Latest / Aaron Mahnke's Cabinet of Curiosities / Home Weird Home
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- 0:04Speaker 1: Welcomed Aaron Manky's Cabinet of Curiosities, a production of I
- 0:07Speaker 1: Heart Radio and Grim and Mild. Our world is full
- 0:14Speaker 1: of the unexplainable, and if history is an open book,
- 0:18Speaker 1: all of these amazing tales right there on display, just
- 0:22Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities.
- 0:36Speaker 1: In the fall of the effects of the Roaring Twenties
- 0:40Speaker 1: literally came crashing down. Americans had left their farms in
- 0:43Speaker 1: rural towns for the promises of wealth and excess only
- 0:46Speaker 1: found in big cities. Unfortunately, the stock market, which had
- 0:50Speaker 1: been on a meteoric rise, finally fell from the sky
- 0:54Speaker 1: and took with it the fortunes of countless investors. This
- 0:57Speaker 1: kicked off a period of time known as the Great Oppression,
- 1:00Speaker 1: which lasted from nineteen twenty nine until nineteen thirty nine,
- 1:03Speaker 1: and during those ten years people lost their jobs, their homes,
- 1:07Speaker 1: and even their lives. But one man refused to let
- 1:10Speaker 1: the depression get him down. Instead, he channeled his sadness,
- 1:14Speaker 1: his anger, and the last of his money into some
- 1:16Speaker 1: prime swamp front property in New Jersey. His name was
- 1:21Speaker 1: George Dyer, and he believed that he had been led
- 1:23Speaker 1: to New Jersey by an angel. This same angel allegedly
- 1:27Speaker 1: gave him a vision of what he would build on
- 1:29Speaker 1: the four acres of land that he purchased for four dollars,
- 1:33Speaker 1: and so George walked for ten days and one twelve
- 1:36Speaker 1: miles to the South Jersey town of Vinland. Once he arrived,
- 1:39Speaker 1: he got to work building himself a house with whatever
- 1:42Speaker 1: he could find around him. The walls were crafted from
- 1:44Speaker 1: random rocks and pieces of cement, while he used old
- 1:47Speaker 1: car chassis to make floorboards. Fenders were bent into gables,
- 1:51Speaker 1: and he repurposed old bed frames as doors. He even
- 1:55Speaker 1: made the paint from scratch by grinding up red bricks
- 1:58Speaker 1: into motor oil. Any object, vehicle part, or piece of
- 2:02Speaker 1: debris was fair game for inclusion in the home. Wagon
- 2:06Speaker 1: wheels formed the base of towers he built around its perimeter,
- 2:09Speaker 1: and he carved up a massive cypress log for his
- 2:12Speaker 1: dining table. The chairs were made from smaller stumps. Around
- 2:16Speaker 1: the exterior of the property, George had dug out ponds
- 2:20Speaker 1: and cultivated gardens to keep himself going. He relied on
- 2:23Speaker 1: the natural New Jersey fauna for sustenance. There were plenty
- 2:26Speaker 1: of rabbits and fish to eat, as well as squirrels
- 2:29Speaker 1: and even the occasional frog. By the time he finished
- 2:32Speaker 1: in nineteen thirty two, he was ready to unveil his
- 2:35Speaker 1: Depression Palace to the world. George Dyer had built it
- 2:39Speaker 1: to show visitors that they didn't have to let the
- 2:41Speaker 1: current economy keep them down. He believed that and I quote,
- 2:45Speaker 1: education by thought can lift all the depressed peoples out
- 2:49Speaker 1: of any depression, calamity, or catastrophe. George Daner welcomed people
- 2:55Speaker 1: into the palace for twenty five cents apiece and gave
- 2:57Speaker 1: them grand tours of the various rooms he had structed.
- 3:00Speaker 1: For example, he had guests crawled through an area named
- 3:03Speaker 1: the Jersey Devil's Den before visiting a room he called
- 3:07Speaker 1: the Knockout Room. This room was home to a single chair,
- 3:11Speaker 1: above which George Danner had hung a large boulder. He
- 3:14Speaker 1: encouraged anyone who wanted to forget their troubles to sit
- 3:18Speaker 1: in the chair and let the boulder take away those worries.
- 3:21Speaker 1: No one, as far as we can tell, ever sat
- 3:24Speaker 1: in that chair. George was quite a character and a
- 3:28Speaker 1: brilliant marketer. Robert Ripley of Ripley's believe it or Not.
- 3:31Speaker 1: Fame published a cartoon about the Depression Palace, and George
- 3:35Speaker 1: appeared on the nineteen fifties human interest television program You
- 3:39Speaker 1: Asked For It. A documentary film titled The Fantastic Palace
- 3:43Speaker 1: was also made by Universal Pictures and followed the intrepid
- 3:46Speaker 1: homeowner around the house on one of his tours. The
- 3:50Speaker 1: Depression Palace's popularity came to a head in nineteen fifty seven, though,
- 3:54Speaker 1: when George Daner inserted himself into a very serious criminal investigation.
- 3:59Speaker 1: An infant named Peter Weinberg had been kidnapped in New
- 4:03Speaker 1: York State. The police and the FBI searched for weeks
- 4:06Speaker 1: and were eventually led to the Depression Palace by Danner himself.
- 4:10Speaker 1: He claimed that he had been contacted by the kidnappers,
- 4:13Speaker 1: who had allegedly stowed the child in one of the
- 4:15Speaker 1: dungeons in his home. The authorities arrived and George was
- 4:19Speaker 1: forced to admit that the whole thing had been a charade.
- 4:22Speaker 1: He'd done it for the attention and to draw more
- 4:24Speaker 1: tourists to the house. As punishment for providing false information
- 4:28Speaker 1: to federal officials, he was sentenced to one year in prison.
- 4:31Speaker 1: The house was left abandoned, and tourists kept coming, but
- 4:35Speaker 1: not for guided tours. They picked the place clean and
- 4:38Speaker 1: stole all sorts of random objects from the property. They
- 4:41Speaker 1: even burned down part of the house. Danner was released
- 4:45Speaker 1: one year later at the ripe old age of one hundred.
- 4:48Speaker 1: He was an old, broke and broken man with almost
- 4:52Speaker 1: nothing to his name. His home was in a serious
- 4:54Speaker 1: state of disrepair, which he was too old and destitute
- 4:58Speaker 1: to fix up himself. He died on October nineteen sixty four,
- 5:02Speaker 1: at the age of one and four. The city eventually
- 5:06Speaker 1: tore the rest of the structure down in nineteen sixty nine,
- 5:09Speaker 1: but it wouldn't be gone forever. In two thousand one,
- 5:12Speaker 1: a nonprofit organization took up the cause to restore the
- 5:15Speaker 1: eccentric home back to its former glory. Over the next
- 5:19Speaker 1: sixteen years, with help from numerous grants and donations, the
- 5:23Speaker 1: Palace of Depression was mostly rebuilt, and a small museum
- 5:26Speaker 1: was at a next door. This strange and unconventional home
- 5:30Speaker 1: continues to persist through depressions, recessions, abandonment, and new ownership,
- 5:36Speaker 1: truly living up to the reason it was built in
- 5:38Speaker 1: the first place. The show people everywhere that no matter
- 5:41Speaker 1: how things get, home can be anywhere you make it,
- 5:44Speaker 1: even apparently if that home is made out of old
- 5:47Speaker 1: card parts and bed frames. One of the oldest sports
- 6:05Speaker 1: in history also happens to be one of the most violent.
- 6:07Speaker 1: The concept of fighting another person has existed since the
- 6:10Speaker 1: dawn of humanity, but fighting someone for sports can be
- 6:13Speaker 1: charted all the way back to the third millennium BC,
- 6:16Speaker 1: possibly even earlier. We simply don't know because of the
- 6:19Speaker 1: lack of written record from before that point. And while
- 6:22Speaker 1: boxing has taken on many forms over the years, the
- 6:25Speaker 1: sport we recognized today seems to find its early roots
- 6:28Speaker 1: in England during the sixteenth century. Back then, it was
- 6:31Speaker 1: called bare knuckle boxing or prize fighting. This was an
- 6:35Speaker 1: era before weight classes were established, before they even had
- 6:38Speaker 1: referees to call a match. As time passed, though, boxing
- 6:42Speaker 1: as a sport was often outlawed and considered no different
- 6:45Speaker 1: than any other illegal activity, but it sure was popular,
- 6:49Speaker 1: so much so that Thomas Edison and his staff filmed
- 6:52Speaker 1: a fights in his New Jersey film studio in the
- 6:54Speaker 1: eighteen nineties. You see, Edison wanted to test his new
- 6:58Speaker 1: kinscope by showing short films that he had made at
- 7:00Speaker 1: the studio. This boxing movie would be one of them.
- 7:04Speaker 1: In the film, two fighters named Sullivan and Corbetts went
- 7:07Speaker 1: head to head their hands clad in boxing gloves, as
- 7:10Speaker 1: their manager watched from outside the ring. The manager was
- 7:14Speaker 1: a circus owner by the name of Professor Wilton, and
- 7:16Speaker 1: his traveling show was quite a spectacle. Forty performers entertained
- 7:20Speaker 1: audiences with daring feats of danger, such as jumping through
- 7:24Speaker 1: flaming hoops and putting up fires. Walton's circus made appearances
- 7:29Speaker 1: at countless vaudeville theaters all over the US at the
- 7:32Speaker 1: turn of the century. The man himself was quite an
- 7:34Speaker 1: established trainer up to that point, which made sense. Most
- 7:38Speaker 1: of his family was in the training business as well.
- 7:41Speaker 1: Sullivan and Corbett had trained for two years before they
- 7:44Speaker 1: made the Edison film. The movie was directed by William
- 7:48Speaker 1: Kennedy Dixon, one of Edison's employees and the man responsible
- 7:51Speaker 1: for bringing both the kinetograph camera and the kinetoscope to life.
- 7:55Speaker 1: He also came up with the idea for using thirty
- 7:57Speaker 1: five millimeter perforated film in both advices, but the accountants
- 8:02Speaker 1: at Edison Studios weren't convinced that people wanted to see
- 8:05Speaker 1: a boxing match on film. After all, they'd witnessed such
- 8:08Speaker 1: exciting sequences as a handshake in which a man and
- 8:11Speaker 1: a woman shook hands for four seconds, as well as
- 8:15Speaker 1: fred OTTs sneeze five second tour to force, where one
- 8:19Speaker 1: man experienced the earth shattering relief of unclogged nostrils on camera.
- 8:24Speaker 1: Dixon and his cameraman, William Hays, believe the boxing match
- 8:28Speaker 1: would not only be exciting but also profitable. With kinetoscopes
- 8:32Speaker 1: starting to appear in most major cities, people were going
- 8:35Speaker 1: to line up and pay whatever it took to see
- 8:37Speaker 1: the fight of the century, and so the filmmakers pointed
- 8:41Speaker 1: the camera straight at the boxing ring they had set
- 8:43Speaker 1: up in their West Orange studio. The fighters were brought in,
- 8:46Speaker 1: gloved and ready for action as Professor Welton took a
- 8:49Speaker 1: seat behind them. Watching the film today, it's hard not
- 8:53Speaker 1: to sneak a glance at Welton, who can't seem to
- 8:55Speaker 1: take his eyes off of Corbett and Sullivan as they
- 8:58Speaker 1: rained down punches on each other for a whopping twenty seconds.
- 9:02Speaker 1: That's right, Their new movie tripled the length of their
- 9:05Speaker 1: previous endeavors. It was a glimpse into the future of cinema,
- 9:09Speaker 1: as stories would require more time and more film to
- 9:13Speaker 1: say everything they needed to say and what didn't you
- 9:16Speaker 1: know it? The boxing picture was a hit and not
- 9:19Speaker 1: only demonstrated the capabilities of Edison's technologies, but also the
- 9:23Speaker 1: skill with which Professor Welton trained his fighters. After all,
- 9:27Speaker 1: it wasn't easy tying such boxing gloves on their little paws.
- 9:31Speaker 1: Oh I'm sorry, I forgot to mention Professor Welton was
- 9:34Speaker 1: in charge of a traveling cat circus. His fantastic feelines
- 9:38Speaker 1: could do all sorts of tricks like ride bicycles and
- 9:41Speaker 1: walk across tight ropes. In fact, the cats were so
- 9:44Speaker 1: well trained it only took Dixon in Heists one take
- 9:47Speaker 1: to get the footage they needed of the fighting fee lines.
- 9:51Speaker 1: You may not be able to teach an old dog
- 9:52Speaker 1: new tricks, but Professor Welton proved that you can at
- 9:55Speaker 1: least teach a couple of cats two box. I hope
- 10:03Speaker 1: you've enjoyed today's guided tour of the Cabinet of Curiosities.
- 10:07Speaker 1: Subscribe for free on Apple Podcasts, or learn more about
- 10:10Speaker 1: the show by visiting Curiosities podcast dot com. The show
- 10:15Speaker 1: was created by me Aaron Manky, in partnership with how
- 10:18Speaker 1: Stuff Works, I make another award winning show called Lore,
- 10:22Speaker 1: which is a podcast, book series, and television show and
- 10:26Speaker 1: you can learn all about it over at the world
- 10:28Speaker 1: of Lore dot com. And until next time, stay curious.