Latest / Crime and Horror / Top 5 Bingeable SCARY STORIES • NIGHTMARE FUEL Edition Vol. 2 - MrBallen
Transcript
- 0:00Speaker 1: Today, we have a very special bonus video for you guys.
- 0:03Speaker 1: It's a collection of five fan favorites that are all
- 0:06Speaker 1: just straight nightmare fuel. Now, even if you've heard or
- 0:10Speaker 1: seen one or all of these stories before, keep in
- 0:13Speaker 1: mind they've all been completely re edited for today's episode,
- 0:17Speaker 1: so it should feel like a brand new viewing experience.
- 0:19Speaker 1: But before we get into today's five stories, if you're
- 0:23Speaker 1: a fan of the strange, dark and mysterious delivered in
- 0:25Speaker 1: story format, and you've come to the right place, because
- 0:28Speaker 1: that's all we do, and we upload once a week.
- 0:31Speaker 1: So if that's of interest to you, please offer to
- 0:33Speaker 1: do the like Buttons laundry, but when you do a
- 0:36Speaker 1: load of their colored clothes, go ahead and just fill
- 0:39Speaker 1: it up with a whole bunch of bleach. Also, please
- 0:41Speaker 1: subscribe to our channel and turn on all notifications so
- 0:44Speaker 1: you don't miss any of our weekly uploads. Okay, let's
- 0:47Speaker 1: get into today's five stories. In twenty fourteen, the United
- 1:07Speaker 1: States Navy decided it was time to decommission one of
- 1:10Speaker 1: their old frigate ships, and so they sent it to
- 1:13Speaker 1: a dock to be broken down for scrap in order
- 1:15Speaker 1: for workers to actually be able to access the underside
- 1:18Speaker 1: of the ship and actually begin to break it down.
- 1:21Speaker 1: They would need to dry dock the ship, which meant
- 1:23Speaker 1: the ship would basically drive into this special locking corral
- 1:26Speaker 1: where the doors would shut behind it, the water would
- 1:29Speaker 1: drain out from underneath, and the ship would be left
- 1:31Speaker 1: resting on these huge wooden blocks that elevated it off
- 1:35Speaker 1: the ground. And with no water in there, workers were
- 1:38Speaker 1: able to get underneath the hall and could access every
- 1:40Speaker 1: part of the ship without obstruction. It's important to note
- 1:43Speaker 1: for this story that when a ship is in dry dock,
- 1:46Speaker 1: there is only one way on or off. It's this
- 1:49Speaker 1: ramp called a gangway, that leads from the dock onto
- 1:52Speaker 1: the deck of the ship. Besides that, there is nowhere
- 1:55Speaker 1: else for you to get on this ship, and if
- 1:57Speaker 1: for some reason you really wanted to get on and
- 2:00Speaker 1: didn't use the gangway, you could, in theory, try to
- 2:02Speaker 1: run and leap from the dock to the ship. There's
- 2:05Speaker 1: a pretty significant gap there all the way around, but
- 2:08Speaker 1: you could try the jump, but if you weren't successful
- 2:10Speaker 1: at grabbing onto the ship, you would fall multiple stories,
- 2:13Speaker 1: probably to your death because there's no water in the
- 2:16Speaker 1: dry dock. So this old frigate ship that was being
- 2:18Speaker 1: decommissioned was officially dry docked in July of twenty fourteen.
- 2:23Speaker 1: The first group of people that went on board the
- 2:25Speaker 1: ship to begin dismantling it were military personnel. They were
- 2:28Speaker 1: in charge of removing all of the sensitive equipment before
- 2:31Speaker 1: civilians were allowed to go on board. The military personnel
- 2:34Speaker 1: begin to wrap up, and it's getting late in the
- 2:36Speaker 1: day and they tell the foreman who's in charge of
- 2:39Speaker 1: all of the civilian workers that are going to be
- 2:41Speaker 1: going on and finishing this decommissioning of the ship. They
- 2:45Speaker 1: go to the foreman and they say, hey, we're done.
- 2:47Speaker 1: We're wrapped up for the night. Your workers are good
- 2:48Speaker 1: to go. They can get on here tomorrow. The foreman
- 2:51Speaker 1: would send a message to his boss that night letting
- 2:53Speaker 1: him know that they were on track to start work
- 2:55Speaker 1: the next day. The boss would respond and say, hey,
- 2:58Speaker 1: can you go on there tonight and take pictures of
- 3:01Speaker 1: all the different workstations so we know how many people
- 3:03Speaker 1: that we need to place in different segments of this
- 3:05Speaker 1: big ship. So the foreman walks onto the ship and
- 3:08Speaker 1: proceeds to take hundreds of pictures all over the inside
- 3:11Speaker 1: of the ship. Now the ship itself was pitch black inside.
- 3:14Speaker 1: There was no electricity, and it was nighttime, so we
- 3:17Speaker 1: had a flashlight the whole time, but whenever he took
- 3:19Speaker 1: a picture, he would turn his flashlight off and then
- 3:22Speaker 1: use the flash on his camera before going back to
- 3:25Speaker 1: his actual flashlight. So all night he's going room to
- 3:27Speaker 1: room taking all these pictures, and at some point he
- 3:29Speaker 1: realizes he's photographed everything he needs to, so he leaves.
- 3:32Speaker 1: He goes back to his office, he uploads the pictures,
- 3:34Speaker 1: and he sends them to his boss. His boss wrote
- 3:37Speaker 1: back almost immediately and just said, who's the guy with
- 3:40Speaker 1: the axe? Now, the foreman has no idea what he's
- 3:43Speaker 1: talking about. He was just in the ship by himself
- 3:45Speaker 1: for a couple of hours and didn't see anyone. So
- 3:47Speaker 1: he reads the email again to make sure he read
- 3:49Speaker 1: it correctly, and he sees that his boss is actually
- 3:52Speaker 1: attached the picture he is referring to. Here is this
- 3:55Speaker 1: guy clearly clutching an axe in a hallway that he
- 3:58Speaker 1: was just in. And even the creepier is the foreman
- 4:01Speaker 1: is looking at where this picture was taken, and it
- 4:03Speaker 1: was relatively early on in his photo shoot, and he
- 4:07Speaker 1: had walked past the exact area where this guy's poking
- 4:10Speaker 1: his head out of which means the whole time he
- 4:13Speaker 1: was down there, this guy with an axe was there
- 4:16Speaker 1: with him. They review the security footage of a camera
- 4:18Speaker 1: that was aimed directly at the ramp, the one entrance
- 4:21Speaker 1: in and out of the ship, and from the time
- 4:24Speaker 1: the foreman left, no one else left, so they don't
- 4:27Speaker 1: know how he got on or how he got off
- 4:29Speaker 1: without being detected, but somehow he did. In July of
- 4:45Speaker 1: twenty sixteen, a woman living in Chicago, Illinois, named Jordan
- 4:49Speaker 1: Baranskas opened her eyes and realized she had fallen asleep
- 4:52Speaker 1: on the couch the night before. She looked up and
- 4:54Speaker 1: the TV was still on, And then she looked down
- 4:57Speaker 1: at the other section of the couch and her boyfriend
- 4:59Speaker 1: met was all so asleep on the couch. As much
- 5:01Speaker 1: as she wanted to keep sleeping alongside her boyfriend, she
- 5:04Speaker 1: had work that day, so she stood up, turned the
- 5:07Speaker 1: TV off, and made her way upstairs to get ready.
- 5:09Speaker 1: As soon as she got upstairs, the first thing she
- 5:11Speaker 1: did is go into her bedroom and get her purse
- 5:13Speaker 1: that she left on the foot of her bed. But
- 5:15Speaker 1: when she got in the room, her purse wasn't there.
- 5:17Speaker 1: So she leaves her bedroom and she starts searching all
- 5:19Speaker 1: the rooms upstairs, and she can't find her purse, and
- 5:22Speaker 1: she's thinking to herself, I'm certain I had it the
- 5:25Speaker 1: night before. I remember rifling through my purse before going
- 5:29Speaker 1: downstairs and starting to fold laundry before ultimately falling asleep
- 5:32Speaker 1: on the couch. So, after spending about fifteen minutes looking
- 5:35Speaker 1: for the purse unsuccessfully, and now she's starting to stress
- 5:38Speaker 1: because she's gonna be late for work because she can't
- 5:40Speaker 1: find a purse, she goes downstairs and she wakes Mad
- 5:43Speaker 1: up and says, hey, I gotta find my purse. I
- 5:45Speaker 1: thought I left it upstairs. Apparently I didn't. Can you
- 5:47Speaker 1: help me look for it. Matt rolls over. He doesn't
- 5:49Speaker 1: really want to get up because he's pretty tired and
- 5:51Speaker 1: he doesn't have work, so he doesn't want to wake
- 5:53Speaker 1: up right now, and he says, well, are you sure
- 5:55Speaker 1: you didn't leave it at the restaurant last night? I mean,
- 5:57Speaker 1: if you already looked, it's probably not here. You want
- 5:59Speaker 1: to just give him all and see if he left
- 6:00Speaker 1: it there. Jordan was immediately really annoyed by his reaction,
- 6:04Speaker 1: because she just wanted him to stand up and help
- 6:06Speaker 1: her look for the purse because she had work and
- 6:08Speaker 1: he could just go back to sleep. And so it
- 6:10Speaker 1: started this argument between the two of them where Matt
- 6:13Speaker 1: just wanted her to call the restaurant because he was
- 6:15Speaker 1: convinced she had it there, and Jordan was like, no,
- 6:18Speaker 1: I know I had my purse. I'm positive I had
- 6:21Speaker 1: it last night before I fell asleep on the couch
- 6:24Speaker 1: with you. So their argument begins to escalate a little bit,
- 6:26Speaker 1: and that's when Jordan remembers that they had recently installed
- 6:29Speaker 1: a Nest camera downstairs to monitor their dogs whenever they
- 6:33Speaker 1: were gone, and she thought, we can just look at
- 6:35Speaker 1: the footage on the Nest camera. We can see me
- 6:37Speaker 1: walking into the apartment and I will either have or
- 6:40Speaker 1: not have my purse in my hand. And so Jordan
- 6:43Speaker 1: opens up her app and she calls Matt over and
- 6:45Speaker 1: they go back to the night before, right before they
- 6:47Speaker 1: left for the restaurant. She's got our person hand. They
- 6:50Speaker 1: leave the front door, and then several hours go by
- 6:52Speaker 1: and they come back in and very clearly Jordan has
- 6:55Speaker 1: her purse in her hand. And Jordan turns to Matt
- 6:58Speaker 1: and says, told you so, and Matt's it's like, okay, fine,
- 7:00Speaker 1: let me help you. Look, and as they're about to
- 7:02Speaker 1: put the app down, she realizes on the nest camera
- 7:06Speaker 1: timeline that motion was detected at three thirty in the morning,
- 7:09Speaker 1: when they were both clearly asleep on the couch, and
- 7:12Speaker 1: so she calls Matt back over and says, here, look,
- 7:14Speaker 1: there's motion detected at three thirty in the morning, and
- 7:16Speaker 1: they hit play. After the couple had fallen asleep on
- 7:19Speaker 1: the couch with the TV on, a hooded figure emerges
- 7:22Speaker 1: from their upstairs hallway and stands at the top of
- 7:25Speaker 1: the stairs and just watches the two of them sleep.
- 7:28Speaker 1: Before he left, he stole her purse, along with a
- 7:30Speaker 1: couple of other things from their apartment. And somehow this
- 7:33Speaker 1: guy has never been caught, and he's been given the
- 7:35Speaker 1: nickname Creeper Ghost. In early nineteen seventy four, thirty one
- 7:51Speaker 1: year old Michael Taylor was living happily with his wife
- 7:53Speaker 1: Christine and their five children in Osset, which is a
- 7:57Speaker 1: small town in central England. Michael was described as a
- 8:00Speaker 1: great father and a great husband who had an excellent
- 8:02Speaker 1: sense of humor. In fact, neighbors whenever they would walk
- 8:06Speaker 1: past the tailor household would say you could often hear
- 8:09Speaker 1: the sound of Michael laughing or the sound of him
- 8:11Speaker 1: telling jokes to his family. But in April of that year,
- 8:14Speaker 1: everything changed for the Tailor family. Michael had been doing
- 8:17Speaker 1: some home repairs when he fell off of the ladder
- 8:20Speaker 1: and he heard his back. The injury itself was fairly minor,
- 8:23Speaker 1: but it resulted in chronic pain, and this chronic pain
- 8:27Speaker 1: quickly changed how Michael behaved. Michael went from being this cheerful, funny,
- 8:31Speaker 1: happy guy to being sad and depressed, and he was
- 8:35Speaker 1: so irritable that his family could barely be around him
- 8:38Speaker 1: because he would lash out at them. Now, the Tailor
- 8:40Speaker 1: family was not a religious family. However, most families who
- 8:44Speaker 1: lived in Aucit at that time were, and so when
- 8:46Speaker 1: one of Michael's friends found out about how poorly Michael
- 8:49Speaker 1: was doing, they approached Michael and said, you know, you
- 8:52Speaker 1: really ought to turn to religion for help and for
- 8:55Speaker 1: guidance in this difficult time. And they also told him
- 8:57Speaker 1: specifically that he really ought to check this one particular
- 9:01Speaker 1: Christian group. It was called the Christian Fellowship Group, and
- 9:05Speaker 1: all it was was a prayer group for Christians who
- 9:08Speaker 1: wanted more religious support beyond just going to church on Sundays.
- 9:12Speaker 1: But this friend of Michael's told him that the real
- 9:15Speaker 1: draw of this group was the group's leader. Her name
- 9:19Speaker 1: was Marie Robinson, and she was this twenty one year old,
- 9:21Speaker 1: extremely friendly and energetic and charismatic person who just had
- 9:26Speaker 1: this incredible way of making all of her members really
- 9:29Speaker 1: feel like they belonged. And so Michael's friend was telling
- 9:32Speaker 1: him that he really thought Marie could be the difference
- 9:34Speaker 1: maker for him, that she could help him get back
- 9:37Speaker 1: to normal. And so Michael, you know, he trusted this
- 9:40Speaker 1: friend and he really didn't have much to lose at
- 9:41Speaker 1: this point. He was already at rock bottom, and so
- 9:44Speaker 1: he agrees to go check this group out. So on
- 9:46Speaker 1: September twelfth of that year, Michael makes his way to
- 9:49Speaker 1: the church where this fellowship group is held. He goes inside,
- 9:52Speaker 1: and he makes his way to one of the back
- 9:53Speaker 1: rooms in the church, and when he goes inside, he
- 9:56Speaker 1: sees there's a ring of people sitting in a circle,
- 9:59Speaker 1: about twenty PEPs people, And as soon as they see
- 10:01Speaker 1: Michael coming in the room, they all stand up and
- 10:03Speaker 1: they open their arms up and they say, come on,
- 10:05Speaker 1: come sit down with us. Welcome, Welcome to the group.
- 10:08Speaker 1: And then the woman who had to be Marie, she
- 10:10Speaker 1: stands up and she looks at Michael, huge smile on
- 10:12Speaker 1: her face, and she encourages him to come over and
- 10:15Speaker 1: sit right next to me. Welcome, We'd love to have
- 10:17Speaker 1: you join our group. And so Michael, for the first
- 10:19Speaker 1: time in ages, is smiling as he strides across the
- 10:22Speaker 1: room and sits down right next to Marie. And then
- 10:24Speaker 1: as Marie began to lead the group in prayer, Michael
- 10:28Speaker 1: did not feel his chronic pain. He just felt happy again.
- 10:31Speaker 1: But when the meeting was over and Michael went back
- 10:34Speaker 1: home again, the pain and depression came flooding back. It
- 10:38Speaker 1: was like the only place he could be happy was
- 10:40Speaker 1: inside of the church at this fellowship group. And so
- 10:43Speaker 1: over the next couple of weeks, Michael completely prioritized this group.
- 10:47Speaker 1: He went to all of their meetings, and over the
- 10:50Speaker 1: course of these couple of weeks, Michael became very close
- 10:53Speaker 1: with Marie, and apparently Marie became very close with Michael,
- 10:57Speaker 1: to the point where the two of them would stay
- 10:59Speaker 1: after after the meetings were over, and just those two
- 11:02Speaker 1: would sequester themselves in quiet prayer. No one knew what
- 11:05Speaker 1: they did in there, but it just seemed like they
- 11:07Speaker 1: were developing a real relationship. And in fact, many people
- 11:11Speaker 1: in this group suspected they were having an affair. And
- 11:14Speaker 1: before long the rumors in the church had spread outside
- 11:17Speaker 1: and were all over Osset. And then before long, Christine,
- 11:20Speaker 1: Michael's wife, was hearing from a friend or a neighbor
- 11:23Speaker 1: that apparently Michael was having an affair with Marie. Now
- 11:26Speaker 1: Christine had already suspected her husband was having an affair
- 11:29Speaker 1: with Marie because Marie was the only thing Michael talked
- 11:32Speaker 1: about when he got home. So on October first of
- 11:35Speaker 1: that year, only a couple of weeks after Michael had
- 11:38Speaker 1: first attended this group, Christine waited until Michael had left
- 11:42Speaker 1: the house to head out to one of the group meetings.
- 11:44Speaker 1: And then Christine hopped in her car and she followed
- 11:47Speaker 1: him to the church. And when she got there, she
- 11:49Speaker 1: parked her car, she took a deep breath, and then
- 11:51Speaker 1: she got out. She made her way to the front
- 11:53Speaker 1: doors of the church and she stormed inside and she
- 11:56Speaker 1: found the room where these meetings were held. She barges
- 11:59Speaker 1: in and she points said her husband, and she says,
- 12:01Speaker 1: I know you're having an affair with Marie, and you're
- 12:04Speaker 1: gonna admit it in front of this whole group. And Michael,
- 12:07Speaker 1: who's sitting with his back to his wife in one
- 12:09Speaker 1: of the chairs, he stands up and instead of addressing
- 12:12Speaker 1: his wife, who's accused him of infidelity, he turns and
- 12:16Speaker 1: looks at Marie on the other side of the room.
- 12:18Speaker 1: And when Marie made eye contact with Michael, she screamed.
- 12:22Speaker 1: She would later say Michael did not look human. He
- 12:25Speaker 1: looked like a beast, and he had wild eyes. And
- 12:28Speaker 1: so as Michael is standing there staring at Marie with
- 12:31Speaker 1: this very aggressive face, he began breaking out in tongues.
- 12:35Speaker 1: Speaking in tongues is where the speaker will be saying
- 12:38Speaker 1: or uttering words or sounds that sound like language, but
- 12:42Speaker 1: the speaker doesn't know what they mean. The idea is
- 12:45Speaker 1: some entity has come inside of their body and this
- 12:49Speaker 1: entity is dictating their speech. And so Michael is broken
- 12:53Speaker 1: out in tongues and he's barking these words and sounds
- 12:56Speaker 1: at Marie, and everyone inside of the room has no
- 12:59Speaker 1: idea what to make of this. Everything has happened so suddenly,
- 13:02Speaker 1: and it's so surprising. You have the wife suddenly coming
- 13:05Speaker 1: in and aggressively accusing her husband of cheating, and Michael
- 13:08Speaker 1: is not responding to it, and he's acting totally crazy.
- 13:11Speaker 1: And then before anyone can do anything, Michael goes from
- 13:14Speaker 1: just barking in strange languages at Marie to suddenly rushing
- 13:18Speaker 1: across the room as if he's going to attack her.
- 13:20Speaker 1: And when he does that, the rest of the members
- 13:23Speaker 1: jump on top of him and hold him down, and
- 13:25Speaker 1: despite there being like ten or fifteen people holding him down,
- 13:29Speaker 1: Michael is still trying to get up, and he's screaming
- 13:32Speaker 1: and snarling and yelling at Marie. And then Marie suddenly
- 13:35Speaker 1: breaks out into tongues too, and it's only then that
- 13:38Speaker 1: Michael stops trying to force himself up out of this
- 13:41Speaker 1: pig pilot's on top of him, and instead he just
- 13:44Speaker 1: continues to speak in tongues to her, and so the
- 13:47Speaker 1: two of them are looking at each other speaking in tongues,
- 13:49Speaker 1: and the rest of the group is just totally dumbfounded,
- 13:52Speaker 1: and so they just begin praying, and then after about
- 13:55Speaker 1: an hour, Michael just collapses. It's like he went unconscious,
- 13:58Speaker 1: and at that point everybody in the room just goes silent,
- 14:01Speaker 1: and they look at Michael, and then Michael kind of
- 14:03Speaker 1: opens his eyes and it's almost like he's waking up,
- 14:05Speaker 1: and he begins looking around frantically trying to figure out
- 14:07Speaker 1: what had just happened. Michael would claim he had no
- 14:10Speaker 1: memory of what had just happened to him, and so
- 14:12Speaker 1: at this point Marie would tell him and Christine that
- 14:15Speaker 1: she believed Michael was possessed by a demonic force and
- 14:19Speaker 1: the only thing they could do at this point would
- 14:21Speaker 1: be to perform an exorcism, and exorcism is an expulsion
- 14:25Speaker 1: or attempted expulsion of a supposedly evil spirit inside of
- 14:29Speaker 1: a person or a place. Michael and Christine were at
- 14:32Speaker 1: a loss. They had no idea what to do in
- 14:34Speaker 1: this situation. They were both kind of in shock for
- 14:37Speaker 1: very different reasons, and so they just kind of deferred
- 14:40Speaker 1: to Marie's judgment and said, yeah, you know, I think
- 14:42Speaker 1: an exorcism is the way to go. So Christine and
- 14:44Speaker 1: Michael just leave the church and go home, and then
- 14:48Speaker 1: the next morning Marie would get in touch with the
- 14:50Speaker 1: Anglican Church of England and would request an exorcism, and
- 14:53Speaker 1: after hearing about what was going on with Michael, the
- 14:56Speaker 1: Anglican Church would say, yeah, that does sound like he
- 14:59Speaker 1: needs an exercis and so the following day they would
- 15:02Speaker 1: send out two of their best exorcists named Peter and Raymond,
- 15:06Speaker 1: and so Peter and Raymond they get to asset, they
- 15:08Speaker 1: go to Michael's house and they observe him, and very
- 15:11Speaker 1: quickly they determined that it does seem like Michael is
- 15:14Speaker 1: possessed by at least one demonic force, and so they
- 15:17Speaker 1: tell Michael the only thing we can do here is
- 15:20Speaker 1: perform this exorcism, but we need you to agree to it.
- 15:23Speaker 1: And so Michael says, okay, yeah, I agreed to this exorcism,
- 15:26Speaker 1: and so would his wife, because she at this point
- 15:28Speaker 1: is just completely unsure what to do. She's just going
- 15:31Speaker 1: along for the ride. So a day later, on October fourth,
- 15:34Speaker 1: at ten pm, Michael, his wife, and the rest of
- 15:38Speaker 1: the members of this fellowship group, along with Peter and Raymond,
- 15:41Speaker 1: they would all meet at this other church in a
- 15:43Speaker 1: neighboring town. And as soon as Michael had been positioned
- 15:46Speaker 1: in the middle of this group in this chair, Peter
- 15:49Speaker 1: and Raymond began the ritual by praying, and as soon
- 15:52Speaker 1: as they did, Michael began streaming out in tongues, and
- 15:56Speaker 1: he began writhing around, and he fell to the ground,
- 15:59Speaker 1: and he began content awarding his body in grotesque positions,
- 16:02Speaker 1: as if the words Peter and Raymond were saying were
- 16:05Speaker 1: physically harming Michael. And so after eight hours of this,
- 16:09Speaker 1: during which they had to actually tie Michael down to
- 16:12Speaker 1: prevent him from hurting other members or hurting himself, after
- 16:16Speaker 1: eight hours, they finally just came to a stop. Peter
- 16:19Speaker 1: and Raymond were exhausted. It looked very much like Michael
- 16:22Speaker 1: two was exhausted, and as soon as they stopped the ritual,
- 16:27Speaker 1: Michael just kind of collapsed on the ground as if
- 16:29Speaker 1: he had fallen unconscious. And then at some point he
- 16:32Speaker 1: kind of wakes up. He's looking around wildly. He's still
- 16:34Speaker 1: tied down to the ground, and he's acting like he
- 16:36Speaker 1: has no idea what's just happened. And at this point,
- 16:39Speaker 1: Peter and Raymond they tell him that, you know, the
- 16:42Speaker 1: exorcism was mostly successful. We identified forty demons inside of you,
- 16:47Speaker 1: and this exorcism was able to expel thirty seven of them.
- 16:52Speaker 1: So that means there's still three demons inside of you.
- 16:54Speaker 1: Now we can't do it right now, We're too tired.
- 16:57Speaker 1: You're too exhausted. So go home, get some rap, and
- 17:00Speaker 1: tomorrow we will finish this exorcism. We will get rid
- 17:03Speaker 1: of those three demons, and you will be just fine.
- 17:06Speaker 1: And so Michael and Christine they get their things and
- 17:08Speaker 1: they leave the church and they head home. A few
- 17:10Speaker 1: hours later, around noon, a woman who lived near where
- 17:14Speaker 1: Michael Taylor and his family lived thought she heard something
- 17:17Speaker 1: strange outside of her house. It sounded like someone yelling,
- 17:20Speaker 1: and so she went to the front of the house
- 17:22Speaker 1: and she pulled the curtain aside on one of her windows,
- 17:24Speaker 1: and outside, walking down the street, completely naked, covered in blood,
- 17:29Speaker 1: was Michael Taylor, and he was saying something about Satan,
- 17:32Speaker 1: and so this woman she calls the police. The police
- 17:34Speaker 1: show up and they find Michael. He had curled up
- 17:36Speaker 1: on the sidewalk outside of this woman's house and he
- 17:39Speaker 1: was giggling like a child in the fetal position, and
- 17:41Speaker 1: so the police approach him, and at some point Michael
- 17:43Speaker 1: apparently snaps out of it and he starts looking up
- 17:46Speaker 1: at the police like he has no idea what's going on.
- 17:48Speaker 1: And eventually they would get him to tell them his
- 17:51Speaker 1: name and where he lived. And so after calling in
- 17:53Speaker 1: back up to deal with Michael. The responding officers made
- 17:57Speaker 1: their way to Michael's residence and so they go inside
- 18:00Speaker 1: and immediately as soon as they see what's in there,
- 18:03Speaker 1: one of the officers just turns around and runs outside
- 18:06Speaker 1: and begins dry heaving. The inside of the Taylor family
- 18:10Speaker 1: home would become one of the most infamous crime scenes
- 18:13Speaker 1: in English history. A few hours earlier, when Michael and
- 18:16Speaker 1: his wife had come home from the exorcism, they had
- 18:19Speaker 1: gone inside and then Michael had fallen into one of
- 18:22Speaker 1: his trances and began beating his wife, and then at
- 18:25Speaker 1: some point she fell to the ground and either was
- 18:28Speaker 1: dead or was in the process of dying, at which
- 18:31Speaker 1: point Michael jumped on top of her and using only
- 18:34Speaker 1: his hands, he ripped her face off and flung it
- 18:37Speaker 1: across the room. And then as she's laying there bleeding
- 18:40Speaker 1: to death, he began rubbing her blood all over his body,
- 18:44Speaker 1: and then after she had finally died, he tracked down
- 18:47Speaker 1: the family dog and killed the dog as well. Fortunately,
- 18:50Speaker 1: their five children were not home at the time of
- 18:53Speaker 1: this attack, and so they were unharmed. During Michael's trial,
- 18:56Speaker 1: the prosecution and the defense blamed the Anglican Church of
- 19:00Speaker 1: England and Marie and her religious group for effectively convincing
- 19:05Speaker 1: Michael he was possessed with demons which caused him to
- 19:08Speaker 1: act out violently and kill his wife. And so ultimately
- 19:12Speaker 1: Michael would be found not guilty by reason of insanity
- 19:16Speaker 1: and after only four years of psychiatric care, he was
- 19:19Speaker 1: released and today he is still living free in Auset.
- 19:23Speaker 1: But despite the legal outcomes of this case, there are
- 19:26Speaker 1: many people, both religious and not religious, who believe the
- 19:30Speaker 1: Michael Taylor case is one of the only true demonic
- 19:34Speaker 1: possession cases in modern history. Also, just to close the loop,
- 19:37Speaker 1: we don't know for sure if Michael and Marie were
- 19:40Speaker 1: having an affair, but it is assumed they were. It
- 19:49Speaker 1: begins here from the director of It comes It Welcome
- 19:52Speaker 1: to Derry, the chilling new HBO original series exploring one
- 19:56Speaker 1: of horror's biggest terrors, Pennywise the Clown, set in nineteen
- 20:01Speaker 1: sixties Dairy, Maine. The new HBO original series premiere Sunday,
- 20:05Speaker 1: October twenty sixth on HBO Max. Also, you can listen
- 20:09Speaker 1: to the official IT Welcome to Dairy podcast wherever you
- 20:12Speaker 1: get your podcasts. In eighteen ninety eight, a twelve year
- 20:30Speaker 1: old boy was playing at this river that ran near
- 20:34Speaker 1: his house. He was out in the forest. He's playing
- 20:36Speaker 1: to this river, and he had a bow and arrow
- 20:38Speaker 1: and he was practicing shooting his bow and arrow. And
- 20:40Speaker 1: after a little while he got bored of his bow
- 20:42Speaker 1: and arrow and he went to the stream itself and
- 20:45Speaker 1: he started to build a little dam in the river
- 20:48Speaker 1: to try to catch some fish. And as he's building
- 20:50Speaker 1: this thing up, he's down on his knees building up
- 20:52Speaker 1: this little dam in the river. He notices someone is
- 20:55Speaker 1: walking down the river towards him, and he looks up
- 20:59Speaker 1: and he would describe this person as looking normal, a
- 21:03Speaker 1: normal looking stranger. It's a gentleman who shows up. He's
- 21:06Speaker 1: wearing a nice suit. He walks over to Wafford and
- 21:09Speaker 1: he apparently just came out of the woods and he says, hey,
- 21:13Speaker 1: what are you doing. And the boy, you know, he's like, oh,
- 21:15Speaker 1: I'm making this fish trap and he's like, man, it's
- 21:17Speaker 1: like a lot of work, Like, you know, you should
- 21:19Speaker 1: take a break. And the boy's like, yeah, I guess
- 21:22Speaker 1: I could take a break. And the gentleman just says, well,
- 21:25Speaker 1: if you want, you know, while you're taking this break,
- 21:27Speaker 1: you could come to my house. It's just up past
- 21:30Speaker 1: the bend here. My family's there. You can have a
- 21:33Speaker 1: meal with us, and then you can come back and
- 21:35Speaker 1: you can finish your fish trap. And so, you know,
- 21:37Speaker 1: this is a different time. This is the late eighteen hundreds,
- 21:39Speaker 1: and I'm not suggesting that at the time it was
- 21:41Speaker 1: totally cool to go with strangers into weird houses in
- 21:44Speaker 1: the forest. But the boy felt compelled to say yes.
- 21:47Speaker 1: He didn't want to be rude, and maybe his fear
- 21:50Speaker 1: of strangers is less extreme than it is, you know,
- 21:52Speaker 1: for us today in twenty twenty. And so he agrees
- 21:55Speaker 1: to go with the man. They make their way up
- 21:57Speaker 1: past the river into the forest a little bit, and
- 21:59Speaker 1: they come up to this cabin. Now, the boy played
- 22:01Speaker 1: in the woods here, and he had never seen this
- 22:04Speaker 1: house before. But he's not he's not too concerned because
- 22:07Speaker 1: as soon as he gets to the house, this cabin
- 22:09Speaker 1: in the woods, he sees that the lights are on,
- 22:12Speaker 1: and he hears kids playing inside, and a close family
- 22:15Speaker 1: friend of his families is sitting on the porch talking
- 22:19Speaker 1: to one of the other apparently family members of the stranger.
- 22:22Speaker 1: And so the boy's put at ease, and he says
- 22:24Speaker 1: hi to the family friend, and the family friend, you know,
- 22:26Speaker 1: waves back. The boy goes inside and he sees that
- 22:30Speaker 1: this family has a couple of kids roughly his age.
- 22:32Speaker 1: They're playing gooping around. They have dinner in this wonderful meal,
- 22:36Speaker 1: and the boy, waffered, is like, man, this is so great.
- 22:39Speaker 1: And after the meal he lays down and falls asleep.
- 22:43Speaker 1: He kind of loses track of time. The boy falls
- 22:45Speaker 1: asleep at this cabin, and so he wakes up early
- 22:47Speaker 1: the next morning and he feels horrible because he didn't
- 22:50Speaker 1: mean to fall asleep and he didn't tell anyone from
- 22:52Speaker 1: his family where he was going, and he's thinking, man,
- 22:55Speaker 1: they're going to be so worried about me. And so
- 22:57Speaker 1: as he's getting out to leave, the stranger is our
- 23:00Speaker 1: already await, the one that had met him down by
- 23:01Speaker 1: the river and called him up to the house. And
- 23:04Speaker 1: the boy says, hey, can you walk me down back
- 23:06Speaker 1: to the river, And the stranger's like, I can take
- 23:08Speaker 1: you part of the way down, sure. So the two
- 23:11Speaker 1: of them they're having small talk, and you know, the
- 23:12Speaker 1: boy's thanking the man for his generosity. And so as
- 23:16Speaker 1: they're walking, they're passing by an orchard on one side
- 23:19Speaker 1: and a cornfield on the other, and it's this beautiful morning,
- 23:22Speaker 1: the sun's just coming up, and the boy remembers thinking
- 23:25Speaker 1: how beautiful the setting was, but he also was thinking, like,
- 23:28Speaker 1: I don't I don't even know where I am right now,
- 23:30Speaker 1: and I'm assuming he's walking me back to where I live.
- 23:33Speaker 1: But this doesn't look familiar at all, and the stranger stops.
- 23:37Speaker 1: They get to almost a junction right at the end
- 23:40Speaker 1: of the orchard and of the cornfield, and the stranger
- 23:43Speaker 1: tells the boy, wofferd. He says, hey, just go straight.
- 23:45Speaker 1: You're going to turn down this way, turn back and
- 23:47Speaker 1: you'll be You'll be at the river again where we met.
- 23:49Speaker 1: And the boy thanks the stranger, and the stranger turns
- 23:52Speaker 1: and starts walking back towards his cabin and says, hey,
- 23:55Speaker 1: good luck sea, and the boy starts following the man's directions.
- 23:59Speaker 1: And as he's walking, you know, following the stranger's directions,
- 24:03Speaker 1: he just he's suddenly curious and turns around to look
- 24:07Speaker 1: back at this strange person who had brought him up
- 24:11Speaker 1: to the house and then now brought him back, and
- 24:14Speaker 1: he's stunned because suddenly the orchard and the cornfield are
- 24:19Speaker 1: not there. There is no orchard or cornfield. It's just deep,
- 24:24Speaker 1: dark forest and he's like, what's going on. He turns
- 24:28Speaker 1: back and there's a search party, or it looks like
- 24:30Speaker 1: a search party running up to him. Part of the
- 24:33Speaker 1: search party is the family friend that he had seen
- 24:36Speaker 1: at the house. And the boy's like looking at these
- 24:39Speaker 1: people running towards him, like they're running to him, and
- 24:42Speaker 1: he recognizes the family friend and he can tell they're
- 24:44Speaker 1: like urgently looking for him, and he felt bad because
- 24:47Speaker 1: he knows he slept over through the night. So he's like, hey,
- 24:50Speaker 1: I'm here. I'm here, and they're like, where have you been?
- 24:53Speaker 1: And the boy turns to the family friend and he's like,
- 24:56Speaker 1: didn't you tell them I was with you? And the
- 24:58Speaker 1: family friend is like, what are you talking about, and
- 25:00Speaker 1: he's like, yeah, the house with the family. We ate
- 25:04Speaker 1: dinner together last night. And the guy, the family friend,
- 25:08Speaker 1: is like, I've been looking for you for the past
- 25:10Speaker 1: several days. I've been with your family looking for You've
- 25:13Speaker 1: been gone for three days. And the boy is like what.
- 25:17Speaker 1: And as he's describing the kind of general vicinity of
- 25:20Speaker 1: where this cabin was, he's kind of pointing back up
- 25:23Speaker 1: towards where it was and describing it from where the
- 25:25Speaker 1: river was. The family says to him that since you've
- 25:29Speaker 1: been missing, we've heard rhythmic drumming non stop coming from
- 25:34Speaker 1: the section of the forest that you just described. We
- 25:37Speaker 1: can never pinpoint where it was coming from. And now
- 25:39Speaker 1: that you just showed up, the drumming has stopped, and
- 25:41Speaker 1: so the kid's terrified, but there's no answers. Pretty creepy.
- 25:59Speaker 1: My early nineteen nine, Christopher Case was living his best life.
- 26:03Speaker 1: He was thirty five years old. He had moved out
- 26:05Speaker 1: to Seattle to pursue a career in music, and he
- 26:08Speaker 1: had landed a job at a music company in Seattle,
- 26:11Speaker 1: and he had risen to the rank of executive at
- 26:13Speaker 1: that company. He was incredibly fit. You know, he was
- 26:15Speaker 1: known for being at the gym seven days a week.
- 26:18Speaker 1: You know, he took vitamins, He took his health very seriously.
- 26:21Speaker 1: He had loads of friends. People really liked him. He
- 26:24Speaker 1: was very close with his family. And you know, despite
- 26:27Speaker 1: all that, despite his popularity and success, he had been
- 26:31Speaker 1: single for years. And even though he was not actively
- 26:35Speaker 1: seeking a companion, his friends and family were continuously trying
- 26:39Speaker 1: to set him up on dates, but Chris would prefer
- 26:43Speaker 1: to not go on a date and actually stay home
- 26:46Speaker 1: by himself and listen to music because Chris had an
- 26:49Speaker 1: obsession with a very specific type of music. He loved
- 26:53Speaker 1: music from ancient times, specifically from Egypt, and so he
- 26:58Speaker 1: was stay home instead of go out on dates and
- 27:00Speaker 1: you know, crush ancient Egyptian music. That was like his
- 27:03Speaker 1: idea of a great night. On April eleventh of nineteen
- 27:06Speaker 1: ninety nine, Chris was on a business trip because part
- 27:09Speaker 1: of his job required a ton of travel, and he
- 27:12Speaker 1: was on a trip with a couple of his co
- 27:14Speaker 1: workers who were also friends of his. They go out
- 27:17Speaker 1: to San Francisco and on the eleventh, they decide to
- 27:20Speaker 1: go out for dinner that night, and one of his
- 27:23Speaker 1: co workers decides to bring along a friend who was
- 27:25Speaker 1: someone that lived in the area. So they get to
- 27:27Speaker 1: dinner and one of them has their friend who's an
- 27:30Speaker 1: older woman, very attractive, very kind of intense looking woman.
- 27:34Speaker 1: She was about twenty years older than Chris. That was
- 27:36Speaker 1: his guest, and she sits down and the four of
- 27:39Speaker 1: them are just kind of having a nice conversation and
- 27:42Speaker 1: at some point, the older woman really takes an interest
- 27:45Speaker 1: in Chris, and Chris takes an interest in her because
- 27:48Speaker 1: it would turn out that they had a lot in common.
- 27:52Speaker 1: And then she actually admitted to him that she was
- 27:55Speaker 1: really into music from ancient times and actually has a
- 27:59Speaker 1: specific interest in music from ancient Egypt. And so to Chris,
- 28:03Speaker 1: he's like, how can this be? And he's like, this
- 28:06Speaker 1: is my passion. I love that type of music, and
- 28:09Speaker 1: they really hit it off. Now, Chris was not looking
- 28:12Speaker 1: for any sort of romantic involvement with this woman. He
- 28:15Speaker 1: was just so excited to talk about something he loved.
- 28:18Speaker 1: And so all night Chris and this older woman are
- 28:22Speaker 1: chatting it up and they're super into each other. He
- 28:24Speaker 1: was looking at her purely from a platonic sense, but
- 28:27Speaker 1: it was becoming clear by the end of the night,
- 28:29Speaker 1: at least Chris was realizing this that she was looking
- 28:32Speaker 1: at him with a romantic angle. She was interested in Chris,
- 28:35Speaker 1: and in fact, right as he's kind of realizing this,
- 28:38Speaker 1: she asked him if he wants to leave with her
- 28:40Speaker 1: and go back to her place, and he politely declines
- 28:43Speaker 1: because he's not interested. He loved chatting with her about
- 28:47Speaker 1: music and other things they had in common, but he
- 28:51Speaker 1: wasn't interested in her romantically, and she became a little
- 28:54Speaker 1: bit more aggressive and said, no, come on, come on,
- 28:56Speaker 1: let's get out of here. I got a place right
- 28:57Speaker 1: down the road. We can go listen to music and
- 28:59Speaker 1: hang out in my place. And he felt really uncomfortable,
- 29:02Speaker 1: and he kept saying no, but she wouldn't let it go.
- 29:04Speaker 1: And so finally, as she's literally trying to get him
- 29:07Speaker 1: to say yes, he says, hey, you know what, I've
- 29:10Speaker 1: had a long night. I'm going to go. And so
- 29:12Speaker 1: he stands up to leave, and the woman goes from
- 29:14Speaker 1: being very flirtatious and friendly to very angry at Chris.
- 29:18Speaker 1: And she looks at him and kind of abruptly says
- 29:21Speaker 1: to him, I'm actually a witch and I'm going to
- 29:25Speaker 1: put a curse on you. You're going to be dead
- 29:27Speaker 1: within a week, okay, And he just leaves. So the
- 29:32Speaker 1: next morning, on April twelfth, Chris gets up and he
- 29:35Speaker 1: heads to the airport and he flies back to Seattle.
- 29:38Speaker 1: When he lands in Seattle, he calls his friend Sammy,
- 29:41Speaker 1: who was one of his very close friends back when
- 29:44Speaker 1: he lived on the East Coast. He just wanted to
- 29:46Speaker 1: share this weird experience with a close friend and so
- 29:49Speaker 1: they're kind of laughing about the whole thing. Neither of
- 29:52Speaker 1: them are taking the curse seriously at all. It was like,
- 29:56Speaker 1: you really dodged a bullet. It's could you to not
- 29:57Speaker 1: go home with her? So in good spirits, Chris hangs
- 30:00Speaker 1: up the phone with Sammy, and for the next twenty
- 30:03Speaker 1: four hours, Chris would fall right back into his regular
- 30:06Speaker 1: daily life in Seattle. Nothing out of the ordinary happened,
- 30:10Speaker 1: but all that would change starting the night of April thirteenth,
- 30:14Speaker 1: which would have been forty eight hours after his encounter
- 30:18Speaker 1: with this woman in San Francisco. So Chris lives alone,
- 30:21Speaker 1: he doesn't have pets, and he gets into bed that
- 30:24Speaker 1: night and he's laying there and before he falls asleep,
- 30:27Speaker 1: he hears whispering coming from outside of his bedroom in
- 30:30Speaker 1: the kitchen area, kind of near the front door. And
- 30:33Speaker 1: he's thinking to himself, like, I didn't just hear whispering.
- 30:37Speaker 1: No one's in here, what's going on? And he's hearing
- 30:39Speaker 1: the whispering and then it kind of stops, and before
- 30:42Speaker 1: he gets up to investigate, he's like, Okay, I probably
- 30:44Speaker 1: was just hearing things that wasn't real. He's just kind
- 30:47Speaker 1: of laying there trying to go to sleep, and then
- 30:49Speaker 1: he hears it again, except now it's not coming from
- 30:52Speaker 1: the kitchen area. It's coming from a separate area in
- 30:55Speaker 1: his apartment, outside of the room he's in. And so
- 30:58Speaker 1: now he's wondering, like, is does someone sneak into my house?
- 31:03Speaker 1: Like is there a burglar in my house right now?
- 31:05Speaker 1: And so he quietly gets out of his bed and
- 31:07Speaker 1: he walks over his door. He opens it up, and
- 31:09Speaker 1: he can still hear the whispering, and it's coming from
- 31:11Speaker 1: like his laundry room a little ways away. But as
- 31:14Speaker 1: soon as he opens the door and he pokes his
- 31:15Speaker 1: head out, the whispering stops, and he's just standing there
- 31:19Speaker 1: looking around, like hoping that there isn't anything in his apartment.
- 31:23Speaker 1: And then out of the corner of his eye, near
- 31:25Speaker 1: the front door, he sees something dash across his periphery,
- 31:28Speaker 1: like a shadowy figure basically darts across the room, and
- 31:31Speaker 1: so he looks over and he's immediately afraid that it
- 31:34Speaker 1: really is a burglar in his room. And as he's looking,
- 31:37Speaker 1: he's turning the light on next to him. He's looking around,
- 31:40Speaker 1: and he starts turning the whispering again, and now it's
- 31:42Speaker 1: coming from another section of his house. So he just
- 31:44Speaker 1: starts turning on all the lights and looking around to
- 31:46Speaker 1: try to like make sure no one's in his apartment.
- 31:49Speaker 1: He's not even thinking about the whispering. He's just looking
- 31:52Speaker 1: for the shadowy figure that he saw run past him.
- 31:55Speaker 1: And so he's looking all over his apartment, all the
- 31:57Speaker 1: lights are on. It's a small apartment. And as soon
- 32:00Speaker 1: as he feels comfortable that the door's locked, still everything's
- 32:03Speaker 1: locked and there's nobody here, that's when he realizes that
- 32:06Speaker 1: that whispering is still happening. And so he turns back
- 32:09Speaker 1: around and now the whisperings coming from his bedroom where
- 32:12Speaker 1: he was, and so he walks over his bedroom and
- 32:14Speaker 1: looks inside and just he can't pinpoint the whispering, like,
- 32:18Speaker 1: he keeps hearing it and walking to wherever it's coming from,
- 32:22Speaker 1: and as soon as he gets near it, the whispering stops,
- 32:25Speaker 1: and he's thinking to himself, like, am I dreaming? Is
- 32:28Speaker 1: this a dream? Am I losing my mind? Did somebody
- 32:30Speaker 1: slip me something like last night? Like? Is what's wrong
- 32:33Speaker 1: with me? So he has this horrible night where he's
- 32:35Speaker 1: up all night chasing down whispers in his apartment that
- 32:39Speaker 1: keep vanishing and then seeing shadowy figures running around and
- 32:43Speaker 1: lurking in corners, but he can't ever see them when
- 32:45Speaker 1: he looks at them. And so the next morning, on
- 32:47Speaker 1: April fourteenth, when the sun comes up, he hasn't slept.
- 32:50Speaker 1: The first phone call he makes is to Sammy, his friend,
- 32:54Speaker 1: and he's totally panicked. And we know about this phone
- 32:56Speaker 1: call because Sammy would tell police about all her interactions
- 32:59Speaker 1: with with Chris over the course of this week. She
- 33:02Speaker 1: would say that he was totally panicked, and she even thought,
- 33:05Speaker 1: as she's taking this phone call that it's just so weird,
- 33:09Speaker 1: you know that Chris is scared of noises in his
- 33:11Speaker 1: apartment and like figures moving around in his apartment, because
- 33:15Speaker 1: it's so unlike Chris. He's i mean, definitely a skeptic.
- 33:20Speaker 1: He's just like a he's a nobs kind of guy.
- 33:23Speaker 1: So the idea that he would suddenly be terrified of
- 33:26Speaker 1: something paranormal running around his apartment just seems so unlike him.
- 33:30Speaker 1: But as she's listening to him, he was so scared
- 33:34Speaker 1: about what was in his apartment. He knew it wasn't
- 33:36Speaker 1: a person because he looked everywhere there was no people.
- 33:39Speaker 1: And that's the only reason he didn't call the police
- 33:41Speaker 1: is because he didn't want to tell the police that
- 33:44Speaker 1: some shadow figure that's whispering in my apartment is harassing me. Like,
- 33:47Speaker 1: what are the police going to do? So Sammy hags
- 33:49Speaker 1: up the phone with Chris after trying to reassure him
- 33:51Speaker 1: and just hopes that whatever that was doesn't happen again.
- 33:55Speaker 1: But unfortunately for Chris the night of the fourteenth, now
- 33:58Speaker 1: he's going to bed again and he starts hearing the
- 34:00Speaker 1: whispers and immediately he's out there looking lights on. He's
- 34:05Speaker 1: looking for these whispers. They keep disappearing. He can't find
- 34:07Speaker 1: the source. He's getting frustrated, he's scared. He keeps seeing
- 34:11Speaker 1: that thing dart around his apartment. Except this night, he
- 34:14Speaker 1: also noticed that he would look and he could get
- 34:16Speaker 1: close enough to where he could break out the silhouette
- 34:19Speaker 1: of what looked like a person, you know, like lingering
- 34:22Speaker 1: in the corner of his apartment. But he'd go closer
- 34:24Speaker 1: to it and it would disappear. It was like the
- 34:26Speaker 1: manifestations of what he was seeing, the whispers and this
- 34:30Speaker 1: figure running around his apartment were becoming more vivid. But
- 34:34Speaker 1: he's also thinking like, I didn't sleep the night before.
- 34:36Speaker 1: This could be my imagination. I don't know if this
- 34:39Speaker 1: is happening, but he's spiraling and he knows it. So
- 34:41Speaker 1: the next day, on the fifteenth, he doesn't call Sammy,
- 34:44Speaker 1: but he calls a couple of his other friends that
- 34:46Speaker 1: are anonymous, and they would all tell police that they
- 34:49Speaker 1: got a similar story that Sammy had gotten that first
- 34:53Speaker 1: night after the fourteenth. No matter what was happening, Chris
- 34:56Speaker 1: believed it was happening, and Chris was terrified. This wasn't
- 35:00Speaker 1: even the worst of it yet. So that night on
- 35:02Speaker 1: the fifteenth, Chris gets in bed and now he's barely
- 35:05Speaker 1: slept for two consecutive nights, and he's determined to just
- 35:10Speaker 1: go to sleep. That he's trying to tell himself that
- 35:13Speaker 1: everything that you've experienced the past couple nights is probably
- 35:16Speaker 1: brought on by stress, it's brought on by now certainly
- 35:19Speaker 1: a lack of sleep. So he's telling himself, like, just
- 35:22Speaker 1: go to sleep, Just get in bed and go to sleep.
- 35:25Speaker 1: So he gets in bed and he's laying there and
- 35:26Speaker 1: he does fall asleep, but he wakes up in the
- 35:29Speaker 1: middle of the night and he can't move his body.
- 35:32Speaker 1: He's paralyzed. He can't move, and he's totally awake, and
- 35:36Speaker 1: he starts hearing whispering, and now his level of fear
- 35:40Speaker 1: is so high because now he's immobile. But the past
- 35:44Speaker 1: two nights, he's heard that whispering in his apartment and
- 35:46Speaker 1: he's seen that figure moving around his apartment. And so
- 35:50Speaker 1: he's laying there in darkness because he went to bed
- 35:52Speaker 1: in darkness, and he starts hearing whispering outside his room
- 35:55Speaker 1: and then it stops, and then he starts hearing whispering
- 35:58Speaker 1: inside of his closet, and then it stops, and then
- 36:01Speaker 1: he hears whispering right underneath his bed, and he can't move,
- 36:05Speaker 1: and he's just laying there, praying that nothing horrible it's
- 36:08Speaker 1: gonna happen to him, that this is just a dream.
- 36:10Speaker 1: And then out from underneath his bed, right next to him,
- 36:13Speaker 1: he can only turn his eyes, this black figure, this
- 36:15Speaker 1: shadowy black figure, emerges right next to his bed, and
- 36:19Speaker 1: it's looking down at him. He can't make out any
- 36:21Speaker 1: facial expressions, but he can clearly define a figures hovering
- 36:26Speaker 1: over him, and it reaches down and puts its hands
- 36:29Speaker 1: around his neck and begins to throttle him and Chris
- 36:33Speaker 1: is like gagging. He can't breathe, but he can't move,
- 36:35Speaker 1: and at some point the thing begins to lift him
- 36:37Speaker 1: off of his bed by his neck and then throws
- 36:40Speaker 1: him back down, and then the figure vanishes. Chris still
- 36:45Speaker 1: couldn't move. He's choking to breathe, but he can't move,
- 36:47Speaker 1: and he's just waiting for this thing to come back.
- 36:50Speaker 1: And he knows that more than likely, whatever this is
- 36:52Speaker 1: is probably going to kill him this night. So he's
- 36:54Speaker 1: laying there just thinking, oh my god, I'm about to die.
- 36:57Speaker 1: I'm about to die. But the thing doesn't come back,
- 37:00Speaker 1: and Chris can't move, and at some point Chris probably
- 37:02Speaker 1: out a just pure, you know, adrenaline crash or something.
- 37:05Speaker 1: He falls asleep. And so when Chris wakes up and
- 37:07Speaker 1: he can move again, he notices there's blood inside of
- 37:11Speaker 1: his bed, on his sheets, and then he looks at
- 37:13Speaker 1: his hands and at the tips of all ten fingers
- 37:17Speaker 1: are these incisions, like someone had intentionally cut open the
- 37:20Speaker 1: top of every finger, something he certainly didn't do. And
- 37:24Speaker 1: his bed is covered in blood from these ten cuts
- 37:27Speaker 1: on his hands. And then he feels his neck and
- 37:29Speaker 1: it feels tender, and it turns out he had marks
- 37:32Speaker 1: on his neck. It was all bruised up from this
- 37:34Speaker 1: thing choking him out, and it brought him back to
- 37:37Speaker 1: like that really happened. He's now like actually in fear
- 37:40Speaker 1: for his life. Chris immediately calls Sammy and tells Sammy
- 37:44Speaker 1: everything that happened, and Sammy can't believe any of it's
- 37:48Speaker 1: she felt helpless because she's on the other side of
- 37:49Speaker 1: the country. She can't help him, and Chris is just petrified,
- 37:54Speaker 1: and he's like he can barely speak, you know, he's
- 37:56Speaker 1: like unable to articulate what's happening. You know, He's he's
- 38:00Speaker 1: describing these cuts on his hand and his neck, but
- 38:02Speaker 1: there's no one in his apartment, and Samy's trying to
- 38:04Speaker 1: get him to call the police, but Chris is like,
- 38:06Speaker 1: I can't call the police. What am I gonna tell
- 38:08Speaker 1: him that a shadowy figure is coming in my apartment
- 38:12Speaker 1: and just choking me. They're gonna think I'm crazy. Chris
- 38:16Speaker 1: decides he's gonna approach this head on. Maybe that woman
- 38:21Speaker 1: in San Francisco did put some curse on me. I
- 38:24Speaker 1: need to at least research it. And so there was
- 38:27Speaker 1: a religious bookstore right near his house that he figured
- 38:30Speaker 1: might have some things on demonic possession and demons the occult,
- 38:35Speaker 1: and he goes in there and he kind of awkwardly
- 38:38Speaker 1: approaches the store owner and is like, I'm looking for,
- 38:42Speaker 1: you know, books about demons and witchcraft and like how
- 38:47Speaker 1: to protect yourself against that, and the guy points him
- 38:50Speaker 1: towards the section of the store, and so Chris goes
- 38:52Speaker 1: over there. He scoops up a whole bunch of books.
- 38:54Speaker 1: He also buys like a whole bundle of crucifixes, so
- 38:58Speaker 1: like at least ten, so he's got all all these crucifixes,
- 39:01Speaker 1: He's got all these books about demonic possession and witchcraft.
- 39:04Speaker 1: He buys all of that and he leaves and he
- 39:06Speaker 1: goes back to his apartment. When he gets back after
- 39:09Speaker 1: doing some research, he ends up putting these crucifixes all
- 39:11Speaker 1: over his apartment, like every room, and he takes salt
- 39:14Speaker 1: and he draws a line all through his apartment against
- 39:18Speaker 1: the baseboard of every wall in the house, and at
- 39:21Speaker 1: every corner of the house he pile up little piles
- 39:24Speaker 1: of salt. He was going to do all the things
- 39:26Speaker 1: that people say to do if you're dealing with demons
- 39:29Speaker 1: or ghosts or anything through witchcraft. He was kind of
- 39:32Speaker 1: grasping at straws a little bit, so he went out
- 39:35Speaker 1: and did everything he thought he could possibly do to
- 39:37Speaker 1: protect himself. That night, which was April sixteenth. We don't
- 39:41Speaker 1: know what happened to Chris, but something scared him so
- 39:45Speaker 1: badly that in the middle of the night, in the
- 39:47Speaker 1: full panic, he runs out of his apartment and he
- 39:50Speaker 1: checks into a hotel and does not stay at his apartment.
- 39:53Speaker 1: The next morning, April seventeenth, when Sammy called Chris to
- 39:57Speaker 1: check on him. Now, remember this is nineteen ninety nine,
- 40:00Speaker 1: it was just landline phones, so she calls his landline
- 40:03Speaker 1: at his apartment to check on him. There's no answer
- 40:06Speaker 1: because he's not there. He's at the hotel. And Sammy,
- 40:08Speaker 1: who's been speaking to Chris and other friends that have
- 40:11Speaker 1: been speaking to Chris, and everyone's concerned about his mental
- 40:14Speaker 1: health and what's going on with him. When she doesn't
- 40:17Speaker 1: get Chris to pick up his phone, she calls the
- 40:19Speaker 1: police and she says, Hey, I'm concerned about my friend.
- 40:22Speaker 1: Can you do a welfare check on this guy? And
- 40:24Speaker 1: they go over to his apartment and it's locked and
- 40:25Speaker 1: they kind of look in the windows and everything just
- 40:27Speaker 1: seems kind of quiet, and so they leave and they
- 40:30Speaker 1: tell Sammy like, hey, look it's locked. We can't really
- 40:32Speaker 1: do anything, you know, let us know if you don't
- 40:35Speaker 1: hear from him in the next couple of days. And
- 40:37Speaker 1: so that was it, and so Sammy's like super concerned,
- 40:39Speaker 1: and so she goes to work on the seventeenth, and
- 40:42Speaker 1: then when she gets back, she has a voicemail from Chris,
- 40:46Speaker 1: who had called her at some point during the day
- 40:47Speaker 1: while she was out, and on the voicemail, Chris tells
- 40:51Speaker 1: her in a voice that was different than the past
- 40:53Speaker 1: few days. The past few days he was scared, He
- 40:56Speaker 1: was really scared. This time he is defeated, you know,
- 41:01Speaker 1: he was like resigned to whatever was going on. And
- 41:04Speaker 1: he says to Sammy on the voicemail, he's under attack
- 41:08Speaker 1: and that tonight they're gonna kill me and there's nothing
- 41:11Speaker 1: I can do. As soon as she's done listening to
- 41:13Speaker 1: the message, Sammy calls Chris, but she can't get in
- 41:16Speaker 1: touch with him. She knows she just talked to the
- 41:19Speaker 1: police were they are at his apartment that day. They're
- 41:21Speaker 1: probably just gonna tell her like, hey, wait until tomorrow.
- 41:24Speaker 1: We just told you, you know, earlier, just give it
- 41:26Speaker 1: a couple of days. And so she just decides that
- 41:29Speaker 1: she's gonna go to bed and she's gonna try calling
- 41:31Speaker 1: him again on April eighteen. On the morning of April eighteenth,
- 41:35Speaker 1: Chris didn't show up for work, and word got back
- 41:38Speaker 1: to Sammy, who was already gonna reach out to Chris
- 41:40Speaker 1: that morning anyways, but now the friends and family are
- 41:43Speaker 1: talking about what's going on with Chris, and so word
- 41:45Speaker 1: got back to her that Chris had missed work, and
- 41:49Speaker 1: so she calls Chris. He's not picking up from his landline.
- 41:52Speaker 1: And now she calls the police back and she says, hey,
- 41:54Speaker 1: you were there yesterday. I know it was locked, but
- 41:57Speaker 1: he hasn't shown up for work today. Everybody's concerned about him.
- 42:00Speaker 1: Can you please go over and check. And so the
- 42:02Speaker 1: police go back over to Chris's apartment and this time
- 42:06Speaker 1: the front door is unlocked, and they go inside and
- 42:09Speaker 1: they're met with this very strange scene. You know, you
- 42:11Speaker 1: have all these crucifixes that are on the wall, You
- 42:14Speaker 1: have the salt that lines every room in the house.
- 42:17Speaker 1: There are all these candles that have burned down to
- 42:20Speaker 1: the wick. There are little scraps of paper all over
- 42:24Speaker 1: the apartment that were handwritten little messages that Chris was
- 42:28Speaker 1: leaving all over the house warding off spirits and demons.
- 42:33Speaker 1: I mean, it just looked like out of a Hollywood
- 42:34Speaker 1: set for some demonic movie or something. And they search
- 42:38Speaker 1: the house and there's no sign of Chris. They're yelling
- 42:41Speaker 1: for him, there's no sign of him, and they make
- 42:43Speaker 1: their way into the bathroom where they discover Chris's body.
- 42:47Speaker 1: Chris was in his bathtub, no water in the bathtub,
- 42:50Speaker 1: He's fully clothed. There's all these candles all around the
- 42:53Speaker 1: outside of this bathtub. There's you know, more crucifixes and
- 42:58Speaker 1: weird relics that are in the bathroom with him, and
- 43:01Speaker 1: he's on his knees and he's slouched up against the
- 43:05Speaker 1: wall with his hands kind of tucked against his chest.
- 43:07Speaker 1: He had no external injuries. He was just dead. And
- 43:11Speaker 1: so the police take Chris's body, and the coroner comes
- 43:14Speaker 1: in and does a report, and it comes out that
- 43:18Speaker 1: Chris died of natural causes. He died of a heart attack.
- 43:21Speaker 1: And so when friends and family saw that that was
- 43:23Speaker 1: his cause of death, they didn't buy it. They're like,
- 43:25Speaker 1: I don't know how to describe what happened to him.
- 43:28Speaker 1: But over the past seven days, Chris went from this happy, healthy,
- 43:33Speaker 1: successful guy to a complete, raving, paranoid lunatic, and no
- 43:38Speaker 1: one knows why. You know, it's I mean, it's certainly
- 43:41Speaker 1: possible that it was just a very poorly timed heart attack,
- 43:44Speaker 1: you know, mixed in with someone having a psychotic break
- 43:48Speaker 1: or some people say that he really was cursed by
- 43:52Speaker 1: that woman in San Francisco and that that was the result.
- 43:55Speaker 1: I mean, she said you're going to die within the week,
- 43:57Speaker 1: and he literally died within the week. And he described
- 44:01Speaker 1: regularly over the phone to his friends and family as
- 44:04Speaker 1: this was happening, these horrible experiences at night, with these
- 44:07Speaker 1: shadow beings in his room and attacking him. I mean,
- 44:10Speaker 1: it's just this crazy story that to this day leaves friends,
- 44:14Speaker 1: family and investigators baffled. Thank you so much for watching.
- 44:25Speaker 1: Let me know what you thought of today's episode in
- 44:27Speaker 1: the comments. And remember, we have hundreds of videos for
- 44:30Speaker 1: you to binge right now. But if you're looking for
- 44:33Speaker 1: a recommendation for me of that one video that's worth
- 44:36Speaker 1: your time, well it's this one right here, So give
- 44:39Speaker 1: it a watch, all right, Until next time, see you