Latest / The Bald Brothers Podcast / 106: Top 10 Movies Black People Will Be Mad Black People You Haven't Seen | #thebaldbrotherspodcast

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106: Top 10 Movies Black People Will Be Mad Black People You Haven't Seen | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: I like him. Man, here we go. What up, y'all?
• 0:02
  Speaker 2: Welcome to the Ball Brothers Podcast. I'm Kevin Stage Tony
• 0:05
  Speaker 2: Baker here, just being friends talking about things, waxing, poetically,
• 0:10
  Speaker 2: eating protein, yogurt that the yukstad's okay, man eighty.
• 0:15
  Speaker 1: Out of one hundred.
• 0:16
  Speaker 2: So you put the eighty eighty out of the one
• 0:18
  Speaker 2: hundred with the forty out one hundred and yogurt, it's
• 0:20
  Speaker 2: a sixty hundred.
• 0:21
  Speaker 3: And also too, when the yucker rates the things, you
• 0:24
  Speaker 3: gotta look at what they're talking about. So even though
• 0:26
  Speaker 3: it might rate poor, they just telling you it's poor
• 0:29
  Speaker 3: because it's a little too gloric. But it might not
• 0:32
  Speaker 3: be too many calories for you, Like that granola.
• 0:36
  Speaker 4: Yeah, that's not crazy. If you do one servant and put.
• 0:39
  Speaker 2: That that biscuit sandwich that I was eating in the yucker,
• 0:41
  Speaker 2: it's gonna be two out of one hundred. It's gonna
• 0:43
  Speaker 2: be no redeeming crazy, no redeeming. Yeah, it's gonna be crazy.
• 0:47
  Speaker 2: So anyway, Uh, today we are doing the top ten movies.
• 0:53
  Speaker 2: Black people will get mad at you if you haven't seen,
• 0:58
  Speaker 2: because you know the blacks got.
• 1:00
  Speaker 1: Movies that we wild judge your whole life character. White
• 1:03
  Speaker 1: people be like, you ain't seen Steve mcno, yes they do.
• 1:08
  Speaker 1: We need to do. We need to bring some white
• 1:09
  Speaker 1: people on this.
• 1:10
  Speaker 3: Bring the white side to be like what movies do
• 1:12
  Speaker 3: white people get? If you haven't seen, you ain't seen.
• 1:15
  Speaker 3: I already know what the white guys would pick. Yeah,
• 1:18
  Speaker 3: Toy Story, you ever seen tour Stoy?
• 1:23
  Speaker 2: Mexican people blood and blood out about in my comments
• 1:27
  Speaker 2: like don't you ever come over here if you until
• 1:29
  Speaker 2: you see blood and blood out?
• 1:30
  Speaker 4: They was, they was bloody and blood out. It is
• 1:32
  Speaker 4: a good movie.
• 1:33
  Speaker 2: Yeah, but they I'm black, so they wasn't tripping, but
• 1:35
  Speaker 2: it was like, you do need to watch it.
• 1:37
  Speaker 1: Mexican they probably be like, who even are? All right,
• 1:41
  Speaker 1: crack it off.
• 1:42
  Speaker 4: What It's gonna be hard to narrow it down to ten.
• 1:46
  Speaker 1: Let's just keep going. We maybe we get more than ten.
• 1:48
  Speaker 3: Okay, all right, so I'm going first, You're going first. Okay,
• 1:53
  Speaker 3: I got I got so many movies on this list.
• 1:56
  Speaker 1: Go ahead, Boys in the absolutely boys in the Hood,
• 2:00
  Speaker 1: be like what you ain't seen?
• 2:01
  Speaker 4: Boys and always gonna get it.
• 2:03
  Speaker 2: Probably probably that one out of all the hood classic movies,
• 2:07
  Speaker 2: especially the violent one, I mean the ones that are
• 2:09
  Speaker 2: not comedic.
• 2:10
  Speaker 1: That probably is the number. That's the staple.
• 2:13
  Speaker 2: You gotta see if you if you ain't seen Jews,
• 2:15
  Speaker 2: they might not be like, yeah, you should have seen Juice,
• 2:18
  Speaker 2: but yeah, they probably ain't gonna raise too much stink.
• 2:20
  Speaker 3: They might though they might because it's got Tupac get there.
• 2:25
  Speaker 1: Boys in the Hood is going to Boys.
• 2:26
  Speaker 4: In the Hood for sure.
• 2:27
  Speaker 3: That's like maybe Minutes of Society, Menacon get you. That
• 2:30
  Speaker 3: response to Hood is like the perfect hood movie. If
• 2:35
  Speaker 3: you want to know what the hood life was like
• 2:38
  Speaker 3: in the nineties.
• 2:39
  Speaker 1: You go to that. Yes.
• 2:40
  Speaker 2: Unfortunately, for those of us who weren't raised in La,
• 2:44
  Speaker 2: that movie framed how I saw La.
• 2:46
  Speaker 3: Me too for a long while, and I wasn't really tripping.
• 2:50
  Speaker 3: I was like, yo, La crazy, you know what I'm saying.
• 2:52
  Speaker 3: But Menace you made me terrified of l A. I
• 2:56
  Speaker 3: was like, yo, man, how would people will existed in this?
• 3:01
  Speaker 2: Because the Boys in the Hood, you have Trey with
• 3:04
  Speaker 2: the with the solid father.
• 3:06
  Speaker 1: It seemed like Trey he could choose to be good
• 3:09
  Speaker 1: or bad.
• 3:10
  Speaker 2: You got Ricky on his way out to USC you
• 3:13
  Speaker 2: know he's caught, you know running, should should have Zach.
• 3:19
  Speaker 1: But minutes they're not. Ain't no college scholarships on the line.
• 3:24
  Speaker 3: His minutes was his minutes was minutes? Was the guys
• 3:31
  Speaker 3: that shot at them?
• 3:32
  Speaker 1: That's them. Yeah, the guys shot guys and shot Ricky. Yes,
• 3:37
  Speaker 1: this is.
• 3:38
  Speaker 2: Their sure saying they're not going to usc They they not.
• 3:42
  Speaker 3: We ain't got no furious we ain't got no sports
• 3:47
  Speaker 3: scholarship on the line, and we ain't got.
• 3:49
  Speaker 1: A criminal with a heart of gold.
• 3:52
  Speaker 3: We're gonna kill you. You was talking that ship. We're gonna
• 3:58
  Speaker 3: see you again. Uh So, Now the minuce is that
• 4:01
  Speaker 3: side of.
• 4:02
  Speaker 2: Yes, that is the that is if that car drove off,
• 4:06
  Speaker 2: the minutes of society came off, I'd be.
• 4:08
  Speaker 3: Like, well, yeah, we blasted that nigga. That's the opening
• 4:13
  Speaker 3: the fair. We blasted that nigga. Man, you know what
• 4:15
  Speaker 3: I'm saying. I told I told him. You say I
• 4:17
  Speaker 3: shot him through the through the back and went through
• 4:19
  Speaker 3: his chest. That's what That's what it's all about.
• 4:21
  Speaker 4: That's me.
• 4:24
  Speaker 1: That's me.
• 4:27
  Speaker 3: They called me Bobby. You know what I'm saying. I
• 4:30
  Speaker 3: wouldn't always like this, but here we are.
• 4:33
  Speaker 2: That's hilarious. One thousand percent couldn't agree more.
• 4:37
  Speaker 3: I'm a go I think I know where you the
• 4:39
  Speaker 3: color I knew he was gonna say the color purple.
• 4:42
  Speaker 2: First, the color purple to it might be the biggest
• 4:46
  Speaker 2: you had. And that's the Steven Spielberg one, not the
• 4:49
  Speaker 2: most recent one. And the thing about it is, the
• 4:54
  Speaker 2: color purple is a very traumatic.
• 4:58
  Speaker 4: Man, Moe. It's not a good time.
• 5:00
  Speaker 1: It is not.
• 5:01
  Speaker 4: It's a great ending.
• 5:02
  Speaker 2: Though great ending, And I feel like the newer version
• 5:04
  Speaker 2: had more levity towards the end, for sure. The first
• 5:08
  Speaker 2: version was like, you get three minutes of happiness you
• 5:11
  Speaker 2: see these little kids, and then missed.
• 5:13
  Speaker 1: The and that's it and it better be enough.
• 5:15
  Speaker 2: The last the last one, we had a whole sequence,
• 5:17
  Speaker 2: said Flowers.
• 5:18
  Speaker 1: They had last movie.
• 5:20
  Speaker 3: I understood it better. Yeah, understood the story brother.
• 5:24
  Speaker 1: It the Dion Cole.
• 5:29
  Speaker 2: Situation and the kid. It was way more clear and
• 5:33
  Speaker 2: devastating to me in the second one then the first one.
• 5:37
  Speaker 3: Yea, because I didn't understand it then the first one,
• 5:39
  Speaker 3: I was like, so what's the dynamic here?
• 5:40
  Speaker 2: Man?
• 5:41
  Speaker 4: Who what is happened in there? I was confused, so
• 5:44
  Speaker 4: that the whole time.
• 5:45
  Speaker 2: I was not understanding what I mean. I got it,
• 5:47
  Speaker 2: but I didn't get it. I was also younger at
• 5:49
  Speaker 2: the time. I was let's watch it, but it was
• 5:52
  Speaker 2: it was spelled out in the second one.
• 5:53
  Speaker 1: But black people not trying to hear it.
• 5:56
  Speaker 2: If you ain't seen the color from it doesn't matter
• 5:59
  Speaker 2: how old you are, Jojo eighteen and sixteen?
• 6:01
  Speaker 1: Why haven't you seen it?
• 6:02
  Speaker 4: Have they seen it?
• 6:03
  Speaker 1: They? We didn't put them through it.
• 6:06
  Speaker 4: Okay, it's a lot, manin's the family movie.
• 6:08
  Speaker 3: You want to put on a sit down, y'all know,
• 6:10
  Speaker 3: y'all laughing and giggling with color purple?
• 6:13
  Speaker 2: Since girl getting molested in a beauty and punch, there's
• 6:17
  Speaker 2: a little father preacher who hates his daughter. Get in
• 6:22
  Speaker 2: on this, yeah, get in on this. Popcoring man, get
• 6:25
  Speaker 2: your snap man.
• 6:26
  Speaker 1: Watch this.
• 6:27
  Speaker 2: This sex were good. You don't really want to be
• 6:29
  Speaker 2: a part of the sex. Yeah, let's sit down there
• 6:32
  Speaker 2: and grab grab a popcorn.
• 6:33
  Speaker 4: It's a good time family mind.
• 6:35
  Speaker 1: Yeah, people be like.
• 6:37
  Speaker 2: This is my favorite part, really fixing a shaved mister.
• 6:40
  Speaker 2: She was about to kill that man. It was she
• 6:42
  Speaker 2: had to raise her.
• 6:43
  Speaker 4: A lot of people.
• 6:43
  Speaker 3: It's a lot of angry people out here that they
• 6:46
  Speaker 3: they know that feeling.
• 6:48
  Speaker 1: I could take you out right now.
• 6:50
  Speaker 3: My favorite part of the movie is the end with
• 6:53
  Speaker 3: happy ending when her kids roll up.
• 6:55
  Speaker 1: Oh man, we were in Africa, but her.
• 7:01
  Speaker 3: Kids rolled up, man, and they just standing out there
• 7:04
  Speaker 3: in the field and the African garments are flapping in
• 7:06
  Speaker 3: the winter. My favorite like mom, so you can't see
• 7:20
  Speaker 3: the tears, just like why your face?
• 7:22
  Speaker 4: Well, I pulled water on myself. Uh.
• 7:27
  Speaker 3: Whooping Goldberg was so good in that movie. I should
• 7:30
  Speaker 3: not get an oscar for it. That's why they gave
• 7:32
  Speaker 3: an oscar for Ghosts.
• 7:33
  Speaker 1: Yes, this is what they did for Jamie Curtis.
• 7:34
  Speaker 3: They should have gave her that gave her both. They
• 7:37
  Speaker 3: should have gave her that should.
• 7:39
  Speaker 1: Have color purple. That scene where she have I asked
• 7:42
  Speaker 1: you for anything? Man? Have I jumped? I was like
• 7:48
  Speaker 1: the old dad, Now ain't gonna that you try? You
• 7:55
  Speaker 1: sim is all.
• 7:58
  Speaker 2: And the until you do right by me and Danny
• 8:00
  Speaker 2: Glover boy, we ain't forgave him still.
• 8:03
  Speaker 3: Danny, it was people have played that was not a
• 8:06
  Speaker 3: weak piece of fat on that cash.
• 8:09
  Speaker 1: Everybody heard it. Man, Danny in his bag.
• 8:14
  Speaker 3: This is Whoopies debut, Hey you, this is the day
• 8:19
  Speaker 3: album out here.
• 8:23
  Speaker 1: She's a comedian comedians be good.
• 8:26
  Speaker 2: Dramatic actress though traditionally good dramatic actress.
• 8:30
  Speaker 1: Every role was great and it looked like she really aged.
• 8:34
  Speaker 2: Yes, and the makeup on Whoopy Goldberg, I mean on
• 8:37
  Speaker 2: uh Oprah when she got.
• 8:39
  Speaker 1: Out of jail. So he a home now, man home?
• 8:43
  Speaker 2: It was great man. But yeah, the color purple, nobody's
• 8:47
  Speaker 2: trying to see. Tyler Perry used to put those scenes
• 8:49
  Speaker 2: in his place all the time, used to always get
• 8:51
  Speaker 2: a good laugh.
• 8:52
  Speaker 1: Color purple in there coming to America? Who coming to America? Man? Man,
• 8:59
  Speaker 1: if you ain't seen coming to America, Man, don't talk
• 9:01
  Speaker 1: to me.
• 9:03
  Speaker 3: Don't talk to me. You ain't got no excuse because
• 9:06
  Speaker 3: I'll let you slide on.
• 9:07
  Speaker 2: Man.
• 9:08
  Speaker 1: The color purple too heavy, it's heavy coming to America.
• 9:11
  Speaker 3: You got no excuse. I don't like laughing nothing coming
• 9:17
  Speaker 3: to America.
• 9:17
  Speaker 1: You got zero excuse. Man.
• 9:20
  Speaker 4: It's one of the best comedies.
• 9:21
  Speaker 1: Ever made all time. If you're really a prince, I'll
• 9:24
  Speaker 1: marry you.
• 9:25
  Speaker 3: I'll marry you your old ass up.
• 9:28
  Speaker 1: Man, ain't nobody marry you on this train ste your
• 9:31
  Speaker 1: French dou mother. That's the role I want to play
• 9:36
  Speaker 1: so badly rich.
• 9:40
  Speaker 3: If they recast it, if they redid Coming to America,
• 9:44
  Speaker 3: that they're not no sequel, they just redid it.
• 9:46
  Speaker 1: I want to be the landlord that's slum. He got
• 9:48
  Speaker 1: the good apartment. And don't don't be pulling that falling
• 9:51
  Speaker 1: down the stairs ship on me.
• 9:53
  Speaker 4: You conscious? That's me all day?
• 9:57
  Speaker 3: You think you slick. You're falling down the steps. Your
• 10:00
  Speaker 3: rent is due? Because I would do that in real life.
• 10:03
  Speaker 3: You would you fall down the steps and land and fart.
• 10:06
  Speaker 3: I'm like, look your rents, do.
• 10:11
  Speaker 1: You? Boys? And Africa is used to this? So good?
• 10:16
  Speaker 2: All right, I'm gonna go with Friday. Yes, first Friday again,
• 10:22
  Speaker 2: kind of on the Coming to America. Just really a
• 10:24
  Speaker 2: perfect film.
• 10:26
  Speaker 1: Really, it's perfect.
• 10:27
  Speaker 2: And comedies don't often that third act resolution.
• 10:31
  Speaker 4: Tuck the landing.
• 10:32
  Speaker 1: They can't. They can't figure out how to do it.
• 10:35
  Speaker 1: Friday did it. Friday switched the tone. Switch the tone.
• 10:39
  Speaker 1: It worked, and it worked when he fought Devo. I
• 10:42
  Speaker 1: was on the edge of my seat. Oh my god,
• 10:46
  Speaker 1: oh oh so good.
• 10:48
  Speaker 2: And once they all got knocked out, then then smoke
• 10:51
  Speaker 2: he can go back to being funny again.
• 10:53
  Speaker 1: But that fifteen minute part between.
• 10:55
  Speaker 2: He had the gun, yes and real John Witherspoon, I mean,
• 11:00
  Speaker 2: just when.
• 11:02
  Speaker 1: To come on CREUSA what did you live? You live
• 11:06
  Speaker 1: at another day? Like that's a metaphor for life for sure,
• 11:08
  Speaker 1: Pops and rest in peace, John Winners.
• 11:11
  Speaker 3: Absolutely ice Cube was perfect for that role. Not no
• 11:15
  Speaker 3: fat on the cast, no.
• 11:16
  Speaker 2: Fat on the cast, everybody, e Zelle, man Ezel.
• 11:22
  Speaker 1: Just the way aj was running was funny. Just the
• 11:26
  Speaker 1: way he ran with.
• 11:27
  Speaker 3: The hat and what you're doing over there smoking, Hey,
• 11:30
  Speaker 3: don't come on here, hey man, look.
• 11:33
  Speaker 1: It looked like you're taking a ship my neck. Uh
• 11:39
  Speaker 1: back one hundred and forty thousand. We can tell right now.
• 11:46
  Speaker 3: The way he came out the store, he was about
• 11:48
  Speaker 3: to get in the cold and move. He was walking
• 11:53
  Speaker 3: casually like I'm gonna get in with y'all.
• 11:54
  Speaker 1: Hey man, dog, He's so funny, man, This so so
• 12:00
  Speaker 1: many elements of that.
• 12:01
  Speaker 3: But that's why whenever I would watch it early on
• 12:03
  Speaker 3: when it got to video, every time I watched it,
• 12:06
  Speaker 3: I laugh more and more than a time before because
• 12:08
  Speaker 3: I was just noticing so many different nuances.
• 12:11
  Speaker 1: The little throwaways are so funny.
• 12:13
  Speaker 2: Me Melissa still do I'll do.
• 12:16
  Speaker 4: That all the time.
• 12:19
  Speaker 2: Comic girls daily.
• 12:27
  Speaker 1: Jay love to do that.
• 12:30
  Speaker 4: To get up and cook and do something that she loves.
• 12:34
  Speaker 3: That whole dynamic between him and his mama was mad funny.
• 12:38
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• 15:00
  Speaker 1: Now back to the ball brothers man even pops man.
• 15:04
  Speaker 2: I had seen him in movies before. Yeah, but the
• 15:06
  Speaker 2: way he came in the kitchen eating the grapes.
• 15:10
  Speaker 1: How you make a grape even sound like that?
• 15:13
  Speaker 3: Every time I come in the kitchen, you in the
• 15:15
  Speaker 3: kitchen and they got Dad refitch heat up all he like, like, yeah,
• 15:29
  Speaker 3: make it enough. It's from there making enough, Make it enough,
• 15:32
  Speaker 3: make it enough. We still saying, get on my nerve. Yes,
• 15:36
  Speaker 3: but you get up and cook and do something.
• 15:39
  Speaker 1: Girl white it all outside? Why did it all like?
• 15:42
  Speaker 1: She looked more like Freddie jack.
• 15:44
  Speaker 3: Freddy Jackson man. The girl was cute by the way
• 15:46
  Speaker 3: she was. He was tripping along along don't get me
• 15:50
  Speaker 3: started on a kid. I told about me along for
• 15:54
  Speaker 3: good twenty minutes this week.
• 15:55
  Speaker 2: We posted a picture of video. The other day, I said,
• 15:59
  Speaker 2: I'm sick of me along.
• 16:00
  Speaker 1: God bless America.
• 16:03
  Speaker 4: She's been killing it, lady man.
• 16:05
  Speaker 1: I don't remember a time when she.
• 16:07
  Speaker 3: Wasn't shy, don't exist fresh Prince Friday best man.
• 16:12
  Speaker 2: I met her at the Oh yeah, gave her a huggle,
• 16:19
  Speaker 2: smell the man.
• 16:20
  Speaker 3: I need to start going to the easy fans. Don't
• 16:24
  Speaker 3: nobody even invite me to the I need to start going.
• 16:31
  Speaker 1: You would denominated.
• 16:33
  Speaker 5: I didn't wal wear heart shoes and you don't even
• 16:38
  Speaker 5: have to, And then't want to dress up?
• 16:41
  Speaker 1: You could have worn that. You don't want to? Then
• 16:45
  Speaker 1: you whatever?
• 16:46
  Speaker 2: You know in La some people, Oh he's arty, he's artsy.
• 16:48
  Speaker 2: You just gotta baby. I think he's arty.
• 16:50
  Speaker 1: I should have went dressing this. You could have worn
• 16:52
  Speaker 1: that's your shoes.
• 16:54
  Speaker 4: No, I wouldn't have wore these shoes.
• 16:56
  Speaker 1: Wear some ones. I don't care. Everybody not dressed up.
• 16:59
  Speaker 1: He was at home. It was like Tony Baker. He's funny.
• 17:03
  Speaker 4: I was tired too. That was another thing it was.
• 17:06
  Speaker 3: It was crazy, though, Man, you'll be ripping and running
• 17:09
  Speaker 3: though I'll sit down, but I'll be going to the stuff.
• 17:13
  Speaker 3: That's what I'm saying. You be ripping and running. I'll
• 17:15
  Speaker 3: be like, man, but you don't rip and run at all.
• 17:17
  Speaker 3: I'll be ripping and running. That winning because I did.
• 17:20
  Speaker 3: I did the full weekend and uh Tampa flew right
• 17:24
  Speaker 3: into Detroit. The film The Little Reil Joint came back
• 17:28
  Speaker 3: went right into the rehearsal for the Upshaws, and then
• 17:31
  Speaker 3: I was there for three days and then in the
• 17:34
  Speaker 3: W A C.
• 17:34
  Speaker 4: P stuff, and I was like, man, I'm a Hollywood star.
• 17:38
  Speaker 1: I don't know what. I had to shoot a movie
• 17:40
  Speaker 1: and then the rehearsment TV show. Then I had to
• 17:43
  Speaker 1: be there for the award show. I had to I'm tired.
• 17:47
  Speaker 1: I had.
• 17:49
  Speaker 2: Life throw up in the year be a Wards. He's
• 17:52
  Speaker 2: a man, wak up? But me alone because I ripped
• 17:56
  Speaker 2: and round and I ran in me Along.
• 17:58
  Speaker 3: I said, Nia, she said, hey, Cam, because I think
• 18:00
  Speaker 3: they along would like me in real life.
• 18:02
  Speaker 1: She probably would, but now you'll never know because I
• 18:03
  Speaker 1: never know smoothies.
• 18:07
  Speaker 3: All right, You're so, I gotta so. We got the
• 18:13
  Speaker 3: color purple, we got fried hold.
• 18:16
  Speaker 2: On, Yeah, Tasha d He just threw in the little
• 18:18
  Speaker 2: real in the upshaw in my busy week.
• 18:21
  Speaker 4: Well, I had to let you know.
• 18:22
  Speaker 3: I was ripping and un But you gotta be looking
• 18:25
  Speaker 3: at me like you know, Malcolm X is the next movie.
• 18:28
  Speaker 1: Do we get mad?
• 18:30
  Speaker 3: Yes?
• 18:30
  Speaker 1: If you black? If you ain't seen Malcolm.
• 18:33
  Speaker 3: If you ain't seen Malcolm X, you ain't black, you
• 18:36
  Speaker 3: are cool. You are coon. If you ain't seen Malcolm X.
• 18:43
  Speaker 3: I don't know how dare you what y'all saying?
• 18:45
  Speaker 1: Patreon? Shoot?
• 18:47
  Speaker 2: I mean you know, I've seen it a million times,
• 18:50
  Speaker 2: my favorite Spike Lee movie. I feel like blacks probably
• 18:54
  Speaker 2: will get mad, especially of Spike Lee movies.
• 18:57
  Speaker 1: That movie is about black in America. Yes, you're right,
• 19:03
  Speaker 1: you're right that to me.
• 19:05
  Speaker 3: To me, that's the best movie about a black historic
• 19:10
  Speaker 3: figure existed.
• 19:13
  Speaker 1: So good too. But how you describe it historical?
• 19:17
  Speaker 4: Would you what movies say?
• 19:18
  Speaker 1: Ray? I mean, I mean, like a black historical figure,
• 19:22
  Speaker 1: like you know, civil rights.
• 19:24
  Speaker 2: Okay, I agree with you. I agree with you. I'm
• 19:28
  Speaker 2: gonna go with this one. Harlem Knights that black folks
• 19:34
  Speaker 2: from experience, I can tell.
• 19:37
  Speaker 4: You Malcolm X is more important than all of the Nights.
• 19:39
  Speaker 2: I bet you, I bet you. I bet you. Harlem
• 19:42
  Speaker 2: Knights give you people more upset. I bet you. Harlem
• 19:46
  Speaker 2: Knights get people more upset. Probably they fact I didn't
• 19:51
  Speaker 2: see Malcolm X un till late, they'd be like, what
• 19:53
  Speaker 2: was up with you?
• 19:54
  Speaker 4: But Harlem Knights, that's because you're a comedian.
• 19:56
  Speaker 2: I think that might have helped it. But I think
• 19:58
  Speaker 2: the comedies. More people see comedies than any other movie.
• 20:02
  Speaker 2: I think you could be like, I don't really want
• 20:05
  Speaker 2: to see No, you know Malcolm X Die. Like you
• 20:07
  Speaker 2: can avoid movies that you know have some trauma in them,
• 20:11
  Speaker 2: but a comedy. It's hard to say why you didn't
• 20:13
  Speaker 2: see a funny movie that everybody seen, especially Harlem Knights,
• 20:17
  Speaker 2: because it has literally I can't think of another movie
• 20:21
  Speaker 2: except Life that has that many comedy greats in it.
• 20:24
  Speaker 1: And Life is better Harlem Knights. Life is better? Do
• 20:29
  Speaker 1: you feel that way?
• 20:29
  Speaker 3: One thousand without I'm not even flinching. Harlem Knights has
• 20:35
  Speaker 3: great moments to fight in the alley, the whole opening scene,
• 20:41
  Speaker 3: city Hall, the shooting center with the one shot, But
• 20:45
  Speaker 3: the rest of the movie is just cool. I love
• 20:49
  Speaker 3: Life and Richard Richard is the straight man, so I
• 20:51
  Speaker 3: feel like he was squandered within the cast. He rarely
• 20:56
  Speaker 3: does anything funny. It's like he does anybody could have
• 20:58
  Speaker 3: been in that Richard, No Life. Everybody was bringing it, and.
• 21:04
  Speaker 1: Martin got to switch from the sacred man.
• 21:06
  Speaker 3: He went a straight man to the hilarious old man,
• 21:09
  Speaker 3: so we got to see Martin flourish for sure.
• 21:12
  Speaker 4: Richard didn't do nothing.
• 21:13
  Speaker 1: He straight the whole time. They let everybody else rock.
• 21:16
  Speaker 3: Though everybody Red Fox was rocking, del Reice was rocking,
• 21:19
  Speaker 3: Eddie was rocking, rocking.
• 21:22
  Speaker 1: Jasmine guy was all fatile.
• 21:27
  Speaker 2: I got to meet her in person, tell her how
• 21:29
  Speaker 2: big of a fan that, the dude who left his wife.
• 21:32
  Speaker 4: Oh yeah, can't put your money, ain't coming on all coming.
• 21:40
  Speaker 1: Damn. Put your mother on the phone.
• 21:43
  Speaker 3: Put your mother on the phone. And I love Danny
• 21:47
  Speaker 3: was the crooked cop. Yeah, he was playing that little
• 21:51
  Speaker 3: charming role and he was look at you, niggas. But
• 21:58
  Speaker 3: life overall, life is funnier.
• 22:00
  Speaker 1: Man.
• 22:01
  Speaker 2: Life is also more tragic, Oh, super tragic, super tragic,
• 22:05
  Speaker 2: but on the funny even like kind of like coming
• 22:07
  Speaker 2: to America. I mean what we were saying about coming
• 22:09
  Speaker 2: to America, I mean we were saying about Friday. Even
• 22:11
  Speaker 2: the throwaway lines are funny. One thing me, Melissa still
• 22:14
  Speaker 2: always say, got smooth with my drink? Didn't he smooth
• 22:18
  Speaker 2: with a drink?
• 22:21
  Speaker 1: How about I tear y'all that scene?
• 22:25
  Speaker 3: So you sayd about you need to do that for
• 22:27
  Speaker 3: the bull though y'all was serious around past down there.
• 22:31
  Speaker 1: Y'all boys can read so good. Didn't see that side.
• 22:34
  Speaker 3: They ain't cast her perfectly? Hey by race, Yeah, I
• 22:41
  Speaker 3: felt the race, the shot come behind the podcast tear
• 22:44
  Speaker 3: yea about about three miles playing two three miles.
• 22:50
  Speaker 2: No man, no, no, I'm Homebrey, I want to Billy,
• 22:56
  Speaker 2: I want some pa. The stuff Addy Murphy would saying
• 22:58
  Speaker 2: to that scene probably even got the restue for that man.
• 23:02
  Speaker 2: How to make that man litten. I just think we
• 23:03
  Speaker 2: should go in it gone.
• 23:05
  Speaker 3: Eddie Murphy was firing on all Man when he was
• 23:08
  Speaker 3: in the cartop on raised boom boom.
• 23:10
  Speaker 1: Nothing sounds like a place where it's fun that.
• 23:13
  Speaker 3: Yeah you want to ship, Yeah you want to He
• 23:16
  Speaker 3: was like, no, did I That's why you ain't inviting
• 23:19
  Speaker 3: because you ain't coming down as motherfucker.
• 23:23
  Speaker 2: I was rewatching that, like, man, where did they go wrong?
• 23:27
  Speaker 2: And the moment they went down to that where the
• 23:32
  Speaker 2: characters went where they went wrong in the movie, because
• 23:34
  Speaker 2: I was like, man, they could have just they had it.
• 23:36
  Speaker 1: They had it, They had the moonshine, they had the
• 23:39
  Speaker 1: two dollars. They shouldn't have went in the town. Once
• 23:42
  Speaker 1: they went into town, they was gone. It was dead.
• 23:46
  Speaker 2: The right with Martin had to go get the kouchie.
• 23:48
  Speaker 2: He came downstairs, you know, Eddie. Oh the way they
• 23:53
  Speaker 2: played him on the card game. That's they just I mean,
• 23:55
  Speaker 2: we would have no movie. But because the way it ended,
• 23:58
  Speaker 2: just y'all just go, just gone.
• 24:00
  Speaker 4: It was really the card game.
• 24:02
  Speaker 3: It was the card game because Eddie was because once
• 24:04
  Speaker 3: they've seen Clans Williams the third lay there, Eddie was
• 24:09
  Speaker 3: looking for his watch and he never encountered that man
• 24:13
  Speaker 3: and lost the watch.
• 24:14
  Speaker 2: He would have been good, been like Spy thought he
• 24:16
  Speaker 2: would have just lost straight up because but he called
• 24:19
  Speaker 2: the cheating and they're like that girl did me work here?
• 24:22
  Speaker 2: And then chef Chef pike Man, who I love that guy, arleemy.
• 24:28
  Speaker 2: He's great every time, full metal jacket.
• 24:30
  Speaker 1: He's good.
• 24:30
  Speaker 2: He was in a funny movie with Steve Zoon I
• 24:34
  Speaker 2: can't think of right now, but anyway, Steve, it's a
• 24:38
  Speaker 2: good time.
• 24:38
  Speaker 1: It's on me again. Let's do It's tough.
• 24:43
  Speaker 3: I got mad movies bro now nowadays now in this
• 24:46
  Speaker 3: day and ain't a black Panther.
• 24:49
  Speaker 1: Yes, they're like, yo, you ain't saying black Panther. I
• 24:53
  Speaker 1: don't think I even know anybody who ain't seen Black Panther.
• 24:55
  Speaker 1: That's a movie like this. It feels like everybody saw Man.
• 24:59
  Speaker 1: If you did to see it, and you Black. You
• 25:01
  Speaker 1: ain't seen that. You don't even want to hear that.
• 25:04
  Speaker 1: I don't get into comic book movies. But no, no,
• 25:07
  Speaker 1: that was a cultural we felt like.
• 25:10
  Speaker 2: I remember in that moment, I felt like, if we
• 25:13
  Speaker 2: didn't go see that and it didn't do well the
• 25:15
  Speaker 2: black the box office, we wasn't gonna get They was
• 25:18
  Speaker 2: gonna take Black Panthers out of the rest of the
• 25:19
  Speaker 2: Marvel movies.
• 25:20
  Speaker 1: Sure you ain't getting no solo movie.
• 25:22
  Speaker 2: And also get Out, you ain't gonna be in civil War,
• 25:24
  Speaker 2: nothing else scram you. And the fact that it did
• 25:27
  Speaker 2: over a billion, I believe, and it came out in
• 25:30
  Speaker 2: February one point three.
• 25:31
  Speaker 1: And it came out in February. Remember All Death All
• 25:34
  Speaker 1: we all went two.
• 25:35
  Speaker 3: Hundred million first week, so good, over one hundred million
• 25:40
  Speaker 3: second week. That's a lot of money, man, seven hundred
• 25:43
  Speaker 3: million domess.
• 25:44
  Speaker 1: And it was a good movie. It was a good time.
• 25:46
  Speaker 4: I saw it in the three times.
• 25:48
  Speaker 1: I think I saw it twice. I saw for my family.
• 25:50
  Speaker 1: The kids loved it. Yeah, I'm no argument. It's a
• 25:54
  Speaker 1: good time, all right.
• 25:55
  Speaker 2: But you get Sister Act too, No man, back in
• 25:59
  Speaker 2: the solutely Sister Act two, back in the habit, No
• 26:02
  Speaker 2: I'm not giving it to you. Yes, you are because
• 26:05
  Speaker 2: you didn't see it all the way through. And people
• 26:08
  Speaker 2: in the Patreon.
• 26:09
  Speaker 1: That's because they him. It's already mandwaggon over there. My
• 26:13
  Speaker 1: sister too. Man, if you gonna doubt Milcolm Max, but
• 26:16
  Speaker 1: you're gonna ride for system. I mentioned were he be
• 26:18
  Speaker 1: mad if you saw did see sister act too? That
• 26:19
  Speaker 1: you see Malcolm X?
• 26:20
  Speaker 3: Hell no, hell yeah, hell yeah, absolutely no, Yes, put it.
• 26:28
  Speaker 1: Put it in perspective like this, Okay, put it in perspective.
• 26:32
  Speaker 3: Denzel is one of the greatest actors we have period, right, Yes,
• 26:37
  Speaker 3: and black folks love Denzel Washington Denzel. So with that
• 26:41
  Speaker 3: love comes Malcolm xarably his greatest performance.
• 26:46
  Speaker 1: Yes. So people gonna be like, wait, you you love Denzel?
• 26:51
  Speaker 1: You ain't seen Milchael Max.
• 26:52
  Speaker 4: People going you are?
• 26:53
  Speaker 1: You are? You are underestimating the power of a cult classic. Man.
• 27:00
  Speaker 1: Look out, we're gonna sell us right now. What you
• 27:02
  Speaker 1: what you welcome seth make a video. We're gonna make
• 27:05
  Speaker 1: a video.
• 27:07
  Speaker 2: What's the question I'm gonna say, what would you be
• 27:09
  Speaker 2: more mad at somebody if they didn't.
• 27:11
  Speaker 1: See Malcolm X.
• 27:13
  Speaker 4: You're about to lose?
• 27:14
  Speaker 1: Okay, and I'm okay, I'm not even gonna say how I.
• 27:17
  Speaker 4: Feel about a cue it up, get it. I'm in there, man,
• 27:20
  Speaker 4: I'm in there, all right, help.
• 27:22
  Speaker 1: Us settle debate. Okay, what would you be more mad
• 27:25
  Speaker 1: at if a person didn't see Malcolm X or Sister Act.
• 27:29
  Speaker 1: That's all we need to know. What would you be
• 27:31
  Speaker 1: more upset if a person that said, hey Malcolm X
• 27:34
  Speaker 1: or hey I ain't seen Sister Act. Let me know
• 27:36
  Speaker 1: in the comments, guarantee.
• 27:40
  Speaker 3: What they said over here. They say what y'all say.
• 27:44
  Speaker 3: They're saying, my Uncolm neither.
• 27:51
  Speaker 1: I'm kind of louting. They do it. They do it.
• 27:55
  Speaker 5: Dang oh oh, I'm gonna put it out there. Still
• 28:05
  Speaker 5: still I'm bosting right now.
• 28:06
  Speaker 4: There's a lot of sisters coming in.
• 28:08
  Speaker 1: That's I'm putting Paul on Instagram now right now, y'all
• 28:12
  Speaker 1: can vote.
• 28:13
  Speaker 4: There's a lot of sisters in the family.
• 28:16
  Speaker 2: Sister Act Too is a family movie. Uh, everybody can
• 28:20
  Speaker 2: watch it. I mean everybody.
• 28:21
  Speaker 3: Malcolm X is important, absolutely, but you ain't pulling Malcolm
• 28:26
  Speaker 3: X out on a Friday night after the kids.
• 28:28
  Speaker 1: Serious business and that's why we're not talking about this.
• 28:32
  Speaker 1: One is more watchable on the day to day.
• 28:35
  Speaker 3: But Malcolm X is a movie you need to see,
• 28:40
  Speaker 3: not only just for a movie wise, but just for
• 28:42
  Speaker 3: you know what I'm saying.
• 28:44
  Speaker 2: That.
• 28:45
  Speaker 1: But I'm saying people will be more mad about Sister Act.
• 28:48
  Speaker 3: Too than Malcolm X watching Back in the Habitat see
• 28:52
  Speaker 3: Sister Act Too straight, because you're so biased about the
• 28:55
  Speaker 3: first one.
• 28:57
  Speaker 1: It was a better movie. There's a bit the movie man.
• 29:00
  Speaker 1: Y'all putting too much sauce on Systag Too.
• 29:03
  Speaker 4: I'm sorry.
• 29:03
  Speaker 1: And the more people like it, the more you're like, no,
• 29:05
  Speaker 1: I hate it more.
• 29:06
  Speaker 3: Now it's gonna be It's gonna be on my dark board.
• 29:10
  Speaker 4: Systag Too is gonna be on my dark habit hm.
• 29:14
  Speaker 1: And also, you're underestimating the power of nostalgia, Mao. Max,
• 29:18
  Speaker 1: don't get creating a nostalgia.
• 29:20
  Speaker 4: It should for American history, goddamn it.
• 29:23
  Speaker 1: People care about history.
• 29:25
  Speaker 4: We can't cold be hey.
• 29:30
  Speaker 1: Cold.
• 29:31
  Speaker 2: All right, it's up on Instagram, y'all go vote, yeah,
• 29:36
  Speaker 2: put in my stories too, put it all over the place.
• 29:38
  Speaker 1: I'm gonna put it all over the place. Well, there is.
• 29:41
  Speaker 4: Cross platform that thing.
• 29:43
  Speaker 3: Let me put my vote in sh You know what
• 29:45
  Speaker 3: I'm saying, Malcolm, look at two responses fifty fifty already.
• 29:54
  Speaker 1: Mm hmm, all right, post it all right, you're up. Okay,
• 29:59
  Speaker 1: so we have.
• 30:04
  Speaker 3: I'm gonna keep it comedy again, and I'm gonna go boomerang.
• 30:12
  Speaker 3: Yeah boomerang?
• 30:15
  Speaker 1: Is that.
• 30:17
  Speaker 2: Was that was before Friday? Yeah, that's you have to coordinate. Okay,
• 30:22
  Speaker 2: that's why I remember John.
• 30:23
  Speaker 3: That's like one of the ultimate romantic comedies that that's
• 30:27
  Speaker 3: purely like straight up romantic comedy in the vein of
• 30:31
  Speaker 3: like an adult contemporary romantic comedy, just like the Blueprint,
• 30:37
  Speaker 3: especially for romantic comedies that.
• 30:39
  Speaker 1: Came out after that. It was like, man, the Boomerang Blueprint.
• 30:43
  Speaker 3: It's crazy because coming to America, even though it's about romance,
• 30:46
  Speaker 3: it could be you can be confused, you can forget
• 30:48
  Speaker 3: about the element is like, yo, you forget that men
• 30:52
  Speaker 3: and women, y'all? This romantic comedy. Yeah, it's all about
• 30:57
  Speaker 3: it's all about the relationships.
• 30:59
  Speaker 4: Yeah, Boomerang.
• 31:00
  Speaker 1: Is that that quintessential piece of of of a black
• 31:04
  Speaker 1: romantic count for sure? For sure, I'm gonna go house party.
• 31:10
  Speaker 1: I love house.
• 31:11
  Speaker 2: We don't get that type of movie love coming to
• 31:14
  Speaker 2: the I love a good coming to age movie house party,
• 31:19
  Speaker 2: breakfast club, Ferris Buner's day Off.
• 31:21
  Speaker 4: People be hating on House Party and I don't like it.
• 31:23
  Speaker 1: Well, they hate on House Part.
• 31:25
  Speaker 3: They be when when people be posting one guy of goals,
• 31:28
  Speaker 3: people be picking House Party a little too much?
• 31:30
  Speaker 1: What the other? What the other movies? You don't like
• 31:33
  Speaker 1: the house Party?
• 31:34
  Speaker 4: Because I love House Party?
• 31:36
  Speaker 1: I love it too.
• 31:37
  Speaker 3: And maybe they'd be picking some other stuff over House
• 31:39
  Speaker 3: Part and I'll just be like.
• 31:40
  Speaker 2: Tisha Campbell, A J. Johnson ran into A J. Johnson
• 31:43
  Speaker 2: the party last week? Did you she introduced you to
• 31:46
  Speaker 2: Amazon and everybody, because I'd be going to the stuff.
• 31:49
  Speaker 2: I'll be putting on them hard bottoms and I'll be
• 31:50
  Speaker 2: going and taking a pill trucks. I was on a
• 31:52
  Speaker 2: plane yesterday with John boy a good Melvin Gregg. Really
• 31:56
  Speaker 2: they was on the same flight, the same flight as me,
• 31:57
  Speaker 2: and list where was y'all going? What was coming back
• 32:00
  Speaker 2: from New York? They had that one number one on
• 32:03
  Speaker 2: the call sheet. They had some big event in New
• 32:05
  Speaker 2: York's funny My Melissa's mom cracked me up today. She
• 32:08
  Speaker 2: sent a picture of fifty cent had a party in
• 32:10
  Speaker 2: New York last night and she was like, you should go.
• 32:13
  Speaker 2: You should have went. I was like, I wasn't invited.
• 32:16
  Speaker 2: She was like, act like you belonged, and I was like,
• 32:19
  Speaker 2: well I didn't know where it. Well, I can't like
• 32:21
  Speaker 2: I belonged. She was like Jay would have knew.
• 32:24
  Speaker 1: Oh okay, Mary, I don't what do you want me
• 32:26
  Speaker 1: to say? Jay would have knew about the fifty party?
• 32:34
  Speaker 1: How do you know that?
• 32:36
  Speaker 2: She like, I didn't go because I didn't, was like
• 32:39
  Speaker 2: I should belonging like that, I was doing something else.
• 32:42
  Speaker 1: How was that wrestling?
• 32:45
  Speaker 4: All the Whiz? Oh, Man the Whiz.
• 32:50
  Speaker 2: We made our boys watch that for this very reason,
• 32:52
  Speaker 2: and we're like, y'all gotta see it. They were watching there,
• 32:55
  Speaker 2: like watch.
• 32:56
  Speaker 3: The Wiz, especially especially with Wicked coming out Man on man,
• 33:02
  Speaker 3: turn that off.
• 33:03
  Speaker 2: The boys were like, let men show you this. Michael
• 33:07
  Speaker 2: Jackson was the redeeming quality for that. Okay, but there
• 33:09
  Speaker 2: were parts of they're just.
• 33:10
  Speaker 1: Like I get it, I get it. I don't know
• 33:12
  Speaker 1: if it really holds up as well as we would like.
• 33:15
  Speaker 1: And they don't have to. It don't have to. It
• 33:17
  Speaker 1: don't have to. It's iconic. The music is good, though,
• 33:20
  Speaker 1: it's good. Who hate the Wind? How you hate the Wiz?
• 33:23
  Speaker 1: Hate the Wins? What y'all hating it for you can't win.
• 33:27
  Speaker 4: Bring back the feeling.
• 33:32
  Speaker 3: What you mean, it's slow in the beginning, though, this
• 33:36
  Speaker 3: mass slow in the beginning. They're sitting at the table.
• 33:38
  Speaker 1: Bring back the feeling, Dad, we hate.
• 33:43
  Speaker 3: And down the roads trying to get themselves together to
• 33:46
  Speaker 3: do all the airs around the house.
• 33:48
  Speaker 4: Make sure all the food is on the plate.
• 33:50
  Speaker 3: Once you get the once you get the odds, and
• 33:52
  Speaker 3: it's cracking, and it's a little long. And then the
• 33:57
  Speaker 3: seventies cinematography make you feel the time.
• 34:00
  Speaker 1: Oh boy, do you remember at the time. Indeed, yes,
• 34:03
  Speaker 1: he's on, but you got down. He's down, he's on.
• 34:06
  Speaker 1: Down flies some more. Let it trippers down my spine.
• 34:18
  Speaker 3: Chris go, we do zz fine slies. We started getting
• 34:24
  Speaker 3: more loose as the song went on. Man, let's go,
• 34:28
  Speaker 3: let's go. And the way the lion busts up out
• 34:32
  Speaker 3: the statue, you're.
• 34:34
  Speaker 1: Looking at the poles, looking at the ball. Already. It
• 34:38
  Speaker 1: ain't telling me no results, man, watch it. Let me
• 34:40
  Speaker 1: see if I see you see the results. Man, Sometimes
• 34:45
  Speaker 1: you got to refresh it refresh, you know, usually how
• 34:49
  Speaker 1: it starts off as how it ends. Yeah, usually come
• 34:52
  Speaker 1: back and win.
• 34:53
  Speaker 4: I've only seen it come back and win like a
• 34:55
  Speaker 4: couple of times.
• 34:56
  Speaker 1: But they got to be sixty forty. Oh man, it's
• 35:01
  Speaker 1: your base. It ain't my base.
• 35:05
  Speaker 4: Your base is soft.
• 35:08
  Speaker 1: Somebody made a good point this. I agree with. People
• 35:11
  Speaker 1: expect you to have seen to know about Malcolm X.
• 35:13
  Speaker 1: Even before the movie. I read his autobiography.
• 35:18
  Speaker 3: I was like, Dang, sistag Too is not a big
• 35:22
  Speaker 3: landmark movie. It's not a landmark movie, y'all. Just like
• 35:29
  Speaker 3: The Little Happy Singing ship Man, it's not a landmark film.
• 35:33
  Speaker 1: What does a landmark film mean?
• 35:35
  Speaker 3: A landmark film is like it's a it's a touchstone.
• 35:38
  Speaker 3: It's like a movie that's important that it makes a
• 35:40
  Speaker 3: cultural impact. Malcolm X did all that. The movie not
• 35:45
  Speaker 3: not just a you know, we had the hash, we
• 35:46
  Speaker 3: was rocking and it was a mussy they showing it
• 35:48
  Speaker 3: in classrooms. Ain't nobody watching systag Too in the classroom
• 35:52
  Speaker 3: unless it's just a free day too.
• 35:56
  Speaker 2: You don't understand how many free days people have. I've
• 35:59
  Speaker 2: seen Sister also, I think a school. Yeah, I've also
• 36:04
  Speaker 2: seen Sister Act two in school. Well I don't remember
• 36:08
  Speaker 2: watching in school, but you could play that in school
• 36:10
  Speaker 2: more than you play Malcolm X.
• 36:11
  Speaker 1: They shut that, man, get your hand out of my pocket.
• 36:13
  Speaker 4: But it's important it really happened.
• 36:15
  Speaker 1: You.
• 36:16
  Speaker 2: You are misunderstanding, you thinking I disagree with that. I
• 36:20
  Speaker 2: don't disagree with that, but nostalgia.
• 36:22
  Speaker 1: You was we was young. We was watching that with
• 36:26
  Speaker 1: one of the reasons this little that's.
• 36:28
  Speaker 2: My point, and you watching over and over. I seen
• 36:30
  Speaker 2: Sister Act two probably seventy five billion times. I see
• 36:33
  Speaker 2: Malcolm X. That's one of my favorite movies. I've probably
• 36:36
  Speaker 2: seen them about fifteen twenty times. Okay, you black, Yeah
• 36:39
  Speaker 2: you're black.
• 36:40
  Speaker 4: You black, Tell me about that.
• 36:41
  Speaker 1: But that Sister Act too, especially for church kids. Maybe
• 36:44
  Speaker 1: maybe my honest is more church kids.
• 36:45
  Speaker 3: You have a churchy crowd. I'm gonna ask, I'm gonna
• 36:49
  Speaker 3: put the pool on my page, but.
• 36:52
  Speaker 1: Matter of fact, and then let's make it right down
• 36:54
  Speaker 1: and you talk that way.
• 36:56
  Speaker 2: We know it ain't based for baks because he even
• 36:58
  Speaker 2: actually I think the people, even in your comments be
• 37:00
  Speaker 2: still agreeing with me.
• 37:01
  Speaker 1: But go ahead, ain't gonna say that. Come on, come on,
• 37:04
  Speaker 1: come on, put it out there. Let's get to the heathen,
• 37:08
  Speaker 1: get to the heathens. What have y'all?
• 37:14
  Speaker 3: Man, Me and Cam up in here doing the ball
• 37:15
  Speaker 3: Brothers Podcast. Got a question for you answering the polls.
• 37:18
  Speaker 3: You know what I'm saying, what movie do you think
• 37:21
  Speaker 3: people would be more angry if you haven't seen Malcolm
• 37:25
  Speaker 3: X or Sister Act two.
• 37:27
  Speaker 1: Y'all let let us know in the polls? All right, yeah,
• 37:38
  Speaker 1: total comments. Now you stay out of it. You go
• 37:41
  Speaker 1: in there already, did ya? Don't don't come over here.
• 37:45
  Speaker 2: You go in there because I'm trying to tell you.
• 37:47
  Speaker 2: You don't let how you feel about SI start to
• 37:49
  Speaker 2: cloud your vision.
• 37:50
  Speaker 1: Man, this tag two was cute. No, it was great.
• 37:53
  Speaker 4: Malcolm X was important.
• 37:55
  Speaker 1: They were both important. SISTERAC two if it never existed,
• 37:58
  Speaker 1: been fine. It never came out.
• 38:03
  Speaker 3: They took an air at the box office, Oh my God,
• 38:07
  Speaker 3: took a smooth an take air.
• 38:09
  Speaker 1: At the box office. Chocolate Factory took an air at.
• 38:11
  Speaker 4: The box office, The Wizard of Oz tank.
• 38:15
  Speaker 1: Yeah, they came out Walker.
• 38:16
  Speaker 4: They was like, it's a wonderful life bomb.
• 38:19
  Speaker 2: That's one of my favorite Christmas at the box office.
• 38:22
  Speaker 2: It's not my favorite, but it's top three. He was
• 38:26
  Speaker 2: gonna kill himself in Black and White. That movie got serious.
• 38:30
  Speaker 4: I don't remember it like that. I remember seeing it.
• 38:33
  Speaker 1: But I want to do that, but not for the
• 38:36
  Speaker 1: like kill myself apart. I just want to see what
• 38:39
  Speaker 1: it would be like.
• 38:40
  Speaker 2: Like I'm just curious, no, no, no, if my life,
• 38:43
  Speaker 2: if I weren't in it, you, I just want to
• 38:47
  Speaker 2: see what it would be like.
• 38:48
  Speaker 1: Like I want to do what he did, but not
• 38:49
  Speaker 1: for the reasons he did. You know what I'm saying.
• 38:51
  Speaker 1: His reasons were like nobody needs me. I'm just curious,
• 38:56
  Speaker 1: like how it would be. Yeah, I don't know.
• 38:58
  Speaker 2: I'm good, y'all, I'm good, all right, I'm gonna go.
• 39:02
  Speaker 2: I'm a goal, I'm ana go, I'm I'm him in.
• 39:10
  Speaker 2: I'm gonna go lean on me.
• 39:12
  Speaker 4: Oh good choice.
• 39:13
  Speaker 2: Yeah, I feel like me and on Me is one
• 39:16
  Speaker 2: of those movies where people quote it and if you
• 39:18
  Speaker 2: don't know that movie, you won't know what that that
• 39:21
  Speaker 2: quote out of that movie.
• 39:21
  Speaker 1: You won't know like they used to coming Batman or
• 39:25
  Speaker 1: you call me crazy Joe, Now.
• 39:26
  Speaker 2: That come Batman, that scene with him in the the
• 39:30
  Speaker 2: head nigga charge scene, who's the dude, Robert, Robert, let's.
• 39:35
  Speaker 1: Go get something to eat like that?
• 39:37
  Speaker 3: There?
• 39:37
  Speaker 2: It was so that was so great and I love
• 39:41
  Speaker 2: that they could go fuss out each other cussed at
• 39:43
  Speaker 2: each other.
• 39:44
  Speaker 1: Basic you really think you bad, especially because he was
• 39:48
  Speaker 1: so he was small to Morgan. Morgan is towering over him.
• 39:53
  Speaker 1: Contrary the pocket. I love it. Let's get coat his head.
• 40:02
  Speaker 4: He was cold busted.
• 40:03
  Speaker 1: They had him. You smoke cracked. Don't you smoke crack?
• 40:07
  Speaker 1: Don't you jump smoke. Crown was on ten in all times.
• 40:12
  Speaker 4: Man, Wow, chill loud.
• 40:13
  Speaker 2: Bro little pregnant girl from you know, from her all
• 40:17
  Speaker 2: to get the test scores up. Kid Fresh was finish
• 40:19
  Speaker 2: stabbed the person in the coia.
• 40:20
  Speaker 3: He was slapping the ship out of him in that
• 40:22
  Speaker 3: movie Man, he was getting the ship slapped out of Man.
• 40:26
  Speaker 2: The Fairy east Side in the bathroom Fairy Side. I
• 40:30
  Speaker 2: was one of the first YouTube videos ever made on
• 40:33
  Speaker 2: my K for ninety six channel. We did lean on
• 40:36
  Speaker 2: Me in four minutes and it went viral. Man seven
• 40:39
  Speaker 2: hundred and sixteen views.
• 40:41
  Speaker 1: We were like seven hundred people saw this, y'all seven
• 40:45
  Speaker 1: sixth height. But yeah, lean on me, you got to Yeah,
• 40:50
  Speaker 1: lean on Me is fire. You got to see lean
• 40:52
  Speaker 1: on Me. It's better than sistag too as well. It
• 40:55
  Speaker 1: is not.
• 40:57
  Speaker 3: You're saying sins Stag two is better than lean on Me.
• 41:00
  Speaker 3: How are you describing better a better movie? Why you
• 41:04
  Speaker 3: don't like strict because it's the quiring.
• 41:05
  Speaker 1: Because they don't putting too much on what we are
• 41:08
  Speaker 1: putting the rep We ain't saying it's the best movie ever.
• 41:11
  Speaker 2: Y'all just putting too much on you just don't. It's
• 41:13
  Speaker 2: started because people people liked it more than one and
• 41:18
  Speaker 2: you a what was your first problem with it? Did
• 41:21
  Speaker 2: y'all putting too much on it?
• 41:23
  Speaker 1: What? Too much? What's the risk?
• 41:25
  Speaker 2: Is a classic is a classic? Leah knows it is
• 41:30
  Speaker 2: a classic. I don't think anybody who who sees Sister
• 41:34
  Speaker 2: direct too don't like it. I feel like it's it's cute.
• 41:37
  Speaker 1: It's not you got you got serves not good? You
• 41:41
  Speaker 1: got served as cute?
• 41:42
  Speaker 2: Man.
• 41:43
  Speaker 1: He was like, they're still in our moves. That was
• 41:46
  Speaker 1: you know it's cute. You know it's cute. Hardball is cute. Yes,
• 41:50
  Speaker 1: hardball is cute. That's okay.
• 41:54
  Speaker 2: I'm gonna tell you what the part that I think
• 41:57
  Speaker 2: Sister act too. People resonate with the Rita.
• 42:01
  Speaker 1: And her mom dream crushing part.
• 42:05
  Speaker 4: That was good eighty million.
• 42:07
  Speaker 2: You just think it's because the Lorus Vancatier was gonna
• 42:11
  Speaker 2: die for the mob.
• 42:11
  Speaker 1: The states were hiring Sister.
• 42:13
  Speaker 3: The stakes were extremely high, and we gotta win the competition. Yea,
• 42:19
  Speaker 3: all right, they lost the competition, So what close?
• 42:23
  Speaker 1: What man? So they're gonna be out of the streets.
• 42:25
  Speaker 4: Okay.
• 42:27
  Speaker 3: Her life was on the line from the mob in
• 42:30
  Speaker 3: the first one, man, because she was a fish out
• 42:32
  Speaker 3: of water.
• 42:33
  Speaker 1: It was just more compelling. It was more funny. See
• 42:36
  Speaker 1: this Vegas show. Girl like, oh man, I'm ann I'm
• 42:39
  Speaker 1: gonna comfortable. Man. I was like, yeah, yeah, let's be clear.
• 42:43
  Speaker 1: I love Sister Act. I really do. I don't think
• 42:47
  Speaker 1: you do.
• 42:47
  Speaker 4: I think you're just saying that to sound political.
• 42:50
  Speaker 1: In this moment the glass, I just connect with Sister
• 42:57
  Speaker 1: Act two soon because it was people singing and the church.
• 43:00
  Speaker 1: It's like, it's like church again, guys, we're singing about God.
• 43:08
  Speaker 1: That's the that's the reason for the scene.
• 43:11
  Speaker 2: Jamal, he was scared and even here's what I will
• 43:14
  Speaker 2: give you. They did repeat some stuff with the characters.
• 43:18
  Speaker 2: I don't remember her name of the small white girl
• 43:20
  Speaker 2: who was scared of her voice in the first one.
• 43:23
  Speaker 1: Jamal just does the same thing. But I don't care.
• 43:28
  Speaker 3: Speaking of scary singers, man, black folks will get mad
• 43:31
  Speaker 3: if you ain't seen The Five Heart Beats.
• 43:33
  Speaker 4: Oh my god, now that's the movie. That's a classic.
• 43:38
  Speaker 1: That's a scared character coming out his shell and choir boy.
• 43:42
  Speaker 1: Love it. They messed with my music, firing on all cylinders.
• 43:46
  Speaker 1: Love it. No argument. It wasn't cute, it was good.
• 43:50
  Speaker 1: It was a good movie, Five Heart. So many black
• 43:54
  Speaker 1: people thought The Five Heartbeats was was based on a
• 43:56
  Speaker 1: real group.
• 43:57
  Speaker 4: It was elements of like a couple of But people.
• 44:00
  Speaker 1: Are like where you get that music from? Like, no,
• 44:03
  Speaker 1: that was Robert Townson made that up. I love it.
• 44:05
  Speaker 2: No, no, no, man, I wouldn't listen to it, like, bro,
• 44:07
  Speaker 2: that's not this. They don't exist. They're like a maga
• 44:10
  Speaker 2: mission of all them type of music. No, no, I
• 44:13
  Speaker 2: hear all that hurt everything. But that movie also has
• 44:17
  Speaker 2: so many quartables.
• 44:18
  Speaker 1: Yeah, nice, like this. I wish read drops with fun.
• 44:26
  Speaker 1: Now I'm telling me I'm losing the poll.
• 44:28
  Speaker 4: It's still early Tony po yah.
• 44:34
  Speaker 2: Nah man wi let it cook, let me see Okay,
• 44:37
  Speaker 2: I'm gonna tell you on Twitter right now. And I
• 44:40
  Speaker 2: didn't put the video off. I just wrote the words
• 44:41
  Speaker 2: sixty two thirty eight percent, like I told you.
• 44:44
  Speaker 4: Wait what'd you say?
• 44:45
  Speaker 1: What was the word? The words was we got?
• 44:47
  Speaker 2: It would be more mad if a person said they
• 44:49
  Speaker 2: didn't see Malcolm exsistract to back in the habit.
• 44:52
  Speaker 1: I ain't even was it?
• 44:54
  Speaker 4: Sixty two man?
• 44:54
  Speaker 1: What kind of cools are ya telling you? You ain't
• 44:58
  Speaker 1: got your hand to the people. Let me look on
• 45:00
  Speaker 1: your look at mine? Sixty one to thirty nine percent?
• 45:03
  Speaker 1: What kind of coons are y'all? What did I tell
• 45:06
  Speaker 1: of Leah? Y'all your coon? Tell them? Look at y'all
• 45:12
  Speaker 1: trying to tell you it's a more fun movie, more
• 45:16
  Speaker 1: for life ain't fun?
• 45:17
  Speaker 6: Malcolm X dies for you coons, and y'all sitting there
• 45:24
  Speaker 6: there they singing for the school, y'all y'all saw.
• 45:29
  Speaker 1: I can't believe this. I cannot believe this. O yours shit.
• 45:35
  Speaker 1: You are wrong. You ain't want to believe I told
• 45:38
  Speaker 1: you people love that movie. It don't. Also, a movie
• 45:41
  Speaker 1: does not have to be good for you to love it.
• 45:44
  Speaker 1: For sure. I wouldn't even argue Napoleon Diamonds a great movie. No,
• 45:47
  Speaker 1: it's not your lee break. You can't tell me that
• 45:49
  Speaker 1: when I'm laughing. People love Bailly and that movie is
• 45:51
  Speaker 1: not good.
• 45:52
  Speaker 2: Perfect example that really made the point that, uh, Purple
• 45:57
  Speaker 2: Rain is not a good movie.
• 45:58
  Speaker 1: It's not.
• 45:59
  Speaker 2: And I had about it because nostalgia will put you
• 46:01
  Speaker 2: on the like you remember the good parts.
• 46:03
  Speaker 3: But I hadn't really went and watched them, not even nostalgia.
• 46:06
  Speaker 3: I was like, these niggas can't act.
• 46:08
  Speaker 1: That was saying that. When I was a kid.
• 46:11
  Speaker 3: I was like, Yo, the acting is sub club. I
• 46:14
  Speaker 3: really like this movie. And the music is incredible.
• 46:17
  Speaker 1: Music is incredible.
• 46:18
  Speaker 2: Speaking about the movies, you're talking about Bolodia, she Pill Fight,
• 46:22
  Speaker 2: the Civil Lague, Man the time.
• 46:23
  Speaker 1: But the Temptations, Okay, they gonna be mad. That's a
• 46:29
  Speaker 1: little tougher because it was a TV movie. But and
• 46:31
  Speaker 1: I was gonna say. The other one I was gonna
• 46:33
  Speaker 1: say is Jackson five American Dream, which is also a
• 46:35
  Speaker 1: TV that's also a TV movie, but you got it
• 46:37
  Speaker 1: to have.
• 46:39
  Speaker 2: Nobody's trying to hear it. Five Megican Dream is like
• 46:41
  Speaker 2: four hours if you if you watch them all, and
• 46:44
  Speaker 2: we was having to watch them on TV. Yeah, we
• 46:46
  Speaker 2: sitting through commercial. You gotta sit through all that. It's
• 46:49
  Speaker 2: gonna take all night.
• 46:50
  Speaker 4: Never seen it.
• 46:51
  Speaker 3: Wow, out out of the three five heart beats, Jackson Okay,
• 46:55
  Speaker 3: that you gotta be mad at Temptations.
• 46:58
  Speaker 2: Five hart Beats. Okay, five Heartbeats better than the Temptations. Also,
• 47:03
  Speaker 2: Temptations is based on the true story. Five Herby has
• 47:06
  Speaker 2: the ability to pull from all the other stories.
• 47:09
  Speaker 3: You know what, It's like those two I equated to
• 47:13
  Speaker 3: like The Godfather and good Fellers. Yes, the Temptations had
• 47:17
  Speaker 3: more time to sit, so it's longer, so they're going
• 47:19
  Speaker 3: through every beat.
• 47:20
  Speaker 1: So that's like the Godfather, Like you know black groups
• 47:24
  Speaker 1: in the day.
• 47:24
  Speaker 3: Five Heart Beats is good Fellas. The streamline is short.
• 47:28
  Speaker 3: We're gonna edit it down. You can watch it, and
• 47:31
  Speaker 3: if the Temptations is on, I'll be like all right,
• 47:33
  Speaker 3: and then I'll leave. But if the Five Heart Beats
• 47:35
  Speaker 3: is on, you got you got me, you got me.
• 47:38
  Speaker 2: Because flashes only at the top, he announces me. He
• 47:40
  Speaker 2: announced that he this this nigga was the coldest ever,
• 47:44
  Speaker 2: accepts the award, announces he leaving the group and the
• 47:49
  Speaker 2: new album coming out.
• 47:50
  Speaker 1: In two weeks. So you was in the studio, you
• 47:55
  Speaker 1: get out of here. New album is done.
• 47:57
  Speaker 4: It's lonely at the top, and then the.
• 48:00
  Speaker 3: Album is this lonely, Lonely at the time, y'all you
• 48:03
  Speaker 3: they should have killed him flash was cooking?
• 48:07
  Speaker 1: Should have killed him?
• 48:08
  Speaker 2: Was the album is lonely at the top, it's slowly
• 48:11
  Speaker 2: at the could have been that's that's such a Patty Tiler.
• 48:15
  Speaker 2: I was like, I ain't never needed them niggas in
• 48:18
  Speaker 2: stores lowly at the time. I'm better than all them
• 48:21
  Speaker 2: Volumes one and two.
• 48:22
  Speaker 4: I wouldn't had that album.
• 48:23
  Speaker 1: Did tanked? You know what I did? What if it
• 48:26
  Speaker 1: was Bobby Brown?
• 48:27
  Speaker 2: Boby Brown left the group and then and then released
• 48:30
  Speaker 2: one of the greatest albums.
• 48:31
  Speaker 1: But he tanked first, did he?
• 48:33
  Speaker 3: Yeah, Don't Be Cruel his second album, He had a
• 48:37
  Speaker 3: he had a solo album before that that I didn't know.
• 48:40
  Speaker 1: Yeah, his first his debut album boom. Yeah. But then
• 48:45
  Speaker 1: Don't Be Cruel though.
• 48:47
  Speaker 4: Oh that's that's anything they ever did.
• 48:50
  Speaker 1: Oh that's worse. I didn't even know he had to.
• 48:52
  Speaker 1: I thought was the first album. No, that was the
• 48:54
  Speaker 1: second one. Oh yeah, but then you know, then be
• 48:59
  Speaker 1: de vocant. But nobody reached the heights to them. Don't
• 49:02
  Speaker 1: be cruel?
• 49:02
  Speaker 3: No, no, but still you know, you go four times platinum.
• 49:05
  Speaker 3: You ain't tripping. You ain't tripping because Poison was selling
• 49:07
  Speaker 3: Liketcakes and Ralph Tres went platinum, Johnny gil went platinum.
• 49:13
  Speaker 1: It was all winning. That's big bi, all right, I'm
• 49:16
  Speaker 1: gonna go we down the line now. So I don't
• 49:22
  Speaker 1: know if it's a strong.
• 49:23
  Speaker 4: We just shooting shots.
• 49:24
  Speaker 2: But I say, I say, loving basketball, I gotta I
• 49:27
  Speaker 2: got it Root Now, I feel like people not trying
• 49:29
  Speaker 2: to hear it. If you ain't seen Loving Basketball, whether
• 49:31
  Speaker 2: you love it or not, it's a it's a mussy
• 49:35
  Speaker 2: black movie.
• 49:40
  Speaker 1: You met her too, I haven't met her.
• 49:42
  Speaker 2: I was meaning everybody they be at the stuff. She's nice, Reggie.
• 49:50
  Speaker 2: If you say Roots, I haven't seen Roots. Oh, Roots
• 49:53
  Speaker 2: is another one. I haven't seen Roots.
• 49:55
  Speaker 1: I've seen Roots. It's too long, man, watch I've seen it.
• 49:59
  Speaker 1: It was a want to watch. Though it's made for
• 50:02
  Speaker 1: TV is back in the day.
• 50:04
  Speaker 3: I don't respect made for TV like that all the time,
• 50:06
  Speaker 3: especially if it's gonna be old made for TV.
• 50:08
  Speaker 1: I'm out.
• 50:10
  Speaker 3: I'm out it's gonna be old made for TV seventies.
• 50:13
  Speaker 3: I'm out it's gonna be sold. I'm gonna rattle off
• 50:17
  Speaker 3: the list of movies I wrote, rattle them off, man,
• 50:20
  Speaker 3: So I wrote down Minister Society, Juice, soul Food. Oh dang,
• 50:26
  Speaker 3: New Jack City, what's love got to do with it?
• 50:29
  Speaker 3: Oh my god, Coolie high Waiting ext hell get basically
• 50:33
  Speaker 3: every black movie ever get out on the new tip.
• 50:36
  Speaker 3: Not all the black movies do the right thing with
• 50:40
  Speaker 3: you coons. I don't even know I do the right
• 50:42
  Speaker 3: things essential for you coons. There's some coon ass niggas
• 50:48
  Speaker 3: to me at this point. School Days, I.
• 50:50
  Speaker 1: Ain't school Days set it off. Soul food. Basically every movie.
• 50:58
  Speaker 3: It's a lot of black movies. Out the guy everything.
• 51:01
  Speaker 3: It ain't who could play that game in on here?
• 51:04
  Speaker 3: I ain't got the barbershop one or two on here.
• 51:06
  Speaker 3: I ain't got uh.
• 51:08
  Speaker 1: Here. I don't.
• 51:09
  Speaker 4: I don't have the best man.
• 51:10
  Speaker 1: I don't have a Wood.
• 51:13
  Speaker 4: I don't have a poetic justice on here.
• 51:15
  Speaker 1: When you're black, you've got to see everything is basically every.
• 51:17
  Speaker 4: Movie you need, Party two, House Party three.
• 51:21
  Speaker 1: House party movie that's not called House party, Class Act.
• 51:24
  Speaker 1: I don't have Class Act on here, don't have South
• 51:27
  Speaker 1: Central on here, I don't have anybody.
• 51:29
  Speaker 2: Loves The Wood ain't better than Sister Act. To Chris
• 51:32
  Speaker 2: Whitey Jr. What he saying the Wood is better than
• 51:34
  Speaker 2: Sister Act two, I agree one thousand percent probably is. Yeah, man,
• 51:39
  Speaker 2: your coons, coons. We'll see y'all later next week on
• 51:46
  Speaker 2: the Coon Podcast, all right, was the