Latest / X Minus One | Old Time Radio / X Minus One - "Wherever You May Be" (Old Time Radio, 1956)
Transcript
- 0:00Speaker 1: William Redfield, Patsy O'Shea, and Jack Orison head the cast
- 0:04Speaker 1: in an NBC radio production adapted by Ernest Kenoy from
- 0:08Speaker 1: a James E. Gunn story published in Galaxy Science Fiction.
- 0:13Speaker 1: On June 26, 1956, X-1 brought listeners Episode 57, Wherever
- 0:16Speaker 1: You May Be. Redfield plays university researcher Matthew Wright, bound
- 0:25Speaker 1: for the Ozarks and a rented cabin, where he plans
- 0:28Speaker 1: to spend the summer preparing a thesis on the psychodynamics
- 0:31Speaker 1: of witchcraft. A flat tire on an Ozarks road introduces
- 0:36Speaker 1: him to Abby Jenkins, a local girl whose presence soon
- 0:39Speaker 1: brings his academic subject much closer to home. Ladies and gentlemen,
- 0:44Speaker 1: X minus one, wherever you may be. And now, the
- 0:48Speaker 1: original broadcast.
- 0:50Speaker 2: And now stay tuned for X-1 on NBC.
- 0:59Speaker 3: Countdown for blastoff. X-5, 4, 3, 2, X-1, fire.
- 1:34Speaker 4: From the far horizons of the unknown come transcribed tales
- 1:38Speaker 4: of new dimensions in time and space.
- 1:41Speaker 3: These are stories of the future.
- 1:43Speaker 4: Adventures in which you'll live in a million could be
- 1:46Speaker 4: years on a thousand maybe worlds. The National Broadcasting Company,
- 1:50Speaker 4: in cooperation with Galaxy Science Fiction Magazine, presents.
- 1:55Speaker 3: X minus 1. Tonight, Wherever You May Be, by James E.
- 2:13Speaker 5: Gunn.
- 2:27Speaker 3: Hey. Hey, you. Little girl. You on the fence.
- 2:34Speaker 1: Yeah.
- 2:35Speaker 3: Hey, kid, come here.
- 2:36Speaker 6: Well, I'm right comfortable where I am.
- 2:38Speaker 2: Oh, good.
- 2:42Speaker 3: Uh, listen, kid. Is there a service station on this road?
- 2:45Speaker 6: Well, Merv Wheelock got a gas pump at the general store.
- 2:48Speaker 3: Oh? How far is it?
- 2:50Speaker 6: About 18 miles.
- 2:52Speaker 3: Oh, that's a big help. I don't know what else
- 2:54Speaker 3: to expect in the middle of the Ozarks.
- 2:57Speaker 6: You want me to help you, mister?
- 2:58Speaker 3: No, just keep out of the way, kid. Ow! Well,
- 3:03Speaker 3: there's nothing funny about that. You just gonna sit there
- 3:07Speaker 3: and watch me sweat, kid? Oh, no.
- 3:09Speaker 6: There'll be lots more to watch.
- 3:11Speaker 3: Well, I don't know what's so amusing about watching a
- 3:13Speaker 3: man change a flat tire. Ow!
- 3:18Speaker 6: You sure you don't want me to help, mister?
- 3:21Speaker 3: No, I'm perfectly capable of changing a tire by myself.
- 3:36Speaker 6: Look out, mister. It's rolling away.
- 3:38Speaker 5: What?
- 3:38Speaker 6: Your tire. It's rolling away.
- 3:40Speaker 3: Hey, hey. Come back here, you.
- 3:43Speaker 7: This is the most sadistic tire I ever.
- 3:46Speaker 3: Now, stay put. Why don't you go home?
- 3:51Speaker 6: Can't.
- 3:52Speaker 3: Why not?
- 3:53Speaker 6: I run away.
- 3:54Speaker 3: Oh, well, that's tough. There. Now, listen, kid. You know
- 4:00Speaker 3: a cabin about 15 miles up the road?
- 4:03Speaker 6: I reckon.
- 4:04Speaker 3: You know where the turnoff is?
- 4:05Speaker 6: There ain't no turnoff. You just drive till the road
- 4:08Speaker 6: peters out and you take the footpath. You gonna live
- 4:12Speaker 6: in that place?
- 4:12Speaker 3: Mm-hmm. Just for the summer.
- 4:15Speaker 2: Oh.
- 4:15Speaker 3: Well, so long, kid.
- 4:17Speaker 6: Oh, mister. Hey, mister.
- 4:19Speaker 3: Now what do you want?
- 4:21Speaker 6: Well, nothing. Only you forgot your jack.
- 4:24Speaker 3: Oh, that does it. Where are you going?
- 4:29Speaker 6: No place.
- 4:30Speaker 3: But you said you ran away.
- 4:31Speaker 6: I surely did.
- 4:33Speaker 3: Don't you have any relatives?
- 4:34Speaker 6: No.
- 4:34Speaker 3: Friends?
- 4:35Speaker 6: No.
- 4:36Speaker 3: All right, then. Go on home. Oh, come on now.
- 4:41Speaker 3: What are you crying for? All right, all right.
- 4:44Speaker 5: Get in.
- 4:45Speaker 3: I'll give you a lift. Listen, look out for those notes.
- 4:49Speaker 3: There's over a year's work in those.
- 4:51Speaker 6: A year's work in them pieces of paper?
- 4:56Speaker 3: Uh-huh.
- 4:57Speaker 7: Those are notes for the thesis I'm going to write.
- 4:59Speaker 6: You write stories?
- 5:00Speaker 3: No, research paper. I have to do it to get
- 5:03Speaker 3: my degree at the university.
- 5:04Speaker 6: Well, what's it called? I mean the story you're writing.
- 5:06Speaker 3: It's not a... It's called The Psychodynamics of Witchcraft with
- 5:11Speaker 3: special reference to the Salem Trials of 1692.
- 5:15Speaker 6: Oh.
- 5:17Speaker 3: Witches? Yeah. All right, where do you live, kid?
- 5:21Speaker 6: Well, I can't go home. Pod beat me again. We
- 5:24Speaker 6: pretty nice skin me alive, I guess.
- 5:26Speaker 3: You mean he hit you? Little kid like you?
- 5:29Speaker 6: Well, he don't use his fists. Not often. He uses
- 5:33Speaker 6: his belt mostly. Look. Look here. On my knee. See
- 5:39Speaker 6: that black and blue mark? And this one?
- 5:43Speaker 3: Uh, never mind. Why does he hit you?
- 5:47Speaker 6: He's just mean.
- 5:49Speaker 3: Well, he must have some reason.
- 5:51Speaker 6: Oh, he wants me to catch some strong young fellow
- 5:53Speaker 6: who'd do the work around the place. A gal don't
- 5:55Speaker 6: bring in no money, he says. These flies not.
- 5:58Speaker 3: A good one. You're much too young to get married.
- 6:01Speaker 6: I'm 16.
- 6:02Speaker 3: You don't look more than.
- 6:05Speaker 6: Well, I don't know. Most girls my age got a
- 6:08Speaker 6: couple of young ones. One, anyways. The way Pa carries on,
- 6:12Speaker 6: you'd think I didn't want to get married. Now, it
- 6:15Speaker 6: ain't my fault no fellow wants me.
- 6:18Speaker 3: What seems to be the trouble?
- 6:20Speaker 6: Mostly, I guess I'm just unlucky. One fella I went
- 6:24Speaker 6: with pretty nearly a year. He busted his leg. Another
- 6:28Speaker 6: nigh well drowned when he fell in the lake. Now,
- 6:31Speaker 6: it don't seem right they should blame me, even though
- 6:34Speaker 6: we did have word.
- 6:35Speaker 3: Blame you?
- 6:36Speaker 6: Well, they say it's caught in disaster instead of a gas.
- 6:41Speaker 6: Fellas just stop coming round. You, um, you married Mr., uh, Mr.
- 6:48Speaker 3: uh... Uh, Matthew Wright. No, I'm not married.
- 6:52Speaker 5: Right.
- 6:53Speaker 6: Abigail Wright. That's right, Purdy.
- 6:58Speaker 3: Abigail Wright?
- 7:01Speaker 6: Oh, did I say that? Now, ain't that funny? My
- 7:06Speaker 6: name's Jenkins.
- 7:21Speaker 3: Mr. Jenkins?
- 7:24Speaker 6: All right.
- 7:25Speaker 3: I met your daughter on the road. I brought her back. Look, Mr. Jenkins,
- 7:33Speaker 3: I got a pint bottle in my pocket. Care for
- 7:35Speaker 3: a little drink?
- 7:36Speaker 5: Terrible week.
- 7:43Speaker 3: Oh, I'm sorry. I repeat, I brought your daughter back. Why? Well,
- 7:48Speaker 3: she had no place to go.
- 7:50Speaker 5: She ran away.
- 7:52Speaker 3: Now look, Mr.
- 7:53Speaker 8: Jenkins, I realize that teenage daughters can be a nuisance,
- 7:56Speaker 8: and after meeting your daughter, I can understand how you feel.
- 7:59Speaker 3: Still and all, she is your daughter.
- 8:02Speaker 5: Got my doubts.
- 8:03Speaker 3: Now, Mr. Jenkins, your daughter may have given you good
- 8:06Speaker 3: reason to lose your temper, but beating a child is
- 8:09Speaker 3: never sound psychology. Beat her?
- 8:11Speaker 5: You mean wallop her, wail her? Man, I never laid
- 8:14Speaker 5: a hand to her.
- 8:14Speaker 3: I dasn't. But she said... Come in here. Oh, now, Mr. Jenkins,
- 8:18Speaker 3: I assure you.
- 8:19Speaker 5: Come in the cabin. You look around this here room, mister.
- 8:24Speaker 5: See them dishes all over the floor, those chairs all
- 8:26Speaker 5: splintered like they was kindling, that table turned over bottom
- 8:29Speaker 5: side topmost like a turtle on the road. You think
- 8:32Speaker 5: I beat her?
- 8:33Speaker 3: The place is a shambles.
- 8:35Speaker 5: I ain't saying Abby did it. But when she gets unhappy,
- 8:38Speaker 5: things happen. Dishes come flying through the air. Funny things
- 8:44Speaker 5: happen around Ab. Ever since she started filling out five
- 8:48Speaker 5: or six years ago.
- 8:50Speaker 3: She's only 16.
- 8:52Speaker 6: 16.
- 8:52Speaker 3: 16.
- 8:53Speaker 5: Don't let on I told you, but she's past 18.
- 8:55Speaker 3: There, you see? Oh, it just fell off the shelf.
- 9:01Speaker 5: Look, you're a city fella, passable looking. Why don't you
- 9:04Speaker 5: take her with you?
- 9:06Speaker 3: What? Oh, now, now, wait a minute, Mr.
- 9:09Speaker 5: Jenkins. She's right pretty when she fixes up, and she
- 9:11Speaker 5: can cook right smart.
- 9:12Speaker 3: Go on, take her. You must be mad. You can't
- 9:14Speaker 3: give a girl away like that. I... If you'll excuse me,
- 9:17Speaker 3: I think I'd better be going.
- 9:18Speaker 5: Nobody asked you to bring her back. The gal eats
- 9:20Speaker 5: more than I do.
- 9:21Speaker 3: Oh, now, look. Here.
- 9:23Speaker 8: Here's $ 10.
- 9:25Speaker 3: Buy yourself a jug.
- 9:27Speaker 5: Well, I'd like to, but I can't do it.
- 9:30Speaker 3: It ain't worth it.
- 9:31Speaker 5: You brought her back. You can take her away.
- 9:33Speaker 6: Here.
- 9:34Speaker 3: Here's $ 15.
- 9:36Speaker 5: Well, I should know better.
- 9:39Speaker 2: All right, mister.
- 9:40Speaker 3: I'll get her.
- 9:41Speaker 5: If they know you so, I can tell you, mister.
- 9:45Speaker 3: All right, Abigail. Abigail. Get out of the car. You're home.
- 9:48Speaker 6: But, Pa.
- 9:49Speaker 3: Oh, he isn't mad at you. He's welcoming you back. Now,
- 9:51Speaker 3: come on. Get out.
- 9:52Speaker 6: Dirty, nasty old man. You can write a fat bottle
- 9:55Speaker 6: he's pulling busted right over his head.
- 9:57Speaker 3: Ow! uh goodbye abby and remind me never to see
- 10:03Speaker 3: you again All alone, I'm so all alone, there is
- 10:20Speaker 3: no home.
- 10:21Speaker 6: Hello.
- 10:23Speaker 3: What are you doing here?
- 10:25Speaker 6: Waiting for you.
- 10:27Speaker 3: But listen, this is, this is my cabin. I rented it.
- 10:30Speaker 6: I know. What kept you?
- 10:32Speaker 3: Well, what are you doing here? How did you get here?
- 10:36Speaker 6: Oh, I reckon you're hungry. Look, why don't you sit down?
- 10:38Speaker 3: Supper's about ready. Now, wait a minute. I came here
- 10:41Speaker 3: by car. How did you get here?
- 10:43Speaker 6: Well, I rode. Oh, it's lucky I did. This place
- 10:46Speaker 6: needed a good sweeping.
- 10:48Speaker 3: Is that your broom?
- 10:51Speaker 6: I know. It was here in the cabin. Pa loaned
- 10:55Speaker 6: me a mule. I let her go. She'll get home
- 10:57Speaker 6: all right.
- 10:58Speaker 3: But you can't stay here. It's impossible. What would people say?
- 11:01Speaker 6: Well, who'd care? Pa don't.
- 11:05Speaker 3: Please, Mr.
- 11:06Speaker 6: Wright, let me cook and clean for you. I won't
- 11:08Speaker 6: be no trouble. Honest, I wouldn't.
- 11:12Speaker 3: Oh, now look, Abby, you're a nice girl and I
- 11:14Speaker 3: like you, but you'll just have to go back to
- 11:16Speaker 3: your father. Do you understand? All right.
- 11:22Speaker 7: What?
- 11:23Speaker 6: What?
- 11:23Speaker 3: What was that? What happened?
- 11:24Speaker 6: What?
- 11:26Speaker 3: Oh, look at that. The car. I must have left
- 11:29Speaker 3: the brake off.
- 11:30Speaker 6: You reckon it's hurt bad?
- 11:32Speaker 3: Well, rolling down a 10-foot grade into a tree didn't
- 11:35Speaker 3: help it any.
- 11:36Speaker 6: Oh, well, I'm sorry, Mr.
- 11:37Speaker 5: Wright.
- 11:39Speaker 3: Are you? Anyway, it looks like you'll have to stay
- 11:42Speaker 3: here tonight then, doesn't it?
- 11:44Speaker 6: I reckon.
- 11:46Speaker 3: I could have sworn I put that brake on.
- 11:50Speaker 7: Listen, you're going back first thing in the morning.
- 11:52Speaker 2: Oh, sure.
- 11:53Speaker 3: Sure, Mr.
- 11:54Speaker 2: Wright.
- 11:55Speaker 6: I understand.
- 12:07Speaker 3: Abby, tell me something. Who wrecked your father's house?
- 12:13Speaker 2: Libby.
- 12:14Speaker 3: Libby, huh? Who's Libby?
- 12:16Speaker 6: The other me. Mostly I keep her bottled up inside.
- 12:20Speaker 6: But when I feel sad and unhappy, I just can't
- 12:23Speaker 6: keep her in. Then she just lets loose and goes wild.
- 12:27Speaker 3: Schizo. Abby, where did you get an idea like that?
- 12:32Speaker 6: Well, when I was born, I had a twin sister.
- 12:35Speaker 6: Only she died real quick. And when I was bad,
- 12:38Speaker 6: my ma used to say Libby would never have been
- 12:40Speaker 6: mean or cross or naughty. So when I'd done something bad,
- 12:44Speaker 6: I started saying Libby'd done it. I guess after a while,
- 12:47Speaker 6: I've begun to believe it myself.
- 12:50Speaker 3: Um, can you control it, Abby?
- 12:54Speaker 6: Not much. You see, when I get feeling mad and mean,
- 12:57Speaker 6: things just happen, that's all.
- 12:59Speaker 3: How about a rolling tire?
- 13:02Speaker 6: You sure did look funny. Oh, I was just feeling
- 13:05Speaker 6: mean about Pa, I guess, and I took it out
- 13:07Speaker 6: on you.
- 13:07Speaker 3: I don't believe you. It's absolutely impossible. It's, it's, it's, it's,
- 13:12Speaker 3: it's primitive.
- 13:13Speaker 7: It's straight out of Frazier's Golden Bough. There's got to
- 13:15Speaker 7: be some explanation.
- 13:17Speaker 6: Hmm?
- 13:17Speaker 7: Illusion or hypnosis. There's got to be some physical explanation.
- 13:21Speaker 6: Well, I don't see why. I mean, if a thing
- 13:24Speaker 6: just happens, you don't have to explain it. It's just there,
- 13:27Speaker 6: ain't it?
- 13:27Speaker 3: All right, all right. Here, here. Now, uh, make that
- 13:31Speaker 3: cup move.
- 13:33Speaker 2: Why?
- 13:34Speaker 3: I want to see you do it.
- 13:36Speaker 6: But I don't want to. I never wanted to do it.
- 13:39Speaker 6: It just happened.
- 13:40Speaker 3: Come on, try.
- 13:41Speaker 6: I know, Mr.
- 13:42Speaker 5: Wright.
- 13:42Speaker 6: Look, it never brung me nothing but misery. It's bad
- 13:45Speaker 6: enough when you can't help it, but it's worse when
- 13:47Speaker 6: you do it on purpose. Nothing good will come of it.
- 13:50Speaker 3: Come on, try.
- 13:51Speaker 7: I want you to move that cup. Now, go ahead, Abby.
- 13:53Speaker 7: Just move it without touching it.
- 13:57Speaker 5: I can't.
- 13:58Speaker 6: I just can't.
- 13:59Speaker 3: Why not? Why can't you?
- 14:01Speaker 6: I don't know. I I guess it's because I'm happy.
- 14:08Speaker 3: You can't move it now.
- 14:10Speaker 5: No.
- 14:11Speaker 3: All right. All right, then get your things. You're going
- 14:14Speaker 3: back to your father right now.
- 14:16Speaker 6: No, no, no, I ain't going. I can't.
- 14:18Speaker 3: Ah, listen, listen to you. You're a stupid backwoods girl. Can't.
- 14:22Speaker 3: What kind of a way of talking is that?
- 14:23Speaker 8: You're going back to your father because you're an ignorant,
- 14:25Speaker 8: dirty hillbilly.
- 14:28Speaker 3: Abby. Abby, you did it. You did it. It came
- 14:33Speaker 3: right at my head.
- 14:34Speaker 7: Do I have to go back? Oh, no, no, no, sir,
- 14:37Speaker 7: not if you help me. Abby, I've got a hold
- 14:39Speaker 7: of something here that.
- 14:42Speaker 3: What a thesis! Um, Abby? Hmm? What's, uh, courting like
- 14:59Speaker 3: here in the hills?
- 15:01Speaker 6: Sometimes we walk and look at things together and talk
- 15:05Speaker 6: a little. But if the night is warm, we just
- 15:10Speaker 6: sit and hold hands and whatever.
- 15:15Speaker 3: Like this?
- 15:18Speaker 6: Mr. Wright, do you like me a little bit? Oh,
- 15:22Speaker 6: not marrying like, but friendly like?
- 15:27Speaker 3: I like you very much, Abby. Very much.
- 15:33Speaker 6: Oh, Mr.
- 15:33Speaker 3: Wright.
- 15:39Speaker 6: You kiss real pretty.
- 15:42Speaker 3: Uh, Abby, what happened to your fellas? I mean, uh,
- 15:45Speaker 3: the other boys?
- 15:47Speaker 6: Well, folks said I had the evil eye. I mean,
- 15:50Speaker 6: Hank fell off the roof and broke his leg, and Gene, well,
- 15:53Speaker 6: he fell in the lake and liked to drown. It
- 15:56Speaker 6: wasn't my fault it was after we'd had words, now,
- 15:58Speaker 6: was it?
- 15:59Speaker 3: Uh, no, no, no. Why, Mr.
- 16:01Speaker 6: Wright, you're shivering. Maybe we'd better go get your jacket.
- 16:04Speaker 3: Abby, tomorrow we're going to drive to Springfield to do
- 16:07Speaker 3: some shopping.
- 16:08Speaker 6: Really, Mr.
- 16:09Speaker 5: Wright?
- 16:10Speaker 6: Why, I ain't never been to Springfield. Oh, ain't that wonderful?
- 16:27Speaker 3: Mr.
- 16:28Speaker 5: Wright.
- 16:29Speaker 3: Are you happy, Abby?
- 16:31Speaker 6: Oh, it's the happiest I've ever been in my life.
- 16:34Speaker 6: I mean, eating in a fancy restaurant and even dancing
- 16:38Speaker 6: and all. Oh, and now us just sitting here together
- 16:42Speaker 6: in the moonlight. I never thought anything like this would
- 16:47Speaker 6: happen to me.
- 16:47Speaker 3: Andy, I'm afraid maybe you don't understand.
- 16:52Speaker 6: Well, what do you mean, Mr.
- 16:54Speaker 2: Wright?
- 16:54Speaker 3: Oh, you know that dress I bought you? That's for
- 16:57Speaker 3: another girl.
- 16:59Speaker 7: What?
- 16:59Speaker 6: Yeah.
- 17:00Speaker 3: For another girl. I'm going to marry her. She's about
- 17:03Speaker 3: your size, and I thought we could pick it out
- 17:05Speaker 3: that way.
- 17:05Speaker 6: Oh, no. Oh, Mr.
- 17:08Speaker 5: Wright.
- 17:08Speaker 3: Abby, Abby, wait a minute. Where are you going? Wait,
- 17:10Speaker 3: I want to talk to you. No, I'm going to bed.
- 17:13Speaker 7: Oh, Matthew Wright, you are a no-good, miserable cad.
- 17:32Speaker 6: Do you want any more coffee?
- 17:35Speaker 3: You still feel bad, Abby?
- 17:37Speaker 6: You want me to move that cup for you today?
- 17:39Speaker 6: I can do it real good.
- 17:40Speaker 3: How do you know?
- 17:40Speaker 6: Well, I just got a feeling. Look.
- 17:44Speaker 3: You can do it now?
- 17:45Speaker 6: Sure, I guess. There, it's getting easier.
- 17:49Speaker 7: Look, Abby, I want to get some things out of
- 17:50Speaker 7: the car. I just happen to have them things for tests.
- 17:52Speaker 7: There may be other powers.
- 17:54Speaker 6: Well, I don't care much one way or the other, Mr.
- 17:56Speaker 3: Wright.
- 17:57Speaker 6: If it makes you happy, it's all right with me.
- 18:09Speaker 3: Abby? Abby, where are you? Abby, where did you go? Abby?
- 18:16Speaker 6: Here I am, Mr. Wright.
- 18:18Speaker 3: Abby, where were you?
- 18:20Speaker 6: Springfield.
- 18:21Speaker 3: But that's 50 miles.
- 18:23Speaker 5: I know.
- 18:24Speaker 6: I just kind of wished I was there and then
- 18:26Speaker 6: I was. I brought back a frying pan I'd mired
- 18:29Speaker 6: in that hardware store window. Ain't it pretty? Got a
- 18:32Speaker 6: real copper bottom.
- 18:35Speaker 3: Didn't you have any trouble getting out of the store
- 18:37Speaker 3: without anyone seeing you?
- 18:39Speaker 6: Well, I was outside, but I could see in the
- 18:42Speaker 6: back room somehow, too. I knew his name was Albert,
- 18:45Speaker 6: and he was doing a crossword puzzle.
- 18:47Speaker 3: How could you tell all that?
- 18:50Speaker 6: Well, I just kind of looked inside of his thinking.
- 18:55Speaker 3: Like this. Wait a minute. Wait a minute, Abby. Don't.
- 19:00Speaker 6: I could look right inside your thinking now, Mr.
- 19:03Speaker 3: Wright. Abby, Abby, wait a minute. Abby.
- 19:07Speaker 6: You wouldn't. You didn't.
- 19:10Speaker 3: Now, wait a minute, Abby. You've got to understand.
- 19:13Speaker 5: I understand.
- 19:13Speaker 6: I understand everything you've been thinking, you devil. Well, there
- 19:17Speaker 6: ain't nothing too bad for anyone to do that.
- 19:19Speaker 3: Well, you've got to let me explain.
- 19:20Speaker 6: With your kindness and your city manners, how could you
- 19:23Speaker 6: do it? You made me fall in love with you.
- 19:25Speaker 6: It was just a trick. You just wanted to make
- 19:27Speaker 6: me unhappy, that's all. Even Paul was never that mean.
- 19:31Speaker 6: I'd as soon marry up with a rattlesnake.
- 19:33Speaker 3: Well, Abby, what are you going to do?
- 19:34Speaker 6: Well, I haven't made up my mind yet, but I'll
- 19:36Speaker 6: think of something.
- 19:49Speaker 3: I've got to think of something. some way out of it.
- 19:51Speaker 7: She's in that other room thinking what to do to me.
- 19:54Speaker 7: I've got to think of some way.
- 19:55Speaker 3: No, no, no, it's no use.
- 19:57Speaker 7: As soon as I think of it, she knows. Oh,
- 20:00Speaker 7: I've got to keep my mind busy. Mary had a
- 20:05Speaker 7: little lamb. Its fleece was white as maybe if I
- 20:08Speaker 7: could get her father.
- 20:09Speaker 3: No, no.
- 20:10Speaker 7: If there are two outs and bases loaded, or men
- 20:14Speaker 7: on first and second, and a ball is hit, which
- 20:16Speaker 7: in the opinion of the umpire can be handled by
- 20:18Speaker 7: an infielder, the infield fly rule shall be invoked and
- 20:21Speaker 7: the batter is called out. The base runners may advance
- 20:24Speaker 7: at their own peril, though their peril, their peril, I.
- 20:27Speaker 3: Got to think. No, no, I mustn't think. Oh, no,
- 20:34Speaker 3: she's absolutely certain now she can do anything she wants to.
- 20:38Speaker 3: I've got to act on the spur of the moment,
- 20:40Speaker 3: keep my mind crowded with something else. Ah, it's a
- 20:45Speaker 3: lovely day. Breathed there a man with soul so dead.
- 20:49Speaker 8: Twas brillig and the slithy toes did gyre and gimble
- 20:54Speaker 8: in the wave. Froggy went a-courting, and he did ride,
- 20:59Speaker 8: sword and pistol by his side, ring, tom, body, michikambo.
- 21:07Speaker 8: Bull fathom five, my father lies. Of his bones are
- 21:11Speaker 8: coral made. Seabirds hourly toll his knell. Hark, I hear them. Ding, dong, dell.
- 21:20Speaker 6: That's pretty.
- 21:26Speaker 3: Abby.
- 21:26Speaker 6: Where are we going?
- 21:28Speaker 3: Oh, Abby. What are you doing here?
- 21:33Speaker 6: I couldn't let you leave without me. I've got plans
- 21:37Speaker 6: for you Oh? Very interesting plans.
- 21:43Speaker 3: But how could you tell I left? I was thinking
- 21:45Speaker 3: all sorts of other things.
- 21:47Speaker 6: Mm-hmm Matt, you were thinking some of the cutest little
- 21:50Speaker 6: rhymes Oh, but that was on top On top? Why,
- 21:54Speaker 6: sure Way underneath, I could hear plain what you were
- 21:59Speaker 6: thinking About running away in this old car Then why.
- 22:02Speaker 3: Didn't you stop me? Conk out the motor or something Oh, I.
- 22:06Speaker 6: Didn't want to. I told you I could see way
- 22:09Speaker 6: down underneath the top of your thinking. And you know
- 22:13Speaker 6: what I found there? All the time, even when you
- 22:16Speaker 6: were making me unhappy to test all them strange things
- 22:19Speaker 6: I learned how to do, way down deep, you're in
- 22:23Speaker 6: love with me.
- 22:23Speaker 3: I am. Surely true.
- 22:27Speaker 6: So, we're going to get married.
- 22:31Speaker 3: Are we?
- 22:32Speaker 7: Mm-hmm.
- 22:34Speaker 6: There isn't much you can do about it now, is there?
- 22:39Speaker 3: No. No, I suppose not. But, you know, it's a
- 22:43Speaker 3: frightening thought getting married to you, Abby. A wife who
- 22:47Speaker 3: can read your mind and all the rest.
- 22:51Speaker 6: Oh, I wouldn't worry about it, darling. Why, I can
- 22:54Speaker 6: only do those things when I'm downright miserable. Everything will
- 22:58Speaker 6: be perfectly all right. Just as long as you keep
- 23:03Speaker 6: me happy.
- 23:24Speaker 4: You have just heard X-1 presented by the National Broadcasting
- 23:28Speaker 4: Company in cooperation with Galaxy Science Fiction Magazine, which this
- 23:33Speaker 4: month features Early Model by Robert Sheckley, the story of
- 23:37Speaker 4: a man who found that invulnerability was a fine asset
- 23:39Speaker 4: when opening a new planet, provided you don't overdo it.
- 23:44Speaker 4: Galaxy Magazine, on your newsstand today. Tonight by transcription, X-1
- 23:49Speaker 4: has brought you Wherever You May Be, a story from
- 23:52Speaker 4: the pages of Galaxy written by James E. Gunn and
- 23:56Speaker 4: adapted for radio by Ernest Canoy. Featured in the cast
- 23:59Speaker 4: were William Redfield, Patsy O'Shea, and Jack Orison, your announcer
- 24:03Speaker 4: Fred Collins. X-1 was directed by Daniel Sutter and is
- 24:08Speaker 4: an NBC Radio Network production.
- 24:21Speaker 2: Be sure to hear X-1 one half hour earlier next
- 24:23Speaker 2: week over most NBC radio stations. Check your local newspaper
- 24:26Speaker 2: for the exact time. This is the NBC Radio Network.
- 24:34Speaker 1: That brings the evening's X-1 feature, Wherever You May Be,
- 24:37Speaker 1: to a close. Follow X-1 for more classic broadcasts.