Latest / Moon and Sixpence / 20 - Moon and Sixpence by W. Somerset Maugham
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- 0:00Speaker 1: Chapters fifty five and fifty six of The Moon and Sixpence.
- 0:05Speaker 1: This is a LibriVox recording. All LibriVox recordings are in
- 0:08Speaker 1: the public domain. For more information or to volunteer, please
- 0:12Speaker 1: visit LibriVox dot org. Recording by Barryeades. The Moon and
- 0:18Speaker 1: Sixpence by William Somerset Maum, Chapter fifty five. Mister Coutras
- 0:25Speaker 1: was an old Frenchman of great stature and exceeding bulk.
- 0:29Speaker 1: His body was shaped like a huge duck's egg, and
- 0:32Speaker 1: his eyes sharp blue and good natured, rested now and
- 0:36Speaker 1: then with satisfaction on his enormous paunch. His complexion was
- 0:40Speaker 1: florid and his hair white. He was a man to
- 0:43Speaker 1: attract immediate sympathy. He received us in a room that
- 0:47Speaker 1: might have been in a house in a provincial town
- 0:49Speaker 1: in France, and the one or two Polynesian curios had
- 0:53Speaker 1: an odd look. He took my hand in both of
- 0:57Speaker 1: his they were huge, and he gave me a heart look,
- 1:00Speaker 1: in which, however, was great shrewdness. When he shook hands
- 1:04Speaker 1: with capitomt Brunal, he inquired politely after Madame ellisent fants
- 1:09Speaker 1: for some minutes. There was an exchange of courtesies, and
- 1:12Speaker 1: some local gossip about the island, the prospects of Copra
- 1:16Speaker 1: and the vanilla crop. Then we came to the object
- 1:19Speaker 1: of my visit. I shall not tell what Doctor Cutrace
- 1:22Speaker 1: related to me in his words but in my own,
- 1:25Speaker 1: for I cannot hope to give at second hand any
- 1:29Speaker 1: impression of his vivacious delivery. He had a deep, resonant
- 1:33Speaker 1: voice fitted to his massive frame, and a keen sense
- 1:37Speaker 1: of the dramatic. To listen to him was, as the
- 1:39Speaker 1: phrase goes, as good as a play, and much better
- 1:43Speaker 1: than most. It appears that doctor Coutras had gone one
- 1:47Speaker 1: day to te A Vale in order to see an
- 1:49Speaker 1: old chiefess who was ill, and he gave a vivid
- 1:52Speaker 1: picture of the obese old lady lying in a huge bed,
- 1:56Speaker 1: smoking cigarettes and surrounded by a crowd of dark retainers.
- 2:01Speaker 1: When he had seen her, he was taken into another
- 2:03Speaker 1: room and given dinner raw fish, fried bananas and chicken casage,
- 2:09Speaker 1: the typical dinner of the Andijan. And while he was
- 2:12Speaker 1: eating it, he saw a young girl being driven away
- 2:15Speaker 1: from the door in tears. He thought nothing of it,
- 2:18Speaker 1: but when he went out to get into his trap
- 2:20Speaker 1: and drive home, he saw her again, standing a little
- 2:24Speaker 1: way off. She looked at him with a woebegone air,
- 2:27Speaker 1: and tears streamed down her cheeks. He asked someone what
- 2:30Speaker 1: was wrong with her, and was told that she had
- 2:33Speaker 1: come down from the hills to ask him to visit
- 2:35Speaker 1: a white man who was sick. They had told her
- 2:38Speaker 1: that the doctor could not be disturbed. He called her
- 2:41Speaker 1: and himself asked what she wanted. She told him that
- 2:45Speaker 1: Ata had sent her, she who used to be at
- 2:47Speaker 1: the Hotel de la Fleur, and that the red one
- 2:50Speaker 1: was ill. She thrust into his hand a crumpled piece
- 2:53Speaker 1: of newspaper, and when he opened it he found in
- 2:56Speaker 1: it a hundred franc note. Who is the red one,
- 2:59Speaker 1: he asked one of the bystanders. He was told that
- 3:02Speaker 1: that was what they called the Englishman, a painter who
- 3:05Speaker 1: lived with Ata up in the valley, seven kilometers from
- 3:08Speaker 1: where they were. He recognized Strickland by the description. But
- 3:12Speaker 1: it was necessary to walk. It was impossible for him
- 3:16Speaker 1: to go. That was why they had sent the girl away.
- 3:19Speaker 1: I confess, said the doctor, turning to me, that I hesitated.
- 3:23Speaker 1: I did not relish fourteen kilometers over a bad pathway,
- 3:26Speaker 1: and there was no chance that I could get back
- 3:28Speaker 1: to Papyeti that night. Besides, Strickland was not sympathetic to me.
- 3:33Speaker 1: He was an idle, useless scoundrel who preferred to live
- 3:36Speaker 1: with a native woman rather than work for his living
- 3:39Speaker 1: like the rest of us. Mon dieu, How was I
- 3:42Speaker 1: to know that one day the world would come to
- 3:44Speaker 1: the conclusion that he had genius? I asked the girl
- 3:48Speaker 1: if he was not well enough to have come down
- 3:50Speaker 1: to see me. I asked her what she thought was
- 3:52Speaker 1: the matter with him. She would not answer. I pressed
- 3:56Speaker 1: her angrily, perhaps, but she looked down on the ground
- 3:59Speaker 1: and began to cry. Then I shrugged my shoulders. After all,
- 4:03Speaker 1: perhaps it was my duty to go, and in a
- 4:06Speaker 1: very bad temper, I bade her lead the way. His
- 4:09Speaker 1: temper was certainly no better when he arrived, perspiring freely
- 4:13Speaker 1: and thirsty. Ada was on the lookout for him, and
- 4:16Speaker 1: came a little way along the path to meet him.
- 4:19Speaker 1: Before I see any one, give me something to drink,
- 4:22Speaker 1: or I shall die of thirst, he cried out. Pour
- 4:24Speaker 1: le mord dejeu, give me a cocoanut, she called out,
- 4:28Speaker 1: and a boy came running along. He swarmed up a
- 4:31Speaker 1: tree and presently threw down a ripe nut. Ada pierced
- 4:35Speaker 1: a hole in it, and the doctor took a long,
- 4:36Speaker 1: refreshing draft. Then he rolled himself a cigarette and felt
- 4:40Speaker 1: in a bitter humor. Now where is the red one,
- 4:43Speaker 1: he asked. He is in the house painting. I have
- 4:47Speaker 1: not told him you were coming. Go in and see him.
- 4:51Speaker 1: But what does he complain of If he is well
- 4:53Speaker 1: enough to paint, he is well enough to have come
- 4:55Speaker 1: down to Terra Vale and save me this confounded walk.
- 4:59Speaker 1: I presume time is no less valuable than his. Ada
- 5:03Speaker 1: did not speak, but with the boy, followed him to
- 5:06Speaker 1: the house. The girl who had brought him was by
- 5:09Speaker 1: this time sitting on the verandah, and here was lying
- 5:12Speaker 1: an old woman with her back to the wall, making
- 5:15Speaker 1: native cigarettes. Ada pointed to the door. The doctor, wondering
- 5:20Speaker 1: irritably why they behaved so strangely, entered and there found
- 5:23Speaker 1: Strickland cleaning his palate. There was a picture on the easel. Strickland,
- 5:28Speaker 1: clad only in a pario, was standing with his back
- 5:31Speaker 1: to the door, but he turned round when he heard
- 5:34Speaker 1: the sound of boots. He gave the doctor a look
- 5:37Speaker 1: of vexation. He was surprised to see him and resented
- 5:40Speaker 1: the intrusion. But the doctor gave a gasp. He was
- 5:43Speaker 1: rooted to the floor, and he stared with all his eyes.
- 5:47Speaker 1: This was not what he expected. He was seized with horror.
- 5:52Speaker 1: You enter without ceremony, said Strickland. What can I do
- 5:55Speaker 1: for you? The doctor recovered himself, but it required quite
- 5:59Speaker 1: an effort for him to find his voice. All his
- 6:02Speaker 1: irritation was gone, and he felt and then we genle Neppa.
- 6:06Speaker 1: He felt an overwhelming pity. I am doctor Cutrace. I
- 6:11Speaker 1: was down at Terravo to see the Chiefess, and Ada
- 6:14Speaker 1: sent for me to see you. She's a damned fool.
- 6:17Speaker 1: I have had a few aches and pains lately, and
- 6:20Speaker 1: a little fever, but that's nothing. It will pass off.
- 6:23Speaker 1: Next time anyone went to Papy eighty, I was going
- 6:26Speaker 1: to send for some quinine. Look at yourself in the glass.
- 6:30Speaker 1: Strickland gave him a glance, smiled, and went over to
- 6:33Speaker 1: a cheap mirror in a wooden frame that hung on
- 6:36Speaker 1: the wall. Well, do you not see a strange change
- 6:40Speaker 1: in your face? Do you not see the thickening of
- 6:43Speaker 1: your features? And a look? How shall I describe it?
- 6:46Speaker 1: The books call it lion faced mont provey, O me,
- 6:50Speaker 1: must I tell you that you have a terrible disease?
- 6:53Speaker 1: I when you look at yourself in the glass, you
- 6:57Speaker 1: see the typical appearance of the leper. You are jesting,
- 7:01Speaker 1: said Strickland. I wish to god I were. Do you
- 7:05Speaker 1: intend to tell me that I have leprosy? Unfortunately there
- 7:09Speaker 1: can be no doubt of it. Doctor Coutras had delivered
- 7:12Speaker 1: sentence of death on many men, and he could never
- 7:15Speaker 1: overcome the horror with which it filled him. He felt
- 7:18Speaker 1: always the furious hatred that must seize a man condemned.
- 7:22Speaker 1: When he compared himself with the doctor, saying and healthy,
- 7:25Speaker 1: who had the inestimable privilege of life, Strickland looked at
- 7:29Speaker 1: him in silence. Nothing of emotion could be seen on
- 7:33Speaker 1: his face, disfigured already by the loathsome disease. Do they know?
- 7:38Speaker 1: He asked at last, pointing to the persons on the verandah,
- 7:41Speaker 1: now sitting in unusual, unaccountable silence. These natives know the
- 7:46Speaker 1: signs so well, said the doctor. They were afraid to
- 7:49Speaker 1: tell you. Strickland stepped to the door and looked out.
- 7:53Speaker 1: There must have been something terrible in his face, for
- 7:56Speaker 1: suddenly They all burst out into loud cries and lamentation.
- 8:00Speaker 1: They lifted up their voices and they wept. Strickland did
- 8:03Speaker 1: not speak. After looking at them for a moment, he
- 8:06Speaker 1: came back into the room. How long do you think
- 8:09Speaker 1: I can last? Who knows? Sometimes the disease continues for
- 8:13Speaker 1: twenty years. It is a mercy when it runs its
- 8:16Speaker 1: course Quickly. Strickland went to his easel and looked reflectively
- 8:20Speaker 1: at the picture that stood on it. You have had
- 8:23Speaker 1: a long journey. It is fitting that the bearer of
- 8:25Speaker 1: important tidings should be rewarded. Take this picture. It means
- 8:29Speaker 1: nothing to you now, but it may be that one
- 8:32Speaker 1: day you will be glad to have it. Doctor Coutras
- 8:35Speaker 1: protested that he needed no payment for his journey. He
- 8:38Speaker 1: had already given back to Aida the hundred franc note,
- 8:41Speaker 1: but Strickland insisted that he should take the picture. Then
- 8:45Speaker 1: together they went out on the verandah. The natives were
- 8:48Speaker 1: sobbing violently. Be quiet, woman, dry thy tears, said Strickland,
- 8:52Speaker 1: addressing Ada, There is no great harm. I shall leave
- 8:56Speaker 1: thee very soon. They are not going to take thee away,
- 8:59Speaker 1: she cried. At that time, there was no rigid sequestration
- 9:03Speaker 1: on the islands and lepers. If they chose were allowed
- 9:06Speaker 1: to go free, I shall go up into the mountain,
- 9:10Speaker 1: said Strickland. Then Ada stood up and faced him. Let
- 9:14Speaker 1: the others go if they choose, But I will not
- 9:16Speaker 1: leave thee. Thou art my man, and I am thy woman.
- 9:20Speaker 1: If thou leavest me, I shall hang myself on the
- 9:22Speaker 1: tree that is behind the house. I swear it by God.
- 9:26Speaker 1: There was something immensely forcible in the way she spoke.
- 9:30Speaker 1: She was no longer the meek, soft native girl, but
- 9:32Speaker 1: a determined woman. She was extraordinarily transformed. Why shouldst thou
- 9:37Speaker 1: stay with me? Thou canst go back to papy EIGHTI
- 9:40Speaker 1: and thou wilt soon find another white man. The old
- 9:44Speaker 1: woman can take care of thy children, and Tierre will
- 9:46Speaker 1: be glad to have thee back. Thou art my man,
- 9:49Speaker 1: and I am thy woman. Whither thou goest, I will
- 9:53Speaker 1: go too. For a moment, Strickland's fortitude was shaken, and
- 9:57Speaker 1: a tear filled each of his eyes and trickles slowly
- 10:00Speaker 1: down his cheeks. Then he gave the sardonic smile which
- 10:03Speaker 1: was usual with him. Women are strange little beasts, he
- 10:07Speaker 1: said to doctor Coutras. You can treat them like dogs.
- 10:10Speaker 1: You can beat them till your arm aches, and still
- 10:13Speaker 1: they love you. He shrugged his shoulders. Of course, it
- 10:17Speaker 1: is one of the most absurd illusions of Christianity that
- 10:20Speaker 1: they have souls. What is it that thou art saying
- 10:23Speaker 1: to the doctor, asked Ada suspiciously, thou wilt not go?
- 10:27Speaker 1: If it please THEE, I will stay, poor child. Ada
- 10:31Speaker 1: flung herself on her knees before him and clasped his
- 10:34Speaker 1: legs with her arms and kissed them. Strickland looked at
- 10:37Speaker 1: doctor Coutras with a faint smile. In the end, they
- 10:40Speaker 1: get you, and you are helpless in their hands. White
- 10:43Speaker 1: or brown, they are all the same. Doctor Coutras felt
- 10:46Speaker 1: that it was absurd to offer expressions of regret in
- 10:49Speaker 1: so terrible a disaster, and he took his leave. Strickland
- 10:53Speaker 1: told Tane the boy to lead him to the village.
- 10:56Speaker 1: Doctor Coutras paused for a moment, and then he addressed
- 10:59Speaker 1: himself to me. I did not like him. I have
- 11:02Speaker 1: told you he was not sympathetic to me. But as
- 11:05Speaker 1: I walked slowly down to Terravao, I could not prevent
- 11:08Speaker 1: an unwilling admiration for the stoical courage which enabled him
- 11:12Speaker 1: to bear perhaps the most dreadful of human afflictions. When
- 11:16Speaker 1: Taine left me, I told him I would send some
- 11:18Speaker 1: medicine that might be of service. But my hope was
- 11:21Speaker 1: small that Strickland would consent to take it, and even
- 11:23Speaker 1: smaller that if he did, it would do him good.
- 11:26Speaker 1: I gave the boy a message for Ada that I
- 11:29Speaker 1: would come whenever she sent for me. Life is hard,
- 11:32Speaker 1: and nature takes sometimes a terrible delight in torturing her children.
- 11:36Speaker 1: It was with a heavy heart that I drove back
- 11:38Speaker 1: to my comfortable home in Papiete. For a long time,
- 11:42Speaker 1: none of us spoke, but Ada did not send for me.
- 11:45Speaker 1: The doctor went on at last, and it chanced that
- 11:48Speaker 1: I did not go to that part of the island
- 11:50Speaker 1: for a long time. I had no news of Strickland.
- 11:54Speaker 1: Once or twice I heard that Ada had been to
- 11:56Speaker 1: Papyetti to buy painting materials, but I did not happen
- 11:59Speaker 1: to see her. More than two years passed before I
- 12:02Speaker 1: went to Terravo again, and then it was once more
- 12:05Speaker 1: to see the old chiefess. I asked them whether they
- 12:08Speaker 1: had heard anything of Strickland. By now it was known
- 12:12Speaker 1: everywhere that he had leprosy. First tame the boy had
- 12:15Speaker 1: left the house, and then a little time afterwards the
- 12:18Speaker 1: old woman and her grandchild, Strickland and Ada were left
- 12:22Speaker 1: alone with their babies. No one went near the plantation, for,
- 12:26Speaker 1: as you know, the natives have a very lively horror
- 12:29Speaker 1: of the disease, and in the old days, when it
- 12:31Speaker 1: was discovered, the sufferer was killed. But sometimes when the
- 12:35Speaker 1: village boys were scrambling about the hills, they would catch
- 12:38Speaker 1: sight of the white man with his great red beard
- 12:41Speaker 1: wandering about. They fled in terror. Sometimes Ada would come
- 12:45Speaker 1: down to the village at night and arouse the trader
- 12:48Speaker 1: so that he might sell her various things of which
- 12:50Speaker 1: she stood in need. She knew that the natives looked
- 12:53Speaker 1: upon her with the same horrified aversion as they looked
- 12:56Speaker 1: upon Strickland, and she kept out of their way. Once
- 13:00Speaker 1: some women venturing nearer than usual to the plantation saw
- 13:03Speaker 1: her washing clothes in the brook, and they threw stones
- 13:06Speaker 1: at her. After that the trader was told to give
- 13:09Speaker 1: her the message that if she used the brook again,
- 13:12Speaker 1: men would come and burn down her house. Brutes, I said,
- 13:17Speaker 1: may known moncheer monsieur men are always the same. Fear
- 13:20Speaker 1: makes them cruel. I decided to see Strickland, and when
- 13:24Speaker 1: I had finished with the Chiefess, asked for a boy
- 13:27Speaker 1: to show me the way, But none would accompany me,
- 13:29Speaker 1: and I was forced to find it alone. When Doctor
- 13:32Speaker 1: Cutrace arrived at the plantation, he was seized with a
- 13:36Speaker 1: feeling of uneasiness. Though he was hot from walking, he shivered.
- 13:40Speaker 1: There was something hostile in the air which made him hesitate,
- 13:43Speaker 1: and he felt that invisible forces barred his way. Unseen
- 13:47Speaker 1: hands seemed to draw him back. No one would go
- 13:50Speaker 1: near now to gather the cocoanuts, and they lay rotting
- 13:53Speaker 1: on the ground. Everywhere was desolation. The bush was encroaching,
- 13:58Speaker 1: and it looked as though very soon the prime evil
- 14:00Speaker 1: force would regain possession of that strip of land which
- 14:03Speaker 1: had been snatched from it at the cost of so
- 14:06Speaker 1: much labor. He had the sensation that here was the
- 14:09Speaker 1: abode of pain. As he approached the house, he was
- 14:13Speaker 1: struck by the unearthly silence, and at first he thought
- 14:16Speaker 1: it was deserted. Then he saw Ada. She was sitting
- 14:19Speaker 1: on her haunches in the lean to that served as
- 14:22Speaker 1: her kitchen, watching some mess cooking in a pot. Near her.
- 14:26Speaker 1: A small boy was playing silently in the dirt. She
- 14:29Speaker 1: did not smile when she saw him. I have come
- 14:32Speaker 1: to see Strickland, he said, I will go and tell him.
- 14:36Speaker 1: She went to the house, ascended the few steps that
- 14:39Speaker 1: led to the verandah, and entered. Doctor Cutras followed her,
- 14:43Speaker 1: but waited outside in obedience to her gesture. As she
- 14:46Speaker 1: opened the door, he smelt the sickly sweet smell which
- 14:50Speaker 1: makes the neighborhood of the leper nauseus. He heard her speak,
- 14:53Speaker 1: and then he heard Strickland's answer, but he did not
- 14:56Speaker 1: recognize the voice. It had become hoarse and indistinct. Doctor
- 15:01Speaker 1: Coutras raised his eyebrows. He judged that the disease had
- 15:04Speaker 1: already attacked the vocal cords. Then Ada came out again.
- 15:08Speaker 1: He will not see you. You must go away, doctor
- 15:12Speaker 1: Coutras insisted, but she would not let him pass. Doctor
- 15:16Speaker 1: Coutrace shugged his shoulders, and, after a moment's rejection, turned away.
- 15:20Speaker 1: She walked with him. He felt that she too wanted
- 15:23Speaker 1: to be rid of him. Is there nothing I can
- 15:26Speaker 1: do at all? He asked? You can send him some paints?
- 15:29Speaker 1: She said, there is nothing else he wants. Can he paint? Still?
- 15:34Speaker 1: He is painting the walls of the house. This is
- 15:37Speaker 1: a terrible life for you, my poor child. Then at
- 15:40Speaker 1: last she smiled, and there was in her eyes a
- 15:43Speaker 1: look of superhuman love. Doctor Coutras was startled by it
- 15:47Speaker 1: and amazed, and he was awed. He found nothing to say.
- 15:51Speaker 1: He is my man, she said, Where is your other child?
- 15:55Speaker 1: He asked, When I was here last, you had two? Yes,
- 15:59Speaker 1: it died. We buried it under the mango. When Ada
- 16:03Speaker 1: had gone with him a little way, she said she
- 16:05Speaker 1: must turn back. Doctor Coutras surmised she was afraid to
- 16:08Speaker 1: go farther in case she met any of the people
- 16:11Speaker 1: from the village. He told her again that if she
- 16:14Speaker 1: wanted him, she had only to send, and he would
- 16:17Speaker 1: come at once. So ends Chapter fifty five Chapter fifty six.
- 16:25Speaker 1: Then two years more went by, or perhaps three, for
- 16:29Speaker 1: time passes imperceptibly Intohiti, and it is hard to keep
- 16:33Speaker 1: count of it. But at last a message was brought
- 16:35Speaker 1: to doctor Coutras that Strickland was dying. Ada had waylaid
- 16:39Speaker 1: the cart that took the mail to Papa eighty and
- 16:42Speaker 1: besought the man who drove it to go at once
- 16:44Speaker 1: to the doctor, but the doctor was out when the
- 16:47Speaker 1: summons came, and it was evening when he received it.
- 16:50Speaker 1: It was impossible to start at so late an hour,
- 16:53Speaker 1: and so it was not till next day, soon after dawn,
- 16:56Speaker 1: that he sent out. He arrived at Terravao, and for
- 16:59Speaker 1: the last time tramped the seven kilometers that led to
- 17:02Speaker 1: AIDA's house. The path was overgrown, and it was clear
- 17:06Speaker 1: that for years now it had remained all but untrodden.
- 17:09Speaker 1: It was not easy to find the way. Sometimes he
- 17:12Speaker 1: had to stumble along the bed of the stream, and
- 17:15Speaker 1: sometimes he had to push through shrubs dense and thorny.
- 17:18Speaker 1: Often he was obliged to climb over rocks in order
- 17:21Speaker 1: to avoid the hornets nests that hung on the trees
- 17:24Speaker 1: over his head. The silence was intense. It was with
- 17:29Speaker 1: a sigh of relief that at last he came upon
- 17:31Speaker 1: the little, unpainted house, extraordinarily bedraggled now and unkempt. But
- 17:37Speaker 1: here too was the same intolerable silence. He walked up,
- 17:41Speaker 1: and a little boy playing unconcernedly in the sunshine started
- 17:45Speaker 1: at his approach and fled quickly away to him. The
- 17:49Speaker 1: stranger was the enemy doctor Coutras had a sense that
- 17:52Speaker 1: the child was stealthily watching him from behind a tree.
- 17:56Speaker 1: The door was wide open. He called out, but no
- 17:59Speaker 1: one answered. He stepped in. He knocked at a door,
- 18:02Speaker 1: but again there was no answer. He turned the handle
- 18:06Speaker 1: and entered. The stench that assailed him turned him horribly sick.
- 18:10Speaker 1: He put his handkerchief to his nose and forced himself
- 18:13Speaker 1: to go in. The light was dim and after the
- 18:16Speaker 1: brilliant sunshine, for a while he could see nothing. Then
- 18:20Speaker 1: he gave a start. He could not make out where
- 18:22Speaker 1: he was. He seemed, on a sudden to have entered
- 18:25Speaker 1: a magic world. He had a vague impression of a
- 18:28Speaker 1: great primeval forest and of naked people walking beneath the trees.
- 18:33Speaker 1: Then he saw that there were paintings on the walls.
- 18:36Speaker 1: An dieu. I hope the sun hasn't affected me, he muttered.
- 18:40Speaker 1: A slight movement attracted his attention, and he saw that
- 18:43Speaker 1: Ada was lying on the floor, sobbing quietly. Ada, he
- 18:47Speaker 1: called Aida. She took no notice. Again, the beastly stench
- 18:52Speaker 1: almost made him faint, and he lit a cheroot. His
- 18:56Speaker 1: eyes grew accustomed to the darkness, and now he was
- 18:59Speaker 1: seized by an over overwhelming sensation as he stared at
- 19:02Speaker 1: the painted walls. He knew nothing of pictures, but there
- 19:05Speaker 1: was something about these that extraordinarily affected him. From floor
- 19:10Speaker 1: to ceiling, the walls were covered with a strange and
- 19:12Speaker 1: elaborate composition. It was indescribably wonderful and mysterious. It took
- 19:18Speaker 1: his breath away. It filled him with an emotion which
- 19:21Speaker 1: he could not understand or analyze. He felt the awe
- 19:24Speaker 1: and the delight which a man might feel who watched
- 19:27Speaker 1: the beginning of a world. It was tremendous, sensual, passionate,
- 19:32Speaker 1: and yet there was something horrible there too, something which
- 19:35Speaker 1: made him afraid. It was the work of a man
- 19:38Speaker 1: who had delved into the hidden depths of nature and
- 19:41Speaker 1: had discovered secrets which were beautiful and fearful too. It
- 19:45Speaker 1: was the work of a man who knew things which
- 19:47Speaker 1: it was unholy for men to know. There was something
- 19:50Speaker 1: prime evil there and terrible. It was not human. It
- 19:54Speaker 1: brought to his mind vague recollections of black magic. It
- 19:57Speaker 1: was beautiful and obscene. Mon dieu, this is genius. The
- 20:03Speaker 1: words were wrung from him, and he did not know
- 20:05Speaker 1: he had spoken. Then his eyes fell on the bed
- 20:09Speaker 1: of mats in the corner. And he went up, and
- 20:11Speaker 1: he saw the dreadful, mutilated, ghastly object which had been Strickland.
- 20:16Speaker 1: He was dead. Doctor Cutrace made an effort of will
- 20:19Speaker 1: and bent over that battered horror. Then he started violently,
- 20:23Speaker 1: and terror blazed in his heart, for he felt that
- 20:26Speaker 1: some one was behind him. It was Ada. He had
- 20:29Speaker 1: not heard her get up. She was standing at his elbow,
- 20:32Speaker 1: looking at what he looked at. Good Heavens, my nerves
- 20:36Speaker 1: are all distraught, he said. You nearly frighten me out
- 20:39Speaker 1: of my wits. He looked again at the poor dead
- 20:42Speaker 1: thing that had been man, and then he started back
- 20:45Speaker 1: in dismay. But he was blind, Yes, he had been
- 20:49Speaker 1: blind for nearly a year. So ends Chapter fifty six.