Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Matter of Reasonable Doubt, Parts Three and Four (EP1121)
Transcript
- 0:28Welcome to the Great Detectors of Old Time Radio from Boise, Idaho. This
- 0:32is your host, Adam Graham. If you have a comment, email it
- 0:36to me Box thirteen at Great Detectors dot net, follow us on Twitter at
- 0:41Radio Detectors, and become one of our friends on Facebook, Facebook dot com
- 0:46slash Radio Detectors. Well, before we do get started, I want to
- 0:51encourage you as you're making your holiday travel plans. Remember Johnny Dollar Air dot
- 0:56com. Johnny Dollar air dot com is a Priceline affiliate. You get all
- 1:00the benefits of going through price Line, including being able to name your own
- 1:03price or choose from great publish affairs on hotels, rental cars, airline tickets,
- 1:08and even more so, when you're making your travel plans, remember the
- 1:12name Johnny Dollar Air dot com and part of your purchase price goes to support
- 1:18the show. Now it's time for us to continue on with parts three and
- 1:22four of a Matter of Reasonable Doubt from Hollywood. It's time now for Johnny
- 1:32Dellar. This is Susan Gramley. Mister Dollar. Oh, yes, how
- 1:36are you, mister Wilson. There's somebody there with you. Yes, that's
- 1:42entirely correct. Well, just listen. Then it's all fixed, mister Dollar.
- 1:46Grandmother is expecting you. She'll be alone for the next few hours,
- 1:49so come on out to the ranch. You're certain of that statement, I
- 1:53suppose, yes, of course, Uncle Walter went into Vegas and add Hilda's
- 1:57gone somewhere. Yes, I'm quite aware of that. You mean she's there
- 2:01with you. That's right, Oh, mister Dollar. You men are all
- 2:06alike, aren't you. That's quite a remark for a person your age.
- 2:09Mister Wilson, Oh, I'm quite mature for sixteen. Has she made her
- 2:15pitch yet? I think we'd better postpone this discussion until the next time we
- 2:19meet. Well, she always does. You know, she's a regular vampire.
- 2:24I think your uncle Walter is gonna kill her someday, mister Wilson,
- 2:29Yes, sir, goodbye, tonight and every weekday night. Bob Bailey in
- 2:40the transcribed Adventures of the Man with the Action Packed Expense Account, America's Fabulous
- 2:46Freelance Insurance Investigator, Yours truly, Johnny Dollar. From Special Investigator Johnny Dollar,
- 3:04location in Las Vegas, Nevada, to the home office American Northern Trust
- 3:07Company, Hartford, Connecticut. Assignment the matter of reasonable doubt expense account continued.
- 3:15Item nine, A half a buck tipped to the hotel bell captain to
- 3:19call a taxi for Hilda Gramley and to wave goodbye to her as she drove
- 3:23away. I do not include the six brandy she guzzled. Those are on
- 3:28me. Of course, she had knocked on my door uninvited, so that
- 3:31made it her party. But still it was my room, so that made
- 3:35her my guess. So I forget it. The whole thing left me too
- 3:38confused to itemize it. She'd obviously come on a fishing expedition, the fish
- 3:44information bait, the usual but nicely designed results, none on either side.
- 3:52What had started out as a trust case, it turned into a snipe hunt.
- 3:54I was in over my head, floundering, and I needed some good
- 3:58buoyant answers. I was hoping missus Greeley herself could supply a few of them.
- 4:01I'm very glad to meet you, mister dollar. Sit down. She
- 4:04wasn't young, and she wasn't beautiful anymore, but she had been once.
- 4:10She still had some of that assurance and authority that beauty always gives a woman.
- 4:15She seemed a little uncertain, Little Harriet maybe but underneath it just as
- 4:19tough as an old field boot. I think you'd better leave us alone now,
- 4:23Susan, okay, gran, If she starts using her brass next give
- 4:27a whistle, mister Dollar, I'll rush in and save you. Thanks,
- 4:30I'll remember. Oh she's a brash little flibberty gibbet. And you love the
- 4:35dickens out of her, don't you love? Yes, I do love the
- 4:41dickens out of her, mister Dollar. Is that what you came out here
- 4:44to find out? No, I knew that already, Otherwise she wouldn't have
- 4:47wanted to transfer all your holdings to her. How did you know about that?
- 4:51Just? Who the devil are you? Anyway? Seems to me Susan
- 4:55was pretty vague on that score. She had to be. She doesn't know,
- 4:59then, why did she? And I ought to see you? Oh
- 5:00she decided I looked honest claim she's got a knack for that sort of thing.
- 5:04As a matter of fact, she has. And also she loved her
- 5:09father and mother. What do you mean by that, missus Greenley? I'm
- 5:14here because your friend Jonas Parks of the Flint Rock Bank sent for me.
- 5:17What. I'm a special investigator for the Amicron Northern Trust Company in Hertford,
- 5:21Connecticut. Why Jonas didn't say anything to me? He hasn't had a chance.
- 5:25He intended to when he was here this afternoon, but you were too
- 5:27ill to see him. Ill. I didn't even know he was here.
- 5:30Your nephew and his wife did. He talked to them. Tell me,
- 5:33mister Dalla, just why did Jonah send for you because he thought you might
- 5:40be losing your mind? Oh? He did, did he? Are you?
- 5:46Well? If you thought so, you wouldn't have said it so bluntly,
- 5:48right, I don't think so. What made Jonas think it? You
- 5:53asked him to set up an insurance trust for the benefit of your granddaughter,
- 5:56Susan. Apparently the intent was to convey your entire estate to her over a
- 5:59period of two to three years. What's so crazy about that? Nothing at
- 6:01all, so far as that part of it was concerned. But it didn't
- 6:04stop there After he got the proceedings started, you turned skittish on him,
- 6:09started the flutter. Jonas is a fool. He is not a fool,
- 6:12and you know it. He's been your friend for twenty years. He's completely
- 6:15trustworthy, conscientious, and he has your best interest at heart. Uh,
- 6:18how much is he paying you to say things like that? Nobody is paying
- 6:21me but the Amican Trust Company. And furthermore, you know it. All
- 6:26you're doing is trying to dodge the issue. Young man, I'm not accustomed
- 6:29to being talked to this way. Then you're going to look at it as
- 6:30a refreshingly novel experience. You sound like Susan and an experience you don't entirely
- 6:36dislike. Presumptuous. Well, maybe are you married, mister Dollar? No,
- 6:43what a pity, I'm not thirty years younger. What a pity I'm
- 6:46not thirty years older. Oh, thank you, sir. And now let's
- 6:48stop scratching each other's backs and get to the point. All right. Jonas
- 6:55is a fine man, no doubt he did have reason to get upset.
- 6:59These past months have been well, I suppose I haven't seemed like myself at
- 7:04all. Why is that? Oh you're like a bulldog with a boone,
- 7:09mister Dollar? Carefull how you talk about you might have been lover? What
- 7:12has been wrong these past months? Maybe I am losing my mind because actually
- 7:18nothing has been wrong. I don't agree. I think something is wrong right
- 7:24now? Then, why don't you tell me about it, all right?
- 7:26How right? I will? Apparently I'll have to if we ever expect to
- 7:30get anywhere. All right, some months ago you stopped going into town,
- 7:35stopped having visitors. Then you decided to get rid of your estate, turn
- 7:39it over to Susan. When your nephew Walter heard about it, he implied
- 7:43to Jonas Parks that you were losing your mind. Then you yourself started to
- 7:46back down on the idea. Why was Walter putting pressure on you? Not
- 7:51exactly? What were you scared of, missus Gramley. It's got something to
- 7:57do with Walter and Hilda, right, sit down. Almost a year ago
- 8:03I discovered that the two of them were stealing me, blind, tampering with
- 8:07the ranch accounts, forging signatures, all sorts of ways. Why didn't you
- 8:11take it to Jonas or to the police, Because I didn't believe it at
- 8:15first. By the time, I was absolutely sure they'd cut the ground out
- 8:18from under me. So you tried to convey the property to Susan secretly,
- 8:22yes, until Walter learned what I was doing. Who's the push in that
- 8:28pair? Who's got the brain? Why she has? Walter doesn't even have
- 8:31the gumption to get in out of the rain on his own. Then she
- 8:35must have been the one who planned the auto accident and he went along with
- 8:39it. Of course, what auto accident three years ago and your son and
- 8:43his wife were killed on the road. I'm sorry, missus Greeley. I
- 8:50I supposed you'd already guessed guessed what that it was? Probably murder. Ah
- 9:03old lady tired and lost, seeing herself surrounded by enemies, living in fear,
- 9:11but she at least knew one thing that she wasn't alone. Now that's
- 9:15somebody else believed her and was on her side. Don't worry about her,
- 9:18mister Dollar. She'll be all right. Well, she had quite a shock,
- 9:22Susan. She had to know sometime. Oh, it's not a matter
- 9:26of no exactly, It's only suspicion, all right. Do you go to
- 9:30your church and I'll go to mine. But I know Walter and Hilda murder
- 9:33my parents, and I think you know it too. Call it a real
- 9:37strong suspicion. Then, so what are you going to do about it?
- 9:41What do you suggest I do about it? Advise my elders. I'm only
- 9:46a helpless young female. You're about as helpless as a mongose with a cobra
- 9:50flattery, just a statement of facts. Say, look, what do you
- 9:54think they've been doing with the money. They've cheated your grandmother out of Oh
- 9:56that's easy, Uncle Walter. Gambles and gambles and gammoning and loses and loses.
- 10:03Uh huh, he's not real bright. You know why does he do
- 10:05this? Different joints in Vegas? Just one, mostly a club called the
- 10:09Lead Balloon. And the name figures any special reason he hits that particular club.
- 10:15I think it's the only one that'll take his IOU's the owner, came
- 10:18out here to collect a couple of times. Happy to know his name?
- 10:22Sure, I got big ears. His name is Deuce McCoy. Deuce McCoy,
- 10:26the Lead Balloon and the rest of the dough Hilda. She's what's known
- 10:31as a luxury dame. Mister dollar. Yes, i'll bet you gather a
- 10:37last week, I'll send you out of the room. Yes, sir.
- 10:39Does she run around with other men? Oh? Mister do all right?
- 10:43Then? Do you happen to know any of them? Nope, I've managed
- 10:46not to, but it hasn't been easy. One or two? Or does
- 10:48she play the field? I wouldn't know, but she's always getting gifts from
- 10:54somebody. Oh she's a real cool operator. But of course you know that
- 11:00you've been one of her victory. How would you like to get spanked?
- 11:01I don't know. I've never been, but I can quote you all kinds
- 11:07of psychology about it. Take for it. Never mind, good nights.
- 11:22Yeah, your name McCoy, Deuce McCoy. Yeah, that's right, Johnny
- 11:28Dollar. I'd like to talk to you about a mutual acquaintance. What mutual
- 11:33acquaintance? Welder Gremley? He's across the room there at the moment, fucking
- 11:37one of your craft tables. Money in dollar? Thanks? All right?
- 11:45Now what about Gramley? How much is he into you? Nobody gets into
- 11:50me. You've been taking his IOUs, haven't you? He buys him off
- 11:54holding any Now, look what's the pitch I want racket of you in insurance?
- 12:00What's that got to do with Grammy? I don't think he's a very
- 12:03good risk, meaning he's probably going to be doing time for embezzlement before long.
- 12:09So why are you telling me about this when I thought you might be
- 12:13interested since you've been taking as I owe you? Oh big heart? Is
- 12:16that it just being neighborly. And you might put it that way here,
- 12:20and I might not. Now what is your angle? It's Gramley, a
- 12:24personal friend of yours, no more than any other sucker out there at the
- 12:28tables. Then you wouldn't know where he gets the money he loses. Well,
- 12:33that I never asked. And I don't suppose you know his wife.
- 12:37Oh he's married. Her name is Hilda. She likes gifts and brandy and
- 12:46money and excitement. Then I hope she manages to find him whoever she is.
- 12:52Oh she does, one way or another. We all got her problems
- 12:56down. Yeah, but some of us more than the others. Right mccoin
- 13:00speaking your piece now, not another word to say? Well, and I
- 13:01don't I don't want to rush you. But hey, that's a nice cigarette
- 13:05case platinum, isn't it. I wouldn't know it's not yours. Somebody left
- 13:11at the table somebody huh. Then you don't know who it belongs to him.
- 13:16If I did, i'd give it back. Then I'll save you some
- 13:20trouble. Mister McCoy. I do know who it belongs to him. What
- 13:24makes you think so? Because I saw it earlier today? It belongs to
- 13:30Hilda grimly, Johnny Dollar, you're there? Sure? I'm here? What
- 13:52I mean? It's your hotel? Is this, Susan? That's right?
- 13:54Why aren't you out there, mister Dollar? Where on the old Boulder cut
- 13:58off? If I'm supposed to meet you there in fifteen minutes, you're gonna
- 14:01wait a minute, Wait a minute? What the devil is this all about?
- 14:05Where'd you get any idea? I was supposed to meet you from your
- 14:07friend? What? Sure? He phoned you a few minutes ago? He
- 14:11said, I should slip away from the ranch, take the station wagon and
- 14:13meet you over on the old road right away. I just phoned your hotel
- 14:18on the off jet. Wait. I don't imagine he gave his name,
- 14:20no, and I didn't recognize the voice. Susan, listen, get away
- 14:26from there right away. Don't go near that road. Come straight here to
- 14:28my hotel. Do you understand it? Yes? But why what's it all
- 14:33about? Never mind? Just get here and get here fast while you're still
- 14:35alive. From Special Investigator Johnny Dollar, location in Las Vegas, Nevada to
- 14:50the homeowner, Sama con Northern Trust Company, Hartford, Connecticut. Assignment a
- 14:54matter of reasonable doubts. It was only nine thirty PM, less than two
- 15:05hours since I'd thrown my rock into the pool to stir up the fish.
- 15:09I'd expected results, sure, but not this fast and not this deadly.
- 15:13I'd picked a gambling casino owner named Deuce McCoy as my broadcaster, and i'd
- 15:18let him know who I was, why I was here, and what I
- 15:20was going to do. Apparently then news had gone out fast. But I
- 15:24couldn't figure this move. Even with young Susan out of the way, they
- 15:28still couldn't get their hands on her grandmother's estate. It didn't make sense,
- 15:31at least not right then. One thing, though, that I was sure
- 15:35of. If Susan Gramley had driven out that deserted road alone, she'd have
- 15:41never come back, not alive. It wasn't it's me, mister doll,
- 15:46all right? Just a second? Well, come on in, Susan begs.
- 15:54I guess it's really it's eye. Though I mean to be correct.
- 15:56I don't care whether it's I or me, just as long as it's you.
- 16:00Isn't that again? Oh? Skip it? Do you have any trouble?
- 16:02I missed the green light at Fremont and Fifth. Anybody folly from the
- 16:04ranch? No? Who was there? When you left. All of them,
- 16:07Uncle Walterer and Hilda had just come in together. Can you beat it?
- 16:12And it wouldn't have been Walter who phoned you. Oh not him.
- 16:15He's got a kind of a sneaky undertone. I'd have recognized him right away.
- 16:21And you didn't recognize the voice on the phone. No, he didn't
- 16:23say much, just that he was a friend of yours and you wanted me
- 16:26to meet you right away, so I said okay, and he hung up.
- 16:30I see, well, maybe you do, but I don't What did
- 16:36you mean when you said get here? Why you're still alive? I wish
- 16:38I knew. Look, Susan, that phone call wasn't just a practical joke
- 16:44then, you do know? I know somebody was trying to get you out
- 16:47on that desert alone tonight. And they weren't trying it just for laughs.
- 16:51I mean, the luckiest thing you ever did was to pick up that phone
- 16:52and call this hotel. But why, mister Dollar, Why would anybody want?
- 16:56That's what I don't know. I don't see what they hope to gain
- 17:00by it. They know the trust hasn't been set up yet. Your grandmother's
- 17:03still in control of the property, not you look. Excuse my ignorance,
- 17:08but I don't think I know what you're talking about. Well, maybe it's
- 17:12time you did, since you seemed to be right in the middle of it.
- 17:15Now, look, your grandmother decided to set up an insurance trust and
- 17:19convey all her holdings over to you. To me, Graham was gonna do
- 17:25that. Jonas Parks at the Flint Rock Bank started proceedings, then got coal
- 17:27feet. He got the idea there was something screwy behind the whole thing,
- 17:32so he wired Hartford and the trust company sent me out here to investigate.
- 17:36But Graham never said a word. She didn't even mention it. She was
- 17:40scared to death, afraid Walter and Hilda would find out and block her off,
- 17:44have her declared incompetent, get control of the estate, and leave you
- 17:47clear out in the coal. She thinks a lot of you, Susan Grand's
- 17:51the most, isn't she? How did she seem when you left? Back
- 17:53on her feet? Oh, better than she's been in months, more relaxed.
- 18:00She's counting on you, mister dollar. Yeah, well, I wish
- 18:03I could be sure. She couldn't. Look that phone call I got if
- 18:07Uncle Walter and Hilda weren't behind it, then, then who was? Oh?
- 18:11I don't know. I'm pretty certain that by now they know who I
- 18:15am and why I'm here, and they know I'm out to get them.
- 18:18I dropped the word a couple of hours ago. I figured they'd react,
- 18:22all right, But I didn't expect this move against you. But there has
- 18:25to be somebody else in on it, mister Dollar. Neither of them made
- 18:29the phone call. Yeah, I know, but nobody else even knew about
- 18:32the trust. Jonas Parks did, and Will Connors of the Weekly Tribune.
- 18:36But they've been friends of Grant's for years and years. They wouldn't do anything
- 18:41to harm her. I didn't say they were, And they couldn't have had
- 18:44anything to do with the accident that killed my parents. Nobody could have accept
- 18:48Hilda and Uncle Walter, unless, of course, it was just an accident.
- 18:53You know better than that, mister Dollar. Oh, I'm beginning to
- 18:56wonder if I actually know very much about any of this. Susan, Listen,
- 19:02how scared are you? Oh? I'm not scared at all. I'm
- 19:06just bewildered. I get good, then you won't be afraid to stay here
- 19:10alone for a while. Of course, not sounds kind of grown up in
- 19:12fact. Yeah, well all right, then don't leave the room, keep
- 19:15the door locked, and don't let anybody in. If someone should try,
- 19:19call a manager and have him call the police, don't answer the phone unless
- 19:22it rings twice. That'll be me, got it? Got it good?
- 19:26Hey, there are a couple of magazines there on the nightstand. Can I
- 19:29ask you what you're going to do? Mister Dollar. Sure you're gonna ask.
- 19:33See you later, Susan stinker. I'm kind of hoping you'd go up
- 19:49ron wasn't sure i'd find you here, mister Conna Is this time of night
- 19:53the paper comes out tomorrow, mister Dollar, Oh sorry, I didn't know.
- 19:57I always stay around late to night before press stage just in case a
- 20:00big story breaks. Uh, got to be here, you know, to
- 20:03break down the front page and remake the galley. All them's technical terms.
- 20:07Course. Oh I see, yeah, I was kind of hoping you might
- 20:10have a story for him. But now maybe that scoop we were talking about.
- 20:14Nope, not sure. Well, I can hold the present until nine
- 20:17thirty am in the morning, but that's the last dog gone final zero hour
- 20:21and a minute later come calamity, Cataclysm, where high water. The Tribune
- 20:26has got the roll. Yeah, sure, well maybe you'll have your scoop
- 20:30before nine thirty. Mister Connors, you mean you're working on a clue shure
- 20:34hot dog? Yep, you said it. You getting close to the new
- 20:38emend see the new emen. Yeah, that's a technical word, and that's
- 20:44when the detective always pounces. Oh yeah, well, well I'm not about
- 20:48the pounce at the moment, mister Connery. Yeah, well, keep your
- 20:51voice down, son, Why there's nobody else here? You never know on
- 20:55this kind of a case. Wow, let's take a chance. All right,
- 20:59I'm game if you are. God. I've got a couple of questions
- 21:00I'd like to ask you, shoot, Son, you know anything about a
- 21:04gambler named Deuce McCoy owns the lead balloon casino over across town. Well,
- 21:10I know who he is, all right. He don't own it, though,
- 21:11he just runs it for a syndicate, works on a salary, I
- 21:15mean salary and percentage. I reckon he ain't getting rich on it, though,
- 21:18not the way he lets it get away from him. And what just
- 21:22two words, son, Women Hilda Gramley wouldn't be one of them, would
- 21:27she wats a new one on me if she is, of course, you
- 21:30live and learn you sure, yeah, and be right cozy if something like
- 21:36that was going on. Her husband spends half his time in McCoy's place.
- 21:38Yeah, I know you figured Deuce McCoy is tied in on this Gamley thing.
- 21:44I don't know. You want to do me a favor, mister Connors,
- 21:47Well, just sing it out, young fella with this coopl Listen,
- 21:49Young Susan Gramley is in my room over at the hotel. You don't say
- 21:53so well, but in her mind it's a long story. I hate to
- 21:56have her there alone, So how about going over babysitting for a while.
- 22:00Sure, i'd be glad to a right. I'll phone her first so she
- 22:03won't lay you out with an ashtray, and I'll keep in touch with you.
- 22:07If there's a story, you'll get it. Meanwhile, lam up right,
- 22:11I'll see you later. Yeah. Do you pack a gun, mister
- 22:14dollar? Sometimes? Why Deuce McCoy does too. All the time, the
- 22:26evening was just starting in the lead balloon, with two crab tables already in
- 22:30action, two more standing by, and a roulette wheel warming up. No
- 22:33one paid any attention when I walked back through the casino to the office.
- 22:38I waited what I considered a reasonable length of time, then tried the knob
- 22:42so I was unlocked. Gone buys, dear beat it. The girl was
- 22:48alone in the office, sprawl back on the sofa, drinking her hands.
- 22:51And it was pretty obvious it wasn't her first one, or her second or
- 22:53third. She'd have been a real knockout. Sober snay, don't you understand
- 23:00english? I said, get out? Where's McCoy? What's it to you?
- 23:06Feeling no pain? Cut it? Buster? Must have been a pretty
- 23:10big pain, though earlier I was taking this one's to kill it. Go
- 23:12on and get out of here. You think you are to talk like that?
- 23:17Johnny Dollar? Who are you? Get away from that desk. If
- 23:23Deuce finds you messing around in here, he'll kill you, even if I
- 23:27told him I was a close friend of yours. You rat, I'll call
- 23:33one of the boys and get you thrown out of here. Oh, I
- 23:36wouldn't. Might make an awful scandal, and I don't think Deuce would want
- 23:40that, not right at present? What are you talking about? Oh?
- 23:44Come, now, you're in a two, aren't you? You're well when
- 23:48you're not with the police. I know them all your FBI. Oh what
- 23:53makes you say that? Look if Deuce is in a jam, I don't
- 23:56know anything about it. What's your name? Nicki? Nicki Vernon, Nikki,
- 24:00sit down and relax. Now, where's Deuce McCoy? I think if
- 24:08I knew, I'd be sitting here by myself lushing it up. I suppose
- 24:12you were McCoy's girl before Hilda Gramley cuts you off, cut me out nothing.
- 24:18That rotten little sneak's been asking for it, and I'm about ready to
- 24:21give it to her. You here this evening. You see any blood on
- 24:22the rug? Just let me catch that jerky? And what about Walter Gramley?
- 24:32Was he here? Yeah? Earlier, he's here in the office for
- 24:36about an hour. I don't know what they talked about. Deuce made me
- 24:38get out, and Deuce left right afterwards half an hour or so. He
- 24:42had a way to make a phone call first. I see you. Well,
- 24:48if you're smart, you'll forget him. Nikki. I've got a hunch
- 24:51he's not coming back, sir. He's gonna go off with that dirty bucket.
- 24:57He's going off because he's in a jam. That's one thing you were
- 25:00right about and by now he must know the whole thing is falling apart.
- 25:03I think he'll try to run for him. How to kill that dame?
- 25:07Why? Why don't you throw away that bottle and forget about him? He's
- 25:11no good Nikki. You know that, don't you sure? I know it?
- 25:15Then? Why are you beating your heart out over him? You've never
- 25:21been a woman. Have you missed a dollar? Now? Here's our star
- 25:41to tell you about the final intriguing episode of this week's story tomorrow. I
- 25:45tagged the pitch too late and a runner gets home the score wonder nothing in
- 25:51favor of death? Join us, won't you? Yours Truly, Johnny Dollar?
- 26:04Yours Truly Johnny Dollar is starring Bob Bailey, is transcribed in Hollywood,
- 26:08written by Less Crutchfield. It is produced and directed by Jack Johnstone. Be
- 26:14sure to join us tomorrow night at same time in station for the next exciting
- 26:18episode of Yours Truly Johnny Dollar. Roy Rowan speaking wha wha, Welcome back.
- 28:02Well. I love the precocious teenage girl in the story. It's a
- 28:07nice little feature kind of lins the mood, even though there's some very serious
- 28:11things going on here. Just some great interactions between her and Johnny Dowler.
- 28:17I have to say regarding the end. As I was listening to that,
- 28:22I thought, Wow, that's that line's deep and and I thought, what,
- 28:26you've never been a woman? Well yeah, kind of obviously, but
- 28:32I know what she's saying. It just it just sounds weird. It's a
- 28:36closing line to the show because when you close a show with that line,
- 28:38it kind of emphasizes that in a way that if it were at the end
- 28:44of a scene and you were going on to another scene, it wouldn't necessarily
- 28:47Well that said, let's go ahead and get on to listener comments and feedback,
- 28:52and we begin with Tim, who says another story set in New England,
- 28:56the sheriff's accent is a modified Parker Finley, a yup, eye yup,
- 29:03like Barry Craig's elevator operator. These California radio actors all sounded the same
- 29:08when playing a Southerner, a Yankee, a Texan. At Brooklyn I there
- 29:12was no subtle shading between Charlottesville, Virginia, Charleston, South Carolina, or
- 29:18Montgomery, Alabama. They played stock characters and used standardized voices. For the
- 29:23most part, radio was a mass medium going out to the whole country,
- 29:27distinctive regional accents would be confusing. Well, in defense of the program,
- 29:36here both Barry Craig's elevator operator and this town and the sheriff are all come
- 29:44from Vermont. Well, I know there's some variation with some states, you
- 29:49know, bigger states like Ohio. How much variation did you have an accent
- 29:56in nineteen fifties Vermont? And so anyway back to Tim's note, then Johnny
- 30:07meets Martin peebe a PENI the neighbor mending the wall. I recognize that voice
- 30:11immediately. Robert Frost the poet or a good imitation. His opening speech was
- 30:15a paraphrase of Frost mending the wall, the good fences make good neighbor's poem
- 30:23the reson up bear tone followed the pitch, the cadence, and the pacing
- 30:27Frost used when resigning. It's not just my imagination. And he links to
- 30:33a soundboard dot com where there's a spot where you can hear Robert Frost reading
- 30:38a poem. So I assume that Les Crutchfield wrote a prestige of Frost,
- 30:45and Johnstone tells actors to imitate frost voice. Was FROs Frost voice, generally
- 30:51known not as common as Carl Samdberg's, who did a lot of radio work.
- 30:56I suppose I could do some Internet research and find out for sure.
- 31:00He did go ahead head to google some gates and found that the first phonograph
- 31:07recording for Caveman came out in nineteen fifty six. This episode is from July
- 31:11nineteen fifty six. It would have been just out fresh in the minds of
- 31:15yours, truly, Johnny Dollars, writers and producers. I can see Johnstone
- 31:19playing his brand new Frost LP over and over for the actor until he got
- 31:25the accent down perfectly. I think that's actually quite plausible, and it would
- 31:30make sense because they're doing this particular story in New England and I that's why
- 31:36I like the listeners we have, because that's not a connection I would have
- 31:38ever found. So thanks so much for that, Tim. Then we have
- 31:45another listener comment, this one from Mike, who says, I really enjoy
- 31:52your podcast, especially since you started doing the Bob Bailey serial Johnny Dollar episodes.
- 31:57I just have a couple of comments. I had trouble recognizing one of
- 32:01the episodes. I've heard them already, because you apparently misspelled the word quay
- 32:07as ka for the quai bono matter. No big deal, but it was
- 32:10a bit confusing. Well, thanks so much on that point, Mike.
- 32:15I will say that I've found various spellings of this. I think three or
- 32:22four different spellings for how this should be, and I think I just ended
- 32:28up going with the one that made the most sense. But I probably should
- 32:31revisit and re edit those at some point. So thanks for pointing that out,
- 32:37and I'll make sure we get the correct one there, he says.
- 32:42As for surely, Mr Shirley Mitchell, I was saying to hear of her
- 32:46passing and grateful that you brought my attention to it. I know her primarily
- 32:51from her appearance on Fiber McGee and Molly, where she played Alice Darling.
- 32:54I found it somewhat fitting that she died on November eleventh. As Alice,
- 33:00a character introduced on the show as a wartime factory worker who boards with the
- 33:04mcgeeese. She was a welcome voice on the show and I'm sure her presence
- 33:07helped Minie Gies get through the war a little easier. As for the Johnny
- 33:12Dollar appearance, I didn't have the cast list to refer to, but I'm
- 33:15sure her that her voice as the waitress. She couldn't She quite possibly could
- 33:22be playing both the letter writing neighbor and is it Millie the waitress. I
- 33:28appreciate the inponent's great to have the podcast of the Johnny Dollar episodes. Keep
- 33:31up the good work. That's possible. But as I look at the cast
- 33:37list, there's only two women listed. The other beings Inette no one,
- 33:43and I think there were only two female parts in the whole story, So
- 33:50I think that I think that it's it was probably the part of the waitress.
- 33:59So so much for the email MOC. And then we have a comment
- 34:04regarding the tears of not Matter. William says, I must say I wasn't
- 34:10very impressed with the resolution of this mystery. It's simply strange believabil that the
- 34:15jeweler would go through all these machinations, all the double crossing and trouble crossing
- 34:20and murder, just to get back the necklace he sold to the widow so
- 34:22he could resell it and have enough cash to elude the police for a few
- 34:25years. He wasn't even the delusional kind of criminal who believed he would get
- 34:30away with it. He himself admitted that eventually he would be caught. I
- 34:34realized that he was an old man in a desperate financial situation. But it
- 34:37just seemed so preposterous to me. That's just my opinion. I can kind
- 34:46of see that. The thing is that, really this situation, if he
- 34:52had sat down and schemed this out, I would be with you. I'd
- 34:58be like, you know, he just kind of thought, hey, I
- 35:00sold a necklace to this lady, I could make the copy. In this
- 35:04case, the situation fell into his hands. And I think for someone who
- 35:10was used to living the high life, who was used to respectability and perhaps
- 35:16luxury and the figures we hear, you know, twenty five thousand and fifty
- 35:22thousand really wouldn't get you far. But we have to remember inflation. So
- 35:29this was, you know, a good two three hundred thousand dollars with which
- 35:34he could have one last fling before going to prison. And if if pleasure
- 35:40and luxury is the most important thing in life, and you don't have any
- 35:45kids, or any legacy, or see any value of your life apart from
- 35:50the material things you have, then I think his view become his actions become
- 35:55a little bit more understandable. William goes on to write, But one thing
- 36:00that still bothers me is the fate of the jewels that Johnny mailed to himself.
- 36:02Did I misinterpret his last words or did he imply that he took them
- 36:06for himself. I'll stand for the last two days of expenses myself. I
- 36:09didn't have any business sticking my nose in the jewel end of it. But
- 36:13if you make me pay for them, don't ever try to hire me again.
- 36:17Pay for what. He couldn't be referring to the last two days of
- 36:20expenses, because he just said they were on him. The only other than
- 36:24he could be referring to would be the jewels. The only explanation that I
- 36:28could think of that would be consistent with Johnny's characters. The jewels were lost
- 36:30in the mail, and that he was refusing to pay for the loss,
- 36:34if that's what he meant. And I have to say that was lost on
- 36:37me when I first heard the ending. The way that line was worded,
- 36:39it sounded to me like he was taking the jewels as a consolation prize,
- 36:43as definitely would go against Bob, against his character, at least Bob Bailey's
- 36:50version of the character Charles was Russell's version. I wouldn't be too sure about
- 36:54well. I think even Charles Russell's Johnny Doller would think twice before saying,
- 37:01Okay, I'll go ahead and eat the cost of these last two days on
- 37:07the expense account, but I'll go ahead and take this fifty thousand dollars necklace
- 37:13as a consolation prize. The way I interpreted the end of the story is
- 37:20it didn't have anything to do with the jewels. I think what he was
- 37:24saying, and you know, we think about these emails that I receive,
- 37:32and even back in the nineteen fifties and sixties, people would send and they
- 37:39would call people on things that were not accurate or correct in their betrayal of
- 37:45certain professions. And I could just imagine somebody who lived on an expense account,
- 37:53who dealt with expense account sending letters into CBS to the Johnny Dollar producer
- 38:00and saying, you know, you can't get away with some of these things
- 38:01that he puts on the expense account. You know, he if he goes
- 38:08off to investigate a murder, has nothing to do with the investigation of why
- 38:13he's there. That's not that's not going to be something the company would be
- 38:17liable for. Uh So I see this in a way as an answer to
- 38:22that. The way that I read it is Johnny saying, I will you
- 38:28know, if you want to dispute this and say it wasn't my it wasn't
- 38:31any of my business to get involved in the murder investigation or the jewelry business,
- 38:38then you're right, and I'll go ahead and I'll pay those expenses.
- 38:44But if you go ahead and you make me do that, you're not hiring
- 38:45me again. It was an odd way of communicating for a guy because it
- 38:51was not straightforward. I wish they would have said it more straightforward. It
- 38:54couldn't be talking about the jewels because we have no information to indicate that the
- 39:00insurance company had insured them, And if the insurance company did have a policy
- 39:05on them, then his getting involved in the jewelry business would be perfectly legitimate.
- 39:10So I read it as him, basically any in a somewhat sneaky way,
- 39:17giving an ultimatum to the insurance company and saying, you know, if
- 39:24you you know, if you guys want to insist on the very strict letter
- 39:29of the law and the very strict rules for what you're paying. You're going
- 39:32to just be sticklers about this When I've been through all of this hassle because
- 39:37you people sent me out there and I was in the office of your agent.
- 39:44You know you're right, You're technically right that you're not liable for the
- 39:49expenses, but we are not going to have a working relationship again. And
- 39:53you know, with Johnny's reputation and the fact that so many insurance companies call
- 39:59on him, when I'm dealing with cases that cost hundreds of thousands of dollars,
- 40:02it just makes sense to go ahead and eat the extra padding on the
- 40:07expense account. That answer wasn't too long. I'm already thirteen minutes on this
- 40:15commentary, so better hurry up and wrap it up. One my last comment
- 40:19from Todd, who just says, I want to say that I really enjoy
- 40:22listening to Johnny Dollar podcast. Did you ever hear the one where one of
- 40:27his friends makes up a matter to get Johnny to go fishing and relax?
- 40:30Todd, I have not listened to that. I'll be honest that with the
- 40:36detective shows that we do on the series, I listened to them as you,
- 40:42as listeners get to them over the years as we've added programs, I've
- 40:46had some series where I've listened to quite a few episodes in advance, just
- 40:50over time in my own private recreational listening, because I've been doing the Johnny
- 40:55Dollar cereal consistently. I think I've listened to one or two cases with each
- 41:00of the Johnny Dollars. So i think I've listened to a grand total of
- 41:05two of the one hundred and seventy nine post serial Johnny Dollars, and I've
- 41:10read a lot of synopsis is a scan through them in John c Abbott's book,
- 41:15The Who Is a Johnny Dollar Matter, And I'm definitely eager to get
- 41:21to them and enjoy them and discover them with the listeners. Thanks so much
- 41:24for the question, Todd, and that will do it for today. We'll
- 41:28be back tomorrow with Nick Carter, and then on Friday join us back here
- 41:34as we wrap up the matter of reasonable doubt and also conclude Belladonna was poison
- 41:40In the meanwhile, send your comments to Box thirteen at Great Detectives dot nat,
- 41:45follow us on Twitter at Radio Detectors, and to come one of our
- 41:49friends on Facebook, Facebook dot com, Slash Radio detectives from Boise, Idaho.
- 41:52This is your host, Adam Graham, sogn and off.