Latest / I Do, Part 2 / Love Island (EP 2): Crying?! Already? It’s Only Been 24 Hours!

Transcript

Love Island (EP 2): Crying?! Already? It’s Only Been 24 Hours! · I Do, Part 2

• 0:02
  Speaker 1: Hey that folks. It is Thursday, June fourth, and Love
• 0:06
  Speaker 1: Island Season eight, episode two ended last night with a pricky,
• 0:11
  Speaker 1: big cliffhanger, and it appears one of two Islanders is
• 0:15
  Speaker 1: about to get kicked off. Is it gonna be the
• 0:18
  Speaker 1: cop who quit his job to be on the show,
• 0:22
  Speaker 1: or is it gonna be the girl that everybody seems
• 0:26
  Speaker 1: to be talking about? And with that, welcome to this
• 0:28
  Speaker 1: episode of Amy and TJ. She do we call the
• 0:32
  Speaker 1: star of the show yet Robes? Or she's the what
• 0:35
  Speaker 1: was it, hudah it was? Is she that? Already in
• 0:38
  Speaker 1: episode two.
• 0:39
  Speaker 2: We're talking about Kenzie and she's the most talked about,
• 0:43
  Speaker 2: but not for any of the reasons. She's gonna want
• 0:45
  Speaker 2: to hear because she's very intense, she's very expressive. Some
• 0:51
  Speaker 2: people might say she has crazy eyes. She's just a
• 0:55
  Speaker 2: lot and so, yes, everyone seems to be there're already memes.
• 0:59
  Speaker 2: My dog already sent me tiktoks about her, and I
• 1:02
  Speaker 2: think about you know what I said to Ava when
• 1:05
  Speaker 2: she sent me this TikTok yesterday, I said that poor
• 1:08
  Speaker 2: girl is going to leave the villa and she's going
• 1:10
  Speaker 2: to see all of this and of all the people
• 1:12
  Speaker 2: on that cast, she appears to be the least prepared
• 1:16
  Speaker 2: to handle it.
• 1:17
  Speaker 1: And it transitioned from episode one to us being a
• 1:22
  Speaker 1: little amused by her, a little annoyed by her, curious
• 1:27
  Speaker 1: about her, to a little sympathy for her because there
• 1:32
  Speaker 1: were some things we will get into in a second,
• 1:34
  Speaker 1: but we started to recognize that makes your heart go
• 1:37
  Speaker 1: out to her, and that's just the truth throats.
• 1:39
  Speaker 3: Yes, I agree.
• 1:40
  Speaker 2: However, this show ended season sorry, episode two ended with
• 1:45
  Speaker 2: her giving a massive eat shit look.
• 1:49
  Speaker 1: Yeah, and that was also coming from a herd place.
• 1:52
  Speaker 1: That was also we'll explain the bond byer here. I'll
• 1:54
  Speaker 1: get into that in a second. And again, the other
• 1:57
  Speaker 1: person that by the cliffhanger is Sean, the guy who's
• 2:00
  Speaker 1: and talked about so much because the mayor of his
• 2:02
  Speaker 1: town was pissed because he actually quit his job as
• 2:05
  Speaker 1: a police officer, hadn't even been on the job a
• 2:07
  Speaker 1: year full year, didn't appreciate they're down one in a
• 2:11
  Speaker 1: small town.
• 2:12
  Speaker 2: Yes, he moved to this small town to be closer
• 2:14
  Speaker 2: to his child, who was I guess with his former girlfriends.
• 2:19
  Speaker 2: So he had just moved there and said sea when
• 2:22
  Speaker 2: he got the opportunity to be on.
• 2:24
  Speaker 1: Love Island to some degree, we could understand that, given
• 2:26
  Speaker 1: with some police officers get paid. But still it's okay.
• 2:30
  Speaker 1: So this is where we are. Let me, we had
• 2:32
  Speaker 1: impressions after the first episode. Let me just ask off
• 2:35
  Speaker 1: the top, second episode and the books, just first impressions.
• 2:39
  Speaker 1: I know we'll get into some stuff, but just reaction
• 2:41
  Speaker 1: right off the top.
• 2:42
  Speaker 2: I mean, it's getting good. The drama is building, and
• 2:45
  Speaker 2: I'm just wondering aloud as I watched episode two, is
• 2:49
  Speaker 2: kissing now like a directive? Are they telling the contestants
• 2:53
  Speaker 2: the Islanders to kiss as often as possible?
• 2:56
  Speaker 3: Seems like it, and my.
• 3:00
  Speaker 1: First impression is getting close. I said it to you
• 3:02
  Speaker 1: several times throughout. I said, they're about to lose me,
• 3:06
  Speaker 1: that this kissing stuff is too much. I don't know
• 3:08
  Speaker 1: if they think it's hot or who. Maybe they can't
• 3:10
  Speaker 1: control what the Islanders do, but they are setting them
• 3:14
  Speaker 1: up in scenarios robes to encourage that.
• 3:17
  Speaker 2: You're choosing people with makeout sessions. That is a directive
• 3:22
  Speaker 2: from the producers. They don't say the person's name aloud,
• 3:25
  Speaker 2: they just start making out. And it got to the
• 3:27
  Speaker 2: point where and people are starting different characters. I shouldn't
• 3:32
  Speaker 2: say characters because they're playing themselves. But certain people are
• 3:36
  Speaker 2: starting to grow on us a little more than others.
• 3:38
  Speaker 2: But Kse, the nursing assistant at a nursing home, when
• 3:44
  Speaker 2: some of the kissing was going on, he looked to
• 3:46
  Speaker 2: his girl and said, I can't watch this now. It
• 3:47
  Speaker 2: was a tense situation, but still I felt him in
• 3:52
  Speaker 2: that moment.
• 3:52
  Speaker 1: It's awkward, it's too much. And the word that's being
• 3:56
  Speaker 1: thrown around most, I suppose is cringey, it's MS. I
• 4:01
  Speaker 1: don't know. Maybe I'm past whatever age to where I'm
• 4:05
  Speaker 1: the proof.
• 4:05
  Speaker 3: No, our younger kids are saying the same thing.
• 4:08
  Speaker 1: Oh but I just I do not understand this. And
• 4:12
  Speaker 1: they're thrown together in such a way. We're going to
• 4:13
  Speaker 1: talk about in cyclists do it now? The new feature
• 4:17
  Speaker 1: now where the bombshells take two people into the bed
• 4:21
  Speaker 1: and sleep with them that night. Well, I mean they're
• 4:24
  Speaker 1: setting up very sexual situations that I don't know why
• 4:29
  Speaker 1: they feel necessary a move mean to be edgier. Again,
• 4:33
  Speaker 1: it's their choice. I'm not the target audience, but man,
• 4:37
  Speaker 1: they're getting close to losing me.
• 4:38
  Speaker 2: Yeah, it's unnecessarily sexual and provocative when I think look
• 4:44
  Speaker 2: maybe when you get more invested in a relationship and
• 4:48
  Speaker 2: in a couple where you're rooting for them or you
• 4:50
  Speaker 2: like them, it won't be so awful to watch them
• 4:52
  Speaker 2: make out, but to see strangers awkwardly make out one
• 4:56
  Speaker 2: after the other. I don't know anybody who finds that
• 5:00
  Speaker 2: be a small segment who thinks that's hot. I think
• 5:02
  Speaker 2: most people think that's gross.
• 5:04
  Speaker 1: Right next to each other. Okay, it's a decision, a
• 5:08
  Speaker 1: conscious one they're making, and it continues, and it will continue,
• 5:11
  Speaker 1: the doors and the surprises. Are you Are you liking this?
• 5:15
  Speaker 1: I kind of not.
• 5:17
  Speaker 3: I think it's a cop out. It's you know what.
• 5:19
  Speaker 2: It seems like they're trying too hard to be cute,
• 5:22
  Speaker 2: and I think just let it be what it is.
• 5:24
  Speaker 2: It's a great concept. We love watching actual relationships, and
• 5:29
  Speaker 2: not just romantic ones, but platonic and see how people
• 5:32
  Speaker 2: figure things out in groups. All of it is incredibly
• 5:34
  Speaker 2: from a social experiment standpoint, fascinating to watch. We don't
• 5:38
  Speaker 2: need some of the gimmicky stuff that they've now added.
• 5:42
  Speaker 2: I don't know why to make it they think more interesting.
• 5:45
  Speaker 2: It is so fascinating in on its own right.
• 5:48
  Speaker 1: I think it's been great and I guess they'll always
• 5:50
  Speaker 1: say shows have to evolve, try new things. Maybe the stuff,
• 5:53
  Speaker 1: the stuff won't come back. This is the one off.
• 5:56
  Speaker 1: I don't know, but the drama, even of the doors,
• 6:01
  Speaker 1: ends up making me feel bad because it ends up
• 6:04
  Speaker 1: we've seen several people humiliated essentially with that's a good word.
• 6:07
  Speaker 2: Yes, you open a door and it's empty on the
• 6:10
  Speaker 2: other side because a person has literally ditched you.
• 6:12
  Speaker 1: Because and you not even facing the person who has
• 6:16
  Speaker 1: now hurt you. They're just gone.
• 6:18
  Speaker 2: I don't and even the people who left who wanted
• 6:21
  Speaker 2: to keep their options open, which by the way, is
• 6:23
  Speaker 2: totally understandable after having just met someone twenty four hours before,
• 6:27
  Speaker 2: even one of the contestants, and I believe it was Beatrice, Beatrice,
• 6:31
  Speaker 2: I want to say her name right, but she even
• 6:33
  Speaker 2: said I felt so bad because I thought when he
• 6:36
  Speaker 2: opened the door and didn't see me there, I'd be
• 6:37
  Speaker 2: able to come back and explain to him, hey, I
• 6:39
  Speaker 2: like you.
• 6:40
  Speaker 3: I still want to.
• 6:40
  Speaker 2: Keep the door open, literally like figuratively excuse me for
• 6:45
  Speaker 2: a potential romance. But I also wanted to see what
• 6:47
  Speaker 2: else was out there and to make him understand so
• 6:50
  Speaker 2: for him not to get any explanation, and for her
• 6:52
  Speaker 2: not to be able to give one, she even felt
• 6:54
  Speaker 2: bad about.
• 6:55
  Speaker 3: And I do think it's unnecessarily cruel.
• 6:57
  Speaker 1: It's reality show ghosting. You just got dumped. They just
• 7:01
  Speaker 1: disappeared and no explanation why.
• 7:04
  Speaker 3: And the world is watching and now you feel a fool.
• 7:07
  Speaker 1: Yeah, and that stuff Robes is apparently playing out.
• 7:11
  Speaker 3: And it does and it hasn't sat well with Kenzi.
• 7:13
  Speaker 1: Okay, let's get the King for Let's get the King. Yeah, okay,
• 7:17
  Speaker 1: did what did we see in episode one from Kensey
• 7:20
  Speaker 1: and Folks One Room when she's the young lady from
• 7:21
  Speaker 1: Kennesaw just graduate from nursing school. I believe in.
• 7:24
  Speaker 2: Kenesaw, Georgia, and we know, I mean, oh my goodness,
• 7:28
  Speaker 2: so many of my friends talk just like her, look
• 7:30
  Speaker 2: like her, like she's someone who we know right, Like
• 7:33
  Speaker 2: she's got that Southern charm. But she's very intense and
• 7:38
  Speaker 2: immediately her eyes just everything about her it's she wants
• 7:43
  Speaker 2: this so bad and you can feel it, and you're
• 7:45
  Speaker 2: almost like, I'm in my mind begging her to pull back,
• 7:49
  Speaker 2: save something for later. She's just putting it all out
• 7:52
  Speaker 2: there and you just can see her setting herself up
• 7:55
  Speaker 2: for disaster and to that point. Episode two opens with
• 8:01
  Speaker 2: her having just seen that the door on the other
• 8:03
  Speaker 2: side was empty, and her.
• 8:07
  Speaker 3: Guy Zach, went to go see what else was out there.
• 8:09
  Speaker 2: But she had been crying like she just ended a
• 8:13
  Speaker 2: two year relationships and so that was what was really
• 8:17
  Speaker 2: uncomfortable to watch.
• 8:19
  Speaker 1: Its spiral from the moment that door opened, it spiraled
• 8:22
  Speaker 1: for her the rest of the show.
• 8:24
  Speaker 2: Yes, in fact, I actually have a quote that she
• 8:26
  Speaker 2: said because she's so baffled as to why Zach would
• 8:29
  Speaker 2: have not been on the other side of the door
• 8:32
  Speaker 2: when he clearly stated you're not my type beforehand. But
• 8:36
  Speaker 2: she said, I like how I look. I feel like
• 8:38
  Speaker 2: I'm in love with myself. I just want to feel
• 8:41
  Speaker 2: like that about someone else. It was kind of weird.
• 8:44
  Speaker 1: You know, And I got, that's so funny you and
• 8:46
  Speaker 1: I wrote down the same quote. I got. I started
• 8:49
  Speaker 1: with it at a different part when she said, I'm
• 8:51
  Speaker 1: being beat down, but I know I'm attractive, I know
• 8:54
  Speaker 1: how I look. That's how she started it. I'm being
• 8:57
  Speaker 1: beat down, rote down twenty.
• 9:00
  Speaker 2: And he just went to go see if maybe someone
• 9:05
  Speaker 2: else might be a better fit.
• 9:07
  Speaker 1: Which is the point of the show. Yes, but Robes rejection,
• 9:12
  Speaker 1: rejection stings on all levels at any point. No, mch
• 9:17
  Speaker 1: she had known this dude for how many hours? Even?
• 9:20
  Speaker 1: Was it even ours?
• 9:22
  Speaker 3: No, it was it was hours.
• 9:23
  Speaker 2: But then it was so interesting to watch Kenzie have
• 9:26
  Speaker 2: the conversation with Officer Fancy Pants Sean. The two of
• 9:30
  Speaker 2: them were the ones who were left standing. They had
• 9:33
  Speaker 2: chosen their partners and their partners had not chosen them.
• 9:37
  Speaker 2: And Kenzie asked to Sean, were there warning signs?
• 9:40
  Speaker 3: What do you mean signs? You would only you had
• 9:43
  Speaker 3: just met hours? How could there?
• 9:45
  Speaker 2: I was like, if she's talking about signs she missed? Also,
• 9:49
  Speaker 2: he made a very clear one to her. He told
• 9:51
  Speaker 2: her he had never dated a blonde before and that
• 9:54
  Speaker 2: she wasn't his type. I don't That was him trying
• 9:57
  Speaker 2: to be as kind as he could, kind of letting
• 9:59
  Speaker 2: her know pretty early on. I don't think I'm that India.
• 10:03
  Speaker 1: Okay, where is it, though? Roe, I'm trying to give
• 10:05
  Speaker 1: this young lady some space. Man, I'm trying to and
• 10:09
  Speaker 1: I'm trying to. This is where the only place you
• 10:11
  Speaker 1: and I have talked about this plenty off microphone here
• 10:13
  Speaker 1: and so you know I'm in your camp of what
• 10:15
  Speaker 1: the hell young lady. I'm trying to put them now
• 10:19
  Speaker 1: in this pressure cooker of a reality show to where
• 10:22
  Speaker 1: I could be off this show tonight and be gone
• 10:25
  Speaker 1: from Fiji and miss all these opportunities and might not
• 10:27
  Speaker 1: be a superstar.
• 10:29
  Speaker 3: Right, That's probably the source of her.
• 10:31
  Speaker 1: Intensity, need something towards.
• 10:33
  Speaker 2: It working against her though, to have that In fact,
• 10:36
  Speaker 2: as we're still on the topic with Kenzy, can we
• 10:38
  Speaker 2: talk about her Lyne in the Gazelle. She said that
• 10:41
  Speaker 2: she wanted her man to be like a lion and
• 10:43
  Speaker 2: her to be a gazelle, and that she would be
• 10:45
  Speaker 2: chased and he was only chasing after her. And then
• 10:48
  Speaker 2: she went on because Sean made her breakfast that morning
• 10:50
  Speaker 2: because her guy was gone, and I guess he put
• 10:53
  Speaker 2: the eggs in the shape.
• 10:54
  Speaker 3: Of a heart. Yeah, she got so intensely giddy.
• 11:00
  Speaker 1: She was happy, you're excited, but.
• 11:02
  Speaker 3: In a cautionary way for men, cautionary like it.
• 11:06
  Speaker 2: Almost looked like single white female or fatal attraction. It
• 11:09
  Speaker 2: was like, next thing, you know, she's boiling a bunny.
• 11:12
  Speaker 2: Like That's what it felt like. It was just there
• 11:14
  Speaker 2: was an uncomfortable intensity even to her happiness.
• 11:18
  Speaker 1: This is we don't know the young lady. Of course,
• 11:21
  Speaker 1: we've only got two episodes that we've only gotten to
• 11:24
  Speaker 1: know her. But if somebody told me she had boiled
• 11:27
  Speaker 1: a bunny.
• 11:27
  Speaker 3: You'd believe it.
• 11:30
  Speaker 1: I don't think I'd be shocked there. This is not
• 11:34
  Speaker 1: an indictment of her as a person. It's an observation
• 11:39
  Speaker 1: of her behavior on the show right now, and from
• 11:42
  Speaker 1: what we're seeing Robes she is the kindest middle ground
• 11:47
  Speaker 1: way to put it is a lot.
• 11:50
  Speaker 2: Yes, and you were even saying, Wow, they knew who
• 11:52
  Speaker 2: they were casting, because look, I do think, yes, they
• 11:57
  Speaker 2: don't need some of the gimmicks that they've already started
• 12:00
  Speaker 2: to sprinkle throughout the show, because if cast well, you
• 12:03
  Speaker 2: can just let things play off. And clearly I think
• 12:06
  Speaker 2: it seems as though this will be an interesting cast
• 12:10
  Speaker 2: that they've put together.
• 12:11
  Speaker 1: You know, I thought about this. I'm not sure how
• 12:15
  Speaker 1: it's going to go with this last ceremony, right, somebody's
• 12:17
  Speaker 1: supposed to get kicked off.
• 12:19
  Speaker 3: Yes, that'll be tonight.
• 12:21
  Speaker 1: Oh yeah, of course that'll be tonight. I wonder will
• 12:24
  Speaker 1: they make any adjustments and what I mean by that
• 12:27
  Speaker 1: rogues if they notice or pay attention to Wow, everybody's
• 12:30
  Speaker 1: talking about Kennedy.
• 12:32
  Speaker 2: They don't want her to leave. I actually think having
• 12:35
  Speaker 2: her leave will make the show more boring.
• 12:38
  Speaker 1: I'm trying to think of the next most interesting character. Wow, actually,
• 12:44
  Speaker 1: who is the next most interesting character?
• 12:45
  Speaker 3: Casey?
• 12:46
  Speaker 2: Maybe from the nursing home like k Okay, I'm sorry,
• 12:48
  Speaker 2: I like Casey. He's got a great smile and you
• 12:50
  Speaker 2: know what he's not saying, what he's thinking. He's got
• 12:52
  Speaker 2: a big old grin on himself a lot of times,
• 12:54
  Speaker 2: and you're like, what's going on in that head? Also
• 12:56
  Speaker 2: should note still amazing favorite cast member is the narrator.
• 13:01
  Speaker 2: He has still been delivering some incredible funny one liners
• 13:05
  Speaker 2: that are clever and like, Casey had like a crocheted
• 13:09
  Speaker 2: looking tank and tank top, and we know he works
• 13:14
  Speaker 2: as a nursing assistant at a nursing home. He just said,
• 13:16
  Speaker 2: looks like one of his patients might have knitted him
• 13:18
  Speaker 2: a gift before he left.
• 13:20
  Speaker 3: I burst out laughing.
• 13:22
  Speaker 1: But yet this dude is doing this in real time. Yes,
• 13:25
  Speaker 1: he's seeing this video and reacting to what he's saying.
• 13:27
  Speaker 1: I bet he is so good live.
• 13:30
  Speaker 3: We got to get him on the show at some point.
• 13:32
  Speaker 1: He is.
• 13:33
  Speaker 2: He has been consistently our favorite character throughout and the
• 13:37
  Speaker 2: Bombshells have certainly added some very funny conversations.
• 13:41
  Speaker 3: We can get into some of these.
• 13:42
  Speaker 2: So each of the Bombshells got to steal, as you mentioned,
• 13:45
  Speaker 2: two people, and we got to watch them overnight in
• 13:48
  Speaker 2: a weird ass trio. But the conversations that they had
• 13:52
  Speaker 2: to try to get to know one another were hilariously entertaining.
• 13:56
  Speaker 1: What you do, it's awkward, You're thrown into a room.
• 13:59
  Speaker 1: I don't know. Rod is awkward if you're being filmed
• 14:01
  Speaker 1: constantly and you know you're supposed to be entertaining and
• 14:04
  Speaker 1: you want the audience to like you and you want
• 14:06
  Speaker 1: endorsements later, and all this stuff is in their heads.
• 14:08
  Speaker 1: And don't we know now there are people who train
• 14:11
  Speaker 1: these people before they go on these shows and how
• 14:13
  Speaker 1: to behave They all have media.
• 14:15
  Speaker 2: Teams and all this, But at a certain point, you
• 14:18
  Speaker 2: don't really have cameras on you. You are just you
• 14:20
  Speaker 2: fall into the bubble that it is, and I do
• 14:24
  Speaker 2: think ultimately your true self comes out.
• 14:26
  Speaker 1: I asked the bonfire at the end. We know how
• 14:28
  Speaker 1: that ended up being left And again they had to
• 14:31
  Speaker 1: add kissing one more time. Why so, yes, they were
• 14:36
  Speaker 1: the Bombshells had to pick one of the two people
• 14:38
  Speaker 1: they were going to choose, and all you have to
• 14:40
  Speaker 1: do is say their name, dude, but they said seal
• 14:43
  Speaker 1: it with a kiss. So then we have to watch
• 14:45
  Speaker 1: another makeout session in front of them. And then they're
• 14:48
  Speaker 1: making out in front of the person they just.
• 14:50
  Speaker 2: Rejected, correct, and the person they rejected on the couch too.
• 14:53
  Speaker 1: Oh yes, when you get.
• 14:55
  Speaker 2: Multiple rejections going on watching this makeout session, that part.
• 14:58
  Speaker 1: Of it added to Actually one more thing. Do you
• 15:01
  Speaker 1: like that they don't have the hosts come out and
• 15:03
  Speaker 1: do the bondfi when they have them do it.
• 15:05
  Speaker 2: Through No, I really think if Ariano Maddox is the
• 15:09
  Speaker 2: hit that she is, and I understand it's a six
• 15:11
  Speaker 2: week devotion of time in Fiji, but there are worse
• 15:13
  Speaker 2: places in the world to get stuck. They can't get
• 15:15
  Speaker 2: her to show up.
• 15:16
  Speaker 1: Oh no, I'm not suggesting, no, no, no, no. I thought
• 15:19
  Speaker 1: it was a strategic idea to sometimes have the drama.
• 15:22
  Speaker 1: Oh no, I wasn't suggesting at all that she wasn't available.
• 15:25
  Speaker 2: No, no, no, no, because that's what I was thinking. That
• 15:27
  Speaker 2: the reason why they're doing it is because that she's
• 15:30
  Speaker 2: otherwise occupied and.
• 15:31
  Speaker 1: That could be the case she had to go back
• 15:33
  Speaker 1: and oh not at the very beginning. Seems strange just
• 15:35
  Speaker 1: day two, so it seemed like they're doing that to
• 15:37
  Speaker 1: add to some drum.
• 15:38
  Speaker 2: They deliberately chose the people to read the directives from
• 15:42
  Speaker 2: someone who it would be awkward coming from.
• 15:44
  Speaker 1: Yes, so that's what happened at the end. So this
• 15:47
  Speaker 1: is what led to the Kinsey moment. Yes at the end.
• 15:50
  Speaker 3: Okay, So.
• 15:54
  Speaker 2: Kenzie and Sean are both brought up because they're now
• 15:57
  Speaker 2: single and vulnerable. So it's very obvious that tonight one
• 16:00
  Speaker 2: of those two is going home, Kenzie or Sean. So
• 16:05
  Speaker 2: all of a sudden at the end, they have Zach,
• 16:08
  Speaker 2: who did not show up, did not show up on
• 16:10
  Speaker 2: the other side of the door for Kenzie, whoted her
• 16:12
  Speaker 2: who she's been crying about for twenty four hours. He
• 16:15
  Speaker 2: had to read to Kenzie that she is now single
• 16:19
  Speaker 2: and vulnerable. So she then decides to blow a kiss
• 16:23
  Speaker 2: to him and say thank you as sarcastically as she
• 16:26
  Speaker 2: possibly can, and he kind of looked at his new
• 16:29
  Speaker 2: girl baffled, and looked back at Kenzie and.
• 16:31
  Speaker 3: Said you're welcome, very very quietly, and then.
• 16:35
  Speaker 2: She just gave him the biggest eat shit look and
• 16:39
  Speaker 2: the episode ended.
• 16:40
  Speaker 1: Of all the stuff Kinsey did, this was one I
• 16:42
  Speaker 1: would give her. Take that one sus to And they
• 16:46
  Speaker 1: set her up, of course with the show, and it
• 16:47
  Speaker 1: was probably a brilliant thing to do. Have the person
• 16:50
  Speaker 1: that rejected you read the text just.
• 16:52
  Speaker 2: For the extra rub. You're now vulnerable because I said no.
• 16:57
  Speaker 1: Because I told you all right. But stay here, folks,
• 17:00
  Speaker 1: we're actually gonna pick up with that point robes And
• 17:02
  Speaker 1: I always always say some of these reality shows, reality
• 17:07
  Speaker 1: dating shows, and yes, in particular Love Island sexy as
• 17:11
  Speaker 1: they are as fun as it all is, there are
• 17:14
  Speaker 1: real relationship questions and issues that come up. Stay here,
• 17:19
  Speaker 1: there are a couple in particular we should all pay
• 17:21
  Speaker 1: attention to.
• 17:31
  Speaker 2: Welcome back everyone to our Love Island episode. We're gonna
• 17:35
  Speaker 2: be I think, are we fully committing or we're gonna
• 17:38
  Speaker 2: do our best? I know you hate that to basically
• 17:40
  Speaker 2: give you our synopsis or our thoughts on the episodes.
• 17:45
  Speaker 2: They just there are so many. They are putting up
• 17:49
  Speaker 2: episodes of Love Island's USA season eight every single night
• 17:54
  Speaker 2: except for Wednesdays. I think that's pretty awesome. But you
• 17:57
  Speaker 2: know what, they're smart. They know once you get hooked.
• 17:59
  Speaker 2: You want more, you want more, and you're gonna keep
• 18:02
  Speaker 2: tuning in. This is kind of a brilliant strategy for
• 18:05
  Speaker 2: them that has worked and keeps us watching and more importantly,
• 18:08
  Speaker 2: talking headlines are made every day.
• 18:12
  Speaker 1: Okay, well that's huge. Firsture headlines can you have and
• 18:15
  Speaker 1: just say they kissed again? There's the Brazilian tongue. Once
• 18:18
  Speaker 1: more people.
• 18:20
  Speaker 2: Are gonna start getting dumped. There's gonna be shocking moments.
• 18:23
  Speaker 1: You know, yes, I actually asked you this in the
• 18:25
  Speaker 1: seasons past. I'm not sure if I paid that close
• 18:28
  Speaker 1: attention early on. Maybe that's what it is. They have
• 18:30
  Speaker 1: to get past this little stage and when real relationships form,
• 18:33
  Speaker 1: I'm all in you start.
• 18:35
  Speaker 3: Yes, it's much like you start investing.
• 18:37
  Speaker 1: You know.
• 18:37
  Speaker 2: They even say when you're watching a scripted series it
• 18:39
  Speaker 2: takes a couple episodes to really get into it. But
• 18:42
  Speaker 2: once you're invested in each of these people, you care
• 18:45
  Speaker 2: what happens, you care how they react, you care who
• 18:48
  Speaker 2: they hook up with, you care who they end up with.
• 18:51
  Speaker 3: So you get invested.
• 18:53
  Speaker 1: Okay, then I will buy into that. So the question
• 18:56
  Speaker 1: this comes up all the time, and we saw it
• 18:59
  Speaker 1: play out on episode two. He was honest with her
• 19:05
  Speaker 1: that she Kinsey was not his type. He said it
• 19:09
  Speaker 1: as nicely as he could. I thought I did too. Okay.
• 19:13
  Speaker 1: Should he have been honest with her? No, he should
• 19:18
  Speaker 1: not have been.
• 19:18
  Speaker 2: No, he shouldn't have immediately told her I've never dated
• 19:22
  Speaker 2: a blonde before. I typically only like darker features. That
• 19:25
  Speaker 2: just hurts. That's nothing she can change. That's nothing that
• 19:28
  Speaker 2: she can do anything about. And to tell her that
• 19:32
  Speaker 2: was not the right way to say, Hey, I don't
• 19:35
  Speaker 2: know that we're a good fit. He could have absolutely
• 19:37
  Speaker 2: said something like that to her versus basically going.
• 19:40
  Speaker 3: Right after her looks immediately you want.
• 19:43
  Speaker 2: To talk about, well, if you could have just said, like, hey,
• 19:47
  Speaker 2: I'm feeling friend vibes with you. I think you're an
• 19:49
  Speaker 2: amazing girl, but I just want to put it out
• 19:51
  Speaker 2: right now, like just but don't go straight for her looks.
• 19:54
  Speaker 2: He told her that she wasn't his type based on
• 19:57
  Speaker 2: her looks immediately without really getting to know her. That
• 20:01
  Speaker 2: is tough to hear. That'll throw most women in a tizzy.
• 20:04
  Speaker 2: That's a tough thing to hear. In Kenzie's defense, that's
• 20:07
  Speaker 2: a hard hit right off the bat, and knowing that
• 20:10
  Speaker 2: everyone in America just heard him say that to you,
• 20:13
  Speaker 2: because what she hears is you're not attractive, You're not beautiful.
• 20:17
  Speaker 3: I don't think you're hot.
• 20:20
  Speaker 1: Man. You just said two fellas. Don't be honest with.
• 20:26
  Speaker 3: Us, not about certain things. Don't tell us. Don't be
• 20:30
  Speaker 3: honest with us when it comes.
• 20:31
  Speaker 2: If it's the way I look turned you off, you
• 20:34
  Speaker 2: don't need to tell someone.
• 20:35
  Speaker 1: Don't be honest with He didn't say turn me off.
• 20:38
  Speaker 1: Don't be honest with us.
• 20:39
  Speaker 3: Don't tell us you don't like how we look.
• 20:41
  Speaker 1: Don't be honest that I'm not your type. That's different
• 20:44
  Speaker 1: from I don't like how you look.
• 20:46
  Speaker 2: I just think that's exactly how it's interpreted and it's
• 20:50
  Speaker 2: how it was intended.
• 20:51
  Speaker 1: Okay, so that is very tricky for men. How what
• 20:55
  Speaker 1: is a guy to do? You asked for someone to
• 20:57
  Speaker 1: be honest with you, but only for so much, only
• 20:59
  Speaker 1: for these and if it's about this thing, only go
• 21:01
  Speaker 1: this far. Don't go for the look. Didn't go for anything,
• 21:05
  Speaker 1: but he did, No, he didn't. This is where I
• 21:07
  Speaker 1: will take issue ropes. They put them together, open a door,
• 21:11
  Speaker 1: kiss the stranger on the other side, and you want
• 21:13
  Speaker 1: to talk to me that I'm supposed to know her personality.
• 21:16
  Speaker 1: This whole thing is about looks, an attraction and sex.
• 21:20
  Speaker 1: I ain't got time for this. He could have been
• 21:23
  Speaker 1: much meaner. I thought he could have talked to her.
• 21:26
  Speaker 1: I don't because I do. He saw someone I could
• 21:29
  Speaker 1: get kicked off tonight. Why am I spending time with
• 21:33
  Speaker 1: someone I am not vibing with or not attracted to me.
• 21:36
  Speaker 2: I don't disagree with you at all that you should
• 21:38
  Speaker 2: do in these shows exactly what you want to do
• 21:42
  Speaker 2: in terms of what's best for you. But I also
• 21:45
  Speaker 2: think that men, probably when giving a reason for not
• 21:48
  Speaker 2: wanting to go on that second date, shouldn't reference looks
• 21:51
  Speaker 2: in any way.
• 21:51
  Speaker 1: Okay, then you're taking issue with a guy doing it
• 21:54
  Speaker 1: outside of the villa.
• 21:56
  Speaker 3: I just think if you don't want a girl to
• 21:58
  Speaker 3: be crushed, just.
• 22:00
  Speaker 2: Don't bring up her looks. I think we got friend vibes.
• 22:03
  Speaker 2: That's all I can tell you is I got friend
• 22:05
  Speaker 2: vibes with you.
• 22:05
  Speaker 1: Your girl. The bombshell when talking to Bryce, what do
• 22:11
  Speaker 1: you go for? And she listed everything in the world.
• 22:15
  Speaker 3: He's not okay, I have that written down and I agree.
• 22:18
  Speaker 1: Zach explained to Kinsey. Did he not? Yes?
• 22:22
  Speaker 2: But I would just say that Bryce obviously has a
• 22:26
  Speaker 2: much better self esteem.
• 22:29
  Speaker 1: I guess, wait, dear lady, so now the man needs
• 22:32
  Speaker 1: to measure the woman's self esteem.
• 22:35
  Speaker 3: No, I think most women.
• 22:36
  Speaker 2: I think most women would be offended if you said,
• 22:39
  Speaker 2: the reason why we're not going to have a second
• 22:41
  Speaker 2: date is because of the way you look.
• 22:43
  Speaker 1: Now ask this for me. Would most women respond the
• 22:47
  Speaker 1: way Kinsey has?
• 22:49
  Speaker 3: Yes?
• 22:50
  Speaker 1: Well, no ring and that's now it's something unique to Kinsey.
• 22:55
  Speaker 3: Well, her outward reaction was a lot.
• 23:00
  Speaker 2: I do think everyone would feel like if someone said
• 23:04
  Speaker 2: that to me, I would absolutely feel crushed inside, but
• 23:07
  Speaker 2: my pride probably wouldn't let me say it out loud.
• 23:09
  Speaker 1: Ask what type of person do you usually date? And
• 23:15
  Speaker 1: that answer is a description that might not be what
• 23:19
  Speaker 1: you are. Where are we finding fault in that response?
• 23:26
  Speaker 2: I'm not saying as it's wrong. I'm saying it will
• 23:31
  Speaker 2: be received offensively. That's what I'm saying.
• 23:36
  Speaker 1: And there it is. So this is the thing. I
• 23:38
  Speaker 1: guess we need to get that out. Don't be honest, fellas, No,
• 23:41
  Speaker 1: I'm kidding, that's just that obviously, I know when it
• 23:45
  Speaker 1: comes to looks.
• 23:45
  Speaker 2: When it comes to looks, maybe just recognize that that's
• 23:48
  Speaker 2: a real soft spot for most women.
• 23:51
  Speaker 3: It's for most women, And I don't know.
• 23:53
  Speaker 2: I don't think that men feel that vulnerable about their
• 23:56
  Speaker 2: looks in the same way women do. Women sometimes feel
• 23:59
  Speaker 2: like that's their only said, that's their only value. Unfortunately,
• 24:02
  Speaker 2: a lot of women do feel like that. I don't
• 24:04
  Speaker 2: think most men feel like that, and so I think
• 24:07
  Speaker 2: that is why there is a difference when we see
• 24:09
  Speaker 2: Bryce actually kind of laugh off the fact that she said,
• 24:12
  Speaker 2: basically when he said what your type, and she said,
• 24:15
  Speaker 2: I like dark features and he's blonde with blue eyes.
• 24:18
  Speaker 2: So obviously it was a very similar situation that we
• 24:22
  Speaker 2: saw with Kenzie and Zach. But Bryce is a hot
• 24:27
  Speaker 2: model who just let that roll right off his back.
• 24:30
  Speaker 1: Again. I'll take care as you were. But it's just
• 24:33
  Speaker 1: this idea now of I don't know, because it might
• 24:38
  Speaker 1: be insulting coming from man, right, this idea that we're
• 24:43
  Speaker 1: telling women not to accept an honest answer, like, well.
• 24:46
  Speaker 2: I don't think we're telling women not. I'm just saying
• 24:49
  Speaker 2: there's something to be consider.
• 24:50
  Speaker 1: You're telling miss You have said very clearly in this
• 24:53
  Speaker 1: episode fellas, don't do it.
• 24:54
  Speaker 2: So don't don't don't use a woman's looks as the
• 24:57
  Speaker 2: reason why you're not going on another day.
• 24:58
  Speaker 1: That is not what I'm saying here.
• 25:01
  Speaker 3: And even if it's like I'm saying, well, are.
• 25:04
  Speaker 1: You tearing list into something else that folks, we appreciate
• 25:10
  Speaker 1: you listening on t J Holmes on behalf of It Rollbot.
• 25:13
  Speaker 1: We will talk to y'all soon. H