Latest / Get Into Gate: A Stargate Podcast / Episode 327: Pain (SG-U 1.17)

Transcript

Episode 327: Pain (SG-U 1.17) · Get Into Gate: A Stargate Podcast

• 0:00
  Speaker 1: Do I sound normal to you guys? I just yeah,
• 0:03
  Speaker 1: I like if you guys sound normal to me. I
• 0:05
  Speaker 1: just feel like I'm just I can't quite find this
• 0:07
  Speaker 1: the right spot on the mic or anything.
• 0:09
  Speaker 2: I don't know.
• 0:10
  Speaker 1: Yeah, okay, maybe it was a volume thing. Yeah, okay,
• 0:13
  Speaker 1: that's cool.
• 0:13
  Speaker 3: Someone who lifted my d ms during the week and said,
• 0:17
  Speaker 3: with the new microphones, it's even harder to tell the
• 0:19
  Speaker 3: difference between you two. Really, I believe they used the
• 0:21
  Speaker 3: word muppets.
• 0:23
  Speaker 4: Muppets.
• 0:23
  Speaker 3: Yeah, I'll take the two muppets that I work with. Yeah, yeah,
• 0:27
  Speaker 3: been called worse mate by me. Not a problem.
• 0:32
  Speaker 5: What's the thing you're trying to take over the ship again?
• 0:35
  Speaker 4: Permission?
• 0:36
  Speaker 6: Definitely, for permission.
• 0:37
  Speaker 5: Grand he was whatever force necessary to stop them.
• 0:41
  Speaker 4: Don't be that.
• 0:43
  Speaker 5: Where it's going on here? What is it? The stress
• 0:46
  Speaker 5: of life on this ship? It's one or more people
• 0:48
  Speaker 5: aren't cracking up your life.
• 0:50
  Speaker 4: She thinks she kills me. You you were in my room.
• 0:54
  Speaker 4: I'm seeing things too, my son.
• 0:56
  Speaker 5: I keep seeing him.
• 0:58
  Speaker 7: Come to the infirmary.
• 0:59
  Speaker 4: I just it's something.
• 1:01
  Speaker 5: Yeah, it looks like that's moving. The toxic is Maybe
• 1:05
  Speaker 5: they target the Olympic system.
• 1:07
  Speaker 8: That's theory of the brain that's responsible for emotions, so fear, anger, remorse.
• 1:13
  Speaker 5: Matt's guilto for his son, claustrophobia, my dad, Hey Chloe.
• 1:22
  Speaker 4: No, no, you're You're not real?
• 1:26
  Speaker 5: Are you kidding me?
• 1:27
  Speaker 7: These are things that might inject some kind of talks
• 1:29
  Speaker 7: in that causes people.
• 1:30
  Speaker 5: We have to know.
• 1:31
  Speaker 4: No, wait, it doesn't hurt.
• 1:33
  Speaker 5: That's not the Point's we're living our dream.
• 1:37
  Speaker 4: Remember that you love.
• 1:40
  Speaker 5: I love me too, sweet.
• 2:10
  Speaker 9: Get into Gate episode three hundred and twenty seven took
• 2:14
  Speaker 9: in Stargate universe Mitch here with Maddie up and Brendan
• 2:19
  Speaker 9: mate on the buttons over there.
• 2:21
  Speaker 1: Jesus, we had some fun last week. We got a
• 2:22
  Speaker 1: little bit loose last week for sabotage.
• 2:25
  Speaker 3: I've already had a couple of people sort of reach
• 2:28
  Speaker 3: out and saying, what's wrong with you?
• 2:29
  Speaker 2: Yeah? I mean first they said, what was the one
• 2:33
  Speaker 2: that was.
• 2:33
  Speaker 4: On before that? Loss?
• 2:35
  Speaker 3: I said, Loss was probably our gayest episode ever, because
• 2:37
  Speaker 3: apparently there was some point I've blocked it out, but
• 2:39
  Speaker 3: apparently some point you asked.
• 2:40
  Speaker 4: To open my ass or reopen my ass. I don't
• 2:43
  Speaker 4: remember that, Like that doesn't stand out.
• 2:46
  Speaker 10: But the.
• 2:48
  Speaker 3: High high pitch Maddie just an absolute runaway sensation.
• 2:55
  Speaker 4: In the edit.
• 2:55
  Speaker 1: I was surprised at the amount of times where you
• 2:58
  Speaker 1: would say to Brennan.
• 3:00
  Speaker 4: And then did you hear it? You know? Turn out?
• 3:02
  Speaker 3: I actually wish that I had a button on my
• 3:04
  Speaker 3: mincrophone because I I would actually be down to do
• 3:06
  Speaker 3: an entire episode.
• 3:06
  Speaker 4: I just didn't, and I think that would be too much.
• 3:08
  Speaker 1: I didn't remember you doing it as many times as
• 3:11
  Speaker 1: what it's like in the Did.
• 3:16
  Speaker 2: You just slide the board over here just just so
• 3:18
  Speaker 2: I can just tap it whenever I'm ready?
• 3:20
  Speaker 4: Thank you for your services. Again, press that button.
• 3:23
  Speaker 2: I was pink last time.
• 3:24
  Speaker 4: Was it yellow?
• 3:24
  Speaker 2: This time?
• 3:25
  Speaker 4: I changed it? Yeah, you're going to get into high
• 3:27
  Speaker 4: rotation president this see I knew it. I knew it
• 3:36
  Speaker 4: it was pink. I knew it was the wrong color here.
• 3:39
  Speaker 1: I was thinking it was going to be a Brendan
• 3:40
  Speaker 1: knows way.
• 3:41
  Speaker 4: More about star guy.
• 3:42
  Speaker 2: That would have been good.
• 3:43
  Speaker 4: We'll do. Let me did this. I did it for
• 3:46
  Speaker 4: real that we'll go.
• 3:51
  Speaker 10: It makes me. It makes me my head shone. So
• 3:59
  Speaker 10: if anyone wants to know what it's like to live
• 4:02
  Speaker 10: inside my brain, this is what.
• 4:07
  Speaker 4: Windows grab. What are we talking?
• 4:12
  Speaker 1: Episode seventeen of season.
• 4:14
  Speaker 4: Of one plane.
• 4:30
  Speaker 1: How can you coming members of the crew begin experiencing
• 4:34
  Speaker 1: disturbing realistic hallucinations, with the hallucinations spreading to other members
• 4:39
  Speaker 1: of the crew. Dtor Johansson otherwise known as TJ, must
• 4:42
  Speaker 1: track down whatever is causing the episodes before someone die.
• 4:51
  Speaker 3: All respect to TJ, but I'm not calling her doctor Johansson.
• 4:56
  Speaker 3: That's that's a that's a slap to the face of
• 4:59
  Speaker 3: Doc Fraser, you know what I mean.
• 5:01
  Speaker 4: Some old school names attached to this one.
• 5:03
  Speaker 1: Written by Carl Binderbinder and directed by William Wearing, the
• 5:08
  Speaker 1: will start.
• 5:10
  Speaker 4: Yeah, yeah, I'll take it.
• 5:13
  Speaker 1: For a first time, I this this felt like one
• 5:16
  Speaker 1: of those like, Okay, we're getting close to the end
• 5:18
  Speaker 1: of the season. We just need something else in there,
• 5:20
  Speaker 1: just to goodness to the end of the line before
• 5:22
  Speaker 1: we you know, wrap things up the way that we
• 5:24
  Speaker 1: want to. It probably felt like the most fillerish episode
• 5:28
  Speaker 1: of this, like to the point where I'm like, oh,
• 5:30
  Speaker 1: this just feels like I'm watching a you know, whatever
• 5:32
  Speaker 1: season of SG one. Yeah, this doesn't belong here. And
• 5:35
  Speaker 1: that's not to say, oh, well, you know this sort
• 5:37
  Speaker 1: of episode. What's fine to go on SG one? Like
• 5:39
  Speaker 1: I've said SG one's top tier star Gate.
• 5:41
  Speaker 4: It's great, but.
• 5:43
  Speaker 1: It just doesn't It didn't feel like it fit the
• 5:45
  Speaker 1: tone of this show just to have like this thing
• 5:48
  Speaker 1: that's obviously now when they said that, hey, this this
• 5:51
  Speaker 1: way team went down to the planet. That's a planet
• 5:53
  Speaker 1: they're visited between episodes, right, it's not.
• 5:56
  Speaker 3: Like, yeah, so basically and the end of last episode
• 5:59
  Speaker 3: we left the previous galaxy. Sometime between then and now,
• 6:03
  Speaker 3: we've been in the galaxy, in this new galaxy for
• 6:06
  Speaker 3: some amount of time where there's been an away mission
• 6:08
  Speaker 3: that we haven't seen as an audience because Chloe has
• 6:12
  Speaker 3: that line where she says, welcome to our new galaxy.
• 6:14
  Speaker 2: Now.
• 6:15
  Speaker 3: Fun fact, this episode was actually supposed to be episode eighteen.
• 6:20
  Speaker 3: Episode seventeen was supposed to be an episode called The
• 6:23
  Speaker 3: Greater Good, which got bumped to episode seven of season
• 6:27
  Speaker 3: two because when Joe was writing the finale episode twenty,
• 6:32
  Speaker 3: it became a two parter, so it would have it
• 6:36
  Speaker 3: would have been.
• 6:37
  Speaker 4: Should have kept it one, Yeah, it would have.
• 6:39
  Speaker 3: Been pain to award to Yeah, Pain, Subversion and then
• 6:43
  Speaker 3: Incursion as a single episode.
• 6:46
  Speaker 2: So they pulled.
• 6:47
  Speaker 3: Out The Greater Good and moved that to episode seven
• 6:51
  Speaker 3: of next season, which I feel like this could have been,
• 6:53
  Speaker 3: you know, the episode seven of next season. I don't
• 6:55
  Speaker 3: remember what the Greater Good is because you know me
• 6:57
  Speaker 3: with Universe. Yeah, so they had an extra spot of
• 6:59
  Speaker 3: AURB to make the finale a two part.
• 7:02
  Speaker 4: Oh that's the one where Greer and Scott get it on.
• 7:05
  Speaker 4: Oh okay, really I don't remember either that. Yeah, just
• 7:09
  Speaker 4: I don't know. I'm watching it.
• 7:10
  Speaker 1: I'm thinking, Okay, this is just this is clearly going
• 7:12
  Speaker 1: to be my least favorite episode of season one, and
• 7:16
  Speaker 1: not even that it was necessarily a bad episode of television.
• 7:19
  Speaker 1: It just I don't know, was such a diversion away
• 7:22
  Speaker 1: from anything that we've had otherwise so far in sgu
• 7:26
  Speaker 1: even to the point where you said, oh no, it's
• 7:27
  Speaker 1: clearly like in this new galaxy.
• 7:29
  Speaker 4: And part of me wanted to yell at that and.
• 7:31
  Speaker 1: Say, well, hang on, what why Why couldn't we have
• 7:34
  Speaker 1: seen that first planet of this new galaxy?
• 7:36
  Speaker 2: Ye?
• 7:36
  Speaker 1: Like, who would know the difference? Like if you had
• 7:39
  Speaker 1: watched this episode out of order, you wouldn't and we
• 7:42
  Speaker 1: would have seen that planet. What would have made it
• 7:43
  Speaker 1: so different? It's not like, oh, in this galaxy, all
• 7:46
  Speaker 1: the planets are blah, like we're always going to go
• 7:48
  Speaker 1: to one that's pretty similar to the last one we
• 7:50
  Speaker 1: went to.
• 7:50
  Speaker 3: Yeah, it almost screams to me of last week or
• 7:54
  Speaker 3: the week before we inserted the oh, we're leaving the
• 7:57
  Speaker 3: galaxy while these other episodes are already written, so they
• 8:00
  Speaker 3: were just like, oh, so they just inserted Chlaue with
• 8:03
  Speaker 3: that line being like drop, welcome.
• 8:05
  Speaker 4: To our new galaxy, and that was it.
• 8:06
  Speaker 3: It's like, yeah, it is a shame because I think
• 8:09
  Speaker 3: what would have been really interesting is to explore because
• 8:11
  Speaker 3: we were talking about it last week, like well, they're
• 8:14
  Speaker 3: saying the two percent or five percent power difference would
• 8:18
  Speaker 3: have brought us up like almost half the width of
• 8:21
  Speaker 3: the Milky Way, short of where we needed to get
• 8:23
  Speaker 3: to the next galaxy, like to the next Sun. I
• 8:27
  Speaker 3: would have loved to have explored the loneliness or the
• 8:31
  Speaker 3: you know, of them just being between galaxies for however long.
• 8:35
  Speaker 4: And this episode could have fit into half ooh Phil.
• 8:38
  Speaker 3: Yeah, So it's like, yeah, I would have rather if
• 8:41
  Speaker 3: we If this show is so much more about character
• 8:44
  Speaker 3: development than it is about Planet of the Week and
• 8:46
  Speaker 3: things about that, it's like, yeah, well, they're already feeling
• 8:49
  Speaker 3: isolated away from their family. Imagine if it's like, okay,
• 8:52
  Speaker 3: well there's no away missions because the destiny's not stopping anywhere.
• 8:56
  Speaker 2: It's almost like, oh, the.
• 8:57
  Speaker 3: Stones are an extra high supply and people are arguing
• 9:00
  Speaker 3: over no, you went long or my turn or you
• 9:03
  Speaker 3: know whatever. I think that could have been a really
• 9:06
  Speaker 3: interesting thing to explore rather than phobia bugs.
• 9:09
  Speaker 4: So you can tell Cooper's still yeah, hallucination bugs.
• 9:13
  Speaker 3: Yeah, I'm surprised there wasn't a homophobia outbreak and someone
• 9:18
  Speaker 3: got a tick on the back of the head and
• 9:21
  Speaker 3: it's like, oh my god, there's gay people everywhere, like
• 9:24
  Speaker 3: Homer in the when he goes I think this club
• 9:27
  Speaker 3: would be gay.
• 9:30
  Speaker 1: Yeah, I don't know, said I finished this, and I'm like, what, So,
• 9:33
  Speaker 1: what was the point of this? Like what did we
• 9:35
  Speaker 1: learn out of this that we didn't otherwise know? And
• 9:38
  Speaker 1: other than Lieutenant she's a lieutenant James, right, Lieutenant James. Yeah,
• 9:41
  Speaker 1: other than her like clearly having some you know, long
• 9:45
  Speaker 1: issues over Scott.
• 9:47
  Speaker 4: Yeah, what else do we learn in this episode?
• 9:50
  Speaker 3: We do learn that even in other people's fantasies, Scott
• 9:52
  Speaker 3: is still a whore.
• 9:53
  Speaker 1: Oh my god, Like I mean, at that point, obviously
• 9:55
  Speaker 1: we don't know it's an hallucination, but it opens up
• 9:59
  Speaker 1: and then and now I will say this, I started this.
• 10:03
  Speaker 1: Uh well, I started watching this at work and.
• 10:08
  Speaker 2: Slipping on some porn at work.
• 10:10
  Speaker 1: So like the previously on the little setup, it's happening,
• 10:13
  Speaker 1: and I'm okay, I just I don't want anyone to
• 10:15
  Speaker 1: see that I'm working watching this, but I've got a
• 10:17
  Speaker 1: little bit of time here.
• 10:18
  Speaker 4: It's all pre shows.
• 10:19
  Speaker 2: It all sounds about right for you.
• 10:23
  Speaker 4: Come on, moaning, here is it? And that's why I'm like,
• 10:29
  Speaker 4: and i'd hear like a door open behind me and stop,
• 10:31
  Speaker 4: what are you watching there? Yeah? Is this some gay porn?
• 10:35
  Speaker 3: Well that's it almost is a lot of it all
• 10:37
  Speaker 3: used to man back.
• 10:39
  Speaker 4: Yeah, I mean yeah, in theory, she's just massing herself,
• 10:42
  Speaker 4: right because she's hallucinating, so she's.
• 10:45
  Speaker 3: Oh yeah, she's just on her back just you've thought
• 10:51
  Speaker 3: about it, taking her fingers up.
• 10:55
  Speaker 4: Ship.
• 10:57
  Speaker 1: But that's I'm like Jesus, like, you know, what all
• 10:59
  Speaker 1: we've seen so far is is Scott and Chloe like
• 11:02
  Speaker 1: being really sensual.
• 11:03
  Speaker 4: It's all been it's all been love making.
• 11:06
  Speaker 11: Uh.
• 11:06
  Speaker 4: And then this is this is back to the broom
• 11:08
  Speaker 4: close rough ship. And then you're like, oh ship, it's James.
• 11:11
  Speaker 1: Okay, this is how they do it. And then again
• 11:13
  Speaker 1: still don't know it's an hallucination, and then they spin
• 11:16
  Speaker 1: how they do it.
• 11:17
  Speaker 4: It's not it's I owe you this. It makes love
• 11:25
  Speaker 4: for Chloe James. Yeah, make no mistake about.
• 11:29
  Speaker 3: Chloe is an absolute pillow princess. God, she's a staffish.
• 11:33
  Speaker 4: You have to be looking in my eyes. Yeah, we don't.
• 11:36
  Speaker 4: We don't have sex. We make love. You need to
• 11:40
  Speaker 4: eye contact the whole time. You need you can you
• 11:42
  Speaker 4: tell me I'm beautiful and you love me? Family, Like,
• 11:45
  Speaker 4: why don't you look at me doing?
• 11:49
  Speaker 7: And then like he's like that, he rolls off her
• 11:52
  Speaker 7: and just like gets up put these pans.
• 11:53
  Speaker 4: Yeah. Like and again I'm thinking, this is post We've
• 12:00
  Speaker 4: all been there, we've all been This isn't loosener. I'm like,
• 12:04
  Speaker 4: he's actually doing this, son of a bitch.
• 12:07
  Speaker 1: Yeah, She's like, oh no, no thanks, rolls up and
• 12:10
  Speaker 1: she's already she's already got her top on. It's like
• 12:12
  Speaker 1: that was I'm going to say, disappointingly quick, but anyway,
• 12:16
  Speaker 1: and then it's like, okay, this is there's clearly something
• 12:18
  Speaker 1: going on here. Just the fact that they were yelling
• 12:20
  Speaker 1: at each other or whatever. So she put her top
• 12:22
  Speaker 1: back on it, but she had a bra on too.
• 12:24
  Speaker 1: I'm like, what the fuck is going on here? This
• 12:27
  Speaker 1: is I was directed by men, real men from Canada.
• 12:34
  Speaker 1: Men who's got there starting film and TV in the
• 12:36
  Speaker 1: eighties and nineties.
• 12:37
  Speaker 4: What are we doing here? Guys?
• 12:39
  Speaker 1: We're eventually at the top. Somewhere was the Weinstein you know,
• 12:44
  Speaker 1: me too? Hadn't happened here?
• 12:45
  Speaker 2: Come on, guys, let's go well, I mean, technically it
• 12:49
  Speaker 2: was happening.
• 12:50
  Speaker 4: I mean, yeah, I didn't get announced. It's really great fun, obviously,
• 12:57
  Speaker 4: I'm joking.
• 12:59
  Speaker 2: Right, say that now that you've.
• 13:02
  Speaker 4: Done corrected, you got to finish this time? Oh man.
• 13:10
  Speaker 4: Then Chloe's in the chair in the corner. Yeah, is
• 13:13
  Speaker 4: there anything I can do? Oh god, yeah, just shut up,
• 13:18
  Speaker 4: just shut up over there, playing again, because you'll hear
• 13:21
  Speaker 4: a Young answer.
• 13:23
  Speaker 5: Is there anything I can do?
• 13:27
  Speaker 4: Young's over there as well.
• 13:28
  Speaker 2: Yeah, yeah, in the corner.
• 13:30
  Speaker 4: That's what I was. That's what I was imagining, Like, yeah,
• 13:33
  Speaker 4: he were. I was imagining a few things like when
• 13:36
  Speaker 4: Young walked in on James and she was in her undees. Oh,
• 13:41
  Speaker 4: she was crying. She was crying. I was just like
• 13:45
  Speaker 4: I was kind of expecting her to. How can I
• 13:48
  Speaker 4: word this? Let me get Daniel Jackson down down, dig up,
• 13:52
  Speaker 4: dig up? Well, think about it.
• 13:54
  Speaker 11: I mean, if you know in advance that everything is
• 13:55
  Speaker 11: always going to go back to the way it was,
• 13:57
  Speaker 11: then you could do anything without having to about consequences.
• 14:04
  Speaker 4: What I'm asking is, who's the who's the biggest creep
• 14:07
  Speaker 4: on destiny? Because I just imagined, right, I imagine Young?
• 14:11
  Speaker 4: And why is it vulcan just imagine Young? Like it's
• 14:16
  Speaker 4: like Chloe goes, oh, Matthew seeing his son or Matthew's
• 14:20
  Speaker 4: like I keep seeing my son everywhere. And then also
• 14:23
  Speaker 4: Colonel Young keeps coming up and grabbing my dick and
• 14:25
  Speaker 4: saying it's an hallucination. Yes, yeah, Louis, it's just a hallucination. Hey,
• 14:37
  Speaker 4: does he have an inbuilt excuse now?
• 14:39
  Speaker 1: Like he's trying to patch things up with the wife
• 14:41
  Speaker 1: and even though this was part of their affair or
• 14:43
  Speaker 1: like the set that the second half of the affair,
• 14:45
  Speaker 1: there's still secret after his wife found out about it.
• 14:47
  Speaker 4: But on Chorrist Base, could he like go back?
• 14:51
  Speaker 1: I was having this like hallucination that we were on
• 14:53
  Speaker 1: like a vacation and Lake you know, God wherever in Italy,
• 14:58
  Speaker 1: and I was making beautiful love to you, and then
• 15:01
  Speaker 1: they took a tick out and.
• 15:02
  Speaker 4: I rooted, like I thought it was an hallucination.
• 15:09
  Speaker 2: Relax, Why do you think I was darning that song?
• 15:12
  Speaker 1: It's like Darling, Darling sex bugs, you know, like, just
• 15:17
  Speaker 1: doesn't he have the perfect excuse?
• 15:18
  Speaker 4: I don't know.
• 15:21
  Speaker 11: Well.
• 15:21
  Speaker 3: And there was also that other scientist chick where she
• 15:26
  Speaker 3: was like, oh, yeah, he was acting he was acting normal,
• 15:28
  Speaker 3: Like how do you know?
• 15:30
  Speaker 4: I don't know, I don't know. I don't know, so
• 15:32
  Speaker 4: I've heard. I thought gre was hilarious in this episode. Yeah,
• 15:38
  Speaker 4: like he's he's paranoia was great, but also a lot
• 15:42
  Speaker 4: of the lines, some of the delivery was excellent, like this,
• 15:46
  Speaker 4: it was the most cocky nothing you need to worry about.
• 15:51
  Speaker 4: I like to worry. I like to worry.
• 15:54
  Speaker 3: I love that moment where the hallucination of Ray just
• 15:58
  Speaker 3: kind of like stops and turns back and smiles snarkily
• 16:01
  Speaker 3: at him, And I'm just like, oh, he hates her
• 16:04
  Speaker 3: because that's all in his brain, Like that's that's the
• 16:06
  Speaker 3: kind of person he thinks she is.
• 16:08
  Speaker 4: Like yeah, I love that. What that smile?
• 16:11
  Speaker 3: Love your face and even like that moment when he's
• 16:15
  Speaker 3: when he's like strutting towards the cargo bay or whatever.
• 16:17
  Speaker 3: The camera is just like on his face when he's
• 16:18
  Speaker 3: like talking to Young and you know, fake Young's telling
• 16:21
  Speaker 3: him to like turn.
• 16:21
  Speaker 4: His radio off. He's just like he's in his element.
• 16:24
  Speaker 3: That was like that was that was I feel like
• 16:26
  Speaker 3: that was his best day on Destiny so far, Like
• 16:29
  Speaker 3: he was.
• 16:32
  Speaker 4: Favorite day. He's actually having a lot of fun.
• 16:34
  Speaker 3: He didn't care about going to that gold planet. He's like,
• 16:37
  Speaker 3: I don't care about that.
• 16:38
  Speaker 1: He's going I finally get to talk to my dead
• 16:41
  Speaker 1: father again and have some closure agrees that they like,
• 16:44
  Speaker 1: I get to kill people.
• 16:45
  Speaker 4: I get to do your people.
• 16:47
  Speaker 1: Yeah, there's some things are trying to take over the
• 16:50
  Speaker 1: ship again. What I'm for suing Rush and active's controlling
• 16:56
  Speaker 1: the ship now.
• 16:57
  Speaker 4: I don't know who else is working with them, so but.
• 17:00
  Speaker 5: We need some mobilized sergeant. I need you to listen
• 17:03
  Speaker 5: to me, do not do anything. I will talk to them.
• 17:08
  Speaker 5: What I said, I need you to stand down, do
• 17:10
  Speaker 5: not do anything.
• 17:12
  Speaker 2: Permission granted force necessary to stop them.
• 17:16
  Speaker 1: Got that if you want me to do sure, I
• 17:20
  Speaker 1: asked and answered.
• 17:21
  Speaker 4: When my wife asked me, orders me to do something.
• 17:24
  Speaker 4: I'm like, hear something else. You copy that, copy that.
• 17:29
  Speaker 4: What did you say? Have another beer and stay later
• 17:32
  Speaker 4: as I want watch another game of football. Sure, don't
• 17:39
  Speaker 4: come to bed yet. Okay, I'll stay up and I'll
• 17:41
  Speaker 4: sleep in the spare him. That's what you said, right, Yeah? Uh.
• 17:47
  Speaker 3: Fun fact the when they started pulling the ticks out
• 17:50
  Speaker 3: of people's heads and young was like squishing them on
• 17:53
  Speaker 3: the table with the butt of the gun.
• 17:55
  Speaker 4: That was caviar, those little little balls a caviar that
• 17:57
  Speaker 4: that was just like a budget allowed for that. I guess.
• 18:00
  Speaker 4: So my little egg pop. Yeah, yeah, I.
• 18:03
  Speaker 7: Had a tick that I'm aware of.
• 18:10
  Speaker 4: Don't talk about your wife.
• 18:11
  Speaker 7: That's the mole on my back, just a reminder.
• 18:18
  Speaker 4: Oh god, yeah, it was on my growing and my
• 18:20
  Speaker 4: mom come and I'm like, I don't want to show anyone,
• 18:22
  Speaker 4: but I'm thirteen, and it's that awkward age. It's like
• 18:26
  Speaker 4: right above like where the pubic care is basically, and
• 18:31
  Speaker 4: then the mom's pubis. My mom goes, oh, Karen, can
• 18:35
  Speaker 4: you come in here, and like calls her one of
• 18:38
  Speaker 4: their high school friend's sister, and I'm like, beans about
• 18:42
  Speaker 4: the frank moment a look at this. Wow, and she's like,
• 18:47
  Speaker 4: that's a tiny dick. I'm like, it's a tick. Give
• 18:51
  Speaker 4: me a break.
• 18:52
  Speaker 3: Here, just just focus, only focused for a second.
• 18:55
  Speaker 2: It'll get bigger.
• 18:56
  Speaker 4: I thought she was a teacher's age. Yeah, nurse. Oh god,
• 18:59
  Speaker 4: this bullshit. See I had the very opposite experiences.
• 19:02
  Speaker 3: I'll get to the fact why there was absolutely no
• 19:04
  Speaker 3: chance I've ever had a tick, just because I don't
• 19:06
  Speaker 3: I don't go outside. But I remember, just from Yester.
• 19:10
  Speaker 3: I remember it was after we'd finished high school. We're
• 19:13
  Speaker 3: probably nineteen. I don't think we were twenty yet, but
• 19:15
  Speaker 3: we were at least nineteen, and it was me, two
• 19:20
  Speaker 3: guy mates and two girl mates and one of my mates, Dean.
• 19:24
  Speaker 3: I'm gonna I'm going to out him because they aren't
• 19:26
  Speaker 3: talking about Dean and Dean, nineteen year old grown ass man,
• 19:31
  Speaker 3: didn't know if he was circumcised or not.
• 19:33
  Speaker 4: I was like, Patrick Stewart, what, yeah, haven't you heard that? No,
• 19:37
  Speaker 4: Patrick Stewart didn't know if he was circumcised. Oh my god,
• 19:41
  Speaker 4: that is I'm finding it ridicuous going I'm sure, yeah, right, no, probably,
• 19:49
  Speaker 4: I said to Dean.
• 19:51
  Speaker 3: I was like, all right, come with me, come up
• 19:52
  Speaker 3: we'll go and because we're trying to explain it to
• 19:55
  Speaker 3: him and he just didn't get it. And we're just like, well,
• 19:57
  Speaker 3: you know, there's this and there's and he just didn't.
• 19:59
  Speaker 4: I was like right, and he refused, and I was like, well,
• 20:01
  Speaker 4: you're you're a baby.
• 20:03
  Speaker 1: Oh you say a nineteen year old I mean a
• 20:06
  Speaker 1: friend of ours, guy that I work with for twenty years.
• 20:08
  Speaker 1: Let's see, he's about to turn fifty, that's right. And
• 20:10
  Speaker 1: his long standing opinion is that he doesn't know his
• 20:15
  Speaker 1: mum like doesn't tell him or something.
• 20:17
  Speaker 4: And it's like yeah, but it's like you have to know,
• 20:23
  Speaker 4: like you know, like you know.
• 20:25
  Speaker 1: Yeah, like I mean, relatively speaking, there's only two versions
• 20:28
  Speaker 1: of itsion.
• 20:30
  Speaker 3: You've either seen him on the hub or someone in
• 20:34
  Speaker 3: bed with you could tell you you know what I
• 20:36
  Speaker 3: mean that that would not like.
• 20:38
  Speaker 4: Your parents should tell you. Yeah, exactly. Don't answer this
• 20:41
  Speaker 4: question if you don't want to matter, but I have.
• 20:43
  Speaker 1: I don't know why you brought this up, but I
• 20:45
  Speaker 1: didn't get you discussed.
• 20:46
  Speaker 6: You had an extraordinary disagreement with your.
• 20:49
  Speaker 4: Wife because great.
• 20:53
  Speaker 6: By myself, you mean.
• 20:55
  Speaker 4: Yes, this story this is with interest.
• 21:02
  Speaker 6: Would one night as you do, we were talking about stuff.
• 21:09
  Speaker 6: I just had no incident, and of course, being circumcised.
• 21:11
  Speaker 6: I said, they were chelling.
• 21:15
  Speaker 4: They're married, they're married.
• 21:16
  Speaker 6: They were aloud and she said, she said, you're not circumcised.
• 21:24
  Speaker 4: I said, what do you mean?
• 21:26
  Speaker 6: You only know me a few all my life. I
• 21:29
  Speaker 6: remember my mother telling me why because it was fashionable
• 21:32
  Speaker 6: at the time. She said, you're not circumcised.
• 21:34
  Speaker 4: I said, that's ridiculous. I should know if I'm circumcised.
• 21:40
  Speaker 4: End of conversation.
• 21:41
  Speaker 6: But the next day I happened to be seeing my doctor.
• 21:47
  Speaker 4: Are you okay?
• 21:52
  Speaker 6: I was seeing my doctor for my annual physical of course,
• 21:55
  Speaker 6: so well he was down there. Excuse me, by the way,
• 22:05
  Speaker 6: my wife and own little disagreement. I am circumcised, am I?
• 22:10
  Speaker 6: Because she says I'm not?
• 22:13
  Speaker 2: And he goes, that's but Patrick, she was old.
• 22:24
  Speaker 4: That's probably just extra skins. It's just something old people say.
• 22:28
  Speaker 4: That's a while.
• 22:29
  Speaker 3: Yeah, he's on his he's on his fourth wife at
• 22:31
  Speaker 3: this point, so she hasn't she hasn't known.
• 22:33
  Speaker 1: Just when that story studying is what you've only known me? Anyway,
• 22:36
  Speaker 1: I was finished that sentence. Patrick, It's like you don't
• 22:40
  Speaker 1: know my dick. We've only known each other.
• 22:42
  Speaker 3: A couple of years, there was, there was, there was
• 22:44
  Speaker 3: actual last night, there was an actress that he met
• 22:47
  Speaker 3: on a very popular sci fi show that he was on.
• 22:50
  Speaker 3: Then he ended up marrying and the only reason that
• 22:51
  Speaker 3: character came back several times is because he was panting.
• 22:54
  Speaker 4: It yeah good form. Yeah, But I was like you
• 22:57
  Speaker 4: mentioned because at the end of this whole episode, it's like, okay,
• 23:01
  Speaker 4: so what do we learn. We learned everybody's fear and
• 23:05
  Speaker 4: Camille has a scar. Now basically we didn't see, Like
• 23:11
  Speaker 4: that's the whole thing about hallucination episodes, which I that's
• 23:15
  Speaker 4: like my least favorite sci fi trope. And then especially
• 23:18
  Speaker 4: when everyone has one and they're different, multiple one hallucinations,
• 23:24
  Speaker 4: which I just switch off because I'm okay, when do
• 23:28
  Speaker 4: we get to the end of when when is the
• 23:30
  Speaker 4: resolution happening?
• 23:31
  Speaker 3: And then the weird part is there's that little scene
• 23:33
  Speaker 3: in the middle where we go and find Corporal Barns,
• 23:36
  Speaker 3: who went on the mission with everybody else. He's like,
• 23:37
  Speaker 3: She's like, no, I'm fine, I'm good there the first
• 23:40
  Speaker 3: time we see her, yes, because the last time we
• 23:42
  Speaker 3: saw that actress, she was one of Weir's replicators that
• 23:47
  Speaker 3: wanted to that's ass end in Ghost in the Machine,
• 23:51
  Speaker 3: it's that actress. I just don't know what that added like,
• 23:56
  Speaker 3: and especially that actress, like why get her back for
• 23:59
  Speaker 3: that one line and basically to go, yeah, no, I'm
• 24:01
  Speaker 3: fine because again what they thought it was ticks.
• 24:05
  Speaker 2: They were right, they checked her. She's like, no, I'm fine.
• 24:09
  Speaker 4: Thanks your tom, thanks for you.
• 24:10
  Speaker 3: And then we find out that a couple of other
• 24:12
  Speaker 3: people had multiple ticks on them, Like I.
• 24:14
  Speaker 4: Think it's because, like I think they feel like they
• 24:17
  Speaker 4: need to plant certain actors because they're going to have
• 24:19
  Speaker 4: them in the future. For they did that with the
• 24:22
  Speaker 4: guy from Faith like the yeah, yeah, they had him
• 24:26
  Speaker 4: just random one line. Yeah, that's true.
• 24:28
  Speaker 3: Maybe she'll come back for something when Rush was trapped
• 24:31
  Speaker 3: on that planet. Yeah, and then that's not a bad point.
• 24:34
  Speaker 4: I think that's what they're trying to do because yeah,
• 24:36
  Speaker 4: I've never seen her, She's not hasn't been in the background. Yeah,
• 24:39
  Speaker 4: I just remember her. She's been here the whole time.
• 24:42
  Speaker 4: I was watching Atlanta the other day, watched The Gift before,
• 24:45
  Speaker 4: like in season one, and they just have a psychia
• 24:50
  Speaker 4: psychiatrist rock up psychologists. Ye oh yeah that's right. Yeah,
• 24:57
  Speaker 4: I've seen you around. It's like, what the first it
• 25:01
  Speaker 4: was a year episode? A good question.
• 25:07
  Speaker 2: I don't have my other books.
• 25:08
  Speaker 1: I can't look, but even some of the like the
• 25:11
  Speaker 1: fears rush, drowning or getting trapped.
• 25:16
  Speaker 3: Now, I think it was more about his abduction from
• 25:18
  Speaker 3: the from the sixty five guys.
• 25:20
  Speaker 1: That was his leading Yeah, because that actually had a
• 25:23
  Speaker 1: point to it. Yeah, because then he started claustrophobia. It's
• 25:27
  Speaker 1: like cool, like why we why are we using screen
• 25:31
  Speaker 1: time on this?
• 25:32
  Speaker 4: You know?
• 25:32
  Speaker 3: Yeah, because the first couple, I was like, like, because
• 25:35
  Speaker 3: I get claustrophobic, But I was like, oh, may grow up,
• 25:37
  Speaker 3: Like none of these things would even make me claustrophobic.
• 25:40
  Speaker 3: But then when like he's fully like in the coffin, like, oh, okay,
• 25:43
  Speaker 3: no doubt I would that.
• 25:44
  Speaker 4: I would be I would be petrified. I was annoyed
• 25:46
  Speaker 4: to that because Greer was had claustrophobia last week or
• 25:49
  Speaker 4: whenever that was Yeah, I like, wouldn't he have claustrophobia? Yeah?
• 25:55
  Speaker 4: I don't know. The toll tic thing was maybe it
• 25:57
  Speaker 4: was their biggest fear. Stargatelna. You're gonna love this story
• 26:01
  Speaker 4: by Robert C. Cooper and Martin Giro. There you go.
• 26:06
  Speaker 4: That was boring to that episode You have DNA? What
• 26:11
  Speaker 4: are you saying? We're saying grandmother?
• 26:15
  Speaker 3: Yeah, like is that what we're saying? Like what we
• 26:17
  Speaker 3: never actually you know, followed that thought through?
• 26:21
  Speaker 4: Was it was?
• 26:21
  Speaker 3: It was it Wraith experimenting on Taylor and like how
• 26:25
  Speaker 3: did they put their DNA you know what I mean.
• 26:27
  Speaker 4: On her ancestors? Apparent DNA on your face? Grandmother was
• 26:35
  Speaker 4: al deer.
• 26:38
  Speaker 3: You're you're your grandmother was a hip hop and Grenny
• 26:41
  Speaker 3: got down with with Todd.
• 26:46
  Speaker 10: Lord.
• 26:47
  Speaker 4: I did like though that like.
• 26:50
  Speaker 3: Scott volunteered the information, like he was like Jason, he
• 26:53
  Speaker 3: was like, is that is that my kid?
• 26:55
  Speaker 2: What's going on?
• 26:56
  Speaker 3: And then once he fully was like touched his son's
• 26:58
  Speaker 3: head and was talking to him. And then as soon
• 27:00
  Speaker 3: as he walked in when like young then called him
• 27:02
  Speaker 3: to the infirmary, he walked in, asked question and he's like, oh,
• 27:05
  Speaker 3: I've been seeing hallucinations too, And I'm like, thank god,
• 27:08
  Speaker 3: because that's the worst someone with.
• 27:10
  Speaker 2: A brain was.
• 27:11
  Speaker 3: We would be like, oh, I'm not going to say
• 27:12
  Speaker 3: anything because otherwise, you know, he was just like me too,
• 27:16
  Speaker 3: and that was helped put the puzzle together.
• 27:18
  Speaker 1: But I couldn't remember who he had told about the
• 27:20
  Speaker 1: fact that he had a son, Like I assume when
• 27:23
  Speaker 1: he saw him tell like a couple of people, it's
• 27:25
  Speaker 1: pretty tight knit.
• 27:26
  Speaker 3: I feel like someone like put it all out, and
• 27:29
  Speaker 3: it might have been the first time that Lieutenant James
• 27:31
  Speaker 3: had heard about it.
• 27:32
  Speaker 1: When he said that, He's like, I've been seeing my
• 27:33
  Speaker 1: son and then it cuts to her and I was
• 27:35
  Speaker 1: waiting for her what.
• 27:38
  Speaker 4: I'm glad I killed you.
• 27:41
  Speaker 3: In the audio commentary though, during the sex scene at
• 27:44
  Speaker 3: the start, he was because by now they started to
• 27:46
  Speaker 3: get like while they were feeling, they're starting to get
• 27:48
  Speaker 3: feedback on the show and stuff like that. When they
• 27:50
  Speaker 3: were recording for the comment the commentary for this episode,
• 27:53
  Speaker 3: it was a week before they were coming back for
• 27:54
  Speaker 3: season two, so you see all the season one had
• 27:56
  Speaker 3: been out and everything, and yeah, there'd been the conversations
• 27:59
  Speaker 3: about how the the fandom in general was like Scott's
• 28:02
  Speaker 3: a whore and sex addict.
• 28:05
  Speaker 4: They were saying, oh, Scot's a sex addict, and.
• 28:06
  Speaker 3: He's like, he goes, if having sex with three different
• 28:09
  Speaker 3: people makes you a sex addict, A lot of my
• 28:11
  Speaker 3: friends are sex addicts, And I was like, it's a
• 28:14
  Speaker 3: little over over simplification of it.
• 28:16
  Speaker 1: But you know that's that's why James is upset. She's like,
• 28:20
  Speaker 1: you have a son. She's like, wow, so you coming,
• 28:22
  Speaker 1: everyone accept so with me you pull out? Okay, all right, fine,
• 28:27
  Speaker 1: so you don't really love me?
• 28:28
  Speaker 4: Okay.
• 28:29
  Speaker 3: The the final scene where like we get to the
• 28:33
  Speaker 3: new thing, the puddle opens up, and Young's just like,
• 28:37
  Speaker 3: I guess we're gonna start with just business as usual,
• 28:39
  Speaker 3: just keep going. That puddle, that practical puddle looked rough.
• 28:43
  Speaker 3: I don't know if you guys noticed that, but you
• 28:44
  Speaker 3: can clearly tell that it was like the the big
• 28:48
  Speaker 3: bed sheet behind the behind the gate with just like
• 28:51
  Speaker 3: the projection on it.
• 28:52
  Speaker 2: Like it wasn't like.
• 28:53
  Speaker 3: All c go puddle it normally they can get away
• 28:57
  Speaker 3: with it.
• 28:57
  Speaker 4: But maybe it's just because Destiny is lit so dark?
• 29:01
  Speaker 4: Was that when the blue Aliens come through?
• 29:05
  Speaker 3: No, no, no, this is the final scene where once
• 29:07
  Speaker 3: everything's been resolved, and then yeah, Rush walks and and
• 29:11
  Speaker 3: Young's sorry, Russias like, so we're going to keep sending
• 29:14
  Speaker 3: people and Rush is like, man as well, that's a
• 29:16
  Speaker 3: cool shot where it comes out of FTL. That looks
• 29:19
  Speaker 3: so rough to me? Yeah, I yeah, yeah, yeah to
• 29:24
  Speaker 3: me it just looks like the like the rear projection
• 29:26
  Speaker 3: screen that they put up, which is great money saver,
• 29:30
  Speaker 3: but yeah, just that one little shot. I was just like,
• 29:33
  Speaker 3: but yeah, it could just could have just been the lighting.
• 29:35
  Speaker 4: I feel like this episode lacked consequences or any meaning
• 29:40
  Speaker 4: at all because some like I feel like someone should
• 29:42
  Speaker 4: have died or we should have had at least seen
• 29:45
  Speaker 4: the final stage of what the tic the Ticks life
• 29:48
  Speaker 4: cycle is. Yeah, yeah, that would have been interesting. Interesting.
• 29:53
  Speaker 3: There was that one throwaway line was like, oh, it
• 29:55
  Speaker 3: feeds off whatever neurochemical it was. Yeah, so it's like
• 30:01
  Speaker 3: it obviously induces fear to increase that like whatever chemical
• 30:07
  Speaker 3: we produced when we're scared or whatever. Which wasn't that
• 30:11
  Speaker 3: the same as that crystal thing the doppelganger from Atlantis,
• 30:14
  Speaker 3: Remember the crystals on the tree they got into got
• 30:18
  Speaker 3: into John when he was like on the on the
• 30:21
  Speaker 3: rowboat in the ocean with the big flood of sallus
• 30:24
  Speaker 3: that came and ate them or whatever. That thing I'm
• 30:27
  Speaker 3: pretty sure was like feeding on fear and stuff like
• 30:29
  Speaker 3: that as well.
• 30:30
  Speaker 4: Yeah, yeah, was that in season four or five? Yeah?
• 30:34
  Speaker 2: I think season four.
• 30:35
  Speaker 4: Yeah, early season four, Yeah, Yeah.
• 30:37
  Speaker 5: The toxins. Maybe they target the olympic system.
• 30:40
  Speaker 8: This theory of the brain is responsible for motion, so
• 30:43
  Speaker 8: fear anger, remorse, Matt Tokelto for his son claustrophobia.
• 30:50
  Speaker 5: My dad, let me guess issue with snakes and you.
• 30:56
  Speaker 4: Carnies? Huh circuit spoke new Man's you know, smell like cabbage.
• 31:06
  Speaker 1: This podcast might just become like a living sort of
• 31:08
  Speaker 1: diary week to week with updates and Austin Pouse for two.
• 31:12
  Speaker 1: By the way, because every time we come into record,
• 31:14
  Speaker 1: Mike miss teased something.
• 31:16
  Speaker 3: Else, but I bring up Star Trek at too many
• 31:18
  Speaker 3: times my microphone gets turned off.
• 31:20
  Speaker 4: Yes, what does he get about? Way?
• 31:30
  Speaker 12: Baby very, I'm a lima lima lemma, he says, lemma,
• 31:40
  Speaker 12: A lenna, I'm a LEMNAA that sounds a bit sexual,
• 31:45
  Speaker 12: A lemma.
• 31:45
  Speaker 10: Would you like a lemma?
• 31:50
  Speaker 2: Margaret?
• 31:50
  Speaker 12: Thatcher naked on a cold day? Margaret, that's your naked
• 31:55
  Speaker 12: on a colde day.
• 32:00
  Speaker 4: That this was in the script.
• 32:06
  Speaker 12: I'm uncomfortable, Absolutely fair, I'm uncomfortable.
• 32:14
  Speaker 4: So Rush stabbed Camille and she's got she was bleeding?
• 32:19
  Speaker 4: Did you did you stab her? I think so? She
• 32:22
  Speaker 4: was bleeding a lot. Yeah, that's because Gris shot it.
• 32:26
  Speaker 4: I thought. I thought it was after Rush rushed her.
• 32:29
  Speaker 4: I thought he hit her with a part because he
• 32:30
  Speaker 4: hit I thought stabbed. He was like, you're saying, yeah,
• 32:35
  Speaker 4: it's stories. I thought, yeah.
• 32:37
  Speaker 3: I thought Gria like fired a couple of rounds and
• 32:39
  Speaker 3: they kind of ricocheted and hit her in the shoulder
• 32:41
  Speaker 3: or whatever she was.
• 32:45
  Speaker 4: Yeah, because I thought.
• 32:46
  Speaker 3: Gria shot Ray and then Rush saved Ray by hitting Gria.
• 32:52
  Speaker 3: But then he turned around and hit Ray as well.
• 32:54
  Speaker 3: Like he was he was going everybody, because at least
• 32:57
  Speaker 3: the way like being now plated, it seemed like she
• 32:59
  Speaker 3: was blaming a Grea for her bleeding out and.
• 33:01
  Speaker 1: If oh, yeah, no it was Rush. It was that
• 33:07
  Speaker 1: thirty five or does he just does he just whack
• 33:11
  Speaker 1: it here? That's wow?
• 33:15
  Speaker 2: What do you would you Stabbo with?
• 33:19
  Speaker 4: The cracks him? I shut the door, I shut the okay,
• 33:26
  Speaker 4: great shoots the door. It's like fucking yeah, ship, we
• 33:31
  Speaker 4: can't just fix that, all right?
• 33:33
  Speaker 3: Okay, So so didn't would he Stabbo with because he's.
• 33:38
  Speaker 4: I don't know, it's just a sharp utensil. But then
• 33:41
  Speaker 4: he cracked? Yeah, it was like, why did he then
• 33:44
  Speaker 4: Grea with the pipeot?
• 33:45
  Speaker 2: What happened? Maybe he lost it when he just to me,
• 33:47
  Speaker 2: it looks like a punch.
• 33:48
  Speaker 1: So yeah, I think I sat there for the rest
• 33:50
  Speaker 1: of the episode thinking Grea done it because he was
• 33:52
  Speaker 1: kind of in control of the situation. Because then at
• 33:55
  Speaker 1: the end where she's in the infirmary, she's like, I'll
• 33:57
  Speaker 1: be fine, a little bit of a scar, okay. And
• 33:59
  Speaker 1: then when the needle drop is happening, we got a
• 34:02
  Speaker 1: little montage through the ship and Camille walks past Sling,
• 34:07
  Speaker 1: walks past Grea, and he's looking at her, and she's
• 34:09
  Speaker 1: just like, fuck you, okay, he put you through some ship.
• 34:14
  Speaker 1: It's hallucinating, like it's nobody's even if he's been a
• 34:17
  Speaker 1: dick and he doesn't like you, what happened wasn't his fault.
• 34:20
  Speaker 4: Also, he's not the one that staked your mate. He's
• 34:24
  Speaker 4: not the one that did the mutiny either.
• 34:25
  Speaker 1: To make comparis, yeah, yeah, exactly, it was that guy
• 34:28
  Speaker 1: that stabbed Like, come on now, we're all friends here.
• 34:31
  Speaker 3: Yeah, He's like, I might be mental, bit you did
• 34:34
  Speaker 3: you just you did this to yourself?
• 34:36
  Speaker 4: As this because's dad comes in and goes do it.
• 34:40
  Speaker 4: I think he was about to shoot Camille. And then
• 34:43
  Speaker 4: that's when Rush.
• 34:44
  Speaker 3: Yeah, it's I just remember there being like a greer
• 34:48
  Speaker 3: firing two shots that were kind of near Camille. When
• 34:52
  Speaker 3: he fired at the at the door, at the door
• 34:54
  Speaker 3: or whatever, I thought, she must have just copped a straight.
• 34:57
  Speaker 4: Yeah, so Rush stabbed, she went down. He's shut the door.
• 35:00
  Speaker 3: That's a rough day for Camille because she she she
• 35:04
  Speaker 3: wasn't ticked up right, So she is purely just a
• 35:06
  Speaker 3: victim of whatever's.
• 35:07
  Speaker 4: Going on in front of her. Yeah, she was fine.
• 35:09
  Speaker 4: It was a normal which is a shame because I
• 35:11
  Speaker 4: was just like Breeze, just accusing her of doing She's like,
• 35:14
  Speaker 4: I didn't do anything. Follow Again, communication is necessary in
• 35:20
  Speaker 4: these situations. Get on the radio or they can even
• 35:22
  Speaker 4: they do a whole ship thing. Yeah, hi, guys, we've
• 35:25
  Speaker 4: got alien ticks on board. Check yourselves, check each other.
• 35:28
  Speaker 4: If you're loosen eating, come to the yeah, Johanna buddy system.
• 35:33
  Speaker 1: If you make acting weird, bring them in.
• 35:35
  Speaker 4: You know, if you if you're scared for no reason
• 35:38
  Speaker 4: or whatever, you've seen weird people on the ship, come
• 35:41
  Speaker 4: and come to the infirmary. I was waiting for Sharon
• 35:43
  Speaker 4: to rock up.
• 35:44
  Speaker 1: It's kind of a shame that she Yeah, you know,
• 35:46
  Speaker 1: because surely that's got to be her fear is something
• 35:48
  Speaker 1: that happened with Sharon.
• 35:51
  Speaker 2: Imagine if her grace.
• 35:52
  Speaker 3: She wakes up and she's back in Amanda Perry's body
• 35:54
  Speaker 3: and Sharon's over the top of her, like smothering her
• 35:56
  Speaker 3: with a pillow or something.
• 36:00
  Speaker 4: A lot going on there. Yeah, used all my leave
• 36:03
  Speaker 4: for this. Oh you wonder, I wonder what the girl
• 36:08
  Speaker 4: is there? I wonder if you know Camille is the
• 36:10
  Speaker 4: head of HR.
• 36:11
  Speaker 3: It's like, yeah, do you get like, does she use
• 36:14
  Speaker 3: up a year's worth of stone leave to have to
• 36:16
  Speaker 3: spend three weeks in Amanda Perry's body or does she
• 36:20
  Speaker 3: get special dispensation because it was they did do for that? Yeah,
• 36:24
  Speaker 3: that would be great. And shears sit herself down and
• 36:28
  Speaker 3: have that conversation with her because she's the head of HR,
• 36:30
  Speaker 3: and be like, I'm so sorry, Camille, you don't have
• 36:33
  Speaker 3: any more stone days left.
• 36:36
  Speaker 1: I understand that this must be very difficult to hear.
• 36:39
  Speaker 1: We do understand, Oh no, do not do a Camille did.
• 36:42
  Speaker 1: Though it's not done by date, it's done by galaxy.
• 36:45
  Speaker 1: So she's like, Okay, well, I used up all my
• 36:47
  Speaker 1: all my stone days for this galaxy.
• 36:48
  Speaker 2: But now we're in a fresh galaxy would from scratch.
• 36:51
  Speaker 1: Open this other galaxy. Every day there is actually worth
• 36:54
  Speaker 1: like a minute on Earth. So I've barely used up anytime,
• 36:56
  Speaker 1: to be fair, I've used like an hour.
• 36:59
  Speaker 4: It's fine.
• 37:00
  Speaker 1: The Chloe thing was was, you know, the obviously the
• 37:02
  Speaker 1: nicer version of all but like gree is that they're
• 37:04
  Speaker 1: trying to shoot everybody, Whereas Chloe was like, I'm accepting
• 37:07
  Speaker 1: that this isn't real, but I need this, yeah, And
• 37:10
  Speaker 1: she's like, can't you just leave it? It's not killing me, Like,
• 37:12
  Speaker 1: I'm happy to have this, and you know, all all love,
• 37:16
  Speaker 1: just Scott and everyone else going. You don't know what
• 37:18
  Speaker 1: could happen from this. This could be in you long
• 37:20
  Speaker 1: enough to kill you. Yeah, you know, it may change
• 37:22
  Speaker 1: and make you do or see other things, and you
• 37:25
  Speaker 1: could become a danger to yourself for others.
• 37:26
  Speaker 4: Blah blah blah.
• 37:27
  Speaker 1: But just the idea of no, she just saw old
• 37:30
  Speaker 1: man and it wasn't so much scared about what he
• 37:33
  Speaker 1: could do. It was just the idea of being scared
• 37:35
  Speaker 1: of having still having lost him, yeah, and being alone
• 37:38
  Speaker 1: without him and all that.
• 37:39
  Speaker 3: I think that was the one that I most tried
• 37:41
  Speaker 3: to put myself into having to meet my mum a
• 37:42
  Speaker 3: few years ago. I was like, okay, because obviously Scott
• 37:46
  Speaker 3: was able to touch his son, like he was able
• 37:48
  Speaker 3: to like he's like you feel real, but he didn't
• 37:51
  Speaker 3: know about the ticks yet. Like Chloe went in from
• 37:54
  Speaker 3: the start knowing that it was the tick. So it's like, yeah,
• 37:57
  Speaker 3: that's it's not her dad, it's just her memory. It's
• 38:00
  Speaker 3: just a visualization of the memory of her dad. So
• 38:03
  Speaker 3: it's like it's only what she knows in her head,
• 38:06
  Speaker 3: but which is a great picture.
• 38:08
  Speaker 1: She's painting like everything he said or asked, And I'm like, well,
• 38:11
  Speaker 1: that's what she remembers of him, like when she's like,
• 38:13
  Speaker 1: oh my god, dad, And the first thing he said
• 38:16
  Speaker 1: was how's she said, I've seen marm or he's like
• 38:18
  Speaker 1: asial mother or whatever it was, And I'm like, oh
• 38:20
  Speaker 1: good that the first thing she thought that he would
• 38:22
  Speaker 1: do would be to ask about the mother. Like that
• 38:24
  Speaker 1: says a lot about what she thought of that guy.
• 38:26
  Speaker 3: And then even when he when they're about to pull
• 38:29
  Speaker 3: the tick out, like he leans in and gives her
• 38:31
  Speaker 3: a kiss on the forehead or something like that and
• 38:32
  Speaker 3: says goodbye. Yeah, So it's like, yeah, so that was
• 38:42
  Speaker 3: really a really interesting approach, like, yeah, obviously you know
• 38:45
  Speaker 3: you can't. You can't apply any logic to what Chloe
• 38:48
  Speaker 3: was feeling. Then when you're in your feeling about that
• 38:50
  Speaker 3: kind of stuff, logic goes out the window. So I was,
• 38:51
  Speaker 3: I think I was trying to think rationally about it,
• 38:53
  Speaker 3: and I'm just so you can't. You can't really do that.
• 38:55
  Speaker 3: But yeah, I tried to put myself in that situation.
• 38:57
  Speaker 3: Wonder if I'd just be like, no, take it out,
• 39:02
  Speaker 3: it's too it would be too much. But obviously, you know, everybody,
• 39:05
  Speaker 3: there's no wrong or right way to grieve. Everybody a
• 39:07
  Speaker 3: grieved differently. And if that helped Chloe in some way,
• 39:11
  Speaker 3: I guess, you know, in her situation, she lost her
• 39:13
  Speaker 3: dad very very quickly, Yeah, like just like unexpected. And
• 39:16
  Speaker 3: then presumably his body is still on the ship somewhere.
• 39:20
  Speaker 4: I think didn't she say to him that we had
• 39:22
  Speaker 4: a not when it's hard to you might miss it,
• 39:25
  Speaker 4: but she said that we had a funeral fear or
• 39:27
  Speaker 4: a service.
• 39:28
  Speaker 3: Yeah, but then what do they do with the body.
• 39:30
  Speaker 3: Did they jettison into space or did they like, what
• 39:33
  Speaker 3: did they do with the body?
• 39:34
  Speaker 4: I think she said something about a planet oh, oh,
• 39:39
  Speaker 4: that's not a bad idea, yeah, says yes.
• 39:43
  Speaker 3: The show never explicitly depicts on screen what is eventually
• 39:46
  Speaker 3: done with his remains, though fan consensus and background logistics
• 39:49
  Speaker 3: suggests the crew eventually repaired the shuttle and laid him
• 39:51
  Speaker 3: to rest, or gave him a space burial off camera.
• 39:54
  Speaker 3: Because yeah, the shuttle that he died in, which I
• 39:57
  Speaker 3: just realized by listening really listening to that bit, Chloe
• 40:01
  Speaker 3: encounters him in the same spot he died well, in
• 40:04
  Speaker 3: a different shuttle, but he appears in the cockpit of
• 40:06
  Speaker 3: the shuttle he died in the other shuttle because the
• 40:09
  Speaker 3: shuttle that he died in was the one that we
• 40:10
  Speaker 3: left on the Faith planet.
• 40:12
  Speaker 4: Yep. Yeah, I don't know why the last like before
• 40:16
  Speaker 4: before this rewatch, I watched it prior, and then I
• 40:19
  Speaker 4: thought that she was telling him that in this episode.
• 40:23
  Speaker 2: So maybe it was in a keno.
• 40:24
  Speaker 4: Maybe I was hallucinating, Maybe it was actually because I
• 40:28
  Speaker 4: don't watch the kenos.
• 40:29
  Speaker 3: I like the idea of him being buried on the
• 40:31
  Speaker 3: Faith planet. That's a nice idea.
• 40:34
  Speaker 2: They never showed on screen.
• 40:35
  Speaker 3: Armstrong's body was at some point laid to rest the
• 40:37
  Speaker 3: shuttle which she died was partially repaired and sent to
• 40:39
  Speaker 3: the planet Eiden's used by the expedition in Darkness. The
• 40:45
  Speaker 3: topic of discussion was what to do with his body. However,
• 40:49
  Speaker 3: with the ancient shuttle temporary sealed off, a decision was
• 40:52
  Speaker 3: not immediately reached, although when the shuttle was repaired, they
• 40:55
  Speaker 3: were presumably able to recover his body. There, Holy, we
• 40:58
  Speaker 3: googled stuff intensively and it put a handbrake on the
• 41:01
  Speaker 3: entire thing.
• 41:02
  Speaker 4: Absolutely. Yeah, But I agree with what you were saying before,
• 41:07
  Speaker 4: the sentiment that that is the strongest part of the
• 41:12
  Speaker 4: episode where Chloe sees her father, Like, if you put herself,
• 41:15
  Speaker 4: if you put yourself in her shoes, it's like a
• 41:17
  Speaker 4: dream that she doesn't want to wake up from. Yeah,
• 41:19
  Speaker 4: And even from the other perspective for me is like
• 41:24
  Speaker 4: that's really heartbreaking from a father's point of view too,
• 41:27
  Speaker 4: Like obviously he did the right thing, sacrificed himself, but
• 41:31
  Speaker 4: no longer to be able to say whatever he wanted
• 41:34
  Speaker 4: to say. That kind of really sucks yea for her.
• 41:37
  Speaker 4: So I think it actually helps her character in a way. Yeah,
• 41:41
  Speaker 4: she definitely sold it being able to say goodbye, you know,
• 41:44
  Speaker 4: because she didn't, she didn't have she didn't get to
• 41:46
  Speaker 4: say goodbye last time.
• 41:48
  Speaker 3: That's why, because she like found out about it over
• 41:50
  Speaker 3: the radio and she was running and then and then missed.
• 41:53
  Speaker 3: I think he was dead by the time she got
• 41:55
  Speaker 3: there or something like that. He wasn't even like running
• 41:57
  Speaker 3: out of air. I think he was already dead.
• 41:58
  Speaker 4: But I think he was kind of saying I love
• 42:00
  Speaker 4: you and yeah, and then she was crying and yeah.
• 42:04
  Speaker 4: I think elise is her name, the actress's name.
• 42:06
  Speaker 2: She sold it.
• 42:07
  Speaker 3: Like some of those close ups on her face were
• 42:08
  Speaker 3: a raised they said in the auto commentary, the scene
• 42:11
  Speaker 3: where she's getting the tick pulled out. Everyone else felt
• 42:14
  Speaker 3: really bad because, like all the other actors are like
• 42:16
  Speaker 3: TJ and Young and Matt and Christopher Comick. They were
• 42:20
  Speaker 3: all like very in a very jokey, laughing kind of
• 42:22
  Speaker 3: mood in between takes, while poor Elisea is trying to like, no, like,
• 42:27
  Speaker 3: we felt really bad because we were all.
• 42:28
  Speaker 2: Laughing and happy. And then she had they call action.
• 42:30
  Speaker 3: She'd have to just like absolutely emotionally destroy herself and
• 42:35
  Speaker 3: just have these tears rolling down her face.
• 42:39
  Speaker 4: Tell your mother there her, I.
• 42:41
  Speaker 10: Miss her, I love you, daddy, I love.
• 42:48
  Speaker 4: You too, sweet, You're living our dream remember that. Oh
• 42:54
  Speaker 4: that's nice.
• 43:01
  Speaker 3: Meanwhile, your guy's worst fierce station will be me talking
• 43:04
  Speaker 3: in that voice just forever.
• 43:08
  Speaker 4: That's quite funny. Like, no, it'll get old quick, get
• 43:13
  Speaker 4: old quick. I love you, daddy. I know i'd brought
• 43:18
  Speaker 4: you it works. I love you day.
• 43:23
  Speaker 1: Yeah, I heard that from my beautiful five year old today.
• 43:27
  Speaker 4: And now you're kind of ruining that. Yeah you're good,
• 43:29
  Speaker 4: Yeah dad, I love you Daddy.
• 43:31
  Speaker 7: That shit maybe melt about three hours ago. Now that
• 43:38
  Speaker 7: was a tough one.
• 43:39
  Speaker 4: That's tough one because even they could have written it
• 43:42
  Speaker 4: love you dad because she's older. Yeah, oh yeah, I
• 43:46
  Speaker 4: feel like that is a bit of a gut punch.
• 43:48
  Speaker 1: You see a few movies and stuff where you see
• 43:49
  Speaker 1: a grown woman refer to her father as daddy and
• 43:52
  Speaker 1: in a really sincere way like that, It's like, oh, ship, yeah,
• 43:56
  Speaker 1: you really like to take it. Takes them back because
• 43:57
  Speaker 1: you never see a grown man refer to their mother
• 43:59
  Speaker 1: as ummy or anything like in a really sincere moment.
• 44:02
  Speaker 1: So to see a little girl do that, or rather
• 44:05
  Speaker 1: a grown woman, yeah, almost be mentally put back into
• 44:08
  Speaker 1: being a little girl.
• 44:10
  Speaker 4: It's like there's an eminem sung on his last album
• 44:13
  Speaker 4: and it's called temporary and it's basically a letter to
• 44:16
  Speaker 4: his daughter basically for when he's dead. Try not to
• 44:22
  Speaker 4: cry during that.
• 44:23
  Speaker 2: You mean, I mean he didn't just leave. I think
• 44:26
  Speaker 2: my dad's going craze as.
• 44:29
  Speaker 3: The one you know for okay, fair enough, I mean,
• 44:31
  Speaker 3: choice is done, a few choices, but no. I loved
• 44:34
  Speaker 3: Also then the line that Senator Armstrong gave or he's like,
• 44:38
  Speaker 3: don't forget you're living our dream like, because that's her
• 44:43
  Speaker 3: putting that into her dad telling her that, you know
• 44:45
  Speaker 3: what I mean, Like, so that's that's gotta be comforting
• 44:47
  Speaker 3: in a way.
• 44:47
  Speaker 4: Definitely said all the right things. Yeah, yeah, that's the
• 44:52
  Speaker 4: only way.
• 44:52
  Speaker 3: That's the only way man can say the right thing
• 44:54
  Speaker 3: is for the woman to give him the.
• 44:56
  Speaker 4: Words to say back exactly. Yeah, but in this they
• 44:59
  Speaker 4: never do.
• 45:03
  Speaker 3: Yeah, she just had to. She just had to think it.
• 45:05
  Speaker 3: Any knew to say. She didn't have to tell him
• 45:07
  Speaker 3: what to say. I'm sure if it hung around for
• 45:08
  Speaker 3: a while, she would have been like, tell me something.
• 45:11
  Speaker 3: I don't know, Dad, everything I want to hear.
• 45:15
  Speaker 4: I forget where I heard it.
• 45:16
  Speaker 1: But it's it's like whether it's a comedian's line or something,
• 45:19
  Speaker 1: and they're like a you know, a man marries the
• 45:21
  Speaker 1: woman that he wants to be with. A woman marries
• 45:24
  Speaker 1: the man hoping to make him someone that she wants
• 45:27
  Speaker 1: to be married to.
• 45:28
  Speaker 4: Okay, good framework. I think the ultimate I reckon, the
• 45:32
  Speaker 4: ultimate woman's fantasy is the Beauty and the Beast fantasy,
• 45:39
  Speaker 4: like no one else containing but me.
• 45:42
  Speaker 3: Yeah, yeah, because you want you want you want the
• 45:45
  Speaker 3: beast in the sheets, but you want the prints in
• 45:47
  Speaker 3: the streets.
• 45:48
  Speaker 4: You want the beast to protect you and and dick
• 45:51
  Speaker 4: you down, dick you down.
• 45:53
  Speaker 7: But also, didn't hear that the beast you didn't He's
• 45:59
  Speaker 7: gonna dick down.
• 46:00
  Speaker 2: Mate.
• 46:01
  Speaker 4: Don't believe me as the dishes, answer me this, answer
• 46:04
  Speaker 4: me this. What's beast's name?
• 46:06
  Speaker 3: Then we know that there's Prince Eric, and we know
• 46:08
  Speaker 3: that all the other princes from Prince Charming and all
• 46:11
  Speaker 3: those kind of things. Tell me the prince's name in
• 46:13
  Speaker 3: Beauty and the Beast exactly?
• 46:15
  Speaker 2: Do you know why?
• 46:16
  Speaker 3: Because everybody agrees he was hotter as the beast. Once
• 46:20
  Speaker 3: he gets turned into Ken, he's boring as all hell.
• 46:25
  Speaker 4: Oh fuck, I'm jealous. Oh attention. Five questions for you, Mitch,
• 46:39
  Speaker 4: the newbie of the show, Now and page. Gimmes. I
• 46:46
  Speaker 4: watched it over the last twelve hours. These are all
• 46:49
  Speaker 4: absolute gimme. Of course, I'm going to remember everything and
• 46:53
  Speaker 4: I'm just going to make sure we have the right one.
• 46:55
  Speaker 4: So these are basically throughout from the season previous, not specific.
• 47:03
  Speaker 4: It's not just this episode. I've got more excuses and
• 47:08
  Speaker 4: actually none of them are about this episode.
• 47:09
  Speaker 3: Just excellent, generally, just excellent. Feel free to submit questions, guys. Absolutely,
• 47:16
  Speaker 3: social media on the socials Patreon.
• 47:20
  Speaker 4: I'm trying to use chat ChiPT still and it sucks. Yeah,
• 47:25
  Speaker 4: of course, so bad.
• 47:27
  Speaker 3: People that that person was telling that story. It was
• 47:31
  Speaker 3: not It was a TikTok and he was like, chatch,
• 47:35
  Speaker 3: my can't needs washing. The car washes at the end
• 47:39
  Speaker 3: of my street. Should I drive or walk?
• 47:41
  Speaker 4: And it's like, well, it is a beautiful day and
• 47:42
  Speaker 4: it's a great way to get exercise. Maybe you should
• 47:44
  Speaker 4: walk to you can't wash. Just that positive affirmation. Yeah, yeah, cool,
• 47:49
  Speaker 4: keep a chill, keep a positive. There's this one guy
• 47:52
  Speaker 4: follow on I think he's on TikTok, but I follow
• 47:55
  Speaker 4: him on YouTube and he all he does is talk
• 47:57
  Speaker 4: to AI and beencome so popular because he's so dry. Oh,
• 48:03
  Speaker 4: I think I've seen some of those. Yeah, he's so good.
• 48:06
  Speaker 2: That might have even been the car wash guy.
• 48:08
  Speaker 4: Yeah, I think it could have been. And so thirty
• 48:11
  Speaker 4: seconds on the clock for Mitch five questions. Your time
• 48:16
  Speaker 4: starts at the end of the first question in the episode,
• 48:22
  Speaker 4: they're all gimmes. By the way, I'd be surprised if
• 48:24
  Speaker 4: you don't get him amos.
• 48:25
  Speaker 3: Yeah, if Brendan's figers weren't busy, I get him to
• 48:29
  Speaker 3: give me the high pitch voice.
• 48:30
  Speaker 4: Like a pibies. In the episode Water, the crew travels
• 48:36
  Speaker 4: to a frozen planet in search of fresh water. What
• 48:40
  Speaker 4: nickname does Eli give the icy world? Correct in Faith?
• 48:46
  Speaker 4: What mysterious structure do the crew discover on a seemingly
• 48:49
  Speaker 4: perfect planet obelis? Is that what they call correct in space?
• 48:53
  Speaker 4: What one word message do the Blue Aliens send to
• 48:56
  Speaker 4: the crew in English? I don't know. Pass. What is
• 49:03
  Speaker 4: the name of Destiny's doctor transport surrender? Surrender? Was it? Sorry?
• 49:07
  Speaker 4: What is the name of the doctor transport ships? No idea? Injustice?
• 49:12
  Speaker 4: Which main character does Colonel Young leave behind on a
• 49:16
  Speaker 4: barren planet?
• 49:17
  Speaker 11: Oh?
• 49:18
  Speaker 4: Doctor, that's right, but at the time was up unfortunately?
• 49:21
  Speaker 4: Sorry that was so close. What did you get you
• 49:24
  Speaker 4: got Hofs surrender. What is the name of Destiny's doct
• 49:31
  Speaker 4: transport ships shuttle? That was as an absolutely we can
• 49:39
  Speaker 4: blame the wording on that one. Well, blame chat At
• 49:43
  Speaker 4: the end of Justice, which main character gets stuck on
• 49:45
  Speaker 4: a barren planet, doctor Nicholas Rush. Anyway, that's a shame. Mitch.
• 49:51
  Speaker 4: I was trying to find a Daniel Jackson yelling at
• 49:54
  Speaker 4: Mitchell because oh no, it's I can find it. Please
• 49:58
  Speaker 4: can send that to me.
• 50:00
  Speaker 11: Yeah, yeah, I got one when you get But I
• 50:05
  Speaker 11: do have a bunch of those clips though, of of
• 50:07
  Speaker 11: like Taylor being like Mitch, Mitch, Mitch, Mitch, Mitch, Yeah,
• 50:10
  Speaker 11: I thinking about that.
• 50:11
  Speaker 3: But yeah, we need we need, we need to say it, Daniel,
• 50:14
  Speaker 3: and we can we can super cut it.
• 50:16
  Speaker 4: Put on Avalon part one and two, just because I'm like,
• 50:19
  Speaker 4: when they're getting when Tilk and Mitchell are getting crushed
• 50:22
  Speaker 4: in that in the ceiling that's coming, but Daniel is
• 50:27
  Speaker 4: just only cares about Tilk.
• 50:28
  Speaker 2: I feel like.
• 50:31
  Speaker 4: You didn't give it.
• 50:33
  Speaker 3: Might be in the episodes with the space corn when
• 50:35
  Speaker 3: they're when they're posing his bounty and stuff like that.
• 50:38
  Speaker 3: American I reckon, he says Mitchell in that because remember
• 50:42
  Speaker 3: because cam Cam goes in get himself get taken by
• 50:45
  Speaker 3: taking hostage and the other three are up on the
• 50:49
  Speaker 3: up on the little grassy knol watching and stuff like that.
• 50:51
  Speaker 4: So annoying because when you know they're about to say,
• 50:54
  Speaker 4: like there's a potential place where he could yell at Mitchell,
• 50:57
  Speaker 4: but he says Cam yeah or Colonel ruining it? Good stuff? Guys.
• 51:05
  Speaker 1: Sweet, that's episode three hundred and twenty seven.
• 51:08
  Speaker 4: What do we talking next? Subversion and Version?
• 51:11
  Speaker 1: Right, so this is third last, third last episode coming
• 51:15
  Speaker 1: up of the.
• 51:16
  Speaker 3: Season Version and then the two part finally, god damn,
• 51:19
  Speaker 3: halfway through bitch Wow.
• 51:21
  Speaker 2: Halfway through your universe journey already.
• 51:23
  Speaker 4: So yeah, because they didn't go off world since they
• 51:28
  Speaker 4: got to the new galaxy. They did because they did, Yeah,
• 51:32
  Speaker 4: because the tics no, but I'm like, we don't see it.
• 51:34
  Speaker 4: But then I opened the stargate at the end. Should
• 51:37
  Speaker 4: we go, Oh, yeah, I guess, I guess that's what
• 51:40
  Speaker 4: we do.
• 51:41
  Speaker 1: I was honestly waiting for any you like, we have
• 51:44
  Speaker 1: some time, you know.
• 51:45
  Speaker 4: Like yeah, but time was episode four. They can't have
• 51:49
  Speaker 4: time now. Next episode is food into Geek, Get into
• 51:56
  Speaker 4: the Get.
• 51:58
  Speaker 5: Into eight our Gate
• 52:02
  Speaker 4: And send me some maask bring