Latest / I Am All In with Scott Patterson / You're going away? (A Year in the Life: Summer)

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You're going away? (A Year in the Life: Summer) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in more.
• 0:07
  Speaker 2: How Let's kiss you?
• 0:17
  Speaker 3: I am all in with Scott Patterson and I Hurt
• 0:19
  Speaker 3: Radio Podcast.
• 0:22
  Speaker 2: I've been watching the Gimboot shoot.
• 0:28
  Speaker 1: Sometimes I don't know what's going on. Amen. Can you
• 0:35
  Speaker 1: feel me, Jackiet? Can you feel me? I don't know
• 0:41
  Speaker 1: what's going on. Sometime I get so confused.
• 0:45
  Speaker 3: Help me out of this gimbol run. I don't know
• 0:51
  Speaker 3: what I'm watching half the time. No more, He'll wake
• 0:56
  Speaker 3: me up. Give me a little tree now. I want
• 1:00
  Speaker 3: to find my soul.
• 1:02
  Speaker 4: Goom Hey, hey, everybody, it's me.
• 1:13
  Speaker 1: I'm all in podcast, one of our productions iHeart Radio
• 1:18
  Speaker 1: Media and iHeart Podcasts, and we are gonna break down
• 1:23
  Speaker 1: summer with Amy Sugarman I Heeart Podcasts. Listen on the
• 1:29
  Speaker 1: iHeartRadio app.
• 1:33
  Speaker 5: That was a very fitting moment because summer, poor, summer summer.
• 1:41
  Speaker 1: I'm going to shock you.
• 1:43
  Speaker 2: Oh no, you're gonna tell me you loved it. Oh
• 1:46
  Speaker 2: my god, You're gonna literally tell me.
• 1:47
  Speaker 1: I'm gonna shock you. I'm ready, I gotta tell you.
• 1:54
  Speaker 1: As a piece of comedy, I thought it was kind
• 1:59
  Speaker 1: of brilliant because Amy, Amy, Amy, what else are they going?
• 2:04
  Speaker 1: Here's what Dan Palladino communicated to me as an artist,
• 2:09
  Speaker 1: He communicated to me, what else can we do with
• 2:13
  Speaker 1: these characters? The story is virtually told, Okay, the storytell
• 2:20
  Speaker 1: What do we do with the storytelling? Where do we
• 2:22
  Speaker 1: take these characters? It's nine years later, Rory's thirty two.
• 2:29
  Speaker 1: The mother daughter thing ain't working no more, right, it's not.
• 2:34
  Speaker 1: She's thirty two.
• 2:35
  Speaker 2: They have a big fight, so there's always a mother fight.
• 2:38
  Speaker 1: But I mean, I'm talking about the vibe of the show. Yeah, yeah,
• 2:42
  Speaker 1: it's like everybody's just too old now compared to what
• 2:47
  Speaker 1: it was. So what are they gonna do?
• 2:49
  Speaker 6: Right?
• 2:49
  Speaker 5: Right, Well, clearly they're going to get Sutton Foster a
• 2:53
  Speaker 5: show because the who was brilliant?
• 2:56
  Speaker 1: Who was that?
• 2:57
  Speaker 2: Crollier is great?
• 2:58
  Speaker 5: So you can tell that they loved her on bun Heads, right,
• 3:02
  Speaker 5: and that Bunheads, for what reason, only goes one season.
• 3:07
  Speaker 5: But this episode is so much Sutton Foster that there
• 3:12
  Speaker 5: is a moment where you're like, I'm not watching Gilmore
• 3:14
  Speaker 5: Girls because I'm literally watching Sutton Foster.
• 3:18
  Speaker 2: But here's a Broadway show.
• 3:19
  Speaker 1: Here's a thing. By that time, Amy and Dan had
• 3:23
  Speaker 1: moved to New York, right, so they were having all
• 3:26
  Speaker 1: of these theater experience. I'm sure they were seeing off Broadways.
• 3:29
  Speaker 1: I'm sure they were seeing if the Wooster group is
• 3:31
  Speaker 1: still around, and I don't think. I don't know if
• 3:33
  Speaker 1: it is. They're going down to see uh, they're going
• 3:35
  Speaker 1: downtown to see experimental theater. There's all kinds of really
• 3:38
  Speaker 1: vital live theater going on in that city at any
• 3:41
  Speaker 1: given time. They're going to Joe Allen's, They're going to
• 3:44
  Speaker 1: hang out with the theater people. They're going to the
• 3:46
  Speaker 1: public they're going to that's still around. I don't even
• 3:49
  Speaker 1: know if it's around.
• 3:49
  Speaker 5: They've clearly got Missus Mazel maybe in there, sure their
• 3:54
  Speaker 5: gut because there's so many sort of undertones of what
• 3:58
  Speaker 5: becomes Missus from this right.
• 4:02
  Speaker 1: So here they've got these new relationships or these long
• 4:07
  Speaker 1: standing relationships that they want to explore with Sutton and
• 4:11
  Speaker 1: other people that pop up in the case.
• 4:13
  Speaker 5: There's another Bunhead's actor in this, in the in the
• 4:16
  Speaker 5: thirty something group who did go on to also be
• 4:20
  Speaker 5: a part of Masel.
• 4:21
  Speaker 2: So you see, like, oh wow, okay.
• 4:23
  Speaker 1: Right, this is this is a passing of the torch
• 4:26
  Speaker 1: in a way to an older generation of Gilmore characters
• 4:32
  Speaker 1: and the kind of indecision. It's like the characters were
• 4:37
  Speaker 1: having their own midlife crisis, all at the same time,
• 4:42
  Speaker 1: and pretty much in the same way. Because everything in
• 4:45
  Speaker 1: this episode, the world of Gilmore is falling apart. The
• 4:50
  Speaker 1: structure that we knew, it's just all gone. It's falling apart.
• 4:55
  Speaker 1: And if it's if it's not gone already, it's it's
• 4:58
  Speaker 1: disintegrating before our eyes.
• 5:00
  Speaker 2: Can we say evolving?
• 5:02
  Speaker 1: Listen, that's a kind word for it. But look, look
• 5:06
  Speaker 1: all of all. I wasn't captivated by the beginning. I
• 5:09
  Speaker 1: thought this is clunky and it ain't working cool.
• 5:12
  Speaker 2: Stuff is just brutal.
• 5:14
  Speaker 1: But as a piece of experimental theater, it works and
• 5:18
  Speaker 1: it's funny.
• 5:19
  Speaker 2: So let's okay talking about the book.
• 5:21
  Speaker 1: But we don't recognize the style, the tone, it's different,
• 5:26
  Speaker 1: it's all different.
• 5:27
  Speaker 5: So I love the fact that we went to the pool,
• 5:30
  Speaker 5: right like, oh, that's awesome, something new and stars follow.
• 5:33
  Speaker 2: I actually liked you as the lifeguard.
• 5:35
  Speaker 5: I thought the bit about the snack shack or whatever
• 5:38
  Speaker 5: it was called was actually funny. My beef about the pool,
• 5:41
  Speaker 5: which of which there are many, I will.
• 5:43
  Speaker 2: Start with two.
• 5:45
  Speaker 5: I can't with the shaming, the body shaming. It was
• 5:49
  Speaker 5: so inappropriate. They would never do that to Scott, they
• 5:53
  Speaker 5: would never do that to a female character.
• 5:55
  Speaker 1: It didn't age well. It was rough, but you know what,
• 5:59
  Speaker 1: that's what you know, the world changed radically, and yeah,
• 6:05
  Speaker 1: that stuff is no longer acceptable.
• 6:07
  Speaker 5: So it wasn't true to Rory and Lorelai. They are
• 6:10
  Speaker 5: funny and sarcastic.
• 6:12
  Speaker 2: They are not mean, and in that they were mean,
• 6:16
  Speaker 2: and I'm like, they would never be mean. They're not mean,
• 6:20
  Speaker 2: and so that really.
• 6:23
  Speaker 1: It's okay. So here here's what it seemed like to me. Okay,
• 6:27
  Speaker 1: the first part of this episode, this ninety minutes, I
• 6:31
  Speaker 1: break it up into three parts. It was it was,
• 6:36
  Speaker 1: you know, it started off kind of sitcom on me
• 6:38
  Speaker 1: because everything felt like a sitcom. It felt kind of
• 6:41
  Speaker 1: stilted and.
• 6:42
  Speaker 2: Sitcom be at a little camp It was kind of.
• 6:44
  Speaker 1: Heightened to the point where it's campy and just didn't like,
• 6:48
  Speaker 1: it's not real, okay, because you know, you know, especially
• 6:53
  Speaker 1: the acting coming out of Alexis at the top of
• 6:58
  Speaker 1: this brutal with this, with the Southern bell stuff, just
• 7:02
  Speaker 1: it wasn't working okay, But as a stilted sitcom it did,
• 7:07
  Speaker 1: so for me. It went from sitcom to like a
• 7:10
  Speaker 1: bad sitcom, like a Broadway to you know, sort of
• 7:15
  Speaker 1: experimental theater.
• 7:16
  Speaker 2: Let me ask you this question.
• 7:17
  Speaker 1: Then it turned into a kind of a really compelling
• 7:19
  Speaker 1: drama where I felt like Dan really hit his stride
• 7:23
  Speaker 1: and he was saying what he wanted to say.
• 7:25
  Speaker 2: It got better, I'll give you that lot better.
• 7:28
  Speaker 1: A lot change styles. It changed styles throughout. Interesting piece
• 7:33
  Speaker 1: of work.
• 7:33
  Speaker 2: Interesting, Yes, yes, it'll be.
• 7:35
  Speaker 5: This will probably be one of our most interesting conversations,
• 7:38
  Speaker 5: which is why we're starting with just us and then
• 7:40
  Speaker 5: later on, you know, everyone's going to join as we
• 7:43
  Speaker 5: break it down scene by scene, because I really wanted
• 7:45
  Speaker 5: to hear what you thought. Okay, I have so many
• 7:47
  Speaker 5: questions for you. First though, did you hate or like
• 7:51
  Speaker 5: the musical?
• 7:52
  Speaker 6: Not?
• 7:52
  Speaker 1: Did you enjoy beyond description? Loved beyond description because it
• 8:01
  Speaker 1: made me laugh out several times. I rewound some of
• 8:05
  Speaker 1: the great lines coming out of Sutton and the other actor,
• 8:10
  Speaker 1: the Broadway actor who was faniastic, and I just I
• 8:14
  Speaker 1: roared at the I like, I like where Dan's head
• 8:19
  Speaker 1: goes with his with the absurd nature of his comedy
• 8:25
  Speaker 1: archives and the way he puts everything together. I just
• 8:28
  Speaker 1: I found it hysterically funny. I really did.
• 8:32
  Speaker 5: I remember watching it eight years ago and thinking this
• 8:35
  Speaker 5: is meanful.
• 8:37
  Speaker 2: Why am I watching?
• 8:38
  Speaker 5: And I was a fan of Bunhead, so I knew
• 8:40
  Speaker 5: I loved Sutton Foster and Bunhead, so I was down
• 8:43
  Speaker 5: with Sutton Foster being you know in the show. It
• 8:46
  Speaker 5: was way too long. I mean I watched the whole musical.
• 8:49
  Speaker 5: It was number after number, and I was lora LILRELI
• 8:54
  Speaker 5: is like, what is this garbage?
• 8:56
  Speaker 1: Yeah? But what did she? She almost said the effort
• 8:58
  Speaker 1: in the top member when Shutton turns around the first
• 9:00
  Speaker 1: time and and we cut to Lauren, she goes, what
• 9:04
  Speaker 1: the fuh? Okay?
• 9:09
  Speaker 2: He was good because she was me. I was like,
• 9:11
  Speaker 2: what is this? It just was so long, though, Scott,
• 9:15
  Speaker 2: it was.
• 9:16
  Speaker 1: So for me. I could have sat there all night
• 9:19
  Speaker 1: and watched what. I loved every moment of that. I
• 9:25
  Speaker 1: rewound it and I watched it again. No, I just
• 9:28
  Speaker 1: appreciate how difficult it is to act and write something
• 9:36
  Speaker 1: and direct something that's supposed to be bad but it's
• 9:39
  Speaker 1: actually really entertaining. How are you and make it funny
• 9:44
  Speaker 1: like that? That is I mean to me that some
• 9:47
  Speaker 1: of the best writing Dan has executed in this entire series.
• 9:56
  Speaker 1: It was like, yes, I mean he wrote the lyrics
• 10:00
  Speaker 1: to those songs.
• 10:02
  Speaker 5: The concept, now, that part's pretty amazing. But yet it's
• 10:04
  Speaker 5: so bad and I didn't want it. But like I
• 10:08
  Speaker 5: didn't want it.
• 10:09
  Speaker 1: I wanted the whole thing to be that. I wish
• 10:11
  Speaker 1: the whole thing was that. And I think the absurdity
• 10:13
  Speaker 1: of the beginning with the Southern bell stuff got us
• 10:16
  Speaker 1: a little lubricated for it, you know what I mean,
• 10:18
  Speaker 1: It's like here it comes.
• 10:20
  Speaker 2: Okay.
• 10:22
  Speaker 1: Of course I shouldn't have said lubricated. That is a
• 10:24
  Speaker 1: very bad choice.
• 10:28
  Speaker 5: First of all, I think in the first part of
• 10:29
  Speaker 5: the show, they're at the pool and they're still sort
• 10:32
  Speaker 5: of themselves. I think it's when we go back to
• 10:34
  Speaker 5: the pool that they're like the Southern bells with the
• 10:37
  Speaker 5: two kids. That was weird too, the two kids like
• 10:41
  Speaker 5: holding the umbrellas and opening their drinks and like marching
• 10:44
  Speaker 5: them through town.
• 10:45
  Speaker 2: It was just extraordinarily bizarre.
• 10:48
  Speaker 1: But what I liked about it is that is that
• 10:51
  Speaker 1: Dan Okay, Dan had an idea. He went to the
• 10:55
  Speaker 1: end of that idea. It's like a choice that you
• 10:58
  Speaker 1: make in acting. If you're going to make a choice,
• 11:00
  Speaker 1: go to the end of it. Commit to it, and
• 11:02
  Speaker 1: that's what I appreciate. This is what I appreciated so
• 11:05
  Speaker 1: much about this episode is that that Dan committed to
• 11:09
  Speaker 1: the vision and sometimes it didn't work so well and
• 11:14
  Speaker 1: other times it worked beautifully. And I love risk taking
• 11:18
  Speaker 1: in art because that's what it's all about.
• 11:21
  Speaker 2: And it's terrible. Though it's terrible, it's not okay, So
• 11:25
  Speaker 2: let's talk about a few more of.
• 11:28
  Speaker 1: Art. It was. It was courageous and oftentimes brilliant.
• 11:32
  Speaker 5: A couple of notes about the top. So we do
• 11:35
  Speaker 5: see that Laurels reading Wild. We see that Laurel is
• 11:38
  Speaker 5: reading Wild.
• 11:38
  Speaker 1: Yes, we see that.
• 11:39
  Speaker 2: Okay, you know, I hate the whole Wild thing. I
• 11:42
  Speaker 2: hate that She's like, I'm going to do wild? Do Wild?
• 11:46
  Speaker 1: What?
• 11:46
  Speaker 2: So? So that just and so that's my cringe on
• 11:50
  Speaker 2: the next episode.
• 11:52
  Speaker 1: I just think that's Dan and Amy. Look, you got
• 11:56
  Speaker 1: to break everything apart to put it back all together again, right,
• 11:59
  Speaker 1: That's yeah, that's true. Storytell let's let's let's give you know,
• 12:03
  Speaker 1: the audience the fear of death, that these characters are
• 12:07
  Speaker 1: going away, and Michelle's going away, Suki's not there, everybody's
• 12:11
  Speaker 1: losing their minds and Logan's history and they break up
• 12:15
  Speaker 1: and it's all just coming apart at and Laurel. I
• 12:19
  Speaker 1: won't give permission for Rory to write the book, and.
• 12:22
  Speaker 2: It's we'll talk about it.
• 12:26
  Speaker 1: I mean it was. And you know Emily, Emily's got
• 12:28
  Speaker 1: a new boyfriend and everybody's freaking out, and Louis, you
• 12:34
  Speaker 1: know what I'm saying.
• 12:35
  Speaker 5: You make a great point, right, this is the crumbling. Okay,
• 12:38
  Speaker 5: So let's talk about a few things. First of all,
• 12:40
  Speaker 5: I felt Jess Milow was totally underutilized in this episode.
• 12:45
  Speaker 2: I'm sorry, I.
• 12:45
  Speaker 1: Mean it was. It was. It was an odd scene
• 12:48
  Speaker 1: because and I know we're jumping around, but the thing
• 12:50
  Speaker 1: that really jumped out at me is keep going jump around.
• 12:53
  Speaker 1: They haven't seen each other in four years and she
• 12:56
  Speaker 1: doesn't even get up to give him a hug.
• 12:58
  Speaker 2: This was bizarre and reveal. I love that he suddenly
• 13:01
  Speaker 2: is revealed, but.
• 13:02
  Speaker 1: Where's the like, hey, friend, where's the hug?
• 13:05
  Speaker 2: Well, and first of all, she loves him. The last
• 13:08
  Speaker 2: we left off, she loved him so like, yeah's hug,
• 13:14
  Speaker 2: where's the connection? That was so odd?
• 13:17
  Speaker 1: It was and the scene itself was so awkward.
• 13:20
  Speaker 2: And also the stars Alow Gazette is a cool thing. Right,
• 13:24
  Speaker 2: it's always been a cool paper.
• 13:26
  Speaker 5: There's no way like three one hundred year olds are
• 13:29
  Speaker 5: working at the stars like the paper was cool, So
• 13:31
  Speaker 5: it's like.
• 13:32
  Speaker 2: Make it a little bit more cool.
• 13:33
  Speaker 5: I do love the idea that to me, there was
• 13:37
  Speaker 5: something there there, right, like, oh, she's going to go
• 13:39
  Speaker 5: and run the paper and let's see what happens from that.
• 13:42
  Speaker 2: Like, don't make it so lame anyway.
• 13:45
  Speaker 1: Here's another thing about the rory is she's drinking like
• 13:49
  Speaker 1: a fish. Every time you turn around, she's pouring another
• 13:51
  Speaker 1: glass of whiskey for it herself. So these are characters
• 13:54
  Speaker 1: we don't recognize anymore. They're going into places we don't
• 13:57
  Speaker 1: want them to go, right, And that's part of the
• 14:00
  Speaker 1: brilliance of it, because, man, are you're really deconstructing this
• 14:04
  Speaker 1: show you're putting in this I mean that theater, those
• 14:08
  Speaker 1: theater numbers were better by a magnitude than any film
• 14:14
  Speaker 1: by Kirk and the only Apples and Oranges. That's Apples
• 14:20
  Speaker 1: and Oranges. Well, listen, it just the amount of rehearsal
• 14:25
  Speaker 1: that took, the years and years and years of practice
• 14:32
  Speaker 1: from Sutton to get to that point.
• 14:34
  Speaker 5: Fact you're coming at it from a different perspective, right,
• 14:38
  Speaker 5: you're looking at as like this amazing production, and Dan
• 14:41
  Speaker 5: wrote a full musical within a Gilmore Girls episode, and
• 14:45
  Speaker 5: Sutton Foster is amazing. All of that is true. For me,
• 14:48
  Speaker 5: it was just like, what am I watching? This is
• 14:50
  Speaker 5: not Gilmore Girls.
• 14:51
  Speaker 2: I don't like this. I'm totally bored by twenty minutes
• 14:55
  Speaker 2: of a music.
• 14:56
  Speaker 1: Don't you think that Amy and Dan felt the same
• 14:59
  Speaker 1: way nine years later. They're artists, they're creating new things.
• 15:05
  Speaker 1: They want to do new things, they want to challenge
• 15:07
  Speaker 1: themselves to do new and go in different areas. Now
• 15:10
  Speaker 1: they're doing this. They agreed to do it. So the
• 15:12
  Speaker 1: only thing that's going to keep them interested in doing
• 15:14
  Speaker 1: it is to experiment with these characters and see what
• 15:18
  Speaker 1: they can do with these characters. Now, we may or
• 15:21
  Speaker 1: may not agree or like what happened to some of
• 15:24
  Speaker 1: the characters some of the times, but we're talking about Summer,
• 15:28
  Speaker 1: and I'm talking about two writers who are talented beyond belief,
• 15:35
  Speaker 1: who were pretty much given free reign, and I think
• 15:38
  Speaker 1: they took it right up to the limit where you know,
• 15:41
  Speaker 1: Warner Brothers or Netflix is going to say or start
• 15:44
  Speaker 1: giving notes again and saying you guys, are going over
• 15:47
  Speaker 1: the line here, we can't accept this kind of writing.
• 15:50
  Speaker 1: And I think they took it right up to the
• 15:52
  Speaker 1: edge about where they could get away with. I don't
• 15:54
  Speaker 1: really know how much autonomy they had. I'm sure they
• 15:56
  Speaker 1: had a lot, and that was part of their deal.
• 16:00
  Speaker 2: Like Netflix would have let them do whatever they want.
• 16:02
  Speaker 1: Yeah, I kind of I'm kind of in that camp
• 16:04
  Speaker 1: as well. And I think they just had they wrote
• 16:08
  Speaker 1: the pieces that interested them and expressed the characters expressed.
• 16:14
  Speaker 1: They expressed themselves to their characters the way they wanted
• 16:17
  Speaker 1: to do it and what they wanted to say, characters
• 16:20
  Speaker 1: that they felt were underdeveloped, like Paris maybe a little bit.
• 16:25
  Speaker 1: And let's see, And isn't she going to be more
• 16:27
  Speaker 1: fun to write for nine years later than than than Rory? Right?
• 16:33
  Speaker 1: Or you know what I'm saying.
• 16:34
  Speaker 5: So there's they think they're definitely struggling with what to
• 16:37
  Speaker 5: do with Rory.
• 16:39
  Speaker 1: Well there's not What can you do?
• 16:41
  Speaker 2: Right, It's just like a mess. It's kind of a mess.
• 16:43
  Speaker 5: Right, Well, you could have done a lot of things.
• 16:45
  Speaker 5: Have her be with Logan, that was some that would
• 16:49
  Speaker 5: have been an option. I don't know, have her be
• 16:51
  Speaker 5: with Logan.
• 16:52
  Speaker 1: Now I understand why they did what they did, because
• 16:55
  Speaker 1: there's no way after how many reunit union movies or
• 17:01
  Speaker 1: TV films have you seen that are so dead on
• 17:06
  Speaker 1: with what they used to do, trying to mimic what
• 17:09
  Speaker 1: used to be, and the characters are twenty years older,
• 17:12
  Speaker 1: they're ten years older, and it just doesn't work, and
• 17:15
  Speaker 1: it's a really lame attempt. At least they attempted something different,
• 17:19
  Speaker 1: you know what I'm saying. They showed artistic courage, They
• 17:22
  Speaker 1: went to the integree in some of these characters.
• 17:34
  Speaker 2: It brings to mind what they did with Sex and the.
• 17:36
  Speaker 5: City, because you're the reboot is very, very different than
• 17:42
  Speaker 5: the original, and a lot of people were like shook
• 17:45
  Speaker 5: up by that, But I think you're correct and that
• 17:48
  Speaker 5: it really doesn't work if you don't evolve it in
• 17:52
  Speaker 5: some way. That being said, okay, let's sort of talk
• 17:55
  Speaker 5: a little bit more. First of all, the logan stuff,
• 18:02
  Speaker 5: it's compelling, but it's also like just a it's just
• 18:08
  Speaker 5: you're right, it's so it's sort of heartbreaking and crumbling
• 18:12
  Speaker 5: and messy.
• 18:14
  Speaker 1: Well, he's a guy who made a choice and he
• 18:18
  Speaker 1: put it all out there on the line, and he
• 18:21
  Speaker 1: got rejected and he moved on with his life and.
• 18:25
  Speaker 5: What do you think about the fact that he wants
• 18:26
  Speaker 5: to fully have an affair with Rory.
• 18:28
  Speaker 2: He's like, nothing has to change.
• 18:30
  Speaker 1: They're in love. What's wrong with Yeah, but it's just
• 18:32
  Speaker 1: it's just also mess It's but you know, do we
• 18:37
  Speaker 1: want to sit around and watch morality all day? No?
• 18:39
  Speaker 5: I've enjoying that storyline a lot. And actually, I will
• 18:45
  Speaker 5: tease that my favorite part of the entire four movies
• 18:50
  Speaker 5: is coming in the next episode with Logan anyway, But
• 18:55
  Speaker 5: it's just messy.
• 18:56
  Speaker 2: It's heartbreaking. Rory is a mess, right.
• 18:59
  Speaker 5: I did find it though in the in the opening
• 19:01
  Speaker 5: scene when everyone's like, welcome back, welcome back.
• 19:05
  Speaker 2: I'm not back. I'm not back, like you're back.
• 19:08
  Speaker 1: Rory, and yeah, that got a little old they went.
• 19:11
  Speaker 2: I still found that amusing.
• 19:13
  Speaker 1: I mean, the first three scenes it was all about
• 19:14
  Speaker 1: I'm back, I'm not back, I'm not back. Okay, we
• 19:17
  Speaker 1: got it, we got it.
• 19:18
  Speaker 2: Right, and then so what did you Okay, so let's
• 19:20
  Speaker 2: talk about April. So April, what do you think about.
• 19:22
  Speaker 1: I thought it was great.
• 19:24
  Speaker 2: You know, look again again, I think she's free.
• 19:27
  Speaker 1: Great, she's great, she's awesome actress, her comedic timing, is great.
• 19:33
  Speaker 1: She was funny. Her freak out in the bedroom again,
• 19:37
  Speaker 1: it was like, this is where they're taking this character.
• 19:42
  Speaker 1: This is a little it still doesn't feel. It's odd
• 19:49
  Speaker 1: to see these characters who are so good at wearing
• 19:52
  Speaker 1: that mask in life but then sort of being loose
• 19:57
  Speaker 1: and free around each other. Everybody seems to be breaking down.
• 20:00
  Speaker 1: It's like all of a sudden, she's in a room
• 20:02
  Speaker 1: and she comes in. She confesses, I didn't smoke pod.
• 20:04
  Speaker 1: I tried it once and.
• 20:07
  Speaker 5: This is the episode. Okay, so you know how to right,
• 20:11
  Speaker 5: you know how in a rom comm it's like.
• 20:13
  Speaker 2: Oh, here's our pretty cool couple and we love them.
• 20:16
  Speaker 5: And then always in act to you like there's a
• 20:19
  Speaker 5: catastrophe and there they're torn apart, you know, and then
• 20:24
  Speaker 5: the third act is like will they find their.
• 20:26
  Speaker 2: Way back to each other? Of course they do.
• 20:28
  Speaker 5: We are in the crumbling here, right, because Rory's crumbling,
• 20:33
  Speaker 5: lorelies really crumbling, Emily's crumbling. Logan is not crumbling, but
• 20:39
  Speaker 5: Logan and Rory are crumbling. April is sort of going
• 20:42
  Speaker 5: through her thing. You're pretty steady in that you're not
• 20:47
  Speaker 5: falling apart, but everything's sort of falling apart around you.
• 20:51
  Speaker 2: So this is the.
• 20:52
  Speaker 5: Episode if you looked at it holistically, of the four,
• 20:56
  Speaker 5: this is definitely like the plummet I think.
• 21:03
  Speaker 2: How you watch it too, Like.
• 21:06
  Speaker 5: I think maybe there was so much plummeting in this,
• 21:09
  Speaker 5: Like I really wanted Milo to be to suggest to say,
• 21:12
  Speaker 5: why did you drop out of Yale? You know what
• 21:15
  Speaker 5: I mean, like that kind of thing, like what are
• 21:17
  Speaker 5: you doing here?
• 21:19
  Speaker 1: Like i'n't really thinking. I don't think. I don't think
• 21:21
  Speaker 1: that needed three or four scenes in of those two
• 21:25
  Speaker 1: having intimate conversations.
• 21:27
  Speaker 2: That's the other thing. Why did we not get that
• 21:29
  Speaker 2: we got we.
• 21:29
  Speaker 1: Can't we can't get that right away in some superficial
• 21:32
  Speaker 1: one scene and they're drinking and thanks for lunch and
• 21:36
  Speaker 1: you know, and then he goes and tosses Luke's hat
• 21:39
  Speaker 1: off his head. It just it it was just an
• 21:42
  Speaker 1: appearance to to you know, it was a cameo, that's all. Yeah,
• 21:47
  Speaker 1: it was just a cameo. It wasn't developed. They didn't,
• 21:50
  Speaker 1: I get. I don't know if they wrote anything. You know,
• 21:53
  Speaker 1: I think I do remember doing more scenes with him
• 21:55
  Speaker 1: in this. I guess that's in the last one.
• 21:58
  Speaker 5: So so we're only focusing on it, right now with
• 22:00
  Speaker 5: what we've seen.
• 22:02
  Speaker 1: Yeah, so they just want to introduce them and you know,
• 22:05
  Speaker 1: reintroduce them and all that. But yeah, again, I will
• 22:08
  Speaker 1: say this again as separate it from think about it
• 22:13
  Speaker 1: like it's the first time you've ever seen been exposed
• 22:15
  Speaker 1: to the show. You haven't seen any episodes, you haven't
• 22:17
  Speaker 1: seen any of the series. You just flipped it on
• 22:20
  Speaker 1: and here's this thing and you're watching it. I'm telling
• 22:23
  Speaker 1: you it stands on its own, It can stand up
• 22:25
  Speaker 1: by itself as a really good piece of comedy. And
• 22:29
  Speaker 1: there's some really great drama in there. And if you
• 22:31
  Speaker 1: didn't know what was going on, if you didn't have
• 22:33
  Speaker 1: any idea what was happening with these characters prior and
• 22:37
  Speaker 1: you turn this on, you would be entertained.
• 22:39
  Speaker 5: It would be saying you have you watched Fall and
• 22:41
  Speaker 5: Winter or are you literally just watching Summer as a
• 22:44
  Speaker 5: solo episode?
• 22:45
  Speaker 1: Just like flipping around rando, there you go, boom, Oh
• 22:49
  Speaker 1: what's this? Yeah I heard about this show. Let's see
• 22:52
  Speaker 1: let's see Summer. Boom. And you know, you watch it
• 22:55
  Speaker 1: with your friends or your your wife or your husband
• 22:58
  Speaker 1: or whomever, and it's entertaining as hell.
• 23:01
  Speaker 2: Man, I stop judging it.
• 23:04
  Speaker 1: Against the series because it's not fair and it makes.
• 23:07
  Speaker 5: Me nice, and I'm fully judging it against the series
• 23:10
  Speaker 5: and the characters, and I'm watching like people I know
• 23:13
  Speaker 5: and that are my people, like love, and I'm just like,
• 23:17
  Speaker 5: what is happening? I mean, you're right in that this
• 23:20
  Speaker 5: is that part where everything falls apart, because even Michelle
• 23:23
  Speaker 5: leaving and obviously that's upsetting to Lorlai, and Emily's going
• 23:27
  Speaker 5: through so many changes, and like.
• 23:29
  Speaker 1: Look, there's a natural inclination for any fan base or
• 23:33
  Speaker 1: for anybody right to reject something that isn't familiar to them.
• 23:40
  Speaker 1: Like I remember when Sylvester Stallone wanted to your drama
• 23:43
  Speaker 1: and people were like no. His agents are like, no,
• 23:46
  Speaker 1: don't do that, Please, don't do that. And he wanted
• 23:49
  Speaker 1: to work with Robert de Niro. So he did that
• 23:51
  Speaker 1: film with Robert de Niro and he was really great
• 23:53
  Speaker 1: in it.
• 23:54
  Speaker 2: By the way, you can argue Rocky as a drama
• 23:57
  Speaker 2: in my opinion.
• 23:57
  Speaker 1: But I'm saying that's that's that's a you know, playing
• 24:01
  Speaker 1: the hero character, playing you know, the formulaic type of
• 24:05
  Speaker 1: film where the hero wins and he goes through all
• 24:07
  Speaker 1: the struggles of hell, and you know that kind of thing.
• 24:11
  Speaker 1: So it's like the fan base doesn't want to see
• 24:14
  Speaker 1: these characters in unfamiliar settings, which this whole thing was
• 24:18
  Speaker 1: unfamiliar settings and acting in unfamiliar ways. They don't want
• 24:21
  Speaker 1: to see if they don't want to accept it. I
• 24:23
  Speaker 1: get that. I just wanted to. I just wanted to
• 24:27
  Speaker 1: enjoy my hour and a half and not judge it
• 24:30
  Speaker 1: against the series. And it was very freeing and very liberating,
• 24:34
  Speaker 1: and I enjoyed the hell out of it. So I
• 24:35
  Speaker 1: would ask fans to go back and watch it in
• 24:38
  Speaker 1: that context and see if you can get something out
• 24:40
  Speaker 1: of it, just for it's hard to forget about these
• 24:44
  Speaker 1: characters and what came before. Just try to say, oh, well,
• 24:49
  Speaker 1: I'm gonna give us a chance, this is my virgin
• 24:52
  Speaker 1: view of it, and enjoy it, because I did. I
• 24:55
  Speaker 1: really enjoyed this ride.
• 25:00
  Speaker 5: I mean, I guess if I could have watched it
• 25:01
  Speaker 5: and just been like, I just think it's impossible to
• 25:04
  Speaker 5: not care about these characters.
• 25:07
  Speaker 2: I care about it.
• 25:08
  Speaker 1: I don't care.
• 25:09
  Speaker 2: I guess you've done that.
• 25:11
  Speaker 1: I've let it go, and I don't want to place
• 25:14
  Speaker 1: judgment on I want. I want. What's thrilling to me
• 25:18
  Speaker 1: is an artist taking chances, and Dan took a lot
• 25:25
  Speaker 1: of chances in this. He risked everything and I appreciate that,
• 25:30
  Speaker 1: and I think that takes a lot of courage and
• 25:32
  Speaker 1: a lot of creative energy. And I think that the
• 25:36
  Speaker 1: end result for me was, Wow, what a pair of
• 25:41
  Speaker 1: balls on this guy? You know what I mean?
• 25:43
  Speaker 5: Sure, sure, yeah, But I did not get that same
• 25:47
  Speaker 5: thing because I'm not like wow, I'm just like, Okay,
• 25:50
  Speaker 5: I just watched twenty minutes of Sutton Foster, and I
• 25:53
  Speaker 5: like Sutton Foster. I love Younger. I didn't particularly love
• 25:57
  Speaker 5: her in this. I loved her and bun Heads Turn Younger.
• 26:01
  Speaker 1: She had a great scene with Laurla waiting for her outside.
• 26:05
  Speaker 2: The Smoke's fantastic.
• 26:07
  Speaker 1: She's a great actress. You could see you could see
• 26:10
  Speaker 1: how good an actress she is in that scene, and
• 26:13
  Speaker 1: you can see how good a singer and dancer she is.
• 26:15
  Speaker 1: And she's funny as hell.
• 26:16
  Speaker 2: Yeah, of course she's all those things.
• 26:18
  Speaker 1: But I didn't She's like, she's like a triple threat singing, dancing, acting.
• 26:22
  Speaker 1: I mean, it's like those are rare, and I now
• 26:26
  Speaker 1: I can see why Amy Once is writing a whole
• 26:31
  Speaker 1: Broadway show for her.
• 26:32
  Speaker 2: Of course, of course, of course it's brilliant.
• 26:35
  Speaker 1: She's brilliant.
• 26:36
  Speaker 2: Yes, she totally is. She's she is.
• 26:39
  Speaker 1: The art form itself as a way to deliver comedy
• 26:43
  Speaker 1: is probably unmatched. Okay. It's hype in theater with music
• 26:49
  Speaker 1: and and the and and the historical perspective and and
• 26:53
  Speaker 1: the comedy injected into Dan's writing, and these songs and
• 26:57
  Speaker 1: these lyrics in this show had me in stitches. I
• 27:00
  Speaker 1: mean I was roaring with laughter.
• 27:01
  Speaker 5: I think this was the like beta test for what
• 27:06
  Speaker 5: they did with Missus Mazel, because I actually think that
• 27:08
  Speaker 5: is brilliant and they did get it right. This just
• 27:11
  Speaker 5: feels all kinds of weird to me.
• 27:14
  Speaker 1: You know what it is? Dan's an iconoclast. I think
• 27:16
  Speaker 1: at their soul at heart, Amy and Dan aren't iconoclasts, Okay, And.
• 27:24
  Speaker 2: I don't really know what that word means. I'm not
• 27:26
  Speaker 2: gonna lie, I don't really know what that word means.
• 27:28
  Speaker 2: Does that work mean.
• 27:29
  Speaker 1: They like to tear down idols?
• 27:32
  Speaker 2: Oh? Okay?
• 27:33
  Speaker 1: Icons? Right, they're iconoclastic?
• 27:36
  Speaker 5: Okay, yeah, yeah, I mean you see that in some
• 27:38
  Speaker 5: of the pop culture too.
• 27:40
  Speaker 1: Yeah, sure, that's what that's what it is. It's got
• 27:42
  Speaker 1: that edge in that bite.
• 27:44
  Speaker 2: That is what.
• 27:45
  Speaker 5: I think they missed it a hint on this because
• 27:48
  Speaker 5: the pool scenes are mean.
• 27:52
  Speaker 2: There's a little bit too mean. So yes, I get it,
• 27:54
  Speaker 2: they tried it could kind of be funny.
• 27:56
  Speaker 1: Right, Okay, I get And nobody else has a right
• 28:00
  Speaker 1: to deconstruct or tear down monuments unless they created them.
• 28:07
  Speaker 1: And they created them. Okay, they created them, and now
• 28:13
  Speaker 1: they're just trying to find other dimensions of this show
• 28:18
  Speaker 1: to explore with these characters, other dimensions of these characters
• 28:21
  Speaker 1: to explore, and they just did their thing. It might
• 28:27
  Speaker 1: have pissed me off a little bit, you know, seeing
• 28:30
  Speaker 1: Luke dumb down like that.
• 28:31
  Speaker 2: They tried that brings us to that Luke.
• 28:34
  Speaker 1: At least they tried something. They tried something.
• 28:45
  Speaker 2: What did you feel about Luke in this episode?
• 28:49
  Speaker 1: I thought he was Luke.
• 28:50
  Speaker 2: I thought it was Yeah, he was wasted a little bit.
• 28:53
  Speaker 2: I just didn't feel like there was enough. It was
• 28:56
  Speaker 2: just not enough for me.
• 28:57
  Speaker 5: I was sort of like, he's just sort of bouncing
• 29:00
  Speaker 5: off Laura is sort of imploding.
• 29:02
  Speaker 1: But if they're if Amy and Dan or Dan are
• 29:07
  Speaker 1: are not inspired to write for Luke in summer, how
• 29:11
  Speaker 1: can that You can't force them to do it? Nobody
• 29:14
  Speaker 1: can force them to do it. They wanted to write
• 29:18
  Speaker 1: or Dan wanted to write for Sutton Foster, he wanted
• 29:20
  Speaker 1: to write for Laurla. He wanted to write, you know,
• 29:23
  Speaker 1: the focus is on these uh again.
• 29:26
  Speaker 2: Is pretty much still Laurel.
• 29:27
  Speaker 1: I right, it's the generations, right, it's it's grandma and
• 29:31
  Speaker 1: mother and daughter's that's what they're focusing.
• 29:33
  Speaker 5: Yes, that is correct, and I'm okay with that. I
• 29:36
  Speaker 5: don't mind seeing Emily's journey. I actually was not as
• 29:39
  Speaker 5: off put by Emily having the sort of boyfriend, and
• 29:42
  Speaker 5: I actually enjoyed them imploding about it because LOURAI, because
• 29:47
  Speaker 5: that is what she would do, That is what a
• 29:49
  Speaker 5: daughter would do.
• 29:50
  Speaker 2: It feels a little too soon. It's like, oh God,
• 29:53
  Speaker 2: what's happening.
• 29:54
  Speaker 5: Your whole life's disrupted, which is also why she's imploding.
• 29:58
  Speaker 5: Like she's not just imploding over like Michelle leaving or Luke.
• 30:03
  Speaker 2: It's all of it.
• 30:04
  Speaker 5: It's losing her father, it's a relationship with her mother,
• 30:06
  Speaker 5: it's Rory, Like I don't I frankly think she's super
• 30:09
  Speaker 5: concerned that, Like Rory's so not finding her way right,
• 30:12
  Speaker 5: like Rory's coming home, Like even how calm she is
• 30:16
  Speaker 5: about the logan thing.
• 30:18
  Speaker 2: It's like she's just sort of like shutting down.
• 30:21
  Speaker 1: The bigger the obstacle, the more thrilling it is to
• 30:24
  Speaker 1: watch somebody come back from it, right.
• 30:27
  Speaker 5: So we're so is your intention by saying that, like
• 30:31
  Speaker 5: we're gearing up for the finale, which will be Fall,
• 30:36
  Speaker 5: and we kind of had to have this to get
• 30:38
  Speaker 5: to Fall.
• 30:39
  Speaker 1: Yep, that's right, because it's for them. It's a four
• 30:43
  Speaker 1: part opus, right, it's.
• 30:45
  Speaker 2: Four parts for them, right right, right.
• 30:48
  Speaker 1: And they have to get to the end of it.
• 30:51
  Speaker 5: Do you think the way to watch this, if someone could,
• 30:55
  Speaker 5: would be to take six hours and just sit there
• 30:58
  Speaker 5: and watch it as a whole, because is the problem
• 31:01
  Speaker 5: like that we went away for a week and then
• 31:04
  Speaker 5: I watched Summer and I'm like, eh, which is like
• 31:07
  Speaker 5: because it was bingeable, right, So I bet you super
• 31:10
  Speaker 5: fans just cranked it out like it was one big
• 31:13
  Speaker 5: six hour marathon.
• 31:15
  Speaker 1: M you know. Yeah. I mean, if you go to
• 31:17
  Speaker 1: see Beethoven's Ninth, you don't leave, and then tomorrow we'll
• 31:22
  Speaker 1: come back and we'll hear the coral part of it.
• 31:26
  Speaker 1: You know, it's a lot, that's a big chunk. It's
• 31:28
  Speaker 1: six hours a big chunk of time. But I mean
• 31:29
  Speaker 1: people do it, and they did it on this. They
• 31:32
  Speaker 1: binged this. Six hours was nothing to them because they'd
• 31:35
  Speaker 1: binge it for you know.
• 31:36
  Speaker 5: I bet you a lot of people match hours at
• 31:38
  Speaker 5: a time sharp, yeah, or over two days. They might
• 31:40
  Speaker 5: have watched three hours on Saturday, three hours on Sunday,
• 31:42
  Speaker 5: and they had the whole thing. I think I watched
• 31:43
  Speaker 5: it fairly quickly. I didn't take a lot of time
• 31:48
  Speaker 5: when I watched it the first time. I'm taking more
• 31:50
  Speaker 5: time this time, which may be why summer.
• 31:52
  Speaker 1: I was like, oh, and I think if I ever
• 31:54
  Speaker 1: find six hours that I can afford, I will sit
• 31:58
  Speaker 1: down and watch this back to back, just because I'm fascinated.
• 32:01
  Speaker 2: It, right, Because then you really, I'm really.
• 32:03
  Speaker 1: Fascinated with it now, because look, at the end of
• 32:06
  Speaker 1: the day, Amy and Dan have to entertain themselves. If
• 32:10
  Speaker 1: they don't like it, if they're not engaged, if they're
• 32:12
  Speaker 1: not passionate about what they're putting down on the page,
• 32:14
  Speaker 1: you ain't going to make it on the page. And
• 32:16
  Speaker 1: this is what made it on the page, right, This
• 32:18
  Speaker 1: is what they wanted to say, and I respect it.
• 32:21
  Speaker 1: I and I just think you get to see you
• 32:28
  Speaker 1: get to see why the show was so great in
• 32:30
  Speaker 1: the series because of the talent.
• 32:32
  Speaker 2: They're so clever.
• 32:34
  Speaker 5: I respect you respecting it, like I like that you
• 32:37
  Speaker 5: like it I and it's making any sort of question things,
• 32:41
  Speaker 5: but I still am going to stay strong on this
• 32:44
  Speaker 5: is not my favorite.
• 32:45
  Speaker 2: Like it's mean.
• 32:47
  Speaker 5: I do not like I don't know why they're acting
• 32:48
  Speaker 5: like Southern bells with like two children, Like that's weird
• 32:52
  Speaker 5: walking through town, it's weird.
• 32:55
  Speaker 2: The meanness.
• 32:58
  Speaker 5: It was not crazy about the the Milo I was
• 33:01
  Speaker 5: not crazy about and that the Broadway Show or Stars
• 33:06
  Speaker 5: Hollow Show was so long, and I like Lorali was
• 33:11
  Speaker 5: like I don't get it, Like I didn't get it
• 33:13
  Speaker 5: at all. I was like, I don't even understand what
• 33:16
  Speaker 5: this is. Like if I pretend I just watched only
• 33:19
  Speaker 5: Sutton Foster, I would be like, I totally I don't
• 33:23
  Speaker 5: even know what that was about, Like what was that about.
• 33:26
  Speaker 1: It was the history of Stars Hollow and Song, and
• 33:30
  Speaker 1: it was Pilgrims, and then it was the Revolutionary War,
• 33:33
  Speaker 1: and then it was the Industrial Lege and then it
• 33:35
  Speaker 1: was the seventies. It was fantastic. I didn't follow so great.
• 33:40
  Speaker 1: It was so wacky and great. I was so happy.
• 33:44
  Speaker 2: I did love that, Laurel. I didn't like it, and
• 33:47
  Speaker 2: everyone else loved it, and I know, I know that
• 33:50
  Speaker 2: it is kind of amusing, but I didn't get it.
• 33:53
  Speaker 5: I am lorrili because I was like, I don't I
• 33:55
  Speaker 5: don't even understand what's happening.
• 33:58
  Speaker 2: What is this so bad?
• 34:01
  Speaker 1: Bad?
• 34:03
  Speaker 6: Oh?
• 34:03
  Speaker 1: No, no, come on? Some of those lines in there
• 34:05
  Speaker 1: that they were brother and sister and.
• 34:07
  Speaker 2: I didn't get it. I couldn't even really follow it.
• 34:10
  Speaker 1: And it's not illegal yet.
• 34:12
  Speaker 5: I didn't follow any of this. You're smarter than me
• 34:15
  Speaker 5: because I was so like, I don't get it. I
• 34:17
  Speaker 5: couldn't even really hear it. I was like, I don't
• 34:19
  Speaker 5: understand what they're talking about. I'm not following a story.
• 34:22
  Speaker 5: I'm not getting a storyline. I'm not even I couldn't
• 34:24
  Speaker 5: tell you what was in any of those songs.
• 34:26
  Speaker 1: Listen. There's nothing funnier than bad poetry and a context
• 34:32
  Speaker 1: or a bad song. Remember, remember Okay. This reminded me
• 34:35
  Speaker 1: of that film Arthur where Dudley Moore falls in love
• 34:38
  Speaker 1: with Derek and in order to find out where bo
• 34:41
  Speaker 1: Derek went on her honeymoon, Yeah, he visits the priest.
• 34:46
  Speaker 2: I remember that I've been you know.
• 34:49
  Speaker 1: And Dudley Moore places a hit songwriter right and and
• 34:53
  Speaker 1: the priest gets all excited. He goes, you know, I'm
• 34:55
  Speaker 1: a bit of a writer. He sings in that song
• 34:58
  Speaker 1: like my heart is a thumping thing.
• 35:03
  Speaker 2: You're into you like this stuff? This is all I
• 35:06
  Speaker 2: can tell you.
• 35:07
  Speaker 5: I've watched this now twice and the only takeaway I
• 35:10
  Speaker 5: get from the Broadway show is sort of sutt and
• 35:12
  Speaker 5: Foster like, no, no, no, no, no, no, no no, I'm
• 35:16
  Speaker 5: sudden Foster, like that's all I see here, Like nothing
• 35:20
  Speaker 5: lands on me other than like more sudden Foster.
• 35:23
  Speaker 1: But can you listen to the lyrics of the songs?
• 35:26
  Speaker 2: I couldn't hear it. And I don't mean I couldn't
• 35:29
  Speaker 2: hear it like my ears work. I couldn't hear it.
• 35:33
  Speaker 1: Like I just was like, I don't go back and
• 35:36
  Speaker 1: just watch that stuff again and listen to the lyrics
• 35:39
  Speaker 1: of the song.
• 35:41
  Speaker 2: I'll try, I'll try Miracle.
• 35:43
  Speaker 5: I was pleasantly surprised by the therapist being a good singer.
• 35:46
  Speaker 5: That was random, the therapist and the one. Okay, so
• 35:50
  Speaker 5: all right, so so enough for today, So everybody listening,
• 35:53
  Speaker 5: We're gonna continue by bringing in the crew in the
• 35:57
  Speaker 5: next episode, and and we'll break it down see by scene.
• 36:00
  Speaker 2: But I just felt like it was so bizarre. Oh yes,
• 36:02
  Speaker 2: Scott take us Out was some bad song.
• 36:08
  Speaker 1: I appreciate him.
• 36:09
  Speaker 2: Valatino, I didn't get it at all, experimenting around when
• 36:14
  Speaker 2: these characters we love so much. All I saw was
• 36:18
  Speaker 2: Sutton Foster.
• 36:19
  Speaker 1: Come wake me up now? Why such a mess?
• 36:26
  Speaker 2: Why won't loget and break up with the fiance and
• 36:29
  Speaker 2: marry my girl?
• 36:31
  Speaker 5: Why is Loralai doing wild? Nothing is more annoying to me.
• 36:38
  Speaker 1: Amy's still confused.
• 36:44
  Speaker 2: She don't know what. I'm just up. I did not
• 36:47
  Speaker 2: get it at all.
• 36:49
  Speaker 1: Come on, help me lo, help me raise an so
• 36:55
  Speaker 1: she can see the last.
• 36:56
  Speaker 5: Am I super stupid because I did not get it
• 36:59
  Speaker 5: at all.
• 37:00
  Speaker 2: It's not stupid, will listeners, It's just.
• 37:07
  Speaker 1: You weren't in the mood and we gotta wait.
• 37:10
  Speaker 2: Haven't been in the mood at whiskey.
• 37:16
  Speaker 6: To us.
• 37:18
  Speaker 5: I do think Emily's boyfriend is kind of cute.
• 37:22
  Speaker 2: What boyfriend, dude that drives the mercedes. I don't know
• 37:25
  Speaker 2: if he's her boyfriend. He's great, he's great. No, I
• 37:29
  Speaker 2: like that guy.
• 37:30
  Speaker 1: And there's a funny bit between them when they got
• 37:33
  Speaker 1: to the funeral and and Lord and they were walking.
• 37:35
  Speaker 1: Ray's gonna stay in the car, and.
• 37:42
  Speaker 5: It was fune, can you sing us out? Send your
• 37:45
  Speaker 5: cards and letters? Oh, if your cards and letters come in.
• 37:51
  Speaker 2: All we'll rate this in the next episode.
• 37:56
  Speaker 1: And that's going to George. Let's fans a print, he
• 38:00
  Speaker 1: new cons and let it come home. We appreciate you all.
• 38:03
  Speaker 2: Now, thank you to munch Chip a crew of one.
• 38:07
  Speaker 1: Am a sugar Moon.
• 38:09
  Speaker 2: You gotta help it now, see you later.
• 38:12
  Speaker 1: Remember we and I I'm all in.
• 38:16
  Speaker 6: Stay safe, everybody, don't forget.
• 38:46
  Speaker 1: Follow us on Instagram at I Am all In podcast
• 38:50
  Speaker 1: and email us at Gilmore at iHeartRadio dot com.