Latest / Large Nerdron Collider / LNC Says "Welcome To Derry Girls"

Transcript

LNC Says "Welcome To Derry Girls" · Large Nerdron Collider

• 0:10
  Speaker 1: Hey, everybody, Welcome to the Large Nerd on Collider, the
• 0:13
  Speaker 1: podcast that's all about the geeky things happening in the
• 0:15
  Speaker 1: world around us and how very excited we are about them.
• 0:18
  Speaker 1: I'm Ariel Castin and with me as always his the
• 0:21
  Speaker 1: phenomenal Jonathan Strickland.
• 0:23
  Speaker 2: And intro so nice. We did it thrice?
• 0:27
  Speaker 1: Was it only three times? It felt like a hundred. No.
• 0:31
  Speaker 2: One of those was Ariel's fault and the other two
• 0:34
  Speaker 2: were mine.
• 0:35
  Speaker 1: So fault or genius. Yeah, I had this quirky idea
• 0:39
  Speaker 1: that I was gonna do like an ASMR intro. But
• 0:43
  Speaker 1: Jonathan and I are both fighting off a little bit
• 0:45
  Speaker 1: of a cough. Mine is like a lingering thing, and
• 0:48
  Speaker 1: I think Jonathan's is an oncoming thing. Yes, So I
• 0:50
  Speaker 1: couldn't get more than like five seconds in before I'm like,
• 0:53
  Speaker 1: I'm gonna cough. Nope, I'm gonna.
• 0:54
  Speaker 2: Laugh, gotcha? Yeah? Yeah? Well. And also I mentioned to
• 0:59
  Speaker 2: Ariel in the wake of that that attempt that if
• 1:05
  Speaker 2: she were to do asm R, I would probably fall
• 1:08
  Speaker 2: asleep because I'm so wicked tired. I literally landed in
• 1:13
  Speaker 2: Atlanta this morning, came straight to my house and began
• 1:17
  Speaker 2: researching for this episode and it went straight into recording
• 1:22
  Speaker 2: and I am so sleepy.
• 1:24
  Speaker 1: Thank you for doing this episode. The sleepiness, I'm sure
• 1:29
  Speaker 1: we'll only add to the Zadi bonkers.
• 1:32
  Speaker 2: Yeah, there's some weird stuff we're gonna be talking about today,
• 1:35
  Speaker 2: so yeah, yeah, I'm excited actually to talk about this stuff. Also,
• 1:40
  Speaker 2: I believe correct me if I'm wrong, Ariel. Are we
• 1:43
  Speaker 2: missing next week? Is it missing?
• 1:46
  Speaker 1: Yeah? Yeah, I'm heading down to Florida for a little
• 1:50
  Speaker 1: mini vacation on Thursday, so I will be unavailable to
• 1:54
  Speaker 1: record on Friday. I will miss you all, but but
• 1:59
  Speaker 1: that's neat a a vacation for me. Everything I've done
• 2:02
  Speaker 1: this year, I've taken time off, but it's always involved
• 2:04
  Speaker 1: like doing stuff with other people or four other people,
• 2:06
  Speaker 1: and I love it, but I am so tired.
• 2:09
  Speaker 2: Yeah, now, you are well deserved to take a vacation.
• 2:13
  Speaker 2: I wanted. That's one of the reasons why I want
• 2:16
  Speaker 2: to make sure we recorded this week, so that we
• 2:17
  Speaker 2: wouldn't have to skip two weeks in a row, you know.
• 2:21
  Speaker 2: And I knew I was flying back early enough from
• 2:24
  Speaker 2: New York to be able to record. I was literally
• 2:27
  Speaker 2: just up in New York for a day. Not even
• 2:30
  Speaker 2: I don't even think I was there for a full
• 2:32
  Speaker 2: twenty four hours. No, I wasn't. I wasn't there for
• 2:35
  Speaker 2: a full twenty four hours. Flew up, landed at around
• 2:40
  Speaker 2: twelve thirty or one o'clock in the afternoon yesterday, and
• 2:43
  Speaker 2: then I left by nine so at nine am. So
• 2:47
  Speaker 2: but that was a work thing, and now I'm back
• 2:51
  Speaker 2: here to do our fun thing and one of the house.
• 2:54
  Speaker 1: It was at least fun.
• 2:56
  Speaker 2: It was fun. I was there for a launch party.
• 2:58
  Speaker 2: I met Questlove so awesome. You know. It's kind of
• 3:03
  Speaker 2: one of those things where it's just like, oh, okay,
• 3:05
  Speaker 2: that's that happened. But we like to start off these
• 3:10
  Speaker 2: episodes with a question, which we did come up with
• 3:12
  Speaker 2: about five seconds before we started recording. And in the
• 3:17
  Speaker 2: wake of all the superhero stuff we've had over the
• 3:20
  Speaker 2: last you know, fifteen twenty years, there's still some heroes
• 3:24
  Speaker 2: who stubbornly have not really made a big debut on
• 3:29
  Speaker 2: the big or small screen. So my question to you, Ariel,
• 3:32
  Speaker 2: is that are there any heroes or a particular hero
• 3:37
  Speaker 2: that you would love to see a show up in
• 3:39
  Speaker 2: either a TV series or a film.
• 3:43
  Speaker 1: Yes, the goofy answer is, Ariel, who I know that
• 3:50
  Speaker 1: is a name that Kitty Pride goes by sometimes in
• 3:52
  Speaker 1: Kitty Pride has been in movies and TV shows. This
• 3:55
  Speaker 1: is a mutant alien from a glamorous planet who can
• 4:01
  Speaker 1: create doorways and teleport through them, and she joined the
• 4:04
  Speaker 1: Fallen Angels at one point. She's super obscure and the
• 4:07
  Speaker 1: only reason is because every superhero mutant super villain I've
• 4:11
  Speaker 1: wanted to play has hit the screen so far, and
• 4:13
  Speaker 1: I'm like, well, this one has my name, so maybe
• 4:15
  Speaker 1: I could play this one. But the real answer is Jubilee.
• 4:21
  Speaker 1: She has shown up very tangentially in a movie. I
• 4:25
  Speaker 1: think I don't know has she showed Was she in
• 4:28
  Speaker 1: New Mutants? Am I forgetting that?
• 4:31
  Speaker 2: I honestly can't remember if she was in New Mutan
• 4:33
  Speaker 2: I never saw New Mutants, so everything I know by
• 4:36
  Speaker 2: New Mutants is through osmosis. I know, I know my
• 4:39
  Speaker 2: girlfriend was in it. Don't tell her she's my girlfriend.
• 4:42
  Speaker 1: Yeah, yeah, yeah. On New Tailor Joy Like, I really
• 4:46
  Speaker 1: like Jubilee, and the reason why is because she had
• 4:50
  Speaker 1: such a great character in the X Men cartoon, right,
• 4:53
  Speaker 1: and even in the New X Men cartoon, x Men
• 5:00
  Speaker 1: and any Amp, But she hasn't had that I can
• 5:04
  Speaker 1: remember like a very large role. She has shown up
• 5:07
  Speaker 1: in some stuff, but she hasn't had a very large
• 5:08
  Speaker 1: role in any TV or movies. And you can definitely
• 5:12
  Speaker 1: write in and correct me if I'm wrong, because I
• 5:14
  Speaker 1: needed to go back and rewatch stuff. So yeah, those
• 5:16
  Speaker 1: are my answers.
• 5:17
  Speaker 2: What about you squirrel Girl, Yeah, she was supposed to
• 5:21
  Speaker 2: get her own animated series but that got canceled.
• 5:24
  Speaker 1: Yeah, Malania Binchob was supposed to play her, who would
• 5:26
  Speaker 1: have been perfect for it. Yes, Actually she has done
• 5:29
  Speaker 1: some voice work for squirrel.
• 5:30
  Speaker 2: Girl, I believe so, but the series that she was
• 5:35
  Speaker 2: doing got canceled. It. They may have made a couple,
• 5:38
  Speaker 2: but the it didn't last. But I would actually like
• 5:43
  Speaker 2: to see squirrel Girl realized in live action. I don't
• 5:47
  Speaker 2: know how you can do that in a way that
• 5:49
  Speaker 2: doesn't just come across as as goofy as the character is,
• 5:53
  Speaker 2: but that's kind of part of the charm. Like you
• 5:54
  Speaker 2: could do it in Deadpool. I think you could have
• 5:56
  Speaker 2: a Deadpool movie where squirrel Girl shows up, and that
• 5:59
  Speaker 2: would be okay because Deadpool is also a very zany
• 6:03
  Speaker 2: kind of comic book franchise.
• 6:06
  Speaker 1: So I just don't want to know what he would
• 6:09
  Speaker 1: do to the West Coast Avengers.
• 6:11
  Speaker 2: Yeah, well I also want to you know what, I
• 6:14
  Speaker 2: also want to see the West Coast Avengers because they're
• 6:17
  Speaker 2: all a bunch of screw ups. Well, I want to
• 6:19
  Speaker 2: say that squirrel Girl was also I think there was
• 6:21
  Speaker 2: briefly like a Midwest branch of the Avengers, which was
• 6:27
  Speaker 2: even more jokey than the West Coast Avengers were, right,
• 6:31
  Speaker 2: and DC has sort of done this too, Like they
• 6:33
  Speaker 2: had the Justice League America, which was like their A team,
• 6:37
  Speaker 2: and then they had Justice League International, which was kind
• 6:40
  Speaker 2: of the B team. Well, Justice League International was that
• 6:44
  Speaker 2: was in the nineties, and they had characters like Booster
• 6:47
  Speaker 2: Gold and Blue Beetle and.
• 6:49
  Speaker 1: Are you talking about comics or the cartoon comics? Okay,
• 6:53
  Speaker 1: in the cartoon I think they just changed that to
• 6:55
  Speaker 1: Justice League Unlimited.
• 6:56
  Speaker 2: Yeah, that was. It was a lot of fun. That
• 6:59
  Speaker 2: title was much more had a lot more humor in it,
• 7:04
  Speaker 2: although Guy Gardner was such a jerk, which I think
• 7:06
  Speaker 2: Nathan Fillian perfectly captured in Superman and also that one
• 7:12
  Speaker 2: episode of Peacemaker. So yeah, squirrel Girl is my answer.
• 7:16
  Speaker 2: There's probably if you ask me tomorrow, I would probably
• 7:18
  Speaker 2: come up with a different answer. There's some characters I
• 7:21
  Speaker 2: would love to see adapted for the screen. They've had
• 7:25
  Speaker 2: adaptations in the past, but either I think that the
• 7:29
  Speaker 2: adaptation is dated or it's somewhat somewhat flawed. So like
• 7:34
  Speaker 2: The Shadow is an example, Like I actually kind of
• 7:38
  Speaker 2: like the Shadow movie, but it's not great. I just
• 7:41
  Speaker 2: like it because it's very stylish. Or The Phantom, which
• 7:46
  Speaker 2: I also kind of like that movie, but I think
• 7:49
  Speaker 2: it could have been better. Both of those would be
• 7:52
  Speaker 2: fun to see a new adaptation. I just don't know
• 7:54
  Speaker 2: if there's an audience for it, so there might not
• 7:56
  Speaker 2: be any Like, there might not be a business reason
• 7:59
  Speaker 2: to do it right, Like I don't think I don't
• 8:02
  Speaker 2: think they movie theaters are like what would make Jonathan happy?
• 8:06
  Speaker 2: I don't think that enters into their conversations as much
• 8:08
  Speaker 2: as it should.
• 8:10
  Speaker 1: Really, I think they're talking about it all the time.
• 8:13
  Speaker 2: Well, if they are, they're doing a real crappy job.
• 8:17
  Speaker 2: At least Marvel is.
• 8:20
  Speaker 1: Well, maybe they'll get better. They're working on it.
• 8:23
  Speaker 2: Well, what what stuff have you watched this last recording?
• 8:27
  Speaker 2: So I'll get mine out of the way. I haven't
• 8:29
  Speaker 2: seen anything. I am behind on Fallout now, so I
• 8:33
  Speaker 2: need to watch episode five, but all the travel and
• 8:38
  Speaker 2: everything kind of threw me for a loop and I
• 8:40
  Speaker 2: haven't really sat down to watch any programming. But what
• 8:43
  Speaker 2: about you?
• 8:45
  Speaker 1: So I am also behind on Fallout. I have not
• 8:47
  Speaker 1: watched episode four or five. Just bad bad timing and
• 8:53
  Speaker 1: like the level of brain you need for different shows, right, Yeah,
• 8:57
  Speaker 1: And part of it is like my serious brain is
• 9:00
  Speaker 1: all being taken up by The Pit. So I'm continuing
• 9:05
  Speaker 1: to watch The Pit. I didn't watch the episode that
• 9:07
  Speaker 1: came out last night. I tried, but it came out
• 9:09
  Speaker 1: at nine, which was too late for me to catch
• 9:10
  Speaker 1: it before I had other plans. But yeah, so I've
• 9:14
  Speaker 1: I've started season two of The Pit. Love it. Something
• 9:18
  Speaker 1: I didn't realize and I only realized through like interviews,
• 9:21
  Speaker 1: is that The Pit does not have a soundtrack, Like
• 9:23
  Speaker 1: there's no music because when you go into the er,
• 9:27
  Speaker 1: there's no music.
• 9:28
  Speaker 2: Yeah, right, so when you go into the when you
• 9:30
  Speaker 2: go into the oar, there could be music, yeah, because
• 9:34
  Speaker 2: I requested it.
• 9:35
  Speaker 1: But in the er there there's generally not music playing.
• 9:39
  Speaker 1: And you know, the show tries to be very act
• 9:42
  Speaker 1: and succeeds at being very accurate and amazing, just like
• 9:47
  Speaker 1: they're dealing with all this heavy stuff, but is such
• 9:49
  Speaker 1: a good watch, Like it never feel bad after watching it.
• 9:52
  Speaker 1: I can feel sad. There are sad moments I've cried,
• 9:55
  Speaker 1: but like, I didn't expect it to be a vengeable show,
• 9:58
  Speaker 1: and it was one hundred percent for me. I watched
• 10:00
  Speaker 1: the entire first season in less than a week.
• 10:03
  Speaker 2: That's fantastic.
• 10:04
  Speaker 1: But episode one of season two starts with a song
• 10:08
  Speaker 1: as the main character, doctor Robbie, is riding a motorcycle
• 10:12
  Speaker 1: into the hospital and it's by the Clarks, who are
• 10:15
  Speaker 1: very very popular in sell out arenas in Pittsburgh, but
• 10:19
  Speaker 1: have had very little to know radio play anywhere else.
• 10:21
  Speaker 1: Nobody else knows about them, and they're phenomenal. So I'm
• 10:24
  Speaker 1: so happy about that because I hope that they get
• 10:26
  Speaker 1: like this new nationwide resurgence because their music is so fun.
• 10:31
  Speaker 1: And I put Fallout on here, but then I didn't
• 10:35
  Speaker 1: watch it. I thought for sure I was going to
• 10:37
  Speaker 1: watch it, and then I started glad Lands, which is
• 10:40
  Speaker 1: the new dimension twenty mad Max where everybody helps each
• 10:43
  Speaker 1: other series. I love it. That's great and more important
• 10:49
  Speaker 1: than me loving it, my husband loves it, and he
• 10:51
  Speaker 1: doesn't love actual plays like they much like podcasts or
• 10:55
  Speaker 1: radio theater, the things that I love to do, they
• 10:59
  Speaker 1: put him to. But this one he was super into.
• 11:02
  Speaker 2: So that's awesome. Yeah, I gotta check that out. I
• 11:05
  Speaker 2: haven't watched any of that yet.
• 11:08
  Speaker 1: That one had never stopped blowing up like Chef's Kiss.
• 11:13
  Speaker 2: Yeah. So okay, well, hey look at that. We're not
• 11:17
  Speaker 2: even fifteen minutes in and we've already done our first
• 11:19
  Speaker 2: two things.
• 11:20
  Speaker 1: I can add more stuff if you want.
• 11:22
  Speaker 2: I thought you also watching.
• 11:25
  Speaker 1: I'm also watching Dowton Abbey and task Master Australia. I
• 11:28
  Speaker 1: won't go into that, gotcha.
• 11:30
  Speaker 2: I remember, I remember the other day I sat down
• 11:33
  Speaker 2: to watch a horror movie. I was just in the mood,
• 11:35
  Speaker 2: but I can't remember for the life of me if
• 11:37
  Speaker 2: I even started one. If I did, I don't think
• 11:39
  Speaker 2: I finished it. So I don't think I had a
• 11:42
  Speaker 2: successful horror movie experience. But it might have been one
• 11:45
  Speaker 2: of those things where I went into one of the
• 11:48
  Speaker 2: streaming services, didn't see anything in the horror department that
• 11:53
  Speaker 2: caught my attention, and I just didn't care enough to
• 11:56
  Speaker 2: go to the next streaming service. You know, I need to.
• 12:00
  Speaker 2: I need to have like my TV kind of does
• 12:03
  Speaker 2: an aggregate sort of thing where it has suggestions based
• 12:06
  Speaker 2: upon what I've watched in the past. I need to
• 12:08
  Speaker 2: pay more attention to that because that might be a
• 12:11
  Speaker 2: more effective way for me to find content, as opposed
• 12:13
  Speaker 2: to hunting through every single streaming service I'm subscribed to.
• 12:18
  Speaker 1: You can watch mighty nine, because that just keeps getting
• 12:21
  Speaker 1: bloodier and more horrific every episode.
• 12:24
  Speaker 2: I don't know, I keep thinking I should get into
• 12:27
  Speaker 2: those things, like I like all the people involved, and
• 12:30
  Speaker 2: I like watching the excerpts I've seen, like I've watched clips,
• 12:34
  Speaker 2: but I've never sat down to watch a full episode
• 12:37
  Speaker 2: of either the actual play. Well, I did watch the
• 12:39
  Speaker 2: very first episode of the first season or first series
• 12:44
  Speaker 2: of The Critical Role.
• 12:49
  Speaker 1: So something they're doing we might have talked about on
• 12:51
  Speaker 1: the show, so you might already know, and I'm sorry
• 12:53
  Speaker 1: if I'm just repeating information. Is they recently came out
• 12:56
  Speaker 1: and started releasing paired down episodes of the actual plays,
• 13:03
  Speaker 1: so it so being the whole four hours or cutting
• 13:05
  Speaker 1: it down just to the plot, so that might be
• 13:07
  Speaker 1: an easier entry point. I highly recommid men watching the
• 13:12
  Speaker 1: cartoon Vox Macna. At least it's a lot of fun.
• 13:14
  Speaker 2: Well, The thing that you miss out on on the cartoon, though,
• 13:19
  Speaker 2: is the cross talk like goofiness that happens at the
• 13:26
  Speaker 2: table between just players, right, like the stuff that's not
• 13:31
  Speaker 2: in character. It's a player goofing on another player or whatever.
• 13:35
  Speaker 2: You miss out on that. Yeah, but otherwise, yeah, I might,
• 13:40
  Speaker 2: I might see if I can check that out, or
• 13:42
  Speaker 2: at least check out the somewhat annotated and edited down
• 13:48
  Speaker 2: actual play sessions, because, like I said, I like, I
• 13:51
  Speaker 2: like the compilations. I see. You know, there were ones
• 13:55
  Speaker 2: that I just found delightful, like the ones largely Laura
• 14:01
  Speaker 2: Bailey just being a dufus, like the ones of her
• 14:05
  Speaker 2: all the sending messages, those are just so much fun.
• 14:09
  Speaker 2: They're so silly because she just somehow feels compelled to
• 14:12
  Speaker 2: fill up all the words. Like the point is that
• 14:15
  Speaker 2: sending messages have a limit of twenty five words. I
• 14:19
  Speaker 2: think it is, and she took that as they need
• 14:22
  Speaker 2: to be twenty five words, not that they could only
• 14:25
  Speaker 2: be up to twenty five words, but they have to
• 14:27
  Speaker 2: be exactly so she just rambles until she fills it up.
• 14:31
  Speaker 1: I mean, why waste why waste magic?
• 14:34
  Speaker 2: No, it's great, I guess dote donuts yeah.
• 14:38
  Speaker 1: I mean, are you pooping? Yeah, I think I do.
• 14:42
  Speaker 1: I do enjoy that. I will say like the mighty
• 14:43
  Speaker 1: nine cartoon is very well done, and I am enjoying
• 14:46
  Speaker 1: it the further along I get into it. But it
• 14:49
  Speaker 1: does lose Voxmachin is ridiculous and goofy, and they put
• 14:52
  Speaker 1: a lot of the jokes in there. But the Mighty
• 14:56
  Speaker 1: nine does lose a lot of the humor it, at
• 15:00
  Speaker 1: least at the very beginning, because they're doing stuff out
• 15:02
  Speaker 1: of order and kind of more plot focused.
• 15:06
  Speaker 2: So well, let us move on then, before I end
• 15:10
  Speaker 2: up losing my voice before the end of this episode
• 15:14
  Speaker 2: to our thirty seconds or less? Did I give myself
• 15:19
  Speaker 2: the first one? Or did you Okay? Here we go.
• 15:23
  Speaker 2: Fans of the Wicked films will get a chance to
• 15:25
  Speaker 2: see two of its stars live on stage if they
• 15:28
  Speaker 2: happen to be in London. Ariana Grande and Jonathan Bailey
• 15:31
  Speaker 2: have been cast as the leads in Sondheim's Sunday in
• 15:34
  Speaker 2: the Park with George at the Barbican Theater. I'm curious
• 15:37
  Speaker 2: about this because it means Arianna will play a young
• 15:40
  Speaker 2: woman in Act one and a ninety eight year old
• 15:43
  Speaker 2: woman in Act two, but I'm sure the show will
• 15:46
  Speaker 2: be popular.
• 15:50
  Speaker 1: I've never seen it. Godzilla minus one made headlines one
• 15:56
  Speaker 1: for being a huge hit and two for winning a
• 15:59
  Speaker 1: flip and oscar, which is the first Oscar that Godzilla
• 16:02
  Speaker 1: has ever won in its seventy year career. And we
• 16:05
  Speaker 1: are in luck because Godzilla Minus zero, it's sequel, is
• 16:08
  Speaker 1: coming out this year on November sixth, right after it's
• 16:12
  Speaker 1: released in Japan on November three. I still need to
• 16:16
  Speaker 1: watch the first one. I just need to find time
• 16:18
  Speaker 1: to watch it by myself because I don't mind subtitles
• 16:22
  Speaker 1: as much.
• 16:23
  Speaker 2: Yeah. Well, Amazon is developing a TV series based off
• 16:27
  Speaker 2: the popular God of War video game franchise, and now
• 16:29
  Speaker 2: we know who will be playing Kratos in the show.
• 16:32
  Speaker 2: It'll be Ryan Hurst, who, funnily enough, provided the voice
• 16:35
  Speaker 2: of Thor in God of War Ragnarok. Hurst is also
• 16:39
  Speaker 2: known for his roles in Sons of Anarchy and The
• 16:41
  Speaker 2: Walking Dead. Also, just before we started recording, I saw
• 16:44
  Speaker 2: that Teresa Palmer will also be in the series, possibly
• 16:47
  Speaker 2: as Sith.
• 16:49
  Speaker 1: I'm trying to remember who Teresa Palmer is.
• 16:53
  Speaker 2: I didn't write down anything else she was in because
• 16:56
  Speaker 2: I knew I was bumping up against thirty seconds at
• 16:59
  Speaker 2: that point.
• 17:01
  Speaker 1: More Godzilla news, because you're gonna keep taking us away
• 17:03
  Speaker 1: and I'm gonna bring it right back. We are getting
• 17:08
  Speaker 1: a new Godzilla monster piece theater for issue comic series,
• 17:14
  Speaker 1: starting with Romeo and Juliet and Godzilla with a mini
• 17:19
  Speaker 1: story of Robin Hood and the Monster of Nottingham. So
• 17:27
  Speaker 1: I am looking forward to that.
• 17:29
  Speaker 2: Yeah, I just I don't know if you can, if
• 17:32
  Speaker 2: anything will live up to the hilarity of the title.
• 17:35
  Speaker 2: Romeo and Juliet and Godzilla. I think that's better. I
• 17:40
  Speaker 2: think I think that's even better than Pride and Prejudice
• 17:43
  Speaker 2: and zombies, right, Yes, I think so.
• 17:45
  Speaker 1: But it could be funnier. Yeah, Romeo and Juliet and
• 17:47
  Speaker 1: Godzilla and a baby.
• 17:49
  Speaker 2: Yeah, yeah, okay, and the candlestick Maker and his wife.
• 17:53
  Speaker 2: It's probably no surprise that twenty twenty six looks like
• 17:56
  Speaker 2: another year with a lot of horror films in it.
• 17:58
  Speaker 2: The Hollywood Reporter put to other a list of anticipated
• 18:01
  Speaker 2: horror movies, some of which we will chat about later.
• 18:04
  Speaker 2: I am excited to learn more about films like Hocum,
• 18:07
  Speaker 2: which we did talk about briefly in a previous episode Obsession,
• 18:11
  Speaker 2: Ditto Evil Dead Byrne clay Face Resident Evil and they're
• 18:17
  Speaker 2: vote plus. You know we'll get tons of smaller ones
• 18:20
  Speaker 2: throughout the year too. So boot.
• 18:26
  Speaker 1: Studio Canon or sorry Studio Canal is coming out with
• 18:29
  Speaker 1: a movie Elsinore, which follows the actor in Charleson as
• 18:33
  Speaker 1: he prepares to play Hamlet for the National Theater in London,
• 18:39
  Speaker 1: all while dealing with HIV and AIDS. It's got an
• 18:43
  Speaker 1: insane cast. It's got Olivia Coleman, Andrew Scott, Billy Piper,
• 18:49
  Speaker 1: which is the news. Billy Piper just got added, Luke
• 18:52
  Speaker 1: Thompson from Bridgerton, and many many more. It is. It
• 18:57
  Speaker 1: is really interesting because that actor that the story is
• 19:00
  Speaker 1: following had HIV in eighty six, died from AIDS in
• 19:04
  Speaker 1: nineteen ninety and asked that after his death the cause
• 19:08
  Speaker 1: of his death would be announced to help publicize the condition,
• 19:12
  Speaker 1: and he was one of the first celebrities to do
• 19:13
  Speaker 1: that so in the UK at least, so I think
• 19:17
  Speaker 1: it's it sounds kind of like the very serious and
• 19:20
  Speaker 1: sad version of I Hate Hamlet, but an amazing cast.
• 19:27
  Speaker 1: I'm sure it'll be very well told.
• 19:29
  Speaker 2: Screenwriters Donya Jimenez and Hanach mcmichon, then K Pop Demon Hunters.
• 19:36
  Speaker 2: So what's their next project. Well, it's a really big project.
• 19:39
  Speaker 2: It's like fifty feet tall big because it's the remake
• 19:42
  Speaker 2: of the classic B movie sci fi film Attack of
• 19:46
  Speaker 2: the Fifty Foot Woman. Tim Burton, who is probably the
• 19:49
  Speaker 2: perfect director to tackle fifty's era schlock, will direct. I
• 19:53
  Speaker 2: am hopeful that it will be cheeky, fun and filled
• 19:56
  Speaker 2: with feminine rage.
• 19:59
  Speaker 1: Sounds delight. Kathleen Kennedy is stepping down as the president
• 20:04
  Speaker 1: of Lucasfilms, but the presidential ness will not go far
• 20:10
  Speaker 1: because Feloni, who is currently the COO and Executive Vice President,
• 20:14
  Speaker 1: and Lynn when Brennan, the president and general manager of
• 20:19
  Speaker 1: Lucas from the business, will be taking over the role.
• 20:22
  Speaker 1: Kennedy will be staying on as producer's producer for the
• 20:25
  Speaker 1: upcoming movies that are coming out.
• 20:28
  Speaker 2: One of the concerns Hollywood has about the proposed Netflix
• 20:31
  Speaker 2: acquisition of Warner Brothers Discovery has to do with theatrical
• 20:34
  Speaker 2: release dates. Originally, we heard that Netflix plan to implement
• 20:37
  Speaker 2: a seventeen day window between theatrical and streaming releases. However,
• 20:41
  Speaker 2: The New York Times got a quote from Netflix's Ted
• 20:44
  Speaker 2: sarandus that the window will actually be forty five days
• 20:48
  Speaker 2: and maybe that will ease some of those fears and insights.
• 20:53
  Speaker 1: I you know, I'm definitely on Netflix, like I'm rooting
• 20:58
  Speaker 1: for Netflix to get Warner Brothers Discovery, especially after this news.
• 21:01
  Speaker 1: A forty five day window is a much more.
• 21:06
  Speaker 2: Like, yeah, a month, it's a month and a half.
• 21:09
  Speaker 1: Yeah, that's that's pretty standard for movies nowadays anyhow, So, uh,
• 21:14
  Speaker 1: I am hopeful with that with that information, especially on
• 21:19
  Speaker 1: light of some other news that I didn't put in.
• 21:21
  Speaker 1: But I've started subscribing to some dailies for industry news,
• 21:26
  Speaker 1: specifically to help me in the business side of my career.
• 21:29
  Speaker 2: And uh.
• 21:32
  Speaker 1: One, there are several networks that are like pushing for
• 21:35
  Speaker 1: pilot season again. And then also Ben Affleck and Matt
• 21:40
  Speaker 1: Damon did we talk about this already that they are
• 21:43
  Speaker 1: the first for their their new movie The Bet is
• 21:45
  Speaker 1: the first to get back end payment from Netflix is
• 21:49
  Speaker 1: the rip? Sorry? Yeah, yeah, yeah, So usually Netflix flicks
• 21:55
  Speaker 1: plate pays a little bit more upfront and you don't
• 21:57
  Speaker 1: ask about how many people have watched it or how
• 21:59
  Speaker 1: much they've made residual crappy, but that Athletic in Matt
• 22:04
  Speaker 1: Damon have made a deal for their entire cast and
• 22:06
  Speaker 1: crew crew to get paid on the back end numbers
• 22:09
  Speaker 1: and to make that more transparent. And Netflix isn't going
• 22:13
  Speaker 1: completely to that model, but they've said they're open to
• 22:15
  Speaker 1: other deals like that, and I think that's fantastic.
• 22:17
  Speaker 2: So yeah, well, and you know, you could do documentaries.
• 22:21
  Speaker 2: I don't know how many people would watch it, but
• 22:23
  Speaker 2: you could do documentaries about Hollywood accounting and how much
• 22:29
  Speaker 2: trickery goes into that in an effort for studios to
• 22:33
  Speaker 2: not pay people things like residuals, because you know, like
• 22:38
  Speaker 2: like it's it's kind of an open secret that studios
• 22:41
  Speaker 2: will leverage numbers in such a way to make it
• 22:45
  Speaker 2: seem like every movie lost money. Like they want to
• 22:48
  Speaker 2: be able to crow about record box offices, but they
• 22:52
  Speaker 2: also want to say, oh, that film lost money, because
• 22:55
  Speaker 2: that means they don't have to pay out, you know,
• 22:58
  Speaker 2: if if the if the movie's not profitable, they don't
• 23:00
  Speaker 2: have to pay out. It's kind of like the producers.
• 23:04
  Speaker 2: But yeah, that's kind of like this ongoing issue. So
• 23:08
  Speaker 2: if Netflix is transparent, that would be nice. It would
• 23:10
  Speaker 2: be a nice change of pace from the rest of Hollywood.
• 23:14
  Speaker 2: But yeah, it's one of those things that is inherently
• 23:17
  Speaker 2: different with the streaming system of delivery as opposed to
• 23:23
  Speaker 2: traditional box office.
• 23:25
  Speaker 1: Well and the last after strike did adjust that a
• 23:28
  Speaker 1: little bit. So there is information out there on like
• 23:32
  Speaker 1: what series on Netflix and other streaming channels are getting
• 23:35
  Speaker 1: the most watch or the least watch or most popular.
• 23:38
  Speaker 1: So there is some metrics because they're working with ruters
• 23:41
  Speaker 1: now and there has been work to make that more
• 23:44
  Speaker 1: generally transparent, but it hasn't completely trickled into the payment model.
• 23:49
  Speaker 2: Yeah, because that's also tricky, right because you're talking about
• 23:51
  Speaker 2: subscription versus paying per like piece of content, right, So
• 23:57
  Speaker 2: then you're like, okay, if if we break it down
• 24:01
  Speaker 2: by percentages, like what percent of viewers are watching this
• 24:07
  Speaker 2: particular piece of content, how do we factor that into payouts,
• 24:11
  Speaker 2: like when we're looking at subscriptions as opposed to buying
• 24:15
  Speaker 2: per view or buying per piece of content. I am
• 24:19
  Speaker 2: glad I'm not the one who has to figure that
• 24:21
  Speaker 2: out because I think I think it's got to be
• 24:23
  Speaker 2: a huge chaotic headache.
• 24:26
  Speaker 1: Yeah. Yeah, I've also found it hopeful beyond like that
• 24:30
  Speaker 1: kind of news, Like just because streaming has been struggling
• 24:33
  Speaker 1: so much. Taking a step back and going to what
• 24:34
  Speaker 1: we know has worked in the past heartens me, even
• 24:37
  Speaker 1: though it means there's technically less work, because streaming is
• 24:40
  Speaker 1: just when it was in its heyday, everything was being
• 24:42
  Speaker 1: made all the time. Is I get a list weekly
• 24:46
  Speaker 1: of the movies and how much they cost to make
• 24:48
  Speaker 1: versus how much they've made so far, And usually those
• 24:51
  Speaker 1: lists are at least since I've signed up, have all
• 24:54
  Speaker 1: been they've made some amount of profit.
• 24:57
  Speaker 2: Yeah. Well, and yeah, that was like a big message
• 25:00
  Speaker 2: in twenty twenty five was that, you know, films were
• 25:04
  Speaker 2: starting to do better, and part of that was that
• 25:08
  Speaker 2: we saw a lot more low to mid budget movies
• 25:11
  Speaker 2: as well, which I'm all in favor of. Like, I
• 25:13
  Speaker 2: love a big budget movie if it's done well, but
• 25:16
  Speaker 2: I really like some of these smaller budget projects that
• 25:20
  Speaker 2: are telling stories that just there's no reason for it
• 25:23
  Speaker 2: to be a big budget movie, right, but the stories
• 25:26
  Speaker 2: are really interesting. So I'm totally on board with that
• 25:30
  Speaker 2: me too. Yeah, Well, let's let's move on to talking
• 25:33
  Speaker 2: about stuff what we could put in our show but
• 25:36
  Speaker 2: typically don't put in our show because it don't fit
• 25:39
  Speaker 2: so good. But these are a fitting enough for us
• 25:41
  Speaker 2: to talk about. That's what this segment's called.
• 25:44
  Speaker 1: I feel like to this this week, fifty percent could
• 25:48
  Speaker 1: possibly have gone into our show notes.
• 25:50
  Speaker 2: Agreed. Yeah, no, there's stuff in here where it straddles
• 25:56
  Speaker 2: a line. First up, we've got a full trailer for
• 26:00
  Speaker 2: the comedy series The Burbs, based off the film that
• 26:06
  Speaker 2: came out that I think was a surprise to Ariel
• 26:08
  Speaker 2: the last time we chatted about this.
• 26:10
  Speaker 1: Yeah, I didn't know it was based off of it.
• 26:12
  Speaker 1: I never watched the original film.
• 26:15
  Speaker 2: Yeah, I had Tom Hanks and then I think and
• 26:18
  Speaker 2: Carrie Fisher, Oh did it?
• 26:20
  Speaker 1: I can't play Tom's wife, yeah, I which I only
• 26:23
  Speaker 1: know because my husband loved the movie The Burbs as
• 26:26
  Speaker 1: a kid. I found out yesterday when the trailer for
• 26:28
  Speaker 1: the full trailer for the TV show came onto YouTube
• 26:32
  Speaker 1: and I was like, oh, hey, that's based off that
• 26:34
  Speaker 1: old movie, and he's like, I loved that movie, so
• 26:36
  Speaker 1: that's cool.
• 26:37
  Speaker 2: Yeah, this one. Keky Palmer is playing sort of the
• 26:42
  Speaker 2: lead character, and I love her. I just love her delivery,
• 26:45
  Speaker 2: she's I find her very funny. And Jack Whitehall is
• 26:50
  Speaker 2: in it as well. Mark Proch, who is the energy
• 26:54
  Speaker 2: vampire from what we do in the Shadows. He's in it,
• 26:57
  Speaker 2: and Julia Duffy, whom a lot of people my age
• 27:02
  Speaker 2: might think of as from the New Heart Show, but
• 27:05
  Speaker 2: I think of her as the princess from Wizards and Warriors,
• 27:09
  Speaker 2: which lasted like six episodes. But Julia Duffie's in it.
• 27:14
  Speaker 2: Haley Joel Osmond has a recurring role in it.
• 27:18
  Speaker 1: He's very funny.
• 27:19
  Speaker 2: Yeah, this all eight episodes, So there's eight episodes. All
• 27:22
  Speaker 2: eight episodes drop on the same day on Peacock on
• 27:25
  Speaker 2: February eighth. So what did you think of the full trailer?
• 27:31
  Speaker 1: I thought so, I know, the first trailer, the style
• 27:34
  Speaker 1: of or the teaser, the style of comedy was a
• 27:37
  Speaker 1: little bit disjointed for both of us. Some of it
• 27:40
  Speaker 1: was very like slapsticky, blatant over the top. Some of
• 27:43
  Speaker 1: it was more nuanced, and it just felt disjointed. I
• 27:46
  Speaker 1: feel like this trailer feels a lot more connected. It
• 27:51
  Speaker 1: also looks makes it look a little bit creepier and
• 27:53
  Speaker 1: more suspenseful, not in a bad way or in a
• 27:56
  Speaker 1: drama full way, but it does deep in the story
• 28:00
  Speaker 1: that they're going to tell. I think I also had
• 28:03
  Speaker 1: missed that it was being done by Seth MacFarland, which
• 28:07
  Speaker 1: if if anybody has proven that he can do zany
• 28:10
  Speaker 1: plus serious, it's him with the Orville.
• 28:13
  Speaker 2: So yeah, yeah, I almost look at the Orville as
• 28:18
  Speaker 2: being the exception to otherwise what is the rule of
• 28:22
  Speaker 2: his work.
• 28:23
  Speaker 1: Well, I'm hoping this follows that trend.
• 28:26
  Speaker 2: Me too, Me too. I mean, I agree one hundred
• 28:29
  Speaker 2: percent with what you said. Like I do remember when
• 28:33
  Speaker 2: we watched the teaser, like a lot of the humors
• 28:35
  Speaker 2: seemed kind of obvious and not It's almost seemed like
• 28:39
  Speaker 2: it had the cadence of a joke without actually being
• 28:41
  Speaker 2: a joke. Right, this felt better, And part of that
• 28:47
  Speaker 2: again is I think due to delivery. They've got some
• 28:50
  Speaker 2: really good actors and even if the lines themselves like
• 28:55
  Speaker 2: it kind of reminds me of when I did the
• 28:58
  Speaker 2: Renaissance Festival and I was in the Shakespeare parody and
• 29:02
  Speaker 2: I would get there on day one to do a
• 29:04
  Speaker 2: read through of the script with the fellow actors in
• 29:06
  Speaker 2: the parody, and as we would read, we'd like, none
• 29:11
  Speaker 2: of this is funny, Like this is just all of
• 29:13
  Speaker 2: these jokes are just dead on the page. But then
• 29:16
  Speaker 2: you would find ways of delivering it where it was funny.
• 29:19
  Speaker 2: I almost feel like like the performances are doing a
• 29:22
  Speaker 2: whole lot of work to make this entertaining. I think
• 29:27
  Speaker 2: with better material they would be even better. But I
• 29:30
  Speaker 2: think it's good enough, Like it's good enough for me
• 29:32
  Speaker 2: to want to check it out.
• 29:34
  Speaker 1: Yeah I will, so I don't normally. Peacock is one
• 29:37
  Speaker 1: of the services that I don't usually have. I get
• 29:39
  Speaker 1: it around Thanksgiving every year to watch the parade, and
• 29:42
  Speaker 1: then I keep it for a month or two to
• 29:44
  Speaker 1: try to catch up on stuff. But it's it's we've
• 29:47
  Speaker 1: actually paired down our streaming services a lot, and this
• 29:52
  Speaker 1: like the second half of this year, which doesn't help
• 29:55
  Speaker 1: me for the acting side of it, but whatever. But
• 29:59
  Speaker 1: Tony is also interested. He did say he felt that
• 30:02
  Speaker 1: the trailer was a lot less zaany than the original movie.
• 30:06
  Speaker 2: Yes, it's true, well, at least what we see in
• 30:08
  Speaker 2: the trailer, it looks like it's more so it kind
• 30:13
  Speaker 2: of gives me it's not exactly the same thing, but
• 30:15
  Speaker 2: it kind of gives me pushing Daisies vibes where it's
• 30:20
  Speaker 2: it's that mixture of heightened realism, like the heightened stuff,
• 30:23
  Speaker 2: where it's it's not truly realistic, it's not as grounded,
• 30:27
  Speaker 2: but then there is more grounded stuff. But like again,
• 30:30
  Speaker 2: the delivery is what sells it, Like when Kiky Palmer says,
• 30:33
  Speaker 2: why am I always murder adjacent? I need to know
• 30:37
  Speaker 2: more about that?
• 30:38
  Speaker 1: Yes, yes, for sure, for sure. Yeah, I'd watch it
• 30:42
  Speaker 1: for her alone. She's very funny, like he said.
• 30:44
  Speaker 2: Yeah. Next up we get a Big Bang Theory spinoff
• 30:47
  Speaker 2: called Vanished, where Penny is trying to find out what
• 30:51
  Speaker 2: the heck happened to Leonard. Also, I might have watched
• 30:55
  Speaker 2: this video on two time speed, so maybe I missed
• 30:58
  Speaker 2: some of the nuances.
• 30:59
  Speaker 1: I mean, I was gonna say where she's trying to
• 31:01
  Speaker 1: get a big bang, but.
• 31:04
  Speaker 2: Then that fizzles out when her when her date disappears
• 31:08
  Speaker 2: off the train they're on.
• 31:10
  Speaker 1: Yeah, yeah, so it's Kaylee.
• 31:13
  Speaker 2: Cuoko, Kaylee Cuoco, Yes.
• 31:16
  Speaker 1: Thank you. I didn't I don't have her name written
• 31:18
  Speaker 1: down and I don't have the trailer open right now.
• 31:21
  Speaker 1: Is going on a trip with her boyfriend and they're
• 31:24
  Speaker 1: on a French train and he disappears, and so she
• 31:26
  Speaker 1: goes and tries to find him and learns about secrets
• 31:29
  Speaker 1: and intrigue and all of that, and everybody's like, well,
• 31:31
  Speaker 1: maybe he just ditched you. She's like, he wouldn't be
• 31:33
  Speaker 1: that way. It looks like a generic mystery actiony thing.
• 31:38
  Speaker 2: Yeah, it kind of looks like there might be some
• 31:40
  Speaker 2: crime elements. There's some spy film type language in the
• 31:45
  Speaker 2: like cinematic language in the trailer. I don't know if
• 31:49
  Speaker 2: it will turn out that he's a spy or if
• 31:51
  Speaker 2: it turns out that he's a criminal, or maybe both.
• 31:54
  Speaker 2: I don't know. But this this series comes out February
• 31:57
  Speaker 2: first on MGM Plus here in the United States. For
• 32:00
  Speaker 2: folks who are in Canada, Australia, New Zealand and the UK,
• 32:05
  Speaker 2: it comes out February twenty seventh on Prime Video. So
• 32:08
  Speaker 2: I say to you, gosh, darn it, because I don't
• 32:13
  Speaker 2: have MGM.
• 32:14
  Speaker 1: Plus, do you want to watch this one?
• 32:18
  Speaker 2: I mean, I'm curious about it. It's not really my thing,
• 32:22
  Speaker 2: like I can enjoy these kind of mystery shows. Nothing
• 32:27
  Speaker 2: about this trailer really made me think, oh, this is
• 32:31
  Speaker 2: one that I need to watch. But I do like
• 32:34
  Speaker 2: Kaylee Kuoco as an actor, Like I actually like her performances.
• 32:39
  Speaker 2: So I was curious about it. But yeah, I don't
• 32:42
  Speaker 2: know that it's enough for me to I think I
• 32:44
  Speaker 2: could technically pay for MGM plus through Amazon Prime, but honestly,
• 32:50
  Speaker 2: I just don't want to add more sub subscriptions to
• 32:54
  Speaker 2: my Amazon Prime subscription.
• 32:56
  Speaker 1: I get that. I get that. The next one we've
• 32:58
  Speaker 1: got is a trailer for a movie called Misdirection, and
• 33:01
  Speaker 1: that really, like it is such a generic heist crime
• 33:05
  Speaker 1: kind of a A is a film or a TV show?
• 33:09
  Speaker 2: I think it's it's a film. It's a film film.
• 33:11
  Speaker 1: The only reason I added is because it's got Frank
• 33:13
  Speaker 1: Grillo in it, and I just find it heartening that
• 33:16
  Speaker 1: he is still making these generic heist movies when he's
• 33:19
  Speaker 1: also in the DCEU.
• 33:22
  Speaker 2: Yeah. Yeah, a man's got to eat. Uh yeah. Yeah.
• 33:26
  Speaker 2: So apparently, like in this film, there's a couple and they,
• 33:32
  Speaker 2: you know, the couple who steals together, stay together. I
• 33:34
  Speaker 2: guess they are. They are hoisting, not because they want to,
• 33:39
  Speaker 2: They are hoisting a target who I guess is Frank Grillo,
• 33:43
  Speaker 2: And it turns out that he has a past with
• 33:45
  Speaker 2: the woman in the couple, and also that he wants
• 33:48
  Speaker 2: to kill them, and maybe it was a trap the
• 33:51
  Speaker 2: whole time and not like like it's hard to say
• 33:54
  Speaker 2: based on the trailer because there's not a lot of
• 33:56
  Speaker 2: details given. It does come out February tenth, so it's
• 33:59
  Speaker 2: not gonna be very long before it's out. This one also,
• 34:03
  Speaker 2: like like you said, it does feel pretty generic, like
• 34:08
  Speaker 2: there was nothing about it other than Frank Grillo being
• 34:10
  Speaker 2: in it that really caught my attention. So I don't
• 34:13
  Speaker 2: necessarily think I'll be checking this one out. I'm sure
• 34:16
  Speaker 2: it's fine.
• 34:18
  Speaker 1: Well, and like to be fair, while I think Frank
• 34:21
  Speaker 1: Grillo does a great job in Peacemaker, in the DCU,
• 34:24
  Speaker 1: everywhere that he's been used, everything I've seen of his
• 34:28
  Speaker 1: prior to that has been pretty generic.
• 34:31
  Speaker 2: Yeah, even that Time Loop movie. Did you see that
• 34:34
  Speaker 2: one where he's Okay, are.
• 34:36
  Speaker 1: You talking about Slooper? I did watch Looper.
• 34:38
  Speaker 2: It's that Looper. Although you maye think that you were
• 34:41
  Speaker 2: Ben Bowlin there for a second, because Ben and I
• 34:43
  Speaker 2: have this ongoing joke of oh, it's like in Looper
• 34:47
  Speaker 2: and neither of us have ever seen Looper.
• 34:50
  Speaker 1: Sweet, I don't mind that comparison.
• 34:52
  Speaker 2: Okay, but yeah, no, no, it was. It was more
• 34:56
  Speaker 2: recent than that. It was like a post COVID. It
• 34:58
  Speaker 2: might have been made during COVID, but like a post
• 35:00
  Speaker 2: COVID movie where he's in a time loop situation. Uh
• 35:06
  Speaker 2: and uh, he's like a he's like a law enforcement
• 35:10
  Speaker 2: officer with a kind of an estranged son that he's
• 35:15
  Speaker 2: trying to connect with. And the son's like, you know,
• 35:18
  Speaker 2: like elementary school or maybe middle school age, and it's
• 35:24
  Speaker 2: very like it's it almost feels a little bit like
• 35:26
  Speaker 2: bullet Train or smoking Aces, Like they're all these wacky
• 35:31
  Speaker 2: assassin characters that he's having to navigate through and he's
• 35:35
  Speaker 2: constantly being killed, and the day restarts and he has
• 35:38
  Speaker 2: to go through it again trying to not get you know,
• 35:40
  Speaker 2: get a little further into the day. Even that was
• 35:44
  Speaker 2: felt a little generic and also felt very video gamey.
• 35:48
  Speaker 2: He was fine in it, but like I watched that
• 35:52
  Speaker 2: movie look of a cast. Oh yeah, no, the cast
• 35:55
  Speaker 2: is great. Was the film called Boss Level?
• 35:59
  Speaker 1: No? Is it Boss Level? I think the thing I
• 36:04
  Speaker 1: have Michelle.
• 36:05
  Speaker 2: Yo, and yes, I had Michelle Yo. And Michelle Yo
• 36:11
  Speaker 2: is in it for like two scenes. Mel Gibson is
• 36:14
  Speaker 2: in it for like one scene.
• 36:15
  Speaker 1: So it's called Boss Level. Yeah.
• 36:17
  Speaker 2: Yeah, it's okay. It's it's not great, but it's okay.
• 36:22
  Speaker 2: It's kind of entertaining. I think Misdirection will probably fall
• 36:26
  Speaker 2: into a similar category it's okay, yeah, and then we
• 36:31
  Speaker 2: have a trailer for a film called Sweetness. This one
• 36:34
  Speaker 2: I argue, I could argue should be in our full
• 36:36
  Speaker 2: lineup because it has to do with fandom.
• 36:38
  Speaker 1: It has to do with fandom, and also, uh, it's
• 36:42
  Speaker 1: it feels like a real love letter to Stephen King's Misery.
• 36:49
  Speaker 2: Yeah, it does have a little bit of misery vibes
• 36:51
  Speaker 2: to it. So the basic premise is there's this young
• 36:55
  Speaker 2: young woman, like a girl essentially who's a fan of
• 36:59
  Speaker 2: this male pop star and she ends up kind of
• 37:05
  Speaker 2: like scheming to end up being in his car by
• 37:09
  Speaker 2: jumping in front of it, essentially getting hit by his car. Anyway,
• 37:13
  Speaker 2: she discovers that he is addicted to drugs, so she
• 37:17
  Speaker 2: decides it's her job to save him by essentially kidnapping
• 37:21
  Speaker 2: him and holding him against his will so that he
• 37:23
  Speaker 2: can detox from drugs. And so it has to deal
• 37:28
  Speaker 2: with things like parasocial relationships, and it does have the
• 37:33
  Speaker 2: kind of misery vibes in the sense of like I'm
• 37:35
  Speaker 2: helping you and the guy just wants to get away, I.
• 37:38
  Speaker 1: Mean, but also in very literal in Misery, the writer
• 37:41
  Speaker 1: is handcuffed to a bed and this pop star gets
• 37:44
  Speaker 1: handcuffed to a bed. The writer is taken in after
• 37:48
  Speaker 1: a car accident where the nurse hit where Caddy Bates
• 37:51
  Speaker 1: hits him with their car. The girl meets him because
• 37:55
  Speaker 1: she gets hit with his car. Like a lot of similar.
• 37:57
  Speaker 2: Yeah, a lot of parallels. Yeah, it comes out March seventh.
• 38:02
  Speaker 2: I think it looks like I mean, it's exploring stuff
• 38:06
  Speaker 2: that we've seen before, but from a different perspective, so
• 38:09
  Speaker 2: it might be really interesting. I thought it's pretty bold
• 38:13
  Speaker 2: to have a thriller slash horror film where the antagonist
• 38:20
  Speaker 2: is a young woman, right, and she's not overtly sinister,
• 38:25
  Speaker 2: she's just very much obsessed with this particular pop star.
• 38:30
  Speaker 1: Yeah. Yeah, there's definitely things in the trailer that make
• 38:33
  Speaker 1: me interested in the story, but it might be too
• 38:35
  Speaker 1: scary for me. There's a lot of blood and I
• 38:39
  Speaker 1: don't know where it comes from.
• 38:41
  Speaker 2: Well, don't worry, I know exactly where the blood comes from,
• 38:46
  Speaker 2: because from The Bluff, which we will talk about later,
• 38:48
  Speaker 2: because that movie had so much blood in it, they
• 38:51
  Speaker 2: had plenty to spare.
• 38:53
  Speaker 1: But the thing is, like the Bluff trail. We'll talk
• 38:55
  Speaker 1: about the Bluff trailer at least I couldn't see where
• 38:57
  Speaker 1: it was coming from, so it was a little bit.
• 39:00
  Speaker 2: Coming from everywhere everywhere, Like at one point I thought
• 39:04
  Speaker 2: I had to wipe off my screen. But yeah, we'll
• 39:06
  Speaker 2: get to that later. Oddly enough, that movie is not
• 39:10
  Speaker 2: one of the ones that's in John Boys Horror Hutch.
• 39:16
  Speaker 1: No, it's horrific, but it's not a horror.
• 39:19
  Speaker 2: Yeah. Uh so. First of all, huge thanks to Ariel
• 39:24
  Speaker 2: because she found half of the movies that are in
• 39:27
  Speaker 2: John Boys Horror Hutch this week.
• 39:29
  Speaker 1: I would wager to say the two I found are
• 39:31
  Speaker 1: way cooler than the two you found, but that's probably
• 39:34
  Speaker 1: not the case. I've only watched the two I found
• 39:36
  Speaker 1: because the other two are related to Saw all right.
• 39:40
  Speaker 2: First of all, the second one you found is not cooler,
• 39:43
  Speaker 2: trust me, We'll get to that. But the first one,
• 39:46
  Speaker 2: first one, I think is the coolest one of the
• 39:48
  Speaker 2: ones that you that I grabbed this week, and that's
• 39:51
  Speaker 2: for the Mummy. This is written and directed by Lee Cronin,
• 39:56
  Speaker 2: is not connected to any of the former Dark Universe stuff,
• 40:00
  Speaker 2: and this mummy is a mummy. It's not an Egyptian mummy,
• 40:04
  Speaker 2: which I think is I think in general, storytellers have
• 40:08
  Speaker 2: tried to move away from doing Egyptian mummy stories because
• 40:13
  Speaker 2: it comes across as disrespectful to burial cultures, right, Like
• 40:18
  Speaker 2: that seems to be passing. It's framing the Egyptian, the
• 40:24
  Speaker 2: ancient Egyptian practice of mummification as a monstrous thing. It's
• 40:29
  Speaker 2: othering another culture, and I can see why it would
• 40:34
  Speaker 2: be better to have it'd be about mummification in general,
• 40:38
  Speaker 2: not mummies like ancient Egyptian mummies. I get that this one.
• 40:45
  Speaker 2: The log line is the young daughter of a journalist
• 40:48
  Speaker 2: disappears without a trace in the desert. The shattered family
• 40:52
  Speaker 2: is stunned when the girl suddenly reappears eight years later,
• 40:55
  Speaker 2: But what should have been a joyful family reunion quickly
• 40:58
  Speaker 2: turns into a true and horrifying nightmare. This trailer is creepy.
• 41:05
  Speaker 1: Yes, I was mentioned about to shake my head like
• 41:08
  Speaker 1: nobody can see that aerial. Yeah, it's creepy. Visually, there's
• 41:13
  Speaker 1: a lot of like suspense, there's a lot of like
• 41:15
  Speaker 1: just scary imagery. And also they did the thing that
• 41:18
  Speaker 1: twenty eight years later did where the soundscaping for the
• 41:21
  Speaker 1: trailer is chilling.
• 41:23
  Speaker 2: Yeah, yeah, a lot of really creepy sounds. Actually, I
• 41:26
  Speaker 2: really like that that's becoming a bigger thing undertone. Obviously
• 41:30
  Speaker 2: we talked about that last week. That's the podcast horror movie. Yeah,
• 41:33
  Speaker 2: that's like all about soundscaping. Bring it on. I say,
• 41:37
  Speaker 2: this movie comes out April seventeenth. I'm definitely intrigued. So
• 41:42
  Speaker 2: I had no knowledge of this movie before you sent
• 41:45
  Speaker 2: me the trailer.
• 41:46
  Speaker 1: I didn't before I found the trailer. But yeah, I
• 41:48
  Speaker 1: am intrigued as well. I did not watch the Evil
• 41:52
  Speaker 1: there rises, but I might try this one.
• 41:56
  Speaker 2: Well, the next one that I have to talk about
• 41:58
  Speaker 2: is the other one Ariel Sen. She claims it's cooler
• 42:02
  Speaker 2: than the other ones that I have, and that's for
• 42:04
  Speaker 2: Gail g A L E. Yellow Brick Road. Yeah, no,
• 42:10
  Speaker 2: I disagree that this is cooler. Okay, So the basic
• 42:15
  Speaker 2: premise is it follows Dorothy, Gail's granddaughter as in the
• 42:20
  Speaker 2: main character from the Wizard of Oz. It follows her
• 42:23
  Speaker 2: granddaughter Emily, who's dealing with some creatures and manifestations from
• 42:30
  Speaker 2: Oz that have a horror kick to them. This was
• 42:35
  Speaker 2: actually based off a YouTube short horror movie. The YouTube yeah, well, hey,
• 42:41
  Speaker 2: they can be good, they're just usually aren't. But this
• 42:45
  Speaker 2: YouTube short horror film was titled Gail Stay Away from
• 42:49
  Speaker 2: Oz and so they essentially they took the basic premise
• 42:53
  Speaker 2: of that short horror movie and expanded it, but they
• 42:57
  Speaker 2: also changed things, so it's not like it's just that
• 43:00
  Speaker 2: story but longer it's it's different.
• 43:04
  Speaker 1: I no, go ahead, continue on.
• 43:07
  Speaker 2: I was just gonna say it reminds me a bit
• 43:09
  Speaker 2: of some of the other public domain ips that have
• 43:13
  Speaker 2: been turned into horror movies recently, stuff like Popeye and
• 43:16
  Speaker 2: Steamboat Willie and Winnie the Pooh and all that kind
• 43:19
  Speaker 2: of stuff, Peter Pan.
• 43:21
  Speaker 1: This one, this one, to me feels a little bit
• 43:23
  Speaker 1: more logical because I know so many people who watched
• 43:30
  Speaker 1: specifically things like Return to Ozma was like that was
• 43:33
  Speaker 1: actually I didn't find it scary when I was a kid,
• 43:35
  Speaker 1: but so a lot of my friends did, like with
• 43:38
  Speaker 1: the Langeleer and the the you mean the wheelies, the
• 43:42
  Speaker 1: wheelies well, and then the woman who could like change
• 43:44
  Speaker 1: her face her head right.
• 43:46
  Speaker 2: Or maybe the fact that that Dorothy had to undergo
• 43:49
  Speaker 2: shot treatment.
• 43:51
  Speaker 1: Yeah. Yeah, And so there's a lot of imagery in
• 43:54
  Speaker 1: the books of like the series of Wizard of Oz
• 43:57
  Speaker 1: as well that can be really creepy. So to me,
• 44:01
  Speaker 1: it makes sense to have a story where Dorothy Gale
• 44:05
  Speaker 1: is now older and like, oh, you don't want to
• 44:07
  Speaker 1: go there, you know, and trying to protect her from it.
• 44:11
  Speaker 1: I also really like the character design. It's of like
• 44:15
  Speaker 1: the Scarecrow. It feels very Labyrinthian to me.
• 44:20
  Speaker 2: I don't know, it just didn't hit me the same
• 44:22
  Speaker 2: way it hit you. Like I saw it and I
• 44:24
  Speaker 2: thought it looked like I mean, it probably is a
• 44:28
  Speaker 2: low budget movie, but it looked low budget to me.
• 44:31
  Speaker 2: That doesn't necessarily mean it's bad. It just like it
• 44:35
  Speaker 2: also has that color grading and kind of filter to
• 44:40
  Speaker 2: make everything look darker than what it should, and it's
• 44:47
  Speaker 2: applied in a way where I noticed it, and that's
• 44:51
  Speaker 2: a problem, right, Like when you notice something that's an
• 44:54
  Speaker 2: effect to in order to change like the appearance of
• 44:58
  Speaker 2: what you're seeing on screen that's distracting. And I just
• 45:03
  Speaker 2: it probably is a reflection of the budget. It's probably
• 45:06
  Speaker 2: not their fault. But also I'm not familiar with the
• 45:09
  Speaker 2: original short film. I just saw that it was based
• 45:12
  Speaker 2: off this thing. Maybe it'll be much better than I
• 45:15
  Speaker 2: give it credit for. It comes out February eleventh, so
• 45:17
  Speaker 2: if people are interested in seeing a horror movie that
• 45:21
  Speaker 2: revisits ideas from Wizard of Oz. I didn't think the
• 45:24
  Speaker 2: wheelies were from the books. I thought that was invented
• 45:28
  Speaker 2: for the movie Return to Oz. But I could be wrong,
• 45:30
  Speaker 2: but they do have a wheelie in the trailer.
• 45:34
  Speaker 1: Well, but in the book. I think the wheelies were
• 45:38
  Speaker 1: in the book or something similar because I remember illustrations
• 45:43
  Speaker 1: of them.
• 45:45
  Speaker 2: But also I know that they were also included in
• 45:48
  Speaker 2: the Wizard of Oz role playing games. So it's very
• 45:50
  Speaker 2: possible that they were in the book, because otherwise you
• 45:52
  Speaker 2: would have rights issues with the film because like while
• 45:56
  Speaker 2: the original books are in the public domain, the Return
• 45:58
  Speaker 2: to Oz movie.
• 45:59
  Speaker 1: Is yeah, wheelers is what they are, and yeah they're
• 46:06
  Speaker 1: they're from Ozma of Oz.
• 46:09
  Speaker 2: Gotcha.
• 46:10
  Speaker 1: But there was also the woman that Dorothy comes comes
• 46:13
  Speaker 1: across who changes her head. Artsy actually had a script
• 46:16
  Speaker 1: about her, uh more similar character at one point where
• 46:20
  Speaker 1: you just changed the heads based on your emotion.
• 46:24
  Speaker 2: Yeah, well Man has that with Manny Faces.
• 46:28
  Speaker 1: So there fair okay, And to be fair, the next
• 46:33
  Speaker 1: two horror movies are going to talk about I just
• 46:35
  Speaker 1: simply didn't bother to watch because I saw they were
• 46:37
  Speaker 1: related to saw.
• 46:40
  Speaker 2: Okay, well, neither least one of.
• 46:42
  Speaker 1: Them, but the two links are the same, so they
• 46:44
  Speaker 1: will both looked, Oh.
• 46:46
  Speaker 2: I must have accidentally pasted the wrong link into one.
• 46:48
  Speaker 1: Of them is related to saw and I.
• 46:52
  Speaker 2: Know, yeah, we'll need to we'll need to fix that
• 46:55
  Speaker 2: before we before you uploaded as the show notes, just
• 46:59
  Speaker 2: so that way people aren't going to the wrong thing.
• 47:02
  Speaker 2: But the okay, excellent, So Twisted is it's about a
• 47:06
  Speaker 2: couple of hustlers, a couple of scam artists, and they're
• 47:09
  Speaker 2: running like a real estate scam where they are renting
• 47:14
  Speaker 2: out properties that they don't actually own, Like it's kind
• 47:19
  Speaker 2: of like the whole selling you the Brooklyn Bridge kind
• 47:21
  Speaker 2: of scam. But they end up trying to pull that
• 47:25
  Speaker 2: on a guy who's a surgeon, and the surgeon turns
• 47:28
  Speaker 2: the tables on them and captures them and plans to
• 47:30
  Speaker 2: do some medical experimentation on them, presumably with the intent
• 47:37
  Speaker 2: on expanding medical knowledge. But you know, it's one of
• 47:43
  Speaker 2: those things that's limited by the fact that we have
• 47:45
  Speaker 2: these pesky ethical laws that prevent us from doing those
• 47:48
  Speaker 2: kind of experiments on human subjects. So he's just going
• 47:51
  Speaker 2: to bypass that and do it on the these scam artists.
• 47:55
  Speaker 2: So if you're into like medical horror, that kind of
• 47:58
  Speaker 2: thing like something that was in Saw or the human
• 48:04
  Speaker 2: caterpillar or human cynipede. That's a incynipede. I don't know
• 48:07
  Speaker 2: if it goes that extreme. I don't know what the
• 48:10
  Speaker 2: medical process procedures are because that's not really revealed in
• 48:14
  Speaker 2: the trailer, but there is like surgical horror associated with it.
• 48:17
  Speaker 2: So this comes out February sixth. Not really my thing.
• 48:22
  Speaker 1: Yeah, not mine either. I feel like medical stuff, if
• 48:25
  Speaker 1: you have to go through it is scary enough on
• 48:27
  Speaker 1: its own. I don't need to add another layer of.
• 48:31
  Speaker 2: I just medical horror just never really appealed to me,
• 48:34
  Speaker 2: Like that's just not my brand of horror that I like.
• 48:36
  Speaker 2: I like ghost stories, I like really atmospheric ghost stories.
• 48:40
  Speaker 2: I'll watch other types of horror as well, but medical
• 48:44
  Speaker 2: horror was just one of those where I'm like, if
• 48:46
  Speaker 2: it's really well done, I'll watch it, but it's not
• 48:49
  Speaker 2: something I seek out. The last one is this is
• 48:53
  Speaker 2: not a test. This is a zombie movie, which you
• 48:56
  Speaker 2: might say, aren't we over zombies at this point, and
• 49:00
  Speaker 2: my answer to you is apparently not. It's called this
• 49:04
  Speaker 2: is not a test because it's about a group of
• 49:06
  Speaker 2: students who I believe are trespassing on school property when
• 49:10
  Speaker 2: there is a zombie outbreak, and then the students are
• 49:13
  Speaker 2: trying to work together to survive the zombie apocalypse. This
• 49:17
  Speaker 2: is actually an adaptation of a novel, which I did
• 49:19
  Speaker 2: not know until I was looking into it further. The
• 49:22
  Speaker 2: novelist is Courtney Summers, whom I'm not familiar with, so
• 49:26
  Speaker 2: I don't know anything about the book other than it exists.
• 49:29
  Speaker 2: This movie comes out February twentieth. I don't know. I'm
• 49:35
  Speaker 2: kind of over zombies, so it didn't look like it
• 49:39
  Speaker 2: was badly done. I just don't know that I find
• 49:41
  Speaker 2: zombie stories that interesting, and maybe this one because at
• 49:47
  Speaker 2: least the zombies are the actual threat, and it's not
• 49:50
  Speaker 2: something where the zombies only exist so that we can
• 49:52
  Speaker 2: learn how terrible human beings are to each other, because
• 49:55
  Speaker 2: that's like every other zombie story, right, It's like, Oh,
• 49:58
  Speaker 2: it turns out the zombies aren't really the problem, it's
• 50:00
  Speaker 2: all the other humans. Can we maybe have stuff where
• 50:04
  Speaker 2: people band together and help each other bust back to
• 50:09
  Speaker 2: glad Lands, because y'all, I can look out the window
• 50:13
  Speaker 2: and see the world falling apart. I kind of need
• 50:16
  Speaker 2: my fiction to be a little more hopeful.
• 50:19
  Speaker 1: Yeah, yeah, for sure. I I do like the thing
• 50:26
  Speaker 1: where the zombies are the real bad guys. I like
• 50:29
  Speaker 1: stories like that a lot better, especially if they're cheeky.
• 50:32
  Speaker 1: Was this one cheeky at all?
• 50:34
  Speaker 2: A little bit like it? Certainly it doesn't go as
• 50:37
  Speaker 2: far as something like hot Sean of the Dead. It
• 50:40
  Speaker 2: doesn't go that far, but you know, it had like
• 50:45
  Speaker 2: little moments. It just it feels like it leans a
• 50:49
  Speaker 2: little harder on horror than comedy. But there is some
• 50:53
  Speaker 2: humor in there too.
• 50:55
  Speaker 1: Yeah, okay, I was just asking because one of my
• 50:58
  Speaker 1: friends reminded me of The Holiday of Anna versus the Apocalypse,
• 51:02
  Speaker 1: which apparently was a really great zombie movie and a
• 51:05
  Speaker 1: really great Christmas musical.
• 51:07
  Speaker 2: I was about to say it's also a musical. I
• 51:09
  Speaker 2: did not know it was a musical when I started
• 51:10
  Speaker 2: watching it, Like I knew it was a zombie movie,
• 51:13
  Speaker 2: but I did so when the when the musical thing started,
• 51:16
  Speaker 2: I was like, what the hell is happening?
• 51:19
  Speaker 1: Did you enjoy it?
• 51:21
  Speaker 2: No? I did not. I did not like it like
• 51:24
  Speaker 2: I wanted to like it. I watched the whole thing.
• 51:27
  Speaker 2: I wanted to like it.
• 51:28
  Speaker 1: I did not, but I mean I do like Yeah,
• 51:32
  Speaker 1: so I like stuff like Hot Fuzz or Shanna the Dead.
• 51:35
  Speaker 2: So you did the same thing I did. I said
• 51:38
  Speaker 2: hot Fuzz first too.
• 51:39
  Speaker 1: Yeah. I didn't finish Daybreak, but I enjoyed Daybreak. Warm bodies,
• 51:44
  Speaker 1: Yeah stuff that any warm bodies. The zombies weren't necessarily
• 51:49
  Speaker 1: the villains.
• 51:50
  Speaker 2: But yeah, all right, Well let's move on to stuff
• 51:54
  Speaker 2: that's actually in our lineup. We've got a decent number
• 51:57
  Speaker 2: of them this time. Some of them also dip into
• 52:01
  Speaker 2: the horror hutch area, but they were ones that Ariel
• 52:04
  Speaker 2: felt confident she could watch, so we concluded them on
• 52:07
  Speaker 2: this side. Though I didn't ask you about the Dreadful
• 52:09
  Speaker 2: before I put it in there.
• 52:11
  Speaker 1: No, that's that's fine. I have thoughts and it was fine.
• 52:16
  Speaker 2: Well, total we start. We start off with yet another
• 52:19
  Speaker 2: Avengers doomsday teaser, because you know, they just kept keep
• 52:23
  Speaker 2: coming out to keep to keep blood pumping in Avatar,
• 52:27
  Speaker 2: fire and ash Uh. This one features characters from Wakanda
• 52:33
  Speaker 2: as well as a foursome that are pretty fantastic, although
• 52:37
  Speaker 2: we only see one of them.
• 52:39
  Speaker 1: Yeah, the the other the other trailer teasers kind of
• 52:47
  Speaker 1: made me feel like, why are we showing this. This
• 52:49
  Speaker 1: one actually shows us. It looks like something from the movie.
• 52:53
  Speaker 1: But the thing it shows us from the movie I
• 52:55
  Speaker 1: think would have been better as a reveal in the movie.
• 52:58
  Speaker 2: Maybe I don't know that I would care. I didn't
• 53:01
  Speaker 2: care in the teaser, so I don't know that I
• 53:02
  Speaker 2: would care in the movie.
• 53:04
  Speaker 1: I mean, like, I am excited about seeing more of
• 53:07
  Speaker 1: nay More. I liked the design of the culture.
• 53:14
  Speaker 2: I wouldn't mind seeing more of Inmbaku.
• 53:17
  Speaker 1: Yes, I love Imbaku. Winston Duke is amazing as that character, Like,
• 53:23
  Speaker 1: seriously my favorite character of the first Black Panther movie
• 53:27
  Speaker 1: because I like cheeky people. Yeah, yeah, so I'm excited
• 53:34
  Speaker 1: to see him, and I honestly think seeing Imbacu and
• 53:38
  Speaker 1: Ben Grimm together is brilliant. But I would have loved
• 53:41
  Speaker 1: that excitement as a reveal in the movie. That's where
• 53:45
  Speaker 1: I'm at.
• 53:46
  Speaker 2: Well, that's a bummer. That's a bummer, Like it's not
• 53:51
  Speaker 2: something that I was looking for, Like I wasn't like, gosh,
• 53:53
  Speaker 2: I sure hope we get a no some screen time
• 53:55
  Speaker 2: with these two characters interacting with each other. Like I
• 53:58
  Speaker 2: honestly couldn't care us It's just my disenchantment with Marvel. Like,
• 54:06
  Speaker 2: I'm not one of those those jerks on YouTube who
• 54:10
  Speaker 2: just immediately bemoans everything about Marvel. I'm not that bad,
• 54:15
  Speaker 2: but I certainly am. You know, I'm not excited about this,
• 54:21
  Speaker 2: like I wish I were. Maybe I will be when
• 54:24
  Speaker 2: we get closer to release, but really, honestly, so far,
• 54:28
  Speaker 2: I'm just like, yeah, a lot of people we know
• 54:30
  Speaker 2: are in this movie. Yeah there's another one.
• 54:37
  Speaker 1: Yeah, which is kind of also how I feel about
• 54:40
  Speaker 1: the Netflix's what Next little clip they released.
• 54:45
  Speaker 2: Yeah, I felt like this. I felt like we saw
• 54:47
  Speaker 2: something similar to this toward the end of last year,
• 54:50
  Speaker 2: where it was again just a bunch of quick looks
• 54:54
  Speaker 2: at various upcoming films and series that Netflix is going
• 54:59
  Speaker 2: to feature in twenty twenty six. In this case, it
• 55:02
  Speaker 2: was done with a little framing device, like through narrative
• 55:07
  Speaker 2: of a young woman being having her fortune told and
• 55:10
  Speaker 2: finding herself being plunged literally plunged into the different stories
• 55:15
  Speaker 2: and worlds like usually thrown around like that. I can
• 55:19
  Speaker 2: only imagine what that shooting schedule must have been like
• 55:21
  Speaker 2: for her, where she's like, Okay, we're gonna dangle you
• 55:23
  Speaker 2: from this harness and we need you to flail your
• 55:25
  Speaker 2: arms and legs and scream like a lot.
• 55:29
  Speaker 1: Well also, and just from a technical standpoint, they had
• 55:33
  Speaker 1: a lot of actors and sets from all the other
• 55:36
  Speaker 1: shows yeah, in there that were specific to that show. So,
• 55:39
  Speaker 1: like they got Millie Bobby Brown as Inola Holmes, Sorry
• 55:43
  Speaker 1: Millie Bonnie bon Jovi, she changed her name when she
• 55:46
  Speaker 1: adopted her her baby. They they had her as in
• 55:53
  Speaker 1: Nola Holmes interact with this girl. They had I think
• 55:56
  Speaker 1: Anthony from Bridgerton interact with this girl.
• 55:59
  Speaker 2: So I'm curious if Killian Murphy actually was on set
• 56:04
  Speaker 2: with her or if that was a composite shot where
• 56:07
  Speaker 2: it was literally taken from an episode of Peaky Blinders
• 56:09
  Speaker 2: and they just inserted her in there, because I was like,
• 56:13
  Speaker 2: I mean, I guess if Killian Murphy's deal included a
• 56:17
  Speaker 2: requirement that he'd do that, he would do it, but
• 56:21
  Speaker 2: it seems so beneath him.
• 56:23
  Speaker 1: Yeah, there were one or two moments that could have
• 56:25
  Speaker 1: been composite, but there were several that obviously were not.
• 56:29
  Speaker 2: Yeah, but we we got lots of quick shots of
• 56:31
  Speaker 2: things like Bridgerton one piece, Peaky Blinders, Sesame Street. Sesame
• 56:37
  Speaker 2: Street included an adorable moment where she gets transformed into
• 56:40
  Speaker 2: a puppet.
• 56:41
  Speaker 1: I love it. I just it was fun. But it
• 56:47
  Speaker 1: was just a lot of like little moments, like I
• 56:51
  Speaker 1: know that show's coming out. Sesame Street was maybe the
• 56:53
  Speaker 1: most fun bit.
• 56:55
  Speaker 2: Yeah. Yeah. We also got a trailer for an Apple
• 57:00
  Speaker 2: TV series, the second season of Monarch Legacy of Monsters.
• 57:05
  Speaker 2: Did you start watching the first season?
• 57:08
  Speaker 1: I have been trying, So I watched the first two
• 57:13
  Speaker 1: episodes on a plane a couple of years ago, because
• 57:18
  Speaker 1: it's there's been a big break because of everything between
• 57:21
  Speaker 1: season one and season two of this show on Apple,
• 57:24
  Speaker 1: so much so that I didn't think we were getting
• 57:25
  Speaker 1: a season two at the time. I didn't have Apple TV.
• 57:30
  Speaker 1: But I really enjoyed it because it gave me It
• 57:34
  Speaker 1: focuses more on the people than the monsters, which I
• 57:40
  Speaker 1: really liked, and it gave me kind of like a
• 57:44
  Speaker 1: a lost vibe, but in a good way, not in
• 57:49
  Speaker 1: a I just threw a bunch of darts at a
• 57:50
  Speaker 1: board full of story ideas way. So I have been
• 57:55
  Speaker 1: trying to get I want to watch it, and I
• 57:58
  Speaker 1: can watch it by myself, but I'm like, why not
• 58:00
  Speaker 1: make my partner sit down and watch it? With me.
• 58:03
  Speaker 1: So I've been trying to get him to watch it,
• 58:05
  Speaker 1: and you'll watch it at some point. We just haven't
• 58:06
  Speaker 1: found the right day or time to start it, but
• 58:09
  Speaker 1: it is on my list. I love the fact that
• 58:14
  Speaker 1: they cast Kurt Russell and Wyatt Russell is the same character.
• 58:19
  Speaker 2: Yeah, that's kind of cool throughout time.
• 58:22
  Speaker 1: That's just brilliant and amazing, and I bet it's wonderful
• 58:25
  Speaker 1: for them too if they ever get to act together,
• 58:27
  Speaker 1: although they might never share the set together knowing how
• 58:30
  Speaker 1: filming schedules go. The season two looks really good. They're
• 58:35
  Speaker 1: introducing a new monster, which looks really good. The effects
• 58:40
  Speaker 1: in the show are really good, so I'm excited for it.
• 58:43
  Speaker 2: Kong shows up, Kong shows up.
• 58:46
  Speaker 1: Yeah, I just don't know how because it's done by
• 58:50
  Speaker 1: the same group of people. Essentially, the movies can be
• 58:53
  Speaker 1: so crap, and this TV show can be so intriguing.
• 58:57
  Speaker 1: Maybe it's because they focus on the people.
• 58:59
  Speaker 2: Maybe. So this will launch on February twenty seventh. Yeah,
• 59:05
  Speaker 2: you like You see a little scene in the trailer
• 59:07
  Speaker 2: of a rift opens up between Earth and a world
• 59:12
  Speaker 2: of monsters, and that's where the monster kind of invades
• 59:15
  Speaker 2: into Earth and then apparently Kong lays down some smack
• 59:21
  Speaker 2: at some point. So, yeah, if you're into monster stuff,
• 59:24
  Speaker 2: like Ariel is this, this could be something for you
• 59:27
  Speaker 2: to check out. I've never been a big monster movie
• 59:30
  Speaker 2: kind of dude. I did like that Godzilla movie we
• 59:35
  Speaker 2: mentioned earlier. I did like that one, and I like
• 59:39
  Speaker 2: the original King Kong. I never saw Peter Jackson's version.
• 59:43
  Speaker 2: I never saw any of like the Skull Island stuff.
• 59:45
  Speaker 2: I haven't seen any of that. So this is not
• 59:48
  Speaker 2: my that's just not my bag.
• 59:50
  Speaker 1: I like the character of King Kong. I like the
• 59:52
  Speaker 1: idea of King Kong. The movie King Kong is heartbreaking.
• 59:56
  Speaker 2: Well yeah, that's the point. Yeah, it's a try. It's
• 1:00:00
  Speaker 2: a tragic Beauty and the Beast kind of story, like, yeah,
• 1:00:03
  Speaker 2: it's meant to make you sad.
• 1:00:05
  Speaker 1: Yeah, so I don't like it, but I do like
• 1:00:07
  Speaker 1: the concept of the character.
• 1:00:08
  Speaker 2: Its succeeded in what they tried to do, and I
• 1:00:10
  Speaker 2: hate them for it.
• 1:00:12
  Speaker 1: Yes, yes, But but now I wonder if you would
• 1:00:17
  Speaker 1: like this show, knowing the things that you did, like.
• 1:00:20
  Speaker 2: Maybe I'll check out. Like, because I've got Apple TV,
• 1:00:22
  Speaker 2: I can always sit down and watch like an episode
• 1:00:25
  Speaker 2: of the first season and see if it resonates with me.
• 1:00:27
  Speaker 2: I should do that and see, because it may be
• 1:00:31
  Speaker 2: that's one of those things where it's like, man, I
• 1:00:33
  Speaker 2: shouldn't have been holding out, or maybe I'll think, man,
• 1:00:35
  Speaker 2: I'm glad I held out because now season two is
• 1:00:38
  Speaker 2: coming out and I don't have to wait three years
• 1:00:40
  Speaker 2: or whatever.
• 1:00:41
  Speaker 1: Well, if you do watch it, I am interested to
• 1:00:45
  Speaker 1: hear your thoughts on it, because I know if I do.
• 1:00:48
  Speaker 2: Play sure, sure, well, it's kind of like if I
• 1:00:51
  Speaker 2: made you watch you know, some of the horror movies.
• 1:00:53
  Speaker 2: I like. You know, there's things that I genuinely find
• 1:00:57
  Speaker 2: entertaining that you would probably like not enjoy, And you know,
• 1:01:02
  Speaker 2: I can't expect you to enjoy it just because I'm
• 1:01:05
  Speaker 2: willing it super hard, right that that doesn't really work.
• 1:01:09
  Speaker 2: But we'll see. This might very well be one of
• 1:01:11
  Speaker 2: those things where I find the characters really compelling and
• 1:01:15
  Speaker 2: I want to learn more about them and see them
• 1:01:17
  Speaker 2: interact in this you know, weird environment with all these
• 1:01:21
  Speaker 2: giant monsters and stuff. We'll see. We'll also see if
• 1:01:25
  Speaker 2: I will go and watch Scream seven Legacy. If I do,
• 1:01:30
  Speaker 2: I feel like I need to do some homework because
• 1:01:32
  Speaker 2: I think i've mentioned before. I don't think I've seen
• 1:01:34
  Speaker 2: any Scream films after the third.
• 1:01:36
  Speaker 1: One, which is the best one, so.
• 1:01:40
  Speaker 2: It's Ariel's favorite. I think my favorite is still the
• 1:01:44
  Speaker 2: first one because it was just such a surprise. It
• 1:01:46
  Speaker 2: was such a great surprise. But yeah, I haven't. We
• 1:01:51
  Speaker 2: saw the trailer now for Scream seven Legacy. We had
• 1:01:53
  Speaker 2: talked about this one before because we got a teaser
• 1:01:56
  Speaker 2: not too long ago. But the basic premise is that
• 1:01:59
  Speaker 2: I'm new ghost Face Killer has targeted Sidney, that's Nev
• 1:02:05
  Speaker 2: Campbell's character, Sidney's daughter, and is saying that he's going
• 1:02:10
  Speaker 2: to kill the daughter or hurt the daughter, but not
• 1:02:13
  Speaker 2: until Sidney is there to witness it happening. So very
• 1:02:17
  Speaker 2: sinister and you know, psychotic. And I've heard that lots
• 1:02:25
  Speaker 2: of actors from the previous screen movies are going to
• 1:02:29
  Speaker 2: show up in this, like Matthew Lillard, and I'm thinking,
• 1:02:32
  Speaker 2: who's he gonna play. He cannot possibly play the character
• 1:02:37
  Speaker 2: he played in Stream one because that character died like
• 1:02:41
  Speaker 2: dead dead, and Matthew Lillard playing a teenager then was
• 1:02:46
  Speaker 2: a little bit of a stretch, but now would be
• 1:02:48
  Speaker 2: an enormous stretch unless you just say, oh no, it
• 1:02:51
  Speaker 2: turns out he lived.
• 1:02:53
  Speaker 1: Yeah, it's because I was about to say it could
• 1:02:56
  Speaker 1: be in a flashback, but he has aged quite a bit.
• 1:02:58
  Speaker 1: He still looks great, but he does. Yeah, he doesn't
• 1:03:00
  Speaker 1: look like he can't pass.
• 1:03:01
  Speaker 2: I mean, it would be funny if they just did
• 1:03:04
  Speaker 2: it without even trying to explain it away. And he's
• 1:03:07
  Speaker 2: just supposed to be a teenager. That would be that's
• 1:03:09
  Speaker 2: like wet hot American summer style jokes there.
• 1:03:13
  Speaker 1: Yeah. Yeah, he is no longer thirty passing as seventeen.
• 1:03:18
  Speaker 2: Yeah, but I have no idea what any of the like.
• 1:03:22
  Speaker 2: I think David Arquette is supposed to be in this too,
• 1:03:26
  Speaker 2: and I'm pretty sure his character got killed in one
• 1:03:28
  Speaker 2: of the I never saw that happen because he was
• 1:03:30
  Speaker 2: still alive at the end of Screen three, but I'm
• 1:03:32
  Speaker 2: pretty sure he got killed in one of the screen
• 1:03:34
  Speaker 2: movies too.
• 1:03:36
  Speaker 1: Yeah, that's what I've heard as well. Yeah, I'm super
• 1:03:38
  Speaker 1: interested to see what happens.
• 1:03:41
  Speaker 2: Yeah, it comes out February twenty seventh, so where I
• 1:03:45
  Speaker 2: got a little bit of time to watch those other
• 1:03:47
  Speaker 2: movies so I can at least at least have an appreciation.
• 1:03:50
  Speaker 2: I know, there's not like a ton of continuity from
• 1:03:53
  Speaker 2: film to film. But I think what watching all those
• 1:03:57
  Speaker 2: movies helps you do is it helps you say, well,
• 1:04:02
  Speaker 2: they've done this kind of twist in this movie, and
• 1:04:05
  Speaker 2: this kind of twists and this other one, So it
• 1:04:07
  Speaker 2: kind of helps you eliminate possibilities because you're like, they're
• 1:04:11
  Speaker 2: surely not going to repeat themselves.
• 1:04:13
  Speaker 1: Yeah. Yeah, I mean, I was supposed to watch Scream
• 1:04:16
  Speaker 1: four this Halloween and that didn't happen.
• 1:04:19
  Speaker 2: But oh wow. Then we get a full trailer for
• 1:04:24
  Speaker 2: One Piece season two. Now, I never watched the anime
• 1:04:28
  Speaker 2: and I have not seen season one of the live action,
• 1:04:31
  Speaker 2: but I will say after watching this trailer, I kind
• 1:04:34
  Speaker 2: of want to change that because it's so bonkers.
• 1:04:38
  Speaker 1: It is bonkers. So I tried watching season one of
• 1:04:41
  Speaker 1: One Piece the live Action on Netflix, and the first
• 1:04:45
  Speaker 1: couple of episodes felt very like kitty and cheesy, which
• 1:04:48
  Speaker 1: I expected, but a little more kiddy than I expected.
• 1:04:51
  Speaker 2: Huh.
• 1:04:52
  Speaker 1: However, this trailer looks great, and the trailer at least
• 1:04:57
  Speaker 1: the characters are not acting in the way that annoyed
• 1:04:59
  Speaker 1: me at the very beginning of season one. So I
• 1:05:01
  Speaker 1: want to go back and finish season one so I
• 1:05:03
  Speaker 1: can watch season two and not just because David Destmalian
• 1:05:06
  Speaker 1: is in it.
• 1:05:07
  Speaker 2: Well, the fact that there's a character who at one
• 1:05:10
  Speaker 2: point has a wig that's hiding a series of cannons
• 1:05:13
  Speaker 2: in it just made me go, like, what I mean.
• 1:05:17
  Speaker 1: The main character can stretch out like mister fantastic, It's
• 1:05:21
  Speaker 1: it is a bonkers show.
• 1:05:22
  Speaker 2: Is it ever explained how he can do that? Or
• 1:05:26
  Speaker 2: I don't know? Okay, so I ask.
• 1:05:30
  Speaker 1: I have been interested in One Piece and for a
• 1:05:32
  Speaker 1: long time, but by the time I got interested in it,
• 1:05:35
  Speaker 1: by the time it came across my radar, the comic
• 1:05:38
  Speaker 1: books and the anime cartoon were both so far in
• 1:05:42
  Speaker 1: there was no way. There was no way I could
• 1:05:44
  Speaker 1: do it.
• 1:05:45
  Speaker 2: That is I have heard like, this is like a
• 1:05:47
  Speaker 2: really long running series, and one of the things that
• 1:05:49
  Speaker 2: prevents people from getting into it is just that you
• 1:05:52
  Speaker 2: feel like like if you were to get into it now,
• 1:05:55
  Speaker 2: you would only be watching old stuff. For you, it
• 1:05:59
  Speaker 2: would take you forever to catch up, Like it's just
• 1:06:02
  Speaker 2: it's been going on for too long.
• 1:06:03
  Speaker 1: As of early twenty twenty six, the One Piece anime
• 1:06:06
  Speaker 1: series has over one and fifty five episodes.
• 1:06:11
  Speaker 2: Yikes. Yeah, that's like a prison sentence.
• 1:06:17
  Speaker 1: Again in nineteen ninety nine, which great. Great that they've
• 1:06:20
  Speaker 1: been so long running and that people like it so much,
• 1:06:23
  Speaker 1: that is awesome.
• 1:06:23
  Speaker 2: Absolutely, Yeah, it is intimidating to figure out where do
• 1:06:27
  Speaker 2: you jump in do you go from the beginning, because like,
• 1:06:30
  Speaker 2: if it's if it's your typical series, there's gonna be
• 1:06:32
  Speaker 2: people like okay, so it's not gonna get good until
• 1:06:35
  Speaker 2: you get six years into it. I have.
• 1:06:40
  Speaker 1: I have almost burned some friendships by being like, no,
• 1:06:43
  Speaker 1: you have to watch Lost with me. It's so much fun,
• 1:06:45
  Speaker 1: but you have to watch past the first ten episodes.
• 1:06:49
  Speaker 2: Yeah, because she knows I dropped off before that. I
• 1:06:53
  Speaker 2: did not get that far.
• 1:06:55
  Speaker 1: Well, like the end, a lot of people didn't like,
• 1:06:57
  Speaker 1: so I don't push it anymore.
• 1:06:59
  Speaker 2: But yeah, well, One Piece Season two launches on March tenth,
• 1:07:04
  Speaker 2: and this is a Netflix show, so if you have Netflix,
• 1:07:07
  Speaker 2: you'll be able to catch it there. Next we finally
• 1:07:09
  Speaker 2: get to the whole bloody affair. We got a trailer
• 1:07:14
  Speaker 2: for the bluff we had talked about this This is
• 1:07:16
  Speaker 2: the pirate movie, apparently set in eighteen forty six, which
• 1:07:21
  Speaker 2: confused me again because I think I read somewhere it
• 1:07:23
  Speaker 2: was supposed to be in the late eighteen hundreds, and
• 1:07:25
  Speaker 2: that's the mid eighteen hundreds. But at least explains why
• 1:07:30
  Speaker 2: one of the characters is carrying a revolver, because those
• 1:07:33
  Speaker 2: were invented around eighteen twenty three, so at least it's consistent.
• 1:07:38
  Speaker 2: But yeah, this is the one where it's the pirate
• 1:07:42
  Speaker 2: slash mafia revenge movie that we talked about last week.
• 1:07:47
  Speaker 1: It is interesting because even though it is set in
• 1:07:50
  Speaker 1: the past, there were certain moments that felt a little
• 1:07:53
  Speaker 1: modern for me.
• 1:07:55
  Speaker 2: Yeah. Yeah, well, I forget, what's the name of the
• 1:07:59
  Speaker 2: guy who plays the captain who's coming after her? Country
• 1:08:05
  Speaker 2: music Australian country music singersread, oh like Carl Urban, right,
• 1:08:12
  Speaker 2: I'm not going to do it to you two episodes
• 1:08:14
  Speaker 2: in a row. Yeah, Carl Urban plays a captain who
• 1:08:18
  Speaker 2: is seeking his former captain, whom he thinks has betrayed
• 1:08:24
  Speaker 2: him and stolen treasure that was rightfully the cruise or whatever.
• 1:08:28
  Speaker 2: And then it turns out that this former female captain
• 1:08:34
  Speaker 2: is very capable of protecting herself and her family through
• 1:08:38
  Speaker 2: the use of extreme violence. This was possibly the bloodiest
• 1:08:45
  Speaker 2: trailer I've seen in a really long time.
• 1:08:48
  Speaker 1: Yeah, there was there was one particular moment in the trailer,
• 1:08:51
  Speaker 1: So there's a lot of scary stuff, and there's a
• 1:08:53
  Speaker 1: lot of scary stuff that happens to her, and so
• 1:08:55
  Speaker 1: I feel like the extreme violence that she did felt justified.
• 1:08:58
  Speaker 1: She's also trying to keep her daughter safe. Right, hard
• 1:09:02
  Speaker 1: to watch, similar similar to how The Hunters is hard
• 1:09:05
  Speaker 1: to watch the TV show about hunting Nazis in the
• 1:09:10
  Speaker 1: seventies because it's it's very violent and there's a lot
• 1:09:15
  Speaker 1: of like just upsetting stuff that happens. But I did
• 1:09:21
  Speaker 1: find it intriguing. Uh. And there was one particular moment
• 1:09:25
  Speaker 1: that I thought was especially visceral, and it's when she
• 1:09:29
  Speaker 1: attacks a guy's leg by cutting up.
• 1:09:31
  Speaker 2: It and oh, yeah, she's got a knife shoved into
• 1:09:35
  Speaker 2: his leg in the lower thigh and she's pulling the
• 1:09:38
  Speaker 2: knife up the thigh, so she's cutting, she's cutting length
• 1:09:43
  Speaker 2: wise up the thigh, and yeah, it looks it looks
• 1:09:49
  Speaker 2: incredibly brutal.
• 1:09:51
  Speaker 1: I am very thankful that at least in the trailer,
• 1:09:53
  Speaker 1: and I hope in the TV show that they don't
• 1:09:56
  Speaker 1: show like a close up of that. You see it
• 1:09:57
  Speaker 1: happening from a distance, so it's not Yeah, it is
• 1:10:00
  Speaker 1: visceral and it's upsetting, but it's not super gory.
• 1:10:04
  Speaker 2: Yeah, yeah, you're the camera is set on the opposite
• 1:10:07
  Speaker 2: side of the guy's thigh, Yeah, the side that doesn't
• 1:10:09
  Speaker 2: have a nice sticking out of it at the moment. Yeah,
• 1:10:13
  Speaker 2: the whole fight sequence looks like she's got some real
• 1:10:17
  Speaker 2: Jackie Chan kind of moves on her too. But she
• 1:10:21
  Speaker 2: also seems really good at picking up practically anything and
• 1:10:24
  Speaker 2: using it as a lethal weapon, you know, whether it's
• 1:10:27
  Speaker 2: a machete or a rock. Yeah, so, yeah, definitely, it
• 1:10:34
  Speaker 2: looks visceral. I will probably check it out because I
• 1:10:37
  Speaker 2: love pirate stuff and I'm not bothered by extreme violence
• 1:10:41
  Speaker 2: on cinema. Usually there are exceptions. There have been a
• 1:10:45
  Speaker 2: few cases where I'm like, wow, that was too much
• 1:10:47
  Speaker 2: even for me. But this comes out February twenty fifth,
• 1:10:50
  Speaker 2: so I'll be checking it out.
• 1:10:52
  Speaker 1: I think I will also check it out. Yeah, there's
• 1:10:54
  Speaker 1: a lot of violence in some of it I might
• 1:10:56
  Speaker 1: have to turn away from, but it didn't look like
• 1:10:57
  Speaker 1: they were glorifying in any of it too much, if
• 1:11:01
  Speaker 1: that makes sense.
• 1:11:03
  Speaker 2: Yeah. Yeah, it'll be easier to say once we get
• 1:11:06
  Speaker 2: a chance to actually watch it, whether it feels like
• 1:11:08
  Speaker 2: it's just really violent or if it's actually glorifying violence,
• 1:11:12
  Speaker 2: you know. I mean we both also come from an
• 1:11:15
  Speaker 2: era where the glorification of violence was hand in hand
• 1:11:18
  Speaker 2: with action movies, right, Like that was how action movies
• 1:11:21
  Speaker 2: were made.
• 1:11:22
  Speaker 1: Yeah, which I think is one why I feel like
• 1:11:25
  Speaker 1: the violence in the trailer for the Bluff hits a
• 1:11:27
  Speaker 1: little harder because again it's rough, but it's what would
• 1:11:30
  Speaker 1: you do in that situation? You would do anything you
• 1:11:32
  Speaker 1: could to survive it, right, right, Yeah, so it feels
• 1:11:36
  Speaker 1: a little bit almost more real. But also, yeah, it
• 1:11:42
  Speaker 1: looks very interesting to me. I'll probably watch it as well.
• 1:11:45
  Speaker 2: What about The Bride? We got a full trailer for
• 1:11:48
  Speaker 2: the Bride. This is the one that Maggie Jillenhall is directing,
• 1:11:52
  Speaker 2: and it's I wrote Bonnie and Clyde meets Bride of
• 1:11:55
  Speaker 2: Frankenstein in my notes Bonnie and Bride, Bonnie and Bride. Yeah,
• 1:12:01
  Speaker 2: Bride and Clyde, Bride and Clyde.
• 1:12:04
  Speaker 1: I think this trailer sells it a little bit better
• 1:12:07
  Speaker 1: because it gives a slightly better through line on the plot. Yeah,
• 1:12:13
  Speaker 1: of like this, this main character did not want to
• 1:12:17
  Speaker 1: be turned into the bride, but then she does, and
• 1:12:19
  Speaker 1: she kind of embraces it after a while it seems
• 1:12:22
  Speaker 1: like I'm still it still feels a little disjointed. It's
• 1:12:27
  Speaker 1: still I don't know, it still hasn't grabbed me.
• 1:12:30
  Speaker 2: I'm wondering if Maggie Jillenhall was like kicking herself when
• 1:12:34
  Speaker 2: Pretty Things came out, because it's giving me out Poor Things. Yeah,
• 1:12:39
  Speaker 2: it's giving me. It's giving me some echoes of Poor Things,
• 1:12:43
  Speaker 2: and I'm like, oh, this is kind of like Poor Things,
• 1:12:45
  Speaker 2: but it looks like it's flashier and not as interesting
• 1:12:49
  Speaker 2: to me. Not that it's done poorly, but I thought
• 1:12:52
  Speaker 2: Poor Things was more intriguing from the trailer versus The Bride.
• 1:12:58
  Speaker 1: Did you end up watching Poor Things?
• 1:13:00
  Speaker 2: I haven't watched it yet. I've learned more about it
• 1:13:02
  Speaker 2: since then, where I'm like, I'm gonna need to be
• 1:13:04
  Speaker 2: in our particular headspace to watch this movie.
• 1:13:08
  Speaker 1: Yeah. I watched it simply because I learned about how
• 1:13:11
  Speaker 1: Emma Stone had to film it and I wanted to
• 1:13:17
  Speaker 1: watch her acting process. Yeah, because it's super impressive and
• 1:13:22
  Speaker 1: I thought it would be great from a standpoint of
• 1:13:24
  Speaker 1: like learning the craft. But the story was a lot.
• 1:13:29
  Speaker 2: Well, and again, like just based on trailers, I found
• 1:13:33
  Speaker 2: the Poor Things trailers to be much more like they
• 1:13:35
  Speaker 2: grabbed me more than the Bride trailer has the Bride.
• 1:13:40
  Speaker 2: I don't know. There's kind of like a surface level
• 1:13:43
  Speaker 2: of flashiness that makes me think of things like Sin City.
• 1:13:47
  Speaker 2: Not that it looks anything like sin City, but sin
• 1:13:50
  Speaker 2: City was so stylized it was more style than substance. Right,
• 1:13:54
  Speaker 2: this feels like it's a little better balanced. It doesn't
• 1:13:57
  Speaker 2: feel like it's sacrificing all substance for the purpose of style,
• 1:14:02
  Speaker 2: but definitely feel stylized, heavily stylized.
• 1:14:05
  Speaker 1: I so I love noir, and I love that era
• 1:14:09
  Speaker 1: of like gangster, old timey gangster kind of story. It has,
• 1:14:14
  Speaker 1: it has I said, this is when the Teezer came out.
• 1:14:18
  Speaker 1: It has everything I should love in a movie. It
• 1:14:21
  Speaker 1: has so many things I love, and it just doesn't
• 1:14:23
  Speaker 1: put it together. It feels like all style and no
• 1:14:25
  Speaker 1: substance to me.
• 1:14:27
  Speaker 2: Okay, well, maybe we'll get another trailer that'll change our minds. Like,
• 1:14:31
  Speaker 2: I don't think it looks bad and it may be
• 1:14:34
  Speaker 2: very entertaining. It just again doesn't It didn't capture my
• 1:14:38
  Speaker 2: imagination the way Poor Things did, But that that doesn't
• 1:14:43
  Speaker 2: mean that this is bad. It comes out March sixth,
• 1:14:45
  Speaker 2: I will probably watch this because I am curious if
• 1:14:51
  Speaker 2: they can make this into some sort of Bonnie and
• 1:14:54
  Speaker 2: Clyde kind of horror story.
• 1:14:58
  Speaker 1: Possibly it would be successful.
• 1:15:00
  Speaker 2: Yeah, possibly with Bonnie turning against Clyde at some point
• 1:15:04
  Speaker 2: in this version. Next, we've got a trailer for a
• 1:15:08
  Speaker 2: gothic horror film called The Dreadful, which also serves as
• 1:15:12
  Speaker 2: a reunion to two Game of Thrones actors, because Sophie
• 1:15:16
  Speaker 2: Turner and Kit Harrington are both in it.
• 1:15:18
  Speaker 1: Yeah. Yeah, so you got to get past the fact
• 1:15:20
  Speaker 1: that they played cousins in.
• 1:15:22
  Speaker 2: Game of Thrones and actually they were siblings.
• 1:15:27
  Speaker 1: Siblings, kind of half siblings.
• 1:15:30
  Speaker 2: They weren't. It turned out they weren't. They were cousins,
• 1:15:33
  Speaker 2: but they thought they were siblings. Siblings. Well spoiler for
• 1:15:39
  Speaker 2: Game of Thrones.
• 1:15:41
  Speaker 1: Sophie Turner plays a woman whose husband has gone away
• 1:15:45
  Speaker 1: and her mom is into some shady stuff.
• 1:15:49
  Speaker 2: Yeah, her mom is like or her mother in law. Really,
• 1:15:53
  Speaker 2: I think it's I think it's her husband's mother who
• 1:15:56
  Speaker 2: is possessive and paranoid. And then she encounters a man
• 1:16:05
  Speaker 2: who was friends with her husband, someone she knows that's
• 1:16:09
  Speaker 2: played by Kit Harrington, and it turns out that her
• 1:16:13
  Speaker 2: husband apparently has died in the war, and Kit Harrington
• 1:16:17
  Speaker 2: survived and comes back, and the two of them begin
• 1:16:21
  Speaker 2: to kindle a relationship very much against the wishes of
• 1:16:25
  Speaker 2: the mother in law, who does not want that to
• 1:16:28
  Speaker 2: happen at all, And you get some pretty crazy stuff. So,
• 1:16:31
  Speaker 2: like the little description I pulled was set in the
• 1:16:36
  Speaker 2: fifteenth century, during the Wars of the Roses, Anne and
• 1:16:40
  Speaker 2: her mother in law Morwin, exist on the outskirts of
• 1:16:43
  Speaker 2: society when someone from their past re enters their life,
• 1:16:47
  Speaker 2: which is like the most vague description I've ever seen.
• 1:16:50
  Speaker 2: And you watch this trailer and you're like, hey, whoa,
• 1:16:52
  Speaker 2: there's some crazy stuff happening here.
• 1:16:55
  Speaker 1: Yeah, apparently it's based off of in nineteen sixty four
• 1:16:58
  Speaker 1: Japanese historical trauma.
• 1:17:01
  Speaker 2: Wow, interesting to me. I did not know that. Well,
• 1:17:06
  Speaker 2: I'll say, the trailer looks like like this film was
• 1:17:09
  Speaker 2: well made. I Yeah, I'm a little curious because it
• 1:17:14
  Speaker 2: definitely feels more like a psychological thriller than like it doesn't.
• 1:17:18
  Speaker 2: It doesn't feel like it's a supernatural horror. It feels
• 1:17:20
  Speaker 2: like it's a psychological horror kind of film.
• 1:17:23
  Speaker 1: Yeah, Yeah, it looks interesting to me. I don't mind
• 1:17:28
  Speaker 1: dark medieval stuff, right, it is fifteen hundreds of medieval.
• 1:17:33
  Speaker 2: Sure, I mean well in England. Yes, Like you could
• 1:17:36
  Speaker 2: argue the Renaissance didn't arrive till because this is fourteen hundreds,
• 1:17:40
  Speaker 2: fifteenth century, fourteen hundred, so this is this is before
• 1:17:44
  Speaker 2: you get you know, Henry the seventh winning out over
• 1:17:48
  Speaker 2: Richard the third. So that's and England came to the
• 1:17:52
  Speaker 2: Renaissance late because it's separated from the rest of the
• 1:17:55
  Speaker 2: continent by the English channel.
• 1:17:58
  Speaker 1: Yeah, yeah, so so yeah, I don't mind dark medieval stuff.
• 1:18:04
  Speaker 1: But it does look really scary.
• 1:18:06
  Speaker 2: Yeah, I thought it looked pretty intriguing. It comes out
• 1:18:10
  Speaker 2: February twentieth, so this might be one I check out.
• 1:18:13
  Speaker 2: It's all of the ones that I'm interested in. This
• 1:18:16
  Speaker 2: is kind of like at the bottom of the list,
• 1:18:18
  Speaker 2: not that it doesn't make the list, but it's not
• 1:18:21
  Speaker 2: like I won't prioritize it. In other words, you're.
• 1:18:24
  Speaker 1: More interested in the bluff than the dreadful.
• 1:18:27
  Speaker 2: I think I am okay, I think I am Yeah.
• 1:18:31
  Speaker 2: I'd love pirates, man, I love pirates, and I love
• 1:18:35
  Speaker 2: movie violence. I don't love real violence, but movie violence
• 1:18:39
  Speaker 2: is okay. Next up, we've got a trailer for a
• 1:18:44
  Speaker 2: Netflix series called How to Get to Heaven from Belfast,
• 1:18:50
  Speaker 2: which I think is from at least some of the
• 1:18:52
  Speaker 2: creators of Welcome to Dairy not Welcome to Day Dairy Girls.
• 1:18:57
  Speaker 2: Dairy Girls be amazing, though it would be, it would be.
• 1:19:03
  Speaker 2: This was my Keith Urban moment, and I told Ariel
• 1:19:06
  Speaker 2: she should take advantage and make fun of me whenever
• 1:19:09
  Speaker 2: I do this.
• 1:19:10
  Speaker 1: Yeah, we're too So we have this and then one
• 1:19:13
  Speaker 1: other thing to talk about. So I did my faux
• 1:19:17
  Speaker 1: pot at the beginning of the episode, and you ragged
• 1:19:20
  Speaker 1: me through the entire thing.
• 1:19:22
  Speaker 2: Yeah, I saved mine for the end.
• 1:19:24
  Speaker 1: He saved years for the end. And how the heck
• 1:19:26
  Speaker 1: am I gonna? Okay? So, yes, this story is about
• 1:19:29
  Speaker 1: Penny Wise chasing after some people from Ireland.
• 1:19:36
  Speaker 2: It's good.
• 1:19:37
  Speaker 1: It's going to be our next smashup.
• 1:19:41
  Speaker 2: The military has a truly crazy plan for Ireland. No,
• 1:19:46
  Speaker 2: it is Dairy Girls, not Welcome to Darry Yes.
• 1:19:49
  Speaker 1: Yes, And it follows these women. I think they're in
• 1:19:52
  Speaker 1: their thirties. I have a friend die and they go
• 1:19:55
  Speaker 1: to her funeral and then they realized that did she
• 1:19:57
  Speaker 1: or did she? It turns out to be a miss.
• 1:20:00
  Speaker 1: There might be some supernatural stuff in there. They try
• 1:20:03
  Speaker 1: to figure out what happened, and they go on this wild, crazy,
• 1:20:09
  Speaker 1: mad cap adventure to figure it out.
• 1:20:12
  Speaker 2: Yeah, it looks it looks it's a mystery comedy series,
• 1:20:15
  Speaker 2: and it looks wild because like the village they go
• 1:20:19
  Speaker 2: to is just apparently completely populated by weirdos. Yeah, yeah,
• 1:20:25
  Speaker 2: but yeah, it's a thing about like one of them
• 1:20:28
  Speaker 2: opens up the coffin that their friend is going to
• 1:20:31
  Speaker 2: be buried in and realizes that the body inside the
• 1:20:35
  Speaker 2: coffin is not their friend that they all believe to
• 1:20:38
  Speaker 2: be dead. So now they're wondering, like maybe she's actually
• 1:20:40
  Speaker 2: still alive, so they're trying to solve the mystery. This
• 1:20:44
  Speaker 2: comes out February twelfth. It does look like it's going
• 1:20:46
  Speaker 2: to be very funny. You might want to watch this
• 1:20:49
  Speaker 2: with subtitles on if you're not particularly good at sussing
• 1:20:55
  Speaker 2: out the Irish dialects, because they are pretty strong.
• 1:20:58
  Speaker 1: The kind of like the little teaser line for it
• 1:21:02
  Speaker 1: is cracking. This mystery will be some deadly crack, which
• 1:21:05
  Speaker 1: crackin Irish means fun.
• 1:21:08
  Speaker 2: Yeah, it's quite crack.
• 1:21:11
  Speaker 1: I mean it has a few meanings, but that's one
• 1:21:13
  Speaker 1: of them. And that's I like that word play.
• 1:21:15
  Speaker 2: So yeah. And then we have Send Help the Sam
• 1:21:21
  Speaker 2: Raimi Experience, which is really kind of a behind the
• 1:21:24
  Speaker 2: scenes short film, not even a short film. It's a
• 1:21:27
  Speaker 2: little behind the scenes video of the making of Send Help,
• 1:21:33
  Speaker 2: and also just the actors in Send Help talking about
• 1:21:38
  Speaker 2: what it's like making a movie with the legendary king
• 1:21:41
  Speaker 2: of schlocky horror, Sam Raimi, and it's fun. It's a
• 1:21:46
  Speaker 2: fun little insight into Sam Raimi's weird process.
• 1:21:51
  Speaker 1: Yeah, yeah, so Send Help. Did you talk about this
• 1:21:55
  Speaker 1: in your horror hutch at all?
• 1:21:56
  Speaker 2: We talked about it in a previous episode, because this
• 1:21:59
  Speaker 2: is the one where it's the CEO of a company
• 1:22:02
  Speaker 2: and one of the staff members of his company that
• 1:22:05
  Speaker 2: both get shipwrecked on an island, and on that island,
• 1:22:08
  Speaker 2: she turns the tables because she's the capable one and
• 1:22:11
  Speaker 2: he's injured. So then he's still trying to treat the
• 1:22:16
  Speaker 2: situation like the power dynamic from the office is still
• 1:22:20
  Speaker 2: in play, and she's like, oh no, that's not happening. Now,
• 1:22:24
  Speaker 2: that's not the world you're in. Now, we aren't in
• 1:22:26
  Speaker 2: a world where you're in charge. That's and then it
• 1:22:29
  Speaker 2: becomes kind of like a battle first a battle of
• 1:22:31
  Speaker 2: wills and then an actual battle between the two characters.
• 1:22:36
  Speaker 1: Yeah, I it's one that you talked about, but it
• 1:22:40
  Speaker 1: didn't like stick in my memory like a lot of
• 1:22:43
  Speaker 1: horror movies. But I do you like Rachel McAdams a lot.
• 1:22:47
  Speaker 1: This This little teaser thing does its job, though it
• 1:22:50
  Speaker 1: kind of makes me more interested in it just I was.
• 1:22:53
  Speaker 2: I was interested in this because I love the fantasy
• 1:22:57
  Speaker 2: of seeing someone who's fairly low on the ladder being
• 1:23:02
  Speaker 2: able to turn the tables on someone who otherwise just
• 1:23:05
  Speaker 2: makes their life miserable at work.
• 1:23:08
  Speaker 1: And I liked the idea of actors being like, yeah,
• 1:23:12
  Speaker 1: he does a lot of weird stuff, but it's very
• 1:23:14
  Speaker 1: collaborative and he gives us a lot of power in
• 1:23:16
  Speaker 1: the power to be creative in on set. And I
• 1:23:19
  Speaker 1: think that's wonderful because Sam Raimi has done some stuff
• 1:23:23
  Speaker 1: that I know has been uncomfortable for actors, like in
• 1:23:26
  Speaker 1: the Evil Dead TV show. Yeah, he did that right
• 1:23:29
  Speaker 1: where Bruce Campbell had to drown in so much fake blood.
• 1:23:35
  Speaker 2: Well, like I want to say that when they made
• 1:23:38
  Speaker 2: the first Evil Dead movie, Bruce Campbell at one point
• 1:23:41
  Speaker 2: showed that he could do a full flip and land
• 1:23:45
  Speaker 2: on his back right like a full front flip and
• 1:23:47
  Speaker 2: land on his back. And they decided to incorporate that
• 1:23:51
  Speaker 2: into the movie, which meant they had to do it
• 1:23:52
  Speaker 2: over and over and over again while they were getting
• 1:23:54
  Speaker 2: the shot. And that's when Bruce Campbell was like, Yeah,
• 1:24:00
  Speaker 2: don't show Sam what you can do unless you're able
• 1:24:02
  Speaker 2: to do it without injuring yourself, like a billion times
• 1:24:06
  Speaker 2: in a row. Send Help comes out January thirtieth. This one.
• 1:24:11
  Speaker 2: I'm actually really interested in this because I think the story, like,
• 1:24:16
  Speaker 2: I know, I'm going to be rooting for the psychopath.
• 1:24:18
  Speaker 2: I'm going to be rooting for the worker who has
• 1:24:23
  Speaker 2: like has the opportunity now to be the one in charge,
• 1:24:29
  Speaker 2: and she takes it to extremes, like it becomes clear
• 1:24:31
  Speaker 2: that she has kind of lost it. But I'm I'm
• 1:24:36
  Speaker 2: so like, let's eat the rich that I'm on her side.
• 1:24:40
  Speaker 1: Yeah, yeah, it looks fun, it looks good. I don't
• 1:24:44
  Speaker 1: think I will go to theaters for this, just because
• 1:24:46
  Speaker 1: I don't know if I'd be able to handle it.
• 1:24:48
  Speaker 2: This would be hard for me too, because like Sam
• 1:24:51
  Speaker 2: Raimi's recent stuff, I've watched, but I've only watched at home.
• 1:24:55
  Speaker 2: And I don't know how I would have coped in
• 1:24:59
  Speaker 2: the theater. Drag Me to Hell, for example, which is
• 1:25:01
  Speaker 2: not recent, that's from like more than a decade ago now,
• 1:25:06
  Speaker 2: but it's it is hard to watch in points, like
• 1:25:10
  Speaker 2: it's just so horrifying for me. Some people no problem
• 1:25:14
  Speaker 2: with that, But that one was like really intense in
• 1:25:17
  Speaker 2: certain parts, And I don't know if I would have
• 1:25:19
  Speaker 2: been able to comfortably endure that in a theater as
• 1:25:23
  Speaker 2: opposed to watching it at home, where I could pause
• 1:25:25
  Speaker 2: it if things got too intense and I could take
• 1:25:27
  Speaker 2: a moment to gather myself before it continued.
• 1:25:30
  Speaker 1: Yeah. Yeah, but I mean Doctor Stranger in the Multiverse
• 1:25:34
  Speaker 1: of Madness was perfectly fine to watch in a theater.
• 1:25:36
  Speaker 2: Yes, you know, one of his well known horror movies.
• 1:25:41
  Speaker 1: I mean it was one of his horror movies. It
• 1:25:44
  Speaker 1: happened he was so scary.
• 1:25:47
  Speaker 2: That wasn't Sam Raimi. That was the Coen Brothers.
• 1:25:54
  Speaker 1: It shows up on his I know that Multiverse Madness
• 1:25:58
  Speaker 1: was Sam Raimi, but it shows up in his IMDb. Oh,
• 1:26:01
  Speaker 1: because he was in the cast.
• 1:26:03
  Speaker 2: Yeah. I was about to say, Sam, There's no way
• 1:26:05
  Speaker 2: Sam Raimi directed Hudsucker Proxy. That's a Coen Brothers movie
• 1:26:08
  Speaker 2: like Raising Arizona.
• 1:26:09
  Speaker 1: This, Hey, audience, you already if you listened to us,
• 1:26:12
  Speaker 1: you already know and you're in the same boat. But
• 1:26:14
  Speaker 1: this is why you need to fact check and not
• 1:26:17
  Speaker 1: trust Google AI.
• 1:26:18
  Speaker 2: Yeah, because otherwise you start saying things like how to
• 1:26:20
  Speaker 2: Get to Heaven from Belfast was made from some of
• 1:26:23
  Speaker 2: the people from Welcome to Terry, And the more I
• 1:26:26
  Speaker 2: think about, the funnier that is.
• 1:26:28
  Speaker 1: Yeah. Yeah, I can't see. I can't make fun of
• 1:26:32
  Speaker 1: you now because I just said the Hudsucker Proxy was
• 1:26:33
  Speaker 1: a Sam Raimi production.
• 1:26:34
  Speaker 2: No, no, no, but that that one is, like, like,
• 1:26:38
  Speaker 2: the only reason I know that it's a Coen Brothers
• 1:26:41
  Speaker 2: movie is because I really like Hudsucker Proxy. It's an
• 1:26:45
  Speaker 2: outlier for the Coen Brothers. I don't think it's one
• 1:26:47
  Speaker 2: of their better movies. Like, I don't think I love it.
• 1:26:51
  Speaker 2: I love the movie. I love it. It is whimsical
• 1:26:54
  Speaker 2: and strange and fun and it has one of the
• 1:26:59
  Speaker 2: best for what's what's the actresses at Jennifer Jason Lee,
• 1:27:02
  Speaker 2: who's in it, but she plays a the actress Okay,
• 1:27:06
  Speaker 2: she plays a reporter and is doing a mid Atlantic
• 1:27:10
  Speaker 2: accent and just firing away at such a fast cadence.
• 1:27:15
  Speaker 2: She is so good. Bruce Campbell actually in an interview,
• 1:27:18
  Speaker 2: talked about how incredibly good she was and that it
• 1:27:21
  Speaker 2: intimidated him. He's like this, this actress who's like younger
• 1:27:25
  Speaker 2: than I am. She shows up and she knows her
• 1:27:28
  Speaker 2: lines and she performs at a level that is just insane.
• 1:27:32
  Speaker 2: It was scary, and I'm like, that's awesome. But but
• 1:27:36
  Speaker 2: like I think, in the great Canon and Cohen Brothers movies,
• 1:27:40
  Speaker 2: it isn't one of their best. Like I think, Oh,
• 1:27:42
  Speaker 2: Brother Where Art Thou is a masterpiece. You know he's
• 1:27:45
  Speaker 2: in Arizona.
• 1:27:47
  Speaker 1: I think Brother Where Art? That is the apex of
• 1:27:51
  Speaker 1: all of their creation.
• 1:27:52
  Speaker 2: Uh. No Country for Old Men is really good, but
• 1:27:56
  Speaker 2: it's not based on an original idea, right, That's an
• 1:27:59
  Speaker 2: adaptation of a novel. But it's a great movie.
• 1:28:03
  Speaker 1: I would also say that one's not fun, and I
• 1:28:05
  Speaker 1: like their funner stuff.
• 1:28:07
  Speaker 2: That's fair. It is not a fun movie. No Country
• 1:28:09
  Speaker 2: for Old Men is incredible, but it is not fun. Yeah,
• 1:28:15
  Speaker 2: I mean, Raising Arizona is fun, Oh Brother Art All
• 1:28:18
  Speaker 2: is fun, The Big Lebowski is fun. Burn After Reading
• 1:28:23
  Speaker 2: is fun, but not one of their better movies.
• 1:28:26
  Speaker 1: I only watched Like. I bought that when Blockbuster was
• 1:28:31
  Speaker 1: going out of business, so.
• 1:28:33
  Speaker 2: It was like fire sale kind of thing.
• 1:28:35
  Speaker 1: Yeah, it was it Blockbuster Either that or I bought
• 1:28:40
  Speaker 1: it in a five dollars bit at Walmart. Either way,
• 1:28:42
  Speaker 1: I bought it and then had it on my shelf
• 1:28:44
  Speaker 1: for years and only watched it in like the last
• 1:28:47
  Speaker 1: three Yeah.
• 1:28:49
  Speaker 2: I mean I like most of their movies, not all
• 1:28:52
  Speaker 2: of them, but most of them. But yeah, Hutsker Proxy
• 1:28:55
  Speaker 2: holds a special place in my heart because it is
• 1:28:57
  Speaker 2: it's so unlike their other movies. It's much more childlike
• 1:29:03
  Speaker 2: in its approach. And you know, I don't know that
• 1:29:08
  Speaker 2: it's a perfect movie or anything, but it is. It
• 1:29:11
  Speaker 2: is a lot of fun. How did we get off
• 1:29:12
  Speaker 2: on talking about Hudsucker.
• 1:29:14
  Speaker 1: Proxy, Because I was trying to say that Sam Raimi's
• 1:29:16
  Speaker 1: stuff was very scary in the theaters, Oh right, Madness
• 1:29:20
  Speaker 1: or Hutzarcker Proxy or the Spider Man's Yes.
• 1:29:24
  Speaker 2: Spider Man, Spider Man's Like watching watching Wats's face do
• 1:29:28
  Speaker 2: a disco walk down the street was terrifying.
• 1:29:31
  Speaker 1: Yeah, yeah, uh no, I I very much appreciate what
• 1:29:35
  Speaker 1: he has done for Hollywood and storytelling.
• 1:29:39
  Speaker 2: So well. I was convinced before we started this episode
• 1:29:44
  Speaker 2: that it was going to be one of our shorter ones,
• 1:29:47
  Speaker 2: And technically I think there's about ten minutes of stuff
• 1:29:49
  Speaker 2: at the beginning that I'll be cutting out because that
• 1:29:51
  Speaker 2: was our our failed intros. But once again we stretched
• 1:29:57
  Speaker 2: it out to more than an hour and a half
• 1:29:59
  Speaker 2: of our actual recording time. I know the episode will
• 1:30:01
  Speaker 2: be some a little shorter than that.
• 1:30:04
  Speaker 1: Yeah, Yeah, so that was fun. You know, it heartens
• 1:30:08
  Speaker 1: me that we have so much awesome stuff, potentially awesome
• 1:30:11
  Speaker 1: stuff to talk about for the new year already, Jonathan,
• 1:30:16
  Speaker 1: do you want to tell them how to reach you
• 1:30:18
  Speaker 1: this time?
• 1:30:19
  Speaker 2: It's pretty easy. You just need to go to New
• 1:30:21
  Speaker 2: York City and find whatever building Questlove is leaving in
• 1:30:25
  Speaker 2: a hurry, and chances are I'm inside that building and
• 1:30:28
  Speaker 2: also the reason why he's leaving it in a hurry.
• 1:30:31
  Speaker 2: So that's how you do it.
• 1:30:34
  Speaker 1: Yeah, And if you're wrong and Questlove tells the authorities
• 1:30:38
  Speaker 1: that you're chasing him.
• 1:30:41
  Speaker 2: No, no, Questlove is leaving, you need to go into
• 1:30:43
  Speaker 2: the building he is leaving, So you're not following Questlove.
• 1:30:46
  Speaker 2: You're actually going in the direction that's opposite the direction
• 1:30:49
  Speaker 2: Questlove is going.
• 1:30:51
  Speaker 1: But Are they going to have to stalk him to
• 1:30:52
  Speaker 1: find where he's going first?
• 1:30:54
  Speaker 2: They're going to have to find out where he is
• 1:30:55
  Speaker 2: where he is first and then go to where he
• 1:30:57
  Speaker 2: isn't Yes.
• 1:30:59
  Speaker 1: Yes, well if you don't want to do that or
• 1:31:02
  Speaker 1: New York is too cold for you right now. I
• 1:31:05
  Speaker 1: know that for some of our Canadian listeners and UK
• 1:31:08
  Speaker 1: listeners that's not going to be the case. But well,
• 1:31:12
  Speaker 1: I don't know because Greg Davies and Alex Horn we're
• 1:31:16
  Speaker 1: just in Chicago for their US task Master tour and
• 1:31:20
  Speaker 1: they're like, oh, thanks Chicago, it's so cold, which surprised me.
• 1:31:28
  Speaker 1: But anyhow, Yeah, if you don't want to go to
• 1:31:29
  Speaker 1: New York, you can reach out to us on social
• 1:31:31
  Speaker 1: media on Facebook and Instagram and threads. We're large Nur
• 1:31:35
  Speaker 1: Drunk Colleider. We're also larger our drun Collector on Discord.
• 1:31:39
  Speaker 1: You can also send us an email. Our email is
• 1:31:42
  Speaker 1: large Neur drum Pod at gmail dot com. We love
• 1:31:45
  Speaker 1: hearing from you, we love geeking out with you. Thanks
• 1:31:49
  Speaker 1: for being a part of our geeky family and listening.
• 1:31:52
  Speaker 1: Until next time. I'm I'm going to stick some ASMR
• 1:31:55
  Speaker 1: in here somewhere. Aeriel Caston and.
• 1:31:58
  Speaker 2: I am Jonathan Hey. Welcome the theory. Strickland. The Large
• 1:32:06
  Speaker 2: Nordron Collider was created by Ariel Caston and produced, edited, published, deleted, undeleted,
• 1:32:15
  Speaker 2: published again. Cursed at by Jonathan Strickland. Music by Kevin
• 1:32:20
  Speaker 2: McLeod of incomptech dot com