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One Piece, 422 & 423 · Spoil Me! One Piece

• 0:02
  This is an Unspoiled Network podcast. This is Spoiled Me, covering one piece
• 0:12
  episodes four twenty two and four twenty three, a deadly infiltration, the underwater
• 0:19
  prison impel down, and a reunion in hell the man who ate the Chop
• 0:26
  Chop Fruit. In this episode, we have unexpectedly teamed up question Mark with
• 0:35
  Buggy the Clown. And I'm pretty sure I mentioned Buggy and somebody asked me
• 0:44
  what I thought he was up to, and I do not think I said
• 0:49
  he's in the prison because this caught me off guard. Welcome to spoil Me,
• 1:15
  Welcome to the show everyone. I am Natasha. Thank you very much
• 1:19
  to Florian for commissioning this episode. What's up Florian? So, y'all,
• 1:29
  I don't. I am really surprised that when I started this episode we like
• 1:36
  jumped back into full time lufy. I really thought that because we had just
• 1:41
  started on seeing where everybody was and what they were up to, that we
• 1:47
  were going to continue kind of with another couple of episodes where we jumped between
• 1:53
  them and you know, see exactly what's going down where Robin is with this
• 1:59
  work can and see what's going on with Chopper and this weird bird thing,
• 2:06
  and it may be that we go back to them after this couple of episodes,
• 2:09
  but the way this one ended the second of these two, I get
• 2:15
  the feeling that we are staying with Lufy for a little bit here. So
• 2:22
  I'm really really surprised because I knew his intent was to get here and be
• 2:29
  and like take care of business without his friends, but I just didn't think
• 2:37
  he was really gonna do it. I think that's what it really comes down
• 2:40
  to. I really didn't expect him to actually attempt this all by himself,
• 2:49
  and I feel like very mixed about it, where a part of me is
• 2:55
  interested despite myself, to see how this goes when he's alone, but another
• 3:00
  part of me really misses the cruise coordinating and it's I don't know, it's
• 3:06
  sort of interesting, like how I can kind of roll my eyes at how
• 3:12
  predictably all of our friends wind up at one location but then wind up having
• 3:15
  to split up, and the ways that they usually split, like who goes
• 3:21
  with who, and it can be really similar every time. And then as
• 3:29
  much as I find myself kind of going like we've seen this before, we
• 3:32
  do something totally different here, And there's a part of me that's really uncomfortable
• 3:37
  with it, like genuinely going. But he shouldn't this like alone, come
• 3:40
  on, you know, so I this episode opens with all of our the
• 3:52
  whole thing with Ace. There's a conversation that he is having with Garb where
• 4:00
  is telling him about the chat he had with Lufy and finally telling him who
• 4:06
  Lufy's father is, and Ace has a pretty like angry reaction. Garb says
• 4:19
  it took him by a surprise, can't blame the boy, and Ace says,
• 4:27
  our fathers plural, to hell with them? And I was like,
• 4:33
  wait a second, did they have the same mom but different fathers? Or
• 4:41
  was this just like a translation mistake or because it really sounded from the way
• 4:47
  he said it like he was referring to multiple dads and they were both you
• 4:53
  know, bullshit, but they were not the same person. And he,
• 5:00
  like he Garpet expressed some hope that maybe Ace and Lufy would become marines eventually,
• 5:08
  and Ace says, to hell with you if you ever thought we would
• 5:11
  be marines. We've both got the blood of criminals running through our veins.
• 5:16
  And that was the only gift those bastards ever gave us. I took the
• 5:21
  name port gas from my mother because I owe her so much, but I
• 5:27
  don't owe my father a damned thing. I don't even remember the bastard.
• 5:32
  He can keep his name. And Garb says, I know, I know,
• 5:39
  but the man tried, he wanted to And Ace says, enough,
• 5:44
  all right, listen to me, and we get a bit of a flashback
• 5:50
  where white Beard is approaching Ace in like a desolate landscape. It's uncleared to
• 6:00
  me whether or not, like white Beard was responsible for the desolation. I'm
• 6:04
  assuming that he is, but it also puzzles me if he is, why
• 6:11
  Ace would team up with him or like, because so here's the thing.
• 6:18
  White Beard reaches a hand out to him and says, don't fight it,
• 6:24
  run wild with us, and there's all kinds of like smoke, and it
• 6:30
  seems ash floating through the air, and so I'm like, did Ace lose
• 6:36
  control of his ability? And like, it's a weird thing, because you
• 6:41
  know, normally, whenever you've got a sort of why a story about a
• 6:47
  person coming into a superpower, you always have to deal with the unintentional uses
• 6:56
  of the power, initially that happened by accident, and then eventually when they
• 7:00
  attempt to use it on purpose, the power being like wildly out of their
• 7:04
  control and they have to work to manage it and get it down to a
• 7:09
  level that isn't so totally like what's the word I want? Like? Because
• 7:16
  the analogy I think of is when you're first using a tool, you don't
• 7:24
  understand that you don't have to turn it all the way up to high,
• 7:28
  or that there is a different setting than high. So I'm almost wondering if
• 7:33
  this scene Ace did something and is like feeling frustrated and abandoned, and this
• 7:41
  guy is swooping in seeing how Ace has a power that could be super useful
• 7:46
  to him, and you know, obviously taking advantage of this kid who is
• 7:51
  in a position where it seems like nobody's really looking out for him. I
• 7:58
  don't know whether or not Ace is actually if his mother is still alive,
• 8:03
  or if he did something to her that he feels guilty about or what.
• 8:09
  But yeah, when Whitebeard says to him, join up, our flag will
• 8:13
  be yours and I'll call you son, that clearly hits something in Ace.
• 8:20
  And then we see from like the camera goes behind him and we see the
• 8:24
  tattoo on his back that is the like cross it's it's a skull and crossbones,
• 8:31
  really, but the crossbones are instead of forming an X, they form
• 8:37
  a T. I hesitate to say T because the ta has a longer tail
• 8:41
  at the bottom, and this is you know, equidistant, but you get
• 8:45
  what I'm saying. Like that, it's it's uh vertical and horizontal instead of
• 8:50
  diagonal. And then the skull on top has a giant mustache because as we
• 9:00
  have mentioned, white Beard does not have a beard, which is hilarious.
• 9:05
  And he says, white Beard is my only father, got it, old
• 9:09
  man? And Garp doesn't look pleased, but he doesn't answer, and he
• 9:16
  also doesn't move. So once again, I'm really puzzled about what amount of
• 9:22
  time is supposed to have passed, because Garp is over here with Ace in
• 9:28
  this jail, and it seems like nobody knows he's there, based on what
• 9:39
  we have seen from the security team up top. Once Lufy and Boa arrive,
• 9:46
  they keep pretty careful count of people going in and out and watch them
• 9:52
  fairly closely. And I maybe it's that Garp has permission to be here.
• 10:01
  Maybe they recognize that due to the fact that he is family and he is
• 10:05
  so high level in the Marines that he could just kind of do what the
• 10:09
  fuck he feels like, so they may fully know that he's there. The
• 10:13
  thing that I am sort of stuck on is if they didn't know he was
• 10:20
  there. We have seen in these two episodes that there are like video cameras
• 10:24
  all over the place, and if they didn't know, there's no way that
• 10:28
  they don't have cameras on Ace's cell. Like he's the primary get they're dealing
• 10:35
  with right now and they are going to be I think at the end of
• 10:41
  the first of these two episodes we find out that it's like how many days
• 10:50
  until his execution. I feel like they said like three days and something hours.
• 10:54
  I don't remember, but so yeah, I'm gonna I'm gonna go with
• 10:58
  thea that he's allowed to be here. I am thinking that because of his
• 11:07
  presence, this might allow Lufy an edge. Like Garp, I don't feel
• 11:13
  like he's going to throw in with Lufy in a real obvious way necessarily.
• 11:20
  I think that he values his position in the Marines too much for that.
• 11:26
  But I do think that he would be willing to sort of like screw up
• 11:31
  whoever's coming after Lufy and make it more difficult for them and confuse the issue,
• 11:35
  and then he had plausible deniability afterward. So Sarah him says, the
• 11:43
  very first version of that Jolly Roger for Whitebeard, the cross was amani second
• 11:50
  line at a ninety degree angle coming off each end of it. Then Oda
• 11:54
  realized that while in Asia that symbol means something completely but nigh, no,
• 11:58
  not so much in other parts of the world. Oh no, it took
• 12:07
  me a minute to understand, like to visualize what you were describing, Seraphim.
• 12:11
  But yeah, so white Beard had a fucking swastika with a skull in
• 12:18
  the middle. That is unfortunate. Wow, I'm like, it's just such
• 12:28
  a ubiquitously understood thing here. Like it's still interesting to me to know that
• 12:35
  there are cultures who I know they are the ones who originated this symbol,
• 12:41
  right, like the use of it, but it got so completely co opted.
• 12:46
  And this is the fucking thing, isn't it. White people take shit
• 12:50
  and then they twist it up and they ruin it, and they make it
• 12:52
  so that the original thing you've got like baggage around it. Now it sucks
• 13:00
  so anyway that that's a real bummer. Poor Odom must have been like,
• 13:03
  oh God, when somebody pointed it out to him. So we go from
• 13:11
  the cell, Garp and Ace are left, and we go back to Lufy,
• 13:16
  who is on the ship. They are coming in soon, they're gonna
• 13:20
  be going through the gates, and Lufy is just sitting hiding still in the
• 13:24
  chamber that Boa is hiding him in, staring at this scrap of paper with
• 13:31
  his that's his brother's bever card, and that shit is so thin at this
• 13:37
  point by the time that Lufy is actually in the jail and like trying to
• 13:45
  find his way around, it's like pencil thin. It's it looks like you
• 13:52
  guys remember having like spiral bound binders, and you'd tear a sheet of paper
• 13:56
  out, but it would like leave a piece of paper in the spiral that
• 14:01
  you would have to peel out. It's like that. Then Gus says,
• 14:09
  I think this scene is a flashbackslash continuation of the scene where Garp first talks
• 14:13
  to Ace in prison. It's just split before and after the straw hat check
• 14:16
  in episodes. Okay, I thought that this was supposed to be like an
• 14:22
  ongoing thing that was happening throughout all of this, All of this travel with
• 14:26
  Lufy because you know, he's on the he's been on the ocean at this
• 14:30
  point. I think they said like three days. So I thought, since
• 14:33
  it started before or right when he was leaving, that the amount of time
• 14:41
  he had been traveling was the amount of time that was passing for them as
• 14:43
  well. Gus says, it seems like Garp is allowed to be here by
• 14:48
  rank, but he's not supposed to be here because the war is about to
• 14:50
  start. So Sengoku was mad in the first scene. Oh right, I
• 14:54
  forgot about that, right right right? Seraphim said, as to Garp,
• 15:01
  what about him makes you think he cares what anyone else thinks. He's gonna
• 15:03
  do what he wants. It's not about him. It's about their security and
• 15:09
  why they're not coming down on him. That's my question. You know,
• 15:13
  they have been so insistent with Boa that I really would think that even if
• 15:18
  they can't enforce it, that they would be down there like hassling him a
• 15:22
  little bit and being like sure, I really most insist you go back upstairs
• 15:26
  like that kind of energy. But anyway, okay, so we cut you
• 15:31
  guys would cut two a pair of binoculars on a flag and I mean,
• 15:37
  this is an unmistakable flag. You know, this is Buggy. There's no
• 15:41
  other there's no other clown it could be. And it's funny to me because
• 15:46
  I think of him is so distinctive. But the marine who sees this flag
• 15:50
  is just like, it looks sort of familiar, but he doesn't place it
• 15:54
  right away. And the admiral, I'm not sure who would What the name
• 16:00
  of the guy with the mohawk, ponytail and the like kind of triangular mustache.
• 16:10
  Uh, it's the dude that you know, Boa has been in conversation
• 16:15
  with what is his name? Guys? I cannot keep it in my head.
• 16:19
  I'm gonna try and remember, but really no guarantees because I don't I'm
• 16:23
  not sure how important he's going to continue to be, but I just always
• 16:29
  you know, it's difficult every time I realize that, like I still I
• 16:33
  know you've told me, and I haven't. I cannot hold on to that
• 16:36
  brain, that name in my brain. It's just slides right off like teflon,
• 16:44
  Uh did you do? Okay? So this the whomever he is?
• 16:52
  These dudes are, you know, looking out at Buggy's ship trying to decide
• 17:00
  how much of a threat he is, and this guy decides that if it's
• 17:04
  not an immediately apparent risk, then we don't have time to deal with it
• 17:11
  right now, so just leave them alone. And then we cut over to
• 17:15
  Buggy's ship, and we've got the crew here, including the Lion. They
• 17:21
  are evidently trying to save Buggy. They're on their way to save him,
• 17:27
  allegedly, and a huge sea king is like diving into the ocean right next
• 17:34
  to their boat, and they're sort of freaking out because reminder, you know,
• 17:40
  the last time we saw them. I think it might have been the
• 17:44
  East Blue, it may have been here. I can't remember if Lufy has
• 17:48
  seen Buggy since coming to the Grand Line, but they obviously are a little
• 17:56
  bit out of their depth. And it turns out they have Alvida with them.
• 18:02
  And I know I have mentioned this already, but I just really really
• 18:07
  enjoy Alvida's like when I think about the transformation, and that she doesn't see
• 18:14
  anything different about herself. That's what I hold on to, even though a
• 18:18
  part of me is very irritated that there had been a fat, very feminine
• 18:23
  woman who had total confidence and I was robbed of that. It does suck,
• 18:30
  I do enjoy that they're keeping like the same voice actress for her,
• 18:34
  so she has a much more mature, raspy voice than you would anticipate from
• 18:41
  a character who looks like this. But I do really really miss of the
• 18:47
  original Vita, because I mean, come on, I still you guys.
• 18:53
  Halloween around here is actually pretty depressing. Like I adore Halloween in theory,
• 19:03
  but ever since moving to Texas, it's been kind of tough because it's not
• 19:07
  only like Warmer a lot further on in the year here than anywhere else that
• 19:12
  I have ever lived, but also there aren't parties. There aren't lots of
• 19:18
  things that Like, my husband has friends, but his friends don't tend to
• 19:23
  throw parties very often, and if they do, they're very low key,
• 19:29
  the kind of thing that like, you could just show up in no costume
• 19:32
  and you would probably be in good company. Like it's I really really want
• 19:38
  to go all out with my costumes, and I did the first couple of
• 19:42
  years we were here, until I began to realize that, like, even
• 19:48
  if there's somewhere to go, even if somebody throws a party, we get
• 19:51
  in the car in these costumes that are sometimes difficult to like maneuver in we
• 19:57
  drive ten minutes to their house, get out, are seen by like six
• 20:02
  other people, and then get back in the car and go home. And
• 20:06
  it's not worth it to do a big elaborate costume, which is it really
• 20:11
  bums me out, And that's part of why, like, I'm going so
• 20:12
  hard with what I'm wearing to Beyonce and stuff because I'm going to be in
• 20:15
  an actual crowd. But I would love to cosplay Alvida, and I would
• 20:23
  want to do it for like a convention, but I don't really go to
• 20:27
  conventions, like especially because of the nature of what I do. There's some
• 20:34
  worry for me regarding spoilers, but there's also just money. Conventions are expensive
• 20:41
  to get into there if you want to, like you know, get photos
• 20:45
  with a celebrity or like a signature or anything that's expensive. And other than
• 20:51
  like going to panels, there's only shopping. So I don't tend to go
• 20:56
  to them. And I have been really like thinking that maybe next year.
• 21:03
  I don't know, it depends on how far along I am, because if
• 21:07
  I were to cause play a one piece character, my concern is that somebody
• 21:15
  will say something to me and spoil me. On it, you know.
• 21:22
  And I don't know how likely that even really is, but you can never
• 21:29
  tell. Folks will just like blurt stuff out, you know. And so
• 21:33
  I would love to do that, like for next year or something, because
• 21:37
  I would just nail that cause play. I'm fat, I have short,
• 21:41
  curly, dark hair, like I would just be perfect. And it's on
• 21:47
  my mind, like in the background all the time, because it would be
• 21:51
  a pretty easy causeplay to pull off. There would not be a lot that
• 21:55
  I would have to build from scratch. It's an assemblage of weird garments that
• 21:59
  I would have to alter a little. And I just anyway, if you
• 22:03
  guys have thoughts on whether or not it seems likely that somebody might say an
• 22:08
  offhand comment, Like the main question that I have is is there anything that
• 22:19
  is there anything specific that happens to her that could get totally ruined for me?
• 22:26
  I guess, is really what I'm asking? Or is she kind of
• 22:30
  a safe character to choose? That's all That's all I'm asking. Okay,
• 22:38
  so this the Alvida is like not interested in helping Buggy. They apparently spend
• 22:48
  all of their money on an eternal log pose and she's like you guys dragged
• 22:55
  the ship out here, and I had nothing to do with it. I
• 22:59
  didn't tell you that we could manage this. I didn't want to spend this
• 23:03
  money. And she says, guys, look around, we're about to go
• 23:07
  into the calm Belt. It's all sea kings, and you guys just freaked
• 23:15
  out when you saw the one. Do you really think that you are prepared
• 23:19
  to deal with what's coming? And then we've got a whole other route that
• 23:23
  we could take that's all fucking navy vessels. We are a pirate ship.
• 23:32
  What exactly was your plan? And evidently they did not think this far ahead.
• 23:38
  That's what their plan was was. There wasn't one. They just figured
• 23:42
  it would work out. And the guy who has this weird like white rough
• 23:48
  of hair, or he looks sort of like the sheep that was the sheep
• 23:53
  man from the head of Oh my God, the Mayor, but a little
• 24:03
  bit less ram like, he's got more of a human face, but he
• 24:07
  still does have like the curled horns at the top of his head. And
• 24:10
  he's like, well, I thought that just like getting here would be the
• 24:14
  difficult part, but you're telling me that we can't even get in and the
• 24:21
  dude with the stripy hair says him and his buddy Ace are going to be
• 24:26
  killed, and I was like, his buddy, his buddy? What since?
• 24:36
  When? Oh my god, are they like friends? I have a
• 24:41
  lot of questions, and maybe this was like maybe there was like one of
• 24:45
  those little side stories. I don't know, but that really really caught me
• 24:51
  off guard that they're being viewed as like a match set by these guys.
• 24:56
  Oh, Gus is in the chast says, I don't think you'd get much
• 24:59
  spoiler comments if you guys played al vw'd probably you're probably gonna see art and
• 25:03
  stuff from later if in the series, if you're at a convention. Yes,
• 25:07
  this is what I like get worried about, because like there's a great
• 25:11
  likelihood that I would just see like a character art and it wouldn't be specific
• 25:17
  enough for me to realize, like, oh, such and such happened to
• 25:18
  this character. But there's always a chance, you know, Gus says,
• 25:27
  remember around Jaya, Ace snuck on to Buggy's ship when he was partying.
• 25:37
  I don't remember that, Gus. It's like tickling the faintest, but not
• 25:44
  not really. I have lost track of a lot I don't know how when
• 25:49
  you're not consuming things at the rate I am for this show, I don't
• 25:55
  know how you keep track of like plot threads and stuff. It's you just
• 26:00
  have to rely. I would assume on like the online wikis and stuff.
• 26:03
  What did people used to do before that? I guess early stages of the
• 26:07
  internet, they were probably like chat rooms and things like that, and maybe
• 26:11
  they had like a you know, the complete Compendium to Sara from says,
• 26:18
  there was a bit several episodes ago where we get a flash over to Buggy
• 26:22
  hunting for loofy Ace shows up on the ship offering to guide them, and
• 26:26
  when Buggie saw the white beard tattoo, he went, I am not fucking
• 26:32
  with that guy. So they just partied. Ha God, I'm afraid that
• 26:37
  failed entirely to sink in. Sorry, guys, I really feel like the
• 26:45
  past couple of years have like fucked up my brain. And I know that
• 26:48
  everybody's saying this, but I mean it. I mean it in like a
• 26:52
  not ironic, not ha ha, adulting kind of way. I mean,
• 26:56
  like, I think COVID plus the trauma of what's been going on in the
• 27:03
  country have like fucked up my ability to retain information and keep things straight in
• 27:11
  my head, because I am straight up losing words guys when I'm talking,
• 27:17
  Like I'll be searching for a word more often than usual, and like not
• 27:22
  able to remember what it was I was trying to say. I was doing
• 27:25
  an intro with Rashan the other day. I fucking said my own name wrong,
• 27:26
  you guys, I said my own name wrong in the intro. Like
• 27:33
  that's not that's not great. I feel like that's a bad sign. So
• 27:41
  okay, they're they're just adamant, like, yeah, we've got to help
• 27:45
  somehow. And as they're talking, the lion whose name is Richie, keeps
• 27:52
  crying, and they are assuming that Richie is also mourning for their beloved captain,
• 28:00
  and they do not understand that, in fact, our lion friend just
• 28:10
  is very hungry. Our lion friend would actually get along quite well with Lufy
• 28:15
  if there were a way to, you know, avoid him attacking Lufy or
• 28:22
  seeing him as an enemy. So I am really this these this crew.
• 28:32
  I'm thinking they're heading this way. But Alvida is like, guys, I
• 28:38
  don't know what you all thought you were gonna do. But Buggy, his
• 28:47
  luck has just run out y'all are not going to be able to break him
• 28:51
  out of like the highest security prison in the world. And they start yelling
• 28:57
  and crying about how he has to go out in a blaze of glory and
• 29:03
  that this can't be how it ends, and they're all talking about sticking with
• 29:08
  him to the very end and sounding like super committed. The crying, you
• 29:14
  guys, oh my god, so much crying. Do you remember how I
• 29:18
  said it was nice that they showed men crying in like the first episodes of
• 29:23
  the show, because so much of the time I felt like we were supposed
• 29:26
  to be like upholding the patriarchy and the silent strong man. And now I
• 29:33
  realized that, like anybody on this show cries at the literal drop of the
• 29:37
  hat, and it's it's nothing anyway. So this is when Alvita says,
• 29:47
  all right, guys, you want to do that, fine, I'm gonna
• 29:48
  take the big top and get the hell out of this place. You guys
• 29:52
  can use like a raft or something. And they say, well, what
• 29:56
  do you mean. This is buggy ship, not yours, And she's like,
• 30:00
  I don't see buggy anywhere, do you. I Am not going to
• 30:07
  go throw myself into the jaws of death for that dude. And I'm not
• 30:14
  going to let this ship go to waste and get caught up by the navy.
• 30:18
  I am going to take control of this ship. And if you want
• 30:23
  to save Buggy, I'm not going to stop you from going, But you're
• 30:27
  not going on this fucking ship. That's all I gotta say. And I
• 30:34
  love the image that we get of all of them imagining how it would go,
• 30:38
  the crew piled into this little life raft and then a giant sea king
• 30:44
  coming from behind them and just eating the whole ship hole. It's delayful.
• 30:49
  And she's like, guys, you can do that. Like I said,
• 30:55
  you're not gonna last five minutes. Let's be real. And they say,
• 31:00
  well, we appreciate you, Buggy, and we'll remember you forever. But
• 31:07
  it's the end of the road. I hope you have a good execution.
• 31:11
  Maybe it'll be fun, which is amazing, Like, maybe it'll be fun.
• 31:22
  Sure, Okay, maybe, ah you guys. So the fact that
• 31:32
  they're not turning in coming it really does add a bit of interest to the
• 31:37
  story for me, Like, I don't I am not sure if I hadn't
• 31:47
  seen this what I would have thought. But I am. I'm going to
• 31:52
  guess that if we weren't given this information, I would expect Buggy's ship to
• 31:56
  be like out there waiting somewhere on the sidelines. I don't know. I'm
• 32:06
  just sort of you know what I'm saying, Like I really like that it
• 32:15
  seems that they're out of the picture. But also the Big Top, I
• 32:20
  mean the Big Top. That's like it's so on brand for Buggy specifically,
• 32:23
  and I'm trying to imagine what happens if his crew doesn't come back for him.
• 32:30
  Did they track the crew down somewhere else later? I guess they could
• 32:32
  do that. It would take a while, though, Like yeah, I
• 32:39
  don't know, I don't know, But basically knowing that Buggy is like completely
• 32:44
  on his own here, it just sort of changes the dynamic for me.
• 32:49
  So this is when we go back to finally Lufy and Boa and they're like
• 33:00
  talking about how the gate is going to work to get through, and then
• 33:05
  we get like this montage of all of the prisoners in the prison being tortured,
• 33:12
  and it's pretty rough, you guys, Like there's just lots of people
• 33:15
  screaming like just let me die. Nobody deserves this. We've got a guy
• 33:21
  being dropped head first down a well, another guy being whipped. There is
• 33:30
  a weird scene where a bunch of prisoners are like grouped together in a cell,
• 33:36
  but apparently there was like a pile of food that was just up for
• 33:40
  grabs and they have established a way that this works that he either doesn't know
• 33:45
  about before they tell him or he just didn't care, and he is just
• 33:51
  up eating all of the food, and I was like, why is a
• 33:57
  prison handling things this way? But the dude who's like gonna enforce things comes
• 34:05
  up behind him ready to like, you know, beat the hell out of
• 34:08
  him, And just as he raises his fists and brings them down on this
• 34:13
  guy to start fighting, the door to the prison opens and this fucking like
• 34:20
  minotaur comes in and raises a club. We just see the guy turn to
• 34:27
  the minotaur with this look of absolute terror on his face, and then a
• 34:31
  few seconds later the minotaur is leaving and dragging both of these guys by their
• 34:37
  ankles, and the prisoners are all cheering for the minotaur, which I'm genuinely
• 34:45
  like, is it just that they're cheering because they're so bored that they just
• 34:49
  want something to happen, like I didn't really get what the cheering was about.
• 34:55
  But he throws them in in a different cell and locks it, and
• 35:02
  they're like, hey, I'm not even on death row, buddy, Like
• 35:07
  what's going on? Let us out? And they all of a sudden,
• 35:13
  there's like a pair of red eyes that open behind them, and they turn
• 35:17
  and look over their shoulder and start to scream, and we see them like
• 35:22
  reaching out from between the bars and screaming, but we don't find out exactly
• 35:29
  what was going on there. I don't know if it's like because we get
• 35:32
  a look at some creatures a little bit later that are on ropes that are
• 35:39
  cut and allowed to attack. I guess, so I think that they're just
• 35:45
  being straight up executed. I sort of wondered if it was going to be
• 35:49
  like a oh, fight for my entertainment kind of situation, like jab of
• 35:52
  the hut, you know what I mean. But it seems like it's straight
• 35:58
  up we're putting you in the feeding pen. And if it is, I
• 36:05
  mean, it would make more sense to me. I guess that the guys
• 36:07
  were cheering if it were more of an entertainment thing. So I guess that's
• 36:13
  where I got a little bit tripped up, but so let me go to
• 36:21
  the ship and Lufy, like Hancock had seen how small the scrap of paper
• 36:28
  Lufy is clinging to has become. And you can see her getting really agitated
• 36:32
  about it, like she's worried on his behalf. They're coming through the gates
• 36:37
  and it's just like the number of ships. He says something like, there's
• 36:46
  even more ships here than there was at the Buster call, which is surprising,
• 36:52
  honestly, because I thought that the Buster call basically like it was all
• 36:58
  hands on deck. But nevertheless, Lady Hancock, she is being summoned up
• 37:07
  onto the deck and she's like, all right, Louvie, you are going
• 37:09
  to have to be really careful here. I don't know how we're going to
• 37:13
  deal with this. And they're talking. She talks to him briefly about how
• 37:22
  few people ever can say they've seen a buster call and actually like live to
• 37:27
  tell about it. And I don't think that Louvy tells her the whole story
• 37:31
  here. I think that he just sort of is like, yeah, well,
• 37:35
  you know, I'm one of them. So he gets under her cloak
• 37:40
  and they head inside. She is being cheered by the Marines yet again,
• 37:49
  and I love that She's just like, oh my god, I'm so sick
• 37:52
  of these guys. Can I just turn them into stone again? Please?
• 37:55
  Like? And the react when she turns it says, basically to shut the
• 38:05
  hell up. All of the guys are like, oh, she's so beautiful
• 38:08
  when she's angry, and I was just like, oh my god, you
• 38:13
  guys, I don't have you ever. Ladies out there, show of hands,
• 38:21
  have you ever had somebody tell you you're so beautiful when you're angry?
• 38:25
  Because I have, And I very nearly tore his gonads out by the roots
• 38:36
  with my teeth. I remember the rage that overcame me at this, like
• 38:42
  the condescension, the like, your emotions are very secondary to whether I want
• 38:45
  to fuck you right now. I didn't like have the vocabulary to really put
• 38:51
  words to what was so gross about it, but I just remember feeling like
• 38:54
  I was going that kind of rage that you want to start crying they're so
• 38:59
  angry, which will also sort of undermine the way a person sees you,
• 39:05
  especially men a lot of the time, so you can't let yourself cry,
• 39:09
  like, oh my god. I really did not blame her for wanting to
• 39:13
  turn them to stone, and the captain is like, I think you have
• 39:16
  humiliated the Marines quite enough for the week, and we are going to just
• 39:23
  go on without you. Just ignore them. We're going inside. You won't
• 39:27
  have to be around them anymore. So and he tells her, look,
• 39:35
  you may be a warlord, but you're a pirate and therefore not welcome.
• 39:43
  They're gonna let you in. They'll let you walk around a bit and look
• 39:47
  at things, but you're going to have to undergo a full body search,
• 39:52
  and they will also make you wear sea prism handcuffs to hold your to hold
• 40:00
  your powers at bay. We have to do this to keep anybody from sneaking
• 40:06
  in to rescue Ace or any other prisoners. So she whispers this to Lufi
• 40:15
  and he just tells her, we'll figure something out, don't worry about it.
• 40:21
  So, meanwhile in the prison, we have two of the weirdest dressed
• 40:30
  characters for their professions. Guys, it's not even like their costumes are individually
• 40:37
  so weird. It's for what it is they are supposed to be doing that
• 40:43
  it is so weird. The dude who's sort of in charge is wearing this
• 40:52
  like Egyptian headdress that and no shirt, and he's got a almost pair of
• 41:02
  wings, like I'm not even sure what you would call them, coming up
• 41:07
  off his back. And I was thinking that we were going to get like
• 41:15
  a sort of regal, distant personality from him, in the style of a
• 41:20
  god, like it was supposed to be that he was pretending to be some
• 41:24
  kind of Egyptian god, but he just behaves really normally. He there's like
• 41:35
  even a sort of goof goofiness to him, like he isn't really used to
• 41:39
  being in charge. And his name is Hanniable according to my little subtitle here,
• 41:50
  and when he says welcome to my prison, his face is like all
• 41:54
  red and foreboding. But when the camera pulls back you get to see that
• 42:00
  he isn't actually that impressive. He's quite tall, but otherwise like he's pawnchy.
• 42:08
  He seems unsure of himself. He's got really thin arms, like there's
• 42:14
  no musculature there, and he has two horns that stick out of his head
• 42:19
  that are flesh colored in the same, like the same exact tone as his
• 42:23
  skin, which I don't know why, but that really squicked me out bad.
• 42:28
  And he has like what I want to call a khaki, like a
• 42:34
  green khaki skirt. It's not pants. And this because like you know,
• 42:43
  if you look at Egyptian murals, shirt listen to, skirt is not unusual.
• 42:47
  But because he has such a gut, the skirt is like very low
• 42:52
  on his hips and it looks so weird. And guys, it has like
• 42:58
  a cargo pocket like on the skirt. I truly could not like what.
• 43:07
  You fully expect this dude to be in a fucking uniform and I was almost
• 43:12
  expecting him to get yelled at for this, and it is not commented on.
• 43:16
  He also just carries a fucking pitchfork evidently, like that's just his weapon
• 43:22
  of choice, I guess, but yeah, and he says something about the
• 43:28
  dumbass warden and then says, oh, that's not what I meant. The
• 43:31
  perfectly competent Warden Magellan is in his office on level four. He told me
• 43:37
  he would like to meet with you, and then he introduces Miss Domino,
• 43:44
  who he says is like the vice manager of the prison. Now let's talk
• 43:49
  about Miss Domino, you guys, because Miss Domino, what a weird combo
• 43:57
  of looks we've got going on here. Imagine if you were to try and
• 44:02
  combine sexy nurse with sexy nazi. It's a jacket that's supposed to be long
• 44:19
  enough to be a dress, but I would argue probably isn't double breasted.
• 44:24
  I say that it's not really like I don't know if it counts as double
• 44:28
  breasted if there's only one row of buttons, but it crosses over like more
• 44:31
  than halfway in a manner that reminds me of old school doctor's coats. But
• 44:40
  there's a pocket on each breast and lapels, and so underneath you can see
• 44:46
  a white shirt with a black collar and black tie, and the jacket is
• 44:54
  sort of a tan, like a khaki. And then she's got like elbow
• 45:01
  length red gloves and thigh high red boots. Her blonde hair is long down
• 45:09
  her back, and she has a very like SS looking hat at a rakish
• 45:16
  angle on her head, plus a pair of aviator glasses, which it all
• 45:27
  combines to be really really really bizarre, and it feels like it's straight out
• 45:35
  of some kind of porn parody, like just and as they're walking, she
• 45:44
  is describing the things that they do to the prisoners in this like what what
• 45:52
  we're supposed to be getting from this is how cold hearted everybody is that they
• 45:57
  can talk about these horrific in like tortures that they're inflicting on the prisoners with
• 46:02
  very little emotion and no sense of like the monstrous nature of what they're doing.
• 46:08
  But because she looks so weird and because of the voice actress like not
• 46:19
  intoning much with her voice and the way she talks, it just felt really
• 46:24
  funny, like there was something about this that I was just like, man,
• 46:29
  it's really missing the mark for me. I'm not horrified by all of
• 46:32
  this. I just find it so funny. She talks about like, oh,
• 46:37
  yeah, here's the bath that we use on the prisoners. It's like
• 46:42
  boiling water, and it's also like a baptism, so it's, you know,
• 46:45
  very economical, and I'm like, is it Why do you care about
• 46:50
  baptizing them? What do you even mean? And then she brings up fire
• 46:53
  fist Ace and she's like talking about their celebrity prisoners, which is just so
• 46:58
  funny to me. She mentions Jim Bay of the Seven, which I don't
• 47:02
  think we've met that one, and former warlord Crocodile, which I'm very excited
• 47:09
  to see Crocodile again. I hope that we touch base with him. She
• 47:15
  says, both are model prisoners that didn't bat a eye at their little baptism.
• 47:22
  I bet they didn't because crocodile could probably just absorb that water. So
• 47:29
  she brings Boa into a private room for the pat down, and inevitably we
• 47:36
  wind up getting a bunch of jokes from the dudes about how you know,
• 47:39
  sexy it is, that there's going to be like women touching up on each
• 47:44
  other and whatnot. And it turns out we've got these security cameras and these
• 47:49
  dudes are like watching and all of this. Boa is trying to like figure
• 47:54
  out exactly how she's going to manage it. So she sees the camera and
• 48:00
  glares at it. The dudes are just, of course, totally enchanted with
• 48:05
  her. And then this woman is trying to put the sea Prism cuffs on
• 48:12
  her, and she's attempting to figure out how do I get around this and
• 48:15
  not completely ruin everything for lofy. So what she does is she does like
• 48:24
  this real slow sort of turn and go like be gentle, I'm delicate,
• 48:32
  and the girl is so caught off guard by her beauty that she becomes susceptible
• 48:39
  to the love love beam and thus is made into stone, and I actually
• 48:47
  thought that that was kind of fun. I really did like she Also,
• 48:53
  I can't remember what it is she does to the camera because all of the
• 48:58
  cameras in the place like get focused on her face for a second because they're
• 49:04
  all obsessed with her. So I'm watching it now to see how it is
• 49:08
  that she handles the camera because these guy's eyes are permanently locked in that weird
• 49:14
  heart thing. Oh my god. But yeah, so she turns this woman
• 49:20
  to stone with a love love beam. It looks like simply hitting her with
• 49:25
  the beam also turned I don't know if it turned the camera to stone,
• 49:30
  but it definitely like shorted it out, I guess, because when we go
• 49:36
  into the room where the security guards are watching, it's snow on that particular
• 49:43
  screen. So yeah, I was. I guess it's just supposed to be
• 49:46
  sort of a side effect. But yeah, so she's telling Lufy, I'm
• 49:53
  so sorry that I can't help you further, but this is as far as
• 49:58
  I can take you, and I need you to really know. If you
• 50:02
  fucking get caught in here, I don't even know what kind of things they'll
• 50:08
  do to you. Like this is super dangerous and you have better take care
• 50:13
  of yourself after all of this, and he grabs her hand and says,
• 50:17
  I won't let you down. You have my word. Thanks for everything,
• 50:22
  Handcock, You're the best. I won't forget what you've done, not for
• 50:27
  the rest of my life. And she is almost catatonic here for a second,
• 50:35
  like he called her by her correct name and thanked her and said he
• 50:42
  would never forget her, like it's a lot. She loses it a little
• 50:46
  bit and I love The scene ends with her saying, say say my name,
• 50:52
  lufy, say my name again, and he just says, oh what,
• 50:54
  And then we cut to the outside where the guys are waiting and just
• 50:58
  kind of going do you think is happening in there? And of course he
• 51:05
  has to be a creep about it, and you know, too hot chicks
• 51:07
  touching each other. But just as he's about to open the door and kind
• 51:12
  of go check things out, Hancock comes out and the woman Domino is like
• 51:19
  acting mostly normal, but she has a hand to her head and she says
• 51:23
  something like I hope that didn't take too long, and then to herself says,
• 51:30
  I don't know why, but I have the weirdest feeling, and it's
• 51:35
  like she knows she lost some time there for a second, but can't quite
• 51:38
  put her finger on what happened. Which, yeah, evidently if you get
• 51:43
  turned to stone, you like forget about it, so that would be quite
• 51:46
  confusing. Meanwhile, as they're like doing all of this, Lufy is crawling,
• 51:52
  like hanging onto the rafters. Who's crawling out of the room above their
• 51:57
  heads? And oh my god, this fucking dude. What the next floor
• 52:04
  is called the burning heat floor, which you know you could assume by its
• 52:07
  name it's quite hot there, as its name implies, and I don't know
• 52:14
  why. But again, between him and Domino, the way that this is
• 52:19
  being handled is so funny, like just the acting as if you're on a
• 52:25
  tour of like a historical site. But it's still happening and everybody is.
• 52:30
  It's not being presented like, oh the horrible things we used to do to
• 52:35
  each other. It's like, I don't know we're doing this now. And
• 52:39
  Lufy, he says, like, as he is hanging off the ceiling,
• 52:46
  he gives Hancock a thumbs up and he says, hey, Hancock, thank
• 52:51
  you, But she misreads it and thinks he said Hancock, I love you,
• 52:58
  and she falls to the ground. The fucking guard says, do nude
• 53:04
  Melth to Melth, you know what she needs, sir, is her fist
• 53:07
  to your balls. And Lufy goes down in this elevator and I think that
• 53:14
  he's like on top of it. I'm he's trying to figure out where to
• 53:20
  go. Hancock had told him probably that Ace is underwater, so he is
• 53:28
  going to have to head down as much as he can. And he pulls
• 53:30
  out the beaver card like again, you guys, it is so so small,
• 53:35
  it's almost gone, and he winds up. I was so sorry,
• 53:42
  you guys. I keep getting distracted because the camera continually like cuts away to
• 53:49
  the underwater and every time it's like doing something else with it. But this
• 53:54
  is the time where a sea king is confronted with these weird creatures that are
• 54:00
  apparently bringing up meat, like you know, they're there, they got dinner.
• 54:07
  Do we find out in these episodes what the names of these creatures are.
• 54:13
  They are so weird looking, they're blue, and they have a like
• 54:20
  I hesitate to call it a hood over their heads because a hood implies that
• 54:23
  there's like an opening and there isn't. It's just a sheet it feels like
• 54:29
  draped over their head, like, and there's a skull drawn on it.
• 54:34
  And they have these big, round bodies but these really skinny like legs and
• 54:38
  arms, and they're apparently extremely good swimmers. They're really fast, but they
• 54:45
  seem to only have the intelligence of like an attack dog. Maybe it's they
• 54:51
  don't seem to have the intelligence of a full on human being. So yeah,
• 54:58
  it's just a I don't know what what these guys are, but I
• 55:04
  am interested in finding out because we've never seen whatever these are anywhere else that
• 55:09
  I can recall, So this is something specific to this prison, And I'm
• 55:14
  just like, are they like turning people into these Is this a Maria sort
• 55:19
  of situation where the creature that's out there, the creatures that we see walking
• 55:25
  around are just like the result of what they're doing to the prisoners. So
• 55:30
  this is when we cut over to Buggy and apparently he has just busted out
• 55:37
  of the jail with his chop chop method. He has got very long,
• 55:42
  lustrous blue hair. I don't remember his hair being this long, but it's
• 55:45
  a look I really like it. And oh okay, Gus says, she
• 55:52
  turns the camera to Stone to the snail got heart eyes. I totally miss
• 55:58
  that, thank you. But yeah, the guys are like, Bucky,
• 56:02
  how can you leave us here? And He's like, how can I leave
• 56:05
  you here? You guys are acting like you're my friends. I don't give
• 56:08
  a shit about you. I'm gonna get the fuck out of here, and
• 56:10
  fuck all y'all. It's too bad you can't do what I do. Sucks
• 56:14
  for you, by and I love. One of the guys says, you're
• 56:17
  not going to get away with this, and Bookie just gets this big grin
• 56:21
  and says, looks like I'm getting away with it just fine. That does
• 56:24
  not last. He's like trying to sneak down the halls that have security cameras
• 56:30
  all over the place, and they're in spots where he can't see them necessarily
• 56:36
  without poking his head around the corner to like, you know, ensure that
• 56:42
  it's all clear, and that is how he gets caught. It's like almost
• 56:46
  immediate. He barely turns one corner and boom, caught And yeah, I
• 56:55
  love him just breaking out into a sweat and holding a hand up and going
• 56:59
  high fellas. So he's yelling about to the snail about how it's his fault
• 57:07
  and punches it. I'm like, maybe you could just punch these cameras,
• 57:12
  you know, before you go around the corner. Meanwhile, all the dudes
• 57:15
  that he just left there are cracking up because he is getting caught so quickly,
• 57:21
  and I can't I can't help but understand, you know. We cut
• 57:29
  back to Lufy. He is trying to find another way down. He's gone
• 57:34
  down as many stairs as he could find, and he overhears some guards and
• 57:39
  he sees that they're going through another doorway that goes further down and is like,
• 57:44
  ah, okay, let me head down that way. Then he hears
• 57:50
  Buggy's screaming, and for a second it is like, what's that, But
• 57:53
  then it's none of my business. I got shit to do. I gotta
• 57:57
  go, And we see bug getting like cornered by these creatures. He just
• 58:04
  calls them a bunch of jerks. I mean that feels fair enough, And
• 58:09
  we get one of those classic like chases where there are all of these different
• 58:15
  walkways and like bridges and stuff that are intersecting on different levels, and so
• 58:22
  we're seeing like Buggy cross one way and Loofy cross the other way, and
• 58:25
  eventually Buggy is in a spot where he like looks over and there's a button
• 58:30
  that just says danger and it's got a big skull and cross bones on it,
• 58:36
  and he's like, why do you even need to say danger? It's
• 58:38
  a skull and crossbones? Who's going to press that button? But then one
• 58:42
  of those creatures startles him and he hits it by accident, and we get
• 58:45
  the wildest like super Mario security system you ever saw. It's all of these
• 58:52
  like spiked blocks dropping from the ceiling that Lufy is having to dodge, and
• 58:57
  then a bunch of arrows coming out of the walls like it's Indiana Jones.
• 59:01
  It's a it's a really it's funny. It's I can't help it. It's
• 59:07
  funny. Like they're just like straight up kill whoever sets this off? And
• 59:14
  Lufy is like, who the hell's set these off? And it didn't occur
• 59:16
  to me that maybe he might think they were catching him. We know that
• 59:22
  it has nothing to do with him. But there's a couple of guards who
• 59:27
  spot him and come running after him, and they fall into one of the
• 59:30
  trapdoors, which again it feels like you don't want to set up this sort
• 59:35
  of security system if your dudes are all going to maybe fall into the same
• 59:39
  traps as your prisoners. I'm just saying. One of the guys in one
• 59:46
  of the jail cells is like, hey, how'd you get out? You
• 59:50
  gotta let us out, and Lufy's like, I came in from the outside,
• 59:53
  I'm not in prison here, and they think maybe he's a jailer.
• 1:00:01
  I love Lufy just saying, you guys have some really bad attitudes. Do
• 1:00:06
  any of you know where I can find ace? And I'm just like,
• 1:00:08
  what a weird those are not it's just a weird segue. You've got bad
• 1:00:14
  attitudes, Hey, can you help me out? You probably don't want to
• 1:00:16
  start off with bad attitudes accusations before asking for a favor. But yeah,
• 1:00:23
  when he asks, they're like, oh, the guy on death row and
• 1:00:28
  he says, yeah, I came to bust him out of this place,
• 1:00:30
  and everybody's like okay, like go ahead, sure, give it a try.
• 1:00:37
  But he's probably gonna be down on level five and there is no way
• 1:00:43
  you're getting down that far. That's where they hold everybody who's got one hundred
• 1:00:46
  million berry bounty or more. It is serious down there, and the other
• 1:00:52
  dude says, while you're here, you think you could run to the jailer's
• 1:00:58
  room and pick up some keys. Yeah, buddy, wouldn't be no trouble,
• 1:01:01
  right. And I love this because like I shouldn't be rooting for Lufy
• 1:01:09
  to do this, Like probably these guys are terrible, terrible people. They're
• 1:01:14
  likely here for a reason, but just like real prison, it's just like,
• 1:01:17
  what is this helping. It's just providing sadists with a supply of human
• 1:01:23
  bodies to torment. Like, it's not you're not doing anything to set things
• 1:01:29
  right. So anyway, as they're trying to convince him, Buggy comes sprinting
• 1:01:35
  down the hall. Oh the Blue Gorries that's what they're called. They're they're
• 1:01:39
  chasing him. One of the guys is yelling like you gotta hurry, they're
• 1:01:45
  gonna kill you, and they bring down like an axe and almost chop Buggy.
• 1:01:51
  No they do, they do chop Buggy in half. Oh my god,
• 1:01:54
  I love that. I didn't even realize the first time that that wasn't
• 1:01:58
  just like an animation thing that he literally was chopped in half. But that's
• 1:02:02
  very funny, and Lufy is just like I can't fucking believe that I'm dealing
• 1:02:12
  with this guy again. Buggy, when he looks over and realizes who Lufy
• 1:02:15
  is, turns into a million parts out of surprise, like expands and I
• 1:02:22
  love it when when Buggy is like, how can you even be here?
• 1:02:28
  And Lufy looks over and goes, oh Buggy, and Buggie just yells,
• 1:02:31
  thanks for reminding me why I hate you. I see, prison hasn't made
• 1:02:36
  you any less annoying. Oh God. So then Buggy tries to hold it
• 1:02:44
  over Lufy's head that he got arrested and is in jail, and Lufy It's
• 1:02:49
  like, dude, I'm like just here too because of my own reasons.
• 1:02:54
  I don't. I'm not like a prisoner. Only idiots get arrested. So
• 1:03:01
  then Buggy tries to say, oh, you're here to rescue me, aren't
• 1:03:07
  you. That's what it is, and he starts getting teary eyed, but
• 1:03:09
  then says I I'm not into you, weirdo, And I was like,
• 1:03:15
  oh, boy, can't help ourselves. Huh. We have to sexualize the
• 1:03:19
  possibility of lesbians earlier in this episode, but then be super homophobic right here
• 1:03:25
  for like no reason, like what even what are you talking about? So
• 1:03:31
  at this point, Buggy's trying to grab the front of Lufy's shirt. Lufy
• 1:03:37
  grabs his mouth in response. Buggy grabs Lufy's mouth in response. So they're
• 1:03:42
  running down the hall like gripping at one another. It's so weird, guys,
• 1:03:46
  focus, what are you doing? And one of the Bluegory almost chops
• 1:03:51
  them. At this point, Buggy, it's like this was supposed to be
• 1:03:54
  easy. I called it Buggy's peaceful escape plan, to which he says,
• 1:04:00
  who cares. I don't know why, but him just saying who cares?
• 1:04:05
  That cracked me up, just genuinely like, I'm not engaging with you,
• 1:04:10
  stop this. So let's see here It okay, clearly you've thought this out.
• 1:04:21
  I'm on a mission here. My cover's already blown, so I gotta
• 1:04:25
  get this done in a hurry. And Buggy says, that's the number one
• 1:04:29
  reason why I hate you and that redhead so much. Both of you are
• 1:04:33
  always so optimistic in the worst way possible. And I thought he meant Nami,
• 1:04:43
  but Lufy pictures Shanks and I was like, oh, oh right,
• 1:04:47
  Bucky used to know Shanks. I thought he meant Nami, and I was
• 1:04:50
  like, I wouldn't really think Nami was like the call somebody that I would
• 1:04:55
  call optimistic, but Shanks, yes, that makes sense. So they finally
• 1:05:01
  come to a stop and Buggy's like, you know what, fuck this,
• 1:05:04
  I'm just gonna cause some chaos and Lufy's like, all right, that sounds
• 1:05:10
  good to me. And Buggy sends one of his fists flying and Lufy does
• 1:05:15
  his elastifist and the two of them are like, yeah, I got it.
• 1:05:19
  But even as they say yeah, I got it, I can't help
• 1:05:23
  but notice that there's like a couple of Bluegories right behind them. So m
• 1:05:29
  mmmm, just feels like maybe you don't got it. That's all I'm saying.
• 1:05:36
  All Right, I have to rap, but thank you guys again for
• 1:05:39
  hanging out with me, and thank you to Florian so much for commissioning this
• 1:05:44
  episode. Really appreciate all of y'all. Oh I'm so sorry, just really
• 1:05:49
  quick. Gus says, tidbit from SBS. I don't know what that means.
• 1:05:55
  But when Buggie wears his pirate hat, he threads his long hair through
• 1:05:59
  the corners and it looks like tassels. So yeah, we didn't see a
• 1:06:02
  had loong hair last time. Oh okay, how what a weird way to
• 1:06:05
  wear a hat? Why not? I guess all right, guys, I
• 1:06:10
  will be seeing you I think tomorrow, because I nope, nope, no
• 1:06:17
  episode tomorrow, I lie. I will not be seeing you for a couple
• 1:06:20
  of weeks actually, because I'm also going to be taking the week of my
• 1:06:24
  birthday off, so it won't be until October tenth that there's another episode,
• 1:06:30
  so don't miss me too much. I love you all until then. Total
• 1:06:35
  loom motherfucker's That was an unspoiled network podcast.