Latest / The Bridge by Sammy Chand / April 29, 2026

Transcript

April 29, 2026 · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and culture can be found around world.
• 0:05
  Speaker 2: We tracked down the best and present it here for
• 0:08
  Speaker 2: you on Rogasan Radio.
• 0:15
  Speaker 3: Hey, this is Jed here and you're listening to the
• 0:17
  Speaker 3: Bridge with Sammy Chunk.
• 0:19
  Speaker 2: Yeah, what's up, Gordon.
• 0:24
  Speaker 4: Morning.
• 0:26
  Speaker 2: Hope you are well wherever you may be across the world.
• 0:31
  Speaker 2: My name is Sammy John and welcome everybody to a Wednesday,
• 0:36
  Speaker 2: April twenty ninth edition of The Bridge. God morning, Hope
• 0:44
  Speaker 2: you guys are well. Got a superb our plan for
• 0:48
  Speaker 2: you today. I'm gonna have some of my friends dot
• 0:53
  Speaker 2: buy as we do every Wednesday on this show. I'm
• 0:57
  Speaker 2: always joined on Wednesday by my buddy who is the
• 1:01
  Speaker 2: host of the show called No Gurbani. Mister Batya sab
• 1:06
  Speaker 2: breaks down the Gurbani world, as we say, very knowledgeable
• 1:13
  Speaker 2: and does an amazing job of connecting it really does.
• 1:17
  Speaker 2: Shout out to mister ro Batya. We'll be joined today
• 1:23
  Speaker 2: by e e the first is his name, and he
• 1:29
  Speaker 2: hosts a show right after me called The E Square Show,
• 1:34
  Speaker 2: and he has been really laying it on thick for
• 1:37
  Speaker 2: all the people that were involved in that hole palm
• 1:40
  Speaker 2: me on fiasco that went down at the knagarkitin out
• 1:45
  Speaker 2: in Vancouver, caught the headlines, of course, of the sick
• 1:50
  Speaker 2: community worldwide, and it's been much Ado, it really has.
• 1:57
  Speaker 2: And he will stop by just to chit chat with me,
• 2:00
  Speaker 2: see what's going on out there in the scene. This
• 2:03
  Speaker 2: show follows me every morning on the show. Got some
• 2:09
  Speaker 2: great music for you. And one thing I've noticed about
• 2:13
  Speaker 2: the great music happening out there is that the album
• 2:19
  Speaker 2: is still working. The body of work is still a thing.
• 2:25
  Speaker 2: There's a concept to it, and I think it needs
• 2:28
  Speaker 2: to be celebrated. But most importantly, it should also be
• 2:32
  Speaker 2: pointed out that the big artist is still putting out
• 2:34
  Speaker 2: EPs and albums, and you hear artists out there say no,
• 2:39
  Speaker 2: it's about singles. I don't know about that. We're gonna
• 2:44
  Speaker 2: start it off with this song called Aroma from the
• 2:47
  Speaker 2: album of the Week, Til Jeep and True School.
• 3:02
  Speaker 5: A Pianni Bardi Yah, good bye, try the trap.
• 3:08
  Speaker 6: You mean that.
• 3:11
  Speaker 4: You have to operate?
• 3:13
  Speaker 7: Can you turn?
• 3:15
  Speaker 8: I don't, Dad, I have to corporate? Can you can?
• 3:19
  Speaker 7: You don't.
• 3:21
  Speaker 6: Have to coporate.
• 3:31
  Speaker 8: The track?
• 3:34
  Speaker 2: I'll lack the a Lissa.
• 3:35
  Speaker 5: Hu Cana all abord, the candy cut out, I'm Dada'll
• 3:42
  Speaker 5: give me.
• 3:43
  Speaker 9: What my.
• 3:45
  Speaker 6: Oh, then you care about to pay something that getta
• 3:51
  Speaker 6: try to trap? You mean to perate? Call you can Canada?
• 3:56
  Speaker 6: I don't, daddy, I'm to corporate.
• 3:59
  Speaker 8: Can you tang.
• 4:02
  Speaker 10: To trap?
• 4:06
  Speaker 2: The cat?
• 4:11
  Speaker 6: My trap back.
• 4:26
  Speaker 2: An tank along with body Boody Jack and yeah, let
• 4:30
  Speaker 2: to give me.
• 4:30
  Speaker 11: The pack by y'all.
• 4:31
  Speaker 5: I'm just come around back yet? Do I tell you
• 4:39
  Speaker 5: prod you got out on your.
• 4:44
  Speaker 7: Track?
• 4:46
  Speaker 6: The track to corporate?
• 4:48
  Speaker 8: Tell you do.
• 4:51
  Speaker 2: Turn?
• 4:52
  Speaker 7: Don't old want to corporate? Tell you t.
• 5:22
  Speaker 2: The album is called the Call of Punjab as we
• 5:25
  Speaker 2: honor the album here today and still the album or
• 5:30
  Speaker 2: the EP, whatever you want to call it, still means
• 5:33
  Speaker 2: so much to not only the artist, but also to
• 5:37
  Speaker 2: the overall narrative that an artist is putting out. One
• 5:40
  Speaker 2: of the things that I think dil G did on
• 5:42
  Speaker 2: that Call of Punjab album is he took his sound
• 5:45
  Speaker 2: back to a very traditional place that he had not
• 5:47
  Speaker 2: done so in a while. He's dropping like disco beats
• 5:51
  Speaker 2: and stuff like that before. So this is great. It's
• 5:54
  Speaker 2: great to see dil Git work with a producer on
• 5:57
  Speaker 2: an entire album together. Give you another reason as to
• 6:01
  Speaker 2: why an album is so powerful. This is from chapter
• 6:04
  Speaker 2: four shops, play.
• 6:06
  Speaker 12: Again down the condy there Jack Harley, a friendly bark
• 6:18
  Speaker 12: back over a company a company please?
• 6:25
  Speaker 10: No why.
• 6:29
  Speaker 12: Like God dampening go bad? You pooka knocking up a
• 6:34
  Speaker 12: buck in a bagony, I'm gonna pay lock it up.
• 6:37
  Speaker 6: They can age room.
• 6:39
  Speaker 11: Damn Jack.
• 6:44
  Speaker 12: A big Bret, big fla David.
• 6:54
  Speaker 6: Hardy and a man a.
• 7:11
  Speaker 12: Tabactually that could be guitar. No, no, that could be
• 7:19
  Speaker 12: wait nor again now the ham.
• 7:27
  Speaker 8: There go jump friendly bucket.
• 7:53
  Speaker 2: Yeah. This this approach is a little bit different on
• 7:55
  Speaker 2: this album. The album called Chapter four four songs should
• 7:59
  Speaker 2: uses four different producers, but it's about his narrative and
• 8:02
  Speaker 2: it's about his story of him reaching his fourth body
• 8:06
  Speaker 2: of work. So there's that. Here's that. Molch you're sor reveal.
• 8:13
  Speaker 13: You're here, but your eyes on the sea, your body
• 8:22
  Speaker 13: from my Yeah.
• 8:24
  Speaker 14: You plickas with love. Yeah, you plickings with love until
• 8:29
  Speaker 14: it's God. You never get to know, You never get
• 8:35
  Speaker 14: to know for what you want. I'm must looking at
• 8:39
  Speaker 14: your side, please face to face with your lips and
• 8:43
  Speaker 14: mike kind of legs on.
• 8:45
  Speaker 15: The pilcase sidewise said, or not with your love lane
• 8:50
  Speaker 15: lect to.
• 8:51
  Speaker 16: My I'm must looking at you sideways sideways sideways.
• 8:59
  Speaker 7: I'mos looking to silence sidewise.
• 9:03
  Speaker 4: Yeah, still must be up.
• 9:09
  Speaker 8: To truse me off like you do.
• 9:13
  Speaker 6: They dangle your words like diamond.
• 9:16
  Speaker 8: They got me good.
• 9:17
  Speaker 4: Eyes hit you. Yeah.
• 9:20
  Speaker 14: You blackis will love. Yeah, your blacks will love to
• 9:25
  Speaker 14: feel it's gone. You never get now, you never getting
• 9:31
  Speaker 14: now do what you are.
• 9:34
  Speaker 15: I'm must looking at your side, please face to face.
• 9:38
  Speaker 6: With your lips some mire and a Lexi lookcase.
• 9:42
  Speaker 15: Sidewise playing long with your long line lets.
• 9:47
  Speaker 16: To my almost looking at you sidwise sidewise sideways. Amos
• 9:55
  Speaker 16: looking at your silence sidwise.
• 9:59
  Speaker 6: Yeah, it has been a watch you and it has
• 10:07
  Speaker 6: been a watch you, sir.
• 10:09
  Speaker 7: Had a lord.
• 10:11
  Speaker 15: It's going on bad, but I just want to stay side.
• 10:16
  Speaker 15: I must look into your side. Where's face the face
• 10:20
  Speaker 15: while your lips a Mike had alex on the pillow
• 10:23
  Speaker 15: case sidwise lead enough with your love line.
• 10:28
  Speaker 16: Legs tomorrow Harmos looking legend sidewise sideways sid see homis
• 10:37
  Speaker 16: looking at you sidewise sidwise.
• 10:41
  Speaker 17: Yeah, I was.
• 10:44
  Speaker 18: Looking at you said please face the face while the lips.
• 10:49
  Speaker 15: A mike and a Lexi sufcase sidewise.
• 10:54
  Speaker 6: Enough with the love line next to mow hamas.
• 10:58
  Speaker 4: Seeking rich.
• 11:01
  Speaker 2: The song called Sideways. And of course Zen's dealing with
• 11:07
  Speaker 2: some publicity out there, and there's been some reports as
• 11:09
  Speaker 2: to him being hospitalized, but we're not sure about that yet,
• 11:13
  Speaker 2: but we know that there's been reports of Zen Malik
• 11:17
  Speaker 2: Lewis Tomlinson box out Let's just call It in which
• 11:21
  Speaker 2: Louis Tomlinson was injured. So I don't know what happened there,
• 11:23
  Speaker 2: but nevertheless, he just put out a Zen Malic just
• 11:27
  Speaker 2: put out a brand new album called Conna Call, so
• 11:29
  Speaker 2: go check that out. Here's doctor Roy for you.
• 11:32
  Speaker 19: Hey, guys, this is doctor Roy with today's Word on
• 11:34
  Speaker 19: the Avenue. In film and TV News, FTII student Maher
• 11:39
  Speaker 19: Malhotra has turned her personal struggles into powerful storytelling with
• 11:43
  Speaker 19: Herpinjabi short film but Dundee, selected for the prestigious Lesson
• 11:49
  Speaker 19: f selection at the cann Film Festival twenty twenty six.
• 11:52
  Speaker 19: Inspired by her own journey with mental health, the film
• 11:55
  Speaker 19: shines a light on the realities of insomnia, depression, and
• 11:58
  Speaker 19: the pressures of the entertainment industry. In media news histories
• 12:04
  Speaker 19: in the making as Shaara Khan and the Golgada Night
• 12:07
  Speaker 19: Writers Family gear up for a new chapter with cricket's
• 12:09
  Speaker 19: return at the Los Angeles twenty twenty eight Olympics, with
• 12:14
  Speaker 19: dreams of a dedicated stadium and global spotlight. This moment
• 12:17
  Speaker 19: marks a proud milestone for fans as the sports steps
• 12:21
  Speaker 19: into the Olympic stage with a new stadium being built
• 12:23
  Speaker 19: right here in Pomona, California.
• 12:26
  Speaker 10: In event news.
• 12:27
  Speaker 19: More than a century after his iconic Sisters and Brothers
• 12:30
  Speaker 19: of America address at the World's Parliament of Religions eighteen
• 12:34
  Speaker 19: ninety three, Shi Swami Viveka and then the continues to
• 12:37
  Speaker 19: inspire globally. On April eleven, twenty twenty six, his first
• 12:41
  Speaker 19: life size statue in a US city was unveiled at
• 12:43
  Speaker 19: Westlake Square, symbolizing enduring ideals of unity, acceptance, and cultural
• 12:48
  Speaker 19: connection in Chicago and the world. That's it for today's
• 12:52
  Speaker 19: word on the Avenue.
• 12:53
  Speaker 6: Until next time.
• 12:54
  Speaker 2: Thank you very much, doctor Roy. Thanks for the word
• 12:58
  Speaker 2: on the Avenue there. Today's episode is an interesting one.
• 13:02
  Speaker 2: It's about albums and the importance of the album. Still
• 13:05
  Speaker 2: to this day, one of the places that Indian music
• 13:08
  Speaker 2: has been deeply rooted in the concept of an album
• 13:12
  Speaker 2: has been the soundtrack it's where they have done it
• 13:15
  Speaker 2: so well. However, over the years that is even fragmented
• 13:19
  Speaker 2: to a certain extent. This Durunder soundtrack kind of brings
• 13:23
  Speaker 2: it all back together again. Here's the song firs from
• 13:27
  Speaker 2: Arijit and shushwat.
• 13:30
  Speaker 10: Do do not.
• 13:39
  Speaker 20: But yeahd s marky many right, yeah, don't say.
• 14:06
  Speaker 21: Johnny gus person and a body some jetam room a
• 14:15
  Speaker 21: cortom do rm on every person, a nobody some jam
• 14:24
  Speaker 21: room her haltom do he normony person and a body some.
• 14:31
  Speaker 8: Jam from the cartom.
• 14:36
  Speaker 21: I'm on every person a nobody some jam room her
• 14:43
  Speaker 21: cortom do he rm on.
• 14:46
  Speaker 7: Ep some h man this name and you go jeep her.
• 16:03
  Speaker 22: Characterary byta already Ahitar goingbo very dotc sigta, there is
• 16:16
  Speaker 22: Eva going.
• 16:20
  Speaker 7: Juice her.
• 16:24
  Speaker 8: Man job do not tardy.
• 16:30
  Speaker 23: Simmothy may Bahami so John not ta.
• 16:38
  Speaker 8: A Sami.
• 16:43
  Speaker 4: There are.
• 16:48
  Speaker 6: Uh go.
• 16:52
  Speaker 8: You somn.
• 16:57
  Speaker 13: The homy.
• 17:02
  Speaker 6: The hen so oh God.
• 17:10
  Speaker 24: Joy GOSSI person and I'm party something jam from my heart,
• 17:19
  Speaker 24: im normOn Everson and I'm.
• 17:24
  Speaker 7: Patty something jit.
• 17:27
  Speaker 23: From my cartom do he not money person and I'm.
• 17:33
  Speaker 8: Party something Ja.
• 17:37
  Speaker 21: From the cartomrmone Everson and imbody something jit.
• 17:46
  Speaker 8: From the cartom do the money.
• 18:37
  Speaker 23: She said, VEDI some jet term, some fomipson a noved
• 18:50
  Speaker 23: some jit term.
• 18:53
  Speaker 2: It's one of those songs. I have a hard time
• 18:54
  Speaker 2: finding someplace to fade out at remarkable work. And I
• 18:59
  Speaker 2: think we're gonna remember that song for a very long time.
• 19:02
  Speaker 2: The song is called fifth. What did you saying? What
• 19:06
  Speaker 2: such Dave? Here's raps para.
• 19:08
  Speaker 25: Out but jack Yard, there are.
• 19:18
  Speaker 6: White l Jr.
• 19:23
  Speaker 8: They are Johnny Kamer, doctor Many.
• 19:26
  Speaker 26: I came up the actor.
• 19:30
  Speaker 8: At the day name that said, that's the name that
• 19:38
  Speaker 8: the pachas.
• 19:49
  Speaker 25: Also can joy even.
• 19:59
  Speaker 6: We had a can the.
• 20:03
  Speaker 10: Ad.
• 20:04
  Speaker 25: Guys they are big with get headed by loving down.
• 20:11
  Speaker 2: He ja down yeah.
• 20:16
  Speaker 8: And address us and I can.
• 20:24
  Speaker 10: Ru n b I.
• 20:36
  Speaker 25: How they are to fun not only by m d A,
• 20:39
  Speaker 25: but they are the rude I know. And he's an
• 20:41
  Speaker 25: ode that stucking down.
• 20:43
  Speaker 8: I will.
• 20:45
  Speaker 25: Did your PC and it's all you said, manality can again.
• 20:49
  Speaker 27: He is very la.
• 20:53
  Speaker 25: The garage d and his other the carriage rackety a party.
• 21:24
  Speaker 2: AKA that's the raf Sapara from his album called Venoms two.
• 21:30
  Speaker 2: Great stuff there and of course he just sold out
• 21:33
  Speaker 2: Los Angeles here over the weekend. What a great job
• 21:36
  Speaker 2: there from raf Sepera. This next song I'm about to
• 21:40
  Speaker 2: play for you really captures the essence of an album
• 21:43
  Speaker 2: well because it captures almost somebody's trip to India, the
• 21:47
  Speaker 2: whole thing, if you will. And he put the songs
• 21:51
  Speaker 2: together for an album called Play. His name is Dad.
• 21:53
  Speaker 2: Sharon you glue.
• 21:57
  Speaker 4: You call her in frague. Lie you can't help but
• 22:02
  Speaker 4: shine shine, no.
• 22:05
  Speaker 6: No, you carry the world on your back.
• 22:11
  Speaker 28: Look at you tonight, the lights, your face, your aunt
• 22:19
  Speaker 28: exploding like fire would say the sky, step up.
• 22:25
  Speaker 24: To your body.
• 22:26
  Speaker 6: You put your numb don't you win the body?
• 22:29
  Speaker 29: I can do this, Abby Tooby danced until the morning,
• 22:31
  Speaker 29: Go the baby bon sleep, Tell me um jump to
• 22:34
  Speaker 29: sit down a body again, tell your body you put
• 22:37
  Speaker 29: your own be. Don't you win the body? I can
• 22:39
  Speaker 29: do this Abby good be danced until the morning. Go
• 22:41
  Speaker 29: the baby boo sleep, Tell me jump jump to sit
• 22:44
  Speaker 29: downy body again?
• 22:45
  Speaker 8: Under the.
• 22:48
  Speaker 6: Look Mary, Mama, look do you go to No? Liza?
• 22:56
  Speaker 5: Does Anna.
• 22:58
  Speaker 30: That houck man No corner You're not to mis Pena
• 23:03
  Speaker 30: and the barge party again.
• 23:06
  Speaker 6: He calling Jack.
• 23:09
  Speaker 8: Jaan today.
• 23:13
  Speaker 7: Said Jack.
• 23:15
  Speaker 6: Shut you about you any push on me?
• 23:18
  Speaker 14: Don't you and the party I can do this, Hobbey,
• 23:20
  Speaker 14: can you began to do the bonny go to the baby?
• 23:22
  Speaker 8: Won't sleep?
• 23:23
  Speaker 6: Um Ummadi, Bobby Gay talk your body, Bud.
• 23:27
  Speaker 17: You pushing on me, but you.
• 23:29
  Speaker 6: Know the party have to do this. Hobby will be
• 23:31
  Speaker 6: there to do the morning on the baby. Go sleep up.
• 23:36
  Speaker 4: Only.
• 23:37
  Speaker 30: I am in a hat chard m jamaky and I'm
• 23:42
  Speaker 30: not going to be light and then you boy, I'm
• 23:47
  Speaker 30: the child a pie.
• 23:49
  Speaker 8: But let us get in our warm group. But your
• 23:53
  Speaker 8: guy more anybody.
• 23:55
  Speaker 31: John, get the day hunga.
• 23:59
  Speaker 8: Let your back.
• 24:00
  Speaker 29: Dude on the computer. I havnt internet out. Push it off,
• 24:09
  Speaker 29: don't you, buddy.
• 24:10
  Speaker 8: I can do this all week. Give me.
• 24:11
  Speaker 6: That's a good morning. Don't sleep, that's good morning.
• 24:23
  Speaker 29: Sleep just stuh sep, we's good morning.
• 24:32
  Speaker 6: Can you say sleep stump?
• 24:42
  Speaker 2: What a great music session that must have been Ed
• 24:46
  Speaker 2: Cheeran sing two of the best in the world working
• 24:50
  Speaker 2: on a song together like that one. It's called Sapphire.
• 24:53
  Speaker 2: It did not disappoint. It was part of Ed Sheeran's
• 24:56
  Speaker 2: EP called play Just capsuled all of that cheer and
• 25:00
  Speaker 2: travels to India in one body of work. It was great.
• 25:05
  Speaker 2: A man, a.
• 25:08
  Speaker 8: Man who Charlie Deeper on there do what the.
• 25:15
  Speaker 7: On the vale.
• 25:18
  Speaker 8: The le bon Jouai. They came out.
• 25:30
  Speaker 32: To monkeys al Namachi namajik the Namaji Namaji, Namaji.
• 25:57
  Speaker 8: Charley on the phone a card.
• 26:00
  Speaker 33: It's all Amura, but declared that to be the Monday.
• 26:06
  Speaker 7: Can the nberd abate it?
• 26:07
  Speaker 8: Can they marsele sat Marcella.
• 26:11
  Speaker 33: Ra party, the nasal do the movie Ai Jordan Kisa
• 26:20
  Speaker 33: de jaseb on the garbage at the ending game, Namadija
• 26:25
  Speaker 33: Taka they keep her.
• 26:29
  Speaker 32: Namadi Taga, the r a bove, Namadi Kai, Namadi Jakaka They.
• 26:45
  Speaker 2: Namaja Peter Loon. It was the album of the year
• 26:57
  Speaker 2: here on the Bridge in two thousand and twenty four.
• 27:03
  Speaker 2: Great stuff, fantastic body of work, one of our favorites.
• 27:09
  Speaker 2: This is from the album Goat Guru Jima Wai. The
• 27:13
  Speaker 2: song is called Vancouver.
• 27:28
  Speaker 6: Is Islati.
• 27:34
  Speaker 34: But the LITTERRANDI Maga Standia.
• 27:42
  Speaker 35: Mirki who Hawaii bank Saraja you money ahead and the
• 28:05
  Speaker 35: shy good deal.
• 28:06
  Speaker 4: Pep and.
• 28:08
  Speaker 34: Jim didn't here, So my house thinking numbers.
• 28:15
  Speaker 11: Diss ye say saying, Amy, are you Monday?
• 28:18
  Speaker 6: On them? Able look at it for game?
• 28:21
  Speaker 11: Pull it over the lamp on the game on location,
• 28:26
  Speaker 11: whom we can may be the valery we can make
• 28:29
  Speaker 11: your salary with toy come what can we be.
• 28:31
  Speaker 34: With the gallery name and gory head my god, you
• 28:36
  Speaker 34: here here Mari dam Gry whom talking?
• 28:38
  Speaker 6: He do you single?
• 28:40
  Speaker 8: Now?
• 28:41
  Speaker 34: The fucking Friday Honda, Lady you in he GiB hasn't
• 28:46
  Speaker 34: a game in repair? The motimate the la shas Dody, Honabody,
• 28:53
  Speaker 34: you don't care, Okay, your luck, your him you know?
• 29:00
  Speaker 6: Can you carry you get better? House of he Van Gouber.
• 29:41
  Speaker 7: Love.
• 29:41
  Speaker 2: The song it's from the album Goat as we pay
• 29:45
  Speaker 2: honor and homage to the album the EP the importance
• 29:49
  Speaker 2: of it in the industry. This is Manny, Sando and Soka.
• 29:53
  Speaker 2: The song is called.
• 30:00
  Speaker 8: De laya know who go on? Does you know? Lady?
• 30:07
  Speaker 8: So lady John David long Cass.
• 30:16
  Speaker 36: You go.
• 30:18
  Speaker 26: So characters can trust John Davids.
• 30:38
  Speaker 8: Jason, but not to dil the fire by. They telled.
• 30:47
  Speaker 26: Park Jodoah the dog the dog. John David told us
• 31:00
  Speaker 26: the concus you'll go burntlay the Ama hung.
• 31:04
  Speaker 7: The character So.
• 31:08
  Speaker 8: John Gage David too long.
• 31:10
  Speaker 2: Did Cris.
• 31:22
  Speaker 4: Look the.
• 31:24
  Speaker 26: Loot the dia legally gebland us. They targate him and
• 31:30
  Speaker 26: did a kid a connaic? They have to sometimes to
• 31:39
  Speaker 26: be a mad.
• 31:43
  Speaker 8: George Gage, David.
• 31:45
  Speaker 26: Told cross Hood conduct Cassang, you're go targlaying the Umar
• 31:50
  Speaker 26: jhas hung the characters So characters John John Gage David
• 31:56
  Speaker 26: too long, did Kurta.
• 31:59
  Speaker 2: It's the body of work called Rumor has it? So
• 32:03
  Speaker 2: Cup getting together with Manny Sandhu for a song called
• 32:06
  Speaker 2: the Bang and folks, let's bring in our own DJ
• 32:10
  Speaker 2: geet to this episode. Who's got Today's song of the
• 32:14
  Speaker 2: week for you? What's up? Dj geat Hey Sanley?
• 32:18
  Speaker 37: So this week I went with the song Wow from
• 32:21
  Speaker 37: the new movie Henjeaw Honny the Ishkonahe and it comes
• 32:26
  Speaker 37: out me twenty second and honestly, I'm loving it. Dunchbuckshee
• 32:31
  Speaker 37: the composer, he put this together so well, and I
• 32:34
  Speaker 37: mean this guy is Bollywood worlty. At this point, you
• 32:38
  Speaker 37: also have Hardy Sandhu and get In Badua on the vocals,
• 32:41
  Speaker 37: and they make such a good pair. Their voices are
• 32:45
  Speaker 37: so balanced, and the song itself balances fusion of South
• 32:48
  Speaker 37: Asian beats and electronic music. It definitely makes you want
• 32:53
  Speaker 37: to put your dancing shoes on. You know something I
• 32:56
  Speaker 37: love about New South Asian music specifically, is that they're
• 33:00
  Speaker 37: becoming very diverse in the areas of music such as
• 33:03
  Speaker 37: fusion of Latin beats and afrobeats and electronic beats.
• 33:07
  Speaker 4: So let me know what you think.
• 33:09
  Speaker 37: Back to you, Sammy, thank you so much.
• 33:11
  Speaker 2: DJ gets here's the track for you.
• 33:13
  Speaker 1: Greed Haney Spurney, can the more honey there a holy
• 33:43
  Speaker 1: holy LaCour Heillo to.
• 33:47
  Speaker 7: Milan, come on.
• 33:57
  Speaker 8: One more? Needed the talk again?
• 34:01
  Speaker 5: The native vow, Italian Cardi Battalion the dark car.
• 34:07
  Speaker 6: Cut today, worth to any goods?
• 34:11
  Speaker 5: I couldn't stay luck a cart good till any He's
• 34:17
  Speaker 5: a top top model, clip the reporter.
• 34:22
  Speaker 8: But just you should.
• 34:24
  Speaker 2: Luck Pa colas the.
• 34:31
  Speaker 7: Tomato, I should.
• 34:35
  Speaker 8: Talk again the native vow.
• 34:37
  Speaker 6: One more mead the talk again?
• 34:40
  Speaker 8: Then ady?
• 34:41
  Speaker 10: Wow, okay be meady? Should I be very real?
• 34:59
  Speaker 2: Case shout out to d J get there. The song
• 35:47
  Speaker 2: is called Wow, brand new film music by and Folks.
• 35:53
  Speaker 2: Now let's turn it over to the man himself that
• 35:56
  Speaker 2: appeared at Jimmy Fallon on Monday night.
• 35:58
  Speaker 8: Laudy Pa, did you got to say?
• 36:22
  Speaker 5: Oh that costy leader, I'll see cutire lookada, Oh the
• 36:27
  Speaker 5: curty leader.
• 36:29
  Speaker 2: I'll see cristire.
• 36:30
  Speaker 5: La kada pordy not to port the kay leggy. How
• 36:33
  Speaker 5: sad that dumba pordy not to put the kay leggy?
• 36:37
  Speaker 5: How sad you come to the car?
• 36:57
  Speaker 7: Oh they but.
• 37:00
  Speaker 2: I think, guy, you gotta are easy. Oh they.
• 37:06
  Speaker 5: I think, guy, you gotta seem leg o. Thenna just
• 37:11
  Speaker 5: sugin are easy? Oh running har letter, Oh runny har letter.
• 37:16
  Speaker 5: I'm goin, say le basa goody Lord the porter kay
• 37:20
  Speaker 5: Lagg's counter thea goorry Lord the porter kay Laggy, I'll
• 37:26
  Speaker 5: sam to the car.
• 37:49
  Speaker 6: What God to your dorm?
• 37:52
  Speaker 2: Bye paggy glassy.
• 37:56
  Speaker 5: Hocty your dorm, Bye baggy glad head.
• 38:00
  Speaker 18: See on ya you avy cut the hair, I cut
• 38:03
  Speaker 18: the lassie.
• 38:05
  Speaker 6: Not his up be a piana, not a hiss up be.
• 38:08
  Speaker 2: A kiana water good?
• 38:12
  Speaker 8: You got the port the kale leggy.
• 38:13
  Speaker 6: What's not.
• 38:16
  Speaker 8: Por he got to port the leggy ay by? He
• 38:44
  Speaker 8: sat a p kai.
• 38:49
  Speaker 2: Y by, he sat a pair kay the not be
• 38:55
  Speaker 2: a booney like in a Caiana.
• 39:00
  Speaker 6: Read them.
• 39:17
  Speaker 38: Through school and Liljit collaboration called truck and taking us
• 39:21
  Speaker 38: back to the base, back to basics album from a
• 39:24
  Speaker 38: number of years ago, And folks, as we are talking
• 39:26
  Speaker 38: about this big topic on our episode today.
• 39:29
  Speaker 2: It is the actual institution of the EP in the
• 39:33
  Speaker 2: album and how it's not disappearing from the periphery of
• 39:37
  Speaker 2: the music industry. In fact, the most successful artist is
• 39:40
  Speaker 2: still employing it. What do you think? What's up? Welcome
• 39:43
  Speaker 2: to the show.
• 39:44
  Speaker 10: What you know?
• 39:45
  Speaker 9: I feel like in the hip hop world, the album
• 39:48
  Speaker 9: has died, like that's something that's very regularly spoken about.
• 39:53
  Speaker 9: But I think in the Punjabi world it's funny because
• 39:56
  Speaker 9: it's almost like a reverse model. Where coming up in
• 39:59
  Speaker 9: the twenty ten and there was a lot of singles, yeah,
• 40:02
  Speaker 9: and the album wasn't like a big big deal like
• 40:06
  Speaker 9: of course Bubumano drop albums and you know Bill Vita
• 40:09
  Speaker 9: Songs had like albums. But like I remember, there was
• 40:12
  Speaker 9: a slew of singles from a lot of artists. But
• 40:15
  Speaker 9: now it's like the art of the album, right, you know,
• 40:18
  Speaker 9: Ap Carnage, Bill Jet, of course Grinder Gill, Like everyone's
• 40:24
  Speaker 9: now like getting into the album world.
• 40:27
  Speaker 2: And I think.
• 40:29
  Speaker 9: It's a lost art for sure for like hip hop,
• 40:32
  Speaker 9: but it's like now being discovered in our arena in
• 40:34
  Speaker 9: the Punjabi South Asian music world, where it's it's like
• 40:40
  Speaker 9: can you craft an experience for your fans. Yeah, and
• 40:45
  Speaker 9: I think that's something that we are now seeing for sure.
• 40:48
  Speaker 2: Yeah, I would like to see more out of the album.
• 40:52
  Speaker 2: Even though a lot of the Punjabi artists and Indian
• 40:54
  Speaker 2: artists are kind of you know, adopting the model of
• 40:57
  Speaker 2: the album and putting out you know, four to ten
• 41:00
  Speaker 2: songs out at a time, all four to eight nine
• 41:02
  Speaker 2: songs out at a time, I still feel that there's
• 41:05
  Speaker 2: something missing here. And the thing that I feel that
• 41:07
  Speaker 2: they're missing is this effect of a body of work
• 41:11
  Speaker 2: being themed in some sort of way, that there is
• 41:14
  Speaker 2: some sort of story or an arc to it or whatever.
• 41:16
  Speaker 2: Right now, I still feel that, you know, these artists
• 41:19
  Speaker 2: are slapping an album cover together, calling it something cool,
• 41:22
  Speaker 2: and then just congregating a few songs in there together
• 41:25
  Speaker 2: and calling it an album. I'm not sure if that's
• 41:28
  Speaker 2: the true spirit of the collection of work or what.
• 41:30
  Speaker 31: Yeah.
• 41:31
  Speaker 9: No, there's no like EBB and Full, like we haven't
• 41:33
  Speaker 9: hit that stride of like concept album, Like we're not
• 41:36
  Speaker 9: even there yet where you know, like like again, like
• 41:39
  Speaker 9: hip hop has had the blueprint, which is why I've
• 41:41
  Speaker 9: said on the show my show, which is like you know,
• 41:44
  Speaker 9: they're copying hip hop and every other regard except crafting
• 41:47
  Speaker 9: amazing album. But in the last ten years, no offense
• 41:50
  Speaker 9: to anybody, but there hasn't been a single album that
• 41:53
  Speaker 9: was like whoa front to back or just like a
• 41:56
  Speaker 9: very like it was a moment in time. The only
• 41:58
  Speaker 9: one I can kind of think of was the PBX
• 42:02
  Speaker 9: one Vice to Do. I feel like there's so much
• 42:05
  Speaker 9: like a buzz around that because he was on a
• 42:07
  Speaker 9: hot streak and then some of those singles were leaking
• 42:11
  Speaker 9: and the whole deal with T series became like a thing,
• 42:14
  Speaker 9: and PBX one came out, a lot of people were
• 42:17
  Speaker 9: listening to it like he did it really like, you know,
• 42:21
  Speaker 9: in that hip hop fashion. But again that that album
• 42:25
  Speaker 9: just again, just no one has dropped that classic album
• 42:28
  Speaker 9: with everyone from jub world. It's just like, holy have
• 42:30
  Speaker 9: you heard this? Like it has the singles, it has
• 42:33
  Speaker 9: the b sides, like people are just falling in love
• 42:36
  Speaker 9: with it. It's more so and I think this is
• 42:38
  Speaker 9: just the consumer mind has changed in general, where it's
• 42:42
  Speaker 9: about singles, you know, and then people slap on forty
• 42:47
  Speaker 9: tracks on their album just so that they could do
• 42:49
  Speaker 9: the stream thing. So I mean, yeah, it's a it's
• 42:53
  Speaker 9: an art, right, like when we did Surrey Side Sippin
• 42:56
  Speaker 9: it was it was like an art to it. And
• 42:59
  Speaker 9: I mean for mixtape at that time, for how it's
• 43:03
  Speaker 9: a mixtape that you would get confused.
• 43:04
  Speaker 17: That this is an album.
• 43:05
  Speaker 9: I guess it was clearly because again there's a lot
• 43:08
  Speaker 9: that goes into it, right, the ebbs and flows, the
• 43:10
  Speaker 9: energy how you start right, skits or interludes, and then
• 43:14
  Speaker 9: the storyline or like the B side, the and and
• 43:18
  Speaker 9: really the part about the album is supposed to a
• 43:21
  Speaker 9: body of work that tells us about you the artists. Yeah,
• 43:24
  Speaker 9: not that the collection of songs like co just the
• 43:26
  Speaker 9: singles put together right, and that's I think, Well a
• 43:29
  Speaker 9: lot of these got are missing out on correct.
• 43:32
  Speaker 2: I feel that's that's the case. There is really not
• 43:35
  Speaker 2: much you know, in fact, if anything, this latest album
• 43:39
  Speaker 2: by the True School was about the thematic as a
• 43:44
  Speaker 2: project has gotten it in a while, just because the
• 43:46
  Speaker 2: production of True School being so distinct, right or you know,
• 43:49
  Speaker 2: but just projects like this, right when you get one
• 43:52
  Speaker 2: producer together with one artist and they get together and
• 43:55
  Speaker 2: they do the whole project together, you know, Ikey and
• 43:57
  Speaker 2: gut and being another one to me that's the closest
• 44:00
  Speaker 2: we've seen. But I think there's still another step to
• 44:03
  Speaker 2: be taken, e And I hope the Pinzelbi music in
• 44:05
  Speaker 2: Indian music makes that step.
• 44:07
  Speaker 9: And I can agree. I think yeah, again, like there's
• 44:10
  Speaker 9: another step to be taking, another move to be made
• 44:13
  Speaker 9: that we won't know until Again, it's just gonna be.
• 44:17
  Speaker 9: It's just going to be the right type of team
• 44:19
  Speaker 9: in place, right. You hear those stories like Doctor Dre
• 44:21
  Speaker 9: or The Riza or whatever when they make albums like
• 44:23
  Speaker 9: they just have. There's a lot of right people in
• 44:26
  Speaker 9: the right place, in the right rooms.
• 44:28
  Speaker 2: Yeah, at one Yeah, And that's part of it. It's
• 44:32
  Speaker 2: the consistency of the people that are curating the project
• 44:35
  Speaker 2: or overseeing it and they leave the footprint on it.
• 44:38
  Speaker 2: And I think that's really part of it missing. And again,
• 44:41
  Speaker 2: we can go into the actual, you know, the finer
• 44:45
  Speaker 2: details of the music industry and start talking about the
• 44:47
  Speaker 2: lack of infrastructure around the A and R and the
• 44:49
  Speaker 2: lack of infrastructure around the artist ecosystem of that nature
• 44:53
  Speaker 2: of putting projects and curating things. But we'll save that
• 44:56
  Speaker 2: for another day. E Yes, sir, we will great hanging
• 45:01
  Speaker 2: out with you, my man, You too, have a blessed day.
• 45:04
  Speaker 9: Unto all the listeners tuning in, Yeah.
• 45:07
  Speaker 2: Thanks so much. We'll hang out after the show and
• 45:10
  Speaker 2: check out your show. Looking forward to it.
• 45:12
  Speaker 9: All right, sounds good, brother, All right.
• 45:14
  Speaker 2: Here's job. The body as sad.
• 45:25
  Speaker 36: Let instead up up Salmond Start.
• 45:54
  Speaker 4: Joe shows Josh from the tsar.
• 46:06
  Speaker 17: All audio, the other as m Adikaa ham Samakazi Agazi.
• 46:23
  Speaker 27: Adira Akashi said go to them dalam Adam Bella to
• 46:34
  Speaker 27: the team and joy look big zillah Mela.
• 46:49
  Speaker 7: Shaw haside.
• 46:56
  Speaker 27: Si f f.
• 47:02
  Speaker 4: Shove me Doty's eyes about God. Let me visit the
• 47:12
  Speaker 4: stuff can't open my father John Shaw and Dukie does love?
• 47:23
  Speaker 4: Do they think that they.
• 47:25
  Speaker 17: Got off.
• 48:02
  Speaker 4: God?
• 48:04
  Speaker 39: KOI monkey do Sajodakaki ki Ya kissi Kika like a
• 48:14
  Speaker 39: group of Joe to Jika the by Johnny cake too.
• 48:23
  Speaker 16: Manyakay let Jacky.
• 48:31
  Speaker 7: Got Maria Mole has.
• 48:37
  Speaker 4: Cook God.
• 48:41
  Speaker 8: Call a honey, Hey boy.
• 48:45
  Speaker 18: He looka ho kis Nagana.
• 48:52
  Speaker 4: His stand off show that des eyes.
• 49:03
  Speaker 2: Who diser?
• 49:21
  Speaker 17: Can I say I'm mad?
• 49:27
  Speaker 18: Hurry again jell so you can remember who decided?
• 49:42
  Speaker 8: Can it?
• 49:46
  Speaker 7: Can it?
• 49:50
  Speaker 34: Does it on?
• 49:51
  Speaker 9: And just say it?
• 49:55
  Speaker 37: But the.
• 49:58
  Speaker 6: Log a.
• 50:18
  Speaker 2: John Devadi is the artist. This song is called Istra.
• 50:23
  Speaker 2: That's a really good album. By the way, if you
• 50:26
  Speaker 2: have not heard job Devadi's album, that is a body
• 50:29
  Speaker 2: of work that I'm talking about that you need to
• 50:31
  Speaker 2: go check out. Okay, So the album, the artist's name
• 50:34
  Speaker 2: is job Devadi. Okay. So now that you've got that down,
• 50:37
  Speaker 2: the album is an EP called Baravana. Go check it out.
• 50:41
  Speaker 2: Here's Rihanna for you with today's news.
• 50:44
  Speaker 40: Here everyone, this is random with the news. Well nowaday
• 50:46
  Speaker 40: Aspara rising on ROKOS Avenue Radio. You're home away from home.
• 50:49
  Speaker 40: Midweek we pivot to ambition and mobility. NASA and ISRO
• 50:53
  Speaker 40: officials have announced expanded cooperation in satellite technology and lunar
• 50:56
  Speaker 40: research missions. India Space Program continues to gain global credit
• 51:00
  Speaker 40: ability after recent success launches and lunar exploration milestones for
• 51:03
  Speaker 40: South Asian youth in STEM. This is symbolic power representation
• 51:07
  Speaker 40: at the highest levels of scientific exploration. Education analysts report
• 51:11
  Speaker 40: a shift in international student destinations, with Germany, Australia and
• 51:14
  Speaker 40: parts of Asia seeing increased interest compared to traditional hubs.
• 51:17
  Speaker 40: Indian students remain the largest outbound student population in the world.
• 51:21
  Speaker 40: Where students go today ship's migration patterns tomorrow. Space expiation
• 51:25
  Speaker 40: reflects confidence, student mobility, reflex aspiration. South Asia continues to
• 51:29
  Speaker 40: rise in both areas, but tell us your thoughts follow
• 51:32
  Speaker 40: at Rexaveny Radio. This is Random with the news every
• 51:34
  Speaker 40: Monday for Jersey and iHeartRadio and Rexsavanerradio dot Com. See
• 51:38
  Speaker 40: you guys tomorrow.
• 51:38
  Speaker 2: Thank you so much for that. Rihanna, We'll see you tomorrow.
• 51:42
  Speaker 2: Talking about albums today on this show, we've been showcasing
• 51:47
  Speaker 2: some great work, a lot of it of course coming
• 51:50
  Speaker 2: from bodies of work, and one of the producers that's
• 51:54
  Speaker 2: really been driving Pulvinder Sound is a producer by the
• 51:57
  Speaker 2: name of NDS. Here's Duta Dasgupta.
• 52:00
  Speaker 7: Thanks Sammy.
• 52:01
  Speaker 41: Hey everyone, this is Irokasavenue Radio music correspondent back with
• 52:05
  Speaker 41: some fun facts about your favorite artists. Let's talk about Ndias,
• 52:09
  Speaker 41: the beat maker quietly redefining Punjabi R and B. He's
• 52:13
  Speaker 41: the main architect band Tholwin. There's debut album Misfit, a
• 52:16
  Speaker 41: thirteen track journey produced entirely by NDS. That's right, one producer,
• 52:21
  Speaker 41: one vibe, one cohesive world. Fast forward to twenty twenty
• 52:25
  Speaker 41: five and Ndias is still in the studio Magic Zone
• 52:28
  Speaker 41: Enter has seen a lush R and B track feature
• 52:31
  Speaker 41: Ripe Grow all the shows just how far he's pushing genre.
• 52:34
  Speaker 41: And let's not forget Punji, the recent release Bettlwinder and NDS.
• 52:39
  Speaker 41: If you're vibing on music that's melodic yet experimental, expressive
• 52:43
  Speaker 41: yet grounded, you need to check out NDS. He doesn't
• 52:47
  Speaker 41: just create beats, he crafts emotions. Well that's all for me.
• 52:51
  Speaker 41: Now back to you, Sammy, thank you Doita.
• 52:53
  Speaker 2: This song is called tunnel Vision. It's from the album
• 52:56
  Speaker 2: Misfit NBS and Telvinder.
• 53:14
  Speaker 42: Yeah, Joy telling him all then in the Joys only
• 53:22
  Speaker 42: hold in there this sorry John John in the Doctor
• 53:26
  Speaker 42: they are John.
• 53:30
  Speaker 8: Only gain get then.
• 53:32
  Speaker 6: Holdyponing Gay Jog.
• 53:34
  Speaker 42: You don't kid that good? Go it Dony whatever sooner
• 53:39
  Speaker 42: Johnny u jod the kid don't put it?
• 53:43
  Speaker 4: Do you?
• 53:44
  Speaker 6: Kato the cone dam.
• 53:48
  Speaker 42: Bab you'll know there the honey, what's all about the images?
• 53:55
  Speaker 8: Are they?
• 53:56
  Speaker 6: Kiss ub.
• 54:17
  Speaker 3: It's done in Couja nikoja blini coja right on mything.
• 54:27
  Speaker 3: He called Yong Suppanton butcher suppantoon, but younger.
• 54:37
  Speaker 6: Holy call it, he said, don't yonder.
• 54:44
  Speaker 7: The kid Jog but then your.
• 54:49
  Speaker 42: Holly, which is this the kids Abo day? Roder it
• 55:20
  Speaker 42: you tave all they should to the jab to the
• 55:25
  Speaker 42: rider rod It you tave all the should to? Jo said,
• 55:35
  Speaker 42: did they know ordinate devolition?
• 55:37
  Speaker 8: Shanter?
• 55:38
  Speaker 6: Bouna? Did they know ordinate defolition?
• 55:47
  Speaker 8: Chanter?
• 55:49
  Speaker 42: Now with your punja soon John, you're a kid?
• 55:59
  Speaker 6: Look get.
• 56:10
  Speaker 4: It?
• 56:10
  Speaker 6: Just didn't it?
• 56:33
  Speaker 2: Great song? One of my favorites there from Tilvender. It
• 56:36
  Speaker 2: was one of our top songs of the year in
• 56:38
  Speaker 2: twenty twenty four. The song is called tunnel Vision. It's
• 56:41
  Speaker 2: from the album called Misfit Svender And yes, you know
• 56:47
  Speaker 2: the algorithm wanted us to forget how to sit with
• 56:51
  Speaker 2: twelve songs in a row, Njabi music didn't. The reason
• 56:55
  Speaker 2: these artists are building real narrative weight should Chapter by
• 57:00
  Speaker 2: after the Project by Project Ap with his brown Print
• 57:04
  Speaker 2: album is because they trusted the audience could still hold
• 57:08
  Speaker 2: the body of work to its head. The most rebellious
• 57:11
  Speaker 2: thing in twenty twenty six music is to drop ten
• 57:14
  Speaker 2: songs at once and ask people to listen to them
• 57:17
  Speaker 2: in order that algorithm gives you reach. The album gives
• 57:21
  Speaker 2: you weight, job picked weight. That's why Punjabi music is
• 57:26
  Speaker 2: succeeding today. This song right here is my last of
• 57:30
  Speaker 2: the day. It's benjab bimc. The song is called jat
• 57:35
  Speaker 2: Togia Should I Be and it's from one of my
• 57:36
  Speaker 2: favorite favorite albums called Legalized. Have a great Day, Everybody,
• 57:41
  Speaker 2: I'll see you tomorrow.
• 58:01
  Speaker 6: Woulda thinking it?
• 58:02
  Speaker 36: Gip?
• 58:02
  Speaker 2: Why didn't do a.
• 58:05
  Speaker 10: Wood?
• 58:05
  Speaker 31: Thinking it?
• 58:06
  Speaker 35: Jiplia wool pink jip?
• 58:30
  Speaker 31: Where are you saying?
• 58:39
  Speaker 6: Okay dhalla? Do my tymp mine?
• 58:43
  Speaker 7: Not you boy?
• 58:47
  Speaker 31: Mine, not you boy not? I said, mother, don't want
• 59:11
  Speaker 31: to funk man?
• 59:13
  Speaker 6: Yanna thought it?
• 59:14
  Speaker 31: They do the car man ya about it? Many yare
• 59:21
  Speaker 31: about it?
• 59:42
  Speaker 6: Money don't I do? Don't you say no mine? Do
• 59:46
  Speaker 6: you take your hand?
• 59:47
  Speaker 10: No?
• 59:47
  Speaker 2: He might say, But I get done?
• 59:51
  Speaker 7: O got it?
• 59:52
  Speaker 6: Marry nothing?
• 59:55
  Speaker 34: They about money, got a man