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Bringing The Party Down Under With RYAN And PEEJ From PUNK ROCK FACTORY · HEAVY Music Interviews

• 0:00
  Speaker 1: I'm staring and playing guitar in Punk Rock Factory. This is.
• 0:05
  Speaker 2: I'm Peach, I sing and I also play guitar in
• 0:08
  Speaker 2: punk Rock Factory. We are coming to Australia in November.
• 0:13
  Speaker 2: We're doing in what are we doing? Melbourne, Adelaide, Sydney
• 0:20
  Speaker 2: and Brisbane?
• 0:22
  Speaker 3: Not in not in that order, Not in that order though,
• 0:25
  Speaker 3: does you say?
• 0:26
  Speaker 4: Punk Rock Factory have just announced the best tour name
• 0:29
  Speaker 4: I've ever heard? The Moral wom Bat twenty twenty five
• 0:32
  Speaker 4: was raight November for those that initiated to Punk Rock Factory, guys,
• 0:38
  Speaker 4: tell us a bit about you is what you can
• 0:40
  Speaker 4: expect from your life.
• 0:40
  Speaker 2: To say, fun, it's always a laugh man. Our shows
• 0:48
  Speaker 2: are I mean, the main word I would call them
• 0:51
  Speaker 2: is ridiculous, to be honest. Like it's full of guilty
• 0:56
  Speaker 2: pleasure tracks and just good sing along stuff and like
• 1:01
  Speaker 2: we do play a lot of like cartoons and TV
• 1:03
  Speaker 2: stuff and Disney stuff, but we're not I wouldn't say
• 1:07
  Speaker 2: we're a child orientated band. We're not the Wiggles, Like
• 1:12
  Speaker 2: do you know what I mean? Like I do swear
• 1:16
  Speaker 2: a lot when it's an all ages show. I really
• 1:19
  Speaker 2: do try not to, but fuck it it's their own fact.
• 1:21
  Speaker 2: They brought the kids up, you get but yeah, like
• 1:27
  Speaker 2: it's it's it's chaos is.
• 1:29
  Speaker 3: Fun, like we just were do you know what?
• 1:31
  Speaker 2: Like we love being there and appreciate being there just
• 1:35
  Speaker 2: as much as the fans do. The fact that the
• 1:38
  Speaker 2: that people turn up night after night to come and
• 1:41
  Speaker 2: watch us piss about on stage for an hour and
• 1:43
  Speaker 2: a half, like it's it's fucking great. And like I
• 1:46
  Speaker 2: think that comes across and it like we just we
• 1:49
  Speaker 2: just beam in the whole time. We have such a
• 1:51
  Speaker 2: laugh like that, the banter with the crowd. It's it's
• 1:56
  Speaker 2: almost just like as if you're just in a room
• 1:57
  Speaker 2: with a load of mats and everyone's involved in one's
• 2:00
  Speaker 2: having to laugh and chipping in, you know.
• 2:01
  Speaker 3: I mean it's that that's the vibel Our shows.
• 2:03
  Speaker 4: Like yeah, I was actually gonna ask you about that
• 2:06
  Speaker 4: with the crowds, Like how interactive is it with the crowd?
• 2:08
  Speaker 4: I can imagine your show like yours would be a
• 2:10
  Speaker 4: lot of a lot of engagement.
• 2:13
  Speaker 2: Always like one of us, one of us will end
• 2:16
  Speaker 2: up talking to someone in the crowd and then all
• 2:18
  Speaker 2: of a sudden it becomes a thing and we'll bring
• 2:20
  Speaker 2: people up on stage, and like, yeah.
• 2:22
  Speaker 3: There's there's loads of elements.
• 2:24
  Speaker 2: To the show where like we just love getting the
• 2:26
  Speaker 2: crowd involved. It's just it's just fun.
• 2:29
  Speaker 1: It's one of the main parts of the show because
• 2:31
  Speaker 1: it would be a ship gig if we just went
• 2:32
  Speaker 1: out and played the songs and then went home. Like,
• 2:35
  Speaker 1: we need to bunce off the crowd. So when they
• 2:37
  Speaker 1: bring their game, we're on fire. Then it's just it
• 2:40
  Speaker 1: just feeds off each other. And yeah, it's a massive
• 2:43
  Speaker 1: part of the show.
• 2:44
  Speaker 4: When you talking about bringing you a gra what's your
• 2:47
  Speaker 4: a game? What do we need to do over here
• 2:48
  Speaker 4: to make you guys go off your fucking chips.
• 2:51
  Speaker 1: Be loud, shout at us, and you know it'll be nice. Yeah,
• 2:56
  Speaker 1: it's just good, just just yeah, absolutely.
• 3:03
  Speaker 2: Like the thing is, like it's as much as we
• 3:05
  Speaker 2: appreciate anyone that comes to our shows, when you when
• 3:08
  Speaker 2: you hit a show, when you're doing a run of
• 3:10
  Speaker 2: shows and you hit that one show and the crowd is.
• 3:13
  Speaker 3: Like subdued and they just kind of like yeah.
• 3:17
  Speaker 2: And then you know, you finish a song and it's
• 3:19
  Speaker 2: all a bit a bit quiet, and it's like like, oh,
• 3:22
  Speaker 2: this is difficult to bounce off. I got nothing to
• 3:24
  Speaker 2: bounce off, because so much of what we do and
• 3:26
  Speaker 2: what we say on stage is completely improvised, like nothing
• 3:30
  Speaker 2: is planned. It's different every single night, and to have
• 3:35
  Speaker 2: the interaction and the energy from from the crowds really
• 3:39
  Speaker 2: just gives.
• 3:40
  Speaker 3: Us stuff to jump on and spin you know, and
• 3:43
  Speaker 3: and spin off.
• 3:43
  Speaker 1: You know.
• 3:44
  Speaker 4: Yeah, essentially, you guys play ninety nineties, two thousand starle
• 3:49
  Speaker 4: pump rock, but you don't limit yourself the songs from
• 3:52
  Speaker 4: that ear of day you played.
• 3:54
  Speaker 1: Anything, Yeah, anything that we think works mammal second in
• 3:58
  Speaker 1: the next and oh there's a lot of stuff that
• 4:01
  Speaker 1: we've tried and it hasn't worked, and there's a lot
• 4:03
  Speaker 1: of things that we didn't think would work and we
• 4:06
  Speaker 1: love it. So yeah, anything, anything's at risk.
• 4:12
  Speaker 4: They're just to put in perspective for people listening or
• 4:14
  Speaker 4: watch it, like you do everything from Michael Jackson, The Abbot,
• 4:17
  Speaker 4: Bluie's Aid Disney, Like, are there any sort of forms
• 4:21
  Speaker 4: or styles of music that are more difficult to do
• 4:24
  Speaker 4: than others?
• 4:26
  Speaker 1: Disneyney Disney was insane. When you when you start breaking
• 4:32
  Speaker 1: that down and you like you look at the core
• 4:34
  Speaker 1: progression just now you straight up you know, for core
• 4:36
  Speaker 1: punk rock songs Disney and the musical theater stuff was
• 4:40
  Speaker 1: wild to kind.
• 4:41
  Speaker 3: Of work out.
• 4:43
  Speaker 2: They're like classically scored so that there's absolutely no conventional
• 4:49
  Speaker 2: sort of pop or punk rock progressions within them.
• 4:53
  Speaker 3: So it's hard.
• 4:54
  Speaker 2: But then they always well ninety nine cents of the time,
• 4:57
  Speaker 2: they always come out being.
• 4:58
  Speaker 3: Class like we love them becau because they're so mental.
• 5:01
  Speaker 3: But ones that are.
• 5:03
  Speaker 2: Easy to do but always for us always end up
• 5:07
  Speaker 2: being a bit ship is like stuff that's stuff, stuff
• 5:11
  Speaker 2: that's already alternative. Yeah, so like you know, you start
• 5:16
  Speaker 2: dipping into I don't know whatever, Nirvana, Metallica, Green, you know,
• 5:20
  Speaker 2: like anything that's already got a bit of punk to
• 5:23
  Speaker 2: it or that kind of alternative rock feel. It's really
• 5:26
  Speaker 2: hard to make it anything else because we're not a
• 5:30
  Speaker 2: million miles away from that genre anyway. So you just
• 5:34
  Speaker 2: you just end up being a covers band. Then you're
• 5:37
  Speaker 2: just covering the song as opposed to rewriting the song
• 5:40
  Speaker 2: and making it a whole new thing.
• 5:42
  Speaker 1: You know, and you can't be perfected with.
• 5:46
  Speaker 3: You you could have a better drummer, you know, you.
• 5:50
  Speaker 4: Change one letter in drama and its drama, but what
• 5:58
  Speaker 4: would the What's sensual says some breaking day on the
• 6:01
  Speaker 4: original solve and putting your speed on it, like people
• 6:03
  Speaker 4: that are musically flying, how do you do it?
• 6:08
  Speaker 1: So there's actually this really cool bit of software. There's
• 6:10
  Speaker 1: loads of them now. Back in a couple of years ago,
• 6:12
  Speaker 1: there was one software there was kind of Spearhead, and
• 6:15
  Speaker 1: then it's called Noises and you can stick any song
• 6:18
  Speaker 1: through there and it'll separate the drum track, the bass track,
• 6:22
  Speaker 1: the vocals, and the guitars, so you get like six
• 6:25
  Speaker 1: or seven stems of this song and you can move
• 6:26
  Speaker 1: them then. So what we'll do is put that through
• 6:31
  Speaker 1: our daw or like studio software, and we'll just break
• 6:35
  Speaker 1: it all down so I can just isolate the bass
• 6:37
  Speaker 1: and guitar, so I can hear the chord structure when
• 6:39
  Speaker 1: PG needs to work out the vocal melody. If there's
• 6:41
  Speaker 1: something hidden in there, you can just isolate there. And
• 6:44
  Speaker 1: then we'll start putting mini drums over the top of
• 6:46
  Speaker 1: all that and just kind of MIDI drums, computer drums
• 6:50
  Speaker 1: for those who are on initiated, and then we'll just
• 6:53
  Speaker 1: start layering guitars on it and all working from home
• 6:57
  Speaker 1: and bringing all together and then see it all fits.
• 7:01
  Speaker 3: Yeah, Like the.
• 7:03
  Speaker 2: First thing is to structure it out in it, so
• 7:05
  Speaker 2: like we strip it down and moises and then it's
• 7:08
  Speaker 2: to it's to work out a sort of structure for it,
• 7:10
  Speaker 2: a basic structure like what temper we're putting it out,
• 7:13
  Speaker 2: We speed it up, we slow it down, whatever it's
• 7:15
  Speaker 2: going to be, and then it's like, right, how is
• 7:18
  Speaker 2: this song going to blow? So that's why we allls
• 7:20
  Speaker 2: do the drums first, so we can kind of structure
• 7:22
  Speaker 2: it out and get a vibe for it.
• 7:23
  Speaker 3: And then Yes starts chutting.
• 7:25
  Speaker 2: Guitars down and then assume as there's guitars on it,
• 7:27
  Speaker 2: he chucks it up to me and we got some
• 7:28
  Speaker 2: vocals on it and decide whether we like it or not.
• 7:34
  Speaker 4: Can you actually know when you've got to ride though,
• 7:36
  Speaker 4: like when you change an original song or something of
• 7:38
  Speaker 4: your own. How do you know at that point where yep,
• 7:40
  Speaker 4: that's we've got a way we need it. You know,
• 7:42
  Speaker 4: we don't have to go any further.
• 7:46
  Speaker 3: It's usually at the point of guitars in it.
• 7:49
  Speaker 2: Yeah, you know, you could, you could, You can structure
• 7:52
  Speaker 2: it out with drums and you kind of you can
• 7:54
  Speaker 2: kind of get a vision in your head of how
• 7:57
  Speaker 2: it's going to come together and how it's going to sound.
• 7:59
  Speaker 3: But then as soon as as soon as the guitars
• 8:02
  Speaker 3: go on.
• 8:03
  Speaker 2: It, even if it's just basic, just a basic rhythm guitar,
• 8:06
  Speaker 2: it doesn't need any fluff on it.
• 8:07
  Speaker 3: You can kind of sit back and just be like,
• 8:09
  Speaker 3: this is boring, man.
• 8:11
  Speaker 1: Like what we've what we've noticed is like we were
• 8:14
  Speaker 1: trying to do stuff. There was viol at the time, hope,
• 8:16
  Speaker 1: and now we're pop on TikTok and you put a
• 8:18
  Speaker 1: drum track down, it's like, ah, this sounds slamming, and
• 8:20
  Speaker 1: then you've got to put the guitars down and you
• 8:22
  Speaker 1: realize what these pop songs is like one chord through
• 8:26
  Speaker 1: the whole verse or the chord progression for the verse,
• 8:29
  Speaker 1: and the chorus is exactly the same. So while the
• 8:31
  Speaker 1: drums might be a little said Jude, then the chorus
• 8:34
  Speaker 1: they lift up. When you do that in punk rock,
• 8:37
  Speaker 1: it's like if the chord structures are the same, it's
• 8:39
  Speaker 1: so hard to make that go. Anyways, the amount of
• 8:41
  Speaker 1: times you put guitars on boring pissed now it's pretty simptimes.
• 8:48
  Speaker 2: Yeah, But then then equally we've we've got right to
• 8:51
  Speaker 2: the end, we've done drugs We've done multi track guitars,
• 8:56
  Speaker 2: I've gone in and done all the vocals back in vocals.
• 8:58
  Speaker 2: We've got counter melodies, all sorts going on with the vocals.
• 9:01
  Speaker 2: We've literally finished the track and then gone.
• 9:03
  Speaker 3: Yeah I don't like it. Yeah, hit the red one.
• 9:07
  Speaker 4: What do you do? Then you brought away? Or are
• 9:09
  Speaker 4: you reworking?
• 9:10
  Speaker 2: Nah? Checkish oh man, Like, We've got so many tracks
• 9:19
  Speaker 2: that have never seen the light of day, that are
• 9:22
  Speaker 2: somewhere between half and one hundred percent finished.
• 9:24
  Speaker 1: Like why at that point we have reworked this so
• 9:28
  Speaker 1: many times it wouldn't have been able to try the
• 9:31
  Speaker 1: first version of it. It'd be like, yeah, that chorus
• 9:35
  Speaker 1: just changed, there's changed there, and then yeah, there's still
• 9:37
  Speaker 1: something niggling us that we just can't get past that
• 9:40
  Speaker 1: might grab it.
• 9:41
  Speaker 3: Yeah. We are perfectionists for this stuff, like especially even more.
• 9:47
  Speaker 2: So as as it goes along, you know, and if
• 9:51
  Speaker 2: there's if one of us isn't vibing it, there's there's
• 9:54
  Speaker 2: obviously something that's not right. Like we have bad ones
• 9:56
  Speaker 2: in the in the past where one member or two
• 9:59
  Speaker 2: members of the band, I love it, I love it,
• 10:00
  Speaker 2: this is cool, this is wicked, And then there's one
• 10:03
  Speaker 2: or two. It's just like there's something man, there's something wrong,
• 10:06
  Speaker 2: and we're like, well, let's try that, let's try this,
• 10:07
  Speaker 2: let's try that, just this, let's let's add this, let's
• 10:10
  Speaker 2: take this away, and sometimes you just get to the end,
• 10:13
  Speaker 2: just like.
• 10:15
  Speaker 3: I think it's a scrapper.
• 10:18
  Speaker 4: There's your next album, the album of scrappers.
• 10:23
  Speaker 1: Album.
• 10:26
  Speaker 4: What's your actual selection process both songs? Like do you
• 10:28
  Speaker 4: focus on what's being popular or do you do songs
• 10:31
  Speaker 4: that you like or you you think the original ship
• 10:33
  Speaker 4: and you can do better like.
• 10:34
  Speaker 1: Us a variety man. Yeah, I mean we've tried doing
• 10:41
  Speaker 1: stuff this, this is a big song, let's do that,
• 10:44
  Speaker 1: and it never works for us. It's not our fan base.
• 10:47
  Speaker 1: People love hearing the songs they didn't know they loved,
• 10:50
  Speaker 1: you know, the guilty pleasures and well you never seen
• 10:53
  Speaker 1: me singing to take that and then it's just screaming
• 10:56
  Speaker 1: back for good. So but yeah, what we kind of
• 10:59
  Speaker 1: do is sorry, no, I got no laughter.
• 11:03
  Speaker 3: You no disagree with you.
• 11:06
  Speaker 1: Yeah, it's like what we tend to do now is
• 11:08
  Speaker 1: we have a theme. We kind of did that from
• 11:11
  Speaker 1: the Disney album. Ever since then, there's always been a
• 11:14
  Speaker 1: theme for our album. So before we go start picking songs,
• 11:16
  Speaker 1: It's like, what's the theme going to be? Is it
• 11:18
  Speaker 1: going to be bow bands? It's gonna be nineties pop,
• 11:20
  Speaker 1: It's gonna be musicals. And that's kind of our first
• 11:24
  Speaker 1: Portanit comaw when we're doing anything new album related.
• 11:30
  Speaker 3: That you're not gonna say anything what just just just
• 11:33
  Speaker 3: what he said?
• 11:35
  Speaker 4: What he said goes to Now you know, it's fall
• 11:39
  Speaker 4: back in twenty forty eight. So what was your early
• 11:42
  Speaker 4: vision for this project? Like, but what did you want
• 11:45
  Speaker 4: out of it when you first started and how has
• 11:47
  Speaker 4: it changed over the years.
• 11:49
  Speaker 3: There wasn't any vision, what or whatever.
• 11:51
  Speaker 2: Man, it was like literally it was just having a
• 11:54
  Speaker 2: pisser back because none of us were in bands anymore,
• 11:56
  Speaker 2: and it was just like that's just, you know, let's
• 11:58
  Speaker 2: just have a have a laugh. And it just ended
• 12:00
  Speaker 2: up being a couple of punk covers of pop songs
• 12:02
  Speaker 2: that we chucked on YouTube and they did nothing. And
• 12:06
  Speaker 2: like generally, the PRF didn't really become anything until twenty nineteen.
• 12:14
  Speaker 2: It was the end of twenty nineteen we put our
• 12:16
  Speaker 2: first album out and then twenty twenty Covid hit.
• 12:22
  Speaker 3: And co. Like, I mean, Covid was pretty fucking sweet
• 12:26
  Speaker 3: for us, bro.
• 12:27
  Speaker 2: Yea like we like obviously everyone everyone jumps was on
• 12:32
  Speaker 2: the TikTok height through COVID and that, and it was
• 12:37
  Speaker 2: just it just worked for us because we just we
• 12:39
  Speaker 2: jumped on TikTok.
• 12:40
  Speaker 3: We hit the socials hard.
• 12:42
  Speaker 2: We were lucky enough that we could could we could
• 12:44
  Speaker 2: track and continue to do what we're doing. And uh,
• 12:48
  Speaker 2: we just battered social media and we were literally on
• 12:52
  Speaker 2: everyone's phone every time they went went on TikTok, and
• 12:55
  Speaker 2: our videos just were getting millions of views and and
• 12:57
  Speaker 2: this since then, and it's since that first first COVID
• 13:00
  Speaker 2: lockdown in twenty twenty is when it all started, man.
• 13:05
  Speaker 2: And so yeah, so it's only really the last four
• 13:08
  Speaker 2: or five years where things have really really stepped up, you.
• 13:13
  Speaker 4: Know, all right now, I had to ask you this question, guys,
• 13:16
  Speaker 4: but I think it's the only way people over here
• 13:18
  Speaker 4: are gonna put you guys in perspective, like me, first,
• 13:21
  Speaker 4: in the given GIMS is pretty much the only band
• 13:23
  Speaker 4: that we've heard of over here to do what you
• 13:24
  Speaker 4: guys do. Like, how similar to them are you?
• 13:30
  Speaker 1: I think we're extremely similar in what we do, but
• 13:34
  Speaker 1: then stylistically we're very different as well. They've got a
• 13:36
  Speaker 1: very signature way of putting songs together. They always go
• 13:40
  Speaker 1: to that weird offcord and that kind of mind and note,
• 13:43
  Speaker 1: and it's kind of this standard thing, which is what
• 13:46
  Speaker 1: they're known for in his class. With very different, I
• 13:50
  Speaker 1: think we not in a better way, and I think
• 13:54
  Speaker 1: I'm just very very similar, very different.
• 13:58
  Speaker 2: Yeah, it's it's a very simil a concept, yeah, but
• 14:01
  Speaker 2: with a very but with the two very different sounds.
• 14:05
  Speaker 3: Yeah, like they we are kind of the more.
• 14:08
  Speaker 2: I hate that, I don't I don't want to use
• 14:09
  Speaker 2: this word in a bad way, Like we're that kind
• 14:11
  Speaker 2: of more polished, hot punk feel, whereas the Gimmi's have
• 14:17
  Speaker 2: kind of got that more kind of like old school
• 14:21
  Speaker 2: punk feel to them.
• 14:22
  Speaker 4: Yeah, yeah, the way I got it from what I
• 14:25
  Speaker 4: can see. Like me, first, you give me you know
• 14:27
  Speaker 4: all of them, and I'll get me wrong, But then
• 14:29
  Speaker 4: they seem to be a lot more structured, whereas what
• 14:30
  Speaker 4: I've seen from you guys use the more and live
• 14:33
  Speaker 4: anything goes when you're on stage.
• 14:34
  Speaker 1: Would be right to say that.
• 14:37
  Speaker 2: Yeah, absolutely are our our stage shows a ridiculous man,
• 14:42
  Speaker 2: It's absolute nonsense. Constantly, every every show is different depending
• 14:46
  Speaker 2: on how the crowds vibing, and what what's happened the
• 14:49
  Speaker 2: night before, like, or what's happened that day, Like something
• 14:52
  Speaker 2: can happen to us during the day when we're traveling,
• 14:54
  Speaker 2: or some kind of in joke that we've developed within
• 14:57
  Speaker 2: the last two hours of going on stage, and uh, yeah,
• 15:01
  Speaker 2: it'll just be a little Yeah, it's just chaos every night, man,
• 15:03
  Speaker 2: And it's always different.
• 15:04
  Speaker 3: Like so if you if you've seen us before the show,
• 15:06
  Speaker 3: you'll see next time will be different. Like one.
• 15:12
  Speaker 4: Looking forward to now before there you go, guys, I've
• 15:14
  Speaker 4: got a segment that I've started towards photo bomb. So
• 15:16
  Speaker 4: basically I've trold through social media and I've come up
• 15:19
  Speaker 4: with a few photos I want to know a little
• 15:20
  Speaker 4: bit more about. And you guys are hard because there's
• 15:23
  Speaker 4: a hell of a lot of photos that I could
• 15:24
  Speaker 4: come up with you. I'll start on this one looks
• 15:27
  Speaker 4: like a pretty serious conversation.
• 15:29
  Speaker 1: Overy soon.
• 15:34
  Speaker 4: They were.
• 15:36
  Speaker 3: That was Teddy Rocks.
• 15:38
  Speaker 2: Yeah they are, they know they are my son's trainers.
• 15:45
  Speaker 3: I basically I'm I'm a massive sneakerhead.
• 15:48
  Speaker 2: I love shoes right and I wanted those trainers for
• 15:55
  Speaker 2: ages and when I finally bought them, I actually bought
• 15:58
  Speaker 2: them for my son, so I was showing up to
• 16:00
  Speaker 2: the boys saying, these are the ones that I've wanted
• 16:02
  Speaker 2: for the last eight months, and I still don't own him.
• 16:04
  Speaker 3: My son does.
• 16:08
  Speaker 1: Photo. Look, I'm looking for your photos. He's got some
• 16:11
  Speaker 1: good facial expressions.
• 16:12
  Speaker 4: He always looks like he's having fun always. The main
• 16:18
  Speaker 4: reason I bring that up is because he's in the
• 16:20
  Speaker 4: next photo and he doesn't look like he's having fun.
• 16:24
  Speaker 4: It must have been pretty fucking cold.
• 16:28
  Speaker 3: Oh bro, that that was yeah, so rough. So we
• 16:34
  Speaker 3: were on We were on tour.
• 16:35
  Speaker 2: In Europe in dece November December twenty twenty three.
• 16:41
  Speaker 3: We were in Prague.
• 16:43
  Speaker 2: It was obviously snow in it was minus twelve degrees
• 16:49
  Speaker 2: celsius that that photo was taken at seven am in
• 16:55
  Speaker 2: the morning because we had got woken up by our
• 16:58
  Speaker 2: tour manager because while we were all asleep on the
• 17:01
  Speaker 2: tour bus, the bus broke a drive shaft trying to
• 17:05
  Speaker 2: drive up an ice covered hill. They'd been our tour
• 17:09
  Speaker 2: manager and bus driver had been up trying to dig
• 17:13
  Speaker 2: out the ice from under the bus to get and
• 17:16
  Speaker 2: then they sucked the bus. So we then got woken
• 17:19
  Speaker 2: up at seven am by our tour manager to tell
• 17:23
  Speaker 2: telling us, bearing in mind we were all fucking pissed
• 17:25
  Speaker 2: the night before, to get up, get your stuff together
• 17:30
  Speaker 2: and get off the bus. The uber's waiting to take
• 17:33
  Speaker 2: you to hotels. Everyone up, get all your stuff. You
• 17:35
  Speaker 2: may never see the bus again. Make sure you've got everything.
• 17:39
  Speaker 2: So we was fucking chaos, bro. We were just on
• 17:42
  Speaker 2: the side of a road in the middle of Prague. Honestly,
• 17:45
  Speaker 2: that was That's such a fucking funny photo to bring up. Man,
• 17:47
  Speaker 2: I was absolute chaos and.
• 17:52
  Speaker 1: I was so fucking cold next to your Thanks for
• 17:57
  Speaker 1: your time, has been a pleasure chat with you.
• 17:59
  Speaker 4: Over one hundred sent me here the Brisbane show and
• 18:01
  Speaker 4: I expect to me drinking piss with you guys at
• 18:03
  Speaker 4: some stage.
• 18:04
  Speaker 3: But yeah,