Latest / I Am All In with Scott Patterson / It’s Luke Just Luke… Mr. Luke Part 2 (S2 E6, "Presenting Lorelai Gilmore")

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It’s Luke Just Luke… Mr. Luke Part 2 (S2 E6, "Presenting Lorelai Gilmore") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in like you. I Am all in
• 0:17
  Speaker 1: with Scott Patterson and I Heart Radio Podcast. Hey everybody,
• 0:22
  Speaker 1: we're back and we're gonna do the recap and I
• 0:24
  Speaker 1: am Scott Patterson and this is the I Am all
• 0:27
  Speaker 1: In Podcast with our Heart Radio one eleven productions. Uh,
• 0:31
  Speaker 1: we are going to get into presenting Lorele Gilmore season
• 0:36
  Speaker 1: to What episode is this? Does anybody know? This is
• 0:39
  Speaker 1: episode six six? So most I was one off six
• 0:44
  Speaker 1: Season two episodes six. Boy, we're really motoring down that
• 0:47
  Speaker 1: Gilmore Highway, aren't we? Oh my god, it's it seems
• 0:51
  Speaker 1: like we just started yesterday already, were you know well
• 0:53
  Speaker 1: into season two? It's flying by wow? Um anyway, what
• 0:59
  Speaker 1: you go think? What you know? You tell us first?
• 1:03
  Speaker 1: What did you think? I don't know? You want to
• 1:04
  Speaker 1: you want to do the let's do Riley, go ahead
• 1:08
  Speaker 1: do the synopsis for us. Riley, thank you. I love
• 1:12
  Speaker 1: doing the synopsis. Thank you for queuing me up. This
• 1:15
  Speaker 1: is season two, episode six, presenting Laura La Gilmore. Air
• 1:18
  Speaker 1: date November six, two thou one. Rory surprises every Rory
• 1:22
  Speaker 1: surprises everyone by agreeing to Emily's request that she make
• 1:25
  Speaker 1: her debut at a debutante ball, and when Laura Lai
• 1:27
  Speaker 1: asked Rory's dad, Christopher to present his daughters to society,
• 1:31
  Speaker 1: she finds herself attracted to the new, more responsible man
• 1:34
  Speaker 1: that he has become. Scott, you give us your initial
• 1:37
  Speaker 1: thoughts of the whole episode, because I have a few
• 1:41
  Speaker 1: things that really stood out. No one asked you. My
• 1:43
  Speaker 1: initial thoughts of this episode were are um discomfort. It
• 1:52
  Speaker 1: was uncomfortable for me to watch Laura Lae giving Christopher
• 1:58
  Speaker 1: another chance for purse, no reasons, for character reasons, because
• 2:02
  Speaker 1: it's still kind of a part of me, right. I mean,
• 2:03
  Speaker 1: you can't separate. You can't. It's hard to separate, and
• 2:07
  Speaker 1: you know, you try to put that stuff away, but
• 2:08
  Speaker 1: it's like I'm watching these episodes now, so I'm it's
• 2:12
  Speaker 1: reigniting a lot of stuff. Um, and I just think,
• 2:16
  Speaker 1: you know, after ten years and he's in his early thirties,
• 2:19
  Speaker 1: that he's figuring out about responsibility. And you know, the
• 2:23
  Speaker 1: one thing that really hit me. I got very sad
• 2:28
  Speaker 1: at one point in this episode because Rory didn't have
• 2:31
  Speaker 1: a dad, and it made it really hit me. It
• 2:35
  Speaker 1: really hit me hard about what could have been and
• 2:39
  Speaker 1: how they should have tried to work it out. I mean,
• 2:41
  Speaker 1: I kept saying to myself, why couldn't they have worked
• 2:43
  Speaker 1: it out? And why couldn't this girl have had her dad?
• 2:46
  Speaker 1: And he's such a fantastic guy, you know, it was
• 2:50
  Speaker 1: so much potential, and even even when he said he's coming,
• 2:55
  Speaker 1: they still were like, yeah, right, that's like trust him.
• 3:00
  Speaker 1: And so I related that experience to mine as a father,
• 3:04
  Speaker 1: and I just couldn't imagine walking out on my kid
• 3:07
  Speaker 1: no matter how. But I mean, I didn't have a
• 3:09
  Speaker 1: baby at six. Okay, I wonder does Christopher and his
• 3:18
  Speaker 1: relationship with lore bother You clearly have chemistry. I don't
• 3:24
  Speaker 1: find it entertaining, and I don't see feel the chemistry.
• 3:28
  Speaker 1: And I think it's because you're Luke. I see it,
• 3:33
  Speaker 1: feel it? Do you really? Yeah? I feel their chemistry.
• 3:37
  Speaker 1: I was bummed for her when he had to say
• 3:42
  Speaker 1: I can't stay because there's someone in Boston, and like
• 3:47
  Speaker 1: you know, is he felt Rory was happier for him
• 3:50
  Speaker 1: because I don't think she realizes how much lore I
• 3:53
  Speaker 1: still loves him. But the disappointment that I felt for
• 3:56
  Speaker 1: LORELEI just as she sort of really was like crushing
• 4:00
  Speaker 1: on him or liking him or you know, I think
• 4:05
  Speaker 1: their banter is always like right on point, and I
• 4:09
  Speaker 1: wonder if it bothers you because it's like, that's what
• 4:12
  Speaker 1: she has with Luke. Look, I'm part of the audience. Now,
• 4:14
  Speaker 1: I'm one of them. Okay, So what I'm doing is
• 4:20
  Speaker 1: I'm watching this girl, this woman who this character Luke loves,
• 4:25
  Speaker 1: and thinking, get your butt to the diner and get
• 4:28
  Speaker 1: it going. Let this from Romance begin. Stop f and
• 4:34
  Speaker 1: around with these people that are not solid human beings.
• 4:40
  Speaker 1: I mean, you've got a guy sitting there on a
• 4:42
  Speaker 1: park bench and they're all moony for each other and
• 4:45
  Speaker 1: giggily and smiley talking about how at three years old,
• 4:50
  Speaker 1: he's finally realized that he has to get a car
• 4:53
  Speaker 1: and get off the motorcycle. And yeah, and you know
• 4:56
  Speaker 1: what the most telling scene in the whole thing for
• 4:58
  Speaker 1: me was is when they on into the Volvo Laurela
• 5:01
  Speaker 1: and Christopher and he turned on that horrible music and
• 5:09
  Speaker 1: I'm thinking, but what on earth is that? It's but
• 5:14
  Speaker 1: but it's like, what are you kidding me? I mean,
• 5:18
  Speaker 1: is there even a competition here? You know? Get so again,
• 5:23
  Speaker 1: it was like, get your butt out of that car
• 5:25
  Speaker 1: and get to Luke's and let that romance start going
• 5:28
  Speaker 1: because that girl has a hole in her heart, and
• 5:31
  Speaker 1: and it's and it's like biology versus practicality, and and
• 5:35
  Speaker 1: what's right for Rory? And another thing that got me
• 5:37
  Speaker 1: is when you know who's gonna take me? If it's
• 5:41
  Speaker 1: not if Christopher is not going to take her to
• 5:45
  Speaker 1: and and she and and and they're sitting at the
• 5:48
  Speaker 1: table saying, well, I will who could it possibly be?
• 5:50
  Speaker 1: And I'm thinking she said Taylor. Rory said, well, we
• 5:55
  Speaker 1: could get Taylor, you know, maybe we get the sanitation guy,
• 5:58
  Speaker 1: or you know, I'm like, what do you think that
• 6:01
  Speaker 1: it hurts? Couldn't hurt? I was hurt. It was jarring
• 6:05
  Speaker 1: for me to say. I think the writers didn't write
• 6:07
  Speaker 1: Luke because if they would have said Luke, you were
• 6:11
  Speaker 1: the more logical choice than Christopher, it was almost like
• 6:15
  Speaker 1: they couldn't say it, like yeah, of course Luke is
• 6:18
  Speaker 1: going to do it, but it's still like why I
• 6:20
  Speaker 1: even have the storyline with Christopher. So that's that's again
• 6:24
  Speaker 1: getting the audience to participate in the piece by leaning
• 6:27
  Speaker 1: forward and saying what about Luke? Yeah, that was very
• 6:32
  Speaker 1: jarring to me. That was really charring. I was just like,
• 6:35
  Speaker 1: I think the part you and I disagree on this.
• 6:38
  Speaker 1: I do like the chemistry with Christopher. I always think
• 6:42
  Speaker 1: they have a great damswer. They know each other so well.
• 6:46
  Speaker 1: What I haven't figured out yet, even though I've seen
• 6:49
  Speaker 1: all the episodes of My you know I know, is
• 6:53
  Speaker 1: that at this moment, does Laurelai crush on Christopher as
• 6:57
  Speaker 1: she's seeing him become what she always wanted him to
• 7:00
  Speaker 1: be in the old feelings? You know what I mean? Like,
• 7:03
  Speaker 1: does she really love him now or does she just
• 7:05
  Speaker 1: love it? He's the dad and they never had their
• 7:08
  Speaker 1: shot and blah blah blah. I think he's gonna end
• 7:12
  Speaker 1: up being the rebound guy for Max, and I think
• 7:18
  Speaker 1: he's going to know that. And I think, I mean,
• 7:22
  Speaker 1: I I write, do I do? I not know? I
• 7:25
  Speaker 1: do not know what's coming. I don't know what's coming. Well, yeah,
• 7:30
  Speaker 1: I remember, you know little bits. But I guess I
• 7:33
  Speaker 1: don't understand as much as I hope I would understand
• 7:38
  Speaker 1: the human heart because she is so She's bouncing around
• 7:43
  Speaker 1: like a pinball machine looking for love and she deserves
• 7:47
  Speaker 1: it and she deserves a really solid guy. I don't think.
• 7:51
  Speaker 1: I don't I don't want to criticize Christopher I think
• 7:53
  Speaker 1: he's a terrific character and a terrific guy, but he's
• 7:59
  Speaker 1: not settled. He's not right for them. Now now that
• 8:02
  Speaker 1: Rory is is older, now it's going to do less
• 8:07
  Speaker 1: damage to Rory and ultimately maybe not so much Laura
• 8:11
  Speaker 1: if they do get back together. She goes off to college.
• 8:14
  Speaker 1: Christopher and Laura la are together and they're having a
• 8:17
  Speaker 1: fabulous time. And if it doesn't work out, it's not
• 8:19
  Speaker 1: going to destroy uh, Rory's future any damage John has
• 8:24
  Speaker 1: already been done. She's already worked it out, you know
• 8:27
  Speaker 1: what I mean, she's already worked it out. She's growing past.
• 8:29
  Speaker 1: It's done, sure, you know, but it's not It doesn't
• 8:32
  Speaker 1: seem so tragic. Sure, I always notice, you know, Christopher
• 8:37
  Speaker 1: pulls up in the volvo, Rory comes out. She's so
• 8:39
  Speaker 1: happy to see him. Laura and Christopher always kiss, They
• 8:43
  Speaker 1: always kiss hello, and she doesn't do that with other characters.
• 8:47
  Speaker 1: And then there was I think there was three kisses
• 8:50
  Speaker 1: in this episode. She definitely kisses him on the mouth
• 8:54
  Speaker 1: when they're in the in Stars Hollow and she's saying,
• 8:59
  Speaker 1: you know, Boston's not that far. It's like they have
• 9:02
  Speaker 1: this chemistry connection, but it is physical like they definitely
• 9:10
  Speaker 1: he can't such each other and oh yeah, they're worth
• 9:13
  Speaker 1: free kisses. She kisses him goodnight, like on the list.
• 9:15
  Speaker 1: He can't handle her, He cannot handle Laurelay. He cannot
• 9:21
  Speaker 1: exist in that world. He is not able to exist
• 9:26
  Speaker 1: in that world. They are not a good couple, okay,
• 9:29
  Speaker 1: even though they made a child, they're not right for
• 9:31
  Speaker 1: each other. To me, that is clear. She is too
• 9:35
  Speaker 1: she is too powerful and and he is too unsettled.
• 9:40
  Speaker 1: He's always catching up. You know. It's like it's like
• 9:42
  Speaker 1: he's so boyish. It's like he's not emotionally mature enough
• 9:46
  Speaker 1: to catch up to where she is in her life.
• 9:48
  Speaker 1: You know, she moved on and she made a career
• 9:50
  Speaker 1: in a life f rory. What the hell has he
• 9:52
  Speaker 1: been doing riding around his motorcycle, you know, starting businesses unsuccessfully,
• 9:56
  Speaker 1: you know, searching, searching, searching the law soul. He as her,
• 10:00
  Speaker 1: he about Sherry, that they're living together. I don't want
• 10:04
  Speaker 1: to I don't want to lead the witness. How did
• 10:06
  Speaker 1: you feel? What did you feel when he told her that?
• 10:10
  Speaker 1: I didn't understand why he let it get to that
• 10:12
  Speaker 1: point where he knew there was all this flirtation and
• 10:15
  Speaker 1: he knew there was all this chemistry between them and
• 10:18
  Speaker 1: he and obviously she was egging him on and and
• 10:22
  Speaker 1: looking at him and you know, being very open to him.
• 10:25
  Speaker 1: And he could read those signs very early on in
• 10:28
  Speaker 1: the episode. So why did he let it get to
• 10:30
  Speaker 1: that point? So to me it seems a little sort
• 10:33
  Speaker 1: of passive, aggressive and a little hostile. You know, he
• 10:35
  Speaker 1: acknowledge that I was disappointed for her, even though look
• 10:39
  Speaker 1: I love Luke and lowrlyon, I was disappointed. I felt
• 10:43
  Speaker 1: bad for her, right Yeah, I mean yeah I did too.
• 10:47
  Speaker 1: I mean, she's barking up the wrong tree and it's
• 10:50
  Speaker 1: so obvious, but you know, we're talking about somebody who
• 10:55
  Speaker 1: is working your tail off to being a great mom
• 10:58
  Speaker 1: and she wants some love in her life. She deserves it.
• 11:02
  Speaker 1: But it's right down the street serving your coffee, okay,
• 11:07
  Speaker 1: you know they and in the diner beating the burger.
• 11:12
  Speaker 1: Yeah that was good, that was funny. He is so
• 11:15
  Speaker 1: well done about this episode is the sprinkling of Jess.
• 11:20
  Speaker 1: They are not beating us over the head with Jess there.
• 11:23
  Speaker 1: It's not like we met him last week and now
• 11:26
  Speaker 1: Worri's falling in love with him. It's just sprinkling, like
• 11:29
  Speaker 1: we're getting to know him. We had two great scenes
• 11:32
  Speaker 1: with him. Uh, but it's more subtle. Did you notice
• 11:37
  Speaker 1: that's banging me over the head? No, it's like he
• 11:40
  Speaker 1: what we're seeing now is like, you're not fit for society,
• 11:44
  Speaker 1: and you're in boot camp and I'm your drill instructor,
• 11:47
  Speaker 1: and this is what's happening. And once you're prepared, you
• 11:50
  Speaker 1: will have more scenes with other people. What do you
• 11:55
  Speaker 1: think when he's wearing the Luke classic moment, it's it's
• 12:00
  Speaker 1: it's like now you know, it's it's still his rebellious self.
• 12:04
  Speaker 1: I mean, he's conforming without conforming. You know, there's double
• 12:09
  Speaker 1: meaning there, So it's you know, it's another typical clever,
• 12:13
  Speaker 1: rebellious Jess move right, I mean without having to say anything.
• 12:17
  Speaker 1: So he's a he's a brilliant character. He's a brilliant kid,
• 12:21
  Speaker 1: you know. Um, but I think it shows on a
• 12:24
  Speaker 1: certain level a lot of respect, you know, an unconscious
• 12:29
  Speaker 1: level of respect for Luke. You know, because he went
• 12:31
  Speaker 1: into his closet and he put on one of his
• 12:33
  Speaker 1: shirts in one of his hats and came downstairs. So
• 12:35
  Speaker 1: it's really making nice you know, there's nothing upset about
• 12:39
  Speaker 1: for Luke. He's really making nice and it's like, hey,
• 12:41
  Speaker 1: I'm gonna make a joke out of this. I see
• 12:44
  Speaker 1: Rory watching him. That's what I thought was interesting when
• 12:47
  Speaker 1: she's eating the burger in that you know, second to
• 12:49
  Speaker 1: last scene, just watching him watching you too. He's not's
• 12:55
  Speaker 1: not ignoring him's not. They're both were watching. That's why
• 13:00
  Speaker 1: he was cast. You can't you can't ignore that, right, um.
• 13:10
  Speaker 1: But yeah, I mean, you know, this episode really framed
• 13:13
  Speaker 1: for me, uh you know, looking forward and also framed
• 13:17
  Speaker 1: looking back what could have been, what Rory will become,
• 13:21
  Speaker 1: and what Laurel I could have been. And it was
• 13:24
  Speaker 1: such a poignant moment, such a poignant moment when Emily
• 13:29
  Speaker 1: and Laurel are standing there and Emily says, you know
• 13:32
  Speaker 1: that that was supposed to be you mm hmm. Following
• 13:37
  Speaker 1: up with the final scene of the episode, Laurel goes
• 13:41
  Speaker 1: over and just just to hang and I'm I'm here
• 13:45
  Speaker 1: if you know, you want to talk. Heartbreaking, absolutely hard.
• 13:49
  Speaker 1: Concerned about Richard and Emily, but I'm mostly concerned about
• 13:52
  Speaker 1: Richard with you know, he is having a crisis at
• 13:58
  Speaker 1: work that he's being phased out and losing his identity.
• 14:05
  Speaker 1: I don't know that that moment for me with her
• 14:08
  Speaker 1: cutting the trimming her rose bushes or whatever she was doing,
• 14:12
  Speaker 1: and Lauraa just like, what are you doing here? Hanging? What?
• 14:16
  Speaker 1: What is that? We don't we haven't established that you're
• 14:18
  Speaker 1: not my daughter? Really you don't really like me? And
• 14:20
  Speaker 1: what are you doing here? And it just for me,
• 14:24
  Speaker 1: it took on tragic proportions because that's time, you know,
• 14:28
  Speaker 1: that's sixteen seventeen years that you can't get back and
• 14:30
  Speaker 1: you can't relive it. And that's a life and that's
• 14:34
  Speaker 1: a relationship that just won't be as full and fruitful
• 14:38
  Speaker 1: and loving um as it could have been. And I'm
• 14:42
  Speaker 1: not blaming anybody for I'm not blaming you, Laura, I'm
• 14:45
  Speaker 1: not blaming Emily. It's just life. Life can sometimes be
• 14:49
  Speaker 1: very tragic. What do you make of the fact that
• 14:53
  Speaker 1: she went to Emily to sort of be there for
• 14:56
  Speaker 1: her instead of going to Richard to say, hey, do
• 14:59
  Speaker 1: you want to talk about what's going on at work?
• 15:01
  Speaker 1: Like she really went to Emily multiple times in this episode,
• 15:06
  Speaker 1: which I think she had flashbacks to her own relationship
• 15:10
  Speaker 1: with Christopher and the arguments that they were having that
• 15:12
  Speaker 1: split them up because they were of a similar nature.
• 15:16
  Speaker 1: I mean, all these arguments are pretty much similar. It's
• 15:19
  Speaker 1: like you're not spending enough time with the family, you're
• 15:21
  Speaker 1: working too hard, and you know, during that kind of relationship,
• 15:24
  Speaker 1: and the guy didn't want to talk about it, you know,
• 15:27
  Speaker 1: and and and you're not listening to me. I told you,
• 15:30
  Speaker 1: and you're not listening to me. And these are common, right,
• 15:32
  Speaker 1: everybody has them that's in a relationship. Um, And I
• 15:36
  Speaker 1: think it made her just flashback to those moments with Christopher, like,
• 15:39
  Speaker 1: what have I lost? Here? It may and I could
• 15:42
  Speaker 1: lose my parents and my father's you know, they're getting
• 15:45
  Speaker 1: he's getting older now, everybody's getting older, and my daughter
• 15:50
  Speaker 1: is going away to college and I am going to
• 15:52
  Speaker 1: be alone. And what will I have? What have I
• 15:56
  Speaker 1: created in my life that I've detached myself from my
• 15:59
  Speaker 1: mother and my father necessarily in her mind right, justifiably
• 16:05
  Speaker 1: so in her mind. But now what does she have
• 16:09
  Speaker 1: if we so the messages? You know, families everything, We
• 16:12
  Speaker 1: have nothing if we don't have our families. And a
• 16:15
  Speaker 1: little bit of sliding doors that Gwyneth Paltrow movie Sliding Doors,
• 16:17
  Speaker 1: because and I think you pointed it out in our
• 16:20
  Speaker 1: last episode when the fan dance is happening behind Laura, like,
• 16:25
  Speaker 1: and you do have that moment of like, wow, she
• 16:28
  Speaker 1: could have had an entirely different life had these certain
• 16:33
  Speaker 1: things not happened. She would have been doing the fan dance,
• 16:35
  Speaker 1: and who knows what would have happened, And you see
• 16:39
  Speaker 1: them wondering, and then Emily points it out by saying,
• 16:43
  Speaker 1: should I think it's high time And I don't know
• 16:46
  Speaker 1: if this happens in the episodes, I think it's high
• 16:48
  Speaker 1: time that Laura like get some therapy, yes, yeah, and
• 16:53
  Speaker 1: talk about and talk and really explore what made her
• 16:58
  Speaker 1: rebel so hard against her or family and the country
• 17:02
  Speaker 1: club lifestyle and the cotillions and the balls and then
• 17:07
  Speaker 1: all of that stuff. What made her move to Stars Hollow,
• 17:13
  Speaker 1: What made her behave so rebelliously? What? What was it?
• 17:18
  Speaker 1: You know? What's so interesting? Tell me if I'm crazy
• 17:23
  Speaker 1: this show were made today. Don't you think the wacky
• 17:27
  Speaker 1: therapist would have been a character in Stars Hollow? Like
• 17:30
  Speaker 1: twenty years ago that wasn't so like what he did,
• 17:34
  Speaker 1: but now like the whole family would have been in
• 17:36
  Speaker 1: therapy and or I don't know, I just feel like
• 17:39
  Speaker 1: if it was made today, there would be the Kirk
• 17:42
  Speaker 1: that was the therapist of stars that or the somebody
• 17:48
  Speaker 1: just super I don't know, I could see that because
• 17:51
  Speaker 1: that is so logical what you're saying. Why are these
• 17:54
  Speaker 1: people all not in massive therapy. Anyone that has a
• 17:57
  Speaker 1: kid at sixteen, they all need therapy. Anyone whose dad
• 18:02
  Speaker 1: isn't in their life needs therapy. Like, I think made
• 18:05
  Speaker 1: a really interesting point. Yeah, I mean, therapy is a
• 18:09
  Speaker 1: wonderful thing. And you know, there are a lot of
• 18:12
  Speaker 1: people out there that are trained to to to handle
• 18:15
  Speaker 1: all kinds of different situations. They have a lot of
• 18:17
  Speaker 1: experience in it. And Laura La I need somebody like
• 18:19
  Speaker 1: that right now. There's a lot going on in her life.
• 18:22
  Speaker 1: She's gonna lose her daughter to college, she has no
• 18:25
  Speaker 1: real relationship with her parents. Every time she's at a
• 18:28
  Speaker 1: Friday night dinner, she's sarcastic and hostile toward her my
• 18:30
  Speaker 1: own mother. The mother just tolerates. And the mother even
• 18:33
  Speaker 1: said Emily even said at the top of this episode
• 18:35
  Speaker 1: when she came in the first time for Friday night dinner,
• 18:38
  Speaker 1: that we didn't see the dinner, but we just saw
• 18:40
  Speaker 1: the entrance. And she said Laura, La, you're exhausting. I agreed.
• 18:44
  Speaker 1: It's like so much enter energy expended for all this
• 18:48
  Speaker 1: verbiage and all the sarcasm, and I san god, the
• 18:51
  Speaker 1: level of engagement and doesn't go to therapy like and
• 18:56
  Speaker 1: I get it. Twenty years ago. It was a little bit.
• 18:58
  Speaker 1: It wasn't so like obvious. But yeah, that would be
• 19:03
  Speaker 1: a whole interesting thing to breakfast too. Alright, uh oh,
• 19:08
  Speaker 1: I never you know that little clock in that ping,
• 19:11
  Speaker 1: I never hear it because we're so involved and that
• 19:14
  Speaker 1: clock that timing. Anyway, we got to take a break.
• 19:17
  Speaker 1: The clock is barking at me right now. Secret when
• 19:20
  Speaker 1: we come back. Yeah, if you want to. It's excited
• 19:25
  Speaker 1: about no, no, no, I think it's I think. But
• 19:27
  Speaker 1: I have a bombshell too, So why don't we compare bombshells? Yes,
• 19:31
  Speaker 1: mine will not be as good as I'm ready. Are
• 19:32
  Speaker 1: you sure? I'm pretty sure mine will be sort of
• 19:35
  Speaker 1: like laugh, It's like a pop gun. It's like, what
• 19:42
  Speaker 1: I have a bombshell, can't wait? Okay, okay, mine will
• 19:46
  Speaker 1: go first. That way, mine would be a letdown. Right
• 19:49
  Speaker 1: then I'll have egg on my face when mine isn't
• 19:51
  Speaker 1: such a big deal, right, and you're just setting me up.
• 19:52
  Speaker 1: I know you're up right. You're smarter than everybody put together, right,
• 19:56
  Speaker 1: got it? I understand. M alright, so all right, let's
• 19:59
  Speaker 1: take little break and we will be back and we
• 20:02
  Speaker 1: will talk bombshells. Yeah, all right, everybody, we're back. Amy
• 20:10
  Speaker 1: has a pop gun of a bombshell. It's not really
• 20:13
  Speaker 1: a bombs a little something. Maybe I'll have questions, maybe
• 20:17
  Speaker 1: I'll questions. Always. I don't typically admit this. I debated
• 20:22
  Speaker 1: whether or not to admit this, but it just seemed
• 20:25
  Speaker 1: too obvious. Uh I, it's hard to say. It's hard
• 20:31
  Speaker 1: to admit. I'm not gonna by I was a debutant. No, wow,
• 20:40
  Speaker 1: that's massive. No, it's not massive. But people wondering is that?
• 20:47
  Speaker 1: Isn't that over the top. It's pretty fairly accurate. Now
• 20:52
  Speaker 1: where are you? Where were you at debut in California?
• 20:56
  Speaker 1: Oh my goodness, the hoity toitus of it all. Wedding
• 21:00
  Speaker 1: dress thing is totally accurate, and escort thing is totally accurate.
• 21:04
  Speaker 1: The dad part is totally accurate. It was all pretty accurate.
• 21:08
  Speaker 1: Other than Emily's part was pretty accurate. We did not
• 21:14
  Speaker 1: have any kind of fan dance. Riley is dying. Were
• 21:18
  Speaker 1: you a debut at Riley Amy. I'm crying because I
• 21:22
  Speaker 1: convinced my parents to not let me be a debutant,
• 21:25
  Speaker 1: and I convinced them to give me the number or
• 21:27
  Speaker 1: the money that would cost for the wedding dress and
• 21:30
  Speaker 1: put it towards something else. Like I was so against
• 21:33
  Speaker 1: being a debutant because it was not my thing. And
• 21:35
  Speaker 1: so I'm crying that you don't think it was my thing.
• 21:38
  Speaker 1: But I was like, yeah, sure, okay, fine, basically just
• 21:42
  Speaker 1: like Rory, like it makes other people happy, like it
• 21:46
  Speaker 1: made my grandparents happy, it made my parents happy. Sure, fine,
• 21:50
  Speaker 1: you know whatever, But yeah, I have a full wedding dress,
• 21:55
  Speaker 1: full poof tool Ryan. So I mean almost exactly like
• 22:00
  Speaker 1: one of those dresses. You have to share pictures. You
• 22:02
  Speaker 1: have to share pictures of this event. Please, we have
• 22:06
  Speaker 1: to see these pictures my dad. So the difference was
• 22:09
  Speaker 1: you had to waltz and you had a waltz with
• 22:12
  Speaker 1: your dad, and then you have to waltz with the
• 22:15
  Speaker 1: escort something like that. The waltz is hard. I was
• 22:19
  Speaker 1: not a good waltter. That was like Otherwise, yeah, I
• 22:23
  Speaker 1: mean it was pretty accurately portrayed. Maybe I'm sure somebody
• 22:29
  Speaker 1: was drinking had a flask back there. It's pretty accurate.
• 22:35
  Speaker 1: Like you were a debutant, and did you did you
• 22:39
  Speaker 1: marry your escort? Fo escorts didn't escort, so a lot
• 22:43
  Speaker 1: of people would have like a sibling be their escort.
• 22:45
  Speaker 1: Mine was like a childhood friend. There was less of that,
• 22:48
  Speaker 1: like you weren't going to marry your escort and you
• 22:51
  Speaker 1: weren't like out like who wants to be my husband?
• 22:54
  Speaker 1: It was not quite that. And I was a debutant
• 22:57
  Speaker 1: in N two that was before this, But yeah, I
• 23:02
  Speaker 1: mean pretty accurate. And you were in the paper as
• 23:06
  Speaker 1: a result. You were in the San Francisco Herald, in
• 23:08
  Speaker 1: the San Francisco examin Or with a photo. I think
• 23:11
  Speaker 1: it's a chronicle, the San Francisco Chronicle or one of those. Yeah,
• 23:15
  Speaker 1: Amy Amy Sugarman debuts. Yeah, he definitely says that. Like
• 23:20
  Speaker 1: I think it was a group photo. It was like
• 23:24
  Speaker 1: a little un you were sixteen sixteen, No, you're for
• 23:28
  Speaker 1: ours your eighteen, So they want you, they want you
• 23:32
  Speaker 1: to be able to drive to the place right, and
• 23:35
  Speaker 1: then it kind of happens. I think I think it
• 23:37
  Speaker 1: was senior year something like that, and it's a little embarrassing,
• 23:43
  Speaker 1: Like it's like not something you know because it's kind
• 23:48
  Speaker 1: of fancy or HOI all the same things that embrace said,
• 23:52
  Speaker 1: you're lucky, right, it's not going for you. What's interesting
• 23:56
  Speaker 1: is like, that's why I thought it was so active,
• 24:00
  Speaker 1: really done, some of the reasons for it. You know,
• 24:04
  Speaker 1: it's a tradition, sort of an archaic tradition and sort
• 24:08
  Speaker 1: of ridiculous, but it's sort of like you get it.
• 24:11
  Speaker 1: So you're Rory Gilmore, You're not Laurela. You're Rory. Yeah,
• 24:16
  Speaker 1: I was. It's not my thing, but I was cool,
• 24:20
  Speaker 1: fine to do it. Riley, you're our resident Laurela. But
• 24:29
  Speaker 1: I bring it up just because it was portrayed. It
• 24:33
  Speaker 1: was not over the top except for the fan dance,
• 24:37
  Speaker 1: right yeah, and kind of like even when so we
• 24:43
  Speaker 1: had older dad's do you know what I mean, like
• 24:45
  Speaker 1: art because he obviously didn't have weren't born when our
• 24:48
  Speaker 1: parents were sixteen. But I love when she says Christopher
• 24:52
  Speaker 1: to Christopher like you're a hot dad. He said, you're
• 24:56
  Speaker 1: a hot dad. And it's like there was always so
• 25:00
  Speaker 1: of like, oh that one girl has the hot dad,
• 25:02
  Speaker 1: and where where did this take place? Where did you
• 25:05
  Speaker 1: do many of these or did you do just just
• 25:07
  Speaker 1: the one on one? And then where did it take
• 25:10
  Speaker 1: place in San Francisco? I know, but where at a hotel?
• 25:14
  Speaker 1: Ball where the St. Francis Hotel or something like that.
• 25:22
  Speaker 1: And then it's just kind of like, was there a
• 25:24
  Speaker 1: placard outside the room the Amy Sugarman debuson ball present
• 25:32
  Speaker 1: presenting Amy Sugarman. There's like parties leading up to it
• 25:37
  Speaker 1: and like a whole thing. Wow, So you were introduced
• 25:44
  Speaker 1: into high society San Francisco style in the early nineties. Yeah,
• 25:50
  Speaker 1: I guess so I might have been. Not like there's
• 25:52
  Speaker 1: two so there was ours and then there's a fancier
• 25:56
  Speaker 1: one in San Francisco. I wasn't in the top top
• 25:59
  Speaker 1: one was the one that was considered fancier. But it's
• 26:04
  Speaker 1: just because I didn't I think, Yeah, whatever, I wasn't
• 26:07
  Speaker 1: in the fancy fancy. So here you are. Here you
• 26:10
  Speaker 1: are during the beginnings of the dot com boom, right
• 26:16
  Speaker 1: a debutant eighteen. This explains all the yachts in the houses.
• 26:21
  Speaker 1: Let's explains this explains everything. I have no more questions
• 26:24
  Speaker 1: only because I thought I'm not saying it about me
• 26:27
  Speaker 1: and saying it because I thought people would think it's
• 26:29
  Speaker 1: interesting because some people might know what or some people
• 26:32
  Speaker 1: might think like, what is this? It was pretty well
• 26:35
  Speaker 1: done the way they didn't And even like when Emily
• 26:38
  Speaker 1: gets so mad because he's like, I thought, this is
• 26:41
  Speaker 1: in an elegant ballroom, not the shaky's, Like, what was
• 26:47
  Speaker 1: the line she had about the flowers. She had a
• 26:51
  Speaker 1: great line about the flowers. What did she say when
• 26:53
  Speaker 1: she walked in and she saw the flowers? Oh, oh
• 26:56
  Speaker 1: my god, she said it was babe on at the
• 27:00
  Speaker 1: like hospital. So many funny like, so many funny lore
• 27:14
  Speaker 1: Lie with the book on her head, even chicken. I
• 27:17
  Speaker 1: was like, I wanted all of us to see if
• 27:19
  Speaker 1: we could walk with the book on her head and
• 27:20
  Speaker 1: eating Kung Pat chicken and she's like, I can even
• 27:22
  Speaker 1: spit the peanuts back in And then at one point
• 27:25
  Speaker 1: Rory comes in and she's all, hey, a little Debbie
• 27:28
  Speaker 1: because like a little Debbie but then also debut. I mean,
• 27:33
  Speaker 1: whoever wrote it this episode definitely knew what they were doing.
• 27:40
  Speaker 1: And the tails there were people on the writing staff
• 27:43
  Speaker 1: that had been through that. They definitely what they were
• 27:45
  Speaker 1: talking about. They were not writing something they didn't know.
• 27:48
  Speaker 1: Because even Dean going tails, which was totally like, oh god,
• 27:53
  Speaker 1: like that even worse and like almost like we had fun,
• 27:57
  Speaker 1: but a little bit you're dreading and you're like, this
• 27:59
  Speaker 1: is bid? What are we doing? Right? And there was
• 28:03
  Speaker 1: a great scene between Rory and that other girl, that
• 28:05
  Speaker 1: blonde girl who was trying to do her shade of lipstick.
• 28:08
  Speaker 1: If I put the wrong color, I look like what
• 28:10
  Speaker 1: what did she say? She looks like a teacher or
• 28:13
  Speaker 1: a teacher and she's been trying to decide from a
• 28:16
  Speaker 1: prostitute or a teacher. Oh my, oh my god. She
• 28:21
  Speaker 1: you know, it's so funny, Like Rory was so level
• 28:29
  Speaker 1: headed and cool, calm and collected that whole time. She
• 28:31
  Speaker 1: couldn't understand why all these this, especially this one girl,
• 28:35
  Speaker 1: was flipping out. I only have an hour and a
• 28:37
  Speaker 1: half to finish, her goes. Really, I'm ready to go.
• 28:40
  Speaker 1: I'm good to go. Even though she was down to
• 28:42
  Speaker 1: do it, he wasn't put off by it. She wasn't
• 28:46
  Speaker 1: anti right, she just was sort of the children. So
• 28:49
  Speaker 1: let's discuss that, because that created a lot of angst
• 28:52
  Speaker 1: inside of Laureline, you know, and it really please so
• 28:55
  Speaker 1: Rory wants to please her grandmother. She wants to you know.
• 29:00
  Speaker 1: So here's the question is is Rory influenced? Obviously, is
• 29:05
  Speaker 1: Rory influenced by her decision to actually go through with
• 29:10
  Speaker 1: this against her mother's wishes? And Laurel I backed down
• 29:13
  Speaker 1: pretty easily. She really did? She really? I thought so too.
• 29:16
  Speaker 1: I thought I was surprised by that. Yeah, that she
• 29:19
  Speaker 1: was like, all right. I thought that was gonna be
• 29:21
  Speaker 1: a point of contention throughout the episode. I thought that
• 29:23
  Speaker 1: was gonna be the whole episode. It was like the battle,
• 29:26
  Speaker 1: the battle, the battle lines are drawn. Here we go
• 29:29
  Speaker 1: and boundaries are being invaded again and crossed without permission,
• 29:33
  Speaker 1: and Laura is gonna getting a maserati and head over
• 29:36
  Speaker 1: to Emily's and give her what for. My take on
• 29:39
  Speaker 1: it is this Rory loves making her grandparents happy. Yes,
• 29:47
  Speaker 1: I also don't think she's so anti all of it.
• 29:52
  Speaker 1: She likes her fancy school. Remember in episode one she
• 29:55
  Speaker 1: was so excited to get into Chiltern. She is not
• 29:59
  Speaker 1: as put off by the fanciness of it that Laurela is.
• 30:06
  Speaker 1: It's not necessarily Rory's like I must have this or entitlement.
• 30:12
  Speaker 1: She just doesn't find it awful. But I think from
• 30:16
  Speaker 1: Rory's point of view growing up the way she has,
• 30:19
  Speaker 1: she doesn't want to face or experience any more familial battles.
• 30:25
  Speaker 1: It's like, Mom, well you just put down your sword.
• 30:28
  Speaker 1: This is all good stuff. I don't have to fight
• 30:31
  Speaker 1: your battles with you or for you anymore. I'm done.
• 30:36
  Speaker 1: I want to do this thing. This is good for me.
• 30:40
  Speaker 1: I think it's nice. You know, my grandparents are being
• 30:43
  Speaker 1: really great with me, and so this is making creating
• 30:48
  Speaker 1: even more anxiety inside of Laurel. You're right, she spelled
• 30:52
  Speaker 1: it out pretty clearly, like, hey, I'm I don't have
• 30:55
  Speaker 1: any reason like why I wouldn't want to do this,
• 30:58
  Speaker 1: and it makes Graham was so happy, Right, well do it? Yeah,
• 31:04
  Speaker 1: why don't we just relax? I don't have a bone
• 31:06
  Speaker 1: to pick with my grandmother and grandfather. You know, you
• 31:10
  Speaker 1: you you keep you know, keeping this hatred alive in
• 31:14
  Speaker 1: this this this division alive. But what's so awful about
• 31:19
  Speaker 1: the mom? They're pretty great to me, and they they're
• 31:23
  Speaker 1: pretty great to her too. They tolerate her. I mean,
• 31:27
  Speaker 1: god darn it, what happened? What happened between this family?
• 31:32
  Speaker 1: And that's what they don't show, which is so maddening,
• 31:36
  Speaker 1: Which is so wonderful about the show. It's like, what happened?
• 31:40
  Speaker 1: How bad were those fights? Can you imagine those fights
• 31:43
  Speaker 1: that they had when she was sixteen and I'm pregnant,
• 31:48
  Speaker 1: or be a nice night and dad can be there
• 31:57
  Speaker 1: and we can listen battle box with Deean to get
• 32:01
  Speaker 1: him to hold my hand down. Yeah, I think I
• 32:05
  Speaker 1: think every child's instinct or every kid's instinct who is uh,
• 32:11
  Speaker 1: you know, there's there's not a mother or a father
• 32:13
  Speaker 1: in the home or whatever, their instinct if they have
• 32:16
  Speaker 1: the opportunity is to bring the family back together. That
• 32:20
  Speaker 1: is in the psychology and the psychological makeup of every
• 32:24
  Speaker 1: child that comes from a somewhat broken home. If it's
• 32:28
  Speaker 1: not a completely horrible person that they're calling forth back
• 32:32
  Speaker 1: into the family, right. So it's so, it's so I
• 32:34
  Speaker 1: think Rory has a lot of that where she's mature
• 32:37
  Speaker 1: enough to see the benefit for this for her and
• 32:39
  Speaker 1: for her mom. Pretty great. These people are pretty great.
• 32:43
  Speaker 1: It's it's taking you know, the adult view of things
• 32:47
  Speaker 1: over time. Mom, this is gonna work out great for me,
• 32:50
  Speaker 1: and it's also going to work out great for you.
• 32:52
  Speaker 1: So I really see now that Rory is the lead
• 32:55
  Speaker 1: character in the show, showing everybody how to live their
• 32:58
  Speaker 1: lives and bury the hatchet and come back as a family.
• 33:01
  Speaker 1: So this is really a very slow motion revolution, coming
• 33:07
  Speaker 1: back to what once was and maybe even making it better.
• 33:11
  Speaker 1: And she's carrying the torch for it without really being
• 33:15
  Speaker 1: pushy about it, but she's just so mom, this is
• 33:17
  Speaker 1: what I want. Yeah, how great did Laura La look
• 33:22
  Speaker 1: at the debutmball? Oh, speaking of which we could have
• 33:26
  Speaker 1: talked to Brenda about. That was the perfect dress, Like
• 33:29
  Speaker 1: she fits in there perfectly with that little bit of edge,
• 33:34
  Speaker 1: like you know when the Bartenders and the aim and
• 33:37
  Speaker 1: the whole, you know, she's still her but she's not
• 33:41
  Speaker 1: awkward or out of place ever at those Oh no, no, no, no,
• 33:46
  Speaker 1: she's she's of she's cut from that cloth. With Christopher
• 33:50
  Speaker 1: saying with Christopher, yes, with the clever little quick lines,
• 33:55
  Speaker 1: and and I just he just I'll say it again.
• 33:59
  Speaker 1: He isn't a serious person. He's not a grown up yet,
• 34:04
  Speaker 1: he's not a fully formed the part of a grown up. Right.
• 34:09
  Speaker 1: What did you think of their dance? Because I think
• 34:12
  Speaker 1: that his father and his mother were really harsh. They
• 34:15
  Speaker 1: were praying, they were I mean, they must have crucified him. Yeah,
• 34:21
  Speaker 1: they really missed him up. Oh boy, father, what did
• 34:26
  Speaker 1: you think of Christopher and laure life dance at Miss
• 34:29
  Speaker 1: Patty's Because it was pretty awesome. I thought it was
• 34:32
  Speaker 1: pretty nice. Yeah, yeah, I thought, yeah, they rehearsed the
• 34:35
  Speaker 1: hell out of that and pulled her off beautiful, and
• 34:37
  Speaker 1: they both danced well. And you also, she moves very well,
• 34:42
  Speaker 1: she's she's very light on her feet, and she's a
• 34:45
  Speaker 1: she's a terrific dancer. And I think it's important to
• 34:47
  Speaker 1: the characters because you realize, like, wow, these two have
• 34:50
  Speaker 1: danced before. These two were on the path that now
• 34:54
  Speaker 1: Rory and Dean are going to actually go to the ball,
• 34:58
  Speaker 1: but they knew the aunts. They have that connection. Yeah,
• 35:06
  Speaker 1: they have their shot. Get over the diner. I'll show
• 35:10
  Speaker 1: you how to dance. You want to dance. You know,
• 35:14
  Speaker 1: we're not there yet. But there are so many epic
• 35:18
  Speaker 1: there really are, right. I was writing them all down
• 35:22
  Speaker 1: and then I just there was they were coming so fast.
• 35:24
  Speaker 1: I couldn't write that fast. I was, oh my god,
• 35:26
  Speaker 1: I have like a thousand lines. I love it. Here,
• 35:30
  Speaker 1: go through, let's go through. Let's go through. Okay, we'll
• 35:32
  Speaker 1: go out of order. I'll give you my favorite lines,
• 35:35
  Speaker 1: and one will lead us right into the pop culture
• 35:42
  Speaker 1: favorite lines. One is obviously Hello Sailor, Hello Sailor, and
• 35:47
  Speaker 1: kids all irritated, and Rory says, I think you can
• 35:50
  Speaker 1: do it without the Hello Sailor part. I thought that
• 35:54
  Speaker 1: was amazing. I love It's Luke, just Luke. Mr Luke
• 36:01
  Speaker 1: was right right right. The shakiest line which I mentioned, right,
• 36:06
  Speaker 1: what is this a shakyse and these babies breath? What
• 36:09
  Speaker 1: are we in a hospital with the book on the
• 36:12
  Speaker 1: head spitting? That's back on right right? Um? Oh, I know.
• 36:19
  Speaker 1: So Lorelai is talking to those women, which actually I
• 36:23
  Speaker 1: do have something I want to ask you about. But
• 36:26
  Speaker 1: and Christopher comes up and saves her, and she says,
• 36:28
  Speaker 1: you saved me. I love you. I want to have
• 36:30
  Speaker 1: your baby. It looks too late, kind of cornball city
• 36:37
  Speaker 1: for me. Uh yeah, those are those, you know. I
• 36:41
  Speaker 1: thought the whole thing was just dense again too, just
• 36:46
  Speaker 1: so it felt a little it just sort of everything
• 36:51
  Speaker 1: felt a little off from me in the beginning of
• 36:52
  Speaker 1: the episode. It just for me, it just felt it
• 36:55
  Speaker 1: got going, yeah, definitely, but it just felt um Riley,
• 36:59
  Speaker 1: uh uh can you queue up the bombshell please? Oh god?
• 37:04
  Speaker 1: I forgot. Oh yeah, I'm about to deliver. Wait will
• 37:08
  Speaker 1: you wait one second before because I have one more question?
• 37:11
  Speaker 1: Go ahead. What did you think of the scene on
• 37:14
  Speaker 1: the patio in early in the episode, So Emily is
• 37:18
  Speaker 1: having tea with her girlfriends and they are gossiping. I
• 37:24
  Speaker 1: mean it was aggressive gossip, like about truly bishop and
• 37:28
  Speaker 1: finding out that the husband had the other family at
• 37:32
  Speaker 1: the Shaper's cocktail party and she threw an ice sculpture.
• 37:36
  Speaker 1: I mean that was some you also saw that side
• 37:39
  Speaker 1: of it, but there is aggressive gossiping and like very
• 37:43
  Speaker 1: the things you don't like. It made me realize and
• 37:47
  Speaker 1: also re established how powerful a social force that Emily
• 37:51
  Speaker 1: and and Richard are in Hartford. Um, she pretty much rains,
• 37:57
  Speaker 1: so she's probably you know, she's the Queen of Hartford,
• 38:01
  Speaker 1: the grand dum. If you will even say it, you'll
• 38:05
  Speaker 1: be able to get your granddaughter in at the last
• 38:07
  Speaker 1: minute because you're Emily Gilness right right. So she says
• 38:11
  Speaker 1: she's she's she's a heavy heavyweight in that in that area,
• 38:15
  Speaker 1: it was aggressive gossiping. I was like, they definitely depicted
• 38:20
  Speaker 1: that accurately too. Whoa these ladies sit around and they're
• 38:24
  Speaker 1: talking mad bleep about this other truly bishop. It made
• 38:29
  Speaker 1: me want to play a round of golf at a
• 38:31
  Speaker 1: Tony country club and then have lunch with a tartan rug.
• 38:36
  Speaker 1: I wonder if some people are put off by that,
• 38:38
  Speaker 1: like I don't. I would be interested to hear what
• 38:40
  Speaker 1: people say. You know, obviously it was funny and entertaining,
• 38:43
  Speaker 1: But if some people are like, woof, because it's gossipy, Well, everybody,
• 38:50
  Speaker 1: I think everybody gossips. I don't. I don't think that
• 38:53
  Speaker 1: is ecology says it's healthy. There's some element of gossip.
• 38:58
  Speaker 1: It's why I probably were all fast night with celebrities,
• 39:00
  Speaker 1: because there's some element of it that's like healthy for
• 39:03
  Speaker 1: our PSYCHEA. Yeah, everybody gossips. Everybody gossips, but everybody else.
• 39:08
  Speaker 1: I mean, it's just it's a given. Tell people interact.
• 39:11
  Speaker 1: I'm getting ready for the bomb show. All right, let's
• 39:14
  Speaker 1: let's queue it up. An alien muffin, which people were like,
• 39:19
  Speaker 1: why does she keep calling it an alien muffin? Okay,
• 39:23
  Speaker 1: what are we observing here, Amy, We're observing a scene
• 39:27
  Speaker 1: where in the episode, let's go ahead and play it. Um,
• 39:33
  Speaker 1: hang on, what does she ask for? She x for
• 39:36
  Speaker 1: a gum rapper to write down the phone the first
• 39:39
  Speaker 1: So this is correct. Now, look there's a notebook, there's
• 39:42
  Speaker 1: a note How did that happen? It just appeared? Bombshell boom?
• 39:48
  Speaker 1: Where did that come from? Where did that come from?
• 39:53
  Speaker 1: Okay was a no no, well maybe, but but she
• 40:00
  Speaker 1: was writing down the gum wrapper. What happened? Now she's
• 40:04
  Speaker 1: holding out? Yeah, yeah, that's a big deal. That was
• 40:11
  Speaker 1: eagle eyes. I don't know that it's it's it's rises
• 40:16
  Speaker 1: to the level of I was a debutante too. That's big.
• 40:21
  Speaker 1: That's a big one, right, so I think you win
• 40:26
  Speaker 1: this round. There was a lot of clown pillow in
• 40:30
  Speaker 1: this too. Okay, yeah, there there there there, there was
• 40:35
  Speaker 1: there there definitely back. It was almost like, oh my god,
• 40:43
  Speaker 1: so what are we taking away from this episode? Why
• 40:45
  Speaker 1: was this episode? Oh? Look, who has time? Who's dropped
• 40:49
  Speaker 1: into a right fielder? Right fielder Danielle has decided to
• 40:53
  Speaker 1: join us. Danielle was at the vet with the dog,
• 40:57
  Speaker 1: so we will that's right. I know you don't know
• 41:01
  Speaker 1: what has been happening, So just give your thoughts. Yes,
• 41:05
  Speaker 1: I have so many thoughts. I did tune in for
• 41:08
  Speaker 1: like the last like fifteen minutes so at least I
• 41:11
  Speaker 1: heard like some of your blinds and stuff. But I
• 41:14
  Speaker 1: will say that this episode and guy and I briefly
• 41:18
  Speaker 1: spoke about it a little bit earlier, I loved it
• 41:23
  Speaker 1: so much. I thought it was so good to see
• 41:27
  Speaker 1: a different side of Laura Lae. And also like for
• 41:31
  Speaker 1: a lot of the episode, I was like, oh my god,
• 41:33
  Speaker 1: Laura la and Christopher like they need to just be together,
• 41:36
  Speaker 1: like their chemistry is fired, Like it's so good. Something
• 41:42
  Speaker 1: something wrong with you people, There's something wrong with you people.
• 41:45
  Speaker 1: It was so sad for seriously wrong with you people.
• 41:49
  Speaker 1: And she kind of goes on a limb. It's so
• 41:51
  Speaker 1: like every girl's nightmare where you like go and say
• 41:54
  Speaker 1: it to the dude and then you're like, oh you
• 41:57
  Speaker 1: have a girlfriend. Yeah. She was putting in a big
• 42:00
  Speaker 1: effort there to batter eyelashes at him. Did you notice
• 42:04
  Speaker 1: that kiss on the lips all the time. Yes. I
• 42:11
  Speaker 1: was like like kids on the lips and boom, sorry,
• 42:14
  Speaker 1: I'm seeing somebody else from Boston. You know, I need
• 42:16
  Speaker 1: to I need to take a break. I'm sorry. You
• 42:19
  Speaker 1: guys just talk about this stuff and again stops like
• 42:22
  Speaker 1: getting hurt feelings. I know there is anyway, Daniel, go ahead,
• 42:28
  Speaker 1: I don't mean to interrupt you, please, And I know
• 42:31
  Speaker 1: those were my thoughts. And then I just for for
• 42:35
  Speaker 1: the first not the first time, but like this this
• 42:38
  Speaker 1: episode in particular, I just thought it was very fascinating
• 42:41
  Speaker 1: the dynamic between Emily and Richard. And then I just
• 42:44
  Speaker 1: got like heart wrenched with Richard realizing he's getting old,
• 42:49
  Speaker 1: he's being phased out, like it's time for him for
• 42:53
  Speaker 1: his identity not to be about work anymore, you know
• 42:56
  Speaker 1: what I mean. And he's just having that like self
• 42:58
  Speaker 1: crisis moment where he's going to tell you all what happens.
• 43:01
  Speaker 1: But but I got I got really sad. I was like,
• 43:08
  Speaker 1: you know, like his identity has been all about work
• 43:11
  Speaker 1: for so long and now that's not going to be
• 43:15
  Speaker 1: his identity anymore, and like what that means for their
• 43:18
  Speaker 1: relationship because his identity is what gives him their social status,
• 43:22
  Speaker 1: you know, so wow, we can spend they can spend
• 43:25
  Speaker 1: more time together, you know he can. But he's obviously
• 43:29
  Speaker 1: a workaholic. He's that type a workaholic, and look at
• 43:33
  Speaker 1: look at what he's built up. It fulfills him, it's
• 43:36
  Speaker 1: what makes him feel like a contributing member of society.
• 43:42
  Speaker 1: You gotta have it. I mean I always felt like, boy,
• 43:44
  Speaker 1: I need to work. I have to have a job.
• 43:46
  Speaker 1: I can't lay around every time. I don't vacation well
• 43:49
  Speaker 1: unless i'm skiing, because I feel like I'm working, right,
• 43:52
  Speaker 1: I'm working. Takes your mind away from it. Yeah, I'm hiking.
• 43:57
  Speaker 1: He's rejecting the cocktail party and rejecting the umball like
• 44:01
  Speaker 1: because his like, you know, identity is kind of starting
• 44:05
  Speaker 1: to like too bad, too bad. He can't take the
• 44:11
  Speaker 1: time to enjoy his success with Emily and go to
• 44:14
  Speaker 1: these cocktail parties and you know, but he can't. He's
• 44:18
  Speaker 1: busy because he feels he's busy worthless if he's not working,
• 44:24
  Speaker 1: or he feels the pressure. It's like, now you know
• 44:28
  Speaker 1: you're over six, do you go to the gym? You
• 44:29
  Speaker 1: gotta work twice as hard to get a half the results.
• 44:34
  Speaker 1: It's the reality. That's what That's what that's in in
• 44:37
  Speaker 1: work parlance, that's what ED is experiencing. Don't fall, don't fall.
• 44:48
  Speaker 1: What what were you with deputime? Hell no, no? Did
• 44:59
  Speaker 1: you o? People that were yes? And I would say
• 45:02
  Speaker 1: like during that time, I was like, oh, you know,
• 45:05
  Speaker 1: so and so from schools, you know, doing that gets
• 45:09
  Speaker 1: dressed up in the white dress. But it was just
• 45:11
  Speaker 1: never my thing, never my thing. But a lot of
• 45:13
  Speaker 1: friends of mine were. Do you hear that Riley was
• 45:16
  Speaker 1: a debutante? No, you were. That is the fattest lie
• 45:21
  Speaker 1: I've ever heard. I was absolutely not a de wu tan.
• 45:24
  Speaker 1: I did everything in my power to not be a
• 45:27
  Speaker 1: w T right right, you made the deal to get
• 45:29
  Speaker 1: the cash. You took the cash. Ope, my parents. What
• 45:36
  Speaker 1: you'd spent on the dress, I'll take into my account,
• 45:40
  Speaker 1: you know, but it towards school or something else. That's
• 45:43
  Speaker 1: so interesting. None of us me. I would have thought
• 45:48
  Speaker 1: you might have been. I would have maybe, but you were.
• 45:52
  Speaker 1: You missed that bar Oh, she was a big time
• 45:58
  Speaker 1: to find. I don't know. Headlines in the San Francisco Chronicle.
• 46:02
  Speaker 1: I mean there were huge stories that day, and they
• 46:04
  Speaker 1: just bumped them all like Sugarman, very like back page
• 46:09
  Speaker 1: of the calendar section or something. Yeah, I don't think
• 46:16
  Speaker 1: so anyway, what else? What else should we on Earth
• 46:20
  Speaker 1: about this episode? I know I was going to lead
• 46:23
  Speaker 1: us into the pop culture with one of the best
• 46:25
  Speaker 1: lines in the whole thing. So Riley, you'll have to
• 46:27
  Speaker 1: go out of order. But it is when Laurlize says,
• 46:33
  Speaker 1: nobody puts baby in a corner. And we all know
• 46:37
  Speaker 1: why this line means so much because Kelly Bishops in
• 46:46
  Speaker 1: the corner in Dirty Dancing, when that line is delivered
• 46:50
  Speaker 1: by the most iconic Patrick Swayzy, most iconic that movie is.
• 46:58
  Speaker 1: So I worked with him on a movie, Three Wishes.
• 47:04
  Speaker 1: He I heard he was the nicest guy, and he was,
• 47:09
  Speaker 1: but he was like it was bizarre how it was.
• 47:15
  Speaker 1: It was. It was not just nice, it was he
• 47:18
  Speaker 1: was just he came off like some kind of I
• 47:22
  Speaker 1: don't know, almost yogic figure, like a yogi. I mean
• 47:26
  Speaker 1: he was so centered and yes, yeah, I mean and
• 47:31
  Speaker 1: and any time, and he wanted to get to know everybody.
• 47:34
  Speaker 1: And I mean, you know, stars of that stature don't
• 47:38
  Speaker 1: sit down and have lunch with people like me, and
• 47:43
  Speaker 1: he did not just on one occasion. I was on
• 47:46
  Speaker 1: that film for three or four months, and we sat
• 47:50
  Speaker 1: down and had lunch frequently, and it was I mean,
• 47:55
  Speaker 1: he was just the nicest, giving me all this guidance,
• 47:57
  Speaker 1: and I'd ask him a ton of questions and he
• 48:00
  Speaker 1: smile and he laughed. I mean, what a nice guy.
• 48:04
  Speaker 1: Um and marry Elizabeth mastro Antonio was on that phone,
• 48:06
  Speaker 1: so she was the same way. She was the same way.
• 48:09
  Speaker 1: So you had these two people that were just like
• 48:11
  Speaker 1: these I don't know, they were just like more highly
• 48:14
  Speaker 1: evolved beings. You know what's crazy about Dirty Dancing is
• 48:17
  Speaker 1: like it wasn't such a big movie when it first opened.
• 48:21
  Speaker 1: It was over time, it's become this massive movie. And
• 48:27
  Speaker 1: then he had another one with ghosts, so you're like, God,
• 48:31
  Speaker 1: this guy is like just a massive movie star, oh,
• 48:36
  Speaker 1: massive movie star. And you know he was playing that
• 48:38
  Speaker 1: type of a character anyway, like a magical man that
• 48:41
  Speaker 1: comes like some kind of traveler who comes into their
• 48:44
  Speaker 1: lives and um in, oh god, I know, what a
• 48:52
  Speaker 1: what a great guy, what a great guy. You just
• 48:54
  Speaker 1: fall in love with him right away, right away. That's
• 48:57
  Speaker 1: my favorite here. He's just so dream body movie mm hmm.
• 49:10
  Speaker 1: But I mean to use whoever thought of doing this,
• 49:13
  Speaker 1: use the line nobody puts baby in a corner with
• 49:18
  Speaker 1: the person that was in that movie in that scene.
• 49:21
  Speaker 1: I mean, Kelly, I know we've talked about it before.
• 49:24
  Speaker 1: It was amazing and Dirty Dancing too well, and everything
• 49:28
  Speaker 1: she does very gifted, very very gifted, all right, Rady
• 49:38
  Speaker 1: time for a little pop culture once and a guitar accompaniment,
• 49:42
  Speaker 1: acoustic accompaniment or no this time. I don't think it
• 49:44
  Speaker 1: would be complete without right answer, um and going straight
• 49:52
  Speaker 1: into that beautiful segue Loria I says, nobody puts baby
• 49:55
  Speaker 1: in a corner and a couple of facts. Um. Actually,
• 49:58
  Speaker 1: at thirty five years old, Patrick Swayze was older than
• 50:01
  Speaker 1: the role of Johnny by ten years and was only
• 50:03
  Speaker 1: eight years younger than Kelly Bishop at the time, which
• 50:06
  Speaker 1: is really interesting. And Patrick Swayze insisted on doing his
• 50:11
  Speaker 1: own stunts. During the log scene. He kept on falling
• 50:13
  Speaker 1: off the log and injured his knee so badly that
• 50:16
  Speaker 1: they had to drain the fluid from his knee from
• 50:18
  Speaker 1: the swelling, and that wonderful Kellerman result result That wonderful
• 50:25
  Speaker 1: Klerman resort is now the Mountain Lake Lodge Hotel and
• 50:29
  Speaker 1: many fans make the trip up to this hotel every year.
• 50:32
  Speaker 1: And the lake at the hotel at Mountain Lake Lodge
• 50:35
  Speaker 1: dried up in two thousand two and has been dry
• 50:38
  Speaker 1: ever since. But if you visit the lake today you
• 50:40
  Speaker 1: will see a stone in memory of Patrick Swayze, which
• 50:42
  Speaker 1: is kind of cool. I know, Um, the song She's
• 50:46
  Speaker 1: like the Wind was co written by Patrick Swayze and
• 50:49
  Speaker 1: sung by Patrick And actually Val Kilmer was initially offered
• 50:54
  Speaker 1: the lead but declined that's crazy. By the way, That's
• 50:57
  Speaker 1: so crazy. Would not be the same movie with Val Kilmer. Yeah,
• 51:00
  Speaker 1: but he was offered. Val Kimmel was offered everything. He
• 51:03
  Speaker 1: was like it was it went to Tom Cruise Forest.
• 51:05
  Speaker 1: If Tom Cruise said no, it might have gone to
• 51:07
  Speaker 1: Val Kilmer. And you know what I mean, there was
• 51:09
  Speaker 1: like a Top five was Val Kilmer's call sign and
• 51:12
  Speaker 1: Top Gun iceman He'll always be yes. I can't wait
• 51:18
  Speaker 1: till that Top Gun movie comes out. Is that thing
• 51:20
  Speaker 1: ever coming out? Top Gun too? You know I was
• 51:22
  Speaker 1: supposed to come out in like got moved because of
• 51:26
  Speaker 1: the pandemic. Got moved. I'm like, come on, I'm dying
• 51:29
  Speaker 1: to see it. Anyway. I removed my secret microphone from
• 51:33
  Speaker 1: the Tom Cruise communicates with me from my fireplace. It's
• 51:36
  Speaker 1: not there anymore. I moved. I haven't had it installed again.
• 51:40
  Speaker 1: You guys are just setting these up, these pop cultures
• 51:43
  Speaker 1: up for me just to transition right in. Because that's
• 51:46
  Speaker 1: what you're doing. I just make my job so much easier.
• 51:51
  Speaker 1: Minds the strobe lights every once a while, Laura I says,
• 51:55
  Speaker 1: now I know you would rather sit through Endless Love
• 51:58
  Speaker 1: then be a part of this scene again when she's
• 52:00
  Speaker 1: talking to Christopher about the debut Tom Ball So Endless
• 52:03
  Speaker 1: Love American romantic drama film starring Brookshields and Martin Hewitt Um.
• 52:07
  Speaker 1: This is the movie debut for Tom Cruise and Tom
• 52:10
  Speaker 1: Cruise is very brief appearance in this movie is critical
• 52:14
  Speaker 1: to the movie's plot m hm. And during the sexy
• 52:21
  Speaker 1: love making scene the not very the director squeeze brookshields
• 52:26
  Speaker 1: big toe off camera to provoke a reaction that would
• 52:29
  Speaker 1: look like she was having a good time. Wink wink um.
• 52:32
  Speaker 1: Terry Shields was very protective of her daughter, always keeping
• 52:35
  Speaker 1: near and she appears as one of the nurses in
• 52:37
  Speaker 1: the mental hospital. And the film was also noted to
• 52:41
  Speaker 1: have one of the most spectacular one man stunt displays
• 52:43
  Speaker 1: when Hugh Butterfield gets hit by a car in New
• 52:46
  Speaker 1: York City and goes feed over feet over head, feet
• 52:48
  Speaker 1: over feet, head over feet, girl, head over feet, there
• 52:52
  Speaker 1: we go mass overt coot wait Riley was this also
• 52:58
  Speaker 1: the movie with Iron zerring or am I sing that up?
• 53:00
  Speaker 1: And that's a different movie that we're talking about this week.
• 53:03
  Speaker 1: So it was rumored and I double checked and iron
• 53:06
  Speaker 1: Zering did have something else previously, but he was in this.
• 53:09
  Speaker 1: He was it wasn't his debut and I was there,
• 53:12
  Speaker 1: but it wasn't Steve Sanders. Iron Zering was also an
• 53:15
  Speaker 1: Endless Love crazy. Has anyone in this group ever seen
• 53:19
  Speaker 1: Endless Love? Who's in it? Brook Shields? It was like
• 53:23
  Speaker 1: a big brook Shields movie. It was not where she
• 53:26
  Speaker 1: gets on the island with Christopher Atkins. I know that. Yeah,
• 53:31
  Speaker 1: I didn't see that one either. Uh, Endless Love. There's
• 53:34
  Speaker 1: a big song associated with that. Hello. Yeah and all right,
• 53:39
  Speaker 1: all right, yeah I used to drive by his house
• 53:41
  Speaker 1: every day. Oh my god, I love him so much. Alright. Um,
• 53:46
  Speaker 1: so Rory asked Laura life know, I don't. I didn't
• 53:52
  Speaker 1: watch brook Shields movies. I didn't watch Endless Love. And
• 53:58
  Speaker 1: actually it's gonna come out with on YouTube. There's gonna
• 54:01
  Speaker 1: be people gonna go back get archival footage of me
• 54:03
  Speaker 1: weeping with a box of tissues down of the slap
• 54:05
  Speaker 1: right in my tuxedo. No, it didn't happen. I just
• 54:10
  Speaker 1: not just not really excited. Interrupted. Um I'm very excited
• 54:16
  Speaker 1: for this one. We're going back to to the top.
• 54:19
  Speaker 1: Laura Lee says, we didn't know we were walking in
• 54:21
  Speaker 1: on The Lion King without the puppet heads when they
• 54:23
  Speaker 1: walk in on. Emily and Richard and The Lion King
• 54:25
  Speaker 1: is American animated musical film, as well as a very
• 54:28
  Speaker 1: successful Broadway play starting in. The show features over two
• 54:32
  Speaker 1: hundred puppets, and it took over thirty seven thousand hours
• 54:35
  Speaker 1: to create the show's puppets and masks for the film.
• 54:39
  Speaker 1: The actual animated film, Frank Welker provided all the lion roarers.
• 54:43
  Speaker 1: Not a single recording of an actual lion roaring was
• 54:46
  Speaker 1: used because the producers wanted specific sounding roars to each lion.
• 54:50
  Speaker 1: Final fact wrapping this out, Jonathan Taylor Thomas voiced the
• 54:54
  Speaker 1: character of young Simba moving on Laura Line, Christopher sit
• 54:59
  Speaker 1: in his new car, are and more Lisas. George Lucas
• 55:01
  Speaker 1: wishes he had this sound system. George Walton Lucas Jr.
• 55:05
  Speaker 1: Is American film director, producer, screenwriter, and entrepreneur. George Lucas
• 55:09
  Speaker 1: is most known for creating Star Wars and to assure
• 55:12
  Speaker 1: the proper presentation of his work, lucasfilm Mr. Lucas's production
• 55:15
  Speaker 1: company created THX for the Perfect Sound and Video um.
• 55:20
  Speaker 1: George Lucas's dog was a major influence on his work.
• 55:23
  Speaker 1: The dog's name, Indiana, became the name of Harrison Ford's
• 55:26
  Speaker 1: character in the Any R. Jones series, and the look
• 55:29
  Speaker 1: of Chewbacca, Han Solo's faithful sidekick in the Star Wars
• 55:33
  Speaker 1: series was based on Lucas's dog as well. That George
• 55:36
  Speaker 1: Lucas he just keeping it real. Rory is trying to
• 55:42
  Speaker 1: convince Dean into coming to the ball. As Amy continues,
• 55:48
  Speaker 1: Rory says, remember that I'll be watching battle Boats with
• 55:51
  Speaker 1: you for a month, which Amy also referenced earlier. Battle
• 55:55
  Speaker 1: Bots is American robot combat television series. Comedy Central's first
• 55:59
  Speaker 1: season premiered in two thousand and it's fifth and last
• 56:02
  Speaker 1: season ended in two thousand two. The bots can way
• 56:04
  Speaker 1: up two or fifty pounds, and battle Bots still exist today,
• 56:07
  Speaker 1: and the world championship was held in Las Vegas this year.
• 56:11
  Speaker 1: We're seeing it now Chicago. Dean is gone and we
• 56:15
  Speaker 1: have stars hollows. He's fully fully stars hollowed. Yes, Rory
• 56:22
  Speaker 1: is chatting with the other debutant as she gets ready
• 56:24
  Speaker 1: and Rory says it could be a real circus kind
• 56:27
  Speaker 1: of night. San Canadian entertainment company and as largest contemporary
• 56:32
  Speaker 1: circus producer in the world. Some costume pieces and circles
• 56:36
  Speaker 1: oh are made out of shower curtains, and one traveling
• 56:39
  Speaker 1: show uses fifteen semi trucks for transportation of equipment. Many
• 56:43
  Speaker 1: Olympians actually go on to be part of the different shows,
• 56:45
  Speaker 1: whether it's synchronized swimming or gymnastics and circus. Lay has
• 56:50
  Speaker 1: also incorporated shows from Michael Jackson and the Beatles. You know,
• 56:53
  Speaker 1: the Rolling Stones use more trucks than that, these forty trucks,
• 56:57
  Speaker 1: fifty trucks one day tour. Yeah, I also feel like
• 57:00
  Speaker 1: Riley say, so you're really going to do? But that's it?
• 57:06
  Speaker 1: Is it? Duck? I don't know do Rorygine and Lena
• 57:12
  Speaker 1: are watching TV on the couch and lower Lias. Neil
• 57:14
  Speaker 1: Young has got a thing on you? Got nothing on you? Sorry,
• 57:18
  Speaker 1: my bad. Neil Young has got nothing that would be
• 57:20
  Speaker 1: a different meaning, how dare you has a thing on you?
• 57:23
  Speaker 1: What piece of information? Maybe? Neil Young is a Canadian
• 57:29
  Speaker 1: American singer, songwriter, musician, and activists. Neil is widely regarded
• 57:33
  Speaker 1: as the godfather of grunge, in part due to his
• 57:35
  Speaker 1: pioneering use of feedback and distortion, not to mention his
• 57:38
  Speaker 1: love for flannel shirts. Oh yes, Neil has offered one
• 57:44
  Speaker 1: million dollars to headline Woodstock at ninety four, but turned
• 57:47
  Speaker 1: it down for the best becoming too commercial. What am
• 57:51
  Speaker 1: I playing right now? Neil Young song? Now? Want to so?
• 58:00
  Speaker 1: I wasn't dinner last Friday, and I learned that Neil
• 58:02
  Speaker 1: Young is married to Darrell Hannah. I had no idea,
• 58:07
  Speaker 1: no idea for a while. Yeah, they're making it work.
• 58:16
  Speaker 1: Laura I tells Rory she's lucky to have someone to
• 58:18
  Speaker 1: complain to. After seeing Luke and Jess argue, Laura said,
• 58:22
  Speaker 1: Laura I says, oh, check you kill me. Checky Green
• 58:25
  Speaker 1: born Fred Sheldon Greenfield is an American comedian. Checky was
• 58:29
  Speaker 1: well medicated when he crashed his Oldsmobile into the Caesar's
• 58:33
  Speaker 1: Palace fountains. As his car was drenched under geishers of water,
• 58:37
  Speaker 1: Shacky merely turned to the windshield turned on the windshield wipers.
• 58:41
  Speaker 1: When the cops arrived, he rolled down his window and asked,
• 58:43
  Speaker 1: what no spray wax. Shacky's passion for horse racing a
• 58:47
  Speaker 1: horse named Shacky Green was the front runner in nineteen
• 58:50
  Speaker 1: seventy three Kentucky Derby. Fascinating name a horse? Check Green?
• 58:57
  Speaker 1: Okay wow uh. Rory tells Lorela she talked to Emily
• 59:03
  Speaker 1: and she's going to be a debutante. Lorelie says Roy.
• 59:06
  Speaker 1: That's like accepting the position as the drummer in Spinal Tap.
• 59:09
  Speaker 1: This is Spinal Tap, American mockumentary film co written and
• 59:14
  Speaker 1: directed by Rob Reiner in his directorial debut, I did
• 59:18
  Speaker 1: a recording with the original drummer, the drummer and spinal
• 59:22
  Speaker 1: taps his name, Rick Something, British guy, fan, fabulous drummer,
• 59:27
  Speaker 1: who's the jam with him every Sunday night at the
• 59:29
  Speaker 1: Kiddet's room and Cancer Stallion. It's pretty cool in Hollywood.
• 59:35
  Speaker 1: You what's his name? Rick? What's his name? Rick? Look
• 59:37
  Speaker 1: it up cast of spinal Tap. Rick Something, just a
• 59:43
  Speaker 1: fabulous doing it drummer. I did. I did like three
• 59:47
  Speaker 1: or four songs with him back in the night. Now,
• 59:49
  Speaker 1: Rick Parnell, Yes, Jerry, that was the name of the guy.
• 59:56
  Speaker 1: Don't don't, I didn't look it up. Don't play baby
• 1:00:00
  Speaker 1: in the Corner's dad? Oh, thank you? Laura, Emily and
• 1:00:05
  Speaker 1: Laura la Are talking about the deb tom Paul, Laura
• 1:00:07
  Speaker 1: la I says, I'm still convince she had something to
• 1:00:09
  Speaker 1: do with Lily Tomlin doing that movie with Tronda John Travolta,
• 1:00:13
  Speaker 1: which with this one, Yes, this is the movie Moment
• 1:00:16
  Speaker 1: by Moment, n American romantic drama film written and directed
• 1:00:20
  Speaker 1: by Jane Wagner and Starry Lilily Tomlin and John Travolta
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  Speaker 1: is widely considered a catastrophe, catastrophe of a film history,
• 1:00:28
  Speaker 1: and has been blamed for nearly sinking the movie claters
• 1:00:33
  Speaker 1: assisted until this what's her name of the movie? Who's
• 1:00:38
  Speaker 1: the movie? Moment by Moment and Travolta and Tomlin together,
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  Speaker 1: Was it a rom romantic thing? Or yes? The movies
• 1:00:46
  Speaker 1: like she lives in some town and he's the young
• 1:00:50
  Speaker 1: sort of never do well. I don't know, and then
• 1:00:54
  Speaker 1: right right they have a play and it almost ruined
• 1:00:59
  Speaker 1: both their rors before they get off the ground. You
• 1:01:01
  Speaker 1: can find that thing on story. How are you going
• 1:01:03
  Speaker 1: to ruin the career of a Lily Tomlin? She's hysterically
• 1:01:06
  Speaker 1: funny and brilliant. You can't ruin her career with a B. Yeah.
• 1:01:12
  Speaker 1: But but but there's so many other avenues that she
• 1:01:15
  Speaker 1: can take. I mean, she's a comedian, right, she's a
• 1:01:19
  Speaker 1: she's a comedic actress, and she's okay after this, But
• 1:01:22
  Speaker 1: who even did this movie existing? Did Lily Tomlin do
• 1:01:25
  Speaker 1: stand up? Probably? Yeah, But I mean she's this genius,
• 1:01:30
  Speaker 1: incredible shrinking woman nine to five and now, Grayson Frankie
• 1:01:33
  Speaker 1: love Lily Tomlin. One ring a danging toe ring a
• 1:01:38
  Speaker 1: dang it. Hear me in that chair on electric That
• 1:01:44
  Speaker 1: was scary with a huge chair, little girl, an incredible
• 1:01:48
  Speaker 1: shrinking woman. Fully breaked me out, fully creaked me out,
• 1:01:52
  Speaker 1: but she's still danking. Grayson Frankie. If you haven't watched it,
• 1:01:56
  Speaker 1: Netflix it right now. Have to gilmore girls, Grayson Frankie. Really,
• 1:02:01
  Speaker 1: this episode was probably one of our best ever. Probably
• 1:02:04
  Speaker 1: twenty minutes too long, but still real good guys. You
• 1:02:08
  Speaker 1: can't cut anything out. It's it's like there are different
• 1:02:14
  Speaker 1: forms of gold. Right. Yeah, this is like a Bonzie one.
• 1:02:25
  Speaker 1: But I do feel like we're all all on her
• 1:02:27
  Speaker 1: game today. All right, So that's it. What are we
• 1:02:34
  Speaker 1: watching next? We have episode seven like Mother Like Daughter,
• 1:02:41
  Speaker 1: No great job, guys, huh, we're back. We have a
• 1:02:44
  Speaker 1: starting right fielder back from the Dane really contributed and
• 1:02:48
  Speaker 1: we missed her when she's not here anyway, everybody, thank
• 1:02:51
  Speaker 1: you so much, best fans in the world. Uh, and
• 1:02:55
  Speaker 1: I want to thank my my ball club here, Danielle
• 1:02:59
  Speaker 1: Romo right field shotgun, arm Riley pelusis shortstop Amy, Amy Sugarman.
• 1:03:09
  Speaker 1: She's my battery mate. She's she's, she's calling the pitches.
• 1:03:12
  Speaker 1: I'm throwing the pitches. You know. She's, she's, she's, she's
• 1:03:15
  Speaker 1: Johnny to the Johnny Bench of podcasts. Okay, there you go.
• 1:03:20
  Speaker 1: Uh and I am Scott Patterson and thanks for down loading.
• 1:03:24
  Speaker 1: We will see everybody next time. Stay safe, hey, everybody,
• 1:03:57
  Speaker 1: and don't forget follow us on Instagram at I am
• 1:04:00
  Speaker 1: all In podcast and email us at Gilmore at I
• 1:04:04
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• 1:04:08
  Speaker 1: looking for the best cup of coffee in the world,
• 1:04:10
  Speaker 1: go to my website for my company scott EP dot com,
• 1:04:14
  Speaker 1: s C O T T Y P dot com, scott
• 1:04:16
  Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.