Latest / Repcolite Home Improvement Show / Holiday Stress, Two-Toned Walls, and Masking Tape Tips
Transcript
- 0:02Speaker 1: Well, good morning everybody, Happy weekend. You're listening to the
- 0:04Speaker 1: Repo Light Home improvement show sponsored by Benjamin Moore. And
- 0:08Speaker 1: before I jump into everything that I've got planned for today,
- 0:11Speaker 1: I do want to thank everybody for giving me the
- 0:14Speaker 1: opportunity last week to share my interview with my dad.
- 0:18Speaker 1: I know that was a different show than we usually do,
- 0:20Speaker 1: but to honor Veterans Day and to do it by
- 0:23Speaker 1: sitting down with Dad and getting this story about his
- 0:26Speaker 1: time in Vietnam, well that was really really cool, really cool.
- 0:30Speaker 1: Got me some major brownie points. Let me tell you.
- 0:33Speaker 1: Dad even told me I was back in the will,
- 0:36Speaker 1: so I asked him to put a spending freeze on
- 0:38Speaker 1: everything since I'm back in the will, and maybe I'll
- 0:42Speaker 1: get something in the end. Anyway, thanks for listening to
- 0:44Speaker 1: all of that. If you did miss that interview last week,
- 0:48Speaker 1: you definitely should check it out. You can find it
- 0:50Speaker 1: on repco Light's YouTube channel. It's worth the watch, worth
- 0:53Speaker 1: the watch. Check that out all right on the show.
- 0:55Speaker 1: Moving forward, on the show this week, I'm going to
- 0:58Speaker 1: be spending some time going back to the topic of
- 1:01Speaker 1: two toned walls. We're going to talk about some frequently
- 1:03Speaker 1: asked questions that come up when trying to, you know,
- 1:06Speaker 1: pull off two toned walls in your home. And we're
- 1:08Speaker 1: also going to dig into the nitty gritty and talk
- 1:10Speaker 1: about how to do it, you know, everything you need
- 1:12Speaker 1: to know. We'll also be talking about how to store
- 1:15Speaker 1: masking tape. Uh huh, how to store masking tape. That's
- 1:19Speaker 1: what I called the segment at first. Uh but and
- 1:22Speaker 1: I guess I just did now. But when I when
- 1:25Speaker 1: I was looking that over as I made my notes,
- 1:27Speaker 1: I realized that was utterly ridiculous. Who in the right
- 1:30Speaker 1: mind would tune in to listen about how to store
- 1:34Speaker 1: masking tape? That is insane. Nobody wants to hear that.
- 1:37Speaker 1: So I went back to the drawing board, and here's
- 1:40Speaker 1: a couple alternate titles for that segment. I really like
- 1:44Speaker 1: these tape tails. How to keep your Roles Fresh and Fabulous.
- 1:49Speaker 1: That's got potential, right, kind of sounds like a weight joke,
- 1:52Speaker 1: but still keeping your roles fresh and fabulous that's coming
- 1:56Speaker 1: up next. I tune in for that, Or how about
- 1:58Speaker 1: this one, Keeping it Cool and Sticky, Your Guide to
- 2:01Speaker 1: Happy tape. Whatever you pick what you like. You know,
- 2:05Speaker 1: you can choose either one of those. The bottom line
- 2:08Speaker 1: is that we're going to be talking about how to
- 2:10Speaker 1: start masking tape coming up. But it's gonna be fun,
- 2:12Speaker 1: all right. Right now though, I want to talk about
- 2:15Speaker 1: the holidays, you know, Thanksgiving, Christmas, New Year's and to
- 2:19Speaker 1: get me going on this, I want to start with
- 2:22Speaker 1: the elf. You know, you know what I'm talking about.
- 2:25Speaker 1: I think elf on the shelf. We got one long
- 2:28Speaker 1: ago when they first came out, and it honestly started well,
- 2:32Speaker 1: you know, the kids named him Tinsel. It was funny,
- 2:35Speaker 1: it was cute, you know, ours only ever hid, which
- 2:38Speaker 1: was good. That was his thing. He didn't do naughty
- 2:41Speaker 1: things or make messes or any of that. He'd have
- 2:44Speaker 1: been short for this world if he tried any of
- 2:46Speaker 1: that Bologney in my house, No, our Tinsel, our little elf,
- 2:50Speaker 1: just hid. And every morning, for like fourteen mornings in
- 2:55Speaker 1: a row, the kids woke up and they were excited
- 2:58Speaker 1: to go looking for Tinsel and to find them. And
- 3:00Speaker 1: then on the fifteenth morning, that's when I realized this
- 3:04Speaker 1: whole idea might not be as great as we thought.
- 3:08Speaker 1: On the fifteenth morning, I realized that Tinsel had hidden
- 3:12Speaker 1: in pretty much every single reasonable place in our home,
- 3:15Speaker 1: and I know what you're thinking. Fourteen places. That's it.
- 3:18Speaker 1: Come on, you're being ridiculous. No, that's it. You know,
- 3:21Speaker 1: he could have hidden in a drawer, or in a cupboard,
- 3:25Speaker 1: or in the freezer, you know, behind the ice cream
- 3:27Speaker 1: carton it's been there since July. Could have hidden behind those,
- 3:32Speaker 1: you know. And yes, that ice cream it's in there
- 3:35Speaker 1: since July for a number of reasons. First off, there's
- 3:39Speaker 1: only a little left in it, you know, not enough
- 3:41Speaker 1: for anybody to eat, so it stays there. And secondly,
- 3:44Speaker 1: it's freezer burned, so nobody wants it, and of course
- 3:47Speaker 1: nobody throws it out because remember, there's still a little
- 3:50Speaker 1: bit in there. So anyway, he could have hidden behind
- 3:53Speaker 1: that curtain of ice cream or in the cupboard or whatever.
- 3:56Speaker 1: But with little kids, you know, the little olf has
- 3:59Speaker 1: to be at least find a ball or they get
- 4:01Speaker 1: mopi and then they cry or they drag their feet
- 4:04Speaker 1: in the morning, and then they make everybody late for
- 4:07Speaker 1: school because they were looking for Tinsel and he was
- 4:09Speaker 1: just in the cupboard or behind the ice cream, and
- 4:11Speaker 1: they never would have looked there, all right, So yes,
- 4:13Speaker 1: there really were only about fourteen places that Tinsel could
- 4:17Speaker 1: hide and be relatively hidden but still be able to
- 4:20Speaker 1: be spotted by the kids. And when day fifteen came around,
- 4:25Speaker 1: Tinsel started repeating his spots, and the kids did not
- 4:29Speaker 1: look kindly on that. The groaning began. Tinsel's in the
- 4:32Speaker 1: same place again, Dad, you know, blah blah blah, complain, complain, complained.
- 4:36Speaker 1: You know how it goes. You've got kids, you've got grandkids.
- 4:40Speaker 1: So that's what happened when he hid in the same spot.
- 4:43Speaker 1: And then God forbid some nights, after a long day
- 4:46Speaker 1: at work, in a long evening, you know, entertaining the children,
- 4:50Speaker 1: working around the house, cleaning, doing eight thousand different things,
- 4:55Speaker 1: you know, God forbid Tinsel's parents or you know whatever
- 4:58Speaker 1: we were for God to help him hide and find
- 5:01Speaker 1: a new spot some evening. Oh my, those were bad days,
- 5:06Speaker 1: you know, with that dumb elf. That got to the
- 5:08Speaker 1: point where I'd wake up in the middle of the night,
- 5:10Speaker 1: you know, two in the morning. I'd start awake, sit
- 5:13Speaker 1: up and think, crap, tinsil he didn't move. Worse yet,
- 5:17Speaker 1: I'd wake up on some mornings and I'd hear the
- 5:20Speaker 1: kids already walking through the house looking for him, and
- 5:24Speaker 1: then I'd remember he never moved, so I'd have to
- 5:27Speaker 1: sneak through the house, you know, peeking around doorways, crawling
- 5:30Speaker 1: behind furniture, trying to get to tinsel and move him
- 5:34Speaker 1: without being spotted. You know, the last time I did that,
- 5:38Speaker 1: I remember crashing into my chair, my heart pounding like
- 5:41Speaker 1: I just infiltrated some top secret government base like tom
- 5:45Speaker 1: Cruise in Mission Impossible, and just sitting there and realizing
- 5:50Speaker 1: things had gotten out of hand. This was ridiculous. And
- 5:54Speaker 1: that's just my story, you know, with our little elf
- 5:57Speaker 1: on the shelf and our elf only I get that
- 6:01Speaker 1: some other people have elves who cause creative mischief. Creative mischief.
- 6:06Speaker 1: I can only imagine the stress of maintaining that. Now,
- 6:10Speaker 1: all of that to say, if you need to walk
- 6:12Speaker 1: back the elf in your family, walk back the elf.
- 6:15Speaker 1: You know, I'm not a psychologist. I don't know if
- 6:18Speaker 1: any damage is done to children, permanent or otherwise, but
- 6:22Speaker 1: I'm assuming they're gonna be fine. You know. The damage
- 6:25Speaker 1: done to parents is almost incalculable, And everybody's gonna be
- 6:29Speaker 1: happier when mom and dad are happier. So if you've
- 6:31Speaker 1: got to walk your elf back a little bit, go
- 6:34Speaker 1: for it. And yeah, I'm making a bit of a joke,
- 6:37Speaker 1: but I do think the core of everything that I
- 6:39Speaker 1: just said is really true. You know, as the holidays hit, Thanksgiving, Christmas,
- 6:44Speaker 1: New Year's, as we move into this season, parents and
- 6:47Speaker 1: grandparents put an incredible amount of pressure on themselves. You know.
- 6:52Speaker 1: We worry about, you know, making the perfect get together right,
- 6:56Speaker 1: cooking the perfect meal, finding the perfect outfits for the
- 6:59Speaker 1: care kids. I think women worry about that. Guys don't
- 7:03Speaker 1: worry about that so much. We'd put them in a
- 7:05Speaker 1: pillowcase if that would work, you know, just put a
- 7:07Speaker 1: belt around it. That's good enough. But women will worry
- 7:10Speaker 1: about perfect outfits, creating perfect greeting cards, you know, getting
- 7:15Speaker 1: just the right photo for the greeting card for this year.
- 7:17Speaker 1: All of that becomes stressed. We worry and we agonize
- 7:20Speaker 1: over Christmas presents, you know, finding the right ones, the
- 7:23Speaker 1: best ones, the most fun ones. And then if you've
- 7:25Speaker 1: got more than one kid, you worry about keeping all
- 7:28Speaker 1: of it as even as possible. You know, we're juggling
- 7:31Speaker 1: all of that, and then we start seeing the neighbors
- 7:35Speaker 1: put up their Christmas lights, you know, all the lights
- 7:37Speaker 1: around their home, and the pressure of that starts building
- 7:40Speaker 1: up in our minds. You know, do I have to
- 7:42Speaker 1: do that too? Should I? If I'm going to, I
- 7:44Speaker 1: better do it soon. Weather's only going to get colder.
- 7:47Speaker 1: You know, all of that's playing, you know what I'm saying, right,
- 7:50Speaker 1: you live in this zone too. And then we start
- 7:53Speaker 1: seeing homes, you know, on Instagram, Facebook, social media, whatever.
- 7:57Speaker 1: We see homes that are so impeccably created that it's crazy.
- 8:01Speaker 1: You know, they're like Currier and Ives postcards. It's annoying.
- 8:05Speaker 1: They're perfect, they're flawless. It's like Father Christmas himself lives there.
- 8:10Speaker 1: And then we look around our place and we see
- 8:13Speaker 1: our poultry stuff, you know, old ratty stockings, this Charlie
- 8:17Speaker 1: Brown Christmas tree that isn't intentionally you know, a Charlie
- 8:20Speaker 1: Brown Christmas tree. It's just really that old and that's sad.
- 8:24Speaker 1: And then some guy you know, comes on the radio
- 8:27Speaker 1: from Repcolite and periodically talks about, hey, you know, why
- 8:31Speaker 1: don't you paint something, you know, so your guests don't
- 8:34Speaker 1: hate your home when they come over. You know, you
- 8:36Speaker 1: got to hate that guy. Anyway. All of that adds
- 8:39Speaker 1: up and it all becomes guilt. It all becomes frustration.
- 8:43Speaker 1: You know, it leads to envy, it leads to jealousy,
- 8:46Speaker 1: it just leads to all kinds of sadness. And maybe
- 8:49Speaker 1: maybe that's small doses of those things that you experience.
- 8:53Speaker 1: Maybe it's bigger doses, who knows. But even if it's
- 8:55Speaker 1: small doses, those things are certainly not in the spirit
- 8:58Speaker 1: of the season. Now, I've got five, my mom has
- 9:01Speaker 1: a ton of grandkids. I know what I'm talking about here.
- 9:04Speaker 1: I know the stress that the holidays can bring, and
- 9:07Speaker 1: I know it's often the case that we go into
- 9:09Speaker 1: them pumped up and excited, right, you know, we're heading
- 9:11Speaker 1: into Thanksgiving, and then it's the journey to Christmas. We're excited,
- 9:15Speaker 1: a lot of new stuff's going on, it's great, and
- 9:18Speaker 1: then all of a sudden, we're gonna wake up on
- 9:20Speaker 1: a morning and we're gonna look at the calendar and
- 9:22Speaker 1: it's gonna be Christmas. Even we're gonna wonder where did
- 9:25Speaker 1: this whole season go? You know, for me, I fill
- 9:27Speaker 1: mine up with busyness, things that are worthwhile in and
- 9:30Speaker 1: of themselves. But you know, at the end of the day,
- 9:33Speaker 1: things that really, you know, aren't that important, they're just busy.
- 9:37Speaker 1: So where am I going with all of this, with
- 9:39Speaker 1: this long ramble. What's the point? Well, the point, the
- 9:42Speaker 1: main thing I'm trying to say is that it's okay
- 9:45Speaker 1: and it's important to cut yourself some slack, you know,
- 9:48Speaker 1: give yourself a break. Put the elf on the shelf
- 9:51Speaker 1: and leave them there, or put them back in the box,
- 9:54Speaker 1: or get them some sment shoes. Visit the pond and
- 9:57Speaker 1: the condos where Grandma lives, you know, whatever you've got
- 10:00Speaker 1: to do, just saying, find a way distance yourself from
- 10:03Speaker 1: that little guy. Don't stress yourself out about the meals,
- 10:06Speaker 1: don't agonize over the decorating or the outdoor lights. If
- 10:09Speaker 1: it's fun to you and it helps you celebrate, we'll
- 10:12Speaker 1: go for it. If it's a burden, if it's a job,
- 10:14Speaker 1: maybe cut it for the year, you know, go easy
- 10:17Speaker 1: on the present, stress the gifts, you know, lighten up
- 10:20Speaker 1: on the Instagram holiday home comparisons. Now. I know that
- 10:23Speaker 1: is ridiculously easy to say, and I don't usually listen
- 10:28Speaker 1: to my own advice in this regard anyway, but I'm
- 10:31Speaker 1: trying to do better because I'm right. I'm really right
- 10:35Speaker 1: about this stuff. You know. Every year I go nuts
- 10:38Speaker 1: trying to be so unbelievably creative with my gifts for
- 10:41Speaker 1: the kids. I put hours into brainstorming. I create spreadsheets. People,
- 10:46Speaker 1: I've talked about that before. It's real and it's weird
- 10:50Speaker 1: and it's a problem, and I do it. I do
- 10:53Speaker 1: it spreadsheets. I've got spreadsheets going back years. I peruse
- 10:56Speaker 1: them sometimes just for the fun and the memories. It's crazy.
- 11:00Speaker 1: I put superhuman effort into these things. And then, with
- 11:04Speaker 1: all of that said, the other day, we were sitting
- 11:07Speaker 1: around and started talking about Christmas and I realized nobody
- 11:11Speaker 1: can even remember what presents I bought for them last year.
- 11:15Speaker 1: And they were great gifts, they were brilliant gifts. I
- 11:18Speaker 1: had to bring out the spreadsheets and everybody said, oh, yeah,
- 11:20Speaker 1: that was really good. But really, at the end of
- 11:23Speaker 1: the day, gifts don't live in people's hearts and minds. Obviously,
- 11:26Speaker 1: what the kids remember from last year, from that conversation
- 11:30Speaker 1: when we were sitting around, what the kids remember from
- 11:32Speaker 1: last year's Christmas most vividly is this. They decorated our
- 11:36Speaker 1: twenty year old artificial tree for the first time, our
- 11:39Speaker 1: little Charlie Brown Loser tree. I usually own this task
- 11:43Speaker 1: because I'm nitpicky about how it looks, but they did
- 11:46Speaker 1: it last year, and they did it up to my standards.
- 11:49Speaker 1: They still remember that. They remember that for Christmas Eve
- 11:52Speaker 1: we had a meal of pickles, olives, a charcuterie board, meatballs,
- 11:57Speaker 1: and little wieners, you know, wrapped in crescent rolls. In fact,
- 12:00Speaker 1: the other day I bought a jar of the same
- 12:02Speaker 1: expensive pickles that we had last year at Christmas Eve,
- 12:05Speaker 1: sucker punch pickles something like that. Andrew ate one and
- 12:08Speaker 1: he said, ah, tastes like Christmas, right, So they remember that.
- 12:12Speaker 1: They remember that we ended Advent and launched into Christmas
- 12:15Speaker 1: by going to Mass at midnight at the Basilica of
- 12:18Speaker 1: Santa Delbert and Grand Rapids. They're altar servers at that Mass,
- 12:22Speaker 1: and it's the pinnacle of Christmas for them. Every year.
- 12:25Speaker 1: You know, we get home around two in the morning
- 12:27Speaker 1: and everybody feels like we've truly experienced Christmas. Now. I
- 12:31Speaker 1: say all of that for me to remind myself that
- 12:34Speaker 1: that's what the kids remember, you know, all of those
- 12:36Speaker 1: little things. So many of the things that I agonized
- 12:39Speaker 1: over and stressed myself out about are things that they
- 12:41Speaker 1: don't even remember unless they actively start racking their brains
- 12:45Speaker 1: or check out my spreadsheets. You know, all of the
- 12:48Speaker 1: money that I spent on gifts is just money spent
- 12:50Speaker 1: on things that sat in a drawer or on a
- 12:52Speaker 1: shelf for whatever, for the better part of a year.
- 12:55Speaker 1: All of the stress about having a perfectly decorated Christmas
- 12:58Speaker 1: home like my grandma used to have was really silly
- 13:01Speaker 1: at the end of the day for me. You know,
- 13:03Speaker 1: one of the kid's main happy Christmas memories is the
- 13:06Speaker 1: sad little tree they decorated. You know, every year I
- 13:09Speaker 1: tell myself that if everything isn't a big production, you know,
- 13:13Speaker 1: if it's not movie magical, that somehow the experience is
- 13:16Speaker 1: going to be less. You know that my kids won't
- 13:18Speaker 1: have the best memories of Christmas and the holidays, and
- 13:21Speaker 1: blah blah blah. That is so messed up. That's not
- 13:24Speaker 1: what's important, right We all know that, but we forget
- 13:27Speaker 1: it so easily. What's important is being together, enjoying each other.
- 13:31Speaker 1: That's what's important. Now I know that not all of
- 13:33Speaker 1: us have that luxury anymore. You know, kids have moved out,
- 13:36Speaker 1: We've lost people. And I can guarantee that anybody listening
- 13:39Speaker 1: who's in that boat and who's remembering back to those
- 13:42Speaker 1: days when their home was full of people and little voices.
- 13:45Speaker 1: None of those people are thinking that the season was
- 13:47Speaker 1: great because of all that busyness and the presence and
- 13:50Speaker 1: the decorating. It's the people. It's always the people. People
- 13:54Speaker 1: can be the worst, but they're also the best. So
- 13:57Speaker 1: for anybody who needs to hear it this year, slow
- 13:59Speaker 1: down as we head into the holidays, take a breath,
- 14:01Speaker 1: Ease up on yourself. Thanksgiving, Christmas, New Year's. They're all
- 14:05Speaker 1: going to succeed even if we don't perfectly execute every meal,
- 14:09Speaker 1: every gift, every moment. All right, that's my two cents.
- 14:12Speaker 1: That's how I think we all survive the holidays this
- 14:15Speaker 1: year and really get the most out of them. All right,
- 14:17Speaker 1: that's enough of that. When we come back, I'm going
- 14:19Speaker 1: to be talking about tape tails, how to keep your
- 14:21Speaker 1: roles fresh and fabulous. This sounds amazing, And it's next
- 14:26Speaker 1: stick around and we're back here listening to the Repcolite
- 14:33Speaker 1: Home improvement show sponsored by Benjamin Moore, and it's time
- 14:36Speaker 1: to talk about how to keep our roles fresh and fabulous.
- 14:40Speaker 1: I mean, that sounds amazing, right, It's our tape rolls
- 14:44Speaker 1: for anybody out there, who's very curious about what's going on.
- 14:47Speaker 1: How to keep your tape rolls fresh and fabulous. All
- 14:51Speaker 1: this month November Painters Blue Masking tape inch and a
- 14:54Speaker 1: half blue masking tape is on special at Repcolite, and
- 14:58Speaker 1: whether you're buying it by a single roll or you're
- 15:01Speaker 1: grabbing a box at a time, it's a great deal.
- 15:03Speaker 1: And with that special in mind, I've spent the month
- 15:06Speaker 1: kind of sharing some masking tape tips to help you
- 15:09Speaker 1: get the best results. Today, let's talk about storage, because
- 15:12Speaker 1: really there is a right way and a wrong way
- 15:15Speaker 1: to store your masking tape, and of course storing it
- 15:17Speaker 1: the right way is going to get you better results
- 15:20Speaker 1: down the road. So quickly, let's just move through some
- 15:22Speaker 1: of these first things. First, you've got to when you're
- 15:25Speaker 1: storing your tape keep it out of direct sunlight. UV
- 15:28Speaker 1: light isn't great for your masking tape. Over time, the
- 15:31Speaker 1: UV rays can break down the adhesive even if the
- 15:34Speaker 1: tape is still in its packaging. So storing it in
- 15:37Speaker 1: a bright sunny spot, like on a window sill in
- 15:39Speaker 1: your kitchen, you know, let's say like a nice little
- 15:42Speaker 1: piece of decor storing it there, or storing it on
- 15:45Speaker 1: the dashboard of your truck, just laying it around on
- 15:48Speaker 1: your work bench with the window right above it. All
- 15:50Speaker 1: of those places aren't the best. They're not the best.
- 15:53Speaker 1: Your tape is like a cockroach. Think about that. It
- 15:56Speaker 1: longs for the darkness. Remember that, give it the darkness. Right.
- 16:00Speaker 1: Second thing, store your tape in a cool, dry place.
- 16:03Speaker 1: Extremes of heat and cold are masking tapes worst enemies.
- 16:07Speaker 1: And really, when you think about it, when are extremes
- 16:10Speaker 1: of heat or cold ever used in a positive manner
- 16:13Speaker 1: for anything? You never read on a package of anything
- 16:17Speaker 1: store only in extreme heat, right or best? If kept
- 16:21Speaker 1: in extreme cold? You never read that? Well, wait, you
- 16:24Speaker 1: might read that at a cryogenics lab. I suppose that's possible,
- 16:28Speaker 1: maybe likely, But for most situations, extremes of heat and
- 16:32Speaker 1: cold are not your friend. Same is true with tape.
- 16:35Speaker 1: High heat can turn the adhesive into a sticky and
- 16:37Speaker 1: usable mess, and on the other hand, storing your tape
- 16:39Speaker 1: and very cold temperatures can make it less sticky or worse,
- 16:43Speaker 1: maybe brittle and hard to work with. Long term exposure
- 16:46Speaker 1: to cold can ruin the adhesive altogether. So the solution
- 16:49Speaker 1: bomb store your tape in a cool, dry, climate controlled area,
- 16:53Speaker 1: think room temperature and low humidity. You know, a shelf
- 16:56Speaker 1: in your basement or an indoor closet is a great
- 16:59Speaker 1: spot out of the side. Right there you go. Third thing,
- 17:02Speaker 1: and this one's kind of dumb and obvious, but I'm
- 17:04Speaker 1: going to say it anyway, don't unwrap your tape until
- 17:07Speaker 1: you're ready to use it. That original plastic wrapper is
- 17:10Speaker 1: going to keep it clean and free from dust and debris.
- 17:13Speaker 1: And also, if your tape came in a cool little
- 17:15Speaker 1: plastic container, hang on to that cool plastic container. It's
- 17:19Speaker 1: there for a reason. It's going to protect the tape
- 17:21Speaker 1: from dust and debris, but it's also going to protect
- 17:24Speaker 1: the edges from getting damaged. So use that container as
- 17:27Speaker 1: long as you've got the tape, and then afterward use
- 17:29Speaker 1: it for screws, nuts, bolts, buttons, whatever you want. Now,
- 17:33Speaker 1: if you don't have one of those cool little containers
- 17:35Speaker 1: after you've unwrapped your tape, you could always store it
- 17:38Speaker 1: in a zip block bag and that will at least
- 17:40Speaker 1: keep that adhesive clean from dust and debris, so it's
- 17:43Speaker 1: ready to go the next time you need it. All right,
- 17:45Speaker 1: last thing, remember that masking tape has a shelf life.
- 17:48Speaker 1: Depending on the brand, you're going to want to use
- 17:49Speaker 1: your tape within twelve months of purchase for the best results.
- 17:53Speaker 1: After that, the adhesive can start to break down a
- 17:55Speaker 1: little bit and the tape just won't perform as well.
- 17:58Speaker 1: So if you're buying tape in bulk during this month's sale,
- 18:01Speaker 1: plan ahead to use it within the year, or share
- 18:04Speaker 1: some roles with a friend Christmas. After all, is fast approaching.
- 18:09Speaker 1: Storing your masking tape properly. It doesn't take its ton
- 18:12Speaker 1: of effort. It's not rocket science, but really, at the
- 18:15Speaker 1: end of the day, it can make a world of
- 18:17Speaker 1: difference when it's time to tackle your next painting project.
- 18:20Speaker 1: So keep it cool, keep it dry, keep it out
- 18:22Speaker 1: of the direct UV light, keep it in the little case.
- 18:25Speaker 1: If you've got one and you're always going to have
- 18:27Speaker 1: a role, it's ready to go and work as hard
- 18:30Speaker 1: as you do. It's going to work as hard as
- 18:32Speaker 1: you think about that. You want your tape working as
- 18:35Speaker 1: hard as you do, unless you really phone your projects in,
- 18:39Speaker 1: then you want it working as hard as somebody else.
- 18:41Speaker 1: All right, there you go. That's how you keep your
- 18:43Speaker 1: roles fresh and fabulous, and that's what we want right,
- 18:46Speaker 1: fresh and fabulous roles. I know that's what I'm shooting for.
- 18:49Speaker 1: All right, let's take a break. When we come back,
- 18:51Speaker 1: I'm answering some common questions about two toned walls. That's
- 18:55Speaker 1: just ahead, stick around, welcome back. You're listening to the
- 19:03Speaker 1: Repo Light home improvement shows sponsored by Benjamin Moore, and
- 19:07Speaker 1: a couple of weeks ago, I talked about two toned walls,
- 19:10Speaker 1: and the main focus of all of that back then
- 19:13Speaker 1: was to basically highlight four or five. I think I
- 19:16Speaker 1: got through four of them. I had five, five brilliant
- 19:20Speaker 1: reasons why you might want to give this growing trend
- 19:23Speaker 1: to try in your own space. I only got through
- 19:25Speaker 1: four of them. But that's what we talked about a
- 19:27Speaker 1: couple of weeks ago. If you missed that episode and
- 19:29Speaker 1: you've got no idea what I'm talking about, you know,
- 19:33Speaker 1: if two toned walls, if that phrase is just you know,
- 19:37Speaker 1: like Egyptian hieroglyphs to you, well, you know, audible ones. Anyway,
- 19:42Speaker 1: if you're confused, let me just put your mind at ease.
- 19:45Speaker 1: Two toned walls they're like accent walls, only cooler. Right,
- 19:49Speaker 1: we all know what accent walls are, so Instead of
- 19:52Speaker 1: thinking of one highlight color on a given wall, think
- 19:55Speaker 1: of a wall with two different colors on it, two
- 19:58Speaker 1: toned walls. They can be on a single wall, like
- 20:00Speaker 1: an accent wall, or it can wrap the entire room.
- 20:04Speaker 1: I'm sure that you've seen examples of this all over
- 20:07Speaker 1: the place. It's a cool look, it's really popular right now,
- 20:10Speaker 1: and it's an easy way to infuse a ton of
- 20:12Speaker 1: energy and interest into a space. Like I said a
- 20:15Speaker 1: couple episodes back, we talked about why you might want
- 20:18Speaker 1: to try them. Now, let's talk about some practical questions
- 20:21Speaker 1: that always come up when people think about doing this
- 20:23Speaker 1: in their own home. And let's start here. Most of
- 20:26Speaker 1: the time, when we see two tone walls, we see
- 20:29Speaker 1: the walls split either horizontally or vertically. You know which
- 20:32Speaker 1: one's right for your space? Which would you choose over
- 20:35Speaker 1: the other? Now, I should say right off the bat,
- 20:37Speaker 1: there are plenty of other ways to do this, but
- 20:40Speaker 1: these are the two most common. So that's what we're
- 20:42Speaker 1: going to look at. Now. Vertically, let's start with those,
- 20:45Speaker 1: and as you can imagine, when we're talking about splitting
- 20:47Speaker 1: walls vertically, we're saying that the line where the two
- 20:50Speaker 1: colors meet, you know, runs from floor to the ceiling.
- 20:53Speaker 1: It's cool look can be really effective in the right setting.
- 20:57Speaker 1: For instance, if you've got you know, one of those
- 20:59Speaker 1: big open, you know, open area spaces in your home,
- 21:02Speaker 1: a big multifunctional room. You've got you know, your living room,
- 21:06Speaker 1: your dining room, and who knows what else, all in
- 21:08Speaker 1: one big space. A vertical two tone design in a
- 21:11Speaker 1: space like that can help you create separate zones, you know,
- 21:15Speaker 1: for lack of a better word. For example, imagine taking
- 21:18Speaker 1: a new color and splitting the wall vertically right where
- 21:21Speaker 1: your dining room table is doing. That's going to create
- 21:24Speaker 1: this kind of a cozy dining look without closing off
- 21:28Speaker 1: the space, without actually making a dining room or anything
- 21:31Speaker 1: like that. It just kind of gives you that feel.
- 21:34Speaker 1: Another application of this that's kind of interesting, and I've
- 21:37Speaker 1: seen it used most often in bedrooms. It's this and
- 21:42Speaker 1: it's really tough to describe on the radio. I'll do
- 21:45Speaker 1: my best, but picture a neutral canvas color on all
- 21:48Speaker 1: the walls in a plain square bedroom. But then in
- 21:51Speaker 1: one corner, imagine that there's a vertical bar that's about
- 21:54Speaker 1: four foot wide, you know, comes out from the corner
- 21:57Speaker 1: about four foot and then it runs all the way
- 21:59Speaker 1: up just one wall. Now, sometimes people will take that
- 22:02Speaker 1: color and they'll actually carry it onto the ceiling in
- 22:05Speaker 1: something like a four x four four foot by four
- 22:08Speaker 1: foot square. Now, maybe that color on that stripe that
- 22:11Speaker 1: vertical bar is a navy blue. Maybe it's a rich
- 22:14Speaker 1: terra cotta in that you know, otherwise neutral room. Who
- 22:17Speaker 1: knows the idea or the main main point is that
- 22:20Speaker 1: it's unusual. It's incredibly eye catching. And what you end
- 22:23Speaker 1: up doing is taking this boring, kind of squared off
- 22:26Speaker 1: room and you create a nook. Often I see people
- 22:30Speaker 1: put a reading lamp and a rocking chair in that corner,
- 22:32Speaker 1: and even though the room has no physical architectural nooks
- 22:37Speaker 1: or cozy little areas, they can visually create something, you know,
- 22:40Speaker 1: a reading area, a writing area, a relaxing corner. With
- 22:44Speaker 1: just paint, you could do a lot with something like this.
- 22:46Speaker 1: It's really cool. You could take that color and put
- 22:49Speaker 1: it on the two walls that meet in that corner,
- 22:52Speaker 1: you know, just come out four foot onto each wall
- 22:54Speaker 1: and then leave it off the ceiling. Put it on
- 22:56Speaker 1: the ceiling. Either way, it's going to create a very
- 22:58Speaker 1: defined nook in that It's an interesting concept. It demonstrates,
- 23:02Speaker 1: you know, the power of paint and creativity to do
- 23:06Speaker 1: some really cool things in even the most plain and
- 23:09Speaker 1: potentially boring spaces. So vertical two tone walls. Before we
- 23:14Speaker 1: move on, though, I got one other thing. One other
- 23:16Speaker 1: cool benefit of the vertical lines is that they actually
- 23:19Speaker 1: draw the eye up, So it's going to make your
- 23:21Speaker 1: ceilings feel taller. So if you're working with low ceilings
- 23:25Speaker 1: in the space, might be a simple trick to add
- 23:27Speaker 1: some visual height, you know, the illusion of height. I'm
- 23:30Speaker 1: going to try this out with clothing. You know, I
- 23:33Speaker 1: think every piece of clothing that I buy from here
- 23:35Speaker 1: on out, you know, shirts, pants, whatever, I'm wearing vertical stripes.
- 23:40Speaker 1: You know, I want that illusion of height. I'm gonna
- 23:43Speaker 1: find out if it works all right. Flip side horizontal
- 23:46Speaker 1: two tone walls. It's much more common, and for good reason.
- 23:50Speaker 1: It's incredibly versatile. Typically you're going to see the darker
- 23:53Speaker 1: color on the lower portion of the wall with a
- 23:56Speaker 1: lighter tone on top. And normally this happens because the
- 23:59Speaker 1: darker color usually visually just feel heavier. They visually feel heavier.
- 24:07Speaker 1: I think you know what I'm saying. They just seem heavier,
- 24:09Speaker 1: so grounding them at the bottom just feels right. But
- 24:12Speaker 1: you know what rules, Throw them out the window if
- 24:15Speaker 1: you want to. You can break all these rules. You
- 24:17Speaker 1: can flip that. You can put the darker color on
- 24:19Speaker 1: top if you want to cozier, more intimate vibe. This
- 24:22Speaker 1: can work really well in rooms with high ceilings. Now. Also,
- 24:26Speaker 1: as we mentioned last week, horizontal walls are also great
- 24:30Speaker 1: for optical illusions. We talked about how the vertical lines
- 24:32Speaker 1: draw your eyes upward give the illusion of height. Horizontal
- 24:36Speaker 1: lines are going to give the illusion of distance. You know,
- 24:39Speaker 1: it's going to make a room feel a little bit longer,
- 24:42Speaker 1: maybe make a hallway feel longer. Who doesn't want that?
- 24:45Speaker 1: Wants a long hallway in your home? You know, maybe
- 24:48Speaker 1: maybe your hallways too stubby and it's always bothered you.
- 24:52Speaker 1: You wished you had a longer hallway, but you know,
- 24:54Speaker 1: you didn't want to add onto the house just to
- 24:56Speaker 1: have a longer hallway. Horizontal lines two tone walls in
- 25:00Speaker 1: that hallway might give the illusion of length. They also
- 25:04Speaker 1: mimic the look we talked about this last week as well.
- 25:06Speaker 1: They can mimic the look of Wayne's coding paneling, something
- 25:10Speaker 1: like that and a solid color on the bottom half
- 25:12Speaker 1: gives you that vibe, that classic Wayne's coding vibe with
- 25:16Speaker 1: no woodwork required, so easy to redo down the road.
- 25:21Speaker 1: That's more of a reason why you'd want to do it.
- 25:23Speaker 1: But that's what you're going to get with the horizontal lines.
- 25:25Speaker 1: So basically, you can divide your room with the vertical,
- 25:28Speaker 1: you can divide it with a horizontal line, and both
- 25:31Speaker 1: can work and help you achieve different results. All right,
- 25:34Speaker 1: Another big question when it comes to horizontal lines is
- 25:37Speaker 1: where do you draw the line? You know, I'm a
- 25:39Speaker 1: person who needs details. I always have been. You know,
- 25:44Speaker 1: I was that kid parents. Maybe maybe you have a
- 25:48Speaker 1: kid like this in your home, but I was that
- 25:50Speaker 1: kid who asked when's dinner? Right? Most kids ask that.
- 25:55Speaker 1: But when mom would say around five point thirty, I'd
- 25:58Speaker 1: say around or are you saying it's going to be
- 26:02Speaker 1: five thirty or are you saying five thirty two? Five
- 26:06Speaker 1: thirty five? Could it be you know, earlier than five thirty,
- 26:10Speaker 1: and if so, how much earlier? I was exasperating. I
- 26:15Speaker 1: know that if my parents said they thought it would snow,
- 26:17Speaker 1: I wanted to know how much and when and if
- 26:20Speaker 1: school would be canceled. And if they said maybe, I
- 26:23Speaker 1: don't know, then I'd drill into what that meant. What
- 26:26Speaker 1: does maybe mean is maybe forty percent? Chance is maybe
- 26:30Speaker 1: just a twenty percent? I need details? You know. That
- 26:33Speaker 1: was me, and I'm still that way as an adult.
- 26:37Speaker 1: I'm an absolute pleasure. I'm an absolute pleasure to be
- 26:41Speaker 1: around anyway, when I do something like this, think about
- 26:44Speaker 1: bringing you know, two tone walls into a space. I
- 26:47Speaker 1: need to know the exact measurements for that dividing line.
- 26:50Speaker 1: I need to know is it forty eight inches, is
- 26:52Speaker 1: it lower, is it higher? How much higher? Where's the
- 26:55Speaker 1: proper place to draw that line. That's how my brain works. Well,
- 26:58Speaker 1: if you're like me, turns out there's some bad news
- 27:01Speaker 1: for us. There's no hard and fast rule. Generally the
- 27:06Speaker 1: line is about forty seven inches from the floor, and
- 27:09Speaker 1: of course i'm talking about horizontal lines here. Generally it's
- 27:11Speaker 1: about forty seven inches from the floor. But you don't
- 27:14Speaker 1: have to stick to that, not in the least. You
- 27:17Speaker 1: could line it up with a piece of furniture like
- 27:19Speaker 1: your headboard in the bedroom, or with architectural features like
- 27:22Speaker 1: a chair rail or a mantle, anything like that. You know,
- 27:26Speaker 1: and if you're totally stumped trying to figure out where
- 27:28Speaker 1: to draw that line, where to bring that line. A window,
- 27:31Speaker 1: a doorframe, even a shelf, all of those things can
- 27:34Speaker 1: act as a natural place to start or stop your line.
- 27:37Speaker 1: You can match the line exactly with whatever piece you're
- 27:40Speaker 1: looking at, or you can offset it slightly, you know,
- 27:43Speaker 1: up to twelve inches above or below, if you don't
- 27:45Speaker 1: want to feel too exact. It's really that fluid and free.
- 27:49Speaker 1: It really is entirely up to you, and for some
- 27:53Speaker 1: people that's incredibly freeing. For people like me, man, we
- 27:57Speaker 1: don't know what to do with that. We're gonna spend days, weeks,
- 28:00Speaker 1: months just thinking it through. Anyway, that's the dividing line.
- 28:05Speaker 1: Another area where we run into questions is the color.
- 28:09Speaker 1: You know, the color is the most exciting, the most fun,
- 28:12Speaker 1: maybe the most overwhelming part of a two tone wall.
- 28:15Speaker 1: But again, in this situation, for normal people, there's good news.
- 28:21Speaker 1: It's actually easier than picking a color for an accent wall.
- 28:25Speaker 1: And that's because the two colors that you're using on
- 28:27Speaker 1: these walls often balance each other out a little bit.
- 28:30Speaker 1: We talked about that last week or two weeks ago.
- 28:33Speaker 1: But you know, you're only using half the color for
- 28:35Speaker 1: one thing. So you can go with a darker color,
- 28:37Speaker 1: a boulder color, and you're only using half of it
- 28:40Speaker 1: on the wall, and the second color that you use
- 28:42Speaker 1: generally kind of balances it out a little bit. If
- 28:46Speaker 1: you're completely unsure where to start, neutrals they're always a
- 28:49Speaker 1: safe bat gray and beige. They'll work. But remember, you know,
- 28:53Speaker 1: something really important to remember is that neutrals can mean
- 28:56Speaker 1: a lot of different things. Subtle tones like a blush
- 28:58Speaker 1: pink or a soft sage green, and those can be
- 29:01Speaker 1: neutrals to some extent. So can darker tones, you know,
- 29:04Speaker 1: like a navy blue or even a black. All of
- 29:06Speaker 1: those can be neutral tones. So you could go with neutrals.
- 29:09Speaker 1: That's an easy way to go. Another way to go is,
- 29:12Speaker 1: you know, basically a tone on tone approach, maybe a
- 29:15Speaker 1: light and a dark version of the same, you know,
- 29:17Speaker 1: basic color. If you do want to push things a bit,
- 29:20Speaker 1: you can go bold with a bright accent paired with
- 29:22Speaker 1: a neutral for balance. Remember, like I just said earlier,
- 29:26Speaker 1: you're using less of that color and that means you
- 29:28Speaker 1: can push a little more. When it comes to the
- 29:30Speaker 1: color selection. You can go darker than you might have
- 29:32Speaker 1: been willing to go with an accent wall or brighter
- 29:35Speaker 1: or bolder because you're using less of it. So if
- 29:38Speaker 1: you need inspiration when it comes to color, look online.
- 29:41Speaker 1: Social media is full, absolutely full of two tone wall ideas.
- 29:46Speaker 1: And remember Benjamin Moore, color samples are your best friend
- 29:49Speaker 1: in this situation. Grab a couple of them and you
- 29:52Speaker 1: can test out the color on your walls before you commit.
- 29:54Speaker 1: Not right, we're reaching the end. But one last consideration
- 29:57Speaker 1: that's worth mentioning is the ceilings. You know, what do
- 30:00Speaker 1: you do with them? Well, two tone walls give you
- 30:02Speaker 1: a lot of leeway here. There's a lot of different
- 30:05Speaker 1: ways you could go. For one thing, you could just
- 30:07Speaker 1: keep it classic and stick with just a plain white ceiling.
- 30:11Speaker 1: You know, that's absolutely fine. That'll work really well. If
- 30:14Speaker 1: you want, you could take it up a notch by
- 30:16Speaker 1: extending the top color of your two tone walls, your
- 30:19Speaker 1: horizontal two tone walls, you can extend that top color
- 30:22Speaker 1: onto the ceiling. This is going to erase that harsh
- 30:24Speaker 1: line between the wall and ceiling. It makes the room
- 30:26Speaker 1: feel a little more expansive, and that will work with
- 30:29Speaker 1: light colors or darker colors. With darker tones, you're going
- 30:32Speaker 1: to end up with a rich, dramatic look. With lighter colors,
- 30:35Speaker 1: it's going to feel a little more airy and open.
- 30:37Speaker 1: Either way, it's a win, really cool way to go again,
- 30:41Speaker 1: look online for inspiration. There's a ton of ideas out there.
- 30:45Speaker 1: Check those out, all right. That is enough. Whether you're
- 30:48Speaker 1: trying to define a space, add height, or just have
- 30:50Speaker 1: fun with color. This is a project that really delivers
- 30:53Speaker 1: big results with just a little bit of paint. Okay,
- 30:56Speaker 1: let's take a break, and when we come back, let's
- 30:58Speaker 1: breeze through a quick how to on this project. You know,
- 31:01Speaker 1: how do you get the sharp line? How do you
- 31:03Speaker 1: make sure that it's straight across the room? I've got
- 31:05Speaker 1: all of that in just a minute. Stick around, and
- 31:10Speaker 1: we're back. You're listening to the Repco Light Home Improvement
- 31:12Speaker 1: Show sponsored by Benjamin Moore, and let's talk right now
- 31:15Speaker 1: briefly about how to paint two toned walls. And let's
- 31:19Speaker 1: start with the basics. First thing, you need to paint
- 31:22Speaker 1: the top section of your wall, so you've got to
- 31:24Speaker 1: choose your colors, and then you need to decide where
- 31:27Speaker 1: the colors are going to meet. As we talked about
- 31:29Speaker 1: in the last segment, deciding where that meeting line is
- 31:32Speaker 1: going to be. It's pretty much up to you. You know,
- 31:34Speaker 1: there's no hard and fast rules here. You can split
- 31:37Speaker 1: the wall evenly in half. You could add a higher
- 31:40Speaker 1: or a lower dividing line entirely. It's up to you
- 31:43Speaker 1: either way. Figure out where that line's going to be,
- 31:46Speaker 1: and then you gravitate measure and you mark that point
- 31:49Speaker 1: at numerous spots across the wall and if necessary, around
- 31:53Speaker 1: the whole room. If that's how you're going to do it.
- 31:55Speaker 1: When you do this, be sure to keep those marketing
- 31:58Speaker 1: lines light. You need to see them. But they don't
- 32:00Speaker 1: need to shout at you, right, just need to see
- 32:03Speaker 1: them a little bit, So keep them light. If you
- 32:05Speaker 1: want to take this whole step up a notch, you know,
- 32:08Speaker 1: really add some technological cool to the project and get
- 32:13Speaker 1: better results along the way, more easily, you know, so
- 32:16Speaker 1: better results. It's technologically cool and it's going to be
- 32:19Speaker 1: more easy easier, is how we normally would say that.
- 32:24Speaker 1: If you want to do that, consider using a laser level.
- 32:26Speaker 1: It's a game changer. It'll project a perfectly straight line
- 32:30Speaker 1: across your wall, saving you tons of time and ensuring
- 32:34Speaker 1: that your line is straight level all of those things,
- 32:36Speaker 1: even if your floors, their ceilings aren't perfectly level and
- 32:40Speaker 1: it's a laser did I say that. I mean that
- 32:43Speaker 1: alone tells you everything you need to know. There are
- 32:45Speaker 1: a lot of them out there if you go looking.
- 32:48Speaker 1: The prices can vary pretty dramatically. To Walt makes a
- 32:51Speaker 1: good one that you could snag for right around one
- 32:53Speaker 1: hundred and fifty bucks. If you have other projects that
- 32:56Speaker 1: you tackle where a laser level might be handy, it'd
- 32:59Speaker 1: be a great tool to go. We're going to look
- 33:01Speaker 1: at them more deeply in a future episode, but I
- 33:03Speaker 1: did want to throw that idea out there today. Laser
- 33:05Speaker 1: level might be the way to go. Anyway. Once you've
- 33:08Speaker 1: got your line, start painting the top section of your wall.
- 33:11Speaker 1: And when you're doing that, it's really important that you
- 33:14Speaker 1: don't stop painting right at that dividing line, you know,
- 33:17Speaker 1: paint slightly past it, and then feather out those edges. Thick,
- 33:21Speaker 1: abrupt paint lines at that edge are going to create
- 33:24Speaker 1: problems for you down the road. So roll past that
- 33:27Speaker 1: marking line, that laser line that you set, and then
- 33:30Speaker 1: feather the paint out. If you can do it with
- 33:32Speaker 1: your standard roller, fine, do it that way if you
- 33:35Speaker 1: need to. If that's a struggle for you, use the
- 33:38Speaker 1: Wooster Jumbo coder system for this. These are four inch
- 33:41Speaker 1: roller covers, four inch rollers and covers. We talk about
- 33:45Speaker 1: them all the time on the show. They're incredibly, incredibly handy.
- 33:48Speaker 1: And what makes these Wooster Jumbo coders so brilliant is
- 33:51Speaker 1: that the tiny little mini roller covers that you're using,
- 33:54Speaker 1: that you buy for them, they actually perfectly match their
- 33:57Speaker 1: bigger counterparts. So if you stick with the Wooster products
- 34:00Speaker 1: through the whole project, you could make sure that the
- 34:02Speaker 1: roller cover nap, you know, the texture and all of
- 34:04Speaker 1: that matches perfectly, even though you switch to the mini
- 34:07Speaker 1: roller to really you know, feather out those lines. Now
- 34:10Speaker 1: that may not sound like a big deal, but using
- 34:13Speaker 1: different roller covers for a part of the wall can
- 34:15Speaker 1: really show up in your final results. Roller textures can
- 34:18Speaker 1: look different, it can affect the finish on the wall.
- 34:21Speaker 1: It can even affect the way the color is perceived,
- 34:24Speaker 1: you know, on the wall. So these Jumbo coders from Wooster,
- 34:27Speaker 1: they're a great tool for any painting that you do.
- 34:30Speaker 1: Grab the frame and then the covers that match the
- 34:32Speaker 1: larger Wooster covers that you like to use, and you're
- 34:34Speaker 1: gonna be set. You don't like that, all right, Lots
- 34:37Speaker 1: of blah blah blah on that one. But to summarize,
- 34:40Speaker 1: create your dividing line for the colors, and then apply
- 34:43Speaker 1: your first color to the wall, bringing it slightly past
- 34:45Speaker 1: that line and feathering it out really simple. If you
- 34:48Speaker 1: need to do a second coat, do that before moving on.
- 34:51Speaker 1: Just be sure to really feather the paint out once
- 34:53Speaker 1: you get past that planned dividing line, all right. Second step,
- 34:57Speaker 1: after that top color drives for at least twenty four hours,
- 35:00Speaker 1: at least twenty four hours, And I'm gonna say that
- 35:03Speaker 1: one more time, because this is where problems can happen.
- 35:06Speaker 1: After that top color drives for at least twenty four
- 35:09Speaker 1: hours longer. If you can give it longer. After it's
- 35:12Speaker 1: dried for that amount of time, then it's time to
- 35:15Speaker 1: tape off that dividing line, all right, So set up
- 35:17Speaker 1: your laser level again or carefully mark the walls really
- 35:21Speaker 1: lightly this time at the dividing line, and then apply
- 35:23Speaker 1: your masking tape. Now have two recommendations here, and only
- 35:27Speaker 1: two for this particular part of the project. Yellow frog
- 35:31Speaker 1: tape is one option also three M makes a delicate
- 35:35Speaker 1: surface tape. Both of these tapes are made to release
- 35:38Speaker 1: safely from a freshly painted surface. Other tapes most likely
- 35:41Speaker 1: are going to cause problems for you and you're gonna
- 35:43Speaker 1: end up peeling off fresh paint when you remove the tape. Now,
- 35:47Speaker 1: frog tape, it's got a special coating on the tape
- 35:49Speaker 1: that reacts when water based paint touches it. It instantly
- 35:52Speaker 1: seals the edge of the tape, preventing bleed through. I've
- 35:56Speaker 1: personally had great luck with the yellow frog tape, that
- 35:58Speaker 1: safe released frog tape, and that would probably be the
- 36:01Speaker 1: one that I'd use in this situation. But either that
- 36:03Speaker 1: one or the threem tape, the delicate surface three M
- 36:06Speaker 1: should give you great results. So apply that tape. And
- 36:10Speaker 1: normally i'd say that you would press the edge down,
- 36:12Speaker 1: you know, the edge that's going to be painted up against.
- 36:14Speaker 1: I'd recommend that you press that edge down tightly with
- 36:16Speaker 1: a putty knife to seal it. But I'm not recommending
- 36:19Speaker 1: that in this situation. You know, the paint on your
- 36:21Speaker 1: wall that you're taping over is way too fresh. Don't
- 36:24Speaker 1: use a putty knife here to seal that edge. Instead,
- 36:27Speaker 1: there's another trick, and I would do this even if
- 36:30Speaker 1: I was using the frog tape. Once the tape's down,
- 36:33Speaker 1: go back with your first wall color and paint it
- 36:35Speaker 1: lightly over the edge of the tape. If you're trying
- 36:38Speaker 1: to imagine the scenario, I know it's not easy on
- 36:41Speaker 1: the radio, but think of it this way. You've got
- 36:43Speaker 1: your tape down and you're getting ready to paint your
- 36:45Speaker 1: second color on the bottom part of the wall. Before
- 36:47Speaker 1: you do that, get out the original color and then
- 36:50Speaker 1: lightly paint about an inch or so of that lower portion,
- 36:53Speaker 1: you know, right up and onto the edge of the tape.
- 36:56Speaker 1: Make sure that you feather it out really well. You
- 36:58Speaker 1: still don't want thick lines here, but just a little
- 37:00Speaker 1: bit of that original upper wall color on the lower
- 37:02Speaker 1: half painted over the edge of the tape. That's what
- 37:05Speaker 1: you're looking for. Now. You do this because if there's
- 37:07Speaker 1: any paint that bleeds under the tape, the color that's
- 37:10Speaker 1: going to bleed through is going to be the color
- 37:11Speaker 1: that's on the upper portion of the wall. Essentially, that's
- 37:14Speaker 1: sealing off the tape edge and it's creating a flawless,
- 37:17Speaker 1: absolutely razor sharp line when you paint your second color.
- 37:20Speaker 1: So do that and then let it dry completely before
- 37:23Speaker 1: moving on. All right, last step, you got to paint
- 37:26Speaker 1: the second color on the lower section, the bottom section.
- 37:28Speaker 1: And when you're doing this with that second color, you're
- 37:31Speaker 1: going to want to be careful as you work up
- 37:33Speaker 1: to the tape. You don't want to accidentally, you know,
- 37:35Speaker 1: roll onto that upper portion of the wall that you finished.
- 37:38Speaker 1: So just be a little careful as you go. Put
- 37:40Speaker 1: a coat on and let it dry, and if you
- 37:42Speaker 1: need to, you're going to want to apply a second
- 37:44Speaker 1: coat with the same kind of care. All right, Now,
- 37:46Speaker 1: a couple things here, a number of things. First off,
- 37:49Speaker 1: don't wait too long between coats. You know, follow the
- 37:51Speaker 1: product recommendations for time between coats. But don't let that
- 37:55Speaker 1: tape remain on your walls for too long. Even though
- 37:57Speaker 1: it's safe for least tape. You want it off the
- 37:59Speaker 1: wall as soon as possible. Now, that's one thing. Second,
- 38:02Speaker 1: when you're getting ready to remove that tape, it's likely
- 38:04Speaker 1: that paint from your lower section has been rolled up
- 38:07Speaker 1: onto it, you know, onto the tape. And if that happens,
- 38:10Speaker 1: there's probably a paint film that stretches from the tape
- 38:12Speaker 1: to the wall. If you just tear the tape off
- 38:15Speaker 1: without dealing with that paint film. You can actually tear
- 38:17Speaker 1: into the paint that you just applied. It's real pain
- 38:20Speaker 1: in the neck. To prevent this, get an exact O
- 38:22Speaker 1: knife or another you know, really sharp razor, and then lightly,
- 38:26Speaker 1: extremely lightly, run that blade along the edge of the tape,
- 38:29Speaker 1: cutting that paint film. That's going to score that film
- 38:32Speaker 1: so that when you remove the tape, it's going to
- 38:34Speaker 1: remove cleanly, also saferly. Smasking tape like frog tape, like
- 38:38Speaker 1: the three M tape, it's way less likely to pull
- 38:40Speaker 1: up your original color than other tapes will, but you
- 38:43Speaker 1: still want to remove it slowly and carefully. All right,
- 38:46Speaker 1: there you go, three relatively easy steps to dramatic, dramatic
- 38:51Speaker 1: two toned walls. The trick is patients and the right tools.
- 38:55Speaker 1: Now I know I flew through that. If you'd like
- 38:57Speaker 1: to go back and read it slowly and get a
- 39:00Speaker 1: little more information, you can head to repcoll Light dot com.
- 39:03Speaker 1: I've got a blog post up that'll walk you through
- 39:05Speaker 1: all the steps. You can find it right on the homepage.
- 39:07Speaker 1: All right, that's all the time we've got. We're gonna
- 39:09Speaker 1: wrap this one up. If you want to catch it again,
- 39:11Speaker 1: you can find it online at repcolelight dot com. Whatever
- 39:14Speaker 1: you do today makes your paints a part of it.
- 39:16Speaker 1: Have a great Thanksgiving everybody, and I'll see you next week.
- 39:19Speaker 1: I'm Dan Hansen. Thanks for listening.