Latest / 70 80 / SETTANTAxOTTANTA: Anni 60-70. Le targhette della Banda Bassotti. Cosa stava dietro alle varie combinazioni del numero 176

Transcript

SETTANTAxOTTANTA: Anni 60-70. Le targhette della Banda Bassotti. Cosa stava dietro alle varie combinazioni del numero 176 · 70 80

• 0:00
  What's up, fools? Main event Jey Uso here from
• 0:02
  the WWE. When it's just me between matches, it's
• 0:05
  day one -ish. And that means it's Chumba time.
• 0:07
  With hundreds of casino -style games and new
• 0:10
  titles arriving weekly, there's always something
• 0:12
  fresh to try at Chumba Casino. The daily booths
• 0:15
  make it even more fun. And have me about to get
• 0:17
  them all during my downtime. Ready for a fun
• 0:20
  way to chill out and enjoy a few minutes for
• 0:22
  yourself? Less Chumb! No purchase necessary.
• 0:25
  VGW Group. Voidware prohibited by law. CTS &Cs.
• 0:27
  21+. Sponsored by Chumba Casino. This is Mike
• 0:31
  Bolo of Lexicon Valley. And I'm Bob Garfield.
• 0:34
  Are you one of those people who sometimes uses
• 0:36
  words? Do you communicate or acquire information
• 0:40
  with, you know, language? Hey, us too! So, join
• 0:46
  us on Lexicon Valley to chew over the history,
• 0:48
  culture, and many mysteries of English. Plus...
• 0:53
  Find us on one of those apps where people listen
• 0:57
  to podcasts. Benvenuti a 70x80, la rubrica di
• 1:09
  7080 .it dedicata all 'approfondimento dei temi
• 1:12
  trattati negli articoli del portale. Siamo con
• 1:14
  il direttore Massimo Lualdi che introduce l 'argomento
• 1:17
  odierno. Di cosa parliamo oggi? Di fumetti. Anthropomorphic
• 1:21
  dogs with an insatiable thirst for wealth that
• 1:23
  pushes them to repeatedly try to steal paparondi
• 1:26
  and paparons, the members of the Bassotti gang
• 1:28
  are characterized, in addition to a variable
• 1:31
  number never defined, by almost always red shirts
• 1:34
  with targets of the prison numbering, often the
• 1:37
  result of the combination of the same value,
• 1:39
  176, which in the decades has generated the most
• 1:42
  curious theories. Let's see. The Bassotti gang
• 1:45
  debuts in 1951 in the story of Paperino and the
• 1:48
  Bassotti gang. pubblicata sul numero 134 di Walt
• 1:52
  Disney's Comics and Stories. Dobbiamo andarcene
• 1:55
  da qui! Dobbiamo andarcene da qui! Voglio andare
• 2:02
  a mangiare un hamburger e una ciambella polpotale!
• 2:16
  Carl Barks, the father of the Disney Puppets,
• 2:20
  conceives them as a group of thieves determined
• 2:22
  to sack the deposit of Uncle Pepper. Barks describes
• 2:26
  them as goofy characters that, although menacing,
• 2:29
  are often more comical than really dangerous.
• 2:32
  Their representation is As simple as it is effective.
• 2:36
  Red suits, blue pants with berets, black masks
• 2:38
  on the eyes, white gloves, long beard and a badge
• 2:41
  with the number of prison registration. Distinctive
• 2:44
  element and immediately recognizable. One of
• 2:45
  the most intriguing aspects of the Bassotti band
• 2:47
  is the numbering of the badges that each member
• 2:50
  carries on his chest. The apparently marginal
• 2:52
  detail has stimulated the curiosity of fans who
• 2:54
  have studied for decades. The badges follow almost
• 2:56
  always the model 176, where the last three digits
• 3:00
  vary in a quasi -casual way. For example... Among
• 3:03
  the most recurring numbers we find 176 -176,
• 3:07
  176 -671 and 176 -761. This numerical scheme
• 3:13
  has become a trademark of the band and has generated
• 3:15
  numerous theories among the readers. But why
• 3:18
  176? According to some interpretations, Barks
• 3:22
  would have chosen this number by chance, while
• 3:24
  other theories suggest that it may have a hidden
• 3:27
  meaning, perhaps linked to the number of a prison
• 3:30
  cell or to a significant date. What are you doing?
• 3:40
  You don't know what this girl is! Another interesting
• 3:49
  detail concerns the variation of the last three
• 3:52
  figures. In many stories, the Bassotti are represented
• 3:55
  as interchangeable members of a large criminal
• 3:57
  family. The variation of the figures could therefore
• 4:00
  symbolize their individual diversity while maintaining
• 4:03
  a collective identity. The number of members
• 4:06
  of the Bassotti gang is not fixed and varies
• 4:08
  depending on the story and the author. The first
• 4:11
  series of Barks, the group is composed of three
• 4:13
  main members, but in other versions, such as
• 4:16
  that of Don Rosa, the Bassotti are represented
• 4:18
  as an extended family that includes seven brothers
• 4:21
  or cousins. This flexibility has allowed the
• 4:23
  authors to adapt the band to the narrative needs
• 4:26
  of each story. In some of the Italian ones, for
• 4:29
  example, the Bassotti have been represented as
• 4:32
  a real clan with dozens of members, each with
• 4:35
  a unique numerical target. The solution has allowed
• 4:38
  to create comical and intriguing situations.
• 4:40
  in which the identity of the various members
• 4:42
  becomes a central element of the plot. Despite
• 5:01
  their apparent uniformity, the Basots are characterized
• 5:04
  by distinctive personal traits. Some members
• 5:07
  stand out for their intelligence, others for
• 5:10
  their cunningness or for their temperament. However,
• 5:13
  they are united by a deep loyalty towards the
• 5:16
  group and by an indelible determination to pursue
• 5:19
  their criminal goals, even if they fail on time.
• 5:24
  Their leader, often identified with the number
• 5:26
  176 -176, is generally represented as the most
• 5:31
  cunning of the group, even if not immune to errors.
• 5:34
  The character acts as a reference point for the
• 5:36
  rest of the band and guides the most complex
• 5:39
  operations, often devising ingenious plans to
• 5:41
  penetrate the deposit of Paperone. Bassotti lives
• 5:44
  in modest conditions on the outskirts of Paperopoli,
• 5:47
  in a wooden shack, in a roulotte. This detail
• 5:50
  emphasizes the contrast between their life and
• 5:53
  the opulent wealth of Paperone, underlining their
• 5:55
  desire for economic redemption through crime.
• 5:58
  The Bassotti band Thank you to the director of
• 6:24
  7080 .it, Massimo Lualdi, for having dealt with
• 6:28
  the topic. Hey, it's Cole Swindell. After I give
• 6:42
  everything I've got to land a perfect vocal,
• 6:44
  I usually take five before jumping into the next
• 6:47
  track. And I've learned exactly how to recharge
• 6:49
  in that time. Some folks grab coffee. I hit a
• 6:52
  quick good luck spin. Next thing you know, the
• 6:55
  break is just as fun as laying down the track.
• 6:57
  A better break makes for a better take. Need
• 7:00
  a break? Less Chumba. No purchase necessary.
• 7:03
  BGW Group. Void where prohibited by law. 21 plus
• 7:06
  TNC supply. Sponsored by Chumba Casino. Hi, this
• 7:10
  is Alex Kantrowitz. I'm the host of Big Technology
• 7:12
  Podcast, a longtime reporter and an on -air contributor
• 7:15
  to CNBC. And if you're like me, you're trying
• 7:18
  to figure out how artificial intelligence is
• 7:20
  changing the business world and our lives. So
• 7:23
  each week on Big Technology, I bring on key actors
• 7:26
  from companies building AI tech and outsiders
• 7:28
  trying to influence it. Asking where this is
• 7:31
  all going, they come from places like NVIDIA,
• 7:33
  Microsoft, Amazon, and plenty more. So if you
• 7:36
  want to be smart with your wallet, your career
• 7:38
  choices, in meetings with your colleagues, and
• 7:40
  at dinner parties, listen to Big Technology Podcast
• 7:42
  wherever you get your podcasts.