Latest / INSPIRE STORY / Feed The Pig

Transcript

Feed The Pig · INSPIRE STORY

• 0:00
  Speaker 1: Wait, before we get into this episode, we want to
• 0:01
  let you all know that we're going on tour whoa
• 0:05
  Halloween tour. Let's try it out to die Whoo. We're
• 0:10
  celebrating almost a full year of Creedcast coming along, and
• 0:14
  we thought what better way to do it than a
• 0:16
  nice spooky Halloween tour. Now, friends, there's only four days available.
• 0:21
  We're going October twenty fourth in Boston, Massachusetts at the
• 0:24
  Regent Theater, October twenty eighth, the New Orleans, Louisiana at
• 0:28
  the Lipetite Theater, October thirtieth, and Phoenix, Arizona at the
• 0:32
  Tempe Improv And October thirty, first Halloween Day in Los Angeles, California,
• 0:37
  at the Fine Arts Theater.
• 0:39
  Speaker 2: Yeah, for some reason, you guys liked this show of
• 0:41
  me and Hunter being absolutely ridiculous while reading much better stories.
• 0:46
  Speaker 1: But for whatever.
• 0:47
  Speaker 2: Reason, you all like it, So why don't you come
• 0:49
  out and watch us do it live where we'll not
• 0:51
  only harass each other, but we'll get to harass you all,
• 0:53
  which will be a bunch of fun.
• 0:54
  Speaker 3: And if you're lucky, you can make Hunter cry.
• 0:57
  Speaker 1: You can make me cry. Do you want to make
• 0:58
  me cry? In person?
• 1:01
  Speaker 2: If you want to, then there's never been a better time.
• 1:03
  Speaker 1: That is right.
• 1:04
  Speaker 2: A Halloween tour availability isn't huge. We're trying to do
• 1:09
  sort of a smaller show. See how people like it,
• 1:11
  see how it goes. Maybe there'll be bigger ones in
• 1:13
  the future, but for now, you better get in while
• 1:15
  you can because once those tickets are filled up, they
• 1:17
  are gone forever. So if you want to be a
• 1:19
  part of the first creep Cast Halloween Special tour, get
• 1:23
  in now while you can.
• 1:25
  Speaker 3: And thank you all so much for the support.
• 1:26
  Speaker 2: The fact that this little podcast show of ours that
• 1:29
  we started out for funzis is now to this level
• 1:31
  is incredible and you all are fantastic, and really it
• 1:34
  means a lot.
• 1:35
  Speaker 3: Thank you.
• 1:35
  Speaker 1: It's a fun with everything guys said.
• 1:36
  Speaker 2: Hunter said that you all are pathetic and need to
• 1:39
  pay out money and start quote earning your keep, but
• 1:42
  I appreciate you all.
• 1:43
  Speaker 1: It's a fun, fun way to come celebrate the show
• 1:46
  a nice full year here, and also it's a great
• 1:49
  way to just come and hang out and read some
• 1:51
  spooky stories. And also if you can't make it, it's
• 1:53
  all good. We will be recording these if you want
• 1:56
  to come hang out for a bit feel free or
• 1:58
  if not, catch it on the video. But without further ado,
• 2:02
  let's get to the episode. Welcome back to creep Cast today.
• 2:08
  I am joined by my lovely, lovely co host wind Agan.
• 2:14
  How you doing.
• 2:15
  Speaker 2: I'm doing fantastic. I'm doing great today.
• 2:17
  Speaker 4: Today.
• 2:17
  Speaker 2: I'm more Umpaville because I'm actually hanging out at Upaville's
• 2:21
  property right now, which hints the setup, hints the very
• 2:25
  high detailed camera that is so big and right in
• 2:28
  my face. I feel like I like being small and
• 2:31
  my normal set up. This is imposting. But yeah, I'm
• 2:35
  doing great. I'm doing great.
• 2:36
  Speaker 1: Other than that, well, you suggested a story called to
• 2:39
  Feed the Pig today, which I'm just working. We gotta
• 2:43
  throw it out there. We're gonna immediately throw it out there.
• 2:45
  It is by the author of Tommy Taffy. Now, ladies
• 2:49
  and gentlemen, Tommy Taffy not a bad story, not a
• 2:53
  bad author. We're to set the record straight. We're here
• 2:56
  to give this man the light and stage that he deserves.
• 3:01
  And I did not know about this till this morning.
• 3:03
  So if it is bad and gruesome, it is Isaiah's
• 3:06
  fault mine.
• 3:06
  Speaker 2: Okay, all to be clear, I'm pretty sure I told you.
• 3:10
  I think we've mentioned it back during the Tommy Taffy episode. Hey,
• 3:15
  I think this is the guy that did feed the pig,
• 3:18
  and so it's not my fault. When I've been suggesting
• 3:22
  feed the pig for the past couple of weeks, then
• 3:24
  you don't remember what I said.
• 3:27
  Speaker 1: I can't be held to my own memory, I can't
• 3:29
  be held to my own ruition. I am simply a man,
• 3:35
  all right, Okay. And all I know is when I
• 3:37
  see and I see the title of a story like
• 3:39
  feed the Pig, I get very excited because it makes
• 3:43
  you also think of the movie Hannibal, where Gary Oldman.
• 3:46
  I'm pretty sure Gary Oldman gets eaten by pigs. A
• 3:48
  lot of fun, really like it.
• 3:50
  Speaker 2: Wait, I thought that was Red Dragon where he gets
• 3:52
  eaten by pigs. It might have been Red Dragon. I
• 3:54
  thought it was Hannibal. Was hand It might be Hannibal.
• 3:57
  I'm probably just dumb. Yeah, but yeah, I think I know.
• 4:00
  I know what you're talking about.
• 4:01
  Speaker 1: Same same vibe, same deal whenever. All I'm saying is
• 4:04
  I'm hoping as well as always.
• 4:06
  Speaker 3: I have not read this.
• 4:07
  Speaker 1: I don't know what's about, but I'm hoping and I
• 4:10
  want to hear what you are hopeful for.
• 4:11
  Speaker 3: You've read this, haven't you.
• 4:13
  Speaker 2: Okay, so I remember listening to this. I can't remember.
• 4:18
  I can't remember when I heard this. No, it is
• 4:19
  high school is high school. I listened to it and
• 4:22
  liked it. But see, like when we clicked on the video,
• 4:25
  I mean, when we clicked on the story, it gave
• 4:26
  us a not safe for work warning. I don't remember
• 4:29
  that in it. So I'm clearly forgetting some stuff. You
• 4:33
  also got to realize, like I used to listen to
• 4:36
  creepy pastas, like on the way to school and back.
• 4:39
  Like I say so, Like there were so many stories
• 4:44
  that I thought I remembered everything from Feed the Pig,
• 4:46
  But I'm probably gonna be surprised because I have no
• 4:48
  I have no memory of something that would be not
• 4:50
  safe for work.
• 4:52
  Speaker 1: I'm hopeful for people getting eaten, possibly possibly children getting
• 4:59
  eaten by pigs, families having to watch their children getting
• 5:03
  eaten by pigs. That's the kind of a that's the
• 5:05
  kind of turmoil, emotional turmoil that I expect. Elias uh
• 5:09
  Withrow Witherrew with a row with Elias Witherrow the author
• 5:15
  to give me. He set the bar very high for depravity.
• 5:19
  I love sanity, I.
• 5:21
  Speaker 2: Love Tommy Taffy. I thought it was great my story.
• 5:25
  It was a great story. It was very well written.
• 5:28
  As we talked about in the episode. I think it
• 5:29
  goes a little far with some of the descriptions that
• 5:31
  kind of take it out a whore and bring it
• 5:33
  into shock value and stuff like that, but it did
• 5:36
  not take away from the fact that it was very
• 5:38
  well written. It was very cool. And as I've said prior,
• 5:42
  grow up.
• 5:42
  Speaker 1: All right, I'm stoked, I'm ready, I do. It isn't
• 5:45
  very often, you know. Actually, to be fair, we've had
• 5:47
  a lot of episodes lately where very strong titles, and
• 5:50
  I like feed the pig, Feed the pigs, very simple.
• 5:53
  Speaker 2: I'm kind of getting worried with the not say for
• 5:55
  Work thing, but that's the best part of these episodes
• 5:58
  making you uncomfortable.
• 6:00
  Speaker 1: So that's the best part of our job is that
• 6:02
  it is actually safer work for us. This is actually
• 6:04
  our work.
• 6:05
  Speaker 2: Yeah, that's so true. This is our work. See the
• 6:07
  not Safe for Work Moniker. Like I understated, it just
• 6:10
  broadly means like, you know, sexual adult themes, whatever. But
• 6:13
  it was always a funny title to me. Because I
• 6:15
  would always imagine someone like in an office cubicle like.
• 6:19
  Speaker 1: Every timmy taffy, like exactly, look over the shoulder exactly,
• 6:23
  some guy like agent R Block and a person walks
• 6:25
  in there.
• 6:26
  Speaker 3: Like what are you reading? He's like, oh my, oh my, my, yeah.
• 6:34
  A guy working at like a solar panel company, just
• 6:36
  being like.
• 6:37
  Speaker 1: Oh no, no, screaming in the background of this.
• 6:43
  Speaker 2: Literally like when you were caught making the same excuses
• 6:46
  I make to the audience, like, well, you're adults, like
• 6:49
  this is a nothing.
• 6:52
  Speaker 1: I thought I worked at a solar panel company and
• 6:54
  on a daycare, right, guys, guys, all right, let's dive
• 7:01
  in this ship because also I see people, and you
• 7:03
  know what, I actually want to stretch out just a
• 7:04
  little bit longer, because you know, I fucking haze when
• 7:06
  people are like the story starts here, you know what, bitch,
• 7:09
  We're gonna throw it around to where I'm gonna be
• 7:11
  like you, it's gonna be very hard and inconvenient for
• 7:14
  you to get that time code.
• 7:15
  Speaker 3: Watch this.
• 7:16
  Speaker 2: I slowly opened first three words, so I've started the story,
• 7:19
  but we're not reading that right now. You know, it
• 7:21
  could be it could be I don't know, Well, if
• 7:23
  I say slowly over my eyes, that's the first sentence of.
• 7:26
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  the episode.
• 8:45
  Speaker 5: And back to the episode. You should probably actually start
• 8:48
  talking about this.
• 8:49
  Speaker 2: Yeah, well, we've played about a minute and a half,
• 8:52
  so we prevent our point. All right, So feed the pig.
• 8:55
  Let's get into it. I slowly open my eyes. My
• 9:00
  head was swimming, and a dull pain surrounded my throat.
• 9:03
  I was thirsty, that was the first thing I noticed.
• 9:08
  I licked my dry lips. As my surroundings faded into focus.
• 9:11
  My body ached, and I realized it was because I
• 9:14
  was tightly bound to a metal chair in the middle
• 9:16
  of an empty room. The barren concrete walls were stained
• 9:20
  and dirty. The floor beneath my bare feet was cold
• 9:23
  and slightly wet. A single ball blit the room, dangling
• 9:28
  from the ceiling by a string. It cast moving shadows,
• 9:32
  and I blinked back darkness. An open door stood before me,
• 9:36
  but I couldn't see anything but the wall of a hallway.
• 9:41
  I tried to clear my head, try to remember how
• 9:43
  I got here. I squeezed my shut and forced myself
• 9:47
  not to panic. I slowed my breathing and focused my thoughts,
• 9:51
  desperately trying to summon some recollection of why I was here.
• 9:55
  Couldn't remember anything. I opened my eyes and exhaled, my
• 10:00
  parched throat throbbing. I could hear sound echoing off the
• 10:04
  hallway walls outside the door, screaming, clanging, and howling, all
• 10:09
  very distant, but that did nothing.
• 10:11
  Speaker 3: To help calm my nerves.
• 10:13
  Speaker 2: Hollo, I cried the word, tearing at my vocal cords.
• 10:18
  I felt my chest hitching pain that I cleared my
• 10:21
  throat and yelled again.
• 10:22
  Speaker 6: He did with there, Hollo.
• 10:26
  Speaker 2: The dark hallway remained silent except for the constant echoes.
• 10:30
  I shut my mouth, tried to wriggle free of my bindings,
• 10:33
  but the rope was knotted impossibly tight. I fought back
• 10:37
  against my imagination as it flooded my mind with horrific
• 10:40
  scenarios of what awaited me.
• 10:43
  Speaker 1: I could only remember kind of w's a hostile kind
• 10:47
  of like rooms or something.
• 10:48
  Speaker 3: Yeah, like it was like weird torture chambers or.
• 10:50
  Speaker 1: Something like that, some industrial kind of like place.
• 10:54
  Speaker 2: The note of what he said is interesting. He can
• 10:56
  hear screaming, clanging, and a lean. It sounds like, I
• 11:03
  don't know what that sounds like. It's not good.
• 11:05
  Speaker 3: It sounds like a machine.
• 11:07
  Speaker 1: I'm wondering the distance if it's just like, ah, that.
• 11:14
  Speaker 3: Kind of shit.
• 11:15
  Speaker 2: Yeah, yeah, like people being like four up by side page. Yeah,
• 11:20
  I like shoved through a machine or something. Because clanging,
• 11:22
  you imagine like metal machinery, right, that's what I think of.
• 11:26
  Speaker 1: Well, I'm wondering if it's I pictured almost like chains
• 11:29
  on pipes or like somebody that.
• 11:31
  Speaker 3: Kind of thing, and then like oh, slapping around or something.
• 11:35
  I don't know, I'll find.
• 11:39
  Speaker 2: Suddenly, footsteps erupted from outside the door, a rapid pattern
• 11:44
  of small feet. My hopes rose, and I trained my
• 11:47
  attention on the door. Brain it was helped. A young
• 11:51
  boy ran into the room, dressed in a red onesie,
• 11:53
  complete with padded feet stretch. Over his face was a
• 11:58
  plastic devil mask. The eyeholes revealed massive blue eyes that
• 12:03
  greeted me curiously. Taken back, I opened my mouth to speak.
• 12:08
  That's when I noticed something was off. His eyes were huge,
• 12:12
  impossibly round, and bulging from their sockets. It sent a
• 12:16
  shiver of unease down my spine, but I shook it off.
• 12:19
  This child might be able to free me.
• 12:22
  Speaker 1: Hey, hey, kid, can you get me out of here?
• 12:27
  Speaker 2: The boy took a step closer, cocking his head but
• 12:30
  remaining silent. Rattled my bound arms against a chair.
• 12:34
  Speaker 1: Got me free, Please, I shouldn't be here. This is
• 12:37
  some kind of mistake.
• 12:39
  Speaker 2: The boy eyed me behind his strange mask and stopped
• 12:41
  directly in front of me. He leaned in close and
• 12:44
  whispered his voice like wet silk.
• 12:47
  Speaker 5: He get a bag.
• 12:52
  Speaker 2: Confused, I shook my head.
• 12:55
  Speaker 1: No, no, this is a mistake. I didn't do anything.
• 13:00
  Speaker 2: Boys enormous blue eyes suddenly filled with sadness.
• 13:07
  Speaker 1: Really really man?
• 13:10
  Speaker 2: All right, so the story had me. I was like,
• 13:12
  I was there, I was in the room. I was
• 13:15
  man like the kid. I can't remember their name, that
• 13:21
  whatever character it was from South Park who sold the
• 13:26
  steroids to Jimmy for the special Olympics.
• 13:29
  Speaker 1: Okay, all right, well that's you. That's your kind of
• 13:31
  interpretation of the voice I'm doing. I'm doing a young
• 13:35
  child with big, goofy blue eyes.
• 13:39
  Speaker 7: You did a really, really betty.
• 13:44
  Speaker 1: A kid.
• 13:45
  Speaker 2: No, this this sounds like this. You're this is mocking,
• 13:49
  this is some this is some love.
• 13:54
  Speaker 3: I'm not going to stop you.
• 13:56
  Speaker 2: I just want it to be clarified of the audience.
• 13:58
  And I'm not with him.
• 13:59
  Speaker 3: I don't.
• 14:01
  Speaker 6: I could do it.
• 14:03
  Speaker 8: Now you're in my head. Now you're now you're my head.
• 14:08
  Better what you want? Would you give me an example?
• 14:11
  If you want to give me an example of what
• 14:12
  audience that, maybe you could act like it. It's all
• 14:15
  I'm saying.
• 14:17
  Speaker 1: I thought it was I thought it was a legitimate, good,
• 14:20
  creepy weird thing. You're talking about a kid walk around
• 14:23
  in a red onesie with a devil Min's gun. Right now,
• 14:27
  how do you think you should sound?
• 14:28
  Speaker 3: Go ahead, so, oh you did.
• 14:29
  Speaker 1: Really really bad?
• 14:30
  Speaker 2: Not the voice actor. So I'm not the one to
• 14:32
  ask about this.
• 14:33
  Speaker 1: I just read sure know how to give criticism as
• 14:35
  if you are?
• 14:37
  Speaker 3: What about what about that's for sure?
• 14:39
  Speaker 7: What about Oh you did a really really bad thing?
• 14:43
  Speaker 2: If if that's what you think our audience deserves, then you.
• 14:48
  Speaker 1: Go with I'm I am a grown man trying to
• 14:52
  do a child's voice, you know, And I'm gonna I'm
• 14:53
  just gonna let it roll.
• 14:54
  Speaker 3: It might be different every time.
• 14:55
  Speaker 2: Who knows well, you know, like I said, if you
• 14:58
  think that's what the audience deserves, that's on you. I'm
• 15:01
  just letting the audience know that I'm not in on it,
• 15:05
  all right, I shook my head again violently.
• 15:08
  Speaker 6: No, I'm sorry, I don't remember. Just please get me
• 15:13
  out of this chair.
• 15:15
  Speaker 2: Suddenly, before either of us could speak again, a man
• 15:18
  came charging into the room. He was overweight and dressed
• 15:21
  in overalls, his grizzled face twisted and seething anger.
• 15:25
  Speaker 3: He was holding a sod Off shotgun in his arms.
• 15:28
  Speaker 2: I didn't do anything, I cried as he advanced on us,
• 15:32
  my voice cracking.
• 15:34
  Speaker 6: I'm not supposed to bear.
• 15:36
  Speaker 2: The big man ignored me and instead grabbed the kid
• 15:38
  and shoved him hard against the wall. The boy grunted
• 15:43
  as his back struck the concrete, and his eyes rose
• 15:45
  to meet the grizzled man's wordlessly. The man raised a shotgun,
• 15:51
  placed it against the boy's forehead, and blew his head off. Sorry, hunter,
• 16:01
  is something funny?
• 16:11
  Speaker 1: Ah? Oh god like they what a quick altercation? Just
• 16:22
  blew the child off? Okay, Sorry that you.
• 16:28
  Speaker 2: All get mad at me for picking stories that involve
• 16:31
  like Tommy Taffy esque themes or Barosca themes or whatever.
• 16:34
  Remember this is what I'm working with. Okay, this is
• 16:36
  what I have to keep happy. This is Let me
• 16:39
  tell you that was to get something out of just remember.
• 16:43
  Speaker 1: Let me tell you that that was just that was unexpected.
• 16:46
  Speaker 3: That was when I expected the child to be more
• 16:48
  part of the story. Okay, sorry, go ahead.
• 16:50
  Speaker 2: What about a child being shot in the face? Is
• 16:53
  so funny to hear?
• 16:55
  Speaker 1: It was? It was just shocking. It was I was,
• 16:58
  It was not. That's why I got such a visual
• 17:01
  reaction on me.
• 17:02
  Speaker 3: I'm sorry.
• 17:04
  Speaker 2: Chunks of gore splattered the wall. A shock sludged me
• 17:07
  in the stomach like an iron fist.
• 17:09
  Speaker 3: My ears rang.
• 17:10
  Speaker 2: The time seemed as slow as I watched in Horace
• 17:13
  the headless body crumbled to the ground. Is that also funny?
• 17:16
  Would you like to make a joke about that line?
• 17:18
  Speaker 9: Well?
• 17:18
  Speaker 1: See, no, now that I've let it say again, Now
• 17:21
  I'm back.
• 17:22
  Speaker 3: I can process this. Okay, cool.
• 17:24
  Speaker 2: My breath rushed back into my lungs, and time seemed
• 17:28
  to readjust.
• 17:30
  Speaker 6: Jesus fucking Christ.
• 17:34
  Speaker 2: I screamed, straining against the ropes, my eyes bulging in a
• 17:37
  horrific shock.
• 17:38
  Speaker 7: What the fuck?
• 17:40
  Speaker 2: The man ignored my screams as he bent down and
• 17:42
  picked up the boy, slung the ruined corpse over his shoulder,
• 17:46
  and walked out the doorway. Suddenly the hallway erupted with
• 17:50
  malicious laughter, the chorus of voices, all howling and leer.
• 17:54
  I shut my eyes. The noise deafening was absolute terror
• 17:58
  ard my every pore. After a few moments, the laughter faded,
• 18:03
  and I cautiously opened my eyes, unable to believe when
• 18:07
  I just witnessed. Okay, so from whatever that scene, man
• 18:11
  and the overalls comes in, very reminiscent of kind of
• 18:15
  like a Texas chainsaw massacre type figure comes in, Yeah,
• 18:19
  shoots the kid, walks outside and says as they go
• 18:22
  into the hallway, erupts in laughter and a course of
• 18:24
  voices all howling in glee. So they're like people outside
• 18:28
  waiting for the body of the child.
• 18:30
  Speaker 3: Almost, Yeah, I would assume that.
• 18:32
  Speaker 1: It almost makes it seem like it's pins or some
• 18:34
  people are able to actually see what's going on. I'm like,
• 18:37
  am I I don't know why, but I think that,
• 18:39
  like in your mind, I don't think people are standing
• 18:42
  in the hallway. Yeah, in my mind's eye, I don't
• 18:44
  think people are standing in the hallway. I feel like
• 18:46
  people are looking from a room out to the hallway
• 18:49
  and they're just crazed. Maybe, uh kind of like, uh,
• 18:53
  that's almost designed like prison cell blocks.
• 18:56
  Speaker 3: Yeah, that's what I'm kind of picturing.
• 18:58
  Speaker 1: The one thing that's weird is that I'm pretty sure
• 19:01
  our protagonist he there's no I think his door's just
• 19:05
  totally open, or there's no door at all if.
• 19:07
  Speaker 2: I remember, right, Uh, there has to be a door, right, Oh. No,
• 19:10
  he's chained to a chair or something.
• 19:12
  Speaker 3: He's changed to a chair.
• 19:13
  Speaker 1: But I think he I think the door is just
• 19:15
  open so he can see people just like coming in
• 19:17
  and like walking by.
• 19:18
  Speaker 2: And yeah, I think that's what it is. I think
• 19:20
  you're right.
• 19:20
  Speaker 3: Okay, Hello.
• 19:23
  Speaker 2: I jumped as I realized there was another man standing
• 19:26
  before me. He was dressed in a simple white button
• 19:29
  down shirt and jeans. His brown hair was cut short,
• 19:32
  and he appeared to be in his early thirties. His
• 19:36
  green eyes were dull, lifeless, his full lips pulled down
• 19:39
  to the corners.
• 19:41
  Speaker 1: This is what is going on? Where am I?
• 19:46
  Speaker 2: I cried, new fear pulling to my stomach like hot blood.
• 19:50
  The man crossed his arms.
• 19:52
  Speaker 3: M So you have the new one?
• 19:56
  Speaker 1: You people disgust me?
• 19:58
  Speaker 2: Is that the kind of That's that the kind of
• 20:00
  character you think our audience deserves.
• 20:03
  Speaker 1: I think that, you know what, at this point, yes,
• 20:06
  at this point, if my acting is going to be
• 20:09
  under scrutiny, then you all don't deserve me at my best.
• 20:12
  Speaker 3: I believe I'm giving you gold. So you have a
• 20:15
  new one?
• 20:16
  Speaker 1: Huh, people dispatched me.
• 20:19
  Speaker 2: So as as this show continues into the future and
• 20:23
  what you ought to remember that this is what he
• 20:25
  thinks of you, and compare that to how much I
• 20:27
  love you.
• 20:28
  Speaker 3: Just remember that's true. That's true, It's true.
• 20:32
  Speaker 2: Questions bubbled on my lips, but he waved them off
• 20:35
  with a sharp chop of his hand, slicing the air
• 20:37
  and demanding my silence. He ran his tongue over his teeth, sneering.
• 20:43
  Speaker 10: You look like you're already I feel like you should
• 20:45
  be Southern. You look like you've already seen some of
• 20:48
  the horrors this place hold. Huh, Yes, I can tell
• 20:52
  by the look in your eyes.
• 20:54
  Speaker 3: You're terrified. You've seen something, haven't you.
• 20:58
  Speaker 5: He doesn't see him all that bad, now, does it?
• 21:01
  Looking back?
• 21:02
  Speaker 1: You've been here five minutes and already ship in your pants.
• 21:06
  Speaker 2: I like themeister Weller's voice. That's pretty good for him.
• 21:10
  Speaker 1: I feel like I feel like at this point, I
• 21:12
  don't know why this big sweaty man short off shock.
• 21:14
  Speaker 3: I feel like he's a little southern. What do you think?
• 21:16
  Speaker 1: Do we like that?
• 21:17
  Speaker 3: This isn't the big guy?
• 21:20
  Speaker 1: No? No, this is the.
• 21:21
  Speaker 3: Guy that the white bye not.
• 21:23
  Speaker 1: Yeah yeah yeah, he's all put together, yeah yeah yeah?
• 21:28
  So where am I?
• 21:31
  Speaker 3: I gassed? Unable to hold back any longer? What do
• 21:34
  you people want?
• 21:36
  Speaker 2: The man crossed his arms behind his back.
• 21:38
  Speaker 10: I bet you want to get out of here, don't you.
• 21:41
  I bet you got to go back to your home,
• 21:44
  your family, everything.
• 21:47
  Speaker 1: Please? What right did to you?
• 21:49
  Speaker 11: I'm sorry, I really am, but I don't remember.
• 21:54
  Speaker 3: Man rolled his eyes. You didn't do anything to me.
• 21:57
  You did it to yourself.
• 22:00
  Speaker 5: You don't remember anything.
• 22:01
  Speaker 2: Huh shook my head, fell, tears breaming in my eyes,
• 22:05
  liquid fear. The man looked at me with contempt.
• 22:09
  Speaker 1: You waited until your wife left a wook, and then
• 22:12
  you went out to the wood shit and hung yourself.
• 22:15
  Speaker 3: You're diad done, dune dumb.
• 22:19
  Speaker 1: That's kind of an interesting huk.
• 22:22
  Speaker 2: I remember all this from the story, because that's like
• 22:23
  the whole the whole thing. It's famous for online and
• 22:27
  stuff like that that.
• 22:29
  Speaker 3: It's like, oh, you're actually dead.
• 22:30
  Speaker 2: Well, it's as if the story is a depiction of Hell.
• 22:33
  Speaker 3: Basically, I see, how do you how do you like
• 22:36
  that reveal? How do you like that?
• 22:38
  Speaker 4: Uh?
• 22:39
  Speaker 3: Again, it's a little bit.
• 22:40
  Speaker 2: I'd be more interested to hear your opinion because I
• 22:42
  went into reading today knowing it was about Hell. I
• 22:48
  how do you feel about it? Someone who thought this
• 22:50
  was like a saw trap thing?
• 22:52
  Speaker 4: I don't know.
• 22:54
  Speaker 2: You don't know, you don't know how you feel about it. Disappointed?
• 22:58
  I guess you feel disappointed in it. You can be honest,
• 23:01
  you can talk.
• 23:01
  Speaker 1: Okay, No, kind of just wanted it to be a
• 23:04
  weird torture thing.
• 23:05
  Speaker 3: You wanted to be a weird torture thing.
• 23:08
  Speaker 2: Yeah, it's sad. That's not just a weird torture thing.
• 23:11
  Good dead, Yeah, that's sad. I understand. Well, think of
• 23:16
  it this way. What is Hell if not just one
• 23:19
  really long weird torture thing. Right, Yeah, so we can
• 23:24
  we can still do the weird torture stuff, buddy, And
• 23:26
  you know, we can still get all of that, and
• 23:28
  this just opens up the door now for maybe some
• 23:31
  more supernatural elements to it, right, guy, that's what I thought. Okay,
• 23:38
  so we can we can have our weird torture thing.
• 23:40
  We can also have demons and monsters. And it also
• 23:43
  means that you can probably get an unrealistic amount of
• 23:46
  blood and Corey, maybe they'll bring in another kid and
• 23:49
  shoot them in the face again, you think, I think
• 23:53
  they might. Okay, because now now that it's hell, you
• 23:58
  could realistically shoot as many kids in the face as
• 24:01
  you want.
• 24:02
  Speaker 5: That's pretty cool.
• 24:03
  Speaker 2: That's pretty cool, isn't it. You could just infinitely, it
• 24:06
  couldn't even be the same kid, just over and over
• 24:08
  brought back to be shot in the face. Would that
• 24:10
  make you happy?
• 24:11
  Speaker 3: It'd be fun.
• 24:12
  Speaker 2: It'd be pretty fun, wouldn't it. So you know, maybe
• 24:16
  don't count it out yet. See where it goes from here,
• 24:17
  see what it does with its new idea. Okay, okay,
• 24:23
  all right, The recent memory rose in my mind like
• 24:26
  a monster from a bog. My eyes went wide. As
• 24:30
  much as I wanted to deny it, he was right.
• 24:33
  I killed myself, isn't it? Tore through my brain like
• 24:36
  a bullet train, left me.
• 24:38
  Speaker 3: Really I'm Danny, by the way.
• 24:42
  Speaker 2: The man said, you ording the shocked look on my face.
• 24:45
  Speaker 1: And I'm number two here I run the orientation process.
• 24:50
  I want to make this quick because I'm tired of
• 24:51
  repeating this fucking thing to you pathetic suicidals.
• 24:55
  Speaker 3: You get one question before I begin. Okay, how does
• 24:59
  that make you feel? Does that perk you up to it?
• 25:01
  Speaker 4: Any?
• 25:02
  Speaker 2: I'm the orientation. You get one question. That's how this works,
• 25:05
  you know, don't make.
• 25:06
  Speaker 3: You feel anything? Huh a little bit. Maybe get a
• 25:09
  little bit of a unique depiction here.
• 25:12
  Speaker 2: Maybe this won't be your standard pitchfork and you know
• 25:16
  whatnot It's like, oh, it's we have a whole process.
• 25:19
  Speaker 3: There's an orientation. You can get one question.
• 25:21
  Speaker 2: I'm imagining this guy, but thanks to your stunning voice acting,
• 25:24
  I'm imagining Danny is like a Walton Goggins type.
• 25:27
  Speaker 4: You know.
• 25:28
  Speaker 3: So that's cool.
• 25:28
  Speaker 2: You have like a like a salesman type as the
• 25:31
  front door for hell. Isn't that kind of cool?
• 25:35
  Speaker 4: Yeah?
• 25:35
  Speaker 3: Gosh, yeah, it's pretty cool.
• 25:38
  Speaker 2: He stared down at me, and I scrambled to organize
• 25:40
  my thoughts into something cohesive. This was all horrifying. What
• 25:44
  I killed myself I fought against the fog and panic,
• 25:48
  and the midst of confusion slowly began to lift. I
• 25:51
  just lost my job. Yeah, yeah, that was the start.
• 25:55
  I squeezed my eyes shut and forced more of the
• 25:57
  memory to emerge. I lost my job and I was
• 26:01
  about to lose the house. My wife tess she found
• 26:05
  out and was going to leave me. I didn't have
• 26:08
  any way out, didn't have any options. Getting fired had
• 26:12
  come out of the blue, and I didn't have much
• 26:14
  in savings. I was broke, seemed to be homeless. My
• 26:19
  wife hated me for it. There was something else. Yes,
• 26:23
  that's right. She'd been cheating on me. I had seen
• 26:27
  text on her phone while she slept one night. I
• 26:29
  confirmed my suspicions. My life had degraded to shit, and
• 26:32
  I had run out of options. Humiliated and ashamed, I
• 26:36
  decided death was my only option.
• 26:38
  Speaker 1: I'm imagining that he looks over at his wife's phone
• 26:42
  and there's just like a nude pick, and he's like,
• 26:44
  oh my god, he's been getting she's been getting nude
• 26:46
  picks from other men. Be like, look over and it's
• 26:49
  just a guy doing a goat brain.
• 26:52
  Speaker 3: A goat brain.
• 26:54
  Speaker 1: Yeah, it's where you shove your balls to the back
• 26:56
  of your legs and picking out the back of your.
• 27:01
  Speaker 3: Just his ass on the goat brains.
• 27:03
  Speaker 1: That's the new Oh my suspicions are true.
• 27:10
  Speaker 3: My investigation.
• 27:14
  Speaker 1: Inspector Gadget finds out that his wife is cheating on him.
• 27:18
  Go go Gadget. Broken heart.
• 27:22
  Speaker 2: That's a funny visual you have, like a like a
• 27:24
  Sherlock Holmes type inspector, like nineteenth century.
• 27:28
  Speaker 3: It's just like the.
• 27:30
  Speaker 1: Giant magnifying glass on the on the on an iPhone screen.
• 27:33
  It's just a guy doing a goat brain and spread
• 27:36
  his assle open. It's like the most vulgarts.
• 27:43
  Speaker 4: That he's like, yeah, yes, very dressed.
• 27:47
  Speaker 9: I think me wife may be cheating on I. It's
• 27:51
  like it's like she's getting pictures of his wife just
• 27:55
  like in the most unholy positions.
• 27:58
  Speaker 3: Just oh yeah, just awful. And he's like, what could
• 28:02
  all this mean? Where had I better sleep on it?
• 28:08
  This case is nearly cracked about the clars.
• 28:12
  Speaker 1: Yeah, the clues keeps stacking, just like just tons and
• 28:18
  tons of those kinds of pictures just being she's like
• 28:21
  holding it in front of his face and just swiping.
• 28:23
  So she's just like going through the gallery on her phone.
• 28:28
  Speaker 3: I feel like she's trying to tell me something. She's like,
• 28:30
  this is why I'm leaving you.
• 28:31
  Speaker 2: And he's standing there like the full like tweeds stitched
• 28:34
  overcoat with the hat and like the pie, sweating profusely
• 28:38
  underneath a doubt. She's like, this is why I'm leaving you,
• 28:42
  showing and he's like, what.
• 28:44
  Speaker 3: Could it all mean? What?
• 28:47
  Speaker 5: Sweetheart?
• 28:48
  Speaker 9: Why?
• 28:49
  Speaker 1: He's just always inquisitive. She's like, I don't know how
• 28:53
  to make it any more clear. I'm done.
• 28:55
  Speaker 5: Hmm, what was the first thing I did wrong?
• 29:00
  Speaker 1: There has to be to get to the bottom of this,
• 29:04
  So he says, I had decided death was my only option.
• 29:07
  Speaker 3: Hey, fucker, do you have a question or.
• 29:09
  Speaker 2: Not, Danny said, snapping his fingers in front of my face.
• 29:13
  I was sucked back into reality and I asked, the
• 29:15
  only question that mattered.
• 29:18
  Speaker 5: Is this hell?
• 29:20
  Speaker 2: Danny snortes, That's always what people ask if you.
• 29:25
  Speaker 3: Getting a pace back and forth in front of me.
• 29:28
  Speaker 1: Now, this is not hell.
• 29:31
  Speaker 12: It's not heaven either. This is the Black Farm. And
• 29:35
  no I didn't name it. Then this is where God.
• 29:39
  Since the souls who have ended their own life suicidals,
• 29:42
  you see, he doesn't really know what to do with you,
• 29:46
  and neither does the Devil. There are genuinly good people
• 29:50
  who kill themselves. Seems cruel to banish them to hell
• 29:52
  for altunity, for a moment of weakness. Right personally, I
• 29:56
  think God and the Devil were just tired of arguing about.
• 29:59
  Speaker 5: It, and so oh they send them here to the
• 30:02
  Black Farm.
• 30:04
  Speaker 3: Did God create this place?
• 30:07
  Speaker 2: I asked, growing more and more confused. Danny spent on
• 30:10
  the floor chuckling.
• 30:13
  Speaker 1: Sure, I saw a point, but he lost control of
• 30:16
  it and he put the pigs in charge.
• 30:20
  Speaker 2: It's the pigs, I asked. I'm sure I wanted to
• 30:23
  know the answer. So how are you feeling now?
• 30:25
  Speaker 3: Huh, I don't know.
• 30:28
  Speaker 2: You don't know, Okay, okay. It's not Heaven or Hell.
• 30:33
  It is the Black Farm. And Danny says he lost
• 30:36
  God lost control when he put the pig in charge.
• 30:40
  Speaker 1: Does optimistically. Optimistically, I'm like, ooh, that's fun because it
• 30:43
  kind of reminds you of this, Heideshihino comic.
• 30:47
  Speaker 3: I think it's just literally called pig farm.
• 30:48
  Speaker 1: Pessimistically, I think to myself, the most all knowing being
• 30:53
  created a place called the Black Farm, and he put
• 30:57
  walking talking pig people in charge.
• 31:00
  Speaker 3: That's that's the pessimistics. That's explicitly a pig. It's called
• 31:04
  the pig.
• 31:05
  Speaker 1: No, I'm just I'm just saying that. That's that's where
• 31:07
  my pessimistic mind's at. Okay, My I want to have
• 31:10
  fun things. I'm like, oh, the flavor of this is nice.
• 31:13
  It reminds me of that horror manga that I read.
• 31:15
  Speaker 3: Yeah, it's very.
• 31:18
  Speaker 1: Yeah, yeah, yeah, yeah. The visuals are fine. Now I'm
• 31:21
  picturing it a bit more, not necessarily to stop in,
• 31:24
  but a bit more surreal, like maybe like if you
• 31:26
  went outside, the skies would be blacker.
• 31:29
  Speaker 3: Yeah yeah, I like red, or something like a very
• 31:32
  limbo sort of place. Yeah yeah, yeah, Well, what's the pig?
• 31:37
  Speaker 2: I asked, I'm sure I wanted to know the answer.
• 31:40
  Danny held up a hand, annoyed.
• 31:42
  Speaker 1: Can I fucking finish? God created this place eons ago,
• 31:46
  put the pigs in charge, and they forgot about it
• 31:49
  for a while. Well, when his back was toned, the
• 31:53
  pig decided to use his own new powers to try
• 31:56
  and create his own little world.
• 31:58
  Speaker 12: This mess you see around you as the fractured remains
• 32:01
  of that experiment, The Black Farm used to be a
• 32:04
  lot nicer. But the pig wanted the things to be different.
• 32:09
  He wanted to create his own vision. These people, you see, these.
• 32:13
  Speaker 1: Monsters, they are the pigs attempts to create functioning life
• 32:18
  instead of mirroring God's.
• 32:20
  Speaker 12: These mutated, horrible creations are full of sin and hatred.
• 32:25
  They run rapid here, unabashed.
• 32:28
  Speaker 5: This place is chaos.
• 32:31
  Speaker 12: The Black Farm is a circus of freaks and monsters,
• 32:34
  and it's the old eternity.
• 32:36
  Speaker 2: If you're boiled in my gut like thick oil, No, no,
• 32:40
  this couldn't be my end. I didn't believe in stuff
• 32:42
  like this. This wasn't real. I'd wake up soon and
• 32:45
  realize I was just seven.
• 32:46
  Speaker 3: A nightmare that had to be it.
• 32:49
  Speaker 2: Then he stood before me and lightly slapped my face. Hey, hey,
• 32:54
  don't go into his stacks on me. I haven't finished yet,
• 32:57
  raised my teary eyes to meet his. Danny smiled.
• 33:02
  Speaker 3: You can always feed the pig.
• 33:06
  Speaker 2: My breath pushed from my lungs like burning steam. What
• 33:11
  does that mean, Danny spread his hands, still smiling.
• 33:16
  Speaker 12: It's as simple as that. Feed the pig. If you
• 33:21
  do so, there's a chance to send you back to
• 33:24
  your life and what happens if it doesn't, you get
• 33:31
  sent to Hell. So flip a coin if you have one,
• 33:35
  stay here with us, or feed the pig. If you
• 33:38
  choose to stay, I'll let you go. I'll let you
• 33:42
  go out there, he said, pointing towards the door. But
• 33:47
  let me assure you what awaits you at the end
• 33:50
  of that hallway. Well, let's just say hell. Isn't that
• 33:54
  much worse?
• 33:57
  Speaker 2: Swallowed hard, trying my best to digest everything. Why wouldn't
• 34:01
  I try feeding the pig? Whatever that man, there's even
• 34:05
  a sliver of hope, I would take it an eternity
• 34:08
  in this place, the black farm be sent to Hell, or.
• 34:14
  Speaker 3: Or feed the pig.
• 34:16
  Speaker 2: I would do anything for a chance to go back.
• 34:19
  This night maya made my problem seem nothing in comparison.
• 34:23
  Danny raised a hand before I could speak.
• 34:26
  Speaker 5: I let you think on it for a while. I'll
• 34:28
  be back later.
• 34:30
  Speaker 2: I want to feed the pig, I cried, not wanting
• 34:33
  to spend another second in this awful room. I could
• 34:36
  hear a woman screaming down the hallway, her cries rising
• 34:39
  as something meaty pounded into her.
• 34:42
  Speaker 4: Oh, out of nowhere. Alright, Well that was uncomfy. All
• 34:55
  it was.
• 34:59
  Speaker 1: I get blamed for laughing at a child getting his
• 35:01
  head blown off, and oh something.
• 35:03
  Speaker 3: Meat he pounded pounded into her. I wasn't laughing at that.
• 35:06
  I was laughing at like the story had none of that.
• 35:10
  And then it's no, I know, yeah, well, I mean,
• 35:12
  to be fair, it could be like thuds of a punch.
• 35:15
  Speaker 2: To be fair, sure, they could be just like taffy
• 35:19
  story works. When something was it was a WWE game.
• 35:23
  Speaker 1: Yeah yeah, yeah, it was a tombstone pile driver.
• 35:26
  Speaker 3: Yeah yeah. My breath came in sharp pulls and my
• 35:30
  throat burned. Then he noticed the noise and grinned. Sounds
• 35:34
  pretty bad, huh, he.
• 35:37
  Speaker 2: Said softly, as the woman's voice creaked with agony. Something
• 35:42
  was still slamming into her, the sound of beaten flesh
• 35:44
  igniting my imagination with hors that could be punching.
• 35:49
  Speaker 1: I think it's someone getting fucking beaten to death.
• 35:51
  Speaker 2: Yeah yeah, yeah, yeah, yeah, yeah, that's what it's for sure.
• 35:54
  So what do you think about him being immediately like
• 35:57
  I want to feed the pig.
• 35:58
  Speaker 3: I mean, I'd probably do the same, yeah, but I
• 36:00
  feel like he.
• 36:01
  Speaker 2: Needs to know more before he makes that decision, because
• 36:04
  like the guy described Danny described it as a coin
• 36:08
  flip between hell or going back to Earth. Right, Yeah,
• 36:12
  so like that that seems like something you would want
• 36:15
  more info in before you do it, You.
• 36:17
  Speaker 3: Know, No, I think so as well.
• 36:20
  Speaker 1: I guess I'm trying to put my I'm trying to
• 36:22
  leave my rational brain to the side, and I'm trying
• 36:25
  to picture myself if I was already tied up in
• 36:28
  this hell scape of a place too. I found out
• 36:31
  that pigs tried creating life and they basically ended up
• 36:33
  with this weird Tim Burton world, I would probably just
• 36:36
  be like, I'm fuck it, I'm I'm ready to try it.
• 36:39
  Get me the fuck out of here.
• 36:40
  Speaker 3: Sure, he's going through a lot right now, but I.
• 36:44
  Speaker 1: Mean I think a more rational person you would need
• 36:46
  to be like, well, what does that mean?
• 36:47
  Speaker 3: What does that entail?
• 36:48
  Speaker 2: You know all that shah try to just figure out
• 36:50
  something like is there anything I can do to favor
• 36:52
  the odds or anything like that?
• 36:55
  Speaker 3: What does that even mean?
• 36:56
  Speaker 2: Because it sounds like he's going to be eaten by
• 36:58
  the pig.
• 36:59
  Speaker 1: But that's what it sounds like, is you either either
• 37:01
  accept your what I'm thinking is either accept your offering
• 37:05
  or he eats you and buying product you get sent
• 37:07
  to hell or something.
• 37:08
  Speaker 3: Is what is what I'm is what I'm assuming. Please
• 37:12
  just just let me feed the pig. I don't want
• 37:15
  to stay here any longer. Then he turned away from me.
• 37:20
  I'll be back later. Enjoy your time alone.
• 37:24
  Speaker 12: Just think about your situation, weigh your options, and remember
• 37:28
  you put yourself here.
• 37:31
  Speaker 2: And with that he was gone, leaving me in the
• 37:33
  dim room. Hears stream down my face. The woman didn't
• 37:37
  stop screaming for hours.
• 37:39
  Speaker 1: I was gonna say too. I wonder if since they're
• 37:41
  already dead, if like, if you're being tortured, if you
• 37:44
  just can never actually go into shock, or you can't
• 37:46
  actually pass out, or you just have to if it's
• 37:48
  just like, oh, you're not gonna die again, right, so
• 37:51
  someone could just beat the hell out of you forever
• 37:53
  if they wanted to.
• 37:54
  Speaker 4: Yeah.
• 37:55
  Speaker 2: So, Like I imagine the kid that got shot in
• 37:57
  the face was one of the creations that was men
• 38:01
  like humans, because otherwise, what does that mean to get
• 38:05
  your head blown off? In the afterlife, you just are
• 38:09
  just headless.
• 38:09
  Speaker 1: Now, I'm wondering why they why they cheered about that.
• 38:14
  Speaker 2: It's probably the other dementors and stuff like that, just
• 38:17
  like seeing Gore, like seeing you.
• 38:19
  Speaker 1: Know, they just they're all about depravity and yeah, so
• 38:23
  anytime they see that, they're.
• 38:24
  Speaker 2: Like, I'm getting very Are you familiar with the video
• 38:28
  game Outlast.
• 38:30
  Speaker 3: The Foe one?
• 38:32
  Speaker 2: Yeah, yeah, one where you like, yeah where everyone in there? Yeah,
• 38:36
  you're in the Instlument. Everyone in there's like going crazy
• 38:38
  because of the wall Rider. So they're all like, they're
• 38:42
  all laughing and like trying to attack you and stuff
• 38:44
  like that because they want to see Gore and whatever.
• 38:46
  Speaker 3: That's kind of the image I have. Yeah, I could
• 38:49
  see that.
• 38:50
  Speaker 2: In my mind's eye at least at some point I
• 38:53
  fell into a semi sleep. The darkness in the room
• 38:57
  seemed to press in on me, and my eyes fluttered shut.
• 39:00
  My body ached, and my throat was a halo of fire.
• 39:04
  Thirst rate at my windpipe like sharp glass. My lips
• 39:08
  felt like crumpled paper. I had thundered like a drum.
• 39:12
  The room swam in and out of focus, and my
• 39:14
  mind drifted towards the horrific sounds that never ended. I
• 39:18
  was lost in a haze, unaware that something was sliding
• 39:22
  into the room, until I felt a sharp prick on
• 39:24
  my big toe. Jolted out of my days as my
• 39:27
  barefoot ignited with pain. I screamed and tried to move,
• 39:31
  but my bindings held me tight. Room brushed back into focus,
• 39:35
  and I plinked in agony as I felt blood trickled
• 39:38
  between my toes, looked down for the source of pain,
• 39:41
  and I felt a scream clot my throat. Staring up
• 39:45
  at me was an armless man. He slithered on the
• 39:48
  floor like a worm, his bald heads.
• 39:52
  Speaker 5: I'm sorry, that's kind of sick.
• 39:55
  Speaker 2: I'm sorry, hunter, I thought you were upset when you
• 39:57
  found out this was a hell depiction.
• 40:00
  Speaker 1: Like almost dudes sliding around the floor like like a
• 40:02
  little worm.
• 40:03
  Speaker 2: Okay, you just like that that There's something funny about
• 40:06
  that too, about disabled people.
• 40:08
  Speaker 3: Some creepy you know.
• 40:11
  Speaker 2: Between between that, between you laughing to people getting hurt,
• 40:14
  between you laughing at Diego, the guy you lived with
• 40:18
  who like couldn't speak your laugh stuff. I feel like
• 40:21
  I feel like beautifully reminist beautifully ruminism. I feel like
• 40:25
  there's something to you about the suffering of others that
• 40:28
  you should probably think about.
• 40:31
  Speaker 1: I feel like you are hitting the hammer right on
• 40:34
  the head, hit the hammer on the nail.
• 40:36
  Speaker 3: With that one.
• 40:37
  Speaker 1: That's my that's my cute uh, that's that's that's my
• 40:40
  cute little quirk.
• 40:41
  Speaker 2: Though you're you're into suffering, Like, no, no, not.
• 40:46
  Speaker 3: That I'm into suffering, but I it makes me uncomfortable
• 40:48
  and I giggle. Oh okay, see that's why that that
• 40:52
  that that's so cut off by it that you have
• 40:55
  to laugh.
• 40:56
  Speaker 1: I think I'm so shocked by it at times that
• 40:59
  when I see when I hear the idea of a
• 41:01
  first off, I was the man holding the brick, you know,
• 41:04
  and then he, you know, was he new holding it down.
• 41:07
  He doesn't have arms. He slid in the room a
• 41:10
  little like a little worm. To me, I'd be like,
• 41:11
  if I was there, I would it would just uncomfortable.
• 41:15
  I think how dirty his belly is.
• 41:17
  Speaker 2: I think how dirty his belly is right, slithered on
• 41:21
  the floor like a worm, his bald head scabbed and filthy.
• 41:25
  His legs were wrapped together in barbed wire, forcing him
• 41:29
  to wriggle his body to move. His eyes were leadless
• 41:33
  and wide, two bloodshot white orbs that stared up at
• 41:36
  me with hungry intensity. His teeth had been removed and
• 41:40
  replaced with long screws which jutted from his bleeding gums
• 41:43
  like a broken rock formation.
• 41:46
  Speaker 3: That's sick. I'm sorry, I thought you didn't like that.
• 41:48
  This was help.
• 41:50
  Speaker 2: It's almost like, if the author's creative, you can use
• 41:52
  hell for some very interesting body hordes.
• 41:55
  Speaker 1: I don't know why you're trying to throw me down
• 41:58
  the river here. I was just I was a little disappointed,
• 42:01
  and I think this is cool. What kind of lines
• 42:03
  me up? Is like uh, the silent Hill, or like
• 42:06
  old PS two horror game stuff hill or fucking like uh,
• 42:10
  almost like the suffering too, because.
• 42:12
  Speaker 2: When you use supernatural themes effectively, you can get to
• 42:15
  some really strange points, like I just want to hear
• 42:18
  you say you were wrong in your conception.
• 42:20
  Speaker 3: About it kind.
• 42:22
  Speaker 1: I don't think you'll admit that.
• 42:25
  Speaker 3: We'll see if the story goes on all right.
• 42:28
  Speaker 2: Around his neck was a chain leash, which I followed
• 42:31
  across the floor to the open door. The end of
• 42:34
  the leash was held by a tall, naked man. His
• 42:38
  body was hairless and flabby, covered in similar scabs like
• 42:41
  his pet. A dirty bag was pulled over his head
• 42:44
  that hit his features, except for a single red eye
• 42:47
  that peeked out at me from a crew cut in
• 42:48
  the cloth. He stared at me and groped his Oh no,
• 42:56
  here it goes, no, go ahead. He stared at me
• 42:59
  and grow his engorged penis, his breath heavy and labored.
• 43:06
  As the armless man wriggled towards me again.
• 43:10
  Speaker 4: His master.
• 43:12
  Speaker 3: Got what is that word?
• 43:15
  Speaker 2: His master started to another word that starts with master.
• 43:25
  Speaker 9: Jacket there cranking it, start beating off, cranking the hog
• 43:30
  is actually a fitting.
• 43:37
  Speaker 1: Started yun in.
• 43:38
  Speaker 3: You started absolutely jorking it.
• 43:42
  Speaker 2: I screamed as the screw filled mouth bit at me again,
• 43:45
  and my cry seemed to stimulate the naked man even more.
• 43:50
  Get get off me, stop it, I screamed, horrified. I
• 43:54
  tried to kick at the man, doing my best to
• 43:56
  avoid his sharp mental teeth. I brought my heel down
• 43:59
  on his head, and he screamed as his face bounced
• 44:02
  off the floor. A mode of pleasure escaped the bagged
• 44:07
  man's mouth, and I turned away as.
• 44:10
  Speaker 3: A mist of black sprayed on the floor.
• 44:15
  Speaker 2: There's a rattle of chains, and I turned back to
• 44:17
  see the two of them leaving the armless man dragged
• 44:21
  by his neck out the door. Looked at where the
• 44:23
  bagged man had finished and saw a puddle of dead ants. Ah.
• 44:29
  I vomited onto myself, thick, chunky curtains of oil and
• 44:32
  slim getting out air. I screamed, strands of puke running
• 44:37
  down my chin.
• 44:39
  Speaker 1: I don't belong hair ants, bro, I'm not gonna lie.
• 44:45
  I'm not gonna lie. A frothy a frothy ejaculate of
• 44:49
  ants would be it would not it would not feel good,
• 44:54
  that would scrape it itch. And also I thought that
• 44:57
  so the mist, the black mist, was just a collection
• 44:59
  of you think they're in a live ants or dead ant?
• 45:02
  Speaker 2: I think they're dead. Uh, well, I think what he
• 45:05
  means is just like from his perspective, it was just black.
• 45:08
  Speaker 4: Yeah.
• 45:09
  Speaker 3: Yeah, it looks closer in its ants. Oh gosh, that's
• 45:16
  all right.
• 45:17
  Speaker 6: Oh.
• 45:19
  Speaker 2: I listened to the two men retreat down the hallway,
• 45:21
  the clink of chains accompanied by the sound of flesh
• 45:23
  being dragged across the concrete. I screamed again, but I
• 45:27
  knew no one was going to help me. I spent
• 45:29
  a lot of phlegm and bile onto the floor, ridding
• 45:32
  my mouth of its sourness. I forced myself to calm down.
• 45:37
  Wasn't easy. After some time, I heard someone else approaching.
• 45:42
  I've been in a miserable lull, my mind a blank
• 45:45
  canvas of dark despair. But the noise roused me from
• 45:48
  my trance like state. The muscles in my arms burned
• 45:52
  from being restrained for so long, and I shifted them desperately,
• 45:55
  trying my best to prepare myself or whatever horror was
• 45:58
  about to walk through the door. Footsteps threw closer, and
• 46:03
  then a woman walked into the room. She stopped at
• 46:06
  the doorway and looked at me. One of her eyes
• 46:08
  was missing, dark cavernous hole in her skull. Her hair
• 46:12
  was ratty and wild, brown, tangled like a forgotten nest.
• 46:17
  Her skin was pale, filthy, and she was dressed in rags.
• 46:22
  Couldn't tell how old she was, but there was charity
• 46:25
  her one good eye. Still thinking, she asked, her voice
• 46:30
  coarse and brittle. What. She took a step closer.
• 46:36
  Speaker 7: Are you still deciding whether you're going to feed.
• 46:39
  Speaker 1: The pig or not?
• 46:41
  Speaker 2: Look at her cautiously, Yeah.
• 46:44
  Speaker 3: Yeah, I am.
• 46:46
  Speaker 5: Who are you?
• 46:47
  Speaker 1: What do you want?
• 46:49
  Speaker 11: I was once you are now trying to decide my fate.
• 46:54
  I couldn't believe that this was what happened. What happened
• 46:59
  after we die. It wasn't what I taught. Religion didn't
• 47:04
  warm me about this place.
• 47:06
  Speaker 2: Tested my mindings again before asking, you.
• 47:10
  Speaker 3: Killed yourself too. You're a person like me. You're not
• 47:14
  one of those those creations.
• 47:18
  Speaker 7: Breaks my heart. You have to ask, though.
• 47:21
  Speaker 2: She touched the hole where her eye should have been.
• 47:25
  Speaker 11: Oh, I can understand your caution. Yeah, and suicidal. I've
• 47:31
  been here a long long time, but that was my choice.
• 47:36
  I decided to chance.
• 47:38
  Speaker 3: It here motion with my head towards the door. What's
• 47:42
  up there?
• 47:43
  Speaker 4: What is all this?
• 47:45
  Speaker 2: She excelled, heavily leaned against the wall.
• 47:49
  Speaker 11: I didn't even begin to describe this place. It's like
• 47:53
  nothing you've ever seen. You walk down the hole and
• 47:57
  go out into it. You'd have to see it to
• 48:02
  understand how bad is it where all these mutated people
• 48:07
  are hurting and killing each other.
• 48:09
  Speaker 2: She let her head low back against the wall.
• 48:12
  Speaker 7: It would take years to you to fully understand this place.
• 48:16
  Years you don't have.
• 48:19
  Speaker 5: Right now.
• 48:20
  Speaker 7: You have to make a decision, stay or feet the pig.
• 48:27
  You tell me, Hell is.
• 48:28
  Speaker 5: Worse than here, but it can't be by much.
• 48:32
  Speaker 11: Monsters and suicidals roam the black farm, killing, raping, brutalizing,
• 48:40
  and then you wake up and wonder how long you
• 48:43
  can survive before something else kills you. It's in enless cycle.
• 48:48
  So why did you stay? Why didn't you feed the pig?
• 48:52
  I don't even know what that means, but I would
• 48:55
  do anything for a chance to go back. I can't
• 48:58
  stay here, I just can't.
• 49:01
  Speaker 3: She smiled sadly at me.
• 49:04
  Speaker 11: Why why did I choose this? It's simple, really, I'm
• 49:09
  a coward. I was a coward when I was alive,
• 49:13
  and I'm a coward and death. When it came down
• 49:18
  to it, when the moment presented itself, I choose to
• 49:22
  stay here. I didn't know what awaited me outside. It
• 49:27
  boiled down to a simple choice, fuelled by my own fear.
• 49:32
  Speaker 5: What does the pig? What does it do to you?
• 49:35
  Speaker 13: He suddenly turned to go. I'm afraid that's for you
• 49:38
  to find out, But let me warn you. Think hard
• 49:43
  before you make a decision. Sometimes suffering through your fears.
• 49:47
  Speaker 5: Better than suffering for eternity. Be brave.
• 49:52
  Speaker 9: What do I do?
• 49:54
  Speaker 5: He yelled?
• 49:54
  Speaker 2: Shaking in my chair, She walked out the door. She
• 49:58
  paused and took one last look over her shoulder. He
• 50:00
  or I started around and she dropped her voice to
• 50:02
  a whisper.
• 50:04
  Speaker 3: Feet the big and with that she was gone. So
• 50:08
  what do you how do you feel about that interaction?
• 50:12
  Speaker 1: Interesting? Interested to see that. I'm guessing that the longer
• 50:15
  you stay there. One I'm wondering is every time you die,
• 50:18
  if you get kind of uh, if you die for
• 50:21
  a second and then come back like basically a tortured
• 50:24
  zombie husk forever. Is kind of how that read to me,
• 50:28
  Or if just by being in there your body is
• 50:30
  just slowly deteriorating and becoming a monster as well.
• 50:33
  Speaker 3: I think it's kind of like.
• 50:36
  Speaker 2: The way she said that you get killed and then
• 50:38
  you wake back up here, So it implies that every
• 50:41
  time you die you kind of respall and sort of right,
• 50:45
  is that the vibe?
• 50:46
  Speaker 1: I think that's what That's kind of what I was thinking, Like,
• 50:49
  if you got struck in the back of the head,
• 50:50
  you might die, but then you would wake up. But
• 50:52
  I'm guessing that you keep the wound kind of is what.
• 50:55
  It's kind of what I'm thinking. Yeah, like somebody stabbed
• 51:00
  her through her eye socket, you know what I mean,
• 51:02
  and then she yeah, woke up and was missing her
• 51:05
  eye or the guy pulled the whatever out and took
• 51:07
  her eye with it.
• 51:08
  Speaker 3: So it's just like an infinite hell field of things
• 51:12
  constantly killing each other over and over.
• 51:14
  Speaker 1: Yeah, just the most appraved type stuff of just like
• 51:17
  a field of depravity. I'm wondering what exactly, uh, feed
• 51:22
  the pig means, Like what that actually entails that process?
• 51:26
  Speaker 2: Oh no, I honestly can't remember. I'm liking this so far.
• 51:29
  I'm into it. I think it's a cool concept. I
• 51:31
  think it's interestingly done.
• 51:34
  Speaker 3: I'm a fan.
• 51:35
  Speaker 1: The Silent Hill Turn is really really fun visually, like
• 51:39
  really enjoyed the guy with screws for teeth and him
• 51:43
  like being on a leash and stuff. I just imagine
• 51:45
  like all of the now that my mind, even though
• 51:49
  in my mind I'm picturing uh, basically rusty walls, just
• 51:53
  silent Hill stuff is basically I just keep like it
• 51:55
  gets more. The setting is becoming more crimson, more orange
• 52:00
  and browns, just like.
• 52:01
  Speaker 2: I imagine the sky's like a red, like the trees
• 52:04
  are black, you know, like black trees.
• 52:06
  Speaker 3: Sure, it's like nothingness, m M, just kind of a
• 52:10
  It's like it's like.
• 52:13
  Speaker 2: Yeah, pretty much, it's like hay allowed for thousands of
• 52:18
  years on the people, on the rain, on the land, everything.
• 52:21
  Speaker 3: Yeah, what do you do?
• 52:22
  Speaker 2: That place smells like it smells like future flesh has
• 52:25
  to just like dead skin everywhere. Yeah, it smells like
• 52:29
  you know what it smells like when an animal's been
• 52:32
  dead a while, Just everywhere, all the time.
• 52:34
  Speaker 1: Mm hmm. I would imagine it's a collection of all
• 52:36
  kinds of things. Pissed ship that can.
• 52:38
  Speaker 2: Imagine every time someone dies, their body just lays out there,
• 52:41
  you know.
• 52:41
  Speaker 1: Just well, I'm wondering too if the girl that we
• 52:44
  just talked to, if she smells that way too, because
• 52:46
  she's just technically rotting skin and stuff.
• 52:49
  Speaker 3: Even the people walking around smell that way. Everyone's decomposed.
• 52:53
  Speaker 4: Mmm.
• 52:54
  Speaker 3: Or maybe it just smells like bacon.
• 52:55
  Speaker 1: Who knows?
• 52:56
  Speaker 2: If it just smelled like bacon, but you couldn't have
• 52:58
  any I think.
• 52:59
  Speaker 1: Well, I'm not.
• 53:00
  Speaker 3: I'll be honest.
• 53:00
  Speaker 1: The older I get, the bacon becomes less and less
• 53:02
  alluring to me, if I'm being completely honest. And now
• 53:06
  I will go as far to say that when my
• 53:08
  wife will make bacon for herself for like breakfast sometimes
• 53:11
  and it almost makes a gag the smell of bacon.
• 53:14
  Speaker 3: Are you the grinch? What the heck you don't like this?
• 53:17
  Speaker 4: I don't know.
• 53:18
  Speaker 1: I honestly don't know.
• 53:19
  Speaker 12: I used to.
• 53:20
  Speaker 1: I used to like. Now I don't know why, but
• 53:22
  like the smell of bacon. For some reason, it makes
• 53:25
  me like seriously sick to my stomach. I'm like, I
• 53:27
  can't do it, and I'm gonna sound like a little Nancy,
• 53:31
  but I will say, don't mind turkey bacon. Love some
• 53:35
  nice turkey bacon.
• 53:36
  Speaker 2: All right, here's what here's what needs to happen. At
• 53:38
  some point, me and you need to go camping and I'm.
• 53:42
  Speaker 4: To make bacon.
• 53:42
  Speaker 3: I will throw up on you.
• 53:44
  Speaker 4: I have ever, I rememver.
• 53:45
  Speaker 2: Okay, smell, sure, smelling bacon in an enclosed kitchen is
• 53:48
  one thing, but have you ever been like outside and
• 53:51
  like smelled bacon like on.
• 53:53
  Speaker 1: A campfire type stuff?
• 53:55
  Speaker 3: Definitely? And you don't like that.
• 53:57
  Speaker 1: Well it's been a while, but I feel like now
• 53:59
  even I would, I would rather smell the beautiful fresh
• 54:02
  air and the trees and not the goddamn disgusting pig meat.
• 54:07
  Speaker 2: I'm just gonna keep reading. Okay, how you randomly drops
• 54:11
  if you're like I hate the smell of bacon, like
• 54:13
  not just like favors like you know, man, sorry that
• 54:15
  I'm trying.
• 54:16
  Speaker 3: To like just let you know who I am as
• 54:18
  a person.
• 54:18
  Speaker 2: Yeah, but you let me know who you are as
• 54:20
  a person. It makes you less human the things you get.
• 54:24
  Speaker 1: Like I will stop because if it's going to ruin
• 54:28
  our relationships as co as co host, then I'll just
• 54:32
  stop telling you about myself.
• 54:33
  Speaker 2: I don't want that because it's great material for the podcast. Okay,
• 54:37
  and more importantly than anything to do with you is
• 54:40
  the success of this channel.
• 54:41
  Speaker 3: Let's get well. I mean, I'm glad we're at least
• 54:44
  in agreeing there at least at least we got a frozeners.
• 54:46
  Speaker 2: You keep being strange, but I'm just saying that the
• 54:49
  things that you have issues with aren't like things people
• 54:52
  have yes or knows about. It's like core human experiences.
• 54:55
  You're like, well, it's just funny, you know death, where
• 54:58
  it's also like, oh you know what, I hate the
• 55:00
  smell of.
• 55:01
  Speaker 3: Food, Like it's a death was funny.
• 55:04
  Speaker 1: I'm saying that out of nowhere. If a in a story, right,
• 55:07
  there is a let's say I have this deal of like.
• 55:10
  Speaker 2: I went to every day, I'm slightly I was convinced
• 55:12
  you are bug people in a hunter shaped costume.
• 55:17
  Speaker 3: That's fine.
• 55:18
  Speaker 1: Actually, I'm I'm a collection of grasshoppers.
• 55:21
  Speaker 3: Yeah, just inside of human leather.
• 55:24
  Speaker 1: It's pretty much what I am. That That's that's all
• 55:26
  I am. I'm a grasshoppers scarecrow, That's what I am.
• 55:32
  I'm fine with that crew every time.
• 55:34
  Speaker 2: And then we'll be out to eating something, like the
• 55:37
  hunter will like go to eat his food and like
• 55:39
  grasshoppers fall and he's like, I gotta quit doing that
• 55:41
  as he's shoveling the back end.
• 55:42
  Speaker 1: Really I picture I picture whenever I got dinner with
• 55:46
  you and Kayla. I'm like, you guys are like, yeah,
• 55:48
  I really love this place. And it's just me stiff,
• 55:51
  like my eyes and my mouth open like grasshoppers just
• 55:54
  like hopping out of it, and you're just talking to
• 55:56
  me if it's a normal conversation. I'm just just like,
• 56:00
  oh man, how do you like the food?
• 56:01
  Speaker 2: And you're like a mannequin over there with grasshoppers pouring
• 56:05
  out on the table.
• 56:06
  Speaker 4: Yeah.
• 56:06
  Speaker 1: Everything, my neck falls back and falls off my body,
• 56:10
  like bugs are just like protruding everywhere, jumping and going.
• 56:13
  You're like, oh wow, the steak here is unbelievable. Everyone's
• 56:18
  screaming in terror and running out of the restaurant. You
• 56:23
  have to try the spinach dip. It's which which makes
• 56:26
  it even better that I'm assuming that you have to.
• 56:28
  You had to unbuckle me from the vaccap car walk
• 56:34
  in table for two.
• 56:35
  Speaker 3: Please over my arm.
• 56:38
  Speaker 2: That's what I'm gonna do when you die. I'm gonna
• 56:41
  have like a hundred statue I bring places like.
• 56:44
  Speaker 3: Oh, this is my best friend.
• 56:45
  Speaker 1: I love them?
• 56:46
  Speaker 4: Ha is that right under?
• 56:48
  Speaker 2: Remember our podcast that was a lot of fun. Hey, Hey,
• 56:53
  especially we like that, don't we have? The bugs are
• 56:56
  just like all over the mannequin's face. It's like they're
• 56:59
  like chewing through it.
• 57:00
  Speaker 3: It's like just sounds like sounds like a bunch of Cicadasn't.
• 57:04
  Speaker 2: That's like thee ever, like all of them clicking off
• 57:07
  of each other and stuff.
• 57:09
  Speaker 1: If I die tragically, Isaiah and you don't have some
• 57:13
  kind of manic episode and carry it like at least
• 57:15
  some kind of funko pop around of me.
• 57:17
  Speaker 3: Oh of course, I'm gonna make podcast episodes with it.
• 57:20
  Speaker 2: Two where it's just like sitting there and I'm like, remember,
• 57:23
  remember Tommy Tavy, it was pretty wacky.
• 57:25
  Speaker 5: Huh.
• 57:26
  Speaker 4: Rosca, Hey, hunter.
• 57:28
  Speaker 1: I like to think. I like to think that you're
• 57:30
  you actually go so manic that you you're having a
• 57:33
  conversation with it, but people can't hear the other end.
• 57:36
  So it's right.
• 57:37
  Speaker 3: I'm studying it.
• 57:39
  Speaker 2: I'm sud it in public, like, hey, what would Colin
• 57:43
  from Morosca say? And then I'm quiet for twenty seconds
• 57:45
  and I'm like, oh, Connor, for sure, my wife's left me.
• 57:53
  I live in like a motel room.
• 57:54
  Speaker 1: Now you also definitely put that funk Go pop in
• 57:57
  a jar.
• 57:58
  Speaker 3: Whatdn't that's now? The tone dramatic?
• 58:02
  Speaker 1: See what I mean?
• 58:08
  Speaker 2: You take something that is like funny and normal and
• 58:12
  you're like, you know what would make this so much worse?
• 58:14
  I never want to hear you say the word Baroska
• 58:17
  again or Tommy's Happy, because you do it with real
• 58:20
  life scenarios, it's so much worse.
• 58:22
  Speaker 1: I don't know, dude, I've seen the Mason jars you
• 58:24
  have in your house, like a Funko Pop caet fit
• 58:26
  in there. All right, anyways, let's keep, let's continue.
• 58:30
  Speaker 2: I was not in silence once again. My mind was spinning,
• 58:33
  desperately turning over my options. I still couldn't fully understand
• 58:38
  the situation I was in. It was too much, too overwhelming.
• 58:42
  The other side of death wasn't supposed to be like this.
• 58:46
  I didn't know what I had expected, but it wasn't
• 58:49
  this nightmare. Questions crashed over my mind like cold waves
• 58:53
  onto a sinking ship. How was I supposed to make
• 58:56
  a choice when I didn't even know what my actions entailed?
• 59:00
  This place, the black Farm. I couldn't stay here. But
• 59:04
  what if I went to Hell? What if I didn't
• 59:07
  get sent back, I would be out of the fire
• 59:10
  and into the frying pan.
• 59:13
  Speaker 3: He write that backwards on purpose?
• 59:15
  Speaker 4: I don't know.
• 59:17
  Speaker 3: That isn't make any sense because.
• 59:19
  Speaker 2: Hell, because the saying is out of the frying pan
• 59:22
  into the fire, right like we went from bad to worse.
• 59:25
  Speaker 1: Well, I'm wondering if he's doing that, because it's like
• 59:26
  pig if it's like, oh, you're being gone.
• 59:28
  Speaker 4: I don't know.
• 59:29
  Speaker 2: But no, going to Hell would absolutely be going to
• 59:32
  the fire, not the frying pan. He's in the frying
• 59:34
  pan right now, anyway, Okay, my existence would forever be
• 59:39
  damned to unending misery here though here there were people
• 59:43
  like me suicidals. Wasn't all monsters and mutilated murderers. Maybe
• 59:49
  I could hold up somewhere with them, or to scrape
• 59:52
  together a passable existence. Surely though, would be better than
• 59:55
  getting sent to hell. No, no, this wasn't going to
• 1:00:00
  It's been my eternity. I refused to let it be.
• 1:00:03
  There's even the slightest liver of hope I would take it.
• 1:00:06
  I didn't want to wonder what could have happened, what
• 1:00:09
  could have been. I didn't want to be tormented. I
• 1:00:12
  doubt I would feed the pig and accept whatever fate
• 1:00:15
  chose for me when I boiled it down. That's the
• 1:00:18
  only option left. I would feed the pig. You gotta
• 1:00:22
  feed the pig.
• 1:00:23
  Speaker 3: You gotta feed the pig.
• 1:00:24
  Speaker 1: I think, I think.
• 1:00:25
  Speaker 3: I don't think there. I don't think there's any rational
• 1:00:27
  thought to stay. I would want to know more, like
• 1:00:29
  what do I do? Is it just random chance? Or
• 1:00:31
  is it like a question? Is it a game or something?
• 1:00:34
  Speaker 4: You know?
• 1:00:34
  Speaker 1: Well, I think all of that feels irrelevant to where
• 1:00:37
  It's just like, if that is your liv if that
• 1:00:39
  is your only way out.
• 1:00:41
  Speaker 3: I'm still say I'm saying that some prep time would help,
• 1:00:44
  you know, Oh, I think so? Well, yeah, for sure,
• 1:00:46
  if I could have all. You know, if I could
• 1:00:48
  actually prepare for it, that'd be cool.
• 1:00:49
  Speaker 1: But I don't feel like we're in that kind of Yeah.
• 1:00:51
  Speaker 3: Probably not.
• 1:00:52
  Speaker 2: It seems like a yes no kind of thing. I
• 1:00:54
  think when Danny shows up, that's the one time you
• 1:00:57
  get asked it forever, you know.
• 1:00:59
  Speaker 3: Yeah, Hey, hello, Danny, I yelled, rattling in my chair.
• 1:01:06
  Speaker 1: I've made my decision.
• 1:01:07
  Speaker 3: Danny after a.
• 1:01:09
  Speaker 2: Couple seconds or footsteps echoed down the hall towards me.
• 1:01:12
  Then he walked through the doorway and annoyed look on
• 1:01:15
  his face.
• 1:01:16
  Speaker 1: I've made my choice. I'm going to feat the pig.
• 1:01:19
  Sounds like you really thought a lot about it since
• 1:01:22
  I left you. And let me do a better line
• 1:01:23
  read of that. Oh, sounds like you've really thought a
• 1:01:26
  lot about it since I left, since I left you. Fuck,
• 1:01:29
  let me try it again. Sounds like you've really thought
• 1:01:32
  a lot about it since I left you.
• 1:01:34
  Speaker 5: There you go, There we go, perfect boom.
• 1:01:36
  Speaker 3: I locked my lips. You do the same. Think if
• 1:01:40
  you were in my place. Danny walked behind me.
• 1:01:43
  Speaker 1: I was in your place once and I chose differently.
• 1:01:48
  Speaker 2: It was widen and then Danny wrapped my entire head
• 1:01:51
  with a strip of thin cloth bonding me. Sucked in
• 1:01:55
  as much air as I could, but each lungful felt empty.
• 1:01:59
  I felt Danny me free from the chair on my
• 1:02:01
  body side as my stiff muscles were released, all my shoulders,
• 1:02:05
  as my hands were released, and I'm owned with relief.
• 1:02:08
  I dug my fingers into my back and I stretch.
• 1:02:10
  My bone's creaking.
• 1:02:12
  Speaker 3: Keep your blindfold on. Follow me, Danny said, pulling me up.
• 1:02:18
  Speaker 2: My legs shook as I put weight on them, my
• 1:02:20
  thighs trembling after their long cemented position. I grope blindly
• 1:02:24
  in front of me and found Danny's shoulder rested my
• 1:02:27
  hand on it as he walked us out of the.
• 1:02:29
  Speaker 1: Room, wondering how kind Danny is actually, wondering if he's
• 1:02:33
  a guiding.
• 1:02:34
  Speaker 2: School now that I found out that he was once,
• 1:02:37
  you know, a spirit, then maybe, I mean, he's clearly
• 1:02:42
  got attitude to him or something.
• 1:02:44
  Speaker 1: And yeah, he's bitter to be in the situation he's in.
• 1:02:47
  Speaker 2: There's an evil here, for sure, But I don't like
• 1:02:51
  what's Danny gonna do about it?
• 1:02:53
  Speaker 3: If he's just a soul?
• 1:02:54
  Speaker 1: Right, well, how many times has he seen this happen too?
• 1:02:57
  It must be so rudimentary. The well, the whole thing
• 1:03:00
  of letting our protagonist put his hand even on him
• 1:03:03
  to like guide him through seems it's more of a
• 1:03:06
  human active kindness. It does.
• 1:03:08
  Speaker 3: Yeah.
• 1:03:09
  Speaker 2: Yeah, then everything else we've seen down here so far,
• 1:03:12
  stuff that's come from there. As we entered the hallway,
• 1:03:16
  I could suddenly hear sound I had him before, clink
• 1:03:19
  of metal, long fleshy, terry, noise, something vomiting. He sounds
• 1:03:25
  spring to life in my ears, painting the darkness before
• 1:03:28
  my eyes with imaginary scenes of horror. I gripped Danny's
• 1:03:32
  shoulder tighter, stumbling behind him, my heart thundering. I heard
• 1:03:38
  something trailing behind us, but Danny didn't seem to notice,
• 1:03:42
  or if he did, he didn't care. Flesh slapped the
• 1:03:45
  concrete mirror inches behind me, and I suddenly felt the
• 1:03:48
  shit breath on my neck and the click of a
• 1:03:50
  wet tongue against gumbs. My breathing became even more labored,
• 1:03:54
  as fear choked me.
• 1:03:57
  Speaker 3: Going to feed the piggy? Are you something whispered in my.
• 1:04:02
  Speaker 1: That's what I said.
• 1:04:03
  Speaker 3: That That is how it's typed at least. Okay, that
• 1:04:06
  was like almost a Shrek just imagine.
• 1:04:08
  Speaker 1: I mean it's a borderline pirate, that piggy yee.
• 1:04:13
  Speaker 2: I mean, I mean, like if this is like a
• 1:04:15
  hell effectively, or like an eternity, it probably could have
• 1:04:17
  been a pirate from like the fourteen hundreds.
• 1:04:19
  Speaker 4: You know, who knows, who knows?
• 1:04:22
  Speaker 2: Something whispered in my ear. I felt something pressed against
• 1:04:26
  the back of my head, and I try not to
• 1:04:27
  think about what it might be. It was wet and slimy,
• 1:04:31
  and I heard the thing chuckle.
• 1:04:33
  Speaker 5: Hey shah, a great bigge. You might sure get kish
• 1:04:37
  me now.
• 1:04:39
  Speaker 2: It's voice low and unlike anything I had ever heard before.
• 1:04:42
  It was like a series of grinds and moans shumbled
• 1:04:44
  together to form broken words. To my relief, I heard
• 1:04:49
  the thing retreat back to wherever it had come from.
• 1:04:51
  I continue to follow Danny. He remained silent as we walked,
• 1:04:55
  and I could feel shifts in the air. A thick
• 1:04:58
  heat gave way to a cooler, almost pleasant temperature, but
• 1:05:02
  then it kept creasing. Soon I was shivering violently against
• 1:05:05
  the cold. I couldn't see anything, but I felt a
• 1:05:09
  breeze on my face, like we were outside. I didn't
• 1:05:14
  hear Danny open any doors, but nothing about this place
• 1:05:17
  was natural. It was like reality blurred and bled into itself,
• 1:05:21
  like reels of film melting together, teeth chattering. I was
• 1:05:26
  suddenly blasted with a tense heat, and I gasped. My
• 1:05:30
  feet tripped over themselves as the terrain changed, and I
• 1:05:33
  was suddenly walking on what felt like warm iron.
• 1:05:36
  Speaker 3: My ears were.
• 1:05:37
  Speaker 2: Filled with the sound of blazing furnaces and a flash
• 1:05:40
  of working machinery. Couldn't see it, but I felt like
• 1:05:43
  there was a vast open expanse overhead. It smelled ash.
• 1:05:48
  They stirred on my tongue, sweat already forming along my spine.
• 1:05:54
  Suddenly I crashed into Danny as it came to a halt,
• 1:05:57
  backed up a few paces, quickly mutterered my apology.
• 1:06:00
  Speaker 4: Jeez.
• 1:06:01
  Speaker 2: I could hear movement in front of us, a rustle
• 1:06:04
  of chains and an odd clicking sound on the metal floor.
• 1:06:08
  Something else too, something snorting. Then the room was filled
• 1:06:18
  with a deafening sound of an immense pig squealing. Covered
• 1:06:23
  my ears, head splitting up the high pitched so weled.
• 1:06:26
  I grated my teeth as the noise echoed off the
• 1:06:29
  metal and faded into a series of snorts and grunts.
• 1:06:32
  It sounded absolutely enormous.
• 1:06:36
  Speaker 3: I've brought another one.
• 1:06:38
  Speaker 2: Danny announced, a slight tinge of respect line in his voice.
• 1:06:43
  Speaker 3: He wants to feed the pig.
• 1:06:46
  Speaker 2: I waited, expecting to hear some answer. The cloth around
• 1:06:50
  my eyes ceiling my sight to darkness. I realized my
• 1:06:53
  knees were shaking, and my back was coated and sweat.
• 1:06:56
  I was terrified. Yet that is what you wish, Danny said,
• 1:07:01
  and I felt him bow under my hand. Apparently some
• 1:07:05
  unseen conversation had just happened, and Danny took my wrist,
• 1:07:09
  pushed me forward, approached the pig. My whole body trembled
• 1:07:14
  and my knees locked into place. Robbed from sight, I
• 1:07:17
  raised my hands trying to get my berries. The heat
• 1:07:20
  and ash filling my head in the naunching, I felt
• 1:07:24
  like I was going to throw up, my stomach rolling
• 1:07:26
  like a dead sea. I didn't know where I was
• 1:07:29
  or what horror lay before me. I felt lost and tiny.
• 1:07:32
  A fresh splash of tears dripping from my eyes and
• 1:07:35
  soaked into the cloth around my face.
• 1:07:40
  Speaker 3: Please let me see what's happening.
• 1:07:45
  Speaker 2: Danny was suddenly behind me, pushing me forward, got in
• 1:07:49
  my hands towards something As we stepped together in unison.
• 1:07:54
  Even with the cloth around my face, I could see
• 1:07:56
  a giant mass of towering darkness before me. It was
• 1:08:00
  a spot of black on an already darkened canvas. As
• 1:08:05
  we walked forward, I was suddenly assaulted by a horrendous
• 1:08:07
  smell and I gagged, turning away, Danny's grip tightened forced
• 1:08:13
  me to continue. It's in something just in front of me,
• 1:08:17
  a living, shifting mass of flesh. The smell increased to
• 1:08:22
  a wretched level, and I gagged again. The hot air
• 1:08:26
  was being blown on my face, a blast of heat
• 1:08:28
  that came and repeated short burst. I vomited it in
• 1:08:34
  my cloth, source of the smell stemming from the hot air.
• 1:08:38
  I choked as the bile gushed over the fabric, soaking
• 1:08:41
  it and momentarily cutting off my oxygen. Danny slapped my
• 1:08:44
  hands away and I took a few seconds to steady
• 1:08:46
  my breath again. I was openly crying now, fear and
• 1:08:51
  misery collapsing my will power. The wet cloth stuck ause
• 1:08:55
  I sucked it in soggy breaths, my own stomach acid
• 1:09:00
  my skin, and I begged for all this to be over,
• 1:09:04
  And then something squealed directly in front of me. I
• 1:09:08
  felt my bladder go I was standing before the pig.
• 1:09:13
  It was the source of darkness of my obscured vision,
• 1:09:15
  A fat, titanic creature that filled my senses with every
• 1:09:18
  breath it blew into my face. Danny raised my hands
• 1:09:23
  and suddenly I was touching the pig's snout. I recoiled immediately,
• 1:09:28
  but Danny forced my hands back. Its fur was stiff
• 1:09:32
  and brittle, and as my shaking hands explored up to
• 1:09:35
  its nose, the size of the animal became clear to me.
• 1:09:39
  It was gigantic and had weight over a ton. Its
• 1:09:43
  flesh wriggled under my sweating hands, and it opened its
• 1:09:46
  mouth slightly. My fingers curled around the teeth the size
• 1:09:50
  of kitchen knives, and I realized its mouth was absolutely halverless.
• 1:09:55
  The pig squealed again, and I heard its hoofs clack
• 1:09:58
  against the grounds. Sounded like thunder rolling across an open
• 1:10:02
  field in the middle of summer. Take this blackfoot off, please,
• 1:10:06
  I begged. My legs turned into jelly, and he had
• 1:10:11
  taking a few steps back, and I heard reverence in
• 1:10:12
  his voice.
• 1:10:15
  Speaker 5: You don't want to do that.
• 1:10:17
  Speaker 2: I jumped as a pig nudged me with its nose,
• 1:10:19
  the wet circle of flesh squishing against the length of
• 1:10:22
  my face. Shuddered away, raising my hands and omitting a cry.
• 1:10:27
  Fear feet the pig, and he instructed, his voice like
• 1:10:32
  cold steel.
• 1:10:33
  Speaker 14: Now you made your choice. Now live with it. It's
• 1:10:38
  the only chance you have. To go on back, or
• 1:10:40
  maybe the pig won't like how you taste and send
• 1:10:42
  you to hell. Only one way to find out.
• 1:10:46
  Speaker 2: My eyes widening behind the vomit soak.
• 1:10:48
  Speaker 3: Cloth like how I taste plumb into its mouth.
• 1:10:56
  Speaker 2: My bladder let go again, and I felt warm piss
• 1:10:59
  run down my leg. No, no, you can't mean it,
• 1:11:04
  Danny's voice hardened.
• 1:11:05
  Speaker 1: Climb into the mouth, and don't stop crawing forward until
• 1:11:08
  it's done with you.
• 1:11:10
  Speaker 2: Please, I begged, turning towards Danny's voice, reaching out blindly.
• 1:11:16
  Speaker 1: Please, there has to be some other way.
• 1:11:18
  Speaker 3: Don't make me do this.
• 1:11:20
  Speaker 2: I was a massive snot in tears, my words bumbling
• 1:11:23
  from my mouth like a toddler.
• 1:11:25
  Speaker 3: Danny stepped forward and spun me back to face the pig.
• 1:11:29
  Speaker 2: Do it.
• 1:11:30
  Speaker 1: You made your choice. It will all be over soon.
• 1:11:34
  Speaker 6: This is your only chance.
• 1:11:36
  Speaker 2: I could feel the pig breathing onto my face. It
• 1:11:39
  snout mere inches for mine. The smell and heated omen
• 1:11:43
  it made me want to vomit again, but I.
• 1:11:44
  Speaker 3: Held it back.
• 1:11:46
  Speaker 2: This was insane, This wasn't happening. My mind spun and
• 1:11:50
  twisted in chaos and fear. There had to be some
• 1:11:53
  other way. I couldn't do this.
• 1:11:55
  Speaker 3: I could not do this.
• 1:11:57
  Speaker 2: Suddenly I remembered the words of the woman, Sometimes suffering
• 1:12:00
  through your fears better than suffering for eternity.
• 1:12:04
  Speaker 3: Be brave.
• 1:12:06
  Speaker 2: This was my only chance to get back to the
• 1:12:08
  world of the living. I'd made such a terrible mistake
• 1:12:11
  in killing myself. If I could go back and change
• 1:12:14
  my life, I wouldn't have to spend eternity here. I
• 1:12:18
  could change my ways and sure spot somewhere else, somewhere
• 1:12:21
  away from the pig. Both I decided to send me
• 1:12:24
  to hell. How much more suffering could I endure? I
• 1:12:28
  had to take the chance. Please God, I whispered, I
• 1:12:32
  can step forward.
• 1:12:34
  Speaker 5: If you can hear me, please have mercy on me.
• 1:12:38
  Speaker 3: Was shaking.
• 1:12:39
  Speaker 2: Hands reached out for the pig, and I grasped its
• 1:12:41
  thick fur. I felt it slowly lower its head and
• 1:12:46
  open its mouth. It was waiting for me, this thick,
• 1:12:50
  hot breath stinking in my nostrils.
• 1:12:53
  Speaker 4: This was it.
• 1:12:55
  Speaker 3: No turning back now.
• 1:12:58
  Speaker 2: I slowly gripped its teeth. I pulled myself forward into
• 1:13:01
  its jaws. Its head was at a downward angle, and
• 1:13:04
  so I immediately fell onto my stomach at a forty
• 1:13:07
  five degree angle. Its wet tongue squished under me. I
• 1:13:12
  was shaking so hard I could barely breathe. Here soaked
• 1:13:15
  my blindfold, and my heart crunched against my ribs. I
• 1:13:19
  slowly reached forward and found another tooth to grab onto.
• 1:13:23
  Gritted my teeth, I pulled my body inward past my knees.
• 1:13:26
  The pig raised its head and I was suddenly completely
• 1:13:29
  horizontal with its tongue. Saliva and mucus stripped around me,
• 1:13:34
  and heat was so intense I almost blacked out. My
• 1:13:38
  knees clacked against its front teeth. As I pulled myself
• 1:13:41
  even deeper, said her cheeks pressed it around me, squeezing
• 1:13:45
  my body like soaking fleshy coffin. Cry terrified, I reached
• 1:13:51
  ahead of me and found more teeth. I pulled myself
• 1:13:54
  deeper into its mouth, and I felt my feet slide
• 1:13:56
  past its lips. My whole body was coated in line,
• 1:14:00
  and I opened and wept, grasped me in the darkness
• 1:14:02
  for another tooth. Oh that's when the be That's when
• 1:14:07
  the pigs started to chew on me.
• 1:14:09
  Speaker 5: Oh god, oh shit.
• 1:14:12
  Speaker 2: I screamed and crushing agony as my body was compressed
• 1:14:16
  between its massive teeth. I heard my legs snap instantly
• 1:14:19
  and felt wet bone.
• 1:14:21
  Speaker 3: Hoop from my skin.
• 1:14:24
  Speaker 4: Holy shit.
• 1:14:25
  Speaker 2: I shook violently as my body spasmed in shocked, mangled
• 1:14:29
  twist of blood and pain. Its tongue shifted me in
• 1:14:32
  its mouth. I felt it bite down on my shoulder.
• 1:14:35
  Eyes bulched in their sockets as I howled, a hot pillar.
• 1:14:38
  Speaker 3: Crunching down on my collar bones.
• 1:14:41
  Speaker 2: I threw up violently, unable to control myself, the pain overwhelming,
• 1:14:46
  keep crawling, screaming, bloodshot, rolling wildly. I reached forward with
• 1:14:53
  my good arm, wetly, searching for another tooth. I gripped
• 1:14:57
  my teeth, blood squirting between them as my fingers wrapped
• 1:15:01
  around something solid.
• 1:15:03
  Speaker 3: The pig bit down again.
• 1:15:05
  Speaker 2: Its tongue twisting my body so its molars could snap
• 1:15:08
  down on my knees. The pain brought darkness, but My
• 1:15:12
  howling screams forced my eyes to remain open.
• 1:15:16
  Speaker 6: Jesus, make it stop, I.
• 1:15:18
  Speaker 2: Bellowed, my trembling hands, still gripping the tooth ahead of me.
• 1:15:22
  Speaker 6: Please make it fucking stop.
• 1:15:25
  Speaker 2: Ground my teeth together so hard they cracked, screaming. As
• 1:15:28
  I slowly pulled my body deeper into the mouth, something
• 1:15:32
  was changing. The tight walls of its throat squeezed my head,
• 1:15:35
  and I realized I was almost through. Come on, you, motherfucker,
• 1:15:39
  Come on, I begged, vocal words cracking. I reached ahead
• 1:15:43
  of me and grabbed onto a thick water flesh. My
• 1:15:45
  head felt like it was splitting, and the pig bit
• 1:15:48
  down on me again. I gasped, blood exploding from my
• 1:15:52
  mouth in a great gush of red.
• 1:15:55
  Speaker 3: It had pierced through.
• 1:15:56
  Speaker 2: My stomach, obliterating my insides like bloated noodles. Darkness rushed
• 1:16:02
  in on me, and I was in too much shock
• 1:16:04
  to even scream. The last of my strength. Right as
• 1:16:08
  the blackness took me, pulled myself for one last time.
• 1:16:12
  I felt myself slide down its throat, darkness, falling, screaming.
• 1:16:19
  I was screaming. Heat eat so intense I thought I
• 1:16:25
  would melt.
• 1:16:27
  Speaker 3: Planing.
• 1:16:29
  Speaker 2: Something was hammering on a metal colors and images flew
• 1:16:33
  past me so quickly I could only make out their shape.
• 1:16:37
  Blood poured into my eyes. Felt like I would keep
• 1:16:41
  falling forever. Yeah, that whole segment, Oh my gosh.
• 1:16:47
  Speaker 3: I love the idea of.
• 1:16:50
  Speaker 1: As a suicidal As a suicidal person to a tone
• 1:16:54
  and go back, you have to put yourself also through
• 1:16:56
  pain again, and you have to forcibly kill yourself again.
• 1:17:00
  Speaker 3: It's super super fascinating.
• 1:17:02
  Speaker 1: Yeah, yeah, yeah, I love the idea of chewing in
• 1:17:05
  this like pig is the literal gateway out of this
• 1:17:08
  out of this world.
• 1:17:10
  Speaker 2: My guess is, if you don't get past the teeth,
• 1:17:14
  you go to hell.
• 1:17:15
  Speaker 1: I would guess maybe I'm thinking it's I think that
• 1:17:19
  it's no matter what you're getting chewed up like that.
• 1:17:22
  Speaker 3: Yeah, yeah, matter what I think. I think it's when
• 1:17:24
  you go down.
• 1:17:24
  Speaker 1: The throat and then you like, are you essentially die again.
• 1:17:28
  I think that's when you get judged again. To see
• 1:17:30
  where you go?
• 1:17:31
  Speaker 3: Is my is my interpretation of yeah.
• 1:17:33
  Speaker 4: Yeah.
• 1:17:35
  Speaker 2: Suddenly my eyes snapped open and I was falling. A
• 1:17:38
  breath rushed back to my lungs, and a great wave
• 1:17:41
  of purity My face bounced off wood floor, and I
• 1:17:44
  cried out as I felt my nose break, tasted blood,
• 1:17:47
  and saw stars that stopped falling.
• 1:17:50
  Speaker 1: Oh that lucky motherfucker, I think he. I think this
• 1:17:54
  is going to say that the rope snapped.
• 1:17:55
  Speaker 2: Yeah, yeah, I think that's what it is. There's a
• 1:17:58
  ring of burning fire around my throat, and I felt
• 1:18:00
  impossibly thirsty.
• 1:18:02
  Speaker 3: I was lying on the floor.
• 1:18:04
  Speaker 2: Slowly opened my eyes again and the darkness began to fade,
• 1:18:07
  like morning mist under a hot sun. Colors blended together,
• 1:18:11
  shapes came into focus. I was in my woodshed. Reached
• 1:18:16
  k around my throat and grasped at the source of heat.
• 1:18:18
  It was the rope I had hung myself with, but
• 1:18:20
  now it was severed, releasing me from the grip of death.
• 1:18:24
  Relief rolled over me in overwhelming ways of thanks. I
• 1:18:28
  curled up on the floor and sobbed, tears dripping from
• 1:18:30
  my eyes onto the dirty floor. My body shook, unbroken
• 1:18:35
  as I wept, wet horse cries rising from my quivering lips.
• 1:18:40
  I'd been spared. I was alive again. From I spat
• 1:18:45
  on the floor, I turned my eyes upward, my voice cracking.
• 1:18:49
  Thank you God, Oh, thank you fell into another fit
• 1:18:53
  of uncontrollable sobbing.
• 1:18:56
  Speaker 3: I promise I won't waste my life again.
• 1:18:58
  Speaker 1: I promise I'll mixing.
• 1:19:00
  Speaker 3: I don't fix everything.
• 1:19:03
  Speaker 2: I don't know how long it was before I got up.
• 1:19:05
  Time seemed to stretch for eternity. My mind refused to
• 1:19:08
  rebuild the horrors of what I had just witnessed crushing me.
• 1:19:12
  But I knew I would do everything I could make
• 1:19:15
  the most out of my life. I was going to
• 1:19:18
  live every day to the fullest. I would devote myself
• 1:19:21
  to helping others in dark times. I would reach out
• 1:19:23
  to as many suicidals as I could to try to
• 1:19:26
  save them. I would have waited on the other side.
• 1:19:29
  I didn't want anyone else to have to witness the
• 1:19:31
  horrors of suicide. I didn't want anyone else to have
• 1:19:34
  to feed the pig.
• 1:19:39
  Speaker 1: Round of applause.
• 1:19:41
  Speaker 3: Oh I'm sorry, I thought. I thought this wasn't so good.
• 1:19:44
  Speaker 1: Here's the thing. Well, yes, I did do my little
• 1:19:47
  baby boo booth thing earlier. Here's the thing I was.
• 1:19:50
  It's just say, it's a hard it's a hard cell.
• 1:19:55
  When someone comes in, it's like you killed yourself. This
• 1:19:59
  is what Helen it's very cartoonish. But I think I
• 1:20:02
  think the only complaint I had of this story was
• 1:20:06
  that I just wish it was longer and we got
• 1:20:07
  to experience more of those because the way that the
• 1:20:10
  beats of the story are now is pretty much like
• 1:20:13
  you get to experience the man or the pig made horrors,
• 1:20:16
  which is like the screw mouth guy, right and all
• 1:20:18
  that stuff, and then you experience the souls who didn't
• 1:20:21
  get fed by the pig or who didn't feed the pig,
• 1:20:25
  and then they're basically just rotting. So you have the
• 1:20:27
  acts of it's like an act of three of you
• 1:20:29
  get to experience that, you experience her, and then it's
• 1:20:32
  him being like, fuck it, I'm going to go feed
• 1:20:34
  myself to the pig. I just wish like I was
• 1:20:37
  so enveloped, which you know, at the same time too,
• 1:20:39
  it doesn't really matter, Like I mean, it's the story
• 1:20:41
  of a guy who is essentially the entire time he's
• 1:20:45
  hanging like it's him. It's like the the the super
• 1:20:49
  prolonged amount of time of a man kicking the chair
• 1:20:52
  and falling right before that thing actually instant of death. Yeah, exactly.
• 1:20:57
  It's what I love about this too. Is that it
• 1:21:00
  almost reads like an episode of the Twilight Zone. Yeah,
• 1:21:02
  is what it reads like to me.
• 1:21:03
  Speaker 3: I love it. I love the idea of for retribution.
• 1:21:07
  Speaker 1: You have to forcibly based I mean forcibly kill yourself,
• 1:21:12
  crawl into the beast's mouth, and then endure that suffering again,
• 1:21:16
  because that suffering that he endures is the last bit
• 1:21:20
  of like just remember how worse.
• 1:21:22
  Speaker 3: It could be.
• 1:21:23
  Speaker 1: And like you're probably begging to be like, oh, I
• 1:21:25
  wish this wasn't happening. I wish I was alive. It's crazy.
• 1:21:28
  I mean, it's it's very it's powerful. It's just a
• 1:21:31
  sweet visual. It's also a smart thing too, to uh
• 1:21:36
  have him blindfold or protagonist, because I think that if
• 1:21:41
  he would have tried.
• 1:21:42
  Speaker 3: To describe stuff, it would have taken people out of Yeah.
• 1:21:46
  Speaker 2: Describe we take people out and then describing it as
• 1:21:48
  you heard you hear the pig squeal and it's so big.
• 1:21:51
  It's like a blackness within an already darkness, you know, Yeah,
• 1:21:55
  like how immense it is. That's enough, that's all you need.
• 1:21:58
  Speaker 1: I was kind of like when we're the pig was there,
• 1:22:00
  I was like, yeah, that's kind of creepy. But the
• 1:22:02
  idea of having to crawl inside this giant mouth and
• 1:22:05
  like really get all those extremely like some it does
• 1:22:10
  eat you.
• 1:22:10
  Speaker 3: You have to feed yourself to it. Yeah, you have to.
• 1:22:13
  Speaker 1: Crawl in and then not only that, but then like
• 1:22:16
  laying on this enormous flat tongue and then he starts
• 1:22:19
  chewing on you.
• 1:22:20
  Speaker 3: Just such an amazing Oh my gosh, that was getting rough.
• 1:22:24
  Speaker 1: That was probably one of my favorite things, one of
• 1:22:26
  the one that's probably like one of my favorite things
• 1:22:29
  we've read so far, so the descriptive.
• 1:22:31
  Speaker 2: And painting and like the column moone, the column coming
• 1:22:34
  down and like your guts bursting open as it rips
• 1:22:38
  your mid section and half so like your upper what's
• 1:22:41
  left of your torso crawls into its throat, still going.
• 1:22:45
  Speaker 1: Ah man, you was crazy about that too. I was
• 1:22:48
  like getting a lot of enjoyment out of is while
• 1:22:50
  you were reading that. I had the exact same reaction
• 1:22:52
  to it. There's no way to really process that besides
• 1:22:56
  just almost laugh like the absurdity and like how crazy
• 1:22:59
  it is. I was like recoiling in my seat, like
• 1:23:02
  thinking about being crushed. It's it's insane.
• 1:23:07
  Speaker 2: And also the idea of being in a creature's mouth,
• 1:23:09
  like it's so so claustrophobic and so and it was
• 1:23:13
  too like you smell the breath and you're going to
• 1:23:15
  the source of it, and it's like, ah, the great
• 1:23:18
  stinking monster. It's hot, it's wet, it's ah.
• 1:23:22
  Speaker 1: It kind of reminds me of the ending of Borderlands,
• 1:23:24
  a bit of like that same kind of like being
• 1:23:27
  tracked alive and to me, to me, especially like claustrophobia,
• 1:23:31
  I'm so claustrophobic. That entire thing of having to forcibly
• 1:23:35
  crawl into tighter spaces is just unnerving.
• 1:23:40
  Speaker 2: I was put flesh and pulled myself into so good
• 1:23:44
  to the tightness of its throat.
• 1:23:47
  Speaker 1: I was picturing. So let me ask you this as
• 1:23:51
  so the entire time I was picturing Danny of what
• 1:23:55
  he was doing. So are we are we to assume
• 1:23:57
  that Danny did not feed the he did not crawl
• 1:24:00
  or is he a man made? Is he a man
• 1:24:03
  made or a pig made person?
• 1:24:05
  Speaker 4: All right?
• 1:24:06
  Speaker 2: So I think the options are because Danny says I
• 1:24:10
  was like you once, right, and I assume he wasn't lying.
• 1:24:13
  So Danny might have been someone who died way way, way,
• 1:24:19
  way way back, right, like maybe one of the first
• 1:24:21
  there and they need someone to bring new people to
• 1:24:25
  the pig. There might be other people like Danny who
• 1:24:27
  do the same thing, because I imagine Danny's probably been
• 1:24:30
  here for eons, right, and if you're there for long enough,
• 1:24:37
  you kind of become like an acolyte almost for the pick,
• 1:24:40
  because what.
• 1:24:41
  Speaker 3: Else are you going to do?
• 1:24:42
  Speaker 1: Yeah, I mean I was wondering how he got that
• 1:24:44
  position of power of being able to deliver that stuff.
• 1:24:48
  Speaker 3: There was a bit there was.
• 1:24:49
  Speaker 1: What I really liked about Danny was at first it
• 1:24:52
  seems like, oh, this is going to be another edgy
• 1:24:54
  statistic like cup and Master the kind of guy. But no,
• 1:24:58
  I mean I found a lot of hu vanity in
• 1:25:00
  him by the end of by the end of the
• 1:25:02
  story when he comes back in, because it feels like
• 1:25:05
  this is a guy who has done this how many times,
• 1:25:08
  He's probably seen the worst outcomes. I mean, like, that's
• 1:25:10
  your perception as just hell all the time. So then
• 1:25:13
  whenever he comes back in and he sarcastically says, oh, yeah,
• 1:25:16
  you really mulled that over, I think he's just like, Okay, well,
• 1:25:19
  I guess we're.
• 1:25:19
  Speaker 3: Just doing this. Immediately, I guess we're not going I think.
• 1:25:24
  Speaker 1: And also I don't think that there's even an option,
• 1:25:26
  which if I feel like if it was a part
• 1:25:29
  of the rules and it's like, oh, you can't look
• 1:25:30
  at him, that'd be different. But I feel like he
• 1:25:33
  blindfolded our protagonists, so it would be easier for him
• 1:25:36
  to make the call to be like climb in to
• 1:25:39
  the mouth, because seeing that and having to perceive it
• 1:25:42
  is so much different than if you see that horror
• 1:25:45
  and being like, oh, okay, there's no way I can't
• 1:25:47
  there's no way I can do that, versus the idea
• 1:25:50
  maybe you could get over the idea spy like, yeah,
• 1:25:54
  while it is torturous, Yeah, it's like, while it's tortuous,
• 1:25:57
  at least I don't have to physical like in my
• 1:25:59
  brain process all this stuff around me.
• 1:26:01
  Speaker 3: I'm just feeling, well, uh yeah, that was really fun, man.
• 1:26:07
  Speaker 1: That's good.
• 1:26:07
  Speaker 2: The pig imagery pops up a lot in like demonic
• 1:26:11
  traditions and stuff like that too, So I'm imagining like
• 1:26:13
  this beast of a pig right, like it's features are
• 1:26:17
  horrific and evil and stuff, and then I'm imagining like, gosh,
• 1:26:21
  I want to see more about this world. It was
• 1:26:23
  so well done, Like the story was so well written
• 1:26:26
  that I would almost be afraid to change anything about it.
• 1:26:30
  But from what little peak we got about it, I
• 1:26:32
  want to see more so bad Like they talk about
• 1:26:35
  at the beginning, like, well that whatever's waiting for you
• 1:26:38
  down the hall, let's just say, hell can't be much worse.
• 1:26:41
  And yeah, woman says the same thing. So is there
• 1:26:44
  some other torture down the hall that we never see
• 1:26:47
  through the whole story.
• 1:26:48
  Speaker 1: Well, what I'm wondering is the people who stay there
• 1:26:52
  too long, I think, because you have to think he
• 1:26:55
  was only there enough to experience one thing, right, Yeah,
• 1:26:59
  and it almost it seems like Danny let him experience
• 1:27:02
  that kind of almost that torture just to be like,
• 1:27:06
  this is what's here, this is what it waits you.
• 1:27:08
  So I'm wondering people who keep doing that and they're
• 1:27:11
  so paralyzed with fear that they just are continuously brought in.
• 1:27:15
  Other monsters come in, they do all kinds of stuff
• 1:27:18
  like that, you know what I mean? Yeah, And I
• 1:27:20
  also that's what I'm wondering.
• 1:27:22
  Speaker 2: The other thing, if I could lengthen any part of
• 1:27:25
  this story, it would be the walk to see the Pig,
• 1:27:28
  because I was so I was so into it when
• 1:27:30
  it was like he's following Danny.
• 1:27:33
  Speaker 3: It says the thick heat gave way to.
• 1:27:35
  Speaker 2: Cool, almost pleasant temperature, but then it kept decreasing, so
• 1:27:39
  I was shivering violently against the cold.
• 1:27:42
  Speaker 3: It almost feels like going down to the less Layer
• 1:27:44
  of Hell or something.
• 1:27:45
  Speaker 2: Like layer Yeah, the Frozer, the Lake from the Lake
• 1:27:49
  of the Souls and stuff like that. And then he
• 1:27:53
  goes somewhere else where. He feels blasted with heat and
• 1:27:56
  it feels like he's on warm iron and he can
• 1:27:59
  hear furnace and machinery, Like, bro, what that's so cool?
• 1:28:05
  Speaker 1: Super super industrial. Like I said, the all the callbacks,
• 1:28:09
  I'm wondering how much like Silent Hill played into it.
• 1:28:11
  But all that like furnace kind of vibes. Yeah, all
• 1:28:15
  that kind of imagery just kept bringing me back to
• 1:28:18
  just that kind of cool Japanese inspired like horror video
• 1:28:22
  game stuff.
• 1:28:22
  Speaker 3: And that's I can't emphasize enough.
• 1:28:24
  Speaker 1: If you guys have not heard of Heideshihino, He's the
• 1:28:26
  guy who inspired junji Eto and it's incredible. And there's
• 1:28:31
  a publisher called Starfruit Books. I bought their copy of
• 1:28:34
  a translated version. Of the Town of Pigs, and it's
• 1:28:37
  really really fun, just like really fun old Japanese horror manga,
• 1:28:43
  and I would really recommend it. Like the the use
• 1:28:46
  of pigs and media is it always feels kind of effective.
• 1:28:51
  Pigs are just so gross and.
• 1:28:53
  Speaker 3: Weird, gross and weird.
• 1:28:54
  Speaker 2: They can represent like a gluttony, they can represent like
• 1:28:57
  an evil and stuff like that. They can also represent
• 1:29:00
  it like cannon fodder almost, you know, pigs to the slaughter,
• 1:29:03
  things like that.
• 1:29:04
  Speaker 3: Yeah.
• 1:29:05
  Speaker 2: I like the I know it was very literal in
• 1:29:09
  the story feed the pig, but I like feed the
• 1:29:12
  pig as a conceptual phrase to almost right, like almost
• 1:29:20
  like a way to say Grin and Barrett like get
• 1:29:22
  over it, like a much more serious like a commission
• 1:29:24
  almost of sometimes you have to suffer right to the pick.
• 1:29:28
  Speaker 3: Yeah, I'm strong with this.
• 1:29:29
  Speaker 1: So you say pigs, pigs are obviously known to be
• 1:29:32
  gluttonous kind of stuff.
• 1:29:33
  Speaker 3: That's the image it almost feels with.
• 1:29:35
  Speaker 1: Yeah, yeah, it almost feels you could you could you
• 1:29:40
  could associate gluttony with selfishness, right, Yeah, for sure, And
• 1:29:44
  it almost feels like a selfish act that you have
• 1:29:46
  to do again, which the turmoils of suicide and stuff.
• 1:29:50
  Obviously it cannot be underplayed, but people do count it
• 1:29:52
  as a very selfish act to do whatever, So to
• 1:29:56
  do this thing of feeding the pig is almost feeding
• 1:29:58
  the selfish us.
• 1:30:00
  Speaker 2: There's a symbolism of like you have to give yourself
• 1:30:04
  to something else, to some other beast right, almost playing
• 1:30:09
  on like you you gave yourself to something previously, that's
• 1:30:13
  why you're here.
• 1:30:14
  Speaker 1: Yeah, you gave yourself to emotional coils that drove you
• 1:30:17
  to that thing in a way that those things drove
• 1:30:20
  you to that, you know, like I mean, the expect
• 1:30:23
  I just looked like the the I don't know, it's
• 1:30:27
  just it's an interesting there's so many different parallels, and
• 1:30:29
  I'm wondering how much of that it was intentional.
• 1:30:31
  Speaker 2: There's obviously, like in real life, you know, outside of
• 1:30:35
  the story, there's several different reasons, you know, mental all
• 1:30:37
  of this stuff like that people get pushed to sure.
• 1:30:39
  Speaker 3: That unspeakable degree.
• 1:30:41
  Speaker 2: But in Danny's case or not Danny and our protagonist
• 1:30:44
  case specifically, it was him giving into his emotions, right,
• 1:30:47
  giving into like the position.
• 1:30:49
  Speaker 3: His life was in. Yeah, okay, you've offered.
• 1:30:52
  Speaker 2: Up yourself once, now offer up yourself again, sort of.
• 1:30:58
  Speaker 1: I feel so bad for him too. It's just like
• 1:31:01
  a beaten down just this beaten down man. You know
• 1:31:05
  his wife is getting those ye got a brain? Yeah,
• 1:31:11
  and then he has to confront himself too. What's weird
• 1:31:13
  is that it almost feels like a this full circle thing.
• 1:31:17
  Is a guy who takes control of the bad ship
• 1:31:20
  that's going on in his life. Is how it feels.
• 1:31:25
  He is at a very I would say he's at
• 1:31:26
  a very stagnated. Uh, I would say very similar to
• 1:31:31
  the woman who walks in with the one eye. I
• 1:31:33
  think that she is like, I'm not confident or I'm
• 1:31:36
  not brave in that way. I think that he, I
• 1:31:39
  think at the beginning, represents her. He's a very like,
• 1:31:42
  you know, I'm not supposed to be here, all this
• 1:31:44
  kind of stuff.
• 1:31:45
  Speaker 3: I think that it was. It was.
• 1:31:46
  Speaker 1: It correlates a lot with some of the stuff that's
• 1:31:48
  going on in his real life scenario. So Dow at
• 1:31:51
  the end, I love that one line. What does he
• 1:31:53
  say here? He says, it's whatever he's pushing through. He's
• 1:31:56
  already getting chommed on a couple of times by the pig, right,
• 1:32:00
  and then he screams out one of his last night
• 1:32:01
  is come on, motherfucker, come on.
• 1:32:03
  Speaker 3: I Beg is a vocal horse cracking.
• 1:32:05
  Speaker 1: It almost seems like he's like push, like he starts
• 1:32:07
  to kind of believe in himself at the end of it.
• 1:32:09
  Speaker 2: As how I read that it's him gaining back like
• 1:32:13
  the respect for himself that he lost. Sort of Yeah,
• 1:32:15
  he's like, we're already in the fucking thick of it,
• 1:32:17
  Just push kind of. I love that it's just a
• 1:32:20
  one little line. I think it's great now. I dare
• 1:32:23
  I say this is one of my favorite ones I
• 1:32:25
  think we've read.
• 1:32:25
  Speaker 1: I will say that. I think I'm it's it's a
• 1:32:27
  debate in my head that part of him in the
• 1:32:30
  Pig's mouth might be my favorite thing we've read so far.
• 1:32:34
  Speaker 2: Dude, it was so it was so visperal. I can't
• 1:32:36
  remember the last time I read something maybe that uncomfortable.
• 1:32:39
  Speaker 1: Uncomfortable. The visual is so palpable, it was actually terrifying.
• 1:32:45
  The word salad of stuff that of descriptions was.
• 1:32:50
  Speaker 2: Just hot down on my collarbone, like.
• 1:32:54
  Speaker 1: Man gory, surreal, like body horror, all stuff wrapped in
• 1:32:58
  one that might be my might be my favorite section
• 1:33:01
  we've read. Enjoyment Flime and I wept. It was such
• 1:33:06
  a surreal feeling. It was such a surreal feeling to
• 1:33:08
  like actually recoil physically in my chair and like cover
• 1:33:12
  my mouth of like oh my god. But then also
• 1:33:14
  like crack smiles by how much fun I was having.
• 1:33:18
  It was super sick. Yeah, I think this is great.
• 1:33:20
  Speaker 2: We were thinking, it's cheeks pressed in around me, squeezing
• 1:33:23
  my body like a soaking, fleshy coffin.
• 1:33:27
  Speaker 3: Love that love that.
• 1:33:29
  Speaker 1: Just see all these like little bits of introducing claustrophobia
• 1:33:33
  back in, introducing body horror, back again, introducing claustrophobia back in.
• 1:33:37
  Speaker 3: My wet bone pop from my skin. Ah, it was
• 1:33:42
  weird too, is It's.
• 1:33:43
  Speaker 1: Like, there's so many ways you could say that of
• 1:33:45
  like like my bones couldn't handle and snapped and pierced
• 1:33:50
  my flesh. But no, I just like my wet bone popped.
• 1:33:52
  It's just I don't know why, but that simpler description
• 1:33:55
  is so much more impactful.
• 1:34:01
  Speaker 3: Oh gosh, I'm glad we read this man.
• 1:34:03
  Speaker 1: Yeah, we were planning on reading Stolen Tongues, and then
• 1:34:06
  we found out that they had like a it was
• 1:34:09
  a story beforehand, and then I got translated to a
• 1:34:11
  book book.
• 1:34:11
  Speaker 2: And the Creepypasta is called like my Romantic Cabin Getaway
• 1:34:14
  or something like.
• 1:34:15
  Speaker 1: That's right, that's right. So we were thinking, okay, do
• 1:34:18
  we get the book and then read it.
• 1:34:19
  Speaker 2: The author says the book here, that the books his
• 1:34:21
  preferred version, so we could just read the book depending
• 1:34:23
  on how long it is.
• 1:34:24
  Speaker 6: That's what I said.
• 1:34:25
  Speaker 1: You know what, it's weird. As people were saying like, oh,
• 1:34:27
  you got to read Stolen Tongues. I was looking at
• 1:34:29
  the majority of the comments or like reactions to it,
• 1:34:31
  and it was mostly negative.
• 1:34:34
  Speaker 3: Reason too, really.
• 1:34:35
  Speaker 2: Stolen Tongues the novel because the author I saw that,
• 1:34:39
  was like, yeah, please.
• 1:34:40
  Speaker 3: Read Stolen Tongues.
• 1:34:41
  Speaker 2: It's been through rerides and stuff like that, so maybe
• 1:34:44
  maybe Stolen Tongues is worth reading, you know better the creepy.
• 1:34:48
  Speaker 1: I think so, or I would hope, yeah, I think so.
• 1:34:51
  Speaker 3: And this was so good.
• 1:34:52
  Speaker 2: I'm just I keep thinking about, like, I want to
• 1:34:54
  see more of the world. I want to see what
• 1:34:55
  the machinery was.
• 1:34:57
  Speaker 3: I want to see more of that because they were
• 1:34:59
  all so unique, like the worm man with the nailed
• 1:35:03
  that his eyelids peeled back and stuff, and he has
• 1:35:05
  scabs over his head because he uses his head to
• 1:35:08
  like work his way off the ground.
• 1:35:09
  Speaker 2: Then the ants that came out of the guy and
• 1:35:11
  stuff like it's so unique and it's so honestly every
• 1:35:16
  element of the story works for me. Every time we
• 1:35:18
  get to the end of one, I'm like, I liked it,
• 1:35:19
  but there's this one thing to change. I really can't
• 1:35:22
  think because the only thing that's like really misplaced is
• 1:35:27
  like Danny. But then you find out he was one
• 1:35:30
  of the souls, So it's like, how did you go
• 1:35:32
  from being where I am to where you're at now
• 1:35:35
  wearing a nice shirt, not bothered by the things around you,
• 1:35:37
  knowing what to do. It implies so much that even
• 1:35:40
  that criticism is invalid because it makes him such an
• 1:35:43
  interesting character for how he got to.
• 1:35:44
  Speaker 1: That point, like it does, and I think also thinking
• 1:35:48
  about it more now, it almost makes me think there's
• 1:35:51
  role with me on this. Could Danny possibly be a
• 1:35:54
  angel who was kicked out of heaven and that's why.
• 1:35:56
  Speaker 3: Also he's not affected, Oh that's good.
• 1:35:58
  Speaker 1: He's like perpetually where he's like, oh, I was in
• 1:36:01
  your position, I left and he left that like kind
• 1:36:04
  of paradise and now he's here. And that's also this
• 1:36:07
  and that kind of also gives into the fact that
• 1:36:08
  maybe he's this guarding guardian angel kind of aspect.
• 1:36:11
  Speaker 3: Maybe I don't know. I think it all works.
• 1:36:14
  Speaker 1: That's why I said my criticism is that I just
• 1:36:16
  selfishly wanted more of the world. Also, the part of
• 1:36:20
  like him jacking off and the ants came out. It's
• 1:36:22
  such a like twisted, interesting way to show people's like
• 1:36:27
  a world of depravity, like monsters existing in this kind of.
• 1:36:31
  Speaker 2: Like the nothingness. We made the joke earlier about you
• 1:36:34
  being full of grasshoppers. I think if you cut some
• 1:36:36
  of these people in half, they would be full of grasshoppers,
• 1:36:39
  you know, like it's just think.
• 1:36:40
  Speaker 3: So and it would be fucking awesome, and that would
• 1:36:42
  be so sick gosh. I want to see more from this.
• 1:36:44
  Speaker 2: It was so good and every maybe I always say
• 1:36:47
  in these stories like, well, maybe they didn't have to
• 1:36:49
  show all of this, they could leave some to imagination.
• 1:36:52
  This is why, because right now it left such a
• 1:36:57
  perfect level of like the known and unknown.
• 1:37:00
  Speaker 3: I have to see more of it. This is where
• 1:37:03
  you want a story to in like frustratingly good, right like.
• 1:37:06
  Speaker 1: I will be thinking about this story more than probably
• 1:37:10
  a lot of the stuff that we have read. There's
• 1:37:12
  obviously the classics that we have, but just in terms
• 1:37:15
  of imagery and like especially stuff that I like to
• 1:37:17
  draw and whatever else in my mind, I'm like, oh, cool,
• 1:37:20
  this is I'm going to circle back and be like, oh, that's.
• 1:37:23
  Speaker 3: Kind of a cool way.
• 1:37:24
  Speaker 1: How could I introduce some of these elements into some
• 1:37:26
  of the stuff I do, or like these feelings I feel? Now,
• 1:37:30
  how do you kind of capture that in your own
• 1:37:31
  way in your own work? Is I think the most
• 1:37:35
  powerful part of this story for me. I just had
• 1:37:38
  so much fun so and also I think it blew
• 1:37:42
  it blows Tommy Taffy out of the water by far.
• 1:37:45
  Speaker 3: I think it's like, this is the this is the
• 1:37:48
  way better.
• 1:37:49
  Speaker 1: Yeah, I think this is the perfect honed in vision
• 1:37:52
  of a world of depravity and especially in a really
• 1:37:55
  fun surrealist way of a depiction of hell. But it
• 1:37:59
  doesn't just it's not just a surface level depiction of hell,
• 1:38:01
  which is also I think why at first, whenever I
• 1:38:04
  was doing my little upset baby thing was that you're like, Okay,
• 1:38:08
  well they're just in hell.
• 1:38:09
  Speaker 3: But to have the creative vision.
• 1:38:11
  Speaker 1: To make it a make it your own is really
• 1:38:14
  fun and not really hark on a lot of the
• 1:38:16
  tropes of things and be able to explore a lot
• 1:38:19
  of these ideas. Is a It's just a lot of fun.
• 1:38:22
  I hope people enjoyed it as much as we're doing.
• 1:38:24
  Speaker 9: Bro.
• 1:38:25
  Speaker 2: Bro, I'm scrolling through his I've readit right now. Here's
• 1:38:30
  a post you made. Hey, everyone just wanted to drop
• 1:38:34
  in and announce my new book, Return to the Black Farm,
• 1:38:37
  a direct sequel to The Black Farm. Beat the Pig
• 1:38:41
  took off here and got a lot of love, and
• 1:38:43
  I owe the community for the existence of both of
• 1:38:45
  these books. I hope you'll find this story to read
• 1:38:47
  as well, and thanks again, dude. There is a full
• 1:38:51
  Feed the Pig story called The Black Farm and a
• 1:38:53
  sequel called Return to the Black Farm. Okay, that's sick, Brona.
• 1:38:58
  What I'm gonna do is what I'm going to do
• 1:39:00
  is I'm gonna go out and order them. I'm gonna
• 1:39:01
  go to order both of them. I'm gonna give myself
• 1:39:03
  like a week to fully digest Feed the Pig, so
• 1:39:06
  it's like, you know, it's like it's like consecrated, it's
• 1:39:08
  like in there, and then I need to see more
• 1:39:10
  from the world. Doesn't like even if it's not as good,
• 1:39:12
  that's fine because we have the original story as it existed.
• 1:39:16
  But it immediately sold me on the concept the universe.
• 1:39:19
  Everything we had in there so so good. Gosh, man,
• 1:39:23
  I'm angry.
• 1:39:24
  Speaker 3: I'm yeah, no, I think that was great.
• 1:39:28
  Speaker 1: And also just in terms of like Creepypasta fans and
• 1:39:30
  being able because I could have I could have seen
• 1:39:33
  feed the Pig, or our viewers probably could have seen
• 1:39:36
  feed the Pig somewhere maybe not known where that came from.
• 1:39:39
  Speaker 3: And now it's going to be so cool to be like, oh, yeah,
• 1:39:41
  you know, you get.
• 1:39:43
  Speaker 2: It, you know, you immediately know. Yeah, feed the Pig
• 1:39:46
  is such a good line too, Like we talked about
• 1:39:48
  some of the like the weight that could be applied.
• 1:39:50
  Speaker 1: To it, simplicity is just is king and that's just
• 1:39:53
  like such a simple three word line is just so good. Yeah,
• 1:39:58
  I mean, feed the Pig, ladies and gentlemen, very very
• 1:40:00
  good stuff. I don't know what we're going to read next.
• 1:40:03
  We usually don't really know intell a couple of days
• 1:40:05
  or a day before, So this is this is where
• 1:40:08
  we're at with it. If you have any suggestions, feel
• 1:40:09
  free to leave them below, As always to please do
• 1:40:12
  check out the Spotify and the Apple podcast All that Jazz.
• 1:40:15
  Speaker 3: It really really does help.
• 1:40:16
  Speaker 1: Us in the back end with just helping the channel
• 1:40:20
  the show all that Jazz, and also realize I don't
• 1:40:23
  take it for granted at all. It's ah, I am
• 1:40:26
  so grateful for all the people that listen to this shit.
• 1:40:28
  I seriously appreciate it, and also am so appreciative of
• 1:40:32
  all these fucking awesome stories like feed the Pig just
• 1:40:35
  being here and that there's a community of people that
• 1:40:37
  are stoked to read them and be a part of
• 1:40:39
  it as well.
• 1:40:40
  Speaker 3: So it's just it's it's awesome.
• 1:40:41
  Speaker 2: It's you guys really do like the fact that me
• 1:40:45
  and Hunter just talking about scary stories, cause see amount
• 1:40:47
  of support it does is ridiculous.
• 1:40:49
  Speaker 3: You all are great.
• 1:40:50
  Speaker 1: Yeah, rest of your day. We will see you next week. Also,
• 1:40:52
  creep TV will be coming up as well shortly, so
• 1:40:57
  you know check that out if you haven't checked it out.
• 1:40:58
  It's just more video stuff versus reading horror stuff, So
• 1:41:02
  we have that on our YouTube channel as well as
• 1:41:04
  creep TV, so check it.
• 1:41:05
  Speaker 2: It's only on YouTube for audio listeners. The reason it's
• 1:41:08
  only on YouTube is because it's all visual based wouldn't
• 1:41:10
  make a lot of sense for podcast format. So if
• 1:41:12
  you like listening to this on Spotify and Apple, which
• 1:41:14
  we really appreciate and thank you for all the support
• 1:41:16
  over there, come to YouTube if you want to check
• 1:41:19
  out creep TV.
• 1:41:20
  Speaker 3: Hugs and kisses everybody, goodbye. Don't let the pick kiss
• 1:41:23
  you