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Ariel and Jonathan Get Sleazy in the 70s · Large Nerdron Collider

• 0:11
  Speaker 1: Hey, everybody, Welcome to the Large nor Drunk Collider, the
• 0:14
  Speaker 1: podcast that's all about the geeky things happening in the
• 0:16
  Speaker 1: world around us and how very excited we are about them.
• 0:20
  Speaker 1: I'm aerial casting and with me as always is the
• 0:24
  Speaker 1: delightful Jonathan Strickland. Jazz hands. Jazz hands. You can't see
• 0:31
  Speaker 1: your jazz hands, John, Yeah, I can't see your jazz
• 0:33
  Speaker 1: hands either. We discovered that if we turn our cameras
• 0:36
  Speaker 1: off that we have slightly fewer technical issues. But it
• 0:40
  Speaker 1: does mean that even the visual gags we referenced and
• 0:43
  Speaker 1: you couldn't enjoy previously, we can't do anymore because well
• 0:47
  Speaker 1: we can. It's just now we're all in the same boat. Listen. Listen.
• 0:52
  Speaker 1: I'm gonna work on a way for us to either
• 0:53
  Speaker 1: both record our video locally or I'm going to get
• 0:56
  Speaker 1: an extender up to my new recording space, which is
• 0:59
  Speaker 1: super awesome, so that we can maybe get some video
• 1:03
  Speaker 1: clips because or maybe this is crazy. Maybe I'll make
• 1:10
  Speaker 1: it a point on Fridays to journey across the city
• 1:15
  Speaker 1: and we'll record in the same place at the same time. Listen.
• 1:18
  Speaker 1: That's like an like that's an epic trek for you.
• 1:22
  Speaker 1: It's I mean, it's significant, but it's all worth doing,
• 1:25
  Speaker 1: right like uh, and and besides which, it would be
• 1:28
  Speaker 1: one of those lovely things where we wouldn't have to
• 1:30
  Speaker 1: ever worry about their being dead air between the two
• 1:33
  Speaker 1: of us, and I wouldn't have to take out these
• 1:36
  Speaker 1: little tiny gaps in our audio because uh, there's always
• 1:41
  Speaker 1: like slight lag from our online recording. This is all
• 1:44
  Speaker 1: stuff that our listeners care nothing about, because I tried
• 1:48
  Speaker 1: my best to take it all out before they get
• 1:50
  Speaker 1: a chance to listen to it. That's fine. Do we
• 1:52
  Speaker 1: want to start to get No, no, no, no, they're
• 1:56
  Speaker 1: gonna suffer through it because sometimes sometimes you have to
• 2:01
  Speaker 1: you have to take your medicine before you're able to
• 2:05
  Speaker 1: get the treat. So that was the medicine part, and
• 2:07
  Speaker 1: your treat is thirty seconds or less, all right, So
• 2:16
  Speaker 1: I'm going to start off thirty seconds or less with
• 2:19
  Speaker 1: news about Violet Knight too. Yes, that movie that so
• 2:23
  Speaker 1: many people loved and I thought was just okay, the
• 2:26
  Speaker 1: not quite die Hard, not quite Home Alone, much more
• 2:29
  Speaker 1: violent and a lot less moral Christmas special. He is
• 2:33
  Speaker 1: getting a sequel written by the Sonic writers. Again, Um,
• 2:38
  Speaker 1: they're going to go They're going to pick up a
• 2:43
  Speaker 1: lot of storyline that I thought needed to be expounded
• 2:46
  Speaker 1: upon in the first movie. So maybe the second movie
• 2:49
  Speaker 1: I like more. Yeah, I wouldn't. I wouldn't hold your breath.
• 2:53
  Speaker 1: But yeah. Also, you know, they were fully ready to
• 2:58
  Speaker 1: admit they got the the deal for a sequel before
• 3:04
  Speaker 1: they even had any notion of what a sequel might
• 3:06
  Speaker 1: look like. Yes, but I mean one of my big
• 3:10
  Speaker 1: what I had many big complaints about the movie, and
• 3:13
  Speaker 1: one of it was just like they had all of
• 3:14
  Speaker 1: these little story tidbits that we're not flesh out flesh yeah,
• 3:19
  Speaker 1: flesh yeah. And there's a lot of like Santa lore
• 3:22
  Speaker 1: that they didn't really get a chance to touch on
• 3:24
  Speaker 1: that they would probably come into play, I think, honestly,
• 3:27
  Speaker 1: because you said that, like and a lot of people
• 3:30
  Speaker 1: said that Violent Knight was a lot like die Hard,
• 3:32
  Speaker 1: the Violent Knight to should just be a lot like
• 3:34
  Speaker 1: die Hard to. I mean, honestly, if it could be
• 3:38
  Speaker 1: more like die Hard or die Hard to than uh
• 3:42
  Speaker 1: than what it was, I would be happy. Well, next
• 3:46
  Speaker 1: up is one of mine, and I'm going to start now,
• 3:48
  Speaker 1: and it's that Lord of the Rings. Fans rejoice because
• 3:52
  Speaker 1: starting February one, you will be able to watch all
• 3:55
  Speaker 1: three of Peter Jackson's Lord of the Rings films on Netflix.
• 4:00
  Speaker 1: That's right, those three movies are coming back to Netflix.
• 4:03
  Speaker 1: Interesting thing. They've all been on Netflix before, but never simultaneously,
• 4:08
  Speaker 1: so this will be the first time that you'll be
• 4:10
  Speaker 1: able to do ah Lord of the Rings marathon on Netflix.
• 4:14
  Speaker 1: And I'm yes, all right. Next, we have news about
• 4:21
  Speaker 1: the reboot sequel to Fraser. Yes, not Bret and Frasier,
• 4:27
  Speaker 1: but Frasier, the nineties sitcom with Kelsey Grammar and uh,
• 4:34
  Speaker 1: I don't remember who played Niles anyhow. Now David Hyde
• 4:38
  Speaker 1: Pierced Yes, who will not be back for the sequel,
• 4:40
  Speaker 1: but now it's kind of about their kids and a
• 4:44
  Speaker 1: generational gap between father and son. Um. They've announced too
• 4:48
  Speaker 1: some of the kids are going to be including newcomer
• 4:51
  Speaker 1: Ander's Keith, as well as jess Selegio from Uh Salgueria
• 5:00
  Speaker 1: I don't want to mispronounce her name too poorly, who
• 5:03
  Speaker 1: was in um Why the Last Man will be joining
• 5:07
  Speaker 1: the cast. The premise sounds pretty cute. It sounds kind
• 5:11
  Speaker 1: of like a mix between a Different World and Frasier,
• 5:13
  Speaker 1: and so I'm fine with it. Yeah, me too. I
• 5:16
  Speaker 1: think I think it's good that they're taking like Frasier
• 5:20
  Speaker 1: was very different from Cheers, and I think it's good
• 5:23
  Speaker 1: for this series, which will feature the same character but
• 5:27
  Speaker 1: will also be very different from the two that came
• 5:30
  Speaker 1: before it. And I think that's a good thing. Yes,
• 5:33
  Speaker 1: I mean, unlike night Court, which is just the reboot
• 5:36
  Speaker 1: is just night Court, and I enjoy it. But yeah,
• 5:39
  Speaker 1: I haven't. I haven't watched that. We'll have to chat
• 5:41
  Speaker 1: about some stuff we watched when we get through this section.
• 5:44
  Speaker 1: So up next is one of mine, and I'm gonna
• 5:47
  Speaker 1: go if you had visited Disney World, specifically Epcot over
• 5:52
  Speaker 1: the last say year and a half, you've seen like
• 5:55
  Speaker 1: this massive open pit and what used to be the
• 5:59
  Speaker 1: future were old section of epp Cut, And it's because
• 6:02
  Speaker 1: they're doing this massive, massive change to the front half
• 6:05
  Speaker 1: of ep Cut. And now the goddess Taffeiti from Milana,
• 6:10
  Speaker 1: or well Tafei from Mythology but featured in Milana has
• 6:13
  Speaker 1: taken shape as part of the Journey of Water, which
• 6:17
  Speaker 1: will be a walk through attraction that opens later this year. Nice.
• 6:22
  Speaker 1: I'm I'm glad we might eventually get an open Epcot again.
• 6:26
  Speaker 1: It's been a while. Yeah, yeah, it's been like the
• 6:30
  Speaker 1: last I think three times I've been. So I used
• 6:33
  Speaker 1: to be an annual pass holder. I am not anymore, um,
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  Speaker 1: just because I couldn't really justify the expense. I wasn't
• 6:41
  Speaker 1: going enough to justify it. So anyway, the last three
• 6:45
  Speaker 1: times I went to Epcut, there were just so many
• 6:47
  Speaker 1: barrier walls up because there's just tons and tons of construction.
• 6:52
  Speaker 1: And if you ride the Mono rail into Epcot, it
• 6:54
  Speaker 1: takes you on a loop where you know, I mean,
• 6:58
  Speaker 1: there's no hiding it. You just see massive open area
• 7:02
  Speaker 1: of construction. And now at least they have some of
• 7:05
  Speaker 1: the structures. Like we've been waiting for months and months
• 7:09
  Speaker 1: for these things to start to come together, and it
• 7:11
  Speaker 1: seems like they're really rapidly coming together right now. And
• 7:16
  Speaker 1: and I love mo Wanna. I'm not a huge fan
• 7:20
  Speaker 1: of bringing more Disney I P into Epcut. I know
• 7:22
  Speaker 1: this has gone way over three seconds, and I'm sorry,
• 7:25
  Speaker 1: but I'm not a huge fan of bringing more Disney
• 7:28
  Speaker 1: IP into Epcut because that's not really what Epcot was
• 7:31
  Speaker 1: meant to do. But things change, things of all over time.
• 7:34
  Speaker 1: You've got to accept it. And I am glad to
• 7:37
  Speaker 1: see Mo Wanna get featured in Disney Parks because I
• 7:41
  Speaker 1: really like that that movie. I think so too, And
• 7:44
  Speaker 1: while I also prefer Epcot to remain like innovational and cultural,
• 7:51
  Speaker 1: although they could improve their cultural expanse um, I I
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  Speaker 1: feel like Mo Wanna at least fits in with the
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  Speaker 1: theme of the seas in the land and all that stuff,
• 8:01
  Speaker 1: so it's not completely out of left field because it
• 8:05
  Speaker 1: is going to be the Journey of Water, which is
• 8:06
  Speaker 1: all scientific, which is a little bit of Epcot. So yeah,
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  Speaker 1: it kind of fits in with some of the themes
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  Speaker 1: like the Life Pavilion and which doesn't exist anymore but
• 8:15
  Speaker 1: used to, and the Land Pavilion, that kind of stuff. Yeah. Um, okay,
• 8:20
  Speaker 1: onto my next story, which I had to open up
• 8:24
  Speaker 1: the article just to make sure I got everything right,
• 8:26
  Speaker 1: And there is this trailer for M three again playing.
• 8:28
  Speaker 1: Well now it's uh yes, it's just a bunch of
• 8:33
  Speaker 1: trailers and it needs to stop so it's not distracting me. Okay,
• 8:37
  Speaker 1: here we go a couple of weeks ago, and we
• 8:39
  Speaker 1: talked about a new show coming to Netflix, Lockwood and
• 8:41
  Speaker 1: Code that was done by the same person who made
• 8:43
  Speaker 1: Attack the Block, which was a movie that I haven't seen,
• 8:46
  Speaker 1: but I really want you and Jonathan really liked. Now
• 8:50
  Speaker 1: they are making Attack the Block to John Boyegas coming back,
• 8:53
  Speaker 1: and they are. While the first one was a low
• 8:55
  Speaker 1: budget and a low budget indie that really took off
• 8:59
  Speaker 1: the second one, they're caming for Terminator Too and Aliens
• 9:02
  Speaker 1: as far as feel and popularity, so I really hope
• 9:06
  Speaker 1: they do it. Um. Joe Cornerish makes really fun media
• 9:10
  Speaker 1: and I look forward to watching the original Antis Equel. Yeah,
• 9:13
  Speaker 1: and I you know the I don't know exactly how
• 9:16
  Speaker 1: to take the Terminator Too and Aliens. You could say,
• 9:19
  Speaker 1: all right, well, clearly both Aliens and Terminator two were
• 9:23
  Speaker 1: much larger budget films than the first film in the series.
• 9:27
  Speaker 1: Another thing you could say is both Aliens and Terminator
• 9:30
  Speaker 1: Too had a different tone, almost to the point of
• 9:34
  Speaker 1: being different genres from the first films in the series,
• 9:38
  Speaker 1: especially Aliens. Right, Alien is really a horror movie. Aliens
• 9:42
  Speaker 1: is really more of an action movie. And I kind
• 9:45
  Speaker 1: of like that idea too. I kind of like the
• 9:46
  Speaker 1: idea of Attack the Block to not only being bigger,
• 9:49
  Speaker 1: but maybe having a slightly different tone. And the first
• 9:52
  Speaker 1: film tackles some social issues I imagine the second film
• 9:55
  Speaker 1: will have to do that as well, and not in
• 9:57
  Speaker 1: a heavy handed way. It's just woven into the story. Yeah,
• 10:01
  Speaker 1: they did a lot of research and they put a
• 10:03
  Speaker 1: lot of effort into making it cohesive and uh flow well,
• 10:11
  Speaker 1: so and that you know is apparent. Yeah, all right,
• 10:14
  Speaker 1: my last one. Here we go sad day because news
• 10:19
  Speaker 1: that we figured was coming finally broke that Titans and
• 10:22
  Speaker 1: Doom Patrol are both going to have season four be
• 10:26
  Speaker 1: their final seasons respectively. Uh somewhat. Fortunately, the show creators
• 10:32
  Speaker 1: kind of felt like this was going to be the
• 10:34
  Speaker 1: way it was going to go to and had sort
• 10:36
  Speaker 1: of prepared that so that the back half of season
• 10:39
  Speaker 1: four could wrap up storylines so that we get a
• 10:42
  Speaker 1: definitive end. So at least we're going to have that
• 10:45
  Speaker 1: and not just to have it cut off at a cliffhanger. Yeah, okay,
• 10:49
  Speaker 1: I told I warned Jonathan I was going to have
• 10:50
  Speaker 1: something to add to this because you all know I
• 10:53
  Speaker 1: love doing Patrol. I I don't really like Titans that
• 10:56
  Speaker 1: I love Doom Patrol and I'm sad to see it,
• 10:59
  Speaker 1: and I'm glad they're able to end it. But a
• 11:01
  Speaker 1: bunch of people have been throwing a lot of fire
• 11:03
  Speaker 1: at James Gunn because of course all of the d
• 11:05
  Speaker 1: C stuff that they liked is stopping. There. Said at
• 11:07
  Speaker 1: James Gunn about the decision to cancel Joom Patrol and
• 11:10
  Speaker 1: Titans apparently came before he took over the reins. It
• 11:13
  Speaker 1: just hadn't been announced, so um, you know, and and
• 11:17
  Speaker 1: my husband. I was chatting my husband about it a
• 11:21
  Speaker 1: little bit because I was I'm super sad. I really
• 11:23
  Speaker 1: liked the show, and I know people who work on
• 11:24
  Speaker 1: the show and love it. Um, but my sister worked
• 11:28
  Speaker 1: on the show. Your sister worked on the show, as
• 11:30
  Speaker 1: well as some other artsy folk. But what I will
• 11:33
  Speaker 1: say is he told me, Hey, if James Gunn is
• 11:36
  Speaker 1: rebooting all of these universes and they need actors for
• 11:39
  Speaker 1: all of these new roles, then view it as another
• 11:43
  Speaker 1: opportunity for you to get an acting job. So, you know,
• 11:47
  Speaker 1: everybody spam James Gunn and tell him I should be big,
• 11:49
  Speaker 1: big Bertha. Well, and yeah, another thing is that we
• 11:54
  Speaker 1: might you know, we've already seen word of him potentially
• 11:57
  Speaker 1: using actors who were in previous DC properties populate the
• 12:03
  Speaker 1: new version of DC. Uh, but as totally different characters,
• 12:08
  Speaker 1: and that is kind of interesting too, and it was
• 12:12
  Speaker 1: one of those ideas that took me a while to
• 12:14
  Speaker 1: kind of come around on. But honestly, like, just look
• 12:18
  Speaker 1: at Chris Evans. The dude is played like half of
• 12:20
  Speaker 1: the superheroes out there. It's just we just associate him
• 12:24
  Speaker 1: with Captain America, so it should be fine. Yeah, I agree,
• 12:28
  Speaker 1: I agree. But if you are, hey, I'm going into
• 12:30
  Speaker 1: the last few seconds, if you are looking for some
• 12:32
  Speaker 1: more DC stuff to indulge on while your old favorites
• 12:37
  Speaker 1: are going away, We're getting a new animated movie Legion,
• 12:41
  Speaker 1: not the one we talked about last week, but another
• 12:43
  Speaker 1: one Legion of Superheroes. Uh. Clip has been released on
• 12:47
  Speaker 1: YouTube of it. It looks absolutely adorable. If you like
• 12:51
  Speaker 1: I watched Supergirl and didn't get the resolution of a
• 12:55
  Speaker 1: brainiac Supergirl romance like you wanted, it looks like they're
• 12:59
  Speaker 1: toying with that in this release to Blu Ray Animated
• 13:03
  Speaker 1: feature Cool. Well, and that is our thirty seconds or less.
• 13:09
  Speaker 1: It only lasted thirteen minutes, so I think we did
• 13:12
  Speaker 1: a good job. Hey, you win some and you lose some,
• 13:17
  Speaker 1: to be to be honest, y'all, Like moments before we
• 13:21
  Speaker 1: started recording, we made the executive decision to move a
• 13:24
  Speaker 1: story out of thirty seconds or less because we knew
• 13:27
  Speaker 1: that we were going to go on about it way
• 13:30
  Speaker 1: longer than anything we just discussed, and like the first
• 13:34
  Speaker 1: what five six minutes of this was intro and then
• 13:36
  Speaker 1: talking about how you can't see our jazz hands, which
• 13:39
  Speaker 1: is entirely pertinent to geek culture. Yeah, well, I mean,
• 13:44
  Speaker 1: come on theater, geeks, we we jazz hands are sacred. Uh.
• 13:50
  Speaker 1: Before we get into all the news, one of the
• 13:53
  Speaker 1: things we wanted to kind of touch base on was that,
• 13:55
  Speaker 1: you know, last week I talked about how I had
• 13:58
  Speaker 1: watched the first episode of Last of Us that absolutely
• 14:01
  Speaker 1: destroyed me, partly because I was anticipating what was coming
• 14:05
  Speaker 1: because I had played the game. I watched the second
• 14:08
  Speaker 1: episode and that one did not destroy me. I enjoyed it.
• 14:12
  Speaker 1: And there are some significant changes from what happens in
• 14:17
  Speaker 1: the game, and I think for the purposes of this
• 14:21
  Speaker 1: version of the story, all the changes worked. Like the
• 14:24
  Speaker 1: thing that I find phenomenal is that this is an
• 14:26
  Speaker 1: adaptation that continues to be a really good adaptation of
• 14:31
  Speaker 1: the video game, which is a rare thing to say.
• 14:33
  Speaker 1: But now Ariel has seen what just the first episode
• 14:37
  Speaker 1: so far, just the first episode, because it's so long. Well,
• 14:41
  Speaker 1: the second episode does not last an hour and a half.
• 14:43
  Speaker 1: It is closer to an hour. But yeah, that first episode.
• 14:46
  Speaker 1: I think originally they had talked about it being two episodes,
• 14:49
  Speaker 1: but it was hard to figure out where to put
• 14:52
  Speaker 1: a break. And also, I will say especially for shows
• 14:56
  Speaker 1: where because I'm actually watching this and then I have
• 14:58
  Speaker 1: a group watch that my friend started during the pandemic,
• 15:01
  Speaker 1: or get together once a week online and watch group
• 15:03
  Speaker 1: watch of shows We've started Hunters on Amazon um and
• 15:09
  Speaker 1: when you have a show, Both of these shows have
• 15:11
  Speaker 1: kind of difficult beginnings and difficult setups and they need them,
• 15:16
  Speaker 1: right because that's what sets the tone and the conflict
• 15:19
  Speaker 1: for the show. If you break it up into multiple episodes,
• 15:23
  Speaker 1: you might, like you said, if the second episode was
• 15:25
  Speaker 1: just as hard, you probably wouldn't continue watching Last of Us, right, Well,
• 15:30
  Speaker 1: I definitely would be thinking about backing out for my
• 15:33
  Speaker 1: own mental health. Yeah, yeah, yeah, because like I've had
• 15:36
  Speaker 1: friends who said that they are afraid to even start
• 15:38
  Speaker 1: the show because well, they thought the video game was brilliant,
• 15:41
  Speaker 1: they weren't happy playing it. They were miserable at the
• 15:45
  Speaker 1: things they had to keep doing and they don't want
• 15:47
  Speaker 1: to relive it. Um. But I mean that's fair because
• 15:51
  Speaker 1: those spoilers. But it's not like it's not like the terrible,
• 15:56
  Speaker 1: terrible thing that starts the whole series is the only
• 15:59
  Speaker 1: to horrible thing. There are a lot of other ones,
• 16:02
  Speaker 1: including a very pivotal one that I'm not looking forward to,
• 16:07
  Speaker 1: so I'm sure that's coming. What I will say, having
• 16:09
  Speaker 1: watched the first episode is one brilliant acting, brilliant uh cinematography.
• 16:17
  Speaker 1: I think that the balance of of scary, horror, tense, suspense, sorrow,
• 16:24
  Speaker 1: all that things, all the things you expect with Last
• 16:26
  Speaker 1: of Us are very well balanced with super relatable moments
• 16:33
  Speaker 1: that are lovable. Um, I didn't know what the heart,
• 16:37
  Speaker 1: not playing the video game and not looking at spoilers
• 16:40
  Speaker 1: for once, I decided I was going to tough it
• 16:42
  Speaker 1: through so I could give an honest reaction to what happened.
• 16:45
  Speaker 1: Honestly it was. I teared up a little bit when
• 16:49
  Speaker 1: the hard moment came in the first episode, but very briefly,
• 16:53
  Speaker 1: and I was over it, and I like I knew
• 16:55
  Speaker 1: something was going to happen, and I figured out what
• 16:57
  Speaker 1: character or characters if you aren't familiar, don't want to
• 17:00
  Speaker 1: spoil it too much. It was going to happen too,
• 17:03
  Speaker 1: But when it happened, I was surprised. It's not what
• 17:05
  Speaker 1: I expected. And because of that, I think it was
• 17:07
  Speaker 1: easier for me. I didn't have the same like mortification
• 17:11
  Speaker 1: going through the first episode that you've expressed John Well,
• 17:14
  Speaker 1: And I think part of it is that the unexpected
• 17:17
  Speaker 1: way that it happens. So when I was playing the game,
• 17:20
  Speaker 1: obviously I had no I had no idea of what
• 17:23
  Speaker 1: was going to happen. I didn't know that, you know,
• 17:26
  Speaker 1: how this was going to affect characters. I just assumed
• 17:30
  Speaker 1: that things were going to be hunky dory, okay for
• 17:33
  Speaker 1: for certain people, and it turned out that was very
• 17:36
  Speaker 1: much not what was going to happen. And the way
• 17:38
  Speaker 1: that the the hard moment unfolds, I know we're talking
• 17:43
  Speaker 1: super vague, but again, this is one of those things
• 17:45
  Speaker 1: that if you want to see it, you need to
• 17:47
  Speaker 1: see it with like with the ability to discover it
• 17:51
  Speaker 1: um but the way it unfolds to me it even
• 17:55
  Speaker 1: hit harder because not to give too much away, but
• 17:59
  Speaker 1: the unness necessary nature of it all made it much
• 18:02
  Speaker 1: more tragic. And if you also think about that in
• 18:06
  Speaker 1: terms of things that have happened in our own world
• 18:11
  Speaker 1: over the last ten years, like unnecessary tragedies that have happened. Uh,
• 18:18
  Speaker 1: it hits super hard because you're you're sitting there thinking like,
• 18:24
  Speaker 1: this was this was so avoidable, Not not on the
• 18:29
  Speaker 1: protagonists part they couldn't avoid it, but the other party,
• 18:33
  Speaker 1: it was so avoidable, and it it's it's like I say,
• 18:36
  Speaker 1: you know, it's like when you when you know the
• 18:38
  Speaker 1: outcome of a tragedy and you're watching the thing unfold,
• 18:42
  Speaker 1: you're wishing so hard for anything else to happen. Yeah. Yeah,
• 18:48
  Speaker 1: you're like, please change it, Please have them change it
• 18:51
  Speaker 1: right now in the script. Yeah, somehow, somehow the thing
• 18:55
  Speaker 1: that's already been shot, have that change right now. I
• 19:00
  Speaker 1: have legitimately thought that, like as I'm watching movies before
• 19:04
  Speaker 1: the same here. I mean, as I've been as I've
• 19:07
  Speaker 1: watched movies I have already seen and I'm watching it
• 19:11
  Speaker 1: a second time. I'm sitting there thinking that. But but
• 19:15
  Speaker 1: it is really interesting. Like I said, I I quite
• 19:18
  Speaker 1: enjoyed the first episode. I'm looking forward to getting to
• 19:20
  Speaker 1: the second. I know they're going to be hard things.
• 19:23
  Speaker 1: I feel like it's more balanced and the people are
• 19:26
  Speaker 1: more personal than let's say, the Walking Dead. Yeah. Yeah.
• 19:30
  Speaker 1: And and and also understanding why people are the way
• 19:34
  Speaker 1: they you, I mean, you specifically understand why Joel is
• 19:37
  Speaker 1: the way he is, Like you understand, yeah, he's he's
• 19:41
  Speaker 1: the one that Pedro Pascal plays and um, and you
• 19:45
  Speaker 1: understand why he is the way he is, and you
• 19:47
  Speaker 1: might not agree with all of his decisions, but you
• 19:50
  Speaker 1: understand why he's making them the way he is. Yeah, which, Okay,
• 19:53
  Speaker 1: I gotta i gotta make a slight aside and then
• 19:55
  Speaker 1: I'm going to get back. I'm going to get back
• 19:57
  Speaker 1: to this. Uh. There was an interview on tech talk
• 20:00
  Speaker 1: because yeah, I do the TikTok's uh with the Pedro
• 20:06
  Speaker 1: Pascal and then the actress who plays a girl whose
• 20:08
  Speaker 1: name is escaping me at the moment, but Bella I
• 20:11
  Speaker 1: think is something. Yeah, I know. But they were talking
• 20:15
  Speaker 1: about how people were calling Pedro Pascal a Zaddi, which is,
• 20:18
  Speaker 1: you know, like a sexy daddy but older. He's not
• 20:22
  Speaker 1: old enough to be a zaddie. He's only forty seven.
• 20:24
  Speaker 1: And like even when I was young, I was like,
• 20:27
  Speaker 1: for me, Zaddi's were like mid fifties to sixties. So
• 20:31
  Speaker 1: y'all just give him, give him some grace. He's still
• 20:34
  Speaker 1: pretty young. Yeah that means I'm also not in Zadi
• 20:37
  Speaker 1: territory yet, so y'all just calm yourself down. But it
• 20:41
  Speaker 1: is also interesting because, like I said, I'm watching Hunters,
• 20:43
  Speaker 1: which we talked about in an episode a long time
• 20:47
  Speaker 1: ago when the first season came out to It's an
• 20:49
  Speaker 1: Amazon streaming show about um, basically people who hunt and
• 20:55
  Speaker 1: stopped and killed Nazis in the seventies. It's a it
• 20:59
  Speaker 1: is super well done. It's a but it's very dark
• 21:03
  Speaker 1: and it's very hard to watch and there's a lot
• 21:04
  Speaker 1: of craftness in it because of the subject matter and
• 21:07
  Speaker 1: there and things like that. So I actually, as much
• 21:10
  Speaker 1: as I enjoy that show and I think it's telling
• 21:13
  Speaker 1: a good story, the first two episodes are largely set
• 21:16
  Speaker 1: up UM, and I think every episodes can going to
• 21:19
  Speaker 1: kind of be that way because it's plots unfolding and
• 21:23
  Speaker 1: subterfuge unfolding as it happens. I find Last of Us
• 21:27
  Speaker 1: easier to watch because it's fictional. Yeah, more fictional, yeah
• 21:32
  Speaker 1: yeah yeah, yeah, yeah, there's there were actual Nazis and honestly,
• 21:37
  Speaker 1: there still are today like people at least who aligned
• 21:40
  Speaker 1: themselves with the Nazi philosophy. But as far as we
• 21:44
  Speaker 1: are aware, there are no fungal zombies running around, not
• 21:50
  Speaker 1: human ones anyway. Yes, yes, but not yes knock out
• 21:54
  Speaker 1: what Jonathan knock? I mean like, I haven't checked the
• 21:57
  Speaker 1: news since we start recording, But I'm just I'm maintaining
• 22:02
  Speaker 1: some optimism here. Yeah. Yeah, but I've also watched night
• 22:06
  Speaker 1: Court and if you just need something completely silly, I
• 22:08
  Speaker 1: don't remember if I talked about this last week. It's
• 22:10
  Speaker 1: dumb fun. It is literally just a reboot of night Court.
• 22:14
  Speaker 1: I think I did talk about it. So yeah, if
• 22:16
  Speaker 1: you watch Last of Us or Hunters or anything else
• 22:18
  Speaker 1: and you're like, I just need something fun, go and
• 22:19
  Speaker 1: watch Nichord. It's adorable. Yeah. I I still because I
• 22:24
  Speaker 1: don't have that's that's on Peacock, right, it's on Peacock,
• 22:29
  Speaker 1: but you can watch it on Hulu. Yeah. Those are
• 22:32
  Speaker 1: two things I do not have access to right now.
• 22:34
  Speaker 1: So so once again, my lack of access has meant
• 22:38
  Speaker 1: that I am not watching certain programming. But I've seen
• 22:42
  Speaker 1: little clips and and I get it, like it does
• 22:45
  Speaker 1: feel an awful lot like night Cored, which is interesting
• 22:49
  Speaker 1: because I'm curious how well it's doing because that style
• 22:53
  Speaker 1: of humor, it's it gets a little more than a
• 22:56
  Speaker 1: little corny, like it's like that super corny, sit calm
• 23:00
  Speaker 1: style from the eighties and early nineties. And I'm not sure.
• 23:04
  Speaker 1: I mean, maybe that flies fine today. I don't really
• 23:08
  Speaker 1: have a gauge for that. I mean, Fuller House was
• 23:10
  Speaker 1: a thing, so maybe Fuller House is a thing. During
• 23:13
  Speaker 1: the pandemic, Family Matters had a huge resurgence, so you know,
• 23:19
  Speaker 1: I think. I think it's just sometimes people need happy, fun,
• 23:24
  Speaker 1: slightly mindless, entertaining media. Yeah, I mean, I certainly do
• 23:30
  Speaker 1: on occasion. There there's a reason why I will fall
• 23:35
  Speaker 1: back on watching old episodes of Community, and it's because
• 23:39
  Speaker 1: sometimes I need some Troy and a bed in the morning. Shoot,
• 23:43
  Speaker 1: I still need to watch I've watched one more episode
• 23:46
  Speaker 1: since we said the Community is coming out, that I
• 23:49
  Speaker 1: got a lot of episodes to get through before this summer, then,
• 23:53
  Speaker 1: don't you. Well, I think they're actually said they were
• 23:55
  Speaker 1: going to start shooting it the summer, so you still
• 23:57
  Speaker 1: have a little more time. I do, which is good
• 23:59
  Speaker 1: because I still have all those Apple TV shows that
• 24:01
  Speaker 1: we want to watch and talk about, uh, one of
• 24:03
  Speaker 1: which we're going to talk about later in this episode.
• 24:06
  Speaker 1: So let's get back into some some news that we
• 24:08
  Speaker 1: have a little bit more to say on than our
• 24:10
  Speaker 1: supposed thirty seconds or less. Yeah, and first up is
• 24:15
  Speaker 1: I'm sure a lot of people, anyone who's a fan
• 24:17
  Speaker 1: of Rick and Morty has certainly heard about this, but
• 24:20
  Speaker 1: this was one that was really in the news big
• 24:21
  Speaker 1: time this week. Earlier this week we thought we would
• 24:24
  Speaker 1: touch on it, which is Justin Royland, co creator of
• 24:28
  Speaker 1: Rick and Morty, along with like Dan Harmon was speaking
• 24:31
  Speaker 1: of community, he was, he was the guy behind community.
• 24:34
  Speaker 1: Dan Harmon not not justin Royland, Justin Royland has been
• 24:38
  Speaker 1: essentially fired from Rick and Morty as well as from
• 24:41
  Speaker 1: Squatch Games, which is the game studio that put out
• 24:45
  Speaker 1: things like uh High on Life, the recent first person
• 24:49
  Speaker 1: shooter that was kind of a hit, got on game
• 24:52
  Speaker 1: Pass and got really popular. He's the one who does
• 24:55
  Speaker 1: the voices for both Rick and Morty, so he's got
• 24:58
  Speaker 1: that very like he does a ton of different character
• 25:01
  Speaker 1: voices for the show and for those games. Uh. The
• 25:04
  Speaker 1: reason for the firing is because of allegations of domestic abuse,
• 25:09
  Speaker 1: sexual harassment, lots of really disturbing stuff that has been
• 25:15
  Speaker 1: coming out over the last week or two weeks. Uh, terrible,
• 25:19
  Speaker 1: terrible things for anyone to do. So I think that
• 25:22
  Speaker 1: these organizations and shows and games and all this kind
• 25:26
  Speaker 1: of stuff, I think they're all doing the right thing
• 25:28
  Speaker 1: in cutting off their connection with him, because I mean,
• 25:33
  Speaker 1: these these sort of properties are what gave him a
• 25:36
  Speaker 1: lot of the power to pursue these sorts of bad
• 25:41
  Speaker 1: choices that have caused who knows how much trauma to
• 25:46
  Speaker 1: his victims. So terrible thing to hear. And I'm sure
• 25:50
  Speaker 1: there are a lot of Rick and Morty fans because
• 25:52
  Speaker 1: those are the most reasonable people on the planet. I'm
• 25:54
  Speaker 1: sure there are a lot of Rick and Morty plant
• 25:56
  Speaker 1: fans out there who are up in arms about this.
• 25:59
  Speaker 1: But come on, y'all, I mean, this is a legit
• 26:02
  Speaker 1: reason to part ways with somebody. Yes, yes, I agree,
• 26:07
  Speaker 1: I agree. Um, it'll be it'll be interesting to see
• 26:13
  Speaker 1: how everything turns out. Basically, I'm I'm not a fan
• 26:16
  Speaker 1: of Rick and Morty. Yeah, I mean it's I enjoyed
• 26:20
  Speaker 1: Rick and Morty. It is a hard show to watch
• 26:23
  Speaker 1: on occasion because it does have it does dance a
• 26:27
  Speaker 1: lot around nihilism, where you just have like nothing means anything,
• 26:31
  Speaker 1: and so why worry about anything? Like why even bother
• 26:35
  Speaker 1: putting forth an effort, Because if nothing means nothing, then
• 26:40
  Speaker 1: nothing you do matters. It doesn't matter if you do
• 26:42
  Speaker 1: a good impact or a bad impact. Nothing means nothing
• 26:44
  Speaker 1: in the long run. I'm like, that's so bleak that
• 26:47
  Speaker 1: I don't think I can stick with it for very long. Uh.
• 26:52
  Speaker 1: Individual episodes can be really entertaining, and I did watch
• 26:57
  Speaker 1: I think the first two seasons, but I fell off
• 27:00
  Speaker 1: after that. It is interesting to know that the show
• 27:02
  Speaker 1: is going to continue without him, which means that these
• 27:05
  Speaker 1: characters are all going to be voiced by different people
• 27:07
  Speaker 1: in the future. We don't know who. Um. So, I
• 27:10
  Speaker 1: guess if you do a really good Morty, you should
• 27:14
  Speaker 1: audition if you if you can get one. There are
• 27:17
  Speaker 1: lots of people who are really good at just doing impressions.
• 27:20
  Speaker 1: I think you probably won't even be able to tell
• 27:23
  Speaker 1: when it actually comes down to it that someone else
• 27:25
  Speaker 1: replaced him. Yeah. A friend of the show, uh Shay
• 27:31
  Speaker 1: told me that I should do it because I could
• 27:32
  Speaker 1: do a good Rick and Morty, And I said I
• 27:34
  Speaker 1: could maybe do a Morty, but I definitely can't do
• 27:37
  Speaker 1: a Rick because I can't burp on command, let alone
• 27:41
  Speaker 1: right in the middle of you know, select words. You see,
• 27:44
  Speaker 1: it's for me Rick and Morty. It's even less than
• 27:46
  Speaker 1: nihilism and more just gross. I don't think I don't
• 27:50
  Speaker 1: like grass cartoons. We we all know this. It's not
• 27:52
  Speaker 1: it's not we talked about last week. Yeah. Uh so
• 27:56
  Speaker 1: let's let's go from you know, what is not gross?
• 28:00
  Speaker 1: All of the animated feature films nominated for Oscars. Yeah,
• 28:05
  Speaker 1: the Oscars, those are gross, But the films that were
• 28:07
  Speaker 1: nominated Oscars are not gross. Now everyone knows that I
• 28:11
  Speaker 1: don't like awards, but yeah, we wanted to talk a
• 28:15
  Speaker 1: little bit about some of these things that were nominated
• 28:18
  Speaker 1: for the Oscars because, uh, there's some geek properties that
• 28:22
  Speaker 1: are represented in some of the nominations. Yeah. In fact,
• 28:26
  Speaker 1: I think that every Everything, Everywhere, all at once might
• 28:30
  Speaker 1: have the most nominations of all all the movies this year. Yeah.
• 28:34
  Speaker 1: I think they have eleven, which makes them puts them
• 28:37
  Speaker 1: in the lead. Yeah, and also nominated are uh The Whale,
• 28:43
  Speaker 1: which is not a geeky movie, but it's got Brendan Fraser.
• 28:46
  Speaker 1: So Fraser. Yeah, you're right, Sorry, Brendan Fraser. Uh so
• 28:52
  Speaker 1: automatically I'm rooting for him. Um, it's got Black Panthers nominated.
• 28:59
  Speaker 1: Angela Angela A. Bassett scored a nomination for Actress in
• 29:03
  Speaker 1: a Supporting Role for Wakonda Forever, which I still haven't
• 29:06
  Speaker 1: seen it, but it's coming to Disney Plus like in
• 29:09
  Speaker 1: next week, so I'll watch it soon. And if you
• 29:12
  Speaker 1: haven't watched everything everywhere all at once, it's on showtime
• 29:16
  Speaker 1: or you can actually some theaters are are playing it
• 29:19
  Speaker 1: right now, so like you go to the Positive Theater
• 29:21
  Speaker 1: and watch it right now. If I bought the four
• 29:23
  Speaker 1: K Blu ray to that without ever having seen the movie,
• 29:26
  Speaker 1: and I was so delighted by it. It was one
• 29:30
  Speaker 1: of those things where I'm like, gosh, I sure, hope,
• 29:32
  Speaker 1: but you know, like the cost of a DVD, it's
• 29:34
  Speaker 1: less than what it would have cost me to buy
• 29:37
  Speaker 1: two movie tickets, right, so it's hard to get or
• 29:40
  Speaker 1: it's just that you own it forever, you know, and
• 29:42
  Speaker 1: you're like, I hope I like this, but no, I
• 29:44
  Speaker 1: really liked it. It's really a charming fun uh and
• 29:49
  Speaker 1: original film and low budget like that's that's the great thing.
• 29:55
  Speaker 1: It doesn't. It doesn't look like it though. That's what's great.
• 29:58
  Speaker 1: I mean, neither did what was District nine District nine
• 30:02
  Speaker 1: blew me away, and that that was also lower budget
• 30:06
  Speaker 1: and an unknown director at the time, so uh, you know,
• 30:10
  Speaker 1: and the Oscars do like artsy things and things that
• 30:15
  Speaker 1: harken back to Hollywood. Hence that I haven't watched The
• 30:18
  Speaker 1: Fableman's Maybe it's amazing, but it's definitely about young kids
• 30:21
  Speaker 1: in Hollywood, and that it's got a bunch of nominations. Yeah,
• 30:24
  Speaker 1: there's a there's an ongoing joke that if you want
• 30:27
  Speaker 1: to get nominated for an Oscar, just make a movie
• 30:30
  Speaker 1: about making movies and that will do it. Because it's
• 30:33
  Speaker 1: so um. I was going to use one word, but
• 30:37
  Speaker 1: instead I'll say self congratulatory, which is a nicer way
• 30:40
  Speaker 1: of saying what I was going to say. It's really
• 30:43
  Speaker 1: interesting to me because usually under animated feature film, we
• 30:46
  Speaker 1: have like two Pixar movies, right, we technically have to
• 30:50
  Speaker 1: Disney movies this year that are nominated, but one of
• 30:54
  Speaker 1: them got very little Turning Red got, you know, very
• 30:57
  Speaker 1: little publicity, and Gamo de Toro's Panocke, you know, doesn't
• 31:01
  Speaker 1: exactly scream Disney, although I think it is it can
• 31:05
  Speaker 1: you watch on disneyse or just Netflix. I don't think
• 31:07
  Speaker 1: Yamo del Toro's is Disney and Disney at all. Yeah,
• 31:10
  Speaker 1: you're right, so so yeah, so Disney only has Turning Red.
• 31:14
  Speaker 1: The others are Yama do Toro's Pinocchio, Marcela Shellis Shoes On,
• 31:17
  Speaker 1: which is lovely because how delightful posting Boots, The Last Wish,
• 31:22
  Speaker 1: and The Sea Beast. Yeah. Yeah, I really like Turning
• 31:26
  Speaker 1: Red though, I mean, I don't know that it's Oscar worthy,
• 31:31
  Speaker 1: but it is a very entertaining and charming film. And
• 31:35
  Speaker 1: and Abby is my favorite character. She's much fun. Though
• 31:40
  Speaker 1: she be little, she is fierce. Yes. It is interesting
• 31:44
  Speaker 1: because when you go down to Best Picture there are
• 31:46
  Speaker 1: movies listed that it's like, did they have to put
• 31:49
  Speaker 1: this movie on the list because they have no other
• 31:54
  Speaker 1: They have no other nominations anywhere. But you also have
• 31:59
  Speaker 1: thinks like Avatar. The Way of Water is one of
• 32:02
  Speaker 1: the nominees for Best Picture. Everywhere, Everything Everywhere, All at
• 32:05
  Speaker 1: Once is also nominated for Best Picture. Top Gun. Maverick
• 32:09
  Speaker 1: has been nominated for Best Picture, which if you had
• 32:11
  Speaker 1: told me back in the eighties after Top Gun came
• 32:15
  Speaker 1: out that you know, like thirty more years later, you're
• 32:19
  Speaker 1: going to get a sequel to this and they'll be
• 32:20
  Speaker 1: nominated for an Academy Award for Best Picture. I would
• 32:23
  Speaker 1: have thought you were insane. So I liked Top Gun
• 32:26
  Speaker 1: back when I watched it. I barely remember it. I
• 32:29
  Speaker 1: haven't watched a new one, but apparently a lot of
• 32:31
  Speaker 1: people liked it, so I know that. Yeah. I mean
• 32:34
  Speaker 1: I heard a lot of people really enjoy that movie.
• 32:36
  Speaker 1: I still haven't seen it, and I have a feeling
• 32:38
  Speaker 1: that by the time I do see it, I won't
• 32:40
  Speaker 1: really appreciate it because it definitely feels like it was
• 32:43
  Speaker 1: the kind of movie that was made for the theatrical experience. Yeah,
• 32:47
  Speaker 1: I've got a question for you. Elvis is also nominated
• 32:49
  Speaker 1: for Best Picture and a couple of other things. Does
• 32:53
  Speaker 1: a bas Lerman movie about a music artist count as geekdom?
• 32:58
  Speaker 1: I mean, everything's geeky to somebody bas Leerman, Well, first yes,
• 33:03
  Speaker 1: but secondly, Basil Lerman I think has a devoted following
• 33:07
  Speaker 1: of of former and current theater kids. Because of Basil
• 33:12
  Speaker 1: Lerman's other work like Mulan Rouge and Romeo and Juliet.
• 33:17
  Speaker 1: Uh so maybe I have never liked Basil Lerman style. Uh,
• 33:23
  Speaker 1: it is just it is not it doesn't appeal to me.
• 33:26
  Speaker 1: I'm not saying it's bad, That's not what I mean.
• 33:29
  Speaker 1: I mean that I find it unappealing personally. And uh
• 33:33
  Speaker 1: and so I haven't sought out this film at all, Like,
• 33:38
  Speaker 1: I didn't have any interest in seeing it, because unless
• 33:41
  Speaker 1: Basi Lerman style has changed dramatically, I don't know that
• 33:46
  Speaker 1: I could really stomach the thought of watching an entire film. Yeah,
• 33:51
  Speaker 1: a couple other geeky movies that got nominations. Uh, I
• 33:56
  Speaker 1: agree with you on Basilerman. Sorry, I like that's that's
• 34:00
  Speaker 1: how I feel about bessler Man. My mind already went
• 34:02
  Speaker 1: off to something else. The Batman got nominated for music,
• 34:06
  Speaker 1: which of all the things in The Batman, that's what
• 34:08
  Speaker 1: I liked the best. And plus Onion got nominated for
• 34:13
  Speaker 1: Adapted Screenplay and sound and sound as well, which which
• 34:17
  Speaker 1: you know, like the sound design in The Batman was
• 34:21
  Speaker 1: very very good. Whereas Avatar The Way of Water, I
• 34:24
  Speaker 1: didn't like the sound of that. Everything sounded wet. That
• 34:29
  Speaker 1: was a joke. Yeah, because I haven't seen Avatara. It
• 34:32
  Speaker 1: took me a second was like, did you see it
• 34:34
  Speaker 1: and you didn't tell me? I'm going to be very
• 34:36
  Speaker 1: cross at you, John, of course, not like, dare you
• 34:39
  Speaker 1: not tell me everything that you do? And Plus if
• 34:42
  Speaker 1: I went to see it, I still haven't seen the
• 34:44
  Speaker 1: first one, so I'd mostly be going there thinking like, oh,
• 34:47
  Speaker 1: this is just like that ride at Animal Kingdom where
• 34:50
  Speaker 1: I have no idea what the hell is happening. It's pretty,
• 34:53
  Speaker 1: but I have no context, and so it means nothing
• 34:56
  Speaker 1: to me. On a on a recent episode of a
• 34:58
  Speaker 1: bim Bam, Justin mcilroyd talks about going to see Avatar
• 35:02
  Speaker 1: with the Way of Water and it's hilarious. If you're
• 35:04
  Speaker 1: also the family, you should watch it. Yes, he might
• 35:07
  Speaker 1: have done it well well, perhaps aided by medicinal um things. Yes. Anyhow,
• 35:20
  Speaker 1: that's how you get things like the Razzie Awards, which
• 35:23
  Speaker 1: we're going to talk about next. Yeah, So the Razzies,
• 35:26
  Speaker 1: and if you're not familiar, the Razzies are kind of
• 35:30
  Speaker 1: a tongue in cheek uh quote unquote awards show where
• 35:36
  Speaker 1: this group of folks pick out the worst of stuff
• 35:40
  Speaker 1: to come out in Hollywood. So a film that is
• 35:44
  Speaker 1: just a complete train wreck could get nominated for a Razzie.
• 35:48
  Speaker 1: Worst Performance is a category. It's you know, it's meant
• 35:54
  Speaker 1: to make fun of misfires essentially, and in some case
• 36:00
  Speaker 1: says like it's. In fact, on a lot of cases,
• 36:03
  Speaker 1: it can be a high profile, big budget film that
• 36:07
  Speaker 1: just didn't work for whatever reason. I have not always
• 36:10
  Speaker 1: agreed with some of the Razzies nominations. I felt that
• 36:15
  Speaker 1: in some cases I thought, wow, you're being unfair because
• 36:18
  Speaker 1: this movie was meant to be kind of a a
• 36:21
  Speaker 1: send up or something like. It wasn't meant to be
• 36:23
  Speaker 1: taken seriously, and to hold it to that is unfair.
• 36:29
  Speaker 1: But there's a different objection this year, Yeah, and that's
• 36:34
  Speaker 1: that they nominated a twelve year old actress, UH Ryan
• 36:38
  Speaker 1: Kira Armstrong for Worst Actress. She was in the reboot
• 36:42
  Speaker 1: of uh fire Starter, which is a Stephen King novel um.
• 36:46
  Speaker 1: The original one star Drew Barrymore and this one stars
• 36:49
  Speaker 1: Ryan Kira Armstrong and Zac Efron, and a bunch of
• 36:54
  Speaker 1: people said, you should you shouldn't do that to a
• 36:56
  Speaker 1: twelve year old one. It could hurt her career and too.
• 37:01
  Speaker 1: More importantly, when you're a kid, you don't always you're
• 37:08
  Speaker 1: still learning, right, and a lot of it is directorial
• 37:12
  Speaker 1: or writing choices, and you may not have the There
• 37:17
  Speaker 1: are some people like Michelle Nichols who could take any
• 37:20
  Speaker 1: script and make it art. Um. That takes years and
• 37:24
  Speaker 1: years and years of practice and knowledge and confidence, confidence
• 37:29
  Speaker 1: and fine tuning your craft. It's you know, I'm sure
• 37:32
  Speaker 1: there are twelve year olds out there who could do that. Um.
• 37:35
  Speaker 1: But it's it's just not a very kind or nice
• 37:39
  Speaker 1: thing to do. And I feel like that's a lot
• 37:41
  Speaker 1: of the Razzies. I used to enjoy them, but I
• 37:42
  Speaker 1: feel like it's a little too mean spirited. It's a
• 37:45
  Speaker 1: little too mean spirited. Maybe it's a product for a
• 37:48
  Speaker 1: bygone era at this point. Yeah, I agree, like the
• 37:53
  Speaker 1: the Razzies like when it's done really tongue in cheek,
• 37:56
  Speaker 1: like like, oh well this didn't turn out the way
• 37:59
  Speaker 1: you wanted it too, and it can be done in
• 38:02
  Speaker 1: a lighthearted way. You can have fun with it. I mean,
• 38:05
  Speaker 1: there have actually been actors who have shown up to
• 38:08
  Speaker 1: the Razzies and accepted their award in person and that yeah,
• 38:14
  Speaker 1: because they're like, yeah, you're right, that was a stinker.
• 38:17
  Speaker 1: That was not my best work, and thank you for
• 38:20
  Speaker 1: the award and like, you know, they have fun with it,
• 38:22
  Speaker 1: they own it. But yeah, it's different when you're a kid.
• 38:25
  Speaker 1: And I think there's no better way of thinking about
• 38:31
  Speaker 1: this than to consider the sad story of Jake Lloyd,
• 38:34
  Speaker 1: who played Anakin Skywalker in the in The Phantom Menace,
• 38:37
  Speaker 1: who also got nominated for a Razzie. Yeah, and don't
• 38:41
  Speaker 1: get me wrong, I hated his performance. I hate it.
• 38:47
  Speaker 1: I did not like that. I did not like The
• 38:49
  Speaker 1: Phantom Menace. I hated Jake Lloyd's performance in that movie.
• 38:54
  Speaker 1: At no point did I blame him because George Lucas
• 38:58
  Speaker 1: is a terrible direct It's true, he's a bad director.
• 39:03
  Speaker 1: When when your two directions are faster and more intense,
• 39:07
  Speaker 1: and that's it, you are a bad director. Work can
• 39:11
  Speaker 1: work for some things, but it definitely it doesn't have
• 39:15
  Speaker 1: ebbs and flows if that's what you're doing. McAuley culkin
• 39:18
  Speaker 1: also got had gotten nominated for three performances in when
• 39:22
  Speaker 1: he was still a kid. And yeah, so I think
• 39:27
  Speaker 1: the bigger problem I have is that originally, they the
• 39:32
  Speaker 1: runners of the Razzies kind of said she's she's only twelve,
• 39:35
  Speaker 1: but she is an experienced actress, and uh, you know,
• 39:40
  Speaker 1: so because she also was in uh Black Widow and
• 39:45
  Speaker 1: the Tomorrow War. Uh. But eventually they removed her from
• 39:50
  Speaker 1: the category and apologize, just like last year they got
• 39:54
  Speaker 1: rid of the worst category or the category force performance
• 39:57
  Speaker 1: by Bruce Willis. So like, I kind of I kind
• 40:01
  Speaker 1: of don't like that they got defensive at first. I
• 40:03
  Speaker 1: understand it, but I don't agree with it. But I
• 40:06
  Speaker 1: am glad that they are trying to make corrections when
• 40:08
  Speaker 1: they realize that maybe something they've done is more harmful
• 40:11
  Speaker 1: than funny. Yeah, I agree. I think being defensive it's
• 40:16
  Speaker 1: a natural reaction, one that you have to work to suppress.
• 40:20
  Speaker 1: I know personally, that's one of the things that I
• 40:23
  Speaker 1: really struggle with, Like if if I encounter so I'm
• 40:27
  Speaker 1: being nasty to me on Twitter, I have to I
• 40:31
  Speaker 1: have to actively suppress my desire to fire back, um
• 40:37
  Speaker 1: and and I don't always succeed. And so I agree,
• 40:41
  Speaker 1: like I wish that they had been able to withhold
• 40:45
  Speaker 1: that initial response, but the fact that they're actually trying
• 40:49
  Speaker 1: to make good on it now I think speaks volumes.
• 40:53
  Speaker 1: And I also agree. I think it's just as crappy
• 40:55
  Speaker 1: to dump on kids like just don't like don't because
• 41:00
  Speaker 1: you know, it's not their fault. Most of the time,
• 41:04
  Speaker 1: when a performance is bad, it's that, you know, for
• 41:07
  Speaker 1: whatever reason, the director was unable or unwilling to work
• 41:12
  Speaker 1: with the kid to get a good performance out or
• 41:15
  Speaker 1: whatever they wanted, And that to me just says that
• 41:18
  Speaker 1: the director really has fallen far short of where they
• 41:24
  Speaker 1: need to be. Look, and there are certainly kids that
• 41:27
  Speaker 1: have There's certainly kids that have, you know, a huge
• 41:34
  Speaker 1: amount of self confidence, and it can it can be
• 41:36
  Speaker 1: hard to break through that. You know. Um, kids can
• 41:40
  Speaker 1: think that they are right above adults so easily. Um.
• 41:44
  Speaker 1: But yeah, it's if you've got a good working team,
• 41:47
  Speaker 1: then you can work through that. Yeah. Well, now we're
• 41:51
  Speaker 1: getting to the news story. Believe it or not. This
• 41:53
  Speaker 1: is the forty minutes in. This is the news story
• 41:56
  Speaker 1: that was originally in the thirty seconds or less and
• 41:58
  Speaker 1: we moved it up to news and it's that Schmiga
• 42:01
  Speaker 1: Dune season two, which will begin in April, uh is
• 42:05
  Speaker 1: going to have the characters who are stuck in musical
• 42:11
  Speaker 1: world now transition into a world of musicals based around
• 42:16
  Speaker 1: the sixties and seventies era musicals, namely Chicago. So it's
• 42:21
  Speaker 1: going to be called Chicago. Yeah, and so because the
• 42:25
  Speaker 1: obviously the first one being Schmiga Dune, was a play
• 42:27
  Speaker 1: on Briga Dune, this one being a play on the
• 42:33
  Speaker 1: the Chicago musical. I thought the reason why I thought
• 42:36
  Speaker 1: we should move this over into full discussion is because one,
• 42:41
  Speaker 1: I am delighted that they're from one season to the next,
• 42:46
  Speaker 1: they're transitioning from one style of musical to a totally
• 42:51
  Speaker 1: different style of musical. And also it makes me excited
• 42:54
  Speaker 1: about what could potentially come in the future should there
• 42:57
  Speaker 1: be subsequent seasons of this show. And first off, let's
• 43:02
  Speaker 1: kind of talk about the differences between the classic era
• 43:07
  Speaker 1: of musicals, like the Rogers and Hammerstein era of musicals,
• 43:10
  Speaker 1: and then what we started to get in the sixties
• 43:12
  Speaker 1: and seventies. And so you think back on like the
• 43:16
  Speaker 1: big musicals of the classic era, stuff like Brigadoon or
• 43:21
  Speaker 1: My Fair Lady or The Music Man or Name or
• 43:27
  Speaker 1: South Pacific or Oklahoma all these things. Uh, they're these big,
• 43:32
  Speaker 1: lush musicals that are mostly wholesome, or at least they
• 43:38
  Speaker 1: attempt to be wholesome in the middle, Like they're not
• 43:41
  Speaker 1: very edgy. Most of these classic musicals. You know, there's
• 43:45
  Speaker 1: there's obviously there's there's conflict, because without conflict you have
• 43:49
  Speaker 1: no story. But they're not edgy romantic era. Yes, in
• 43:56
  Speaker 1: the sixties and seventies decided to get way more edgy
• 43:59
  Speaker 1: and and kind of sleazy and dirty. So the sleazy era, which,
• 44:07
  Speaker 1: by the way, if that sounded weird, it's because my
• 44:10
  Speaker 1: connection cut out right in the middle of my long
• 44:12
  Speaker 1: diet tribe about the history of musicals. But the sleazy
• 44:15
  Speaker 1: eras when we got things like Chicago, we got Cabaret,
• 44:19
  Speaker 1: which is very dark musical. Uh we we started to
• 44:23
  Speaker 1: get Sondheim's work, like early kind of dark and cynical work,
• 44:28
  Speaker 1: which would continue on throughout most of his career. And yeah,
• 44:33
  Speaker 1: it's a very different sound and style and theme from
• 44:38
  Speaker 1: the musicals that came before. It, much more cynical than
• 44:43
  Speaker 1: the kind of sincere musicals of the past. And so
• 44:47
  Speaker 1: I suspect that's going to really inform season two of
• 44:51
  Speaker 1: this show. Yeah, I I'm looking forward to to. I
• 44:58
  Speaker 1: I know, like the fifties and sixties generation of musicals
• 45:01
  Speaker 1: is outdated. There's a lot of you know, old school
• 45:05
  Speaker 1: lines of thought and storylines and plots in there, but
• 45:07
  Speaker 1: I still really enjoy it as a product of its
• 45:09
  Speaker 1: of its day and time. I like Chicago a lot Cabaret.
• 45:16
  Speaker 1: It's interesting that you're like the air of the sixties
• 45:18
  Speaker 1: and seventies was just kind of like grungier and grittier
• 45:22
  Speaker 1: and more crass, because like both two of two of
• 45:26
  Speaker 1: the uh musicals that you mentioned, Chicago and Cabaret, are
• 45:31
  Speaker 1: not set in the sixties and seventies. Well, no, but
• 45:35
  Speaker 1: then a lot of the musicals from the classic era
• 45:37
  Speaker 1: of musicals are set in like you know, early nine hundreds,
• 45:42
  Speaker 1: music Man, Oklahoma, that kind of stuff. That's true. I
• 45:46
  Speaker 1: there are lots of sixties and seventies musicals I like.
• 45:49
  Speaker 1: I can say, like I'm looking forward to the second
• 45:52
  Speaker 1: season of Spigadoon. I guess I'm looking forward to Chicago.
• 45:56
  Speaker 1: I don't know if you can call it the second
• 45:58
  Speaker 1: season of Schmigadoon. Uh, but I definitely it's not my
• 46:02
  Speaker 1: favorite era of of musical person. It's not my favorite,
• 46:07
  Speaker 1: But there are some like I think Cabaret is brilliant.
• 46:11
  Speaker 1: I think Chicago is entertaining. I don't think it's brilliant. Um.
• 46:15
  Speaker 1: I think, uh, you know, you get into things like
• 46:18
  Speaker 1: God's Spell, you know, you get into some other stuff
• 46:22
  Speaker 1: where like hair, you get into some musicals that are
• 46:26
  Speaker 1: a little more psychedelic, because that's also what you get
• 46:29
  Speaker 1: in this era, right, not just the sleazy grungy, but
• 46:32
  Speaker 1: the psychedelic and the spiritual musicals start to rise in
• 46:36
  Speaker 1: the sixties and seventies, and I wouldn't be surprised if
• 46:38
  Speaker 1: some of that plays out. Like if they have a
• 46:41
  Speaker 1: character who is kind of the hippie type character who
• 46:46
  Speaker 1: is is supposed to be sort of the stand in
• 46:49
  Speaker 1: for all the spiritual musicals. I think that could be
• 46:51
  Speaker 1: a lot of fun. But what this really has to
• 46:53
  Speaker 1: be excited for is that they're able to do a
• 46:57
  Speaker 1: third series of the show, a third season the show
• 47:01
  Speaker 1: that will get the spectacle musical season because you look
• 47:06
  Speaker 1: at the eighties, Oh my gosh, is it bombastic, over
• 47:10
  Speaker 1: the top special effects, huge sets, huge casts. Are you
• 47:15
  Speaker 1: Are you saying this because of Starlight Express? I think
• 47:17
  Speaker 1: that's seventies, but I could be wrong. Well, technically, yes,
• 47:20
  Speaker 1: Starlight Express was towards the end of the seventies. But
• 47:22
  Speaker 1: now I'm thinking I am thinking about a lot about
• 47:24
  Speaker 1: Andrew laid Webber, Like Andrew Lloyd Webber owned the early
• 47:28
  Speaker 1: eighties with like Phantom of the Opera and Cats. Goodness knows,
• 47:32
  Speaker 1: Cats dominated the discussion and musicals for a while. I
• 47:36
  Speaker 1: actually like Cats. I have seen Cats three times in theater,
• 47:42
  Speaker 1: like as in the actual full musical. It is the
• 47:45
  Speaker 1: first show I ever saw on Broadway. I never wanted
• 47:48
  Speaker 1: to see it, and I've seen it three times. I
• 47:51
  Speaker 1: mean again, I like the spectacle musical. You know. One
• 47:54
  Speaker 1: of the things I liked about seeing Beetlejuice over the
• 47:56
  Speaker 1: summer was the stagecraft that spect to go right. Yeah,
• 48:01
  Speaker 1: so um, I get that. I look forward to it too.
• 48:05
  Speaker 1: It's interesting to me because we're getting all of the
• 48:08
  Speaker 1: character all the actors we loved, Cecily strong Key, Allen Cuming,
• 48:13
  Speaker 1: you know, Jakokowski, Dove Cameron, all those people, christ and
• 48:16
  Speaker 1: chanow eppin More and Aaron Tvette, uh to vi it, toright,
• 48:21
  Speaker 1: thank you. But we are also getting Titus Burgess and
• 48:24
  Speaker 1: Patrick Page, and I don't I don't know either of
• 48:28
  Speaker 1: them would be the best hippie. Maybe Patrick Page. We're
• 48:31
  Speaker 1: getting oh my god, oh my god, oh a base
• 48:38
  Speaker 1: hippie like not Bassis and b A S C. I
• 48:41
  Speaker 1: mean b A S S that guy like so he
• 48:45
  Speaker 1: was Hades in Hades Town in the original cast, and
• 48:48
  Speaker 1: his voice he can go so low it is like
• 48:53
  Speaker 1: it will rumble your seat, that's how low he can
• 48:56
  Speaker 1: get his voice to go. Um. And he recently left
• 49:00
  Speaker 1: the role of Hades on Broadway after after essentially being
• 49:04
  Speaker 1: with that show with every iteration once it had started development,
• 49:08
  Speaker 1: all the way to going to Broadway. I could gush
• 49:11
  Speaker 1: about him forever. Also, did you know that he married
• 49:15
  Speaker 1: the woman who was the host of Trading Spaces on
• 49:19
  Speaker 1: uh TLC way back in the day, whose first name
• 49:22
  Speaker 1: is Page, so she's technically Page Page. I didn't know that,
• 49:25
  Speaker 1: but that is delightful. Um. I'm excited about Titus Burgess.
• 49:29
  Speaker 1: I love him. I didn't know who he was until
• 49:32
  Speaker 1: Kimmi Schmidt. Yeah, but he played He played Sebastian the
• 49:36
  Speaker 1: Crab in the Broadway version of Little Mermaid. Yeah, yeah,
• 49:40
  Speaker 1: he said a bunch of stuff. He auditioned for The
• 49:42
  Speaker 1: Lion King a bunch of times, and I feel a
• 49:44
  Speaker 1: little bit feeled him there because I also auditioned for
• 49:46
  Speaker 1: the Lion King. I did not get it. They were
• 49:48
  Speaker 1: not looking for my type at all. Uh, it was
• 49:50
  Speaker 1: the touring show. I wanted to be a hyena that
• 49:54
  Speaker 1: didn't happen. It's fine, it's fine. She's totally over it now.
• 50:00
  Speaker 1: I'm totally over it now. I mean everything in my
• 50:03
  Speaker 1: You know, you have experiences in life, and they always
• 50:05
  Speaker 1: lead up to where you are now. And I'm happy
• 50:07
  Speaker 1: where I am now. I love the life I've had
• 50:10
  Speaker 1: so far, and I look forward to everything in the future.
• 50:12
  Speaker 1: So that's just a wonderful, cool experience in the long
• 50:15
  Speaker 1: list of experiences I've had. That being said, if they
• 50:18
  Speaker 1: don't get to the Julie Taymor era of musicals within
• 50:22
  Speaker 1: this series and they don't bring Titus Burgess back for
• 50:25
  Speaker 1: the Lion King, I will be sorely disappointed. Yeah, well,
• 50:29
  Speaker 1: I think about it like this opens up so many
• 50:31
  Speaker 1: other Like I never thought that this was how they
• 50:34
  Speaker 1: were going to go. Firstly, because that whole classic era
• 50:38
  Speaker 1: of musicals, there's so many you could touch on. Like
• 50:42
  Speaker 1: they obviously took inspiration from the biggest names in those
• 50:46
  Speaker 1: those musicals, but there are a lot of other ones
• 50:49
  Speaker 1: that are out there that they could have tapped into
• 50:51
  Speaker 1: as well. So the idea of going forward in that
• 50:54
  Speaker 1: and potentially doing it again and maybe even again means
• 50:58
  Speaker 1: that like three seas from now, we can look forward
• 51:01
  Speaker 1: to the jukebox musical version of Schmick a Dune, Yeah,
• 51:07
  Speaker 1: which will come with a whole host of technical ramifications
• 51:10
  Speaker 1: that they have to work through. Um. I'm delighted because honestly,
• 51:15
  Speaker 1: I wasn't sure when Schamiga Dune came out if we
• 51:17
  Speaker 1: were only going to get one season. Yeah, like because
• 51:20
  Speaker 1: some shows, some shows are built that way. It's like,
• 51:24
  Speaker 1: we have this fun idea, but it's a mini series
• 51:26
  Speaker 1: because that's all we've got. So I'm so delighted. I
• 51:32
  Speaker 1: you know, I absolutely love I'm still missing Gallivant. Um. Yeah.
• 51:36
  Speaker 1: I actually bought that on DVD so that I could
• 51:38
  Speaker 1: watch it whenever I wanted to. I love that show
• 51:42
  Speaker 1: so much, um, and I'm really looking forward to it,
• 51:45
  Speaker 1: and also also to have to get go into Chicago
• 51:50
  Speaker 1: into that sixties and seventies era with Alan coming on
• 51:53
  Speaker 1: your cast. How perfect. I mean I saw Allen coming
• 51:57
  Speaker 1: in Cabaret and so yeah, I will forever be kicking
• 52:04
  Speaker 1: myself that I wasn't sitting on an aisle where he
• 52:06
  Speaker 1: came out and picked people to dance with. And I
• 52:08
  Speaker 1: couldn't dance with Ellen Guming on stage at Broadway. Yeah,
• 52:12
  Speaker 1: I have a friend. I have a friend who has
• 52:14
  Speaker 1: done a few fundraiser things with him, and she always
• 52:17
  Speaker 1: talks very highly of him. That's cool. Yeah, I'm also
• 52:21
  Speaker 1: very curious to see his his character in the show Traders,
• 52:25
  Speaker 1: the reality show murder mystery thing that I'll talk about.
• 52:29
  Speaker 1: I don't even know what like. I still don't know
• 52:31
  Speaker 1: what to think about that. Well, for one thing, he's
• 52:33
  Speaker 1: speaking in his normal, his actual accent, which is you're
• 52:37
  Speaker 1: like what, yeah, uh, well, you know you're really looking
• 52:42
  Speaker 1: forward to Chicago, And now I know because there's a
• 52:46
  Speaker 1: new trailer out that has completely addressed all of our
• 52:51
  Speaker 1: concerns for the live action Dungeons and Dragon's movie. So
• 52:56
  Speaker 1: you're looking forward to that now too, right, Ariel more
• 52:59
  Speaker 1: than you? I mean, that's fair. Probably everybody is looking
• 53:03
  Speaker 1: forward to it more than I am. So uh. Jonathan
• 53:06
  Speaker 1: watched this new trailer before I did. I was like,
• 53:10
  Speaker 1: am I just losing my sense of humor? They? I
• 53:12
  Speaker 1: know they put jokes in here, but they just aren't
• 53:14
  Speaker 1: very funny to me. And when I watched it, I
• 53:17
  Speaker 1: agree that the jokes that they put in there were
• 53:19
  Speaker 1: not funny. Taken out of context, I could see how
• 53:23
  Speaker 1: they might be humorous in a story where I have
• 53:27
  Speaker 1: already learned the characters and I am in the middle
• 53:29
  Speaker 1: of their journey with them. But I do feel like
• 53:32
  Speaker 1: this trailer, taking those jokes out of context made it
• 53:34
  Speaker 1: not funny. That being said, I am really looking forward
• 53:39
  Speaker 1: to um Renee Sean Page and um gosh, Justice Smith.
• 53:49
  Speaker 1: I do like their banter back and forth in the
• 53:53
  Speaker 1: in the trailer, I think Justice Smith looks like the
• 53:55
  Speaker 1: most fun character so far. I don't know is that
• 53:59
  Speaker 1: I get his name right. Maybe Honestly, at this point,
• 54:03
  Speaker 1: I've given up on this movie. So um I so.
• 54:09
  Speaker 1: So there's one gag. It's it's at the end of
• 54:12
  Speaker 1: the trailer, right, and that's you want people when they're
• 54:14
  Speaker 1: seeing the trailer, you want that last shot to be
• 54:17
  Speaker 1: your your, your hook. That's definitely gonna hook them to
• 54:20
  Speaker 1: come and see the movie. And the gag is that
• 54:23
  Speaker 1: you have a character who's explaining that the path forward
• 54:27
  Speaker 1: has this massive trap associated with it and they have
• 54:30
  Speaker 1: to be very careful. And meanwhile, in the background, you
• 54:33
  Speaker 1: see that one of the characters is moving forward, takes
• 54:36
  Speaker 1: one step onto this bridge, the whole bridge collapses, and
• 54:40
  Speaker 1: then the guys like I triggered the mechanism or I
• 54:43
  Speaker 1: think I may have triggered the mechanism. And I'm like,
• 54:45
  Speaker 1: it's an old, old joke. You see it coming from
• 54:49
  Speaker 1: a mile away because we've seen movies before. If you
• 54:52
  Speaker 1: if D and D is your first movie, first I'm sorry,
• 54:55
  Speaker 1: and second maybe it'll surprise you. But otherwise it won't.
• 54:59
  Speaker 1: And I couldn't even muster up a chuckle. I mean again,
• 55:04
  Speaker 1: it fell a little flat. I I look more forward
• 55:11
  Speaker 1: to seeing certain people play the characters in their play
• 55:13
  Speaker 1: that they're playing, Like Chris Pine playing a rogue then
• 55:17
  Speaker 1: or whatever. He's playing a bard, yeah, which is brilliant.
• 55:22
  Speaker 1: You know. He was also the prince in in the
• 55:24
  Speaker 1: movie version of Once Upon Uh into the Woods ha,
• 55:29
  Speaker 1: the the like the the theatrical movie, not the Bernardette
• 55:33
  Speaker 1: Peters brilliant stage. Yeah. So like I look forward to
• 55:40
  Speaker 1: seeing them in those characters. The storyline hasn't grabbed me,
• 55:42
  Speaker 1: the jokes don't look great. I'm still going to see it.
• 55:45
  Speaker 1: If I can go in expecting nothing, I'm hoping it
• 55:49
  Speaker 1: will at least hit Van Helsing level of entertainment for me. Yeah,
• 55:55
  Speaker 1: I mean I think it could definitely hit Van Helsing
• 55:58
  Speaker 1: level quality. You listen. I enjoyed that movie, okay, and
• 56:07
  Speaker 1: it all goes it all. It all comes down to
• 56:10
  Speaker 1: what expectations I set going in to see a movie. Well,
• 56:14
  Speaker 1: let's talk about a totally different trailer we also saw
• 56:17
  Speaker 1: this week, which is for a very different kind of movie,
• 56:21
  Speaker 1: and that was the trailer for She Came from the Woods.
• 56:24
  Speaker 1: Because it's not a week unless Jonathan makes me watch
• 56:27
  Speaker 1: a horror trailer. Now. To be fair, I feel like
• 56:31
  Speaker 1: this horror movie is almost like a horror comedy or
• 56:35
  Speaker 1: maybe a horror with some comedic elements to it because
• 56:39
  Speaker 1: it opens like it's wet, hot American summer. It does,
• 56:44
  Speaker 1: but you see, Okay, so I have thoughts on this,
• 56:46
  Speaker 1: and this is exactly where my thoughts are. They're playing
• 56:49
  Speaker 1: it like it should be a a wet, hot American
• 56:52
  Speaker 1: summer horror like it it should be a dark comedy, right,
• 56:58
  Speaker 1: But it doesn't look funny all They play fun, happy music,
• 57:03
  Speaker 1: but there's no humor in the trailer to me, just
• 57:06
  Speaker 1: because they try to set that tone, like, none of
• 57:08
  Speaker 1: the scripting leads to that for me. I mean, you've
• 57:12
  Speaker 1: got the little kid who's being very rude to the
• 57:15
  Speaker 1: counselor as the kids walking along on crutches. Um, So
• 57:20
  Speaker 1: like there's there's like some stuff there where I'm like,
• 57:23
  Speaker 1: I think I see where they're going. Maybe the trailer
• 57:26
  Speaker 1: is trying to lean into that too hard, and it's
• 57:29
  Speaker 1: trying to make it into something that's not kind of
• 57:32
  Speaker 1: like how like when I think of trailers that ended
• 57:35
  Speaker 1: up being a bad representation or maybe ultimately a good
• 57:39
  Speaker 1: representation of the movie Suicide Squad, the not the James gunwin,
• 57:43
  Speaker 1: but the first one is one I think about where like,
• 57:48
  Speaker 1: because the trailer got a big reaction, they actually the
• 57:51
  Speaker 1: studio went back and recut the film to be more
• 57:54
  Speaker 1: like the trailer, which did not do the movie any favors. Um.
• 57:59
  Speaker 1: And we've seen other movies where the trailer that you
• 58:02
  Speaker 1: get is not necessarily a good representation of the film.
• 58:07
  Speaker 1: In some cases, it's because the film itself is very
• 58:10
  Speaker 1: hard to market, Like it's how do you market this movie?
• 58:13
  Speaker 1: And you may just have to be like, well, we're
• 58:15
  Speaker 1: gonna have to do a bait and switch because we
• 58:17
  Speaker 1: can't market it the way it is. And maybe that's
• 58:20
  Speaker 1: the case with this one. Um. But yeah, it didn't
• 58:23
  Speaker 1: it didn't look well, it didn't look particularly scary. To me,
• 58:27
  Speaker 1: I mean, we've so the kid on crutches wasn't really
• 58:32
  Speaker 1: funny to me. And maybe I'm having the reaction you
• 58:36
  Speaker 1: had to the D and D trailer with this, because yeah,
• 58:38
  Speaker 1: they started it, and the way that it was edited
• 58:40
  Speaker 1: and the way that it was scored felt like it
• 58:42
  Speaker 1: should have some funny punches in there at the very
• 58:46
  Speaker 1: least Cabin Cabin in the Wood, she came from the woods. No,
• 58:50
  Speaker 1: I'm saying, at least similar to Cabin and Oh Got
• 58:53
  Speaker 1: You Got You, Got You Got You, which was very scary,
• 58:56
  Speaker 1: but also had some very funny self self reference a
• 59:00
  Speaker 1: moments in it. Um, but it was written just like Friday, like, yeah,
• 59:05
  Speaker 1: there were Bradty kids. But in any camp horror story
• 59:09
  Speaker 1: with which we've had many, you know, children's camp is
• 59:13
  Speaker 1: a great place to set a serial killer or a
• 59:15
  Speaker 1: scary ghost or whatever. That's why people tell ghost stories
• 59:18
  Speaker 1: at them. I've never been to a children's camp, like
• 59:21
  Speaker 1: a sleepover camp like that, but um, you know it's
• 59:24
  Speaker 1: it's a big part of it. It just it felt
• 59:29
  Speaker 1: just like a horror movie with there. It didn't feel
• 59:31
  Speaker 1: like they actually put in any jokes. To me, It's
• 59:34
  Speaker 1: what it felt like was at least the trailer. The
• 59:37
  Speaker 1: trailer felt like what the trailer was trying for was wet,
• 59:39
  Speaker 1: hot American summer meets Blair Witch project. That's kind of
• 59:43
  Speaker 1: what I came away from. I didn't think it did
• 59:46
  Speaker 1: either successfully. I didn't think that. I didn't think it
• 59:49
  Speaker 1: was coming across funny enough to be a comedy, And
• 59:51
  Speaker 1: it didn't look it didn't look inventive enough to be
• 59:57
  Speaker 1: an interesting horror movie. It might be a very good
• 1:00:00
  Speaker 1: version of what it is, which looks like kind of
• 1:00:03
  Speaker 1: you know, a ghost in the woods or some supernatural
• 1:00:07
  Speaker 1: force in the woods, stalking camp counselor movies, and as
• 1:00:12
  Speaker 1: you say, areeal. We have had a whole bunch of
• 1:00:16
  Speaker 1: these over the years. Yeah, the eighties had like thirty
• 1:00:20
  Speaker 1: of these movies. So, um, I don't know if it's
• 1:00:23
  Speaker 1: going to do anything new with the formula to make
• 1:00:26
  Speaker 1: it stand out. It may just end up being a
• 1:00:30
  Speaker 1: decent version of that kind of story. But yeah, I
• 1:00:34
  Speaker 1: don't think it really nails the super scary horror or
• 1:00:40
  Speaker 1: the very funny, dark comedy kind of stuff in the
• 1:00:44
  Speaker 1: last Yeah, in the last ten years, wasn't there. I know.
• 1:00:48
  Speaker 1: I watched this, there was like some horror comedy that
• 1:00:51
  Speaker 1: came out that was about like a theater summer camp
• 1:00:55
  Speaker 1: that was kind of funny. I don't remember. I don't
• 1:00:58
  Speaker 1: think i've seen that one. It was like a B
• 1:01:00
  Speaker 1: level movie. I'll have to if anybody out there knows
• 1:01:03
  Speaker 1: what it is, good on you if you want to, yes, hey,
• 1:01:10
  Speaker 1: riff for a bit, because I'm gonna look look it up. Okay, Well,
• 1:01:13
  Speaker 1: I'll just say that theater Camp is a horror all
• 1:01:16
  Speaker 1: by itself, and you don't need anything else on top
• 1:01:20
  Speaker 1: of it other than a bunch of theater kids all
• 1:01:22
  Speaker 1: in a camp at the same time, because that's gonna
• 1:01:27
  Speaker 1: get scary in ways you don't anticipate. Stage Fright was
• 1:01:30
  Speaker 1: the name of it. I had not heard of this movie.
• 1:01:33
  Speaker 1: I'll have to look it up now. It uh started
• 1:01:35
  Speaker 1: Ali McDonald, Douglas Smith, Mini Driver, meat Loaf and Brandon
• 1:01:39
  Speaker 1: euroanoits or whatever from several years ago. It's from two
• 1:01:43
  Speaker 1: thousand fourteen, So I said about ten years ago. It's
• 1:01:47
  Speaker 1: really dumb. It's not a good movie. It's like a
• 1:01:50
  Speaker 1: B movie. But it was entertaining this I think because
• 1:01:54
  Speaker 1: I saw that that's what I wanted. She came from
• 1:01:56
  Speaker 1: the woods to be from the opening riff, and that's
• 1:01:59
  Speaker 1: not what it was. Uh. Speaking of trailers that are
• 1:02:02
  Speaker 1: successful or not, did you think this m TO trailer
• 1:02:05
  Speaker 1: was successful? I wrote in the notes that said, I
• 1:02:08
  Speaker 1: think this trailer is better than the first one in
• 1:02:11
  Speaker 1: the sense that it gives me a little bit of
• 1:02:13
  Speaker 1: a better appreciation of what is going on in the
• 1:02:17
  Speaker 1: second movie, beyond just shots of people turning into their
• 1:02:21
  Speaker 1: heroic versions and then going all PS four battle scene, um,
• 1:02:27
  Speaker 1: which we've seen a billion times, both in d C
• 1:02:30
  Speaker 1: and in Marvel. Marvel is really guilty of this. We've
• 1:02:33
  Speaker 1: talked about it how Marvel movies often can be really
• 1:02:37
  Speaker 1: entertaining and then you get to the last fight and
• 1:02:39
  Speaker 1: it all kind of just turns into a video game. Um.
• 1:02:43
  Speaker 1: That was the problem I had with the first ZAM trailer.
• 1:02:45
  Speaker 1: First trailer four Sheasam to. I can't say the first
• 1:02:49
  Speaker 1: Sheasam trailer, but but yeah, this one I felt gave
• 1:02:53
  Speaker 1: us a little bit more about the conflict going on
• 1:02:56
  Speaker 1: and about how Billy Is is struggling with what is
• 1:03:01
  Speaker 1: in front of him. And I appreciated this trailer more.
• 1:03:07
  Speaker 1: It still doesn't make me want to watch the movie.
• 1:03:09
  Speaker 1: I watched the first one and I thought it was fine.
• 1:03:12
  Speaker 1: Um as for d C standards, I thought it was great,
• 1:03:16
  Speaker 1: Beau because it because compared to other DC movies it
• 1:03:19
  Speaker 1: was joyful. But um, halfway it was halfway joyful. Well,
• 1:03:25
  Speaker 1: if you compare it to the stuff that came before it,
• 1:03:27
  Speaker 1: you compared to Batman versus Superman, it was it was
• 1:03:30
  Speaker 1: positively a day at the State Fair compared like the
• 1:03:34
  Speaker 1: villain eating people's heads off day at the State Fair
• 1:03:39
  Speaker 1: with a pez dispenser. So um. But yeah, this this
• 1:03:43
  Speaker 1: one I thought was a better trailer. I I don't.
• 1:03:47
  Speaker 1: It's not gonna get me into the theater to see it,
• 1:03:49
  Speaker 1: which is unfortunate because again, this is definitely one of
• 1:03:52
  Speaker 1: those movies that's going to benefit from the theatrical experience
• 1:03:56
  Speaker 1: because there's a lot of spectacle involved. But it's as
• 1:04:00
  Speaker 1: I get older, spectacle is not enough to tempt me
• 1:04:03
  Speaker 1: into the theater. I get it. I will say for
• 1:04:06
  Speaker 1: this trailer for me, I found she'sam One very the
• 1:04:11
  Speaker 1: first she'sam So, she'sam one uneven. Some of it was
• 1:04:16
  Speaker 1: delightful and funny, and some of it was super dark,
• 1:04:19
  Speaker 1: and so I was like, who is this for? But
• 1:04:23
  Speaker 1: but the second one looks a little bit more evenly balanced. Um.
• 1:04:27
  Speaker 1: I think going into it knowing how the first one was,
• 1:04:29
  Speaker 1: I'll enjoy it more. I agree, I think it's it
• 1:04:32
  Speaker 1: looks a little bit better to me than the first one. Um.
• 1:04:35
  Speaker 1: I also see how if they were going to take
• 1:04:38
  Speaker 1: this movie to wrap up the Chasam storyline, how they
• 1:04:40
  Speaker 1: could do it. Um, which gave me this random thought
• 1:04:43
  Speaker 1: as I was watching the trailer of like, well, Jami's
• 1:04:46
  Speaker 1: Gunn is coming in, which means She'sam's probably going away.
• 1:04:49
  Speaker 1: They haven't. I don't think they've announced it yet, but
• 1:04:52
  Speaker 1: you know, we're all expecting that. But that's got to
• 1:04:55
  Speaker 1: be a good thing, because the kids who play Billy
• 1:04:58
  Speaker 1: and and everybody else aren't gonna be kids much longer.
• 1:05:02
  Speaker 1: And then what do you do? Do you recast them?
• 1:05:04
  Speaker 1: Because part of the whole stick of Shazam is that
• 1:05:07
  Speaker 1: half of it as a kid. Yeah, yeah, Like, the
• 1:05:10
  Speaker 1: the character of Billy Battson can turn into this incredibly
• 1:05:15
  Speaker 1: like Superman level powerful hero by harnessing the power of
• 1:05:21
  Speaker 1: the gods. And yeah, if you, if you, if you're
• 1:05:25
  Speaker 1: not a kid anymore, then that takes away a major
• 1:05:28
  Speaker 1: part of what was identifying factor for the comic book,
• 1:05:33
  Speaker 1: but yeah, well, um, we'll have to see, Like I
• 1:05:36
  Speaker 1: don't I honestly, uh, I'm not sure if I saw
• 1:05:41
  Speaker 1: anything yet about their not being another Shazam, but I
• 1:05:44
  Speaker 1: want to say that I did see something like that.
• 1:05:47
  Speaker 1: If I didn't, that it's just because I anticipate that's
• 1:05:49
  Speaker 1: what's happening. I mean people have been speculating. I I honestly, Uh,
• 1:05:54
  Speaker 1: the past couple of weeks haven't kept up with all
• 1:05:56
  Speaker 1: of the d C news that's coming out other than
• 1:05:59
  Speaker 1: other than the the thing that Doom Patrol got canceled
• 1:06:01
  Speaker 1: and that James Gunn is like, hey, guys, I get
• 1:06:04
  Speaker 1: it that decision was made before me. Yeah. Well yeah,
• 1:06:08
  Speaker 1: because when you watch Doom Patrol, it feels like a
• 1:06:12
  Speaker 1: very James gunn Ish kind of series, Like it's got
• 1:06:16
  Speaker 1: a lot of the same sort of humor and edge
• 1:06:20
  Speaker 1: to it that James Gunn projects typically have. You watch
• 1:06:24
  Speaker 1: Doom Patrol and you watch you know, uh, Peacemaker, and
• 1:06:29
  Speaker 1: you're like, yeah, these two things feel like they could
• 1:06:32
  Speaker 1: exist in the same universe. Yeah, which I'm interested to
• 1:06:37
  Speaker 1: see what happens after season two of Peacemaker. Yeah, yeah, no,
• 1:06:41
  Speaker 1: no doubt, no joke. That's a no doke. No no,
• 1:06:44
  Speaker 1: I look, it's because you're you're thinking of our next
• 1:06:48
  Speaker 1: the next thing we want to talk about, which is
• 1:06:50
  Speaker 1: we have a ghost trailer. And doke is between joke
• 1:06:53
  Speaker 1: and ghosts. That's true, and you never want to joke
• 1:06:56
  Speaker 1: between a ghost. It's just it's rude. Yeah, yeah, to
• 1:07:00
  Speaker 1: plasm everywhere. We Have a Ghost is a film that's
• 1:07:05
  Speaker 1: a a comedy drama film and it involves a family
• 1:07:10
  Speaker 1: moving into a house and finding out that that house
• 1:07:14
  Speaker 1: is haunted by the ghost of David Harbor, and and
• 1:07:18
  Speaker 1: then finding out that the ghost is not necessarily malevolent.
• 1:07:22
  Speaker 1: Ghost doesn't really know why it's a ghost, doesn't have
• 1:07:25
  Speaker 1: much memory, can't speak, so unfortunately we won't. I wonder
• 1:07:29
  Speaker 1: if David Harbor was paid scale for this, because he
• 1:07:31
  Speaker 1: doesn't have any lines. Um. I am certain that he was,
• 1:07:35
  Speaker 1: because if you look, if you don't have to have
• 1:07:39
  Speaker 1: lines to be paid scale, I'm just gonna say that
• 1:07:42
  Speaker 1: you can still be a a meaner supporting character of
• 1:07:45
  Speaker 1: co star and just not have lines. It depends on
• 1:07:48
  Speaker 1: how your role factors into this story. Yeah. So he's
• 1:07:51
  Speaker 1: um obviously a central part of this, and the feeling
• 1:07:57
  Speaker 1: I got from this trailer was like, take take a
• 1:08:01
  Speaker 1: a ghost story and combine it with Harry and the
• 1:08:04
  Speaker 1: Henderson's and you kind of have we have a ghost. Yeah,
• 1:08:08
  Speaker 1: it looks fun and dorky, but it looks fun and
• 1:08:10
  Speaker 1: I'm going to take that back. He's definitely getting paid
• 1:08:13
  Speaker 1: above scale. You know, he is well. And the trailer
• 1:08:18
  Speaker 1: shows that, like the world finds out the ghosts exist
• 1:08:21
  Speaker 1: because the family is posting videos of the ghost and everything,
• 1:08:24
  Speaker 1: and that brings in government folks who are there to
• 1:08:28
  Speaker 1: try and capture the ghost. And meanwhile they're the kids
• 1:08:32
  Speaker 1: are willing to help the ghost. And it's which is
• 1:08:35
  Speaker 1: why I think it's very Harry and the Henderson's or
• 1:08:37
  Speaker 1: et like it feels like it it's falling into those
• 1:08:39
  Speaker 1: kinds of stories where it's it's kids trying to help
• 1:08:43
  Speaker 1: someone or something that is, uh, that is outside the
• 1:08:48
  Speaker 1: realm of normal for humans, and then the government is
• 1:08:52
  Speaker 1: is the bad guy that's coming into try and capture
• 1:08:56
  Speaker 1: the unique thing. Also, this is where we get to
• 1:09:01
  Speaker 1: see Captain America versus the Red Guardian for the first time,
• 1:09:08
  Speaker 1: actually versus Anthony Mackie. Uploads of appears that Anthy Maggie
• 1:09:13
  Speaker 1: uploads a video of the Ghost, which causes lots of problems,
• 1:09:16
  Speaker 1: so you could say this, okay, maybe maybe it's team up.
• 1:09:19
  Speaker 1: But also also in this movie supporting cast Jennifer Coolidge
• 1:09:23
  Speaker 1: and Tick Nataro, So yeah, a whole bunch of different
• 1:09:27
  Speaker 1: comedic stylings altogether. I once passed by tig Nataro. Are
• 1:09:32
  Speaker 1: you sure you sure it wasn't just our friend Lie Up,
• 1:09:34
  Speaker 1: because she does remind me of her a little bit. No,
• 1:09:36
  Speaker 1: it was Tig Nataro. She she was in our office
• 1:09:40
  Speaker 1: at Pont City Market, which we no longer are in
• 1:09:43
  Speaker 1: Pont City Market, but she was there to do an
• 1:09:46
  Speaker 1: interview I think, with the stuff you should know guys.
• 1:09:49
  Speaker 1: And I passed by her as I was walking out
• 1:09:53
  Speaker 1: to go get lunch. Didn't I didn't want to interrupt her,
• 1:09:57
  Speaker 1: didn't wanna, you know, throw her off or anything, didn't
• 1:10:02
  Speaker 1: want to bother her. So I just very quietly passed by.
• 1:10:06
  Speaker 1: I didn't say anything, but yeah, that was my brush
• 1:10:09
  Speaker 1: with Tig Nataro. I am, I'm I'm really sad that
• 1:10:14
  Speaker 1: there's not another season of Under a Rock with Tig Nataro.
• 1:10:17
  Speaker 1: I love just she has such an amazing, um dry
• 1:10:23
  Speaker 1: sense of humor. Yeah, and the fact that she's never
• 1:10:26
  Speaker 1: seen anything just makes it so funny. When she's interviewing
• 1:10:30
  Speaker 1: people she has no idea who they are. But but
• 1:10:32
  Speaker 1: it's not in like that insulting Larry King in a way. Anyway,
• 1:10:37
  Speaker 1: we have a Ghost. I thought it looked I thought
• 1:10:39
  Speaker 1: the trailer looked cute, and I will watch it when
• 1:10:42
  Speaker 1: it comes out on Netflix. I will watch you too. First.
• 1:10:44
  Speaker 1: I'm going to watch you people, and then I'm going
• 1:10:46
  Speaker 1: to watch We Have a Ghost. M One of those
• 1:10:48
  Speaker 1: is out already. And our last story is a feel
• 1:10:51
  Speaker 1: good story because an audience who went to see a
• 1:10:56
  Speaker 1: special screening of the Mummy. We're not talking about them
• 1:11:00
  Speaker 1: Cruise one, We're talking about the one with Brendan Fraser,
• 1:11:03
  Speaker 1: were treated to a surprise guest, that being Brendan Fraser himself,
• 1:11:08
  Speaker 1: who came to the theater and addressed the audience, which
• 1:11:12
  Speaker 1: was really cool and was really sweet about how that
• 1:11:16
  Speaker 1: film really gave him lots of opportunities and the fact
• 1:11:19
  Speaker 1: that it has a special connection with the UK, yeah,
• 1:11:23
  Speaker 1: which is where they filmed it. He showed up in costume.
• 1:11:25
  Speaker 1: It was adorable. You know, this is this is a
• 1:11:29
  Speaker 1: guy who I think when he showed up the nominations
• 1:11:33
  Speaker 1: for Oscars had already come out. Um, and so you
• 1:11:37
  Speaker 1: get nominated for an Oscar and then you just go
• 1:11:39
  Speaker 1: show up at a little showing of a movie you
• 1:11:41
  Speaker 1: did in the nineties. That's just the coolest thing to me. Yeah,
• 1:11:46
  Speaker 1: I thought it was really a nice treat. And the
• 1:11:49
  Speaker 1: fact that like he still embraces uh, this movie, which
• 1:11:54
  Speaker 1: you know, I think it's it's easy to say it's
• 1:11:57
  Speaker 1: a fan favorite film like people love and for good reason.
• 1:12:01
  Speaker 1: Is an entertaining adventure movie. We don't we don't get
• 1:12:05
  Speaker 1: a lot of those, Like we get a lot of
• 1:12:07
  Speaker 1: like mediocre adventure movies, but we don't get a lot
• 1:12:10
  Speaker 1: of really entertaining ones. And The Mummy definitely was able
• 1:12:15
  Speaker 1: to kind of straddle the line between comedy, adventure, horror,
• 1:12:20
  Speaker 1: Like I had a lot of these different genres that
• 1:12:22
  Speaker 1: were all kind of part of the movie. In fact,
• 1:12:24
  Speaker 1: Brendan Fraser talks about that when he's in front of
• 1:12:26
  Speaker 1: the crowd. He says, yeah, how do you even market
• 1:12:28
  Speaker 1: a movie like that when you can't even classify it?
• 1:12:31
  Speaker 1: But but you know, the fact that he's still very
• 1:12:35
  Speaker 1: happy and humble about all that is really cool, you know,
• 1:12:40
  Speaker 1: as opposed to Like, occasionally you get actors who don't
• 1:12:43
  Speaker 1: want to acknowledge stuff they did earlier on in their
• 1:12:47
  Speaker 1: careers that maybe helped propel them to greater stardom, but
• 1:12:51
  Speaker 1: perhaps they're not super jazz about, like it's not like
• 1:12:55
  Speaker 1: it's you know, awards worthy or whatever. I mean, it
• 1:12:59
  Speaker 1: could be. Um, I mean, but we talked about last
• 1:13:02
  Speaker 1: week how he would love to be in in some
• 1:13:04
  Speaker 1: more Mummy movies. So maybe this is just a way
• 1:13:07
  Speaker 1: of him drumming up interest and trying to get that
• 1:13:09
  Speaker 1: social push behind it, which is so very smart. Yeah,
• 1:13:13
  Speaker 1: it could be. Uh, you know, I honestly don't know.
• 1:13:16
  Speaker 1: He has a very he has a very practical way
• 1:13:19
  Speaker 1: of looking at the the business of show right, Like
• 1:13:24
  Speaker 1: if you listen to interviews with him, he has a
• 1:13:26
  Speaker 1: very pragmatic kind of point of view of how all
• 1:13:29
  Speaker 1: that works. So you could very well be on the
• 1:13:32
  Speaker 1: money with that that assertion. Yeah. Uh, but you know,
• 1:13:39
  Speaker 1: that's all the that's all the things we got to
• 1:13:41
  Speaker 1: talk about. Yeah, this was a really long episode because
• 1:13:44
  Speaker 1: we had the little little glitch in the middle. Well
• 1:13:47
  Speaker 1: you better take that out. Well I'm gonna take it out,
• 1:13:50
  Speaker 1: Like I just I don't know how bad it is yet, Like,
• 1:13:53
  Speaker 1: I won't know until I download the clips and then
• 1:13:55
  Speaker 1: I'll be like, well, I'm gonna be spending forty five
• 1:13:57
  Speaker 1: minutes just trying to get these these two halves of
• 1:14:01
  Speaker 1: the show to line up. Well, Uh, I appreciate you
• 1:14:05
  Speaker 1: doing that, Jonathan, And if you all out there appreciate
• 1:14:07
  Speaker 1: Jonathan doing that as well, you should write him and
• 1:14:10
  Speaker 1: tell him. How can they write you and tell you
• 1:14:12
  Speaker 1: this week? Jonathan? Well, first, you'll be walking down a
• 1:14:17
  Speaker 1: rainy street. It will be nighttime. There'll be a little
• 1:14:22
  Speaker 1: reflection of neon in a puddle, and if you look
• 1:14:27
  Speaker 1: down at that neon reflection, you'll see that the sign
• 1:14:31
  Speaker 1: that had said Harry Bows Roadhouse in reverse upside down
• 1:14:38
  Speaker 1: to Neon says, speak quietly and I shall hear. And
• 1:14:42
  Speaker 1: that is when you just whisper out the thing you
• 1:14:46
  Speaker 1: were thinking and it will find its way to me.
• 1:14:51
  Speaker 1: If you don't trust that method, you can also write
• 1:14:54
  Speaker 1: us on Twitter where Ellen c Underscore podcast on Instagram,
• 1:14:58
  Speaker 1: Facebook and Discord were large and r drunk Collider. Uh.
• 1:15:01
  Speaker 1: If you were in the pool for us getting a
• 1:15:05
  Speaker 1: email this week, you were almost right, but not quite um.
• 1:15:09
  Speaker 1: But if you do need a discord invite. Let me
• 1:15:13
  Speaker 1: know and I'll pop another one up on our website
• 1:15:16
  Speaker 1: www dot large your Drunk Collider, which has our show
• 1:15:19
  Speaker 1: notes for this year on it um. Yeah, well then
• 1:15:25
  Speaker 1: I guess it's time to sign off. I guess it is. Oh,
• 1:15:28
  Speaker 1: if you like us, share us with your friends, rate
• 1:15:30
  Speaker 1: review all that fun jazz. Now it's time to sign
• 1:15:34
  Speaker 1: on it and until next time. I am Jonathan Harry Bows,
• 1:15:38
  Speaker 1: Roadhouse Strickland and I am Ariel Casting. The Large NERD
• 1:15:53
  Speaker 1: Drunk Collider was created by Ariel Casting and produced, edited, published, deleted, undeleted,
• 1:16:02
  Speaker 1: published again. Curse That by Jonathan Strickland. Music by Kevin
• 1:16:07
  Speaker 1: McLeod of ingcomptech dot com