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One Piece, 706 & 707 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering One Piece episodes seven six and seven seven advance
• 0:18
  Speaker 1: Law the Kind Hearted Man's Final Fight and to be
• 0:23
  Speaker 1: Free Law's injection shop blasts. In these episodes, we see
• 0:32
  Speaker 1: the way that Chorrosone risked it all to save Law's
• 0:36
  Speaker 1: life and how it's a real coincidence that Do Flamingo
• 0:42
  Speaker 1: gets tricked into thinking he knows exactly where Law is
• 0:46
  Speaker 1: and bails, and then we come back to our current fight.
• 0:52
  Speaker 1: Welcome to spoil Me. Welcome to the show everyone. I
• 1:14
  Speaker 1: am Natasha. Thank you very much to Florian for commissioning
• 1:18
  Speaker 1: this episode. Florian is here in the chat along with
• 1:22
  Speaker 1: Sarah fem delighted to have you guys. It has been
• 1:26
  Speaker 1: a bit since I recorded my last one Piece episode,
• 1:29
  Speaker 1: so I am glad to be back. Yeah this Uh honestly,
• 1:38
  Speaker 1: you know, I have my hang ups, as you all
• 1:41
  Speaker 1: know about the moments in this show where it just
• 1:44
  Speaker 1: feels like we've got a lot of filler or we're
• 1:47
  Speaker 1: restating things that don't need to be restated. But this
• 1:50
  Speaker 1: was one of those times where we come back to
• 1:52
  Speaker 1: the present and we have kind of a slow like
• 1:55
  Speaker 1: here's where everybody is and what's going on again, And
• 1:58
  Speaker 1: I was so grateful for it because in combination of
• 2:02
  Speaker 1: just being in a flashback, so it would be very
• 2:05
  Speaker 1: easy for people to forget things, but then also me
• 2:09
  Speaker 1: having been away for a while and not covering this,
• 2:13
  Speaker 1: I really would have been a little bit lost. And
• 2:16
  Speaker 1: so a big part of me was like, good looking out, show,
• 2:19
  Speaker 1: I appreciate you doing this little recap for me because
• 2:21
  Speaker 1: I needed that. Oh sorry. Florine in the chat is
• 2:28
  Speaker 1: mentioning this pop up store that he saw and yeah, guys,
• 2:31
  Speaker 1: if anybody out there is interested in seeing the instagram
• 2:36
  Speaker 1: for the for the show the Unspoiled, I think it's
• 2:40
  Speaker 1: at Unspoiled Show or Unspoiled on Instagram. There was a
• 2:46
  Speaker 1: pop up shop that did a one piece theme in Houston,
• 2:52
  Speaker 1: and I thought that they weren't going to be there
• 2:55
  Speaker 1: anymore by the time we went down, but they were
• 2:58
  Speaker 1: and they I posted video. It is one of the
• 3:03
  Speaker 1: most impressive things I have ever seen, like for a
• 3:09
  Speaker 1: commercial like retail venue, they really went hard. They built
• 3:17
  Speaker 1: whole fake walls in front of their reel walls and
• 3:19
  Speaker 1: there are like led screens behind the fake windows, so
• 3:23
  Speaker 1: it looks like you're looking out underwater because they've got
• 3:26
  Speaker 1: video of like fish swimming by and playing and stuff.
• 3:30
  Speaker 1: It was remarkable. They had all of this lighting up
• 3:33
  Speaker 1: on the ceiling and the music playing, and they had
• 3:37
  Speaker 1: like all of this one piece gear to buy. And unfortunately,
• 3:41
  Speaker 1: by the time I got to visit, it was at
• 3:44
  Speaker 1: the tail end, right before they wrapped up the whole thing,
• 3:46
  Speaker 1: because they had had it going for like two months
• 3:48
  Speaker 1: this theme and all of the stuff that was of
• 3:52
  Speaker 1: like more popular characters was sold out. So I was
• 3:56
  Speaker 1: really looking for like some specific wanted post posters and stuff,
• 4:00
  Speaker 1: and they were already gone.
• 4:02
  Speaker 2: It was very funny, though, guys, because.
• 4:04
  Speaker 1: I went with my friend Sydney and their friend, uh, Misty,
• 4:09
  Speaker 1: who is now my friend. We've gotten to know each other.
• 4:11
  Speaker 1: I quite like Misty, but miss was like like talking
• 4:17
  Speaker 1: the entire way down about how much they love Vivi
• 4:22
  Speaker 1: and how they like cosplay viv and they wanted the
• 4:25
  Speaker 1: wanted poster of Vivi and you guys know that, like
• 4:29
  Speaker 1: I just don't see it for viv at all, and
• 4:32
  Speaker 1: I just didn't say anything. It was one of the
• 4:34
  Speaker 1: most difficult things of my life, but I kept my
• 4:39
  Speaker 1: thoughts to myself and didn't rain on her viv parade,
• 4:44
  Speaker 1: and it was very funny. Later on, I mentioned to Sydney, like,
• 4:49
  Speaker 1: I like Vivi's a character that I just do not like,
• 4:53
  Speaker 1: and Sydney started cracking up because evidently Missed has a
• 4:59
  Speaker 1: thing for like kind of princess energy characters. So they
• 5:03
  Speaker 1: were unsurprised to find out because Sydney has watched someone
• 5:07
  Speaker 1: piece but not all of it, and doesn't know characters
• 5:09
  Speaker 1: like straight up by name unless they're part of the
• 5:11
  Speaker 1: straw has So it was just a funny bit of
• 5:14
  Speaker 1: me kind of just like nodding along and trying to
• 5:18
  Speaker 1: be encouraging about a thing that I was personally going, no,
• 5:22
  Speaker 1: what why? Seraphim says the opposite of the Willy Wonka Disaster,
• 5:30
  Speaker 1: It's not really the same thing because the Willy Wonka
• 5:32
  Speaker 1: Disaster was like an event that people bought tickets for,
• 5:36
  Speaker 1: and the pop up shop they call it a pop
• 5:39
  Speaker 1: up shops if the shop disappears, but it's it's a
• 5:41
  Speaker 1: permanent location for a shop that does themes like repeatedly,
• 5:50
  Speaker 1: So it's not really a fair comparison because their shop
• 5:53
  Speaker 1: was always gonna be there. There was always gonna be product.
• 5:55
  Speaker 1: It was always gonna like be something unlike the Willy
• 5:58
  Speaker 1: Wonka thing, which I feel like I want to do
• 6:01
  Speaker 1: an episode about these events, guys, because just I'm so sorry.
• 6:06
  Speaker 1: I will start talking about the show in a second.
• 6:09
  Speaker 1: But y'all, the event planning business Sydney came into some
• 6:17
  Speaker 1: money and they want to start an event planning business
• 6:19
  Speaker 1: with me, which of course you all know that I
• 6:21
  Speaker 1: am one hundred percent wholly on board, and we have
• 6:24
  Speaker 1: been doing some investigations. Part of the reason I went
• 6:27
  Speaker 1: to Houston was for a ticketed event, and while I
• 6:32
  Speaker 1: was down there, I found out that the company doing
• 6:34
  Speaker 1: the event, as well as some other events that came
• 6:38
  Speaker 1: up later, are all scamming people. And it's like just
• 6:44
  Speaker 1: a thing, and it's like there is so much tea,
• 6:50
  Speaker 1: there's so much to you guys. So anyway, I am
• 6:53
  Speaker 1: going to probably talk about that somewhere, but I have
• 6:56
  Speaker 1: to be careful because I want to do this event
• 6:59
  Speaker 1: planning business with Sydney, and I do not want to
• 7:02
  Speaker 1: be out here looking like I'm trying to tank competition
• 7:06
  Speaker 1: or something, you know. I don't want to look like that.
• 7:09
  Speaker 1: But there are people that are out here just straight
• 7:11
  Speaker 1: line to folks and still managing to sell hundreds of
• 7:14
  Speaker 1: tickets and it's just mind blowing to me. So uh.
• 7:18
  Speaker 1: Serafhum says Vibe tends to be extremely popular, number twenty
• 7:21
  Speaker 1: one in the semi recent Worldwide Popularity Poll. I don't
• 7:25
  Speaker 1: get it, man, I just fucking don't.
• 7:27
  Speaker 2: I just don't.
• 7:28
  Speaker 1: Maybe I need to go back and rewatch it. Maybe
• 7:31
  Speaker 1: if I went back after everything, I would feel a
• 7:34
  Speaker 1: little friendly er toward Viviy. It's possible that I would
• 7:38
  Speaker 1: have a different attitude, because that can happen. Man. I
• 7:40
  Speaker 1: have had total like heel turns on characters on a
• 7:43
  Speaker 1: second watch or read of things. So maybe I should
• 7:47
  Speaker 1: do it, but I just currently am like, really, there
• 7:51
  Speaker 1: are so many other more fun What Florine asked, was
• 7:56
  Speaker 1: the food and drinks any good? And it was okay.
• 8:01
  Speaker 1: The presentation was very good, the food itself very I
• 8:06
  Speaker 1: would probably say it was go so far as to
• 8:08
  Speaker 1: say it wasn't good, But I honestly was so deeply
• 8:13
  Speaker 1: impressed with the aesthetic and how hard they committed that
• 8:17
  Speaker 1: I was fine with it. And you guys know how
• 8:20
  Speaker 1: important food is to me. That's how good the aesthetic was.
• 8:24
  Speaker 1: If they had done a sloppier job with the one
• 8:27
  Speaker 1: piece theme. I think the food, being as lackluster as
• 8:32
  Speaker 1: it was, would have counted against the overall event a
• 8:35
  Speaker 1: lot more. But they just really fucking went for it
• 8:40
  Speaker 1: and there was like special lighting setups and it was
• 8:44
  Speaker 1: really something. So yeah, the food was I got a
• 8:49
  Speaker 1: They had a couple of different things that are specific,
• 8:54
  Speaker 1: like those sakura balls that are almost like mochi, but
• 8:58
  Speaker 1: they're apparently like chewier, and they were so chewy it
• 9:03
  Speaker 1: was wild. They also had a little like waffle fish
• 9:07
  Speaker 1: that are stuffed with some sweet I can't remember the
• 9:12
  Speaker 1: name of the but anyway, sorry, but my favorite thing
• 9:16
  Speaker 1: was a giant banana split and they had the flags
• 9:20
  Speaker 1: to stick into the ice cream to make it look
• 9:22
  Speaker 1: like Buggies sail with like the Jolly Roger on it
• 9:26
  Speaker 1: and whatnot, and so that was awesome. That was really
• 9:30
  Speaker 1: the main thing I wanted. And themed drinks. They I
• 9:33
  Speaker 1: had a devil fruit shaped in a fruit shaped cup
• 9:37
  Speaker 1: that had like a waterproof light in it with the
• 9:42
  Speaker 1: ice cubes, so there was light shining out of my drink.
• 9:45
  Speaker 1: And my friend had got like the three Sword style drink,
• 9:51
  Speaker 1: which had like three little tiny swords in it.
• 9:53
  Speaker 2: It was adorable.
• 9:54
  Speaker 1: So anyway, all had to say, I had a great time,
• 10:00
  Speaker 1: and I really do like I'm glad I got to
• 10:03
  Speaker 1: go down there and see it because it's just a
• 10:07
  Speaker 1: fun like little's. I am enjoying seeing one Piece popping
• 10:14
  Speaker 1: up places and like feeling like now I'm enough into
• 10:18
  Speaker 1: the series that I get more, because you guys know,
• 10:22
  Speaker 1: I enjoyed One Piece right away and was pretty much
• 10:25
  Speaker 1: like on board, except for having my hang ups about
• 10:28
  Speaker 1: certain things. I was always just like, this show is
• 10:30
  Speaker 1: a delight, but there was so much about the fandom
• 10:36
  Speaker 1: that felt like I can't even touch it yet it's
• 10:38
  Speaker 1: too spoilery, and so I'm really enjoying now feeling like
• 10:46
  Speaker 1: it's not totally safe. There were definitely some characters at
• 10:49
  Speaker 1: this event I didn't recognize people that will come up later,
• 10:52
  Speaker 1: I'm sure, but it just feels like I'm more of
• 10:57
  Speaker 1: a part of it now. And yeah, just a great time.
• 11:02
  Speaker 1: So thank you guys for getting me into this fandom.
• 11:06
  Speaker 1: So okay, okay, let's begin with Advanced Law The kind
• 11:10
  Speaker 1: Hearted Man's final fight. We pick up where we had
• 11:17
  Speaker 1: left off with Corrosone, who is trying to find a
• 11:22
  Speaker 1: way to sneak Law out of here, and he has
• 11:28
  Speaker 1: already fed Law the fruit and now wants to do
• 11:33
  Speaker 1: a kind of distraction and ensure that Law manages to
• 11:37
  Speaker 1: get off the island without catching do Flamingo's attention. So
• 11:44
  Speaker 1: we open up with this guy yelling into one of
• 11:47
  Speaker 1: the navy Oh my god, the transponder snails, and he's saying, like,
• 11:56
  Speaker 1: there's no describing this. The pirates have gone insane.
• 11:59
  Speaker 2: It's a mass.
• 12:00
  Speaker 1: They're screaming and cutting each other down, and they're like,
• 12:06
  Speaker 1: we have a few different moments of like the what
• 12:11
  Speaker 1: do you call thems, the strings coming down and trapping
• 12:15
  Speaker 1: people in certain areas, and folks just yelling about how like, oh,
• 12:20
  Speaker 1: it's a raid. It's the dome Quixote family. I really
• 12:24
  Speaker 1: do like seeing in the subtitles the different pirates when
• 12:28
  Speaker 1: they speak get labeled by their letters Pirate J, Pirate B.
• 12:34
  Speaker 1: And I forget that this is a thing because I
• 12:39
  Speaker 1: am currently watching this from crunchy roll, and I don't
• 12:44
  Speaker 1: remember if Hulu had the same kinds of subtitles. But
• 12:50
  Speaker 1: I like to think about what the script must look like,
• 12:52
  Speaker 1: and it must be kind of bonkers how many different
• 12:56
  Speaker 1: people they'll have talking at any given time because there's
• 12:58
  Speaker 1: so much crowd work happen in this show. So this
• 13:06
  Speaker 1: guy is trying to explain to Do Flamingo where his
• 13:12
  Speaker 1: devil fruit is, and Do Flamingo does not want to
• 13:15
  Speaker 1: hear it and just.
• 13:17
  Speaker 2: Shoots the guy.
• 13:18
  Speaker 1: Meanwhile, all of his minions are off loading up all
• 13:21
  Speaker 1: of this treasure. And later on, what Corasone does is
• 13:27
  Speaker 1: he stuffs law into a treasure chest and is like,
• 13:32
  Speaker 1: there is no way pirates are going to leave this
• 13:34
  Speaker 1: island and not take every chest with them.
• 13:38
  Speaker 2: And I was sort of.
• 13:41
  Speaker 1: Like, aren't they going to try and open it to
• 13:43
  Speaker 1: see it? But I could see just like you pick
• 13:45
  Speaker 1: it up, it's got stuff in it. Maybe if it's
• 13:48
  Speaker 1: locked and we don't have time to bust it open,
• 13:50
  Speaker 1: we're just gonna take it without opening it because who cares,
• 13:53
  Speaker 1: you know.
• 13:54
  Speaker 2: I sort of rethought that. So Do Fla.
• 14:01
  Speaker 1: Mingo is sitting there looking at the gun in his
• 14:04
  Speaker 1: hand that he just used to shoot the man who
• 14:07
  Speaker 1: lost his double fruit, and we get the flashback between
• 14:18
  Speaker 1: Do Flamingo and It's Virga because he's got a whole
• 14:23
  Speaker 1: half of a loaf of bread stuck to his face.
• 14:26
  Speaker 1: Virgo and mucus man I cannot remember his name, sorry, guys, trouble.
• 14:34
  Speaker 1: And he is looking at Do Flamingo and saying like, oh,
• 14:38
  Speaker 1: you are the one who knocked everybody out, huh, then
• 14:40
  Speaker 1: you must have some really powerful hockey. And then he
• 14:51
  Speaker 1: is yelling at his father, why why did you take
• 14:56
  Speaker 1: my power from me? Now, when he says to his father,
• 15:06
  Speaker 1: why did you take my power from me? I'm assuming
• 15:08
  Speaker 1: that he just means why did we have to leave
• 15:13
  Speaker 1: our home where we were looked after and all of
• 15:17
  Speaker 1: that stuff? Correct me if I'm wrong, guys. This isn't
• 15:20
  Speaker 1: like somebody actually managed to take his hockey away. But
• 15:26
  Speaker 1: he is yelling at his father, we have to like
• 15:30
  Speaker 1: live in this mess that you put us in unless
• 15:33
  Speaker 1: I take your head back to the Holy Land. And
• 15:37
  Speaker 1: it's interesting because I don't know if it's again a
• 15:39
  Speaker 1: translation thing, but I don't remember them calling home the
• 15:43
  Speaker 1: Holy Land, but I felt like that was it sort
• 15:47
  Speaker 1: of changed the tone of things because I keep forgetting
• 15:49
  Speaker 1: there basically asserting their gods, which is what monarchy just
• 15:53
  Speaker 1: fucking is right. And his father is like holding Chorrasson
• 16:00
  Speaker 1: and comforting him and has his back to Do Flamingo.
• 16:06
  Speaker 1: And he says, you have a very foolish father. I'm sorry,
• 16:13
  Speaker 1: and do Fla Mingo. It's like the fact that his
• 16:17
  Speaker 1: father just didn't offer any way to fix things, didn't
• 16:23
  Speaker 1: really like he said I'm foolish, but he didn't say
• 16:28
  Speaker 1: I've made a mistake and here's how I'm going to
• 16:31
  Speaker 1: fix it. He just is like, my bad. I kind
• 16:38
  Speaker 1: of think that's really what pushes do Fa Mingo over
• 16:41
  Speaker 1: the edge there. Honestly, it's not just that, like you
• 16:49
  Speaker 1: fucked up, but it's this weird.
• 16:54
  Speaker 2: There's like an attitude problem in it.
• 16:57
  Speaker 1: Does that make sense? I don't really know how better
• 16:59
  Speaker 1: to say this and do Flamingo's choosing to pull the trigger,
• 17:05
  Speaker 1: Don't get me wrong, is still absolutely insane. Behavior like
• 17:12
  Speaker 1: shooting your own father and just hoping that's going to
• 17:14
  Speaker 1: be enough.
• 17:15
  Speaker 2: For them to take you back is crazy work.
• 17:18
  Speaker 1: So I am by no means trying to be like
• 17:20
  Speaker 1: I get it, Dophie. But it's just his father keeps
• 17:27
  Speaker 1: misunderstanding what do Flamingo is so anxious and upset about,
• 17:35
  Speaker 1: and he keeps just like he's just out here making
• 17:42
  Speaker 1: moves over and over without really having the information necessary.
• 17:47
  Speaker 1: So here when he's just like, oh, I'm very foolish. Honestly,
• 17:52
  Speaker 1: even to me, it just felt so inadequate as a statement.
• 17:56
  Speaker 1: It was just not enough, you know, I was I
• 18:00
  Speaker 1: really did feel like that's it. And I'm not even
• 18:04
  Speaker 1: as mad at.
• 18:04
  Speaker 2: Him as Dophie is.
• 18:06
  Speaker 1: And I was irritated, so I can only imagine how
• 18:11
  Speaker 1: Dophie is feeling. And you know, we have like the
• 18:19
  Speaker 1: way that do Flamingo is sitting there looking at this gun,
• 18:23
  Speaker 1: which now that he has grown, this gun is huge
• 18:28
  Speaker 1: when he was a kid, and now the whole thing
• 18:31
  Speaker 1: like fits in the palm of his hand. It's like
• 18:33
  Speaker 1: basically nothing. But there is a sense of like regret
• 18:40
  Speaker 1: in him, and I'm not sure it's valid. I think
• 18:43
  Speaker 1: like it may be more I regret the events that
• 18:49
  Speaker 1: have happened more than I regret having done a thing.
• 18:55
  Speaker 1: You know. I feel like it's very possible to say
• 18:59
  Speaker 1: that you were regret something in a way that makes
• 19:03
  Speaker 1: it sound as if you had nothing to do with
• 19:05
  Speaker 1: the events, in a very passive and I think that's
• 19:08
  Speaker 1: the way.
• 19:08
  Speaker 2: That he would choose to approach it.
• 19:11
  Speaker 1: But so like I'm not saying when I claim he
• 19:16
  Speaker 1: is regretful, I'm not really saying that I think do
• 19:19
  Speaker 1: Flamingo would wishes he made a different choice. I think
• 19:24
  Speaker 1: he is having more of a moment of like, I
• 19:28
  Speaker 1: keep being let down by my family. I don't believe
• 19:33
  Speaker 1: he's taking like responsibility for the things. I think he
• 19:40
  Speaker 1: feels like he has unfairly been put in this position
• 19:45
  Speaker 1: more than once, and how everybody out there sucks but him,
• 19:49
  Speaker 1: you know. So eventually Corasone jumps out and just starts
• 19:56
  Speaker 1: waving his arms at Gladias to be like hey, oh year,
• 20:01
  Speaker 1: and Gladias really falls for it. This is one of
• 20:04
  Speaker 1: those things that in this scenario, and honestly in a
• 20:09
  Speaker 1: lot of scenarios probably where you're dealing with people who
• 20:13
  Speaker 1: aren't too bright, I could see this working. But I
• 20:18
  Speaker 1: still definitely had a moment of like, bruh, if somebody
• 20:21
  Speaker 1: jumps out and yells hey over here, don't pay attention
• 20:25
  Speaker 1: to them because they aren't trying to just like help
• 20:30
  Speaker 1: you find them to kill them. Obviously, this is a setup.
• 20:35
  Speaker 1: This is a whole distraction. But Gladias as dope ass
• 20:40
  Speaker 1: as his whole costume and look is which tricks me
• 20:43
  Speaker 1: into thinking that he is competent. I have to remember
• 20:46
  Speaker 1: he's not.
• 20:48
  Speaker 2: So. Meanwhile, inside his.
• 20:54
  Speaker 1: Little chest that he's been stuck into, Law is like
• 20:58
  Speaker 1: trying to get out. He can't open in the lid.
• 21:00
  Speaker 1: He can hear stuff going on outside, and we find
• 21:05
  Speaker 1: out a little bit later that Korra put his calm
• 21:11
  Speaker 1: spell on it so that no matter what kind of
• 21:14
  Speaker 1: noise Law made while inside the box, nobody would be
• 21:17
  Speaker 1: able to hear him. And this way he isn't going
• 21:22
  Speaker 1: to be found in there. While this is asterisk here,
• 21:27
  Speaker 1: Cora is still alive. Later on, I was so glad
• 21:33
  Speaker 1: that he said this out loud because it didn't occur
• 21:35
  Speaker 1: to me. But when Corera gets really injured, he's thinking, like,
• 21:39
  Speaker 1: I just have to hold on a little bit longer.
• 21:42
  Speaker 1: And I thought that he was that he still had
• 21:45
  Speaker 1: something that he wanted to do with Law, that he
• 21:48
  Speaker 1: had like a sort of plan in mind somehow, and
• 21:52
  Speaker 1: it really like the plan is in motion. That part
• 21:57
  Speaker 1: is done. But when he's saying I need to stay
• 21:59
  Speaker 1: a lot, what he means is the second I die,
• 22:06
  Speaker 1: this kid's gonna be heard by people and will be found.
• 22:14
  Speaker 1: So he is just trying to stay alive to make
• 22:16
  Speaker 1: sure that his devil fruit power saves Law, and that
• 22:22
  Speaker 1: law doesn't get found. I was so touched by that
• 22:27
  Speaker 1: the moment I realized what it was he was staying
• 22:30
  Speaker 1: alive for, just to be sure that his power was
• 22:32
  Speaker 1: still working. I like Cora is probably one of the
• 22:40
  Speaker 1: most badass characters of the show in terms of his
• 22:46
  Speaker 1: overall like ethics and willingness to work against his brother
• 22:52
  Speaker 1: on the DL, how much he has risked over and
• 22:55
  Speaker 1: over again, and then the way he goes out here
• 23:00
  Speaker 1: like that is serious, you know what I'm saying, Like,
• 23:07
  Speaker 1: I can't think of another character who played the long
• 23:13
  Speaker 1: game being a good guy in this way against his
• 23:18
  Speaker 1: own family. This is just a really I don't know.
• 23:24
  Speaker 2: He is a.
• 23:27
  Speaker 1: Really particular character, and I am very sad that he
• 23:33
  Speaker 1: is dead. He gets the shit beaten out of him
• 23:37
  Speaker 1: by the way, like they're tossing him around, they're hitting
• 23:40
  Speaker 1: him with baseball bats. There's like everybody is just taking
• 23:45
  Speaker 1: a hit because they know we need to get him,
• 23:49
  Speaker 1: like our master wants him. So we can fuck with
• 23:52
  Speaker 1: him a little bit, But we can't let him die
• 23:55
  Speaker 1: because his brother needs to see him. We can't kill
• 23:57
  Speaker 1: him before his brother sees him. And I had forgotten
• 24:03
  Speaker 1: that he the whole time that he is with their crew.
• 24:07
  Speaker 1: He behaves as if he can't talk, so like he's
• 24:12
  Speaker 1: taunting them and stuff, and they're like, wait, what you
• 24:15
  Speaker 1: can talk. I had completely forgotten about him faking this,
• 24:21
  Speaker 1: and it like reminder, he's not just faking this to them,
• 24:24
  Speaker 1: he is faking this to his own brother as well.
• 24:27
  Speaker 1: I do not believe that Do Flamingo had an inkling
• 24:32
  Speaker 1: that he could speak. I thought Do Flamingo was being
• 24:36
  Speaker 1: fooled just like everybody else, and that is like a
• 24:40
  Speaker 1: hell of a fucking flex to be able to pull
• 24:43
  Speaker 1: that off. So yeah, he's getting the shit beat out
• 24:47
  Speaker 1: of him. Meanwhile, a law is having to listen to
• 24:50
  Speaker 1: all of this, and then finally here comes Do Flamingo.
• 24:54
  Speaker 1: He's been summoned and he is looking down on his
• 24:57
  Speaker 1: brother and he has like no expression on his face whatsoever.
• 25:06
  Speaker 1: He's just staring while Coora is sitting there covering in blood, gasping,
• 25:11
  Speaker 1: teeth missing, and he starts crying and remembers like Sengoku
• 25:19
  Speaker 1: coming up to him and being like, so, wait, you
• 25:22
  Speaker 1: have nowhere to go. You're safe with us. And I
• 25:26
  Speaker 1: was a little bit curious, guys, because I don't know
• 25:29
  Speaker 1: that we saw how exactly this.
• 25:32
  Speaker 2: Worked, but.
• 25:36
  Speaker 1: We see him with his father and Dofie. Dophie shoots
• 25:42
  Speaker 1: his dad. That flashback ends, we come to the present,
• 25:46
  Speaker 1: and then we jump back into the past and it's
• 25:48
  Speaker 1: Sengoku saying, oh, so you have nowhere to go, But
• 25:52
  Speaker 1: we don't see what happens between. So I'm assuming that
• 25:57
  Speaker 1: like Cora ran away because Dofie he was, had killed
• 26:01
  Speaker 1: their father and understand play.
• 26:04
  Speaker 2: Korra was just like, I want no parts of this.
• 26:07
  Speaker 1: That's my assumption here, but like just you know, wanting
• 26:12
  Speaker 1: to be clear that I do not. There's no connective
• 26:16
  Speaker 1: tissue between these scenes. So there was a big part
• 26:20
  Speaker 1: of me that sort of went, wait, hold on, wait
• 26:22
  Speaker 1: what But that's you know, how he wound up doing
• 26:26
  Speaker 1: something that's like totally separate from Dopa Mingo apparently. So
• 26:32
  Speaker 1: now on the ground, he pulls out this gun and
• 26:37
  Speaker 1: he points it at Do Flamingo and he uh said,
• 26:43
  Speaker 1: he says, like the marine code and commander from h Q,
• 26:47
  Speaker 1: Captain of the don Quixote family, I've been working undercover
• 26:52
  Speaker 1: to prevent a tragedy of your making.
• 26:55
  Speaker 2: That has been my mission.
• 26:57
  Speaker 1: I took as a marine and everybody is just casp
• 27:06
  Speaker 1: reminder too, like Law is hearing all of this as well,
• 27:09
  Speaker 1: because they're these trunks and boxes are all piled up,
• 27:15
  Speaker 1: and that's.
• 27:15
  Speaker 2: What he's leaning against.
• 27:17
  Speaker 1: And he says, I lied to you. I'm sorry. I
• 27:22
  Speaker 1: didn't want to make you hate me, and Law is
• 27:27
  Speaker 1: inside the trunk saying like, h why is he saying this?
• 27:32
  Speaker 1: But I already knew, didn't I. So clearly this is
• 27:35
  Speaker 1: meant to be for laws benefit. Dophie says, I don't
• 27:43
  Speaker 1: have any fucking patience left. You better answer my questions.
• 27:47
  Speaker 1: Where's the apop fruit?
• 27:49
  Speaker 2: Where is Law?
• 27:50
  Speaker 1: And he has to be like, oh the fruit that's gone,
• 27:54
  Speaker 1: Law ate it, and everybody is just like, oh, you
• 27:59
  Speaker 1: done fucked up now, and he says that's how he
• 28:05
  Speaker 1: was able to get out of the cage, and I
• 28:08
  Speaker 1: bet the Navy's already taken him into protective custody so
• 28:11
  Speaker 1: he is safe from you. And as they are as
• 28:18
  Speaker 1: he is saying this, baby five and Buffalo swoop in
• 28:23
  Speaker 1: and say the Navy took a boy into custody and
• 28:28
  Speaker 1: he's like, why don't you tell me? And they're like,
• 28:30
  Speaker 1: we got here as fast as we could. Now. Of course,
• 28:34
  Speaker 1: this line's right up with what Krason was telling them,
• 28:37
  Speaker 1: but he doesn't know who it is that they've got
• 28:39
  Speaker 1: in custody, so he's very much like, wait, what, Oh, well,
• 28:44
  Speaker 1: I guess that's lucky. And we see a moment of
• 28:49
  Speaker 1: like a chin sticking out from underneath a blanket that
• 28:53
  Speaker 1: the Navy is putting on like around a kid's shoulders.
• 28:58
  Speaker 1: There is a band aid his cheek and like an
• 29:01
  Speaker 1: ex mark on his chin, And I don't know if
• 29:04
  Speaker 1: this is supposed to signal a character that we have
• 29:07
  Speaker 1: meant that I'm supposed to recognize this scar on his face,
• 29:10
  Speaker 1: or if it's setting the table for a character that
• 29:12
  Speaker 1: we will eventually meet later and the scar on his face,
• 29:14
  Speaker 1: I'm going to be like, Oh, that's the guy that
• 29:16
  Speaker 1: was you know, if we have seen already who they
• 29:21
  Speaker 1: took into custody and I have forgotten. Apologies, but it
• 29:23
  Speaker 1: has been a few weeks since I saw the last episodes,
• 29:26
  Speaker 1: so so ooh, I'm sorry, I'm looking in the chat
• 29:34
  Speaker 1: the full name is the Holy Land Mariegeois okay, Florine
• 29:39
  Speaker 1: agrees Cora as a true MVP, and Seraphim says yeah.
• 29:42
  Speaker 1: Needless to say, Cora is also one of the most
• 29:43
  Speaker 1: popular characters in this series thirteen. In the aforementioned popularity poll,
• 29:49
  Speaker 1: it was mentioned earlier that Cora had been gone for
• 29:52
  Speaker 1: several years before coming back to join his brother. It's
• 29:56
  Speaker 1: ex Drake, one of the Sabaodi pirates, the guy who
• 29:59
  Speaker 1: turned into a dinosaur.
• 30:00
  Speaker 2: His father was the head of the pirates. Dove he
• 30:02
  Speaker 2: killed here.
• 30:03
  Speaker 1: Oh, I remember Drake, but I would never have like
• 30:09
  Speaker 1: put that together, so thank you. I am curious on
• 30:14
  Speaker 1: that list of like most popular, where does h oh
• 30:20
  Speaker 1: my god, the rooster fall? You know, the man eater
• 30:24
  Speaker 1: the troll, because he I just enjoy so deeply that
• 30:30
  Speaker 1: I feel like I want him to be quite high
• 30:32
  Speaker 1: up on the list.
• 30:34
  Speaker 2: But what can you do?
• 30:38
  Speaker 1: So at this point do Flamingo says, all right, well,
• 30:43
  Speaker 1: I'm gonna undo the bird cage that you guys can
• 30:45
  Speaker 1: go and check on that kid and see who he is,
• 30:48
  Speaker 1: because we really need to scoop him up. And Cora,
• 30:53
  Speaker 1: for his own part, is just like, wow, I don't
• 30:56
  Speaker 1: know what happened, but thank you Providence for all of this.
• 30:59
  Speaker 1: We're out so that they are being distracted, and uh,
• 31:05
  Speaker 1: he says to Law like, if you find him, what
• 31:07
  Speaker 1: are you even going to do with him? And Dophie says, well,
• 31:11
  Speaker 1: if he ate the ap up fruit, he needs to
• 31:14
  Speaker 1: be educated properly so that he can die for me.
• 31:20
  Speaker 1: And Law just gets this expression on his face inside
• 31:23
  Speaker 1: the thing, which I really do appreciate that he gets
• 31:25
  Speaker 1: to hear exactly what's planned, so there's no chance of
• 31:30
  Speaker 1: him being tricked back into working with him somehow. And
• 31:36
  Speaker 1: then he pulls out his own gun, so the two
• 31:40
  Speaker 1: of them are standing there pistoled a pistol, and he says,
• 31:44
  Speaker 1: why are you forcing me to kill my own flesh
• 31:47
  Speaker 1: and blood yet again? And there's the moment that I
• 31:56
  Speaker 1: was worried about, because Law is pounding on the box
• 31:59
  Speaker 1: and the box starts to move against Cora's back, and like,
• 32:05
  Speaker 1: I don't really know entirely how Coorra's power works, so
• 32:09
  Speaker 1: this got me a little bit worried because it's one
• 32:12
  Speaker 1: thing to damp and sound, it's another thing to like
• 32:14
  Speaker 1: stop the vibrations entirely. And so I was wondering if
• 32:18
  Speaker 1: that movement is just supposed to be sort of like
• 32:23
  Speaker 1: symbol symbolic is the word I'm wanting to use here,
• 32:27
  Speaker 1: but it's not really what I mean. What do you
• 32:30
  Speaker 1: call it when something is sort of like cartoon grammar
• 32:35
  Speaker 1: where I am meant to understand that he hears law
• 32:39
  Speaker 1: or feels law even though Do Flamingo can't see him,
• 32:45
  Speaker 1: because that's the thing that I run into sometimes, not
• 32:49
  Speaker 1: just with this show either, but in animated stuff. There
• 32:52
  Speaker 1: will be times where I am not sure how literally
• 32:55
  Speaker 1: I'm supposed to be taking the animation. And I really
• 33:00
  Speaker 1: thought for a moment here that Do Flamingo was going
• 33:03
  Speaker 1: to see that the box was moving around and be like,
• 33:09
  Speaker 1: because he gets a frown on his face, and I
• 33:11
  Speaker 1: thought that was him noticing the box is moving, Oh,
• 33:16
  Speaker 1: maybe he's here. But instead he frowns and says something
• 33:21
  Speaker 1: about how like, I know that you aren't going to
• 33:23
  Speaker 1: shoot me even though you're pointing the gun in me,
• 33:25
  Speaker 1: because in the end, you're just like your father. And
• 33:31
  Speaker 1: so the frown clearly has nothing to do with the
• 33:33
  Speaker 1: box moving around. But Saraheim says, non diegetic, I don't think,
• 33:42
  Speaker 1: because like diegetic and non diegetic music just means whether
• 33:45
  Speaker 1: the music or the sound is a sound effect or
• 33:49
  Speaker 1: music that is playing over the scene versus something that
• 33:52
  Speaker 1: the characters are also hearing. And what I'm talking about
• 33:57
  Speaker 1: is more like when something in animation is meant to
• 34:00
  Speaker 1: be taken literally and at face value that all of
• 34:04
  Speaker 1: the characters are also seeing, versus when something is meant
• 34:09
  Speaker 1: to signal to you as a viewer that a thing
• 34:13
  Speaker 1: is happening even though it's not literally happening, And there
• 34:19
  Speaker 1: has to be a term for that, but I do
• 34:21
  Speaker 1: not know what it is. So if anybody does know,
• 34:24
  Speaker 1: let me let me know, because I would probably use
• 34:27
  Speaker 1: that term frequently because it's just the sort of thing
• 34:31
  Speaker 1: that this is. Also kind of it would be a
• 34:35
  Speaker 1: useful thing for talking about other TV shows as well,
• 34:40
  Speaker 1: just like there are times where two characters are talking
• 34:44
  Speaker 1: to one another and my immediate instinct is to be like,
• 34:48
  Speaker 1: you guys are so loud, everybody can hear you. But
• 34:52
  Speaker 1: in the context of the scene, I am meant to
• 34:55
  Speaker 1: understand nobody can hear them, that they are they are
• 35:01
  Speaker 1: not being observed or you know whatever, even though there
• 35:04
  Speaker 1: is no fucking way. I am so sorry, you know
• 35:07
  Speaker 1: so anyway, just curious about that. But yeah, this is
• 35:13
  Speaker 1: when we find out about him, like thinking Law is
• 35:16
  Speaker 1: going to be picked up because he is in this
• 35:18
  Speaker 1: chest and no pirate is going to be able to.
• 35:24
  Speaker 2: Resist it.
• 35:25
  Speaker 1: And we also have the moment of him telling Law,
• 35:31
  Speaker 1: don't worry, Dophie isn't going to kill his old his
• 35:35
  Speaker 1: own flesh and blood, and promising that him and Dophie
• 35:41
  Speaker 1: are going to escape together and do Flamingo, him and Dophie. Sorry,
• 35:48
  Speaker 1: I keep saying, Dophie, I mean Law. Sorry, guys, but
• 35:52
  Speaker 1: he promises, Korra promises Law, We're going to escape together.
• 35:57
  Speaker 1: He's not going to kill his own flesh and blood.
• 36:00
  Speaker 1: And it's at this point that Law is realizing Kora
• 36:04
  Speaker 1: knew it was a lie when he said it, that
• 36:09
  Speaker 1: there was simply no way they were getting out of
• 36:12
  Speaker 1: here together. That of course Stofelmingo is willing to kill
• 36:16
  Speaker 1: his own flesh and blood. He has done it before,
• 36:19
  Speaker 1: he will do it again. Just the number of things
• 36:23
  Speaker 1: that begin to slide into place, and then of course
• 36:27
  Speaker 1: Kora just saying to him, hey, I love you before he.
• 36:31
  Speaker 2: Goes, and I was just like, oh my god, oh no.
• 36:34
  Speaker 1: So yeah, Law is real mad because he feels like
• 36:37
  Speaker 1: this is not what you fucking promised. And we hear
• 36:45
  Speaker 1: what he says about because, like he says, Dofi, Law
• 36:51
  Speaker 1: wouldn't obey you anyway. He only had three years to
• 36:55
  Speaker 1: live and he knew that, but he kept fighting anyway,
• 36:59
  Speaker 1: and he grew stronger and found himself again. He's not
• 37:05
  Speaker 1: the same lost child who threw himself before a killer
• 37:09
  Speaker 1: like you. He has nothing to gain from someone who
• 37:13
  Speaker 1: only longs for destruction. He's above that. So you leave
• 37:18
  Speaker 1: him the hell alone because Laws finally free now.
• 37:24
  Speaker 2: And I really just love this.
• 37:28
  Speaker 1: What a fucking baddie, honestly, just throwing it in his
• 37:33
  Speaker 1: face knowing he is going to die, and indeed do
• 37:38
  Speaker 1: Flamingo shoots him like that moment and we see him
• 37:42
  Speaker 1: go down, and poor Law freaking out, all of these
• 37:46
  Speaker 1: moments of remembering the the development of this guy's character
• 37:53
  Speaker 1: and starting to understand who he really truly was. And
• 37:58
  Speaker 1: then we see Law in one of the trunks being
• 38:02
  Speaker 1: carried away, just as predicted, and he opens the trunk
• 38:05
  Speaker 1: and looks out and sees Cora's body just like laid
• 38:08
  Speaker 1: out in the snow and has to leave in there.
• 38:11
  Speaker 1: And it's so sad, you guys, Like we see one
• 38:16
  Speaker 1: of Cora's fingers wiggling, and for a moment when we
• 38:23
  Speaker 1: see the finger, I thought it was going to be like, oh,
• 38:26
  Speaker 1: it's to indicate that he's not dead. And maybe he
• 38:30
  Speaker 1: is still alive, Like maybe this was supposed to be
• 38:32
  Speaker 1: the hint. But then he starts to say, if I
• 38:38
  Speaker 1: die now, the cast is going to be broken, and
• 38:41
  Speaker 1: if you cry or make a single noise, anyone on
• 38:43
  Speaker 1: the island might hear it. So I need to stay
• 38:46
  Speaker 1: alive a little bit longer. And I was like, oh, man,
• 38:51
  Speaker 1: I really hoped that this was going to be like
• 38:53
  Speaker 1: a little cause, you know, it's the thing with this
• 38:56
  Speaker 1: show is that nobody really dies unless it's a flashback.
• 39:00
  Speaker 1: That's the exception. People in flashbacks die all the time,
• 39:04
  Speaker 1: and they stay fucking dead. So this was a moment
• 39:09
  Speaker 1: of me kind of being like, oh maybe maybe with
• 39:12
  Speaker 1: everybody going like not really dying, maybe this is one
• 39:16
  Speaker 1: of them. And I kept being like, it's a flashback, Natasha,
• 39:18
  Speaker 1: you can't no if he is still alive. As much
• 39:23
  Speaker 1: as it will feel like a little bit of a cheat,
• 39:26
  Speaker 1: I'll be glad because I just enjoy him so much.
• 39:29
  Speaker 1: But I really believe that he is actually dead. We
• 39:33
  Speaker 1: see the moment of him like gasping out his last
• 39:37
  Speaker 1: and just saying you're free now and then going still.
• 39:43
  Speaker 1: So my assumption is very much that this guy is
• 39:46
  Speaker 1: true well and truly dead because he gets covered with
• 39:51
  Speaker 1: snow and doesn't move, you know, because the snow keeps
• 39:55
  Speaker 1: falling even after he has gone still.
• 39:58
  Speaker 2: And the Navy meanwhile.
• 39:59
  Speaker 1: Is just firing all these cannons, and Law is crying
• 40:03
  Speaker 1: and just like losing his shit, and that's how the
• 40:07
  Speaker 1: episode ends. It's a pretty rough ending to the episode,
• 40:10
  Speaker 1: to be honest. So then we come back to the
• 40:15
  Speaker 1: present to be free Laws injection shop blasts and we
• 40:22
  Speaker 1: get thrown back into the fight between Do Flamingo and Law.
• 40:27
  Speaker 1: Now Do Flamingo is fighting using these rainbow like finger
• 40:36
  Speaker 1: It's like there are they also strings or what? Guys,
• 40:40
  Speaker 1: Please forgive me if these came up in the last
• 40:46
  Speaker 1: episodes and I didn't mention them. But I'm going to
• 40:50
  Speaker 1: be honest, I have absolutely no memory of these like
• 40:56
  Speaker 1: rainbow weapons, and they are very fucking cool looking. I mean,
• 41:05
  Speaker 1: I feel like I'm annoyed Dough Flamingo gets them. I
• 41:09
  Speaker 1: want somebody cooler to get them. I honestly wouldn't be
• 41:15
  Speaker 1: mad if, Like you know, I have talked before about
• 41:20
  Speaker 1: the women characters a lot of times in this show
• 41:22
  Speaker 1: not being able to get real combat powers a lot
• 41:26
  Speaker 1: of the time, it seems like they get weird like
• 41:30
  Speaker 1: powers that can be useful in a fight, but not
• 41:33
  Speaker 1: exactly combat power is strictly speaking, and I wouldn't be
• 41:40
  Speaker 1: mad if we had a woman who was using like
• 41:45
  Speaker 1: rainbow weaponry, sparkle weaponry, I would be into it. So
• 41:51
  Speaker 1: maybe something like that's coming eventually. Maybe Five's ability is like.
• 41:57
  Speaker 2: One of the most.
• 42:02
  Speaker 1: Combat like. And I'm just thinking about if she were
• 42:05
  Speaker 1: to transform herself into a huge gun in the way
• 42:07
  Speaker 1: that she does sometimes, but the gun like we're encrusted
• 42:11
  Speaker 1: with pink rhymestones or something, and that would be very funny.
• 42:16
  Speaker 1: I'm sure it would be a hell to draw. But
• 42:19
  Speaker 1: I'm just saying that the idea of a very esthetic weapon,
• 42:25
  Speaker 1: especially a weapon that's not solid, something like these strings
• 42:28
  Speaker 1: that kind of come and go I love Saraphim says
• 42:33
  Speaker 1: they are strings. The attack name is pentachromatic strings. Oh
• 42:41
  Speaker 1: I like that name. It's a little bit of a mouthful,
• 42:44
  Speaker 1: but I'm okay with that.
• 42:47
  Speaker 2: So I'm not sure what it is that they do though.
• 42:52
  Speaker 1: Dophie, meanwhile, is just like making fun of law, saying,
• 42:56
  Speaker 1: I can't believe how tough you acted when you just
• 42:58
  Speaker 1: played right into my hands anyway. Basically, like, this is pathetic.
• 43:03
  Speaker 1: I can't believe I was able to trick you and
• 43:05
  Speaker 1: law himself is like trick me fell into your hands.
• 43:11
  Speaker 1: I'm here on purpose. I'm here to take revenge. This
• 43:14
  Speaker 1: isn't an accident and I didn't fall for anything. I
• 43:19
  Speaker 1: am fulfilling your brother's dying wish. And do Flamingo says,
• 43:25
  Speaker 1: I know that's just what I expected you to do.
• 43:29
  Speaker 1: The crap that you call free will, it all belongs
• 43:33
  Speaker 1: to me. This is the goofiest shit I ever heard
• 43:38
  Speaker 1: in my life. Do Flamingo. I know you don't even
• 43:43
  Speaker 1: believe that. Like, look, there are ways that I have
• 43:48
  Speaker 1: seen this played before, okay, and most of the way
• 43:53
  Speaker 1: that you have a villain pretend somebody has fallen into
• 43:57
  Speaker 1: their hands. What you do is you have them talk
• 44:01
  Speaker 1: about how their hero is just really predictable. And for me,
• 44:09
  Speaker 1: even though it can be still quite cliche, I can't
• 44:14
  Speaker 1: help but react to that because this is something that
• 44:22
  Speaker 1: I think all of us sort of struggle with this
• 44:24
  Speaker 1: a little bit. Is like there is something in our
• 44:29
  Speaker 1: culture that inherently says if you are predictable, that means
• 44:35
  Speaker 1: that you are boring. And it means that you haven't
• 44:38
  Speaker 1: got much imagination or spontaneity or whatever. And I don't
• 44:45
  Speaker 1: think that that's actually true, but I definitely get why
• 44:50
  Speaker 1: we would jump to those sorts of insults in relationship
• 44:55
  Speaker 1: to it. I just don't think that's really necessarily what
• 44:58
  Speaker 1: it means, because you can be predictable, but in a
• 45:02
  Speaker 1: way that's like.
• 45:05
  Speaker 2: Wild and like chaotic.
• 45:10
  Speaker 1: You know, oh, I knew that you were going to
• 45:13
  Speaker 1: go out there and shoot somebody as soon as you
• 45:15
  Speaker 1: heard this thing. Because you are predictable. Predictable and boring
• 45:21
  Speaker 1: are not synonymous. It just means that you have a
• 45:24
  Speaker 1: pattern of behavior that other people have begun to recognize.
• 45:27
  Speaker 1: You know.
• 45:30
  Speaker 2: So I.
• 45:33
  Speaker 1: This moment of just trying to be like I own
• 45:36
  Speaker 1: free will or you know, you call it freedom, but
• 45:41
  Speaker 1: it belongs to me. Sir. How about you just say
• 45:46
  Speaker 1: the actual thing that's true, which is I predicted what
• 45:50
  Speaker 1: you were going to do.
• 45:53
  Speaker 2: How about that?
• 45:54
  Speaker 1: How about we just keep it a buck and you
• 45:56
  Speaker 1: stop acting as if you're some sort of god with
• 46:00
  Speaker 1: ownership of free will. You have been fucked with one
• 46:07
  Speaker 1: too many times for anybody to believe that you are
• 46:10
  Speaker 1: a god. At this point, you can do some badass shit.
• 46:13
  Speaker 1: You can throw a wrench in people's plans. Sure, all
• 46:18
  Speaker 1: of that. Sure, but you are not you know what
• 46:22
  Speaker 1: I'm saying, Guys Like it's just so incredibly over the top.
• 46:27
  Speaker 1: And I don't mean this as like a criticism of
• 46:30
  Speaker 1: the writing. Just to be clear, when I say all
• 46:33
  Speaker 1: of this, I am in full recognition that this is
• 46:37
  Speaker 1: about him as a person. Do Flamingo believes that he
• 46:44
  Speaker 1: is somehow like in charge or the fact that he
• 46:49
  Speaker 1: can predict what a person would do means that he
• 46:53
  Speaker 1: is like supernatural, And that's just called recognizing patterns. You're
• 47:01
  Speaker 1: not special. Many people could predict what I would do
• 47:06
  Speaker 1: or say because they have listened to the show and
• 47:09
  Speaker 1: they have begun to get to know me. And that
• 47:13
  Speaker 1: doesn't make them gods. It just means they know what
• 47:17
  Speaker 1: I would do or say, which isn't hard, you know,
• 47:21
  Speaker 1: Like it's.
• 47:21
  Speaker 2: Just a weird moment to me.
• 47:25
  Speaker 1: Seraphim is in agreement here unless it's something a story
• 47:30
  Speaker 1: is very clearly trying to keep a secret, but it's
• 47:31
  Speaker 1: obvious what's going on. Predictable to me just means progressing
• 47:34
  Speaker 1: in a logical fashion. I agree and disagree when it
• 47:39
  Speaker 1: comes to a story When I talk about predictable and
• 47:44
  Speaker 1: it not being synonymous with boring, I mean people's behaviors.
• 47:50
  Speaker 1: But when I talk about a story and it being predictable,
• 47:57
  Speaker 1: I cannot agree that it's always just progress in a
• 48:00
  Speaker 1: logical fashion, because a lot of times what predictable can
• 48:05
  Speaker 1: be in writing a story is that you are making
• 48:09
  Speaker 1: you are ensuring we hit certain story beats, but not
• 48:14
  Speaker 1: in a way that feels like it's actually organically happening
• 48:18
  Speaker 1: due to character choices. It feels like it's happening because
• 48:21
  Speaker 1: you knew we had to hit these beats, which is
• 48:23
  Speaker 1: a very different thing. So when I say predictable in
• 48:28
  Speaker 1: terms of a story, I will say that I do
• 48:31
  Speaker 1: mean that pejoratively most of the time. I don't mean
• 48:35
  Speaker 1: it in terms of human beings. But a story like,
• 48:40
  Speaker 1: there's a difference between following tropes and being predictable, and
• 48:47
  Speaker 1: I think that it depends.
• 48:50
  Speaker 2: I think it depends.
• 48:54
  Speaker 1: Sir frum Sis do Flamingo's hoole deal as he sees
• 48:56
  Speaker 1: himself as a puppet master. Everything that happens around him
• 48:58
  Speaker 1: only does so.
• 48:59
  Speaker 2: Under his control.
• 49:00
  Speaker 1: Yeah, and it's just fucking hilarious. Like he has what
• 49:05
  Speaker 1: the kids call main character energy, Like he really just
• 49:08
  Speaker 1: thinks everything is about.
• 49:09
  Speaker 2: Himself, and it is.
• 49:13
  Speaker 1: Kind of embarrassing when you step back and really look
• 49:16
  Speaker 1: at it. It's just somebody who is trying to grasp
• 49:20
  Speaker 1: onto this feeling of godliness and importance that he lost
• 49:24
  Speaker 1: as a kid because his father took it away. And
• 49:30
  Speaker 1: what he is clinging to are these scraps that, like
• 49:35
  Speaker 1: his abilities from the Devil Fruit, feed into that to
• 49:41
  Speaker 1: a certain degree. I don't know how we found like
• 49:46
  Speaker 1: how he found the devil fruit?
• 49:47
  Speaker 2: He did?
• 49:47
  Speaker 1: Do we remember, like do I remember that or not?
• 49:50
  Speaker 2: Do I remember that? I don't remember clearly, but.
• 49:53
  Speaker 1: Did we get told about that? So now we go
• 50:01
  Speaker 1: over to Loofy and he is trying to fight the
• 50:06
  Speaker 1: fake Mingo as he keeps calling him, who is also
• 50:10
  Speaker 1: using the rainbow attack. And every time that Lufy comes
• 50:17
  Speaker 1: at him, we get not Bartolomeo, he's the other guy,
• 50:24
  Speaker 1: Bellamy jumping in front of him. Poor fucking Bellamy. You guys,
• 50:29
  Speaker 1: this dude is just in such bad shape he has
• 50:33
  Speaker 1: he just looks like absolute hell. And every time that
• 50:38
  Speaker 1: Lufy like manages to avoid hitting him, I was so
• 50:40
  Speaker 1: relieved because he just the the ugliness of this whole
• 50:46
  Speaker 1: thing is painful to.
• 50:49
  Speaker 2: Watch, you know.
• 50:54
  Speaker 1: So then we get dolf La Mingo and law Law
• 50:58
  Speaker 1: saying you were once a celestial dragon. You must have
• 51:00
  Speaker 1: something interesting to say about the power of D and
• 51:07
  Speaker 1: like or the will of D, which I am never
• 51:12
  Speaker 1: not going to bring up the fact that it just
• 51:14
  Speaker 1: sounds like, you know, you got digmatized. And he strikes
• 51:21
  Speaker 1: at Dophie with his blade. Dophie wraps his hand around
• 51:25
  Speaker 1: it and just holds it and starts to bleed and says,
• 51:29
  Speaker 1: why should I indulge you? That's none of your concern.
• 51:34
  Speaker 1: And you think the straw hat was led here, that
• 51:37
  Speaker 1: my divine blood enticed him to come and kill me
• 51:41
  Speaker 1: a bunch of nonsense. So I guess that means that
• 51:49
  Speaker 1: there is some sort of like weird prophecy or intention
• 51:53
  Speaker 1: or whatever. Though, and we get reminded sworn enemy of
• 51:59
  Speaker 1: the gods thing that was said earlier. And I hadn't
• 52:04
  Speaker 1: really like stopped and thought about the fact that if
• 52:07
  Speaker 1: the celestial dragons believe they're gods, then that's what it means.
• 52:11
  Speaker 1: Anybody with D in his name is meant to like
• 52:14
  Speaker 1: go up against the celestial dragons. I suppose, which good let's.
• 52:19
  Speaker 2: Get it on.
• 52:20
  Speaker 1: Let's get on with it, because I don't like these guys.
• 52:23
  Speaker 2: I'm sick of them.
• 52:25
  Speaker 1: We jump over to Violet for a little while or Viola,
• 52:28
  Speaker 1: depending on which one you're watching, and she is giving
• 52:32
  Speaker 1: an update to her father about the fight and what
• 52:35
  Speaker 1: all is going on with everybody, which is a nice
• 52:37
  Speaker 1: little recap for us so that we remember where everyone
• 52:41
  Speaker 1: is and what battle they in.
• 52:42
  Speaker 2: Particular, are fighting.
• 52:46
  Speaker 1: We also have a little bit of regrouping with Senor
• 52:52
  Speaker 1: Pink and there's a moment that's really weird where he's
• 52:56
  Speaker 1: fighting Frankie and Frankie hits him in the face. He
• 53:00
  Speaker 1: starts bleeding, and he just says, huh, was that a
• 53:03
  Speaker 1: breeze that tickled me? And then there's a cat that
• 53:06
  Speaker 1: meows and comes walking up, and when he comes walking up,
• 53:15
  Speaker 1: sen Your Pink kneels down and the cat comes over,
• 53:22
  Speaker 1: and Senor Pink looks over at the cat with like
• 53:27
  Speaker 1: and gives him a thumbs up, and the cat starts crying.
• 53:32
  Speaker 1: And then Frankie turns away and says that breeze is
• 53:35
  Speaker 1: hurting my tear ducts. Guys, I'm so sorry. I don't
• 53:40
  Speaker 1: know what this is. Is it just supposed to be that, like,
• 53:45
  Speaker 1: there was an animal that was here in the midst
• 53:48
  Speaker 1: of their fight and they didn't hurt it, and so
• 53:52
  Speaker 1: it's supposed to be like, what a sweet moment because
• 53:57
  Speaker 1: they decided to take a second to let the cat
• 54:02
  Speaker 1: pass by and be unhurt. I feel like that's what
• 54:09
  Speaker 1: we're doing. But the cat like crying in response to
• 54:14
  Speaker 1: him giving.
• 54:15
  Speaker 2: A thumbs up.
• 54:17
  Speaker 1: I just don't get it. There's also like this point
• 54:19
  Speaker 1: where Frankie sees the cat and says to Senor Pink, wait,
• 54:25
  Speaker 1: did you And it's like he's about to accuse him
• 54:30
  Speaker 1: of something, but I don't understand what, Like, I don't
• 54:37
  Speaker 1: get this. Florian says, yeah, if Seor moved, the cat
• 54:43
  Speaker 1: would get hurt, so he stayed. Okay, So the cat's
• 54:52
  Speaker 1: just like crying in response to the fact that Senor
• 54:55
  Speaker 1: Pink stopped moving. Okay, So the cat understands fully what's
• 55:05
  Speaker 1: going on here. I have to assume, Sarahim says, tough
• 55:11
  Speaker 1: guy is taking a moment to play with a kitty. Again,
• 55:13
  Speaker 1: this whole fight is over the top to the point
• 55:15
  Speaker 1: of parody. Not sure what the cat crying thing is about. Yeah,
• 55:18
  Speaker 1: I think that's the part that's the most confusing to
• 55:21
  Speaker 1: me is, like I the way that this is drawn
• 55:27
  Speaker 1: is it doesn't feel as if like, oh, we were fighting,
• 55:30
  Speaker 1: the cat popped up and we came to a screeching
• 55:33
  Speaker 1: halt to make sure the cat didn't get hurt. It
• 55:35
  Speaker 1: feels like they are already kind of standing still. The
• 55:39
  Speaker 1: cat creeps around the corner, and then we have a
• 55:43
  Speaker 1: moment of like, oh, there's a cat here, all right, well,
• 55:47
  Speaker 1: we're gonna have to deal with that. And it doesn't like,
• 55:51
  Speaker 1: I feel like they should have been actively in the
• 55:55
  Speaker 1: midst of moving around and handling things, and then when
• 56:01
  Speaker 1: the cat showed up and they just record scratched came
• 56:05
  Speaker 1: to a stop, it would just make it a lot
• 56:08
  Speaker 1: more obvious that we were giving the cat a second,
• 56:14
  Speaker 1: you know. But it's just not It doesn't feel like
• 56:19
  Speaker 1: that in this moment, and I was sensing what I
• 56:23
  Speaker 1: was supposed to think was going on, but it didn't
• 56:27
  Speaker 1: really work because of the way that it was paced
• 56:31
  Speaker 1: and everything. So we go from there back to Pika
• 56:37
  Speaker 1: and Zorro, who we have just a brief moment with
• 56:41
  Speaker 1: the two of them. I have to admit you guys
• 56:43
  Speaker 1: that I do find it a little bit amusing how
• 56:48
  Speaker 1: the show seems to have itself lost interest in Zoro's fight.
• 56:52
  Speaker 1: We go back to him and Pica only but briefly,
• 56:56
  Speaker 1: and the fight has been going on for a while,
• 57:00
  Speaker 1: and I'm not mad at it, just to be clear,
• 57:02
  Speaker 1: I don't really care about their fight, so I'm okay
• 57:05
  Speaker 1: with it. But I do find it funny that it's
• 57:09
  Speaker 1: like we spend as little time with the two of
• 57:10
  Speaker 1: them as possible, it seems, And it is a little
• 57:15
  Speaker 1: surprising considering how like badass Zorro is and how much
• 57:21
  Speaker 1: is made of that that the show just doesn't seem
• 57:25
  Speaker 1: to want to spend much time with him once he's
• 57:28
  Speaker 1: in fights, that this is not the first time that
• 57:30
  Speaker 1: this has happened.
• 57:33
  Speaker 2: And then we jump.
• 57:34
  Speaker 1: Into Kiros who is fighting Diamante, and Rebecca is off
• 57:41
  Speaker 1: to the side, like watching the fight and being absolutely
• 57:44
  Speaker 1: useless as usual, just yelling be careful to her father,
• 57:48
  Speaker 1: like thank you so much, wow, And eventually her father
• 57:54
  Speaker 1: slices Diamante's face and he Diamon bends down, puts his
• 58:01
  Speaker 1: hand on the ground, and he makes all of the
• 58:03
  Speaker 1: ground ripple and move the way that he is able
• 58:06
  Speaker 1: to make his blade ripple and move, which would probably
• 58:11
  Speaker 1: be difficult to keep your balance on anyway. But reminder
• 58:14
  Speaker 1: that Kiros only has one leg and so it makes
• 58:18
  Speaker 1: it even more difficult for him. Now I accept this
• 58:25
  Speaker 1: because the show is telling me that it's harder to
• 58:29
  Speaker 1: balance with one leg. But I'm going to be completely honest,
• 58:35
  Speaker 1: this is kind of bullshit because the show really doesn't
• 58:39
  Speaker 1: give a shit about him having one leg any other time.
• 58:45
  Speaker 1: It has never slowed him down, it has never had
• 58:47
  Speaker 1: any effect on his fighting ability. He has like even
• 58:51
  Speaker 1: when it gets cut off, he's like barely even bleeds
• 58:55
  Speaker 1: from it. Honestly, Kiros getting his leg or cutting his
• 58:58
  Speaker 1: own leg off, that is one of the most hand
• 59:04
  Speaker 1: waved moments of this show in my opinion, that gets
• 59:10
  Speaker 1: hyped up. It just feels like I'm really supposed to
• 59:13
  Speaker 1: be impressed with it. But it's only impressive if it
• 59:17
  Speaker 1: feels like it's any sort of obstacle to the character,
• 59:20
  Speaker 1: and it doesn't feel that way. He cuts his own
• 59:23
  Speaker 1: leg off and then he keeps it moving like it
• 59:26
  Speaker 1: was nothing, and it apparently isn't anything. He's fine and
• 59:32
  Speaker 1: it's never really ever a problem. So then to have
• 59:36
  Speaker 1: it be like, oh, the ground ripples here and you
• 59:38
  Speaker 1: only have one leg I suppose you know, like anyway,
• 59:48
  Speaker 1: So that's going on there. We jump then over to
• 59:52
  Speaker 1: Robin and Bartolameo and she's thinking about how like, I'm
• 59:57
  Speaker 1: still fighting just to get to these enemies, and enemies
• 1:00:00
  Speaker 1: are really fucking strong, and we are really gonna have
• 1:00:02
  Speaker 1: a hard time. And she's trying to handle these dudes
• 1:00:05
  Speaker 1: that are coming up behind them, and Bartolomeo is like,
• 1:00:08
  Speaker 1: I have it, please just go on ahead, and she
• 1:00:12
  Speaker 1: is like, all right, here I go. And she makes
• 1:00:15
  Speaker 1: a staircase out of her legs, like sticking out of
• 1:00:20
  Speaker 1: this wall, and then runs up her own shins, which
• 1:00:24
  Speaker 1: I have to assume hurts like hell, that sounds like
• 1:00:27
  Speaker 1: it would hurt. And Bartolomeo is so happy and is
• 1:00:33
  Speaker 1: thinking about how like, oh, when her friends rescued her
• 1:00:35
  Speaker 1: from Ennie's lobby, it's just like that, but here I'm
• 1:00:38
  Speaker 1: an honorary crewmate. And then he's like, okay, okay, that
• 1:00:43
  Speaker 1: was a bit much. I got carried away. He's the best.
• 1:00:47
  Speaker 1: I love him so much. So then we go over
• 1:00:54
  Speaker 1: to uh, what's his face? Oh my god, the one
• 1:00:59
  Speaker 1: with the arkles and the roses, and what is his name?
• 1:01:05
  Speaker 2: Cardigan.
• 1:01:07
  Speaker 1: Oh, I always want to call him Cardigan, but yeah,
• 1:01:11
  Speaker 1: he is continuing to fight. I had forgotten all about him, frankly,
• 1:01:15
  Speaker 1: so it's a good thing that we did a little
• 1:01:17
  Speaker 1: bit of a check in. And throughout all of this,
• 1:01:22
  Speaker 1: by the way, Viola is recounting who is left in
• 1:01:30
  Speaker 1: terms of, like all of the executives that remain to
• 1:01:32
  Speaker 1: be fought against, and she mentions Dellinger as being like
• 1:01:37
  Speaker 1: part fishman, and guys, I don't remember that he's part fishman?
• 1:01:45
  Speaker 2: Really did we know?
• 1:01:47
  Speaker 1: That?
• 1:01:49
  Speaker 2: This rang no bells for me?
• 1:01:51
  Speaker 1: I felt very taken off guard. I was like, what, yeah,
• 1:01:59
  Speaker 1: so I just I just wanted to uh to check
• 1:02:02
  Speaker 1: in and just like see, am I the only one
• 1:02:05
  Speaker 1: who completely missed that? Because he has some like things
• 1:02:08
  Speaker 1: about his appearance that are a little bit unusual. But
• 1:02:12
  Speaker 1: the fishmen usually seem to be much more easily identifiable,
• 1:02:18
  Speaker 1: and that one never I don't think I ever put
• 1:02:22
  Speaker 1: it together that he was supposed to be one. Let's see.
• 1:02:28
  Speaker 1: Oh right, I forgot about the uh the.
• 1:02:33
  Speaker 2: What is?
• 1:02:34
  Speaker 1: I forgot him already? The macho man Randy Savage dude
• 1:02:38
  Speaker 1: who is fighting against Mock weiss uh and Mock Weiss's
• 1:02:44
  Speaker 1: whole way of fighting and his voice is so bizarre.
• 1:02:47
  Speaker 1: I don't have a good sense of him. He's a
• 1:02:50
  Speaker 1: character that I feel like every time we spend a
• 1:02:52
  Speaker 1: little more time with him, he gets weirder, and like,
• 1:02:57
  Speaker 1: I just yeah, he's somebody that I feel like I
• 1:03:00
  Speaker 1: need a spreadsheet explaining him to me, because I don't
• 1:03:03
  Speaker 1: get his deal, or his power or a lot of this.
• 1:03:08
  Speaker 1: Oh right, We regroup with Luji who's fighting against Chin Jao,
• 1:03:13
  Speaker 1: and he seems to knock that man right the fuck out.
• 1:03:19
  Speaker 1: Checking back in with Zorro and Pica and he does
• 1:03:23
  Speaker 1: one hundred eight caliber Phoenix and he manages to it
• 1:03:28
  Speaker 1: seems bust Pika apart. Peka looks worried before it hits him,
• 1:03:35
  Speaker 1: and Zorro says, he ran away. He's pissing me off.
• 1:03:39
  Speaker 1: If he hadn't as said he ran away, I don't
• 1:03:41
  Speaker 1: think I would have known that's what happened there. It
• 1:03:43
  Speaker 1: didn't look like it. It looks like the hit landed
• 1:03:45
  Speaker 1: and Pica just kind of shattered, you know. And then
• 1:03:52
  Speaker 1: we go briefly over to Sabo, who my friend Sydney,
• 1:03:56
  Speaker 1: who I went down there with. Sabo is their favorite character.
• 1:04:00
  Speaker 1: And they are thinking about cosplaying Sabo, which they would
• 1:04:03
  Speaker 1: definitely be able to pull off one because they are
• 1:04:06
  Speaker 1: very good at doing like scar makeup and whatnot. And
• 1:04:09
  Speaker 1: also they have like a very good like their face,
• 1:04:13
  Speaker 1: can do male or female characters, and they have all
• 1:04:20
  Speaker 1: of the like kind of steampunk accessories necessary to do Sabo.
• 1:04:26
  Speaker 1: So if they do Sabo, I will let you guys
• 1:04:29
  Speaker 1: know so that you can go over to their instagram
• 1:04:32
  Speaker 1: and give them some support. So Sabo is helping to
• 1:04:37
  Speaker 1: rescue people from falling debris and everything. And then we
• 1:04:41
  Speaker 1: have the girl I can't remember her name, but she
• 1:04:45
  Speaker 1: is running towards all of the plateaus. And then we
• 1:04:48
  Speaker 1: go back to Viola and she is like, it seems
• 1:04:51
  Speaker 1: like the battle is like starting to draw to a close,
• 1:04:55
  Speaker 1: but even if we defeat the executives, that doesn't mean
• 1:04:58
  Speaker 1: anything because Lou and Law have to stop do Flamingo
• 1:05:02
  Speaker 1: or else. Everybody is just trapped in this fucking cage
• 1:05:07
  Speaker 1: and that's really the main thing. And some guy yells out,
• 1:05:12
  Speaker 1: so the fate of this whole island is in the
• 1:05:14
  Speaker 1: is in the hands of two pirates and that's it.
• 1:05:18
  Speaker 1: And he has a point that does suck let's see.
• 1:05:28
  Speaker 1: Oh right, this is when do fla Mingo is like, oh,
• 1:05:30
  Speaker 1: you have a D you have a hidden name, and
• 1:05:35
  Speaker 1: so that's what you're doing here is to you're like
• 1:05:37
  Speaker 1: coming to defeat me just because you've got some fucking
• 1:05:41
  Speaker 1: letter in your name that you think somehow fate is
• 1:05:44
  Speaker 1: on your side because of that. Get the fuck out
• 1:05:47
  Speaker 1: of here. This is bullshit. And as he is fighting,
• 1:05:52
  Speaker 1: he is starting to like get a little bit reckless
• 1:05:56
  Speaker 1: because he's irritated, and Treble, who is off to the
• 1:06:00
  Speaker 1: side and has somehow managed to survive things, he stands
• 1:06:04
  Speaker 1: up and is yelling, Dol Flamingo, be careful.
• 1:06:07
  Speaker 2: You're in range of his power right now.
• 1:06:11
  Speaker 1: And as he says this, it's like Dol Flamingo sort
• 1:06:15
  Speaker 1: of hears him and realizes but Law has already got
• 1:06:20
  Speaker 1: it set up, and he says, kor knew it would
• 1:06:25
  Speaker 1: take more than a measly D to defeat you. I'm
• 1:06:30
  Speaker 1: so sorry, guys, but that is hilarious. I can't handle
• 1:06:35
  Speaker 1: this D thing. It's just too much. And yet when
• 1:06:40
  Speaker 1: I learned the truth, my fate changed all the same.
• 1:06:45
  Speaker 1: My name was the catalyst, and we have the flashback
• 1:06:52
  Speaker 1: to Del Famingo telling us, brother, you can't shoot me
• 1:06:56
  Speaker 1: because in the end, you're just like our father, and
• 1:07:03
  Speaker 1: law says in the present. Listen, I'm only here because
• 1:07:08
  Speaker 1: Korra was too kind hearted to pull the trigger that day,
• 1:07:11
  Speaker 1: So now I'm going to do it for him, and
• 1:07:16
  Speaker 1: then it's to be continued. So I don't think that's
• 1:07:20
  Speaker 1: what's likely to happen here, but I hope it is,
• 1:07:23
  Speaker 1: because do Flamingo kind of sick of at this point,
• 1:07:28
  Speaker 1: to be honest, So you know, it's funny because do
• 1:07:34
  Speaker 1: Flamingo being like a big bad it makes total sense
• 1:07:38
  Speaker 1: in terms of the way he sees himself. But I
• 1:07:43
  Speaker 1: just he like and he it's not like he's incompetent
• 1:07:47
  Speaker 1: or anything, because he is pretty smart, but he is
• 1:07:50
  Speaker 1: smart in a way that feels like it's in conflict
• 1:07:56
  Speaker 1: with the things.
• 1:07:56
  Speaker 2: That he believes about himself.
• 1:07:59
  Speaker 1: So I think that's part of it's a little confusing
• 1:08:02
  Speaker 1: for me, trying to get a hold of his personality
• 1:08:07
  Speaker 1: versus somebody like Crocodile, for example, who was really really
• 1:08:12
  Speaker 1: capable and also seemed to have a clear idea of
• 1:08:16
  Speaker 1: where he stood in the hierarchy of things as well.
• 1:08:20
  Speaker 2: Well.
• 1:08:21
  Speaker 1: Anyway, all right, I'm gonna have to wrap this up
• 1:08:23
  Speaker 1: on overtime, but thank you guys again for hanging out
• 1:08:25
  Speaker 1: with me. Thank you Florian for commissioning this one and
• 1:08:27
  Speaker 1: for being in the chat. Thank you Sarahim for being
• 1:08:29
  Speaker 1: in the chat as well. Caven Dish, thank you also,
• 1:08:33
  Speaker 1: Acceptable Cabbage. Yeah, I still do think Cardigan kind of
• 1:08:37
  Speaker 1: works also, but Cavendish thank you. All Right, everybody, I
• 1:08:43
  Speaker 1: will be seeing you soon. And just a fyi, I'm
• 1:08:48
  Speaker 1: going to be making a separate feed just for the
• 1:08:50
  Speaker 1: one Piece episodes. So if you have been listening via
• 1:08:54
  Speaker 1: the spoil Me feed and you start to see that
• 1:08:57
  Speaker 1: there hasn't been an update with new one Piece episodisodes
• 1:09:00
  Speaker 1: in a while, check check spoil me one Piece specifically
• 1:09:07
  Speaker 1: search that and I am starting to set it up
• 1:09:11
  Speaker 1: so it may not appear right away because you have
• 1:09:13
  Speaker 1: to populate it across different podcast players, but I am
• 1:09:19
  Speaker 1: doing this because you can only have so many episodes
• 1:09:22
  Speaker 1: on a feed before the old ones begin to get
• 1:09:25
  Speaker 1: pushed off the feed. And because there are so many
• 1:09:28
  Speaker 1: episodes of one Piece, it's pushing off a lot of
• 1:09:31
  Speaker 1: things from the spoil Me feed. So I decided that
• 1:09:35
  Speaker 1: since this is going to continue on for a while.
• 1:09:37
  Speaker 1: Probably it is enough episodes to justify making a separate
• 1:09:41
  Speaker 1: feed for so those of you who are interested check
• 1:09:44
  Speaker 1: that out. All right, guys, thank you again so much.
• 1:09:48
  Speaker 1: I really really appreciate you. I hope that you have
• 1:09:51
  Speaker 1: enjoyed the coverage, and until next time to Loo motherfuckers.
• 1:10:23
  Speaker 1: That was an unspoiled network.
• 1:10:25
  Speaker 2: Pat