Latest / Abide Meditation App / Soothing Travel Sleepy Story _ Dreamy Views of Florence _ Travel Bedtime Story
Transcript
- 0:02Speaker 1: Welcome to Get Sleepy, where we listen, we relax, and
- 0:09Speaker 1: we get sleepy. My name's Thomas, and it's such a
- 0:15Speaker 1: pleasure to be your host. Thanks for tuning in. Tonight,
- 0:22Speaker 1: we'll take a relaxing trip to the beautiful city of
- 0:26Speaker 1: Florence in Italy. This small city was once a major
- 0:32Speaker 1: world power and the center of a cultural revolution, the Renaissance.
- 0:41Speaker 1: As you explore the streets and discover the art and architecture,
- 0:46Speaker 1: you'll soon understand what makes Florence so special. Let's get
- 0:56Speaker 1: nicely settled in for the night ahead. All you need
- 1:03Speaker 1: to concern yourself with right now is ensuring you're comfortable
- 1:08Speaker 1: in bed and that you've put any physical distractions to
- 1:13Speaker 1: one side. With your eyes gently closed, just begin to
- 1:24Speaker 1: slow your breathing to a pace that suits you. allowing
- 1:32Speaker 1: the air to flow in steadily and relaxing the muscles
- 1:40Speaker 1: as it flows back out. If you're finding that thoughts
- 1:49Speaker 1: are coming and going with a fair bit more frequency
- 1:53Speaker 1: than you'd like, I have a suggestion for you to try.
- 2:00Speaker 1: Seeing as blocking out thoughts or telling your mind to
- 2:04Speaker 1: be quiet doesn't tend to work too well. I think
- 2:09Speaker 1: it's better to accept that your mind wants to continue
- 2:13Speaker 1: doing its job even when you're laying in bed, but
- 2:17Speaker 1: to give it a simple, calming task to focus on
- 2:22Speaker 1: instead of the swirls of thoughts that can feel overwhelming. So,
- 2:31Speaker 1: for the next few moments, I'd like you to try
- 2:35Speaker 1: visualizing a familiar journey that brings you back to your home.
- 2:44Speaker 1: This could be a walk, a bike ride, a car journey.
- 2:50Speaker 1: So long as it's a route that you know well
- 2:53Speaker 1: and one that returns you to the comfort of home.
- 3:02Speaker 1: Wherever you're starting this journey from, just picture the scene
- 3:07Speaker 1: around you in your imagination. As you move along, think
- 3:19Speaker 1: about the things you see and the sounds drifting through
- 3:24Speaker 1: the air. Step by step, or with each turn of
- 3:36Speaker 1: a wheel, the scene develops around you, taking you that
- 3:43Speaker 1: bit closer to home. Notice if there are any smells
- 3:55Speaker 1: in the air that stand out. Do certain parts of
- 4:02Speaker 1: the route conjure memories of times gone by? And how
- 4:09Speaker 1: does all of it make you feel? Allow your imagination
- 4:20Speaker 1: to guide you along the familiar route back home. An
- 4:27Speaker 1: experience that will be entirely unique to you and only you.
- 4:39Speaker 1: And as you approach home now, think about how it
- 4:44Speaker 1: feels to know you're so close to the place where
- 4:49Speaker 1: you can rest and recharge. When you eventually arrive, open
- 5:00Speaker 1: the door and step inside, paying attention to the way
- 5:08Speaker 1: that makes you feel as well. This visualization is one
- 5:20Speaker 1: you can use whenever you like. And you can take
- 5:25Speaker 1: that journey again in your own time. But for now,
- 5:33Speaker 1: you're home and you can relax. So allow your imagination
- 5:42Speaker 1: to take you on a new journey. Perhaps one that
- 5:47Speaker 1: is less familiar, but no less peaceful and relaxing. Imagine
- 5:57Speaker 1: that you're on holiday in Florence, and you're walking along
- 6:03Speaker 1: the stone streets on your way to see one of
- 6:07Speaker 1: the most famous artworks of all time. This is where
- 6:16Speaker 1: our story begins. You walk slowly through the entrance of
- 6:45Speaker 1: the art gallery, your footsteps echoing on the stone floor.
- 6:53Speaker 1: Although you're excited to enter the next room You take
- 6:57Speaker 1: your time, savoring the sense of anticipation. In just a moment,
- 7:06Speaker 1: you'll be standing face to face with an icon. You're
- 7:14Speaker 1: visiting the Academia Gallery, located in the historic center of Florence.
- 7:22Speaker 1: This gallery is home to the most famous statue in
- 7:26Speaker 1: the world. Michelangelo's David. As you enter a long hallway
- 7:36Speaker 1: lined with sculptures and paintings, you catch your first glimpse.
- 7:44Speaker 1: The enormous statue is right at the end of the hall,
- 7:49Speaker 1: standing on a plinth. Michelangelo's masterpiece depicts the biblical hero David.
- 8:01Speaker 1: He's a muscular young man, standing tall and looking to
- 8:06Speaker 1: the side with an intense expression on his face. In
- 8:13Speaker 1: one hand, David holds a slingshot. He's preparing for his
- 8:19Speaker 1: battle with the giant Goliath. You walk closer, keen to
- 8:28Speaker 1: admire the artwork in more detail. David is so famous
- 8:35Speaker 1: that he feels strangely familiar. You've seen his image everywhere,
- 8:43Speaker 1: on posters, in books, and on countless souvenirs. It feels
- 8:50Speaker 1: surreal to see him in person. a little like meeting
- 8:56Speaker 1: a celebrity. But although you feel like you know the statue,
- 9:04Speaker 1: nothing compares to seeing it in person. David is larger
- 9:12Speaker 1: than life. He stands 17 feet tall, towering over the
- 9:19Speaker 1: visitors who stand below him. As you join the crowd,
- 9:26Speaker 1: you find yourself comparing the experience to a concert. David
- 9:32Speaker 1: is on a stage with his admiring fans gazing up
- 9:37Speaker 1: at him. Michelangelo's magnificent sculpture is so powerful and so
- 9:47Speaker 1: full of energy. You can't help but think of David
- 9:53Speaker 1: as a person rather than an artwork. It's easy to
- 9:58Speaker 1: imagine him coming to life, stepping down from his pedestal.
- 10:08Speaker 1: Of course, David is an idealized representation of the human form.
- 10:15Speaker 1: His incredible height and perfect physique aren't exactly realistic, and
- 10:22Speaker 1: certain details are exaggerated or out of proportion. Perhaps this
- 10:29Speaker 1: was intentional to make them more visible for people viewing
- 10:33Speaker 1: the statue from the ground. Yet, despite this, there's something
- 10:41Speaker 1: remarkably real about David. You notice the soft curves of
- 10:48Speaker 1: his muscles and the detailed outlines of the veins on
- 10:53Speaker 1: his hand. Then there's his face, full of expression and emotion.
- 11:03Speaker 1: With his furrowed brow and intense gaze, he seems so human.
- 11:11Speaker 1: How incredible you think that David was created from a
- 11:16Speaker 1: single block of marble. Michelangelo began work on David in
- 11:25Speaker 1: the year 1501, when he was just 26 years old.
- 11:32Speaker 1: At the time, city officials were wondering what to do
- 11:36Speaker 1: with a gigantic slab of poor quality marble. a couple
- 11:42Speaker 1: of artists had already tried to turn it into a
- 11:45Speaker 1: sculpture without success. The young Michelangelo had already created other
- 11:54Speaker 1: sculptures in his native Florence. He'd also carved the famous
- 12:00Speaker 1: statue of Jesus lying in Mary's lap, which is now
- 12:05Speaker 1: on display in St. Peter's Basilica in Rome. But sculpting
- 12:14Speaker 1: David was his greatest challenge yet, and ended up as
- 12:20Speaker 1: one of his most noteworthy achievements. He spent three years
- 12:26Speaker 1: working on this sculpture, chipping away at the rough block
- 12:31Speaker 1: of marble. According to your guidebook, there's a beautiful quote
- 12:39Speaker 1: attributed to Michelangelo. In a letter, the artist wrote something
- 12:47Speaker 1: along these lines. I saw the angel in the marble
- 12:53Speaker 1: and carved until I set it free. As you continue
- 13:01Speaker 1: to admire the statue, walking around it so you can
- 13:05Speaker 1: appreciate every detail, you reflect on this idea, setting free
- 13:13Speaker 1: the angel in the marble. It's such a beautiful concept,
- 13:20Speaker 1: and it goes beyond this specific statue. There's something profound
- 13:27Speaker 1: about the idea of the artist's role, setting free their creation.
- 13:35Speaker 1: The artwork is then out there in the world, free
- 13:39Speaker 1: to be discovered by anyone and everyone. The city of
- 13:47Speaker 1: Florence is full of beautiful creations like David, just waiting
- 13:53Speaker 1: to be discovered. There's more to see in the Academia too,
- 14:01Speaker 1: including some other marble statues by Michelangelo, known as the Prisoners.
- 14:10Speaker 1: the figures seem to push their way out of the stone,
- 14:15Speaker 1: seeking to free themselves. You spend some more time exploring
- 14:24Speaker 1: the gallery, admiring other Renaissance artworks. But after a while,
- 14:32Speaker 1: you decide it's time to move on. Masterpieces like these
- 14:37Speaker 1: are best enjoyed a bit at a time. You remember
- 14:45Speaker 1: reading about an unusual phenomenon in Florence. While visiting the sites,
- 14:53Speaker 1: the French author Stendhal was so overcome with emotion that
- 14:59Speaker 1: he started to feel faint. Ever since, the term Stendhal
- 15:06Speaker 1: Syndrome has been used to describe the intense feelings that
- 15:11Speaker 1: some visitors experience in Florence. It's easy to feel a
- 15:19Speaker 1: little overwhelmed here. This small city has so much history
- 15:27Speaker 1: and amazing art and architecture everywhere you look. So it's
- 15:33Speaker 1: best to take it slow absorbing one thing at a time.
- 15:42Speaker 1: Perhaps you'll go to another gallery tomorrow, but for now,
- 15:48Speaker 1: you're ready to explore the city streets, wandering aimlessly through
- 15:53Speaker 1: the historic centre. Outside, it's a warm, sunny afternoon, but
- 16:04Speaker 1: there's a pleasant breeze in the air, carrying the scent
- 16:08Speaker 1: of jasmine and tantalizing smells from nearby restaurants. Florence feels
- 16:19Speaker 1: relaxed and laid back. It's more like a quiet town
- 16:25Speaker 1: than a bustling city, with most people getting around on
- 16:29Speaker 1: foot or by bike, and no one's rushing, People walk
- 16:36Speaker 1: slowly here, taking their time so they can appreciate the
- 16:41Speaker 1: beauty all around them. You find yourself slowing down too,
- 16:51Speaker 1: keeping pace with the city. As you stroll down a
- 16:56Speaker 1: narrow street, you admire the elegance of the old buildings,
- 17:02Speaker 1: which are mostly three or four stories high. Most are
- 17:09Speaker 1: painted similar shades of pale yellow, cream, or grey, while
- 17:16Speaker 1: the wooden shutters on the windows are brown or dark green.
- 17:23Speaker 1: Everything matches beautifully, and the colour scheme helps to create
- 17:28Speaker 1: a sense of tranquility and flow. One building merges seamlessly
- 17:36Speaker 1: into the next, and the winding streets flow on and on.
- 17:46Speaker 1: During your walk, you catch occasional glimpses of the Duomo,
- 17:52Speaker 1: the gigantic dome of the cathedral, which stands in the
- 17:57Speaker 1: heart of Florence. Every now and then, the dome appears
- 18:04Speaker 1: at the end of a street, like some vast, magical apparition.
- 18:13Speaker 1: Part of you is tempted to walk towards it, to
- 18:17Speaker 1: admire this majestic building up close. But you also like
- 18:23Speaker 1: the idea of leaving it for now, you'll save it
- 18:27Speaker 1: for later as a kind of treat. Right now, you're
- 18:35Speaker 1: happy to just wander without stopping to look at anything
- 18:40Speaker 1: in particular. You're absorbing it all, meandering through the shady streets.
- 18:52Speaker 1: Everywhere you go, there's a historic building or statue or
- 18:57Speaker 1: a sign commemorating some famous event or person. It's like
- 19:04Speaker 1: walking through an open-air museum. You remember reading that in
- 19:13Speaker 1: medieval times, Florence was one of the most important financial
- 19:18Speaker 1: centres in Europe. The city's connection to the Mediterranean Sea
- 19:25Speaker 1: through the Arno River facilitated international trade. Florence was famous
- 19:34Speaker 1: worldwide for its wool and luxury textiles, and busy merchants
- 19:40Speaker 1: made their fortune. At around this time in the 14th century,
- 19:50Speaker 1: Florence became the center of the Renaissance, a word that
- 19:55Speaker 1: means rebirth. The Renaissance was a cultural movement with innovation
- 20:05Speaker 1: in art, science, philosophy, and many other fields. Great thinkers
- 20:14Speaker 1: took inspiration from the past, such as the culture of
- 20:18Speaker 1: ancient Greece. But intellectuals were also looking forward, making exciting
- 20:27Speaker 1: new discoveries and finding new ways of thinking. It was
- 20:35Speaker 1: a time of extraordinary innovation, and Florence was at the
- 20:40Speaker 1: center of it all. It was the home to the
- 20:46Speaker 1: astronomer Galileo, whose discoveries were the foundation for modern science.
- 20:55Speaker 1: The great artist and scientist Leonardo da Vinci also lived
- 21:01Speaker 1: in this storied place. In fact, many of the great
- 21:08Speaker 1: artists of all time worked in Florence in roughly the
- 21:12Speaker 1: same period, including Michelangelo and Botticelli. It's amazing, you think,
- 21:25Speaker 1: just how many important people lived and worked in this city.
- 21:32Speaker 1: Was it just a coincidence? Or was there something special
- 21:37Speaker 1: about Florence? An answer to this question arrives just a
- 21:46Speaker 1: moment later in the form of a building. You're standing
- 21:52Speaker 1: in a square facing a grand castle-like structure. Its distinctive
- 21:59Speaker 1: bell tower adorned with a clock This is Palazzo Vecchio,
- 22:08Speaker 1: a name which translates as Old Palace. Even by Florence standards,
- 22:15Speaker 1: it's old, as it dates back to the 13th century.
- 22:24Speaker 1: This building was originally one of the residences of the
- 22:28Speaker 1: Medici family. The Medici were a banking dynasty. For generations,
- 22:38Speaker 1: they were one of the most powerful, rich and influential
- 22:42Speaker 1: families in Europe. There are many buildings in Florence associated
- 22:51Speaker 1: with the Medici, but Palazzo Vecchio is one of the
- 22:56Speaker 1: most striking. For a moment, You just stand there, gazing
- 23:04Speaker 1: up at the imposing brick facade. Then you turn to
- 23:11Speaker 1: your guidebook to learn more about the family who once
- 23:15Speaker 1: lived here. One of the most interesting aspects of the
- 23:22Speaker 1: Medici is their cultural influence. Due to their immense wealth,
- 23:31Speaker 1: they were able to commission works from some of the
- 23:34Speaker 1: most brilliant artists of the time, including Botticelli, Michelangelo, and Raphael.
- 23:47Speaker 1: The Medici were also the patrons of Leonardo da Vinci, Galileo,
- 23:53Speaker 1: and the architect Brunelleschi, who built the dome of the
- 23:58Speaker 1: cathedral in Florence. The support of this powerful family is
- 24:07Speaker 1: an intriguing common denominator. But of course, it can't be
- 24:13Speaker 1: quite that simple. In Renaissance Florence, so many different factors
- 24:21Speaker 1: came together, creating a vibrant culture and an intellectual atmosphere
- 24:28Speaker 1: that allowed talented people to flourish. You put away your
- 24:36Speaker 1: guidebook and continue to stroll through the square, enjoying the
- 24:42Speaker 1: warmth of the sun on your skin. This part of
- 24:48Speaker 1: the city has such a rich history. In this moment,
- 24:55Speaker 1: you're walking in the footsteps of some of the most
- 24:58Speaker 1: important and influential people to have ever lived. Yet at
- 25:07Speaker 1: the same time, this square is just like any other
- 25:12Speaker 1: Italian piazza. There are locals walking their dogs, children playing,
- 25:21Speaker 1: and couples strolling hand in hand. In the middle of
- 25:27Speaker 1: this historical location, people go about their everyday lives. The
- 25:36Speaker 1: contrast is strange in a way, but it also makes
- 25:41Speaker 1: the city's history feel less distant and more accessible. You
- 25:48Speaker 1: can imagine a sense of continuity throughout the centuries. When
- 25:57Speaker 1: you catch a sight of a smartly dressed Italian family,
- 26:01Speaker 1: you imagine for a moment a they might be descendants
- 26:05Speaker 1: of the Medici. Or perhaps the connection between past and
- 26:11Speaker 1: present exists in another form, not through family, but through
- 26:18Speaker 1: cultural influence. As people continue to visit Florence, finding inspiration
- 26:27Speaker 1: in the beautiful art and architecture, the spirit of the
- 26:32Speaker 1: Renaissance city lives on. You wander into the shade of
- 26:41Speaker 1: a nearby street, where you spot a group of friends
- 26:46Speaker 1: enjoying ice cream. Suddenly, you find that you also have
- 26:53Speaker 1: a craving for something sweet, and a little further along,
- 26:59Speaker 1: on the corner, you come across a gelato shop. There's
- 27:08Speaker 1: a whole rainbow of flavors on display. Strawberry, mandarin, lemon, kiwi, blueberry.
- 27:22Speaker 1: You're tempted by the chocolatey flavors too, but on this
- 27:27Speaker 1: warm afternoon, you feel like something light and fruity. So,
- 27:35Speaker 1: you get a cone with two large scoops of creamy
- 27:39Speaker 1: lemon gelato. The woman hands you the cone with a smile,
- 27:49Speaker 1: explaining that it's made with some of the best lemons
- 27:52Speaker 1: in Italy. They're grown in the south, on the Amalfi Coast,
- 28:03Speaker 1: As you eat the gelato, you close your eyes for
- 28:07Speaker 1: a moment, savoring the delicious, zesty flavor. The cool intensity
- 28:16Speaker 1: of the citrus taste seems to transport you away from
- 28:21Speaker 1: the city to a sunny lemon grove. You can imagine
- 28:29Speaker 1: endless rows of lemon trees in a garden high above
- 28:34Speaker 1: the sea. The light blue of the cloudless sky merges
- 28:40Speaker 1: beautifully into the dazzling sapphire of the ocean. When you
- 28:50Speaker 1: open your eyes, the daydream fades, but this sense of
- 28:56Speaker 1: peace stays with you as you continue to eat. It's
- 29:03Speaker 1: the taste of summer, you think. Another time, you'll have
- 29:09Speaker 1: to venture further south in Italy and visit the place
- 29:14Speaker 1: where the lemons grow. The gelato is wonderfully refreshing and
- 29:23Speaker 1: the subtle sweetness gives you a light energy boost. Although
- 29:30Speaker 1: you're feeling a bit tired, you're happy to walk on,
- 29:35Speaker 1: seeing more of this beautiful city. Soon, you find yourself
- 29:44Speaker 1: walking down a street with a difference. At first, it
- 29:50Speaker 1: seems like an ordinary street, lined with shops on both sides.
- 29:59Speaker 1: But when you look into a shop, you can see
- 30:02Speaker 1: right through the window on the other side of the building. Beyond,
- 30:10Speaker 1: there's a view of the sky and a distant hill
- 30:14Speaker 1: crowned with cypress trees. This street is actually a footbridge,
- 30:25Speaker 1: the oldest in Florence. Ponte Vecchio crosses the Arno River.
- 30:34Speaker 1: Ever since its construction in medieval times, the bridge has
- 30:39Speaker 1: been a shopping district. Originally, there were all kinds of
- 30:45Speaker 1: shops here, including butchers and fishmongers. But in the 16th century,
- 30:56Speaker 1: a Medici Duke objected to the marketplace atmosphere. Preferring something
- 31:03Speaker 1: a little more refined, he ordered that all the shops
- 31:07Speaker 1: be replaced with goldsmiths and jewelers. And it's been that
- 31:14Speaker 1: way ever since. Today, as you walk across the bridge,
- 31:21Speaker 1: you notice that every window is full of glittering gold. rings, bracelets,
- 31:30Speaker 1: and necklaces. The Medici family also made another significant change
- 31:40Speaker 1: to Ponte Vecchio. Back when the bridge was still home
- 31:46Speaker 1: to butchers and fishmongers, the Medici ordered the construction of
- 31:51Speaker 1: a covered walkway right above the shops. It's known as
- 31:58Speaker 1: the Vasari Corridor. This corridor gave the Grand Duke easy
- 32:06Speaker 1: access between two buildings. From his palace, he could walk
- 32:13Speaker 1: directly to the offices on the other side of the river.
- 32:19Speaker 1: That way, he didn't have to mingle with the crowds
- 32:22Speaker 1: on the bridge or smell the shops. These days, the
- 32:30Speaker 1: Duke's palace and offices are both open to the public.
- 32:36Speaker 1: The offices, or uffizi, were converted into the famous art
- 32:43Speaker 1: gallery of the same name. According to your guidebook, the
- 32:50Speaker 1: Duke's corridor is currently closed to the public, but it's
- 32:55Speaker 1: due to reopen soon. As you stand on the bridge,
- 33:04Speaker 1: you look up above the shops and notice the row
- 33:08Speaker 1: of small windows on the top story. This must be
- 33:14Speaker 1: the corridor. You imagine the Duke walking along here on
- 33:20Speaker 1: his way to work, enjoying the luxurious privacy of his
- 33:25Speaker 1: very own passageway. Although you can't visit the corridor right now,
- 33:34Speaker 1: you can enjoy a different kind of luxury. Walking past
- 33:40Speaker 1: the jewelry shops, you reach the middle of the bridge,
- 33:44Speaker 1: where there's an open space. Here, you can walk right
- 33:51Speaker 1: to the edge and admire the view of the river.
- 33:59Speaker 1: Standing on the low stone wall, you let your gaze
- 34:05Speaker 1: slowly drift. To the left of the river, you can
- 34:11Speaker 1: see an elegant old building, the Uffizi Gallery. The walls
- 34:19Speaker 1: seem to glow gold in the afternoon sunlight. You notice
- 34:27Speaker 1: the line of small windows along the side and wonder
- 34:32Speaker 1: if this is the continuation of the private corridor. Then
- 34:39Speaker 1: you find yourself daydreaming about other secret rooms and mysterious windows.
- 34:48Speaker 1: There must be so many magical hidden places in a
- 34:53Speaker 1: city like this. The view from the bridge is so perfect,
- 35:03Speaker 1: it resembles a well-composed painting. In the middle, there's the tranquil,
- 35:11Speaker 1: shimmering river which mirrors the sky. Along both banks, there
- 35:18Speaker 1: are rows of beautiful old buildings in shades of cream, gold,
- 35:25Speaker 1: and pale orange. And in the distance, you can see
- 35:32Speaker 1: another bridge, an ancient tower, and a hill that rises gently.
- 35:43Speaker 1: All along the top are tall, thin cypress trees. There's
- 35:51Speaker 1: a part of you that longs to go there, to
- 35:56Speaker 1: stand on that distant hill. and see Florence from another perspective.
- 36:06Speaker 1: But as you daydream about the journey, picturing yourself climbing
- 36:11Speaker 1: the hill, you realize just how tired you are. After
- 36:18Speaker 1: a long day of walking and sightseeing, you're ready to
- 36:23Speaker 1: sit down and rest for a while. Fortunately you're staying
- 36:32Speaker 1: in a hotel in the center and it's just a
- 36:36Speaker 1: few streets away. You retrace your steps wandering through the
- 36:43Speaker 1: cool shade of the back streets until you reach the hotel.
- 36:52Speaker 1: Your room is located on the top floor. It's small
- 36:57Speaker 1: but comfortable and decorated with beautiful patterns and fabrics. The
- 37:07Speaker 1: curtains look like something from a Medici palace. A creamy
- 37:13Speaker 1: velvet with intricate floral designs in varying shades of red.
- 37:22Speaker 1: This design must be intentional, you think. as a tribute
- 37:27Speaker 1: to Florence's history and its famous textile industry. But there's
- 37:37Speaker 1: something else that makes this hotel room so special. You
- 37:42Speaker 1: wanted a room with a view, and here it is.
- 37:51Speaker 1: Drawing back the curtains, you open the door, and step
- 37:56Speaker 1: onto the balcony. Right in front of you, rising up
- 38:03Speaker 1: from a sea of terracotta rooftops, is the Duomo, the
- 38:10Speaker 1: iconic dome of the cathedral. This vast structure is made
- 38:20Speaker 1: of orange-red brick, and is adorned with an ornate lantern
- 38:25Speaker 1: made from white marble. And at the very top is
- 38:31Speaker 1: a bronze ball and cross. It's the final decorative flourish,
- 38:40Speaker 1: like the cherry on the cake. The extraordinary building is
- 38:48Speaker 1: the symbol of Florence. and it also represents the spirit
- 38:54Speaker 1: of the Renaissance. You remember reading about the construction of
- 39:02Speaker 1: the dome, which was designed by Brunelleschi. Building work on
- 39:10Speaker 1: the Florence Cathedral had begun in the year 1296, but
- 39:17Speaker 1: more than a century later it remained unfinished, In 1418,
- 39:26Speaker 1: the city decided that it was time to find an
- 39:30Speaker 1: architect who was up to the challenge of designing a huge,
- 39:35Speaker 1: self-supporting dome. There was disagreement about how it should be
- 39:43Speaker 1: done and who should get the commissions. Brunelleschi was a
- 39:50Speaker 1: local goldsmith who'd never built anything. But he had a
- 39:56Speaker 1: vision for the dome, and he also had the support
- 40:00Speaker 1: of the Medici family. And, according to legend, Brunelleschi found
- 40:09Speaker 1: an unusual way to convince the panel of commissioners. During
- 40:17Speaker 1: the meetings, He suggested that the project should go to
- 40:21Speaker 1: the architect, who could make an egg stay upright, standing
- 40:26Speaker 1: on its end. An egg was passed around the table
- 40:33Speaker 1: from person to person, but of course, no one could
- 40:38Speaker 1: make the egg stay upright. Each time, it rolled over.
- 40:48Speaker 1: When it was Brunelleschi's turn, he took the egg and
- 40:53Speaker 1: tapped it against the table, breaking the shell. The egg
- 40:59Speaker 1: stayed upright and he got the commission. Whether or not
- 41:07Speaker 1: the story is true, there's no doubt that Brunelleschi was
- 41:13Speaker 1: an amazingly innovative architect. The dome is an incredible feat
- 41:21Speaker 1: of engineering, consisting of more than four million bricks. Even today,
- 41:31Speaker 1: it's the world's largest brick and mortar dome. As you
- 41:39Speaker 1: stand on the balcony, admiring the magnificent building in front
- 41:44Speaker 1: of you, you think of the story of the egg
- 41:48Speaker 1: and smile. Just like Michelangelo, who saw the angel in
- 41:55Speaker 1: the marble, Brunelleschi also saw something extraordinary in the everyday.
- 42:05Speaker 1: Perhaps this was something that the Renaissance geniuses of Florence
- 42:10Speaker 1: all had in common. You're feeling thirsty after your long walk.
- 42:20Speaker 1: So you head inside the room and pour yourself a
- 42:25Speaker 1: glass of mineral water from the fridge. Then you go
- 42:31Speaker 1: back onto the balcony and sit down in the comfortable
- 42:36Speaker 1: lounge chair. As you sip the cool water, feeling relaxed
- 42:45Speaker 1: and refreshed, you continue to gaze at the beautiful dome.
- 42:53Speaker 1: In the golden light of late afternoon, it reminds you
- 42:58Speaker 1: of the setting sun. Everything about this place is so perfect,
- 43:07Speaker 1: you think. The view of the dome and the surrounding rooftops.
- 43:17Speaker 1: The evocative, high-pitched calls of the swifts as they soar
- 43:23Speaker 1: through the sky. And the scent of jasmine from a
- 43:30Speaker 1: nearby terrace. Breathing in, you savor this rich, perfumed fragrance.
- 43:42Speaker 1: At this time of day, with evening approaching, the scent
- 43:48Speaker 1: of jasmine somehow seems stronger, more intense. Or perhaps you're
- 43:57Speaker 1: just more aware of it than before. Your senses heightened,
- 44:04Speaker 1: after a day immersed in the beauty of Florence. Whatever
- 44:13Speaker 1: the reason, you find yourself relishing the scent now. You
- 44:21Speaker 1: continue to slowly breathe in and out, gazing at the
- 44:28Speaker 1: dome The red bricks seem to merge into the soft
- 44:35Speaker 1: golden light glowing at the edges. As you watch the
- 44:45Speaker 1: light gradually fade, you treasure every moment. Sitting here on
- 44:55Speaker 1: the balcony, you feel so fortunate. You've had a wonderful
- 45:03Speaker 1: day in Florence, and now you can rest here for
- 45:10Speaker 1: as long as you like, simply enjoying the view. Thank you.
- 45:59Speaker 1: Thank you. Thank you. Thank you. So Thank you. Thank you.
- 48:57Speaker 1: Thank you for watching. Thank you for watching. Thank you.
- 50:16Speaker 1: Thank you. Thank you.