
• 51:06
  Yeah.
• 51:06
  So it's like, okay, cool.
• 51:08
  Well they're in Utah.
• 51:08
  Where?
• 51:08
  Where's the car?
• 51:09
  Oh, I guess the car's there now too, because they hear the jet and
• 51:13
  it's like, all right, that's cool.
• 51:14
  You get a little fly by and not just a fly by though.
• 51:17
  It's ba as he's going by.
• 51:20
  Oh, that's right.
• 51:21
  Yeah.
• 51:21
  This is where they shoot up the shell station and everything.
• 51:23
  That's right.
• 51:24
  And uh, heart gets hit in the shoulder.
• 51:26
  Oh fuck.
• 51:27
  They pull off into the tree.
• 51:28
  So the jet has no idea where they are.
• 51:30
  Uhhuh.
• 51:31
  'cause it's not like it has a, uh, what's the term?
• 51:34
  Bird's eye view of everything for miles in every direction.
• 51:39
  And that car is so camouflaged in the woods too, you know?
• 51:42
  Yeah.
• 51:42
  This bright, like Ferrari, red, orange, whatever, race car in an area
• 51:48
  where the trees are very sporadic.
• 51:49
  Again, plot holes galore.
• 51:51
  The only tracks for a thousand miles because there's no cars out there.
• 51:56
  Various points up to this.
• 51:57
  They've taken it on terrain that I wouldn't imagine be
• 51:59
  very comfortable in that car.
• 52:01
  You know, this is the stuff Dan thinks about.
• 52:03
  That never crosses my mind.
• 52:04
  This thing's crossed my mind too.
• 52:06
  'cause have we made it to where they were suddenly in snow?
• 52:09
  Mm-hmm.
• 52:11
  Yeah.
• 52:11
  And these m fers are in an open cabin thing.
• 52:15
  It's cold enough for there to be snow.
• 52:16
  You would be dying.
• 52:18
  Yes.
• 52:18
  And then they say something like, we need to get to lower ground.
• 52:22
  And I'm like, like in a river, is that what you're looking to do?
• 52:25
  And so they park in a field Yep.
• 52:28
  Where a jet could possibly see them.
• 52:30
  Nope.
• 52:32
  And then he is like, all right kid, you start driving and then like the
• 52:36
  kid can't start it because you know.
• 52:38
  He doesn't know what he's doing.
• 52:39
  Probably also is probably outta gas also.
• 52:42
  Oh shit.
• 52:43
  Is that guy dead?
• 52:44
  He started it and he started going, he stalled out.
• 52:48
  Well, I was like, did you stall it or did it run outta gas?
• 52:50
  Because I was like, okay.
• 52:51
  He stalled it, but then it's like it wouldn't turn back on.
• 52:53
  I'm like, so is it out of gas?
• 52:54
  Like, and, and then it starts zooming in and heart, he's laying
• 52:57
  in the chair like he's fucking dead.
• 52:58
  He's like, passed out or taking a nap or whatever.
• 53:01
  Losing all that blood.
• 53:02
  Oh, what?
• 53:02
  What's going on here?
• 53:03
  Cut to them just back on the road driving like, okay, where's that?
• 53:06
  Not only are they driving, but this is the first time we see the plane
• 53:10
  like almost in land condition.
• 53:12
  Chasing.
• 53:12
  It's a dream.
• 53:13
  It was a dream.
• 53:14
  Was it a dream?
• 53:15
  Was it Yes.
• 53:15
  If you paid attention.
• 53:16
  Because I was like, what's going on?
• 53:18
  There was only a single person in the car and they were wearing a
• 53:21
  helmet, so, and then he woke up in the bed, so he was dreaming it.
• 53:26
  Oh, okay.
• 53:27
  But still, we had some stunt flying 'cause the plane was like near
• 53:30
  touchdown conditions chasing the car.
• 53:32
  That was a really cool shot to see the car coming and then like the heat waves
• 53:37
  coming up, the asphalt and the plane.
• 53:38
  And that was, I thought that was pretty epic.
• 53:40
  Yeah.
• 53:40
  But then we cut to him waking up in a bed on an Indian reservation
• 53:44
  and I'm like, god dammit movie.
• 53:45
  But we do see the car get towed in by the horses.
• 53:48
  I think it is exactly why I'm like, then is it out of gas on
• 53:52
  the facts of being outta gas?
• 53:53
  Because other than that, had he stalled it, anybody who's ever stalled a manual
• 53:56
  vehicle, it kind of bucks a little bit, but it was like just tapered off like.
• 54:00
  Shutting off and being to towed in by the horses.
• 54:02
  I do think it was, it ran out of fuel.
• 54:04
  There you go.
• 54:05
  I don't know how they got the fuel to leave later.
• 54:07
  And then the horses must have pissed in the tank, I guess.
• 54:09
  I don't know.
• 54:10
  Yeah, methane.
• 54:11
  They made it on the res. That's what they did.
• 54:13
  Yeah.
• 54:13
  Yeah.
• 54:14
  They, they all, uh, keep their poop for methane and, you know,
• 54:17
  use it usually for campfires.
• 54:19
  But isn't that the science?
• 54:21
  Right.
• 54:21
  If you leave poop and water long enough, it'll create nitric
• 54:24
  acid, then that's volatile.
• 54:26
  You know, the whole, I don't know.
• 54:26
  I'm not a chemist, but I heard that something.
• 54:28
  Yeah, that's where the whole ship Highend transit thing comes in.
• 54:31
  They could have had a still in the cave where they had that car.
• 54:33
  Oh, there we go.
• 54:34
  That's true.
• 54:35
  Guys, we finally decided, you know what, we should have a second female
• 54:39
  character in this movie because we have the chick from the DOT or whatever.
• 54:43
  Oh babe, this is the third one.
• 54:44
  'cause the teacher.
• 54:45
  Yeah.
• 54:45
  Okay.
• 54:45
  Yeah.
• 54:45
  There was mistake.
• 54:46
  I guess that counts my mistake.
• 54:47
  Yeah.
• 54:47
  Yeah, that counts.
• 54:48
  Lucky Third.
• 54:49
  Well, we had his wife for like 30 seconds crying on a video.
• 54:52
  Oh.
• 54:54
  I mean, okay.
• 54:55
  Gosh, I guess there, there's so many women in this film, guys.
• 54:58
  I think this passed the back till test.
• 55:01
  We've actually got like a fairly early on credit at the end of the movie, which
• 55:05
  amazed me for the fact that I think it was just like a video of her and it
• 55:08
  wasn't live action of her in the movie.
• 55:10
  It would've been better if it was Farrah Faucet.
• 55:12
  That would've been perfect, but you know, anyway, whatever.
• 55:14
  Well more on that and fun facts, so, so yeah, that's uh, lady that, I guess at
• 55:21
  the Indian reservation though, I think she's late to be one of Charlie's Angels.
• 55:25
  She was basically like, Hey, how, how's it going?
• 55:27
  You feeling better?
• 55:28
  Sure.
• 55:28
  Where the fuck am I?
• 55:30
  Oh yeah, you're on the Indian reservation.
• 55:31
  We reclaimed it after everybody left and I've been out here for like eight
• 55:35
  years, exposition, blah, blah, blah.
• 55:37
  And then, yeah, they sore the car in the mine.
• 55:39
  So then we cut to Captain Williams and he's at the Pima airplane junkyard in
• 55:44
  Arizona now looking at all the old jets.
• 55:47
  He's like reporting back to the DOT, like, Hey, I lost him.
• 55:50
  And then he is like flying a kite, just kind of toying with him like, oh,
• 55:54
  I don't know, it's gonna be, take me a while, flying around to find him.
• 55:57
  He, he's just, just dragging it out so he can fly around in his plane for
• 56:00
  like the rest of the movie, right?
• 56:02
  Yeah.
• 56:02
  And then, yeah, the widow back at the Indian reservation, she's
• 56:05
  giving her whole backstory.
• 56:07
  Oh, that's right.
• 56:08
  The DOT we think they might be at, uh, this Indian reservation or whatever.
• 56:11
  Do we have anyone in the area that can like go check for us?
• 56:14
  Like, well we could talk to Utah.
• 56:17
  I don't know.
• 56:17
  They're tough to deal with those, uh, goddamn Mormon Zionists.
• 56:22
  And I'm like, wow, this is the future.
• 56:24
  The not too distant future.
• 56:27
  I think this is the part where we cut back to the point where I wrote down in
• 56:30
  my notes, hoedowns and hot air balloons.
• 56:33
  Yeah.
• 56:33
  We cut to a fucking hoot.
• 56:34
  Nanny.
• 56:35
  Yeah.
• 56:37
  That was what was missing the whole time.
• 56:39
  This is what this movie needed.
• 56:41
  Yeah.
• 56:42
  Part starts giving his head backstory or whatever, and then it's like.
• 56:45
  Smash cut to them at a bar
• 56:49
  square dancing and shit.
• 56:51
  Did you notice there was no aluminum foil anywhere in that bar?
• 56:54
  No, but cut to post coitus.
• 56:57
  Oh my God.
• 56:58
  It was like one day I'm like, wow, that's fast.
• 57:01
  And then the kid, you love her.
• 57:02
  I'm like, what?
• 57:03
  You just met her so mandatory of movies of this period.
• 57:07
  Terrible.
• 57:08
  So yeah.
• 57:09
  Then uh, the kids like trying to add like the radio to the car,
• 57:13
  so yeah, so we can keep tabs on things, but then he overhears like a
• 57:16
  walkie-talkie transmission about 'em.
• 57:18
  Uh Alright.
• 57:19
  Execute Plan Alpha.
• 57:21
  Oh yeah.
• 57:22
  Plan Alpha.
• 57:23
  We've labeled the plan.
• 57:24
  We've got a mission, you know, all set up.
• 57:26
  Where's Beta Charlie Delta.
• 57:28
  Right.
• 57:28
  There's gotta be multiple plans and they must be in escalation form.
• 57:31
  Hell no.
• 57:32
  Plan Alpha, shoot up the village.
• 57:34
  Let's do it.
• 57:35
  Yeah, just, just massacre everybody.
• 57:37
  Things escalated.
• 57:38
  Quickly, I assume Plan B was Nepal.
• 57:41
  That's my point.
• 57:42
  If Plan Alpha was that severe, what was Plan Beta?
• 57:47
  Add the words or else like demolition Man.
• 57:53
  You don't know how to use the seashells.
• 57:54
  Yeah.
• 57:55
  Right.
• 57:55
  Oh, by the way, the security for this Indian reservation is, what was it?
• 57:59
  Her dad or grandpa used to be like a New York cop, but like the oldest man
• 58:02
  you've ever seen, they should have had Don Knotz play the character.
• 58:05
  Yeah.
• 58:13
  Yeah, Barney five sees this like SWAT team coming in and
• 58:15
  he is like, what motherfuckers?
• 58:17
  And of course like shoots one of 'em and they just Robocop his ass.
• 58:22
  Worst thing is there was no words exchanged.
• 58:25
  It was just he sees them, pulls the gun outta the holster and fires.
• 58:28
  There was no questions, no conversation.
• 58:30
  It was just like open fire.
• 58:32
  Yeah.
• 58:32
  This is so much better than the imagery I had.
• 58:34
  I kept thinking about Earnest goes to jail.
• 58:37
  Remember the old guy that's the security guard and every time he fired
• 58:39
  the gun he get knocked backwards.
• 58:41
  Yeah, of course.
• 58:42
  Mayhem and sues as this elite squadron comes in and starts
• 58:45
  taking out unsuspecting women and children heart's running around.
• 58:49
  He is like, where's your Dora?
• 58:50
  I need to find Eudora.
• 58:51
  And I love how like the one Indian guy like is like.
• 58:54
  No, just leave.
• 58:56
  They're looking for you.
• 58:57
  If they ask me, I'm gonna tell them where you are.
• 58:59
  So just go.
• 59:01
  Yeah.
• 59:01
  We then cut to them on the road and I'm like, wow, we missed a really
• 59:04
  daring escape somehow how They got the car out of the mine refueled got
• 59:09
  it on the road, passed the elite SWAT team threw a field onto the main road.
• 59:15
  You couldn't even throw a dream sequence in there to cut it up.
• 59:18
  Nope.
• 59:19
  Alright.
• 59:19
  Plan Alpha.
• 59:20
  It was all plan alpha.
• 59:21
  I'm like, yeah, that was easy.
• 59:22
  And then, okay, now back at the DOT.
• 59:26
  Not only do they have access to every security camera ever, and satellites
• 59:29
  and all that shit, apparently they have access to the Star Wars program and lasers
• 59:34
  all over the American Southwest desert.
• 59:37
  This was such a Doctor Evil moment.
• 59:39
  I was like, I literally wrote down lasers.
• 59:43
  I was like, this is awesome.
• 59:45
  Yeah, they had the guy playing around with it, you know, see him blow up a
• 59:47
  bunch of cactus, and then, uh, Hawkins, you know, the, the evil guy from dc He's
• 59:51
  like, can you set that to automatic?
• 59:53
  Cool.
• 59:54
  Why don't you give me the key now?
• 59:56
  But, but if it's automatic, it's just gonna shoot anything
• 59:58
  that goes through that area.
• 59:59
  Exactly.
• 1:00:01
  And of course that's the road they're about to pass on or whatever.
• 1:00:04
  And Babu ba, even though I know this movie predates the one I'm about to
• 1:00:09
  reference, if you guys remember the James Bond film, or Sean Connery
• 1:00:13
  came back after being retired from James Bond, never say never again.
• 1:00:17
  There's that scene where he's playing against the villain and that video game
• 1:00:20
  and it's like electro Shocking them.
• 1:00:22
  Yeah, but they're, they're flying the nukes.
• 1:00:23
  They're sort of real missiles, but they're not.
• 1:00:26
  And like this whole scene, I was like, that's where they got their inspiration
• 1:00:29
  from for that bond film was from this, because it reminded me of that.
• 1:00:32
  Very, very much so.
• 1:00:34
  They park.
• 1:00:35
  The jet lands by them.
• 1:00:37
  You know, Williams flies in by the jet, wherever lands, and they
• 1:00:39
  just sit there like perfectly still staring at each other.
• 1:00:42
  And this is where heart's just like, he just wants to chase.
• 1:00:46
  He's not even concerned about whatever, blah, blah, blah.
• 1:00:48
  He is like, all right kid, you're gonna stay here and I'm gonna play
• 1:00:51
  chicken with this goddamn jet plane.
• 1:00:53
  The kid like tackles heart and he is like, Hey, we're gonna be driving blah blah.
• 1:00:57
  Whatcha doing this?
• 1:00:58
  So we can just keep going.
• 1:01:00
  Of course we get the whole teary thing, like, I don't want to lose you.
• 1:01:04
  Barf.
• 1:01:05
  Is that what's going on?
• 1:01:06
  All right.
• 1:01:06
  Then they, uh, play chicken.
• 1:01:08
  Oh my god.
• 1:01:08
  The guy, the DOT is like, oh, 150 miles an hour, 160, 170.
• 1:01:14
  Get up to like 250 like it takes for fucking ever.
• 1:01:16
  It's the equivalent of in speed two cruise control.
• 1:01:19
  When the guys count down the knots as the ship is going through the
• 1:01:24
  port and the town and everything, he is like three knots, like for four
• 1:01:29
  minutes of destruction, two knots.
• 1:01:31
  Fucking dumb.
• 1:01:32
  Basically the, uh, jet ends up swerving out of the way and cheers, I guess,
• 1:01:37
  from the Department of Transportation.
• 1:01:39
  Okay, cool.
• 1:01:40
  I must not be that vested in this movie anymore.
• 1:01:42
  Sorry.
• 1:01:43
  It's, I don't know.
• 1:01:44
  And then we cut to the kid being back in the car.
• 1:01:47
  Yes, yes, yes.
• 1:01:48
  At full speed.
• 1:01:49
  And I'm like, when the fuck did that happen?
• 1:01:51
  Okay.
• 1:01:51
  But the real quick thing, when they're playing chicken.
• 1:01:53
  You see that hesitation from him shift gear.
• 1:01:55
  And I think that was like the purpose of that point in the movie was him
• 1:01:58
  overcoming his fear that he mentioned about the accident with the racing
• 1:02:01
  when he, oh, because he kind of hesitates and then he is like the
• 1:02:05
  hell and he throws into the next gear and just hammer down towards the jet.
• 1:02:08
  It was very anime esque.
• 1:02:10
  I must give it my all and then goes super say and, and does
• 1:02:15
  250 miles an hour is amazing.
• 1:02:17
  You could do a speed racer kid back in the car.
• 1:02:19
  Blew my mind as well as like, yeah, that was weird.
• 1:02:21
  Was he running behind him?
• 1:02:23
  Like Speedy Gonzalez the whole time he was having there the whole
• 1:02:25
  time he was on his hoverboard.
• 1:02:27
  That's what it was.
• 1:02:28
  He tethered on a hoverboard.
• 1:02:30
  Well, uh, so yeah, the jets chasing him behind him.
• 1:02:32
  Again, they're trying to like communicate like with the radio
• 1:02:35
  and he is like, Hey, am I good?
• 1:02:37
  Kay, are you, you're doing all right.
• 1:02:39
  Hey, you knew I was bluffing or whatever.
• 1:02:41
  I, I don't know.
• 1:02:43
  They're talking on the radio and Beckett, DOT Hawkins is hearing and
• 1:02:45
  he is like, jam that signal and make sure the lasers are ready to go.
• 1:02:49
  But bridge Meredith.
• 1:02:50
  I don't think he knew until after the radio signals jammed.
• 1:02:54
  But then he is like, you gotta look out, there's lasers up ahead.
• 1:02:57
  Hello?
• 1:02:57
  Can you hear me?
• 1:02:58
  And they're like trying to communicate with like once for, yes, twice for no
• 1:03:02
  kind of like shit with the flashlight.
• 1:03:04
  It takes too damn long.
• 1:03:05
  It was awful.
• 1:03:06
  And then the jet blows up a trailer in front of him and they're like,
• 1:03:09
  oh no, he is opening fire again.
• 1:03:10
  Like, no.
• 1:03:11
  Otherwise he'd be shooting at us instead of random trailers.
• 1:03:13
  Hmm.
• 1:03:14
  Blowing up the trailer, like got him to stop like momentarily.
• 1:03:17
  Yeah.
• 1:03:17
  But then I wrote down the following sequence because Go for it.
• 1:03:21
  Go for it.
• 1:03:21
  Yeah.
• 1:03:21
  To your point, this took way too long.
• 1:03:24
  Mm-hmm.
• 1:03:24
  In a movie that was already too long.
• 1:03:26
  I wrote laser attacks, plane, plane attacks, laser eventually
• 1:03:30
  kamikaze into laser ground station.
• 1:03:33
  No.
• 1:03:34
  Hold on because plane attacks, laser misses.
• 1:03:37
  Mm-hmm.
• 1:03:38
  Plane drops two bombs simultaneously, hits two different targets
• 1:03:42
  on each side of the road.
• 1:03:44
  Exactly.
• 1:03:45
  Yep.
• 1:03:45
  He was using the machine gun to stray the laser.
• 1:03:48
  He used the bombs for the single wides that just so communally people,
• 1:03:51
  I guess were living right next to the road in the middle of the day.
• 1:03:54
  A hundred percent.
• 1:03:54
  Yeah.
• 1:03:55
  Yeah.
• 1:03:55
  He, the bombs on the laser, it may have been effective, but who knows?
• 1:03:59
  Everything we described here was way more interesting than what we actually saw.
• 1:04:04
  I just wanna point that out.
• 1:04:06
  He got Burgess Meredith, like howling at the moon as he jet
• 1:04:09
  pedos into the laser and explodes.
• 1:04:11
  And the only thing like, uh, to my, my chance to wear my medals after 30 years,
• 1:04:17
  what of you guys might understand that?
• 1:04:19
  And I'm like, no, probably not.
• 1:04:20
  No, that's cool.
• 1:04:21
  So I picked up on that line, and again, we were talking about
• 1:04:24
  chronology earlier, like what time period, what year is this set in?
• 1:04:29
  And if he fought in Nam and after I get to wear my medals after 30
• 1:04:33
  years, so is it the nineties then?
• 1:04:36
  Like, yeah.
• 1:04:36
  When is this taking place?
• 1:04:38
  It's actually 50 years ago, but he thinks it's 30 because he may have a
• 1:04:42
  little bit of dementia because he's 112.
• 1:04:44
  Yeah.
• 1:04:45
  Yeah.
• 1:04:45
  He thinks Batman was, was 15 years ago and it's like, oh no, not in this movie.
• 1:04:51
  I figured this took place late nineties, early two thousands.
• 1:04:54
  'cause a comment that's been made later by the one guy back at the DOT or whatever.
• 1:04:58
  Bite your tongue.
• 1:04:59
  Yeah.
• 1:05:00
  According to fun facts.
• 1:05:01
  I just looked it up.
• 1:05:02
  It is set in the year 2011.
• 1:05:04
  The year 2000.
• 1:05:07
  This last part.
• 1:05:08
  Yeah.
• 1:05:08
  Yeah.
• 1:05:09
  Cool.
• 1:05:09
  Lasers down.
• 1:05:10
  And then this is when hard and the kid decide to stop the car.
• 1:05:14
  Yep.
• 1:05:14
  I don't know.
• 1:05:15
  They go to check the crash rubble.
• 1:05:17
  'cause I don't know what they're expecting to find other than
• 1:05:20
  perhaps a charred corpse.
• 1:05:22
  No body, no death.
• 1:05:23
  That's what I wrote.
• 1:05:24
  I'm just amazed that the flask was sitting there and he picks it up.
• 1:05:27
  Yeah, that thing should have been nuclear hot too.
• 1:05:30
  Oh yeah, totally.
• 1:05:31
  But guys, it's okay.
• 1:05:32
  You know why the kid says the line, I think we're there cut to
• 1:05:37
  them at the California border.
• 1:05:39
  I assume it's zizi on a bridge somewhere.
• 1:05:43
  There's surrounded by a dozen people that are like, Hey, welcome, blah, blah, blah.
• 1:05:48
  And then we cut back to Hawkins of the DT.
• 1:05:50
  He's like, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
• 1:05:52
  Hold on.
• 1:05:52
  Oh, hold on.
• 1:05:52
  No, no, no.
• 1:05:53
  Please go for it.
• 1:05:53
  Go for it.
• 1:05:54
  Did anybody else.
• 1:05:56
  Notice that California looked like munchkin land very green.
• 1:06:00
  Suddenly it was wild.
• 1:06:02
  And buildings are fuchsia and stuff.
• 1:06:03
  Like if you pause and look, you're like, it looks like munchkin land.
• 1:06:06
  Oh, are you talking about the matte painting or whatever?
• 1:06:08
  Yeah, yeah, yeah, yeah.
• 1:06:09
  Okay.
• 1:06:10
  Yeah.
• 1:06:10
  The matte paintings in this are great.
• 1:06:12
  'cause they're like literally, I think cut from like sci-fi novels or whatever.
• 1:06:16
  I, I was waiting to see like the Jetsons car flying around
• 1:06:18
  or something, but it was wild.
• 1:06:21
  All right.
• 1:06:21
  So we cut back to the DOT and uh, Hawkins is there and he is like, well, that's it.
• 1:06:25
  It's a symbol.
• 1:06:26
  There's gonna be cause fucking everywhere and we're gonna
• 1:06:29
  lose our whole grip on society.
• 1:06:31
  'cause this old dude in this kid drove 3000 miles over
• 1:06:35
  the course of three months.
• 1:06:36
  Who knows?
• 1:06:37
  The time is a construct.
• 1:06:38
  It's gonna set us back to the nineties that he says to the eighties.
• 1:06:42
  To the eighties, because I re-listened to you.
• 1:06:44
  He goes, this could set us back to the eighties.
• 1:06:46
  Yes.
• 1:06:46
  Yes.
• 1:06:47
  Oh, the eighties.
• 1:06:47
  Oh, I swear.
• 1:06:48
  Okay.
• 1:06:49
  He said that.
• 1:06:49
  But then it shows the presidential seal.
• 1:06:52
  Roll credits.
• 1:06:53
  Oh my God.
• 1:06:54
  I was like, what the fuck?
• 1:06:55
  Literally I was like, it's over.
• 1:06:57
  That's it.
• 1:06:58
  Yeah.
• 1:06:58
  This is like Stephen King wrote the ending on this fucking thing.
• 1:07:00
  'cause it's like, oh look, we're here now.
• 1:07:03
  Oh, well I guess that's the end.
• 1:07:05
  This is the shortest long movie I've ever watched, dude.
• 1:07:10
  So fucking rough.
• 1:07:11
  It was an hour 45 that flew by and that ending just cemented it as well.
• 1:07:16
  It was like, that's it.
• 1:07:17
  It's over.
• 1:07:17
  Seriously.
• 1:07:18
  Yeah.
• 1:07:18
  See it guys.
• 1:07:19
  That's the last Chase.
• 1:07:20
  Tanya, would you recommend it?
• 1:07:24
  Oh, with a big sigh on that one.
• 1:07:26
  Over some of the other movies Yes.
• 1:07:27
  That we've watched.
• 1:07:28
  She's specifically talking about the stuntman.
• 1:07:31
  No, but I think I would.
• 1:07:33
  Over the stunt man over trading paint over senior trip.
• 1:07:38
  Yeah, I think I'd recommend it.
• 1:07:39
  Like it wasn't totally hateful.
• 1:07:41
  Somehow it kept moving even though it was so long, shortest, long movie ever.
• 1:07:46
  I don't understand.
• 1:07:47
  Alright, how about you Eric?
• 1:07:48
  I actually like this movie.
• 1:07:50
  It's sort of charming.
• 1:07:51
  It's stupid.
• 1:07:52
  It's fun.
• 1:07:53
  Escape Familiar.
• 1:07:54
  I really like the car, obviously.
• 1:07:56
  Talk about that in the fun facts part.
• 1:07:58
  But I like a good car chase, right?
• 1:08:00
  I mean the seven Ups and Vanishing Point and all those
• 1:08:03
  movies are kind of a similar ilk.
• 1:08:04
  So for me, this brings back those memories and they're kind of fun as a
• 1:08:08
  kid, you're like, yeah, it's cartoony.
• 1:08:09
  Just like Cannonball Run is in a way and it's got all these aspects,
• 1:08:13
  but it doesn't take itself to the extremes that those other movies do.
• 1:08:17
  It sort of sits in the middle, and if you can find it and you can watch it, I
• 1:08:21
  would say definitely take a peek at it.
• 1:08:22
  It's a Lee Major's treasure out of his 130 credits, you know, it's
• 1:08:26
  definitely one right up at the top, right up there with Musketeers forever.
• 1:08:30
  How about you Mount Man, mountain Man, Dan?
• 1:08:32
  Mountain Mike.
• 1:08:34
  I think for Eric, the reason he likes it so much is he didn't have
• 1:08:37
  to like flip out 'cause the auditory sounds, 'cause if those sounds were
• 1:08:40
  wrong, he would hate this movie.
• 1:08:43
  I mean, there's plenty of things to hate about this movie, but in general
• 1:08:46
  I like it as for recommended to people.
• 1:08:49
  If they want like the nostalgic 1970s feel movie, I'd be like, yeah,
• 1:08:52
  it's a cool older chase concept.
• 1:08:55
  I even don't even hate the overbearing government aspect of
• 1:08:59
  it too, 'cause that's kind of cool.
• 1:09:00
  'cause there's tons of movies that are like that where the rebellion against it,
• 1:09:03
  you know, no matter what movie it may be.
• 1:09:05
  So it's worth watching.
• 1:09:07
  But yeah, it's definitely not the worst one we've watched.
• 1:09:10
  But it's definitely not the best either.
• 1:09:12
  You heard here, first Mountain Man.
• 1:09:13
  Dan likes an overbearing government.
• 1:09:16
  I know.
• 1:09:18
  I like the rebellious part.
• 1:09:20
  Oh, totally.
• 1:09:20
  They rebelling against it.
• 1:09:21
  Oh, okay.
• 1:09:22
  Like people breaking several felonies in cars is what he likes.
• 1:09:26
  Come on.
• 1:09:26
  Oh, okay.
• 1:09:26
  Excellent.
• 1:09:27
  Come on.
• 1:09:27
  How about you, babe?
• 1:09:28
  Would you recommend this movie?
• 1:09:29
  Look, this is definitely not the worst movie we've watched
• 1:09:32
  even with these nice folk.
• 1:09:34
  That's true.
• 1:09:34
  Yeah.
• 1:09:35
  This movie felt like it was four and a half hours long.
• 1:09:37
  The pacing is rough on this, and I am a fan of seventies movies.
• 1:09:41
  I'm usually a fan of seventies pacing, but also loses stars because.
• 1:09:46
  There's no hand grenades.
• 1:09:48
  Oh yeah.
• 1:09:48
  Yeah.
• 1:09:49
  It is very death race, 2000 and blah, blah blah.
• 1:09:52
  Is death race.
• 1:09:53
  2000 without the fun.
• 1:09:55
  I was thinking of this like the entire goddamn time.
• 1:09:58
  It's basically over the top without the fun or the charisma.
• 1:10:02
  Yeah.
• 1:10:02
  Yeah.
• 1:10:02
  It's basically just an old dude and a kid just driving along, having stupid
• 1:10:07
  conversations to go fucking nowhere.
• 1:10:09
  And then occasionally you cut to Robert Loja trying to kill them.
• 1:10:13
  Yeah.
• 1:10:13
  Kill one of 'em, I guess specifically, but it's like at least in over the top,
• 1:10:17
  you have all the guys like chugging oil or whatever in their little
• 1:10:20
  wrestling promos for arm wrestling.
• 1:10:22
  But, uh, yeah, it, this is a tough recommend because it's, if you wanna
• 1:10:26
  see one of those movies of like Racing Across America for whatever
• 1:10:30
  reason, I feel like originally this movie was like two and a half hours
• 1:10:33
  long and they're like, God help you.
• 1:10:35
  If it's over an hour and 42 minutes and they're like, well shit, I guess
• 1:10:38
  I can just cut out the third act.
• 1:10:39
  Really?
• 1:10:39
  Who really needs that shit?
• 1:10:41
  That's easy.
• 1:10:42
  That's Lee Majors in Munchkin Land.
• 1:10:43
  That's what the third act is.
• 1:10:45
  Oh, it looks like we're here.
• 1:10:46
  I assume that line was 80 Yard.
• 1:10:51
  I gotta go back to my home planet now.
• 1:10:52
  Boop boop.
• 1:10:54
  Where's Poochie?
• 1:10:55
  Well then Don, we're gonna take quick commercial break.
• 1:10:56
  Oh.
• 1:10:57
  But when we come back, we have more beer.
• 1:10:59
  What's fun Facts?
• 1:11:01
  Yeah.
• 1:11:01
  And what we learned from the last Chase ba.
• 1:11:08
  We need more beer, don't we?
• 1:11:09
  Yeah, sure.
• 1:11:11
  Right.
• 1:11:11
  And we're back.
• 1:11:12
  Oh my God, Steve, those are the greatest ads that I've ever
• 1:11:14
  added in the history of adding.
• 1:11:16
  Oh, she said it.
• 1:11:17
  They're better than arguing with my mother.
• 1:11:19
  Alright.
• 1:11:21
  Hey babe.
• 1:11:21
  Uh, would you like a beverage?
• 1:11:24
  Oh, please.
• 1:11:25
  For the love of God, please.
• 1:11:26
  Well, luckily from 21st Amendment Brewery.
• 1:11:29
  Ooh, in San Francisco, California.
• 1:11:31
  Yeah.
• 1:11:32
  Munchkin Land hell or high twilight citrus weed ale.
• 1:11:36
  5.6% alcohol by volume.
• 1:11:38
  Guys, the time of this here recording.
• 1:11:40
  This is in fact our first time trying this beer.
• 1:11:42
  We love The Hell or High Watermelon, which is a watermelon wheat
• 1:11:45
  ale that is not terribly sweet, but it's just crazy refreshing.
• 1:11:49
  Mm-hmm.
• 1:11:49
  And this is an ale Brewed with Sweet Orange Peel.
• 1:11:53
  There we go.
• 1:11:54
  Ooh, my top.
• 1:11:56
  Top.
• 1:11:56
  Nice.
• 1:11:57
  And the pour down my throat.
• 1:12:00
  Yeah.
• 1:12:00
  Smells really bright and citrusy right on the nose.
• 1:12:02
  Like it smells like mandarin oranges.
• 1:12:04
  Oh yeah.
• 1:12:05
  This is like orange juice.
• 1:12:06
  Pretty smooth.
• 1:12:07
  And yeah, this tastes like a mimosa where, uh, pouring the champagne and
• 1:12:11
  it'll just like a splash of orange juice.
• 1:12:13
  It's a bru.
• 1:12:14
  Moosa.
• 1:12:14
  It's a bru mo.
• 1:12:15
  So you know what?
• 1:12:16
  I'm not opposed to it.
• 1:12:16
  Yeah.
• 1:12:17
  This on a hot day.
• 1:12:18
  Heck yeah.
• 1:12:19
  Hmm.
• 1:12:20
  Not bad.
• 1:12:20
  That's the, uh, 21st Amendment hell or high twilight.
• 1:12:24
  Highly recommend guys, 21st Amendment brewing is, uh, is really good.
• 1:12:27
  You guys, uh, still drinking from your well or whatever, or, oh, this iron
• 1:12:31
  brew is just mm, no, no, no, no, no.
• 1:12:36
  Is something wrong with your camera?
• 1:12:37
  It looks like you're vibrating.
• 1:12:39
  Pretty much has set his body to blur outside of the fact that
• 1:12:45
  the chair's trying to kill me.
• 1:12:47
  Every time I move around, the hairs on the back of my neck are literally
• 1:12:50
  standing up and I've gotten super warm.
• 1:12:51
  So it gives me the same effect as having a beer.
• 1:12:53
  He feels the money has on the back of his neck going, woo woo woo.
• 1:12:57
  You heard that too?
• 1:12:57
  Yeah.
• 1:12:58
  Guys, watch Congo.
• 1:12:59
  It's the 30th anniversary.
• 1:13:00
  It's the greatest movie ever made.
• 1:13:02
  Would anybody be interested in fun facts about this movie?
• 1:13:05
  Abso Freak.
• 1:13:05
  Absolutely.
• 1:13:06
  Are they fun facts?
• 1:13:07
  Super fun facts 'cause of fun, fun facts.
• 1:13:11
  Well, let's find out.
• 1:13:11
  All right, first off, rotten Tomatoes.
• 1:13:13
  There is one critic review.
• 1:13:15
  From Tony Crowley of Starburst.
• 1:13:18
  Apparently that's a publication July 26th, 2022.
• 1:13:21
  It has a few delusions of grandeur, but the pace is fine.
• 1:13:25
  It's not the effects.
• 1:13:26
  Very special, and the footage shot in the Arizona desert is simply terrific.
• 1:13:30
  I. Fresh.
• 1:13:31
  There is one critic review and it is fresh, but what do you
• 1:13:34
  think the audience score is?
• 1:13:37
  Abysmal.
• 1:13:37
  Is that a number we can choose is abysmal?
• 1:13:40
  I, I think that's a Izzy.
• 1:13:42
  Super generous.
• 1:13:42
  17% for abysmal.
• 1:13:44
  I, I do believe that is my super generous 17% because you're being generous at 17%.
• 1:13:50
  Any other guesses?
• 1:13:51
  I nine.
• 1:13:52
  Did you say nine?
• 1:13:54
  Yeah.
• 1:13:54
  That's brutal.
• 1:13:55
  That's Savage.
• 1:13:55
  Is it the audience or the critics?
• 1:13:57
  Percent?
• 1:13:57
  It's audience.
• 1:13:58
  There was just the one critic review, but it was fresh.
• 1:14:00
  I think the audience liked it more than 17%.
• 1:14:04
  So 18% or what are we?
• 1:14:06
  Thirties.
• 1:14:07
  Okay.
• 1:14:07
  32. We need a specific number.
• 1:14:10
  You saw Game played.
• 1:14:11
  Oh, you need a specific number?
• 1:14:12
  37. Alright, perfect.
• 1:14:14
  Eric, I'm gonna go with abysmal as my first guest, but I am sort of leaning.
• 1:14:18
  I'm gonna go 23.
• 1:14:19
  23. Bob, I. Tanya wins 43% with the audience.
• 1:14:24
  Just under half.
• 1:14:25
  Wow.
• 1:14:25
  Yeah.
• 1:14:26
  Congratulations, Tanya.
• 1:14:28
  I couldn't find anything about the worldwide gross, but any guesses
• 1:14:31
  on the budget for this movie?
• 1:14:33
  Is it in Looney or in dollars?
• 1:14:34
  I, I think I have it in dollars.
• 1:14:36
  I. Dues.
• 1:14:37
  1981. Mm-hmm.
• 1:14:39
  How expensive would that plane have been to rent and shoot?
• 1:14:44
  'cause everything else was pretty low budget.
• 1:14:46
  Those golf carts and the smoking The bear poster.
• 1:14:50
  Yeah, that was probably a PSA tax write off or something.
• 1:14:55
  How much did they spend?
• 1:14:57
  500 grand?
• 1:14:58
  No, that low.
• 1:15:00
  Yeah.
• 1:15:00
  Lee Majors don't roll out of bed for less than that.
• 1:15:02
  This was earlier in his career, so he wasn't as expensive.
• 1:15:05
  Gotta take that into, yeah.
• 1:15:06
  Yeah.
• 1:15:06
  It wasn't the fall guy yet, right?
• 1:15:08
  He hasn't really made it.
• 1:15:09
  Oh yeah.
• 1:15:09
  He wasn't making that TV stunt money.
• 1:15:11
  Yeah, that's right.
• 1:15:12
  I'm really bad with this.
• 1:15:14
  I don't know how much movies cost.
• 1:15:16
  Get the last one right?
• 1:15:17
  She got close like horseshoes and hand grenades, but you know she won.
• 1:15:21
  Give it to her.
• 1:15:22
  Alright.
• 1:15:22
  What do you got there?
• 1:15:23
  Mountain Man, Mike.
• 1:15:24
  I mean, God.
• 1:15:29
  I'm thinking around like 680.
• 1:15:31
  Oh, you don't want that load still?
• 1:15:33
  I'm gonna go two and a half million.
• 1:15:34
  It's seventies dollars though, right?
• 1:15:36
  So you gotta adjust for inflation.
• 1:15:37
  In today's world, that's like $13 million.
• 1:15:40
  Alright guys.
• 1:15:41
  $4.9 million budget.
• 1:15:43
  Wow.
• 1:15:44
  Yeah.
• 1:15:45
  What is that in today's dollars, Moses Again?
• 1:15:48
  30, 40 million.
• 1:15:49
  Like for anybody that cares.
• 1:15:51
  $31 million by today's standards.
• 1:15:55
  Yeah, it was pretty high budget for the time the film takes place in 2011.
• 1:15:59
  Did you guys wanna do your fun facts and then I'll fill in
• 1:16:03
  with anything else I might have?
• 1:16:04
  So, super fun facts with respect to the car, right?
• 1:16:06
  Normally I would throw this in somewhere earlier when we were talking about it.
• 1:16:09
  I held it to the end.
• 1:16:10
  I wanted to respect the everything I learned from movies, fun facts, and
• 1:16:14
  the fact that I learned something.
• 1:16:16
  When I saw this the first time, I was like, oh yeah, it's a
• 1:16:18
  Porsche, it's a race car back.
• 1:16:19
  I always thought something was off because it sits a little high.
• 1:16:22
  Like the Porsches don't look like they're off rotors generally.
• 1:16:25
  And then there was something wrong with the geometry of the car.
• 1:16:28
  It's a little too small.
• 1:16:29
  And so I started digging into it, did a little research, and it turns out.
• 1:16:32
  That this is not a Porsche, but it does use Porsche body panels that were
• 1:16:37
  shortened to fit a 1973 Chevron, but it does have a Porsche engine in it.
• 1:16:46
  So it's this whole X Can-Am series two car, just bastardization.
• 1:16:52
  So I have a conflicting side really, and I don't know the validity
• 1:16:57
  of it, but there was an article about the car and everything in
• 1:17:00
  somebody for what it's worth.
• 1:17:02
  In the commentary section, they said it's a replica.
• 1:17:05
  I worked on the film as a production assistant.
• 1:17:08
  It was shot in Toronto, Canada, Tucson, Flagstaff in Scottsdale,
• 1:17:11
  Arizona in October, December, 1979.
• 1:17:14
  Maybe.
• 1:17:14
  There were a few shots of an actual Porsche nine 17, but any shot with
• 1:17:19
  Lee Majors driving is a replica.
• 1:17:21
  Majors insisted on doing his own driving, even when getting driven to the movie set.
• 1:17:25
  In a normal car, he would drive it.
• 1:17:26
  Himself with his assigned film union driver sitting in the
• 1:17:28
  passenger seat next to him.
• 1:17:30
  He skidded and crashed the replica car a few times as he tended to be
• 1:17:33
  pretty reckless behind the wheel.
• 1:17:35
  Nice guy though, ego wise, for a movie star, the jet aircraft was an F 86 saber.
• 1:17:40
  Yeah, that was in the, even in the credits that That the plane was the plane.
• 1:17:43
  What got me about this though is, and I'm wondering if this is why the film can only
• 1:17:48
  be viewed in the deepest, darkest parts of the interwebs, out of these strange
• 1:17:53
  vaults and blood banks or whatever you guys called it, is because Porsche's
• 1:17:57
  really, really tight on stuff with their name on it, and if it's not the real deal.
• 1:18:01
  They probably have put the kibosh on this film and that's why you
• 1:18:05
  can't get it in a normal way.
• 1:18:07
  A Ferrari's very similar and they're very sensitive about the use of their emblem
• 1:18:11
  and their name and all that kind of stuff.
• 1:18:12
  So again, to your point, I think we have an agreement, Tanya, that the
• 1:18:16
  car is not a real Porsche, although it has a Porsche engine in it.
• 1:18:20
  It's a Chevron, is what I found out is the under chassis.
• 1:18:23
  And then, you know, as you said, it's a replica of a nine
• 1:18:25
  17 slash 10 from that era.
• 1:18:28
  So it's possible there was actual shots, but I couldn't tell if there
• 1:18:32
  was no, but a replica had done well, you wouldn't be able to tell.
• 1:18:35
  Well if you look at like the Mark Donahue nine 17, it's much bigger.
• 1:18:38
  This thing is really small.
• 1:18:40
  It's like trying to fit nine 17 body on a golf cart.
• 1:18:42
  It was, it looked wrong proportionally.
• 1:18:45
  And that's to me, what made me start digging into it because now with
• 1:18:48
  older and much wiser encyclopedic eyes, I'm like, you know, when I was
• 1:18:51
  younger I was like, oh yeah, Porsche.
• 1:18:53
  Now I'm like, that's something ain't right about this car.
• 1:18:55
  So there's our super fun fact.
• 1:18:58
  Nice.
• 1:18:59
  Is that the only one you got?
• 1:19:00
  I mean, car related?
• 1:19:01
  Sure.
• 1:19:01
  Got a couple.
• 1:19:02
  Oh, was there a square body in this film, Dan?
• 1:19:05
  No, there wasn't.
• 1:19:06
  Was a Pontiac though.
• 1:19:07
  So that's a gm.
• 1:19:08
  Does that count?
• 1:19:08
  Yeah.
• 1:19:08
  Yeah.
• 1:19:09
  There you go.
• 1:19:09
  You got, you check something off the list.
• 1:19:10
  You're good.
• 1:19:11
  Uh, well other than that, just with a little, uh, research I did, the golf
• 1:19:14
  cart is actually a Davis 500 golf cart that they made to be what it was.
• 1:19:19
  Only you would spend the time to look something like that up.
• 1:19:22
  I didn't purposely look for it, but it came up when I was
• 1:19:25
  looking for some other stuff.
• 1:19:27
  So for the F 86 Saber being an aircraft.
• 1:19:30
  Top speed on that is 650 mile an hour air speed or ground speed.
• 1:19:33
  Not a hundred percent sure on that.
• 1:19:35
  When I was looking up, it just said 650 miles per hour for top speed was
• 1:19:38
  introduced in 1949 and retired in 1980.
• 1:19:41
  Dang.
• 1:19:42
  Yeah.
• 1:19:42
  So it had a pretty lengthy life for what it was during that time.
• 1:19:47
  And then this being a chase across the country, one of the big things that
• 1:19:51
  I wanted to throw out there for all the people, which I'm disappointed in
• 1:19:55
  how slow it took them to get across, because in 2020 there was a record set.
• 1:19:59
  It took 25 hours and 39 minutes going from, I believe it
• 1:20:03
  was New York to California.
• 1:20:05
  In this movie, it should have been wide open.
• 1:20:07
  'cause the average speed for that run in 2020 was a, uh, average
• 1:20:11
  speed of 112 miles per hour.
• 1:20:13
  During that run run, he was hitting one 50.
• 1:20:16
  He should been able to maintain that the whole way.
• 1:20:17
  And it would've taken what, like 12 hours?
• 1:20:19
  No, but see it couldn't because he had to like spend, stop for the gas
• 1:20:23
  12, sip out siphoning fuel out of like the bottom of a derelict fuel
• 1:20:28
  tank with no extra jerry cans either.
• 1:20:32
  Right?
• 1:20:32
  I mean what?
• 1:20:32
  What is Postapocalyptic Bs?
• 1:20:35
  Is this, you know what I mean?
• 1:20:37
  But there's a couple of tidbits that I had to throw out there.
• 1:20:39
  That's, SARE is a good looking plane though.
• 1:20:41
  Ooh, that black?
• 1:20:42
  Yeah, it's nice man.
• 1:20:42
  Yeah, the black with the yellow racing stripe or whatever on it.
• 1:20:45
  Oh yeah.
• 1:20:46
  Yeah.
• 1:20:46
  So good.
• 1:20:46
  And what was the dragon?
• 1:20:48
  Who cares?
• 1:20:49
  Looked awesome.
• 1:20:50
  That's all that matter.
• 1:20:51
  Yes.
• 1:20:51
  I'm just saying the dragon on the tail it like made it pop
• 1:20:53
  even more, but I'm just like.
• 1:20:55
  It just seemed outta place.
• 1:20:56
  No, it didn't.
• 1:20:56
  It looked epic.
• 1:20:57
  That was for all of us kids that grew up in the eighties that watched Mask.
• 1:21:01
  You remember that Cartoon series mask?
• 1:21:03
  Yeah.
• 1:21:03
  That plane was straight out of mask.
• 1:21:05
  That's all I'm saying.
• 1:21:06
  Well, uh, it was expected that Lee Majors was to break into theatrical
• 1:21:10
  roles beginning with this film.
• 1:21:11
  However, it is believed that through the film's Poor Box Office performance,
• 1:21:16
  along with his wife having an affair while he was away filming it.
• 1:21:19
  That's right.
• 1:21:20
  This is when Farrah Faucet and Ryan O'Neill got together.
• 1:21:23
  Majors decided to stay in television and never return to movies as
• 1:21:27
  a headlining star oh dot, dot dot Until Musketeers forever.
• 1:21:31
  Yay.
• 1:21:32
  That that's never been played in a theater.
• 1:21:35
  I guarantee you.
• 1:21:36
  Straight to DVD.
• 1:21:38
  This movie was RIFed by MST Mystery Science Theater,
• 1:21:41
  3000 in its initial season.
• 1:21:43
  That aired on KTMA.
• 1:21:45
  Where is that again?
• 1:21:46
  Porsche Put the kibosh on that.
• 1:21:48
  That's where that is.
• 1:21:49
  Okay.
• 1:21:50
  So it's one of those that you can't find anywhere.
• 1:21:52
  All right.
• 1:21:53
  And the DVD released by Code Red in 2011 and currently long outta print as of 2024,
• 1:21:59
  contains the director's cut of the movie that has all the nudity scenes that we
• 1:22:04
  didn't see or what, yeah, running about a minute longer and restoring nudity to
• 1:22:08
  the sex club sequence and other moments trend by the producers to get a PG rating.
• 1:22:14
  Most versions shown on streaming or illegally uploaded to YouTube are
• 1:22:17
  the shorter version of the film.
• 1:22:19
  What?
• 1:22:19
  No, but ladies and gentlemen, we've reached the most important part.
• 1:22:24
  Yes.
• 1:22:25
  What did we learn from the last Chase?
• 1:22:28
  Eric, would you like to go first?
• 1:22:30
  No, I would like to go last.
• 1:22:31
  I'll say mailman.
• 1:22:33
  Dan, how about you?
• 1:22:34
  It was way over budget is what I've learned.
• 1:22:38
  Holy hell.
• 1:22:38
  The budget I, I was still trying to wrap my head around that.
• 1:22:43
  'cause the quality of the movie is nowhere near what that budget should have been.
• 1:22:46
  Well, 2 million went to Lee Majors.
• 1:22:48
  Yeah.
• 1:22:48
  Yeah.
• 1:22:48
  And then like 500,000 went to Burgess Fuel for the jet.
• 1:22:53
  It adds up, you know, and then there was another whatever for
• 1:22:56
  how many of these replicas.
• 1:22:57
  He must've skied and crashed, allegedly, including that one in the lake.
• 1:23:01
  I am telling you there was a car in that water drug out por with them
• 1:23:06
  flying around, burning up jet fuel.
• 1:23:08
  That must be where the money went.
• 1:23:10
  So now it makes a little more sense, but still, no, it was the lasers.
• 1:23:12
  Would you have laser technology?
• 1:23:14
  It was that dream sequence.
• 1:23:16
  That was some good flying that four second dream sequence.
• 1:23:19
  H how about you Tanya?
• 1:23:20
  What?
• 1:23:20
  What did you learn from this movie to help you in the future Apocalypse.
• 1:23:23
  So I learned that in a future dystopian of apocalyptic world that had been
• 1:23:27
  previously plagued by a pandemic and the government decided that nobody
• 1:23:32
  should have any form of transportation.
• 1:23:34
  They can have laser turret, satellite things in the middle of the desert,
• 1:23:38
  and yet can't figure out how people can travel other than on a bicycle
• 1:23:42
  or by foot and electric golf carts.
• 1:23:44
  There go, yeah.
• 1:23:44
  And electric golf carts.
• 1:23:45
  Yeah.
• 1:23:46
  Outside of the obvious that we all discover, I think we all learned
• 1:23:49
  the kid's name at some point.
• 1:23:52
  Yeah.
• 1:23:52
  And the credits, that was a learning moment for everybody here.
• 1:23:55
  But outside of that, I discovered that aluminum foil is both good for protecting
• 1:24:01
  you from alien, but more importantly, it protects you of against big Brother
• 1:24:05
  government seeing your debauchery.
• 1:24:07
  Boom.
• 1:24:08
  Yay.
• 1:24:08
  I thought you were gonna say venereal disease.
• 1:24:10
  Well, that's it.
• 1:24:10
  I mean, that's it.
• 1:24:11
  Because some people believe you could wrap something in aluminum boil
• 1:24:15
  like that and create a Faraday cage.
• 1:24:17
  Hey, worst condom ever, guys.
• 1:24:19
  This is the seventies.
• 1:24:20
  That's still tin.
• 1:24:22
  There you go.
• 1:24:24
  They may be having some points.
• 1:24:26
  How about you babe?
• 1:24:27
  What did you learn in, besides tin?
• 1:24:31
  Sorry.
• 1:24:34
  Chair is the paint of my existence.
• 1:24:36
  I learned that Eric has a vendetta, gets to share and that I think we're gonna
• 1:24:42
  have to crowdfund him the 140 bucks for a new one because he's too busy importing
• 1:24:49
  caffeine drinks from Ireland or Scotland or something like somewhere in Europe.
• 1:24:54
  And those tariffs are really gonna catch up a hundred percent.
• 1:24:58
  But from this movie, Ooh, there's so much that you could learn from this movie.
• 1:25:04
  But I guess what I learned is in the not too distant future that a ban of
• 1:25:08
  gas stations still have 25-year-old perfectly fine fuel and race cars
• 1:25:14
  will run spectacularly on it.
• 1:25:16
  Perfect.
• 1:25:16
  I was wondering when somebody was gonna mention that, but,
• 1:25:19
  uh, I am still angry about that.
• 1:25:21
  That's like, I am angry at every movie where cars drive in reverse
• 1:25:25
  more than 40 miles an hour.
• 1:25:26
  Yeah.
• 1:25:30
  I learned, I say this all the time, but I just scream out.
• 1:25:33
  It's a metaphor.
• 1:25:37
  Like, I don't think I've ever heard Hawkins rant before, but like I say
• 1:25:41
  it the exact same way and I have no idea where you get that from.
• 1:25:44
  You, the kid, because you a hundred percent say that all the time.
• 1:25:48
  Yeah.
• 1:25:48
  It's about a system of protection and tranquility by
• 1:25:52
  taking away rights and Yeah.
• 1:25:54
  Blah, blah, blah.
• 1:25:55
  Yeah.
• 1:25:56
  Ugh.
• 1:25:57
  But guys, thank you so much for joining us here on everything I learned from movies.
• 1:26:00
  I understand you also have a podcast, is that correct?
• 1:26:03
  We do indeed.
• 1:26:04
  We have several of them now under the banner of the Motoring Podcast Network
• 1:26:09
  Break Fixes our flagship podcast.
• 1:26:11
  So if you wanna keep up with all of the updates from our shows, you can find us
• 1:26:15
  on the social medias to include all of everything on the Metaverse and Blue Ski
• 1:26:19
  or Blue Sky at Motoring Podcast Network.
• 1:26:22
  And if you wanna keep up with me, Tanya Mountain Mandan, and all the characters
• 1:26:25
  over Grand Touring motorsports you can do at Grand Touring Motorsports.
• 1:26:28
  And then be sure to check out our Patreon and also our digital
• 1:26:32
  magazine over@gtmotorsports.org.
• 1:26:36
  Woo-hoo.
• 1:26:36
  Tanya Mount man.
• 1:26:37
  Dan, can we find you anywhere?
• 1:26:38
  Nope.
• 1:26:39
  They're hiding from the government.
• 1:26:40
  These are my bunker people.
• 1:26:41
  That's right.
• 1:26:43
  Look at Tanya.
• 1:26:43
  She ain't even got lights on.
• 1:26:44
  Yeah, right.
• 1:26:46
  So which one of us that are gonna be burying the car underground?
• 1:26:49
  That's you, my friend.
• 1:26:50
  You're like, Marvin Boggs from red.
• 1:26:52
  That's all I'm saying.
• 1:26:53
  That's the only imagery people need, right?
• 1:26:56
  Are you on social media at all?
• 1:26:57
  I am.
• 1:26:58
  You can find me everywhere at Untidy Venus, that's a goddess
• 1:27:01
  who's bad at housekeeping.
• 1:27:02
  I'm on all the social medias at Untidy Venus.
• 1:27:05
  I will also be up and down the state of Utah selling my goods and wares for
• 1:27:08
  all of the foreseeable molten summer.
• 1:27:13
  Yeah, that is coming.
• 1:27:13
  Okay.
• 1:27:13
  I compiled the list.
• 1:27:15
  Still a lot of shows, not as many as last year, but no, we're taking easy
• 1:27:19
  this year, but we did just get approved for 22 weeks of farmer's markets.
• 1:27:24
  You gotta make sure you add in there.
• 1:27:25
  Izzy Tariff free goods.
• 1:27:27
  I do have tariff free goods.
• 1:27:29
  I mean, really do try and source as much stuff, honestly, guys
• 1:27:32
  like as local as possible.
• 1:27:33
  And I've actually decided this year, honestly, I decided around January for no
• 1:27:38
  reason whatsoever to cut back on some of my other products and just really focus
• 1:27:42
  on some of my handmade stuff and really just lean into more of some of my, like
• 1:27:47
  women anarchy, terrorism, and cute animals and insanely accurate potato cannons.
• 1:27:54
  Don't know why.
• 1:27:55
  And of course me.
• 1:27:56
  Oh, I'm everywhere on all the major podcasters.
• 1:27:58
  Interesting.
• 1:27:58
  I learned from movies.
• 1:27:59
  First up directly on Twitter, Facebook, Patreon, and bluesky at EILF movies.
• 1:28:03
  That's everything I learned from movies.
• 1:28:06
  Eric, take us home.
• 1:28:07
  I don't have a closeout for this one.
• 1:28:09
  What?
• 1:28:09
  Just like the movie.
• 1:28:10
  We're gonna pan to the Crest of America.
• 1:28:13
  And stop guys.
• 1:28:14
  I guess we're there.
• 1:28:16
  It's a symbol.
• 1:28:17
  Roll credits.
• 1:28:23
  We hope you enjoyed another awesome episode of Break Fix Podcasts, brought
• 1:28:27
  to you by Grand Tour Motorsports.
• 1:28:29
  If you'd like to be a guest in the show or get involved, be sure
• 1:28:32
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• 1:28:36
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• 1:28:39
  be sure to check out the follow on article@gtmotorsports.org.
• 1:28:44
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• 1:29:17
  And remember, without you, none of this would be possible.