Latest / Unsigned518 / Unsigned518 - Episode 168 - Arrow Through Me

Transcript

Unsigned518 - Episode 168 - Arrow Through Me · Unsigned518

• 0:01
  Speaker A: He was born on a Saturday in.
• 0:03
  Speaker B: 73 he loves punk rock music fighting the 13 cabin the dazzle jazz rock.
• 0:09
  Speaker C: Now on the beat guitar with a.
• 0:12
  Speaker B: Short wind radio bass his motherfucking envy Scrolling. Look at motherfucker, cuz here he comes.
• 0:22
  Speaker A: Andy Scrolling wearing his orange hats welcome to unsigned 518. I am here with Arrow Through Me. How's it going?
• 0:32
  Speaker D: Good.
• 0:33
  Speaker A: And you know, I, I said outside and I'll say it again, you guys were the champions right out off the bat because you came in one car. Like I have such a small driveway and I was like, they came in one car. That's it. Because I was trying to figure out where everybody would fit and I'm like so, so kudos. Right off. Right off. But I guess what we want to do, if you want to let Calvin up, you can. Or if not, you can tell them to off.
• 0:56
  Speaker D: Cute puppy.
• 0:58
  Speaker A: He, he, he doesn't know a lot about personal space. He's, you know, can't say no to. Yeah. But we'll start over here to my left and just introduce yourself and what you do in the band and we'll just kind of go around the room.
• 1:11
  Speaker D: Sure. I'm Grace Shifra Decker. I'm the lead singer of the band and the coolest.
• 1:19
  Speaker E: I'm Michael Pace. I, I play guitar in the band and I'm probably the least cool.
• 1:23
  Speaker F: My name is Aaron and I play the jazz percussion.
• 1:28
  Speaker C: I'm Dayron Bennett. I play guitar and I do a decent amount of production in a band.
• 1:35
  Speaker G: And I'm Anthony Redcross and I play bass in the band and make everyone look cool.
• 1:41
  Speaker A: And you know, I was saying a little bit before we got rolling, you know, a lot of the times when bands come on, I'm kind of just get doing what I refer to as my research and I listen to the music the day of the podcast. That's how I get fired up. And you guys. I saw at the Eerie show at Single Cut a few weeks ago and I had not heard of the band and I had not heard any of the songs before that show. I went into the show completely blind and was blown away enough where that night I started listening to the EP and like I said, I've been listening to it a lot. I know like most of the words to it, so. But that happens a lot of times. Cause I'm a fan of music first and foremost so it's cool to meet bands. But it's very rare to go from not having heard of a band to having them be one of my favorites. To have them be on the show in just a couple weeks. So now that that's out of the way, we're gonna go back and I guess tell the story how you want to tell it. So I don't know who wants to take. But get the show rolling, I guess.
• 2:59
  Speaker E: Sure. So we. So me, Anthony and Daron were in another band called Brookline for quite a while. And our singer moved on, got married, started a life. He's doing great, we love him. Shout out Tommy. And we wanted to keep playing music, so we tried out a couple different people who we met through social media, thinking that that would be like the better way to meet new musicians. And none of them really worked out. You know, they were good, but weren't. Didn't quite gel. So we were kind of ready to call it quits. But like, last ditch effort, we went to Craigslist and. Which is crazy.
• 3:40
  Speaker A: I can't even fucking tell you how many times I've heard that in the last like couple months. That and I was surprised him that Craigslist is still making shit happen for.
• 3:50
  Speaker E: Local bands, which was like the people we, we got vi, Facebook and Instagram for Brookline was the old band were, you know, about our age, like late mid, late 20 guys. And then all of a sudden on Craigslist, this like 22 year old female hits us up and she's incredibly talented. She had a Soundcloud. We listened to it, we auditioned her, and then that was. That was kind of it. But we had decided because the sound was going to be so different, to change the name of the band and kind of go in a different direction. And that's how Arrow Through Me was born.
• 4:24
  Speaker A: And I'm assuming, Grace, that you're the 22 year old that has no, hey, man.
• 4:32
  Speaker C: Hey.
• 4:32
  Speaker A: You know, I don't know, but I guess like tell like from your perspective how the band came on your radar and how you got yourself on theirs.
• 4:44
  Speaker D: Yeah, I think I was just like having one of those nights, like existential nights where I was like, I need to do something. Like, it was summer, I was sitting inside, it just wasn't a good look. So I was like, all right, let me, let me try out Craigslist. Honestly, the reason why I decided Craigslist is because like my dad, for example, he met like majority of his bands on Craigslist. And I was like, yeah, let me try that out. Like, I've never done that before. First ad that popped up was these guys. That's why I was like, okay. Like the genres they put in the description and some of the bands, like, I was like, okay, I could try this out. So I just hit him up on there. And then I remember Mikey hitting me up on Facebook. We had a phone call. I was super nervous. I went to the audition with my boyfriend because I was, like, sussed out a little bit. But then I showed up and I was like, oh, these cool guys. And then we did the audition, and it just felt right. Like, in that moment, I was like, yep. I was like, this is what I've been waiting for. Just everything just kind of lined up type thing. It was really cool.
• 5:32
  Speaker A: And as far as material, like, did you bring some of the material to the band or was some of it already?
• 5:40
  Speaker D: I think it was a good motion.
• 5:41
  Speaker G: Later on.
• 5:42
  Speaker D: Yeah, later on. I think lyrically, I just used what I had, but they were mainly just some of them already. You guys already had a couple ideas?
• 5:49
  Speaker E: Yeah. Well, Morning after was yours.
• 5:51
  Speaker D: Yeah, Morning after is a song I wrote, but they totally jazzed it up and made it, like, the best ever. Like, I couldn't imagine that song sounding like it does today. It's incredible. But, yeah, basically, I think it's just kind of a collection.
• 6:02
  Speaker G: I think we had Pretend and patterns.
• 6:04
  Speaker D: Yes.
• 6:04
  Speaker G: It was like the demoed track down that we had that you tried on. You threw vocals to it, and we had a lot of rewrites to that, but that was probably, like, the one that you came, like, more prepared that we saw was like, Pretend. We're like, oh, okay, we could do something with this.
• 6:16
  Speaker D: Yeah, absolutely.
• 6:17
  Speaker A: So there was already the bones to it, like, some musical foundation. And just.
• 6:21
  Speaker G: Yeah, it was like, after the whole. When Brookline kind of was. We're trying to figure out what we're gonna do as a band. When our singer left, we're like, all right, let's write something and go from there. We wrote a song which later then became Pretend, the opening song for the ep. And then Grace came, tried out, sang on it, and we're like, we can take. We can make a band out of this.
• 6:37
  Speaker D: Yeah, for sure.
• 6:39
  Speaker A: And did you have, like, what's your background in singing? Because the one thing I noticed, and again, seeing a lot of local bands, I've been in radio, where I've seen a lot of national band. Like, your power in vocals isn't something that everybody has. Some people are very good singers, but kind of need that microphone to, you know, act as that amplification. But I noticed at the show, like, I could hear your voice over the whole fucking band, like, a few Times, and I was standing close enough where the speakers were on the outside, and I'm like, that's unamplified. That's just like her voice that I could hear that is louder than. So I guess, what's your background in singing? Or did you just find that you could do it?
• 7:24
  Speaker D: Well, I grew up in the Baptist church, so I did a lot of choir singing, a lot of acapella in high school and jazz band and stuff. And you're just in those scenarios where you don't have microphones, so you kind of just have to yell. So I think that's kind of where it comes from. I grew up on a lot of R B and stuff, so I'm just like, hey, yeah.
• 7:41
  Speaker A: Like I said, I can fully tell that. I'm like, geez. Like, she almost doesn't need a microphone. Like, whereas most bands, you know, are like, can I get more of me in the monitor? I need to hear myself in the monitor. I'm like, oh, people can hear for sure. And. And also like to carry that. The. The notes through that. You know, it's like that thing where, you know, you get one or the other. But, like, that mix is hard. You know, you get people that are loud but may be off key once they get a little loud, or you get the people that are perfect key but are a little too quiet. But it was that, that. That blend. And it was actually Morning after is the song that. That's the song live that I was like, well, God damn. So what's the time, you know, now that we've got it established, like how, you know, the. The band, you know, came out of the ashes of another band and, you know, now Grace, you're. You're in. And the songs are starting to come together. Like, when is that?
• 8:43
  Speaker E: I think Grace came in May of 23. And then so we were still playing with Chris Fox, who was the drummer for Brookline and similar thing to Tommy. He eventually just wanted to kind of move on with his life and had some other stuff going on. So we got Aaron close to a year ago now. Almost right to the date, honestly. Yeah.
• 9:07
  Speaker G: Wow.
• 9:07
  Speaker E: So it was. It was actually quite a long process of. Of writing and kind of figuring out what the new sound was going to be and where we all wanted to go. Like, every single one of these songs has been written and rewritten multiple times, which I think is a testament to how good they are and how much we all, like, love this project. But I think also on the negative side, we're all pretty sick of them at this point. So we're pretty excited about the new stuff that we're writing as well. So. So we worked on the CP for close to two years before we finally got to release it and yeah, we're just really excited about it.
• 9:46
  Speaker A: And was that something that was a conscious decision to be like we're gonna figure our out before we present it or was it just happenstance that was probably more naturally.
• 9:57
  Speaker G: Right. We didn't really have like a.
• 9:59
  Speaker E: It was half and half and half.
• 10:00
  Speaker G: Yeah, I probably would say that, yeah. Because like part of us was like, oh, let's experiment because we're coming off like, I guess like having like a more aggressive harder rock band with a male vocals that were going from like that to like my alternative sound with a female vocals. We're trying to adjust right to that.
• 10:14
  Speaker A: Right.
• 10:15
  Speaker G: And then once we're doing that was kind of figuring that kind of sound out, but also kind of planning out when we're gonna do like I have a release aspect of it for sure.
• 10:22
  Speaker E: And I think there. There's some aspects of old songs and old projects that we felt we had rushed. So we wanted to make sure that these were what we wanted and we didn't want to rush it and we wanted to have to come out with something that was worthwhile that people were going to listen to and know could tell that we had put the effort in and worked on the, the writing and the production and all of it. So.
• 10:45
  Speaker A: And so this first round of songs like the. Was it the five song ep, where. Where was that recorded?
• 10:53
  Speaker E: We recorded actually with Daeron and he did a lot of the production of it and then the mixing and mastering was done by Jake Mannix, who worked on all of our Brookline stuff. He works on a good amount of local. He actually mostly does hip hop now, but we're old friends so he still produces our rock stuff, which is. Which is pretty cool. But if Darren could probably answer any production question you have.
• 11:17
  Speaker A: So you hand like the. Did the. The mixing and the recording of the whole thing and I pretty much just.
• 11:23
  Speaker C: Tracked everything at my house, pretty much be. I do a rough mix on everything, but I think it sounds a little bit better to actually send it out to get mixed to have that outside ear because we were listening to the same thing for so long, you're just gonna expect it to sound good. You're gonna hear certain things that are maybe too loud or too quiet, but you're so used to it, you're not gonna realize it.
• 11:45
  Speaker G: So.
• 11:45
  Speaker A: And there's Also, that danger when you're doing it yourself of overworking it, you know, like, you have to know that point when you're like, all right, the fucking song's done. Like, it's done.
• 11:55
  Speaker C: Yep.
• 11:56
  Speaker A: But, like, when you're doing it yourself, it's so hard to have that point because you are. You're like, no, wait, I'd never heard that. A little loud. Yeah.
• 12:04
  Speaker C: There's solid days where I've literally. So pretty much once we're done recording it, before I send it out normally, I'll go through edit any imperfection that I might be able to find in there just to kind of save a little bit on the back end. And there's some days where I go, I don't like the sound of this. I'll sit in front of the computer for three hours trying to find a new guitar tone, send it out to these guys. What do you guys think? It sounds worse. Undo it all. And so that's the.
• 12:33
  Speaker A: That's the danger, though, because you'd start going down and so off to, I guess, explain. I mean, I'm saying like, to me, but like to. To the listeners, but like, to me as well, because I also don't fucking know. But, like, the process of mixing versus mastering, like, what's the difference between those two things?
• 12:55
  Speaker F: I mean, usually. Usually when you're mastering it, it's. You're taking, you know, a fairly polished project and mastering to me is it's kind of the. The art of making things loud and pronounced without distortion or anything like that. And you're making more of a. You know, when you're taking multiple songs, you need them to be at the same levels and, you know, it needs to be the same because it has to play across all speaker types. So mastering is. It's not so much the. The art of building songs and like, you know, how your layouts and stuff, it's more at the end, it's. It's the final spice that just, you know, makes everything cohesive, like ultra glued together and just, you know, sets it that one notch above what you consider just a rough.
• 13:56
  Speaker A: Once it's being mastered, it's the. The individual volumes are not being changed.
• 14:02
  Speaker F: Right. You're. You're literally taking, like, when you're mixing, you have usually have access to all your separate guitars.
• 14:09
  Speaker A: Guitar one is too loud.
• 14:10
  Speaker F: Right? Right. This is taking all that that's put together now into one track and leveling some of those peaks and valleys. You can add dynamics, but, you know, if you have the chorus, you know, you really want that to hit. Like, at that point, you can make little tweaks to maybe push that above the rest of the track, you know, so it's just. It's. You're just mastering your. The track. I mean, you're. You're controlling, you know, the final outcome of that overall, you know, level.
• 14:43
  Speaker G: What do we call it? Like, hd? Like hd. The hd.
• 14:47
  Speaker F: And it's an art in itself. A lot of people, that's all they do is they master.
• 14:50
  Speaker A: Right.
• 14:51
  Speaker F: You know, some people only mix and some people do both, and, you know, they're overachiever, so.
• 14:56
  Speaker A: Right. Like, I didn't realize, like, how different those things were, you know.
• 15:00
  Speaker F: Well, you need. You also need different equipment. Like, you could spend a lot of money on just mastering gear, you know, and it's totally, you know, different than having your mix gear. And yeah, there's, you know, all kinds of artists use older analog gear to get these, you know, and that they're still used today for, you know, pushing some of that. So that's why someone might not say, oh, I don't master, because that's just another. Another side to the coin of audio engineering that they haven't invested in. Or, you know, they don't want to take the time to do it. You know, vice versa. Someone that masters just. They just want to do the final product and be done with you, because they're probably going to charge you just as much, you know, as, you know, for doing mastering as they are.
• 15:49
  Speaker A: And, like, is the. Is that whole process of, like, you know, the. The mixing and mastering and getting all that, Is that, like, the secret to the sound that you guys had? Because you have that sound that it's. I mean, I don't even have words for it, but it's like, you almost think of, like, national band. Like, you're like, oh, when. When you hear your songs, you're like. That could fit in very easily with anything on a national level. But, like, there's some bands that, while the songs are, like, really great, there's just something about the recording where you're like, I could tell that that's not quite there, but me just being a dumbass, I don't know what, you know, what the difference or what makes the one sounds sonically better.
• 16:36
  Speaker E: Yeah, so I think there's. There's, like, multiple factors, and I think one would be like, the. The chemistry between all of us of, like, wanting to meld everything together. And, like, for example, at the end of Take Care, Aaron changed the drum fill. And I think we Adjusted guitar riffs accordingly. And there's a couple of times where we make sure that we're doing stuff like that. And that can also be a big difference is in the way that you're composing. Also, Daron is. Is brutal in the studio, but for good reason. There's a running joke we have of, you can play that tighter. And so making sure that we're getting, like, the best quality takes as well. And then we gotta shout out Mannix because he. He does a good job as well with his mixing and everything like that. He really like the pause in the beginning of Morning After. That was his idea. So as a. As a producer, he's also willing to throw in a little extra creativity to make the songs have just a little extra. And he'll shoot that back to us and say, what do you guys think about doing this? And then obviously we'll do that live now. So it's all a big collaborative effort, I think. And the. We don't let our own personal egos get in the way, which is also really helpful. I mean, there's days when we maybe definitely are frustrated with each other, but we know that it's the good of the group, and we want to deliver the best. We want the songs to be the best that they can be. So if somebody writes a part or has an idea or whatever, and it's just not working, like, we have enough humility to say, like, all right, scrap it.
• 18:24
  Speaker A: We. We have a saying in our band. Whatever serves the song.
• 18:27
  Speaker E: Exactly.
• 18:28
  Speaker A: You know, so if someone's like, yeah, what if you didn't play in that way? Whatever serves the song. Like, whatever makes it good. So, speaking of songs, I think we're at that point where we're gonna hear our first song of the. Of the episode. So what are we gonna hear?
• 18:42
  Speaker D: We're gonna hear Pretend, the first song on the episode. Cool.
• 18:45
  Speaker A: And you want to tell me a little bit about the song?
• 18:48
  Speaker D: I think this was, like, the first song we came together as a band and, like, actually wrote. We had this one thing lyrically that we wrote the first time, which is just a load of crap, so. And then we wrote something else, and it was awesome. I was pretty convinced we weren't gonna have this one on the ep, but then we wound up coming together, writing something really phenomenal. So, yeah, this is. This is the one. Pretend.
• 19:08
  Speaker A: All right, sick. Well, let's check out Pretend Arrow Through Me, and they'll be right back.
• 19:40
  Speaker B: I see. Right you. What else can I do to make you stay for you? Can we Just try to. You caught myself of tripping on your pretense I stumble through the dreams with sh.
• 20:26
  Speaker A: Pe.
• 20:33
  Speaker B: It's always you what else can I do to make you stay but you can we just try to present I couldn't save you I couldn't save you Would have Can I do to make you can we just try to.
• 21:44
  Speaker A: That was Pretend Arrow Through Me, and that one's off the ep. Ep. Ephemera, which is out now. And while we will hit another song off that later, I guess I want to talk about. Is there anything in the works? Any albums, another ep, like, what's. What's on the horizon?
• 22:02
  Speaker D: I think we're cooking on a little bit of an album here. We've got a couple songs that we kind of had loosely written pre this EP coming out, and I think every time we get together now, we're kind of trying to shoot for something else and at least get a good culmination of songs together to hopefully do a little bit of a bigger project for the next one. Maybe a little album. We'll see. Yeah.
• 22:23
  Speaker A: And is it something like, you know, putting out the ep? You know, obviously, once everything is done and packaged and it's released, it's kind of like this sigh of relief. How long did it take you to be like, let's start working on the next shit?
• 22:39
  Speaker G: I think instantly, for us, it was. It was instantly. Yeah, we had this EP cooking for two years, and then when we finally put it out In March or March 1st, we were like, all right, we already have two songs already in the back for the album. Let's start working on this stuff. And then. Okay, Aaron, what you got? Aaron?
• 22:55
  Speaker F: When I first was asked to join the band, they told me I had nothing but time to learn, write. And because I hadn't played for. I hadn't played in a band for a long time. I. I really wasn't doing anything with music. And, you know, these guys reach out to me. And, yeah, when I first got there, like, yeah, you got nothing but time. Everything's, you know, like, you know, it is what it is. And then like, two weeks later to, like, okay, we want all this done, like, this month. Yeah. So, yeah, they were very ready to be done with this part of their, you know, their journey. But, you know, I just had to put that in there because, yeah, rightfully so, he said.
• 23:47
  Speaker G: But no, we had. We had a song that was actually originally supposed to be on this EP that we decided to hold off for because we're like, this. Not done cooking on it. Yeah. And it's kind of like this has the potential to be something that's on the next thing. So we did that and then eventually started writing for an album.
• 24:04
  Speaker A: And, you know, I. I know you mentioned videos. Like, what. What songs have videos? And then I want to talk a little bit about the. The making of.
• 24:12
  Speaker G: Yeah. Right now we have Take Care. There is an official music video on our YouTube channel for that. And our second single, Guilty, has a video on that one.
• 24:21
  Speaker E: Shout out to Rob Lewis.
• 24:22
  Speaker A: Yes.
• 24:23
  Speaker G: Yeah.
• 24:24
  Speaker E: Who is also my childhood best friend, but he does incredible work and is very affordable. So any other bands looking for a music video? Shout out, Rob. But he did music videos for us in the past, and Anthony and Grace cooked up this, like, awesome idea for Guilty, and he was totally down to come help us make that a reality. And same with Take Care, but that one was a little less involved.
• 24:49
  Speaker G: So, yeah, Guilty was the one that we actually sat down and got an idea with, and I wrote a screenplay for it. Grace's two childhood best friends, right?
• 25:00
  Speaker E: Kind of.
• 25:00
  Speaker G: Yeah, kind of. Yeah. Yeah. They were the actors for the Guilty video. And I kind of wrote a screenplay based around that and an idea that I kind of had in my head. Since we wrote the song and then I brought to you when the song was, like, finished, I was like, a little. Yeah, a while. Yeah, Probably a year and a half, but that's kind of how that one came to be.
• 25:17
  Speaker A: And, you know, being that we're, like, all kind of in, like, a local scene or whatever, and, like, you know, obviously we're not making millions of dollars off, like, our videos and whatever, but do you think, like. I personally think that making videos for my song is, like. It's just. You do it. You know, me, because, like, it's like, part of the. Part of the process, and I enjoy doing it. And, like, it's. It's cool to add that extra layer, but, like, there's some people that are like, what's the. What's the point?
• 25:47
  Speaker G: We definitely talked about that, too. I think, like, kind of like the. Is it worth going down the avenue and probably investing the resources in a video? But I think we just liked it, you know, I mean, like, I was a band.
• 25:57
  Speaker E: Yeah. And I think, well, like, previously in our past project, we found great success in having videos. Not like you said. I don't think we never made ad revenue off YouTube or anything. But being able to send, like, an EPA EPK to people that has that link, it's just, like, going the extra mile, putting the effort into your work and from. From what our experience was, promoters and other people really respected that and it helped us get, you know, get booked into some bigger shows. And also, you know, for. For us as artists, it's nice to look back on that and say, like, we did that. Like, it's a visual representation.
• 26:40
  Speaker A: It's permanent.
• 26:41
  Speaker E: Yeah. It's gonna be there forever. So it was fun.
• 26:46
  Speaker G: Yeah, it's a blast.
• 26:47
  Speaker F: It's just like we're doing this, you know, we're doing this because we, you know, we like music and like, you know, we're doing it a lot for just ourselves.
• 26:56
  Speaker A: Yeah.
• 26:59
  Speaker F: That'S why I'm doing it. You know, he's got an awesome.
• 27:01
  Speaker A: I don't give a.
• 27:01
  Speaker F: If anybody even sees it and you know, just have some fun with it if. If it goes nowhere. Like, I don't think we're putting it out thinking like, you know, we're going to be bazillionaire artists because there's. There is tons of artists.
• 27:16
  Speaker A: But it is nice to like to have, you know, especially in like a smaller market like Albany. Like when you have that video and people see you, they become familiar with what you look like. And then when they see you live, there is just something cerebral that like, it just. Yeah, they connects and there's nothing you could do. You know, that's just a. A thing.
• 27:40
  Speaker E: Yeah. And I, I think we live in that super visual world now.
• 27:44
  Speaker G: Yeah.
• 27:44
  Speaker E: With social media and. And obviously short form media now. Like being able to clip your video and turn it into a reel or a tick tock and all those types of things. Like, it's just. It's something that's so worth investing in, in our opinion. It's done nothing but help us out. And it also makes us happy. So we're gonna keep doing it so.
• 28:04
  Speaker A: Right. Super fun. All right, well, I think we're. We're at that point where we should check out another song. So what was the second song that we're gonna hear?
• 28:12
  Speaker D: The second song is, I think our second single off the ep. That's guilty. This one has the video, as Anthony mentioned earlier, with my childhood best friends. This one was. I think you wrote the rip, Mikey, you wrote the. Had the riff for this one for a while, right?
• 28:28
  Speaker E: Yeah, well, sort of. I had the. The pattern of the. I guess you call it the pre chorus or the first part of the chorus, which is in seven, which is. We were messing around with that for a while with different chords and different stuff. And then eventually Daron showed me kind of the Chords that we ended up using for this song and this one also went through multiple, multiple rewrites and we kind of landed here and it just worked and it gelled. And I don't think a lot of people realize that there's an odd time signature right in the middle of this bad boy. But yeah, it is, and it's really cool. So hope you enjoy it.
• 29:05
  Speaker A: All right, let's check out Guilty Arrow Through Me. And they'll be right back to wrap it up.
• 29:27
  Speaker B: My teeth are broken and useless Love stay careful Mer I still see what love is in your eyes but through tears and clear lines and don't ask me to come home Cuz you've got nowhere to go Regret the longer I stay the more decay don't go where I go Just leave me alone Sa make you say don't go Leave me alone. You've wasted our time Taking the TR it when you let go.
• 32:14
  Speaker A: That was guilty arrow through me. And I want to thank you so much for taking time out of your afternoon to come up here and do this. Before we go, I want to give you the chance to say what I refer to as your gratitude. So, Grace, we'll start with you.
• 32:26
  Speaker D: My gratitude is to the span these band members. You're making my dreams come to fruition. And I couldn't have imagined doing this with anybody else. So that's really it. Yeah.
• 32:37
  Speaker E: I gotta say thanks to. To Rob and Manix for everything they do, helping us out with the videos and with the mixing and everything. They. They do an incredible job. Super cool guys and their input has really helped make us the. The band that we are today.
• 32:51
  Speaker F: So, yeah, I'd have to say that, you know, I'd have to thank all you guys because I was at a point where I probably wasn't going to do anything more musically and I wasn't doing much playing on my own and stuff. And you know, they reached out to me and you know, they took a chance and I'm really excited for the stuff that's coming ahead. I feel like we. We're. We're gonna do some growing still and some. Some molding and I think the rest of our stuff, it looks pretty bright.
• 33:26
  Speaker C: I just gotta say thank you to my fiance for putting up with all of us in the house. She worked nights, late shifts and these guys show up at 11, make a lot of noise, be in a house, she's still sleeping, walks up and she's got a whole house full of people. So I can imagine how annoying that's probably been. And I am so grateful and thankful for her understanding and working with me and all of us and putting up with me, editing and not talking to her for four or five hours when I get home from work. And then good night, I'll talk to you tomorrow and not getting upset about it.
• 34:07
  Speaker G: So I gotta give a shout out to my mother for always supporting me growing up as a musician. That was like my biggest, my biggest fan. And I was always also grateful for our fans in general who've supported us along the way. So far as this new project, we're really eternally grateful for everyone.
• 34:22
  Speaker A: All right, so they are arrow through me. I am Andy scullin. This is unsigned 518. See you on the road. Unsigned 518 is produced and hosted by me, Andy Scullin. New episodes are available every week wherever you stream podcasts. If you'd like to help support the show, please like and subscribe wherever you are listening. Or you could buy me a coffee@buymeacoffee.com unsigned 518 if you would like to advertise on the show, send me an email at unsigned518mail.com and to be a guest on the show, reach out to me through Instagram signed 51 8. Take care of one another and I'll see you next week. And Scholar.