Latest / BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show / Corvette Summer: A Van, A Vette, and a Whole Lot of Glitter (EILFM Crossover)

Transcript

Corvette Summer: A Van, A Vette, and a Whole Lot of Glitter (EILFM Crossover) · BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show

• 0:00
  Grand Touring Motorsport started as a social group of car enthusiasts,
• 0:04
  but we've expanded into all sorts of motor sports disciplines and we
• 0:08
  want to share our stories with you.
• 0:10
  Years of racing wrenching and motorsports experience brings together
• 0:14
  a topnotch collection of knowledge and information through our podcast.
• 0:18
  Break Fix.
• 0:22
  Hey everybody.
• 0:22
  I am Steve.
• 0:23
  And I'm Izzy.
• 0:24
  And we're with everything I learned from movies and Tonight.
• 0:28
  Oh, tonight we're actually on another podcast, babe.
• 0:31
  What?
• 0:31
  I know.
• 0:32
  I know.
• 0:32
  I tricked you once again.
• 0:34
  Wait, but I took a left.
• 0:36
  We came down the hall.
• 0:37
  Oh, the interwebs are very mysterious.
• 0:39
  But we are here on Grand Touring Motor Sports Break Fix podcast.
• 0:42
  Welcome.
• 0:44
  What's up?
• 0:45
  Welcome back.
• 0:45
  Steven.
• 0:46
  Izzy.
• 0:46
  How you guys doing?
• 0:47
  Great.
• 0:48
  Great.
• 0:48
  How about you?
• 0:49
  Not too bad.
• 0:50
  Last time we talked, we went a whole gamut of different car related movies
• 0:55
  and we did it in a drag race format, but this time we decided why don't we hone
• 0:58
  in on one special gem in the movie world.
• 1:03
  And with me tonight is our co-host Brad.
• 1:07
  As well as our executive co-producer of the Drive-through series, Tanya,
• 1:11
  and a fan favorite mountain man Dam.
• 1:13
  Yeah.
• 1:14
  Woo.
• 1:14
  Hey, how's everybody doing?
• 1:16
  So, before we get started, I just have to say, Eric, we need to up our
• 1:19
  podcast game and we need a jingle.
• 1:21
  I know, right?
• 1:22
  We need, we need a harmonized jingle because we're missing out big time.
• 1:26
  Look, I'll tell you, the key to success is marry your co-host.
• 1:29
  It's so much easier to get scheduling.
• 1:31
  Is that legal here in Maryland?
• 1:32
  Eric, can we do that?
• 1:33
  I, I think it is.
• 1:34
  I, Marilyn was one of the first, I mean, what would our, what
• 1:37
  would our jingles sound like?
• 1:38
  Everything I learned from driving and I did crash.
• 1:42
  Well, I think they might sue us for copyright in front.
• 1:45
  Yeah, it's probably not good.
• 1:48
  No worse.
• 1:49
  We judge you.
• 1:49
  Yeah, we're like, we did it better anyway.
• 1:55
  We would Auto-Tune it.
• 1:56
  Oh, there you go.
• 1:58
  So what movie are we talking about tonight, guys?
• 2:00
  Oh man.
• 2:01
  We are talking about a movie I didn't even know really existed.
• 2:04
  1978. Corvette Summer.
• 2:07
  Wait, your dad never said the joke every time you were
• 2:10
  watching any Star Wars movie?
• 2:11
  Hey, that's the guy from Corvette Summer?
• 2:12
  No.
• 2:15
  Okay.
• 2:16
  No.
• 2:16
  My dad has a sense of humor.
• 2:17
  Sorry, babe.
• 2:19
  I mean, I tried to write an intro for this, and I came up
• 2:22
  with one line and I stole it.
• 2:24
  It says, A high school grad and a hooker in training try to
• 2:27
  track down his stolen Corvette.
• 2:29
  Need we say more?
• 2:30
  That basically sums it up.
• 2:31
  No, no, no.
• 2:32
  It's not his.
• 2:33
  They just try to track down a Corvette.
• 2:36
  A stolen Corvette belongs to the school.
• 2:39
  They're trying to hunt down school property.
• 2:42
  So that's a, that's a good student right there.
• 2:45
  So much cringe.
• 2:46
  So much cringe.
• 2:48
  Look, schools used to care about their students, I guess.
• 2:52
  I guess.
• 2:53
  I mean, I mean, any school that serves a minor scotch and a
• 2:57
  tin cup, and we'll get to that.
• 2:58
  Right?
• 2:59
  Oh, we will.
• 3:00
  By the way, did you guys go to the shop class when you were in high school?
• 3:04
  Was it still around?
• 3:05
  I don't know if it's still a thing, but we didn't have one at Dam Matha.
• 3:07
  I spent the majority of my high school career in the auto shop class.
• 3:12
  So Nice.
• 3:13
  This was very similar in the aspect of being in the shop class, working
• 3:17
  on stuff, so I could relate to it.
• 3:19
  You took field trips to the junkyard too?
• 3:21
  No, those were, uh, trips with my stepfather.
• 3:23
  I mean, I know it's the backyard, the back 40, but still Is that where Daniel
• 3:27
  gets the idea for all these diamonds In the rough diamonds in the rust.
• 3:34
  Excellent.
• 3:34
  Well, before we get started, I don't know about Steve.
• 3:36
  We're too sober to talk about this movie.
• 3:38
  Oh, that's very, very true.
• 3:40
  Too.
• 3:40
  Sober.
• 3:41
  Uh, so from Wasatch Brewery here near Salt Lake City, Utah, we
• 3:44
  have their Devastator Double Bach.
• 3:47
  Yeah.
• 3:48
  Which is 8% alcohol by volume.
• 3:50
  Man, this is one of our favorite beers.
• 3:52
  It's pretty fantastic.
• 3:53
  Let's see if you're going to Sin.
• 3:54
  Sin Big.
• 3:55
  Our double Bach is a sweet, toasty, and rich, but finishes gentle.
• 3:59
  This beer is developed.
• 4:01
  A serious cult following.
• 4:02
  Imagine that a cult.
• 4:05
  Can't be true.
• 4:06
  And my top, my top
• 4:11
  in harmony.
• 4:11
  Well, on on our side, I'm leading the charge with a GTM Paddock
• 4:16
  favorite because only the finest things come in Red Solo cups.
• 4:19
  This is the one, the only, the Jager monster.
• 4:23
  Mm-hmm.
• 4:23
  Half Jaeger, half sugar free white Monster.
• 4:26
  This is legit.
• 4:28
  Oh Jesus.
• 4:29
  I dunno, it's abb.
• 4:30
  I dunno.
• 4:31
  Anything.
• 4:32
  You know, I call it my sugar free white monster as well.
• 4:35
  So
• 4:38
  that's what she said.
• 4:39
  Honey, I told you no talk on the podcast.
• 4:41
  Podcast.
• 4:42
  I'm sorry.
• 4:43
  Sugar free was too perfect.
• 4:44
  It's all protein, it's all,
• 4:49
  we could just do this, this for an hour and a, we don't
• 4:51
  need to talk about the movie.
• 4:52
  This would be better radio.
• 4:53
  I know you're not supposed to drink and drive, but you can definitely
• 4:55
  drink and pod at a thousand percent.
• 4:59
  And I wish I had pre-game for this movie.
• 5:01
  So, speaking of pre-gaming, Steve, tell us all about this
• 5:05
  wonderful piece of seventies.
• 5:07
  Well, I mean, so start off, it comes from writer director Matthew Robbins.
• 5:12
  Who's he?
• 5:12
  Steve?
• 5:13
  Oh, I'm glad you asked.
• 5:14
  This was actually his first movie.
• 5:16
  Whoa.
• 5:16
  You can tell.
• 5:17
  And then he went on to do, okay.
• 5:19
  These are some great movies that will definitely pop up
• 5:21
  on our podcast eventually.
• 5:23
  Dragon Slayer.
• 5:24
  You've all seen that one.
• 5:25
  All right.
• 5:25
  I think that's the, uh, Peter McNichol when he is like 18 or
• 5:29
  something, fighting a dragon.
• 5:30
  Oh, okay.
• 5:31
  Yeah.
• 5:31
  Yeah.
• 5:31
  The legend of Billie Jean.
• 5:33
  Oh, Jesus.
• 5:34
  It's a winner.
• 5:35
  Battery's not included.
• 5:37
  We all saw that when we were kids.
• 5:38
  Oh, we talked to the writer of, that's right.
• 5:40
  That's a gem.
• 5:40
  Oh, we sure did.
• 5:41
  That's right.
• 5:42
  Yeah.
• 5:42
  Yes.
• 5:42
  Says Wilson and a 1991 movie called Bingo, which I had to look up.
• 5:46
  It's about a runaway circus dog befriending a boy, and it stars Kurt
• 5:50
  Fuller, Glen Shatick, and a Bear.
• 5:53
  Amen.
• 5:53
  This October Bear, right.
• 5:56
  Wait, is the dog's name bear?
• 5:58
  No, no.
• 5:58
  It stars a bear.
• 5:59
  Apparently there's a dog and of course, because he is a circus dog,
• 6:02
  there's also gotta be a circus bear.
• 6:04
  Wow.
• 6:04
  Is that like the Clint Eastwood movie with the monkey?
• 6:07
  What was that called?
• 6:08
  Every which wave?
• 6:08
  A Lose In which wave?
• 6:09
  A Lose probably right turn.
• 6:10
  Clyde is a famous line from that, or any which way you can matter.
• 6:15
  The sequel matter.
• 6:15
  I mean, the only dog that ever mattered to me in the movie was Fred.
• 6:18
  From smoking the Bandit.
• 6:19
  I'm just gonna lay it out there.
• 6:21
  You never watched Homeward Bound?
• 6:23
  Oh, Homeward Bound.
• 6:24
  That s if you didn't cry when Shadow fell down that hole, you have no soul.
• 6:30
  I think you just described Eric to a TI associate with Darth Vader.
• 6:36
  But we'll talk about that later.
• 6:38
  But you may be wondering, Matthew Robbins, you said he is a writer too.
• 6:41
  How did he start off with something huge?
• 6:43
  Like Corvette Summer?
• 6:45
  Yeah.
• 6:45
  Oh right.
• 6:45
  The sequel to the sequel to the Star Wars franchise.
• 6:48
  Uh, he wrote Close Encounters of the Third Kind Mimic from the mid nineties.
• 6:53
  You remember that one?
• 6:54
  Yeah.
• 6:54
  Probably mistake it with the Relic.
• 6:56
  Uh, don't Be Afraid of the Dark Crimson Peak and Coming Soon.
• 7:00
  He wrote Dermo Dar Toro's Pinocchio that's coming out next year apparently
• 7:05
  with the Voice talents of Kate Blanchet till this went and run.
• 7:08
  Perlman Christophe, Altoon McGregor, Finn Wolfhard, John
• 7:11
  Chat Toro, and Tim Blake Nelson.
• 7:14
  So he wrote some of my favorite movies of all time apparently.
• 7:17
  That's a pretty great cast for the new Pinocchio movie, by the way.
• 7:20
  I mean, who knew Corvette Summer would launch this epic career, right?
• 7:25
  Nobody indeed.
• 7:27
  Yeah.
• 7:27
  And then, uh, of course the cast, we have legendary thespian, mark Hamill
• 7:31
  as Kenneth w Dantley, Jr. This was basically his follow up to Star Wars.
• 7:36
  Like immediately after, is it before or after the accident?
• 7:39
  We were trying to figure it out.
• 7:41
  It would be after if it's after Star Wars.
• 7:43
  Yeah.
• 7:43
  Say we've got a little fun fact about it.
• 7:45
  Both of the film's leads were in car accidents prior to principal photography.
• 7:49
  The other one, uh, Annie Potts, you might know her best as Janine from Ghostbusters.
• 7:54
  Woo.
• 7:54
  This is her feature film debut.
• 7:56
  She's also designing, well, why does everybody know her best from Ghostbusters?
• 7:59
  Did nobody watch designing women?
• 8:01
  I say, yeah, she was on designing women apparently, but you know.
• 8:05
  Seen that movie, her show or whatever, seven years.
• 8:09
  Doesn't she a sugar maker?
• 8:11
  It's gonna happen.
• 8:12
  Well, she's also like the grandma and Young Sheldon or something
• 8:15
  now, and no one knows that.
• 8:16
  Really?
• 8:17
  I did not know that because nobody watches TV anymore.
• 8:19
  We stream it all.
• 8:20
  But to your point, we were looking at this and it's her fourth IMDB credit,
• 8:25
  but it turns out it's her first movie.
• 8:28
  And Tanya found something pretty interesting about her being in her first
• 8:31
  movie and this being her first movie.
• 8:33
  Oh, there was a Golden Globe Award for a New Star of the Year, which she
• 8:37
  was nominated for with this movie.
• 8:40
  Oh.
• 8:41
  Unfortunately she lost out to, um, somebody I've never heard of.
• 8:45
  Irene.
• 8:45
  Irene Miracle from the movie Midnight Express.
• 8:49
  Oh, I've seen Midnight Express.
• 8:51
  Yeah.
• 8:51
  How about that?
• 8:52
  Let's see.
• 8:52
  Just proves how terrible the seventies were.
• 8:55
  We also found out that that award was subsequently removed.
• 8:59
  Two years later, so it doesn't exist anymore.
• 9:02
  82, the last one.
• 9:04
  Yes.
• 9:04
  They moonlighted that out and, uh, sandal Bergman from Conan the Barbarian
• 9:09
  was the last to received that award.
• 9:13
  And then they're like, well, we can't top that.
• 9:15
  Okay.
• 9:15
  I would say like, what have we watched?
• 9:17
  She's the girl from Puppet Master.
• 9:18
  What?
• 9:18
  Annie Pots?
• 9:19
  No, Irene Miracle.
• 9:21
  Oh, we've seen her in stuff.
• 9:22
  Oh, oh, okay.
• 9:23
  Yeah.
• 9:24
  And she won it for, what, what movie was it?
• 9:26
  Midnight Express.
• 9:26
  Express.
• 9:27
  Oh, Vanna Express.
• 9:28
  Oh, okay.
• 9:29
  You confused it with Pineapple Express.
• 9:30
  I, I got it.
• 9:31
  It's all or Sugarland Express or Gold Express.
• 9:35
  Express, yeah, yeah, yeah.
• 9:38
  She was the, uh, the Tom Hanks, CGI thing.
• 9:40
  Right?
• 9:41
  Yeah.
• 9:42
  She was the bear.
• 9:43
  I think, well, if we're talking trivia too, mark Hamill, right?
• 9:46
  I, I don't even think of him as Luke Skywalker anymore.
• 9:49
  When somebody says Mark Hamill, I immediately think the Joker from Batman.
• 9:52
  Oh, right.
• 9:53
  Batman, the animated series.
• 9:54
  Okay, guys, I'll throw this out there.
• 9:56
  Mark Hamill, especially in this movie, he's an okay looking guy,
• 10:00
  but he's like, oh, he's not, he's like, Ron Howard, like, Hey, he is a.
• 10:04
  Weird, awkward looking team.
• 10:06
  Look, thank God he got a career as a voice actor.
• 10:09
  Well, this probably why he got a career as a voice actor.
• 10:12
  'cause who wanted him to be the leading man in Hollywood movies.
• 10:16
  He just, obviously George Lucas, well, you gotta consider the audience be the
• 10:21
  best looking guy at a church potluck.
• 10:23
  Somebody said it and I don't remember who it was.
• 10:25
  He's a weird looking dude and he's an ugly woman, like he can't do either one.
• 10:30
  He was an ugly young man, which he wasn't that young in this movie,
• 10:34
  but he was an ugly young man heading towards middle age, but he's actually
• 10:38
  a much better looking older man.
• 10:40
  So he's like finally, after.
• 10:42
  50 years aged into himself.
• 10:44
  Meanwhile, the best of us mean Annie Pots.
• 10:47
  Holy cow.
• 10:49
  Wow.
• 10:50
  Wow.
• 10:50
  What a looker.
• 10:51
  Annie Pots can get it.
• 10:52
  Yeah.
• 10:52
  She is a, she is a goddamn cutie in this movie.
• 10:55
  I'm not.
• 10:57
  She, she reminded me of like a mini me version of Sigourney Weaver from Alien.
• 11:01
  Mm-hmm.
• 11:01
  She kind of had that with the hair and everything.
• 11:03
  She had that very like petite kinda, but Sigourney weaver's like eight feet tall.
• 11:07
  So I was thinking, I was thinking, what's her face from, uh, my cousin Vinny?
• 11:12
  She had that kind.
• 11:13
  Oh, Marissa's home.
• 11:14
  Yeah.
• 11:14
  I see that.
• 11:14
  Yeah.
• 11:14
  We need to do an episode just on leading ladies.
• 11:18
  Do an episode apparently just on Wafi Burnetts.
• 11:22
  There you go.
• 11:23
  We'll talk about her costumes as we go along as well, because I got, which
• 11:26
  one is the, the, uh, as the drive through lady or as the prostitute
• 11:30
  in training, or as the carwash or whatever, however many 50 million jobs
• 11:34
  she had at the beginning of this movie.
• 11:36
  I love her hustle.
• 11:38
  It was, it was good.
• 11:39
  Gotta respect it.
• 11:40
  Respect the hustle.
• 11:41
  I mean, shows up as a bong girl towards the end, right?
• 11:44
  Yeah, yeah.
• 11:44
  Excuse me.
• 11:45
  Do I know you?
• 11:47
  All right.
• 11:47
  So we start off, of course, in everybody's favorite location, the junkyard.
• 11:52
  Woo.
• 11:53
  Just, just looking at all these prime sixties and seventies cars just stacked
• 11:57
  on top of one another like hamburgers.
• 11:59
  I love how they're in their prime.
• 12:01
  In the junkyard.
• 12:02
  Yeah.
• 12:03
  The prime of when cars were made that, that opening scene.
• 12:07
  I know Dan got super excited, like, you know, he was, he was, all, his
• 12:11
  blood pressure was all the way up.
• 12:13
  He was looking for parts for his car, a thousand percent.
• 12:16
  Right.
• 12:16
  But I'm sitting there looking at this going, oh my God, this is gonna
• 12:19
  be like other seventies movies.
• 12:21
  It had that grainy look to it, you know, the way they
• 12:24
  filmed it back then and mm-hmm.
• 12:26
  With the music.
• 12:27
  And I'm just like, what are we doing in this?
• 12:28
  And I'm like, oh God, I'm preparing for an hour and 44 minutes of torture.
• 12:33
  I'm just like, oh boy.
• 12:34
  Oh, come on.
• 12:35
  The, the soundtrack was pretty funky.
• 12:36
  I liked it.
• 12:37
  You song the glitter.
• 12:39
  The glitter was.
• 12:39
  Touch.
• 12:40
  Oh yeah, the sound.
• 12:41
  Oh my God.
• 12:41
  I, the soundtrack was a hundred percent John Carpenter.
• 12:44
  I made a note that the soundtrack did not fit the movie at all to me.
• 12:48
  Oh, sorry.
• 12:49
  None of the scenes watched soundtrack.
• 12:51
  We watched two movies today.
• 12:52
  My brain stopped working.
• 12:53
  Yeah, we, we, we watched Shadow in The Cloud came out last year, by the way.
• 12:56
  Very interesting movie.
• 12:57
  But yeah, that's the John Carpenter one.
• 12:59
  Sorry, my brain slammed the family stone or, so something that's, I'm
• 13:02
  gonna quiz Dan, what was in the crusher before he found the Corvette?
• 13:06
  Were you paying attention?
• 13:07
  Are you talking about the Rambler?
• 13:08
  Oh, ding, ding, ding, ding.
• 13:09
  That's easy.
• 13:10
  It set it on the front of the car.
• 13:11
  You got, I wanted to see if he paying attention.
• 13:14
  It was spelled out for him.
• 13:16
  Joe Dirt spent a lot of time try trying to track down a ram.
• 13:18
  All right, well, apparently Mark Hamill spends a lot of time tracking
• 13:21
  down a Corvette, so here we go.
• 13:24
  I love the fact that the second line in the movie was, there's a Volkswagen,
• 13:29
  we could turn it into a buggy.
• 13:31
  Do buggy.
• 13:32
  I did, I did notice that.
• 13:33
  Nothing foreign, but I, I gotta, I gotta be honest.
• 13:37
  Of all the times, and Dan could probably say this too, that
• 13:40
  we've spent in junkyards, even as kids before we knew each other.
• 13:43
  I have never seen a Corvette in the junk yard.
• 13:45
  Yeah, it's true.
• 13:45
  I I've never seen one.
• 13:47
  I've seen a couple Camaros, but yeah.
• 13:49
  No Corvettes.
• 13:49
  Yeah, no Corvette.
• 13:50
  So I, I'm already suspending disbelief at this point, right.
• 13:54
  So let's go from there.
• 13:55
  I'm gonna say my reason for thinking there's never been any Corvettes in
• 13:59
  junkyards is 'cause they're fiberglass.
• 14:01
  They're not worth anything to the junkyard.
• 14:03
  So people show up with him like they turn, I mean, that thing was pretty roached out.
• 14:08
  I'm really surprised.
• 14:10
  This is the car, you know, and he's screaming and, and I think the funniest
• 14:13
  part of that particular scene is when he gets to the control booth and he's yelling
• 14:16
  at the guy, he's like, Hey, hey, hey.
• 14:18
  And both my wife and I are like, just, just hit the freaking button.
• 14:21
  The button, the button, the red button.
• 14:22
  Do you see the button?
• 14:24
  The big red one that says hit here?
• 14:25
  Yeah.
• 14:26
  I mean it took forever.
• 14:27
  But see like that.
• 14:27
  But that sets us up for that.
• 14:29
  Like he's this high school kid who's not that good at stuff, but he's good at cars.
• 14:35
  You're absolutely right.
• 14:35
  I'm like, what is going on?
• 14:37
  So, so where do we go from there guys?
• 14:39
  Basically, uh, you know, Luke Skywalker jumps in at the last minute
• 14:42
  to save the vet from being crushed and then we go to shop class and
• 14:46
  uh, we get a nice little montage of like the car being made and, yeah.
• 14:50
  Yeah.
• 14:51
  And all I could think was other classes.
• 14:53
  Luke Skywalker has to build a ten second car for Dom Totto.
• 14:56
  Yeah.
• 14:57
  So let's talk about shop class.
• 14:59
  So Eugene Roche, I guess is how you pronounce his last
• 15:01
  name, or Rock Roche, I guess.
• 15:04
  I looked at, I literally turned to my wife 'cause we watched a movie together.
• 15:06
  I said, isn't that the guy who played the dad on home improvement?
• 15:10
  Wasn't that like.
• 15:10
  Jill's dad or whatever, but I mistook him for somebody else.
• 15:13
  But that guy's been in a ton of movies.
• 15:15
  Oh yeah.
• 15:16
  But he has this reputation for kind of being a little skeezy.
• 15:19
  So I already, I already had something forming in my head as we went
• 15:22
  along, and I don't wanna spoil it for folks till we get there, but
• 15:25
  I was like, man, what is going on?
• 15:26
  Oh, we also get a, get a, see that, uh, a little Kenny,
• 15:29
  uh, you know, Luke Skywalker.
• 15:31
  He lives in a trailer park with his mom, and we see her as, she's like getting back
• 15:35
  from a date or whatever, late at night, and he is been locked outta the house.
• 15:38
  And then, uh, then we get the little like kiss on the lips between him guys.
• 15:42
  How old were you when you stopped kissing your mom on the lips?
• 15:44
  Five.
• 15:45
  Wow.
• 15:47
  I was gonna say, my daughters gave up at maybe two,
• 15:53
  but I, I will not forget that scene.
• 15:55
  'cause she's like, come here and give mom a kiss.
• 15:57
  And as soon as they ha my wife goes, what the f damn trailer park people?
• 16:03
  Boundary boundaries.
• 16:04
  Boundary issues.
• 16:05
  It was the seventies.
• 16:06
  Come on.
• 16:07
  It wasn't just some short little peck though.
• 16:09
  There was like some length to that kiss, which was like the creepy part of it.
• 16:12
  She like grabbed the back of his head.
• 16:13
  I'm like, what is going on?
• 16:15
  Oh, Steve, kiss me like I'm your mom.
• 16:17
  Oh no, God, what?
• 16:19
  Why would you do that?
• 16:24
  But I realized something very quickly.
• 16:25
  There's a parallel between this and a new hope in this movie and in that one.
• 16:30
  Luke Skywalker doesn't have a dad.
• 16:33
  Mm. And he kisses a family member.
• 16:34
  Wait.
• 16:38
  Yeah.
• 16:38
  So okay.
• 16:40
  We find out, he's like failing, I don't know, science or whatever.
• 16:43
  And you know the teachers are real dick when they spell out
• 16:46
  D minus M-I-N-U-S on the paper.
• 16:49
  That's like rubbing it in, right?
• 16:51
  Yeah, absolutely.
• 16:52
  And then you go back to the scene where he's in shop again
• 16:54
  and he is working on now David Carins Death Race, 2000 Corvette.
• 16:58
  Did you guys see this hood?
• 16:59
  What was going on?
• 17:00
  Yeah.
• 17:01
  Oh yeah.
• 17:02
  Yeah.
• 17:03
  It's definitely death race.
• 17:03
  2000. Yeah.
• 17:04
  Like I kept expecting, uh, fuck, I'm trying to think of
• 17:07
  a stupid name for a character.
• 17:09
  Uh, machine Gun Joey or whatever to come out.
• 17:12
  No, no.
• 17:13
  Instead you got the annoying friend Danny Ucci coming out.
• 17:16
  That was the redhead in the movie.
• 17:18
  Oh yeah.
• 17:18
  The redhead guy cos or whatever.
• 17:20
  Yeah.
• 17:22
  Oh my goodness.
• 17:23
  I couldn't believe that at first.
• 17:24
  I was like, what?
• 17:25
  Who?
• 17:25
  No, no way.
• 17:27
  I say, who seen the movie?
• 17:30
  It was a cameo appearance at, you know, nine years old or whatever.
• 17:33
  What got me though is, you know, he's doing all this work and
• 17:36
  people, I have to inform you, as Dan mentioned, Corvettes have been made
• 17:40
  of fiberglass since the early 1950s.
• 17:43
  So when he's sanding and doing all this work with no mask on, I'm like,
• 17:48
  yeah, those are those California laws, you know, that we have now
• 17:51
  about breathing in things and whatnot.
• 17:52
  I'm like, dude, this is not cool.
• 17:54
  What was also, you look so young and youthful
• 17:59
  and then we, and then have you thought about his health and safety?
• 18:02
  I did.
• 18:02
  Right?
• 18:04
  You're such a dad.
• 18:06
  It was a big red OSHA stamp on there.
• 18:08
  No, no.
• 18:09
  Where's the inspector?
• 18:11
  Guys, I just wanna let you know our 20-year-old podcast, Mr.
• 18:14
  Pickles has entered the scene and he's great at unplugging things.
• 18:17
  Nice.
• 18:17
  If you hear jingly bells or we just disappear, blame Mr. Pickles.
• 18:21
  In fact social.
• 18:21
  We have lots of fans who love Mr. Public.
• 18:23
  This is Dammit Pickles, correct me.
• 18:25
  They revealed the car before the giant make out music montage, right?
• 18:30
  Yeah.
• 18:31
  Yeah.
• 18:31
  They, well, they kind of tease it and then, yeah, he does like the lonely walk
• 18:35
  where he walks by and people are just making out really stationary and slowly
• 18:39
  as he is walking by and then casually like walks into the prom and I'm like,
• 18:43
  did you not hear the music or something?
• 18:47
  But then it was like all over town, like I was, I felt like we were
• 18:50
  watching like an American in Paris suddenly it's like, why is everybody
• 18:53
  making out all over the place?
• 18:55
  Yeah.
• 18:55
  He walks by the Eiffel Tower and then the leaning tower of Pisa.
• 19:00
  That street car by, yeah, it's because it was the seventies.
• 19:03
  So I gotta ask, when they unveiled the car for the first time, opened the garage door
• 19:08
  and he rolls out in a plume of tire smoke.
• 19:10
  What did we think?
• 19:11
  Let's do a round robin knee jerk.
• 19:12
  What did everybody think?
• 19:13
  Tanya?
• 19:14
  Hot trash.
• 19:15
  Dan.
• 19:15
  Why Brad?
• 19:16
  Hot Wheels come to life.
• 19:17
  Steve and Izzy.
• 19:18
  What'd you think?
• 19:19
  What's your gut reaction?
• 19:20
  Yes.
• 19:24
  You know what I thought?
• 19:25
  And this is the nerd in me.
• 19:26
  I looked at this thing and I go, damn, we just stepped into the Transformers movie.
• 19:30
  It's hot Rod come to life, right?
• 19:32
  Yes.
• 19:32
  Yeah, rod missed my ride.
• 19:34
  Did it?
• 19:34
  I had, I had sort of a similar thing, but more a film nerd thing.
• 19:37
  I was like, I wonder what's faster, that thing or the race.
• 19:40
  Ooh, nice pull.
• 19:42
  I was just like, I was watching about that just where my brain went.
• 19:44
  I'm like, huh, who would win in a race?
• 19:46
  That, or the race car.
• 19:48
  Alright.
• 19:49
  It's not the dynamic hood you've ever seen in your life, but,
• 19:52
  uh, it'll take in that air.
• 19:54
  What is the car from the race?
• 19:55
  I forget.
• 19:56
  I wanna say it's a Pontiac something.
• 19:57
  I can't remember.
• 19:57
  Yeah, it's a SI think that's where the Pontiac ban she came from.
• 20:00
  Yeah.
• 20:00
  And it was like a prototype.
• 20:01
  Yeah, they put a lot of time and money into that 15 second quarter mile Corvette.
• 20:09
  All right.
• 20:10
  It's a Dodge M four s. Turbo.
• 20:13
  Interceptor.
• 20:14
  Yeah.
• 20:15
  Yeah.
• 20:15
  We were all, we were all raw.
• 20:17
  It's a Mopar.
• 20:18
  I'm now suddenly proud.
• 20:19
  Hmm.
• 20:22
  Uh, well, I guess after he, uh, casually walked into the prom or whatever, the,
• 20:25
  his, uh, shop teacher saw him there.
• 20:27
  I guess he was a chaperone or something, and he, uh, falls him back to the shop.
• 20:31
  'cause I don't know, he either followed him or heard a noise from
• 20:34
  the prom, I don't know, whatever.
• 20:35
  But he walks in and is like, oh, that kid's who's going
• 20:37
  and jerk off on that card?
• 20:39
  Yeah.
• 20:39
  He like, oh, you're not sticking your dick in the gas tank again, are you?
• 20:42
  We don't, just trying to wax budget.
• 20:44
  We're a public school kid.
• 20:46
  Well, here, let me, let me give you some whiskey, dick.
• 20:48
  Let's go drink some scotch in a Dixie cup back here.
• 20:51
  And, uh, see, he's just trying to save the schools some money.
• 20:54
  Hey, he had, he was high class.
• 20:55
  He had 10 prison cups.
• 20:57
  I'm drinking out of a red solo cup here.
• 20:58
  People, I mean, come on.
• 20:59
  No, my mistake.
• 21:00
  Yeah,
• 21:02
  I wanna jump on that because.
• 21:05
  Immediately we paused the movie because my wife goes, hold on a second.
• 21:09
  This guy's like a senior in high school, junior.
• 21:11
  Like, we're trying to figure out how old he is at this point.
• 21:13
  Mm-hmm.
• 21:14
  And she goes, wait, was alcohol legal at that age in the seventies?
• 21:18
  And, and it turned into this 20 minute, we're gonna search Google and find out
• 21:21
  the laws and all this kind of thing.
• 21:22
  Turns out in 1933, California passed the law that the legal drinking age was 21.
• 21:29
  So a little nerd fact there.
• 21:31
  So I was like.
• 21:31
  Oopsie.
• 21:32
  You never had the cool teacher who slipped in something little illegal.
• 21:36
  I think that was a foreshadowing into the character of the teacher
• 21:40
  that you find out about later.
• 21:42
  Spoiler alert.
• 21:42
  Yeah, yeah, yeah.
• 21:43
  Let's, let's think about this.
• 21:44
  Uh, cars are also stolen in this movie.
• 21:46
  Prostitution is fairly rampant.
• 21:48
  Yeah.
• 21:49
  There's some illegal things going on.
• 21:51
  Prostitution's just like a hobby, Luke.
• 21:52
  That was amazing.
• 21:53
  Prostitution is like a potential career path for a young woman
• 21:57
  after she's been an amateur for so long, which basically means whoing.
• 22:01
  She wants to go pro.
• 22:03
  That was one of the best lines.
• 22:05
  What did she say?
• 22:06
  She goes, uh, she goes to go pro or something.
• 22:10
  Yeah.
• 22:10
  She goes, I'm a trainee.
• 22:12
  Time comes when every amateur goes pro.
• 22:14
  I'm like, damn, that's awesome.
• 22:16
  You go girl.
• 22:17
  Own it, girl.
• 22:18
  So we're still like kind of in this period of the car is new and hot, right?
• 22:21
  They're bringing it on the scene.
• 22:23
  And after I did the whole tra trying to get the transformers imagery
• 22:26
  outta my head, the next thing that popped into my mind was, why the
• 22:29
  hell is this thing right hand drive?
• 22:31
  Bingo, but no fur in cars.
• 22:33
  We're gonna take it domestic and make it right hand drive.
• 22:36
  Mm-hmm.
• 22:36
  But Brad, you found an answer to that, didn't you?
• 22:38
  I did.
• 22:38
  It's because Mark Hamill wanted to be able to sit closer to the curb
• 22:42
  so he could holler at the ladies that is actually written on IMDB.
• 22:46
  Can you believe that?
• 22:47
  Mm. By someone who made it up.
• 22:50
  I'm sure.
• 22:51
  So does that imply that he actually thought that was a
• 22:54
  car that should be driven?
• 22:55
  Around on public roads when the movie wasn't filming.
• 22:59
  That was probably his personal car.
• 23:00
  Oh, absolutely.
• 23:01
  He probably owns that car.
• 23:02
  Yeah.
• 23:02
  He had Star Wars money.
• 23:03
  Baby.
• 23:03
  Hey baby, you wanna see a Gen Light?
• 23:05
  See Bought, he bought a Stingray with his Star Wars money.
• 23:09
  I mean, you think about it, all the young individuals at that time,
• 23:11
  like Dirk Diggler wanted a Corvette.
• 23:13
  You know, not that Corvette, who wants a C3 Corvette?
• 23:16
  Seriously, at that time, it, I would take, I don't understand it looking back, but
• 23:20
  it was like a lot of the kids at the time, everybody was like, eh, it's a Corvette.
• 23:24
  Yeah.
• 23:26
  See that?
• 23:26
  Or a Pinto, am I right?
• 23:27
  I, I mean, they modeled the car for the Ambiguously gay duo off of that Corvette.
• 23:32
  I mean, come on.
• 23:32
  Right?
• 23:32
  I mean,
• 23:35
  oh my goodness.
• 23:36
  So then we're on this street race scene, like suddenly
• 23:39
  we're in Fast and The Furious.
• 23:40
  Yeah.
• 23:41
  The teacher takes the school build team to the drag races.
• 23:46
  Drag race is just dragging up and down The strip American calling at
• 23:50
  Ladies on Your pa, that's a running up and down the strip Friday night,
• 23:53
  Saturday night in any small town.
• 23:55
  Back in the day the police were police were standing right
• 23:59
  in the middle of the road.
• 23:59
  They didn't care.
• 24:00
  Can I say something?
• 24:01
  When they're standing in the middle of the road, it happens
• 24:03
  like four times this movie.
• 24:04
  I'm like, okay, get hit him with the car again because it happens later.
• 24:08
  But, well, it is a death race car.
• 24:09
  I mean, come on.
• 24:10
  Right.
• 24:11
  I've got a pop wrist for you guys though.
• 24:12
  Did anybody notice what kind of motorcycles the police were riding?
• 24:16
  Uh, BMW Close.
• 24:17
  Because it is a, a foreign motorcycle.
• 24:20
  It's a Mo Guzzi.
• 24:21
  It was a Mo Guzzi.
• 24:22
  I was gonna say a Triol motor.
• 24:23
  No, it was a Mo Guzzi.
• 24:24
  It's Ian.
• 24:25
  Well, I I got a quiz for you then too, if you remember it since you were
• 24:28
  talking about Mark Hamill leaning out the window of the Corvette pulling up
• 24:31
  to the curb when he pulled up the curb.
• 24:33
  Is that how he lost his arm for Empire Space?
• 24:35
  Yeah.
• 24:35
  Yeah, a thousand percent.
• 24:37
  Did you spot the car that was behind him?
• 24:39
  I'll give you a hint.
• 24:40
  It was white the first time they showed the car from the aerial view when
• 24:44
  he was downtown for the drag race.
• 24:47
  Challenger from, uh, vanishing Point, Alvis Gray lady.
• 24:51
  It is Carmen Gia, the only car built in Canada.
• 24:54
  Bricklin.
• 24:55
  That's not the only car that was built in Canada though, cama?
• 24:58
  No, no.
• 24:58
  The only car that has ever been manufactured from Canada, not
• 25:02
  built in, assembled in Canada.
• 25:03
  Oh, okay.
• 25:05
  But anyway, moving on.
• 25:07
  The drag races were terrible.
• 25:08
  Yeah.
• 25:08
  Well, yeah.
• 25:09
  So yeah, I love the burnout before the drag race too.
• 25:11
  And then you launch during a burnout.
• 25:14
  That's That's a great way to go really fast.
• 25:16
  Yeah.
• 25:16
  That's how you go faster.
• 25:17
  Come on.
• 25:18
  Anybody who's ever stood in a parking lot knows burnouts are
• 25:21
  how guys measure their dicks.
• 25:23
  I mean, go faster.
• 25:24
  I don't, I don't know what I'm saying on those bias ply.
• 25:29
  Well, I, I'm just amazed by the fact that it didn't kick the ass in sideways over
• 25:33
  into the car next to it as you launched.
• 25:35
  I, I was thinking the same thing.
• 25:36
  As a matter of fact, the stunt driver was amazing.
• 25:38
  You did.
• 25:39
  It didn't have enough power that walking 200 horsepower outta that
• 25:43
  8008 8 liter V eight Corvette.
• 25:47
  Oh, it's so true.
• 25:48
  It's so true.
• 25:49
  So in the movie, uh, the teacher sends, uh, one of the guys in the car to like,
• 25:53
  go pick up eight large Cokes and a Sprite for me, and remember, take the
• 25:56
  keys with you and blah, blah, blah.
• 25:58
  And it just shows him like walking away, like not listening or whatever.
• 26:01
  I'm like, is he gonna leave the keys in the fucking car?
• 26:03
  Nope.
• 26:03
  But yeah, it got stolen.
• 26:05
  And like hours later he comes walking back with the sodas.
• 26:08
  I just be like, all right, I gotta leave town.
• 26:09
  I gotta change my name.
• 26:11
  Right?
• 26:11
  Not just walking down with the sodas, but walking down in the
• 26:15
  middle of a four lane road.
• 26:16
  I'm like, yeah, they have with nobody else there too.
• 26:19
  It's la Right.
• 26:20
  I'm confused.
• 26:21
  Well, it, it must've been towards the end of the night when the
• 26:23
  cops chased everybody off.
• 26:24
  'cause you noticed there was no traffic at the point when he is walking back.
• 26:26
  Yes, he's, the cops lost enough money on the race that they decided to
• 26:30
  break it up and send everybody home.
• 26:33
  That makes way more sense.
• 26:35
  What's that?
• 26:36
  Where's my $200?
• 26:37
  Get your harass in the back of my car.
• 26:39
  Hey, how everybody outta here ho Are all the cops Irish in la?
• 26:43
  I don't know.
• 26:44
  Where were we?
• 26:44
  Um, so the car was stolen.
• 26:47
  Oh, Tanya has, Tanya has a fun fact to share.
• 26:50
  Ooh.
• 26:50
  Apparently, according to the Corvette Museum, there were actually two of
• 26:53
  these atrocities that were made.
• 26:55
  Oh, and one of them as in this photo was actually the traditional hand drive that
• 27:01
  we are accustomed to in this country.
• 27:03
  So I'm not sure where that was used in the movie.
• 27:06
  If there was like maybe that we didn't catch where the
• 27:09
  driver was on the left side.
• 27:11
  Oh, you know what?
• 27:12
  It was probably like all the shots where it was like on the street,
• 27:14
  street legal, like that was their street legal one maybe Makes sense.
• 27:18
  Or probably all the shots where the car is actually moving.
• 27:20
  Yeah.
• 27:21
  And apparently one of the, I guess they're referencing, I think in
• 27:24
  this photo, the left hand drive.
• 27:26
  And then there's a comment that's saying that the other one is in a
• 27:28
  private collection in Australia.
• 27:30
  This was as of 2016.
• 27:32
  Oh.
• 27:32
  So we know, we still know where this car is.
• 27:34
  That's kind of cool.
• 27:35
  But the right hand drive one is in Australia.
• 27:38
  Yeah.
• 27:39
  Facts, super fun Facts.
• 27:40
  It's fun.
• 27:40
  Fun fact.
• 27:42
  I'm just curious, do you have a seat?
• 27:46
  I, this is gonna jump in quite a bit, but I just wanna say when he, spoiler
• 27:51
  alert, finds the car and they, the guy knows that he's on to him and
• 27:55
  he says, we gotta paint this car.
• 27:58
  Yeah.
• 27:58
  That's gonna hide it.
• 27:59
  Not the fact that it's, you know, right hand drive, it's one of one.
• 28:03
  We'll just paint it.
• 28:03
  You'll never know it's the same car.
• 28:05
  No, you're looking for a red car, man.
• 28:07
  This's obviously a gold car.
• 28:08
  Yeah.
• 28:08
  You, sorry.
• 28:10
  So yeah, it's stolen.
• 28:11
  Kenny like, flips out and like starts beating the shit out of Danny Ucci,
• 28:15
  which is, you know, whatever the most, I love how the cops are just
• 28:18
  like, well, he kind of deserved it.
• 28:21
  No assault charges.
• 28:22
  No, no.
• 28:22
  We're not pressing any charges tonight.
• 28:25
  Yeah.
• 28:25
  Yeah.
• 28:25
  But I love when he like goes to the cops and is like, Hey, this car
• 28:28
  got stolen, can help me find it.
• 28:29
  Like, I don't know, a lot of Corvettes got stolen, blah, blah, blah.
• 28:32
  No, this is the only one with the hood that looks like Godzilla's back though,
• 28:35
  so it should be pretty easy to find.
• 28:38
  So then we get, we get sad.
• 28:40
  Panda.
• 28:40
  Luke Skywalker, at that point, he's all mopey and depressed.
• 28:43
  Right?
• 28:43
  Mopey and depressed.
• 28:45
  Okay.
• 28:45
  This dude looked like he was strung out.
• 28:49
  I don't know what the entire time either coming down off something or
• 28:55
  trying to get back up on something.
• 28:57
  Like he was so wigged out the whole time.
• 29:00
  It was annoying.
• 29:00
  He's a hell of a drug.
• 29:01
  Yeah.
• 29:01
  He's high on the love of his car.
• 29:03
  You guys should, uh, like, should know this feeling.
• 29:06
  We just can't stop thinking about it.
• 29:08
  You're just lying in bed, like, oh, do you think it thinks about me?
• 29:12
  I mean, it's, I'm wondering if he had like pink eye in this movie too.
• 29:14
  Did anyone catch how like one eye was all red on one side?
• 29:17
  Like, guys, guys, okay.
• 29:18
  I, I'm gonna, I'll, I'll go to the fun facts again.
• 29:20
  Both Mark Hamill and Annie Pots were in car accidents
• 29:23
  prior to principle photography.
• 29:25
  I mean, maybe it's side effect from that.
• 29:27
  Apparently.
• 29:28
  Let's see, pot's got pins in her leg while Hamill got a broken nose.
• 29:31
  Oh, there we go.
• 29:32
  Broken nose.
• 29:33
  That'll do it.
• 29:34
  Staple it back together.
• 29:35
  I don't know.
• 29:35
  Yeah.
• 29:35
  I seemed to remember he had to have like half his face sewn back on second.
• 29:38
  Well, he must have been in multiple car accidents.
• 29:40
  'cause there was articles saying that before New Hope or what
• 29:43
  is the second stretched back.
• 29:46
  Yeah, yeah, yeah.
• 29:46
  That like at the very beginning of the movie, they have whatever monster, like
• 29:49
  scratch him and basically it hid the fact that his face was disfigured from Yeah.
• 29:52
  Because they, they had to like, so his face back on.
• 29:55
  Yeah.
• 29:55
  I thought would've been, that was a motorcycle motorcycle accident.
• 29:56
  Would've been, that would've been after this movie though.
• 29:58
  There was a car accident in Malibu apparently driving
• 30:01
  that got awful Corvette.
• 30:02
  That's why.
• 30:02
  Well, probably that's why I gave the other one to Brian James,
• 30:05
  his CoStar from this movie and he is living down in Australia now.
• 30:08
  Oh, that's not a Corvette.
• 30:11
  Cool.
• 30:11
  That a Corvette.
• 30:12
  See what happens.
• 30:12
  Yeah.
• 30:12
  Oh yeah.
• 30:13
  So the cops come by like.
• 30:14
  Oh yeah, I guess there's a ring of car thieves.
• 30:16
  I guess your fall fucked 'cause they probably took it to another state.
• 30:19
  Anyway, have a nice day everybody.
• 30:20
  Yep.
• 30:20
  They definitely can never find a car across state lines.
• 30:23
  Ask me about when my dad bought a stolen jeep on eBay accidentally.
• 30:28
  Ooh, that's a juicy bit of hot take.
• 30:31
  Oh, it was like the early days of eBay when you could still like bid on
• 30:34
  like human hearts and like weird shit.
• 30:36
  Oh, and he bought a Jeep.
• 30:37
  The listing was quote like inboxes and it was outta Florida and we
• 30:41
  were in California and he was like, yeah, I can assemble this.
• 30:43
  He was, he is a mechanic and he's brilliant at that stuff.
• 30:46
  He paid a ton of money to have it shipped in.
• 30:48
  He assembled it and got it running, built it in our driveway, drove
• 30:52
  it down to go get it registered.
• 30:53
  Turns out it was stolen.
• 30:54
  Sheriff's department seized the whole thing.
• 30:56
  Wow.
• 30:58
  Oh, he was SOL The old days of eBay or Amazing.
• 31:00
  I remember when you could buy ad space on women's chest and put your logo on there.
• 31:05
  It is pretty cool.
• 31:06
  Oh yeah.
• 31:06
  With me.
• 31:07
  Oh, I don't know if you guys are, uh, old enough to remember when that couple
• 31:10
  like sold their virginity on eBay.
• 31:15
  Where's the Picard like head in hand demotion right now?
• 31:20
  I question how much, you know what?
• 31:23
  I can Google it.
• 31:24
  What, what was the final bid?
• 31:25
  Real sad thing is how we haven't really progressed as a society.
• 31:30
  Yeah.
• 31:30
  No, because it would be an NFT now.
• 31:32
  Like that lady was selling farts in a jar, right?
• 31:34
  So there you go.
• 31:35
  Fans only baby.
• 31:37
  All right.
• 31:37
  Woo.
• 31:38
  They're only fans.
• 31:38
  I don't even know what it's called.
• 31:39
  All right.
• 31:40
  They started like, eBay would've been around 1999.
• 31:43
  The most expensive virginity went for $32,000.
• 31:48
  Another one went for $12,800.
• 31:51
  That's a bargain.
• 31:52
  Yeah, right?
• 31:53
  It's kind of like what stays in Vegas?
• 31:55
  Or wait, how does that go?
• 31:57
  What happens in Vegas?
• 31:57
  What happens in Vegas stays in Vegas.
• 31:59
  So anyway, uh, yeah.
• 32:00
  What happens here, um, Kenny or whatever is working at the gas station
• 32:04
  and uh, some guy just comes along one day and he sees the little, uh, you
• 32:08
  know, have you seen this car thing?
• 32:10
  He's like, oh yeah, I saw that car.
• 32:11
  I was over in Vegas.
• 32:12
  I was a little drunk, but it was sitting on a mirror all ready to be bid on he.
• 32:16
  Anyway, I gotta go.
• 32:18
  I'm gonna go in the bathroom and buy a comb for a dime.
• 32:21
  Guys, did they have comb dispensers in the seventies?
• 32:23
  Yes.
• 32:24
  I think that was the guy replenishing the stock for the condoms and the
• 32:27
  combs and the things like that in the bathroom because he put stuff
• 32:29
  outta his trunk to take it over and put it in there to refill.
• 32:32
  Yeah.
• 32:32
  What were the jugs of hooch or whatever that were in the backseat?
• 32:34
  It looked like he was like a shine smuggler.
• 32:37
  I, it was the cleaning materials.
• 32:38
  I, some of it looked like, some of it looked like bottles of liquor.
• 32:41
  Yeah, yeah.
• 32:42
  Yeah.
• 32:42
  Weird.
• 32:42
  But anyway.
• 32:43
  Yeah.
• 32:43
  So then Mark Campbell's like, oh my God, I gotta hitchhike to Vegas Now, by the way,
• 32:48
  that's my, my excellent Mark Hamel voice.
• 32:51
  Ji I, we're gonna go eat some tork converters.
• 32:55
  Oh, man.
• 32:56
  Uh, so yeah, along the way he gets picked up by like a, a hearse on
• 32:59
  hydros that's going 15 miles an hour.
• 33:02
  And eventually I'd say I love, I love that car, by the way.
• 33:05
  Right.
• 33:05
  I like, I like the paint job.
• 33:07
  Although, so when they're in the car, they're talking about you're a GM man.
• 33:12
  Wasn't he driving a Buick Riviera?
• 33:14
  Wasn't that, isnt that what that car was?
• 33:15
  Yes, it, oh, was that was an old school.
• 33:17
  It isn't Buick gm.
• 33:18
  So what Riviera kind of motion is that?
• 33:20
  Yes, he was the person himself, but I loved the graveyard
• 33:22
  motif painted on the side.
• 33:24
  That was cool.
• 33:24
  Pretty sick.
• 33:25
  But I will say, I suddenly realized, and my, my wife pointed this out too,
• 33:28
  she goes, Kenny's kind of a douche.
• 33:30
  He's, he's a one car man.
• 33:32
  Like he has no appreciation for other vehicles.
• 33:34
  And I'm like, did you just say that out loud?
• 33:37
  Like, who are you?
• 33:38
  Who did I marry?
• 33:39
  Right.
• 33:39
  So I I, I have a very prideful moment at that point.
• 33:42
  So that scene meant a lot to me at the end.
• 33:44
  You know, he's, uh, he's got the tunnel vision.
• 33:47
  He's the only has eyes for her.
• 33:49
  It's the only woman he is ever loved besides his bomb.
• 33:52
  So, oh, so that's actually big begs a really good question.
• 33:54
  'cause in the car community, a lot of us name our vehicles.
• 33:58
  So what do we think the name of the Corvette is?
• 34:00
  Or maybe we hold that to the end as we think about this a little bit more.
• 34:03
  Oh guys, it's in the title.
• 34:04
  The Corvette's name is Summer.
• 34:05
  Oh shit.
• 34:07
  Oh.
• 34:07
  He's looking for Corvette Summer.
• 34:09
  Oh, damn.
• 34:10
  You know, my mind is melted now.
• 34:12
  It's over the, the working title was Summer, the Corvette.
• 34:15
  But they're like, that sounds stupid.
• 34:17
  Switch it up.
• 34:18
  Corvette, the summer.
• 34:20
  Get rid of the, yeah.
• 34:20
  Yeah.
• 34:21
  Get that outta there.
• 34:25
  What else could it be like, Yvette?
• 34:27
  I, oh, I like that.
• 34:29
  I like that man.
• 34:30
  Nessa.
• 34:31
  Oh God.
• 34:32
  Okay.
• 34:33
  We're gonna get to Nessa.
• 34:35
  I'm like, oh fuck.
• 34:36
  That's the name.
• 34:37
  This movie should have been, oh, I was like.
• 34:39
  Honey, are we doing this for the Grind Bin podcast?
• 34:42
  That was the sequel that nobody watched.
• 34:44
  Vanessa.
• 34:45
  Oh, I would watch Vanessa.
• 34:47
  We have I would too lot of seventies van movies.
• 34:50
  Okay guys.
• 34:51
  And it ends with her having to get a job as a receptionist in New York.
• 34:54
  Boom.
• 34:54
  Ghostbusters prequel.
• 34:56
  I quit.
• 34:56
  Bit of jobs in this.
• 34:58
  There you Jan Origins.
• 35:00
  Oh, I like that real name.
• 35:03
  It's Shannon.
• 35:04
  So anyway, yeah, they're going like 15 miles an hour.
• 35:06
  He is like, Hey, can we go a little faster for God's sakes?
• 35:08
  And he is like, oh man, we're all about class, not speed.
• 35:11
  And he is like, cool, I'm just gonna step outta this car real.
• 35:13
  And he, hi.
• 35:14
  Like, we're going to Tijuana, like, aren't you excited?
• 35:17
  And, and it's like, no, you said you were gonna Vegas, that's why he jumped in.
• 35:21
  Yes.
• 35:21
  Yeah.
• 35:21
  Like Los Amos.
• 35:22
  And I'm like, that's not what he, what are they going somewhere else Now?
• 35:26
  We're gonna bunny hop to Mexico.
• 35:28
  Apparently.
• 35:28
  Is he gonna be human traffic yet?
• 35:30
  I think he was gonna like lose a kidney.
• 35:32
  My wife being the nerd that she is, sometimes she goes 15 miles an hour.
• 35:36
  It's like a 300 mile trip to LA to Vegas.
• 35:39
  Right.
• 35:39
  So that's like, they're gonna spend the whole day hopping, you know?
• 35:42
  But like you said, bunny hopping their way to Las Vegas.
• 35:45
  Ugh.
• 35:45
  Brutal.
• 35:46
  He will run out of gas past ZI guarantee it.
• 35:49
  I I like how the one scene as they pull away, as he got out the car,
• 35:52
  one car starts to bounce and you can see the front of his start
• 35:54
  going towards the side of the road.
• 35:55
  'cause the guy can't keep it straight as it starts to move.
• 35:57
  Yeah.
• 35:59
  The back almost reared all of 'em.
• 36:01
  It was, they were like being followed by like a gremlin or something and
• 36:03
  like that guy slammed on the brake.
• 36:05
  But this begins.
• 36:06
  The Epic.
• 36:07
  Epic.
• 36:08
  Just waterfall of Annie Pot's one-liners.
• 36:12
  Oh yeah.
• 36:13
  'cause she's so good in this guy.
• 36:14
  She is like the shining light in this movie.
• 36:17
  Every scene with her is magical.
• 36:19
  Yeah.
• 36:19
  So he is, uh, walking along the side of the road, El Mariachi style, and
• 36:23
  a van pulls over, gives a little honk, honk, opens up and she's
• 36:26
  got headphones on and just yelling gibberish for whatever reason.
• 36:30
  I don't know.
• 36:31
  So you got your Luke Skywalker impression.
• 36:33
  I'm gonna do my best Annie pot.
• 36:35
  So here we go.
• 36:35
  Oh shit.
• 36:36
  Here we go.
• 36:36
  Silence everybody.
• 36:37
  Silence Dr. Bankman.
• 36:39
  Dr. Bankman, if you're gonna hitchhike, you gotta stick something out.
• 36:46
  Nailed it.
• 36:48
  So yeah, we find out her name's, uh, or, or no, we don't,
• 36:51
  we don't find out her name.
• 36:52
  She's like, oh yeah, I'm going to Vegas.
• 36:53
  And, uh, if you really wanna appreciate the van, look in the back.
• 36:57
  You like, kind of get a peek back there.
• 36:58
  It's like, is that a bed and, oh yeah.
• 37:00
  Like a four post bed.
• 37:02
  What the hell's going on back there?
• 37:03
  It's, it's not just a bed though.
• 37:05
  It's a Walmart bed.
• 37:06
  Yeah.
• 37:06
  We find out it's a fully tricked out bedroom with like a fridge
• 37:09
  and Oh, red lighting and red shag carpeting up the walls.
• 37:14
  Ugh, there's a fridge.
• 37:16
  Like, I could live in this van.
• 37:17
  I won't lie.
• 37:18
  I know that this van smells like wet dogs.
• 37:21
  I know this.
• 37:22
  And thousand percent I still would live in this van.
• 37:26
  Wet dogs is a lot better smell than what I was anticipating.
• 37:28
  It smelled like with her line of work.
• 37:30
  Hey, now, hey, now.
• 37:30
  Family show, family show saying, so these, the, these kinds of vehicles
• 37:35
  always end up smelling like a wet dog.
• 37:37
  They just always do well, it was like every airplane scene
• 37:41
  you've ever seen in TV or movie.
• 37:42
  I'm like, they're not that big in real life.
• 37:44
  It's like the tardis, right?
• 37:45
  It's bigger on the inside, right?
• 37:47
  The outside.
• 37:48
  It's like, how is that on the road?
• 37:49
  You know what though?
• 37:50
  Annie Pots is tiny and so is Mark.
• 37:53
  What is it?
• 37:53
  And Mark Jam's not very big.
• 37:54
  No, no.
• 37:55
  This might be real van size.
• 37:59
  Like that show on, uh, what is it?
• 38:00
  A e like little houses or whatever.
• 38:02
  Like people live in the micro houses.
• 38:03
  Oh, yeah, yeah, yeah, yeah, yeah.
• 38:05
  Or li like our producer hero will remember this.
• 38:07
  The little poll.
• 38:08
  Pocket vans and Polly could like live in the whole like Polly Pocket's,
• 38:12
  like three centimeters tall.
• 38:13
  And she can live in her van.
• 38:15
  That's, that's Annie Pots here.
• 38:17
  She's got horses in the back.
• 38:19
  You know, you guys heard it here.
• 38:20
  Annie Pott.
• 38:21
  Star of Polly Pocket.
• 38:22
  Dude, I would pay good money for that.
• 38:25
  Make it happen.
• 38:26
  Internet Live Action, Polly Pocket 2023.
• 38:30
  We just pay any pots to live in a van for a week.
• 38:33
  Turn into web series.
• 38:35
  Did the modified vans during that timeframe was a big thing.
• 38:38
  And like I remember growing up, I'm like, it's not now.
• 38:41
  Well, I would say it was different then.
• 38:43
  Now it's become more necessity, but then it was like people had
• 38:46
  their home and then they still tricked their van out like that.
• 38:48
  So I had a strong appreciation.
• 38:50
  It reminded me of like my childhood, different people I knew that
• 38:53
  had vans like that and stuff.
• 38:54
  Oh, there's a lot whole genre of movies about it too.
• 38:56
  Yeah.
• 38:56
  Like it, it, it's like the big trucker thing back then.
• 38:59
  It, there's like at least seven or eight movies we've
• 39:01
  seen and many more We haven't.
• 39:02
  Like I said, we've seen a lot of van movies.
• 39:04
  I was not being facetious, whether it's the Van Van Nuy
• 39:08
  or it was a Van Nuys Boulevard.
• 39:09
  The Super van.
• 39:10
  Super van It Super van too, right?
• 39:13
  Yeah.
• 39:13
  Yeah.
• 39:13
  I think there was a sequel too.
• 39:14
  Despite being a respray of the A team van, I have to say, much like Annie
• 39:19
  Potts, every time the van came on the scene, I was double thumbs up.
• 39:23
  It's the best looking vehicle.
• 39:25
  In this movie, hands down and it fits her personality.
• 39:27
  It's beautiful.
• 39:28
  She's super cute and it just, it all works.
• 39:31
  It, it's all her.
• 39:32
  Indeed, indeed.
• 39:33
  We had a camper van for a little bit when I was a kid again.
• 39:36
  My dad bought and sold like swap vehicles a lot and we, we had
• 39:39
  like an in from eBay sometimes.
• 39:42
  No, it was more of a Here take it before the cops find out where
• 39:44
  I found Oh, oh, gotcha, gotcha.
• 39:46
  Sometimes like, oh no, that thing's got like a blown head.
• 39:49
  It won't ever drive.
• 39:50
  And he is like swaps apart out and drives it home and makes everybody mad.
• 39:53
  I don't know.
• 39:54
  But we had, we, we did have like a seventies van and the backseat folded
• 39:57
  out into a little bed and it had a little sink that leaked all over the place.
• 40:01
  A wet dog smell, totally smelled like a wet dog.
• 40:04
  Uh, made farting noises when you tried to shift gears.
• 40:07
  I was like six when we had this thing.
• 40:09
  You grind until you find it, grind until you find it.
• 40:10
  And we called it the orange crate.
• 40:12
  Nice.
• 40:13
  That was also my mom's daily driver for a while.
• 40:15
  Uh, 'cause my dad took the Crown Victoria.
• 40:17
  Oh, lucky.
• 40:19
  So anyway, we find out this young lady, she's going to Vegas and
• 40:22
  she has aspirations of becoming a, uh, professional prostitute.
• 40:26
  And she's saying this like, while she's driving this van and like
• 40:28
  drinking Olympia and like, oh yeah, she's popping an Olympia.
• 40:32
  And yeah.
• 40:33
  And she's like, ah, you're gonna have a cute guy.
• 40:35
  You, you probably know about girls like me.
• 40:37
  Right.
• 40:37
  Go look.
• 40:37
  Look like you can be my first client.
• 40:41
  Oh, my first custom, uh, how much do you think I'm worth?
• 40:44
  I, gee, I don't know.
• 40:46
  Um, gee, Wilker $15.
• 40:49
  15. What do I look like?
• 40:51
  Do I look like a ho?
• 40:53
  I, I'm at Finn.
• 40:55
  You meant 50.
• 40:55
  You meant 50.
• 40:55
  Alright.
• 40:56
  Yeah, yeah, yeah.
• 40:56
  I'll take 50.
• 40:58
  I ain't got no $50.
• 40:59
  Get the fuck outta my van.
• 41:01
  I'm a high school kid.
• 41:02
  Get the fuck outta my van.
• 41:03
  But you never told me your name.
• 41:05
  Check the side of the van.
• 41:10
  Roll Red Stone.
• 41:12
  What do we think of this movie?
• 41:13
  I stopped watching.
• 41:16
  So you've had to go take a cold shower?
• 41:19
  I gotta take a cold shower right now.
• 41:21
  Credits roll.
• 41:22
  That's it.
• 41:25
  I'm not gonna, I'm not gonna lie.
• 41:26
  I chuckled when they shut that door and it said, Vanessa, I heard my wife like Gaw.
• 41:31
  And I'm just like, wow.
• 41:32
  We are in for a ride.
• 41:34
  And then I realized we're 35 minutes into the film.
• 41:37
  Yeah, yeah, yeah.
• 41:38
  I checked the time too.
• 41:39
  It was like, holy shit.
• 41:41
  We're not even a third of the way through this movie.
• 41:42
  We just, this is gonna be kidding.
• 41:44
  Started.
• 41:46
  Yeah.
• 41:46
  So he like goes into the Hilton and is like asking bartenders and shit.
• 41:49
  Oh, but wait, but wait, you forgot.
• 41:50
  One of the best lines that Annie Pots gives.
• 41:52
  I'm gonna have Izzy say it for us.
• 41:54
  Oh.
• 41:55
  Oh, which one is that?
• 41:56
  I'm a hook for Christ's sake.
• 42:00
  He was better when you did it.
• 42:01
  I'm sorry.
• 42:02
  Yeah.
• 42:02
  Okay.
• 42:03
  Yeah.
• 42:03
  A master impersonator needs to step in from time to time.
• 42:05
  You know,
• 42:08
  there is another one that goes along that with that one and it's my favorite.
• 42:11
  And she turns to him as they're, he's, he's like asking her about Why are
• 42:15
  you going to prostitute, blah blah.
• 42:17
  And she goes, I'm a trainee.
• 42:19
  Time comes when every amateur goes pro.
• 42:21
  And I'm like, whoa, what just happened?
• 42:26
  Look, she's a woman who knows what she wants.
• 42:28
  She's gonna get it.
• 42:29
  Look back in my hometown, I've seen miles of peka.
• 42:31
  I'm ready to set my game up.
• 42:34
  I know that's how I felt after, after art school.
• 42:36
  Like I just seen so much Dick, I should be prostitute.
• 42:42
  Show us the origin story.
• 42:43
  All right, so.
• 42:45
  So then, uh, yeah, he's like asking around and, oh, that's right.
• 42:48
  He gets like, uh, robbed by the, uh, the guy that walks up like,
• 42:51
  Hey, hey, you look like a winner.
• 42:53
  You look like a winner.
• 42:53
  Hey, why don't you buy this necklace here?
• 42:55
  Some of these diamonds are even real.
• 42:57
  Oh, no thanks.
• 42:58
  No, thanks.
• 42:58
  I don't wanna, I don't, uh, good.
• 43:00
  All right.
• 43:00
  Cool, cool, cool.
• 43:01
  Well, have a nice day, sir. I gotta find a car.
• 43:03
  Have you seen this car?
• 43:04
  Uh, no.
• 43:05
  Oh, wait.
• 43:06
  Maybe.
• 43:07
  Maybe it's a little bit Circus Circus or something.
• 43:09
  Oh my God.
• 43:09
  The circus.
• 43:09
  Circus.
• 43:10
  I need a car.
• 43:11
  And then we find out it's a fucking Dotson.
• 43:13
  Right?
• 43:14
  Steve pointed out it's a Dotson Circus.
• 43:16
  Circus.
• 43:17
  Is the only hotel still on the strip?
• 43:20
  Yeah.
• 43:20
  Oh, all the old Vegas shots here from like 78.
• 43:23
  I'm like, well, circus Circus is the only one still around.
• 43:26
  It's still around, right?
• 43:27
  Yeah, it's I they hose it out least here.
• 43:29
  A last time was there.
• 43:30
  I've actually stayed there and I tell you what, that sign, the circus
• 43:33
  circus sign is super annoying.
• 43:34
  Nobody sleeps in that casino.
• 43:36
  It is impossible.
• 43:37
  You're not supposed to sleep in.
• 43:38
  Well, that's why the rooms are like.
• 43:39
  $14 during midweek.
• 43:43
  That's for the whole day.
• 43:44
  Imagine per hour.
• 43:45
  No.
• 43:45
  So I was gonna say, Steve, was it Circus?
• 43:47
  Circus where we went in the bathroom and it had been freshly painted except
• 43:51
  for the ceiling with this buzz platter.
• 43:53
  Oh, no, no.
• 43:54
  That was a silver.
• 43:55
  Yeah, it was on Fremont Street somewhere.
• 43:57
  Yeah, yeah, yeah, yeah.
• 43:58
  We went and were like, wow, they just painted this room.
• 44:01
  I could still smell the paint.
• 44:02
  Pan up.
• 44:03
  Pan up, like, oh my honey arterial blood splatter up on the ceiling of this place.
• 44:07
  Is that what I,
• 44:09
  well, it's not toothpaste
• 44:17
  fucking shit, babe.
• 44:21
  I'm hilarious.
• 44:22
  But when he walks in, at the point when he walks into the casino
• 44:25
  and walks up to the Dotson, I thought his response was hilarious.
• 44:28
  He won like all because like from distance he thinks it's his car because
• 44:31
  got similar look to it and everything.
• 44:33
  He is like, it's a Dotson.
• 44:36
  Well, I like how like all the hookers are like, right.
• 44:39
  Can't even get an American color like honey.
• 44:43
  Way a
• 44:46
  So is that before or after they have their fir That's after
• 44:49
  they have their first fight.
• 44:50
  They're separated at this point for Yeah, yeah, yeah.
• 44:52
  They're separated.
• 44:53
  Yeah.
• 44:53
  She, she dries off and he runs into the hotel.
• 44:55
  So before that happens though, I have to comment.
• 44:57
  Remember we were gonna comment on her wardrobe and style
• 45:01
  changes throughout the film.
• 45:02
  This is the first time she gets dressed up.
• 45:04
  Right.
• 45:04
  So I, I didn't have a problem with the sequined dress and
• 45:07
  anything, but she's attractive curly hair the whole nine years.
• 45:10
  Why did she put on a fro?
• 45:12
  Yeah, it's like a s the nap, polar dynamite fro Right.
• 45:14
  Ones have more fun.
• 45:18
  Well, and for me, what really threw me off was like the pounds of
• 45:21
  like glitter eye makeup and shit.
• 45:24
  Yeah.
• 45:24
  I was like, uh, that's, I, I don't wanna see myself in your eyelids.
• 45:28
  Get the fuck outta here.
• 45:29
  I I would like to let everyone in the audience know that Steve hates glitter.
• 45:34
  Oh.
• 45:34
  With a passion.
• 45:35
  Steve works in the hotel industry.
• 45:36
  Oh, Jesus Christ.
• 45:37
  Steve will never ever switch a hotel room 'cause he knows how hard everybody works.
• 45:41
  But we walked in into one hotel room and obviously on the little
• 45:44
  chair, somebody had had their prom dress and you could see the glitter.
• 45:48
  He immediately was like, Nope, we're not staying here.
• 45:50
  Nope.
• 45:50
  I'm like looking again.
• 45:51
  Don't touch a fucking thing.
• 45:52
  We're changing rooms.
• 45:53
  I'm looking for the blood spatter at the ceiling again.
• 45:55
  No, it was the glitter blood spatter on the ceiling in the bathroom.
• 45:59
  Perfectly fine.
• 46:00
  Glitter on the chair.
• 46:01
  Deal breaker.
• 46:02
  We're going to a different hotel bitch.
• 46:04
  I mean, I can't take credit for this, but I have heard it referred to as the herpes
• 46:08
  of the crafting world, so absolutely.
• 46:11
  Oh, you know what we're gonna have to update it to?
• 46:12
  It's the COVID of the crafting world.
• 46:15
  Just what you thought.
• 46:16
  You got it taken care of.
• 46:17
  That comes back.
• 46:18
  Look.
• 46:18
  Oh no.
• 46:19
  It's the new variant of glitter.
• 46:20
  Ah.
• 46:21
  It's on me.
• 46:22
  It's unicorn or unicorn.
• 46:24
  Right.
• 46:24
  Whatever.
• 46:25
  Look, if I've got glitter and you come and visit me, you have glitter too.
• 46:31
  I love it.
• 46:31
  I love it.
• 46:33
  We all have glitter.
• 46:34
  If you touch your cat, your cat now has glitter.
• 46:37
  It's like a, it's like a Oprah episode.
• 46:38
  And you get some glitter.
• 46:39
  You get some glitter.
• 46:40
  No, this is the worst show ever.
• 46:42
  That's on me.
• 46:45
  Oh, got it.
• 46:45
  So, so her sparkly eyes.
• 46:47
  I could like, feel Steve's asshole.
• 46:49
  Pickering like, uh, uh, no longer wanna give it, uh, any pots.
• 46:55
  Can't get it anymore.
• 46:56
  Maybe, maybe fifteen's too much now.
• 46:58
  Yeah, I So she's sleeping in her van.
• 47:01
  Where's Mark Hamill hanging out since they're no longer buddy, buddy.
• 47:05
  Okay.
• 47:05
  So he lost his money even just to get food when he finds out
• 47:08
  he, he has his wallet stolen.
• 47:10
  Dick Miller comes outta left field and saved a fucking day.
• 47:13
  Dick Miller.
• 47:14
  And he is like, I got this buddy.
• 47:15
  Or he like, flips a coin or something for it, for the, the guy and it's
• 47:19
  like, yeah, it's my lucky $2 be a hill.
• 47:22
  I'll pass it on to you buddy.
• 47:23
  He pulls out like a 50 to the hotdog bender and is like, heads your tails,
• 47:27
  uh, either to keep the 50 or the kid gets the hotdog and the guy's like,
• 47:30
  yeah, I'll fucking take that bet.
• 47:32
  Oh, he loses and he, dick Miller's like, I can't win for losing, come on, or I
• 47:35
  can't lose for winning or something.
• 47:37
  What?
• 47:37
  Okay, he's on a winning streak and Mark Hamill's like, are you driving back to LA?
• 47:41
  And he is like, oh no, I'm, I'm getting on a plane head and
• 47:43
  hope I'm about to lose all this.
• 47:45
  Yeah, yeah.
• 47:46
  Like 18 grand in 18 hours.
• 47:48
  I gotta get the fuck outta here.
• 47:49
  But here you can have this lucky $2 bill of mine.
• 47:51
  But yeah, he is gotta go sleep in a U-Haul, so, yeah.
• 47:55
  So well, and the worst thing is he hands over the $2 bill.
• 47:57
  He says that's what he started out with.
• 47:59
  Who goes to Vegas with just $2.
• 48:01
  That's not a smart decision.
• 48:02
  It's the seventies.
• 48:03
  Hey, in the, in the seventies.
• 48:04
  That could get you like, you know, sweet with like breakfast the next morning.
• 48:08
  I mean that's a circus circus.
• 48:09
  Absolutely.
• 48:11
  Probably later this week I'm Googling it.
• 48:15
  Yeah.
• 48:16
  I don't know if it's inflation three 50.
• 48:18
  Yeah, it's no longer two buck chuck.
• 48:21
  It's like 2 75 or whatever.
• 48:23
  Babe.
• 48:23
  They've raised their prices to a whole dollar for eggs.
• 48:26
  Oh Jesus.
• 48:27
  He used to be dollar bill, but now he's two.
• 48:30
  Bill, what's up?
• 48:33
  So it begged the question though, with these U-Haul.
• 48:35
  Because I thought it was really comical.
• 48:37
  Right.
• 48:37
  They're unlocked, he gets in it.
• 48:39
  It's just slowly, gracefully, just tips forward.
• 48:41
  Like, you know, like one of those, those Japanese, like water dipping
• 48:46
  birds, you're like, all right, cool.
• 48:48
  Yeah.
• 48:49
  And, and my wife and I looked at each other and go, are there people
• 48:51
  sleeping in the rest of them?
• 48:53
  They're all nose down, right?
• 48:54
  I'm like, come on.
• 48:56
  Like you had to see somebody do it.
• 48:58
  We've already established it.
• 48:59
  It didn't nose down.
• 49:00
  It went back.
• 49:01
  When he got in it, the weight went to the back.
• 49:02
  They were all tilted the same direction once he went in there.
• 49:05
  So I was like, no, no, no.
• 49:06
  His, his went back.
• 49:07
  Maybe I'm just in the, in the scene.
• 49:08
  I mean, eventually it was down, but I admire how closely you all
• 49:12
  were paying attention to this movie physics, because I did see the U-Haul.
• 49:16
  Physics.
• 49:17
  I did see him enter the U-Haul and that's it.
• 49:20
  They spent like 10 extra seconds showing the trailer tilt.
• 49:24
  I think I looked away probably.
• 49:27
  She was already do off and she was checking her email.
• 49:30
  What's on Reddit?
• 49:32
  You guys were talking about the size of the van with them inside,
• 49:35
  how it looked so much bigger when they actually show him in the U-Haul
• 49:38
  writing the note to his teacher.
• 49:40
  Okay.
• 49:40
  That definitely wasn't inside that little six by eight U-Haul.
• 49:43
  What?
• 49:45
  I think it was on a sound stage or something?
• 49:47
  Yeah.
• 49:48
  Oh, okay.
• 49:49
  So yeah, the next part he said there was a Dotson or whatever and
• 49:52
  he is getting ready to go home.
• 49:54
  He is gonna hitchhike his way back to LA and then this hot blonde chick pulls up in
• 49:58
  like a Cadillac or something like to pick him up and he is like about to hop in.
• 50:02
  I'm like, alright, this adventure is about to get a little interesting.
• 50:05
  But then along comes the Corvette, Hey, hey, that's my car.
• 50:09
  And he's like, jumps outta that car immediately and goes right after.
• 50:11
  And I'm just wondering like.
• 50:13
  Let's go back to the blonde chick.
• 50:14
  What, like, what's, what's her story?
• 50:15
  What's going on?
• 50:17
  Like, she just seemed like a nice girl.
• 50:18
  I dunno, that was way more believable than him chasing a Corvette doing 60 on foot.
• 50:23
  On foot.
• 50:24
  Yeah.
• 50:24
  Yeah.
• 50:24
  I'm, I'm amazed how well he kept up for it as long as he did to where it's heading
• 50:28
  out on the outskirts into the desert.
• 50:29
  I not, it was a seventies Corvette.
• 50:31
  I'm not surprised he could keep up with it on the flight.
• 50:35
  The, the, the most unbelievable part is in the first five steps of him chasing it.
• 50:39
  He's hit by a car, right?
• 50:41
  Like he's hit rolls over the hood and like keeps on running.
• 50:45
  I'm like, yeah, there's no way you're hobbling that fast.
• 50:48
  No, that's parkour, man.
• 50:50
  He's, he's just, oh, it's James Bond logic.
• 50:53
  It makes him faster.
• 50:55
  You lean into the fall.
• 50:57
  I love how he's in the head.
• 50:57
  It makes him stronger.
• 50:58
  Yeah.
• 50:58
  I love how he's in a city he's never been before and he's taking
• 51:01
  all these shortcuts and back roads.
• 51:03
  Like I know where I'm gonna go, I know where he's going.
• 51:05
  I'm going this way and I'm gonna.
• 51:06
  Feed em.
• 51:07
  We can go here through the U-Haul C.
• 51:10
  Yeah, I thought I was watching that Sunny in Philadelphia episode where
• 51:12
  during they're doing the badass videos, like that's what it felt like.
• 51:15
  Oh yeah.
• 51:16
  Like what are we doing?
• 51:18
  You know though, like where he gets hit by the car and keeps running.
• 51:21
  This was like the first scene where I really was like, these
• 51:23
  stunt guys are working hard.
• 51:25
  Oh yeah.
• 51:25
  They're not lighting a bunch of shit on fire if you pay attention.
• 51:28
  These stunt guys are earning their paycheck.
• 51:31
  Some good driving on the budget in this film.
• 51:32
  Yeah, there's some really good driving.
• 51:34
  There's some really good stunt work that like this movie almost
• 51:37
  doesn't deserve, but it does because this is why we love these kinds of
• 51:41
  movies, guys that work way too hard.
• 51:43
  It was still more budget than the original Gone in 60 seconds, but
• 51:46
  I'm gonna leave that where it is.
• 51:47
  We've talked about that before.
• 51:50
  I'll say there's one point later on in the movie where you can see.
• 51:55
  The roll bar running up the A pillar of the Camaro, but it's only for
• 51:58
  one scene where you can see it.
• 51:59
  That's like the six point harness that he was wearing at the end.
• 52:02
  But I was gonna save that till later.
• 52:03
  It's like, where the hell that, where's all this safety here suddenly?
• 52:06
  What's this all about?
• 52:08
  Look, look, I was willing to look, we'll get to it, but I
• 52:10
  was willing to look past it.
• 52:11
  'cause it's been in a chop shop for the last entire summer.
• 52:15
  Somebody could have put a six point harness in it at any point, because
• 52:18
  that's what they do with chop shots.
• 52:20
  They add parts to the car.
• 52:21
  Yeah, yeah.
• 52:22
  At this particular one, it appears that they do, they just repaint them
• 52:25
  and sell 'em this high-end vehicle.
• 52:27
  So it's true, it true that way.
• 52:29
  It's the shop truck.
• 52:32
  They take this cor corvette and make it completely sex proof.
• 52:36
  Oh, that's the girl Shriver chop shop where I just paint it, go look,
• 52:40
  I want a Corvette, but I want one where when women look at it, their
• 52:43
  vaginas become the Sahara Desert.
• 52:47
  So you want a Corvette.
• 52:50
  Specifically a C3 quarter padlock.
• 52:52
  Like plain quack.
• 52:53
  Like I want the prostitutes on the boulevard to say, not for me sweetie.
• 52:59
  Where's that Volkswagen?
• 53:01
  I'm sure you're a nice boy.
• 53:06
  Go back to your mother.
• 53:07
  Yeah, so, so yeah, he's chasing after the Corvette, he like cuts through,
• 53:12
  I don't know, the Neon Sign Watch.
• 53:14
  Yeah, the Neon Sign Museum.
• 53:16
  That's like 10 miles outside of town.
• 53:19
  Oh my God.
• 53:20
  Do you know what I said when I saw this?
• 53:21
  I got, I actually got really excited.
• 53:23
  I sat up and I went, Mike Wolf from American Pickers would
• 53:26
  be flipping out right now.
• 53:28
  See all these, these signs?
• 53:29
  He'd be like, oh my God, I'm gonna come take all my money
• 53:34
  so that, that's a museum.
• 53:35
  If you guys ever had a chance to go to Las Vegas, that's the Neon Sign Museum.
• 53:38
  Oh, I didn't realize it is eight miles outside of town.
• 53:42
  Well, well they, by then I think it was just where signs were like, no, no, no.
• 53:46
  Oh, no, no.
• 53:47
  It's been, or something.
• 53:48
  It was a neon sign junkyard.
• 53:50
  It's, yeah.
• 53:51
  Yeah, exactly.
• 53:51
  It's been like a museum where it's like, yeah.
• 53:54
  An empty lot where a guy like would take in all these signs
• 53:56
  and give them a good home.
• 53:57
  The way the Rabbit Museum in Los Angeles is a museum and definitely
• 54:01
  not just a gal who hoards rabbit stuff in our garage and charges
• 54:04
  people $2 a person to walk through it.
• 54:06
  And then it was like, oh shit.
• 54:08
  People actually miss Old Vegas.
• 54:10
  We're gonna give you museum status.
• 54:11
  Yeah, yeah.
• 54:12
  It's kinda like, uh, that junkyard at the beginning of the movie.
• 54:14
  Mm-hmm.
• 54:14
  They went through and like, Hey, we can turn this into an automobile museum.
• 54:17
  It was just a little paint.
• 54:18
  If you had frozen elbow grease, if you had frozen that junkyard
• 54:21
  in time and reopened it.
• 54:23
  Today car folks, how much would you guys pay to walk through
• 54:26
  that junkyard with those cars?
• 54:28
  $0. I wouldn't pay anything to walk through a junkyard.
• 54:31
  Now, many you take yard, take that one with all those cars, we get to go
• 54:36
  to Chaz's Car Museum for free, right?
• 54:40
  Or Daniel's backyard In Daniel's car Museum slash
• 54:43
  mountain slash nature preserve.
• 54:48
  That's why you own a mountain.
• 54:49
  So I doubt Izzy, I think that was what you would call a a, a. What was that?
• 54:53
  A super fun fact.
• 54:54
  But in our side, what would it be?
• 54:56
  Tanya?
• 54:56
  Hot garbage.
• 54:58
  Hmm.
• 54:59
  I prefer fun facts.
• 55:00
  Super fun facts because they fun facts
• 55:06
  and I know he'll never listen to this, but it's definitely not an interesting tidbit.
• 55:09
  Brandon,
• 55:12
  here's an interesting tidbit.
• 55:15
  Take that.
• 55:16
  Take that.
• 55:16
  You Canadian.
• 55:17
  So wow.
• 55:19
  Name Canada.
• 55:23
  Alright, so that night he's back at his U-Haul writing letters to home
• 55:26
  and I'm like, oh, remember them days?
• 55:28
  Nope.
• 55:28
  So then not just letters to home stamp.
• 55:30
  He was writing love letters to his shop teacher.
• 55:33
  Shop teacher.
• 55:34
  Yeah.
• 55:34
  Right.
• 55:35
  They weren't love letters, they were longing letters.
• 55:38
  They were postcards.
• 55:39
  For someone who had no money, how did he afford the postcards and the postage?
• 55:43
  Yeah.
• 55:43
  For somebody who was not paying attention, how did Tanya know it was postcard?
• 55:48
  Yeah.
• 55:48
  Right.
• 55:49
  Guys, all you need is like a what?
• 55:51
  Four by six piece of paper and a probably 3 cents stamp back then.
• 55:55
  Like it's affordable.
• 55:56
  Oh yeah.
• 55:56
  Like a penny.
• 55:57
  Maybe he had that $2 bill goes a long way.
• 56:00
  He still has it, but he never, never broke it.
• 56:01
  Yeah, true.
• 56:02
  And he probably found enough change on the rip, like running
• 56:05
  around those back alleys.
• 56:06
  Chasing his car to be able to pay for a stamp.
• 56:09
  He was selling, uh, gazes of the $2 bill for two bits of ganda.
• 56:12
  And, uh,
• 56:15
  so, so anyway, that, uh, that van pulls up Vanessa, Vanessa, and, uh, and she comes
• 56:23
  out and he's, he's wrapped up in like a, a fucking packing blanket or something.
• 56:27
  Yeah, it's one of the, it's one of the moving blankets.
• 56:29
  Yeah.
• 56:29
  And she is beat to shit.
• 56:31
  Yeah.
• 56:32
  This is where I was like, oh no, this, this movie's about
• 56:34
  to take a dark turn down.
• 56:36
  I was thinking the other belly of Vegas, he's gonna have to
• 56:39
  rough up some pimps and stuff.
• 56:41
  It's gonna be great.
• 56:42
  They're gonna have shoes with like fish in the heels.
• 56:45
  No ba basically he is just like, oh, here, let's, yeah, you can use the men's
• 56:48
  room and get cleaned up in there's, because the women's room was locked.
• 56:50
  And I'm like, she looks and was like, I like ya Shaw.
• 56:58
  And then she is like, well, if he is sleeping a U-Haul, you can
• 57:01
  just sleep in the van with me.
• 57:02
  He's not gonna do it until she's like, there's food in the fridge.
• 57:05
  Oh, yeah, yeah.
• 57:06
  In the fridge.
• 57:06
  And I'm like, sold, take me.
• 57:08
  And there's like the fridge.
• 57:09
  Uh, what else?
• 57:10
  Oh yeah.
• 57:10
  And it's a water bed and mm-hmm.
• 57:13
  And she's just like.
• 57:14
  Let's, uh, why don't you take them clothes off?
• 57:16
  Let me see what you got.
• 57:17
  He's like, well, you, I mean,
• 57:21
  ma,
• 57:23
  I gonna sleep on the floor.
• 57:25
  I'm a good boy.
• 57:26
  Super awkward.
• 57:28
  It was so awkward.
• 57:29
  By the way, this is where I was like, oh, is this really gonna get weirdly
• 57:32
  progressive and have him be gay?
• 57:34
  Right.
• 57:34
  You know, a lot of thoughts cross my mind.
• 57:37
  Yeah.
• 57:37
  That thought crossed my mind also is like, wait, did he graduate high school
• 57:41
  or was he like coming back in the summer?
• 57:44
  This, this is a question that did not get answered till the end of the movie.
• 57:46
  Yeah.
• 57:47
  What grade is he in?
• 57:48
  Is he a junior?
• 57:50
  Is he a senior?
• 57:51
  Yeah.
• 57:52
  For fuck's sake.
• 57:52
  As far as we know, he is a freshman then.
• 57:54
  Yeah, because she mentioned she graduated like a year before or something.
• 57:57
  Yeah, and Steve, I was talking about it, it was like, well I
• 57:59
  was 17 when I graduated 'cause of like where my birthday falls.
• 58:02
  Like I turned 18, like two days later.
• 58:04
  But like I was like the youngest in my class and it's like he could be
• 58:07
  like the oldest in his class or he definitely looked it, I thought they
• 58:12
  discussed that when they were in the van.
• 58:14
  When she first picked him up.
• 58:16
  She, he said that he's a senior, I believe.
• 58:18
  I thought he said just graduated.
• 58:19
  But also is his conversation with the shop teacher when he has
• 58:24
  to drink with the shop teacher.
• 58:25
  The shop teacher, if I recall correctly, talks about, you know, putting a good
• 58:28
  word in for him to do some work with automotive stuff since he's graduated.
• 58:32
  Okay.
• 58:32
  I think we're supposed to make some assumptions.
• 58:34
  He's at senior prom, but there's also junior prom.
• 58:37
  Not every school prom, senior prom.
• 58:39
  I mean, he could've been invited to the prom as a freshman.
• 58:42
  I don't know.
• 58:42
  Plus he wasn't, he didn't go to his, he didn't go to, he just
• 58:45
  showed up in his dirty clothes.
• 58:47
  Yeah, he just showed up to have the car, his dirty clothes from the whole movie.
• 58:50
  I'm sorry.
• 58:50
  He didn't go.
• 58:51
  He just showed up.
• 58:52
  That doesn't make sense.
• 58:53
  Yeah, no, no.
• 58:53
  He wasn't there for the party.
• 58:54
  He there for the, didn't know that for, he went stag baby.
• 58:58
  He went for a different party in shop class.
• 59:01
  His date was waiting for him.
• 59:02
  Just not in the gym lady in Red
• 59:10
  Ladies, if you want this kind of gentleman, you just have to wear
• 59:12
  pure gasoline as a fragrance.
• 59:14
  Little red Corvette lady get much too fast.
• 59:18
  Uh, so yeah, speaking of going too fast, yeah.
• 59:21
  Annie Potts is putting it down and Oh, I mean, kind of kept her warm.
• 59:24
  I don't know.
• 59:26
  She was open for business.
• 59:27
  Yeah.
• 59:28
  Mm-hmm.
• 59:28
  Um, but then she's like starting to realize like how awkward he is.
• 59:31
  Like, wait a minute, oh my God, it's a real honor.
• 59:36
  I'm gonna be a first.
• 59:37
  Oh, he's like, what?
• 59:39
  No, I'm just gonna jerk off here in the corner and go to bed.
• 59:43
  I actually already came, so I gotta go.
• 59:45
  That's what I was waiting for.
• 59:48
  I was waiting for like sitting there and she's like rubbing
• 59:50
  his shoulders or something.
• 59:51
  All of a sudden it's like, lotion shot.
• 59:52
  I'm like, what was that?
• 59:55
  Nothing.
• 59:55
  Look over there.
• 59:57
  He like runs out.
• 59:58
  No, it would've been like behind the green door to be like, pow, pow.
• 1:00:01
  Powow.
• 1:00:01
  You had the slow motion.
• 1:00:03
  76.
• 1:00:05
  Fucking 6 million man.
• 1:00:10
  It definitely wouldn't have been blood splatter on the ceiling in the van.
• 1:00:12
  Yeah.
• 1:00:13
  Not that one.
• 1:00:14
  She's like, no, not on the floor.
• 1:00:19
  Wow.
• 1:00:19
  That'll never come out.
• 1:00:22
  So I just had to have recover.
• 1:00:24
  So a couple things I appreciate, like, this is a good point, a good opera point.
• 1:00:28
  She keeps that van super clean, the whole movie.
• 1:00:31
  She's very good at that and I kind of appreciate how he always looks sweaty
• 1:00:36
  and greasy, like he hasn't showered and he's been like running around
• 1:00:39
  and driving a car, the whole movie.
• 1:00:41
  They're very consistent on that.
• 1:00:42
  And movies often will keep our lead who's in this kinda situations like too clean.
• 1:00:46
  So I appreciate that.
• 1:00:47
  I appreciate that.
• 1:00:48
  He looked like he'd been driving for 300 miles.
• 1:00:51
  Okay.
• 1:00:53
  In a 1970 car.
• 1:00:54
  I I, I think that was just normal.
• 1:00:55
  Mark Hamill that Yeah, I think that's just, it was.
• 1:00:57
  That's his, his normal state.
• 1:00:59
  Yeah.
• 1:00:59
  But they didn't clean him up and make him look like Brad Pitt.
• 1:01:01
  You know?
• 1:01:01
  They're like, yeah.
• 1:01:02
  Oh yeah, yeah.
• 1:01:03
  He's sweaty.
• 1:01:03
  That's why he looks that way.
• 1:01:04
  Don't worry about it.
• 1:01:05
  I mean, he looks sweaty in Star Wars all the time too.
• 1:01:07
  It's just like, all right, whatever.
• 1:01:08
  But he's glistening.
• 1:01:09
  Well, he is on a desert planet most of the time.
• 1:01:11
  Or a swamp planet hate or a forest planet or an ice planet.
• 1:01:15
  Yeah, or an ice planet.
• 1:01:17
  That's the only time he didn't look sweaty.
• 1:01:18
  He still looked kind of sweaty in that cave though, because he got,
• 1:01:21
  because he got mauled by a creature.
• 1:01:22
  Hey would too.
• 1:01:23
  That's a fucking ice horns and shit.
• 1:01:27
  When pots.
• 1:01:28
  Become blue sky Walker.
• 1:01:30
  I'm fucking dying.
• 1:01:31
  They're the same person.
• 1:01:33
  So you remember at the beginning I said, you have to suspend disbelief
• 1:01:36
  in this movie, which I don't feel like, no, you really have to, but
• 1:01:40
  I'm still puzzled in how she got so clean just using the men's room.
• 1:01:45
  So Izzy or Tanya, can you explain to me how one might shower
• 1:01:49
  in a, in a U-Haul men's room.
• 1:01:51
  Alright.
• 1:01:52
  Please tell him about a horse bath.
• 1:01:54
  Go.
• 1:01:55
  Tanya, would you like to go first or shall I do the Please?
• 1:01:59
  Please.
• 1:02:00
  Now you'll see she brought her own towels.
• 1:02:02
  Yep.
• 1:02:03
  And there's a basin of water in every room.
• 1:02:06
  Usually too.
• 1:02:07
  In every bathroom in which you can retrieve fresh
• 1:02:10
  water to wipe yourself down.
• 1:02:12
  Ah, she had like a shower caddy bucket with her too, I thought.
• 1:02:15
  Yeah, yeah.
• 1:02:15
  Oh yeah.
• 1:02:16
  Yeah.
• 1:02:16
  She had, she had everything, like, she had like a box of wet wipes, I swear.
• 1:02:20
  Ah, all right.
• 1:02:20
  See, I thought of, I thought of one angle.
• 1:02:22
  They, they showed like a shower in that men's room.
• 1:02:25
  But the weird thing is I can't imagine that small of a building actually having
• 1:02:28
  a full like bathroom, like a truck stop type bathroom that had a shower in it.
• 1:02:31
  I'm amazed, amazed.
• 1:02:32
  It had a sink let, it was not a Bucky's for sure.
• 1:02:34
  Have you guys like never been in the like weird mechanics bathroom that's.
• 1:02:38
  Like a shower head just hanging out of the wall, a toilet and a
• 1:02:41
  sink and there's nothing else.
• 1:02:42
  And a drain in the middle of the floor, right?
• 1:02:44
  Yeah.
• 1:02:44
  And the drain in the middle of the floor.
• 1:02:45
  Yeah, it's like the half bath.
• 1:02:46
  Yeah.
• 1:02:46
  Yeah, yeah.
• 1:02:47
  Drain in the middle of the floor in case you don't even wanna use the
• 1:02:49
  toilet or the sink or the shower.
• 1:02:51
  No, no.
• 1:02:51
  It's to clean up.
• 1:02:52
  Shower.
• 1:02:53
  Oh, oh, oh.
• 1:02:55
  I thought it was like, oh yeah, you can use the toilet.
• 1:02:57
  Also be over here.
• 1:02:58
  We, we got RO trip rolls.
• 1:03:00
  Oh shit.
• 1:03:01
  Alright, well, my bad, my, my apologies to that, uh, shady ass
• 1:03:06
  U-Haul place in the outskirts of Vegas.
• 1:03:09
  By the way.
• 1:03:09
  You're too tall for a bottom drain.
• 1:03:11
  You know, you're a sink man.
• 1:03:12
  I can hit from across the room.
• 1:03:17
  One thing I say because that's, that's around the time when they first let it be
• 1:03:20
  known about the, uh, waterbed in the van.
• 1:03:22
  I just have to say if it wasn't pro an actual water bed in
• 1:03:25
  there, whatever they did for the suspension in that van was great.
• 1:03:28
  'cause it wasn't sagging at all.
• 1:03:29
  And a water bed in there, that thing would've been dragging the bumper.
• 1:03:32
  That van is primo.
• 1:03:34
  Yes.
• 1:03:35
  I almost, they have the Gabriel shocks and the mag wheels.
• 1:03:38
  Oh yeah.
• 1:03:40
  Little four inch lift.
• 1:03:41
  Yeah.
• 1:03:42
  Yeah.
• 1:03:42
  It's, it's ready to go.
• 1:03:42
  Mm-hmm.
• 1:03:43
  So I, I almost, I almost want Van Nessa more than I want the 18 van and
• 1:03:47
  I want the 18 van, something fierce.
• 1:03:49
  So, you know, this is, this is, this is high caliber stuff right here.
• 1:03:52
  Well, the 18 van comes with its own music too.
• 1:03:59
  You know what sells me?
• 1:04:00
  You know what sells me though in the 18th band is the spoiler.
• 1:04:02
  See if Vanessa didn't have a spoiler.
• 1:04:04
  But if she had had the 1980s boomerang TV antenna on the back, boom.
• 1:04:10
  That is killer.
• 1:04:11
  So you're one of those speed over class guys.
• 1:04:13
  I get it.
• 1:04:14
  Yeah.
• 1:04:14
  Look, Vanessa is still in the seventies.
• 1:04:16
  She still has time to age into her antenna.
• 1:04:18
  Uh, that's true.
• 1:04:19
  That's very true.
• 1:04:20
  That's also, have you seen super fan?
• 1:04:23
  I have not.
• 1:04:24
  But now that you've mentioned it for the 10th time, I have to drink again.
• 1:04:28
  And I will promise you I'll watch it.
• 1:04:30
  Drink every time.
• 1:04:31
  Steven.
• 1:04:31
  Izzy, bring up an obscure movie.
• 1:04:33
  You'll Die.
• 1:04:34
  You'll Die.
• 1:04:35
  No.
• 1:04:35
  And you said there were two of this movie, if I recall correctly?
• 1:04:38
  Yeah, I think it's, I think the second was just called like Superman too.
• 1:04:41
  Let me check the Google.
• 1:04:42
  Oh Lord.
• 1:04:44
  We're the original one's from 77 according to this.
• 1:04:46
  Yeah, yeah, yeah.
• 1:04:47
  That's the one.
• 1:04:47
  Oh, we also find out, uh, around this time, uh, her Vanessa's
• 1:04:51
  real name is Eleanor and I've written down, gone In 60 Seconds.
• 1:04:54
  You hacks.
• 1:04:54
  Wait, no.
• 1:04:55
  Um, I agree.
• 1:04:58
  But then, uh, Skywalker damn, uh, Kenny, Kenny, he, uh, sees the Corvette again
• 1:05:03
  and he is like, oh my God, that's the car.
• 1:05:04
  And he goes chasing after it.
• 1:05:06
  And, uh, and she like pulls up along side and he is like, he is a lift.
• 1:05:10
  And he like jumps in the side of a moving van going 15, 20
• 1:05:13
  miles an hour, like full sprint.
• 1:05:15
  And I'm like, okay, well that's, that's a pretty cool little stunt.
• 1:05:17
  I'm not gonna lie.
• 1:05:18
  I, you know, and they go drive it off with the fan door wide open and she stops
• 1:05:23
  at a red light because it's a red light.
• 1:05:25
  And there's like four cops waiting right there.
• 1:05:28
  He's like, no, no, you gotta go get, you gotta chase that car.
• 1:05:30
  We gotta go get it.
• 1:05:31
  She's like, I'm not gonna fucking chase it.
• 1:05:33
  There's a cop right there.
• 1:05:35
  Cap.
• 1:05:35
  Cap.
• 1:05:36
  So, well the big thing, you were talking earlier about like the stump
• 1:05:40
  people in that scene where it shows the individual jumping in, you can see
• 1:05:44
  the door kicks, like catches him right in the middle of his spine as he Yeah.
• 1:05:47
  Yeah.
• 1:05:47
  And he body a check, he body checked the other side of the van too.
• 1:05:50
  I was like, Ooh, that hurt.
• 1:05:53
  Oh, oh, I hope, I hope that wasn't what happened to Mark Hamill and
• 1:05:57
  they just said it was a car accident.
• 1:06:00
  He dives face first.
• 1:06:01
  Oh, Jack.
• 1:06:02
  No, mark.
• 1:06:03
  So the four county Mounties or Dudley do rights that are standing on the corner.
• 1:06:07
  Right?
• 1:06:07
  I mean, like, these guys are clowns.
• 1:06:09
  I was like, yeah, I know.
• 1:06:10
  Like they're flirting with that, that they're talking to.
• 1:06:12
  I was say NHP loves, uh, outta state plates.
• 1:06:14
  They should be all over this shit.
• 1:06:16
  Okay.
• 1:06:16
  So I gotta ask, was there a significance to the license plate
• 1:06:20
  or is she just like, Rainman?
• 1:06:21
  I'm like, I don't understand.
• 1:06:22
  No.
• 1:06:22
  So, so it shows that she's paying attention to something he's interested in.
• 1:06:27
  Aw.
• 1:06:27
  But also, yeah, she represents, so she's smarter than we're like, let on to
• 1:06:30
  believe she's not just a ditzy dumb girl.
• 1:06:32
  She's a high school graduate.
• 1:06:33
  Yeah, yeah, yeah.
• 1:06:34
  And then they run the plates and it's got fake plates.
• 1:06:37
  Oh, oh my, my God.
• 1:06:40
  You a mastermind organization.
• 1:06:41
  Is this so, so it's, we'll never find professional job now.
• 1:06:45
  And the police could give a rat's ass.
• 1:06:46
  Yeah.
• 1:06:47
  They're like, yeah, yeah, yeah.
• 1:06:48
  We got a whole team working on it.
• 1:06:50
  We're working in shifts.
• 1:06:51
  Having had my car stolen several times.
• 1:06:53
  Same car.
• 1:06:54
  This is how the police care.
• 1:06:55
  They're like, yeah, you're fucked.
• 1:06:57
  Good for you.
• 1:06:58
  So was this her second wardrobe change at this point where she changed her style
• 1:07:02
  again or does that happen after this?
• 1:07:03
  I think it's just after this when she's making those
• 1:07:06
  wonderful sunny D screwdrivers.
• 1:07:08
  Yeah.
• 1:07:09
  Yeah.
• 1:07:10
  And man, that took me back, I'm not gonna lie.
• 1:07:14
  We've all been there.
• 1:07:15
  What, what was her, what was her occupation at this point?
• 1:07:17
  In the movie?
• 1:07:18
  Uh, beautician, I think at this point.
• 1:07:21
  Yes.
• 1:07:21
  Yes.
• 1:07:21
  Yeah.
• 1:07:21
  She was a beautician.
• 1:07:21
  Okay.
• 1:07:22
  Okay.
• 1:07:22
  So she changed her hair again, right.
• 1:07:24
  So she had the frost.
• 1:07:24
  That's right.
• 1:07:25
  And she has the little beautician coat on.
• 1:07:27
  Correct.
• 1:07:28
  And then she's got, I couldn't tell Were they gray or were they
• 1:07:31
  green highlights in her hair.
• 1:07:32
  She said frosted tips, but yeah, they're like gray.
• 1:07:35
  Right.
• 1:07:35
  They were like the gray-ish purple that's trending now.
• 1:07:38
  Yeah.
• 1:07:38
  So it was like sort of hot foreshadowing.
• 1:07:41
  I'm like, oh, now I get to see what you look like.
• 1:07:43
  Old.
• 1:07:43
  This is kind of cool.
• 1:07:45
  Yeah.
• 1:07:45
  That's what she looks like in Young Sheldon nowadays.
• 1:07:47
  Yeah.
• 1:07:47
  Yeah, exactly.
• 1:07:48
  It actually, I thought it looked good.
• 1:07:49
  She looked really put together.
• 1:07:51
  I think that's the best.
• 1:07:51
  She looked in the movie outside of like her natural scenes,
• 1:07:54
  but in terms of outfit, I was like, girl, you got it going on.
• 1:07:57
  I'm like, I'm digging all this.
• 1:07:58
  The big curls and the, the frosted tips and everything.
• 1:08:01
  We're room for her to be a beautician.
• 1:08:02
  We'll take the shampoo and rinse.
• 1:08:04
  Thank you.
• 1:08:04
  And that lasted all of one scene.
• 1:08:09
  Yeah.
• 1:08:09
  So then, okay, so she's doing the sunny D screwdrivers and Mark
• 1:08:13
  Campbell just like, wait, wait, explain The sunny D Screwdrivers.
• 1:08:15
  Uh, vodka, sunny d. Taking one shot of each.
• 1:08:19
  And yes.
• 1:08:19
  Mix them in your mouth and swallowing.
• 1:08:21
  She's not, yeah, she, she's taking a hit off each bottle while laying in bed.
• 1:08:25
  What?
• 1:08:25
  Meanwhile what Mark Hamill's like, oh my God, I'm never gonna see that car kid.
• 1:08:29
  I might as well just kill myself.
• 1:08:32
  And she's like, what?
• 1:08:33
  Shout up about the car.
• 1:08:34
  Come have some screwdrivers with me.
• 1:08:36
  You sound like you could use a little lube and op.
• 1:08:39
  Yeah.
• 1:08:40
  I love how her, uh, her justification for doing that is she had to build up
• 1:08:44
  her tolerance for it so she didn't pass out on a John, it's impression time.
• 1:08:48
  It's impression time, folks, one of the ultimate quotes
• 1:08:53
  from this movie, you know what?
• 1:08:54
  A girl can't hold her liquor with her trick.
• 1:08:57
  Where does she end up asleep with her trick?
• 1:09:00
  I was like, what?
• 1:09:01
  What?
• 1:09:02
  Asleep on her trick.
• 1:09:03
  Hey, she's thinking it through.
• 1:09:05
  Yeah.
• 1:09:05
  Right.
• 1:09:06
  Oh, she, she knows the concept.
• 1:09:07
  You don't pay the hooker to stay, you pay the hooker to leave.
• 1:09:11
  Oh my goodness.
• 1:09:12
  Look, modern problems require modern solutions.
• 1:09:16
  Mount Mandals knows what I'm talking about.
• 1:09:18
  Look at him.
• 1:09:18
  He's, he's laughing
• 1:09:23
  and leaves.
• 1:09:23
  I love it.
• 1:09:27
  So anyway, um, then, okay, so yeah.
• 1:09:30
  Mark's having a, having a downtime, whatever.
• 1:09:33
  Mm-hmm.
• 1:09:34
  And then she, so she decides she should also have a downtime.
• 1:09:37
  Yeah.
• 1:09:37
  She starts disrobing out of focus behind him and I'm like, um, um, I
• 1:09:42
  know where my focus is, cameraman.
• 1:09:44
  You need to adjust accordingly.
• 1:09:46
  What is this the cameraman from?
• 1:09:47
  All I'll say there was some nice silhouette.
• 1:09:49
  That's all I'll say.
• 1:09:50
  That's true.
• 1:09:51
  Yeah, we get a little, little outta focus, nudity and then, uh, Mark
• 1:09:55
  Campbell says, oh, what the hell?
• 1:09:57
  And like Ravage kisses her, like assaulting Lee, like
• 1:10:00
  tackling her on the bed.
• 1:10:01
  And what the hell was that?
• 1:10:03
  Oh God.
• 1:10:03
  It was like Urkel in a watermelon or something.
• 1:10:06
  Like, I don't even know how to describe how awkward the hell scene was.
• 1:10:10
  It was just like, Ugh.
• 1:10:11
  Well take it to account.
• 1:10:13
  Prior to this, we're supposed to kiss right.
• 1:10:15
  Prior to this, I think the only woman he ever kissed was his mother.
• 1:10:17
  So that's the only experience he had.
• 1:10:19
  Oh God.
• 1:10:20
  Dave kissed me like your mother.
• 1:10:21
  Aw.
• 1:10:22
  Oh, stop it.
• 1:10:23
  If you ever want kissed again, stop saying that shit.
• 1:10:28
  Kiss me like Mark Campbell kisses his mother.
• 1:10:33
  Is that right?
• 1:10:34
  Mommy?
• 1:10:35
  Yeah, that's.
• 1:10:37
  All right, so then, yeah, she's like, yeah, let's screw, and he
• 1:10:39
  is like, yeah, sure, whatever.
• 1:10:42
  I'm like, wait, what?
• 1:10:44
  Oh, she shows him like the $2 bill that she gave him as his first
• 1:10:48
  or first customer, and it's like framed on the wall in the van.
• 1:10:51
  She's like, you haven't even noticed it.
• 1:10:53
  You haven't noticed my new de decor.
• 1:10:55
  So they kiss again and then go straight to pound town, boom.
• 1:10:59
  And then we cut to, I, I'm assuming 45 seconds later, and
• 1:11:04
  he's like, he's like, oh my God.
• 1:11:06
  Oh my God.
• 1:11:07
  I finished working on transmissions and I rebuilt a, a whole, I
• 1:11:11
  don't even know, carburetor, like age six, insert car term here.
• 1:11:15
  And I waited this long to get laid and then he pop out the top of the van.
• 1:11:20
  He is like, love Mr. Ple.
• 1:11:26
  I'm just amazed by the fact that it had a sunroof all the way at the
• 1:11:29
  back above where the water bed right.
• 1:11:31
  Vanessa is awesome.
• 1:11:33
  That's all I'm gonna say.
• 1:11:34
  These are features, these are not drawbacks.
• 1:11:36
  You're not, you're not gonna, she's the real star of the movie.
• 1:11:39
  Van Ness is the hottest one in the movie, and that's saying something
• 1:11:41
  because any pots is in her prime and Mark Campbell's mom anyway.
• 1:11:46
  Oh, oh.
• 1:11:47
  Speaking of which, this is when the teacher goes to see the mom and be like.
• 1:11:50
  Yeah.
• 1:11:50
  Meanwhile back in Los Angeles.
• 1:11:52
  Yeah.
• 1:11:53
  Meanwhile at the trailer park, Hey, uh, have you seen your son or heard
• 1:11:57
  from him in the past couple months?
• 1:11:58
  Like, oh no, he'll find his way back.
• 1:12:00
  But I'm gonna, I'm packing up because I'm moving to Delmar and even the
• 1:12:03
  teacher's like, you're moving to Delmar and you don't know where your son is.
• 1:12:07
  I know he's in Vegas.
• 1:12:09
  Look, he'll think you ripped out.
• 1:12:10
  He's got a great life going.
• 1:12:12
  I met this boyfriend, Delmas gonna be great.
• 1:12:15
  We're gonna be like an hour outside the city.
• 1:12:17
  Right on the coast.
• 1:12:19
  They're not allowed to build anything over.
• 1:12:20
  Two stories tall, man.
• 1:12:22
  It's, we'll never lose of you.
• 1:12:23
  Awesome.
• 1:12:25
  Okay, then we get some more Mark Kenny or whatever, writing
• 1:12:28
  letters back home or whatever.
• 1:12:29
  Dear shop teacher.
• 1:12:30
  Yeah.
• 1:12:30
  Dear shop teacher.
• 1:12:31
  I never thought it would happen to me.
• 1:12:33
  Yeah, right.
• 1:12:34
  But here's a line that had me a little confused.
• 1:12:36
  Don't worry.
• 1:12:37
  I still like cars.
• 1:12:39
  I'm like, I'm going steady with this girl and she's great.
• 1:12:42
  Don't worry.
• 1:12:42
  I still like cars and I'm like, uh, that's how into cars he is.
• 1:12:47
  Babe.
• 1:12:48
  I mean, I, I, I empathize.
• 1:12:50
  I get it.
• 1:12:50
  I totally understand.
• 1:12:52
  I think all, all the car people are now church nodding.
• 1:12:54
  We're like, yep, yep.
• 1:12:55
  Yeah, yeah.
• 1:12:55
  They're like, yeah.
• 1:12:56
  Yep.
• 1:12:56
  Even, even after knowing the loving touch of a woman, I still enjoy cars.
• 1:13:00
  Not as much, don't get me wrong.
• 1:13:02
  But Steve, let me put this in Steve terms for you.
• 1:13:04
  Did you still like basketball after the first time you got laid?
• 1:13:07
  Oh, yeah.
• 1:13:07
  But did you like being laid or did you like basketball?
• 1:13:11
  Yes.
• 1:13:12
  Yeah.
• 1:13:15
  I mean, if it's any consolation, my wife says all the time, you don't have to worry
• 1:13:18
  'cause his mistress lives in the garage.
• 1:13:20
  So I'm like, Hey, there you go.
• 1:13:21
  Right.
• 1:13:24
  Well, the Corvette gets repainted during this whole drama.
• 1:13:28
  Oh, that's right.
• 1:13:28
  Oh no.
• 1:13:29
  Oh, the Corvette has an outfit change.
• 1:13:31
  Is this when he starts working at the car wash?
• 1:13:34
  Yeah.
• 1:13:34
  Uh, I think he still, or the gas station where he tries to screw over that woman.
• 1:13:38
  Oh, that was weird too.
• 1:13:39
  Well, that was before he hopped in the van when he was working
• 1:13:42
  at the gas station where he was sleeping in the U-Haul behind it.
• 1:13:46
  He was, uh, painting the.
• 1:13:48
  Dead batteries with fresh paint.
• 1:13:51
  Oh yeah.
• 1:13:51
  Yes, yes, that's right.
• 1:13:51
  He, uh, the, the guy who owns the U-Haul rental slash gas station place hires
• 1:13:56
  him 'cause he likes the cut of his jib.
• 1:13:58
  Oh, that's right.
• 1:13:58
  'cause So Annie pots kicks him out of the van the next morning, right?
• 1:14:01
  Oh no, that's he, that was the first time.
• 1:14:05
  Yeah.
• 1:14:05
  Is this when he's wearing like the suit and is clicks up the Oh, not yet.
• 1:14:09
  Feather Stingray.
• 1:14:10
  Yeah.
• 1:14:10
  Yeah.
• 1:14:10
  He's like a valet or whatever, and the guy's like, Hey, that's my car.
• 1:14:13
  Get out.
• 1:14:13
  Like, oh yeah, here you go, sir. You know, that's the, be the other beautiful blonde.
• 1:14:17
  Yeah.
• 1:14:17
  And, and then, uh.
• 1:14:18
  That's right.
• 1:14:19
  He goes back to the van and there's like the note that's like
• 1:14:21
  working late, blah, blah, blah.
• 1:14:22
  And he is like, what?
• 1:14:23
  I bet you're working late cruise.
• 1:14:25
  He cruise Boulevard.
• 1:14:26
  And he goes to the escort service and they're like, yeah, I never heard of her.
• 1:14:30
  And then he is, goes to get some, you know, I dunno, burgers
• 1:14:33
  to fill that void in his soul.
• 1:14:35
  Mm-hmm.
• 1:14:35
  And like can he, is that you?
• 1:14:37
  What is that my van?
• 1:14:39
  I told you I was working late.
• 1:14:41
  I told you I was gonna be right back.
• 1:14:43
  How am I supposed to find the goddamn fan if you're driving it all up town is the
• 1:14:47
  conversation that should have happened.
• 1:14:49
  But instead she's like, no, see, every car in town comes through this place.
• 1:14:53
  So I'm helping you look for the car.
• 1:14:55
  See, everybody wants a smiley burger.
• 1:14:58
  I think it was great when he was.
• 1:14:59
  Trying to find her before he found her at the burger place.
• 1:15:02
  And he goes into the cat house and he walks up and like Yanks the one
• 1:15:04
  woman around thinking it was her.
• 1:15:05
  Oh yeah.
• 1:15:06
  He's like, oh wait, it's not you.
• 1:15:07
  You've got some nerve.
• 1:15:09
  And I'm like, that's the wrong wig homie.
• 1:15:10
  Yeah.
• 1:15:12
  And then I think after, that's when, yeah, he is like working
• 1:15:14
  at the car wash or whatever.
• 1:15:17
  It's a car wash.
• 1:15:18
  Yeah.
• 1:15:18
  When Wet comes through.
• 1:15:19
  But a gold version of his car.
• 1:15:22
  Wait a minute, what?
• 1:15:26
  And then we find out it's driven by Brian James, legendary.
• 1:15:30
  I don't know that guy from action movies in the eighties.
• 1:15:33
  Uh, you might know him best as, uh, the guy with the funny
• 1:15:35
  accent in, uh, tango and Cash.
• 1:15:37
  Yeah.
• 1:15:38
  That ends up, uh.
• 1:15:38
  With a grenade in his pants.
• 1:15:40
  Spoiler alert.
• 1:15:41
  See, you went that way with that scene and when that car came out, I went, oh man.
• 1:15:46
  When, just when you thought that car couldn't get uglier.
• 1:15:49
  That's what I Is an ugly gold.
• 1:15:51
  Yeah.
• 1:15:52
  Seventies gold.
• 1:15:53
  It was not, it was terrible looking car to begin with in the red.
• 1:15:56
  But when they did it gold, it was like, I didn't think you could make it any uglier.
• 1:16:00
  I mean, it, it was, yeah, it was almost mustard.
• 1:16:03
  Look, only the Rockford car looks good in seventies gold.
• 1:16:05
  That's true.
• 1:16:06
  I give you that.
• 1:16:07
  I give you that.
• 1:16:07
  Speaking of Rockford, we got another chase where, uh, Brian James is
• 1:16:10
  driving off in the Stingray and Mark Hamill's chasing him on a bike.
• 1:16:14
  And I'm like, good luck sucker.
• 1:16:15
  Oh, he gets hit by a bicycle.
• 1:16:17
  And steals the bicyclist.
• 1:16:19
  He jumps out, he jumps on the bicyclist to jack him.
• 1:16:24
  Cy Jack sounds like an old school.
• 1:16:25
  10 speed Huffy.
• 1:16:26
  It was a Schwinn, but I gotta ask this.
• 1:16:28
  See, this is my attention to detail.
• 1:16:30
  Why did we hyperfocus on that water bottle attached to the
• 1:16:34
  bike handles for like 30 seconds?
• 1:16:36
  I'm like, what are we looking at?
• 1:16:37
  It was like a slow pan up as, and then it like shows his sweaty ass face and I'm
• 1:16:42
  like, there's a water bottle right there.
• 1:16:44
  I was expect to like take a swig like, oh, it's vodka or
• 1:16:46
  you know, something like that.
• 1:16:47
  Yeah.
• 1:16:48
  Oh, Steve like straight up was like, uh, yeah.
• 1:16:51
  We know he's got a water bottle, otherwise he'd die in Vegas
• 1:16:56
  again.
• 1:16:56
  I assumed we were going for the badass videos from Sunny in Philadelphia,
• 1:17:00
  but we ended up with basically the Goonies scene where he is hanging
• 1:17:04
  onto the cars going down the highway.
• 1:17:05
  I'm like, what the hell?
• 1:17:06
  Morning I were like the back to future music to start playing.
• 1:17:10
  Gotta go back in time.
• 1:17:14
  The thing about this scene that baffled me is how when he catches
• 1:17:17
  up to the car, reaches and grabs the guy's shoulder and he goes to like
• 1:17:20
  close the his hand in the window.
• 1:17:22
  So he reaches down to open it and the door swings open.
• 1:17:24
  How the door did not make contact with the parked vehicle as they went by.
• 1:17:27
  It just baffles me.
• 1:17:28
  Yeah, right.
• 1:17:29
  That baffled you, dude.
• 1:17:31
  He was doing 60 miles an hour.
• 1:17:33
  When he let go of that bus and caught the Corvette.
• 1:17:36
  I mean, how the hell did he slow down enough to grab the
• 1:17:39
  car without killing himself?
• 1:17:40
  It was nuts, guys.
• 1:17:42
  That's the magic of filmmaking.
• 1:17:43
  That's, you know what, again, this is some like really good stunt work that's gonna
• 1:17:47
  go completely unappreciated by the masses.
• 1:17:49
  Yes.
• 1:17:50
  Yeah.
• 1:17:50
  So, so the cray peels off, 'cause obviously that guy ain't stopping
• 1:17:54
  shit, but he pulls into the, uh, garage or whatever and he is like,
• 1:17:57
  Hey, this looking, this slimy, this oily teenage kid tried to jack me.
• 1:18:02
  He was on a bike, he rest in yellow and it's some weird shit.
• 1:18:06
  And then comes the guy, you know, on, on the back of like a, like
• 1:18:10
  a, like a, uh, it's a car carrier.
• 1:18:12
  Car hauler, yeah, yeah, yeah.
• 1:18:13
  Car carrier.
• 1:18:14
  And he just comes in full speed.
• 1:18:16
  Yeah.
• 1:18:17
  Goes right past them and like crashes into a bunch of tires.
• 1:18:21
  That was beautiful.
• 1:18:22
  I was, and my wife goes, what?
• 1:18:23
  The bike doesn't have brakes.
• 1:18:25
  Yeah, he burned him off stop before the parked car.
• 1:18:27
  Yeah, he most realistic part of the movie.
• 1:18:32
  It was beautiful.
• 1:18:33
  So yeah, so they rough him up and, uh, lock him in a closet or something.
• 1:18:37
  Uh, a little storage closet, I guess like that night or whatever.
• 1:18:40
  There's like one guy watching, he is like trying to open the padlock door.
• 1:18:44
  He is like, yeah, so way you getting outta there.
• 1:18:47
  Oh shit.
• 1:18:48
  And he like goes to check it and the windows cracks.
• 1:18:50
  Like, oh shit.
• 1:18:50
  He went out the window.
• 1:18:51
  Goes out chasing him and then out comes Kenny out of a full
• 1:18:56
  oil drum just covered in oil.
• 1:18:59
  And I'm like, well, he's dead, right?
• 1:19:01
  Nope.
• 1:19:02
  Do you remember that black tar monster in Star Trek?
• 1:19:05
  The Next Generation?
• 1:19:06
  Yeah.
• 1:19:06
  That's where my mind went when he emerged to Kill Tasha.
• 1:19:10
  Ya.
• 1:19:10
  Exactly.
• 1:19:10
  Yeah, exactly.
• 1:19:12
  Like, and then even when it's like dripped off a bit, it's like, oh,
• 1:19:15
  now he's Tar Man from, uh, return of the Living Dead or whatever.
• 1:19:18
  But the scene after, that's even better.
• 1:19:20
  Like, oh yeah, yeah.
• 1:19:20
  So yeah, so he, he like pulls outta the drummer or whatever, and the, the
• 1:19:24
  guy who was like, goes out the other side of the window and he realizes, oh
• 1:19:27
  shit, there's no way he got out there.
• 1:19:28
  That's like a three story drop.
• 1:19:30
  And so then he sees the, uh, oily, like footprints leading down the street
• 1:19:34
  or whatever, and so he like grabs the nearest chain and goes following the
• 1:19:38
  footsteps because either he's walking to a trapper, this is the stupidest thing in
• 1:19:42
  the history of crime, and it can be both.
• 1:19:45
  And uh, yeah, basically like chases him down, beats his ass
• 1:19:48
  a couple of times on the side.
• 1:19:49
  This.
• 1:19:50
  Street.
• 1:19:50
  And while kitty's, like in the fetal position, stop, luckily,
• 1:19:55
  who would pull up to save the day?
• 1:19:56
  Dick Miller?
• 1:19:57
  No, the other guy, the low rider guy that he saw that was going 15
• 1:20:02
  miles an hour earlier in the movie.
• 1:20:04
  Oh, it's, they just made it to Vegas.
• 1:20:06
  They just made it like three weeks later.
• 1:20:08
  Woo.
• 1:20:09
  He's already had four jobs in in the time it took him to get there.
• 1:20:12
  I, I'm just amazed the fact that he could recognize him covered in the oil.
• 1:20:16
  Oh, there's some kid that I you ran into a week ago, but he's all covered normal.
• 1:20:19
  Yeah, I know him.
• 1:20:20
  Honestly, I think if they just pulled up like, oh, that guy's
• 1:20:23
  beating the shit outta that guy.
• 1:20:24
  And then the one guy runs off and then he like turns over like,
• 1:20:26
  oh, hey, I know this cracker.
• 1:20:28
  You know?
• 1:20:30
  And subsequently the scene after that I thought was glorious.
• 1:20:34
  Right.
• 1:20:34
  He's still in the fetal position.
• 1:20:36
  Oh yeah.
• 1:20:37
  Oh, the scene is amazing.
• 1:20:38
  And Annie Potts is sitting there with a pressure washer just, just,
• 1:20:44
  I didn't even know what to think.
• 1:20:45
  I was just like, this is awesome.
• 1:20:47
  This is so great.
• 1:20:49
  Yeah.
• 1:20:49
  She's like spraying 'em down like, I can't believe you did that.
• 1:20:52
  Why would you be so stupid?
• 1:20:53
  Blah blah.
• 1:20:54
  Oh, sorry.
• 1:20:54
  Hold on.
• 1:20:55
  Switch to wax.
• 1:20:57
  Okay, now we're back to what am spraying you down.
• 1:21:01
  And I'll say this, she's actually spraying, she actually went
• 1:21:03
  across his face and stuff.
• 1:21:04
  And I can firsthand say a pressure washer does not feel good to bear skin.
• 1:21:09
  Wait, wait a minute.
• 1:21:10
  You can, firsthand, you have firsthand accounts and be pressure washing.
• 1:21:13
  Yeah, he was the one spraying the person in the face.
• 1:21:17
  Wait, is that second?
• 1:21:18
  I don't know.
• 1:21:20
  That's what Daniel has to do when they run outta water on the mountain.
• 1:21:25
  Gotta make fun with what you got.
• 1:21:27
  Yeah.
• 1:21:27
  Oh, after he gets all cleaned up?
• 1:21:30
  Yep.
• 1:21:30
  He's gotta go to the police department and be like, Hey, I know where my car was,
• 1:21:34
  at least, you know, several hours ago.
• 1:21:36
  And Oh yeah, by the way, kidnapping and all that stuff.
• 1:21:38
  Yeah.
• 1:21:39
  Don't worry about that.
• 1:21:39
  Assault and stuff.
• 1:21:40
  I did too.
• 1:21:41
  Don't, uh, they were doing the assaulting, um, but then, uh,
• 1:21:45
  he runs into his teacher who's apparently in town now, and I'm like.
• 1:21:49
  Oh boy, I know where this is going.
• 1:21:51
  Teacher, uh, takes him for a drive and, uh, he's like, oh, yeah,
• 1:21:54
  I, I can take you to the shop.
• 1:21:56
  He is like, oh, yeah, I know the shop.
• 1:21:57
  I know the guy who runs it too.
• 1:21:59
  He was an old student of mine.
• 1:22:00
  And I'm like, oh, here we go.
• 1:22:02
  And this is where Izzy pointed out something incredible about this movie.
• 1:22:06
  Mm-hmm.
• 1:22:06
  Solo a Star Wars film or whatever.
• 1:22:10
  It's basically the same plot of this movie.
• 1:22:12
  It's a future version of this movie, you know?
• 1:22:15
  Right.
• 1:22:17
  Wow.
• 1:22:17
  My brain is officially melted.
• 1:22:19
  Like you replaced Annie Potts with, you know, ksi whatever.
• 1:22:22
  She was playing in that thing like, oh yeah.
• 1:22:24
  She did become a hooker.
• 1:22:25
  She just became the comfort girl of the local drug, Lord, wait a minute.
• 1:22:30
  And the bad guy that we discovered, the guy running this chop shop auto
• 1:22:34
  body, you know, whatever we wanna call it, kind of looks like Darth Mall.
• 1:22:38
  Anyway, he's got a scary Yeah, scary look to him, you know?
• 1:22:41
  Yeah, yeah.
• 1:22:41
  Just, you know, pre legs chasing after a vehicle that's not his.
• 1:22:46
  So what I thought was interesting about that scene with Mr. McGrath played by,
• 1:22:50
  you know, Mr. Roche, as we talked about earlier, he's driving around Vegas and
• 1:22:54
  I, I've been to Vegas a bunch of, I was just there recently as a matter of fact,
• 1:22:57
  and I pinpointed the Mandalay Bay in the background when they finally park and
• 1:23:00
  they get out of the square body Chevy that they were driving around, and I'm
• 1:23:03
  sure Dan was super excited about it.
• 1:23:04
  They can tell us all about, you know, the specific model
• 1:23:07
  and customizations and whatnot.
• 1:23:08
  But I spotted the Mandalay Bay and I was like, wow, this
• 1:23:12
  is all super developed today.
• 1:23:13
  I mean, you know, the Luxor wasn't there and some of the
• 1:23:16
  other casinos that are there now.
• 1:23:17
  And then it suddenly dawned on me and I, I turned to my wife and I
• 1:23:20
  said, when's Ken Jong gonna pop out?
• 1:23:22
  She goes, whatcha talking about?
• 1:23:23
  I was like, big abandoned lot in Las Vegas.
• 1:23:25
  There's gotta be a naked Asian man running by any minute now.
• 1:23:31
  Spoiler.
• 1:23:32
  This movie's very honky heavy,
• 1:23:37
  but yeah, so they're basically where the airport is now, like, but it's, you know,
• 1:23:41
  10 miles from the strip or whatever.
• 1:23:43
  The teachers basically break it down like, yeah, I sold this car to
• 1:23:46
  this old student of mine, you know?
• 1:23:49
  Oh yeah.
• 1:23:49
  Well wait, what's I, I only make.
• 1:23:50
  15 grand a year or something as a teacher.
• 1:23:52
  What's the name of the auto shop?
• 1:23:53
  Oh, uh, Silverado Auto Shop.
• 1:23:55
  And I'm like, and what was he driving?
• 1:23:56
  He was driving a Chevy Silverado.
• 1:23:58
  I'm like, dude, you know you in a Silverado.
• 1:24:00
  It's called like he probably owns that chop shop.
• 1:24:03
  Run.
• 1:24:04
  You go die Luke use the force.
• 1:24:06
  But yeah, yeah, yeah.
• 1:24:07
  This is where he is like, I only make 15 grand a year.
• 1:24:09
  I can't get by on that.
• 1:24:10
  And this guy can't up with a proposition like, oh, I've
• 1:24:12
  made 15 grand a year before.
• 1:24:14
  Oh, but wait, I'm gonna turn to our executive co-producer for our
• 1:24:18
  fact checking on 1970s inflation, which you care to share some
• 1:24:22
  super fun facts with the crowd.
• 1:24:23
  Time.
• 1:24:24
  3 million nowadays.
• 1:24:25
  Interesting tidbits.
• 1:24:26
  I supposed to do research.
• 1:24:28
  It's in my notes.
• 1:24:28
  I figured you'd read it.
• 1:24:29
  Oh, no, I, sorry.
• 1:24:31
  Eric did the research for you, much like the movie.
• 1:24:34
  I'm not paying attention to these details.
• 1:24:38
  You have the notes printed out right there.
• 1:24:39
  Yeah, I, I got the notes.
• 1:24:40
  Uh, basically 15 grand back then comes to 62,400 in 2020, which is not very slouchy.
• 1:24:48
  That's a lot more than a teacher actually makes these days.
• 1:24:51
  Oh, right.
• 1:24:52
  Yeah.
• 1:24:52
  Teachers still make like $15,000 a year message.
• 1:24:57
  Then Luke ends up, well, Luke, Kenny, or Kent, right.
• 1:25:00
  Kenneth, whatever his name was.
• 1:25:02
  He ends up getting a job right by way of his shop teacher
• 1:25:05
  at the Silverado Body Shop.
• 1:25:06
  Right.
• 1:25:06
  And they offer him a whopping like 700 a week and it, he like, no,
• 1:25:11
  you gotta pay me eight 50 a week.
• 1:25:13
  Which basically nowadays is 180 plus thousand dollars a year.
• 1:25:18
  I'd like to make eight 50 a week now.
• 1:25:20
  Yeah.
• 1:25:22
  Pretty sweet, bonkers, right?
• 1:25:24
  This leads into my favorite part of the movie because he goes from
• 1:25:26
  Kenny Dantley to full on Tony Ana.
• 1:25:30
  Yeah.
• 1:25:30
  He shows up with the big sunglasses, taking his prostitute, you know,
• 1:25:34
  girlfriend out to go, you know, get all the fancy things that she
• 1:25:38
  could never afford before, and he's just sitting there chilling.
• 1:25:41
  This led to.
• 1:25:42
  A completely new movie that lasted approximately 15 to 20 minutes
• 1:25:47
  before we came back to the movie.
• 1:25:49
  We ended watching for an hour and a half,
• 1:25:52
  watch his right real quick to go back.
• 1:25:56
  One thing that we missed is how he was walking, trying to find, and he
• 1:25:59
  walks up on that second gen Camaro outside of the chop shop and the guy's
• 1:26:03
  standing on the other side of it and he is, Hey, I am looking for this car.
• 1:26:05
  And the whole time the Corvette is sitting right inside the
• 1:26:07
  open door, just out sight.
• 1:26:09
  Right?
• 1:26:09
  That was way away.
• 1:26:11
  Pan.
• 1:26:11
  You can see the car sitting there and I'm like, you don't look back at all.
• 1:26:14
  I mean, what the hell?
• 1:26:15
  I mean if we're talking about things that we missed, we
• 1:26:17
  missed yet another, any pots.
• 1:26:19
  Wardrobe change somewhere in this whole mess with the teacher and the guy and
• 1:26:23
  discovering the Silverado Body Shop.
• 1:26:25
  Does anybody remember the little black dress?
• 1:26:27
  Oh, oh yes.
• 1:26:28
  Her Bond Girl outfit.
• 1:26:30
  That wasn't until later though.
• 1:26:31
  That wasn't until he became full on Jerk.
• 1:26:33
  That was after, well, perfect Casino.
• 1:26:36
  Well, then we lead up to it, and since we're talking about it,
• 1:26:39
  I've already brought it up now.
• 1:26:40
  I immediately went to BB New Earth.
• 1:26:43
  I was like, she looks like Lith.
• 1:26:44
  It looked like it was Breakfast at Tiffany's all of a sudden, right?
• 1:26:48
  Awesome.
• 1:26:49
  They both looked amazing, actually.
• 1:26:50
  He looked really good.
• 1:26:52
  In that outfit.
• 1:26:53
  Like those square glasses really worked for him.
• 1:26:55
  Like he was playing it up that room.
• 1:26:57
  However, they ended up in little honeymoon suite.
• 1:27:00
  Oh, rotating bed.
• 1:27:01
  Put in a quarter.
• 1:27:02
  Yeah.
• 1:27:02
  A little clamshell.
• 1:27:03
  Headboard and, and stuff.
• 1:27:04
  Look, they still haven't left the circus.
• 1:27:06
  Circus, okay.
• 1:27:07
  Yeah.
• 1:27:07
  He's still mad about the Dodge.
• 1:27:08
  They just got an upgrade.
• 1:27:10
  Yeah.
• 1:27:10
  Right.
• 1:27:11
  So guys, here, here's where the scene goes.
• 1:27:13
  Completely fucking nuts.
• 1:27:16
  He is like, oh yeah, yeah.
• 1:27:17
  I took you shopping all day.
• 1:27:18
  Got this nice fancy suite.
• 1:27:20
  I got this job.
• 1:27:20
  We're gonna be set forever.
• 1:27:22
  What about your car?
• 1:27:24
  Uh, yeah.
• 1:27:24
  You know, I'm, I'm, I'm okay without my morals.
• 1:27:27
  Uh, here I'll even offer you $20.
• 1:27:30
  And I'm like, wait, no.
• 1:27:34
  Here, take another 50.
• 1:27:35
  I'm like, oh, bury yourself.
• 1:27:37
  No, dude.
• 1:27:38
  This one son, they have cool.
• 1:27:40
  Oh, oh, Tony Ana.
• 1:27:41
  Yeah.
• 1:27:42
  They're both being weird in the same 'cause, like he's
• 1:27:44
  being a straight up jerk.
• 1:27:45
  But this is a movie trope that like doesn't exist in real life and it's
• 1:27:48
  like, oh man, I'm so mad at you about being crazy about chasing this one car.
• 1:27:52
  Move on.
• 1:27:53
  Oh my God, you've moved on.
• 1:27:55
  'cause you've got a job where you seem very happy and make more money than all in
• 1:27:58
  a week than all I ever see in my lifetime.
• 1:28:01
  You've changed.
• 1:28:02
  You realize how many dicks I'll have to suck to get eight 50 a week.
• 1:28:07
  I'll never have to suck.
• 1:28:08
  Do a time.
• 1:28:10
  That's a different kind of screwdriver.
• 1:28:12
  Yeah, right.
• 1:28:14
  Which one of you a Sonny do, can I just say, Annie Pots was amazing.
• 1:28:19
  Was.
• 1:28:19
  She was amazing in this movie, but I did not, I don't feel that they
• 1:28:23
  like her and Mark Hamill had any chemistry was Unbeliev whatsoever.
• 1:28:26
  Was unbelievable.
• 1:28:27
  Yeah.
• 1:28:27
  It was cringe-worthy, uncomfortable to watch them try and act together.
• 1:28:32
  Like if Annie Pots wasn't Annie Pots, it would've been much
• 1:28:35
  worse than it actually was.
• 1:28:37
  So you guys, you guys wanted her to run off with the porn director?
• 1:28:43
  Dude, how weird was that?
• 1:28:47
  You a porn movie.
• 1:28:48
  It was a short, yeah.
• 1:28:50
  Right.
• 1:28:50
  You all said that the, the bond outfit.
• 1:28:52
  I thought you were talking about the scuba gear.
• 1:28:55
  I thought that was the bond outfit.
• 1:28:57
  He thought it was Octopussy.
• 1:28:58
  That's what he thought it was.
• 1:29:00
  Exactly.
• 1:29:00
  Yeah.
• 1:29:00
  Yeah.
• 1:29:00
  So, so the next day, uh, Kenny's at work and Vanessa gets pulled up and
• 1:29:05
  he's like, Hey, hey, you stole this fan.
• 1:29:07
  What the really Your car thief?
• 1:29:08
  What the fuck are you talking about?
• 1:29:09
  Look, it's, I got a good deal on it this morning.
• 1:29:12
  She sold Vanessa, she sold the place where we live, right?
• 1:29:17
  I can't live at the Honeymoon Suite.
• 1:29:20
  Circus Circus.
• 1:29:21
  I mean, that's like $12 a night.
• 1:29:23
  That was a one.
• 1:29:24
  Thing.
• 1:29:24
  Does she not know that we have to pass like a background check and get a rental?
• 1:29:28
  We should.
• 1:29:28
  My first and last month's payment done before we can get a place.
• 1:29:31
  She can't sell security deposits.
• 1:29:34
  Oh no.
• 1:29:34
  He did get that 850 bucks in advance so they can like buy a house now.
• 1:29:38
  Oh, it's true.
• 1:29:39
  That's true.
• 1:29:40
  And did anybody else think that the boss or the the other
• 1:29:43
  student, what was his name?
• 1:29:45
  Matt Lowry or.
• 1:29:46
  Whatever, Matt Lauer, whatever.
• 1:29:48
  To me, he looked like a cheaper version of Willem Defoe.
• 1:29:51
  Yeah, yeah, yeah.
• 1:29:52
  I saw that too.
• 1:29:53
  Also, guys, I thought they were gonna kill Kenny Desert.
• 1:29:57
  They're like, yeah, yeah, sure.
• 1:29:59
  Yeah, yeah.
• 1:29:59
  And then just one day at work, someone's gonna like choke him with
• 1:30:01
  a chain from behind or something.
• 1:30:02
  Something.
• 1:30:02
  They drop a car on him.
• 1:30:04
  Corvet work accident.
• 1:30:05
  When they crush the Corvette, they drop it on.
• 1:30:07
  So did anybody look up Kim Milford's, IMDB profile?
• 1:30:11
  His headshot?
• 1:30:12
  So the character in the, in the show is Wayne Lowry.
• 1:30:14
  He's the the guy that Brad was talking about.
• 1:30:16
  But did anybody look at his headshot?
• 1:30:18
  No.
• 1:30:18
  It's very interesting.
• 1:30:19
  I mean, he's creepy looking.
• 1:30:21
  Pulling it up.
• 1:30:22
  Pulling it up.
• 1:30:22
  Oh, oh, yeah, yeah, yeah, yeah.
• 1:30:24
  Yes, yes.
• 1:30:25
  I remember.
• 1:30:25
  No, I had seen that.
• 1:30:26
  Yeah.
• 1:30:27
  I was like, what the f it?
• 1:30:30
  Actually, he almost looks better that way than he did in the movie.
• 1:30:33
  Oof.
• 1:30:33
  But what movie was that?
• 1:30:34
  Oh kid.
• 1:30:35
  Oh, oh, he is like in a zombie makeup or something with a blonde bowl haircut.
• 1:30:40
  Yeah.
• 1:30:40
  Whatever role that was.
• 1:30:41
  He must take pride in if he's using that.
• 1:30:43
  Oh man.
• 1:30:43
  He passed away at the age of 37 and yeah, IM gonna guess it's from this laser
• 1:30:46
  blast movie based on the image for this.
• 1:30:49
  Oh yeah.
• 1:30:50
  See these are more movies you get to add to your fun list of things to review.
• 1:30:54
  I'm looking up Laser blast now.
• 1:30:56
  Thank you for this rabbit hole 2.7 on the imba.
• 1:30:59
  Sold.
• 1:31:00
  Wait, who's the director?
• 1:31:01
  Is it uh, one of those David De Catto?
• 1:31:03
  Movies or something.
• 1:31:04
  Oh, sorry guys.
• 1:31:05
  There's like some dinosaur looking aliens.
• 1:31:07
  Michael Ray.
• 1:31:07
  Oh, come in next week.
• 1:31:09
  No, if you like this, you might like Z Future Wall Future.
• 1:31:12
  Oh boy.
• 1:31:13
  So if you guys like these off the wall movies, it's kind of how, I don't know how
• 1:31:17
  I stumbled across this one and sent it to Eric initially, but in my random running
• 1:31:21
  through the internet, I find weird shit.
• 1:31:23
  Mm-hmm.
• 1:31:23
  So it was by chance Mplementation movies.
• 1:31:26
  It was weird.
• 1:31:26
  'cause like this one, it was like someone had a DVD of it for sale.
• 1:31:28
  So I looked it up and I sent the link there.
• 1:31:30
  I was like, Hey, are you aware of this movie?
• 1:31:33
  No.
• 1:31:33
  But thank you for bringing this into my life.
• 1:31:35
  I'm surprised it was a DVD and not a VHS or beta.
• 1:31:38
  Yeah, laser beta.
• 1:31:41
  Laser disc laser dis or die.
• 1:31:44
  So this is Kenny.
• 1:31:45
  Where are we back in the movie?
• 1:31:46
  Where are Yeah.
• 1:31:47
  Kenny Corte Summer.
• 1:31:48
  Yeah.
• 1:31:49
  Yeah.
• 1:31:49
  The van got sold.
• 1:31:50
  So Kenny's like, I gotta go talk to Eleanor, whatever her name is, any pots.
• 1:31:54
  And so he like, runs to a casino and sees that, uh, she's, she's working and
• 1:31:58
  she's in like her James Bond girl outfit.
• 1:32:01
  Just like, yeah, Rosalyn Black Dress.
• 1:32:03
  Hair slick, looking good.
• 1:32:05
  He like walks up to her like, oh, this is where you've been.
• 1:32:07
  She's like, excuse me, do I know you?
• 1:32:09
  Like the voice even changed a bit.
• 1:32:11
  I'm like, oh, oh, oh, here we go.
• 1:32:14
  Right?
• 1:32:14
  I'm interested.
• 1:32:15
  Basically they take a walk and she's like, I don't even remember
• 1:32:17
  the reason why they broke up.
• 1:32:19
  Just like, oh, you're not obsessed with this car anymore.
• 1:32:21
  You're not the same person and you've changed, and if you're allowed to get a
• 1:32:26
  career, then I'm allowed to get a career.
• 1:32:28
  It's a free country.
• 1:32:29
  Then the guy that I guess is, I don't know, renting her or whatever, but
• 1:32:32
  he is like, oh hey, who's this guy?
• 1:32:34
  Like, oh, this is, this is my, my cousin Homer.
• 1:32:36
  Bye homeA.
• 1:32:37
  Well, hey cousin Homer, you wanna come to the party later?
• 1:32:40
  It's gonna get really wild with your cousin here.
• 1:32:43
  I'm like, oh, oh.
• 1:32:44
  He's like, I'll make it worth your while.
• 1:32:46
  Yeah, yeah.
• 1:32:47
  It was very like, oh boy, this is gonna get weird.
• 1:32:50
  Oh, in decent proposal.
• 1:32:51
  Right.
• 1:32:51
  And so like you mentioned, like Annie Pott's name had changed again.
• 1:32:54
  'cause there she went by a couple different names throughout the movie.
• 1:32:58
  Oh yeah, yeah.
• 1:32:58
  Other than that, at this point she went from, 'cause originally it went
• 1:33:01
  from prostitute to Hooker to now.
• 1:33:03
  'cause at one point, shortly before this, she was talking to Mark's
• 1:33:05
  character and was like, I'm not gonna make it as a hooker here.
• 1:33:08
  I have to be an escort.
• 1:33:09
  So now she's made her way up to the tier of considering herself an
• 1:33:12
  escort before she winds out with this older gentleman at the casino.
• 1:33:16
  Yeah.
• 1:33:16
  Yes.
• 1:33:16
  So many career paths.
• 1:33:18
  No.
• 1:33:18
  And she, she said that there aren't any hookers in, in Vegas.
• 1:33:21
  There aren't any hook.
• 1:33:22
  They're escorts, Arens in Vegas.
• 1:33:23
  They're all escorts.
• 1:33:24
  That's why I was going wrong.
• 1:33:26
  I'm gonna change my name.
• 1:33:27
  I think I make the name Rosalyn.
• 1:33:29
  And didn't she say something about denim was the wrong way to go too?
• 1:33:32
  Yeah, she did.
• 1:33:33
  You have pick up a girl in denim?
• 1:33:35
  Yeah.
• 1:33:35
  It's always gonna be a problem.
• 1:33:37
  I need to get myself a little black number and one of those little ribbon chokers.
• 1:33:40
  That's the reason they call it a wife beta.
• 1:33:42
  Yeah.
• 1:33:42
  And she goes and gets her little velvet number and gets her choker.
• 1:33:45
  She is a woman who gets things done.
• 1:33:48
  That's right.
• 1:33:48
  I agree.
• 1:33:48
  She's too good for Mark Hamill there.
• 1:33:50
  I said it right.
• 1:33:51
  So yeah.
• 1:33:51
  Then Mark Hamill goes to work and uh, he's working angry, just beating the
• 1:33:55
  shit out of a fender or something.
• 1:33:56
  Yeah.
• 1:33:57
  And, and then he is like welding two limos together.
• 1:34:02
  I don't know.
• 1:34:02
  Yeah, yeah.
• 1:34:03
  He was fixing the roadkill style was like, it was a mess.
• 1:34:05
  I don't know what the hell he was doing.
• 1:34:06
  And, and I know Dan was critique all the welds at that point.
• 1:34:10
  I literally thought that to myself even I was like, I dunno
• 1:34:13
  what the hell he is doing.
• 1:34:13
  But he ain't welding.
• 1:34:14
  No.
• 1:34:15
  All I can say is he's, he's not very strong.
• 1:34:17
  'cause him beating on that fender and it wasn't hardly Denny it with
• 1:34:20
  the size of the hammer he was using.
• 1:34:21
  Yeah.
• 1:34:22
  That's just utterly weak.
• 1:34:23
  Look, he's four and a half feet tall.
• 1:34:25
  Give him some credit.
• 1:34:26
  It was.
• 1:34:26
  Seventies domestic steel.
• 1:34:29
  That's true.
• 1:34:29
  Yeah.
• 1:34:30
  It's like baseball.
• 1:34:30
  He weighs 97 pounds.
• 1:34:32
  Come on.
• 1:34:32
  He wasn't using the force.
• 1:34:35
  So yeah, that night, like the owner of the place is like, Hey, come
• 1:34:38
  on, it's beer o'clock, let's go.
• 1:34:39
  And he is just working away like, all right, well just lock up when you're done.
• 1:34:43
  And like as soon as they leave he looks at his, uh, the stingray, which
• 1:34:46
  is still gold and he has an idea and then he paints it and it's red again
• 1:34:51
  and holy shit, it's gonna be great.
• 1:34:52
  And I, I was thinking like, alright, cool.
• 1:34:53
  He opens the front of the garage, drives off.
• 1:34:55
  Roll credits, guys.
• 1:34:57
  What do we, Nope.
• 1:34:57
  Instead he waits till the next morning for, uh, Brian James and the other
• 1:35:01
  big henchman mechanic dude to open up.
• 1:35:04
  And then he tries to fight 'em and they're like, oh, what are you doing?
• 1:35:07
  He hits one of 'em a plastic fender.
• 1:35:10
  Yeah.
• 1:35:10
  And then like it was a bumper cover, I think.
• 1:35:12
  Yeah.
• 1:35:12
  And then he, he throws the tiniest wrenches.
• 1:35:15
  I'm like, come on, it's a mechanic shop.
• 1:35:17
  There's some big ass sledge hammers and wrenches.
• 1:35:19
  Pick up something.
• 1:35:19
  Nope.
• 1:35:20
  Here's my 10 millimeter.
• 1:35:21
  If you can dodge wrench, you can dodge a ball ball.
• 1:35:26
  But then he grabs that paint gun.
• 1:35:27
  Yeah.
• 1:35:28
  Blast the guy in the face.
• 1:35:30
  And I'm like, fuck, he's dead.
• 1:35:31
  Dude cracked up that, that 1970s candy.
• 1:35:35
  Apple red.
• 1:35:36
  He could, he died.
• 1:35:37
  Could see the Xes in his eyes popped up.
• 1:35:39
  Blacker paint like in the eyes Metal.
• 1:35:41
  Flake that wound up in his freaking, like in his nostrils, in the lung,
• 1:35:45
  in his eyeballs, his tear duct metal, metal flake is just pink glitter.
• 1:35:50
  Oh no.
• 1:35:51
  He's gonna, he never getting it out.
• 1:35:52
  He's gonna glitter all over himself now.
• 1:35:54
  He's gonna sparkle like a vampire.
• 1:35:57
  It was an improvement for his face.
• 1:35:59
  Good point.
• 1:35:59
  But yeah, so yeah, then he hops in the stingray and drives off and then,
• 1:36:03
  uh, he goes to the hotel where he knows, uh, Annie Pots is doing her
• 1:36:07
  thing, finds out where the room is.
• 1:36:09
  I forget how exactly being Well, has he got invited up earlier?
• 1:36:11
  Oh, that's right.
• 1:36:12
  He got like the room key or something and he like kicks it open and they're
• 1:36:15
  filming some sort of weird porno thing where she's in like one of those, you
• 1:36:19
  know, the room hot tubs and she has flippers on like one piece bikini, who
• 1:36:24
  are the senior citizens recording this.
• 1:36:27
  It was the, it was the sound guy and the ca it was the
• 1:36:29
  sound lady and the camera guy.
• 1:36:30
  It makes me wonder, like if the whole scenario was, I dunno if you guys
• 1:36:34
  have seen Rat Race where they, he is like in a tub with Pepto Bismol.
• 1:36:38
  You shave that type stuff.
• 1:36:40
  That's what I portrayed when I saw that scene of her in the tub
• 1:36:42
  with the scuba gear on type stuff.
• 1:36:44
  I'm like, how did this come to be?
• 1:36:45
  How much is that gonna cost?
• 1:36:47
  Uh, it's gonna be about $2,000.
• 1:36:48
  Who had $2,000?
• 1:36:50
  Yes.
• 1:36:50
  Mr. Tamagotchi had 2000 the closest I'm eccentric, you know,
• 1:36:57
  and I, he brought up Rat Race.
• 1:36:59
  And it's funny because I, I love that movie and I love anything with John Cle.
• 1:37:03
  There's one line I always remember from that movie and it's lovetts
• 1:37:06
  when he is yelling, I don't want to work at the Home Depot.
• 1:37:12
  I dunno what, my mind immediately goes there.
• 1:37:14
  Anytime somebody drinks up that movie.
• 1:37:16
  Look, LUT is insane.
• 1:37:18
  LUT is also like brilliant on film.
• 1:37:20
  He is so good.
• 1:37:21
  Have you seen him on Holy moly.
• 1:37:23
  That's all I'm gonna say.
• 1:37:24
  I haven't, but we do own every season of the critic.
• 1:37:27
  Oh, nice.
• 1:37:27
  Well, since there's only two, it's not that hard.
• 1:37:31
  The entire series, all 26 episodes.
• 1:37:35
  Yeah.
• 1:37:35
  Look babe, what are we doing tomorrow?
• 1:37:36
  I'm just saying I wanna watch the entirety of a franchise.
• 1:37:39
  Hey, she was scrolling through Voodoo and it said, bundle and save.
• 1:37:42
  She went, Ooh,
• 1:37:45
  look.
• 1:37:45
  It was the vine of its time.
• 1:37:46
  Okay.
• 1:37:48
  Yeah.
• 1:37:48
  So, uh, so he grabs Andy Potts, throw 'em over his shoulder or drags her out.
• 1:37:52
  Literally drags her out kicking and screaming with her flippers on and Yeah.
• 1:37:55
  Yeah, it's fantastic.
• 1:37:56
  And they hop in the car and drive off.
• 1:37:58
  Woo.
• 1:37:59
  But the, uh, owner of the, the chop shop or whatever, he's just getting into work,
• 1:38:03
  you know, an hour later he's management.
• 1:38:04
  Don't worry about it.
• 1:38:05
  And he sees the guy's like on death's door or whatever.
• 1:38:09
  So he hops in his, uh, was it a Camaro or something, and starts
• 1:38:12
  chasing It was a Firebird.
• 1:38:14
  Or Firebird, that's what it was.
• 1:38:16
  It was all black and it, yeah, off it looked like.
• 1:38:19
  It looked like a Camaro with a GTO front end.
• 1:38:22
  It was kind of weird.
• 1:38:23
  Yeah.
• 1:38:23
  Okay.
• 1:38:23
  So it was like a weird little custom 'cause I was trying to place it and
• 1:38:25
  couldn't quite do it, but, but yeah.
• 1:38:26
  Yeah.
• 1:38:26
  We laid Camaro back end.
• 1:38:28
  Yeah.
• 1:38:28
  He catches up with him, I don't know, a hundred miles outside of Vegas,
• 1:38:31
  you know, on the freeway there.
• 1:38:32
  He, he pulls a gun out, like starts firing at, threw his own window.
• 1:38:38
  He roll the window down, homie.
• 1:38:40
  His window was rolled down in a car with no air conditioning in the desert.
• 1:38:44
  I'm like, what?
• 1:38:45
  He was fueled by vengeance.
• 1:38:46
  Yeah, they chase around and like Kenny like pulls off the road,
• 1:38:50
  like goes into a quarry because he thought that was like, oh yeah, it's
• 1:38:53
  gonna hook up with the interstate and it's like a dead end freeway.
• 1:38:55
  Freeway.
• 1:38:56
  Like, what the fuck?
• 1:38:56
  And then they end up on route 6, 6, 6, Lou Diamond Phillips is waiting for him.
• 1:39:00
  Oh.
• 1:39:00
  And the whole time, uh, any poss is just like, oh, he trying to
• 1:39:04
  scam he so I'll get back with you.
• 1:39:05
  It's not gonna work.
• 1:39:06
  They're just trying to impress me and it's not working.
• 1:39:09
  I'm like, the guy literally has fired like three rounds at you?
• 1:39:11
  Yeah.
• 1:39:12
  Oh, isn't she like, jumps out the window is like bang, bang, bang.
• 1:39:15
  Big bang guy.
• 1:39:15
  I get it.
• 1:39:17
  So what I liked about this scene but then didn't like about the scene
• 1:39:21
  was that it felt like a complete rip off of Sally Field and Burt Rey.
• 1:39:25
  In smoking the Bandit like Oh absolutely.
• 1:39:28
  You know?
• 1:39:28
  So I was like, I'm okay with it.
• 1:39:29
  I'm, I'm good with it.
• 1:39:30
  But then what got me, because continuity is always an issue with
• 1:39:33
  any movie, when we were watching it, even my wife pointed out, she goes,
• 1:39:36
  wait a minute, the car is filthy.
• 1:39:37
  And it suddenly on those aerial shots, it's completely clean.
• 1:39:41
  Like they had gone back to the car wash in the previous scenes.
• 1:39:44
  Yeah, that was the left hand drive car.
• 1:39:46
  Ah, that's one more than, yeah, that makes way more sense.
• 1:39:49
  And then it was suddenly dirty again and I'm like, oh, okay.
• 1:39:52
  Whatever.
• 1:39:52
  Yeah.
• 1:39:52
  So eventually, yeah, he like doubles back and eventually is
• 1:39:55
  like, haha, here's the freeway.
• 1:39:57
  I do it all along.
• 1:39:58
  Basically the freeway is like coming soon, I don't know.
• 1:40:02
  Like it stops a mile later, turns around, they starts playing chicken
• 1:40:05
  with the bad guy and mm-hmm.
• 1:40:07
  I don't know, the bad guy pulls at the last minute and like rolls it and
• 1:40:10
  you know, they drive off into forever.
• 1:40:12
  But the bad guy then like crawls outta the car?
• 1:40:15
  No, he's like injured.
• 1:40:17
  Oh, and when he pulled out the gun and like looked down the barrel,
• 1:40:21
  I'm like, right, no, no, this is not how this movie is going to end.
• 1:40:26
  I thought that would've been dark, that bullet.
• 1:40:28
  But instead he like, then takes the gun, points it at the car 'cause it's
• 1:40:31
  like the horn's broken or whatever.
• 1:40:33
  So it's just making that.
• 1:40:35
  Pew boo fucking exploded.
• 1:40:40
  Horns run out of energy after like what?
• 1:40:42
  30 seconds?
• 1:40:43
  Yeah.
• 1:40:43
  Well if that, no car's back then, if there's a connection,
• 1:40:47
  it'll blow until the batter.
• 1:40:48
  The horn will keep until the battery die.
• 1:40:49
  There's okay, all that, that none of that is important.
• 1:40:52
  I gotta ask Dan a very important question 'cause he'll know the answer to this.
• 1:40:55
  Dan, how many cars can you blow up with a 38 special?
• 1:40:59
  None without any, any sort of like tannerite or Pyrex or something.
• 1:41:02
  Ah, okay.
• 1:41:03
  I it's just wanted to make sure That was one of the things that when I
• 1:41:07
  saw that, I was like, that is such Hollywood Bs, but, and they use C
• 1:41:11
  four instead of plaster on one of the fenders and Oh, that's how, oh my gosh.
• 1:41:16
  There you go.
• 1:41:16
  This is why he's gotta give up this whole operation over two
• 1:41:19
  cars instead of using fiberglass.
• 1:41:21
  They replaced it all with C four to smuggle it across the country.
• 1:41:23
  Yeah.
• 1:41:23
  Yeah.
• 1:41:24
  'cause you can't smuggle fiberglass.
• 1:41:25
  Uh, no.
• 1:41:27
  You can't sell C think she's saying they were smuggling with c4.
• 1:41:30
  Oh, gotcha.
• 1:41:30
  You replace the fiberglass with C four, that car is about to
• 1:41:34
  blow and like outside of zzi.
• 1:41:36
  Very high turnover on mules.
• 1:41:37
  It's more explosive than an accident, than a pento being rear-ended.
• 1:41:41
  Exactly.
• 1:41:42
  But you guys, this guy gets it, but you guys thought it was dark, you know, with
• 1:41:45
  him looking down the barrel of this 38 special, and I'm just kind of thinking
• 1:41:48
  to myself, there was a Tales from the Crypt episode where a guy gets left in
• 1:41:52
  the desert and the birds are circling.
• 1:41:54
  If you guys remember that.
• 1:41:54
  That one was so creepy.
• 1:41:57
  I had a similar thought here because this guy, as you mentioned, he's injured.
• 1:42:01
  He's got the stanky leg, he's over a hundred miles from Silverado
• 1:42:04
  autobody shop, and now he just blew up his only form of transportation,
• 1:42:08
  even if it was a clunker.
• 1:42:10
  So he's dying in the desert.
• 1:42:12
  Right.
• 1:42:12
  Well, but the freeway's coming soon, so that means the
• 1:42:14
  construction crew is coming by.
• 1:42:16
  Also be by any minute someone will show up.
• 1:42:18
  Look, Las Vegas only has two season, winter and construction.
• 1:42:22
  It's not winter, winter, very short.
• 1:42:24
  It's called Corvette Winter.
• 1:42:25
  Maybe those dudes in the Lowrider, I'll catch him before he dies.
• 1:42:28
  You know what I mean?
• 1:42:29
  On the way back, he's be there in a week.
• 1:42:30
  I saw it as the fact him shooting.
• 1:42:32
  It was the fact it was most likely also a stolen vehicle.
• 1:42:34
  So him shooting it was destroying evidence.
• 1:42:37
  Oh, that's actually a really good point.
• 1:42:38
  I did, I did look it up as the fact it's a 71 TransAm.
• 1:42:41
  Yeah.
• 1:42:42
  Fiber screaming chicken.
• 1:42:43
  Alright.
• 1:42:44
  By the way, that Corvette and those Transams and Camaros
• 1:42:47
  all share a similar platform.
• 1:42:49
  So they're all very similar cars.
• 1:42:50
  They're all, they all have 200 horsepower.
• 1:42:53
  But I'll say this, I'll say that this to to, you mentioned this earlier, Steve.
• 1:42:57
  The driving in that scene was actually really, really good.
• 1:43:00
  Yeah, yeah.
• 1:43:00
  Usually I find fault with a lot of those driving scenes,
• 1:43:03
  some of those chasing scenes.
• 1:43:04
  I mean, granted, this didn't have like.
• 1:43:06
  The seven ups type of chasing or like bullet or something like that.
• 1:43:09
  But it was short, it was concise and it was clean.
• 1:43:12
  Like there wasn't anything like dukes a hazard or anything like that.
• 1:43:14
  So I mad props to, you know, the team and the stuntmen for doing something
• 1:43:19
  that actually was pretty plausible.
• 1:43:21
  The best car chasing you've never heard of, you would even see with like the
• 1:43:23
  transition when they like go from like the sand to the asphalt and stuff.
• 1:43:27
  Like there'd be a little like sk, you know, and all that too.
• 1:43:30
  So it's like, oh yeah, this is real driver.
• 1:43:31
  And the drifting was really clean.
• 1:43:32
  I was like, whoever's behind the wheel is doing a good job.
• 1:43:35
  So, yeah.
• 1:43:36
  Well, when you mentioned when he looked down the barrel of the.
• 1:43:39
  Pistol.
• 1:43:39
  Shortly before that is when Mark Hamill's character pulls up behind the big boulder
• 1:43:44
  and just by chance he comes to the other side and Annie Pott's character
• 1:43:47
  hops up out and she's like, oh yeah.
• 1:43:48
  And you know, she's like, I'm not gonna be scared by this.
• 1:43:49
  'cause she thought it was just like something to scare her
• 1:43:51
  that Mark Hamill put on and the dude starts shooting at her.
• 1:43:54
  So maybe that's how he was checking to see if there was still any ammo in it.
• 1:43:58
  Which anyone who knows anything about firearms, it's a stupid way to check.
• 1:44:01
  But yeah, the exact opposite way you should be doing it.
• 1:44:05
  We, because that the Tiger King method, that's, that's,
• 1:44:09
  that's the Alec Baldwin method.
• 1:44:11
  Oh,
• 1:44:13
  dark, dark, dark.
• 1:44:14
  Alright.
• 1:44:14
  Speaking of dark, we're going back to high school guys.
• 1:44:17
  Woo.
• 1:44:19
  Because yeah, Kenny pulls up there with his, uh, new hooker
• 1:44:21
  girlfriend and uh Right.
• 1:44:22
  Basically drops off this dusty ass stingray God back.
• 1:44:27
  There's plenty of money for plenty of gas money, apparently.
• 1:44:29
  Well, you know, she, they had to make a few stops at a gas station
• 1:44:32
  and she had to make some money.
• 1:44:35
  I mean, she was in the scuba gear already.
• 1:44:37
  So
• 1:44:39
  April put some truck stop and she was a lot lizard on the way back.
• 1:44:42
  Oh, check it out.
• 1:44:42
  This bikini wipes right off this neoprene is amazing.
• 1:44:47
  And, and basically like he pulls the fire alarm, the whole school comes out and the
• 1:44:52
  principal's like, what's going down here?
• 1:44:55
  Did be auc.
• 1:44:55
  She's just running around in the background screaming.
• 1:44:58
  Yeah.
• 1:44:58
  Like, I don't dunno if you guys saw it, he's just like,
• 1:45:00
  ah, I was a sausage family.
• 1:45:04
  Ah, they said act natural.
• 1:45:06
  And his a DD just kicked in.
• 1:45:08
  He's like, took two lines of coke and Yeah.
• 1:45:11
  So they, was it off of hook's ass?
• 1:45:13
  Like in Wolf of Wall Street?
• 1:45:15
  Oh, it wasn't Annie p.
• 1:45:19
  Oh, Steve, that's not dust on that car.
• 1:45:21
  Oh shit.
• 1:45:23
  But yeah, basically like hands the keys to the principal.
• 1:45:26
  Like, well, yeah, what about the cops?
• 1:45:27
  Like, yeah, I didn't tell the cops.
• 1:45:29
  We should definitely inform the police.
• 1:45:31
  It's like, no, no, don't.
• 1:45:31
  They're very important.
• 1:45:33
  Right.
• 1:45:33
  Gotta, don't worry about it young lady.
• 1:45:35
  Do you have anything to say about this?
• 1:45:36
  Now, nah.
• 1:45:38
  Come at hand.
• 1:45:38
  He grabs her flip flops and her jeans and just walks off basically from there,
• 1:45:42
  like, uh, someone brings him his diploma.
• 1:45:44
  That's where I'm like, oh, okay.
• 1:45:45
  So he graduated.
• 1:45:46
  All right.
• 1:45:46
  That's cool.
• 1:45:47
  And then he like walks after Eleanor who's carrying her flip flops and stuff, and he
• 1:45:50
  is like, uh, hey, you with a funny walk.
• 1:45:54
  Like a true romantic.
• 1:45:55
  Mm-hmm.
• 1:45:56
  And, uh, yeah, they kiss and hug and, I don't know, walk off.
• 1:46:00
  And then, uh, the car wash during the credits.
• 1:46:02
  Car wash, no.
• 1:46:03
  And no car.
• 1:46:04
  Just that was a wet sanding.
• 1:46:06
  Well, and the weird thing is like when the teacher's talking to him
• 1:46:09
  at one point he's like, I need you to tell me what I need to hear.
• 1:46:10
  Or something, something along the lines of that.
• 1:46:12
  And it's like, what the hell do you want 'em to say?
• 1:46:14
  You know, that was like, that part in Ferris Bueller is like, well,
• 1:46:17
  that's how it is in that family.
• 1:46:19
  Super creepy.
• 1:46:21
  Like, it's just like r Okay.
• 1:46:23
  Yeah.
• 1:46:23
  So guys, would you recommend this movie?
• 1:46:25
  Yeah.
• 1:46:27
  For enjoyment or as punishment?
• 1:46:28
  What do I get to pick?
• 1:46:29
  I either way.
• 1:46:30
  If it's punishment, I mean mean no, you know, in all honest.
• 1:46:34
  I actually enjoyed it.
• 1:46:36
  Like we laughed.
• 1:46:37
  We had a good time.
• 1:46:37
  My wife and I watched it together.
• 1:46:39
  We talked about it as well, and it was fun.
• 1:46:41
  It was stupid, it was campy.
• 1:46:43
  There were some redeeming things, like some of these movies you go into and
• 1:46:46
  you're like, oh God, this is gonna hurt.
• 1:46:48
  It wasn't bad.
• 1:46:49
  Would I watch it again?
• 1:46:51
  Maybe not.
• 1:46:51
  I don't know who I would recommend it to.
• 1:46:54
  So I don't know how to answer, would I or not any broad spans.
• 1:46:59
  So you wouldn't, because you wouldn't just like call up your friend and be like, oh
• 1:47:03
  my God, have you seen Corvette Summer?
• 1:47:04
  No.
• 1:47:05
  You know that new movie you're looking for?
• 1:47:06
  Well watch this.
• 1:47:08
  How about you Matt?
• 1:47:08
  Man, I, I mean, I recommended it to Eric without even watching it.
• 1:47:11
  So, I mean, again, remember the punishment part we were talking about?
• 1:47:16
  Yeah.
• 1:47:17
  When I look at older movies, like I take into consideration when it
• 1:47:19
  was made, the way things were done.
• 1:47:21
  It's a seventies, early eighties mentality movie, and one of the
• 1:47:24
  big things that I took away from is like, much like the original Gone
• 1:47:27
  in 60 Seconds, an older movies.
• 1:47:28
  There was that fraud aspect of insurance, which I always see these movies.
• 1:47:31
  I'm wondering, was the insurance fraud that big of a problem back then that
• 1:47:35
  they kept making movies about it?
• 1:47:36
  Because it's an ongoing theme, all in all being a car.
• 1:47:39
  I enjoyed it for the cars in it, although the Corvette was horrible
• 1:47:42
  and Vanessa was definitely the star when it comes to the cars.
• 1:47:44
  Thousand percent.
• 1:47:45
  I agree.
• 1:47:45
  Yeah.
• 1:47:46
  Other than the square body, suburban, because hey, it's a square rock.
• 1:47:51
  Nice.
• 1:47:51
  Well, yeah, it sounds like a, yeah, I'd recommend it.
• 1:47:53
  How about you, babe?
• 1:47:54
  I would, and as you guys said, VanNess is like the star of this movie, and
• 1:47:59
  I would almost count this as a Vance exploitation film, which is a genre.
• 1:48:04
  As we've mentioned a few examples, I highly recommend you guys look up the
• 1:48:07
  1970s short-lived van exploitation genre.
• 1:48:10
  We talked about the van and Super Van and its sequels.
• 1:48:14
  There's also CB Hustlers Love Truck, van Nuys Boulevard.
• 1:48:18
  Yeah.
• 1:48:19
  And yeah, there's a whole bunch of 'em.
• 1:48:20
  Specifically from like 1970 to like 1979.
• 1:48:25
  It's just movies with vans.
• 1:48:27
  Like explain the genre for those.
• 1:48:28
  The genre is like young people on adventures in vans.
• 1:48:32
  Yeah.
• 1:48:32
  It it's like teenagers trying to get laid because they souped up their
• 1:48:36
  van and they go to a party and Hi jinks and zoos or, or they go to
• 1:48:40
  a van festival or a van festival.
• 1:48:41
  Yeah, yeah, yeah.
• 1:48:43
  So Scooby Doo meets American Pie.
• 1:48:45
  Okay, got it.
• 1:48:46
  Yeah, there, there, there's the, was it Super Van?
• 1:48:48
  It's like, oh yeah.
• 1:48:49
  Teenager.
• 1:48:50
  And his, his scientist friend developed this ultimate AI van with like weapons.
• 1:48:56
  Like it's something outta James Bond.
• 1:48:57
  Takes it out on the weekend for a weekend of hijinks.
• 1:49:01
  Mm-hmm.
• 1:49:01
  Yeah.
• 1:49:02
  I, I did see on Wikipedia, it's noted Van Nuys Boulevard is considered the
• 1:49:07
  most technically correct van film.
• 1:49:09
  So if you're looking for the vehicles and the technical correctness, like I look for
• 1:49:13
  accuracy when I watch movies like this.
• 1:49:19
  I'm a stickler for the facts.
• 1:49:21
  I knew you guys would, uh, find that very important fact.
• 1:49:24
  Nice.
• 1:49:24
  Well, speaking of dirty things, we basically went through most of the
• 1:49:27
  fun facts I had except $9 million budget, $15.5 million worldwide growth.
• 1:49:33
  It's a hits.
• 1:49:34
  And, uh, any guesses what the critics thought on Rotten Tomatoes?
• 1:49:37
  What percentage of 'em thought it was a good movie?
• 1:49:40
  Is this with 2022 inflation, or are we talking about 1970s?
• 1:49:45
  I'm guessing since 2000, if it's rot tomatoes, I don't
• 1:49:48
  know what's, what's the number?
• 1:49:50
  It's 56% with the critics.
• 1:49:52
  So just under fresh officially.
• 1:49:54
  Audience score though.
• 1:49:56
  43%. That's not bad.
• 1:49:58
  This movie was a lot better than I thought it was gonna be.
• 1:50:00
  I'm not gonna lie, any pots is fucking adorable.
• 1:50:03
  I mean, it's genuinely funny.
• 1:50:05
  There's some genuinely driving.
• 1:50:06
  Good driving.
• 1:50:07
  Done driving.
• 1:50:07
  Yeah.
• 1:50:07
  So I got a question.
• 1:50:08
  Since we love any pots in this movie, mark Hamill, whatever, right?
• 1:50:12
  I think he brought the fame and notoriety.
• 1:50:14
  Obviously he was riding that Star Wars high there or, or the cocaine high.
• 1:50:18
  We're not really sure which, but who would we replace Mark Hamill
• 1:50:22
  with if we were to recast the film?
• 1:50:24
  Here's before really.
• 1:50:25
  No, no, no, no, no.
• 1:50:26
  Come on.
• 1:50:27
  No, here's the thing.
• 1:50:27
  I don't think Mark Hamill does a bad job at being.
• 1:50:30
  Dope.
• 1:50:31
  Sort of dumb teenager.
• 1:50:32
  There's nobody else though from that era that you could replace him with.
• 1:50:35
  Yeah, I don't know.
• 1:50:35
  Kurt Russell, Matthew McConaughey, all rat.
• 1:50:39
  I'll rat out.
• 1:50:40
  Wait, is it Matthew McConaughey like six at this time?
• 1:50:42
  Yeah, I was gonna say, right?
• 1:50:44
  I, I have, get my, my, why did you come in bed with me?
• 1:50:50
  I dunno.
• 1:50:51
  But see, but see he was 27 years old playing a 16, 17-year-old.
• 1:50:56
  So I would say 18 since he graduated.
• 1:50:59
  That's right.
• 1:50:59
  I graduated 17.
• 1:51:01
  Are we gonna be mad about the ages?
• 1:51:03
  And if we are then are we gonna talk about like 9 0 2 1 oh, we're only
• 1:51:07
  any Well, no, no, what I'm saying, I don't have a problem with that.
• 1:51:10
  I'm saying he looked a lot younger than 27.
• 1:51:13
  So who in that time.
• 1:51:14
  Frame.
• 1:51:15
  I don't think Kurt Russell probably looked 18.
• 1:51:17
  Yeah, I guess he was.
• 1:51:18
  He was 27.
• 1:51:19
  Yeah.
• 1:51:19
  I guess the thing was like two years later, so yeah.
• 1:51:22
  Good point.
• 1:51:22
  Yeah.
• 1:51:22
  God, seventies, teenager.
• 1:51:24
  Ooh, leaf Garrett.
• 1:51:26
  No.
• 1:51:26
  I dunno.
• 1:51:28
  Like, I'm trying to think.
• 1:51:29
  Teenagers I know in the seventies, Jody Foster,
• 1:51:34
  same joke, dirty Foster and Annie Pot.
• 1:51:36
  I'd watch it.
• 1:51:37
  You know what, that's the Vanessa sequel.
• 1:51:40
  Yeah.
• 1:51:40
  Jackie or Haley.
• 1:51:42
  I, my, I was thinking Tom Selleck for a minute, but then I'm like, oh, it's
• 1:51:45
  just another episode of Magnum pi.
• 1:51:46
  So no.
• 1:51:47
  Oh yeah.
• 1:51:49
  No, because this character was too dumb.
• 1:51:51
  Right?
• 1:51:52
  There was multiple instances where he showed he was not the brightest
• 1:51:55
  crayon in the sharpest tool.
• 1:51:58
  In the box, we cast Peter Faulk walking around with his Columbo trench gun.
• 1:52:04
  Oh, Peter Faulks definitely the shop teacher.
• 1:52:07
  Oh yeah.
• 1:52:07
  Hundred percent.
• 1:52:08
  A hundred percent.
• 1:52:08
  Oh guys, I got it.
• 1:52:09
  Kevin Bacon, that fresh off like animal house.
• 1:52:12
  Oh yeah.
• 1:52:13
  Okay.
• 1:52:13
  That ago.
• 1:52:15
  You're welcome.
• 1:52:17
  Except for, here's the problem, like any pots looks like an actual child.
• 1:52:20
  Thanks to him.
• 1:52:22
  I mean, yeah.
• 1:52:24
  Don't make it, don't make it weird, Izzy.
• 1:52:25
  Don't make it weird.
• 1:52:26
  Okay.
• 1:52:26
  I'm just saying this adds to the budget because we have to like,
• 1:52:30
  to shoot in perspective and, and playing Kevin Bacon's mom.
• 1:52:33
  Kira Sedwick
• 1:52:38
  got, now if we, if we did this movie today, I would put Emma Stone, like
• 1:52:44
  in Cruella in the place of Andy Potts if we were gonna recast this guy.
• 1:52:48
  You just wanna see her as a hooker.
• 1:52:49
  I understand.
• 1:52:50
  Well, you know, hey, whatever.
• 1:52:51
  It's all good.
• 1:52:52
  I mean, sure she's like in her late thirties, but.
• 1:52:55
  I get it.
• 1:52:56
  We just do the Stranger Things thing.
• 1:52:57
  It's, uh, 11 and, uh, Finn Wolfhard or whatever are the two people.
• 1:53:01
  Yeah.
• 1:53:02
  Billy, Bobby Brown and Finn Wolfhard.
• 1:53:03
  You guys 18 yet?
• 1:53:07
  That's awesome.
• 1:53:07
  But yeah, that's a, that's all we got guys.
• 1:53:09
  Uh, I don't know any, any important lessons we learned from this movie
• 1:53:12
  since that's our, our podcast.
• 1:53:14
  Anything you learned from movie?
• 1:53:15
  I think I learned that I can probably keep up on foot with a C3 Corvette.
• 1:53:20
  So, uh, you know, we're gonna test this theory out.
• 1:53:23
  So here's, here's a little one for cars in the movie.
• 1:53:26
  'cause I'm digging through, looking at some stuff.
• 1:53:28
  Eric, there was a 73 Schutz Black Hawk in it.
• 1:53:31
  No, really?
• 1:53:32
  Yeah, it's there on the strip during one of the scenes.
• 1:53:34
  It's white.
• 1:53:35
  Oh, nice.
• 1:53:35
  By the way, this is one of the funkiest seventies cars ever.
• 1:53:38
  Like celebrities like Elvis had one and whatever.
• 1:53:41
  Dan wrote a whole article about it.
• 1:53:43
  We'll share it with, with our audience.
• 1:53:44
  We'll actually bring it back out from the grave.
• 1:53:46
  Do a little throwback, throwback Thursday.
• 1:53:47
  It's a G body that had, if I recall correctly, Italian influence on
• 1:53:51
  the designing of it, but it was basically Monte Carlo chassis and
• 1:53:55
  it had the exhaust coming out, you know, running down the side of it.
• 1:53:59
  Ooh.
• 1:53:59
  So Oh yeah.
• 1:54:01
  Oh shit.
• 1:54:01
  That looks like, um, that looks like the car.
• 1:54:03
  Yeah, the car.
• 1:54:04
  Yeah.
• 1:54:05
  A little modified stuff.
• 1:54:06
  It's it'ss, A pimp mobile.
• 1:54:07
  Yeah.
• 1:54:07
  A little bit of Cruella Deville in there as well, but yeah, it's, oh yeah.
• 1:54:09
  Yeah, I can see it.
• 1:54:10
  It's like the European cousin of the car.
• 1:54:13
  Yeah.
• 1:54:13
  The way it looks like style.
• 1:54:14
  Yeah.
• 1:54:14
  The stylish English version.
• 1:54:16
  Yeah.
• 1:54:16
  Yeah.
• 1:54:16
  Have you folks seen the car?
• 1:54:17
  No, what is that?
• 1:54:19
  Oh, it's a, it's a killer car movie.
• 1:54:21
  It's like, uh, people in the middle of the desert being chased by a
• 1:54:24
  sentient car or chasing them down.
• 1:54:26
  Yeah, I think it's from like 77, 78, 77.
• 1:54:29
  I feel like maybe that's a great, uh, segue.
• 1:54:32
  They did a of it too.
• 1:54:33
  Didn't James Roland's in it?
• 1:54:35
  Yeah.
• 1:54:35
  Yeah.
• 1:54:35
  Two bicyclists are run down by a strange black car in the
• 1:54:38
  desert near a small town in Utah.
• 1:54:40
  This is just the first in a series of hit and run murders.
• 1:54:43
  Sheriff Wade pe James Brolin is called to investigate, and his Deputy Everett
• 1:54:48
  John Marley is killed by the black sedan.
• 1:54:50
  That's right.
• 1:54:50
  That's the movie with the, the music from The Shining.
• 1:54:53
  The Yes.
• 1:54:58
  Yeah.
• 1:54:58
  They built this cool big custom car for it.
• 1:55:01
  The car is like often referred to as the brother of Christine.
• 1:55:06
  Oh, okay.
• 1:55:07
  I've seen that movie.
• 1:55:08
  Yeah.
• 1:55:09
  Okay.
• 1:55:09
  I'm looking up pictures of it right now.
• 1:55:11
  Definitely.
• 1:55:11
  It's like a modified Lincoln Continental or something.
• 1:55:13
  Definitely a menacing looking, uh, front end on it.
• 1:55:15
  Right?
• 1:55:16
  It's a fun, bad, cheesy horror movie.
• 1:55:18
  Have a couple of drinks and have some fun watching it.
• 1:55:20
  Well, Stephen Izzy, it's a pleasure to get together with you guys as always,
• 1:55:24
  and it sounds like we might have some other films that maybe we can get
• 1:55:27
  together and review in the future.
• 1:55:28
  So it's always good, you know, to get the petrol heads together with the movie Buff.
• 1:55:31
  So I appreciate you guys inviting us back and, and doing this.
• 1:55:35
  It was, it was absolutely a lot of fun.
• 1:55:37
  So, for your listeners, for the folks that are listening to this,
• 1:55:39
  we are available on all your.
• 1:55:41
  Favorite pod catchers to use Steve's term under break Fix.
• 1:55:46
  Or you can also search Grand Touring and you can find us on the
• 1:55:49
  web@gtmotorsports.org or on social media at Grand Touring Motorsports.
• 1:55:55
  That's GRAN with no d touring motorsports.
• 1:55:58
  So yeah, thanks for having us guys.
• 1:56:00
  Yeah.
• 1:56:00
  Yeah, it's been fantastic.
• 1:56:01
  And, uh, we bring you in social media at all.
• 1:56:03
  I am.
• 1:56:03
  You can find me everywhere at untidy Venus.
• 1:56:05
  That's a goddess who's bat at housekeeping.
• 1:56:07
  I'm an artist.
• 1:56:08
  I sell my arts and goods and wares over@untidyvenus.etsy.com.
• 1:56:13
  You can see works in progress.
• 1:56:15
  Pictures of my pets shots from our mountain over on my in.
• 1:56:18
  Instagram and on my Facebook and occasionally on my
• 1:56:21
  Twitter at Untidy Venus.
• 1:56:22
  I also have a Patreon where I'm putting together some little like
• 1:56:26
  really easy how-to videos to get started on your own basic arts.
• 1:56:30
  I have a sticker of the Month club, all kinds of fun stuff
• 1:56:32
  at Untidy Venus on Patreon.
• 1:56:34
  How about you Steve?
• 1:56:35
  Where can we find you?
• 1:56:35
  Excuse me.
• 1:56:36
  As Eric said, you can find us on all your favorite pod catchers under
• 1:56:39
  everything I learned from movies or you can hit us up on Twitter,
• 1:56:41
  Facebook, or Patreon at EILF movies.
• 1:56:44
  That's everything I learned from movies.
• 1:56:47
  Movies, but not Instagram.
• 1:56:48
  'cause fuck those guys.
• 1:56:50
  No, somebody hacked in my account.
• 1:56:51
  They're not helping us get it back.
• 1:56:52
  So apparently a Utah ID is not a valid ID in the eyes of Instagram.
• 1:56:56
  So they don't dunno who owns it.
• 1:56:59
  So be careful in that Metaverse people.
• 1:57:01
  Yeah.
• 1:57:01
  So go ahead and block and report that account 'cause
• 1:57:04
  they'll just ask you for $120.
• 1:57:06
  Yeah, hit us up on Twitter.
• 1:57:07
  'cause that's the one I really check 'cause that's the one
• 1:57:09
  that works at EILF movies.
• 1:57:12
  See, I guess until next time, I'm Steve and I'm busy and we're break fix.
• 1:57:17
  Yeah.
• 1:57:18
  Yeah.
• 1:57:19
  And this is everything I learned from movie.
• 1:57:22
  No, wait, it's not.
• 1:57:23
  It's everything I learned from breakfast.
• 1:57:24
  Breakfast, throwing it in.
• 1:57:29
  It's our new jingle.
• 1:57:31
  Yeah, we gotta do the autotune.
• 1:57:34
  Everything I learned from break, fix.
• 1:57:36
  Nice.
• 1:57:39
  Break, break, fix.
• 1:57:39
  It's break.
• 1:57:40
  Break, fix bridge.
• 1:57:47
  If you like what you've heard and want to learn more about gtm, be sure to
• 1:57:50
  check us out on www.gt motorsports.org.
• 1:57:55
  You can also find us on Instagram at Grand Tour Motorsports.
• 1:57:58
  Also, if you want to get involved or have suggestions for future shows, you can call
• 1:58:02
  or text us at (202) 630-1770 or send us an email at Crew chief@gtmotorsports.org.
• 1:58:10
  We'd love to hear from you.
• 1:58:12
  Hey everybody, crew Chief Eric here.
• 1:58:14
  We really hope you enjoyed this episode of Break Fix, and we wanted
• 1:58:18
  to remind you that GTM remains a no annual fees organization, and our goal
• 1:58:23
  is to continue to bring you quality episodes like this one at no charge.
• 1:58:28
  As a loyal listener, please consider subscribing to our Patreon
• 1:58:32
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• 1:58:37
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• 1:58:48
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• 1:58:55
  And remember, without fans, supporters, and members like you,
• 1:59:00
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