Latest / What More Can I Say? / Clipse Album Review, Drake's New Tattoo, UNO Coming to Las Vegas, Does Ciara Have Hits? & More!

Transcript

Clipse Album Review, Drake's New Tattoo, UNO Coming to Las Vegas, Does Ciara Have Hits? & More! · What More Can I Say?

• 0:00
  Speaker 1: Welcome to a Welcome to the one more can I
• 0:01
  Speaker 1: say podcast? Ever?
• 0:03
  Speaker 2: So right, oh two forty damn, that's a lot of those.
• 0:09
  Speaker 2: I'm wearing my sunglasses. And because I gluten poisoned myself
• 0:12
  Speaker 2: pot found earlier this fine morning, on on whatever day
• 0:16
  Speaker 2: this pod lands on. But I, uh, yeah, I poisoned myself.
• 0:22
  Speaker 2: So this is gonna be an interesting pot. I might
• 0:24
  Speaker 2: have to falls it and get up and go to
• 0:25
  Speaker 2: the bathroom.
• 0:27
  Speaker 3: All right.
• 0:27
  Speaker 2: That lady over there laughing at my gluten poison and
• 0:30
  Speaker 2: she's the first lady of the pot only lady that pod,
• 0:32
  Speaker 2: and she is fluffy and find her name is what's up?
• 0:37
  Speaker 1: Give me? Hey?
• 0:38
  Speaker 4: Okay, I got your cake, I got your okay, I
• 0:43
  Speaker 4: got your Oh.
• 0:44
  Speaker 1: Oh oh that key? What are you doing here? Do it?
• 0:53
  Speaker 1: Stop doing that? It's stop that. So hello, Hello, how
• 0:59
  Speaker 1: was your weekend?
• 1:00
  Speaker 3: It was fabulous? It was amazing.
• 1:02
  Speaker 1: Where'd you go?
• 1:02
  Speaker 5: I hung out with my best sies and I went
• 1:04
  Speaker 5: to see Country Wayne and.
• 1:07
  Speaker 1: Prov Country Wayne.
• 1:09
  Speaker 5: Yes, shout out to Country Wayne, super nice guy, dope show. Yes, Yes,
• 1:13
  Speaker 5: very country and rich. Definitely squad country and rich.
• 1:18
  Speaker 1: You like that though?
• 1:18
  Speaker 3: It was wonderful And then uh, Sunday I don't do nothing.
• 1:23
  Speaker 2: Okay, the Lord's Day and that guy asked Kik what
• 1:27
  Speaker 2: she did this week and said, okay, okay, that.
• 1:33
  Speaker 1: Is the funny man of the bro Zach book. What up,
• 1:36
  Speaker 1: my guy?
• 1:37
  Speaker 3: Now, what did you do this weekend?
• 1:39
  Speaker 1: Oh?
• 1:39
  Speaker 4: I went to the Socks game. I went to Sox
• 1:41
  Speaker 4: game on for free Friday and Saturday. Did win Creek
• 1:45
  Speaker 4: and judge the talent sing for one hundred K competition
• 1:49
  Speaker 4: Friday night and Saturday night.
• 1:50
  Speaker 1: And then on Sunday I went to Soxs game, not
• 1:52
  Speaker 1: for free. I did pay.
• 1:53
  Speaker 4: I bought my tickets, but Sox tickets weren't that bad.
• 1:55
  Speaker 4: I got three good seats in one hundred level, four
• 1:57
  Speaker 4: hundred dollars.
• 1:58
  Speaker 1: Wow. Three tickets. Wow. Yeah, so I did very well. Yeah.
• 2:04
  Speaker 1: Now did I argue with the people that was in
• 2:06
  Speaker 1: my seats for fifteen minutes? Yes? Oh.
• 2:07
  Speaker 3: They didn't want to get up.
• 2:09
  Speaker 1: They were all trying to sit together.
• 2:11
  Speaker 4: So I was like, hey, So the lady warned me
• 2:13
  Speaker 4: as I was coming up, She's like you on the
• 2:15
  Speaker 4: other side, but they not gonna want to move, and
• 2:18
  Speaker 4: she's like I had to go get the help get
• 2:20
  Speaker 4: them to move. I said, well, I guarantee they gonna
• 2:22
  Speaker 4: move when I come over here. I'm about to come
• 2:23
  Speaker 4: over here like straight and or you're gonna see me.
• 2:26
  Speaker 4: And I ran in O Ryan, I said, Ryan, if
• 2:28
  Speaker 4: you start seeing me cussing and yelling, call.
• 2:30
  Speaker 1: Security oo bit I'm about to go off.
• 2:32
  Speaker 4: So I was like, hey, can y'all I'm in five
• 2:35
  Speaker 4: six seven, y'all in my seat.
• 2:36
  Speaker 1: And they was like, oh, yeah, are.
• 2:38
  Speaker 4: You know how they trying to act like they didn't know,
• 2:40
  Speaker 4: oh looking around and stuff. How many people you got? Hey, hey, hey,
• 2:45
  Speaker 4: don't ask me questions. You five six and seven is mine?
• 2:51
  Speaker 1: Okay?
• 2:52
  Speaker 4: Then we go sit that, we sit down, and then
• 2:54
  Speaker 4: they're like, oh you uh do you mind sitting here?
• 2:59
  Speaker 1: What did it ma'am? I told her.
• 3:01
  Speaker 4: I said, ma'am, I'm sitting where where I paid to
• 3:04
  Speaker 4: see sit.
• 3:05
  Speaker 1: That's why I'm gonna sit. Okay, that was my seat.
• 3:07
  Speaker 1: That's where I'm gonna sit.
• 3:08
  Speaker 4: Anywhere else y'all decide to do, y'all can do that,
• 3:10
  Speaker 4: but five six seven for this time, for during this game,
• 3:16
  Speaker 4: on my seat from the first inning of the ninth
• 3:19
  Speaker 4: that is yours. You can do that hell you want
• 3:20
  Speaker 4: to do, please leave me alone. And then her I
• 3:23
  Speaker 4: could tell the dude she was with kind of like
• 3:25
  Speaker 4: he kept talking to me because he could tell that
• 3:27
  Speaker 4: he started to get irritated with her.
• 3:28
  Speaker 1: He went and gave a.
• 3:29
  Speaker 4: Glove to Noah and everything kind of be my friend
• 3:33
  Speaker 4: because she was really getting on everybody nurves. She's like,
• 3:35
  Speaker 4: can you just do this? And I just, man, I'm
• 3:37
  Speaker 4: trying to sit down. I just I just wanted to
• 3:38
  Speaker 4: sit down and drink my beer. And it's hot. By
• 3:41
  Speaker 4: the time I drank my beer. Guess what it was
• 3:43
  Speaker 4: damn near luke warm. After I finished going back and
• 3:45
  Speaker 4: forth work, so I had to get another beer, but
• 3:48
  Speaker 4: still had.
• 3:49
  Speaker 1: A good time.
• 3:50
  Speaker 3: And you did not budge, You did not move.
• 3:53
  Speaker 1: You know me better than that. I ain't no way
• 3:55
  Speaker 1: I was gonna move on principle.
• 3:57
  Speaker 3: Was you sitting like you know, like you had Were
• 3:59
  Speaker 3: you tense the whole game?
• 4:00
  Speaker 1: Though I got very comfortable. I had a good time because.
• 4:04
  Speaker 5: When I get when I have to check somebody in public,
• 4:06
  Speaker 5: I'm on edge the entire event. Now now because like
• 4:10
  Speaker 5: I gotta let you know, I'm not playing.
• 4:11
  Speaker 4: With you, but stop playing, like, just stop talking. That's
• 4:14
  Speaker 4: what I want her to do. As soon as she
• 4:16
  Speaker 4: shut up, I can enjoy what I was trying to do,
• 4:18
  Speaker 4: but you will sit down for a while.
• 4:19
  Speaker 1: It was hot out there.
• 4:19
  Speaker 2: That's why I don't go tonding events. It's not unless
• 4:22
  Speaker 2: I gotta go. It's a certain day. Like the closer
• 4:26
  Speaker 2: you are to the floor, the more people I've learned
• 4:29
  Speaker 2: loved the sport.
• 4:31
  Speaker 1: So the closer you are to the.
• 4:32
  Speaker 2: Action, the more if you are up, it's a good
• 4:35
  Speaker 2: further away from the action. It's all type of conversations
• 4:38
  Speaker 2: going on. People that don't even don't want to be there.
• 4:41
  Speaker 2: They like talking about fools. They want to know what's
• 4:45
  Speaker 2: going on. And I am irritated as hell because I
• 4:48
  Speaker 2: really came to watch the live action. I want to
• 4:51
  Speaker 2: hear them say switch, I want to hear the calls.
• 4:54
  Speaker 1: I want to hear everything. And these dudes and these women.
• 4:58
  Speaker 2: I haven't all hype of conversation. So yeah, I get that, man,
• 5:02
  Speaker 2: and I prefer I much rather watch sports if I'm
• 5:06
  Speaker 2: not close at home. Yeah, yeah, I get it.
• 5:10
  Speaker 3: That's funny though.
• 5:11
  Speaker 1: Oh how was Country Wayne?
• 5:12
  Speaker 3: Country? Wayne was great? He is amazing good. Yeah, he
• 5:16
  Speaker 3: was amazing.
• 5:17
  Speaker 1: You know.
• 5:17
  Speaker 5: I like a comedy show, like get up there, tell
• 5:19
  Speaker 5: your jokes in there. Let's all, wrap this up and
• 5:21
  Speaker 5: go home.
• 5:21
  Speaker 3: Don't keep on.
• 5:22
  Speaker 5: Don't hold me hostage, but you know, like, don't please
• 5:25
  Speaker 5: don't hold me hostage at the comedy show.
• 5:27
  Speaker 1: I have that.
• 5:28
  Speaker 5: I gave you a couple of laps and wrapped this
• 5:29
  Speaker 5: up and he did a good, perfect time, and he
• 5:32
  Speaker 5: was great. His opener was great. I'm gonna figure out
• 5:34
  Speaker 5: his name, but he was great too. And my friends though,
• 5:39
  Speaker 5: they my best friend and her sister, they love Country Wayne,
• 5:43
  Speaker 5: so they bought VIP tickets, which I would.
• 5:46
  Speaker 3: Never do for a comedy show.
• 5:48
  Speaker 5: You know what I'm saying, Like you came back VIP
• 5:51
  Speaker 5: tickets at a comedy show because that means you are
• 5:53
  Speaker 5: in the front, right, But uh, I don't know if
• 5:55
  Speaker 5: you you've probably been to the improv. It's it's a it's
• 5:58
  Speaker 5: a like a it's all venue.
• 6:01
  Speaker 1: So it's about three hundred people, is it.
• 6:04
  Speaker 5: He kept calling it the cafeteria like he was he
• 6:07
  Speaker 5: was making jokes about it, but we were sitting up front,
• 6:09
  Speaker 5: and I was just like worried about that, Like, damn,
• 6:12
  Speaker 5: I don't want to have to go on Country Wayne,
• 6:13
  Speaker 5: because you know, you just never know what a comedian
• 6:15
  Speaker 5: might do.
• 6:18
  Speaker 1: Like Country Wayne, don't make me one of these jokes.
• 6:21
  Speaker 2: I know I look normal, but I know, but I
• 6:24
  Speaker 2: am really I really got some ship with me, because
• 6:28
  Speaker 2: if you play with me, I'm getting on this podcast,
• 6:31
  Speaker 2: I am going to talk some ship.
• 6:33
  Speaker 1: Man. I would have loved to see that.
• 6:36
  Speaker 5: I would have felt like, oh, it would have been
• 6:43
  Speaker 5: great though, because it's like it's country Wayne, you just
• 6:46
  Speaker 5: gotta eat that. But it was holding on, like, please Lord,
• 6:48
  Speaker 5: don't let this go wrong because I don't know why
• 6:50
  Speaker 5: y'all were bad tickets in the VIP at a comedy show.
• 6:53
  Speaker 1: I get it. I saw some of that. I saw
• 6:55
  Speaker 1: that go bad.
• 6:56
  Speaker 4: Do you remember when Matt Barnes and Steven Jackson what's
• 6:59
  Speaker 4: the name of that podcast? All the smoke all the
• 7:01
  Speaker 4: smoke that went bad? So Stephen Jackson, you know, he
• 7:05
  Speaker 4: thinks he can go and he's funny. But the person
• 7:08
  Speaker 4: he was talking about in the crowd, he was like, yeah,
• 7:10
  Speaker 4: what you gotta say. He asked the question. He had
• 7:12
  Speaker 4: a little joke in the question, and then Stephen Jackson
• 7:15
  Speaker 4: went back at him like they was roasting. Know he
• 7:18
  Speaker 4: was roasting Mickey Mickey House is a comedian. Oh no,
• 7:21
  Speaker 4: he didn't know. I was like, he don't know that.
• 7:23
  Speaker 4: I said the voice I heard the said that sounded
• 7:25
  Speaker 4: like Mickey. I look sure enough. He was like, nah,
• 7:28
  Speaker 4: but we ain't gonna talk about that Jackson.
• 7:35
  Speaker 1: It was he thought he had was like, oh it,
• 7:44
  Speaker 1: don't get into the and he didn't.
• 7:48
  Speaker 2: He had no idea. I do not want to have
• 7:51
  Speaker 2: no commedee. I'm not necessary any comedian on the duzz
• 7:53
  Speaker 2: And I just like, oh, yeah, shut your head, okay, like,
• 7:57
  Speaker 2: get somebody else, right, don't play with me, man, All right,
• 8:00
  Speaker 2: let's go aheadlet's jump into the pod, y'all. Clay Thompson
• 8:03
  Speaker 2: confirms that he is dated mag THEE Stallion. I actually
• 8:06
  Speaker 2: went to his Instagram to see the post. Yeah yeah,
• 8:09
  Speaker 2: Clay is like I did.
• 8:11
  Speaker 1: I had to. I like it. I was worried about
• 8:14
  Speaker 1: I was.
• 8:14
  Speaker 2: I was worried about Clay in the way, like, yo,
• 8:17
  Speaker 2: we've never seen Clay with this high, high level of
• 8:21
  Speaker 2: a woman. So I'm like, man, man, i'll kick your coverage.
• 8:24
  Speaker 2: But I like it though, man shout out Clay Thompson.
• 8:26
  Speaker 2: Bro Megae Stallion. That's surprised, bro.
• 8:30
  Speaker 3: Happened to the other guy once she dated one of
• 8:32
  Speaker 3: the bulls.
• 8:33
  Speaker 1: Yeah yeah, yeah. Tyler Craig Tory Craig. You call him Tyler?
• 8:42
  Speaker 1: Why do you do that?
• 8:43
  Speaker 3: Sorry that you're right, You are right. I need to
• 8:46
  Speaker 3: stop stop.
• 8:48
  Speaker 2: Made it all the way to the league and you're like,
• 8:51
  Speaker 2: we ain't knowing what the play in lifetime fitness.
• 8:55
  Speaker 5: If you are an athlete, you do not like my
• 8:58
  Speaker 5: opinion matters. Doesn't matter at all, whether you are propping
• 9:02
  Speaker 5: or not. Like please understand that if I say I
• 9:04
  Speaker 5: don't know you and you are coming, I mean you
• 9:06
  Speaker 5: an athlete.
• 9:07
  Speaker 3: That means nothing.
• 9:09
  Speaker 1: You're not wrong. The average fan does not no who
• 9:11
  Speaker 1: Tory cre That's what I'm saying. The average fan you.
• 9:14
  Speaker 4: Hate people and people that's not relevant. You don't you
• 9:19
  Speaker 4: hate old people. You have you have to be you
• 9:22
  Speaker 4: have to be a basketball fan and know who Toy
• 9:24
  Speaker 4: Craig is. I'm just saying you have to watch the
• 9:27
  Speaker 4: game vigorously to know who he is.
• 9:30
  Speaker 1: You don't you do? You are not just knowing that
• 9:34
  Speaker 1: casual person like this toy Crag for the book. You
• 9:37
  Speaker 1: don't know that. If you're in Chicago, you do, and.
• 9:40
  Speaker 4: You watch the Bulls because Kiki is in Chicago every day. Again,
• 9:43
  Speaker 4: there's not no who toy Crag.
• 9:46
  Speaker 1: People and people that's not superstars.
• 9:48
  Speaker 2: I have nothing against toy Kreb. You don't like, you
• 9:50
  Speaker 2: don't like not one person that's a supporting cast.
• 9:53
  Speaker 1: But it's not true.
• 9:54
  Speaker 4: I love supporting casts. You're just putting this on me
• 9:57
  Speaker 4: right now, but it's not true. I'm not gonna let
• 9:59
  Speaker 4: you do that. And even just in the background of
• 10:01
  Speaker 4: anything like they're not important. It's not your whole joke
• 10:04
  Speaker 4: about the people that was in drew Hill. You sure
• 10:07
  Speaker 4: did know those were new Those who were those people,
• 10:13
  Speaker 4: they were not in drew Hill. That's why I made
• 10:16
  Speaker 4: fun of them. They were really weren't Andrew.
• 10:19
  Speaker 1: They did some major things they ain't got I don't
• 10:22
  Speaker 1: know what.
• 10:27
  Speaker 3: No, what was the one public.
• 10:29
  Speaker 1: Public the public announcement here with I tell you the
• 10:35
  Speaker 1: public announcement?
• 10:38
  Speaker 4: No one smoking black could have been town in act
• 10:43
  Speaker 4: and nobody wouldn't know the difference.
• 10:45
  Speaker 3: But that's the problem with us. We always talk.
• 10:51
  Speaker 1: I don't know. All right, let's get to this. To
• 10:54
  Speaker 1: a couple of things from Drake over the weekend.
• 10:57
  Speaker 2: Drake responsive fast of the concert chatting Kendrick, he said,
• 11:01
  Speaker 2: I'll drink to that. Also, Drake covered up his lebron
• 11:04
  Speaker 2: tattoo with the Shay Gilders, Alexander Jersey one. You gotta
• 11:08
  Speaker 2: stop putting other people's name on you unless they're your kids.
• 11:12
  Speaker 1: But I respect it. I respect it.
• 11:14
  Speaker 2: But Lebron, you gotta remember, when Drake was coming up,
• 11:18
  Speaker 2: Lebron is homie, one of the people he admired. Lebron
• 11:22
  Speaker 2: is one of them, and he gets a tattoo and
• 11:25
  Speaker 2: then Lebron and that friendship goes left. When I see
• 11:28
  Speaker 2: this Bron, I hope this light skinned dude does not
• 11:33
  Speaker 2: know anything, which I know he does. He is going
• 11:36
  Speaker 2: that's why it's called ice man. He is going to
• 11:39
  Speaker 2: get Bron some bars, some real bars, and people mad
• 11:43
  Speaker 2: at Drake. I've watched over the end of the Man.
• 11:45
  Speaker 2: Jermaine Dpre said it. Why, I just hope Drake doesn't,
• 11:49
  Speaker 2: you know, go at. You know, all of the stuff
• 11:51
  Speaker 2: that was happening, none of us got called by the
• 11:55
  Speaker 2: world a freaky ass nigga. None of us got called
• 11:58
  Speaker 2: a pedophile. None of us got call for months on
• 12:02
  Speaker 2: months on months.
• 12:03
  Speaker 3: Are you a freaking in work? No, I'm not a
• 12:06
  Speaker 3: freak Are you a pedophile?
• 12:07
  Speaker 1: No?
• 12:08
  Speaker 3: Okay, then so why would you get called that?
• 12:10
  Speaker 2: But still you're not gonna fill away Kiki you.
• 12:13
  Speaker 3: I mean, I don't know why you came in here
• 12:15
  Speaker 3: on a Drake apology tour.
• 12:16
  Speaker 1: Right now, I just gonna fell away you.
• 12:19
  Speaker 3: So you are defending if Drake goes in on Lebron.
• 12:21
  Speaker 3: You're saying Lebron deserved it.
• 12:24
  Speaker 1: I just think if you somebody, I don't.
• 12:25
  Speaker 2: I don't never agree with people and friendship when they
• 12:30
  Speaker 2: betrayal in friendship. So I don't know where the betrayal
• 12:32
  Speaker 2: came from. But if you my man's and we obviously
• 12:35
  Speaker 2: know they friends because he got a tattoo on them.
• 12:37
  Speaker 2: Lebron showed up and shows all types of stuff.
• 12:40
  Speaker 1: I mean, their friend. You could you It's impossible to
• 12:43
  Speaker 1: not think that they friends not friends, and.
• 12:45
  Speaker 4: Nigga, you better be more than friends. You get them
• 12:47
  Speaker 4: tatted they should have been. They had a relationship the
• 12:50
  Speaker 4: way you got it.
• 12:52
  Speaker 3: Every day.
• 12:52
  Speaker 2: I just said, I'm just saying to me, when you
• 12:56
  Speaker 2: go even if even if I get mad at I've
• 12:58
  Speaker 2: gotten mad at plenty of people that we used to
• 13:00
  Speaker 2: make money with. Now I don't know what they do,
• 13:02
  Speaker 2: but the real thing at me is not going to
• 13:05
  Speaker 2: let I can't go talking about you publicly.
• 13:08
  Speaker 1: I can't go.
• 13:08
  Speaker 2: I'm not gonna go side with somebody that I know
• 13:11
  Speaker 2: talking about you. I'm not even gonna get in it.
• 13:13
  Speaker 2: If I let's say I don't mess with you. Let's say, well,
• 13:16
  Speaker 2: I don't even mess with but we used to be cool,
• 13:18
  Speaker 2: and you having a public beef for somebody, I'm not
• 13:21
  Speaker 2: going to get in it.
• 13:22
  Speaker 1: I'm just gonna stay away. I don't mess with you.
• 13:24
  Speaker 2: But I ain't finna, So I ain't gonna be dancing
• 13:27
  Speaker 2: to the song. I'm not gonna be doing all of
• 13:29
  Speaker 2: that unless I really don't mess with you.
• 13:30
  Speaker 4: For a reason, he went to the pop out and
• 13:32
  Speaker 4: he was showing love to the Kendrick record. He was
• 13:35
  Speaker 4: dancing to it on court, the biggest record in the world,
• 13:39
  Speaker 4: just seeing his But what he doesn't realize, what Drake
• 13:41
  Speaker 4: doesn't realize. It's a couple of things. The same way
• 13:45
  Speaker 4: that you're a fan of Lebron, Lebron is a fan
• 13:48
  Speaker 4: of other people. Lebron is a rap fann. He always
• 13:51
  Speaker 4: be in the back of that car, not driving, listening
• 13:54
  Speaker 4: to people. Kendrick is listening. He's a Kendrick fan. I
• 13:57
  Speaker 4: think Lebron was saying, I don't have a dog in
• 13:59
  Speaker 4: this fight. I'm literally just like But I can see you,
• 14:02
  Speaker 4: I can know to your point. I can see why
• 14:05
  Speaker 4: Drake is upset.
• 14:08
  Speaker 3: I get that.
• 14:09
  Speaker 1: I agree.
• 14:10
  Speaker 4: I'm not I'm not saying that he ain't you know
• 14:12
  Speaker 4: what I'm saying. But I agree with you one hundred percent.
• 14:13
  Speaker 4: If that's my man's I feel, I feel a way
• 14:15
  Speaker 4: you might listen to it. Yeah, you might listen to
• 14:18
  Speaker 4: it by yourself. You don't need to be publicly doing that.
• 14:21
  Speaker 4: I get that, but we're missing the point. Yeah, Drake
• 14:24
  Speaker 4: is the first man in African American history to cover
• 14:27
  Speaker 4: a man's name with another.
• 14:29
  Speaker 1: Man's name, and we have to talk about that. Yep.
• 14:33
  Speaker 1: Why are you getting dudes tatting on you?
• 14:36
  Speaker 4: So when that dude break your heart, you're gonna get
• 14:38
  Speaker 4: it find another man to put on top of you.
• 14:40
  Speaker 4: Stop it, Drake, that's the problem. Quit putting me in
• 14:44
  Speaker 4: on your arm. You don't why put people on your arm?
• 14:49
  Speaker 4: You don't put men on your arm.
• 14:51
  Speaker 1: You don't putting nobody.
• 14:53
  Speaker 4: Even when women put a man on their arm that
• 14:55
  Speaker 4: they used to have a relationship with, guess what they do.
• 14:56
  Speaker 4: They recover it with a rose. A man's name is bad,
• 15:00
  Speaker 4: You're gonna put another man, he said, not him, him,
• 15:04
  Speaker 4: what kind of not him? I'm mad at him. I
• 15:08
  Speaker 4: want you to get him on here, just a different
• 15:10
  Speaker 4: hymn because I like this him because he is my him.
• 15:13
  Speaker 4: And guess what when he lets you down.
• 15:15
  Speaker 1: What you're gonna do?
• 15:16
  Speaker 3: Yep?
• 15:17
  Speaker 1: How many? How many men are you? Because that's what
• 15:22
  Speaker 1: it is, y'all keep giving this a passage. He talks
• 15:25
  Speaker 1: about the beef, that's what.
• 15:28
  Speaker 3: Yeah, I don't know what tone was at this.
• 15:30
  Speaker 1: What you mean?
• 15:31
  Speaker 2: I know why, man, I feel honestly, I feel bad
• 15:34
  Speaker 2: for a dude. I don't know if he did what
• 15:37
  Speaker 2: did he do to cause it? That's my thought because
• 15:39
  Speaker 2: I don't know. I think the Kendrick is is and
• 15:43
  Speaker 2: Kendrick kind of said, Okay, you want to they going
• 15:45
  Speaker 2: back and forth, you want to talk about some stuff,
• 15:48
  Speaker 2: Let's get to it.
• 15:48
  Speaker 1: I just do it better than you.
• 15:50
  Speaker 2: Fine, But I have a problem with the way everybody
• 15:55
  Speaker 2: was kind of piling on with him. So I'm like, what,
• 15:58
  Speaker 2: I don't know the other side, nobody is even talking.
• 16:01
  Speaker 2: I don't think Drake is totally innocent in this whole
• 16:03
  Speaker 2: name I'm cause I'm gonna keep it a buck. I
• 16:08
  Speaker 2: listen to that Joe, Butden rat Joe, Butden from what
• 16:11
  Speaker 2: I've listened to over these years on his podcast, he
• 16:13
  Speaker 2: normally doesn't talk about stuff that's not factual, so I
• 16:18
  Speaker 2: or maybe maybe a bit of hearsay, but he's heard
• 16:21
  Speaker 2: it from a reliable source.
• 16:23
  Speaker 1: So I think maybe Drake brought this on itself. But
• 16:26
  Speaker 1: I still feel a little bad. I don't. I don't.
• 16:28
  Speaker 5: I don't feel bad about it. I think he need
• 16:30
  Speaker 5: to leave Lebron alone. Okay, you are, you have enough enemies.
• 16:34
  Speaker 1: He getting it.
• 16:35
  Speaker 3: You need to leave Lebron alone.
• 16:37
  Speaker 5: You look, it looks you already lost that because you
• 16:40
  Speaker 5: had the man tatted on you. So you just look
• 16:42
  Speaker 5: weird at this point and stop tattening men, especially men.
• 16:45
  Speaker 1: That are alive.
• 16:46
  Speaker 3: Yes, you know what I'm saying. That can still hurt you, Drake.
• 16:48
  Speaker 3: You know what I'm saying.
• 16:49
  Speaker 5: You gotta wait, go get tupaca some I'm like, waitsin
• 16:52
  Speaker 5: somebody's You can't go get them.
• 16:54
  Speaker 3: You still getting me in out here. That can hurt you.
• 16:56
  Speaker 5: They can switch teams, they can do everything. It's just
• 16:59
  Speaker 5: very odvy behavior.
• 17:00
  Speaker 1: That man ain't thirty yet. You got a young man
• 17:03
  Speaker 1: of your arm. You gotta stop that. That's a young
• 17:06
  Speaker 1: man on his arm.
• 17:08
  Speaker 4: You tomorrow, come on twenty five, twenty six years old
• 17:12
  Speaker 4: from Canada.
• 17:13
  Speaker 1: I don't give a damn way from you know how
• 17:15
  Speaker 1: many people?
• 17:15
  Speaker 4: So so I should just go get so who's still
• 17:19
  Speaker 4: alive that is younger than me from Geary that I
• 17:22
  Speaker 4: can go. You mean to get CJ so Cool on me?
• 17:25
  Speaker 4: Wait wait YouTube, Yeah, you mean just get CJ so
• 17:29
  Speaker 4: Cool tatted on me because.
• 17:30
  Speaker 1: He from Gary. That's weird. Actually we went to high
• 17:33
  Speaker 1: school together, but still it was just weird. It would
• 17:37
  Speaker 1: be weird to do that. Stop doing that. So you
• 17:40
  Speaker 1: just gonna get go ahead, get Dirk on your back.
• 17:44
  Speaker 4: You're from Chicago, Get Dirk on you, and then when
• 17:47
  Speaker 4: Dirk make you mad, get hurt.
• 17:49
  Speaker 1: That's weird.
• 17:50
  Speaker 3: Yeah, that's weird.
• 17:52
  Speaker 5: Very god, man, my god, my guys. Man, now you
• 17:57
  Speaker 5: too excited. You liked the basketball too much. That's very
• 18:02
  Speaker 5: weird for a grown man.
• 18:05
  Speaker 2: If you saw another man's name that wasn't his family
• 18:08
  Speaker 2: member or another dude, what would you think.
• 18:11
  Speaker 3: I wouldn't be like are y'all lovers? Is there's something
• 18:14
  Speaker 3: I need to know?
• 18:16
  Speaker 1: Dude.
• 18:17
  Speaker 4: It's a very high possibility that they could mess with
• 18:20
  Speaker 4: the same chick they both from Canada and both are
• 18:23
  Speaker 4: super successful. Yeah, they could run into the same girl.
• 18:26
  Speaker 4: So imagine Drake getting ready to smash the girl's married. Okay,
• 18:30
  Speaker 4: but let's just hypothetical speaking. Let's say getting ready to
• 18:33
  Speaker 4: smash the girl and he like, she was like, is
• 18:35
  Speaker 4: that shake?
• 18:37
  Speaker 1: Oh no, that's that's that's my ex.
• 18:41
  Speaker 4: Now you now what that's the fact. Now you see
• 18:44
  Speaker 4: now you'll look at it. Yeah, I put your eggs
• 18:45
  Speaker 4: on my arm. That's weird.
• 18:47
  Speaker 3: Drake need to heal. That's what he needed to heal.
• 18:50
  Speaker 1: I think the music is gonna be the music is
• 18:52
  Speaker 1: gonna be good.
• 18:53
  Speaker 2: But I think when I see this, when I see
• 18:55
  Speaker 2: a cover up, I just all I'm like, Bron, brace yourself.
• 18:59
  Speaker 2: You get some I know, Kicky, you could probably whatever
• 19:03
  Speaker 2: could happen or whatever cap Lebron James, whether if he
• 19:08
  Speaker 2: say his name or not, or saying something because we
• 19:10
  Speaker 2: all know rappers all say stuff to people subliminately in
• 19:14
  Speaker 2: a sense. If you listen to the Cliffs album, it's
• 19:17
  Speaker 2: so many subliminis in there.
• 19:19
  Speaker 3: Can we get to it?
• 19:20
  Speaker 1: Yeah? I can't listen to it. It's amazing.
• 19:24
  Speaker 5: Drake already lost the thing with Lebron, just gonna put
• 19:26
  Speaker 5: that out there that he's already already lost that so
• 19:29
  Speaker 5: he can go make all the this records he wanted
• 19:31
  Speaker 5: about Lebron.
• 19:31
  Speaker 1: You already lost.
• 19:32
  Speaker 5: You had me tattooed on you. You had me tattooed
• 19:35
  Speaker 5: on you got a step Yeah, you know what I'm saying. Like,
• 19:37
  Speaker 5: you already lost. So it ain't nothing, ain't no bar
• 19:40
  Speaker 5: you can think of baby. Ain't not you getting a
• 19:42
  Speaker 5: lab and produced that's gonna make you win against him
• 19:44
  Speaker 5: because you had him tattooed on you and now you
• 19:46
  Speaker 5: wrap it about him, which would mean you really hurt
• 19:48
  Speaker 5: baby daddy?
• 19:49
  Speaker 1: Why you basketball? Was that the basketball section?
• 19:51
  Speaker 5: In your.
• 19:55
  Speaker 2: Basketball section? Tattoos are creative expressions. I didn't even know
• 20:00
  Speaker 2: you have a lot of tattoo keys. I didn't know
• 20:03
  Speaker 2: key's doves all the time. I just I thought she
• 20:05
  Speaker 2: just got drunken vegas. It got birds on her arms.
• 20:08
  Speaker 2: I didn't know the meaning.
• 20:10
  Speaker 1: Yes, we all have different meanings.
• 20:11
  Speaker 4: When I got the tattooed on your arm, at least
• 20:16
  Speaker 4: and I do, but at least it's not nobody baby,
• 20:19
  Speaker 4: It ain't the baby.
• 20:21
  Speaker 3: It ain't little baby.
• 20:25
  Speaker 1: Baby. Once I get it coming up, I don't put
• 20:29
  Speaker 1: nobody else exactly. That's crazy.
• 20:32
  Speaker 3: Were on the pile with he go and put Joe
• 20:34
  Speaker 3: button on his arm.
• 20:35
  Speaker 1: Next, that's weird, No, it's weird. And then they cut
• 20:38
  Speaker 1: him off. No, I don't like him the mom putting Now.
• 20:44
  Speaker 3: That's weird.
• 20:45
  Speaker 1: That's so weird.
• 20:47
  Speaker 5: To defend them, that's crazy. Stop doing that, man, Stop
• 20:51
  Speaker 5: putting them dudes on your arm. Bro, you ain't got
• 20:54
  Speaker 5: no real friends. Seriously, when it came up to I
• 20:56
  Speaker 5: would have been like another nigga.
• 20:58
  Speaker 3: That's a good thing. He don't know what the tattoo lit.
• 21:02
  Speaker 1: He ain't got no strug.
• 21:03
  Speaker 5: You know, most of us got a stormy to tell,
• 21:06
  Speaker 5: gonna tell. He don't know what to put on his body.
• 21:08
  Speaker 5: He putting anybody on.
• 21:09
  Speaker 2: That, And you gotta think a little longer. That wasn't
• 21:12
  Speaker 2: a way without thought our tattooing the boys. That the
• 21:16
  Speaker 2: fact that that happened, I get it, I get it,
• 21:19
  Speaker 2: I get it. But the fact that he doesn't have
• 21:23
  Speaker 2: anybody be like yo, slow down. Let's let's get on
• 21:28
  Speaker 2: Pinterest and look at some ideas. Bro, Let's look at
• 21:30
  Speaker 2: like his homies they had that From all the stuff
• 21:35
  Speaker 2: that folks be doing, he has to have the most
• 21:39
  Speaker 2: yes men, around him in his life. I believe, like
• 21:42
  Speaker 2: flip it to Lebron, if you look the way Lebron
• 21:45
  Speaker 2: and his boys are, I believe Bron if he getting
• 21:48
  Speaker 2: ready to do something stupid, I believe rich Or Madre
• 21:51
  Speaker 2: gonna be like, yo, I know you want it. He
• 21:56
  Speaker 2: got and they got his ear, Well he gonna be like,
• 21:57
  Speaker 2: for real, well, Drake doesn't have anybody.
• 22:01
  Speaker 1: This is fault. What were you.
• 22:07
  Speaker 4: And what did you say when he got it? And
• 22:09
  Speaker 4: he came in there and was like you shouldn't been like, yeah,
• 22:12
  Speaker 4: that's hard. If you said that job, you should have
• 22:14
  Speaker 4: roasted him to.
• 22:14
  Speaker 2: The point where he went and got another like come on, G,
• 22:17
  Speaker 2: what you on G We're gonna let that hell and
• 22:21
  Speaker 2: cover that up.
• 22:21
  Speaker 1: We went along.
• 22:22
  Speaker 4: You know how many jokes I would have on you
• 22:24
  Speaker 4: every day on this pot if you had another dude
• 22:26
  Speaker 4: on you.
• 22:26
  Speaker 1: Dog, I just still playing.
• 22:30
  Speaker 2: I think, I think what it is is and I said,
• 22:32
  Speaker 2: I ad apologist. I want to still be a Drake apologist.
• 22:39
  Speaker 5: Man.
• 22:39
  Speaker 1: I think that folks, he got his ass kick in
• 22:43
  Speaker 1: front of the world.
• 22:44
  Speaker 2: You got the number one rapper that got his ass
• 22:47
  Speaker 2: kicked in front of the world, and we're looking at
• 22:50
  Speaker 2: the fall out.
• 22:50
  Speaker 1: From it still, heal, he would just move on. We
• 22:52
  Speaker 1: would move on. You can't move on. How many people
• 22:54
  Speaker 1: you know move on from getting an ass kicking.
• 22:57
  Speaker 5: You keep getting your ass kicked though you can't reverse
• 22:59
  Speaker 5: the ass kicking. That's the problem, Like you keep once
• 23:01
  Speaker 5: the footage is there, it can't be undone.
• 23:03
  Speaker 3: So let's just move on.
• 23:04
  Speaker 5: We forget about stuff all the time. When Drake put
• 23:07
  Speaker 5: out a here record, we was off that. But then
• 23:09
  Speaker 5: when he started putting out more versus about Ken drag
• 23:12
  Speaker 5: and he every time he bring it up and do
• 23:14
  Speaker 5: some weird Now we gotta be reminded that you got
• 23:16
  Speaker 5: your ass whip when we could have been moved on.
• 23:18
  Speaker 1: I like, what push your t in? Them?
• 23:20
  Speaker 2: They still kicking him around, They kicking him, and that
• 23:24
  Speaker 2: that whips had changed Kendrick kicking.
• 23:26
  Speaker 1: Him around a little bit, a little bit in that
• 23:29
  Speaker 1: a little bit he give him a little I'm gonna
• 23:31
  Speaker 1: tell you something about them clips.
• 23:33
  Speaker 4: Boy, you want to talk about perfect execution, perfect roll out,
• 23:38
  Speaker 4: perfect execution, perfect bars.
• 23:41
  Speaker 1: Did y'all listen to that?
• 23:42
  Speaker 5: Yes?
• 23:42
  Speaker 1: What I'm.
• 23:46
  Speaker 4: Times And it's got to be really good for me
• 23:49
  Speaker 4: to like the style of rap. You know how good
• 23:51
  Speaker 4: it got to because it's not even my mind style.
• 23:54
  Speaker 1: I had to. I was rewinding records. I was like,
• 23:56
  Speaker 1: I got to hear that again. What did he just say?
• 23:59
  Speaker 1: You going in and then on that uh later huh.
• 24:03
  Speaker 1: It's like she's gonna like me later. Bruh.
• 24:06
  Speaker 4: So be it, so be it, gonna wake up to
• 24:09
  Speaker 4: so be it every day I've been my life like,
• 24:11
  Speaker 4: I just want to hear I want that to be
• 24:13
  Speaker 4: the soundtrack of my existence.
• 24:15
  Speaker 2: I'm trying to I'm trying to figure out the Instagram
• 24:18
  Speaker 2: post got to me it's so cold.
• 24:22
  Speaker 1: That is so cold. I was like, Oh, it's just
• 24:26
  Speaker 1: it's it's just a good It's just a great album.
• 24:28
  Speaker 2: This is what and this, like you said, Zack, for
• 24:32
  Speaker 2: a person that doesn't even like this style of rap,
• 24:35
  Speaker 2: they don't really like that kind of bari.
• 24:38
  Speaker 1: But the way the production is it keeps you in it.
• 24:42
  Speaker 2: What they say, you'll be like, oh you can hear
• 24:44
  Speaker 2: it clear, It's just a lot of It's just a
• 24:47
  Speaker 2: lot of cool ship in that out lot, like a
• 24:49
  Speaker 2: lot of that's a lot of That's how you creator
• 24:52
  Speaker 2: went crazy.
• 24:53
  Speaker 1: Yes he did.
• 24:54
  Speaker 2: And I'm not really a big Tiler fan. I rock
• 24:56
  Speaker 2: with him, but not like that. But I was like, Yo,
• 24:58
  Speaker 2: maybe I gotta go back.
• 25:00
  Speaker 1: Did I said, I don't. I must have been sleeping
• 25:01
  Speaker 1: on dude. Yeah, that was a good one. You ain't
• 25:05
  Speaker 1: got no bars. You don't have to come in here
• 25:06
  Speaker 1: with a whole ball.
• 25:07
  Speaker 3: I'm looking him up, y'all pushing tea as that dude.
• 25:12
  Speaker 5: But malice, yes, malice is I mean, I ain't you
• 25:16
  Speaker 5: know how I'm in my rap era now, so like
• 25:18
  Speaker 5: I look for lyrics and meanings and I'm so deep
• 25:22
  Speaker 5: off of malice right now. Like I'm so impressed because
• 25:26
  Speaker 5: we don't get these type of bars from nobody else.
• 25:28
  Speaker 5: Right now, they are snapping and it was a part
• 25:31
  Speaker 5: not on the song where he did and Jones, Yes,
• 25:35
  Speaker 5: when he did, he did Jim Jones.
• 25:37
  Speaker 3: Can somebody tell me the beef? Where did the beef.
• 25:39
  Speaker 1: Start with Jim Jonson?
• 25:41
  Speaker 2: Jones just basically was saying, like, y'all be talking about
• 25:43
  Speaker 2: pushing tea in here. You can't even name me a
• 25:45
  Speaker 2: push of t record here that I ain't got that.
• 25:48
  Speaker 2: He basically saying that he's more rough you given push
• 25:51
  Speaker 2: your tea all of this love and nobody knows him
• 25:54
  Speaker 2: except rapidly rap people and and to an extent, Jim
• 25:58
  Speaker 2: Jones's popularity comes from him being a part of dip Set.
• 26:03
  Speaker 2: Dip Set is a legendary group. You by yourself is
• 26:08
  Speaker 2: a are a good member and people rock with you.
• 26:11
  Speaker 2: Gotta hit records. But as far as popularity, no, push
• 26:15
  Speaker 2: your Tea. I'm not gonna say push your Tea is
• 26:17
  Speaker 2: more popular than him, because Jim Jones has a lot
• 26:20
  Speaker 2: of different different things. But as far as the skill
• 26:24
  Speaker 2: level of wrapping close, I can't see him.
• 26:28
  Speaker 5: Close called chain and whips. Yes, talk about your Yes,
• 26:34
  Speaker 5: that's where you went on Jim Jones. It was so
• 26:37
  Speaker 5: uncomfortable a head.
• 26:37
  Speaker 4: He said that it was mud. He said, reality TV
• 26:40
  Speaker 4: is mud wrestling. He said your diamonds or something. You
• 26:43
  Speaker 4: remember he was doing a lot of plaque on him
• 26:45
  Speaker 4: or something. Man what he said, it's blocking yourself. You're blood.
• 26:48
  Speaker 3: I said, man, this you chasing a feature that's too
• 26:53
  Speaker 3: I said, I was one.
• 26:57
  Speaker 1: You chasing a feature that's too big for you, something
• 27:00
  Speaker 1: like that.
• 27:02
  Speaker 5: But run from the spirit of repossession. That means they
• 27:05
  Speaker 5: on your ass. Renaissance is on your ass too much.
• 27:08
  Speaker 5: Ennimal covers your next it's fake, it's it's from the
• 27:12
  Speaker 5: beauty supply, I buy bitches, you buy them sections now footshot.
• 27:15
  Speaker 5: I don't know what that meant because sex traffick, don't
• 27:17
  Speaker 5: buy no bitches. Misery fuel and your regression. Okay, so
• 27:21
  Speaker 5: you're so angry that you're going backwards, my boy.
• 27:24
  Speaker 3: Okay.
• 27:25
  Speaker 5: Then he said jealousies turned into obsessions. Reality TV is
• 27:30
  Speaker 5: mud wrestling, my god.
• 27:40
  Speaker 3: Oh he went on.
• 27:41
  Speaker 5: Man, he said, some sign checks. I know better than
• 27:44
  Speaker 5: beware of my name that there is delicate. You know,
• 27:47
  Speaker 5: I know where you're delicate. So he's saying, no way
• 27:49
  Speaker 5: to get you, So leave me alone.
• 27:57
  Speaker 3: Brush you to pieces. I'll hum a breadth of it.
• 27:59
  Speaker 3: I will close your heaven.
• 28:01
  Speaker 1: For the elean. And if you hear did you hear malice?
• 28:10
  Speaker 2: Come in with the What he was talking about the
• 28:13
  Speaker 2: Zeus network and people hosting fees for fifty five hundred?
• 28:16
  Speaker 1: I said, what are y'all doing? I was like, why
• 28:20
  Speaker 1: y'all mad? In reality starts like this? Crazy? Like your
• 28:24
  Speaker 1: hosting fifty undred?
• 28:26
  Speaker 5: That's y'all last piece? You think it'd be valor amongst veterans.
• 28:31
  Speaker 5: He's calling you, O, I'm watching your fame escape relevance. Oh.
• 28:35
  Speaker 5: We all in a room, but there's an elephant an elephant,
• 28:38
  Speaker 5: You chasing a feature out of your element?
• 28:41
  Speaker 3: God, you ain't right?
• 28:43
  Speaker 1: You're right? Is Ge're right?
• 28:46
  Speaker 3: He's so lethal And that's why.
• 28:49
  Speaker 5: And I think it's great how they drop music because
• 28:51
  Speaker 5: you don't need a push you all the time, we
• 28:53
  Speaker 5: all being here fighting. If she was putting out music
• 28:56
  Speaker 5: every day, we need years in between big push and projects.
• 29:00
  Speaker 5: Because he's too he too cold, like he too.
• 29:04
  Speaker 2: The way he was talking on that tiny desk and
• 29:08
  Speaker 2: like and the way they was looking at the camera.
• 29:11
  Speaker 1: I said, I said, oh, he is pick. He wants
• 29:16
  Speaker 1: you to know. He looks at that camera. So when
• 29:18
  Speaker 1: you see this video and they say he talking about you.
• 29:21
  Speaker 2: He gonna looking you right in your eyes, like bro, like, hey,
• 29:25
  Speaker 2: whatever you got going on with me, let that slide me.
• 29:29
  Speaker 1: All wow, this is the craziest thing. All wow.
• 29:33
  Speaker 2: Their best friend is making fucking beats and clothes for
• 29:37
  Speaker 2: Louis Batana.
• 29:38
  Speaker 1: Yes, that is the wildest shit.
• 29:40
  Speaker 2: Parreal comes out of retirement because they told you on
• 29:43
  Speaker 2: the album this No More Neptunes. He comes out of retirement,
• 29:47
  Speaker 2: makes crazy beats and then you see what they wearing.
• 29:50
  Speaker 1: It went so much, Louis Baittona, they were so this
• 29:54
  Speaker 1: rollout is.
• 29:56
  Speaker 4: It's the best, especially if somebody coming back. I've never
• 30:02
  Speaker 4: seen the group come back like this. They they they
• 30:05
  Speaker 4: skin look good. Them brothers ain't even as their brothers
• 30:08
  Speaker 4: look great, and it's so great. They're healthy, they ain't
• 30:12
  Speaker 4: doing drugs.
• 30:13
  Speaker 1: And then he came the thing about it for some reason.
• 30:16
  Speaker 1: I don't know why. I see for real in a purse?
• 30:19
  Speaker 4: Wait what do I just feel like they did because
• 30:22
  Speaker 4: you know they did it at the Louis vatime. They
• 30:25
  Speaker 4: recorded that album in the Louis Vaton headquarter. Okay, they
• 30:30
  Speaker 4: recorded that album. So all I see is for real
• 30:33
  Speaker 4: coming in one of his outfits with this with the
• 30:35
  Speaker 4: person putting that mug down, like getting on that beat
• 30:38
  Speaker 4: machine and going to going crazy. I don't think you
• 30:42
  Speaker 4: should wrap like you shouldn't wrap that good? Yes you
• 30:46
  Speaker 4: should something wrong?
• 30:49
  Speaker 1: Oh this is what I heard? This is I want
• 30:50
  Speaker 1: to get your thoughts on this. Nineteen ninety nine is
• 30:54
  Speaker 1: the first CLIPS album. Yeah, I remember YEP, and now
• 30:58
  Speaker 1: it was I was. I interviewed them. He what's that?
• 31:03
  Speaker 1: That's old? First?
• 31:05
  Speaker 4: The first years ago, a first album, come out and
• 31:09
  Speaker 4: come out this hard like this this relevant. But I
• 31:11
  Speaker 4: saw somebody somebody put on tweet. Put somebody put on
• 31:14
  Speaker 4: Twitter or Instagram whatever. They made a video and they said,
• 31:17
  Speaker 4: this is the first time in rap history that the
• 31:19
  Speaker 4: older rappers are better than the young rappers. And they
• 31:23
  Speaker 4: said even the ones that you don't even consider old old.
• 31:25
  Speaker 4: They was like, Thurk is thirty what two? They said,
• 31:28
  Speaker 4: Herb is in his thirties. Herb in the bag right now,
• 31:32
  Speaker 4: he's killing it in the bag. Herbs in his thirties. Uh,
• 31:37
  Speaker 4: push your fifty two. Maalys is like forty eight years old.
• 31:41
  Speaker 4: They everybody, all the people who are winning what Drake's
• 31:44
  Speaker 4: almost forty, Kendrick is in his thirties, Like thirties or forties.
• 31:50
  Speaker 1: I mean what I told you. He said that it's
• 31:53
  Speaker 1: the rap game now is controlled.
• 31:55
  Speaker 4: It's like the younger they said, the older guys thirty plus,
• 31:59
  Speaker 4: it's selling out. They don't want to know and they
• 32:01
  Speaker 4: don't want putt out the music. They don't want to
• 32:02
  Speaker 4: people to music. And the young guys are the one struggling.
• 32:06
  Speaker 4: They say, this's the first time that this has ever
• 32:08
  Speaker 4: happened in hip hop, where the usually the young are
• 32:11
  Speaker 4: pushing the culture.
• 32:13
  Speaker 2: Yeah, yeah, Playboy Cardi, Playboard CARDI would be safe. But
• 32:16
  Speaker 2: Playboy Cardi, they say, it's not like a black artists.
• 32:21
  Speaker 1: He more and more white.
• 32:22
  Speaker 2: They say Travis Scott. They tell you say point to
• 32:24
  Speaker 2: Travis Scott, another person. They got more white fans than that.
• 32:28
  Speaker 2: So it's a lot of times where they said, I
• 32:30
  Speaker 2: say that already. I mean, you got big extra plug.
• 32:33
  Speaker 2: People pushing the pushing it forward for the young, younger cats.
• 32:36
  Speaker 2: But I just think once the once the younger cats
• 32:41
  Speaker 2: get out of the hustle music, because there was a
• 32:43
  Speaker 2: there's a hustle music where it's like, yo, I can
• 32:45
  Speaker 2: out of touhem myself, call myself blah blah blah, and
• 32:48
  Speaker 2: then I could do it. We've seen people steal people's names,
• 32:50
  Speaker 2: steal people's mantras, all type of ship while they still rapping,
• 32:54
  Speaker 2: and they and then like, yeah, the kids gonna listen
• 32:57
  Speaker 2: to it because it's new, it's young, it's popping, but
• 33:01
  Speaker 2: when it goes to buying shows, it's not happening. You
• 33:04
  Speaker 2: think about it, if you look at Summer Smash as
• 33:06
  Speaker 2: a young festival, but you had old dudes closing it out.
• 33:11
  Speaker 2: You filled it up with with with the DDGs, the Pluto's,
• 33:15
  Speaker 2: the all of the different little ones. But then when
• 33:17
  Speaker 2: you it's time to really sell something and you need
• 33:20
  Speaker 2: some bodies out there. You bringing fucking young thug out there.
• 33:23
  Speaker 2: You bringing future out there, And I think, yeah, until
• 33:28
  Speaker 2: you get a young dude that's gonna get in there
• 33:30
  Speaker 2: and really be an artist. Even Tyler the Creator said
• 33:33
  Speaker 2: it on He said it on many podcasts. A lot
• 33:35
  Speaker 2: of these dudes, y'all call them artists, ain't even music dudes.
• 33:38
  Speaker 2: They hustling it.
• 33:39
  Speaker 3: I told y'all this is back to my microwave theory.
• 33:43
  Speaker 5: Everything is. It's in the microwave. It's you bought a
• 33:46
  Speaker 5: lot of streams or you bought a lot of followers.
• 33:48
  Speaker 5: So let's give you a record heal and see what
• 33:49
  Speaker 5: you do. You know, Yogo Yello ball.
• 33:53
  Speaker 3: You know we still we're still awaiting Yellow.
• 33:55
  Speaker 1: Got hits man. I tell you yere the state real
• 34:00
  Speaker 1: artist Jello got records.
• 34:04
  Speaker 5: Gave him a three million dollar heal if he was
• 34:07
  Speaker 5: he got records, one song tone, he got one and
• 34:11
  Speaker 5: a possible bro the.
• 34:13
  Speaker 1: Police record will glo. Rella is good.
• 34:16
  Speaker 2: It's better than a lot of people. Second joint after that,
• 34:19
  Speaker 2: that's the possible The please record.
• 34:20
  Speaker 1: Please's good, It's good. It might not be.
• 34:24
  Speaker 2: It's not the first one, but it's good. It ain't
• 34:27
  Speaker 2: a bad it ain't a bad second offering.
• 34:30
  Speaker 1: It's a record. It's a record usually when you record. Okay,
• 34:34
  Speaker 1: I'm exaggerated. I mean, he had you did.
• 34:38
  Speaker 5: And that's what's wrong with the culture right now. That's
• 34:40
  Speaker 5: why we can't let we got to take care of
• 34:42
  Speaker 5: our legends. Are pushers.
• 34:45
  Speaker 1: Don't take care of me.
• 34:46
  Speaker 3: We do take care of you, we do.
• 34:49
  Speaker 4: You know what a good follow up single was? What
• 34:52
  Speaker 4: a glow follow up with after C G I G
• 34:57
  Speaker 4: I it got better?
• 34:58
  Speaker 2: But can't we cat Yello is not Jello is not
• 35:03
  Speaker 2: even close to the level of artists, a real artist,
• 35:08
  Speaker 2: AD major artist.
• 35:09
  Speaker 1: He like a mid major school. He like Bowling Green,
• 35:13
  Speaker 1: a mid major school.
• 35:15
  Speaker 2: They're good, they got athletes, they played, but they just
• 35:17
  Speaker 2: not Ohio State, you know what I mean.
• 35:20
  Speaker 1: It's just it's rap is always there.
• 35:23
  Speaker 3: You said that he was.
• 35:25
  Speaker 4: I said he had had five records, at least five,
• 35:28
  Speaker 4: and we've heard one and a possible.
• 35:29
  Speaker 1: Well that's two I'm giving them. I'm telling you, I
• 35:32
  Speaker 1: don't I think yellow Ball gonna be straight. He won't.
• 35:34
  Speaker 1: Will he ever get superstar? I doubt it? Because he
• 35:37
  Speaker 1: until he gets better performing.
• 35:39
  Speaker 5: It's just that's and I don't even mean to make
• 35:41
  Speaker 5: this about him. It's just y' y'all hate not relevant,
• 35:48
  Speaker 5: y you were artists.
• 35:49
  Speaker 1: It's just sorry, y'all.
• 35:51
  Speaker 5: They just they don't And it's not their fault. They're
• 35:53
  Speaker 5: not being trained, they're not they don't have time to cook,
• 35:56
  Speaker 5: they don't have time to be in the crock pot.
• 35:57
  Speaker 5: They just gotta go, and you gotta as much as
• 36:00
  Speaker 5: you can while you're out there. And we don't even
• 36:02
  Speaker 5: know their names. We can't put the we can't match
• 36:04
  Speaker 5: their faces. We know the records are nice, the good,
• 36:07
  Speaker 5: but then we don't. They're not stars. You're right, key,
• 36:10
  Speaker 5: you gotta be.
• 36:11
  Speaker 2: You gotta everybody, but Kiki's everybody is stalling me.
• 36:15
  Speaker 1: Ask you that question.
• 36:16
  Speaker 3: No, everybody's not gonna be a star.
• 36:19
  Speaker 1: Okay, So I mean, if they don't pop the swim,
• 36:21
  Speaker 1: but it.
• 36:21
  Speaker 5: Should never be this dire to the point where our
• 36:24
  Speaker 5: whole genre of music is depending on the old dudes.
• 36:28
  Speaker 3: Hey, that's that's what I'm saying. No, that's that's a problem.
• 36:31
  Speaker 5: You know what I'm saying, Like if like in radio,
• 36:34
  Speaker 5: if there's not another tone somewhere and I were doing.
• 36:37
  Speaker 1: Something round let them sleep.
• 36:40
  Speaker 3: It should be at least somewhere, but learn how to
• 36:42
  Speaker 3: work the borders to Kiki.
• 36:50
  Speaker 5: If it's not another somewhere, well I don't know if
• 36:53
  Speaker 5: that I'm kidding, but for real, like in hip hop,
• 36:58
  Speaker 5: if it.
• 36:58
  Speaker 4: Should be the momentum because hip hop is was a
• 37:02
  Speaker 4: young man's sport, it is, you know what I'm saying.
• 37:04
  Speaker 2: So that's why it's especially for hip hop. But but
• 37:06
  Speaker 2: still the thing of it is is though what it
• 37:08
  Speaker 2: is is because it's a newer genre. It was created
• 37:11
  Speaker 2: by us. It's so this is the first time in
• 37:13
  Speaker 2: history that also that hip hop has gotten older and
• 37:17
  Speaker 2: it's just gotten old.
• 37:18
  Speaker 1: True, we didn't have when it first started. You didn't have.
• 37:20
  Speaker 2: Fifty year old rappers. We did, but they weren't they
• 37:23
  Speaker 2: were it was so new. So this is like this
• 37:25
  Speaker 2: is a thing you It's like rolling stones. It's like
• 37:28
  Speaker 2: all of them people that are in the rock genre
• 37:30
  Speaker 2: and I can't name them, but I mean, like like
• 37:33
  Speaker 2: jay Z could released three songs right now, we'll listen
• 37:36
  Speaker 2: to them, and we're gonna listen to mutely. See what
• 37:38
  Speaker 2: you're saying, it's this is the first time hip hop
• 37:41
  Speaker 2: got it just turned fifty. Yes, so it's the first
• 37:44
  Speaker 2: time that we've ever seen yeah with the new generation getting.
• 37:48
  Speaker 4: Older, right, and that happened and since we came up
• 37:51
  Speaker 4: in it. Now it's an audience for that. Who want
• 37:53
  Speaker 4: to hear that?
• 37:54
  Speaker 1: You know what I'm saying?
• 37:55
  Speaker 4: Like, who want to hear what clips gotta say? Yeah,
• 37:58
  Speaker 4: they want to hear like they sold so much dope
• 38:00
  Speaker 4: on that tiny desk and got a scale kick almost
• 38:05
  Speaker 4: this five.
• 38:08
  Speaker 1: Love it.
• 38:08
  Speaker 3: I just so good looking at the camera like I'm
• 38:11
  Speaker 3: talking directly to you. What are you going to do
• 38:14
  Speaker 3: about it? That's my favorite thing about pushing, like what
• 38:16
  Speaker 3: are you going to do about it?
• 38:17
  Speaker 1: Because he knows he know he can beat most people.
• 38:19
  Speaker 2: He push your head, pushing like the dude at the
• 38:21
  Speaker 2: at the basketball court that knows he's better than everybody.
• 38:25
  Speaker 2: He knows it's not even he didn't play everybody in
• 38:28
  Speaker 2: the area. And no matter he every time somebody talks
• 38:31
  Speaker 2: it to him, he destroys him. And he looking at
• 38:34
  Speaker 2: he looking at anybody like you know what I'll.
• 38:37
  Speaker 1: Do to you?
• 38:38
  Speaker 3: Yes, you know what I'm capable of.
• 38:40
  Speaker 5: Why y'all try to get me in these different little
• 38:42
  Speaker 5: clicks and try to silence me and stuff and I
• 38:45
  Speaker 5: feel you.
• 38:46
  Speaker 3: I like him. I like him a lot.
• 38:48
  Speaker 2: Looks like you are going to be at the salt
• 38:50
  Speaker 2: shed when push your team and the clips come.
• 38:52
  Speaker 1: To Are they coming? They're coming ship. I'm there when
• 38:56
  Speaker 1: they're coming, and you.
• 38:58
  Speaker 3: Know what the thing is and there rapping so hard.
• 39:00
  Speaker 1: It's so messed up. So be it that song, so
• 39:08
  Speaker 1: you know what bothers me though.
• 39:09
  Speaker 4: It was so much music that came out this weekend,
• 39:12
  Speaker 4: and one of my things was I was like, I'm
• 39:13
  Speaker 4: gonna listen to all this this weekend. Man, it was
• 39:15
  Speaker 4: so much Justin, Justin Bieber, Give On, Dropped Clips, Jack Boy,
• 39:22
  Speaker 4: Don't sleep on Blue, My man, b e l you
• 39:24
  Speaker 4: what's his name?
• 39:25
  Speaker 3: Young Blue?
• 39:26
  Speaker 1: Young Blue? Do not sleep on Young Blue? Young Blue
• 39:30
  Speaker 1: is Cold and listen.
• 39:31
  Speaker 4: I listened to the first two songs that mother came in,
• 39:34
  Speaker 4: Good It, Blue, Ski, Get It and Mug was riding.
• 39:37
  Speaker 4: From the first two songs, I was like, oh, but
• 39:40
  Speaker 4: I couldn't even I couldn't get past I couldn't get
• 39:45
  Speaker 4: past clips. All I listened to was good Clips and
• 39:50
  Speaker 4: give You On. I kept going back to Clips. I
• 39:51
  Speaker 4: couldn't get through it, I said, it kept going back
• 39:55
  Speaker 4: to the clips. At the clip, Justin Bieber disappointed me.
• 39:59
  Speaker 4: I didn't listen to j has to be Kiki from
• 40:01
  Speaker 4: from a pop standpoint, what's Up Chicago?
• 40:06
  Speaker 1: He had Key from Kiss one, three five right here,
• 40:09
  Speaker 1: Justin Biber.
• 40:10
  Speaker 3: Album Key on Kiss check me out every Sunday now
• 40:12
  Speaker 3: from two to six. What did you say? Yeah, I'm
• 40:19
  Speaker 3: about seven days a week around this month, every day.
• 40:22
  Speaker 3: I don't never shut up. But what was the question?
• 40:25
  Speaker 1: Just a yeah, okay.
• 40:26
  Speaker 5: I started off listening to it and I was like,
• 40:28
  Speaker 5: this is okay. I kind of like it, but I
• 40:32
  Speaker 5: didn't get all the way through it because he started
• 40:34
  Speaker 5: doing a little weird stuff I feel like in the
• 40:36
  Speaker 5: middle of the album, and I was like, Justin, I
• 40:37
  Speaker 5: don't like you enough to sit through your weird stuff,
• 40:40
  Speaker 5: so I had to let it go. But it's one
• 40:42
  Speaker 5: song on there that he sounds exactly like Sizza, to
• 40:46
  Speaker 5: the point where I thought it was a siss a
• 40:48
  Speaker 5: feature on the album. I was talking to Kaitlin and
• 40:51
  Speaker 5: she said, no, that's him. He just tuned his voice
• 40:54
  Speaker 5: to sound like Sissa, And if that's the case, I
• 40:58
  Speaker 5: got a big problem with that.
• 41:00
  Speaker 1: Helped him write it because I think they were hanging out.
• 41:02
  Speaker 3: Been hanging out, so that that's what made me.
• 41:03
  Speaker 2: I think I think I think she wrote, I think
• 41:05
  Speaker 2: she wrote. I think she helped right there the record
• 41:08
  Speaker 2: that he sounded like that, I will say.
• 41:09
  Speaker 1: She helped me.
• 41:10
  Speaker 3: Don't drop a record sounding like me.
• 41:11
  Speaker 1: But that's that's real.
• 41:12
  Speaker 3: That's weird.
• 41:13
  Speaker 1: Unless she got he must have got her blessing.
• 41:14
  Speaker 3: I hope. So I'm gonna find out and I report
• 41:16
  Speaker 3: back because if not, I'm on his ass.
• 41:19
  Speaker 4: All I heard was his clip was this sexy red
• 41:21
  Speaker 4: verse and I was like, not with just everybody mad
• 41:22
  Speaker 4: about that.
• 41:23
  Speaker 1: I said that sounded everybody was horrible. I don't know
• 41:28
  Speaker 1: how he went.
• 41:29
  Speaker 2: I mean, I got it he was trying to go
• 41:31
  Speaker 2: a little bit more poppy than he was the last album.
• 41:34
  Speaker 2: But that that that last album he had trash scot
• 41:37
  Speaker 2: on there.
• 41:37
  Speaker 1: It was. That was a good album. Album. That was
• 41:39
  Speaker 1: a great album. I gotta listen to it though. It's
• 41:41
  Speaker 1: a great album. What was What's the other one that
• 41:44
  Speaker 1: I wanted to say? What?
• 41:46
  Speaker 3: Another album was justin Bieber?
• 41:48
  Speaker 2: Uh No, yeah, that's what it was. Jack Boys, twenty
• 41:54
  Speaker 2: one Savages Verse. Everybody on the internet was dog and
• 41:58
  Speaker 2: twenty one Savage over that.
• 41:59
  Speaker 5: I told you he always somewhere he don't need to
• 42:01
  Speaker 5: be what the twenty one Savage always pop up somewhere
• 42:05
  Speaker 5: that nobody invited.
• 42:06
  Speaker 3: Don't you do not need to be here?
• 42:08
  Speaker 1: Why?
• 42:08
  Speaker 5: He? And I love him on his own stuff, but
• 42:10
  Speaker 5: he always on somebody else on that He ain't got
• 42:12
  Speaker 5: no business being there.
• 42:13
  Speaker 3: It's like the song be good?
• 42:15
  Speaker 1: What was the one he just then?
• 42:18
  Speaker 3: It was like, what the how did you get here?
• 42:23
  Speaker 3: Who turned your mic on? On this record?
• 42:25
  Speaker 1: So?
• 42:25
  Speaker 5: Yeah, I love that though he's not. Yeah, I ain't
• 42:28
  Speaker 5: even heard what you're talking about. I just know he
• 42:30
  Speaker 5: probably wasn't supposed to be there?
• 42:31
  Speaker 1: Is it? Travis Scott album? Didn' he dropped Travis Scott
• 42:33
  Speaker 1: on track? Yeah? I heard Travis took a shot at
• 42:36
  Speaker 1: Push It too. He needs to stop barking up that tree.
• 42:38
  Speaker 3: Travis dropped an album an album.
• 42:40
  Speaker 1: Yes, on Sunday. I haven't even that was calculated.
• 42:44
  Speaker 5: Yeah, I think he did that because the Clips album.
• 42:46
  Speaker 5: Who drops an album on Sunday? Absolutely it was I
• 42:49
  Speaker 5: don't even know you could do that.
• 42:50
  Speaker 4: He dropped it on Sunday. He dropped the album. I
• 42:53
  Speaker 4: think it was jack Boys Too was coming out anyway.
• 42:55
  Speaker 3: See they trying to go up against the clips. That's
• 42:57
  Speaker 3: why Justin. This is what I heard this songk okay,
• 42:59
  Speaker 3: what's going on?
• 43:00
  Speaker 5: I heard that that that Justin dropped his album on
• 43:03
  Speaker 5: purpose surprise to go after the clips. Everybody knew the
• 43:07
  Speaker 5: clips was coming, so they started trying to drop albums
• 43:10
  Speaker 5: to suppress the clips being able to populate the charts.
• 43:14
  Speaker 1: That's what I heard, number one.
• 43:16
  Speaker 4: Let me tell something, the cream gonna rise to the top,
• 43:18
  Speaker 4: and I don't care what the charts. That's nothing because
• 43:20
  Speaker 4: that can be manipulated. But it's no better album. It's
• 43:23
  Speaker 4: not a better body of music that has come out
• 43:26
  Speaker 4: in a long time. And that clips out from beats
• 43:28
  Speaker 4: to lyricists.
• 43:29
  Speaker 1: That's a fact. I don't know what got into Pharaal again.
• 43:32
  Speaker 4: He put that sewing pinning down, his sewing machine down,
• 43:35
  Speaker 4: picked up his beat machine and went crazy.
• 43:38
  Speaker 5: That's the deadliest combination. A great producer and a great
• 43:42
  Speaker 5: lyrics That is a scary combination.
• 43:46
  Speaker 1: You know it's good because they hooks ain't even all
• 43:48
  Speaker 1: that good.
• 43:48
  Speaker 3: No, you don't need them.
• 43:51
  Speaker 1: I just be waiting. I'll be trying to calculate, waiting
• 43:53
  Speaker 1: on the next verse while the hook going.
• 43:54
  Speaker 3: I still thinking about what.
• 44:00
  Speaker 1: The hook is there for you to just pace like,
• 44:04
  Speaker 1: I just need hold. I'm mad this, so so let
• 44:06
  Speaker 1: me like because I'm about to start listening hard again.
• 44:08
  Speaker 2: That's the that is the key to it again. The
• 44:12
  Speaker 2: person been man, I've been around for a long time.
• 44:15
  Speaker 2: When you get a rap album that you really like,
• 44:18
  Speaker 2: every time he's saying something, you really you trying to
• 44:21
  Speaker 2: dissect everything.
• 44:22
  Speaker 1: What do you mean by that? Ohays, I gotta go
• 44:24
  Speaker 1: back and listen to it.
• 44:25
  Speaker 2: It's just in the way it said the delivery to
• 44:27
  Speaker 2: be as classical any time all three of us I
• 44:30
  Speaker 2: own the same project and say it's good.
• 44:33
  Speaker 1: Y'all know it's good to show for shore. Let's get
• 44:35
  Speaker 1: to this man.
• 44:35
  Speaker 2: Shannon Sharp sexual assault ecuser fails to appear in court
• 44:39
  Speaker 2: as the judge delays the case forty five days. My
• 44:44
  Speaker 2: thought was that she been got that bag of money,
• 44:47
  Speaker 2: that money gone that court case. Finn disappeared. My Michelle,
• 44:54
  Speaker 2: My Michelle is gone. This ain't gonna say, oh, that's
• 44:58
  Speaker 2: what happened. That's why the lawyer didn show.
• 45:00
  Speaker 1: Allegedly allegedly, allegedly, yeah, allegedly.
• 45:03
  Speaker 5: Legend yeah, don't tell us nothing else. As long as Shannon,
• 45:08
  Speaker 5: don't tell us nothing else, because he told us all
• 45:10
  Speaker 5: of this. Nobody asked.
• 45:12
  Speaker 3: He told us all that.
• 45:13
  Speaker 4: It is a brutal video that's gonna There is a
• 45:15
  Speaker 4: video that's gonna come out where I am being really
• 45:17
  Speaker 4: nasty for only like ten seconds.
• 45:20
  Speaker 1: But you should see the whole video because you should
• 45:22
  Speaker 1: see that she only.
• 45:23
  Speaker 3: Got text, I mean messages and on my text. We
• 45:26
  Speaker 3: didn't ask me any of that. So as long as
• 45:28
  Speaker 3: Shannon don't say nothing else, he will get past this.
• 45:31
  Speaker 2: We will forget now. He just has to just be cool.
• 45:36
  Speaker 2: I don't think he's ever gonna be on ESPN again
• 45:39
  Speaker 2: now that's over. I don't people be on ESPN. I
• 45:43
  Speaker 2: think he'll get I think he'll I think he'll go
• 45:45
  Speaker 2: back to Fox. I think he'll go back to Fox
• 45:48
  Speaker 2: before he ends up on ESPN. I think he'll go
• 45:52
  Speaker 2: to NFL Network before he ends up on ESPN. He's
• 45:56
  Speaker 2: never going back to ESPN.
• 45:57
  Speaker 1: I get them a little two days back though, no
• 46:00
  Speaker 1: first take.
• 46:02
  Speaker 2: I don't think so on ESPN before for him, before him,
• 46:06
  Speaker 2: I just don't you had two. That's that's just if
• 46:09
  Speaker 2: this was the first one, maybe you had two. You
• 46:12
  Speaker 2: were so popular. People rock with you so much that
• 46:14
  Speaker 2: you were able to get away with uh you accidentally
• 46:18
  Speaker 2: going live, which again I don't believe that. It's no
• 46:20
  Speaker 2: way you can accidentally go live. Can It's a lot
• 46:23
  Speaker 2: to go live. It's a lot. It's a lot.
• 46:26
  Speaker 1: But anyway, let's get to this. Oh, Coco Jones, your girl,
• 46:31
  Speaker 1: he got engaged to Donovan Mitchell.
• 46:33
  Speaker 3: Yes, Coco, I love me some Cocoa. I'm so happy
• 46:36
  Speaker 3: for her.
• 46:37
  Speaker 1: Now how long they was day?
• 46:38
  Speaker 5: They've been on a loaf for a while, which is
• 46:40
  Speaker 5: how you really should do it. You you don't say nothing,
• 46:43
  Speaker 5: you just pop out. Because had she told us months
• 46:46
  Speaker 5: ago that they were dating and confirmed it, every chick
• 46:49
  Speaker 5: in his town would have been in her DM. Now
• 46:51
  Speaker 5: young man, she kept it on the low. She popped
• 46:54
  Speaker 5: out with a ring. I love this for Coco shout
• 46:56
  Speaker 5: out to see Aaron Russell because I heard that they're
• 46:58
  Speaker 5: the ones looking everybody up.
• 47:00
  Speaker 1: And I like that. I was that one. I was wondering.
• 47:04
  Speaker 2: I mean, I was wondering how the Coco and Donovan
• 47:07
  Speaker 2: Mitchell get it. Donovan Mitchell to seem like he just
• 47:08
  Speaker 2: hoop a lot, and he don't.
• 47:10
  Speaker 1: Never Russ said, he put to help them with the engagement. Yes,
• 47:13
  Speaker 1: oh he did. Yeah, shout out Russ.
• 47:15
  Speaker 5: That's what I'm talking about, your man, And that's how
• 47:18
  Speaker 5: people should do. Friends need to do this more often. Well,
• 47:20
  Speaker 5: actually it can get sticky.
• 47:22
  Speaker 4: So I don't think I think that this can only
• 47:24
  Speaker 4: be done by Russe and Sierra. I don't think that
• 47:26
  Speaker 4: people should jump into this business. I don't know, you
• 47:29
  Speaker 4: should go to the minor business era because right now
• 47:32
  Speaker 4: they won for one. Okay, it was the first one
• 47:34
  Speaker 4: they put together didn't work.
• 47:35
  Speaker 5: Yeah, what happened? I gotta look at it was the
• 47:37
  Speaker 5: first one Normiani and her Man her Man, that.
• 47:41
  Speaker 4: One didn't work out, but then this one did. So
• 47:44
  Speaker 4: I think they just need to keep their record clean,
• 47:47
  Speaker 4: you know what I'm saying, Like walk away five hundred,
• 47:49
  Speaker 4: walk away five hundred one, and want to get out,
• 47:51
  Speaker 4: to get out the people up gag because then eventually
• 47:53
  Speaker 4: people gonna start getting mad at y'all.
• 47:55
  Speaker 3: But that's how you know.
• 47:55
  Speaker 5: You a girls girl like Sierra. She she looking around
• 47:58
  Speaker 5: like my life, So lit bro, I want this for
• 48:01
  Speaker 5: my girls.
• 48:02
  Speaker 3: You know what I'm saying.
• 48:03
  Speaker 1: Let me put y'all on and you'll never have to
• 48:05
  Speaker 1: sing again.
• 48:07
  Speaker 5: You put out an album when you want to see
• 48:09
  Speaker 5: Era very much. How whole demeanor is. I work when
• 48:12
  Speaker 5: I want to and how I want to. You know
• 48:13
  Speaker 5: what she told Zak and that she owns her own label.
• 48:17
  Speaker 5: She puts out the record, she wants to put it out.
• 48:19
  Speaker 5: She tours when she wants to.
• 48:21
  Speaker 3: She wants this for her friends. That's a real home girl.
• 48:24
  Speaker 1: That's real.
• 48:24
  Speaker 3: So I love seeing her put these people together.
• 48:26
  Speaker 1: That's real. That's real.
• 48:29
  Speaker 2: I ain't man, you ain't mad. Coco and then Coco Jones.
• 48:32
  Speaker 2: And she comes from an athlete because she saw all
• 48:34
  Speaker 2: the time she was talking. I remember we interviewed her,
• 48:36
  Speaker 2: she was saying to her, I think her dad played football. Oh,
• 48:39
  Speaker 2: I think her dad played football. So she understands athletes.
• 48:42
  Speaker 2: She understands athletics. And it just when you around her,
• 48:46
  Speaker 2: this one looks when you see it, you're like.
• 48:49
  Speaker 1: Oh, this was gonna be good. I think this was
• 48:50
  Speaker 1: gonna I think this was gonna make it.
• 48:52
  Speaker 4: I'm mad to see her. I should have said this
• 48:54
  Speaker 4: in the interview because she she she led us astray.
• 48:59
  Speaker 4: What remember the song when she first came out, she
• 49:01
  Speaker 4: had that song, and I, yes, you remember how did
• 49:04
  Speaker 4: that song start off? And you know how this the
• 49:07
  Speaker 4: first verse said, I don't need me a basketball player.
• 49:10
  Speaker 4: All I need is somebody is down for me, and
• 49:14
  Speaker 4: the next verse was, and he ain't guy to have money.
• 49:18
  Speaker 1: You're lie, she lied, She lied, She went and got
• 49:21
  Speaker 1: her football player that got money.
• 49:24
  Speaker 2: So don't listen to the song here she told that song,
• 49:28
  Speaker 2: he said, Sierra Sierra saying that, and that was a
• 49:32
  Speaker 2: good song.
• 49:33
  Speaker 1: Was a song?
• 49:34
  Speaker 5: Sleep on how many hits Sierra actually has? Sierra has
• 49:36
  Speaker 5: a wonderful catalog, and she's still putting out great songs.
• 49:40
  Speaker 1: I love that song?
• 49:42
  Speaker 3: What ton what? Please don't make me pull up the charts.
• 49:45
  Speaker 1: Now if you now you can't sit up here and
• 49:47
  Speaker 1: defend yellow ball. And then she hits like, this.
• 49:51
  Speaker 3: Is what I'm talking about? He just be choosing violence
• 49:53
  Speaker 3: because what.
• 50:02
  Speaker 1: Talking about?
• 50:03
  Speaker 2: God?
• 50:05
  Speaker 5: What?
• 50:06
  Speaker 2: Seerra is an amazing artist. See Era is bowling green.
• 50:11
  Speaker 2: She's not Ohio State. You mean you are you kidding me?
• 50:16
  Speaker 2: You are telling me seer You acting like see error.
• 50:20
  Speaker 1: Is Mary J.
• 50:21
  Speaker 2: Blass?
• 50:22
  Speaker 1: See erras not even a shatiase, It's not she is not.
• 50:29
  Speaker 1: I can't They is solid. You're so solid.
• 50:33
  Speaker 5: Your area is solid inlid who've been playing records since forever?
• 50:39
  Speaker 5: You are to be ashamed of yourself. What do you
• 50:42
  Speaker 5: mean should go down the list? Please let me when
• 50:46
  Speaker 5: you ain't, please pull up. I don't Mary J, Mary J,
• 50:50
  Speaker 5: Mary J.
• 50:50
  Speaker 2: Okay, we can take a shot out. Look, Mary Mary
• 50:53
  Speaker 2: J is a maid. That's when we talk about female.
• 50:56
  Speaker 2: I'm saying she's got a great, a decent catalog. It
• 50:59
  Speaker 2: ain't like that though she got about five. Okay, let's go,
• 51:05
  Speaker 2: let's do okay, let's do it. Her biggest record, she don't.
• 51:08
  Speaker 3: Even she how come she don't.
• 51:11
  Speaker 2: She don't performing with she don't performing with the dude,
• 51:13
  Speaker 2: the dude that gave her biggest record. I don't got
• 51:16
  Speaker 2: nothing to do with Fay Jazzy Faye, Jazzy fad that
• 51:21
  Speaker 2: the record she did, honestly like you, dude, the record.
• 51:25
  Speaker 2: Two records that she did she came out with with
• 51:27
  Speaker 2: Jazzy Fay had his hand on her. Are her biggest records.
• 51:30
  Speaker 2: And then and then and then and then you had
• 51:33
  Speaker 2: the record with Bow. I got three, I got three, Okay,
• 51:37
  Speaker 2: that's on.
• 51:38
  Speaker 1: I got three.
• 51:38
  Speaker 5: I want to see and I'm not saying her artists
• 51:41
  Speaker 5: level up? Okay one two step one step goodies, Oh like.
• 51:47
  Speaker 2: A boy, Okay, I bet okay, I bet hold on,
• 51:51
  Speaker 2: I bet i bet I bet I bet I bet.
• 51:54
  Speaker 3: You start loving me, start having someone else, somebody come
• 52:01
  Speaker 3: on record record.
• 52:04
  Speaker 1: That's why on for the record. Who gave her? I
• 52:06
  Speaker 1: bet you know who wrote? I bet future? I bet goodies?
• 52:12
  Speaker 1: Parties level up.
• 52:14
  Speaker 3: I can't leave them alone with.
• 52:17
  Speaker 2: This.
• 52:18
  Speaker 1: Okay, right, get up?
• 52:20
  Speaker 3: Okay here, thank you?
• 52:25
  Speaker 1: All right, Jesus Christ. A couple of what are you doing?
• 52:30
  Speaker 1: You got? I said it was right.
• 52:34
  Speaker 3: It's a good record. Though off inlight a candle.
• 52:38
  Speaker 1: Dock alright, my bad apodost.
• 52:41
  Speaker 3: Every time Sierra drop a hit record, she dropped a
• 52:44
  Speaker 3: dance move to go with it. That never leaves.
• 52:46
  Speaker 5: You can visually put most of her records with a
• 52:49
  Speaker 5: dance move. You know when she was with Lula, she
• 52:51
  Speaker 5: was climbing up the car. You know what she was saying, goodies,
• 52:53
  Speaker 5: she was popping in.
• 52:55
  Speaker 1: How many times I have to say you're right, like
• 52:57
  Speaker 1: a boy.
• 52:57
  Speaker 5: She's gonna bet her back all the way? How many
• 52:59
  Speaker 5: times I got to say you right, I can't believe
• 53:01
  Speaker 5: you did that. You're gonna bring a shot.
• 53:03
  Speaker 3: I love a shanty.
• 53:04
  Speaker 1: Okay, you tried it, bro Wait a minute, you tried that.
• 53:07
  Speaker 3: I think you had them.
• 53:08
  Speaker 4: I listen, calm down, down, stop, stop.
• 53:15
  Speaker 1: Let me put back.
• 53:18
  Speaker 2: She can foolish right with you? Happy only you baby,
• 53:22
  Speaker 2: rain on Me up? The Sierra got a song bigger
• 53:25
  Speaker 2: than rain on Me. Yeah, Goodies is bigger than rain
• 53:31
  Speaker 2: on Me?
• 53:32
  Speaker 1: You think so? Yes?
• 53:33
  Speaker 5: One two steps good good because I love a shanty.
• 53:37
  Speaker 5: I'm not trying to you know what this This is
• 53:40
  Speaker 5: not a versus battle because it ain't. It ain't gonna
• 53:42
  Speaker 5: go in your favor or hers. Okay, then when it
• 53:45
  Speaker 5: comes to Sierra, I'm sorry.
• 53:46
  Speaker 3: That's what That's what I meant.
• 53:47
  Speaker 5: That's why I'm glad we having this conversation because people
• 53:49
  Speaker 5: will really sleep on CERR because she's popping in so
• 53:51
  Speaker 5: many other areas and she's so fine and living this
• 53:54
  Speaker 5: beautiful life. We forget the catalog this girl I did
• 53:57
  Speaker 5: and she's still putting out great songs, which.
• 53:59
  Speaker 1: Is right, you got me. I'm sorry, Sierra, you.
• 54:03
  Speaker 5: Need to apologize to a shot because she didn't get
• 54:05
  Speaker 5: her shot up and she didn't even ask to be here.
• 54:07
  Speaker 1: I don't need to apologize.
• 54:08
  Speaker 3: Nobody say you didn't write a shot.
• 54:10
  Speaker 5: He in here like she's twenty one savage and she
• 54:13
  Speaker 5: didn't ask me that, because now you want to put
• 54:15
  Speaker 5: them catalogs against each other.
• 54:16
  Speaker 3: You got to call y'all rule.
• 54:18
  Speaker 1: For the for that other whatever. But I said you
• 54:21
  Speaker 1: were just saying I felt like the way you said it,
• 54:24
  Speaker 1: I didn't feel like it.
• 54:27
  Speaker 2: Sierra on the Rount Rushmore of Women's R and B Hippop.
• 54:31
  Speaker 2: I mean read Women's rnbe.
• 54:32
  Speaker 3: Don't rereadund Rushmore?
• 54:34
  Speaker 2: Is she on it?
• 54:35
  Speaker 3: I take my male rush More very serious.
• 54:38
  Speaker 1: Who's on it?
• 54:39
  Speaker 3: Who's on it? A great female artist?
• 54:41
  Speaker 1: Yes?
• 54:41
  Speaker 3: Beyonce?
• 54:42
  Speaker 1: Yeah, okay, Mary J.
• 54:43
  Speaker 3: Blige okay, Whitney Houston?
• 54:46
  Speaker 1: Okay?
• 54:49
  Speaker 3: Who would I get at four spot too? It had
• 54:50
  Speaker 3: to be somebody older.
• 54:52
  Speaker 1: Let me know when y'all done with this.
• 54:53
  Speaker 2: What did she even got me? Is she in the
• 54:56
  Speaker 2: top eight of your first and she is Sierra in
• 54:59
  Speaker 2: top eight to moving go post. But you don't fall
• 55:04
  Speaker 2: for this because but she qualified it up for what
• 55:08
  Speaker 2: you were saying. You you were down playing here like
• 55:10
  Speaker 2: she didn't have the hits.
• 55:11
  Speaker 4: Okay, that and now you're trying to put it in
• 55:13
  Speaker 4: a whole different greatness of all time conversations we weren't
• 55:16
  Speaker 4: even having.
• 55:18
  Speaker 3: Exactly at the top.
• 55:23
  Speaker 2: I'm sorry I was off I'm off a gummy.
• 55:27
  Speaker 1: Yeah, whatever you need, I'm high. Listen to me. I'm a.
• 55:38
  Speaker 2: Lastly, which I think is a cool thing because I think,
• 55:41
  Speaker 2: what's what's the generation that my daughter is. I forget
• 55:44
  Speaker 2: that general Z gen Z that's them, Okay, yeah, because
• 55:48
  Speaker 2: I don't think gen Z really into gambling and into
• 55:50
  Speaker 2: like cards like spades and games and stuff like that.
• 55:54
  Speaker 2: But they are into uno us being at as a
• 55:57
  Speaker 2: table game to casinos and Las Vegas.
• 56:00
  Speaker 1: Is that a big deal?
• 56:04
  Speaker 4: Ryan Righter, You're gonna be on the uno. I am
• 56:09
  Speaker 4: going to be on the THEO. I just feel like
• 56:12
  Speaker 4: the can it can go one of two ways. Like,
• 56:15
  Speaker 4: first of all, it's too many negro rules that ain't
• 56:19
  Speaker 4: doing no skip, So it's gotta be to me. You
• 56:23
  Speaker 4: can't get that, you can't stack. It's gonna be a
• 56:25
  Speaker 4: lot okay, So they have to get clear casino no rules.
• 56:29
  Speaker 1: That's the first thing. I can't wait.
• 56:30
  Speaker 4: Then you must keep all sharp objects in metal because
• 56:33
  Speaker 4: because Nigga's putting a draw for on somebody who about
• 56:36
  Speaker 4: to win, it's almost calling somebody out they name is
• 56:39
  Speaker 4: smacking them and spitting on so that could start a fight.
• 56:43
  Speaker 5: A draw for it is about a win and you
• 56:45
  Speaker 5: got some real money on the table, want to do?
• 56:47
  Speaker 5: Hit you with a drop for and you mad with
• 56:49
  Speaker 5: some real money. People get mad when they just got
• 56:51
  Speaker 5: their pride on the table. So imagine what it is
• 56:54
  Speaker 5: with real money.
• 56:55
  Speaker 1: I can't wait.
• 56:56
  Speaker 4: And then what I'm really worried about. What I'm just
• 56:58
  Speaker 4: wondering is how did Uno skip the ack and order?
• 57:01
  Speaker 4: How did Uno skip spades?
• 57:04
  Speaker 1: I think because I don't know, it doesn't make sense.
• 57:06
  Speaker 1: It didn't make sense. Doesn't spades should be next?
• 57:09
  Speaker 3: Because you know it's commercial commercialized.
• 57:12
  Speaker 1: Thank you.
• 57:12
  Speaker 5: Space is not Space is a black We keep the
• 57:16
  Speaker 5: hell out of spade, we do, Okay, I just learned
• 57:18
  Speaker 5: at my big game, try to play space because everybody
• 57:21
  Speaker 5: in my family and life gate keep that from you.
• 57:24
  Speaker 5: All black people do is say you know how to
• 57:26
  Speaker 5: play spades, and then when you say.
• 57:28
  Speaker 3: No, oh my god, you don't know.
• 57:35
  Speaker 1: Where are you from you?
• 57:39
  Speaker 3: That's what we each other.
• 57:40
  Speaker 4: We shame each other. That's why you're supposed to go learn.
• 57:43
  Speaker 4: Oh yeah, I mean the way you learn you don't
• 57:45
  Speaker 4: have kiki. You sit at the table like we all learned.
• 57:47
  Speaker 4: You sit in there and watch and then you realize boom,
• 57:51
  Speaker 4: boom boom that they boom. Once you look at it,
• 57:54
  Speaker 4: the simplest simple it's a very simple game. Once you
• 57:57
  Speaker 4: look at it, and then you ask some questions and
• 57:58
  Speaker 4: then you have to go out there. See, most people
• 58:00
  Speaker 4: are scared to tell that first spade lie. To get
• 58:02
  Speaker 4: on the space table, you have to do that initial lie,
• 58:05
  Speaker 4: which is you know how to play space, but you
• 58:08
  Speaker 4: ain't never playing. You know, all you did was watch
• 58:10
  Speaker 4: it a few times. But that can get you, and
• 58:12
  Speaker 4: then you get there. The first time you renig or
• 58:15
  Speaker 4: do something you know you ain't supposed to do, you're
• 58:17
  Speaker 4: gonna get cussed out and then you're gonna get kicked out.
• 58:20
  Speaker 4: But then but next time you come, you've got that
• 58:22
  Speaker 4: experience and now you know how to play it.
• 58:24
  Speaker 1: Right, Yes, you get it, but you gotta lie first
• 58:29
  Speaker 1: or you ain't getting on the table. I ain't never No,
• 58:32
  Speaker 1: I don't let me show you. I've never heard nobody.
• 58:34
  Speaker 1: Nobody wants to teach anybody how to play.
• 58:37
  Speaker 3: Like, why do we do that to each other?
• 58:39
  Speaker 1: It's a it's a it's such a black game. We
• 58:42
  Speaker 1: treat each other so bad. Teach me. Why do we
• 58:45
  Speaker 1: talk to each other like that?
• 58:46
  Speaker 3: Yeah, Like it's really trauma. It's black people trauma.
• 58:50
  Speaker 5: If you don't know how to place Yes, I told
• 58:55
  Speaker 5: you ain't know what you was doing. Don't talk'st the table.
• 59:01
  Speaker 5: You re need dollars.
• 59:02
  Speaker 3: I was so confused for so long.
• 59:05
  Speaker 2: Hilarious, hilarious. Who know it's gonna be one. I have
• 59:08
  Speaker 2: to play casino. I have to play in the Caino.
• 59:11
  Speaker 1: I have to.
• 59:11
  Speaker 3: It just don't sound cool though, Like, man, I got it.
• 59:14
  Speaker 3: I got a thousand dollars. What you was playing?
• 59:17
  Speaker 1: You know, y'all move fast?
• 59:18
  Speaker 3: How you lose a thousand dollars?
• 59:21
  Speaker 1: But what if you win?
• 59:22
  Speaker 3: Know even if you came, I want a thousand dollars?
• 59:26
  Speaker 1: What you was playing? You know what a game? It
• 59:30
  Speaker 1: sounds so weak, y'allad on everything that I like.
• 59:35
  Speaker 3: Y'all hand table, like what you're going to the table?
• 59:39
  Speaker 1: Get a red juice to I'm going to y'all haters.
• 59:44
  Speaker 3: They gonna put that table on the kids side of
• 59:46
  Speaker 3: the See y'all are haters.
• 59:48
  Speaker 1: Get your nine alcoholic people that don't gamble.
• 59:52
  Speaker 2: Don't you don't gamble, exact, don't gam If I'm a gamble,
• 59:56
  Speaker 2: I'm a gambler.
• 59:57
  Speaker 1: I ain't gonna play no pay.
• 59:59
  Speaker 5: I'm playing like the real criminals with them dominos exactly
• 1:00:06
  Speaker 5: get you gotta drink and to play that smoke square
• 1:00:12
  Speaker 5: and black. Well she left, she had black and Miles Yes,
• 1:00:16
  Speaker 5: left coming there.
• 1:00:19
  Speaker 1: Smoking the black and the black to stop them because
• 1:00:27
  Speaker 1: they get going at tangent Uh. Final thoughts already, Yes,
• 1:00:32
  Speaker 1: put nothing else on that list. We ain't got tired
• 1:00:36
  Speaker 1: for it. How do we go off on the tent?
• 1:00:38
  Speaker 1: It took so long? Push your tea, damn your t
• 1:00:41
  Speaker 1: that damn clips album did it?
• 1:00:42
  Speaker 3: That's crazy?
• 1:00:43
  Speaker 1: It's really nothing else. I mean it's a Jonathan majors.
• 1:00:47
  Speaker 5: Uh.
• 1:00:48
  Speaker 1: Also it's nothing else.
• 1:00:52
  Speaker 3: It's so funny.
• 1:00:53
  Speaker 5: I'll never be ready to go unless I got an
• 1:00:54
  Speaker 5: eyelash appointment. But so final thoughts. Shout out to the
• 1:00:58
  Speaker 5: potam love y'all, long long, long time. That's my final thought,
• 1:01:05
  Speaker 5: y'all the realist, the biggest.
• 1:01:08
  Speaker 1: The largest step. Shout out to Pie family. Man. We're
• 1:01:12
  Speaker 1: gonna keep going, man, We're gonna keep doing this thing.
• 1:01:15
  Speaker 3: Let me say something. I save it.
• 1:01:21
  Speaker 1: Don't be scared scared now you just say.
• 1:01:24
  Speaker 3: I'm gonna save it?
• 1:01:26
  Speaker 1: Are you okay? I don't know what's going on with
• 1:01:29
  Speaker 1: Kiki but we're gonna get us some help in some water.
• 1:01:33
  Speaker 4: Ever since, she said, to Sierra's tone, said se Erra
• 1:01:36
  Speaker 4: wasn't one of them, been one.
• 1:01:39
  Speaker 5: That's how you get what you think you got a
• 1:01:40
  Speaker 5: famous friend. Now I understand why I told we going
• 1:01:43
  Speaker 5: to have a d d G, because you know, yeah,
• 1:01:46
  Speaker 5: my girl. Can't nobody say nothing to be a Bessie ever,
• 1:01:48
  Speaker 5: nothing matter, one time.
• 1:01:50
  Speaker 1: One time, great conversation. Don't play with with you with
• 1:01:57
  Speaker 1: her name.
• 1:01:57
  Speaker 3: Don't play word.
• 1:01:59
  Speaker 1: Why did you like? She ain't got nowhere? Let me
• 1:02:01
  Speaker 1: get this. I ain't never somebody type C. I A
• 1:02:04
  Speaker 1: all right passing it up? She was, She handed up,
• 1:02:07
  Speaker 1: she said, give me let me tell you the hits
• 1:02:09
  Speaker 1: my good and she got damn steps and stay in
• 1:02:13
  Speaker 1: your head, stay in your head, in your head period.
• 1:02:17
  Speaker 1: Don't ever get mad at me about DDG.
• 1:02:20
  Speaker 3: I know because I get it.
• 1:02:23
  Speaker 1: All right.
• 1:02:23
  Speaker 2: Y'all man, we're gonna wrap this thing up. That do
• 1:02:25
  Speaker 2: it for episode two forty like we say, you know
• 1:02:28
  Speaker 2: it is? What more can we say?
• 1:02:30
  Speaker 3: More can