Latest / BLACK HOT FIRE NETWORK SHOW'S / Fat Joe get's Chin Checked For Claiming That Latios Created Hip Hop!

Transcript

Fat Joe get's Chin Checked For Claiming That Latios Created Hip Hop! · BLACK HOT FIRE NETWORK SHOW'S

• 0:03
  Speaker 1: You could be the.
• 0:06
  Speaker 2: Let me see it is we help you. I think
• 0:10
  Speaker 2: we're live family. I'm the same baby.
• 0:14
  Speaker 3: Yeah, your child, you're alive. Don't like the hides I see.
• 0:32
  Speaker 2: Spend some real makes some time with me. You could
• 0:39
  Speaker 2: that fall.
• 0:41
  Speaker 3: Yet some pressure regin next time?
• 0:50
  Speaker 4: So it.
• 0:59
  Speaker 2: Closing you not of friendship? Good for the most grad stands.
• 1:06
  Speaker 2: You'll be fine. I'll be paying. You said I want
• 1:10
  Speaker 2: taking the same thing.
• 1:11
  Speaker 5: I don't be the same things. You want to waste
• 1:19
  Speaker 5: your time, don't wake your time with all spell then you.
• 1:35
  Speaker 2: Take that time, so say don't know me?
• 2:54
  Speaker 1: Do you know me?
• 2:59
  Speaker 2: Okay? Then what the else just happened?
• 3:15
  Speaker 6: Come on, man, screwing my damn and sound going out?
• 3:28
  Speaker 2: Mm hm.
• 3:32
  Speaker 7: M hm.
• 3:37
  Speaker 4: M hm.
• 3:40
  Speaker 8: Mm hmm.
• 3:43
  Speaker 5: Let me go.
• 3:45
  Speaker 9: He's just gonna stand share this works, mkay some about
• 3:51
  Speaker 9: in sound issue was going on?
• 3:58
  Speaker 2: Fry this again? You know it's been a minute. The
• 4:04
  Speaker 2: sound kind of sound that sh oh, let me see
• 4:09
  Speaker 2: you whoa come? I'm just say.
• 4:16
  Speaker 4: Yeah, one one that you.
• 4:18
  Speaker 2: Call that you talked to come. Oh shit in my world.
• 4:24
  Speaker 2: You want a white shut time with a white shot sound.
• 4:28
  Speaker 2: The mean on this don't uber abouts you see?
• 4:33
  Speaker 3: Is he gonna shas like the white shot sound.
• 4:41
  Speaker 2: I couldn't have all spae like you get some brunch
• 4:50
  Speaker 2: real when you think that time so w.
• 5:02
  Speaker 4: So closing skin friend for little grass, You'll be fine,
• 5:12
  Speaker 4: he said.
• 5:13
  Speaker 2: I'm taking the same thing anything, oh for the same things.
• 5:20
  Speaker 2: I'm not my brother or not. You're gonna play shot time,
• 5:25
  Speaker 2: don't pay shot time.
• 5:30
  Speaker 10: You can't.
• 5:30
  Speaker 2: That's all some fo that time.
• 5:41
  Speaker 4: So I'll right it about it nice again on my
• 6:11
  Speaker 4: trumble and my line on rumble or not? What's happen?
• 6:20
  Speaker 2: You know we got need some hops cleaning. We gotta
• 6:23
  Speaker 2: chin check some people today who the rumble thing that
• 6:34
  Speaker 2: ain't let me.
• 6:35
  Speaker 8: Know if I'm live or not.
• 6:38
  Speaker 1: Because I'm live, but I don't see no damn should
• 7:54
  Speaker 1: all right, I'm back upon.
• 7:55
  Speaker 2: I don't know what thing.
• 7:56
  Speaker 4: I'm a rumble guy that can't for the rumble. I
• 7:58
  Speaker 4: don't know what that will happen with my rumble, Ship said,
• 8:03
  Speaker 4: but live, but I don't see nothing no rumble. So
• 8:05
  Speaker 4: I'm just trying to work out some technical difficulties.
• 8:07
  Speaker 2: Guys, shit's crazy. Giving me a CHECKO get every running
• 8:11
  Speaker 2: the night.
• 8:13
  Speaker 4: With this conversation, got things going down phone lines, all
• 8:17
  Speaker 4: kinds of ship what's going Okay, it's like my in
• 9:05
  Speaker 4: it jacked up. Oh they're gonna let me go loud
• 9:18
  Speaker 4: on rumble. Shit, I tried beat the download this on rumble.
• 9:30
  Speaker 2: Whoa, you know we got the job.
• 9:34
  Speaker 4: It's that's latinos whatever you're talking about with that joke
• 9:39
  Speaker 4: talking crazy.
• 9:41
  Speaker 2: They're gonna get this. You know that they abduction.
• 9:45
  Speaker 4: They hate black people, but they love the culture that
• 9:48
  Speaker 4: we produce here in America.
• 9:50
  Speaker 2: They hate us, but they love to claim our culture
• 9:53
  Speaker 2: and then rebranded as their own. That's the crazy part.
• 9:56
  Speaker 2: That's what we're gonna get into. Tonight's absolutely insane. You
• 10:06
  Speaker 2: guys have been the radio.
• 10:07
  Speaker 11: Anybody's all rumble. Don't want anybody known rumble. We're not
• 10:11
  Speaker 11: We're not coming clear all rumble. I don't know what
• 10:13
  Speaker 11: the hell is going on, and that's messed up with something.
• 10:18
  Speaker 11: We're not coming in clear and rumble, So.
• 10:46
  Speaker 2: I don't everybody. She says, I'm buying my rummer, but
• 11:11
  Speaker 2: I'm taking another started its live told me so I
• 11:43
  Speaker 2: remember this starving being a guy. Welcome everybody, Welcome to
• 12:47
  Speaker 2: the black of Finite. What is the black or finitalk
• 12:50
  Speaker 2: black or find.
• 12:50
  Speaker 12: At or black hot finettor Black or Fire Network, Black
• 12:54
  Speaker 12: d friand network.
• 12:55
  Speaker 2: Media of the twenty fift century, Media of the twenty
• 12:57
  Speaker 2: five fature the century, the media of the twenty first.
• 13:03
  Speaker 12: Century, Vidia of the twenty first century, and we're living
• 13:06
  Speaker 12: into amazing conversations.
• 13:08
  Speaker 13: Get to discuss matters affecting African people, of the African
• 13:12
  Speaker 13: history and the.
• 13:13
  Speaker 12: African identity, trying to bring up an africanis in renaissance.
• 13:17
  Speaker 2: Relationships, life politics, and.
• 13:21
  Speaker 12: We get to hold some of the most amazing shows
• 13:24
  Speaker 12: talking about the creative industry in the country and outside
• 13:27
  Speaker 12: studio interviews and covering events in the ground where were
• 13:31
  Speaker 12: playing the best top ten countdown in the country will
• 13:34
  Speaker 12: be saying nothing but true.
• 13:35
  Speaker 4: No.
• 13:36
  Speaker 13: Remember you can enjoin us that our approtues on the
• 13:38
  Speaker 13: Google Place and also tre w W Black all.
• 13:44
  Speaker 2: Follow us some clash bread the media of the twenty
• 13:52
  Speaker 2: first century. This is where everything happens right here only
• 13:56
  Speaker 2: on the Black cottar to the.
• 13:57
  Speaker 4: Alright family, Get out for there, Get up for there,
• 14:05
  Speaker 4: Boo yard, you guys better see me. My camera's up.
• 14:07
  Speaker 4: You know you guys can see me now. I don't
• 14:10
  Speaker 4: know if Rumbo's not coming in.
• 14:12
  Speaker 2: I don't know. The husband with Rumbo I try to
• 14:15
  Speaker 2: just do app that shit didn't work. So close to
• 14:17
  Speaker 2: that it didn't work, they might end that slow down
• 14:20
  Speaker 2: or something tonight. So let's get this part of the start.
• 14:23
  Speaker 4: Guys.
• 14:23
  Speaker 2: Let me want you want to.
• 14:27
  Speaker 4: Once say, welcome back to everybody to the Black House
• 14:30
  Speaker 4: by a network show.
• 14:32
  Speaker 2: I'm your host. It's the Black Hot ybe always on
• 14:35
  Speaker 2: that ass.
• 14:36
  Speaker 4: Now we're broadcasting live from the homeland in the United
• 14:39
  Speaker 4: States of America. We're over to the Mother of Africa
• 14:42
  Speaker 4: because we're truly one only international radio shows.
• 14:45
  Speaker 2: And that's what's up. So I'm gonna give a shout out.
• 14:49
  Speaker 4: I want to give a shout to everybody walking us
• 14:51
  Speaker 4: on YouTube, everybody on Rumbo, everybody on Twitter's mast x,
• 14:59
  Speaker 4: everybody on I bet you, everybody on the Foundation of
• 15:04
  Speaker 4: Black Channel, Blackhigh Fire Network, dot Com, everybody on TikTok, everybody.
• 15:10
  Speaker 2: Else who listens on all your streaming TV platforms that will.
• 15:14
  Speaker 4: Be Apple, Roll Coop, Android, Amazon with Live Baby, and all.
• 15:22
  Speaker 2: Streaming platform globals and step on you here and here
• 15:24
  Speaker 2: we go, Black Hat, Pian, come on bringing them along, schools,
• 15:34
  Speaker 2: Bank and stupid. Whoa come on here we go? Huh,
• 15:45
  Speaker 2: WHOA come on? Black hat paybody left out some platforms
• 15:56
  Speaker 2: I'm to give me everywhere. I think. I'm so passed
• 15:59
  Speaker 2: up about the rubo on that. If you guys seek
• 16:01
  Speaker 2: Jimmy Clearty on the cameras were up in his seat,
• 16:06
  Speaker 2: Black time Fie.
• 16:09
  Speaker 4: If you want a tall day to call number eight
• 16:11
  Speaker 4: five zero three sixty eight nine one zero two is
• 16:15
  Speaker 4: gonna be afraid. Don't be scared me up in here,
• 16:18
  Speaker 4: flack hot fag. Come do what we do your dad,
• 16:33
  Speaker 4: black hot fight.
• 16:41
  Speaker 2: I know anybody don't rumbleway from me.
• 16:43
  Speaker 14: Sorry guys, If you guys don't rumblef this, I said,
• 16:46
  Speaker 14: uploaded family.
• 16:48
  Speaker 7: If say a lie, but I will see myself over the.
• 16:53
  Speaker 2: I'll just uploaded tomorrow, So don't go crazy. We're upload
• 16:58
  Speaker 2: and live tomorrow. Oh humble who black tie pay huh
• 17:16
  Speaker 2: uh uh uh uh whoa, That's what I'm talking about.
• 17:30
  Speaker 2: Started out with my mama gives it'll be all right because.
• 17:33
  Speaker 7: Said, but we up to know this joint Black time Sire.
• 17:43
  Speaker 15: I shot sure e five shot sut me five to night.
• 17:54
  Speaker 2: Who black time.
• 17:57
  Speaker 7: Bank, come on.
• 18:09
  Speaker 2: H with my winsow black hot pie. Let me set
• 18:15
  Speaker 2: on my cameras. Take sure they left the running. Black
• 18:19
  Speaker 2: tie Sian.
• 18:25
  Speaker 15: Get black Pi Piet Noh no, come on, huh uh
• 18:39
  Speaker 15: uh black Pi Pi?
• 18:46
  Speaker 2: Alright, what's the Batson? How's they about to doing? Hopefully? Well? Okay,
• 18:50
  Speaker 2: so we've had a dust up family.
• 18:52
  Speaker 4: About this hapems over and over again with what they
• 18:55
  Speaker 4: call American music, which is global music quitted by African Americans.
• 19:01
  Speaker 15: Okay, this is all with this.
• 19:02
  Speaker 4: These these genres keep going through the same nonsense over
• 19:06
  Speaker 4: and over again. So I'm finally happy that black people
• 19:10
  Speaker 4: starting to check other people that we've allowed into our
• 19:13
  Speaker 4: cultures and decide to vulture on them. Right, we've allowed
• 19:19
  Speaker 4: other people to partake in our culture. Then they come
• 19:22
  Speaker 4: back and they have nothing but contempt and disdain for us.
• 19:26
  Speaker 2: But they've.
• 19:28
  Speaker 8: Say what they doing? Think he's messing up? What's going
• 19:32
  Speaker 8: on with the same They.
• 19:33
  Speaker 2: Have nothing but contempting and disdain for us while they
• 19:38
  Speaker 2: thrive sitting in our culture. Right, they thrive and become
• 19:46
  Speaker 2: millionaires in.
• 19:46
  Speaker 4: Our culture, and then they want to shit on the
• 19:51
  Speaker 4: very people that made the culture. Ain't cleaning their own.
• 19:53
  Speaker 4: Now we've had this over and over again. Country music,
• 19:57
  Speaker 4: we created that. So he remind they got all crazy
• 20:00
  Speaker 4: with Beyonce making a country album these certain individuals and
• 20:06
  Speaker 4: said country.
• 20:07
  Speaker 2: Music belonged to them and did not we left, We
• 20:09
  Speaker 2: put it down, allowed them to acquire it.
• 20:12
  Speaker 4: Then they come back and claim his own country music family,
• 20:16
  Speaker 4: if you don't know, started with the banjo and what
• 20:20
  Speaker 4: they call the viole in the fiddle. These are West
• 20:22
  Speaker 4: African instruments. These instruments come out of Africa. The violets
• 20:27
  Speaker 4: out European. The banjos damn from not European. He's an African.
• 20:32
  Speaker 4: So the idea that all these other people got upset
• 20:36
  Speaker 4: about Beyonce making country whether it's her people that created it,
• 20:41
  Speaker 4: African Americans created country music, these are just spects. And
• 20:45
  Speaker 4: see when we let things down, there allot of people
• 20:49
  Speaker 4: to come into the coach and they're claiming as they're
• 20:51
  Speaker 4: owning the claim ownership of it. Because the black people
• 20:55
  Speaker 4: are always loving kind and we allow everybody to part
• 20:59
  Speaker 4: ten in our culture. That's become a problem, all right.
• 21:06
  Speaker 4: We've seen that whats be the most hated people on
• 21:08
  Speaker 4: the planet, but everybody wants to You know, you got
• 21:10
  Speaker 4: the dance craze right now, TikTok, the Tupac dance craze,
• 21:16
  Speaker 4: you know, with jose To see and Tupac back in
• 21:19
  Speaker 4: the nineties, you all these dances.
• 21:23
  Speaker 2: Thats crazy that black.
• 21:24
  Speaker 4: People they hate us, but they love to be how
• 21:26
  Speaker 4: they love to be, how they put all our goddamn culture.
• 21:29
  Speaker 2: They love that.
• 21:32
  Speaker 4: But then the ideas they want to claim it. Like
• 21:34
  Speaker 4: the fact Joel as this is hilarious, is that the Latinos.
• 21:39
  Speaker 4: You can take the progression, guys, back from hip hop
• 21:42
  Speaker 4: where it started from.
• 21:44
  Speaker 2: Everything has a natural progression, a linear progression.
• 21:50
  Speaker 4: So you can see the beginnings of hip hop and
• 21:53
  Speaker 4: African American culture from the past. You don't see no
• 21:57
  Speaker 4: damn Latino culture whatever that big name is Latino, right
• 22:02
  Speaker 4: because even their music is African coming out of the
• 22:05
  Speaker 4: Condo and Angola when the Africans they stole there. Even
• 22:10
  Speaker 4: the Latino music is African. That's another party. That's another story.
• 22:15
  Speaker 4: I'm not gonna get it to let the Africans in
• 22:18
  Speaker 4: those an the Spanish and Portuguese speaking countries claim that
• 22:22
  Speaker 4: that you're scared because they all want to be white
• 22:24
  Speaker 4: and white ass kisses so so fat George jumped out
• 22:31
  Speaker 4: the window. John explained you how it was fifty to
• 22:35
  Speaker 4: fifty or it was a Latino. If I was a
• 22:40
  Speaker 4: Latino invention. Now this is crazy on his face. It's
• 22:46
  Speaker 4: absolutely insane. And you would even say this because you know,
• 22:51
  Speaker 4: the beginning of hip hop comes out also punk culture,
• 22:55
  Speaker 4: punk music. I'm gonna also get on these goopy Jamaican
• 22:58
  Speaker 4: super must A rhymes up.
• 23:00
  Speaker 2: Moron don't come out of nothing from No Island culture
• 23:02
  Speaker 2: at all. So we know the birth breaks were always
• 23:07
  Speaker 2: coming from punk culture.
• 23:09
  Speaker 4: James Brown, most sample music.
• 23:12
  Speaker 2: In the beginning is always James Brown beats.
• 23:18
  Speaker 4: To us how hip hop comes out of funk and
• 23:21
  Speaker 4: jazz music which used to be called bebop bebop becomes
• 23:26
  Speaker 4: hip hop and the scattering rapping goes back years in
• 23:32
  Speaker 4: African American tradition and leggads.
• 23:35
  Speaker 2: Like I said, there's a progression that can be easy
• 23:37
  Speaker 2: traced back.
• 23:39
  Speaker 4: But like you had, Fat Joe, it's also so now
• 23:42
  Speaker 4: people have called him out right for it's also his racism,
• 23:46
  Speaker 4: his anti black victor.
• 23:48
  Speaker 2: Y'all.
• 23:49
  Speaker 4: They told you when you lost these people in your culture,
• 23:51
  Speaker 4: to sit and get rich. He's not getting rich off
• 23:54
  Speaker 4: no damn Latino culture. He's been leaning back, you know,
• 24:00
  Speaker 4: his his jam leaned back, and he's been leaning back,
• 24:03
  Speaker 4: leading his fat ass back in African American culture and
• 24:08
  Speaker 4: then claiming it as his own. Been being very disrespectful
• 24:12
  Speaker 4: in prisons to the people that they do it every time,
• 24:16
  Speaker 4: and I'm black people. We gotta start gate keeping what
• 24:19
  Speaker 4: we create. Can't every time taking Harry up in here
• 24:24
  Speaker 4: like your fake m and ms and all these other people.
• 24:27
  Speaker 4: You create your own shit. We're not trying to infortrate
• 24:31
  Speaker 4: your little views that you've never created. Okay, you know,
• 24:35
  Speaker 4: we create rock and roll. They tell you Elvis is
• 24:38
  Speaker 4: the king of rock and roll. You crazy, how all
• 24:40
  Speaker 4: these songs are stolen by black people. All of them
• 24:42
  Speaker 4: are pleasurize because of the racist country when.
• 24:45
  Speaker 2: We lived there. He would give it the elbas and
• 24:48
  Speaker 2: you know all of his early songs were black.
• 24:50
  Speaker 4: People's saws that he pleasure rise and never paid him
• 24:53
  Speaker 4: a god damn dying. Even when you had the British
• 24:57
  Speaker 4: invasion back in the early to mid sixties, they told
• 25:01
  Speaker 4: it was Black American music that they listened to, that
• 25:04
  Speaker 4: they would blow us by because we created rock and road.
• 25:10
  Speaker 4: You know, it was years and years ago when jazz
• 25:12
  Speaker 4: was the biggest music on the plant. The whites tried
• 25:14
  Speaker 4: to claim that they had something to do with jazz
• 25:17
  Speaker 4: had nothing to do with that. Jazz comes out of
• 25:20
  Speaker 4: New Orleans.
• 25:20
  Speaker 2: It was the culture.
• 25:21
  Speaker 4: You can always take our music back to the cultural
• 25:25
  Speaker 4: experiences that we've had in this country. Our music comes
• 25:30
  Speaker 4: from a cultural cultivation of our said experiences that no
• 25:38
  Speaker 4: other people can claim. And it seems to always be
• 25:41
  Speaker 4: some kind of jealousy about us being the crazy, craziest
• 25:47
  Speaker 4: of this music.
• 25:48
  Speaker 2: But these are just fats.
• 25:51
  Speaker 4: Now.
• 25:51
  Speaker 2: I don't give a damn who gets mad about these
• 25:53
  Speaker 2: are facts.
• 25:55
  Speaker 4: Blues created by Black Americans, Jazz created by Black Americans,
• 26:02
  Speaker 4: rock and roll created by Black Americans, country music created
• 26:06
  Speaker 4: by Black Americans, r and B created by Black Americans,
• 26:11
  Speaker 4: hip hop created by Black.
• 26:13
  Speaker 2: Americans, pop music created by Black Americans.
• 26:17
  Speaker 4: But they always try to tell we got low i q's,
• 26:20
  Speaker 4: but we created we got damn t but supposed we
• 26:22
  Speaker 4: got these lower IQ's.
• 26:24
  Speaker 2: You know, all these races get to how lower IQ's
• 26:27
  Speaker 2: are supposed to be. You know, that's what they do,
• 26:31
  Speaker 2: give us a low IQ nonsense.
• 26:33
  Speaker 5: And so.
• 26:38
  Speaker 4: Yes, if you guys want to put me on Rumble, guys, yeah,
• 26:41
  Speaker 4: I don't think Rumble picked up.
• 26:42
  Speaker 2: Let me go back to Rumble.
• 26:43
  Speaker 4: Let me say I don't think Nope, Yep, it says
• 26:49
  Speaker 4: I'm live, but you don't see nothing on Rumble at.
• 26:51
  Speaker 2: All, so no, it don't happen. So it's not showing
• 26:57
  Speaker 2: me a rumble at all.
• 27:02
  Speaker 4: But uh, show me a rumble and all of what
• 27:06
  Speaker 4: I'm getting kicked off these certain platforms crazy. But like
• 27:13
  Speaker 4: I said, if you got a batoo out here for
• 27:16
  Speaker 4: you know, making up all kinds of fake history and
• 27:21
  Speaker 4: also with the Caribbean contingent as well, now we're gonna
• 27:25
  Speaker 4: put a stop to this. And that's the only thing
• 27:26
  Speaker 4: I agree with. I don't agree with the separation of
• 27:28
  Speaker 4: black people.
• 27:29
  Speaker 2: If I do.
• 27:32
  Speaker 4: Agree with moving a lot of people to come sit
• 27:34
  Speaker 4: at our table and to part taking a meal, and
• 27:37
  Speaker 4: then they claim they created a meal and invited us
• 27:41
  Speaker 4: to our own damn table. You know, that's when it
• 27:45
  Speaker 4: becomes absolutely crazy. And of course, since we live in
• 27:48
  Speaker 4: a white supremacist, a white supremacist system, they're more than
• 27:52
  Speaker 4: to they're more than happy to, you know, claim this.
• 27:57
  Speaker 4: How they try to steal our coach and give it
• 27:59
  Speaker 4: to somethingbody else.
• 28:00
  Speaker 2: They say that we're not the we're not the people
• 28:04
  Speaker 2: that invented we're not the innovators of it.
• 28:09
  Speaker 4: Okay, so we know, all most of our technical invintions
• 28:13
  Speaker 4: have been stolen and patnized by these corporations, and black
• 28:19
  Speaker 4: people never given credit for any of it. That's allowed
• 28:23
  Speaker 4: to push this society forward. And when you go reading
• 28:27
  Speaker 4: their history, because we're.
• 28:28
  Speaker 2: Supposed to never have done anything, that's the narrative they
• 28:31
  Speaker 2: love to give. That's the narrative they love to claim.
• 28:36
  Speaker 2: They like to live in that fake reality, that fake history.
• 28:40
  Speaker 2: You know, they love it. They love that. Yeah, you
• 28:52
  Speaker 2: guys are way to put me on rumble. I don't
• 28:53
  Speaker 2: know what happened to rumble things.
• 28:55
  Speaker 4: So so we got fat Yo all here and show
• 28:58
  Speaker 4: some clips of Pat Joe talk getting greasy, and he's
• 29:01
  Speaker 4: been called out right first anti black hate to come about,
• 29:06
  Speaker 4: you know, you know thought that's all kind of racial
• 29:10
  Speaker 4: slurs and that need that tells need to get things
• 29:14
  Speaker 4: pop in and damn these black people all kind of
• 29:19
  Speaker 4: protuit us. You know, the music that's allowed this man
• 29:23
  Speaker 4: to become a man that off our backs. And that's
• 29:25
  Speaker 4: why I told the black people, see, always let everybody
• 29:28
  Speaker 4: into our culture.
• 29:30
  Speaker 2: It's been a problem. See they put somebody white, you
• 29:32
  Speaker 2: have to go crazy over some emine.
• 29:34
  Speaker 4: No nobody gets to come in out of culture unchecked anymore.
• 29:40
  Speaker 4: White society or any other society. Don't get to push
• 29:43
  Speaker 4: somebody out there. That's part of our course. You do
• 29:46
  Speaker 4: your own shit. You be responsible for your own music.
• 29:50
  Speaker 8: That's what you do.
• 29:53
  Speaker 4: Because we let them in and every time they shit
• 29:55
  Speaker 4: on us. Every time, it's like clockwork. The idea that
• 30:01
  Speaker 4: any lack kenos created break dancing, not created what we
• 30:07
  Speaker 4: call pop locking not these are these are the pillars.
• 30:11
  Speaker 2: Of hip hop. The rapping, not DJing. Not see what
• 30:16
  Speaker 2: you said bout dj and the day with two turntables.
• 30:18
  Speaker 2: They came from black and mess.
• 30:19
  Speaker 4: That's globe another thing global, another industry is now global,
• 30:24
  Speaker 4: created by Black Americans. The two tables and the scratching
• 30:28
  Speaker 4: and people do all over the world now called DJing.
• 30:32
  Speaker 2: They came from Black America, you know. So now we're
• 30:37
  Speaker 2: gonna start flexing on some goddamn people to get our
• 30:39
  Speaker 2: damn respect, whether you like that or not.
• 30:45
  Speaker 4: So we will allow other people to come sit at
• 30:47
  Speaker 4: our table and talk shit about us. Now, everybody can't
• 30:51
  Speaker 4: be invited to the barbecue family. Everybody's not a family.
• 30:56
  Speaker 4: We gotta start checking checking, catching paperwork. So right now,
• 31:01
  Speaker 4: Fat Joel is getting chin chicked. He's checking his goddamn chin.
• 31:07
  Speaker 4: He getting chin chicked, And it's time to start checking
• 31:14
  Speaker 4: everybody's paper where we're allowed to partake in our culture.
• 31:18
  Speaker 4: Because remember you got people going crazy about Beyonce tom
• 31:21
  Speaker 4: Well stelling country music she can't steal with her goddamn
• 31:25
  Speaker 4: ancestors creating all Hello white people, country music was created
• 31:31
  Speaker 4: by us, not you. You liked it, and so you know,
• 31:36
  Speaker 4: you start copying what we did. We didn't never get
• 31:40
  Speaker 4: mad about you taking the jobre and doing what you're
• 31:42
  Speaker 4: doing with it. But you got the Ardaccy to come
• 31:46
  Speaker 4: back to us and say, we've got damn a stranger
• 31:51
  Speaker 4: at our own damn dinner table. No, we set at
• 31:55
  Speaker 4: the table, we put out the plates. We allowed you
• 31:59
  Speaker 4: to come have a taste of.
• 32:00
  Speaker 2: What we were cooking.
• 32:02
  Speaker 4: Okay, when we were cooking a country music we allowed
• 32:05
  Speaker 4: you to come in and since your ass down at
• 32:08
  Speaker 4: the table and enjoy the beast.
• 32:11
  Speaker 2: But when we got up and left, you.
• 32:15
  Speaker 4: Claimed the table with yours, and you set the plates,
• 32:19
  Speaker 4: and we are now uninvited guests at our own table.
• 32:23
  Speaker 2: We're uninbodyed guests at our own table. That's what you're
• 32:25
  Speaker 2: told about. That's what you told bejonesaid, how damn you
• 32:29
  Speaker 2: come to dealer country music because it's ours we create.
• 32:33
  Speaker 2: How dare you talk about did we do some music
• 32:36
  Speaker 2: that we founded, that we created and see and so
• 32:41
  Speaker 2: it's the same thing.
• 32:43
  Speaker 4: You know, black people find other the same saying ship
• 32:45
  Speaker 4: that that joe had been claiming. It's the same nonsense
• 32:49
  Speaker 4: that Joey had been claiming. You know, it's the same
• 32:58
  Speaker 4: nonsense that that Joey claim And when I said, but now,
• 33:05
  Speaker 4: oh no, they.
• 33:05
  Speaker 2: Getting chin chick, it's getting gin checked.
• 33:10
  Speaker 4: Now we know other people have hijacked hip hop music
• 33:14
  Speaker 4: because I tell your now it's mostly garbage because other
• 33:18
  Speaker 4: another group of individuals now got controlled of that.
• 33:23
  Speaker 2: Since we're on YouTube, we cannot mention you know who
• 33:26
  Speaker 2: it is. You know who they are. You know.
• 33:31
  Speaker 4: They would go unmentioned to these other individuals who have
• 33:34
  Speaker 4: taken hip hop and now completely destroyed its first meaning.
• 33:39
  Speaker 4: How they scream about the woke move this wolke stuff.
• 33:42
  Speaker 4: Can't tell you woke get hip hop was woke, guys,
• 33:45
  Speaker 4: because both men fighting the white man in this wicked
• 33:48
  Speaker 4: ass racial pyramid scheme that they create globally.
• 33:53
  Speaker 2: He was saying, woke of the white man that's what
• 33:59
  Speaker 2: it meant. Yes, you know, that's what it meant.
• 34:12
  Speaker 4: Now they try to make woke and now a Pejordan.
• 34:15
  Speaker 4: You ask these people, is what is woke?
• 34:18
  Speaker 2: I don't know. It just won't if we woke, because
• 34:21
  Speaker 2: they take.
• 34:23
  Speaker 4: Our vernaculars, guys, because we're the foundation of cool. We
• 34:28
  Speaker 4: are the trend setters, so we set the trends. So
• 34:31
  Speaker 4: they take our trend what's because both and now trying
• 34:36
  Speaker 4: to try to turn into a Pejordan. Why don't they
• 34:39
  Speaker 4: create their own group he ass words, their own cool shit,
• 34:43
  Speaker 4: But they want to take our words and now making
• 34:45
  Speaker 4: a Pejorita. And then most of the people talking about
• 34:47
  Speaker 4: woke this vote that they don't.
• 34:48
  Speaker 2: Even know what it even means.
• 34:50
  Speaker 4: They just said, you fout all over right wing media.
• 34:54
  Speaker 4: This won't talk nonsense. They can't tell you who woke
• 34:57
  Speaker 4: even is? Everything it's woke.
• 35:03
  Speaker 2: And woke and what is boke? Yeah, you know.
• 35:10
  Speaker 4: We're supposed to be the ones with the lower IQ's,
• 35:12
  Speaker 4: with all the trendses are said.
• 35:14
  Speaker 2: By us, how funny is that? How iroic is that?
• 35:21
  Speaker 4: And so, like I said, you got bat Joe out
• 35:24
  Speaker 4: here talking crazy and that he's been exposed as the racist.
• 35:28
  Speaker 2: He's always been.
• 35:29
  Speaker 4: Imagine you partaking somebody else's culture, but you hate those people.
• 35:39
  Speaker 2: Yep, you've partaken in that culture, but you hate them.
• 35:46
  Speaker 4: And that's what we've and that's what we've sadly have
• 35:50
  Speaker 4: happened with a lot of people coming over and over again.
• 35:54
  Speaker 4: You've seen this happened over and over and over. You
• 35:58
  Speaker 4: remember that goopy ass kid Rock, this no talent hack at.
• 36:04
  Speaker 4: He allowed him come in a coat of twenty five
• 36:06
  Speaker 4: years ago with this horrible rack and wrap with Rock,
• 36:10
  Speaker 4: this horrible shit and this mediocre, this mediocre individual white
• 36:15
  Speaker 4: American aide famous, this this moron. But you see, you
• 36:19
  Speaker 4: allowed him to come in the front door. He was
• 36:22
  Speaker 4: saying all kinds of racial structs and racial epithets against you,
• 36:28
  Speaker 4: This untalented coop this you know, this, this untalented moron.
• 36:33
  Speaker 4: It's you know, they hyped him up. You see, his
• 36:35
  Speaker 4: talent couldn't last long because he had no talent. He
• 36:40
  Speaker 4: just said his white trying to rap. He's a novelty act.
• 36:45
  Speaker 4: And you know they put these novety acts into our
• 36:48
  Speaker 4: culture and then they blow up somehow, but they don't
• 36:52
  Speaker 4: really have any real talent. There's a novelty act, you know,
• 36:58
  Speaker 4: saying copy and paste nonsense as what happened.
• 37:16
  Speaker 2: But thing he went down? Can you guys see me? Okay,
• 37:27
  Speaker 2: I'm back up.
• 37:28
  Speaker 9: I just think he's going down with second turning this
• 37:32
  Speaker 9: thing off and on in the second, this thinks, what
• 37:35
  Speaker 9: the hell this thing is doing?
• 37:42
  Speaker 8: Stuck this mm hmmm.
• 37:45
  Speaker 4: He got a mind of his own or what the
• 37:46
  Speaker 4: hell is doing? But so let me said, you got
• 37:51
  Speaker 4: Pat Joe talking crazy? How the latinos now?
• 37:58
  Speaker 2: He said, well, he's he's drawn that back of how
• 38:02
  Speaker 2: supposed that they have.
• 38:06
  Speaker 4: Been the founder of this hip hop music now its
• 38:10
  Speaker 4: supposed to be fifty to fifty. It wasn't fifty to
• 38:12
  Speaker 4: fifty with nobody Now. They came in later like they
• 38:15
  Speaker 4: always do, tooth for taking it because they seems gonna
• 38:18
  Speaker 4: start making a lot of money, right, So that's what
• 38:23
  Speaker 4: they see, and so they would always tamper down the
• 38:26
  Speaker 4: anti black racist racism so they can partake in the
• 38:31
  Speaker 4: culture and try to make millions of dollars because they've
• 38:33
  Speaker 4: seen what was going Everything we create far as musical music.
• 38:39
  Speaker 2: Lea, it starts to dominate.
• 38:43
  Speaker 4: Not just Black culture, but American culture and then worldwide culture.
• 38:51
  Speaker 4: All musical genres that Black Americans have created have dominated globally,
• 38:57
  Speaker 4: not just in America. We had rag time that came
• 39:01
  Speaker 4: out that went globally, dominated globally. They had jazz that
• 39:09
  Speaker 4: dominated globally. Then rock and roll dominate globally. R and
• 39:18
  Speaker 4: B dominates globally. Wall you see, he's goddamn Koreans doing
• 39:23
  Speaker 4: k pop.
• 39:25
  Speaker 8: You some me.
• 39:26
  Speaker 4: They came into American study African American R and B
• 39:30
  Speaker 4: from the nineties. That's why I said a big thing
• 39:32
  Speaker 4: in Korea. Ain't gonna study no damn for rock and
• 39:36
  Speaker 4: roll for white people.
• 39:38
  Speaker 2: They went to.
• 39:39
  Speaker 4: Black Americans and studied our nineties genres of music and
• 39:44
  Speaker 4: took it back to South Korea and created their own
• 39:47
  Speaker 4: genre called k pop. Good And there's always some jealousy,
• 39:53
  Speaker 4: but goddamn we're not. We're not gonna allow people to
• 39:57
  Speaker 4: come sit and I got damned a living room and
• 40:01
  Speaker 4: talk crazy. I'm not gonna tolerate that anymore. Fill me
• 40:09
  Speaker 4: some gate keeping around here.
• 40:12
  Speaker 1: Court.
• 40:12
  Speaker 2: You don't god damn uses that you.
• 40:15
  Speaker 8: M doing starting Okay, I don't know why are my
• 40:21
  Speaker 8: things not running? Mm hmm listen it says I'm live,
• 40:36
  Speaker 8: but I don't see nothing. I don't know.
• 40:48
  Speaker 2: Where I stopped the things I work on. That rumble
• 40:53
  Speaker 2: ship is not working, spitting me off. That rumble ship
• 40:59
  Speaker 2: is not working at all, but.
• 41:02
  Speaker 8: It just was sticking a sicken.
• 41:12
  Speaker 6: You do this this inte.
• 41:17
  Speaker 8: Listen one second.
• 41:21
  Speaker 4: Mm hm.
• 41:24
  Speaker 2: M m hm hm.
• 41:38
  Speaker 4: All right, all right, try to try to get my
• 41:43
  Speaker 4: ride eye music back, he said, Hank William Senior. And
• 41:46
  Speaker 4: what he got do was talked by brother. They all
• 41:50
  Speaker 4: they yeah, they all were talked about uh by us.
• 41:54
  Speaker 9: You know, they don't got no Internet connection in that
• 41:58
  Speaker 9: connection that didn't mean work that way. I'm like, in
• 42:04
  Speaker 9: this missing up tonight, I don't know what was going on.
• 42:12
  Speaker 2: Mm hmmm.
• 42:20
  Speaker 8: Oh well I figured out later.
• 42:27
  Speaker 2: Mm hmm.
• 42:30
  Speaker 1: Yeah.
• 42:31
  Speaker 2: Yeah. Anyway, all right, I'm.
• 42:34
  Speaker 4: Trying to figure figure with my in that connections acting
• 42:37
  Speaker 4: up and you guys here right on YouTube relief.
• 42:40
  Speaker 2: Yeah.
• 42:40
  Speaker 4: But see, like I said, even classical music wasn't created
• 42:47
  Speaker 4: by then, that that was brought in the ure by
• 42:49
  Speaker 4: the Moors. The pianos and African and African instruments, all
• 42:54
  Speaker 4: these instruments right, let's supposed to be all supposed to
• 42:58
  Speaker 4: be low I Q. The main views they loved the
• 43:01
  Speaker 4: classical music was brought into Europe by the Moors. There
• 43:05
  Speaker 4: was no music in Europe at all, no pianos, no violins.
• 43:11
  Speaker 4: These all African instruments. You know, suppose they created by
• 43:16
  Speaker 4: morons and people with low IQ. That's what they say,
• 43:19
  Speaker 4: you know, that's to make them feel good, the low
• 43:21
  Speaker 4: IQ nonsense they talk about.
• 43:35
  Speaker 2: And so, like I said, so we got back Joe
• 43:40
  Speaker 2: talking crazy.
• 43:48
  Speaker 4: Being invited to the dinner party because black people are
• 43:52
  Speaker 4: loving and kind.
• 43:53
  Speaker 2: And we don't check people's paperwork. And I think those
• 43:58
  Speaker 2: days are over. I'm loud. Everybody consists the barbecue them
• 44:03
  Speaker 2: days is over because you're not getting rich off our backs.
• 44:10
  Speaker 2: Our culture.
• 44:12
  Speaker 4: Don't do your Latino thing whatever the fuck that is
• 44:16
  Speaker 4: so so not even that's also a black culture. But
• 44:18
  Speaker 4: you know, I let them claim it because that the
• 44:21
  Speaker 4: Caribbeans and the South American blacks are not gonna claim it. Hey,
• 44:24
  Speaker 4: that's on them, and that's on them because you had
• 44:29
  Speaker 4: Carlo sant Tina even tell you that Latino.
• 44:32
  Speaker 2: Music is African music.
• 44:34
  Speaker 7: But I already know that.
• 44:36
  Speaker 2: I already know that Tino music is African music.
• 44:39
  Speaker 1: I know that too, But I.
• 44:42
  Speaker 4: Don't need Carlos Santana to teach me that I knew that,
• 44:46
  Speaker 4: but that the cats down in the Caribbean Islands and
• 44:50
  Speaker 4: the brothers down in the South America claim that, you know,
• 44:54
  Speaker 4: they like other white Latinos claim they shit.
• 44:57
  Speaker 2: Hey, that's on them. But you, but you're not claim
• 45:00
  Speaker 2: Moroccan road.
• 45:02
  Speaker 4: You'll not claim rap, hip hop, you'll not claim jazz,
• 45:07
  Speaker 4: You'll not claim country music.
• 45:13
  Speaker 2: You will not claim R and B, B bop, ragtime, blues,
• 45:26
  Speaker 2: none of it.
• 45:29
  Speaker 4: Because it all stays in the African American family, all
• 45:32
  Speaker 4: of it, all of it. And I say that unapologetically
• 45:39
  Speaker 4: because we created all of it, whether you like it
• 45:42
  Speaker 4: or not. See that makes another people feel a certain
• 45:45
  Speaker 4: type of way because as black people globally, we've been
• 45:49
  Speaker 4: put on the bottom of this racial period scheme these
• 45:52
  Speaker 4: psychopaths have created. See, they told themselves that's what I'm
• 45:57
  Speaker 4: talking about tomorrow. They got Vine Robert Swalley out here,
• 46:01
  Speaker 4: call them white people mediocre and they're not that good.
• 46:05
  Speaker 1: You know.
• 46:05
  Speaker 7: Now they're doing to them which.
• 46:07
  Speaker 4: They've always done everybody else, and they don't like it.
• 46:11
  Speaker 4: They're pushing back. I find this ship a lyricus, and
• 46:13
  Speaker 4: that's what we're gonna talk about tomorrow.
• 46:16
  Speaker 10: Now.
• 46:17
  Speaker 4: You know, when they push it back on Biddot telling
• 46:19
  Speaker 4: that they're no good and and and they need to
• 46:22
  Speaker 4: bring in all these Indians because the white people are
• 46:24
  Speaker 4: too stupid to do any technical jobs anymore. They're too
• 46:29
  Speaker 4: lazy anybody. So you got this boy telling them that
• 46:33
  Speaker 4: they're lazy, but they just you know, they they've done
• 46:37
  Speaker 4: this to themselves. It's gonna be, but it's gonna be tomorrow.
• 46:43
  Speaker 4: This is what we're gonna talk about tomorrow.
• 46:45
  Speaker 2: Let me find these videos about that Joe no good
• 46:47
  Speaker 2: blud sake. Some videos is funny.
• 47:08
  Speaker 5: H h.
• 47:29
  Speaker 2: H h h m m.
• 47:42
  Speaker 4: Tell let me tell me down this time Joey giving
• 47:46
  Speaker 4: me that Joe I live on Rumble. Yeah, I'm on
• 47:48
  Speaker 4: YouTube to Joe, it's not somebody's not coming in on rumble.
• 47:51
  Speaker 2: I don't know why I'm on I'm on youttube.
• 47:54
  Speaker 4: So anybody's past that, like, but no, if you don't
• 47:57
  Speaker 4: take talk, everybody chat that chat that screen on on
• 48:01
  Speaker 4: TikTok for men. So you know, they might have been
• 48:07
  Speaker 4: filled a certain type of way because they about this
• 48:09
  Speaker 4: racial period scheme that they put black people at the bottom,
• 48:14
  Speaker 4: and so it burns their asses that the majority.
• 48:16
  Speaker 2: That the that the music the global music has been.
• 48:19
  Speaker 4: Created by Black Americans, and that chats people's asses, you know,
• 48:25
  Speaker 4: that makes them feel a certain type of way.
• 48:29
  Speaker 2: This is a historical fact them Jesus in those schools.
• 48:35
  Speaker 2: There's no music.
• 48:36
  Speaker 4: Genre that Black Americans in the last hundred years have
• 48:39
  Speaker 4: not created, not one.
• 48:42
  Speaker 2: That there is one. I don't know of it. Tell
• 48:44
  Speaker 2: me what it is.
• 48:47
  Speaker 4: And the reason why I don't know it because it
• 48:48
  Speaker 4: never caught off, it never took steam, it never went anywhere.
• 48:56
  Speaker 2: Let me see, man, h.
• 49:43
  Speaker 4: Said we're gonna listen to this back mother, I said,
• 49:45
  Speaker 4: we'll listen to bat Uber, So we're gonna listen to him.
• 49:52
  Speaker 2: Let me self give you guy a second, saup my
• 49:55
  Speaker 2: nes pache.
• 50:08
  Speaker 16: These rumors were made by radical black racist racist Let's
• 50:16
  Speaker 16: just say, guy, Okay, it's a group of these guys.
• 50:20
  Speaker 16: They don't want to hear Jamaican don't want to hear
• 50:23
  Speaker 16: guy of these don't want to hear.
• 50:24
  Speaker 2: They don't want to hear a black guy.
• 50:26
  Speaker 17: That ain't got with them, right, So their job is
• 50:30
  Speaker 17: to criticize anybody who don't look like them, who ain't
• 50:34
  Speaker 17: black American.
• 50:36
  Speaker 2: You want me to say, And they were gonna give
• 50:38
  Speaker 2: him to us. Clotton man, the SBA, foundational Black and
• 50:42
  Speaker 2: art whoever these you don't give him too much. If
• 50:47
  Speaker 2: this mother bugger is a nobody has been a washed
• 50:50
  Speaker 2: up you know. And is it is that he was
• 50:53
  Speaker 2: there with a big, huge rapper he never won and
• 50:56
  Speaker 2: in like.
• 50:56
  Speaker 4: Two or three hits, you know, give it to him
• 50:58
  Speaker 4: by black people. That idea needs somebody. You know, he's somebody,
• 51:03
  Speaker 4: this bat bastard. You know these foundations on black people.
• 51:08
  Speaker 4: I think those other guys sitting there are Jamaicans. That's
• 51:11
  Speaker 4: why they didn't pushed back. See you Jamaican brothers.
• 51:15
  Speaker 2: And this big that Tino cat here, you didn't have
• 51:19
  Speaker 2: anything to do.
• 51:20
  Speaker 4: With hip hop, and now you're being called out on it.
• 51:25
  Speaker 4: See they're even their own Jamaican music that they called
• 51:29
  Speaker 4: Jamaican was inspired by Black Americans. So that's why we're
• 51:33
  Speaker 4: getting into it with uh bust the rhymes, zesty ass,
• 51:39
  Speaker 4: this zesty bastard, these goopy outfits he's been wearing.
• 51:42
  Speaker 2: This this guy their zest monster.
• 51:46
  Speaker 1: See that.
• 51:46
  Speaker 4: And that's why I told us you gotta chim check
• 51:48
  Speaker 4: these cats. No one sitting at the barbecue. You know
• 51:54
  Speaker 4: the can this one's and all the other big can
• 51:57
  Speaker 4: this owns another one.
• 51:58
  Speaker 2: He's not. She's not a black back. Americans brought us
• 52:01
  Speaker 2: from the Caribbean.
• 52:01
  Speaker 4: That's why she never sees that the wrong with black
• 52:05
  Speaker 4: Americans being murdered. No cop, so they feel a certain way.
• 52:12
  Speaker 4: We ain't all Jamaicans a day, George, not today. Were
• 52:16
  Speaker 4: not all Jamaicans. Were not all Jamaicans today, George, sir,
• 52:26
  Speaker 4: Not to day. We checking these Jamaican were checking his.
• 52:29
  Speaker 2: Zesty as Jamaicans and these other Jamaican cats talking with
• 52:32
  Speaker 2: back Joe. See, these are all non black.
• 52:35
  Speaker 4: Americans, These these Island negroes who felt a certain type
• 52:41
  Speaker 4: of way. When that slick Rick told you our colchure
• 52:45
  Speaker 4: the African American culture, so dot it. I'm gonna put it,
• 52:49
  Speaker 4: so doed it. It provases the it probases the world.
• 52:53
  Speaker 4: It's so donic an other Africans feel a certain.
• 52:58
  Speaker 2: Type of way. I don't give a shit. This is
• 53:02
  Speaker 2: just the facts. It's soaper basive, so don it.
• 53:07
  Speaker 4: You go anywhere on the planet, you have motherfucker rapping
• 53:10
  Speaker 4: in Brazil, in Kenya, in South Africa, in goddamned South Korea,
• 53:16
  Speaker 4: in Japan.
• 53:19
  Speaker 2: But it has one place. It was koreb black Americans,
• 53:24
  Speaker 2: whether you like it or not, that's the dominance we had, and.
• 53:30
  Speaker 4: It makes other people feel a certain type of way.
• 53:33
  Speaker 4: I don't get a shit how you feel, but you're
• 53:37
  Speaker 4: gonna put some respect on our goddamn name. That's what
• 53:40
  Speaker 4: you're gonna do. In the days of youth down there,
• 53:49
  Speaker 4: you sit in your fat ass in our culture and
• 53:51
  Speaker 4: eating off of us.
• 53:53
  Speaker 2: The days is over.
• 53:54
  Speaker 4: See bet Jo's released another one of his flop ass albums.
• 53:58
  Speaker 2: Please let two or three weeks ago, and you know
• 54:01
  Speaker 2: his album blocked. You releast know when he's flopped ass
• 54:04
  Speaker 2: horrible rap albums he's got. They know what to take
• 54:07
  Speaker 2: that shit to the take that shit to Puerto Rico.
• 54:12
  Speaker 2: Let don't buy that Garnets.
• 54:14
  Speaker 4: Oh, the Puerto Ricans don't buy it because it was
• 54:17
  Speaker 4: never your coature to begin with.
• 54:20
  Speaker 2: You Island Negroes, don't you want to be black or African.
• 54:26
  Speaker 4: Asterdamn Dominicans. I've been a Dominican. They right there, party hated.
• 54:30
  Speaker 4: They said the completely different from the Haitians, and they
• 54:34
  Speaker 4: have the island. Mother bucker, Dominican'll be raping your face
• 54:38
  Speaker 4: darker than you, telling you he ain't not African, He's
• 54:40
  Speaker 4: not black.
• 54:42
  Speaker 2: Their minds already messed up.
• 54:44
  Speaker 4: So I don't argue with these These coaches don't even
• 54:47
  Speaker 4: want to be black, you know, black as hell. They
• 54:51
  Speaker 4: anti black because of what slavery colonialist because the Spanish
• 55:01
  Speaker 4: being colonized as slave by the Spanish was a little
• 55:04
  Speaker 4: bit different. So remember their race, they strived to be whiter,
• 55:10
  Speaker 4: that's in their culture. Their culture is dysfunctional, not isa
• 55:17
  Speaker 4: improve the race to wide. George Lopez and all these
• 55:20
  Speaker 4: people have chose that to improve the race, they must
• 55:22
  Speaker 4: become what and make themselves whiter.
• 55:32
  Speaker 2: And he found your family comes from Jamaica. I doubt that.
• 55:37
  Speaker 2: I doubt that. Uh. But the funny part about it,
• 55:42
  Speaker 2: if you do.
• 55:43
  Speaker 4: Any kind of slavey, think George, honestly, they would take
• 55:47
  Speaker 4: a lot of a lot of the rebellion slaves from
• 55:49
  Speaker 4: America and take them down to Jamaica.
• 55:51
  Speaker 2: They would go back and forth. It was both.
• 55:53
  Speaker 4: You were going back and forth from Ireland to the mainland,
• 55:56
  Speaker 4: to the mainland down to the island. So it's actually
• 55:58
  Speaker 4: interchangeable to the truth. To be honest with you, they
• 56:02
  Speaker 4: were taking slaves from the island, bringing them up to
• 56:04
  Speaker 4: the mainland, bringing slaves from the mainland down to the islands,
• 56:08
  Speaker 4: so you know.
• 56:09
  Speaker 2: You can check that history.
• 56:10
  Speaker 4: That's just the pat So you know we're still the
• 56:14
  Speaker 4: same people, but culturally we're we're different because of the
• 56:18
  Speaker 4: places that we grew up at and the cultures that
• 56:21
  Speaker 4: we uh developed where we were raised at. Jamaican culture,
• 56:27
  Speaker 4: Haitian culture, and all island culture. You know, hate to
• 56:33
  Speaker 4: save you guys a little bit more boot nicking these
• 56:35
  Speaker 4: out of you Island negroes. You know your family of
• 56:38
  Speaker 4: boot nickas, Georgia. I want to tell you that most
• 56:41
  Speaker 4: Island Negroes of boot licks. You're just gonna keep it
• 56:44
  Speaker 4: one hundred. Most Island Negroes up boot licks. They never
• 56:49
  Speaker 4: fought the white man. They never want a fighter. They
• 56:51
  Speaker 4: wanted to simile with his acts. They wanted to simile
• 56:55
  Speaker 4: he wanted to wiping up, wiping up themselves and and
• 56:58
  Speaker 4: run away from being black.
• 57:01
  Speaker 2: We're gonna keep it one hundred. And it's a bat.
• 57:06
  Speaker 15: Now there.
• 57:06
  Speaker 2: The Jamaican women how made to their patas. They told
• 57:10
  Speaker 2: me that themselves in Jamaica queens.
• 57:14
  Speaker 7: They told me.
• 57:17
  Speaker 4: These nonsensical things. They they shared that self hatred that
• 57:23
  Speaker 4: they take with them. They shared that with me, like wow,
• 57:28
  Speaker 4: we think all them bleaching agent and shit they do
• 57:30
  Speaker 4: in the Islands, and that came up to New York
• 57:33
  Speaker 4: because you've never seen black Americans doing no skin bleaching
• 57:36
  Speaker 4: and all that Goofy shit. Were problem to be black,
• 57:40
  Speaker 4: is what we fought for everybody black.
• 57:42
  Speaker 2: We problems that the islands come on that.
• 57:46
  Speaker 4: Skin bleaching and shit I ain't ever even existed. Telling
• 57:49
  Speaker 4: about the Jamaican queens, They're like, what is this.
• 57:52
  Speaker 2: No when I was.
• 57:54
  Speaker 4: Running back and forth from Jamaican queens back in the day,
• 57:57
  Speaker 4: and they showed and they and they sold that ship
• 58:00
  Speaker 4: in the corner store, that skin bleaching ship. Like you
• 58:04
  Speaker 4: out in your mind, whether is this ship is? What
• 58:07
  Speaker 4: is this nonsense? That was already making the coach of Georgia.
• 58:11
  Speaker 2: You know that that's just the real thing. Whether you
• 58:13
  Speaker 2: want to admit that or not, that's real.
• 58:16
  Speaker 4: That's all that Goofy island ship, especially in Jamaica, that
• 58:20
  Speaker 4: skin bleaching ship, you know, fucked up wigs, skin bleaching
• 58:25
  Speaker 4: and fucked up wigs.
• 58:26
  Speaker 2: Ship's crazy. Let me jesus, I'm just keeping in the buck.
• 58:36
  Speaker 17: And they is to attack everybody on Twitter this you
• 58:40
  Speaker 17: see this living at home wonder like you know you're leader.
• 58:43
  Speaker 2: Man, you gotta be cheating, man. And so they ain't
• 58:47
  Speaker 2: trying to change the narrative. They're not fun New York.
• 58:50
  Speaker 2: So they talking about the whole nother story.
• 58:52
  Speaker 18: This was gonna start by this, these voices we got
• 58:57
  Speaker 18: that one gun music was already made. Funk music was
• 59:01
  Speaker 18: made by James exactly.
• 59:03
  Speaker 2: So I'm saying he put the pump, says about the
• 59:05
  Speaker 2: funk music. I tell him exactly.
• 59:07
  Speaker 4: They don't go back to the god damned Puerto Rican.
• 59:10
  Speaker 4: That's not a Jamaican culture.
• 59:12
  Speaker 2: Funk music was something you guys never picked up because
• 59:15
  Speaker 2: you never could do it. He never did it.
• 59:20
  Speaker 4: Funk music was strictly Black American and so white people finally,
• 59:26
  Speaker 4: you know, they got Bruno Marris to do it there
• 59:28
  Speaker 4: recently they got Bruno Marris.
• 59:30
  Speaker 2: They even do funk music.
• 59:31
  Speaker 4: They've been trying to steal that ship before the years,
• 59:35
  Speaker 4: and they remember they got Bruno mars and these other
• 59:38
  Speaker 4: and that white.
• 59:38
  Speaker 2: Guy finally able to make it something with Palatov, because
• 59:43
  Speaker 2: they would take it, try to try to copy it,
• 59:46
  Speaker 2: try to put themselves in it.
• 59:48
  Speaker 4: So when you gotta see the brutal Marsin that did
• 59:50
  Speaker 4: did punk music, it's the white guy behind him. It's
• 59:53
  Speaker 4: his name wherever his name is responsible for that. That
• 59:57
  Speaker 4: copy of the punk music you know that just had
• 1:00:01
  Speaker 4: had a resurgence in the last eight to nine years
• 1:00:04
  Speaker 4: ago with Brulo Mars.
• 1:00:07
  Speaker 2: You know, and we know it comes out of funk music. Hell,
• 1:00:10
  Speaker 2: you ain't got no punk music. Damn sure, ain't got
• 1:00:12
  Speaker 2: no punk music in Africa? You play that shit? What
• 1:00:15
  Speaker 2: is that? It's funk? What? What's you know? Mostly cats
• 1:00:20
  Speaker 2: in Africa? You know who who actually rap? Whom hip hop?
• 1:00:24
  Speaker 4: They would probably know who. Funk music is what the
• 1:00:28
  Speaker 4: origins hop hip hop comes about. But hunk hip hop
• 1:00:31
  Speaker 4: is deeply embedded in funk music.
• 1:00:35
  Speaker 2: Funk. Damn sure, ain't get no damn Adam piano. None
• 1:00:39
  Speaker 2: of that ship hip hop is based in funk.
• 1:00:44
  Speaker 4: You know, you ain't rapping out no Adam piano beat.
• 1:00:48
  Speaker 4: Whatever they call that here, they call that goofy shit.
• 1:00:53
  Speaker 4: What the fucking house music? That a lot of gas
• 1:00:56
  Speaker 4: house music shit Drive me.
• 1:00:57
  Speaker 2: Crazy sixty seven sixty eight. So it was there. Heart
• 1:01:04
  Speaker 2: took those records, they brought it to the forefront. So
• 1:01:07
  Speaker 2: that's why he sold Iconic, you see what I'm saying. So,
• 1:01:12
  Speaker 2: but those records were there.
• 1:01:14
  Speaker 12: I got records, funk records from nineteen sixty eight, sixty nine,
• 1:01:17
  Speaker 12: seventy sixty seven and then the sixty seven you know, and.
• 1:01:23
  Speaker 19: He was the one that showed everybody what it is.
• 1:01:27
  Speaker 19: You know what I'm saying now. With that being said,
• 1:01:31
  Speaker 19: Spanish people were there. They were break dancing. I don't
• 1:01:36
  Speaker 19: know if they I can't say if they were.
• 1:01:39
  Speaker 2: It had started break dancing. They learned it from us
• 1:01:42
  Speaker 2: and they started doing it.
• 1:01:43
  Speaker 4: That's fine, and no problem with other black people come
• 1:01:46
  Speaker 4: in and joining the coach and adding to it. That's
• 1:01:50
  Speaker 4: true because we're one of Hamizoni's people. But don't claim
• 1:01:55
  Speaker 4: the creation of nothing because you didn't create it.
• 1:01:58
  Speaker 2: Here has nothing to do. You don't even know Eyeland.
• 1:02:01
  Speaker 4: Shit in hip hop at all can come from funk
• 1:02:04
  Speaker 4: music and be about jazz besion.
• 1:02:07
  Speaker 2: There is a foundation, a lineage that.
• 1:02:11
  Speaker 4: You can trace back too, that is strictly African American,
• 1:02:21
  Speaker 4: that comes out of our pain and subburbs, subburts and
• 1:02:24
  Speaker 4: our shared experience here. Our music comes out of our
• 1:02:29
  Speaker 4: shared experience. That's why some identifies us. Comes out of
• 1:02:35
  Speaker 4: our self experience growing up in this miserable ass racist
• 1:02:38
  Speaker 4: ass country. Comes out of our joy, our pain, our sorrow,
• 1:02:47
  Speaker 4: our experiences being on this wicked ass soil, and deal
• 1:02:51
  Speaker 4: with this wicked ass racism.
• 1:02:53
  Speaker 2: So that's the way we would bring ourselves back to
• 1:03:01
  Speaker 2: the music.
• 1:03:02
  Speaker 4: And even gospel music was created by us. But if
• 1:03:06
  Speaker 4: you call a gospel that church shit, that's ours too.
• 1:03:12
  Speaker 4: The gospel music is ours. It's another fact, just a
• 1:03:17
  Speaker 4: fat gospel music of the people run around singing. The
• 1:03:21
  Speaker 4: African American created that too, And that's another fact. I
• 1:03:26
  Speaker 4: don't care if you're like it or not, take it
• 1:03:30
  Speaker 4: or leave it alone, but that's a fact.
• 1:03:35
  Speaker 2: That music was created by us.
• 1:03:38
  Speaker 4: Because all this music was about self expression, healing, because
• 1:03:43
  Speaker 4: we had been so downtry.
• 1:03:44
  Speaker 2: And so oppressed, and so all we had was our music.
• 1:03:50
  Speaker 2: That's why hip hop comes out of a place of struggle.
• 1:03:54
  Speaker 4: I mean, that's not your culture back, Joe, you don't
• 1:03:57
  Speaker 4: come from a place of struggle, the ain't that's your
• 1:03:59
  Speaker 4: ass not coming because you.
• 1:04:00
  Speaker 2: Are white, white a stack hip hop because what these
• 1:04:05
  Speaker 2: white wing whack holds called WoT culture. He even know
• 1:04:09
  Speaker 2: what the fuck wok is, and the hell they're talking
• 1:04:11
  Speaker 2: about comes out of the experience of racism. Don Trotten
• 1:04:16
  Speaker 2: being put in poverty and fighting for justice and rights.
• 1:04:22
  Speaker 2: That's where hip hop comes from.
• 1:04:24
  Speaker 4: Also partying too that you want to party as whether
• 1:04:27
  Speaker 4: it comes from and it just system. Hip hop was
• 1:04:33
  Speaker 4: protest music. That's why they had to stop it and
• 1:04:36
  Speaker 4: clasp it down. It was protest music and also a
• 1:04:41
  Speaker 4: way to share our history through music because when you
• 1:04:46
  Speaker 4: learn things through music, the brain remembers it easier through
• 1:04:52
  Speaker 4: music through kids rhythm because we are rhythmic people, and
• 1:04:59
  Speaker 4: so we would.
• 1:04:59
  Speaker 2: Tell our history through the rats, and so that would
• 1:05:04
  Speaker 2: bring that would be you know, remember it became knowledge.
• 1:05:09
  Speaker 2: So that comes to my shared experience like being on
• 1:05:11
  Speaker 2: the corner up in New York, say, brother, what's today
• 1:05:14
  Speaker 2: acknowledge you know.
• 1:05:18
  Speaker 4: The cats and the guys on Earth and and and
• 1:05:20
  Speaker 4: and afarra con and all that. That's why you had, yeah,
• 1:05:28
  Speaker 4: brother ah damn having a brain park what was the
• 1:05:32
  Speaker 4: brother who was on our Ice Cubes album Clan My
• 1:05:35
  Speaker 4: Heart Because these experiences was about our damn struggle in
• 1:05:41
  Speaker 4: the hells of North America.
• 1:05:45
  Speaker 2: That's what births RAT and.
• 1:05:47
  Speaker 4: Also trying to part because remember at that time, see
• 1:05:50
  Speaker 4: white people always do sinners to ship.
• 1:05:54
  Speaker 2: Since we had taken over most of the music industry.
• 1:05:57
  Speaker 4: They knew that, so they started what defunding the music
• 1:06:01
  Speaker 4: programs in the inner city. So they take so they
• 1:06:04
  Speaker 4: started taking the instruments. To remember, all your sixties and
• 1:06:08
  Speaker 4: seventies music. We knew how to do instruments, but since
• 1:06:11
  Speaker 4: we couldn't afford them, because we were subjugated to poverty,
• 1:06:17
  Speaker 4: we would learn how to play instruments. Remember, we learned
• 1:06:20
  Speaker 4: to play those instruments. Remember we would learn how to
• 1:06:28
  Speaker 4: play those instruments in the school. And so they wanted
• 1:06:34
  Speaker 4: to stop them because we would dominating all the music genres.
• 1:06:39
  Speaker 2: We would dominating all the music genres. That's when they
• 1:06:41
  Speaker 2: had so at that time, we had a lot of
• 1:06:44
  Speaker 2: white people.
• 1:06:45
  Speaker 4: Uh they call that shit, that yacht rock stuff they
• 1:06:48
  Speaker 4: talk about like Kings Logins, uh and Michael McDonald. They
• 1:06:53
  Speaker 4: openly tell you we were influenced by black musicians. That's
• 1:06:55
  Speaker 4: why all that sold what they called the soft rock
• 1:06:58
  Speaker 4: of the that pop music of the seventies, they came
• 1:07:02
  Speaker 4: from them. You're hauling oaks and all them that came
• 1:07:05
  Speaker 4: from them listening to black music and imitating what they've
• 1:07:11
  Speaker 4: heard and put their own flavor to it. You know,
• 1:07:14
  Speaker 4: that wasn't a problem because they never came back and
• 1:07:16
  Speaker 4: ship on the place they got it problem. So I
• 1:07:19
  Speaker 4: got no problem with with with with the Michael McDonald
• 1:07:22
  Speaker 4: and and the Hallering oaths. They never came back and
• 1:07:27
  Speaker 4: shipped on the black people that they got the gout
• 1:07:30
  Speaker 4: the influence from, so had.
• 1:07:32
  Speaker 2: No problem with them.
• 1:07:35
  Speaker 4: It's the other people that come and sit that you
• 1:07:37
  Speaker 4: got damn table and then want to talk shit about
• 1:07:40
  Speaker 4: the table that the sitting at.
• 1:07:43
  Speaker 2: And that's why we got a chin chick. Cats.
• 1:07:46
  Speaker 4: If we gotta check your paperwork because we don't know
• 1:07:50
  Speaker 4: you do, we don't know your ass, you gotta get
• 1:07:54
  Speaker 4: chin chicked. And so what rat was a protest music,
• 1:08:00
  Speaker 4: but of course those boats got control of it and
• 1:08:03
  Speaker 4: they bastardized it. Now they destroyed because understanding music is
• 1:08:08
  Speaker 4: mind controlled guys. It was took from something good to
• 1:08:13
  Speaker 4: uplift us. Now it's complete garbage because they've seen the
• 1:08:22
  Speaker 4: po powerful. Ray music is powerful that they can bargain
• 1:08:27
  Speaker 4: as rap y see wrapping every commercial people rapping with
• 1:08:32
  Speaker 4: cereal boxes, wrapping.
• 1:08:34
  Speaker 7: To sell cars, rapping to do this one of the most.
• 1:08:37
  Speaker 2: Powerful music's ever been created globally to selling to sell
• 1:08:45
  Speaker 2: products to people they use rapping music that's the number
• 1:08:48
  Speaker 2: one selling music on the plant.
• 1:08:52
  Speaker 4: Right now still even though it's been bastardized and it's
• 1:08:56
  Speaker 4: mostly garbage now, it's mostly filthy, garbage, uninspiring, criminal you know,
• 1:09:10
  Speaker 4: it's actually the Boxers now. But it didn't start that
• 1:09:12
  Speaker 4: way when we had control of it. A group of
• 1:09:14
  Speaker 4: people got control of it and turned it into this
• 1:09:19
  Speaker 4: money making scan that they had, and now it's completely
• 1:09:22
  Speaker 4: works against it.
• 1:09:23
  Speaker 2: The culture works completely against it.
• 1:09:25
  Speaker 4: It's all criminal, thug and you know, everybody's a damn
• 1:09:29
  Speaker 4: criminal and no one can speak correct English.
• 1:09:33
  Speaker 2: Everybody's a mora hid in the shit now because we
• 1:09:37
  Speaker 2: don't have control of it.
• 1:09:42
  Speaker 4: That's why we gotta understand have some integrity and not
• 1:09:46
  Speaker 4: allow people to come take our culture. Who want to
• 1:09:48
  Speaker 4: give us a few shekels. You know what I mean
• 1:09:52
  Speaker 4: when I say shekels. You know who want re burn
• 1:09:56
  Speaker 4: to when I say shekels, who want to coming down
• 1:10:02
  Speaker 4: and take eatrol of our music? Because because we've been
• 1:10:05
  Speaker 4: put in poverty and we don't do any goddamn thing
• 1:10:08
  Speaker 4: for a few shakeles, we'll destroy our own people. That
• 1:10:12
  Speaker 4: sadly what rappers doing, what hip hop is doing now,
• 1:10:14
  Speaker 4: it's destroying its own people. Music was created uplifts to fight,
• 1:10:24
  Speaker 4: to be protest music, to have a conscious, to be critical.
• 1:10:31
  Speaker 2: And critique the society that we live in.
• 1:10:33
  Speaker 4: No.
• 1:10:34
  Speaker 2: Now, it's just complete garbage, complete garbage.
• 1:10:46
  Speaker 19: As the ones that helped invented can't say that. For
• 1:10:50
  Speaker 19: what I can't say is they were there when it
• 1:10:52
  Speaker 19: was invented. They you know, they went through the same
• 1:10:55
  Speaker 19: struggle at young black kids that didn't have a voice,
• 1:11:00
  Speaker 19: dating have a voice. So it's like you said, we
• 1:11:03
  Speaker 19: know it was about a voice. He's actually keeping the right.
• 1:11:07
  Speaker 2: The Big Pond. A Puerto Rican confessed that black Americans
• 1:11:11
  Speaker 2: creb Yeah, yeah, he knew that way.
• 1:11:14
  Speaker 4: He said, the black and the black and the white,
• 1:11:16
  Speaker 4: the black in the Puerto Rican he knew. He knew
• 1:11:18
  Speaker 4: it's bad as the created.
• 1:11:22
  Speaker 2: Puerto Ricans. Do you feel like they created port equated him? Absolutely,
• 1:11:26
  Speaker 2: not exactly, absolutely not. Were they early? Were they the
• 1:11:30
  Speaker 2: first contributors? Yes? Did they do things to help proliferate
• 1:11:34
  Speaker 2: hip hop? Yes? Where they you know, do we have
• 1:11:37
  Speaker 2: valuable uh, people from the Puerto Rican culture that has contributed.
• 1:11:46
  Speaker 20: Absolutely, But in the beginning stages of hip hop, in
• 1:11:50
  Speaker 20: the creation stages of hip hop, this was very much
• 1:11:53
  Speaker 20: a black American youth thing that had no outside influence
• 1:12:00
  Speaker 20: says from Puerto Rico or Jamaica or any other.
• 1:12:04
  Speaker 4: Type of it'sactly, damn should not know Damn Puerto Rico,
• 1:12:08
  Speaker 4: and damn should not know Jamaica.
• 1:12:12
  Speaker 2: We don't even like that Jamaican shit. Most of America.
• 1:12:15
  Speaker 2: I'm just keep it real.
• 1:12:17
  Speaker 4: The Africans like that Jamaican music. We Jamaican music never
• 1:12:20
  Speaker 4: got big in America.
• 1:12:22
  Speaker 2: Sorry, that is the fact. And it's still not big today.
• 1:12:26
  Speaker 4: Now a few people. I'll listen to it every now
• 1:12:27
  Speaker 4: and then. I have no problem against it. But Jamaican music.
• 1:12:30
  Speaker 2: Never got big in America. That burn my mother never
• 1:12:36
  Speaker 2: got big in America.
• 1:12:37
  Speaker 4: Never.
• 1:12:38
  Speaker 2: You had a few cats have had a few hits
• 1:12:40
  Speaker 2: like a you know, like a uh, you know, what's
• 1:12:43
  Speaker 2: the ugly dude name.
• 1:12:46
  Speaker 4: Shaha Ranks or Shaggy, But that don't do it mostly
• 1:12:50
  Speaker 4: wrapping over a beat, you know, is that really Jamaican?
• 1:12:53
  Speaker 4: They Jamaican guys like doing almost like hip hop beats.
• 1:12:58
  Speaker 4: But that Rob Port or Jamaica, that jobie likes.
• 1:13:01
  Speaker 2: That shit never got big in America. That shit never
• 1:13:06
  Speaker 2: got big here.
• 1:13:07
  Speaker 4: We never you never see nobody black in America, not
• 1:13:09
  Speaker 4: not Black Americans barbecuing to no damn Jamaican music ever
• 1:13:14
  Speaker 4: so ideal to that. Any employers on hip hop, you're
• 1:13:17
  Speaker 4: out of your rabbit ass mine. We wouldn't children know
• 1:13:20
  Speaker 4: Damn Bob Ball at the barbecue, you.
• 1:13:24
  Speaker 2: Know, we were looking.
• 1:13:25
  Speaker 4: We were listening to Zapping Rogers some shit. Listen to
• 1:13:30
  Speaker 4: damn Pete Bunk. You know, we listen to Pete Bunk.
• 1:13:34
  Speaker 4: We wouldn't listen to. I think it's also big in England,
• 1:13:38
  Speaker 4: that Jamaican shit big with Jim Mosquito's at it.
• 1:13:41
  Speaker 2: Ain't big hit.
• 1:13:42
  Speaker 4: She ain't never been big here never. It's an idea
• 1:13:46
  Speaker 4: we got any influence off mother talking about.
• 1:13:48
  Speaker 2: Ganja and now that never happened. Sorry, you know I'm
• 1:13:55
  Speaker 2: not saying that that.
• 1:13:56
  Speaker 4: You know, our brothers on the Islands and our back
• 1:13:58
  Speaker 4: singers and that's they they and hey shout out to them.
• 1:14:01
  Speaker 2: So it became a global phenomenon, but never here. You know,
• 1:14:08
  Speaker 2: reggae became a global phenomenon, but never here.
• 1:14:12
  Speaker 4: Then became a global phenomenon here and damn sure, and
• 1:14:15
  Speaker 4: by the time it became a phenomenon, rat was already
• 1:14:19
  Speaker 4: going strong. You know, you don't get reggae till the
• 1:14:22
  Speaker 4: late seventies, rat was already emitted.
• 1:14:25
  Speaker 2: So how can it, How can any god damn Jamaican
• 1:14:28
  Speaker 2: have any influence on hip hop when it was already created.
• 1:14:32
  Speaker 2: When Jamaican when when when?
• 1:14:33
  Speaker 4: When reggae is taken off, reggae don't take us to
• 1:14:38
  Speaker 4: the same time hip hop is being formulated.
• 1:14:41
  Speaker 2: So now there's no influence there at all.
• 1:14:46
  Speaker 4: Exactly, more whites attend reggae pastops, exactly Exactly.
• 1:14:50
  Speaker 2: Y'all want to be hones. I'm glad to be honest
• 1:14:52
  Speaker 2: with you. Yeah, but more whites like reggae than we do.
• 1:14:55
  Speaker 4: More whites attend Jamaican festivals than Black Americans were not.
• 1:14:59
  Speaker 2: We don't don't be in that ship.
• 1:15:01
  Speaker 1: We don't.
• 1:15:01
  Speaker 2: They'll know nobody. Come hey, man, you know that new
• 1:15:04
  Speaker 2: We know people jo who listen to I don't know
• 1:15:06
  Speaker 2: nothing reggae CA. Yeah, we're gonna catch the new reggaeis You.
• 1:15:10
  Speaker 4: Had nobody Black American talking about gonna chest because you
• 1:15:13
  Speaker 4: couldn't sell out No Rina America with no Jamaican act.
• 1:15:17
  Speaker 2: You can't sell it out. Go get your biggest Jamaican
• 1:15:20
  Speaker 2: ours and bring them to America right now and see
• 1:15:23
  Speaker 2: if they're sell out in the arena. The answer is no.
• 1:15:27
  Speaker 4: The answer no, nobody's gonna listen to that shit. But
• 1:15:32
  Speaker 4: it's not and that's not and I claim that's bad.
• 1:15:36
  Speaker 4: I don't claim that's bad. But it's never been on
• 1:15:37
  Speaker 4: a cup of tea, never been a big genre except,
• 1:15:42
  Speaker 4: like Jim was telling you, for white people, they like
• 1:15:44
  Speaker 4: that shit.
• 1:15:45
  Speaker 2: The Africans like that shit. We don't. So I had
• 1:15:49
  Speaker 2: nothing to do while you're here.
• 1:15:50
  Speaker 4: No reggae beats over no damn hip hop beats, you ain't,
• 1:15:53
  Speaker 4: No reggae songs over no hip hop you ain't no
• 1:15:57
  Speaker 4: reggae samples of early hip hop beats and all he
• 1:16:01
  Speaker 4: had punk music. And one time why James Brown was.
• 1:16:04
  Speaker 2: Almost on every damn James Brown was the number one
• 1:16:09
  Speaker 2: sample on all early hip hop beats. That yeah, James
• 1:16:13
  Speaker 2: Brown Brown, like hell, I created hip hop, Oh my samples,
• 1:16:17
  Speaker 2: all all that stuff. I know.
• 1:16:20
  Speaker 4: You gotta remember in the in the early eighties, James Brown,
• 1:16:23
  Speaker 4: the claiming he was the beat, he was out of
• 1:16:25
  Speaker 4: hip hop says all his music was was was the
• 1:16:28
  Speaker 4: majority of samples. And that's a fact, as another cat
• 1:16:32
  Speaker 4: told you. So Oddly, because punk music had a big
• 1:16:37
  Speaker 4: origin dealing with hip hop that an sure wasn't need
• 1:16:41
  Speaker 4: to making ship them.
• 1:16:43
  Speaker 2: Sure and I know despect what dispected Jamaican music, That
• 1:16:47
  Speaker 2: sure wasn't no Latino shiit not no disrespected to them.
• 1:16:52
  Speaker 4: Hip hop had a linnax a culture came out of
• 1:16:55
  Speaker 4: funk and be pop is where you get, so you
• 1:16:58
  Speaker 4: can trace the linus back.
• 1:17:00
  Speaker 2: It's unidentative and it's undeniable where it comes from. Now
• 1:17:04
  Speaker 2: idea to have some some white Hispanic.
• 1:17:07
  Speaker 4: Somebody that talm till he had something to do when
• 1:17:10
  Speaker 4: it's absolutely insane, or some Jamaican attests, some zesty morole
• 1:17:16
  Speaker 4: played buster rhymes.
• 1:17:20
  Speaker 2: Who is I don't even truch?
• 1:17:21
  Speaker 7: Who is idle?
• 1:17:21
  Speaker 2: Certain slipped Rick told you there's an African influence him
• 1:17:25
  Speaker 2: being in London. How the African American and influence the.
• 1:17:28
  Speaker 4: Soap problem in London that made him come from London
• 1:17:31
  Speaker 4: to come to America to become a riper.
• 1:17:34
  Speaker 2: That's why he came.
• 1:17:36
  Speaker 4: Because the African American culture was so overwhelming to him.
• 1:17:44
  Speaker 2: He's even going back to Jamaica become no hip hop star.
• 1:17:48
  Speaker 7: So he's going to New York.
• 1:17:52
  Speaker 4: And he's see these are people pulling a certain type
• 1:17:54
  Speaker 4: of way. You haven't heard anybody Black America claiming reggae.
• 1:17:58
  Speaker 2: No, we don't claim other people's shit. That's your shit.
• 1:18:02
  Speaker 2: Reggae is yours.
• 1:18:03
  Speaker 7: You don't claim it.
• 1:18:05
  Speaker 4: And I know where you got your infl Your influences
• 1:18:08
  Speaker 4: came back from the sixties music. The sixties are and BBI,
• 1:18:11
  Speaker 4: you've admitted that, but I'm.
• 1:18:12
  Speaker 7: Not claiming it.
• 1:18:13
  Speaker 2: I'm not cleaning your reggae. That's yours. You keep it,
• 1:18:17
  Speaker 2: that's yours. I'm happy for you. That's your shit. But
• 1:18:23
  Speaker 2: if you're gonna have it in Jamaican, try to claim it.
• 1:18:26
  Speaker 4: Bop you out of your rabbit ass mind, and you're
• 1:18:29
  Speaker 4: gonna get chin chicked. You're gonna getchin chicked because it's
• 1:18:33
  Speaker 4: a lie. You're gonna get chin chicked. See, these music
• 1:18:40
  Speaker 4: go out of our experience here. See you regue your
• 1:18:43
  Speaker 4: Jamaicans has got it two days ago because we bought
• 1:18:46
  Speaker 4: the lot of you to come in. Your experience is
• 1:18:48
  Speaker 4: not ours. See gonna say, our music comes out of
• 1:18:52
  Speaker 4: our shared experience being raised and born in this wicked
• 1:18:58
  Speaker 4: ass racist as pyramid scheme that we find ourselves in.
• 1:19:03
  Speaker 4: So it's a way that we could entertain ourselves and
• 1:19:05
  Speaker 4: like you said, as a guy that chosen the last.
• 1:19:08
  Speaker 2: Video, it's about our struggle. All the music we created,
• 1:19:13
  Speaker 2: it was always about our Jazz was about our struggle.
• 1:19:16
  Speaker 2: Instrumental thing about jazz and a struggle. All our music
• 1:19:19
  Speaker 2: is funny struggle music. Rock and roll comes out of
• 1:19:22
  Speaker 2: our struggle because our rock and roll rock and roll,
• 1:19:26
  Speaker 2: this guy, that's why everything has a a lineage.
• 1:19:30
  Speaker 4: Rock and roll is nothing but electric electualized blues. Right
• 1:19:35
  Speaker 4: and roll comes from you. You see the limbs where
• 1:19:37
  Speaker 4: rock and roll comes from. It comes from blooms music
• 1:19:41
  Speaker 4: when you got your money and waters and your your
• 1:19:43
  Speaker 4: hollering wolves. It comes from blues. That's where rock and
• 1:19:49
  Speaker 4: roll comes from.
• 1:19:50
  Speaker 2: You just electualize the blues music and it becomes a
• 1:19:54
  Speaker 2: different genre and completely different for what jazz was.
• 1:20:04
  Speaker 4: Jazz was another form of struggle, coming out of red time,
• 1:20:10
  Speaker 4: coming out of slavery.
• 1:20:15
  Speaker 2: So it was a way of expression. Just like you
• 1:20:17
  Speaker 2: find yourself with country music.
• 1:20:20
  Speaker 4: You can chase country music that we created coming straight
• 1:20:23
  Speaker 4: from Africa.
• 1:20:25
  Speaker 2: That's a fact.
• 1:20:28
  Speaker 4: The violin is an African instrument, not a European instrument
• 1:20:36
  Speaker 4: of a Europeans gotten now and made klass.
• 1:20:38
  Speaker 2: It was not a European.
• 1:20:39
  Speaker 4: Instrument, the violin, the fiddle is African, the band Joe
• 1:20:45
  Speaker 4: is African. So that was another expression coming out of
• 1:20:53
  Speaker 4: slavery when they started making country music, because these were
• 1:20:55
  Speaker 4: instruments that they knew coming out of slavery, the viol
• 1:21:01
  Speaker 4: and the fild and the band.
• 1:21:03
  Speaker 2: Joke, that's your progression of country music. That's how it
• 1:21:08
  Speaker 2: was created.
• 1:21:09
  Speaker 1: So good.
• 1:21:10
  Speaker 2: They don't have a historical reference.
• 1:21:12
  Speaker 4: So since I'm complete Black American, I understand the history.
• 1:21:20
  Speaker 2: Of my poor fathers.
• 1:21:24
  Speaker 8: My battery going, yeah, so you know, you know my
• 1:21:46
  Speaker 8: damn batteries are going.
• 1:21:49
  Speaker 2: So I understand the lineage where I come from. So
• 1:21:57
  Speaker 2: you can't tell me something's not mine, oh, because I
• 1:22:01
  Speaker 2: know the progression of it. Our music is in a
• 1:22:05
  Speaker 2: Black American is easily.
• 1:22:08
  Speaker 4: You can see and show the progression that no one
• 1:22:11
  Speaker 4: can claim that they created what we did because always
• 1:22:15
  Speaker 4: a progression. You can always show the progression where the
• 1:22:19
  Speaker 4: country came from. Where jazz comes out of rag time,
• 1:22:26
  Speaker 4: then jazz progressions in in into be bop, R and
• 1:22:35
  Speaker 4: B music comes out of their gospel.
• 1:22:39
  Speaker 2: And the blues.
• 1:22:41
  Speaker 4: Rock and roll comes strictly from the blues and funk
• 1:22:49
  Speaker 4: is like an amalgamation of rhythm and blues and and
• 1:22:54
  Speaker 4: another part of creative content.
• 1:22:58
  Speaker 2: And no one can play other black people at one
• 1:23:01
  Speaker 2: time because it was so unusual. And so those funk.
• 1:23:05
  Speaker 4: Beats are taken to your early hip hop and those
• 1:23:09
  Speaker 4: are your samples because they had no.
• 1:23:11
  Speaker 2: Instruments, guys, that's the story, my story. They took all
• 1:23:14
  Speaker 2: the instruments out of the schools, and so they just
• 1:23:18
  Speaker 2: took the records. Because we are inventive people. We create everything.
• 1:23:27
  Speaker 4: We're invented, so they dot they can destroy us, stop
• 1:23:34
  Speaker 4: us from controlling the music industry. These are they have
• 1:23:37
  Speaker 4: papers written on how they tried to stop black and
• 1:23:39
  Speaker 4: they knew that if they didn't stop black people were
• 1:23:42
  Speaker 4: gonna get a pace of music and if all music
• 1:23:45
  Speaker 4: is us, and so what they did is they start
• 1:23:48
  Speaker 4: defunding the music programs in the schools.
• 1:23:52
  Speaker 8: So what did we do.
• 1:23:55
  Speaker 4: We said, okay, cool, you've taken out the instruments, so
• 1:23:58
  Speaker 4: we'll become the instrument.
• 1:24:00
  Speaker 2: And that's where you be bopping came from. All that shit.
• 1:24:07
  Speaker 4: And then taking tracks and then rapping over the track
• 1:24:11
  Speaker 4: because we don't have no instruments to play, and said,
• 1:24:14
  Speaker 4: you have no instruments to play. You know, we start
• 1:24:17
  Speaker 4: not knowing how to play them. So we created a
• 1:24:20
  Speaker 4: whole new genre of music just from my voice, you know,
• 1:24:28
  Speaker 4: just rapping over tracks. And that's the genius of us.
• 1:24:34
  Speaker 4: You know, things we do don't do do not take
• 1:24:37
  Speaker 4: lo IQ. That's to make white people feel low. I
• 1:24:40
  Speaker 4: Q's nothing about us, is little IQ. Show me the
• 1:24:44
  Speaker 4: genre music genres you created.
• 1:24:46
  Speaker 2: I'm waiting. I'm waiting. Tell me your music genres. I'll wait.
• 1:24:54
  Speaker 2: It was American. You didn't create none, darn none. Okay,
• 1:24:59
  Speaker 2: they're gonna be brew. You don't have any hey Man band,
• 1:25:08
  Speaker 2: that Martian band music, that's itit's yours. You know that
• 1:25:11
  Speaker 2: John Phillips, Susan Martin band. That's your shit. I can
• 1:25:16
  Speaker 2: see that's your means that fish pace that you may name.
• 1:25:21
  Speaker 21: The influence is if anything were from down South America.
• 1:25:26
  Speaker 21: The influencers were our parents' music. Like it had nothing
• 1:25:30
  Speaker 21: to do with any outside people, and.
• 1:25:33
  Speaker 20: Any individuals that might have been from those places did
• 1:25:37
  Speaker 20: not bring that culture to hip hop. They had to
• 1:25:40
  Speaker 20: act black in order to assimilate to hip hop culture.
• 1:25:46
  Speaker 20: That's all that's being said. It's no hatred or no
• 1:25:51
  Speaker 20: racism whatever they trying to call foul on. It's just saying, listen.
• 1:25:56
  Speaker 2: The thing that you love or door is something that
• 1:25:59
  Speaker 2: was made by Black American youth. Get over it. It's
• 1:26:02
  Speaker 2: not the melting pot y'all are trying to paint it as. Now.
• 1:26:07
  Speaker 20: I don't know if there's some sort of financial reasons
• 1:26:10
  Speaker 20: being we have the Olympics coming up, and people want
• 1:26:13
  Speaker 20: to attach themselves to certain things. We just had the
• 1:26:15
  Speaker 20: fiftieth anniversary of hip hop that was very lucrative for
• 1:26:19
  Speaker 20: certain people, understand, So yeah, museums being made in the
• 1:26:25
  Speaker 20: Bronx and stuff like that.
• 1:26:26
  Speaker 2: So I think in some people it's their best interest
• 1:26:30
  Speaker 2: to try to mould a certain narrative, try to shoe
• 1:26:35
  Speaker 2: horn themselves into something that black people create. And now,
• 1:26:40
  Speaker 2: like I said, you guys have history. They tried to
• 1:26:41
  Speaker 2: get with jazz too.
• 1:26:43
  Speaker 4: Yeah, white people try to claim it they created jazz
• 1:26:46
  Speaker 4: as idiotic as it was. You go back out, because
• 1:26:49
  Speaker 4: jad became the explosive music back in the twenties and thirties.
• 1:26:53
  Speaker 4: Since it was so lucrative and it just took the
• 1:26:56
  Speaker 4: whole world by storm, white people try to claim they
• 1:26:59
  Speaker 4: had something do with the creation of it. But like
• 1:27:02
  Speaker 4: I said, it's from a lineage. It's from an an
• 1:27:06
  Speaker 4: experience that they didn't have. So eventually they looked stupid
• 1:27:13
  Speaker 4: trying to claim that they started jazz because they didn't
• 1:27:16
  Speaker 4: have that experience. See, our music, I toltdally comes from
• 1:27:20
  Speaker 4: a shared experience in this country. There's a lineage you
• 1:27:24
  Speaker 4: can as he said, as he said, troop, there's always
• 1:27:27
  Speaker 4: a lineage, a progression that we can always trace back
• 1:27:32
  Speaker 4: where our music comes from and then what it uh
• 1:27:37
  Speaker 4: winds up being. We can trace the hip hop back
• 1:27:41
  Speaker 4: and take it back to where it was scatting and
• 1:27:42
  Speaker 4: everything back in the forties and using chide talking and
• 1:27:46
  Speaker 4: you know as they called h wrapping up women. We
• 1:27:53
  Speaker 4: know that that's our culture. That was our slang culture,
• 1:27:57
  Speaker 4: our shared experience that no one else can claim but us.
• 1:28:06
  Speaker 4: Under you white people try to claim that they were
• 1:28:08
  Speaker 4: fucking hip hop is absolutely absurd. A rock you know,
• 1:28:14
  Speaker 4: these the white British never claim and they knew that
• 1:28:17
  Speaker 4: black people created.
• 1:28:18
  Speaker 2: Remember white people having to do a rock and world
• 1:28:21
  Speaker 2: they call it jungle music, black music. They try to chase.
• 1:28:25
  Speaker 2: Some white guy named Elvis is the king of it.
• 1:28:28
  Speaker 2: You know, you know, they always try to colonize some shit.
• 1:28:33
  Speaker 4: You know, they said that music was provocative and with
• 1:28:36
  Speaker 4: jungle music, that rock and roll, that black it was called.
• 1:28:40
  Speaker 2: Colored music, that colored music, that wicked colored music. And
• 1:28:45
  Speaker 2: now they got to be ten. You know you here's
• 1:28:47
  Speaker 2: the white before they created a rock and rold. You're laughing.
• 1:28:50
  Speaker 2: They goddamn face you out of your mind creating you
• 1:28:54
  Speaker 2: rock and roll that came from us, that comes.
• 1:28:56
  Speaker 4: Out of the bluem See if we can chase that
• 1:28:58
  Speaker 4: and his back to the blue and we just electrified
• 1:29:03
  Speaker 4: the blues, and that's the beginning of your rock and
• 1:29:06
  Speaker 4: roll and all the other first songs that elvish somable
• 1:29:11
  Speaker 4: songs that he pleasurized because he was white and he
• 1:29:14
  Speaker 4: was living a wicked, ask racist country.
• 1:29:17
  Speaker 2: That he didn't pay anybody for the music that he stole.
• 1:29:20
  Speaker 2: These are facts. Stole the music.
• 1:29:23
  Speaker 4: Don't ship up, don't step up, my blue blades, whatever,
• 1:29:26
  Speaker 4: my my my blue swede shoes and all these other
• 1:29:29
  Speaker 4: hould dog, these are black records, song and written.
• 1:29:34
  Speaker 2: By black people that he just stole. It need millions
• 1:29:37
  Speaker 2: of dollars off us. It never a he god damn
• 1:29:42
  Speaker 2: u uh uh uh. He's never taken any court.
• 1:29:47
  Speaker 4: For pleasurizing and it's stealing black people's music and making
• 1:29:51
  Speaker 4: millions of dollars of us because we live in another
• 1:29:54
  Speaker 4: racist country.
• 1:30:00
  Speaker 2: And that's a pack. It is funny. He's god damn
• 1:30:06
  Speaker 2: his damn uh.
• 1:30:11
  Speaker 4: His family's wealth still never made a restitution for those
• 1:30:15
  Speaker 4: songs that were stolen and all you know, everybody knows
• 1:30:18
  Speaker 4: the back now it's a fact, right, it's in funny.
• 1:30:22
  Speaker 4: His uh families wealth never made restitution to those families he.
• 1:30:27
  Speaker 2: Stole all that music from. Is that funny?
• 1:30:34
  Speaker 4: He never felt responsible to go pay those people from
• 1:30:38
  Speaker 4: the music they made millions out of that he stole.
• 1:30:43
  Speaker 2: We know it's a fact. We know what's a fact.
• 1:30:50
  Speaker 4: That's why I've got no problem where people like Jerry
• 1:30:51
  Speaker 4: Lee Lewis Leasa admits it. We you know, we got
• 1:30:55
  Speaker 4: the music from and those that steal the shit like
• 1:31:03
  Speaker 4: a Fat Joe didn't try to claim so the shit
• 1:31:06
  Speaker 4: was his set at the table, claim it was yours.
• 1:31:14
  Speaker 8: You got this.
• 1:31:17
  Speaker 17: Well said, because I've seen video for Fat Joe said
• 1:31:21
  Speaker 17: he grew up in the ninety percent African American neighborhood,
• 1:31:24
  Speaker 17: or he said black and I grew up.
• 1:31:26
  Speaker 19: In the ninety percent black neighbors and I grew up
• 1:31:29
  Speaker 19: in a ninety percent Black neighbors so I had to.
• 1:31:31
  Speaker 17: Go hardin earth. He said, ninety percent black neighborhood. But
• 1:31:36
  Speaker 17: Fat Joe grew up in a ninety percent African American neighborhood.
• 1:31:39
  Speaker 17: So how can you turn around and say hip hop
• 1:31:42
  Speaker 17: started fifty to fifty? I saw a video of Fat
• 1:31:45
  Speaker 17: Joe at a party, like in the middle of the
• 1:31:47
  Speaker 17: nineteen eighties.
• 1:31:49
  Speaker 2: He was at a party totally outnumbered South South.
• 1:31:55
  Speaker 22: South South South South South, the South South fok the
• 1:32:05
  Speaker 22: South and south from.
• 1:32:08
  Speaker 2: South south from.
• 1:32:11
  Speaker 4: Don't look like a lot of Puerto Ricans in that
• 1:32:13
  Speaker 4: parton to me talking about the South Bronx where we
• 1:32:17
  Speaker 4: don't hip hop star, don't look like a lot of
• 1:32:20
  Speaker 4: Puerto Ricans in that gathering there, And then it's to me,
• 1:32:24
  Speaker 4: maybe my eyes.
• 1:32:25
  Speaker 2: Are deceiving me, but don't look like a lot of
• 1:32:28
  Speaker 2: Puerto Ricans.
• 1:32:29
  Speaker 4: Well, you can't say Jamaicans because they're black like us
• 1:32:32
  Speaker 4: so or Dominicans. Look at it look like a lot
• 1:32:36
  Speaker 4: of Black Americans talking about the South Bronx.
• 1:32:41
  Speaker 2: I'm just asking for a friend talking South frof and
• 1:33:22
  Speaker 2: he was like the only one.
• 1:33:23
  Speaker 17: Only Spanish dude, might even one or two others, but
• 1:33:26
  Speaker 17: he was totally outnumbered in this party.
• 1:33:29
  Speaker 2: And I think that's a good example of how hip
• 1:33:31
  Speaker 2: hop started.
• 1:33:32
  Speaker 17: African American culture was totally dominating early hip hop.
• 1:33:36
  Speaker 2: Mad Then you even said that's the eighties, so I'm
• 1:33:38
  Speaker 2: not in the.
• 1:33:39
  Speaker 17: Seven day hat and said, because I've seen video for fact,
• 1:33:43
  Speaker 17: George said, he I.
• 1:33:45
  Speaker 4: Remember most of these people were even here. Lots of
• 1:33:48
  Speaker 4: people didn't immigrate into the sixties Dominicans. They weren't here.
• 1:33:55
  Speaker 2: They were allowed to come here for a reacans yead
• 1:33:58
  Speaker 2: allot of them here because.
• 1:33:58
  Speaker 4: They were allowed they were US territory, but they were
• 1:34:04
  Speaker 4: in African.
• 1:34:04
  Speaker 2: American spots sis facts. So you made some revisionous, nonsensical
• 1:34:11
  Speaker 2: history if you want to. You were not hid, and
• 1:34:15
  Speaker 2: you were not. It had nothing to do with it.
• 1:34:19
  Speaker 2: Hip hop is a.
• 1:34:20
  Speaker 4: Completely Black American creation, one hundred percent, whether you liked
• 1:34:29
  Speaker 4: that or not, and they've gone on to be a
• 1:34:32
  Speaker 4: global sensation created by young black people, Black Americans, not
• 1:34:38
  Speaker 4: black Jamaicans.
• 1:34:39
  Speaker 2: Black Americans.
• 1:34:40
  Speaker 4: Make sure we get that understood, not black Puerto Ricans,
• 1:34:45
  Speaker 4: not black Dominicans who don't even consider themselves black.
• 1:34:49
  Speaker 2: Okay, should we understand that African American neighborhood.
• 1:34:56
  Speaker 19: Well, you said black, and I grew up in at
• 1:34:58
  Speaker 19: the ninety percent black na and I grew up in
• 1:35:01
  Speaker 19: the ninety percent black neighbors.
• 1:35:04
  Speaker 2: Now you grew up in ninety percent black neighborhood. You
• 1:35:06
  Speaker 2: said it was as thanks the documentary.
• 1:35:15
  Speaker 13: The reason why I would have this conversation with people
• 1:35:18
  Speaker 13: all the time is because I wanted people to understand
• 1:35:21
  Speaker 13: the origins of creative expression.
• 1:35:23
  Speaker 2: It was never about.
• 1:35:25
  Speaker 13: Invalidating anybody else's input, as much as it's still being
• 1:35:29
  Speaker 13: nice by invalidating, no, I am in validating their goddamn input.
• 1:35:34
  Speaker 4: They came later, cool, they they came and said at
• 1:35:37
  Speaker 4: our table that we prepared, We allowed them to come
• 1:35:40
  Speaker 4: sit at our table that we made, we created the food,
• 1:35:45
  Speaker 4: and then like other people to come in and have
• 1:35:47
  Speaker 4: a seat, because that's just how we are as people,
• 1:35:50
  Speaker 4: That's how loving we are as people. We've always allowed
• 1:35:53
  Speaker 4: other people to come in our culture and sit and
• 1:35:57
  Speaker 4: then they turn around and talk shit how about us?
• 1:36:02
  Speaker 4: And that's gotten stopped. That's gotten stop. We gotta re
• 1:36:06
  Speaker 4: you know, start and start taking people's tablework.
• 1:36:10
  Speaker 2: Period. It was talking about the beauty of artistic expression.
• 1:36:15
  Speaker 13: So you can go all the way back to the
• 1:36:17
  Speaker 13: early nineteen hundreds and listen to the Harlem Renaissance era
• 1:36:21
  Speaker 13: and listen to scatting. And if you listen to scat
• 1:36:26
  Speaker 13: and listen to present day mumbo rap, you can their
• 1:36:30
  Speaker 13: brothers and sisters.
• 1:36:31
  Speaker 2: You can see the evolution of one into the other.
• 1:36:35
  Speaker 13: When you go back and listen to like, I love
• 1:36:38
  Speaker 13: talking about their airlight to I joke all the time
• 1:36:42
  Speaker 13: to tell people the first rapper was actually Muhammad Ali
• 1:36:46
  Speaker 13: because when you hear him say, feel like a butterfly
• 1:36:50
  Speaker 13: stick like a beat.
• 1:36:51
  Speaker 2: The hands can't hit what the eyes can't see.
• 1:36:54
  Speaker 13: That's cadence, that's rhythm, that's like, that's that's our definition
• 1:36:59
  Speaker 13: of reestyle. Rap wasn't around technically in the sixties. But
• 1:37:05
  Speaker 13: what Muhammad Ai Li was doing was show enough by
• 1:37:08
  Speaker 13: the definition of what we do, putting that pen to
• 1:37:10
  Speaker 13: pad or it was free verse one hundred percent.
• 1:37:14
  Speaker 23: When you listen to James Brown, when you listen to
• 1:37:18
  Speaker 23: The Big Payback, he rapping as talented as James Brown is.
• 1:37:26
  Speaker 2: Rest in peace to the legends James Brown was rapping.
• 1:37:29
  Speaker 13: So I always would bring up the history of the
• 1:37:32
  Speaker 13: origins of rap for the sake of talking about the
• 1:37:35
  Speaker 13: importance of creative expression and the evolution that transpired.
• 1:37:39
  Speaker 2: Over the years. So now by the time you get
• 1:37:42
  Speaker 2: to the seventies.
• 1:37:45
  Speaker 13: When rap began as a genre, you just see scatting
• 1:37:54
  Speaker 13: Muhammad Ai Lei where he was doing, what.
• 1:37:56
  Speaker 2: James Brown was doing.
• 1:37:58
  Speaker 13: You see that now in a formal interpretation, but the
• 1:38:02
  Speaker 13: essence of it always existed.
• 1:38:05
  Speaker 2: So now, whether it's Bussel Rons who's.
• 1:38:08
  Speaker 13: A Jamaican American, whether it's a Fat Joe who's a
• 1:38:12
  Speaker 13: Puerto Rican, and so many others. You hear them now
• 1:38:15
  Speaker 13: talking about this narrative of how much that the origins
• 1:38:19
  Speaker 13: of hip hop was fifty to fifty influence of both
• 1:38:23
  Speaker 13: Latin culture and.
• 1:38:25
  Speaker 2: Latino culture and Caribbean culture.
• 1:38:28
  Speaker 13: And I'm never ever ever denying the impact and input
• 1:38:33
  Speaker 13: because they do have impact and input in hip hop culture.
• 1:38:37
  Speaker 13: But when you talk about the origins of it, the
• 1:38:39
  Speaker 13: origins of what the genre of music is, like every
• 1:38:42
  Speaker 13: genre of music is the come out of the culture
• 1:38:48
  Speaker 13: and the experience of what is now being called or
• 1:38:51
  Speaker 13: referred to.
• 1:38:52
  Speaker 2: As foundational Black Americans. Before, Yeah, it comes out of
• 1:38:57
  Speaker 2: the experience. Like what I said, the experience.
• 1:39:03
  Speaker 24: Got joke because you went no mats in his in
• 1:39:05
  Speaker 24: hip Hop's History, faming Pappo, Hey, you were not legend
• 1:39:08
  Speaker 24: N my big up problems.
• 1:39:10
  Speaker 2: You were not legie. The only reason why that, Joe,
• 1:39:13
  Speaker 2: I'm going to hip not for all.
• 1:39:14
  Speaker 4: These years, because you would have DJ Charald, people in
• 1:39:17
  Speaker 4: the saul with Chris Brown.
• 1:39:18
  Speaker 2: You would be in the sung with child Room. You
• 1:39:20
  Speaker 2: check making sauce.
• 1:39:21
  Speaker 24: You would need the SAWT. We're really bob, You chext
• 1:39:23
  Speaker 24: making salt with people that is hider than you. They
• 1:39:25
  Speaker 24: keep them looking in that direction, but nobody is ever, ever, ever, ever, ever,
• 1:39:29
  Speaker 24: We're looking for that job, and that job is not
• 1:39:31
  Speaker 24: really your top one hundred plus two got joke because
• 1:39:34
  Speaker 24: you went no mats in his in hip Hop's History.
• 1:39:36
  Speaker 2: Fam papper, Hey, you were not legend N my big
• 1:39:39
  Speaker 2: up problems. You were not legid.
• 1:39:41
  Speaker 24: The only reason by that, Joe I'm going to hip
• 1:39:43
  Speaker 24: not for all these years, because you would have DJ Charald,
• 1:39:46
  Speaker 24: You would be in.
• 1:39:46
  Speaker 2: The saul with Chris Brown. You would be in the
• 1:39:48
  Speaker 2: sung with child Room. You check making sauce. You would
• 1:39:51
  Speaker 2: need a SAWT.
• 1:39:51
  Speaker 24: We're really bob, You chext making salt with people that
• 1:39:54
  Speaker 24: is hider than you. They keep them looking that direction.
• 1:39:56
  Speaker 24: But nobody is ever, ever, ever, ever.
• 1:39:58
  Speaker 2: Ever We're looking for that. Ye if I talk one
• 1:40:01
  Speaker 2: hundred got job he needs an I can't even say that.
• 1:40:14
  Speaker 17: Man, It's this come on with one song telling people
• 1:40:18
  Speaker 17: to move their body in a certain direction, and suddenly you.
• 1:40:21
  Speaker 2: Got the most stuff to say. What is bro talking about? Bro?
• 1:40:25
  Speaker 25: This has been literally the best year for music in
• 1:40:28
  Speaker 25: a really long time. Oh best, Joseph, what are you
• 1:40:32
  Speaker 25: talking about? What the josepie? Why do you keep offering opinions?
• 1:40:36
  Speaker 25: Nobody asked you for it?
• 1:40:37
  Speaker 2: I picked up my phone, I said phone. He said,
• 1:40:39
  Speaker 2: huh said de fed Joe said this? He said, who
• 1:40:42
  Speaker 2: Google fed Joe? Right now? It's gonna be a picture
• 1:40:43
  Speaker 2: of a dude like this. No wro Tell Joseph, this
• 1:40:48
  Speaker 2: was not the worst year for hip hop. I'm sorry
• 1:40:51
  Speaker 2: that you and all the.
• 1:40:52
  Speaker 26: Rest of the fake rappers got exposed this year, and
• 1:40:55
  Speaker 26: so now you and your feelies a music fans been
• 1:40:58
  Speaker 26: eating this year point lay period, regardless of who you
• 1:41:02
  Speaker 26: afin of music, FIV been eaten if.
• 1:41:05
  Speaker 2: You and you all the time, Bill who genuinely beat.
• 1:41:16
  Speaker 27: Fat Joe, believes twenty twenty four has been the worst
• 1:41:20
  Speaker 27: year ever in hip hop history, that the.
• 1:41:22
  Speaker 2: Worst year ever hip hop history. Take.
• 1:41:29
  Speaker 27: While twenty twenty four had its highlights, including some successful albums,
• 1:41:34
  Speaker 27: it was also marked by disappointing releases, troubling legal issues,
• 1:41:38
  Speaker 27: divisive rap.
• 1:41:39
  Speaker 2: Beefs, and the passing of some beloved figures in hip hop.
• 1:41:42
  Speaker 27: These factors contributed to a complex landscape for hip hop
• 1:41:46
  Speaker 27: that left many fans feeling unsatisfied.
• 1:41:49
  Speaker 2: Do you agree it was the worst year in hip
• 1:41:51
  Speaker 2: hop ever?
• 1:41:51
  Speaker 27: Fat Joe believes twenty twenty four has been the worst
• 1:41:55
  Speaker 27: year ever in hip hop.
• 1:42:02
  Speaker 2: Femals don't ask me no questions about bringing the passage course.
• 1:42:24
  Speaker 4: You kind of like that, Yeah, you remember that, and
• 1:42:42
  Speaker 4: the bunny part about that, playing that Latin music that's
• 1:42:44
  Speaker 4: African music too, So this is that's that's what's some
• 1:42:47
  Speaker 4: fucking funny. The racistn't understand what they call Latino music.
• 1:42:53
  Speaker 4: Shout that Carlos Santana, that's also African music. Bropped you
• 1:42:58
  Speaker 4: by the cats they took out them and old and
• 1:43:00
  Speaker 4: the condo that corrects your lat music from Portuguese to Spain.
• 1:43:06
  Speaker 2: You know that God knows these morons.
• 1:43:08
  Speaker 4: And in the Dominican Republican Puerto Rico, right, it's not
• 1:43:14
  Speaker 4: even their music. The last music they claim is still African.
• 1:43:20
  Speaker 4: That's what makes it so fucking funny. The last music
• 1:43:23
  Speaker 4: ain't even there. It's African.
• 1:43:47
  Speaker 2: You see what he's playing. We're playing hip hop. He's
• 1:43:49
  Speaker 2: playing that Latin ship.
• 1:44:00
  Speaker 4: Awhere the spati is mob fucking back in the name.
• 1:44:05
  Speaker 2: He's not playing hip hop. He's playing that ship, that
• 1:44:08
  Speaker 2: other African ship you know from same really really Brazil.
• 1:44:15
  Speaker 4: And the other countries that they call him now down
• 1:44:17
  Speaker 4: in the South, you know, South America, in the Caribbean,
• 1:44:20
  Speaker 4: the city playing.
• 1:44:23
  Speaker 2: But I got playing hip hop. See there's a liddage.
• 1:44:26
  Speaker 2: These are just facts.
• 1:44:29
  Speaker 4: Going away.
• 1:45:01
  Speaker 7: You got it, you got it like that, you got
• 1:45:09
  Speaker 7: like that.
• 1:45:09
  Speaker 2: Check about day so yeah, so that's what it is,
• 1:45:16
  Speaker 2: famom believe it. Twenty two was blah blah blah. I've
• 1:45:20
  Speaker 2: been on two hours already.
• 1:45:24
  Speaker 8: Little been on this joint.
• 1:45:37
  Speaker 2: Five radical radical black racist black people coming back down
• 1:45:44
  Speaker 2: history that blood.
• 1:45:45
  Speaker 4: The radical black racist, radical black people saying that the
• 1:45:51
  Speaker 4: music that they created belongs to them and the critic
• 1:45:57
  Speaker 4: belongs to them.
• 1:45:58
  Speaker 2: Are radical black racist? What the fuck is he talking about?
• 1:46:04
  Speaker 4: Because he ain't saying the music that black people created,
• 1:46:10
  Speaker 4: the genres that because everybody's got wealthy. Of how many
• 1:46:14
  Speaker 4: white country music stars are there, they need to kill
• 1:46:18
  Speaker 4: They need to thank black people for creating that goddamn
• 1:46:20
  Speaker 4: genre of music that made them multi millionaires. Half the
• 1:46:25
  Speaker 4: motherfuckers are racist, is shit. That's the funny part about this.
• 1:46:29
  Speaker 4: These country morons, half of them are racist.
• 1:46:31
  Speaker 15: Is shit.
• 1:46:33
  Speaker 2: They wouldn't even have the genre if we didn't create it.
• 1:46:37
  Speaker 2: So say thank you.
• 1:46:41
  Speaker 4: And also, you backed Joe, Say thank you for hip
• 1:46:45
  Speaker 4: hop that allows you to come in and protect Say
• 1:46:49
  Speaker 4: thank you.
• 1:46:49
  Speaker 2: That's what you do.
• 1:46:52
  Speaker 4: Put Racists will tell you he Li there, moron who
• 1:46:56
  Speaker 4: allows you to come into the culture, You're welcome.
• 1:47:01
  Speaker 2: Racist.
• 1:47:03
  Speaker 16: Let's just let's just say that even take it's a
• 1:47:06
  Speaker 16: group of these guys do what these guys they don't
• 1:47:08
  Speaker 16: want to hear.
• 1:47:09
  Speaker 2: Jamaicans don't want to hear. God of these don't want
• 1:47:12
  Speaker 2: to hear. They don't want to hear.
• 1:47:13
  Speaker 4: We not you know, we're not saying about the Jamaicans.
• 1:47:17
  Speaker 4: Jamaicans are really us. They're black too, but they had
• 1:47:20
  Speaker 4: nothing to do with the creation of hip hop.
• 1:47:24
  Speaker 2: That's all. It's the same.
• 1:47:25
  Speaker 4: This doesn't make them racist for them saying that Jamaicans
• 1:47:28
  Speaker 4: had nothing to do with the creation of hip hop,
• 1:47:31
  Speaker 4: and ye had Jamaican people from Jamaican descent, Yeah, who've
• 1:47:34
  Speaker 4: been Yeah, ye know, be Smalls, Ziyads, Goddamn bust A
• 1:47:42
  Speaker 4: Rhyme and a bunch of other Jamaicans have stepp there
• 1:47:45
  Speaker 4: footing to the hip hop culture. That's no problem. Slick
• 1:47:47
  Speaker 4: Rip had no problem with that. But they're nothing to
• 1:47:51
  Speaker 4: do with the creation of it. That's what we're telling
• 1:47:55
  Speaker 4: your ass. There's a linux that we can easily trace
• 1:47:58
  Speaker 4: back Black shared experience.
• 1:48:02
  Speaker 2: They created all genres of music that we created.
• 1:48:08
  Speaker 4: Me know that country comes out of goddamn our misery,
• 1:48:11
  Speaker 4: Our profound soul come out of slavery. Those instruments are
• 1:48:16
  Speaker 4: African then not Puerto Rican damnsure out White American and
• 1:48:21
  Speaker 4: fucking European.
• 1:48:23
  Speaker 2: The bad joke, the violin becuts out of Africa. It's
• 1:48:29
  Speaker 2: a fact. Whether you've liked that or not, I don't
• 1:48:33
  Speaker 2: give a shit whether you love it or not. It's
• 1:48:36
  Speaker 2: a fact.
• 1:48:38
  Speaker 4: So when you pay your goofy country music, say thank you,
• 1:48:41
  Speaker 4: but all us you wouldn't have it, Okay, Jazz created
• 1:48:48
  Speaker 4: that share experience, coming from bragtime, then blues because of
• 1:48:59
  Speaker 4: the subbard h that this is racism that we've been suffered.
• 1:49:05
  Speaker 2: You do understand.
• 1:49:06
  Speaker 4: These are shared African American experience by growing up in
• 1:49:10
  Speaker 4: the hells of North America to a way of expressing
• 1:49:16
  Speaker 4: our joys, our pains, our sorrows, our loves. So that's
• 1:49:25
  Speaker 4: why it can be easily traced. And you can't trace
• 1:49:30
  Speaker 4: that because you have you have not had that shared
• 1:49:33
  Speaker 4: experience with us.
• 1:49:36
  Speaker 8: I'm gonna wrap this one up.
• 1:49:42
  Speaker 2: Mm hmm.
• 1:49:47
  Speaker 8: That one that to go dead.
• 1:49:58
  Speaker 2: Mm hmmm mm hmm, oh God did so.
• 1:50:11
  Speaker 4: You can't claim that experience for us at all. So family,
• 1:50:18
  Speaker 4: well go and do this a second. Guys, give me
• 1:50:22
  Speaker 4: a sick aunt.
• 1:50:26
  Speaker 2: Stuff there, lean back, lean back, so you guys know
• 1:50:44
  Speaker 2: it's my thing that here. If you guys don't know,
• 1:50:58
  Speaker 2: our Peril store now it's open for business.
• 1:51:02
  Speaker 4: All you get all your new Black Eye Fire network gear,
• 1:51:04
  Speaker 4: your hats, your hoodies, your damn I gotta start buying
• 1:51:09
  Speaker 4: miss more gear myself, see more black Eye Fire sweatshirt.
• 1:51:13
  Speaker 4: Gotta be two myself too. But like I said, those
• 1:51:18
  Speaker 4: you can now get them on the railway. So if
• 1:51:19
  Speaker 4: you don't got the money, guys, you can buy now
• 1:51:23
  Speaker 4: pay leaving. It's going to our black Eyefire Network dot
• 1:51:27
  Speaker 4: com apparel store. Get your black ey Fire gear, all
• 1:51:30
  Speaker 4: your hats, your hoodies, your T shirts, shops, shoes.
• 1:51:36
  Speaker 2: Flip flops.
• 1:51:37
  Speaker 4: Everything we got over at the Black Eye Fire Network
• 1:51:39
  Speaker 4: Apparel store.
• 1:51:41
  Speaker 2: You know you got it. I mean we got it.
• 1:51:44
  Speaker 2: You need it, Come get it all right.
• 1:51:47
  Speaker 4: Also, if you go to our black eye Fire Network
• 1:51:49
  Speaker 4: Sports Nutrition Store, there's certain things you need too.
• 1:51:53
  Speaker 2: That's a little bit of everything we got right.
• 1:52:01
  Speaker 8: Let me go here.
• 1:52:09
  Speaker 10: Oh, I get this dam introducing Maringa pure made from
• 1:52:18
  Speaker 10: the leaves of the renowned Maringa.
• 1:52:20
  Speaker 2: Or now we've got maranga powder.
• 1:52:22
  Speaker 4: Guys, if you gotta name Marenga power because when I
• 1:52:25
  Speaker 4: get our complete nutrition and the vitam in the middle
• 1:52:29
  Speaker 4: of in our diet, make sure you go get Maraga.
• 1:52:32
  Speaker 4: Go to the Black Eyebire Network Nutrician Store Post Nutrition
• 1:52:36
  Speaker 4: store and go and get yourself a bottle of that maranga.
• 1:52:39
  Speaker 4: You're gonna need it. I'm dona do this instead of here.
• 1:52:45
  Speaker 4: Let me do my whole screen. Then get up here
• 1:52:49
  Speaker 4: and the whole damn screen, and then get up there.
• 1:52:56
  Speaker 28: For a tree known as the drumstick tree, celebrated for
• 1:53:01
  Speaker 28: centuries in traditional herbal practices. Maringa is native to northern
• 1:53:05
  Speaker 28: India and passas and antioxidants. Mega capsule is filled with
• 1:53:12
  Speaker 28: fr Ringa oleifera leaves carefully harvested to retain their natural potency.
• 1:53:18
  Speaker 28: Rich in essential vitamins, minerals, and plant compounds, this supplement
• 1:53:23
  Speaker 28: is a perfect boost to your daily nutrition. Maringa's natural
• 1:53:27
  Speaker 28: benefits include supporting energy levels, enhancing immune function, and promoting
• 1:53:32
  Speaker 28: healthy skin. All from a single source. Pure, natural and
• 1:53:37
  Speaker 28: nutrient dense Maringa Pure brings you the best of nature's
• 1:53:42
  Speaker 28: herbal goodness, helping you feel balanced and revitalized every day.
• 1:53:47
  Speaker 28: Bring Maringa Pure into your life. Visit www Do blackhotfirenetwork
• 1:53:53
  Speaker 28: dot com to order today and experience natural vitality.
• 1:54:10
  Speaker 2: Makes it.
• 1:54:22
  Speaker 28: Your liver is the powerhouse of your body's detox system.
• 1:54:27
  Speaker 28: Support it with our Liver Support supplement, crafted in the
• 1:54:30
  Speaker 28: USA for optimal liver wellness. Packed with powerful natural ingredients,
• 1:54:36
  Speaker 28: this formula is designed to aid liver function, detoxification, and
• 1:54:41
  Speaker 28: cell regeneration. Inside every capsule, you'll find turmeric, known for
• 1:54:47
  Speaker 28: its antioxidant properties, beetroot, which supports detoxification, and milk thistle,
• 1:54:53
  Speaker 28: renowned for its role in liver health and regeneration. We've
• 1:54:57
  Speaker 28: also added dandelion, artichoke, and gin to create a synergistic
• 1:55:02
  Speaker 28: blend that promotes a comprehensive approach to maintaining liver.
• 1:55:06
  Speaker 2: Function and vitality.
• 1:55:08
  Speaker 28: Just two capsules a day can make a difference, supporting
• 1:55:12
  Speaker 28: your body's natural detox processes and enhancing liver health without
• 1:55:17
  Speaker 28: any artificial additives.
• 1:55:21
  Speaker 2: Give your liver the care it deserves.
• 1:55:24
  Speaker 28: Visit doub do w doub dot Blackhotfire network dot com
• 1:55:30
  Speaker 28: to order your bottle today and support your wellness journey Naturally.
• 1:55:49
  Speaker 2: We are a multiplement and all things to the open.
• 1:55:52
  Speaker 28: Discover the natural power of legunda, an ancient herb known
• 1:55:57
  Speaker 28: properties for over three thousand years, as ashwaganda has been
• 1:56:01
  Speaker 28: trusted to reduce stress, increase energy, and improve focus. Our
• 1:56:06
  Speaker 28: ashwaganda is carefully grown, harvested, and processed to retain its
• 1:56:11
  Speaker 28: maximum potency. Each root is handpicked and dried, then ground
• 1:56:15
  Speaker 28: into a pure organic powder, ensuring the highest quality. Simply
• 1:56:21
  Speaker 28: mix one teaspoon into your favorite beverage or take it
• 1:56:24
  Speaker 28: in capsule form as prescribed by a healthcare professional. Whether
• 1:56:30
  Speaker 28: you're looking to balance your stress levels, boost your immune system,
• 1:56:34
  Speaker 28: or enhance mental clarity. Ashwaganda offers a natural solution experience
• 1:56:40
  Speaker 28: the benefits of ancient wisdom backed by modern science. Trust nature,
• 1:56:46
  Speaker 28: Trust Ashwaganda. Go get this product at blackhotfirenetwork dot com
• 1:56:52
  Speaker 28: at the sports and Nutrition store.
• 1:56:57
  Speaker 2: All right, got to wrap this on up. What I
• 1:57:00
  Speaker 2: want to do? Colon? Let we do the colon wants you.
• 1:57:06
  Speaker 4: Because we get so nate at the point vis tacond
• 1:57:09
  Speaker 4: our colon because salin that a bus.
• 1:57:14
  Speaker 2: That colon cancer.
• 1:57:18
  Speaker 28: It makes fross your body with Colon Cleanser your quanity
• 1:57:23
  Speaker 28: for better digestion, detoxification, and overall wellness. Our Colon Cleanser
• 1:57:30
  Speaker 28: is made from a blend of powerful natural ingredients like
• 1:57:34
  Speaker 28: silium husk for fiber, alo vera for gentle detox, and
• 1:57:38
  Speaker 28: flax seed for digestion support. Each ingredient is selected for
• 1:57:42
  Speaker 28: its ability to cleanse your system, restore balance, and leave
• 1:57:46
  Speaker 28: you feeling lighter and healthier. Take one scoop mixed with
• 1:57:50
  Speaker 28: water or two capsules daily as recommended by your health
• 1:57:54
  Speaker 28: care provider. Our Gentle formula is designed for regular use
• 1:57:59
  Speaker 28: to keep your digestive system clean and running smoothly with
• 1:58:05
  Speaker 28: Colon Cleanser, enjoy better digestion, reduced bloating, and a lighter,
• 1:58:10
  Speaker 28: more vibrant you cleanse naturally feel amazing. Colon cleanser a
• 1:58:17
  Speaker 28: fresh start for your body.
• 1:58:19
  Speaker 2: Go get this.
• 1:58:19
  Speaker 28: Product at Blackhotfire network dot com at the sports and
• 1:58:23
  Speaker 28: nutrition store.
• 1:58:26
  Speaker 2: All right, I'm a wrapper that up.
• 1:58:28
  Speaker 4: Make sure you go get that. And you got to
• 1:58:31
  Speaker 4: Black Eyepire Network supports Nutrition's store.
• 1:58:34
  Speaker 2: Look overhere.
• 1:58:35
  Speaker 4: Everything you're give you only go to cop that and
• 1:58:38
  Speaker 4: also keeps us, you know, sobern all right, keeps us
• 1:58:43
  Speaker 4: a business, you know, because because money Ranald is yet
• 1:58:47
  Speaker 4: all right, so you know, I don't big if you can,
• 1:58:50
  Speaker 4: you know, put some other cash out down there, go
• 1:58:52
  Speaker 4: to Black Aupire.
• 1:58:53
  Speaker 2: Network dot com.
• 1:58:54
  Speaker 4: Got to go Mason page, you know, donate that way
• 1:58:57
  Speaker 4: weever bits you can have a little bit help with
• 1:59:00
  Speaker 4: shiate it except we must love guys, and we'll come
• 1:59:03
  Speaker 4: back on tomorrow.
• 1:59:05
  Speaker 2: Try to do two shows.
• 1:59:06
  Speaker 4: One in the afternoon just do Trade News and tonight
• 1:59:09
  Speaker 4: doing on Hymic Ramaswami and how the White how the
• 1:59:14
  Speaker 4: white wing is shutting.
• 1:59:15
  Speaker 2: His eyes down for calling them lazy and stupid. Really,
• 1:59:19
  Speaker 2: you know, calling them lazy and stupid. So that's gonna
• 1:59:22
  Speaker 2: be tomorrow. My show and then uh doing the dam's
• 1:59:25
  Speaker 2: gonna do some news and you know, uh uh uh
• 1:59:32
  Speaker 2: news news program, catch up with all the local news
• 1:59:35
  Speaker 2: and ship you know, and that's the news.
• 1:59:43
  Speaker 14: So at that time, anys fast that night, my mother
• 1:59:45
  Speaker 14: the way out seeing must love with everybody as we
• 1:59:49
  Speaker 14: wrap this thing up.
• 1:59:52
  Speaker 2: You know, we don't be ashamed about the things that
• 1:59:54
  Speaker 2: we've created. We don't shy away. We've given the world.
• 1:59:58
  Speaker 2: We're given them world. It's soundtrack.
• 2:00:02
  Speaker 4: Okay, Black Americans are given the world is soundtrack and
• 2:00:06
  Speaker 4: that's a fact.
• 2:00:08
  Speaker 2: And if other people pull a certain way about it,
• 2:00:10
  Speaker 2: that's difficult.
• 2:00:11
  Speaker 4: Not all so much love family, Black Hot Fire, see
• 2:00:16
  Speaker 4: everybody back in the marrow saying black channel, saying black Tie.
• 2:00:20
  Speaker 4: We out match that light button the way out and
• 2:00:24
  Speaker 4: those of us on Rumble on the network, wherever.
• 2:00:27
  Speaker 7: You find us.
• 2:00:29
  Speaker 2: Black Hot Fire, shout.
• 2:00:32
  Speaker 4: Anybody on chick took, Everybody was on Twitter, you know,
• 2:00:38
  Speaker 4: everybody's on Bitch shoot sow about the rumble.
• 2:00:40
  Speaker 2: We go upload and long.
• 2:00:42
  Speaker 4: Everybody on the TV stations that's gonna be Amazon TV, Road,
• 2:00:47
  Speaker 4: coud TV and for A TV and Apple TV, and
• 2:00:52
  Speaker 4: we out all streaming platforms.
• 2:00:55
  Speaker 2: Whoa Black Hots Tian we out my sub.
• 2:01:02
  Speaker 7: Whoa U and Georgia ball Family h H Black Hot Pie.
• 2:01:19
  Speaker 14: If you wanna listen to this on podcast, go Spotify,
• 2:01:23
  Speaker 14: go to strictly the all podcasts.
• 2:01:25
  Speaker 2: You type on this type in black out Fire Now
• 2:01:28
  Speaker 2: but we're there.
• 2:01:32
  Speaker 7: If you want to take the long on your phone,
• 2:01:35
  Speaker 7: go to Goo Go play.
• 2:01:36
  Speaker 2: Story, download the app, the free app Black Hot Fire Network.
• 2:01:43
  Speaker 2: We're there for a right now. Whoa everywhere, Black.
• 2:01:48
  Speaker 4: Pipe Pie, every where you go, We're there, mastad were out,
• 2:01:55
  Speaker 4: Black Hot Fire, bring them on.
• 2:02:03
  Speaker 2: School's out, stupid, go go my fuck.
• 2:02:08
  Speaker 14: You ain't got it go so you got to get
• 2:02:10
  Speaker 14: the hell out of here. Black Hot Buying, be out,
• 2:02:43
  Speaker 14: Black Hot.
• 2:02:45
  Speaker 2: Biant anybody elver, good night, we out, we out, we out, I.
• 2:02:58
  Speaker 29: Don't buck having a rumble bather say live on the network,
• 2:03:09
  Speaker 29: def flyve on network.
• 2:03:14
  Speaker 2: Now, I'm glabing brock b on.
• 2:03:15
  Speaker 4: The network for brumble Bolt, Black high Fly.
• 2:03:24
  Speaker 2: I'm live on the network Las high byan do you
• 2:03:36
  Speaker 2: believe one? Don live Black Fat byant co.
• 2:03:49
  Speaker 15: H H Black ho Y.
• 2:03:56
  Speaker 2: Everybody have a good time, my love Bable, we out.
• 2:04:04
  Speaker 4: We out fam anybody with good night see everybody tomorrow,
• 2:04:08
  Speaker 4: trist tomorrow we'll live on.
• 2:04:09
  Speaker 2: The radio, live on everything else tomorrow night. Family, Peace,