Latest / The Bootleg Kev Podcast / #262 - Ron Suno

Transcript

#262 - Ron Suno · The Bootleg Kev Podcast

0:00
Speaker 1: Blue Leg Cap Podcast special guests in here, my guy
0:03
Speaker 1: bron sooner almost You know, the Viobs be outside every
0:06
Speaker 1: day all the way from New York Cali. You already
0:09
Speaker 1: know the Bronx is in the building. We everywhere. Yeah,
0:13
Speaker 1: that's crazy. You never been on my show though, No,
0:16
Speaker 1: never man, Yeah, no, you've never been on my ship.
0:18
Speaker 1: We did that above all shit. We hung out in
0:20
Speaker 1: New York. We did a corner store bronch old keV
0:22
Speaker 1: make a wish h eleven eleven. You know what's great
0:26
Speaker 1: about that? That's the name of my nightclub. Well crazy,
0:30
Speaker 1: see how it worked? Damn it. You got a new
0:34
Speaker 1: album coming, that's a fact. We dropped February. Yeah, February tenth.
0:38
Speaker 1: Ain't gonna love you for me? Twenty twenty three Viobs
0:40
Speaker 1: new energy, new music. So we're just giving them a
0:43
Speaker 1: new type of vibe. What's the name it's gonna be called?
0:46
Speaker 1: It's my time because I feel like right now it's
0:49
Speaker 1: definitely my time, like after everything I worked for me
0:52
Speaker 1: and the team like we like twenty three, twenty twenty three,
0:56
Speaker 1: that's for greatness. I ain't gonna lie. Yeah, you had
0:59
Speaker 1: a busy twenty twenty two too, obviously you guys put
1:01
Speaker 1: the group project out. Yeah, with you on point like op,
1:05
Speaker 1: Dusty Ross, Well, that's a fag you were You were
1:10
Speaker 1: the only guy not from Brooklyn on that huh Almost definitely, Yeah,
1:14
Speaker 1: And I feel like probably the only person that ever
1:17
Speaker 1: did a table booking people in New York like that
1:19
Speaker 1: for me, especially like speaking from the bunks Britain, bridging
1:23
Speaker 1: the gap right. Yeah, So I feel I was probably
1:25
Speaker 1: the only person to do that in a minute, make
1:27
Speaker 1: a table bookling people, and I feel like it's you
1:30
Speaker 1: not in New York to one for me. Have you
1:32
Speaker 1: been able to chop it up with Dusty since he
1:34
Speaker 1: been locked up? I mean I still see my love ownership,
1:37
Speaker 1: but for me, I ain't really get to speak to him.
1:39
Speaker 1: But when the time is well, I definitely don't speak
1:41
Speaker 1: to him. I mean I think he knew he was
1:42
Speaker 1: going in, so yeah, he gonna be out for a
1:45
Speaker 1: long time. He gonna be real smoothly, gonna turn the
1:48
Speaker 1: shit up again. I never stopped, yall. Do you feel like, finally,
1:54
Speaker 1: in the last year and a half or two, people
1:56
Speaker 1: have because you kind of burst it on the scene
1:58
Speaker 1: as somebody who was really funny online. Do you feel like,
2:03
Speaker 1: now people are starting to see you as like the
2:05
Speaker 1: rapper first, are you getting to respect? You think, because
2:08
Speaker 1: you know, when you come in as like an entertainer, Yeah,
2:11
Speaker 1: you got to kind of earn the respect of the
2:13
Speaker 1: hip hop community a little bit harder. Fine, I feel
2:18
Speaker 1: like now people understand because it's a new lane. Right
2:21
Speaker 1: at first, it wasn't trending because like when you hear
2:25
Speaker 1: music and you hear like while it came from I
2:27
Speaker 1: was doing skits out first, but I was still focused
2:30
Speaker 1: on music on the side. So I feel like that time,
2:33
Speaker 1: entertainment wasn't really lit in the music business because people
2:36
Speaker 1: that was doing drill music and things like that had
2:39
Speaker 1: a different type of side of them. For me, you
2:41
Speaker 1: never get to see the fun side of them, so
2:42
Speaker 1: it was more serious. And that's why I feel like,
2:45
Speaker 1: now you got YouTubers and all these new people. Now
2:48
Speaker 1: it's a new lane for rappers to doc like that.
2:51
Speaker 1: And since I was being the first rapper to do it,
2:54
Speaker 1: it's like I opened the doors for a lot of
2:55
Speaker 1: new artists to be themselves. Yeah, when we think of
2:58
Speaker 1: drill music, we think of like very serious, like you know,
3:03
Speaker 1: aggressive subject matter, and then you got someone like yourself,
3:06
Speaker 1: who's just hilarious. Fact he's not afraid to be like
3:10
Speaker 1: himself because a lot of rappers are afraid to be themselves. Man,
3:13
Speaker 1: they're like, you know, they got to put on this
3:15
Speaker 1: facade or this character when they're on camera. And I
3:18
Speaker 1: feel like you've always kind of been unapologetically yourself. Yeah,
3:22
Speaker 1: I feel like now it's just people Like with music,
3:25
Speaker 1: it's just like maybe the fans tool for me, Like
3:27
Speaker 1: they don't want to like show the fans that side
3:30
Speaker 1: because they feel like the fans not gonna like it.
3:32
Speaker 1: So it's always like a prob thing, like they don't
3:34
Speaker 1: want to lose people for me, like say a nigga,
3:37
Speaker 1: Like you're always serious, it's so open, so how they
3:39
Speaker 1: don't want like right, I think that's the ship that
3:43
Speaker 1: fans like more. But they feel like you're more relatable.
3:46
Speaker 1: And but in life though, it's like everybody will always
3:48
Speaker 1: be like they don't know until you take a risk.
3:50
Speaker 1: Sometime people take that risk. Yeah, I mean I was
3:53
Speaker 1: willing to take that risk, like to do everything like
3:56
Speaker 1: whether it was funny and it was crazy, and they
4:00
Speaker 1: doubted the tools. They never thought I would be able
4:02
Speaker 1: to do it. So now for like Tom is definitely
4:05
Speaker 1: right for me to make music about it and and
4:08
Speaker 1: still be funny with it too. That's I think that's
4:10
Speaker 1: still man who was on the album. Any features, We
4:13
Speaker 1: definitely got a lot of features on it. We got
4:15
Speaker 1: over six features, probably for me. I got Asian Doll,
4:19
Speaker 1: Oh My God, Shai K, Dougie, b C. Blue, I
4:25
Speaker 1: got the forty one kids. It's a lot of features
4:27
Speaker 1: on there. And especially like New York orientated because I
4:30
Speaker 1: feel like as New York, We're always going to stand
4:34
Speaker 1: out for me. A lot of stations for me because
4:36
Speaker 1: a lot of states doing any thing. But when you
4:38
Speaker 1: talk about New York, the drill scene is so impeccable
4:41
Speaker 1: because you got the people from different sides that's doing drill.
4:44
Speaker 1: Like on b you got Lisa Keys, everybody that's doing drill,
4:47
Speaker 1: Kanye West. So I feel like me going back to
4:49
Speaker 1: New York and circling to do songs with these people
4:53
Speaker 1: and sure that we still Yeah, how crazy is it
4:56
Speaker 1: to hear like Alicia Keys singing over a drill beat?
5:00
Speaker 1: Ship's kind of crazy? Right? Growing your Yeah by the day,
5:03
Speaker 1: Like the more is new artist is, the more is new,
5:06
Speaker 1: soiund for the drill genre. It's always gonna grow, It's
5:09
Speaker 1: gonna last too. Would you consider fave Yo to kind
5:12
Speaker 1: of be like the like one of the godfathers of
5:14
Speaker 1: this New York drill ship because I feel like he
5:16
Speaker 1: was kind of one of the first guys, even before Pop.
5:18
Speaker 1: I feel like he kind of was the guy who,
5:20
Speaker 1: like nationally, was making noise. I mean, correct me if
5:23
Speaker 1: I'm wrong. Yeah, I'll give him his flowers. Your he
5:25
Speaker 1: definitely put on for a lot of people, for me,
5:28
Speaker 1: especially in New York, because you did a lot of
5:30
Speaker 1: features your so definite give me flowers for that. Explain
5:35
Speaker 1: to me. Uh well, first of all, kudos to you
5:39
Speaker 1: k Flock and Dougie Beef for being man enough to
5:44
Speaker 1: kind of put issues aside before things get out of
5:46
Speaker 1: hand and get you know, I thought that was a
5:49
Speaker 1: dope thing to see because a lot of artists, we
5:51
Speaker 1: don't see people squashing beef. We see somebody on. You know,
5:57
Speaker 1: especially in New York. People are losing their lives left
5:59
Speaker 1: and right. Man, So I thought that was amazing Considering
6:01
Speaker 1: you guys are off from the Bronx, and I feel
6:04
Speaker 1: like the Bronx in the drill scene, it's not as
6:09
Speaker 1: you know, big as guys from Brooklyn. I mean, you
6:12
Speaker 1: guys are kind of like, you know, waving that flag
6:14
Speaker 1: and to be as a united front. I think that's important.
6:18
Speaker 1: What was behind you guys, you know, burying the hatchet
6:20
Speaker 1: and squashing the beef. I feel like sometimes like miscommunication
6:28
Speaker 1: most of the time. Most of the time like miscommunication,
6:30
Speaker 1: like I met people in person, like for me, like
6:34
Speaker 1: when I met Doug ee B, we talked in person
6:37
Speaker 1: for me. So it's like those type of vials you
6:40
Speaker 1: gotta see because a lot of times it would be
6:42
Speaker 1: the internet. You got the Internet and between people that
6:45
Speaker 1: always could stop a situation like even with like you
6:49
Speaker 1: go back to like like fifties who probably is probably
6:52
Speaker 1: madgit going on with the blows all types of shit.
6:54
Speaker 1: But then you meet people shuit down. It's differently from me.
6:57
Speaker 1: So I feel like you gotta sit down some people
7:01
Speaker 1: and see the bigger picture. So you guys just kind
7:04
Speaker 1: of sat down and were like, Hey, what are we doing?
7:06
Speaker 1: Like nah? Yeah, Like for me, even even with my
7:09
Speaker 1: man's bolguy he said collaborable competition. Like that's a quote
7:12
Speaker 1: that I'm always going feel like that's gonna stand out
7:16
Speaker 1: to me because it's like at the end of the day,
7:18
Speaker 1: when you compete with people, is never gonna last. Because
7:21
Speaker 1: you collab with them, you can make saying yeah, let's
7:23
Speaker 1: get some more money. There's more money in collabing than
7:26
Speaker 1: there is in beefing. Yeah, And that's why I feel
7:27
Speaker 1: like I could be the artist to do that too,
7:29
Speaker 1: because it's like, I don't have a beef with anybody. Like,
7:32
Speaker 1: I don't make dis tracks. I don't make the type
7:33
Speaker 1: of music where people feel like I gotta choose a side.
7:37
Speaker 1: So when I bring all these people together, it's gonna
7:39
Speaker 1: make sense. Yo. Whatever, We got to stop the interview
7:41
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Speaker 1: up for an account. Let's get back to the interview. Yeah,
8:50
Speaker 1: I do think that like you do stand out in
8:51
Speaker 1: that way amongst your peers who make drill music as
8:56
Speaker 1: to where a lot of your music subject matter isn't
8:58
Speaker 1: necessarily uh derived in killing motherfuckers, you know what. And
9:04
Speaker 1: it's like for me, granted, like my music is still
9:07
Speaker 1: gonna make people adrenaline. Course, of course, you got so
9:10
Speaker 1: much energy you can still you can still go crazy
9:13
Speaker 1: to my music, but not necessarily to the point where
9:16
Speaker 1: you gotta let me go out the window for that.
9:18
Speaker 1: You can just still get crazy. Do you feel like,
9:22
Speaker 1: in general, some of the guys in the drill scene
9:25
Speaker 1: are kind of maturing because you know, there has been
9:28
Speaker 1: people who have lost their lives, not anybody associated with you,
9:31
Speaker 1: per se, but I just mean in terms of, like,
9:33
Speaker 1: you know, now that you got guys like the uh
9:37
Speaker 1: the new mayor of New York talking about banning drill
9:40
Speaker 1: music and certain radio stations saying we won't play certain
9:42
Speaker 1: drill music. Do you feel like collectively the scene is
9:46
Speaker 1: starting to kind of realize, like there's more money if
9:50
Speaker 1: we don't hurt each other and if we kind of
9:53
Speaker 1: just I just feel like niggas wiping themselves out. Niggas
9:58
Speaker 1: niggas because people who got understand like when you worry
10:02
Speaker 1: about little ship, you're not gonna last out here, you
10:04
Speaker 1: So I feel like it's the people that's that's that's
10:07
Speaker 1: open touch now is the people that still here. You
10:10
Speaker 1: know its gonna be new uties. So I feel like
10:14
Speaker 1: the drill scene is not getting clear. It's just people
10:16
Speaker 1: not lasting. So it's not that much people rapping out that,
10:19
Speaker 1: you know what I mean. So I'm just wanted a
10:20
Speaker 1: few to be still doing this because I feel like
10:23
Speaker 1: I stay in my lane. I don't got to feed
10:26
Speaker 1: into the negativity. So it's like and it's laying. You
10:29
Speaker 1: gotta just know how to last. Have you had a
10:32
Speaker 1: big homie in the rap game in New York just
10:33
Speaker 1: put his arm around you and give you some game.
10:35
Speaker 1: But you know I got good management, I got a
10:38
Speaker 1: good family. You do have great manag I guy both.
10:42
Speaker 1: I mean, like any any o g rappers like a
10:44
Speaker 1: Fat Joe or like just watching growing up? No no, no,
10:48
Speaker 1: like somebody who you who co signed, reached out you
10:53
Speaker 1: know what, you know what it is When you do
10:55
Speaker 1: it independently, you learn more. So it's like me being
10:58
Speaker 1: an independent all this and just even know with some
11:00
Speaker 1: different labels, it's like it's all the s is that's
11:04
Speaker 1: doing ship, but they never get the experience to be
11:06
Speaker 1: hands on. So when you hands on ship, you get
11:08
Speaker 1: to see. So I'm learning everything. So a lot of
11:11
Speaker 1: these artists don't know. So I'll get to talk to
11:13
Speaker 1: them and see what I could do. You know, like,
11:16
Speaker 1: I mean you obviously you're I was gonna say, like
11:20
Speaker 1: you are very uh in terms of your your ceiling.
11:26
Speaker 1: I feel like it's like superstartup because of your personality.
11:29
Speaker 1: Would you ever consider acting doing movies ship like that? Nah,
11:33
Speaker 1: most definitely. I ain't gonna lie. Like when the time
11:35
Speaker 1: is right, whinning it makes sense, I'm definitely gonna do that,
11:38
Speaker 1: Like I'm just waiting for the opportunity. Hell yeah, that'd
11:40
Speaker 1: be crazy. Would you do it on a TV show
11:42
Speaker 1: or some shit? I have an on TV show for
11:45
Speaker 1: me be seting o girls backs, like I have my
11:49
Speaker 1: own shit, yo yo. What is the one skit you've
11:53
Speaker 1: done that you got the most backlash about or negative
11:57
Speaker 1: feedback when people are like, what the fuck are you doing?
11:59
Speaker 1: Because you've had some wild skits? Probably the new shit
12:01
Speaker 1: the horse challenge, Like I feel like, oh, they got
12:04
Speaker 1: the buleg coming over, bu Leg slide that thing back
12:07
Speaker 1: of there you go, it's right on now years So
12:09
Speaker 1: now I feel like the horse challenge because you got
12:11
Speaker 1: some people that I haven't seen it, So what is it?
12:14
Speaker 1: It's called the horse challenge where I'm sitting on girls
12:16
Speaker 1: backs because I don't got a permit or license. So
12:19
Speaker 1: when I sit on the girl back, it's transportation. Wait wait,
12:22
Speaker 1: so and she like, she like travels for travels, so
12:25
Speaker 1: she's like your horse. She's my horse for me. So
12:27
Speaker 1: now it's the horse back challenge. But I feel like
12:29
Speaker 1: that's that's something that people got to understand from me,
12:32
Speaker 1: because you know, you got to that's that's my kind
12:35
Speaker 1: of humor. That's about to go vital, maybe for the
12:37
Speaker 1: wrong reason, but I'm with it. Yeah for me. That's
12:40
Speaker 1: why it's like for me, it's however you look at it,
12:42
Speaker 1: but how much you weigh like a buck buck fifty
12:44
Speaker 1: buck fifty five? Now probably like one seventy one sixty eight.
12:48
Speaker 1: I ain't gonna lie probably right now. I don't know.
12:51
Speaker 1: I definitely got to rue the horseback challenge. Yeah, I'm
12:54
Speaker 1: getting on any girl back and she let mean, I
12:57
Speaker 1: love that. A lot of girls got strewn backs. I mean, yeah,
13:01
Speaker 1: are you? Are you single at this point in time?
13:03
Speaker 1: Ron are you? I'm not gonna say I single. I'm
13:07
Speaker 1: having fun. You're having fun. I'm having fun. That's important.
13:10
Speaker 1: I'm young, you are young. I have fun. I settle
13:15
Speaker 1: How much music are you currently sitting on outside of
13:18
Speaker 1: the album. We know the album's coming. How many songs
13:20
Speaker 1: is that? And then I'm sure you got hard drives
13:21
Speaker 1: for shit? Every time I go to the studio, do
13:24
Speaker 1: it soon, So you got a lot of music. Literally
13:27
Speaker 1: every time in my life that I went to the studio,
13:29
Speaker 1: I did a song, like if the studios booked for
13:32
Speaker 1: like me, Yeah, I did a song. So I feel
13:34
Speaker 1: like that's like a thousand over a thousands. So what's
13:39
Speaker 1: your writing process? Do you punch in or do you
13:41
Speaker 1: write down a freestyle? So you're doing like you do
13:45
Speaker 1: line by line? Yes, well most the majority of the time,
13:48
Speaker 1: I just come up with the hook. Okay, I come
13:50
Speaker 1: up with the hook. I try to make it catch
13:53
Speaker 1: you like. Sometimes it depends on the beat too, you know,
13:55
Speaker 1: like sometimes it can be a hit or miss because
13:58
Speaker 1: music is not gonna always be one hundred percent. So
14:01
Speaker 1: like I feel like with beats, if they beat massed,
14:03
Speaker 1: my personality is gonna be a hit, so it's gonna
14:06
Speaker 1: be natural. I go on the booth, I make a
14:08
Speaker 1: hook that ship that as voted as natural. Brould of
14:12
Speaker 1: got Yeah, I feel like you do have a you
14:16
Speaker 1: do have a a proclivity for hooks for sure. I
14:20
Speaker 1: feel like to fans for me, yeah, even with Graba,
14:23
Speaker 1: what they're gonna say, Even with the remix, I feel
14:27
Speaker 1: like that remix got so much viewsual to throws the
14:29
Speaker 1: original one right for me, Like shout out to the
14:32
Speaker 1: Skilly band, shouts for me. Everybody that did they think
14:36
Speaker 1: on the remix, But I had the best remix. I
14:38
Speaker 1: ain't go lie like you don't make the catchy as soon.
14:41
Speaker 1: You know what's crazy is the first time I ever
14:43
Speaker 1: see someone smoke a split in my life is when
14:45
Speaker 1: I saw you do it well, because that's some real
14:47
Speaker 1: East Coast shape, is no backwards. I saw you like
14:50
Speaker 1: rolling a cigarette. It was weird with like the leaf
14:54
Speaker 1: chopped up in it. What the fuck these broncass? Yeah,
14:59
Speaker 1: that's the movie I go a lot. That's how I
15:01
Speaker 1: feel like. You got to smoke out here because you
15:03
Speaker 1: can control your blood like I feel like with a
15:05
Speaker 1: backwood you can't even control. Do you have a paper right,
15:08
Speaker 1: and then you put the weed in it and then
15:10
Speaker 1: you chop up the grabble leaf. I mean it should
15:12
Speaker 1: come up already like chopped up. Okay, okay, So the
15:16
Speaker 1: so you go to the store and there's just a
15:17
Speaker 1: chopped grabble leaf you buy and then you sprinkle that
15:20
Speaker 1: in roll it up. Yeah, that should go crazy. So
15:23
Speaker 1: it's like fifty percent cigarette fifty percent blunt. That's that's
15:27
Speaker 1: like a different rollers Like I'm full of bunks. I
15:30
Speaker 1: smoked weed. Yeah, okay, but I'll put the glob in
15:36
Speaker 1: the right place. Nice look at you. That's the ratio. Yeah,
15:44
Speaker 1: a lot of you know, I smove good weed. You're like, hey,
15:48
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18:11
Speaker 1: Let's get back to the interview. I mean, this is
18:13
Speaker 1: what's kind of crazy about New York now, because the
18:17
Speaker 1: first time I met you was like the day after
18:21
Speaker 1: it became legal. It was like the day right Cyrus,
18:24
Speaker 1: when were we out there, like the day it happened.
18:27
Speaker 1: So I didn't get to really see, like I just
18:30
Speaker 1: went back and that ship is the wild wild West.
18:34
Speaker 1: Like you go to the fucking the bodega and there's
18:37
Speaker 1: fucking a jar of weed behind the fucking counter and
18:40
Speaker 1: they're selling eighths at at like every random corner store
18:43
Speaker 1: in New York City. If there's fucking tables full of
18:46
Speaker 1: that shit at the park, Like we're in the middle
18:49
Speaker 1: of an interview, bro Yost, it's a girl, now, send
18:57
Speaker 1: your boy out. It's a good the pussy pulled up.
19:04
Speaker 1: The Cali puss has slid. Yeah, but what was saying.
19:07
Speaker 1: I'm saying that the weed is everywhere in New York. Yeah,
19:10
Speaker 1: niggas getting weed anywhere, but it's every even mushrooms is everywhere.
19:15
Speaker 1: Why can you hear about mushrooms? Though? What? What's up?
19:17
Speaker 1: The shrooms is every up? Like that's like accessible now?
19:20
Speaker 1: Yeah in New York City is legal? Smoos is legal? Bro,
19:25
Speaker 1: I don't know. I just know they were selling them.
19:27
Speaker 1: Why I keep I feel like everybody's taking shrooms and
19:30
Speaker 1: this ship like it's so trending right now, like somebody
19:34
Speaker 1: like I feel like I get asked, have you tried
19:36
Speaker 1: any No? Why not? Because I just smoke weed and
19:39
Speaker 1: I trink a little bit of like if I'm live,
19:41
Speaker 1: like so you won't do like heroin, We can't shoot
19:47
Speaker 1: up after this do some real seventies white but it's crazy.
19:54
Speaker 1: Smoke some mac lot. These vibors probably be doing ship
19:57
Speaker 1: like theseus smoked so much. These rappers definitely be coked
20:02
Speaker 1: out of their fucking brain. Now, I don't know about heroin.
20:05
Speaker 1: I don't know anybody who's doing heroin. Heroin. I never
20:07
Speaker 1: met a person that did that. Most rappers do a
20:09
Speaker 1: lot of cocaine. Yeah, I just allowed whatever keep them
20:13
Speaker 1: going for me. No, I don't condone that. You You
20:17
Speaker 1: can't condone that ship. Stay away, Stay away from the drugs,
20:20
Speaker 1: because listen, they're killing our young fans. They're killing all
20:23
Speaker 1: young people. Stop it. Random question, Ron, have you ever
20:27
Speaker 1: have you ever paid for sex? I mean, if you
20:30
Speaker 1: want to talk about like necessarily like uber's fool like,
20:35
Speaker 1: that's what I say. Have you ever been you not
20:38
Speaker 1: just directly, you've never went to a rubbin tug? You
20:41
Speaker 1: talk about a spot like, you never got a massage.
20:44
Speaker 1: You never got rubbed down though I did, right, but
20:48
Speaker 1: there was free you Funny, how you do you know
20:54
Speaker 1: you're with it? So so you might have paid for
20:56
Speaker 1: a massage. I'll pay for the massage. Of course. There's
21:00
Speaker 1: a happy ending, happy ending, of course. Yeah. Nice. How
21:03
Speaker 1: old was the lady was she like an old Asian lady?
21:06
Speaker 1: How old she was like thirty? She was probably thirty seven,
21:11
Speaker 1: but that was it. That was when I was like nineteen,
21:13
Speaker 1: I was like ninety. Yeah. How much music are you
21:18
Speaker 1: releasing this year? Just? I mean we got the new
21:20
Speaker 1: project February tenth. Ye that that tape? Have twelve soon?
21:25
Speaker 1: Are you? Are you like spinning the block pretty soon?
21:28
Speaker 1: Or you gonna let it live for a while? What
21:29
Speaker 1: are you doing? I mean, like I'm gonna let that
21:32
Speaker 1: ship membery because they all hits like I did songs
21:36
Speaker 1: with Mad People, right, folore, So I about that. I
21:44
Speaker 1: still got unbeleas shit down, probably go and just put out,
21:47
Speaker 1: but for the most part, like I'm just going to
21:49
Speaker 1: go crazy in general, like old lanes like YouTube music, right, TikTok?
21:56
Speaker 1: Who do you got as the greatest? I mean, you're
21:59
Speaker 1: from a very legendary burrow. It's literally where hip hop started.
22:03
Speaker 1: The birthplace of hip hop is the Bronx. Who's in
22:06
Speaker 1: your top five Bronx mcs of all time? You can't
22:09
Speaker 1: say yourself. You can't say yourself. I can't even think
22:13
Speaker 1: of rappers from the booms that's who Big Pun, Fat
22:16
Speaker 1: Joe I could say Fat Joe big pun who I'm
22:19
Speaker 1: gonna say, like, yo, Max who who from the books?
22:25
Speaker 1: Wrapping back then? I don't know what ever, because I
22:27
Speaker 1: was listening to fifty like like like, I don't be
22:31
Speaker 1: I'm gonna keep it a buck. I'm from the books.
22:33
Speaker 1: But when I was growing up, I'm listening to fifty,
22:35
Speaker 1: I'm listening to fucking fabulous jay Z Brooklyn and Queens
22:41
Speaker 1: Brooklyn Queens like you for me? Of course, Fat Joe
22:45
Speaker 1: shout out to Joey Crack who Joey Crack. They call
22:48
Speaker 1: him Joey crack Crack. That's what they calling him, right,
22:51
Speaker 1: But you know, I mean don Carter Gina Man, I mean, listen,
22:54
Speaker 1: Fat Joe instrumental. That's why did the we challenge to you.
22:57
Speaker 1: I made a challenge to his instrumental. He I know
23:01
Speaker 1: you see that. Have you met yet? You guys both
23:04
Speaker 1: an empire. I don't know. I don't know everybody. I
23:10
Speaker 1: don't know if I see them. Probably, Yo, he came
23:12
Speaker 1: to my hood, though, he came to my hood. I
23:15
Speaker 1: came to your hood. Yeah, you came. You came to
23:17
Speaker 1: my hood. Got a chop cheese. I ain't gonna live
23:19
Speaker 1: but he came to my hood. He did like a
23:20
Speaker 1: I think he was. He was like, yo, your imagine
23:22
Speaker 1: what we came to. What he did though, he did
23:27
Speaker 1: saying I forgot gang took a pic of him though. Wow,
23:29
Speaker 1: that was before I know when we were hanging out
23:32
Speaker 1: in your area. We were just like hanging out in
23:34
Speaker 1: some random courtyard for like houses in the two hours
23:37
Speaker 1: and I was like, my boys from the Bronx and
23:40
Speaker 1: I dropped on my location. He's like, bro, you are
23:43
Speaker 1: in the middle of the ship over there. He was in.
23:49
Speaker 1: I ain't gonna lot to you. It was cool though
23:51
Speaker 1: he was. It was flying the drone around that I
23:54
Speaker 1: made sure he was safe. Cardi B's up there too.
23:59
Speaker 1: Best Bronx rappers, right, I mean she's been putting on
24:01
Speaker 1: for sure, new wave ye Ice Spice, Ice Spices from
24:05
Speaker 1: the Bronx. I'm not sure we could put her any
24:08
Speaker 1: best rapper discussion. She's a rapper though she's doing her thing.
24:11
Speaker 1: She's doing her thing. There's mad new people coming from
24:16
Speaker 1: the Bones. Osama. Yeah you know what that is. He's
24:21
Speaker 1: on fire. He's on fire. Now. I didn't even know
24:25
Speaker 1: it's from the Bronx. I just know I'm thinking for
24:27
Speaker 1: the bones. He's selling out. Hello, I don't think for
24:30
Speaker 1: the bones. He's like he's like a kid too, right kid,
24:33
Speaker 1: but he's not from the bones. Yeah, you guys are
24:36
Speaker 1: killing it, man, huh o. Kress one of course, Caress
24:41
Speaker 1: one at wait wait wait wait, wait, wait, wait wait run.
24:44
Speaker 1: You don't know who cares? What song? Is that? The
24:49
Speaker 1: sound of the police. You probably sabling Boogie Down production that.
24:54
Speaker 1: Now we're not bumping over it like that, Bugget care.
25:00
Speaker 1: This one is one of the greatest rappers of all time.
25:01
Speaker 1: Now fight shout the cares one I was listening to.
25:04
Speaker 1: Never in your fucking life listen to Kress one. That's
25:07
Speaker 1: not one kress One song. Martha Stewart doesn't make music
25:14
Speaker 1: ron she's a She cooks on TV and steals money.
25:19
Speaker 1: She's on TV with Snoop. Name me a Karas one
25:27
Speaker 1: song you've ever listened to? Your life? Yourself full of Ship?
25:37
Speaker 1: You tell I know that I named the song for you.
25:41
Speaker 1: I know that song? Like what other song? They mean?
25:44
Speaker 1: Like it was in movies though, if it was the
25:46
Speaker 1: South Bronx, the South South Bronx, that's the one that's
25:51
Speaker 1: Boogie Down productions. It's Carras one. Hey, we got to
25:53
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Speaker 1: it's going down. All right, Let's get back to the interview. Yo.
27:11
Speaker 1: You don't even know the nigga that made hip hop
27:15
Speaker 1: the booms. You know how you had crates? Yeah, my
27:19
Speaker 1: dad was holding He was holding the crates at that
27:22
Speaker 1: time when hip hop was his freestyling. Back then, when
27:25
Speaker 1: like hip hop was invented, your dad was there. Are
27:28
Speaker 1: you telling me your dad invented hip hop? He was
27:31
Speaker 1: in that generation he was, he was I'm influenced by
27:33
Speaker 1: hip hop. So your dad was there with like cool
27:35
Speaker 1: Hirk and all that shit. My dad was holding it back. YO.
27:39
Speaker 1: What yo, I go out my daughter? Look what my
27:41
Speaker 1: daughter neck? My daughter neck? My dad was he knew
27:44
Speaker 1: who heard, they knew other you you're fucking He lived
27:48
Speaker 1: on that block. You were born for this. My dad
27:50
Speaker 1: lived on that block when he was younger. I believe
27:52
Speaker 1: I was born. I don't believe you've ever listened to
27:56
Speaker 1: here my pops, but I believe this. My pop is
27:59
Speaker 1: in a quid freestyle, quick freestyle. I'm already rapping. Wow,
28:04
Speaker 1: I'm trying to show you. I'm trying to show you
28:07
Speaker 1: all here. Do you ever listen to uh any of
28:12
Speaker 1: the UK ship anything with us millions? Right? Well? Who
28:17
Speaker 1: bust millions? Okay, me and him probably gonna do something
28:20
Speaker 1: for him. I was talking to him on Facehu, I'm
28:23
Speaker 1: such a fake, like I got some with Bunty. You
28:26
Speaker 1: know Bunie. He's from the UK. The only guy that
28:30
Speaker 1: I know that's I think I know Central C and
28:34
Speaker 1: that's about it essentral because yeah, yeah, but I'm trying
28:40
Speaker 1: to indulge in that Central. I'm about to go to UK.
28:48
Speaker 1: I just thought my past. It's now you about to
28:51
Speaker 1: go to Toronto. I'm about everywhere. Do y'all? Are you
28:55
Speaker 1: allowed back at Rolling a Loud yet? I don't know.
28:58
Speaker 1: Now that you guys squashed the thing, I feel like
29:00
Speaker 1: you guys should each like y'all should come out together
29:02
Speaker 1: at the next Rolling Loud. It's kind of fucked up
29:05
Speaker 1: that in New York the cops like are a cock
29:08
Speaker 1: blocking all the rappers. It ain't even Rolling Loud that's
29:11
Speaker 1: doing it. It's the fucking cops, right is it Jersey
29:15
Speaker 1: or is it the Nypdna, I go a loud. I
29:18
Speaker 1: don't know what it is. Bro, I ain't do nothing.
29:21
Speaker 1: You're a pretty positive guy. I ain't do nothing, but
29:24
Speaker 1: I was established trouble. I don't condom violence. You feel me? Bo?
29:28
Speaker 1: I made music for the kids. Don't do heroin? Nah? No,
29:34
Speaker 1: of course you kidding. I go lout. Let me tell
29:39
Speaker 1: you I sid once in life. That's like liquid heroin.
29:43
Speaker 1: I've never done. That's why I heard so That's how
29:45
Speaker 1: I say I sit the walk once because I took
29:48
Speaker 1: the walk to Poland. You never took the walk to Poland?
29:53
Speaker 1: Is that a little Yachty song? Yeah, you know what
29:55
Speaker 1: I'm saying. He took the walk the polar I took
29:57
Speaker 1: the walk to my block. I ain't. I ain't even
29:58
Speaker 1: go to Poland. I feel like it's racist that you
30:01
Speaker 1: would assume I've been to Poland. Now I'm just saying,
30:04
Speaker 1: li Yachty did did you? I didn't know any anybody
30:09
Speaker 1: you want to work with this year that you haven't
30:11
Speaker 1: worked with yet. Man, I need a Justin Bieber feature
30:14
Speaker 1: like that, like what's up? And I need a tell
30:19
Speaker 1: let me get on her ribs like like that's it. Yeah,
30:23
Speaker 1: have you tried to sign in I spices DMS. At
30:25
Speaker 1: least maybe take her for a talk about that. You
30:30
Speaker 1: should take her for a chop cheese chop cheese day. Yo,
30:33
Speaker 1: I ain't gonna lie you take Tuesday. I Spice is
30:39
Speaker 1: here right now. I can take sees day. Take I
30:43
Speaker 1: got good not in l A l. They don't got
30:47
Speaker 1: they got good tacos, tacos breakfast, l A go weed,
30:53
Speaker 1: Like I'm going to LA for good weed. That's it.
30:56
Speaker 1: I do feel like the weed in New York is
30:58
Speaker 1: like hit or miss because it's so available now that
31:02
Speaker 1: it's just everywhere. Sometimes you'll be getting ship thinking it's
31:05
Speaker 1: some za and it's just like, Okay, I'm not saying you.
31:09
Speaker 1: I mean you know, I know, but niggas don't be
31:11
Speaker 1: smoking out here. Man. These niggas in New York. They
31:14
Speaker 1: gotta they gotta come to us every and everyone just
31:17
Speaker 1: got a pound of weed in New York now, just like, Yo,
31:19
Speaker 1: you want to eight everybody, we like, we're I smoke.
31:25
Speaker 1: I got all the bootleg fucking weed bags at the bodegas.
31:28
Speaker 1: You could buy the fucking empty bag. Keep sucking with
31:30
Speaker 1: the mic thing. Jesus christ. I don't know why I
31:33
Speaker 1: was doing I don't know. It's because you keep doing this.
31:36
Speaker 1: You keep picking you know you did that on purpose.
31:38
Speaker 1: You keep picking the mic up and twirling it around,
31:41
Speaker 1: and it's look at it's just there. You keep spinning
31:47
Speaker 1: it around there like I want to grab I'm about
31:49
Speaker 1: to grab this ship like I'm gonna just have You
31:52
Speaker 1: can still hear me, now, you know what it is?
31:56
Speaker 1: Oh no, it's just there. I feel like I'm in
31:57
Speaker 1: the studio like I'm about to rap. So when I wrap,
32:00
Speaker 1: I always fix the mic like I'm about to for me,
32:02
Speaker 1: because you know that they might be shorter than me. Yeah,
32:04
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33:58
Speaker 1: Let's get back to the interview. Well, listen, man, your
34:01
Speaker 1: new album comes out February tenth. It's twelve records, six features,
34:06
Speaker 1: ish right about six? Hopefully I spice response to your
34:11
Speaker 1: DM soon enough so you can get in the ribs. Um,
34:16
Speaker 1: it's just cooloy, you need to set up the kress
34:19
Speaker 1: one feature. Oh Chaos? What yo? Keith Murray? That was random?
34:27
Speaker 1: Are you just naming old rappers? You know Keith? Of course? Yeah?
34:36
Speaker 1: What why are you naming Keith? A? Sit down and
34:38
Speaker 1: tell me why? BO want you to tell me about
34:40
Speaker 1: get Murray? What happened with Keith Murray? I hear you
34:43
Speaker 1: going vibrate now? He is going viral like I've just
34:46
Speaker 1: hear this nigger name gig like, do you know anything
34:50
Speaker 1: about him? It's Keith Murray from the Bronx, the most
34:56
Speaker 1: beautifulest thing in the world. I don't think it's in
35:00
Speaker 1: the Bronx. Is he from the Bronx? He's not, might
35:03
Speaker 1: say he's from the Bones. Yeah, we did it. We
35:07
Speaker 1: did an interview in a landa right. It was like
35:09
Speaker 1: Keith Maury from the Bones. I think who that long island?
35:13
Speaker 1: Buddy folk? He gassed it. You know who is from
35:19
Speaker 1: the Bronx. Jerry Springer he not. I know he's not.
35:23
Speaker 1: I'm about to say, because yo yo, between me and you,
35:25
Speaker 1: I keep seeing him, Yo bo, yo bo, I act
35:30
Speaker 1: like you don't know. Remember I told you I keep
35:32
Speaker 1: seeing Jason. I don't think you yo. I keep seeing
35:34
Speaker 1: Jerry Springer like like you know everything like I thought
35:37
Speaker 1: you bet, like you keep seeing him in your dreams. No. No,
35:40
Speaker 1: he's like every mamma nigga sols the nigga do so,
35:45
Speaker 1: he do game sows you do. Man is like a judge.
35:48
Speaker 1: He is a judge on TV. You do every thing
35:50
Speaker 1: like it's crazy. All right, Well, let's run sooner we
35:54
Speaker 1: appreciate you pulling up man yo Bo. Thank you for
35:56
Speaker 1: having me. You already get the new album. February tenth,
35:58
Speaker 1: Facts Man