Latest / Murder Files Unsealed / Husband Kills Wife with Antifreeze for His Mistress
Transcript
- 0:00Speaker 1: Picture this. I want you to like really put yourself
- 0:02in this setting for a second. Okay, you are standing
- 0:04in front of a picture perfect, just incredibly affluent home
- 0:09in a place called Carol.
- 0:10Speaker 2: Beach, which is in Wisconsin, right.
- 0:12Speaker 1: Yeah, Kenosha, Wisconsin. It's this neighborhood of these beautiful, very
- 0:16unique properties built right on the shores of Lake Michigan.
- 0:18And it's December third, nineteen ninety eight.
- 0:21Speaker 2: Ah, right in the middle of winter exactly.
- 0:23Speaker 1: It's a Thursday, exactly three weeks before Christmas, so there's
- 0:26probably that distinct biting winter chill coming off the lake.
- 0:30Oh absolutely, And the neighborhood is completely idyllically quiet, you know,
- 0:37just a typical peaceful morning in the suburbs. But then
- 0:41the sounds of sirens completely shatter that piece.
- 0:44Speaker 2: Yeah, that would definitely wake the neighborhood up.
- 0:46Speaker 1: They pull up to this wealthy, perfectly manicured home, first
- 0:50responders rush inside, and what they find is just the
- 0:54absolute darkest contrast to this whole holiday season affluence.
- 0:58Speaker 2: It really is.
- 0:58Speaker 1: A healthy forty year old mother of two is found
- 1:01dead in her bed. Her husband is the one who
- 1:03called it in and waiting right outside that bedroom door
- 1:06literally in the hallway of this massive house are her
- 1:08two young sons.
- 1:09Speaker 2: It is the absolute definition of a nightmare behind closed doors.
- 1:13Speaker 1: It really is.
- 1:14Speaker 2: I mean, you have this stark, almost jarring contrast between
- 1:18the pristine public facade of this family and the horrific,
- 1:22just gruesome reality inside that primary bedroom, and that contrast
- 1:27really sets the stage for everything we are going to
- 1:29explore today.
- 1:30Speaker 1: Okay, so let's unpack this because today we are diving
- 1:34deep into the harrowing legal and psychological labyrinth of the
- 1:37Julian Mark Jensen case. Yes, we have a massive stack
- 1:41of sources in front of us for this deep dive,
- 1:43like a sprawling transcript from the Law and Crime Network,
- 1:47court documents, trial coverage, so much material. Yeah, and it
- 1:50maps out of saga spanning twenty five years. We're talking
- 1:53two separate murder trials, the rapid evolution of digital forensic science,
- 1:58and most chillingly, a haunting letter literally sent from the grave.
- 2:03Speaker 2: It's wild because this isn't just a true crime timeline either.
- 2:06When you look closely at the source material, it serves
- 2:08as a master class in several different disciplines. I mean,
- 2:11it tracks how law enforcement learned to navigate early Internet.
- 2:14Speaker 1: Footprints, which was so new back then.
- 2:17Speaker 2: Exactly, And it's a deep, incredibly complex exploration into the
- 2:21US Constitution, specifically the confrontation clause, like what happens when
- 2:26a victim's right to be heard clashes with a defendant's
- 2:30right to a fair trial. And at its very core,
- 2:33it is a terrifying study of psychological warfare within a marriage.
- 2:37Speaker 1: And for you listening, whether you are fascinating by the
- 2:40mechanics of the law, the evolution of technology, or just
- 2:43raw human psychology, this case challenges everything you might assume about.
- 2:47Speaker 2: Digital footprints, It really does.
- 2:49Speaker 1: It forces you to look at how society and investigators
- 2:51interpret mental health crisis and how easily genuine despair can
- 2:55be weaponized.
- 2:56Speaker 2: That's a huge part of this right, and it.
- 2:58Speaker 1: Asks a massive question, which is how does our justice
- 3:01system adapt when a victim actively tries to testify against
- 3:05their killer from beyond the grave.
- 3:07Speaker 2: It forces us to confront so many ingrained assumptions. I mean,
- 3:10when someone walks into a doctor's office and says they
- 3:13are depressed, how do we filter that information?
- 3:16Speaker 1: Yeah? Do we just take it at face value? Right?
- 3:18Speaker 2: Do we look at the environment creating that depression? And
- 3:21what happens when a tragic, documented mental health struggle is
- 3:24actively cultivated to serve as a perfect alibi for murder.
- 3:28Speaker 1: It's just so dark. So to understand how we get
- 3:31to that horrific morning in December of nineteen ninety eight,
- 3:34we have to rewind they do. We have to look
- 3:36at the battleground that this marriage had actually become. So
- 3:40Mark Jensen was a wealthy investment advisor, very successful, yeah,
- 3:44highly regarded in the community, bringing in a very substantial income.
- 3:48Julie was a stay at home mom. She was entirely
- 3:50dedicated to their two.
- 3:52Speaker 2: Boys, David and Douglas, right.
- 3:54Speaker 1: David who was eight at the time of her dad's
- 3:55and Douglas, who was four. But the inciting incident for
- 3:59the entire tragedy actually happened seven or eight years earlier,
- 4:02back in nineteen ninety and nineteen ninety one.
- 4:04Speaker 2: You absolutely cannot understand the events of nineteen ninety eight
- 4:07without understanding the rupture in nineteen ninety The sources show
- 4:10that while Mark was away on a business trick, Julie
- 4:13had a brief one night sexual relationship with a coworker Okay,
- 4:17and shortly after she confessed this affair to.
- 4:19Speaker 1: Mark, which you know, regardless of the infidelity itself, that
- 4:23is a massive moment of vulnerability and honesty. It is
- 4:27like she didn't wait for him to find out from
- 4:28someone else, She brought it to him directly.
- 4:30Speaker 2: She did, and they reached a mutual decision on paper,
- 4:33they decided not to divorce. They decided to stay in
- 4:36the marriage and ostensibly work through it. But the psychological
- 4:40reality was entirely different. How so well, that decision did
- 4:44not lead to reconciliation or forgiveness. Instead, Mark used that
- 4:48confession to initiate a campaign of intense, calculated psychological torture
- 4:54that lasted for the better part of a decade.
- 4:56Speaker 1: A decade, let's get specific about what that torture actually
- 4:59looked like, because the investigation details and the sources are
- 5:02really disturbing. They are someone begins actively harassing and stalking
- 5:07Julie Jensen inside her own home.
- 5:09Speaker 2: Her own safe space.
- 5:10Speaker 1: Right, We're talking about pornographic photographs being deliberately left around
- 5:14the house in places she would find.
- 5:16Speaker 2: Them, just to mess with her head exactly.
- 5:19Speaker 1: Bizarre silent hang up phone calls occurring constantly and sometimes
- 5:24even when Mark was sitting right there in the living
- 5:26room with her.
- 5:26Speaker 2: What's fascinating about Julie's response to all this is her
- 5:29presence of mind. Yeah, she doesn't just passively endure this
- 5:33gas lighting. She meticulously logs it.
- 5:36Speaker 1: Oh wow.
- 5:37Speaker 2: Yeah. She treated her own life like an ongoing investigation,
- 5:40keeping a physical log that stretched for pages and pages
- 5:44documenting the harassment over almost eight years.
- 5:46Speaker 1: Eight years of logging.
- 5:48Speaker 2: This, she noted the dates, the times, the specific nature
- 5:51of every single incident.
- 5:53Speaker 1: She even took it to the police at one point, Yes,
- 5:55she did. Detective Paul Ratzberg, who he becomes a major
- 5:59player late on in this deep dive. He gets involved
- 6:01early in this timeline.
- 6:03Speaker 2: He's the one who initially looks into it.
- 6:04Speaker 1: Right. He looks at this harassment and tells Julie, if
- 6:08we want to know for sure who is doing this,
- 6:10get me some handwriting samples of Mark, a.
- 6:12Speaker 2: Very smart investigative move.
- 6:14Speaker 1: So she gathers his notes from around the house, hands
- 6:17them over, and the police run them up to the
- 6:20state crime lab and the crime lab confirms it undeniably.
- 6:24The handwriting on those harassing pornographic photographs is a definitive
- 6:28match for Mark Jensen.
- 6:30Speaker 2: The power dynamics of this marriage become glaringly obvious. Right
- 6:34at this moment, I mean, the police have.
- 6:36Speaker 1: The proof they haven't in their hands, right.
- 6:38Speaker 2: Detective Ratzburg essentially lays it out for Julie, confirming her
- 6:42worst fears, like, we have him. The stalker is your husband.
- 6:46Speaker 1: God.
- 6:47Speaker 2: That must have been devastating, But her reaction defies what
- 6:50many people might expect. She halts the investigation. Wait really, yeah,
- 6:55she tells the police she wants to drop the charges
- 6:57and handle it as a private marital matter.
- 6:59Speaker 1: Wait, hold on, you're saying she meticulously documented his abuses
- 7:03for years, went to the police, got literal, forensic proof
- 7:07that her husband is waging a psychological war against her. Yeah,
- 7:11and she still stays.
- 7:11Speaker 2: In the house she does.
- 7:12Speaker 1: I mean, to an outside observer, that makes zero sense.
- 7:16It sounds like living in a domestic Cold war, you know,
- 7:18where you have a peace treaty on paper, but there's
- 7:21constant covert espionage happening in your own kitchen.
- 7:25Speaker 2: That's a really good way to put it.
- 7:26Speaker 1: Why on earth wouldn't you just take your kids and run?
- 7:30What does that tell us about the trap of keeping
- 7:32up appearances?
- 7:33Speaker 2: It speaks volumes about the sheer paralyzing complexity of domestic abuse,
- 7:38particularly when the violence is psychological rather than physical. Right,
- 7:42Mark couldn't or wouldn't let the betrayal of the affair go,
- 7:46but rather than leave, he used it as permanent leverage
- 7:49to perpetually victimize Julie, just.
- 7:52Speaker 1: Keep punishing her forever, Exactly.
- 7:54Speaker 2: By making her the constant villain of their private life,
- 7:57he could justify his own escalating cruelty. And he did
- 8:00all of this while seamlessly maintaining his pristine public image.
- 8:04Speaker 1: Right, the successful, wealthy investment adviser.
- 8:06Speaker 2: The perfect Carol Beach father, So he gets.
- 8:09Speaker 1: To play the wounded victim in his own mind while
- 8:12actively operating as the tormentor in reality.
- 8:14Speaker 2: Exactly that dynamic. And for Julie, the barriers to leaving
- 8:18were massive.
- 8:19Speaker 1: I can imagine.
- 8:20Speaker 2: Leaving meant detonating the life she had built for her
- 8:23two young sons. It meant a messy, highly public divorce
- 8:27for a woman who is a stay at home mother,
- 8:30entirely financially dependent on a man who had spent years
- 8:33actively trying to break her down.
- 8:35Speaker 1: Mentally, Yeah, she was trapped.
- 8:37Speaker 2: When you have been subjected to nearly a decade of
- 8:39gas lighting, your grip on reality becomes completely warped. If
- 8:44we connect this to the bigger picture, it perfectly explains
- 8:46a highly scrutinized event, which is her visit to the
- 8:49family doctor on December one, nineteen ninety eight.
- 8:52Speaker 1: Okay, yes, that's just two days before she is found dead.
- 8:56She goes into the doctor's office and confesses that she
- 8:58is quote depressed and miserable.
- 9:01Speaker 2: And she had every right to be depressed and miserable.
- 9:03She was living in a psychological war zone. She was exhausted, terrified,
- 9:07and isolated.
- 9:08Speaker 1: You know who wouldn't be.
- 9:09Speaker 2: But as the investigation uncovers that very real, highly justified
- 9:13despair was about to be weaponized against her to build
- 9:15a perfect alibi.
- 9:17Speaker 1: Wow, And that brings us to the morning of December third,
- 9:20nineteen ninety eight. First responders arrive at the house. Julie
- 9:23is dead in her bed. Mark tells the police that
- 9:25she had been severely sick for three days prior. He
- 9:29claims that by that morning she was completely unable to
- 9:31even get out of bed. Okay. The responders note the
- 9:35scene right, She's largely covered by heavy bed covers and
- 9:38her body position appears as though she had been lying
- 9:41flat on her back and was then rolled onto her side.
- 9:44Speaker 2: The initial steps the investigators take here are standard, but
- 9:48they become the foundation of the entire case.
- 9:50Speaker 1: What do they do first?
- 9:51Speaker 2: They searched the immediate surroundings, specifically the kitchen and bathroom areas.
- 9:56They find a cabinet filled with various prescription models. O yeah,
- 10:00but they specifically sees prescriptions for ambion, which is a
- 10:04potent sleep aid, and paxel and antidepressant.
- 10:07Speaker 1: Because she had just gone to the doctor.
- 10:08Speaker 2: Exactly and crucially, acting on instinct. In nineteen ninety eight,
- 10:12they seize the beige tower of the family computer.
- 10:15Speaker 1: I love that detail. Just a big, clunky beige tower.
- 10:18Speaker 2: Oh yeah, totally nineties tech.
- 10:20Speaker 1: So the very next day, December fourth, they conduct the
- 10:23autopsy and the result comes back as pending. They literally
- 10:26cannot determine what killed this healthy forty year old woman.
- 10:30Speaker 2: Appending autopsy is incredibly frustrating for law enforcement, and it's
- 10:33important to understand why this happens.
- 10:36Speaker 1: Yeah, explain that, because you'd think they would just know
- 10:38right well.
- 10:39Speaker 2: A standard toxicology screen in nineteen ninety eight looks for
- 10:42the usual suspects like opiates, barbiturates, heavy metals, common prescription overdoses,
- 10:48standard stuff. Exactly, if a person hasn't suffered obvious physical trauma,
- 10:53so no gunshot wound, no blunt force trauma, and the
- 10:56standard talk screen comes back clean, the medical examine is stuck.
- 11:00Speaker 1: Because there's no smoking gun.
- 11:02Speaker 2: As one investigator noted in the source material, if you
- 11:06don't know what caused the death, you can't take the
- 11:08next step to determine the manner of death.
- 11:11Speaker 1: Right you don't know if you are looking at an accident,
- 11:13a bizarre natural medical event, a suicide, or a homicide.
- 11:17Speaker 2: You are completely stalled.
- 11:19Speaker 1: But while the physical body was keeping its secrets, the
- 11:22digital body that seized family computer started screaming.
- 11:26Speaker 2: The computer forensics in this case are absolutely pivotal, and
- 11:29we really have to put ourselves in the mindset of
- 11:31nineteen ninety eight.
- 11:31Speaker 1: Here, Oh yeah, dial up Internet.
- 11:33Speaker 2: Exactly, the Internet is in its infancy for home use.
- 11:38We are talking about dial up modems, shared family computers
- 11:42in the den, and very rudimentary web browsers.
- 11:46Speaker 1: People probably didn't even realize they were leaving a trail.
- 11:48Speaker 2: They didn't People didn't fully understand that browsers stored hidden
- 11:52index files and cash data right on the hard drive.
- 11:55So investigators dive into the search history, recovering deleted files,
- 11:59and what they find is horrifying.
- 12:01Speaker 1: Horrifying is an understatement. I mean, you have a typical
- 12:04suburban family with a four year old and an eight
- 12:06year old, and someone on that home computer is searching
- 12:09for ways to kill Yep. They are searching for boculism.
- 12:12They are searching for how to build pipe bombs, pipe bombs. Yeah,
- 12:17and specifically repeatedly, they are searching for ethylene glycol poisoning.
- 12:22Speaker 2: Ethylene glycol is a sweet tasting, odorless, highly toxic chemical.
- 12:26It is the primary active ingredient in automotive anti freeze.
- 12:30Speaker 1: Okay, let's pause here, because this is where the defense
- 12:32strategy really takes root. If I'm looking at this from
- 12:34the outside, playing devil's advocate, the defense is going to
- 12:37look at that search history and say, wait a minute,
- 12:39you just told us Tuly Julie went to the doctor
- 12:43in December first saying she was depressed and miserable.
- 12:46Speaker 2: And she was prescribed Paxel.
- 12:48Speaker 1: Exactly, so couldn't she have been the one on that
- 12:51computer desperately searching for ways to enter her own life.
- 12:55I mean, how in the world do we separate a
- 12:57suicidal digital footprint from a homicidal one.
- 13:01Speaker 2: That is the exact narrative Mark's defense team would spend
- 13:04years trying to build.
- 13:05Speaker 1: Right.
- 13:05Speaker 2: But this raises a critical point about digital forensics. It's
- 13:08not just about what is searched. It's about the metadata,
- 13:11the timestamps. It's about when it was searched. The timeline
- 13:15is the ultimate truth teller. In this case, investigators didn't
- 13:18just pull the search terms, they pulled the time stamps
- 13:21associated with those queries.
- 13:22Speaker 1: So the digital footprints have a clock attached precisely.
- 13:26Speaker 2: Several of the most damning searches, specifically the ones tracking
- 13:30the hour by hour symptoms of ethylene glycol poisoning, were
- 13:33conducted in the two days immediately prior to her death.
- 13:36Speaker 1: Wait, the days when Mark himself stating she was violently ill.
- 13:40Speaker 2: Yes, the physical evidence and Mark's own statements showed that
- 13:44during those specific two days, Julie Johnsen was physically incapacitated.
- 13:49Speaker 1: Oh my gosh, she.
- 13:50Speaker 2: Was bedridden, unable to hold down food, and eventually unable
- 13:54to even sit up in bed by herself.
- 13:56Speaker 1: So she couldn't have been at the computer.
- 13:58Speaker 2: Yet while she was trapped in that bedroom, someone else
- 14:00was sitting down the hall on the den, logged onto
- 14:03the home computer, searching for the exact progression of symptom
- 14:07as she was currently experiencing.
- 14:09Speaker 1: Wow, So she is physically incapable of reaching the keyboard
- 14:12and someone else is sitting there typing these searches in
- 14:15That is so sinister.
- 14:17Speaker 2: It shifts the entire narrative. It completely moves the needle
- 14:20away from a tragic internal despair a suicide and points
- 14:25directly toward cold, calculated external premeditation.
- 14:29Speaker 1: Yeah, there's no other way to look at it.
- 14:30Speaker 2: The person on that computer wasn't searching for a way
- 14:33to die. They were monitoring a murder in progress, checking
- 14:36their work against the Internet to see if the poison
- 14:38was acting on schedule.
- 14:40Speaker 1: That is bone chilling. But here's the crazy part. Even
- 14:44with those highly suspicious computer searches, the medical examiner still
- 14:48had a pending.
- 14:49Speaker 2: Autopsy right because they hadn't found it in her system
- 14:51yet exactly.
- 14:53Speaker 1: The police didn't have the physical proof in the body
- 14:56to match the digital footprint on the hard drive. They
- 14:58needed a bridge.
- 14:59Speaker 2: Between the t and that bridge came from the victim herself.
- 15:03Speaker 1: Yes, a neighbor steps forward with what becomes the most
- 15:06famous and honestly legally controversial aspect of this entire case,
- 15:10the Letter from the Grave. This is the absolute turning
- 15:13point of the investigation. The day after Julie's body was discovered,
- 15:18a neighbor walks into the police station and hands them
- 15:21a sealed envelope. Okay, He tells the offices that Julie
- 15:24had quietly given this envelope to him a week and
- 15:27a half before she died. Wow, and her instructions to
- 15:30him were incredibly clear and terrifying. She said, if anything
- 15:34happens to me, give this to the police.
- 15:36Speaker 2: Just take a second and put yourself in her shoes.
- 15:38Speaker 1: I know it's awful.
- 15:39Speaker 2: Imagine being so terrified of the person you sleep next to,
- 15:42the father of your children, that you have to draft
- 15:45a covert contingency plan for your own murder and entrust
- 15:49it to a neighbor.
- 15:50Speaker 1: It's hard to even fathom.
- 15:52Speaker 2: And the specifics of what she wrote in that letter
- 15:54are harrowing. She writes that she explicitly fears her husband
- 15:58might do something to harm her. She describes their daily
- 16:02relationship as having deteriorated to the polite superficial.
- 16:06Speaker 1: That phrase, polite superficial. It perfectly encapsulates that domestic cold
- 16:10war you mentioned earlier.
- 16:11Speaker 2: It really does.
- 16:12Speaker 1: It's the terrifying quiet of a household where the threat
- 16:16of violence is entirely masked by suburban pleasantries like asking
- 16:20to pass the salt while wondering if it's poisoned exactly.
- 16:24Speaker 2: But she doesn't just express fear. She anticipates his defense.
- 16:28Speaker 1: This is the genius of it.
- 16:29Speaker 2: She makes sure to clarify something incredibly important. She expressly
- 16:33states in the letter that she would never harm herself.
- 16:36She writes emphatically that she would never, under any circumstances,
- 16:40leave her two sons without a mother. She is preemptively
- 16:43from beyond the grave, dismantling the suicide narrative she knows
- 16:47Mark is going to use.
- 16:48Speaker 1: And she doesn't just offer her feelings either, she provides
- 16:52hard evidence. Included inside that sealed envelope is a photograph.
- 16:56Speaker 2: Oh, this part is wild.
- 16:58Speaker 1: It's a picture she secretly took of a post it
- 17:00note she found hidden in Mark's daily planner.
- 17:03Speaker 2: And the police look at the photo and the handwriting
- 17:05on the note is unmistakably Marx. It's a match again,
- 17:09and the list written on it is terrifying. It says
- 17:11own drug supply, lirium bag hands, syringe.
- 17:15Speaker 1: Lyrium bag hands. I mean, it reads exactly like a
- 17:19brainstorm for a murder.
- 17:20Speaker 2: It's a literal checklist of potential methods.
- 17:23Speaker 1: Yeah. Because of this letter, because of this posthumous directive
- 17:26from Julie basically acting as their own detective, the entire
- 17:29investigation pivots right.
- 17:31Speaker 2: They know what to look for now.
- 17:32Speaker 1: The police immediately go back to the medical examiner. They say,
- 17:35look at these computer searches for Andy Freeze, look at
- 17:38this letter. We need you to specifically test her tissues
- 17:42for ethylene glycol, which.
- 17:43Speaker 2: As we discussed, is incredibly rare. Ethylene glycol is not
- 17:47something a medical examiner tests for in a standard autopsy
- 17:50without a specific reason to look for it.
- 17:52Speaker 1: They need a reason to run that specific.
- 17:54Speaker 2: Test exactly so, prompted by the digital searches and Julie's letter,
- 17:59the lab conducts highly specialized second evaluation of her fluids,
- 18:03and this time they find it. They find lethal levels
- 18:06of ethylene glycol in her blood, in her stomach contents,
- 18:09and in her urine.
- 18:11Speaker 1: The investigator in the source material noted that this contradicted
- 18:15what the first lab sweep had found, simply because the
- 18:17first sweep wasn't calibrated to look for it right. Finding
- 18:20the antifreeze was a massive case breaking moment. Yeah, nobody
- 18:24just casually has ethylene glycol on their system.
- 18:26Speaker 2: It forces the issue entirely. The medical examiner is now
- 18:30looking at one of two scenarios, either an unbelievably bizarre,
- 18:35agonizing suicide where a woman decides to drink automotive anti freeze,
- 18:39or a calculated homicide.
- 18:41Speaker 1: But again, I have to jump in here because the
- 18:43psychology is so hard to grasp for.
- 18:45Speaker 2: Me, it is complex.
- 18:46Speaker 1: Julie is acting like a posthumous detective. She is literally
- 18:51leaving breadcrumbs for the police to solve her own murder. Yeah,
- 18:55but if she knew he had a literal checklist for
- 18:58murder in his day planner, if she was terrified enough
- 19:01to give a sealed envelope to a neighbor, why not
- 19:05just grab the kids and drive away.
- 19:06Speaker 2: That's the question everyone asks.
- 19:08Speaker 1: I Mean, we talked about the trap of appearances, but
- 19:10when you see a murder checklist, doesn't survival instinct kick in.
- 19:13Speaker 2: It is the most common question people ask when looking
- 19:15at severe abuse cases from the safety of the outside. Right,
- 19:18what's fascinating and just deeply tragic is the psychological state
- 19:22of being hunted inside your own home. When you have
- 19:25been subjected to nearly a decade of constant gaslighting, of
- 19:29having pornographic photos planted to make you feel insane, your
- 19:33reality becomes completely warped.
- 19:35Speaker 1: You don't trust yourself anymore.
- 19:37Speaker 2: Exactly. The paralysis you see isn't necessarily a lack of action.
- 19:41Sometimes it's the sheer inability to see a safe exit
- 19:45route that doesn't result in immediately losing custody of your
- 19:48children or instantly triggering the very violence you're trying to avoid. Oh,
- 19:52because if she left, he might have hurt the kids,
- 19:55or he would have used his wealth to take them
- 19:57away in a divorce. She was trying to manage and
- 20:00monitor the threat, hoping to outsmart it rather than detonate
- 20:03the situation, and.
- 20:04Speaker 1: Unfortunately the threat he used was chemical, silent and deeply deceptive.
- 20:09We really need to talk about what ethylene glycol actually
- 20:12does to the human body.
- 20:13Speaker 2: It's important context.
- 20:14Speaker 1: Because Mark's defense team heavily pushes the theory that Julie
- 20:18drank the anti freeze herself in a fit of depression.
- 20:22But when you understand the mechanics of how this chemical
- 20:24kills you, the idea of choosing it for suicide becomes
- 20:27almost impossible to believe.
- 20:29Speaker 2: Ethylene glycol is a horrific, brutal way to die. It
- 20:34is not peaceful, not at all. It is not like
- 20:36taking too many sleeping pills and just drifting off. It
- 20:39is a grueling, multi stage, agonizing progression.
- 20:43Speaker 1: What happens when you drink it?
- 20:44Speaker 2: When you ingest it, it initially makes you feel intoxicated,
- 20:48like you're drunk, But then the body metabolizes it into
- 20:51highly toxic acids, specifically glycolic and exalic acid.
- 20:56Speaker 1: And what do those do?
- 20:57Speaker 2: These acids crystallize in your kidneys, and it starts with severe,
- 21:01violent sickness and vomiting.
- 21:03Speaker 1: Which matches what Mark said she had.
- 21:05Speaker 2: Yes, Then you develop cardiac arhythmia. Your heart rhythm goes
- 21:09completely chaotic, You start to experience severe gasping difficulty breeding
- 21:14as fluid builds up in your lungs oh I got,
- 21:16and ultimately, over an agonizing period of days, your major
- 21:19organs shut down one by one, and you die in
- 21:22immense pain.
- 21:23Speaker 1: It takes days. Mark himself told the first responders she
- 21:26had been violently sick for three days. So to believe
- 21:29the defense, you have to believe that Julie Jensen, a
- 21:31woman who loved your kids, chose this specific, excruciating method
- 21:36for suicide and then endured that level of agony slowly
- 21:40over seventy two hours, without ever once picking up the
- 21:43phone to call an ambulance or ask for help.
- 21:45Speaker 2: It completely defies human logic.
- 21:47Speaker 1: It makes no sense.
- 21:48Speaker 2: It defies all logic. The physical pathology of the toxin
- 21:52that slow, agonizing, debilitating progression over three days perfectly align
- 21:57with her written warnings in the letter, and perfectly matched
- 22:00the timeline of the computer searches mapping those exact symptoms
- 22:04while she was incapacitated.
- 22:05Speaker 1: It all lines up too perfectly.
- 22:07Speaker 2: It completely forced investigators to drop any notion of Mark
- 22:10as a grieving widower. He was now the primary glaring.
- 22:14Speaker 1: Suspect, which sets the stage for a truly legendary showdown.
- 22:18We're now four months after Julie's death. It's early in
- 22:20nineteen ninety nine. Mark Jensen comes into the.
- 22:22Speaker 2: Police station voluntarily.
- 22:23Speaker 1: Right, yeah, he is not in handcuffs, he's not under arrest.
- 22:26He comes involuntarily, likely thinking he's just going to politely
- 22:29clear up some minor administrative details and go home.
- 22:32Speaker 2: He probably thought he was the smartest guy in the room.
- 22:34Speaker 1: Oh absolutely yeah. But waiting for him in that interrogation
- 22:37room is lead Detective Paul Ratzburg.
- 22:40Speaker 2: The other investigators referred to Ratzburg as a pit bull.
- 22:43Speaker 1: A pit bull. I love that he.
- 22:45Speaker 2: Wasn't just any detective. He was the exact same detective
- 22:48who had responded to Julie's desperate complaints about the pornographic
- 22:52pictures years earlier, in the early nineties.
- 22:54Speaker 1: Oh, so he knows this guy.
- 22:56Speaker 2: He intimately knew Mark's playbook of denial and gaslighting.
- 23:00Speaker 1: And Rasberg doesn't waste time with pleasantries. He confronts Mark
- 23:04right out of the gate about the harassment campaign from
- 23:06nineteen ninety.
- 23:07Speaker 2: He goes right for it.
- 23:08Speaker 1: He reminds Mark that the state crime Lab definitively proved
- 23:12his handwriting was on those pornographic photos left to terrorize Julie.
- 23:17Speaker 2: And what does Mark say?
- 23:18Speaker 1: Mark's response, sitting at a police station, he just flat
- 23:21out denies it. He says, the crime lab went off.
- 23:24They're wrong, it wasn't me.
- 23:26Speaker 2: It showcases a truly unbelievable level of arrogance and narcissism.
- 23:32I mean, he is sitting across from a veteran detective
- 23:35who is holding physical forensic proof from the state lab,
- 23:39and Mark simply declares that the science is wrong because
- 23:42it contradicts his reality.
- 23:44Speaker 1: It's just wild. But Radsburg is just getting warmed up
- 23:47because Radsburg knows that murder requires motive, right, and the
- 23:52motive in this case has a name, Kelly Labonte.
- 23:55Speaker 2: This is where the timeline of Mark's behavior after Julie's
- 23:58death becomes incredible, and Ratsburg knows it.
- 24:01Speaker 1: Yeah, tell us about Kelly.
- 24:03Speaker 2: According to the investigation and family accounts, Kelly Labonte moved
- 24:06into the Carrol Beach house shortly after.
- 24:08Speaker 1: Julie died, like immediately after.
- 24:10Speaker 2: Right, She didn't just visit. She essentially moved in and
- 24:14seamlessly took Julie's place as the maternal figure to those
- 24:17two young boys, almost as if the transition had been planned.
- 24:20Speaker 1: So. In the interrogation room, Rathsburg casually asks Mark if
- 24:23he's seeing anyone if Kelly Labonte. Is his girlfriend just
- 24:26baiting him exactly? Mark dries to downplay it completely. He stammers,
- 24:30he evades, He says maybe a date. She's just a friend.
- 24:34Speaker 2: Yeah.
- 24:34Speaker 1: He aggressively claims they didn't have any romantic contact before
- 24:38July of that year, which is long after Joy passed.
- 24:41Speaker 2: But Ratzburg is holding all the cards, and he plays
- 24:44one of his best ones here.
- 24:45Speaker 1: What does he do?
- 24:46Speaker 2: He confronts Mark with a printed email. It's an email
- 24:49from Kelly to Mark dated October sixteenth, nineteen ninety eight.
- 24:54Speaker 1: Wait October sixteenth.
- 24:55Speaker 2: That is weeks before Julie was poisoned.
- 24:58Speaker 1: Oh wow.
- 24:59Speaker 2: In the email, Kelly writes to Mark, I do love
- 25:01you even more now we would both need some time
- 25:04to clean up our lives, so to speak, clean.
- 25:06Speaker 1: Up our lives talk about a load and phrase. When
- 25:10one of those lives ends in anti freeze poisoning a
- 25:12few weeks later.
- 25:13Speaker 2: It's incredibly suspicious.
- 25:15Speaker 1: So picture this room. Mark is sitting there. He is
- 25:18faced with forensic proof of his handwriting on the year's
- 25:20old harassment photos. He is faced with printed emails from
- 25:23his mistress, completely blowing up his timeline.
- 25:26Speaker 2: Of innocence, and he's still denying it.
- 25:28Speaker 1: Yeah, and then Ratzburg finally lays the heaviest card on
- 25:32the table. He reveals Julie's dying declaration, the letter from the.
- 25:36Speaker 2: Grave, the ultimate trump card, and.
- 25:38Speaker 1: Mark denies all of it. It's like watching someone try
- 25:42to bluff in poker when their cards are facing outward
- 25:45for everyone to see.
- 25:46Speaker 2: It is the ultimate display of a controller's confidence. He
- 25:49genuinely believed he was simply smarter than the police. Delusional
- 25:54Razberg brilliantly laid out the evidence, systematically, boxing Mark into
- 25:59a corner. Rasberg points out the reality of the timeline.
- 26:02He tells Mark, Julie didn't just magically stop breathing. You're
- 26:06the only person that was there for those three days.
- 26:08You had to do something, which is true. Ratzburg even
- 26:11pushes Mark on the physical mechanics of the death, asking
- 26:15point blank if he got on top of her, if
- 26:17he used a pillow to smother her at the end.
- 26:20Speaker 1: Because by this point the medical examiner had advanced a
- 26:22secondary theory based on the body position and the slow
- 26:26action of the poison right, they suspected that after poisoning her,
- 26:29when it was taking too long, Mark might have smothered
- 26:32her with a pillow to finally end it exactly.
- 26:35Speaker 2: And despite all of this intense pressure, despite the absolute
- 26:39mountain of circumstantial and digital evidence thrown directly in his face,
- 26:43Mark doesn't crack. He doesn't he doesn't confess. He just
- 26:46continuously repeats in this flat affect, I don't know how
- 26:49she stopped breathing.
- 26:50Speaker 1: And here is the most frustrating part of the justice system.
- 26:54Because he doesn't confess, and because all this evidence the
- 26:57computer searches, the letter the mistress is technically circumstantial, the
- 27:02police don't quite have enough concrete, indisputable evidence to lock
- 27:06him up right then and there.
- 27:07Speaker 2: They just didn't have the final nail in the coffin.
- 27:09Speaker 1: No, so they have to let him go. Mark Jensen
- 27:13literally stands up, walks out of the police station and
- 27:16goes back to that lakeside home.
- 27:17Speaker 2: Unbelievable.
- 27:18Speaker 1: He continues raising his two sons, David and Douglas and
- 27:21Kelly Labonte. The mistress from the emails officially becomes their stepmother, and.
- 27:26Speaker 2: That status quo held for years years. It wasn't until
- 27:30March of two thousand and two, over three and a
- 27:31half years after Julie died in Agne, that the district attorney,
- 27:35a prosecutor named Robert Jamboy, finally pulls the trigger and
- 27:39formally charges Mark with first degree intentional homicide.
- 27:43Speaker 1: And the catalyst for Jamboy finally deciding to charge him
- 27:46as wild It wasn't because they discovered some new, undeniable
- 27:50piece of DNA under a microscope, not at all. So
- 27:52what was it?
- 27:53Speaker 2: Jamboys saw a photograph in the local newspaper. It was
- 27:56a formal engagement announcement.
- 27:58Speaker 1: You're kidding, Nope, Mark.
- 28:00Speaker 2: Jensen and Kelly Labonte were officially getting married. Jamboy realized
- 28:05in that moment that Mark had completely successfully moved on.
- 28:09Speaker 1: He was getting away with it.
- 28:10Speaker 2: He had replaced his wife, secured his wealth, and was
- 28:13about to finalize this brand new life with zero consequences.
- 28:18Jam Boy later stated that when he looked at that photo,
- 28:20he saw victim number two coming down the pipe.
- 28:23Speaker 1: Oh, he was worried for Kelly.
- 28:24Speaker 2: He made the decision to charge Mark right then because
- 28:27he felt a moral obligation to disrupt this dangerous reality,
- 28:31to warn Kelly Labonte, and to finally show Mark that
- 28:34he wasn't going to just walk away from murder.
- 28:36Speaker 1: So in two thousand and two Mark is finally in handcuffs,
- 28:40but the saga is just beginning, because it takes another
- 28:42six full years for the case to actually see the
- 28:44inside of a courtroom for a trial.
- 28:46Speaker 2: Six years is a very long time for a trial delay.
- 28:49Speaker 1: Why six year delay because of a massive fundamental constitutional
- 28:53legal dispute over that envelope Julie handed to her neighbor,
- 28:56the letter from the grave.
- 28:58Speaker 2: This is where the Jensen case transitions from a fascinating
- 29:02dark murder mystery into a landmark constitutional law debate that
- 29:07law students literally still study today.
- 29:10Speaker 1: That big of a deal.
- 29:11Speaker 2: The entire six year hold up centered on the sixth
- 29:14Amendment of the US Constitution, specifically a provision called the
- 29:18confrontation close Right.
- 29:19Speaker 1: And for those of us who aren't constitutional lawyers, the
- 29:22confrontation clause is the part of the sixth Amendment. This states,
- 29:26in all criminal prosecutions, the accused shall enjoy the right
- 29:30to be confronted with the witnesses against him. Exactly in
- 29:33plain English, if someone accuses you of a crime, you
- 29:36or your lawyer have the absolute right to cross examine
- 29:39them in front of a jury.
- 29:40Speaker 2: The legal mechanics of this are deeply rooted in American jurisprudence.
- 29:44The defense team looked at Julie's letter and argued, very logically,
- 29:48under a strict textual interpretation of the Constitution, we cannot
- 29:51cross examine Julie Jensen about the contents of this letter.
- 29:54Speaker 1: She is deceased because she's dead.
- 29:56Speaker 2: Therefore, this letter is an out of court statement being
- 29:59offered for the truth of them matter asserted. It is
- 30:01the very definition of hearsay, admitting it violates our client's
- 30:05fundamental constitutional right to confront his accuser. It must be
- 30:08thrown out.
- 30:09Speaker 1: Okay, I have to stop and point out the massive
- 30:12legal paradox here.
- 30:13Speaker 2: It's a huge paradox.
- 30:14Speaker 1: It's like a soccer player violently tackling the referee and
- 30:18then throwing his hands up and complaining that the game
- 30:21can't continue because there's no referee left to make the calls.
- 30:24Speaker 2: That's a great analogy.
- 30:25Speaker 1: It's like saying, you can't use my victim's words against
- 30:28me because I successfully murdered her to make sure she
- 30:31couldn't speak. I mean, how on earth does a rational
- 30:34justice system untangle a knot like that? If you murder
- 30:37your accuser, do you just get a free pass on
- 30:40all their.
- 30:40Speaker 2: Testimony, You've hit on a tension that touches on deeply
- 30:43held legal philosophy.
- 30:45Speaker 1: Okay.
- 30:45Speaker 2: The framers of the Constitution, heavily influenced by historical abuses
- 30:49where people were executed based on anonymous letters, believe that
- 30:53live in person cross examination is the greatest legal engine
- 30:57ever invented for the discovery of truth.
- 30:59Speaker 1: They wanted people to have to face their accuser.
- 31:01Speaker 2: They did not want citizens convicted based on unchallengeable pieces
- 31:05of paper. However, to address your exact paradox, the prosecution
- 31:10argued a legal doctrine called forfeiture by wrongdoing.
- 31:13Speaker 1: Forfeiture by wrongdoing, meaning you forfeit your rights by your
- 31:17own bad acts.
- 31:18Speaker 2: Precisely, the state argued that Mark Jensen intentionally forfeited his
- 31:23sixth Amendment right to cross examine Julie because he was
- 31:25the one who killed her to silence her. The equitable
- 31:28principle is that no one should benefit from their own crime.
- 31:31If you kill the witness, you wave your right to
- 31:34confront the witness.
- 31:35Speaker 1: That makes total sense. So the trial judge, Judge Schrader,
- 31:38listens to these arguments and ultimately sides with the prosecution. Yes,
- 31:42his logic is incredibly sharp. He concludes that if the
- 31:46defense is going to stand up in front of a
- 31:48jury and argue that Julie Jensen was suicidal, depressed, and
- 31:51mentally unstable, then basic fairness dictates that Julie Jensen's own
- 31:55words should be allowed into the trial to prove that
- 31:58she was not. Admits the letter into evidence.
- 32:01Speaker 2: And Judge Schrader's decision to let that letter in shaped
- 32:05the entirety of the first trial in two thousand and eight.
- 32:08It was a grueling seven week trial filled with complex
- 32:12medical testimony.
- 32:13Speaker 1: Whow seven weeks and when the.
- 32:15Speaker 2: Jury returned a guilty verdict, they were later asked by
- 32:18the press what the single most important piece of evidence
- 32:21was in their deliberations.
- 32:23Speaker 1: And every single one of them pointed to the letter.
- 32:26Speaker 2: The letter was the anchor for the jury.
- 32:28Speaker 1: It gave them the whole context.
- 32:30Speaker 2: Without the letter, the computer searches could be spun as
- 32:33a morbid curiosity or depressed woman's browsing. With the letter,
- 32:37it gave the jury the structural permission to interpret the
- 32:40digital footprint, the poison, and Mark's demeanor entirely through the
- 32:44lens of a premeditated, cold blooded murder.
- 32:46Speaker 1: And based on that conviction, Mark Jensen was sentenced to
- 32:49life in prison without the possibility of parole. He was
- 32:53the judge at his sentencing was absolutely brutal. He looked
- 32:57at Mark and called the crime wicked, cruel, and a
- 33:01method of execution that was contemplated and planned over a
- 33:04terrifyingly long period.
- 33:05Speaker 2: Of time, very strong arts.
- 33:06Speaker 1: He told Mark he needed to be terminently removed from society.
- 33:11It felt like finally the book was closed on Carroll Beach.
- 33:15Speaker 2: But as anyone familiar with the American legal system knows,
- 33:18the book is rarely ever truly closed after a.
- 33:21Speaker 1: First trial, which brings us to the massive twist in
- 33:23the timeline. Right three years after that conviction, a federal
- 33:27district judge drops an absolute bomb on the case. The
- 33:31federal judge orders a completely new trial, ruling that Judge
- 33:35Schrader was wrong and that the letter should not have
- 33:38been admitted into evidence.
- 33:39Speaker 2: Now, you might wonder how a federal judge can reach
- 33:42into a state murder conviction and overturn it.
- 33:44Speaker 1: Yeah, how does that work?
- 33:45Speaker 2: It happens through a process called habeas corpus, where a
- 33:49federal court reviews state proceedings to ensure no federal constitutional
- 33:53rights were violated. The Federal court looked at a recent
- 33:56Supreme Court precedent and essentially ruled that the confrontation clause
- 34:00violation in Mark's case was just too severe. They ruled
- 34:03that the state hadn't definitively proven before the trial that
- 34:06Mark killed her specifically to prevent her from testifying in court,
- 34:10which is a nuance required for forfeiture by wrongdoing.
- 34:13Speaker 1: Oh so, because they couldn't prove his exact motive for
- 34:16the murder was to stop her testimony, he gets to
- 34:19keep his right to confront her.
- 34:20Speaker 2: Therefore, by taking away the state's most powerful anchoring piece
- 34:24of evidence, Mark Jensen's conviction was vacated. He was, legally speaking,
- 34:30once again presumed innocent.
- 34:32Speaker 1: It was a devastating, gut wrenching blow to the prosecution
- 34:36and to Julie's surviving family. I can't even imagine fast
- 34:38forward all the way to the retrial in twenty twenty three.
- 34:41Former District Attorney Robert Jamboy, the same guy who originally
- 34:45saw the engagement photo and charged Mark back in two
- 34:47thousand and two, he had actually retired. He has done,
- 34:50but when he hears about the federal reversal, He decides
- 34:52to come out of retirement specifically to try this case again.
- 34:56Speaker 2: That's dedication, he tells the press.
- 34:58Speaker 1: This happened on my watch. I am going to make
- 35:00sure justice is done. He even brings his wife, Beverly,
- 35:04who is also a brilliant trial lawyer, onto the prosecutorial
- 35:08team to help them figure out how to win a
- 35:10murder case without their star witness's letter.
- 35:13Speaker 2: It is a monumental, almost impossible task. They have to
- 35:16prove a twenty five year old murder without the victim's
- 35:19own voice pointing the finger from the grave.
- 35:21Speaker 1: So what do they do?
- 35:22Speaker 2: In their opening statements in twenty twenty three, the prosecution
- 35:25decides to lean heavily into the digital trail. They point
- 35:29to the nineteen ninety eight computer forensics and tell the
- 35:31new jury the person doing this hyper specific internet research
- 35:35on ethelene glycol poisoning, that is, the person who killed
- 35:38Julie Jensen right, and based on the timeline of her sickness,
- 35:42we know for a fact it wasn't Julie.
- 35:44Speaker 1: And the defense, now led by a lawyer named Mackenzie Renner,
- 35:48leans aggressively hard into the suicide theory. They stand before
- 35:51the jury and say, you are going to have to
- 35:54decide if Mark Jensen is a calculating murderer or if
- 35:58he's just kind of a jerk of a husband. They
- 36:01argue that Julie's declining mental health, exacerbated by a bad marriage,
- 36:06led to a tragic, albeit unusual suicide.
- 36:10Speaker 2: To combat this suicide narrative, without the power of the letter,
- 36:13Jamboy and the state have to rely on a string
- 36:16of incredibly powerful live witnesses to build a web of
- 36:20circumstantial corroboration.
- 36:22Speaker 1: They have to recreate it exactly.
- 36:23Speaker 2: They have to recreate the sentiment of the letter using
- 36:26the people Julie interacted with.
- 36:28Speaker 1: Let's break down these new testimonies, because they are fascinating.
- 36:30Let's do it first. They call a woman named Ruth Forwald.
- 36:33She was a neighbor and a close friend from Julie's
- 36:36book club. She testifies about attending Julie's wake. Okay, she
- 36:40tells the jury that Mark was standing maybe five feet
- 36:42from his wife's casket, and he was laughing, joking with
- 36:46a group of men the entire time, acting entirely as
- 36:48though he were at a pleasant cocktail party.
- 36:50Speaker 2: Which speaks directly to demeanor. Now, laughing at a wake
- 36:54doesn't legally prove you committed murder, but it utterly shatters
- 36:58the defense's image of Mark as a grieving, confused widower.
- 37:02Speaker 1: Yeah, it looks terrol.
- 37:03Speaker 2: Then the state brings in Teresa Defosio, who was a
- 37:06school teacher for Julie's young son. Julie had confided in
- 37:10this teacher at a parent teacher conference.
- 37:13Speaker 1: What did she say?
- 37:14Speaker 2: Defasio testifies that Julie explicitly told her she was terrified
- 37:18Mark was going to try to kill her, possibly with
- 37:20an overdose.
- 37:21Speaker 1: Oh wow.
- 37:22Speaker 2: And crucially, when the teacher asked about the possibility of suicide,
- 37:26Defasio testified that Julie told her she was enduring all
- 37:29of this misery specifically to protect her kids, stating emphatically,
- 37:32I would never leave my children.
- 37:34Speaker 1: So the prosecution is essentially reconstructing the lost letter through
- 37:38the living memories of the people Julie spoke to. Yes,
- 37:40but that's just motive and state of mind. To prove
- 37:43the act, the prosecution brings into highly critical, highly controversial
- 37:48male witnesses Edward Klugg and Aaron Dillard.
- 37:52Speaker 2: Edward Clud's testimony is staggering. He was a former co
- 37:56worker of Marx. He takes the stand and testifies that
- 37:59during a conference, he and Mark got drunk together in
- 38:01a hotel room, okay, And during this drinking session, Mark
- 38:05casually started talking about ways a man could kill a
- 38:08wife that would be totally undetectable at a normal autopsy.
- 38:11Speaker 1: Wait, really just casually brings it up. Yeah, Clug says
- 38:14Mark specifically mentioned putting something in her drinks to put
- 38:17her to sleep, and he explicitly named the chemical ethelene
- 38:21glycol he named it. Clug testified he didn't even know
- 38:25what that chemical was until Mark patiently explained to him
- 38:29that it was anti freeze. And when Clug asked why
- 38:32Mark was researching this insane topic, Clugg testified that Mark
- 38:35said he simply didn't want to lose his wealth, paying
- 38:37maintenance and a divorce, and he wanted his new friend
- 38:40Kelly to be able to move in.
- 38:41Speaker 2: It's just so cold. And Clugg admitted on the stand
- 38:45that he was terrified to come forward to the police
- 38:47earlier because he reasoned, if Mark is capable of slowly
- 38:50poisoning the mother of his children to death, what could
- 38:53he do to a coworker who snitched?
- 38:55Speaker 1: Yeah, I'd be terrified too.
- 38:56Speaker 2: It is incredibly damaging testimony because it connects Mark or
- 39:00directly to the specific poison used.
- 39:02Speaker 1: But then we get to the state's most controversial witness,
- 39:05Aaron Dillard, And okay, we really have to stop and
- 39:07talk about the elephant in the courtroom here.
- 39:09Speaker 2: It's a big one.
- 39:10Speaker 1: Aaron Dillard is a jail house informant. He takes the
- 39:14witness stand wearing a prison jumpsuit. On cross examination by
- 39:18the defense, he flat out agrees with them that he
- 39:21is a professional con man.
- 39:23Speaker 2: He owns it.
- 39:24Speaker 1: He casually admits he has a special skill set for
- 39:26getting people to talk to him so he can get
- 39:28things he wants. He admits he purposely pushed Mark for
- 39:31information in jail, specifically so he could trade it to
- 39:34the prosecutor for a lighter sentence for himself. Right as
- 39:38a listener, how in the world can you trust a
- 39:40single word a jailhouse informant says, when they are literally
- 39:44trading a murder confession for their own freedom, It is.
- 39:46Speaker 2: The most valid, necessary skepticism you can have in any courtroom.
- 39:50Jail House informants are notoriously historically unreliable. They have every
- 39:55incentive to lie. So this raises a vital question, why
- 39:59would a seasoned prosecutor like Robert Jamboy risk tainting his
- 40:03entire case by using a known con man.
- 40:06Speaker 1: Why would he?
- 40:07Speaker 2: The answer lies entirely in circumstantial mechanical corroboration. The prosecutor
- 40:13argued that Dillard, despite being a con man, knew physical
- 40:16details about the murder that an inmate simply couldn't have
- 40:20invented from reading a newspaper.
- 40:21Speaker 1: Well kind of specific details.
- 40:23Speaker 2: Dillard testified that Mark confessed to him in their cell.
- 40:27Mark allegedly told Dillard that he put the anti freeze
- 40:30in Julie's juice, but then, Dillard said, Mark complained that
- 40:33the poison was taking too long. Okay, So Mark described
- 40:36rolling Julie onto her side and then onto her stomach
- 40:39to check if she was still breathing. When Mark got
- 40:41nervous that she was surviving the poison, Mark told Dillard
- 40:44he physically sat on her back and pressed her face
- 40:47deep into a pillow to smother her and finish the job.
- 40:49Speaker 1: And that bizarrely specific sequence of events matches the medical
- 40:52examiner's secondary.
- 40:53Speaker 2: Theory, Yes it does.
- 40:54Speaker 1: The emmy had suspected smothering as an accelerant to the poisoning,
- 40:58based on the pooling of blood and the position the
- 41:01first responders found the body in which was rolled.
- 41:03Speaker 2: Over exactly, the prosecution argued to the jury, Aron Dillard
- 41:08is a con man, yes, but he is not a
- 41:10forensic pathologist. He couldn't have accurately guessed the highly specific
- 41:14physical mechanics of rolling her over, sitting on her back,
- 41:18and pushing her face into a pillow unless the actual
- 41:21killer had sat in a cell and described those exact
- 41:25motions to him.
- 41:26Speaker 1: That makes a lot of sense. Meanwhile, the defense is
- 41:29fighting back furiously with their own experts. They call a
- 41:32forensic psychiatrist, doctor Sarah west Okay. She reviews the historical
- 41:37medical notes from nineteen ninety eight and testifies that with
- 41:40a reasonable degree of medical certainty, Julie Jensen was at
- 41:43a very high risk for suicide on the week of
- 41:45December third, based on what she points specifically to notes
- 41:49indicating Julie was sleeping far too much, citing it as
- 41:52a classic sign of severe clinical depression.
- 41:54Speaker 2: It sound like a strong medical defense on the surface,
- 41:57but Prosecutor Jamboy steps up for cross ex emanation and
- 42:00absolutely demolishes this theory.
- 42:03Speaker 1: How does he do that?
- 42:04Speaker 2: He forces doctor West to read the medical notes closely
- 42:07and admit a devastating fact. The clinical notes about Julie's
- 42:11severe sleep problems didn't come from Julie. Wait what they
- 42:15were reported to the doctor by Mark Jensen.
- 42:17Speaker 1: Oh my god.
- 42:18Speaker 2: Jamboy points out to the Jerry that the very person
- 42:21diagnosing her sleep issues, the person feeding the doctor the
- 42:24symptoms of depression, is the murder suspect himself.
- 42:28Speaker 1: Think about how terrifying that is.
- 42:30Speaker 2: It's chilling.
- 42:31Speaker 1: The person you trust most in the world, the person
- 42:34you are trapped in a house with, is the one
- 42:36actively feeding the family doctor the fake symptoms that will
- 42:40ultimately be used in a courtroom to cover up your murder. Yeah,
- 42:43it's a devastating CounterPunch by the prosecution. The entire foundation
- 42:47of the defense's psychiatric evaluation was built on manipulated information
- 42:52provided by the.
- 42:53Speaker 2: Accused killer, which perfectly tragically encapsulates the extreme gaslighting that
- 42:58define their entire marriage. Mark Jensen controlled the narrative at home,
- 43:02he controlled it in the neighborhood, and he even controlled
- 43:04it in the doctor's office.
- 43:06Speaker 1: That intense cross examination brings us to the climax of
- 43:09the twenty twenty three retrial.
- 43:11Speaker 2: We're finally there.
- 43:12Speaker 1: The judge asks Mark Jensen if he is going to
- 43:14take the stand and defend himself. Mark stands up and says,
- 43:18I want not to testify. He relies on his right
- 43:21to remain silent. But his older son, David, who was
- 43:25just eight years old when Julie died and is now
- 43:27a grown man, takes the stand as a witness for
- 43:29the defense.
- 43:30Speaker 2: It is an incredibly emotional, complex moment in the courtroom.
- 43:35Even the prosecutor noted gently how proud Julie would have
- 43:38been to see the man her son had become.
- 43:40Speaker 1: Oh, I'm sure.
- 43:41Speaker 2: David testified for his father about the morning his mother
- 43:44was found dead. He told the jury that the first
- 43:46time he had ever seen his dad cry and his
- 43:48entire life was coming down the hallway after finding Julie's body.
- 43:52Speaker 1: The defense desperately hopes this memory shows the jury genuine grief,
- 43:56proving Mark is a loving father not a cold blooded killer. Right,
- 43:59But after closing arguments, the jury retreats to deliberate, and
- 44:02they return with their verdict. We the jury find the defendant,
- 44:07Mark D. Jensen, guilty, of intentional homicide of the first degree.
- 44:10Speaker 2: For a second time, a full twenty five years after
- 44:13the murder, A totally new jury looks at the digital forensics,
- 44:17the toxicological mechanics of anti freeze, and the witnesses and
- 44:21they condict him. Wow, and this time they do it
- 44:25without ever reading Julie's letter.
- 44:26Speaker 1: Let's look at the sentencing phase that followed, because this
- 44:29is where the generational psychological damage of this case really crystallizes.
- 44:34Speaker 2: It really does.
- 44:35Speaker 1: Mark is given the opportunity to speak to the court
- 44:38and he offers absolute zero remorse for his wife's agonizing death.
- 44:43He doesn't even acknowledge the murder. Instead, he focuses entirely
- 44:47on himself and his sons.
- 44:48Speaker 2: Of course he does.
- 44:49Speaker 1: He begs the judge to grant him parole eligibility in
- 44:52the future, saying, I made every effort to continue to
- 44:54be there for my sons. Please grant parole eligibility so
- 44:58that the family and I can move forward and heal.
- 45:00I can be there from my family who needs me.
- 45:02Speaker 2: It is a staggering, almost pathological level of cognitive dissonance.
- 45:06Speaker 1: Mark's plea is jarring to listen to. He is literally
- 45:09begging a judge to let him be a father to
- 45:12the boys he effectively orphaned. He is asking for the
- 45:15opportunity to heal the exact family he methodically destroyed with anti.
- 45:20Speaker 2: Freeze, and the judge thankfully sees right through the manipulation.
- 45:24The judge firmly denies parole. He addresses Mark directly stating
- 45:28that the defense theory that Julie Jensen voluntarily drank anti
- 45:31freeze to commit suicide is a fiction he simply does
- 45:34not buy.
- 45:34Speaker 1: Yeah, nobody bought it.
- 45:36Speaker 2: He calls the crime highly intentional, meticulously researched, with a
- 45:39purpose for evil, and far too vengeful to ever allow
- 45:43for the possibility of parole. He sentences Mark Johnson to
- 45:46life imprisonment, explicitly stating it is a sentence to be
- 45:49carried out in a box.
- 45:50Speaker 1: The legal system did its job, but the real enduring tragedy,
- 45:54the lasting scar that can't be fixed by a verdict,
- 45:57is on the suns David and Douglas.
- 46:00Speaker 2: Yes, neither of the sons attended that final sentencing hearing,
- 46:03but Douglas, the younger son, who was just a four
- 46:05year old father when his mother died, sent a written
- 46:07letter to the court to be read aloud.
- 46:09Speaker 1: And what did it say?
- 46:10Speaker 2: And what he wrote is truly heartbreaking. He wrote that
- 46:13his mother had been completely systematically erased from his life.
- 46:17He started that he actually learned more about his mother,
- 46:20about who she really was as a loving person, while
- 46:23sitting and listening to the witness testimonies at the trial
- 46:26than he had ever been told in his entire life
- 46:28growing up.
- 46:29Speaker 1: Because Mark Jensen and Kelly Labonte raised those boys exactly,
- 46:33the killers controlled the narrative of the victim for decades.
- 46:37Think about that level of brainwashing. First, as the boys
- 46:41grew up, Mark told them their mother abandoned them because
- 46:44she was weak and committed suicide terrible. Then, as the
- 46:48boys got older and the murder trials approached, Mark evolved
- 46:51the lie to protect himself. He told his sons that
- 46:53not only did she commit suicide, but she was so
- 46:56vindictive and evil that she intentionally arranged her own agonizing death,
- 47:00specifically to frame their innocent father for murder.
- 47:03Speaker 2: It is an almost incomprehensible level of psychological abuse inflicted
- 47:07upon his own children. He didn't just murder their mother,
- 47:10He spent the next twenty five years murdering her memory
- 47:14actively turning the victim into a villain in the minds
- 47:17of the people she loved most.
- 47:18Speaker 1: Which brings us to the end of this incredibly dark,
- 47:21winding journey from a toxic secret affair in nineteen ninety
- 47:26through almost a decade of agonizing psychological warfare to a horrific,
- 47:32calculated murder in nineteen ninety eight. It took a twenty
- 47:35five year battle for justice to grueling trials, and it
- 47:38all relied on the digital ghosts left behind on a
- 47:40nineteen ninety eight Beige Family computer. And the chemical trace
- 47:44is Julie left behind in her own body.
- 47:46Speaker 2: And if there is any light in this case, it
- 47:47speaks to the profound, stubborn resilience of the truth, even
- 47:50when it is intentionally buried under decades of gaslighting, manipulation,
- 47:54and complex legal maneuvering.
- 47:56Speaker 1: For you listening, this case serves as a stark, chilling
- 47:59reminder of the power of documentation. Julie's meticulous note taking
- 48:03in the nineteen nineties, her agonizing, terrifying letter handed to
- 48:07a neighbor, even her desperate visits to the doctor. These
- 48:11were the silent patient witnesses that refused to stay buried.
- 48:15Mark thought he had silenced her, but our documentation eventually
- 48:18spoke up and convicted him, which she no longer could.
- 48:22Speaker 2: If we connect all of this to a final thought
- 48:24for you to mull over after this deep dive ends,
- 48:27I want you to consider the concept of narrative murder.
- 48:30Narrative murder Mark Jensen didn't just take his wife's physical
- 48:33life with a chemical poison. He successfully systematically assassinated her
- 48:37character and her memory in the minds of her own
- 48:39children for a quarter of a century. The legal system
- 48:42can eventually put a dangerous man in prison. They can
- 48:45lock him in a box for the rest of his life,
- 48:47But how long does it take to deprogram a family
- 48:49from a quarter century of stolen history.