Latest / Movie Meltdown / Release the She Beast (Promo)
Transcript
- 0:12Speaker 1: So, we better just roll into our movie threat, because
- 0:15Speaker 1: people need to be threatened.
- 0:16Speaker 2: That's why they listen, I'm assuming.
- 0:18Speaker 3: Threats.
- 0:20Speaker 1: So, since this episode that you're not going to listen to,
- 0:25Speaker 1: but if you were cool you'd be listening to, we're
- 0:26Speaker 1: going to be discussing a witch. So, I was like, okay,
- 0:30Speaker 1: what else have I seen in the video box world that.
- 0:33Speaker 3: Sort of fits?
- 0:34Speaker 2: How about a succubus?
- 0:37Speaker 1: Succubus colon hellbent is our threat of the week so
- 0:43Speaker 1: this is a 2007 film and uh let me bring
- 0:49Speaker 1: up the back of the box here because hellbent you
- 0:51Speaker 1: said you're not you're not.
- 0:53Speaker 4: Are there multiple succubus.
- 0:55Speaker 1: Movies i'm sure there are i'm sure there.
- 0:58Speaker 4: Are got the secondary title succubi if not.
- 1:03Speaker 2: Should be that is the plural i thought it is
- 1:06Speaker 2: actually but then people always try to correct me when
- 1:08Speaker 2: it's a weird one like that they're like Actually, they're
- 1:10Speaker 2: called whatever. I'm actually typing the word colon because my
- 1:14Speaker 2: life is a disaster.
- 1:15Speaker 3: Succubus colon.
- 1:17Speaker 1: Don't Google that.
- 1:18Speaker 2: I put the actual colon. I type succubus, the actual,
- 1:22Speaker 2: I put the actual colon, and I'm just over here
- 1:24Speaker 2: typing colon.
- 1:25Speaker 1: Succubus colon, colon, colon.
- 1:28Speaker 3: Succubus gets a hold of your colon. It ain't pretty.
- 1:31Speaker 2: And now, thanks to Nora, I really want to look
- 1:35Speaker 2: up succubus colon.
- 1:37Speaker 4: Turn off safe search.
- 1:39Speaker 3: Oh, it's always Ollie.
- 1:40Speaker 2: Well, the front cover is cute. It looks like a
- 1:43Speaker 2: Mary-Kate and Ashley Olsen vehicle.
- 1:45Speaker 5: What?
- 1:45Speaker 1: You're looking at a different vehicle.
- 1:47Speaker 3: Okay, so the back of the box says.
- 1:50Speaker 2: I mean, not exactly Mary-Kate.
- 1:51Speaker 4: Oh, that's fun.
- 1:53Speaker 2: See, I mean, look at that.
- 1:53Speaker 4: She's like sassy.
- 1:55Speaker 2: Yeah.
- 1:55Speaker 1: I mean, that is the box I saw, but it's...
- 1:58Speaker 1: I don't know. To me, again, it's very retro, which
- 2:00Speaker 1: we'll get into, because it looks like an 80s movie. Yeah.
- 2:03Speaker 1: It's the Tom Cruise pulling his sunglasses down move that
- 2:05Speaker 1: every movie that followed, every... poster box art kind of
- 2:10Speaker 1: copied for I don't know why like it's not like
- 2:13Speaker 1: it was that effective the first time but somehow it
- 2:15Speaker 1: just came to symbolize this look how fucking cool we
- 2:19Speaker 1: are which is exactly what we're about to get into
- 2:22Speaker 1: here the back of the box says when a fiery
- 2:25Speaker 1: hot demoness follows Adam home from a wild spring break trip,
- 2:31Speaker 1: this ultra-rich playboy's life is turned upside down. The body
- 2:35Speaker 1: count is rising as Lilith, hellbent on payback, uses all
- 2:40Speaker 1: of her power and passion to exact her revenge. Jam-packed
- 2:44Speaker 1: with smoking hot girls, fast cars, and faster jets, succubus
- 2:48Speaker 1: hellbent is a sexy mix of obsession and evil that
- 2:52Speaker 1: will leave you breathless.
- 2:54Speaker 2: I don't see what the problem is. I will totally
- 2:56Speaker 2: watch that movie.
- 2:57Speaker 3: Would you like me to give you the problem?
- 2:59Speaker 1: Because then right below that it gets to the cast,
- 3:02Speaker 1: which I don't know if you looked up.
- 3:04Speaker 3: No.
- 3:04Speaker 1: But their big names that they have are Gary Busey.
- 3:10Speaker 1: Told you I'd ruin it for you.
- 3:12Speaker 2: I don't know if you ruined anything yet.
- 3:13Speaker 1: The other one that ruins it for me is Lorenzo Lamas,
- 3:17Speaker 1: which again, you only have to be about 80 to
- 3:19Speaker 1: realize why that's such a terrible thing to have to watch.
- 3:22Speaker 2: Gaining interest.
- 3:25Speaker 3: Just below Gary Busey.
- 3:26Speaker 1: That puts it in perspective. I just feel bad for
- 3:29Speaker 1: Kelly Hu and David Keith because they're all good. I
- 3:33Speaker 1: like both of them, but working with Gary Busey and
- 3:36Speaker 1: Lorenzo Lamas in this, I also, it sounded so terrible.
- 3:39Speaker 1: I was like, I have to watch this trailer. Oh,
- 3:43Speaker 1: I know.
- 3:44Speaker 3: It is, like.
- 3:45Speaker 2: I haven't seen it, but I know.
- 3:46Speaker 3: But, like, that's the thing.
- 3:47Speaker 1: I expected a certain level of, like, early 2000s version of, like,
- 3:52Speaker 1: bad straight-to-streaming movie. It feels like a straight-to-video 90s movie.
- 3:59Speaker 3: Like, mid-90s.
- 4:00Speaker 1: Like, it is totally... Not 2007. So I'm like, how
- 4:05Speaker 1: many years did this sit on the shelf?
- 4:07Speaker 2: Once you've made the sell, you don't have to keep selling.
- 4:10Speaker 1: You say that, but you'll be the first one complaining
- 4:13Speaker 1: about it when we're forced to watch.
- 4:14Speaker 2: Just because I complain about two-thirds of these movies doesn't
- 4:20Speaker 2: mean I'm going to hate all of them.
- 4:23Speaker 4: Wait, is Gary Busey the sexy playboy?
- 4:25Speaker 3: Oh, let's hope so. Actually, it might be more fun
- 4:29Speaker 3: if it was.
- 4:29Speaker 1: But no, he's, I don't know, some dumb old man.
- 4:33Speaker 3: Anyway, because again, none of those are the main cast.
- 4:35Speaker 1: You get to the whole thing playing there and I'm like,
- 4:39Speaker 1: I don't know this guy playing the lead. Sexy playboy,
- 4:41Speaker 1: I'm using air quotes. And then the succubus girl shows
- 4:44Speaker 1: up and I'm like, and I don't know who she is.
- 4:45Speaker 3: So none of these people.
- 4:47Speaker 1: Are the leads. They're just random people they brought in
- 4:49Speaker 1: for like a scene. They're like, look, we can only
- 4:51Speaker 1: afford David Keith for a few minutes, so get your
- 4:55Speaker 1: important dialogue out now. He's going home after lunch. I'm
- 5:00Speaker 1: so intrigued. You say that every time, too.
- 5:04Speaker 4: Every time you watch this garbage.
- 5:06Speaker 3: You're going to be like, what the hell am I seeing?
- 5:11Speaker 2: So what I'm hearing is Nora is the optimistic one,
- 5:14Speaker 2: and I just can't seem to learn my lessons.
- 5:19Speaker 4: We're the Ernie and Bert.
- 5:21Speaker 3: I like that. I like that.
- 5:23Speaker 2: We should get an apartment together.
- 5:26Speaker 3: Kermit the Frog here.
- 5:28Speaker 1: That does make me Kermit.
- 5:29Speaker 2: We'll watch you on the news.
- 5:30Speaker 1: Standing at the microphone, which I've been doing for more
- 5:33Speaker 1: years than I want to think about.
- 5:35Speaker 2: Which one of us is which in this scenario? We'll
- 5:38Speaker 2: let that just play out over time. No need to
- 5:41Speaker 2: set expectations on this. And I do look good in stripes.
- 5:45Speaker 1: There you go.
- 5:47Speaker 3: I'm not even kidding.
- 5:48Speaker 1: Continue down that road. So, and also to continue how
- 5:52Speaker 1: terrible this is, on the box, the little tagline says,
- 5:56Speaker 1: what happens at spring break should stay at spring break.
- 6:01Speaker 3: Now that's a way more early 2000s tagline. So obviously
- 6:05Speaker 3: that's when they repackaged this.
- 6:06Speaker 2: But they weren't even trying at that point.
- 6:08Speaker 3: No, they know long since.
- 6:10Speaker 1: I don't think writing this, they were trying every step
- 6:13Speaker 1: of the way they continued to take it down a notch.
- 6:15Speaker 1: But then online, when you look it up, it says,
- 6:19Speaker 1: sometimes what happens at spring break doesn't stay at spring break.
- 6:23Speaker 3: It follows you home.
- 6:25Speaker 4: Okay.
- 6:26Speaker 3: Way too wordy.
- 6:27Speaker 2: There is a industrial size dumpster somewhere that is full
- 6:33Speaker 2: of cards where they were trying to write down And
- 6:37Speaker 2: all of them start with what happens at spring.
- 6:40Speaker 1: No, because there's a third one. Because I watched the trailer,
- 6:44Speaker 1: it's got one at the very end.
- 6:46Speaker 3: It's not near as wordy.
- 6:47Speaker 1: It goes, she's to die for.
- 6:50Speaker 4: Okay.
- 6:52Speaker 2: No, it's not okay.
- 6:53Speaker 3: It's dumb.
- 6:55Speaker 2: It's really dumb. It's dumb, and I'm sure there's a
- 6:57Speaker 2: million other movies that have that.
- 6:59Speaker 4: What happens in Destin, Florida follows you home along I-75 north.
- 7:04Speaker 1: We'll kill you like everything else in Florida.
- 7:07Speaker 4: Till you get back to Des Moines, Iowa where you
- 7:10Speaker 4: live as a sexy playboy.
- 7:13Speaker 3: Oh no, he lives in the Hollywood Hills. Don't you worry.
- 7:16Speaker 3: And he flies jets, as it mentioned.
- 7:18Speaker 1: He's a jet flying man because he's that rich.
- 7:21Speaker 4: I like fast cars and even faster jets. I was aware.
- 7:26Speaker 1: Jets go a little faster. Just a little.
- 7:28Speaker 2: I don't know anything about anything. And I'm learning more
- 7:32Speaker 2: and more that I know less about the things I
- 7:34Speaker 2: thought I knew. I won't go into what happened this
- 7:37Speaker 2: past week, but it was soul-crushing what I found out
- 7:40Speaker 2: I didn't know. But I think I.
- 7:43Speaker 3: This is an off mic.
- 7:45Speaker 2: I'm not even... I will ask about this.
- 7:49Speaker 3: I need to reset. Help me, guys. I was going
- 7:52Speaker 3: to say some.
- 7:53Speaker 2: Oh, I knew that... I knew, or at least I
- 7:56Speaker 2: assumed that jets were way faster than... cars. Thank you.
- 8:01Speaker 2: Bearing with me there. That was about to get really ugly.
- 8:04Speaker 2: You guys have no idea.
- 8:06Speaker 3: We'll get back to that later.
- 8:09Speaker 2: People are going to ask for their $ 2 back after
- 8:10Speaker 2: this episode.
- 8:11Speaker 3: That's fine. But the... Yeah, this is the stuff.
- 8:16Speaker 2: My life's a disaster.
- 8:17Speaker 4: Join the Patreon and we'll tell you Phillip's.
- 8:19Speaker 3: Life's a disaster. That's an extra special feature.
- 8:22Speaker 4: It's the next tier up.
- 8:23Speaker 1: I also thought of a new one for you too, Nora,
- 8:25Speaker 1: but we won't mention that because people will sign up
- 8:27Speaker 1: for it.
- 8:28Speaker 3: It's creepy.
- 8:30Speaker 2: Are we sending out feet pics?
- 8:32Speaker 3: Well, no.
- 8:33Speaker 1: Again, we can take this out so I don't have
- 8:36Speaker 1: to actually start doing it.
- 8:37Speaker 3: But I realized most of.
- 8:39Speaker 1: The post-episode after the cutoff, and I'm usually coming up
- 8:44Speaker 1: with dumb stuff to put at the tagline anyway, but
- 8:48Speaker 1: I'm like, this last time in particular was like, you know,
- 8:51Speaker 1: I could always do Nora describing how much she needs
- 8:54Speaker 1: to pee. oh no and then i was like do
- 8:57Speaker 1: we need a super cut of all the times you
- 8:59Speaker 1: discuss how much you have to pee because last week
- 9:02Speaker 1: was or last month uh and i have.
- 9:06Speaker 3: To pee like a she beast.
- 9:09Speaker 1: I was like you know somebody would pay good money
- 9:12Speaker 1: to hear.
- 9:12Speaker 5: That oh yeah release the pee cut so if you're
- 9:18Speaker 5: on board with that we can make a special tier
- 9:20Speaker 5: that is just you talking about having to pee i
- 9:23Speaker 5: mean that's fine.
- 9:26Speaker 2: I fear for the reaction yeah yeah.
- 9:29Speaker 1: That's why i didn't do it any of the times
- 9:31Speaker 1: i was like that's gonna be weird on my part
- 9:33Speaker 1: and also no.
- 9:36Speaker 4: Somebody's gonna get into it we get a huge uptick.
- 9:42Speaker 1: I mean yeah you're like what happened with this oh
- 9:45Speaker 1: wait i forgot i do that for the sake of
- 9:48Speaker 1: the pod sure yeah okay all right you heard it
- 9:52Speaker 1: you have my permission Gonna pull the Pontius Pilate card
- 9:55Speaker 1: here and just wash my hands of this entire affair.
- 9:59Speaker 3: Nobody cares about that.
- 10:00Speaker 1: But if we get her washing her hands on video,
- 10:02Speaker 1: that's a different tier.
- 10:04Speaker 3: Hand washing people are out there.
- 10:06Speaker 2: That I'm a lot more comfortable with guys who want
- 10:09Speaker 2: Nora to pee.
- 10:12Speaker 3: Or girls. There could be girls that are into it. Yeah, definitely.
- 10:15Speaker 2: Everyone.
- 10:16Speaker 1: But, yeah, to me, there's some obsessive compulsive bastard out
- 10:21Speaker 1: there that's just like, oh, yeah, a little more soap, yeah.
- 10:23Speaker 1: I mean, just washing your hand.
- 10:25Speaker 3: That's it for somebody.
- 10:27Speaker 1: Somebody for everything.
- 10:28Speaker 2: So what you're telling me is that's not normal.
- 10:30Speaker 1: I mean, what's on your feed history is your business.
- 10:34Speaker 2: Oh, it definitely might be.
- 10:35Speaker 3: And nobody needs to.
- 10:36Speaker 1: Know, and that's true of me. So, all of that
- 10:41Speaker 1: having been said... Hey, we don't want to watch Succubus.
- 10:45Speaker 1: Not to ignore these two. We don't want to watch Succubus.
- 10:47Speaker 3: So come up with.
- 10:48Speaker 1: A much better option and give it to us when
- 10:52Speaker 1: you join the Meltdown Horror Club. And then we can
- 10:54Speaker 1: watch a good movie and not Succubus hellbent colon Vegas playboy. Colon.
- 11:01Speaker 1: Colon jet flying dude.
- 11:04Speaker 6: Colon.
- 11:04Speaker 4: Colon Gary Busey.
- 11:07Speaker 3: Oh, there's problems with his colon. Don't you worry. If
- 11:12Speaker 3: not always, certainly now.
- 11:13Speaker 1: Oh, and if that wasn't enough hearing us say that,
- 11:20Speaker 1: you'll also hear us say ridiculous things like this. Who
- 11:26Speaker 1: doesn't love toast?
- 11:29Speaker 4: I'm still thinking about it a lot. Not necessarily in a, like, I'm...
- 11:34Speaker 4: haunted by it way although it is creepy but more
- 11:37Speaker 4: in kind of like a huh.
- 11:39Speaker 1: Way we have a lot of those comments on this show.
- 11:45Speaker 2: I expected at some point to have raw meat thrown
- 11:47Speaker 2: at me that's and that would have been more comfortable
- 11:54Speaker 2: and the thing is it is actually really cool looking
- 11:58Speaker 2: It is.
- 11:58Speaker 1: It seems completely impractical like all of them.
- 12:01Speaker 3: They're not practical to eat popcorn out of.
- 12:03Speaker 2: Until you look at it from a certain angle.
- 12:06Speaker 3: Well, I mean, did you see?
- 12:07Speaker 1: The first shot I saw of it was when someone
- 12:11Speaker 1: got the alien popcorn bucket and was shoving it into
- 12:14Speaker 1: the Dune 2 popcorn bucket.
- 12:15Speaker 3: Oh, you saw that too? Yeah, that was the first
- 12:17Speaker 3: time I saw it. And I was like, of course.
- 12:19Speaker 3: And again, if anyone would be more proud, it would
- 12:22Speaker 3: be Gear.
- 12:25Speaker 4: I did write down early on... Why would you go
- 12:28Speaker 4: to Transylvania on your honeymoon? And then I remembered that
- 12:31Speaker 4: I went to Salem, Massachusetts.
- 12:34Speaker 1: As I was watching this, I was like, why didn't
- 12:37Speaker 1: you go to Transylvania on your honeymoon?
- 12:39Speaker 4: You should have.
- 12:41Speaker 1: If I'm going to feed them anything, obviously, if I've
- 12:44Speaker 1: learned anything from movies, it's if you want to get
- 12:49Speaker 1: plants to grow really.
- 12:50Speaker 3: Big, you feed them blood.
- 12:51Speaker 2: Yes, of course.
- 12:52Speaker 1: They may or may not be aliens from another planet,
- 12:54Speaker 1: but we'll find out. So feeding them human blood is
- 12:59Speaker 1: the key, I think.
- 13:02Speaker 2: If I didn't know Monty Python movies existed, this is
- 13:07Speaker 2: what I would expect it to be, but not as good.
- 13:12Speaker 3: There were gore fest.
- 13:14Speaker 1: Of horror movies in front of our face as soon
- 13:16Speaker 1: as we sat down. Yeah.
- 13:19Speaker 3: Are you watching the popcorn back at home? That is absurd.
- 13:22Speaker 1: Come on.
- 13:22Speaker 3: And hot. Don't pretend like not hot.
- 13:24Speaker 4: Why is it so veiny?
- 13:26Speaker 3: As it should be. It can't look. No.
- 13:30Speaker 4: Hot.
- 13:30Speaker 6: No.
- 13:31Speaker 1: It's hot.
- 13:32Speaker 3: That is ridiculous.
- 13:33Speaker 4: You know it.
- 13:35Speaker 2: At one point, she showed us naked pictures of herself.
- 13:38Speaker 1: We'll say, yeah, she got naked for us on the screen.
- 13:43Speaker 1: I don't think it's what you're hoping or thinking of.
- 13:46Speaker 2: It was not what I was hoping or thinking of.
- 13:48Speaker 3: And you, if.
- 13:49Speaker 1: See it, will not recover because it is disturbing.
- 13:55Speaker 2: She prefaced it with saying, this is going to be disturbing,
- 14:00Speaker 2: you guys, just giving you a heads up. And the
- 14:03Speaker 2: first picture.
- 14:04Speaker 3: She was underselling.
- 14:05Speaker 2: The first picture, I'm like, okay, well.
- 14:08Speaker 4: It's like in that similar vein, like very slow and
- 14:11Speaker 4: kind of atmospheric and bleak. And I like that. I
- 14:15Speaker 4: think it's hit and miss for people.
- 14:17Speaker 3: It says a lot about you.
- 14:19Speaker 1: Yeah.
- 14:21Speaker 2: You guys, for the first time in my life, I
- 14:23Speaker 2: do not own a toaster. And that may be 99%
- 14:25Speaker 2: of all my problems.
- 14:28Speaker 1: Sources conflict in crediting the production country of the film. What?
- 14:32Speaker 2: That's what it said. That's the exact thing it says
- 14:35Speaker 2: on Wikipedia. And then it just stops. There's no further
- 14:38Speaker 2: suggestion or implication.
- 14:40Speaker 1: I found in looking for other ones, there's one of
- 14:42Speaker 1: it lists filming location as Yugoslavia.
- 14:45Speaker 3: Sure. Then it's other sources say the UK.
- 14:50Speaker 1: And then... They specifically point out that when they roll
- 14:54Speaker 1: up to the hotel there and there's like a restaurant
- 14:56Speaker 1: across from it or wherever.
- 14:57Speaker 3: It's in Italian. It's in Italian.
- 15:00Speaker 1: So it's like, so you're shooting in Italy or Yugoslavia
- 15:04Speaker 1: or the UK or Denver?
- 15:06Speaker 3: I don't know. Where are we shooting this thing?
- 15:10Speaker 5: That was wild.
- 15:11Speaker 2: If you're walking through the woods and you hear a
- 15:14Speaker 2: terrible scream, is the first place you're going to go
- 15:17Speaker 2: to A place that's owned by a man named Grover.
- 15:20Speaker 3: No, I don't think.
- 15:23Speaker 1: So.
- 15:23Speaker 3: See, look what happens with communism.
- 15:26Speaker 2: Just another victim of the pumpkin wars.
- 15:30Speaker 1: Might as well just have Shelley Winters out there, you know,
- 15:33Speaker 1: leading you to your spaceship.
- 15:36Speaker 2: What I will say is I think I enjoyed that experience.
- 15:40Speaker 2: I remember laughing, but it could have been out of terror.
- 15:45Speaker 3: You were just frightened of her.
- 15:47Speaker 1: Yeah. Because we were close enough to her that when.
- 15:50Speaker 3: She went crazy. She touched me at a certain point.
- 15:53Speaker 5: Yeah.
- 15:53Speaker 4: What?
- 15:55Speaker 3: And then I got to that. I was like, 21 days?
- 15:58Speaker 3: What the hell did you do? Did you nap for
- 16:01Speaker 3: 18 of them?
- 16:02Speaker 2: This is a lazy afternoon at grandma's house project if
- 16:06Speaker 2: I have ever seen it.
- 16:07Speaker 3: I mean, really. I was like.
- 16:09Speaker 1: What the hell do you need 21 days for on
- 16:11Speaker 1: this movie?
- 16:12Speaker 2: I don't know.
- 16:13Speaker 4: And they still didn't have enough footage that they had
- 16:16Speaker 4: to keep that entire car chase.
- 16:18Speaker 1: Yeah, you still came out short that you had to
- 16:20Speaker 1: have a 48-minute car chase.
- 16:24Speaker 2: And the little guy on the motorcycle that just pops
- 16:27Speaker 2: up out of nowhere.
- 16:28Speaker 5: And I'm.
- 16:30Speaker 3: Like, what message are you.
- 16:32Speaker 2: Trying to convey to me with this hour-long sequence?
- 16:37Speaker 1: Who's that guy?
- 16:40Speaker 3: And I'm like, if they.
- 16:42Speaker 2: I know that whole franchise is a ripoff anyway, which
- 16:47Speaker 2: I've come to terms with, but if they ripped off
- 16:50Speaker 2: that specific movie for that specific scene, I don't know
- 16:53Speaker 2: if I'm happy or sad about that.
- 16:56Speaker 1: I mean, you kind of had to have her unconscious,
- 16:58Speaker 1: or she was... You couldn't have her functionally in a scene.
- 17:02Speaker 1: All she did was scream and kill people. You couldn't
- 17:05Speaker 1: have a normal moving the plot along kind of scene.
- 17:08Speaker 3: It's just murdering people like.
- 17:10Speaker 1: A maniac unconscious like these were her only modes.
- 17:15Speaker 3: Just let's leave her over.
- 17:17Speaker 1: Here because we don't want to have to write for
- 17:19Speaker 1: this girl she's gonna have lots of dialogue and stuff
- 17:22Speaker 1: just how about unconscious the whole movie the.
- 17:24Speaker 2: Brain trauma that that poor.
- 17:25Speaker 1: Girl seriously man yeah i think they describe it as
- 17:31Speaker 1: an accidental alcohol and barbiturate overdose oh no.
- 17:37Speaker 2: So is she coming back as the she beast or
- 17:40Speaker 2: not i'm i'm not.
- 17:43Speaker 1: She did ask a thing that i want to say
- 17:46Speaker 1: on a daily basis now oh do you know the.
- 17:48Speaker 4: Draculas yeah that was funny i want to work.
- 17:51Speaker 1: That into so many conversations the dracula what is going
- 17:57Speaker 1: on in this italy yugoslavia transylvania land how who designed
- 18:02Speaker 1: your kitchen.
- 18:04Speaker 4: What about the ending?
- 18:05Speaker 2: What about the ending?
- 18:07Speaker 1: There was an ending?
- 18:08Speaker 3: Yeah.
- 18:08Speaker 4: That incredibly climactic scene.
- 18:10Speaker 3: I will give them credit.
- 18:11Speaker 2: They did kind of end the movie.
- 18:15Speaker 3: Are we okay? We are ridiculous. I feel okay. I
- 18:20Speaker 3: thought I was doing better.
- 18:21Speaker 2: Do I have a fever?
- 18:25Speaker 1: So, go to MovieMeltdown.com and join the Meltdown Horror Club
- 18:30Speaker 1: and give us something better to watch. then Succubus or
- 18:34Speaker 1: Gary Busey or... No, that's not true. There's a lot
- 18:38Speaker 1: of Gary Busey horror movies out there, so I'm sure
- 18:40Speaker 1: you can find something else, but maybe it'll still be
- 18:42Speaker 1: better than Succubus.
- 18:44Speaker 2: And here's the thing. If we don't have suggestions, we're
- 18:46Speaker 2: going to run out of stuff to watch eventually, and
- 18:48Speaker 2: then we're going to go out into the real world
- 18:49Speaker 2: and try to make friends, and nobody wants to.
- 18:53Speaker 3: Yeah, that doesn't work.
- 18:54Speaker 1: There's a reason when I'm out in the world, I'm just, like,
- 18:56Speaker 1: finding movie boxes and taking photos of them so I
- 18:59Speaker 1: can read them on this segment, because... I'm not making
- 19:02Speaker 1: friends or talking to humans.
- 19:04Speaker 5: God.
- 19:05Speaker 2: I tried. I tried real hard.
- 19:06Speaker 5: Yeah.
- 19:07Speaker 1: I don't feel like that's going to work well for
- 19:10Speaker 1: at least two-thirds of us. You might have a shot.
- 19:13Speaker 3: I don't know.
- 19:15Speaker 1: Even then, you're kind of a weirdo. They just don't
- 19:17Speaker 1: know it right away. With us, they know right away. Ooh,
- 19:19Speaker 1: they see us coming. But you can ease your way in.
- 19:22Speaker 1: And then later, they're just like.
- 19:24Speaker 2: Nora's a freaking weirdo. I think to outsiders, Nora would
- 19:28Speaker 2: be the odd person out in this group, but I
- 19:31Speaker 2: think to us, she fits.
- 19:32Speaker 3: In quite well. Once you listen a while, you're like,
- 19:34Speaker 3: oh no.
- 19:35Speaker 1: She's a freak.
- 19:36Speaker 2: I have heard Nora say things that I would be
- 19:38Speaker 2: ashamed if those were my thoughts. No, I'm joking. But
- 19:43Speaker 2: you have given insights that I don't think Brian and
- 19:45Speaker 2: I would have come up with.
- 19:46Speaker 1: So it is also game for a lot weirder things
- 19:49Speaker 1: than i feel like she should be yeah that's how
- 19:53Speaker 1: you know she belongs with us it's true i'm just
- 19:56Speaker 1: better at hiding it like a succubus who follows you
- 19:59Speaker 1: home from spring break damn it i knew something happened
- 20:02Speaker 1: i don't even remember when you showed up you've just
- 20:04Speaker 1: always been here it's true the hell happened.
- 20:08Speaker 7: I make it hot when I put on a.
- 20:11Speaker 6: Show I feel the flow of magic moving through my
- 20:15Speaker 6: veins Spotlight on me and I'm ready for pain I'm
- 20:21Speaker 6: like a seducer your whole heart is my game Better
- 20:25Speaker 6: be ready hope that you feel the same.
- 20:30Speaker 7: All eyes on me in the center of the grid,
- 20:32Speaker 7: I'm a succubus. When I crash out with everybody, don't trip,
- 20:36Speaker 7: I'm a succubus. Don't stand there watching me, follow me,
- 20:41Speaker 7: show me what you can do. Everybody, let's go, I'll
- 20:44Speaker 7: try to be gentle with less soothing kiss.