Latest / Sherlock Holmes / 27 The Dancing Men from The Return of Sherlock Holme
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- 0:02Speaker 1: The Adventure of the Dancing Men. Holmes had been seated
- 0:09Speaker 1: for some hours in silence, with his long, thin back
- 0:13Speaker 1: curved over a chemical vessel in which he was brewing
- 0:17Speaker 1: a particularly malodorous product. His head was sunk upon his breast,
- 0:23Speaker 1: and he looked, from my point of view, like a strange,
- 0:25Speaker 1: lank bird with a dull gray plumage and a black
- 0:29Speaker 1: top knot so, Watson said he suddenly, you do not
- 0:34Speaker 1: propose to invest in South African securities. I gave a
- 0:39Speaker 1: start of astonishment. Accustomed as I was to Holmes's curious faculties,
- 0:44Speaker 1: this sudden intrusion into my most intimate thoughts was utterly inexplicable.
- 0:50Speaker 1: How on earth do you know that, I asked. He
- 0:53Speaker 1: wheeled round upon his stool, with a steaming test tube
- 0:56Speaker 1: in his hand and a gleam of amusement in his
- 0:59Speaker 1: deep set eyes. Now, Watson, confess yourself utterly taken, Aback
- 1:04Speaker 1: said he, I am. I ought to make you sign
- 1:08Speaker 1: a paper to that effect. Why, because in five minutes
- 1:12Speaker 1: you will say that it is all so absurdly simple.
- 1:16Speaker 1: I am sure that I shall say nothing of the kind.
- 1:19Speaker 1: You see, my dear Watson. He propped his test tube
- 1:22Speaker 1: in the rack, and began to lecture with the air
- 1:25Speaker 1: of a professor addressing his class. It is not really
- 1:28Speaker 1: difficult to construct a series of inferences, each dependent upon
- 1:33Speaker 1: its predecessor, and each simple in itself. If after doing so,
- 1:37Speaker 1: one simply knocks out all the central inferences and presents
- 1:41Speaker 1: one's audience with the starting point and the conclusion, one
- 1:44Speaker 1: may produce a startling, though possibly a meretricious effect. Now
- 1:48Speaker 1: it was not really difficult. Buy an inspection of the
- 1:51Speaker 1: groove between your left forefinger and thumb to feel sure
- 1:55Speaker 1: that you did not propose to invest your small capital
- 1:58Speaker 1: in the gold fields. I see no connection. Very likely not,
- 2:04Speaker 1: but I can quickly show you a close connection. Here
- 2:07Speaker 1: are the missing links of the very simple chain. One
- 2:11Speaker 1: you have chalk between your left finger and thumb when
- 2:14Speaker 1: you returned from the club last night. Two you put
- 2:17Speaker 1: chalk there when you play billiards to steady the queue.
- 2:20Speaker 1: Three you never play billiards except with Thurston. Four you
- 2:24Speaker 1: told me four weeks ago that Thurston had an option
- 2:27Speaker 1: on some South African property which would expire in a month,
- 2:31Speaker 1: and which he desired you to share with him. Five
- 2:34Speaker 1: your check book is locked in my drawer, and you
- 2:36Speaker 1: have not asked for the key six. You do not
- 2:39Speaker 1: propose to invest your money in this manner. How absurdly simple,
- 2:44Speaker 1: I cried, Quite so, said he, a little nettled. Every
- 2:49Speaker 1: problem becomes very childish when once it is explained to you.
- 2:53Speaker 1: Here is an unexplained one. See what you can make
- 2:56Speaker 1: of that, friend, Watson. He tossed a sheet of paper
- 3:00Speaker 1: upon the table and turned once more to his chemical analysis.
- 3:05Speaker 1: I looked with amazement at the absurd hieroglyphics upon the paper. Why, Holmes,
- 3:10Speaker 1: it's a child's drawing, I cried, Oh that's your idea.
- 3:14Speaker 1: What else should it be? That is what mister Hilton
- 3:18Speaker 1: Cubit of riding Thorpe, Manor Norfolk, is very anxious to
- 3:21Speaker 1: know this little conundrum. Came by the first post, and
- 3:25Speaker 1: he was to follow by the next train. There's a
- 3:28Speaker 1: ring at the bell, Watson, I should not be very
- 3:31Speaker 1: much surprised if this were he. A heavy step was
- 3:34Speaker 1: heard upon the stairs, and an instant later there entered
- 3:37Speaker 1: a tall, ruddy, clean shaven gentleman, whose clear eyes and
- 3:41Speaker 1: florid cheeks told of a life led far from the
- 3:44Speaker 1: fogs of Baker Street. He seemed to bring a whiff
- 3:47Speaker 1: of his strong, fresh bracing East Coast air with him
- 3:51Speaker 1: as he entered. Having shaken hands with each of us,
- 3:54Speaker 1: he was about to sit down when his eye rested
- 3:57Speaker 1: upon the paper with the curious markings, which I had
- 4:00Speaker 1: just examined and left upon the table. Well, mister Holmes,
- 4:04Speaker 1: what you make of these? He cried. They told me
- 4:07Speaker 1: that you were fond of queer mysteries, and I don't
- 4:09Speaker 1: think you can find a queerer one than that. I
- 4:12Speaker 1: sent the paper on ahead so that you might have
- 4:14Speaker 1: time to study it before I came. It is certainly
- 4:18Speaker 1: rather a curious production, said Holmes. At first sight, it
- 4:21Speaker 1: would appear to be some childish prank. It consists of
- 4:26Speaker 1: a number of absurd little figures dancing across the paper
- 4:29Speaker 1: on which they are drawn. Why should you attribute any
- 4:32Speaker 1: importance to so grotesque an object? I never should, mister Holmes,
- 4:36Speaker 1: But my wife does. It is frightening her to death.
- 4:40Speaker 1: She says nothing, but I can see the terror in
- 4:42Speaker 1: her eyes. That's why I want to sift the matter
- 4:45Speaker 1: to the bottom. Holmes held up the paper so that
- 4:49Speaker 1: the sunlight shone full upon it. It was a page
- 4:52Speaker 1: torn from a note book. The markings were done in pencil.
- 4:57Speaker 1: Holmes examined it for some time, and then folding it
- 5:00Speaker 1: carefully up, he placed it in his pocket book. This
- 5:03Speaker 1: promises to be a most interesting and unusual case, he said.
- 5:08Speaker 1: You gave me a few particulars in your letter, mister
- 5:10Speaker 1: Hilton cubit, but I should be very much obliged if
- 5:13Speaker 1: you would kindly go over it all again for the
- 5:16Speaker 1: benefit of my friend doctor Watson. I'm not much of
- 5:19Speaker 1: a story teller, said our visitor, nervously, clasping and unclasping
- 5:24Speaker 1: his great strong hands. You'll ask me anything that I
- 5:27Speaker 1: don't make clear. I'll begin at the time of my
- 5:31Speaker 1: marriage last year. But I want to say first of
- 5:34Speaker 1: all that though I'm not a rich man, my people
- 5:37Speaker 1: have been at riding Thorpe for a matter of five centuries,
- 5:40Speaker 1: and there is no better known family in the county
- 5:42Speaker 1: of Norfolk. Last year I came up to London for
- 5:46Speaker 1: the jubilee, and I stopped at a boarding house in
- 5:48Speaker 1: Russell Square because Parker, the vicar of our parish, was
- 5:53Speaker 1: staying in it. There was an American young lady there.
- 5:57Speaker 1: Patrick was the name Elsie Patrick. In some way we
- 6:01Speaker 1: became friends until before my month was up. I was
- 6:05Speaker 1: as much in love as man could be. We were
- 6:08Speaker 1: quietly married at a registry office, and we returned to
- 6:12Speaker 1: Norfolk a wedded couple. You'll think it very mad, mister Holmes,
- 6:16Speaker 1: that a man of a good old family should marry
- 6:18Speaker 1: a wife in this fashion, knowing nothing of her past
- 6:22Speaker 1: or of her people. But if you saw her and
- 6:25Speaker 1: knew her, it would help you to understand. She was
- 6:30Speaker 1: very straight about it was, Elsie. I can't say that
- 6:32Speaker 1: she did not give me every chance of getting out
- 6:35Speaker 1: of it if I wished to do so. I have
- 6:38Speaker 1: had some very disagreeable associations in my life, said she.
- 6:42Speaker 1: I wish to forget all about them. I would rather
- 6:45Speaker 1: never allude to the past, for it is very painful
- 6:48Speaker 1: to me. If you take me, Hilton, you will take
- 6:51Speaker 1: a woman who has nothing that she need be personally
- 6:53Speaker 1: ashamed of. But you will have to be content with
- 6:57Speaker 1: my word for it, and to allow me to be silent,
- 7:00Speaker 1: and as to all that passed up to the time
- 7:02Speaker 1: when I became yours. If these conditions are too hard,
- 7:06Speaker 1: then go back to Norfolk and leave me to the
- 7:08Speaker 1: lonely life in which you found me. It was only
- 7:13Speaker 1: the day before our wedding that she said those very
- 7:15Speaker 1: words to me. I'd told her that I was content
- 7:18Speaker 1: to take her on her own terms, and I have
- 7:21Speaker 1: been as good as my word. Well. We've been married
- 7:26Speaker 1: now for a year, and very happy we have been.
- 7:29Speaker 1: But about a month ago, at the end of June,
- 7:32Speaker 1: I saw for the first time signs of trouble. One day,
- 7:36Speaker 1: my wife received a letter from America. I saw the
- 7:39Speaker 1: American stamp. She turned deadly white, read the letter and
- 7:43Speaker 1: threw it into the fire. She made no allusion to
- 7:47Speaker 1: it afterwards, and I made none. For a promise is
- 7:50Speaker 1: a promise. But she has never known an easy hour.
- 7:53Speaker 1: From that moment. There is always a look of fear
- 7:57Speaker 1: upon her face, a look as if she were waiting
- 8:00Speaker 1: and expecting she would do better to trust me, she
- 8:04Speaker 1: would find that I was her best friend. But until
- 8:07Speaker 1: she speaks, I can say nothing. Mind you, she is
- 8:10Speaker 1: a truthful woman, mister Holmes, and whatever trouble there may
- 8:13Speaker 1: have been in her past life, it has been no
- 8:15Speaker 1: fault of hers. I'm only a simple Norfolk squire, but
- 8:19Speaker 1: there is not a man in England who ranks his
- 8:22Speaker 1: family honor more highly than I do. She knows it well,
- 8:26Speaker 1: and she knew it well before she married me. She
- 8:29Speaker 1: would never bring any stain upon it. Of that, I'm sure. Well.
- 8:35Speaker 1: Now I come to the queer part of my story.
- 8:38Speaker 1: About a week ago. It was the Tuesday of last
- 8:40Speaker 1: week I found on one of the window sills a
- 8:43Speaker 1: number of absurd little dancing figures like those upon the paper.
- 8:48Speaker 1: They were scrawled with chalk. I thought it was the
- 8:52Speaker 1: stable boy who had drawn them, but the lad swore
- 8:55Speaker 1: he knew nothing about it. Anyway, They had come there
- 8:58Speaker 1: during the night. I had them washed out, and I
- 9:02Speaker 1: only mentioned the matter to my wife afterwards. To my surprise,
- 9:06Speaker 1: she took it very seriously and begged me if any
- 9:09Speaker 1: more came to let her see them. None did come
- 9:12Speaker 1: for a week, and then yesterday morning I found this
- 9:14Speaker 1: paper lying on the sun dial in the garden. I
- 9:18Speaker 1: showed it to Elsie, and down she dropped in a
- 9:21Speaker 1: dead faint. Since then she has looked like a woman
- 9:24Speaker 1: in a dream, half dazed and with terror always lurking
- 9:29Speaker 1: in her eyes. It was then that I wrote and
- 9:31Speaker 1: sent the paper to you, mister Holmes. It was not
- 9:34Speaker 1: a thing that I could take to the police, for
- 9:36Speaker 1: they would have laughed at me, But you will tell
- 9:39Speaker 1: me what to do. I am not a rich man,
- 9:42Speaker 1: but if there is any danger threatening my little woman,
- 9:45Speaker 1: I would spend my last copper to shield her. He
- 9:50Speaker 1: was a fine creature, this man of the old English soil, simple,
- 9:53Speaker 1: straight and gentle, with his great, earnest blue eyes and broad,
- 9:58Speaker 1: comely face. Love for his wife and his trust in
- 10:01Speaker 1: her shone in his features. Holmes had listened to his
- 10:05Speaker 1: story with the utmost attention, and now he sat for
- 10:09Speaker 1: some time in silent thought. Don't you think, mister Cubit?
- 10:14Speaker 1: Said he at last, that your best plan would be
- 10:17Speaker 1: to make a direct appeal to your wife and to
- 10:20Speaker 1: ask her to share her secret with you. Hilton Cubit
- 10:23Speaker 1: shook his massive head. A promise is a promise, mister Holmes.
- 10:28Speaker 1: If Elsie wished to tell me, she would, If not,
- 10:31Speaker 1: it is not for me to force her confidence. But
- 10:34Speaker 1: I am justified in taking my own line, and I
- 10:37Speaker 1: will then I will help you with all my heart.
- 10:41Speaker 1: In the first place, have you heard of any strangers
- 10:43Speaker 1: being seen in your neighborhood? No, I presume that it
- 10:47Speaker 1: is a very quiet place. Any fresh face would cause
- 10:50Speaker 1: comment in the immediate neighborhood. Yes, but we have several
- 10:54Speaker 1: small watering places not very far away, and the farmers
- 10:58Speaker 1: take in lodgers. These hieroglyphics have evidently a meaning. If
- 11:03Speaker 1: it is a purely arbitrary one, it may be impossible
- 11:06Speaker 1: for us to solve it. If, on the other hand,
- 11:09Speaker 1: it is systematic, I have no doubt that we shall
- 11:12Speaker 1: get to the bottom of it. But this particular sample
- 11:15Speaker 1: is so short that I can do nothing, and the
- 11:18Speaker 1: facts which you have brought me are so indefinite that
- 11:21Speaker 1: we have no basis for an investigation. I would suggest
- 11:25Speaker 1: that you return to Norfolk, that you keep a keen
- 11:27Speaker 1: look out, and that you take an exact copy of
- 11:30Speaker 1: any fresh dancing men which may appear. It is a
- 11:34Speaker 1: thousand pities that we have not a reproduction of those
- 11:37Speaker 1: which were done in chalk upon the window sill. Make
- 11:40Speaker 1: a discreet inquiry. Also as to any strangers in the neighborhood.
- 11:45Speaker 1: When you have collected some fresh evidence, come to me again.
- 11:49Speaker 1: That is the best advice which I can give you,
- 11:51Speaker 1: mister Hilton Cubit. If there are any pressing fresh developments,
- 11:55Speaker 1: I shall be always ready to run down and see
- 11:57Speaker 1: you in your Norfolk home. The interview left Sherlock Holmes
- 12:02Speaker 1: very thoughtful, and several times in the next few days
- 12:07Speaker 1: I saw him take his slip of paper from his
- 12:09Speaker 1: note book and look long and earnestly at the curious
- 12:12Speaker 1: figures inscribed upon it. He made no allusion to the affair, however,
- 12:17Speaker 1: until one afternoon, a fortnight or so later, I was
- 12:21Speaker 1: going out when he called me back. You had better
- 12:24Speaker 1: stay here, Watson. Why because I had a wire from
- 12:27Speaker 1: Hilton Cubit this morning. You remember Hilton Cubit, of the
- 12:30Speaker 1: dancing men. He was to reach Liverpool Street at one twenty.
- 12:35Speaker 1: He may be here at any moment. I gather from
- 12:37Speaker 1: his wire that there have been some new incidents of importance.
- 12:42Speaker 1: We had not long to wait for our Norfolk squire
- 12:44Speaker 1: came straight from the station as fast as a hansom
- 12:47Speaker 1: could bring him. He was looking worried and depressed, with
- 12:50Speaker 1: tired eyes and a lined forehead. It's getting on my nerves,
- 12:54Speaker 1: this business, mister Holmes, said he as he sank like
- 12:57Speaker 1: a wearied man into an arm chair. It's bad enough
- 13:01Speaker 1: to feel that you are surrounded by unseen, unknown folk
- 13:04Speaker 1: who have some kind of design upon you. But when
- 13:07Speaker 1: in addition to that you know that it is just
- 13:09Speaker 1: killing your wife by inches, then it becomes as much
- 13:12Speaker 1: as flesh and blood can endure. She's wearing away under it,
- 13:17Speaker 1: just wearing away before my eyes. Has she said anything yet, No,
- 13:22Speaker 1: mister Holmes, she has not. And yet there have been
- 13:25Speaker 1: times when the poor girl has wanted to speak, and
- 13:28Speaker 1: yet could not quite bring herself to take the plunge.
- 13:31Speaker 1: I have tried to help her, but I dare say
- 13:33Speaker 1: I did it clumsily and scared her from it. She
- 13:36Speaker 1: has spoken about my old family and our reputation in
- 13:40Speaker 1: the county, and our pride in our unsullied honor. And
- 13:44Speaker 1: I always felt it was leading to the point, but
- 13:47Speaker 1: somehow it turned off before we got there. But you
- 13:50Speaker 1: have found out something for yourself, a good deal, mister Holmes.
- 13:54Speaker 1: I have several fresh dancing men pictures for you to examine.
- 13:58Speaker 1: And what is more important, I have seen the fellow
- 14:02Speaker 1: what the mount who draws them. Yes, I saw him
- 14:04Speaker 1: at his work, but I will tell you everything in order.
- 14:08Speaker 1: When I got back after my visit to you, the
- 14:11Speaker 1: very first thing I saw next morning was a fresh
- 14:14Speaker 1: crop of dancing men. They had been drawn in chalk
- 14:17Speaker 1: upon the black wooden door of the tool house, which
- 14:20Speaker 1: stands beside the lawn in full view of the front windows.
- 14:24Speaker 1: I took an exact copy, and here it is. He
- 14:28Speaker 1: unfolded a paper and laid it upon the table. Here
- 14:32Speaker 1: is a copy of the hieroglyphics. Excellent, said Holmes. Excellent,
- 14:37Speaker 1: the prey continue. When I had taken the copy, I
- 14:40Speaker 1: rubbed out the marks. But two mornings later a fresh
- 14:43Speaker 1: inscription had appeared. I have a copy of it here.
- 14:48Speaker 1: Holmes rubbed his hands and chuckled with delight. Our material
- 14:52Speaker 1: is rapidly accumulating, said he. Three days later a message
- 14:57Speaker 1: was left, scrawled upon paper and placed under a pebble
- 15:00Speaker 1: upon the sun dial. Here it is. The characters are
- 15:04Speaker 1: as you see, exactly the same as the last one.
- 15:07Speaker 1: After that, I determined to lie in wait, so I
- 15:10Speaker 1: got out my revolver and I sat up in my study,
- 15:13Speaker 1: which overlooks the lawn and garden. About two in the morning,
- 15:17Speaker 1: I was seated by the window, all being dark save
- 15:20Speaker 1: for the moonlight outside, when I heard steps behind me,
- 15:24Speaker 1: and there was my wife in her dressing gown. She
- 15:27Speaker 1: implored me to come to bed. I told her frankly
- 15:30Speaker 1: that I wished to see who it was who played
- 15:32Speaker 1: such absurd tricks upon us. She answered that it was
- 15:36Speaker 1: some senseless, practical joke, and that I should not take
- 15:40Speaker 1: any notice of it. If it really annoys you, Hilton,
- 15:44Speaker 1: we might go and travel, you and I, and so
- 15:46Speaker 1: avoid this nuisance. What be driven out of our own
- 15:50Speaker 1: house by a practical joker, said I? Why we should
- 15:53Speaker 1: have the whole county laughing at us. Well, come to bed,
- 15:56Speaker 1: said she, and we can discuss it in the morning. Suddenly,
- 16:00Speaker 1: as she spoke, I saw her white face grow whiter
- 16:04Speaker 1: yet in the moonlight, and her hand tightened upon my shoulder.
- 16:09Speaker 1: Something was moving in the shadow of the tool house.
- 16:12Speaker 1: I saw a dark, creeping figure which crawled round the
- 16:15Speaker 1: corner and squatted in front of the door, seizing my pistol.
- 16:19Speaker 1: I was rushing out when my wife threw her arms
- 16:22Speaker 1: round me and held me with convulsive strength. I tried
- 16:25Speaker 1: to throw her off, but she clung to me most desperately.
- 16:29Speaker 1: At last I got clear, But by the time I
- 16:31Speaker 1: had opened the door and reached the house, the creature
- 16:34Speaker 1: was gone. He had left a trace of his presence, however,
- 16:37Speaker 1: for there on the door was the very same arrangement
- 16:40Speaker 1: of dancing men, which had already twice appeared, and which
- 16:44Speaker 1: I have copied on that paper. There was no sign
- 16:47Speaker 1: of the fellow anywhere, though I ran all over the grounds.
- 16:51Speaker 1: And yet the amazing thing is that he must have
- 16:53Speaker 1: been there all the time, for when I examined the
- 16:56Speaker 1: door again in the morning, he had scrawled some more
- 16:59Speaker 1: of his pictures under the line which I had already seen.
- 17:03Speaker 1: Have you that fresh drawing? Yes, it's very short, but
- 17:07Speaker 1: I made a copy of it, and here it is again.
- 17:10Speaker 1: He produced a paper on which the new dance appeared.
- 17:15Speaker 1: Tell me, said Holmes, and I could see by his
- 17:18Speaker 1: eyes that he was much excited. Was this a mere
- 17:21Speaker 1: addition to the first? Or did it appear to be
- 17:24Speaker 1: entirely separate? It was on a different panel of the door. Excellent,
- 17:31Speaker 1: This is far the most important of all for our purpose.
- 17:34Speaker 1: It fills me with hopes. Now, mister Hilton cubit, please
- 17:38Speaker 1: continue your most interesting statement. I have nothing more to say,
- 17:43Speaker 1: mister Holmes, except that I was angry with my wife
- 17:46Speaker 1: that night for having held me back when I might
- 17:49Speaker 1: have caught the skulking rascal. She said that she feared
- 17:53Speaker 1: that I might come to harm for an instant. It
- 17:57Speaker 1: had crossed my mind that perhaps what she really feared
- 18:00Speaker 1: was that he might come to harm. For I could
- 18:03Speaker 1: not doubt that she knew who this man was and
- 18:06Speaker 1: what he meant by these strange signals. But there is
- 18:09Speaker 1: a tone in my wife's voice, mister Holmes, and a
- 18:11Speaker 1: look in her eyes which forbid doubt. And I am
- 18:15Speaker 1: sure that it was indeed my own safety that was
- 18:18Speaker 1: in her mind. There's the whole case, and now I
- 18:22Speaker 1: want your advice as to what I ought to do.
- 18:25Speaker 1: My own inclination is to put half a dozen of
- 18:28Speaker 1: my farm lads in the shrubbery, and when this fellow
- 18:31Speaker 1: comes again, to give him such a hiding that he
- 18:33Speaker 1: will leave us in peace for the future. I fear
- 18:37Speaker 1: it is too deep a case for such simple remedies,
- 18:40Speaker 1: said Holmes. How long can you stay in London? I
- 18:45Speaker 1: must go back to day. I would not leave my
- 18:48Speaker 1: wife alone all night for anything. She is very nervous
- 18:51Speaker 1: and beg me to come back. I dare say, you're right,
- 18:55Speaker 1: But if you could have stopped, I might possibly have
- 18:58Speaker 1: been able to return with you in a day. Meanwhile,
- 19:02Speaker 1: you will leave me these papers, and I think it
- 19:04Speaker 1: is very likely that I shall be able to pay
- 19:06Speaker 1: you a visit shortly, and to throw some light upon
- 19:09Speaker 1: your case. Sherlock Holmes preserved his calm, professional manner until
- 19:14Speaker 1: our visitor had left us, although it was easy for me,
- 19:18Speaker 1: who knew him so well, to see that he was
- 19:20Speaker 1: profoundly excited. The moment that Hilton Cubit's broad back had
- 19:26Speaker 1: disappeared through the door, my comrade rushed to the table,
- 19:29Speaker 1: laid out all the slips of paper containing dancing men
- 19:32Speaker 1: in front of him, and threw himself into an intricate
- 19:36Speaker 1: and elaborate calculation. For two hours, I watched him as
- 19:40Speaker 1: he covered sheet after sheet of paper with figures and letters,
- 19:44Speaker 1: so completely absorbed in his task that he had evidently
- 19:47Speaker 1: forgotten my presence. Sometimes he was making progress and whistled
- 19:51Speaker 1: and sang at his work. Sometimes he was puzzled and
- 19:55Speaker 1: would sit for long spells with a furrowed brow and
- 19:57Speaker 1: a vacant eye. Finally he sprang from his chair with
- 20:01Speaker 1: a cry of satisfaction, and walked up and down the room,
- 20:04Speaker 1: rubbing his hands together. Then he wrote a long telegram
- 20:08Speaker 1: upon a cable form. If my answer to this is
- 20:11Speaker 1: as I hope you will have a very pretty case
- 20:14Speaker 1: to add to your collection. Watson said he, I expect
- 20:18Speaker 1: that we shall be able to go down to Norfolk
- 20:20Speaker 1: tomorrow and to take our friend some very definite news
- 20:23Speaker 1: as to the secret of his annoyance. I confess that
- 20:28Speaker 1: I was filled with curiosity, but I was aware that
- 20:31Speaker 1: Holmes liked to make his disclosures at his own time
- 20:34Speaker 1: and in his own way. So I waited until it
- 20:37Speaker 1: should suit him to take me into his confidence. But
- 20:42Speaker 1: there was a delay in that answering telegram, and two
- 20:44Speaker 1: days of impatience followed, during which Holmes pricked up his
- 20:48Speaker 1: ears at every ring of the bell. On the evening
- 20:52Speaker 1: of the second there came a letter from Hilton Cubid.
- 20:55Speaker 1: All was quiet with him, save that a long inscription
- 20:59Speaker 1: had appeared that morning upon the pedestal of the sun dial.
- 21:02Speaker 1: He enclosed a copy of it, which is here reproduced.
- 21:07Speaker 1: Holmes bent over this grotesque freeze for some minutes, and
- 21:11Speaker 1: then suddenly sprang to his feet with an exclamation of
- 21:14Speaker 1: surprise and dismay. His face was haggard with anxiety. We
- 21:20Speaker 1: have let this affair go far enough, said he is
- 21:23Speaker 1: there a train to North Walsham to night. I turned
- 21:26Speaker 1: up the timetable the last had just gone. Then we
- 21:30Speaker 1: shall breakfast early and take the very first in the morning,
- 21:33Speaker 1: said Holmes. Our presence is most urgently needed. Ah here
- 21:38Speaker 1: is our expected cablegram one moment, Missus Hudson, there may
- 21:42Speaker 1: be an answer. No, that is quite as I expected.
- 21:46Speaker 1: This message makes it even more essential that we should
- 21:49Speaker 1: not lose an hour in letting Hilton cubit know how
- 21:52Speaker 1: matters stand. For it is a singular and a dangerous
- 21:55Speaker 1: web in which our simple Norfolk squire is entangled. So
- 22:01Speaker 1: indeed it proved. And as I come to the dark
- 22:05Speaker 1: conclusion of a story which had seemed to me to
- 22:07Speaker 1: be only childish and bizarre, I experience once again the
- 22:11Speaker 1: dismay and horror with which I was filled. Would that
- 22:15Speaker 1: I had some brighter ending to communicate to my readers.
- 22:19Speaker 1: But these are the chronicles of fact, and I must
- 22:22Speaker 1: follow to their dark crisis. The strange chain of events
- 22:26Speaker 1: which for some days made Riding Thorpe Manor a household
- 22:30Speaker 1: word through the length and breadth of England. We had
- 22:34Speaker 1: hardly alighted at North Walsham and mentioned the name of
- 22:37Speaker 1: our destination. When the station master hurried towards us, I
- 22:42Speaker 1: suppose that you are the detectives from London, said he.
- 22:46Speaker 1: A look of annoyance passed over Holmes's face. What makes
- 22:49Speaker 1: you think such a thing, because Inspector Martin from Norwich
- 22:53Speaker 1: has just passed through. But maybe you are the surgeons.
- 22:56Speaker 1: She is not dead, or wasn't by last accounts. You
- 23:00Speaker 1: may be in time to savor. Yet, though it be
- 23:03Speaker 1: for the gallows, Holmes's brow was dark with anxiety. We
- 23:08Speaker 1: are going to riding forpe Manor, said he. But we
- 23:11Speaker 1: have heard nothing of what has passed there. It's a
- 23:14Speaker 1: terrible business, said the station master. They are shot, both
- 23:19Speaker 1: mister Hilton Cubit and his wife. She shot him and
- 23:22Speaker 1: then herself, So the servants say he is dead and
- 23:26Speaker 1: her life is despaired of dear, dear, one of the
- 23:30Speaker 1: oldest families in the County of Norfolk, and one of
- 23:33Speaker 1: the most honored. Without a word, Holmes hurried to a carriage,
- 23:38Speaker 1: and during the long seven miles drive he never opened
- 23:41Speaker 1: his mouth. Seldom have I seen him so utterly despondent.
- 23:47Speaker 1: He had been uneasy during all our journey from town,
- 23:51Speaker 1: and I had observed that he had turned over the
- 23:53Speaker 1: morning papers with anxious attention. But now this sudden realization
- 23:57Speaker 1: of his worst fears left him in a blank melancholy.
- 24:01Speaker 1: He leaned back in his seat, lost in gloomy speculation.
- 24:06Speaker 1: Yet there was much a round to interest us, for
- 24:09Speaker 1: we were passing through as singular a countryside as any
- 24:12Speaker 1: in England, where a few scattered cottages represented the population
- 24:17Speaker 1: of to day, while on every hand enormous square towered
- 24:21Speaker 1: churches bristled up from the flat green landscape and told
- 24:25Speaker 1: of the glory and prosperity of old East Anglia. At last,
- 24:30Speaker 1: the violet rim of the German Ocean appeared over the
- 24:33Speaker 1: green edge of the Norfolk coast, and the driver pointed
- 24:36Speaker 1: with his whip to two old brick and timber gables
- 24:40Speaker 1: which projected from a grove of trees. As ridentthorpe Manner,
- 24:45Speaker 1: said he. As we drove up to the porticoed front door,
- 24:49Speaker 1: I observed in front of it, beside the tennis lawn,
- 24:52Speaker 1: the black tool house, and the pedestaled sun dial with
- 24:56Speaker 1: which we had such strange associations. A dapper little man
- 25:00Speaker 1: with a quick alert manner and a waxed mustache had
- 25:04Speaker 1: just descended from a high dog cart. He introduced himself
- 25:08Speaker 1: as Inspector Martin of the Norfolk Constabulary, and he was
- 25:13Speaker 1: considerably astonished when he heard the name of my companion. Why,
- 25:17Speaker 1: mister Holmes, the crime was only committed at three this morning?
- 25:21Speaker 1: How could you hear of it in London and get
- 25:23Speaker 1: to the spot as soon as I I anticipated it.
- 25:27Speaker 1: I came in the hope of preventing it. Then you
- 25:30Speaker 1: must have important evidence of which we are ignorant, for
- 25:33Speaker 1: they were said to be a most united couple. I
- 25:36Speaker 1: have only the evidence of the dancing men, said Holmes.
- 25:40Speaker 1: I will explain the matter to you later. Meanwhile, since
- 25:43Speaker 1: it is too late to prevent this tragedy, I am
- 25:46Speaker 1: very anxious that I should use the knowledge which I
- 25:48Speaker 1: possess in order to ensure that justice be done. Will
- 25:52Speaker 1: you associate me in your investigation, or will you prefer
- 25:56Speaker 1: that I should act independently. I should be proud to
- 25:59Speaker 1: feel that we were acting together, mister Holmes, said the
- 26:02Speaker 1: inspector earnestly. In that case, I should be glad to
- 26:05Speaker 1: hear the evidence and to examine the premises without an
- 26:08Speaker 1: instant of unnecessary delay. Inspector Martin had the good sense
- 26:13Speaker 1: to allow my friend to do things in his own fashion,
- 26:17Speaker 1: and contented himself with carefully noting the results. The local surgeon,
- 26:23Speaker 1: an old, white haired man, had just come down from
- 26:25Speaker 1: Missus Hilton Cubit's room, and he reported that her injuries
- 26:29Speaker 1: were serious, but not necessarily fatal. The bullet had passed
- 26:34Speaker 1: through the front of her brain, and it would probably
- 26:37Speaker 1: be some time before she would regain consciousness. On the
- 26:41Speaker 1: question of whether she had been shot or had shot herself,
- 26:44Speaker 1: he would not venture to express any decided opinion. Certainly,
- 26:49Speaker 1: the bullet had been discharged at very close quarters. There
- 26:52Speaker 1: was only the one pistol found in the room, two
- 26:55Speaker 1: barrels of which had been emptied. Mister Hilton Cubid had
- 27:00Speaker 1: been shot through the heart. It was equally conceivable that
- 27:04Speaker 1: he had shot her and then himself, or that she
- 27:07Speaker 1: had been the criminal. For the revolver lay upon the
- 27:10Speaker 1: floor midway between them. Has he been moved, asked Holmes.
- 27:15Speaker 1: We have moved nothing except the lady. We could not
- 27:18Speaker 1: leave her lying wounded upon the floor. How long have
- 27:21Speaker 1: you been here, doctor, since four o'clock? Anyone else? Yes,
- 27:26Speaker 1: the a constable here and you have touched nothing nothing.
- 27:31Speaker 1: You have acted with great discretion. Who sent for you?
- 27:36Speaker 1: The housemaid Saunders. Was it she who gave the alarm?
- 27:40Speaker 1: She and Missus King the cork? Where are they now
- 27:44Speaker 1: in the kitchen? I believe then? I think we had
- 27:47Speaker 1: better hear their story at once. The old hall, oak
- 27:51Speaker 1: paneled and high windowed, had been turned into a court
- 27:54Speaker 1: of investigation. Holmes sat in a great, old fashioned chair,
- 27:58Speaker 1: his inexorable eye gleaming out of his haggard face. I
- 28:03Speaker 1: could read in them as set purpose to devote his
- 28:06Speaker 1: life to this quest, until the client whom he had
- 28:08Speaker 1: failed to save, should at last be avenged. The trim
- 28:12Speaker 1: Inspector Martin, the old gray headed country doctor, myself, and
- 28:17Speaker 1: a stolid village policeman made up the rest of that
- 28:20Speaker 1: strange company. The two women told their story clearly enough.
- 28:26Speaker 1: They had been aroused from their sleep by the sound
- 28:28Speaker 1: of an explosion, which had been followed a minute later
- 28:31Speaker 1: by a second one. They slept in adjoining rooms, and
- 28:35Speaker 1: Missus King had rushed into Saunders. Together. They had descended
- 28:39Speaker 1: the stairs. The door of the study was open, and
- 28:42Speaker 1: a candle was burning upon the table. Their master lay
- 28:46Speaker 1: upon his face in the center of the room. He
- 28:49Speaker 1: was quite dead near the window. His wife was crouching
- 28:54Speaker 1: her head leaning against the wall. She was horribly wounded,
- 28:57Speaker 1: and the side of her face was red with blood.
- 29:01Speaker 1: She breathed heavily, but was incapable of saying anything. The passage,
- 29:06Speaker 1: as well as the room, was full of smoke and
- 29:08Speaker 1: the smell of powder. The window was certainly shut and
- 29:11Speaker 1: fastened upon the inside. Both women were positive upon the point.
- 29:16Speaker 1: They had at once sent for the doctor and for
- 29:18Speaker 1: the constable. Then, with the aid of the groom and
- 29:22Speaker 1: the stable boy, they had conveyed their injured mistress to
- 29:25Speaker 1: her room. Both she and her husband had occupied the bed.
- 29:30Speaker 1: She was clad in her dress, he and his dressing
- 29:33Speaker 1: gown over his night clothes. Nothing had been moved in
- 29:36Speaker 1: the study. So far as they knew, there had never
- 29:39Speaker 1: been any quarrel between husband and wife. They had always
- 29:43Speaker 1: looked upon them as a very united couple. These were
- 29:46Speaker 1: the main points of the servants evidence. In answer to
- 29:50Speaker 1: Inspector Martin, they were clear that every door was fastened
- 29:53Speaker 1: upon the inside, and that no one could have escaped
- 29:56Speaker 1: from the house. In answer to Holmes, they both remembered
- 30:00Speaker 1: that they were conscious of the smell of powder from
- 30:03Speaker 1: the moment that they ran out of their rooms. Upon
- 30:05Speaker 1: the top floor. I commend that fact very carefully to
- 30:08Speaker 1: your attention, said Holmes to his professional colleague. And now
- 30:13Speaker 1: I think that we are in a position to undertake
- 30:15Speaker 1: a thorough examination of the room. The study proved to
- 30:19Speaker 1: be a small chamber, lined on three sides with books,
- 30:23Speaker 1: and with a writing table, facing an ordinary window which
- 30:27Speaker 1: looked out upon the garden. Our first attention was given
- 30:31Speaker 1: to the body of the unfortunate squire, whose huge frame
- 30:34Speaker 1: lay stretched across the room. His disordered dress showed that
- 30:39Speaker 1: he had been hastily aroused from sleep. The bullet had
- 30:42Speaker 1: been fired at him from the front and had remained
- 30:45Speaker 1: in his body after penetrating the heart. His death had
- 30:49Speaker 1: certainly been instantaneous and painless. There was no powder marking,
- 30:54Speaker 1: either upon his dressing gown or on his hands. According
- 30:58Speaker 1: to the country surgeon, the lady had stains upon her face,
- 31:02Speaker 1: but none upon her hand. The absence of the latter
- 31:06Speaker 1: means nothing, though its presence may mean everything, said Holmes.
- 31:11Speaker 1: Unless the powder from a badly fitting cartridge happens to
- 31:14Speaker 1: spurt backward, one may fire many shots without leaving a sign.
- 31:19Speaker 1: I would suggest that mister Cwbot's body may now be removed.
- 31:23Speaker 1: I suppose, doctor, you have not recovered the bullet which
- 31:25Speaker 1: wounded the lady. A serious operation will be necessary before
- 31:30Speaker 1: that can be done. But there are still four cartridges
- 31:33Speaker 1: in the revolver. Two have been fired and two wounds inflicted,
- 31:38Speaker 1: so each bullet can be accounted for, so it would seem,
- 31:43Speaker 1: said Holmes, perhaps you can account also for the bullet
- 31:46Speaker 1: which had so obviously struck the edge of the window.
- 31:49Speaker 1: He had turned suddenly, and his long, thin finger was
- 31:52Speaker 1: pointing to a hole which had been drilled right through
- 31:55Speaker 1: the lower window sash, about an inch above the bottom
- 31:59Speaker 1: by George, cried the inspector. However, did you see that
- 32:04Speaker 1: because I looked for it? Wonderful, said the country doctor.
- 32:08Speaker 1: You are certainly right, sir. Then a third shot has
- 32:11Speaker 1: been fired, and therefore a third person must have been present.
- 32:15Speaker 1: But who could that have been, and how could he
- 32:18Speaker 1: have got away? That is the problem which we are
- 32:21Speaker 1: now about to solve, said Sherlock Holmes. You remember, Inspector Martin,
- 32:27Speaker 1: when the servants said that on leaving their room they
- 32:29Speaker 1: were at once conscious of a smell of powder. I
- 32:32Speaker 1: remarked that the point was an extremely important one. Yes, so,
- 32:36Speaker 1: but I confess I do not quite follow you. It
- 32:39Speaker 1: suggested that at the time of the firing, the window
- 32:42Speaker 1: as well as the door of the broom had been open.
- 32:45Speaker 1: Otherwise the fumes of powder could not have been blown
- 32:48Speaker 1: so rapidly through the house. A draft in the room
- 32:51Speaker 1: was necessary for that both door and window were only
- 32:55Speaker 1: open for a very short time. However, how do you
- 32:58Speaker 1: prove that because the candle was not guttered? Capital, cried
- 33:04Speaker 1: the inspector. Capital, feeling sure that the window had been
- 33:08Speaker 1: open at the time of the tragedy, I conceived that
- 33:12Speaker 1: there might have been a third person in the affair
- 33:14Speaker 1: who stood outside this opening and fired through it. Any
- 33:19Speaker 1: shot directed that this person might hit the sash. I looked,
- 33:23Speaker 1: and there, sure enough was the bullet mark. But how
- 33:28Speaker 1: came the window to be shut and fastened? The woman's
- 33:31Speaker 1: first instinct would be to shut and fasten the window.
- 33:35Speaker 1: But ullo, what is this? It was a lady's hand
- 33:39Speaker 1: bag which stood upon the study table, a trim little
- 33:42Speaker 1: hand bag of crocodile skin and silver. Holmes opened it
- 33:46Speaker 1: and turned the contents out. There were twenty fifty pound
- 33:51Speaker 1: notes of the Bank of England, held together by an
- 33:54Speaker 1: India rubber band. Nothing else. This must be preserved, for
- 33:59Speaker 1: it will figure in the trial, said Holmes as he
- 34:02Speaker 1: handed the bag with its contents to the inspector. It
- 34:06Speaker 1: is now necessary that we should try to throw some
- 34:09Speaker 1: light upon this third bullet, which has clearly from the
- 34:12Speaker 1: splintering of the wood, been fired from inside the room.
- 34:17Speaker 1: I should like to see Missus King the cook again.
- 34:20Speaker 1: You said, Missus King, that you were awakened by a
- 34:23Speaker 1: loud explosion. When you said that, did you mean that
- 34:26Speaker 1: it seemed to you to be louder than the second one? Well, sir,
- 34:30Speaker 1: it awakened me from my sleep, so it is hard
- 34:33Speaker 1: to judge, but it did seem very loud. You don't
- 34:36Speaker 1: think that it might have been two shots fired almost
- 34:39Speaker 1: at the same instant. I am sure. I couldn't say, sir,
- 34:43Speaker 1: I believe that it was undoubtedly, So I rather think,
- 34:47Speaker 1: Inspector Martin, that we have now exhausted all that this
- 34:50Speaker 1: room can teach us. If you will kindly step round
- 34:53Speaker 1: with me, we shall see what fresh evidence the garden
- 34:56Speaker 1: has to offer. A flower bed extended after the study window,
- 35:01Speaker 1: and we all broke into an exclamation as we approached it.
- 35:05Speaker 1: The flowers were trampled down, and the soft soil was
- 35:08Speaker 1: imprinted all over with footmarks. Large masculine feet they were,
- 35:13Speaker 1: with peculiarly long sharp toes. Holmes hunted about among the
- 35:19Speaker 1: grass and leaves, like a retriever after a wounded bird. Then,
- 35:23Speaker 1: with a cry of satisfaction, he bent forward and picked
- 35:27Speaker 1: up a little brazen cylinder. I thought, so, said he.
- 35:31Speaker 1: The revolver had an ejector, and here is the third cartridge.
- 35:36Speaker 1: I really think, Inspector Martin, that our case is almost complete.
- 35:40Speaker 1: The country Inspector's face had shown his intense amazement at
- 35:44Speaker 1: the rapid and masterful progress of Holmes's investigation. At first
- 35:49Speaker 1: he had shown some disposition to assert his own position,
- 35:53Speaker 1: but now he was overcome with admiration and ready to
- 35:56Speaker 1: follow without question wherever Holmes led. Whom do you suspect,
- 36:00Speaker 1: he asked, I'll go into that later. There are several
- 36:04Speaker 1: points in this problem which I have not been able
- 36:07Speaker 1: to explain to you yet. Now that I have got
- 36:10Speaker 1: so far, I had best proceed on my own lines
- 36:14Speaker 1: and then clear the whole matter up once and for all,
- 36:18Speaker 1: just as you wish, mister Holmes. So long as we
- 36:20Speaker 1: get our man, I have no desire to make mysteries,
- 36:24Speaker 1: but it is impossible at the moment of action to
- 36:28Speaker 1: enter into long and complex explanations. I have the threads
- 36:32Speaker 1: of this affair all in my hand. Even if this
- 36:35Speaker 1: lady should never recover consciousness, we can still reconstruct the
- 36:38Speaker 1: events of last night and ensure that justice be done.
- 36:43Speaker 1: First of all, I wish to know whether there is
- 36:46Speaker 1: any inn in this neighborhood known as Elridge's. The servants
- 36:50Speaker 1: were cross questioned, but none of them had heard of
- 36:53Speaker 1: such a place. The stable boy threw a light upon
- 36:56Speaker 1: the matter by remembering that a farmer of that name
- 37:00Speaker 1: lived some miles off in the direction of East Ruston.
- 37:05Speaker 1: Is it a lonely farm, very lonely, sir? Perhaps they
- 37:09Speaker 1: have not yet heard of all that happened here during
- 37:11Speaker 1: the night. Maybe not, Sir Holmes thought for a little,
- 37:16Speaker 1: and then a curious smile played over his face. Saddle
- 37:19Speaker 1: a horse, my lad said he, I shall wish you
- 37:22Speaker 1: to take a note to Elridge's farm. He took from
- 37:26Speaker 1: his pocket the various slips of the dancing men. With
- 37:29Speaker 1: these in front of him, he worked for some time
- 37:31Speaker 1: at the study table. Finally he handed a note to
- 37:35Speaker 1: the boy with directions to put it into the hands
- 37:37Speaker 1: of the person to whom it was addressed, and especially
- 37:41Speaker 1: to answer no questions of any sort which might be
- 37:43Speaker 1: put to him. I saw the outside of the note
- 37:47Speaker 1: addressed in straggling irregular characters, very unlike Holmes's usual precise hand.
- 37:54Speaker 1: It was consigned to mister Abe Slaney Elridge's farm, East Russston, Norfolk.
- 38:03Speaker 1: I think Inspector Holmes remarked that you would do well
- 38:06Speaker 1: to telegraph for an escort, as if my calculations prove
- 38:11Speaker 1: to be correct, you may have a particularly dangerous prisoner
- 38:14Speaker 1: to convey to the county jail. The boy who takes
- 38:18Speaker 1: this note could no doubt forward your telegram. If there
- 38:21Speaker 1: is an afternoon train to town, Watson, I think we
- 38:24Speaker 1: should do well to take it, as I have a
- 38:27Speaker 1: chemical analysis of some interest to finish, and this investigation
- 38:31Speaker 1: draws rapidly to a close. When the youth had been
- 38:35Speaker 1: dispatched with the note, Sherlock Holmes gave his instructions to
- 38:39Speaker 1: the servants. If any visitor were to call asking for
- 38:43Speaker 1: missus Hilton Cubit, no information should be given as to
- 38:47Speaker 1: her condition, but he was to be shown at once
- 38:49Speaker 1: into the drawing room. He impressed these points upon them
- 38:53Speaker 1: with the utmost earnestness. Finally, he led the way into
- 38:57Speaker 1: the drawing room with the remark that the business was
- 39:00Speaker 1: now out of our hands, and that we must while
- 39:03Speaker 1: away the time as best we might, until we could
- 39:06Speaker 1: see what was in store for us. The doctor had
- 39:09Speaker 1: departed to his patients, and only the Inspector and myself remained.
- 39:14Speaker 1: I think that I can help you pass an hour
- 39:16Speaker 1: in an interesting and profitable manner, said Holmes, drawing his
- 39:20Speaker 1: chair up to the table and spreading out in front
- 39:23Speaker 1: of him the various papers upon which were recorded the
- 39:26Speaker 1: antics of the dancing men. As to you, friend Watson,
- 39:31Speaker 1: I owe you every atonement for having allowed your natural
- 39:34Speaker 1: curiosity to remain so long unsatisfied. To you, Inspector, the
- 39:38Speaker 1: whole incident may appeal as a remarkable professional study. I
- 39:44Speaker 1: must tell you first of all the interesting circumstances connected
- 39:47Speaker 1: with the previous consultations which mister Hilton Cubit has had
- 39:51Speaker 1: with me in Baker Street. He then shortly recapitulated the
- 39:55Speaker 1: facts which have already been recorded. I have here in
- 39:59Speaker 1: front of me these singular productions at which one might
- 40:02Speaker 1: smile had they not proved themselves to be the forerunners
- 40:06Speaker 1: of so terrible a tragedy. I am fairly familiar with
- 40:09Speaker 1: all forms of secret writings, and am myself the author
- 40:13Speaker 1: of a trifling monograph upon the subject, in which I
- 40:15Speaker 1: analyze one hundred and sixty separate ciphers. But I confess
- 40:20Speaker 1: that this is entirely new to me. The object of
- 40:23Speaker 1: those who invented the system has apparently been to conceal
- 40:27Speaker 1: that these characters convey a message, and to give the
- 40:30Speaker 1: idea that they are the mere random sketches of children.
- 40:34Speaker 1: Having once recognized, however, that the symbol stood for letters,
- 40:38Speaker 1: and having applied the rules which guide us in all
- 40:40Speaker 1: forms of secret writings, the solution was easy enough. The
- 40:45Speaker 1: first message submitted to me was so short that it
- 40:49Speaker 1: was impossible for me to do more than to say
- 40:51Speaker 1: with some confidence that this symbol stood for E. As
- 40:55Speaker 1: you are aware, E is the most common letter in
- 40:58Speaker 1: the English alphabet, and it predominates to so marked an
- 41:01Speaker 1: extent that even in a short sentence, one would expect
- 41:05Speaker 1: to find it most often. Out of fifteen symbols in
- 41:09Speaker 1: the first message, four were the same. So it was
- 41:12Speaker 1: reasonable to set this down as E. It is true
- 41:16Speaker 1: that in some cases the figure was bearing a flag,
- 41:19Speaker 1: and in some cases not, But it was probable from
- 41:23Speaker 1: the way in which the flags were distributed that they
- 41:25Speaker 1: were used to break the sentence up into words. I
- 41:29Speaker 1: accepted this as a hypothesis, and noted that E was
- 41:33Speaker 1: represented by the following. But now came the real difficulty
- 41:38Speaker 1: of the inquiry. The order of the English letters after
- 41:42Speaker 1: E is by no means well marked, and any preponderance
- 41:46Speaker 1: which may be shown in an average of a printed
- 41:48Speaker 1: sheet may be reversed in a single short sentence, speaking roughly, TAOI, N, S, hr, D,
- 41:58Speaker 1: and L are the U S numerical order in which
- 42:01Speaker 1: letters occur. But t ao and I are very nearly
- 42:06Speaker 1: abreast of each other, and it would be an endless
- 42:10Speaker 1: task to try each combination until a meaning was arrived at.
- 42:14Speaker 1: I therefore waited for fresh material. In my second interview
- 42:19Speaker 1: with mister Hilton Cubit, he was able to give me
- 42:21Speaker 1: two other short sentences and one message, which appeared since
- 42:26Speaker 1: there was no flag to be a single word. Here
- 42:30Speaker 1: are the symbols now in the single word, I have
- 42:34Speaker 1: already got the two ease coming second and fourth. In
- 42:38Speaker 1: a word of five letters, it might be sever or
- 42:42Speaker 1: lever or never. There can be no question that the latter,
- 42:48Speaker 1: as a reply to an appeal, is far the most probable,
- 42:52Speaker 1: and the circumstances pointed to its being a reply written
- 42:55Speaker 1: by the lady. Accepting it as correct, we are now
- 42:59Speaker 1: able to say that the symbols stand respectively for N,
- 43:03Speaker 1: V and R. Even now I was in considerable difficulty,
- 43:09Speaker 1: but a happy thought put me in possession of several
- 43:12Speaker 1: other letters. It occurred to me that if these appeals
- 43:15Speaker 1: came as I expected from someone who had been intimate
- 43:19Speaker 1: with the lady in her early life, a combination which
- 43:22Speaker 1: contained two ease with three letters between might very well
- 43:26Speaker 1: stand for the name Elsie. On examination, I found that
- 43:33Speaker 1: such a combination formed the termination of the message, which
- 43:36Speaker 1: was three times repeated. It was certainly some appeal to Elsie.
- 43:42Speaker 1: In this way I had got my l S and I.
- 43:45Speaker 1: But what appeal could it be? There were only four
- 43:49Speaker 1: letters in the word which preceded Elsie, and it ended
- 43:52Speaker 1: in E. Surely the word must be come. I tried
- 43:58Speaker 1: all other four letters ending in E E, but could
- 44:00Speaker 1: find none to fit the case. So now I was
- 44:04Speaker 1: in possession of C, O, M, and I was in
- 44:07Speaker 1: a position to attack the first message once more, dividing
- 44:11Speaker 1: it into words and putting dots for each symbol which
- 44:14Speaker 1: was still unknown. So treated it worked out in this
- 44:19Speaker 1: fashion dot M dot e r E dot dot e
- 44:27Speaker 1: s l dot n e dot. Now the first letter
- 44:32Speaker 1: can only be A, which is a most useful discovery,
- 44:37Speaker 1: since it occurs no fewer than three times in this
- 44:40Speaker 1: short sentence, and the H is also apparent in the
- 44:44Speaker 1: second word. Now it becomes a M M, H E
- 44:51Speaker 1: r e here a dot e slain s l a
- 44:57Speaker 1: n e, or filling in the obvious vacancies in the
- 45:02Speaker 1: name am here abe slaney. I had so many letters
- 45:08Speaker 1: now that I could proceed with considerable confidence to the
- 45:11Speaker 1: second message, which worked out in this fashion a dot E,
- 45:17Speaker 1: L r I dot e s dot here. I could
- 45:22Speaker 1: only make sense by putting T and G for the
- 45:25Speaker 1: missing letters, and supposing that the name was that of
- 45:29Speaker 1: some house or inn at which the writer was staying.
- 45:34Speaker 1: Inspector Martin and I had listened with the utmost interest
- 45:38Speaker 1: to the full and clear account of how my friend
- 45:41Speaker 1: had produced results which had led to so complete a
- 45:45Speaker 1: command over our difficulties. What did you do, then, Sir
- 45:49Speaker 1: asked the inspector. I had every reason to suppose that
- 45:53Speaker 1: this Abe Slaney was an American, since Abe is an
- 45:57Speaker 1: American contraction, and since a letter from America had been
- 46:02Speaker 1: the starting point of all the trouble, I had also
- 46:05Speaker 1: every cause to think that there was some criminal secret
- 46:08Speaker 1: in the matter. The lady's allusions to her past and
- 46:12Speaker 1: her refusal to take her husband into her confidence both
- 46:15Speaker 1: pointed in that direction. I therefore cabled to my friend
- 46:19Speaker 1: Wilson Hargreave of the New York Police Bureau, who has
- 46:24Speaker 1: more than once made use of my knowledge of London crime.
- 46:28Speaker 1: I asked him whether the name of Abe Slaney was
- 46:31Speaker 1: known to him. Here is his reply, the most dangerous
- 46:36Speaker 1: crook in Chicago. On the very evening upon which I
- 46:41Speaker 1: had this answer, Hilton Cubit sent me the last message
- 46:44Speaker 1: from Slaney. Working with known letters, It took this form
- 46:51Speaker 1: E L S I E ELSI DOT R E dot
- 46:56Speaker 1: A R E T O two M E E T
- 47:03Speaker 1: meet t h y thy g O dot. The addition
- 47:10Speaker 1: of a P and a D completed a message which
- 47:14Speaker 1: showed me that the rascal was proceeding from persuasion to threats,
- 47:19Speaker 1: and my knowledge of the crooks of Chicago prepared me
- 47:22Speaker 1: to find that he might very rapidly put his words
- 47:25Speaker 1: into action. I at once came to Norfolk with my
- 47:28Speaker 1: friend and colleague, doctor Watson, but unhappily, only in time
- 47:32Speaker 1: to find that the worst had already occurred. It is
- 47:36Speaker 1: a privilege to be associated with you in the handling
- 47:38Speaker 1: of a case, said the inspector warmly. You will excuse me, however,
- 47:43Speaker 1: if I speak frankly to you, you were only answerable
- 47:47Speaker 1: to yourself. But I have to answer to my superiors.
- 47:51Speaker 1: If this abe slaany living at Elbridge's is indeed the murderer.
- 47:54Speaker 1: And if he has made his escape while I am
- 47:57Speaker 1: seated here, I should certainly get into serious trees. You
- 48:01Speaker 1: need not be uneasy. He will not try to escape.
- 48:05Speaker 1: How do you know to fly would be a confession
- 48:08Speaker 1: of guilt. Then let us go arrest him. I expect
- 48:12Speaker 1: him here every instant. But why should he come because
- 48:17Speaker 1: I have written and asked him? But this is incredible,
- 48:20Speaker 1: mister Holmes. Why should he come because you have asked him?
- 48:24Speaker 1: Would not such a request rather rouse his suspicions and
- 48:27Speaker 1: cause him to fly? I think I have known how
- 48:30Speaker 1: to frame the letter, said Sherlock Holmes. In fact, if
- 48:34Speaker 1: I am not very much mistaken, here is the gentleman
- 48:38Speaker 1: himself coming up the drive. A man was striding up
- 48:42Speaker 1: the path which led to the door. He was a tall, handsome,
- 48:46Speaker 1: swarthy fellow, clad in a suit of gray flannel, with
- 48:50Speaker 1: a panama hat, a bristling black beard, and a great,
- 48:54Speaker 1: aggressive hooked nose, and flourishing a cane. As he walked.
- 48:59Speaker 1: He swaggered up path as if the place belonged to him,
- 49:02Speaker 1: and we heard his loud, confident peal at the bell.
- 49:06Speaker 1: I think, gentlemen, said Holmes quietly, that we had best
- 49:10Speaker 1: take up our position behind the door. Every precaution is
- 49:14Speaker 1: necessary when dealing with such a fellow. You will need
- 49:17Speaker 1: your handcuffs. Inspector, you can leave the talking to me.
- 49:22Speaker 1: We waited in silence for a minute, one of those
- 49:25Speaker 1: minutes which one can never forget. Then the door opened
- 49:29Speaker 1: and the man stepped in. In an instant, Holmes clapped
- 49:33Speaker 1: a pistol to his head, and Martin slipped the handcuffs
- 49:37Speaker 1: over his wrists. It was all done so swiftly and
- 49:40Speaker 1: deftly that the fellow was helpless before he knew that
- 49:43Speaker 1: he was attacked. He glared from one to the other
- 49:46Speaker 1: of us with a pair of blazing black eyes. Then
- 49:50Speaker 1: he burst into a bitter laugh. Well, gentlemen, you have
- 49:54Speaker 1: the drop on me this time. I seem to have
- 49:56Speaker 1: knocked up against something hard. But I came here in
- 50:00Speaker 1: answer to a letter from missus Hilton Cubit. Don't tell
- 50:04Speaker 1: me that she is in this. Don't tell me that
- 50:06Speaker 1: she helped to set a trap for me. Missus Hilton
- 50:10Speaker 1: Cubit was seriously injured and is a death's door. The
- 50:15Speaker 1: man gave a hoarse cry of grief, which rang through
- 50:18Speaker 1: the house. You're crazy, he cried fiercely. It was he
- 50:23Speaker 1: that was hurt, not she who would have hurt little Elsie.
- 50:27Speaker 1: I may have threatened her, God forgive me, but I
- 50:29Speaker 1: would not have touched a hair of her pretty head.
- 50:32Speaker 1: Take it back, you say that she is not hurt.
- 50:36Speaker 1: She was found badly wounded by the side of her
- 50:38Speaker 1: dead husband. He sank with a deep groan on the
- 50:42Speaker 1: settee and buried his face in his manacled hands. For
- 50:47Speaker 1: five minutes he was silent. Then he raised his face
- 50:50Speaker 1: once more and spoke with the cold composure of despair.
- 50:56Speaker 1: I have nothing to hide from you. Gentlemen, said he
- 51:00Speaker 1: If I shot the man, he had his shod at me,
- 51:04Speaker 1: and there's no murder in that. But if you think
- 51:08Speaker 1: I could have hurt that woman, then you don't know
- 51:11Speaker 1: either me or her. I tell you there was never
- 51:14Speaker 1: a man in this world loved a woman more than
- 51:16Speaker 1: I loved her. I had a right to her. She
- 51:20Speaker 1: was pledged to me years ago. Who was this englishman
- 51:24Speaker 1: that he should come between us. I tell you that
- 51:27Speaker 1: I had the first right to her, and that I
- 51:29Speaker 1: was only claiming my own. She broke away from your
- 51:33Speaker 1: influence when she found the man that you are, said
- 51:36Speaker 1: Holmes sternly. She fled from America to avoid you, and
- 51:41Speaker 1: she married an honorable gentleman in England. You dogged her
- 51:45Speaker 1: and followed her, and made her life a misery to
- 51:48Speaker 1: her in order to induce her to abandon the husband
- 51:51Speaker 1: whom she loved and respected, in order to fly with you,
- 51:55Speaker 1: whom she feared and hated. You have ended by bringing
- 51:59Speaker 1: about the death of a noble man and driving his
- 52:02Speaker 1: wife to suicide. That is your record in this business,
- 52:06Speaker 1: mister abe Slaney, and you will answer for it to
- 52:09Speaker 1: the law. If Elsie dies, I care nothing what becomes
- 52:14Speaker 1: of me, said the American. He opened one of his
- 52:18Speaker 1: hands and looked at a note crumpled up in his palm.
- 52:21Speaker 1: See here, mister, he cried, with a gleam of suspicion
- 52:25Speaker 1: in his eyes. You are not trying to scare me
- 52:28Speaker 1: over this, are you? If the lady is hurt as
- 52:30Speaker 1: bad as you say? Who was it that wrote this note?
- 52:34Speaker 1: He tossed it forward on to the table. I wrote
- 52:37Speaker 1: it to bring you here. You wrote it. There was
- 52:40Speaker 1: no one on earth outside the joint who knew the
- 52:43Speaker 1: secret of the dancing men? How came you to write it?
- 52:47Speaker 1: What one man can invent, another can discover? Said Holmes.
- 52:52Speaker 1: There is a cab coming to convey you to Norwich,
- 52:55Speaker 1: mister Slaney. But meanwhile you have time to make some
- 52:59Speaker 1: small reparation for the injury you have wrought. Are you
- 53:03Speaker 1: aware that missus Hilton Cubit has herself lain under grave
- 53:06Speaker 1: suspicion of the murder of her husband, and that it
- 53:10Speaker 1: was only my presence here and the knowledge which I
- 53:13Speaker 1: happened to possess, which has saved her from the accusation.
- 53:17Speaker 1: The least that you owe her is to make it
- 53:19Speaker 1: clear to the whole world that she was in no
- 53:22Speaker 1: way directly or indirectly responsible for his tragic end. I
- 53:27Speaker 1: ask nothing better, said the American. I guess the very
- 53:30Speaker 1: best case I can make for myself is the absolute
- 53:34Speaker 1: naked truth. It is my duty to warn you that
- 53:37Speaker 1: it will be used against you, cried the inspector. With
- 53:41Speaker 1: the magnificent fair play of the British criminal law. Slainy
- 53:46Speaker 1: shrugged his shoulders ill chance, that said he. First of all,
- 53:51Speaker 1: I want you, gentlemen, to understand that I have known
- 53:54Speaker 1: this lady since she was a child. There were seven
- 53:57Speaker 1: of us in a gang in Chicago, and Elsie's father
- 54:01Speaker 1: was the boss of the joint. He was a clever man,
- 54:04Speaker 1: was Old Patrick. It was he who invented that writing
- 54:08Speaker 1: which would pass as a child's scrawl unless you happen
- 54:11Speaker 1: to have the key to it. Well, Elsie learned some
- 54:15Speaker 1: of our ways, but she couldn't stand the business, and
- 54:18Speaker 1: she had a bit of honest money of her own,
- 54:21Speaker 1: so she gave us all the slip and got away
- 54:23Speaker 1: to London. She had been engaged to me, and she
- 54:26Speaker 1: would have married me, I believe, if I had taken
- 54:29Speaker 1: over another profession. But she would have nothing to do
- 54:33Speaker 1: with anything on the cross. It was only after her
- 54:37Speaker 1: marriage to this Englishman that I was able to find
- 54:39Speaker 1: out where she was. I wrote to her but got
- 54:42Speaker 1: no answer. After that I came over and as letters
- 54:47Speaker 1: were no use, I put my messages where she could
- 54:49Speaker 1: read them. Well, I've been here a month now. I
- 54:54Speaker 1: lived in that farm where I had a room down below,
- 54:57Speaker 1: and I could get in and out every night, and
- 55:00Speaker 1: no one the wiser. I tried all I could to
- 55:03Speaker 1: coax Elsie away. I knew that she read the messages,
- 55:08Speaker 1: for once she wrote an answer under one of them.
- 55:11Speaker 1: Then my temper got the better of me, and I
- 55:14Speaker 1: began to threaten her. She sent me a letter then,
- 55:18Speaker 1: imploring me to go away, and saying that it would
- 55:22Speaker 1: break her heart if any scandal should come upon her husband.
- 55:26Speaker 1: She said that she would come down when her husband
- 55:28Speaker 1: was asleep at three in the morning and speak with
- 55:31Speaker 1: me through the end window if I would go away
- 55:34Speaker 1: afterwards and leave her in peace. She came down and
- 55:39Speaker 1: brought money with her, trying to bribe me to go.
- 55:42Speaker 1: This made me mad, and I caught her arm and
- 55:45Speaker 1: tried to pull her through the window. At that moment,
- 55:48Speaker 1: in rushed the husband with his revolver in his hand.
- 55:51Speaker 1: Elsie had sunk down upon the floor and we were
- 55:54Speaker 1: face to face. I was healed also, and I held
- 55:58Speaker 1: up my gun to scare him off and let me
- 56:00Speaker 1: get away. He fired and missed me. I pulled off
- 56:05Speaker 1: almost at the same instant, and down he dropped. I
- 56:08Speaker 1: made a way across the garden, and as I went
- 56:11Speaker 1: I heard the window shut behind me. That's God's truth, gentlemen,
- 56:17Speaker 1: every word of it. And I heard no more about
- 56:20Speaker 1: it until that lad came riding up with a note
- 56:23Speaker 1: which made me walk in here like a jay and
- 56:26Speaker 1: give myself into your hands. The cab had driven up
- 56:30Speaker 1: whilst the American had been talking. Two uniformed policemen sat inside.
- 56:36Speaker 1: Inspector Martin rose and touched his prisoner on the shoulder.
- 56:40Speaker 1: It is time for us to go. Can I see
- 56:43Speaker 1: her first? No, she is not conscious, mister Sherlock Holmes.
- 56:49Speaker 1: I only hope that if ever again I have an
- 56:51Speaker 1: important case, I shall have the good fortune to have
- 56:54Speaker 1: you by my side. We stood at the window and
- 56:59Speaker 1: watched the cab drive away. As I turned back, my
- 57:03Speaker 1: eye caught the pellet of paper which the prisoner had
- 57:06Speaker 1: tossed upon the table. It was the note with which
- 57:09Speaker 1: Holmes had decoyed him. See if you can read it,
- 57:13Speaker 1: Watson said he with a smile. It contained no word
- 57:18Speaker 1: but a little line of dancing men. If you use
- 57:22Speaker 1: the code which I have explained, said Holmes, you will
- 57:26Speaker 1: find that it simply means come here. At once, I
- 57:30Speaker 1: was convinced that it was an invitation which he would
- 57:33Speaker 1: not refuse, since he never could imagine that it could
- 57:37Speaker 1: come from any one but the lady. And so, my
- 57:40Speaker 1: dear Watson, we have ended by turning the dancing men
- 57:44Speaker 1: to good, when they have so often been the agents
- 57:47Speaker 1: of evil. And I think that I have fulfilled my
- 57:50Speaker 1: promise of giving you something unusual for your note book.
- 57:55Speaker 1: Three forty is our train, and I fancy we should
- 57:58Speaker 1: be back in Baker Street for only one word of epilog.
- 58:05Speaker 1: The American Abe Slaney was condemned to death at the
- 58:10Speaker 1: Winter Assizes at Norwich, but his penalty was changed to
- 58:14Speaker 1: penal servitude in consideration of mitigating circumstances and the certainty
- 58:21Speaker 1: that Hilton Cubit had fired the first shot of missus
- 58:26Speaker 1: Hilton Cubit. I only know that I have heard she
- 58:29Speaker 1: recovered entirely, and that she still remains a widow, devoting
- 58:34Speaker 1: her whole life to the care of the poor and
- 58:37Speaker 1: to the administration of her husband's estate.