Latest / Fake Doctors, Real Friends with Zach and Donald / Real Friends Classic -104: My Old Lady with Sarah Chalke

Transcript

Real Friends Classic -104: My Old Lady with Sarah Chalke · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Donald. I'm very excited today.
• 0:01
  Speaker 2: I'm very excited today too.
• 0:03
  Speaker 3: Listen, man, hold on, before we get it started and
• 0:05
  Speaker 3: before we get into this. I'm so happy with all
• 0:07
  Speaker 3: of the press that we're getting and all of the
• 0:10
  Speaker 3: people that are listening.
• 0:11
  Speaker 2: To us and stuff.
• 0:12
  Speaker 1: Thank you for listeners of tuning in.
• 0:13
  Speaker 2: This is really amazing.
• 0:14
  Speaker 1: We certainly weren't expecting it to We just did press
• 0:17
  Speaker 1: to Australia. We certainly weren't expecting this kind of reaction.
• 0:21
  Speaker 2: Not at all.
• 0:22
  Speaker 3: And I did some press for Emergence today and they
• 0:25
  Speaker 3: wanted to talk about the podcast. Yes, and it was
• 0:28
  Speaker 3: overseas though like in the UK and stuff. I guess
• 0:31
  Speaker 3: are we playing in the UK?
• 0:32
  Speaker 2: Is this true?
• 0:33
  Speaker 1: All over the globe? You can listen to this In
• 0:35
  Speaker 1: Stad you can listen.
• 0:37
  Speaker 2: Can you really listen to it?
• 0:38
  Speaker 1: And stod Yes, if you have a computer you can
• 0:41
  Speaker 1: listen to us.
• 0:42
  Speaker 3: As long as you have iHeart. Wherever you get your podcasts,
• 0:45
  Speaker 3: you can hear us. A very sponsor our plug is iHeart,
• 0:48
  Speaker 3: so big shout out to iHeart.
• 0:50
  Speaker 1: I don't have it. We don't have a sponsor yet
• 0:51
  Speaker 1: really yet we will, I guess. But I just want
• 0:54
  Speaker 1: to say that Red Bull if you want to sponsor us,
• 0:56
  Speaker 1: you should, because I just drank a full one and
• 0:58
  Speaker 1: I am so hyped up right now. I'm so thrilled
• 1:02
  Speaker 1: about our guest.
• 1:03
  Speaker 2: So am I I'm very excited about who we have
• 1:05
  Speaker 2: on the show.
• 1:06
  Speaker 1: But first we should sing, Donald, let's.
• 1:07
  Speaker 2: Get into it, bosh six seven stories.
• 1:11
  Speaker 4: I'm that show we made about a bunch of dogs
• 1:15
  Speaker 4: and nurses.
• 1:18
  Speaker 2: Here's the stories natural, so.
• 1:23
  Speaker 1: YadA, YadA, all right now. You might know her as
• 1:35
  Speaker 1: America's favorite Canadian. You might know her as second Becky.
• 1:41
  Speaker 1: You might know her as the beautiful blonde that starred
• 1:45
  Speaker 1: on the show Scrubs for many years. Go ahead, Donald,
• 1:48
  Speaker 1: do you do the intro?
• 1:49
  Speaker 2: Ladies and gentlemen, boys and girls, cats, dogs, whatever you
• 1:53
  Speaker 2: may be, Please welcome to the show. The one and only.
• 1:58
  Speaker 1: Sarah Shaw Sarah Hi, Hi, Sara. Don't worry. We'll add
• 2:04
  Speaker 1: thunderous applause.
• 2:05
  Speaker 2: It'll sound like you walked into a stadium.
• 2:08
  Speaker 1: Yeah, Dan, can you add thunderous applause? Thank you all
• 2:11
  Speaker 1: right here, Sarah chalk Hi, Sarah.
• 2:13
  Speaker 5: I even didn't know where to talk because I didn't
• 2:15
  Speaker 5: hear the thunder supplies. I thought maybe I was just
• 2:17
  Speaker 5: getting a glitch in these fancy headphones. Can I see
• 2:21
  Speaker 5: you guys? Like, right now, I'm staring at the garage
• 2:23
  Speaker 5: band screen? Can I make it small so I can
• 2:25
  Speaker 5: see you guys.
• 2:26
  Speaker 2: You got to do is click back on zoom.
• 2:28
  Speaker 5: So so Dan, can I make Can I hit the
• 2:30
  Speaker 5: yellow button and make garage bands small?
• 2:32
  Speaker 2: I'm just gonna put it out there. You ruined our introduction.
• 2:35
  Speaker 1: No, I don't want to edit it out. Dan, listen. No,
• 2:42
  Speaker 1: now that Sarah's ruined the magic, I want the fans
• 2:45
  Speaker 1: to know that we've been on We've been on zoom
• 2:47
  Speaker 1: for a half hour. While Sarah was getting technical supported.
• 2:51
  Speaker 1: Sarah literally had Sarah had a technical intervention with our editor.
• 2:56
  Speaker 1: She was like, how do you start your laptop?
• 2:59
  Speaker 5: And yet I've still I felt I've never felt more
• 3:01
  Speaker 5: proud are you than I do in this moment, because okay,
• 3:04
  Speaker 5: I just want to successfully. Jean Michelle is gonna edit
• 3:06
  Speaker 5: this out. Just give me one second. I'm gonna hit
• 3:08
  Speaker 5: the yellow button in the corner, Dan and minimize garage
• 3:11
  Speaker 5: band so I can see Zach and Donald.
• 3:13
  Speaker 1: I do it.
• 3:13
  Speaker 2: Just do it. You don't even have to ask.
• 3:15
  Speaker 1: I'm worried that Sarah's gonna call Dan for other technical
• 3:18
  Speaker 1: help in her life. She's gonna be like, hey Dan,
• 3:20
  Speaker 1: I'm wi FI signal.
• 3:26
  Speaker 5: I have dan Zy mail.
• 3:30
  Speaker 1: Special.
• 3:31
  Speaker 2: How are you, Sarah?
• 3:33
  Speaker 5: I'm good, guys. I miss you. I miss you, and
• 3:35
  Speaker 5: now seeing you on this zoom is making me miss
• 3:37
  Speaker 5: you more weird.
• 3:39
  Speaker 1: Where are you quarantining in Canada? I imagine, so I'm quarantining.
• 3:43
  Speaker 5: I'm quarantining Canada. My sister and I have decided to
• 3:46
  Speaker 5: quarantine our families together, so we have communally six children,
• 3:51
  Speaker 5: three dogs, and a cat.
• 3:52
  Speaker 4: Wow.
• 3:53
  Speaker 2: Wow, How are you doing school? How's school going?
• 3:56
  Speaker 5: School is interesting? School is basic. We have children between
• 4:01
  Speaker 5: the ages of three and sixteen, so we'd only have
• 4:05
  Speaker 5: so many screens and so much bandwidth to attend different
• 4:08
  Speaker 5: online classes. So we've been kind of doing some of
• 4:10
  Speaker 5: that and then some group classes. My sister is a lawyer,
• 4:14
  Speaker 5: so she's teaching law, so like really right things like,
• 4:17
  Speaker 5: you know, lessons on the Rights of the Child, the
• 4:20
  Speaker 5: United Nations Convention on the Rights of the Child. Next
• 4:22
  Speaker 5: week's the Constitution, and I do equally important things like
• 4:25
  Speaker 5: give them cartoons sides and they audition for cartoons.
• 4:31
  Speaker 1: You could give them a scene from Rick and Morty
• 4:33
  Speaker 1: and you guys could all play parts.
• 4:35
  Speaker 5: We have actually we've done we've done some cartoons. We
• 4:39
  Speaker 5: haven't reached Rick and Morty yet because that's not appropriate
• 4:41
  Speaker 5: for the four year old, right and as it's sort
• 4:45
  Speaker 5: of you know, tight quarters, we haven't gotten there yet.
• 4:48
  Speaker 5: But yeah, it's it's pretty nuts. I mean, we're all
• 4:51
  Speaker 5: quarantined together. I'm the designated grocery shopper, probably because of
• 4:54
  Speaker 5: all my OCD tendencies. So I feel like that's the
• 4:59
  Speaker 5: most harrowing experience in my life right now, which is, uh,
• 5:04
  Speaker 5: you know, I go to the grocery store. I have
• 5:06
  Speaker 5: my own you know, version of Ppe, which is like
• 5:09
  Speaker 5: rating the drama eight prop spin. So I have like
• 5:12
  Speaker 5: a tuk and sunglasses and I, you know, just put
• 5:15
  Speaker 5: my hoodie up and gloves on.
• 5:19
  Speaker 1: For you Canadians, is a hat?
• 5:21
  Speaker 5: It's a hat.
• 5:21
  Speaker 2: Yes, I I'm gonna say.
• 5:23
  Speaker 1: What is the Sara? If you wouldn't mind translating your
• 5:28
  Speaker 1: canadianisms as we go through the podcast. There are some
• 5:32
  Speaker 1: non Canadians listening listen.
• 5:34
  Speaker 5: Yes, the main the main ones really are to Garbrator,
• 5:38
  Speaker 5: Parkade and Seawalls.
• 5:41
  Speaker 1: What's a Garbarerator?
• 5:42
  Speaker 6: Oh?
• 5:42
  Speaker 1: The garbage disposal.
• 5:43
  Speaker 5: The garbage disposal got it, yeah, which happened to be
• 5:46
  Speaker 5: the first thing that broke when I went when I
• 5:47
  Speaker 5: came to Los Angeles and the landlord did not understand me.
• 5:50
  Speaker 1: At a park is a parkade a parking parking structure.
• 5:55
  Speaker 5: Your Canadians is doing very well. You've been studying.
• 5:58
  Speaker 1: I'm just guessing. I'm playing a game called guest the
• 6:00
  Speaker 1: Canadian expression. Are there any other.
• 6:03
  Speaker 5: Parcade? Seawall?
• 6:07
  Speaker 1: What's a seawall? The obvious? And then you have that
• 6:13
  Speaker 1: thing with the gravy and fries. What's that called? But
• 6:16
  Speaker 1: that's maybe the temine Okay, I know about poutine.
• 6:21
  Speaker 5: Yeah, it's the gravy and the cheese curds on top
• 6:24
  Speaker 5: of the of the fries.
• 6:25
  Speaker 1: It's just fries, but they take great pride in it
• 6:28
  Speaker 1: in Canada.
• 6:30
  Speaker 5: How is your guys quarantine going?
• 6:31
  Speaker 2: Oh it's amazing that Sorry, how much time do you spend?
• 6:39
  Speaker 1: Donald out in that closet. Donald tells his family that
• 6:44
  Speaker 1: he's recording the podcast. Donald's family thinks he records the
• 6:47
  Speaker 1: podcast every day and he's in the closet. But meanwhile,
• 6:50
  Speaker 1: we do it a week.
• 6:51
  Speaker 2: Yeah.
• 6:51
  Speaker 3: My wife keeps asking, like, yo, how come, when is
• 6:54
  Speaker 3: the next episode coming out?
• 6:55
  Speaker 2: You record so many of them, You're banking soon.
• 7:00
  Speaker 1: Things that Donald records, like four podcasts a day in there.
• 7:04
  Speaker 2: Well, I definitely do a lot of press. I'll be like,
• 7:06
  Speaker 2: I'm doing so much press right now.
• 7:08
  Speaker 1: You should set up you should set up your your
• 7:10
  Speaker 1: your PlayStation in there. Donald.
• 7:12
  Speaker 2: I just don't know how I get the TV in here.
• 7:13
  Speaker 2: That's the problem.
• 7:14
  Speaker 5: Dan Danos, Dan Danos.
• 7:17
  Speaker 2: He knows Dan could hook it up.
• 7:19
  Speaker 5: Dann do it Dan really quickly. It says, Zoom would
• 7:22
  Speaker 5: like to record the computer screen. Grant access to this
• 7:25
  Speaker 5: application in security privacy preferences.
• 7:28
  Speaker 2: No, no, no, no, no, you don't want to record this, Sarah.
• 7:31
  Speaker 1: Dan is out, He's not He's not there for your
• 7:34
  Speaker 1: technical needs.
• 7:36
  Speaker 2: Okay, so let's get into it.
• 7:38
  Speaker 1: Let's get in the wait. Before we get into the episode, Sarah,
• 7:40
  Speaker 1: Donald and I have done this a few episodes now,
• 7:43
  Speaker 1: and now that we have you, we wanted to ask
• 7:46
  Speaker 1: you tell us about your casting process because as I remember,
• 7:52
  Speaker 1: you were coming off of Roseam, you were doing that
• 7:55
  Speaker 1: particularly unique thing where you had replaced the Becky that
• 7:59
  Speaker 1: was years before.
• 7:59
  Speaker 5: It wasn't yeah, it was I was like seventeen eighteen,
• 8:02
  Speaker 5: nineteen twenty when that happened.
• 8:04
  Speaker 2: So four years before.
• 8:05
  Speaker 1: And uh. And by the way, I was thinking as
• 8:07
  Speaker 1: as I was preparing for this, because Sarah, I do
• 8:08
  Speaker 1: a lot of research. I get really into this now.
• 8:10
  Speaker 1: By the way, I found for you Scrubs fans out
• 8:12
  Speaker 1: there and for us, I found a website called Scrubs
• 8:15
  Speaker 1: Wiki wiki where it has like everything you ever want
• 8:18
  Speaker 1: to know about Scrubs. Like I'm like, literally, whoever made that?
• 8:20
  Speaker 2: Well, it doesn't have everything.
• 8:21
  Speaker 1: It doesn't have us, No, it doesn't have us, but
• 8:23
  Speaker 1: it has a lot of It has a lot of
• 8:25
  Speaker 1: insightful information.
• 8:26
  Speaker 3: And I feel like I feel like they should not
• 8:28
  Speaker 3: go to wiki Scrubs Wiki.
• 8:30
  Speaker 1: Yeah, but it has like it literally has like these
• 8:32
  Speaker 1: are the fantasies in the episode. These are the girls
• 8:34
  Speaker 1: name JD was called these are It's like all break
• 8:36
  Speaker 1: broken down. Someone put a lot of work into it.
• 8:38
  Speaker 1: Donal give them a shout out.
• 8:39
  Speaker 3: Shout out to you for putting all that work in.
• 8:42
  Speaker 3: But we got it from here.
• 8:43
  Speaker 1: Oh my god, Donald's jealous. All right, listen, Donald, you guys.
• 8:48
  Speaker 1: Before I was thinking about Sarah and I was saying,
• 8:50
  Speaker 1: is there another example other than Roseanne where they just
• 8:54
  Speaker 1: replaced the actress and had them play the same character.
• 8:58
  Speaker 1: And I she witched witched and was he still? Was
• 9:01
  Speaker 1: he just a different Darren?
• 9:03
  Speaker 5: Yeah? I think they just flipped him out, flipped him out.
• 9:06
  Speaker 1: Tell just briefly about that, because I thought it's a
• 9:08
  Speaker 1: very unique thing, and you've told me and Donald and
• 9:10
  Speaker 1: I just wanted if you could just talk about what
• 9:12
  Speaker 1: that was like really quickly because I think it's so interesting.
• 9:15
  Speaker 5: Yeah. I mean, I was sixteen when I auditioned, and
• 9:19
  Speaker 5: it was Glenn Quinn, the guy who played my husband Mark.
• 9:23
  Speaker 5: The audition was with him and he just made out
• 9:25
  Speaker 5: with seven girls. We were all dressed exactly the same
• 9:28
  Speaker 5: and matching pink shirts, and the whole scene was this
• 9:30
  Speaker 5: like makeout scene where he's like baby baby cam here,
• 9:32
  Speaker 5: and I'm like, get a job at the gas station,
• 9:33
  Speaker 5: Get a job at the gas station. He's like baby
• 9:35
  Speaker 5: baby cam here. And it was literally like every other
• 9:38
  Speaker 5: actress that was auditioning was like twenty two living in
• 9:40
  Speaker 5: Los Angeles. I flew in, they flew me in for
• 9:43
  Speaker 5: the night to go and read, and I just remember
• 9:47
  Speaker 5: I was sixteen, he was twenty four, and just thinking
• 9:49
  Speaker 5: he is so handsome, how am I going to remember
• 9:52
  Speaker 5: one line? And they said, we'll let you know in
• 9:56
  Speaker 5: a couple of days. And then they called back and
• 9:57
  Speaker 5: they were like, Okay, come back tomorrow and read with Roseanne.
• 10:00
  Speaker 5: Then I did, and then Tom Arnold called me at
• 10:03
  Speaker 5: home a few days later, and he was trying to
• 10:06
  Speaker 5: feel out whether I was going to leave the show
• 10:08
  Speaker 5: to go to college, because I was younger then and
• 10:11
  Speaker 5: still you know, at an age where I would do that.
• 10:13
  Speaker 5: And Sarah Gilbert at the time had left to go
• 10:15
  Speaker 5: to Gaale and she was flying back to do episodes,
• 10:17
  Speaker 5: and Lacy had left to go to Vassar, and so
• 10:20
  Speaker 5: I knew right away that that's what he was asked.
• 10:23
  Speaker 5: I could tell that's what he was getting at.
• 10:25
  Speaker 1: Oh, you were probably not allowed to do that, right,
• 10:27
  Speaker 1: So he was sort of tiptoeing around.
• 10:28
  Speaker 3: Right, baby, don't you call what happened?
• 10:34
  Speaker 5: Probably yes? So then I said I was like, no, no, college, gross,
• 10:37
  Speaker 5: absolutely not. And I knew I would go to college,
• 10:39
  Speaker 5: but it was the rosi Ane was a big opportunity
• 10:40
  Speaker 5: for me, and I knew.
• 10:41
  Speaker 1: That, you knew you weren't going to lose the job
• 10:43
  Speaker 1: over it, So you're like college college bombit?
• 10:46
  Speaker 5: And I I just did it on the side, and
• 10:49
  Speaker 5: so so I got the job. But the craziest part
• 10:51
  Speaker 5: of the story that I actually I hadn't remembered and
• 10:53
  Speaker 5: we were talking about recently, was they called me and
• 10:56
  Speaker 5: told me I had the job. And I went to
• 10:58
  Speaker 5: a party that night. So I'm to this like little
• 11:01
  Speaker 5: high school in Canada and I get this phone call
• 11:05
  Speaker 5: that I was going to replace Becky, and I told
• 11:06
  Speaker 5: a couple people, and it spread around our high school
• 11:09
  Speaker 5: pretty fast. It sounded like a lie. I mean, it
• 11:11
  Speaker 5: doesn't like I'm going to replace Becky on the Roseanne Show.
• 11:13
  Speaker 5: The Roseann Show was the number one show at the time.
• 11:15
  Speaker 5: It sounded fake. And then I get a call the
• 11:20
  Speaker 5: following week and it was The Roseanne Show saying, we're
• 11:21
  Speaker 5: getting cold feet about recasting Becky, so we don't know
• 11:25
  Speaker 5: if we're going to do it. So we're going to
• 11:26
  Speaker 5: hold you for four months. We're going to give you
• 11:28
  Speaker 5: ten grand to hold you. So, first of all, I'd
• 11:31
  Speaker 5: never heard of money like ten thousand dollars. I thought
• 11:33
  Speaker 5: to do nothing, like just to sit here for four
• 11:35
  Speaker 5: months while you make a decision. And then the other
• 11:37
  Speaker 5: half of me thought, like my ass is grass at
• 11:40
  Speaker 5: high school, like they're going to tell me in four
• 11:43
  Speaker 5: months if we're actually going to do this. So I
• 11:45
  Speaker 5: had to kind of wait.
• 11:46
  Speaker 1: You should have brought that money, sa, You should have
• 11:48
  Speaker 1: brought that money to school and just fanned it out.
• 11:51
  Speaker 1: They got me a hold wasn't live. For those of
• 11:55
  Speaker 1: you who don't know, this is called a holding deal.
• 11:57
  Speaker 2: Right, this is a holding feat.
• 12:01
  Speaker 1: Excuse me when I fan my face with my holding view.
• 12:07
  Speaker 5: Totally and then uh, and then I know, and by
• 12:10
  Speaker 5: the time you converted to Canadian dollars, it was obviously
• 12:12
  Speaker 5: a whole different situation. So so yes, it was a
• 12:15
  Speaker 5: crazy It was a crazy experience. I was a baby
• 12:18
  Speaker 5: and I had no idea what I was doing, and
• 12:20
  Speaker 5: I just watched like Roseanne and Lori Metcalf and Sandra
• 12:23
  Speaker 5: Bernhardt and Sarah Gilbert and John Goodman and Johnny Glecky
• 12:27
  Speaker 5: and this ridiculous list of comedians and it was kind
• 12:32
  Speaker 5: of in awe and a little bit terrified. And then
• 12:37
  Speaker 5: after two seasons, they you know, gave everybody hugs by
• 12:39
  Speaker 5: like I'll see you guys after hiatus, which is the
• 12:41
  Speaker 5: break that you take between seasons for anyone listening to
• 12:45
  Speaker 5: that weird term, and uh, then I get a phone
• 12:48
  Speaker 5: call saying Lisa's coming back to play Becky, and apparently
• 12:52
  Speaker 5: I said I want to talk to Roseanne for closure.
• 12:54
  Speaker 5: I don't remember doing that, and so I did. And
• 13:00
  Speaker 5: then and then they called me like six episodes into
• 13:04
  Speaker 5: the following season and said come back this week. Darlene's
• 13:07
  Speaker 5: getting married in an episode and can you come down
• 13:10
  Speaker 5: and be Becky? And I was like it went and
• 13:12
  Speaker 5: he said tomorrow.
• 13:13
  Speaker 1: So Lacy had just Liasy had just changed her mind
• 13:15
  Speaker 1: and she left.
• 13:16
  Speaker 5: They didn't tell me, they just said can you come
• 13:18
  Speaker 5: back tomorrow? And I said, well, I'm going to college
• 13:21
  Speaker 5: up here now and I'm doing this movie of the
• 13:26
  Speaker 5: week where John Ritter, interestingly enough, who played obviously your
• 13:29
  Speaker 5: dad on Scrubs, I was doing a TV movie with
• 13:33
  Speaker 5: him up here, and I said, so I can come on.
• 13:35
  Speaker 5: I can come on Friday night for tape night. So
• 13:37
  Speaker 5: it was the craziest day. I remember. I wrote an
• 13:39
  Speaker 5: ocean off fee exam at like six point thirty in
• 13:41
  Speaker 5: the morning, went straight into the scene with this pregnancy belly.
• 13:43
  Speaker 5: I just remember ripping the pregnancy belly off on the
• 13:45
  Speaker 5: way to the airport and got to LA and they
• 13:49
  Speaker 5: had a car waiting for me with hair and makeup
• 13:51
  Speaker 5: in the car. Oh my, I did my hair and
• 13:53
  Speaker 5: makeup on the way to the live taping, and the
• 13:55
  Speaker 5: taping had already started and I hadn't seen anyone since
• 13:57
  Speaker 5: I'd been fired, and they were like, hold these flowers,
• 14:00
  Speaker 5: say this, stand here, do this. You got to you know,
• 14:02
  Speaker 5: the point where Roseann would take questions from the audience
• 14:05
  Speaker 5: and somebody said, why do you keep switching Becky's back
• 14:07
  Speaker 5: and forth? And she was like, well, it's going to
• 14:08
  Speaker 5: be shocky from now on. And that's how I found
• 14:10
  Speaker 5: out I had the job back for the last year
• 14:12
  Speaker 5: and a half of the show.
• 14:13
  Speaker 1: Wow, that's insane. Wow, I really think, Sarah, that is
• 14:16
  Speaker 1: a that is a story that I never heard of
• 14:19
  Speaker 1: another actor having. That is just if you're if you're
• 14:22
  Speaker 1: I mean, when do you ever see or hear something
• 14:26
  Speaker 1: like that happening to an actor. That's just insane.
• 14:28
  Speaker 3: Well, we as we all know, Sarah has the craziest
• 14:30
  Speaker 3: luck in the history of like just everything happens to
• 14:34
  Speaker 3: say Sarah.
• 14:34
  Speaker 1: We touched on that a bit in an earlier episode,
• 14:36
  Speaker 1: how you would come in on Monday morning and you
• 14:39
  Speaker 1: would have a story that was like nothing else we
• 14:42
  Speaker 1: had ever heard, and it happened every week.
• 14:46
  Speaker 5: Honestly, I still feel like sometimes I need to call
• 14:48
  Speaker 5: you guys, because I'm like you, you would not believe
• 14:51
  Speaker 5: what just happened to me. Lately, it's mostly at the
• 14:53
  Speaker 5: grocery store. I mostly want to call you after I
• 14:56
  Speaker 5: leave the grocery store and be like, take a deep
• 14:58
  Speaker 5: breath and be like, Okay, so I get there, bos
• 15:01
  Speaker 5: bottomsself and all the produce drops in the main aisle
• 15:04
  Speaker 5: where everybody's standing. That's a woman behind me, costs little
• 15:07
  Speaker 5: in front of me. I mean, that is every day, right.
• 15:09
  Speaker 1: You just couldn't believe that. Every Monday morning. You would
• 15:11
  Speaker 1: be like, you are not gonna believe what happened to
• 15:14
  Speaker 1: me this weekend? And then and then we'd be like yeah, right,
• 15:18
  Speaker 1: and then it would she would go into a story
• 15:20
  Speaker 1: that was like that's the most insane thing I've ever heard.
• 15:23
  Speaker 2: That's just this weekend, right, And also it would be
• 15:25
  Speaker 2: so crazy. I'd be like, there's no way she could
• 15:27
  Speaker 2: make this shit up, No way she could make.
• 15:30
  Speaker 5: I mean, it is incredible how similar I am with Elliott.
• 15:37
  Speaker 2: Okay, well, let's talk about the audition process.
• 15:39
  Speaker 1: Yeah, talk about that's a good segue into talk about
• 15:42
  Speaker 1: getting scrubs now, because what was what was the auditioning process?
• 15:45
  Speaker 1: When I read finally came around to getting callbacks, I
• 15:48
  Speaker 1: was I was reading with you, so you were were
• 15:50
  Speaker 1: you the first person cast?
• 15:52
  Speaker 5: Donald? I were cast together? My audition process, I had
• 15:57
  Speaker 5: just moved back, like after the Roseansche, I moved back
• 15:59
  Speaker 5: to Canada for four years, and then my best friend
• 16:02
  Speaker 5: had finished film school and she wanted to produce and
• 16:06
  Speaker 5: I wanted to act, and there's you know, there was
• 16:08
  Speaker 5: just at the time not as much filming in Canada
• 16:10
  Speaker 5: as does now, and I creatively was like, Okay, I'll
• 16:14
  Speaker 5: go back and give La another try. We had a
• 16:16
  Speaker 5: we got a six month sublet and we moved down.
• 16:19
  Speaker 5: We didn't know anyone, and we never had any plans.
• 16:22
  Speaker 5: And so this one night we had plans. We were
• 16:24
  Speaker 5: going to a show and I get this. I had
• 16:26
  Speaker 5: two auditions in my you know, for the next day.
• 16:29
  Speaker 5: And normally I'm so type A I would have canceled
• 16:31
  Speaker 5: my plans and spent every second that existed between getting
• 16:34
  Speaker 5: the sides until going into the audition working on it.
• 16:38
  Speaker 5: And I was like, you know what, fuck it, I'm
• 16:39
  Speaker 5: not canceling, you know, on Gen We're going to go
• 16:41
  Speaker 5: to the show. And I got home and it was midnight,
• 16:45
  Speaker 5: and my audition was at nine am, and the other
• 16:47
  Speaker 5: audition was at noon. My Scrubs audition was at nine am,
• 16:51
  Speaker 5: and I opened the script and I started reading it,
• 16:53
  Speaker 5: and I swore every page. I was like fuck, o shit,
• 16:56
  Speaker 5: oh my god, this is so good. And every page
• 16:58
  Speaker 5: I was like, oh shit, this is like the thing
• 17:00
  Speaker 5: I've ever read. Oh fuck, I want this job so badly.
• 17:02
  Speaker 5: I want this part so bad. And so by twelve thirty,
• 17:05
  Speaker 5: I like sitting there with having read the script and
• 17:08
  Speaker 5: with these sides, and I loved the show. I loved
• 17:11
  Speaker 5: the writing. I love the part so much. So I thought, okay,
• 17:14
  Speaker 5: I'll skip the other audition. I won't read that one.
• 17:16
  Speaker 5: Whatever that is goes in the garbage. And I read
• 17:19
  Speaker 5: with Debbie and Brett, the cash In directors, at nine
• 17:22
  Speaker 5: o'clock on a Friday morning, and they said, okay, can
• 17:24
  Speaker 5: you come back at three to read with Bill.
• 17:27
  Speaker 1: That's a good sign.
• 17:29
  Speaker 5: And then one of Jen's and my very very good
• 17:33
  Speaker 5: friends husbands was in town for work and he had
• 17:37
  Speaker 5: come over to visit us, and so him and Jen
• 17:41
  Speaker 5: Aaron Brindle and Jen read the sides with me, and
• 17:45
  Speaker 5: so we just kept like running them and then I
• 17:48
  Speaker 5: went in and auditioned with Bill at three auditions were
• 17:52
  Speaker 5: like ten days later because they were still casting other
• 17:54
  Speaker 5: people to go to studio and network. So then we
• 17:57
  Speaker 5: did studio and then network. So there's four auditions and
• 18:00
  Speaker 5: I were the same thing.
• 18:01
  Speaker 2: Every too, see.
• 18:04
  Speaker 3: Sarah, because the last two auditions we were there together.
• 18:07
  Speaker 3: I remember that, and you wore the same jeans with
• 18:10
  Speaker 3: the big ass belt and it had a big belt buckle.
• 18:14
  Speaker 5: Am I right, Okay, I know the belt you're talking about. Yeah,
• 18:18
  Speaker 5: I went through a very big belt buckle collecting face.
• 18:21
  Speaker 5: So I had this old vintage leather belt and then
• 18:23
  Speaker 5: I would switch out like like an old Coca Cola
• 18:26
  Speaker 5: belt buckle or like. So I did wear not a lot,
• 18:28
  Speaker 5: but in my memory, I don't know we could both.
• 18:31
  Speaker 5: I have no idea which one of us is right.
• 18:32
  Speaker 5: But in my memory what I wore was I wore
• 18:35
  Speaker 5: black boots at the heel, black pants and a tight
• 18:38
  Speaker 5: black tank top. Because when I first moved to LA
• 18:43
  Speaker 5: and I would go on these auditions, I remember I
• 18:44
  Speaker 5: went out for an Aaron Spelling wearing these like plaid,
• 18:47
  Speaker 5: funky bell bottoms that I thought we was really cool
• 18:49
  Speaker 5: in this like vintage T shirt. And I thought that
• 18:51
  Speaker 5: I like super excited about this out. And I walked
• 18:53
  Speaker 5: in and there were ten girls and they were all
• 18:56
  Speaker 5: wearing tight black tank tops and tight black pants, and
• 18:59
  Speaker 5: I thought, Okay, so that's how you do it here,
• 19:02
  Speaker 5: got it.
• 19:03
  Speaker 3: I remember the jenes being blue. I do remember them
• 19:05
  Speaker 3: being I thought they were tight as fuck too. I
• 19:08
  Speaker 3: remember being like, yeah, Jesus tight.
• 19:12
  Speaker 2: I was the same.
• 19:13
  Speaker 1: I was the same way, not with the tight jeans,
• 19:15
  Speaker 1: but I the second I started getting callbacks, I was like,
• 19:18
  Speaker 1: I'm not washing this. I want my pheromones. I want
• 19:22
  Speaker 1: my pheromones on it. I'm not jinxing this thing. And
• 19:25
  Speaker 1: I would get like another callback and be like not
• 19:27
  Speaker 1: changing not I mean, I was just so towards the end,
• 19:31
  Speaker 1: I remember I was like doing the same thing I
• 19:33
  Speaker 1: did that when I would get up, I would sit
• 19:35
  Speaker 1: in the chair, have a coffee. I would go to
• 19:36
  Speaker 1: the treadmill do thirty minute. Like I had a whole regiment.
• 19:39
  Speaker 1: I would listen to the same few songs before I
• 19:41
  Speaker 1: went to the audition. I like had a ritual. Do
• 19:43
  Speaker 1: you remember what they were.
• 19:44
  Speaker 5: Ah, definitely Madonna.
• 19:47
  Speaker 1: One of mine was changed by Blind Melon.
• 19:50
  Speaker 5: Oh I love it does?
• 19:52
  Speaker 2: How is a melon? Blind? It doesn't make no sense.
• 19:55
  Speaker 1: Donald is the name of a very popular band. You
• 19:57
  Speaker 1: might like their music. Let's circle back to south audition process.
• 20:02
  Speaker 5: I feel like probably I'm guessing that Babies Got Back
• 20:05
  Speaker 5: was another one of the songs.
• 20:07
  Speaker 1: Oh oh wow, that really got you.
• 20:09
  Speaker 2: Do you want to tell them your Baby Got backstory?
• 20:12
  Speaker 5: Yeah?
• 20:12
  Speaker 3: I was very impressed that you knew I didn't know
• 20:14
  Speaker 3: that song as well as you knew that song.
• 20:16
  Speaker 5: For grad parent event, we had to do a talent
• 20:19
  Speaker 5: for the parents. And kids got up and played the
• 20:20
  Speaker 5: violin and the piano, and ten of my girlfriends and
• 20:22
  Speaker 5: I got up and danced and we had a whole routine.
• 20:25
  Speaker 1: The routine did is a bit It was a bit sexual.
• 20:28
  Speaker 1: I think that was kind of odd for the talent show.
• 20:30
  Speaker 2: Now they were seen yourself.
• 20:31
  Speaker 5: I think all of our parents were probably like I'd
• 20:33
  Speaker 5: asked them, I should like, what did you think when
• 20:35
  Speaker 5: your child was up there at grad parent event?
• 20:37
  Speaker 2: It seems like a very odd How old were you guys?
• 20:40
  Speaker 5: We were in grade twelve, which is Canadian.
• 20:42
  Speaker 2: Grade, right, so you're about to graduate.
• 20:45
  Speaker 1: We were in grade twelve, which is Canadian for twelfth
• 20:47
  Speaker 1: creative yep.
• 20:49
  Speaker 5: So any who sen of my songs the Holden BC
• 20:53
  Speaker 5: lot and in the quarantine cleanup, I did find my
• 20:57
  Speaker 5: sides from the auditor little visitors past. Oh I shaved
• 21:01
  Speaker 5: both of those. But I remember being in the parking
• 21:04
  Speaker 5: lot and just like seat back in the car and
• 21:07
  Speaker 5: lying there, and someone told me to do this. I've
• 21:09
  Speaker 5: never told any of this, but to visualize yourself walking
• 21:15
  Speaker 5: into the audition, visualize the whole thing playing out, and
• 21:18
  Speaker 5: visualize yourself walking out and it going really well. And
• 21:22
  Speaker 5: so I remember sitting in my car in the NBC
• 21:24
  Speaker 5: parking lot, closed my eyes, visualizing the whole thing. And
• 21:27
  Speaker 5: then and then Donald and I were in there together
• 21:30
  Speaker 5: with some other Turks and some other Elliots and some
• 21:32
  Speaker 5: other jds, and we basically all took turks going in
• 21:36
  Speaker 5: and then they came back out. And then you go
• 21:38
  Speaker 5: back in with this person and read together, and then
• 21:40
  Speaker 5: they peer you up and you read together, and it
• 21:43
  Speaker 5: was yeah, pretty in nerve racking.
• 21:44
  Speaker 3: Let me ask you a question, did you know any
• 21:47
  Speaker 3: of the young ladies that were auditioning for your role?
• 21:51
  Speaker 3: I knew both of the guys that were auditioning for Turk,
• 21:53
  Speaker 3: I knew and I not only did I know them,
• 21:56
  Speaker 3: I knew them well too, Like I hung out with
• 21:58
  Speaker 3: one of them and we used to play a lot
• 22:01
  Speaker 3: of basketball together, and then the other one we did
• 22:03
  Speaker 3: a bunch of movies together, or we did a movie together.
• 22:06
  Speaker 3: But I would see him out at the club all
• 22:07
  Speaker 3: the time.
• 22:08
  Speaker 1: Was it Denzel?
• 22:09
  Speaker 2: I wish it was Denzel. I wish I could be
• 22:11
  Speaker 2: like Denzel. I got it, Yo, d.
• 22:16
  Speaker 1: Denzel, Denzel, this one's mine.
• 22:18
  Speaker 2: I'm sorry, Sorry, buddy, you'll bounce back. Don't worry about it.
• 22:21
  Speaker 5: So was that weird to sit there with kind of
• 22:24
  Speaker 5: buddies or.
• 22:25
  Speaker 3: Yeah, you know, it was very it was very weird,
• 22:27
  Speaker 3: and it was It's also one of those things where
• 22:29
  Speaker 3: it was like, you know, if one of these guys
• 22:32
  Speaker 3: get it, I'm gonna freaking.
• 22:33
  Speaker 2: I'm gonna lose my shit, you know what I mean.
• 22:35
  Speaker 3: Like, as much as I love you guys, and as
• 22:37
  Speaker 3: much as you know I have root for you guys,
• 22:40
  Speaker 3: I want this so bad. I want this so bad
• 22:42
  Speaker 3: I could taste it. Both very successful have gone on
• 22:46
  Speaker 3: to do other things. I just really wanted Chris Turk bad.
• 22:49
  Speaker 1: Yeah, well you got it.
• 22:51
  Speaker 5: I mean, so when you're sitting in that for people
• 22:53
  Speaker 5: that are listening, when you're sitting in that position and
• 22:54
  Speaker 5: you're going to sit, you're going to network. You don't
• 22:56
  Speaker 5: have the part yet, and you sign a six year contract.
• 23:00
  Speaker 5: They call it five plus one, and I was like, well,
• 23:02
  Speaker 5: but isn't that six years?
• 23:05
  Speaker 1: That's a contract lingo for don't tell them a six years.
• 23:08
  Speaker 1: We're going to call it five plus one.
• 23:10
  Speaker 5: Yeah, five plus one. So you signed five plus one,
• 23:12
  Speaker 5: and I feel like that's always such a feeling of
• 23:16
  Speaker 5: I mean, you're twenty four and you're thinking, wow, until
• 23:18
  Speaker 5: I'm thirty, and in any other scenario that would kind
• 23:21
  Speaker 5: of take your breath away. In this case, I was
• 23:22
  Speaker 5: just like, yes, for the love of God, please a
• 23:25
  Speaker 5: hundred years of doing this, Like there was no two
• 23:28
  Speaker 5: seconds of thinking about it. Was like I'm desperate and wow,
• 23:32
  Speaker 5: if it could ever go, I would be grateful for
• 23:35
  Speaker 5: as many years as it would go for. And that
• 23:37
  Speaker 5: feeling of just complete signing that and so hopefully that
• 23:41
  Speaker 5: don't happen anyways. Then Bill called me the few yards
• 23:45
  Speaker 5: lay that date or it was the next day. It
• 23:46
  Speaker 5: was very soon after the audition was either later that
• 23:48
  Speaker 5: day or the next day, and I couldn't believe it.
• 23:51
  Speaker 5: I think we all probably after reading that script, kind
• 23:53
  Speaker 5: of felt like it was really something special and had
• 23:57
  Speaker 5: the possibility of I mean you obviously you never know,
• 24:00
  Speaker 5: but the chance to go for it writ so good.
• 24:04
  Speaker 3: As you know, Sarah, I did not read the script
• 24:06
  Speaker 3: before we shot the pilot. I didn't read the script
• 24:08
  Speaker 3: until the table read and I was like, Oh, that's
• 24:10
  Speaker 3: what happens.
• 24:11
  Speaker 2: Read dude.
• 24:14
  Speaker 3: I didn't know it was a freaking dope pilot until
• 24:16
  Speaker 3: my agent was like, Dude, this is like a really
• 24:18
  Speaker 3: big pilot.
• 24:19
  Speaker 1: I never I never knew the trivia that you didn't
• 24:22
  Speaker 1: read the script till the table read.
• 24:24
  Speaker 5: Dude, I did not know that.
• 24:25
  Speaker 3: Remember the Titans. I didn't know what happened in the
• 24:27
  Speaker 3: script until the table read. I remember we did the dude.
• 24:31
  Speaker 3: I just know, listen. I just knew only my stuff.
• 24:34
  Speaker 3: This was I was a kid, I was young.
• 24:36
  Speaker 1: Listen. There would be times when we'd be shooting scrubs
• 24:38
  Speaker 1: where you know, the whole script wasn't out yet, and
• 24:41
  Speaker 1: you know, because the writers were behind, so we would
• 24:43
  Speaker 1: we'd get scenes, but Bill would sort of explain what
• 24:45
  Speaker 1: was going on, and you know, you shoot out of order.
• 24:47
  Speaker 1: So we'd be like Monday morning, you know, time to rehearse,
• 24:50
  Speaker 1: and Donald and I are like standing on a table,
• 24:52
  Speaker 1: and he'd whisper in my amy, like, yo, yo, why
• 24:54
  Speaker 1: are we standing on a table? I had no idea
• 25:01
  Speaker 1: what was happening in the script? All right, we're going
• 25:02
  Speaker 1: to take a quick break. We'll be right back with
• 25:05
  Speaker 1: the legendary Sarah Chalker.
• 25:13
  Speaker 2: And we're back, and.
• 25:15
  Speaker 1: We're back, Sarah tell us about.
• 25:17
  Speaker 5: He just really quickly, really quickly. Before I tell you,
• 25:19
  Speaker 5: I need to tell you. My favorite example of Donald
• 25:22
  Speaker 5: not having read the scene was during the auditions in
• 25:27
  Speaker 5: the show, when you're like, I can't remember what sees,
• 25:30
  Speaker 5: but we're supposed to be auditioning, and Neil and Sam
• 25:34
  Speaker 5: Lloyd are auditioning you and like, I remember you walked
• 25:39
  Speaker 5: in and you, you know, were like, oh yeah, I
• 25:41
  Speaker 5: think I could you read the actual script? You're like,
• 25:43
  Speaker 5: I think I can you know, come up with a
• 25:45
  Speaker 5: dance for that? And you had to come up with
• 25:46
  Speaker 5: a dance and you just came up with on the spot,
• 25:48
  Speaker 5: and you're such a fucking good dancer. You came up
• 25:50
  Speaker 5: with this unbelievable dance to Poison and then like, my
• 25:54
  Speaker 5: kids are all obsessed with the fact that it's the
• 25:56
  Speaker 5: Fortnite dance now and they watch the Fortnite character do it.
• 25:59
  Speaker 5: Besides you feel and they've all tried to learn it.
• 26:02
  Speaker 5: We've tried to learn it. I can't learn it.
• 26:04
  Speaker 2: I don't think I could even do it again. Listen.
• 26:07
  Speaker 1: So I just want to say the billion off what
• 26:09
  Speaker 1: Sarah said, that's a perfect example. Sorry, Sarah, that is
• 26:11
  Speaker 1: the best example. Donald hadn't read the script and everyone
• 26:14
  Speaker 1: loves that dance. People talk about it. It's the Fortnite
• 26:16
  Speaker 1: dances everywhere. Donald literally showed up and was like, you
• 26:19
  Speaker 1: want me to do what now? And he had to
• 26:21
  Speaker 1: and he totally improvised that dance on the spot.
• 26:24
  Speaker 3: Well, there was a lot of years of of you know,
• 26:26
  Speaker 3: I was a huge New Audition fan, a huge Bell
• 26:29
  Speaker 3: Bibdavo fan. I still am a huge New Edition in
• 26:32
  Speaker 3: Bell Bibdavo fan and Bobby Brown and Ralph chans Van,
• 26:36
  Speaker 3: all of them. Anyway, I had been dancing like that
• 26:39
  Speaker 3: my whole life, pretty much since I was like and
• 26:42
  Speaker 3: since ninety two, I was doing dances like that, And
• 26:45
  Speaker 3: so when they were like we want you to dance
• 26:47
  Speaker 3: to poison. In my mind, I was like, yeah, I know,
• 26:50
  Speaker 3: I know some steps that I could do to that
• 26:52
  Speaker 3: to everybody else, because I remember I was late that day.
• 26:55
  Speaker 3: Everybody packed the room that day, and I know the
• 26:58
  Speaker 3: pressure was on me, but I was like, this is
• 27:00
  Speaker 3: this is something that I do all the time.
• 27:02
  Speaker 2: Now.
• 27:02
  Speaker 3: There are other times where I didn't prepare when we
• 27:06
  Speaker 3: were doing the show, and it cost us like hours
• 27:08
  Speaker 3: of filming.
• 27:09
  Speaker 1: Oh my god, Donald, I remember I was. I was.
• 27:12
  Speaker 1: I was directing once and Donald had a paragraph of
• 27:15
  Speaker 1: medical jargon, like a really hard a paragraph you would
• 27:18
  Speaker 1: anyone would have to practice a lot because it was
• 27:21
  Speaker 1: like fast medical jargon and like five sentences. And I
• 27:25
  Speaker 1: was directing and just Donald could not get it because
• 27:28
  Speaker 1: he hadn't even looked at it. It's not something you
• 27:29
  Speaker 1: could do on the spot. And I remember, you know,
• 27:31
  Speaker 1: when you're directing a scene, you normally start with the
• 27:34
  Speaker 1: widest shots and then you start moving into closer and
• 27:36
  Speaker 1: closer angles. And I was like, Donald, we gotta move on, dude,
• 27:40
  Speaker 1: don't worry, we'll cut it together. We cut it together.
• 27:42
  Speaker 1: By the time we got to like an extreme close
• 27:44
  Speaker 1: up of Donald's face, like eyebrowed a chin. He finally
• 27:47
  Speaker 1: got it. And if you watch that episode, like Donald
• 27:50
  Speaker 1: does the whole monologue and a shot that's like this tight,
• 27:53
  Speaker 1: because that was finally the only time you ever got it.
• 27:55
  Speaker 2: Those days are over, by the way.
• 27:57
  Speaker 3: Just anybody who's looking to hire me for any thing, Yeah,
• 28:00
  Speaker 3: I am not like that anymore.
• 28:02
  Speaker 1: I'm sure no no casting directors or directors are listening
• 28:06
  Speaker 1: to our podcast.
• 28:08
  Speaker 5: But and what Zach was saying about, you know, getting
• 28:11
  Speaker 5: the script sometimes, you know, as the season would get
• 28:14
  Speaker 5: towards the end, and the writers were so taxed trying
• 28:17
  Speaker 5: to crank out these scripts that were so funny. I
• 28:21
  Speaker 5: remember one morning we got to work on a Monday
• 28:24
  Speaker 5: morning and it was the week that my character had
• 28:26
  Speaker 5: the voiceover, because each of our characters had a voiceover
• 28:29
  Speaker 5: for one time. And they didn't have the script out yet.
• 28:32
  Speaker 5: But we had to start shooting something, and so they said,
• 28:35
  Speaker 5: We're just going to do a long kind of steady
• 28:38
  Speaker 5: cam shot following you through the hallways, and I just
• 28:41
  Speaker 5: want you to change your face around to go with
• 28:43
  Speaker 5: different emotions and things you're going to write. So just
• 28:46
  Speaker 5: you know, you're walking and you're thinking, like a little
• 28:48
  Speaker 5: bit happy and you're a little bit sad and then
• 28:50
  Speaker 5: you're thinking about something. We talk for two hours, just
• 28:54
  Speaker 5: me and his steady cam.
• 28:55
  Speaker 1: I'm like, that's funny that they probably had to eventually
• 28:58
  Speaker 1: write to your expressions because they were changing, because then
• 29:00
  Speaker 1: they didn't and the camera didn't want to cut away.
• 29:02
  Speaker 1: So it's like, okay, wait, she's about it. Got a
• 29:04
  Speaker 1: second of seriousness and then a smile, so like we
• 29:07
  Speaker 1: need a one second sentence, and then it's something to
• 29:10
  Speaker 1: smile about.
• 29:11
  Speaker 5: Then looking a little nostalgic and.
• 29:15
  Speaker 1: All right, should we go into this episode? This is
• 29:17
  Speaker 1: one of my favorite episodes. This is one of my
• 29:18
  Speaker 1: favorite episodes of the whole nine years. It really is special,
• 29:23
  Speaker 1: and I want you to know I haven't seen it
• 29:25
  Speaker 1: in twenty years and I got goosebumps multiple times watching it.
• 29:28
  Speaker 1: That's how it really does hold up.
• 29:30
  Speaker 3: I was about, there's some really great moments in this show,
• 29:34
  Speaker 3: in particular with you, Sarah. This this You know, I
• 29:37
  Speaker 3: looked at this show when I first when we first
• 29:39
  Speaker 3: did this show, I was like, oh wow, we all
• 29:41
  Speaker 3: get a chance to shine here. But this was a
• 29:44
  Speaker 3: moment I feel like for you and for Judy as well,
• 29:47
  Speaker 3: where you guys. You guys really crushed this episode, Like
• 29:50
  Speaker 3: it's really fucking good, like you two alone, you alone,
• 29:54
  Speaker 3: you and Judy alone. Like really, I don't know what
• 29:57
  Speaker 3: it is, but you guys start off on a you know,
• 30:00
  Speaker 3: as adversaries and by the end of it your friends.
• 30:02
  Speaker 2: And that's for a half an hour.
• 30:04
  Speaker 3: To be able to tell a story like that's very
• 30:06
  Speaker 3: difficult to start two people off as enemies, especially when
• 30:10
  Speaker 3: the narrative so far in the show.
• 30:12
  Speaker 2: Has been you guys not getting along.
• 30:14
  Speaker 3: And so, you know, it really is a testament to
• 30:17
  Speaker 3: how good you are as an actress that you guys
• 30:20
  Speaker 3: were able to not only bring the funny, but bring
• 30:23
  Speaker 3: the drama and then also bring the connection so that
• 30:26
  Speaker 3: the story tracks all the way through. And I just
• 30:28
  Speaker 3: wanted to give you props on that straight up, right out,
• 30:31
  Speaker 3: you know the bat. And also it was so early
• 30:33
  Speaker 3: on in the show too, it was episode four, and
• 30:36
  Speaker 3: so for us to be able to jump in and
• 30:39
  Speaker 3: tell such a good story, it's really a testament to
• 30:42
  Speaker 3: how good First of all, Matt tarsis, holy shit, what
• 30:44
  Speaker 3: a good writer.
• 30:45
  Speaker 1: D Matt Tarsus wrote it. And we should also say
• 30:47
  Speaker 1: that this was the first episode not directed by Adam Bernstein,
• 30:50
  Speaker 1: and it was the first episode directed by Mark Buckland,
• 30:53
  Speaker 1: who really added a lot of cool style. You know,
• 30:56
  Speaker 1: we've spoken about how Adam Bernstein really developed the language
• 30:59
  Speaker 1: of how the camera moves and scrubs and how you
• 31:01
  Speaker 1: could do some trick shots and how there was a
• 31:03
  Speaker 1: lot of creativity. The camera was a character in the show,
• 31:06
  Speaker 1: and Mark Bucklan, I think, with this episode, really took
• 31:08
  Speaker 1: that and ran with it and added a lot of
• 31:11
  Speaker 1: a new language to the way the show was shot.
• 31:13
  Speaker 5: Adam Bernstein, it should be said, directed the Baby's Got
• 31:16
  Speaker 5: Back video in case anyone out there does not know that, Yes.
• 31:19
  Speaker 1: That that is beautiful trivia there for you Scrubs fans.
• 31:22
  Speaker 1: Sarah can do the full dance and knows all the
• 31:24
  Speaker 1: lyrics the Babies Got Back And coincidentally, was it Sir
• 31:27
  Speaker 1: Mix a Lot? Yes, it is Sir Mix a Lot
• 31:29
  Speaker 1: music video was directed by Adam Bernstein. There you go.
• 31:32
  Speaker 1: That's not on your Scrubs wiki.
• 31:33
  Speaker 2: Right, Thank you told you wiki wiki. We got it
• 31:36
  Speaker 2: from here.
• 31:37
  Speaker 5: Well, first of all, Donald, thank you for saying all
• 31:39
  Speaker 5: those nice things. I felt the same way about you guys,
• 31:41
  Speaker 5: Like I was like going like wow, Donald, Zach fucking
• 31:44
  Speaker 5: nailing this episode, and it's like we just started, like
• 31:46
  Speaker 5: we were a few weeks in. It was that fourth episode,
• 31:47
  Speaker 5: but it was the third one that we'd shot in
• 31:49
  Speaker 5: that chunk, you know, separated out from the pilot. And like,
• 31:53
  Speaker 5: I feel like Bill had told us a long time
• 31:55
  Speaker 5: ago that he didn't he say to the network, We're
• 32:01
  Speaker 5: going to set it up one out of every three
• 32:03
  Speaker 5: patients die here and you're kind of waiting the whole
• 32:05
  Speaker 5: episode to find out who it's going to be, and
• 32:06
  Speaker 5: then they all die. I feel like he said that
• 32:08
  Speaker 5: to the network and they said, no, you can only
• 32:09
  Speaker 5: have one patient die, and he said, no, it's going
• 32:11
  Speaker 5: to be all three. We have to do that.
• 32:12
  Speaker 2: Yees.
• 32:13
  Speaker 5: We're coming out of the gate right now. We're going
• 32:15
  Speaker 5: to show the audience that this is what the show is.
• 32:17
  Speaker 5: And all those years on Scrubs, this one, for me
• 32:21
  Speaker 5: absolutely is the one that stands out whenever I think
• 32:23
  Speaker 5: of the show as being the one that really shows
• 32:28
  Speaker 5: the responsibility that's put on these young, young, young doctors.
• 32:31
  Speaker 5: I mean, my little sister is in her first year
• 32:34
  Speaker 5: right now of being a real doctor. What a crazy
• 32:37
  Speaker 5: time in the world to be doing that. And I
• 32:41
  Speaker 5: can't believe for stories. I can't believe what level of
• 32:44
  Speaker 5: responsibility that they're given right out of the gate. I mean,
• 32:48
  Speaker 5: I'll be at work on set and I'm on lunch,
• 32:50
  Speaker 5: and I come back from lunch and she's like, you know,
• 32:53
  Speaker 5: she's just been doing CPR on someone for thirty minutes,
• 32:57
  Speaker 5: trying to save them. And I'm like, well, I was
• 32:58
  Speaker 5: just in here a makeup touch and they took the
• 33:00
  Speaker 5: same curl and recurled it again to make it curly
• 33:05
  Speaker 5: like it just it's such a u it takes your
• 33:09
  Speaker 5: breath away. Really, what the decisions young doctors have to make?
• 33:12
  Speaker 1: Do you think your sister was inspired by you? I
• 33:15
  Speaker 1: mean it's interesting. You know a lot of younger sisters
• 33:17
  Speaker 1: might be inspired that their older sister was a real doctor.
• 33:20
  Speaker 1: But because she grew up with you playing this character,
• 33:23
  Speaker 1: does she think that that inspired her at all?
• 33:25
  Speaker 7: Oh?
• 33:25
  Speaker 5: I tried to get my I remember I'd say to
• 33:27
  Speaker 5: my family like, hey, guys, like, did you see you
• 33:30
  Speaker 5: know I was so excited about the show. I've like
• 33:31
  Speaker 5: you've seen. They were like, well, we t vote it
• 33:33
  Speaker 5: because it's on the same time as twenty four, But
• 33:35
  Speaker 5: that Jack Bauer what he did? They I feel like,
• 33:43
  Speaker 5: you know, she's thirteen years younger than me, and I
• 33:45
  Speaker 5: would like to think that I had that kind of
• 33:47
  Speaker 5: an influence, but really she came out of the womb
• 33:51
  Speaker 5: a doctor. I mean she the stories are crazy me. Yeah,
• 33:54
  Speaker 5: she she was just so interested in medicine from such
• 33:58
  Speaker 5: a young age and really so calm under pressure, Like
• 34:01
  Speaker 5: I remember, it's just responsible. I mean I remember we
• 34:04
  Speaker 5: went on a road trip and she'd had her license
• 34:06
  Speaker 5: for maybe two weeks and my dad was like, so
• 34:09
  Speaker 5: she's gonna drive, right, And I was like, Dad, I've
• 34:10
  Speaker 5: been I've been driving for thirteen and a half years.
• 34:12
  Speaker 5: He's like, yeah, yeah, so she's gonna drive right. Like
• 34:15
  Speaker 5: she just is just a much more responsible human. But
• 34:18
  Speaker 5: it definitely has been interesting just rewatching a couple, like
• 34:23
  Speaker 5: just last night, rewatching a couple of the early episodes
• 34:26
  Speaker 5: and thinking them, thinking about them just in the context
• 34:29
  Speaker 5: of her and this one in particular, because it's pretty
• 34:34
  Speaker 5: it's pretty unbelievable, as you know, you see JD and
• 34:37
  Speaker 5: Elliott and Turk and the pressure that is on them
• 34:40
  Speaker 5: and just all of it, like trying to figure out,
• 34:43
  Speaker 5: you know, what calls they can make on their own
• 34:45
  Speaker 5: and when to go for help.
• 34:46
  Speaker 3: Here's a little bit more scrubs trivia. Your little sister
• 34:50
  Speaker 3: taught my eighteen year old, when he was probably nine
• 34:56
  Speaker 3: to ten months at this time, how to walk right
• 35:01
  Speaker 3: happen on the third floor of the hospital, right in
• 35:04
  Speaker 3: between our dressing rooms.
• 35:07
  Speaker 5: That's so crazy crazy.
• 35:09
  Speaker 2: And now she's an adult and she's taking care of patients. Wow.
• 35:12
  Speaker 2: Is she on the front line right now?
• 35:14
  Speaker 5: She is. I think about her mostly every minute.
• 35:18
  Speaker 6: Wow.
• 35:18
  Speaker 5: We've been pots and pans every night, all of us.
• 35:23
  Speaker 5: And my three year old has broken a couple measuring
• 35:26
  Speaker 5: cups because she gets so into it.
• 35:29
  Speaker 1: That's very sweet. You do it as like an honor
• 35:31
  Speaker 1: to the healthcare workers.
• 35:33
  Speaker 5: Yeah, so it's it's really cool. Actually, everybody, everybody goes
• 35:37
  Speaker 5: out on the on the everybody goes outside at like
• 35:39
  Speaker 5: seven o'clock and just bangs the pots and pans and
• 35:42
  Speaker 5: screams and cheers.
• 35:43
  Speaker 2: Oh.
• 35:44
  Speaker 1: I like that. I want my neighborhood. I want my
• 35:45
  Speaker 1: neighborhood to do that. We need a primal scream.
• 35:48
  Speaker 5: Oh, you start it. It's so cool.
• 35:50
  Speaker 2: Yeah.
• 35:51
  Speaker 1: Just segueing back to the show, I want to just
• 35:53
  Speaker 1: say that you'll hear us at a minute and forty
• 35:55
  Speaker 1: five seconds there's this really cool steady cam shot that
• 35:58
  Speaker 1: really kind of sets up the tone of the show.
• 36:02
  Speaker 1: You'll hear us talk about the word steady camel lot
• 36:04
  Speaker 1: on this and if you don't know what it is,
• 36:06
  Speaker 1: it's a it's like it's a way of mounting the
• 36:08
  Speaker 1: camera on a on an operator's body so that the
• 36:11
  Speaker 1: operator can move around and the camera just feels like
• 36:13
  Speaker 1: it's floating around. And it's something that was used extensively
• 36:16
  Speaker 1: on the Scrubs set as we traveled on the hallways.
• 36:19
  Speaker 1: But I pointed out, as I was talking about Mark
• 36:21
  Speaker 1: Buckle in the director's style, how I like this sort
• 36:23
  Speaker 1: of way he's introducing that this episode is going to
• 36:25
  Speaker 1: be about the three of us, where the camera starts
• 36:27
  Speaker 1: on me and then it and then it goes to
• 36:30
  Speaker 1: Sarah and it never it never cuts, and then it
• 36:32
  Speaker 1: goes by the children, and then it comes up to
• 36:34
  Speaker 1: Donald as he comes into the room. And I just
• 36:37
  Speaker 1: thought that was kind of an early example of something
• 36:40
  Speaker 1: that we did ended up doing a lot of of
• 36:42
  Speaker 1: of sort of moving around the hallways without cutting a lot.
• 36:45
  Speaker 2: Yeah.
• 36:46
  Speaker 3: Also, if I don't know if you guys noticed, but
• 36:47
  Speaker 3: the hospital is really dark in this episode.
• 36:50
  Speaker 1: Yeah, it's true.
• 36:52
  Speaker 3: The lights aren't on. Really, everything's you know, it's very
• 36:55
  Speaker 3: very dark in this episode. Not only that, here's another thing,
• 36:58
  Speaker 3: it's jumping ahead, but this is one of the first
• 37:00
  Speaker 3: times where Kelso isn't the bad guy on the show. Also,
• 37:05
  Speaker 3: what I've noticed is that when we're dealing with something
• 37:09
  Speaker 3: like that's as powerful or as strong as death, it's
• 37:13
  Speaker 3: us versus the hospital. If you've noticed that, you know
• 37:16
  Speaker 3: what I mean, it's the cast versus death. And in
• 37:20
  Speaker 3: this one, Kelso gives is a mentor in this one.
• 37:24
  Speaker 3: He gives really good advice in this one to JD.
• 37:28
  Speaker 3: And he's not the obstacle. He's the one that's actually
• 37:31
  Speaker 3: trying to help solve the problems in this Now, if
• 37:35
  Speaker 3: you watch other episodes, he's never really like that, you
• 37:39
  Speaker 3: know what I mean. He's always he's always the bad guy.
• 37:42
  Speaker 3: This was the first episode, well obviously the first episode
• 37:45
  Speaker 3: in a run, but this is the first episode that
• 37:46
  Speaker 3: I can remember where I was like, Wow, Kelso was
• 37:49
  Speaker 3: on board with us this whole time.
• 37:51
  Speaker 1: Mm hmm. I like what you pointed out too about
• 37:53
  Speaker 1: the lighting, because traditionally in half hour TV comedy everything's
• 37:56
  Speaker 1: always bright. There's like this unwritten rule that for it
• 37:59
  Speaker 1: to be funny, to be bright, and again just challenging
• 38:03
  Speaker 1: some of the conventions. In this episode, both John Inwood,
• 38:06
  Speaker 1: the cinematographer, and Mark Buckland did things like have have
• 38:10
  Speaker 1: it be in dark rooms, you know, having some of
• 38:13
  Speaker 1: the dramatic moments like in ICU later happened in you
• 38:17
  Speaker 1: know at night or at sundown, which I thought, was
• 38:21
  Speaker 1: I agree, that was something I hadn't I had noticed
• 38:23
  Speaker 1: that was this is the first time they did that.
• 38:24
  Speaker 2: Yeah, it carries on throughout the series too.
• 38:27
  Speaker 1: Yeah. At two twenty six we meet Catherine Juston playing
• 38:31
  Speaker 1: Missus Tanner. Now she is such an uzz she has
• 38:34
  Speaker 1: since passed away, but was such an extraordinary actress, and
• 38:36
  Speaker 1: I remember she had just done a very high profile
• 38:40
  Speaker 1: run on The West Wing where that character had passed
• 38:43
  Speaker 1: away as well, And I remember thinking, well, is that
• 38:46
  Speaker 1: gonna be odd that she's coming onto art. I mean,
• 38:49
  Speaker 1: I'm glad she's coming on because she's a wonderful actress,
• 38:51
  Speaker 1: but having just played someone else who died, I think
• 38:54
  Speaker 1: I just remember that being in my head, like she
• 38:56
  Speaker 1: had just done such a hope, high profile moment on
• 38:59
  Speaker 1: West Wing. But then the second I started working with her.
• 39:02
  Speaker 1: I just felt in awe of her, of her talent,
• 39:06
  Speaker 1: and that was the furthest thing from my mind.
• 39:08
  Speaker 5: One of my favorite moments in the episode when she says,
• 39:10
  Speaker 5: are you a good doctor? And you say it's probably
• 39:12
  Speaker 5: too soon to tell, and I just feel like it's
• 39:14
  Speaker 5: such a such an example of how the show walked
• 39:18
  Speaker 5: that line of like you're just on the edge of
• 39:20
  Speaker 5: your seat and you're crying and then you're laughing, and
• 39:23
  Speaker 5: there's a few moments.
• 39:24
  Speaker 3: Oh, there's a couple of moments that I laughed in
• 39:26
  Speaker 3: my ass. So when JD goes to the park to
• 39:30
  Speaker 3: meet up with her, yeah, and he's like, you got
• 39:33
  Speaker 3: to get your ass back to the hospital. And then
• 39:36
  Speaker 3: he's like, is that some moores? And then they cut
• 39:38
  Speaker 3: away and then they cut back and he's still chastising her,
• 39:41
  Speaker 3: but now he've got chocolate all on his lips.
• 39:43
  Speaker 1: Yeah, JD was not going to pass up amores moment.
• 39:46
  Speaker 1: Are you kidding me?
• 39:47
  Speaker 5: You think he could have gone a big cake?
• 39:50
  Speaker 1: JD was not. JD was trying. It was a perfect
• 39:53
  Speaker 1: JD thing to be like, really trying to be taken
• 39:55
  Speaker 1: seriously with s'mores chuck late over all of his lips.
• 40:00
  Speaker 5: One of my favorite laugh out low moments is when
• 40:02
  Speaker 5: Donald is doing the workout.
• 40:04
  Speaker 1: Video, which is foreshadowing the Poison Dance a little bit
• 40:10
  Speaker 1: because you're dancing in the very same room and and a.
• 40:12
  Speaker 5: Little bit and some and some sweet moves that I
• 40:14
  Speaker 5: guarantee you we're not in the eighties workout video. But
• 40:18
  Speaker 5: when he's like, she had such energy and warm, dude.
• 40:20
  Speaker 5: The Women League of Women Voters called and they want
• 40:22
  Speaker 5: to know where to zend your membership.
• 40:27
  Speaker 1: Sarah tell us about I'm a tell us about I'm
• 40:30
  Speaker 1: a Chunky Monkey from Funky Town because I remember that,
• 40:33
  Speaker 1: and I just was like, who wrote that? That is
• 40:34
  Speaker 1: the most random thing in the world.
• 40:36
  Speaker 5: I guess Matt Tarsus or who knows.
• 40:39
  Speaker 1: But was the idea that you were just testing out?
• 40:42
  Speaker 1: Elliott was just testing out that she could say anything
• 40:45
  Speaker 1: in front of a woman.
• 40:46
  Speaker 5: Yes, Yes, I think so, Yes, obviously to Carla's.
• 40:51
  Speaker 3: Display, there's a lot of there's a lot of trivia
• 40:53
  Speaker 3: in this episode because we we introduced characters that from
• 40:59
  Speaker 3: that moment on weren't on the show anymore.
• 41:01
  Speaker 2: Like I remember Layla Lee. She plays the surgeon in
• 41:06
  Speaker 2: the room with doctor Wynn and Turk.
• 41:08
  Speaker 1: She was really good. I had the same reaction. I
• 41:10
  Speaker 1: was like, what happened to her?
• 41:11
  Speaker 2: She was, yeah, so I do know the story.
• 41:13
  Speaker 3: I remember we were filming and it was a couple
• 41:16
  Speaker 3: of episodes in and she was going to come back
• 41:18
  Speaker 3: as my nemesis. And she was saying how she had
• 41:22
  Speaker 3: just got this part on a television show that was
• 41:25
  Speaker 3: going to take her out of California, or not out
• 41:27
  Speaker 3: of California, but out of the Los Angeles area, and
• 41:30
  Speaker 3: she was going to go do that instead.
• 41:32
  Speaker 2: Now I remember being like, but what about us? What?
• 41:35
  Speaker 2: What about what we've got going?
• 41:36
  Speaker 3: This is so funny, and she was like, you know,
• 41:38
  Speaker 3: I'm a guest star on this show, but on the
• 41:41
  Speaker 3: other show I would be a lead.
• 41:43
  Speaker 2: And so she went and took the other job. To
• 41:45
  Speaker 2: be honest with you, enough, you.
• 41:45
  Speaker 1: Remember what the show was.
• 41:47
  Speaker 2: It was Trimors.
• 41:48
  Speaker 3: Oh okay, it was the syndicated version of Tremors, and
• 41:50
  Speaker 3: I remember it ran for a while and the dad
• 41:53
  Speaker 3: from Family Ties, I think, is on it.
• 41:55
  Speaker 2: I'm not sure. I couldn't.
• 41:57
  Speaker 1: I just remember watching that scene, which we'll get to
• 42:00
  Speaker 1: later in the episode, and you guys had such a
• 42:02
  Speaker 1: funny banter that that's spoofing of a couple driving together.
• 42:06
  Speaker 1: And then I had the same thought. I go, oh
• 42:08
  Speaker 1: that that that young woman was so funny. What happened
• 42:10
  Speaker 1: to her? And I guess she got her own show
• 42:12
  Speaker 1: at the time.
• 42:12
  Speaker 3: She got well, yeah, she got a job and went
• 42:15
  Speaker 3: on to do other things.
• 42:17
  Speaker 5: To other people of Scrubs Lore who were introduced in
• 42:19
  Speaker 5: this episode seven fifty nine, I very quickly. If you
• 42:24
  Speaker 5: watched Danny Rose, you killed the sistant and obviously became
• 42:27
  Speaker 5: a producer on the show. He walks by in the
• 42:29
  Speaker 5: park and he has Tankers.
• 42:30
  Speaker 2: On his shoulders.
• 42:31
  Speaker 1: Shoulders, Yeah, and Tankers was what a big bulldog that he?
• 42:35
  Speaker 5: Yeah, Tankers And I just we have to.
• 42:38
  Speaker 1: Talk about the legendary Mike Schwartz, who plays his very
• 42:42
  Speaker 1: first appearance, very first appearance. A lot of times we're
• 42:44
  Speaker 1: watching these episodes and I forget that some of the
• 42:46
  Speaker 1: people were introduced so early. So Mike Schwartz was one
• 42:48
  Speaker 1: of the writers on the show, very funny, a comedy writer,
• 42:51
  Speaker 1: and he plays the delivery guy, the ups guy, if
• 42:53
  Speaker 1: you will. That his first they established him giving something
• 42:56
  Speaker 1: to Kelso and then later he comes and delivers a
• 42:58
  Speaker 1: ton of bricks to me. He is uh he. We
• 43:01
  Speaker 1: had so many laughs with that guy.
• 43:02
  Speaker 5: Huh oh, my god, constantly doing bits and making us
• 43:05
  Speaker 5: all laugh. Like you walk by him in the hallway
• 43:07
  Speaker 5: and he'd be like, what's that, it's Jack Crew.
• 43:10
  Speaker 1: He would do this. He would do this bit that
• 43:12
  Speaker 1: I don't know why. It was so funny, but he
• 43:14
  Speaker 1: would go he would pretend to call off to someone
• 43:16
  Speaker 1: that wasn't there, and he would and he would do
• 43:19
  Speaker 1: a bit where he was pretending that they were asking
• 43:21
  Speaker 1: him who made his shirt, and so he'd be reaching
• 43:24
  Speaker 1: for the tag. He'd be what, oh, hold on to me.
• 43:27
  Speaker 1: Oh yeah, it's Jay Crew, And it was so stupid,
• 43:31
  Speaker 1: but he was talking to no one and you would
• 43:33
  Speaker 1: laugh every single time.
• 43:34
  Speaker 5: Every time we're lonely this guy in the world, where
• 43:36
  Speaker 5: you tap him on the shoulder and be like.
• 43:38
  Speaker 1: We ended up putting that in the show.
• 43:42
  Speaker 3: He went on to be the Was he the drummer
• 43:46
  Speaker 3: for the for the airband that same episode that we
• 43:49
  Speaker 3: were talking.
• 43:49
  Speaker 1: About, y Yeah, he liked his character. Like later episodes,
• 43:52
  Speaker 1: we learned that his character like speed metal.
• 43:55
  Speaker 2: Right and and and that his character was a big
• 43:57
  Speaker 2: time like drug addict and everything like that.
• 43:58
  Speaker 1: And it was always I think, and he was very lonely.
• 44:01
  Speaker 1: But that that bit about that was his bit where
• 44:04
  Speaker 1: you if no one touched him, So if you ever
• 44:06
  Speaker 1: did graize his shoulder, he would sort of cuddle his
• 44:09
  Speaker 1: own shoulder because he was so low. He was so
• 44:12
  Speaker 1: lonely and lacking of touch, the.
• 44:14
  Speaker 5: Loneliest guy in the world. And then Randall Winston is
• 44:16
  Speaker 5: introduced as Death.
• 44:18
  Speaker 1: Yes, yeahs, And Randall Winston was our line producer on
• 44:23
  Speaker 1: the show. And uh, for those who don't know, a
• 44:25
  Speaker 1: line producer is the producer that really is handling the
• 44:27
  Speaker 1: sort of the daily money of things, really like the
• 44:30
  Speaker 1: guy with the spreadsheet being like we can afford that,
• 44:32
  Speaker 1: we can't afford that. And he was a very he
• 44:35
  Speaker 1: was he is a very tall man. How tall would
• 44:38
  Speaker 1: you say, is six seven or six six? Yeah? And
• 44:40
  Speaker 1: so he he was established early on as as Death
• 44:45
  Speaker 1: and whole run. Yes, and some of you are too
• 44:49
  Speaker 1: young to know that what this joke is about. Connect four,
• 44:53
  Speaker 1: but Connect four was a was a game from it
• 44:56
  Speaker 1: still is a game kids still, but I'm saying they
• 44:58
  Speaker 1: didn't have the cheesy ad. She's the ad in the
• 45:01
  Speaker 1: eighties was a brother and sister playing and the sister
• 45:04
  Speaker 1: wins and the brother goes pretty Sneaky Sis. Remember that
• 45:11
  Speaker 1: you guys can look it up on YouTube, and so
• 45:13
  Speaker 1: that's why we were spoofing that old eighties ad where
• 45:16
  Speaker 1: I go Pretty Sneaky Death.
• 45:19
  Speaker 3: But you got to do the lead up to it
• 45:21
  Speaker 3: is I win where I don't see it right here
• 45:25
  Speaker 3: diagonally pretty Sneaky.
• 45:28
  Speaker 1: Sis, Pretty Sneaky Sis.
• 45:31
  Speaker 5: And Randall is His main belief was that it's not
• 45:35
  Speaker 5: a party unless both hands are in the air. So
• 45:37
  Speaker 5: we had the most incredible rap parties and.
• 45:43
  Speaker 3: Parties man and Randall and Randall is like some of
• 45:48
  Speaker 3: the highlights of every part, like the some of the
• 45:52
  Speaker 3: best party highlights that I've ever experienced involved Randall.
• 45:57
  Speaker 1: Fortunately for us, the guys ending the money for the
• 46:00
  Speaker 1: party really loved to party.
• 46:03
  Speaker 5: Yeah, we had some good parties.
• 46:05
  Speaker 1: I'm sure there's episodes where they were like, you don't
• 46:06
  Speaker 1: need that set, we're throwing a party.
• 46:12
  Speaker 5: Why Johnny Ce's home space looked very sparse because we
• 46:17
  Speaker 5: needed to.
• 46:17
  Speaker 1: Go to Vogah. God, we were just talking about that,
• 46:20
  Speaker 1: how Johnny Seed they didn't get around to Johnny cees
• 46:22
  Speaker 1: uh partly building Johnny C's apartment. It was just a
• 46:25
  Speaker 1: hospital set, but.
• 46:26
  Speaker 5: I think Randall spearheaded. I'm sure the like we got
• 46:28
  Speaker 5: to we got to go on that crazy, amazing trip
• 46:31
  Speaker 5: everybody to Vegas. We had to do like they were
• 46:34
  Speaker 5: able to kind of combine a press event with the
• 46:37
  Speaker 5: Scrubs wrap party, and so they organized it so like
• 46:40
  Speaker 5: our whole cap went to Vegas all together.
• 46:43
  Speaker 2: Things that will never happen ever in again.
• 46:47
  Speaker 1: I doubt any show is taking their whole company to
• 46:49
  Speaker 1: Vegas to throw a bash.
• 46:51
  Speaker 2: Will the old days, Yeah.
• 46:54
  Speaker 5: When we got to shoot a whole season in the
• 46:56
  Speaker 5: Bahamas with the whole crew.
• 46:58
  Speaker 1: A company an episode, Sarah may have stayed and shot
• 47:00
  Speaker 1: a season.
• 47:03
  Speaker 5: What is the season?
• 47:04
  Speaker 1: Donald? I want to know a sports question, and I
• 47:07
  Speaker 1: want you to be honest. Yes, did you know what
• 47:09
  Speaker 1: the quote unquote catch was? Absolutely, it's about it. It's
• 47:13
  Speaker 1: a famous thing that sports people know about.
• 47:15
  Speaker 2: Absolutely.
• 47:16
  Speaker 3: So Joe Montana, Yeah, it looked like he couldn't throw
• 47:20
  Speaker 3: it to anyone in this game. Now, granted, I don't
• 47:23
  Speaker 3: know who who they were playing, so when we're talking
• 47:27
  Speaker 3: about it in the show, I didn't know who they
• 47:28
  Speaker 3: were playing. But he found Dwight Clark in the end
• 47:31
  Speaker 3: zone and it was you know, it's one of the
• 47:34
  Speaker 3: biggest catches in history. As a matter of fact, it's
• 47:37
  Speaker 3: a part of a commercial, like a Gatorade commercial or
• 47:39
  Speaker 3: something like that. And that's how I first heard about it,
• 47:43
  Speaker 3: because I wasn't a big football fan growing up.
• 47:45
  Speaker 2: I didn't.
• 47:46
  Speaker 3: I didn't become a football fan until later on in life.
• 47:48
  Speaker 3: But yes, I did know when we did the when
• 47:50
  Speaker 3: when they referenced the catch, I knew exactly what it was.
• 47:53
  Speaker 1: Okay, good because I didn't know because I don't know
• 47:55
  Speaker 1: anything about sports. If like everyone who's into sports knows, oh,
• 47:58
  Speaker 1: the catch, it's called like the catch.
• 48:00
  Speaker 2: Well, I mean at that time it was called the catch.
• 48:03
  Speaker 3: I'm sure since then they're like Eli Manning and Mario
• 48:07
  Speaker 3: Manningham they have a you know how he found him
• 48:11
  Speaker 3: on the you know, running down the it's it's I
• 48:14
  Speaker 3: didn't know when or where the catch was, but I
• 48:17
  Speaker 3: had heard of the reference before.
• 48:19
  Speaker 1: Donald tell us about the bowling Thinguse I was laughing
• 48:21
  Speaker 1: at this, going, what are those what are those pins?
• 48:23
  Speaker 5: Like?
• 48:23
  Speaker 1: What is that supposed to be in the hospital of
• 48:25
  Speaker 1: those giant blue things.
• 48:27
  Speaker 3: First of all, this this is a testament for how
• 48:29
  Speaker 3: immature Christopher Turk was. So the kid says to him, Hey,
• 48:32
  Speaker 3: it's the catch. Turk turns around and goes, yeah, I'll
• 48:34
  Speaker 3: watched the Catch with you, And within fifteen minutes he's
• 48:37
  Speaker 3: bowling a kid down the hospital hall, Like, how did
• 48:41
  Speaker 3: this kid convince?
• 48:42
  Speaker 2: Like, that's how weak willed Chris Turk is.
• 48:44
  Speaker 3: How in the hell did this kid convince him to
• 48:48
  Speaker 3: put him in a wheelchair and push him down the
• 48:51
  Speaker 3: hall into a bunch of I guess they were recycling bins.
• 48:55
  Speaker 1: Is that what they were supposed to being? I think so,
• 48:57
  Speaker 1: because to me they look like cardboard tubes that someone.
• 49:00
  Speaker 3: Right, I'm hoping that it was a recycling but like,
• 49:03
  Speaker 3: how did this kid convince him? And the rest of
• 49:05
  Speaker 3: the floor, Like Chris Turk walked out the room and
• 49:08
  Speaker 3: was like, Yo, this is what we're gonna do, all right,
• 49:12
  Speaker 3: I'm gonna put him in a wheelchair.
• 49:13
  Speaker 1: I know I just started. I know, I just started
• 49:16
  Speaker 1: as a doctor here, but I'm gonna roll a patient
• 49:19
  Speaker 1: in a wheelchair down the hall. If you're a new doctor,
• 49:23
  Speaker 1: don't try that at work, please.
• 49:25
  Speaker 3: Well, And that was the great thing about the show
• 49:27
  Speaker 3: also is that he was held accountable for it, you know,
• 49:31
  Speaker 3: Kelso right away and this is where Kelso mentors Turk
• 49:34
  Speaker 3: kind of also like, we're not here to make friends,
• 49:36
  Speaker 3: We're here to treat these patients.
• 49:37
  Speaker 2: Dude, be a doctor.
• 49:39
  Speaker 1: Yeah. I wanted to talk about the park salary referenced
• 49:42
  Speaker 1: it already, but I remember feeling really bad at nine
• 49:45
  Speaker 1: minutes and thirty seconds slamming that little girl's face into
• 49:48
  Speaker 1: the cake.
• 49:48
  Speaker 2: That was hilarious. I wish I could do that to
• 49:50
  Speaker 2: my kids sometimes.
• 49:52
  Speaker 1: It was funny. I mean it was funny on paper
• 49:54
  Speaker 1: when we got there and she has that cute little
• 49:56
  Speaker 1: face and I was like, so, you guys really want
• 49:58
  Speaker 1: me to jam this girl's face cake? And they're like, yeah,
• 50:01
  Speaker 1: you gotta do it. You can't just like fake it.
• 50:02
  Speaker 1: You got to do it. And I was like, and
• 50:04
  Speaker 1: I talked to her. I was like, sweety, are you
• 50:06
  Speaker 1: okay with this? And she's like, yeah, sure, it's gonna
• 50:08
  Speaker 1: be funny. And I was like, all right, here we go,
• 50:09
  Speaker 1: and I just jammed her head in and it felt
• 50:11
  Speaker 1: really nice.
• 50:12
  Speaker 2: Yeah, listen, Sarah can attest to this. She hasked children
• 50:16
  Speaker 2: as much as we love our children.
• 50:17
  Speaker 5: Oh, sometimes you want to just.
• 50:21
  Speaker 2: And on their face into a cake, especially going.
• 50:25
  Speaker 5: To be quarantining for the near multiple multiple days months.
• 50:30
  Speaker 3: If I had the opportunity and I knew my wife
• 50:33
  Speaker 3: wouldn't be pissed off at me for doing it, Rocco's
• 50:36
  Speaker 3: face would have been slammed into a couple of its.
• 50:38
  Speaker 1: Birthday cakes, into many a cake.
• 50:40
  Speaker 2: I'm just gonna put that out there right.
• 50:42
  Speaker 5: Now, and I need to go bake a couple of cakes.
• 50:44
  Speaker 1: We're gonna go break and we come back. We have
• 50:46
  Speaker 1: a caller. All right. We're getting good at that whole
• 50:55
  Speaker 1: break thing, Joelle. We're very lucky here on this show,
• 50:58
  Speaker 1: Sarah Chalk that we get to take a call or
• 51:00
  Speaker 1: once an episode. And here she is, what's your what's your?
• 51:04
  Speaker 2: Alexis Torres?
• 51:08
  Speaker 1: In Donald just gave you an oprah intro. Oh, I
• 51:13
  Speaker 1: was looking for your name. And the good thing about
• 51:15
  Speaker 1: zoom is it just says it right there. Alexis Torres
• 51:17
  Speaker 1: plumbley right there on the bottom ruin the woman's hearing
• 51:24
  Speaker 1: she's in quarantine.
• 51:26
  Speaker 6: I'm actually in Harrisburg, Pennsylvania right now.
• 51:29
  Speaker 1: In My family has a steakhouse nearby called the Glass Lounge.
• 51:38
  Speaker 6: Oh. I haven't gone there yet, but it's awesome.
• 51:40
  Speaker 1: Will you go there? I want you to tell him
• 51:43
  Speaker 1: I sent you if you're in there, If you're in
• 51:45
  Speaker 1: that area, go.
• 51:46
  Speaker 2: To the God's Wild Buddy.
• 51:48
  Speaker 1: It's going to be a will Oh yeah, not now obviously,
• 51:50
  Speaker 1: but you know when when this last Nightmare is over,
• 51:53
  Speaker 1: go check out the Glass Lounge.
• 51:55
  Speaker 6: Yeah, I will definitely go for sure.
• 51:57
  Speaker 1: Thank you for coming on.
• 51:58
  Speaker 2: And do you have a question?
• 52:00
  Speaker 1: Doesn't have to be Sarah Chalk focused. It doesn't just
• 52:03
  Speaker 1: because she's you want.
• 52:05
  Speaker 2: To we understand.
• 52:08
  Speaker 5: Is a human and she probably knows the best person
• 52:11
  Speaker 5: to talk to.
• 52:12
  Speaker 6: I mean, we'll see. Not just kidding.
• 52:16
  Speaker 7: I have actually technically a question for all of you guys.
• 52:20
  Speaker 7: If you could switch rolls with anyone in the series,
• 52:22
  Speaker 7: any character, Who would it be and how would you
• 52:25
  Speaker 7: play their character? Would it be different than how it
• 52:27
  Speaker 7: was originally played?
• 52:28
  Speaker 1: Or that's a very good question, Sara, go first.
• 52:32
  Speaker 5: I mean, if it meant that I could have Donald's
• 52:35
  Speaker 5: dancing skills?
• 52:37
  Speaker 1: Was the fantasy? Was that fantasy that Sarah and I
• 52:39
  Speaker 1: were making out and I was making out with you
• 52:41
  Speaker 1: because she was you?
• 52:42
  Speaker 3: Oh my god, that it starts off where you guys
• 52:44
  Speaker 3: are making out and then she's like you fantasized about
• 52:46
  Speaker 3: kissing Turk just now didn't you?
• 52:50
  Speaker 5: And then I made up with Mandy Moore as myself.
• 52:52
  Speaker 1: You were Mandy was dressed up as herself. No, Mandy
• 52:55
  Speaker 1: was just herself and you were dressed up as me.
• 52:56
  Speaker 1: I think, right. I think that was a really beautiful
• 52:59
  Speaker 1: moment and television history right there.
• 53:01
  Speaker 5: Did you make out how to make up with Judy
• 53:03
  Speaker 5: in the pilot? Yeah, that's right.
• 53:05
  Speaker 1: Yeah, we just watched that. Were you made out with
• 53:07
  Speaker 1: the model girl?
• 53:08
  Speaker 2: Is that the pilot or is that the second episode?
• 53:10
  Speaker 1: That was the second episode?
• 53:11
  Speaker 2: Yeah?
• 53:11
  Speaker 1: But so you'd like to be Donald if you could
• 53:13
  Speaker 1: be anybody else, is what you're saying.
• 53:14
  Speaker 5: Well, if I could, if if I could do that
• 53:16
  Speaker 5: fucking poison dance or rowdy, that would be pretty low.
• 53:20
  Speaker 1: Low brush crush. It's a very good question, I guess.
• 53:26
  Speaker 1: I it's funny because you don't want to pick. You
• 53:29
  Speaker 1: want to have some screen time, right, you want to
• 53:31
  Speaker 1: pick one of the seven, so you're gonna have some
• 53:32
  Speaker 1: good screen time. I think I would choose Johnny c
• 53:37
  Speaker 1: just because he had such amazing and they just knew
• 53:40
  Speaker 1: how to write for him so amazingly well, and he
• 53:43
  Speaker 1: he was just uh, I don't know. I think that
• 53:47
  Speaker 1: I just love the all the material they gave Johnny,
• 53:50
  Speaker 1: So I think that would be a really challenging fun
• 53:51
  Speaker 1: part to even attempt to do.
• 53:54
  Speaker 5: To pick mash walking around in a banana hammock.
• 53:56
  Speaker 2: That's who I was gonna pick.
• 53:57
  Speaker 3: If I could pick anybody, I guess it would be
• 53:59
  Speaker 3: mash uh because if I could get But like we teased,
• 54:04
  Speaker 3: we used to make fun of Mashow about running line
• 54:06
  Speaker 3: and everything like that. But I had such a hard
• 54:08
  Speaker 3: time learning my lines back then that I probably it
• 54:11
  Speaker 3: probably would have suited me to play mash.
• 54:13
  Speaker 1: You know, the first thing, the first step to a
• 54:16
  Speaker 1: solving memorizing your lin style is to actually just do.
• 54:19
  Speaker 2: It, or to read the script. Actually, that's read the script.
• 54:23
  Speaker 1: I love how you're always like. I just have such
• 54:24
  Speaker 1: a hard time memorizing class. I'm like, dude, you've been
• 54:26
  Speaker 1: playing PlayStation in your pressing room.
• 54:28
  Speaker 2: That's all I look.
• 54:29
  Speaker 1: You even looked at it.
• 54:30
  Speaker 2: No, Yeah, okay, right, do you have another question?
• 54:32
  Speaker 1: Another question? We're going to answer a better one.
• 54:36
  Speaker 2: Yeah, your question sucked. That's what I just said.
• 54:39
  Speaker 5: I like you, I like creatives. It was it was thoughtful.
• 54:44
  Speaker 1: I think you're spectacular, and I love Harrisburg, But I
• 54:47
  Speaker 1: think you got a better question than you.
• 54:51
  Speaker 7: No, I don't know if you got to ask what
• 54:55
  Speaker 7: was something that you were super proud of back then
• 54:57
  Speaker 7: that you did.
• 54:57
  Speaker 6: Maybe it was a scene or a specific joke or
• 55:00
  Speaker 6: anything like that.
• 55:01
  Speaker 7: But then now since you guys are doing the rewatch
• 55:03
  Speaker 7: and you've seen it, now you're kind of like, oh,
• 55:05
  Speaker 7: that wasn't as good as I remember.
• 55:07
  Speaker 1: That's a good question, Sarah. As guests, do you have
• 55:10
  Speaker 1: to go first?
• 55:11
  Speaker 5: Jesus the pressure. I feel like interestingly enough.
• 55:15
  Speaker 1: Like you're like, I feel like interesting enough. I was
• 55:17
  Speaker 1: just fucking amazing.
• 55:18
  Speaker 6: I mean, I mean, I thought you were amazing.
• 55:20
  Speaker 5: Like the early stuff a little bit hard, harder to watch.
• 55:24
  Speaker 5: I feel like I learned so much on the show.
• 55:27
  Speaker 5: I feel like I learned so much from Baill, I
• 55:28
  Speaker 5: learned so much from the rest of the cast. And
• 55:30
  Speaker 5: I feel like it's so different watching those early episode
• 55:34
  Speaker 5: Thans eight years later, certainly with Elliott who the character
• 55:37
  Speaker 5: changed a lot. Like in the pilot, we even did reshoots.
• 55:39
  Speaker 5: She was much harder and much you know, there was
• 55:42
  Speaker 5: she was a bit more of a batch in the
• 55:45
  Speaker 5: in the in the beginning, and then and then we
• 55:47
  Speaker 5: actually did a couple of reshoots to soften her, and
• 55:50
  Speaker 5: then I think, you know, the line between me and
• 55:54
  Speaker 5: her started to blur. It's a first part of your
• 55:56
  Speaker 5: question what were you the most proud of? Certainly interestingly enough,
• 55:59
  Speaker 5: it's this is definitely one of those episodes like when
• 56:02
  Speaker 5: I think back on the eight years, this is the
• 56:03
  Speaker 5: first one to pop into my mind about just the
• 56:07
  Speaker 5: kind of show that that Scrubs was.
• 56:10
  Speaker 6: And and.
• 56:12
  Speaker 5: Then in terms of things to do differently, well, that's just.
• 56:16
  Speaker 1: I mean, Sarah, I don't think you could have done
• 56:17
  Speaker 1: everything differently. I wish that I could go back and
• 56:20
  Speaker 1: have a chin, because I this episode starts with the
• 56:25
  Speaker 1: least flattering view of my non existent chin, and in
• 56:30
  Speaker 1: later episodes I would I would look at the director
• 56:32
  Speaker 1: and be like, bro, don't shoot me like that. I mean,
• 56:34
  Speaker 1: I'm doing I'm doing the best I can with what
• 56:37
  Speaker 1: I have. But that's not the angle I want for
• 56:39
  Speaker 1: myself and Bill.
• 56:41
  Speaker 5: I don't know how many listeners know this, but Bill
• 56:43
  Speaker 5: would like to add things that were actual, real physical
• 56:46
  Speaker 5: attributes and write them into the show. So characters would
• 56:50
  Speaker 5: be named by their physical attributes. So like the guy
• 56:52
  Speaker 5: with the beard is beard for say, because you know,
• 56:55
  Speaker 5: and so so for me, my character, you know, you
• 56:58
  Speaker 5: had to say lines like short gives me pig face,
• 57:01
  Speaker 5: which is not untrue, and or there was one where
• 57:06
  Speaker 5: I had my characters like, oh yeah, chin, hair's back
• 57:09
  Speaker 5: because I have this mole where three hairs grow out
• 57:12
  Speaker 5: of it. And so that was actually written into the show.
• 57:15
  Speaker 5: By the way, my son said to me a few
• 57:17
  Speaker 5: years ago, completely seriously. He's like, Mama, I have terrible news.
• 57:21
  Speaker 5: And I said what, and he goes, you're growing a beard.
• 57:25
  Speaker 1: Oh my gosh.
• 57:26
  Speaker 5: So so there were definitely moments of the show where
• 57:30
  Speaker 5: he just had to go gate all in the name
• 57:32
  Speaker 5: of comedy and so air out my biggest insecurities. Yeah,
• 57:37
  Speaker 5: and you know, in terms of how it worked too,
• 57:39
  Speaker 5: like Bill would come up and he would watch us,
• 57:41
  Speaker 5: and this is not common for every you know, creator
• 57:43
  Speaker 5: of a show to come up for every single rehearsal.
• 57:46
  Speaker 5: He would come up from you know, to the to
• 57:48
  Speaker 5: the set from the writer's room, and the writer's room
• 57:50
  Speaker 5: was in another wing of the hospital. He would tweak
• 57:53
  Speaker 5: a lot of stuff. He would say, I actually don't
• 57:55
  Speaker 5: love this blocking. I think how it had it in
• 57:57
  Speaker 5: my head was X Y or Z, and and he
• 58:00
  Speaker 5: would he would he would tweak our performance in our
• 58:02
  Speaker 5: jokes too, to the point where, like a lot of
• 58:04
  Speaker 5: times I think actors like don't like a line read,
• 58:06
  Speaker 5: and I just had so much respect for him. I'd
• 58:08
  Speaker 5: be like, yeah, just if you've got some way in
• 58:10
  Speaker 5: your head, just you know, tell us we'll do it right.
• 58:14
  Speaker 1: Yeah, all right, Well, thank you for coming on, Lexis plumb.
• 58:19
  Speaker 1: Are you gonna give her? Are you gonna give you
• 58:21
  Speaker 1: the Oprah? Goodbye? Send off as well done.
• 58:24
  Speaker 3: Let's say goodbye to Alexis trus Plumber.
• 58:29
  Speaker 1: You get a car, You get a car, You get a.
• 58:31
  Speaker 2: Car, Alexis, We cannot give you a car.
• 58:33
  Speaker 6: I know it's okay.
• 58:34
  Speaker 1: I can't go anywhere anyway, go anywhere, Yes, yes, go
• 58:38
  Speaker 1: get a state. When this is all said and done
• 58:39
  Speaker 1: at the Glass Lounge, all right, thank you so much, Alexis,
• 58:42
  Speaker 1: Alexis writer you guys. At eleven forty nine, One of
• 58:45
  Speaker 1: my biggest regrets in the history of Scrubs is that
• 58:48
  Speaker 1: I flinch right before those bricks fall on me. And
• 58:51
  Speaker 1: I remember Bill being so disappointed in me because there
• 58:54
  Speaker 1: were like four takes of it and I flinched every time.
• 58:56
  Speaker 1: But it's pretty tricky to not flinch when you know, bunch,
• 59:00
  Speaker 1: I know that they're not real bricks, but it still
• 59:03
  Speaker 1: was noticeably uncomfortable.
• 59:06
  Speaker 5: I mean, it'd be pretty hard not to especially, I
• 59:08
  Speaker 5: feel like all that shit, like even if it was
• 59:10
  Speaker 5: like a major pratfall or something, once you've done it once,
• 59:14
  Speaker 5: I feel like our best chance out of the gate
• 59:16
  Speaker 5: is on your first take, because the second you've done
• 59:18
  Speaker 5: it once, you know what's going to happen. You know
• 59:19
  Speaker 5: the feeling of it. Maybe you like tweak something a
• 59:21
  Speaker 5: little bit in your shoulder and then it's kind of
• 59:23
  Speaker 5: it's around.
• 59:23
  Speaker 1: But this was early on in the show, and I
• 59:25
  Speaker 1: and I and I was I was really loving doing
• 59:27
  Speaker 1: physical comedy and I always love physical comedy. You referenced
• 59:30
  Speaker 1: John Ridder. I mean when I grew up on Three's Company,
• 59:32
  Speaker 1: and I just thought that John Ridder was the funniest
• 59:35
  Speaker 1: person I'd ever seen, and I wanted to be like him.
• 59:39
  Speaker 1: And Bill was giving me lots of love for my
• 59:41
  Speaker 1: physical comedy. And this was the first moment where he
• 59:43
  Speaker 1: like called me in the editors room. He's like, dude,
• 59:45
  Speaker 1: you flinched on every take And I was like, no,
• 59:49
  Speaker 1: you blew it. I was like, I let Daddy down
• 59:52
  Speaker 1: fucking blew it.
• 59:53
  Speaker 5: The first time I was called up by by Bill
• 59:56
  Speaker 5: after he left the editing room was you guys will
• 59:59
  Speaker 5: remember the we had been so lucky to get nominated
• 1:00:03
  Speaker 5: for an Emmy and we were going and we were
• 1:00:05
  Speaker 5: excited and I got to borrow this fancy dress and
• 1:00:09
  Speaker 5: the stylist I never had a stylist before, and she said,
• 1:00:13
  Speaker 5: so you need to go get it. And I said, no,
• 1:00:19
  Speaker 5: I'm not going to do that. I'm not going to
• 1:00:20
  Speaker 5: go get a tan and she said, okay, go get
• 1:00:22
  Speaker 5: a spray tan, and so I said, okay. So I
• 1:00:25
  Speaker 5: think the Emmys were like on the Sunday and so
• 1:00:27
  Speaker 5: on the Friday of work.
• 1:00:28
  Speaker 2: It might have been well before that. It might have
• 1:00:30
  Speaker 2: been well before that.
• 1:00:31
  Speaker 3: It might have been like maybe five days before or
• 1:00:34
  Speaker 3: something like that, dude, because we did the whole up.
• 1:00:41
  Speaker 5: Okay, So I get to uh, I get to the
• 1:00:43
  Speaker 5: tanning booth and it's like that fucking episode of Friends
• 1:00:46
  Speaker 5: where Ross becomes a nine instead of for three because
• 1:00:48
  Speaker 5: it keeps spraying stuff at him. He doesn't turn around.
• 1:00:51
  Speaker 5: Its sprays again. So I get in there and you
• 1:00:54
  Speaker 5: watch this little video and you put this cream on
• 1:00:55
  Speaker 5: your hands and you got to spin around and do
• 1:00:57
  Speaker 5: these weird poses. And I had like negative five minute
• 1:01:00
  Speaker 5: to get this done before going to set, and I
• 1:01:01
  Speaker 5: put a hairnet over my face so that I wouldn't
• 1:01:04
  Speaker 5: tan my face, and then I rip that off and
• 1:01:06
  Speaker 5: then then keep spraying. And so I get to set
• 1:01:10
  Speaker 5: and I'm I'm tanned, and then.
• 1:01:14
  Speaker 2: I say, hold on, now you were you were full
• 1:01:16
  Speaker 2: of Oh no, not.
• 1:01:18
  Speaker 5: Yet, not yet, because what happens with this spray ten
• 1:01:20
  Speaker 5: is it develops over time. And so I was in
• 1:01:23
  Speaker 5: the makeup chair and my makeup and we're doing these
• 1:01:25
  Speaker 5: scenes and then as the day goes on, I'm just
• 1:01:27
  Speaker 5: getting like more and more and more tanned, and instead
• 1:01:31
  Speaker 5: of actually tanned, it was just more and more and
• 1:01:33
  Speaker 5: more orange. And so Bill comes harder than any special
• 1:01:37
  Speaker 5: effect we've ever done on a show, order than the
• 1:01:39
  Speaker 5: Zac's head explode in the fantasy sequence, is going to
• 1:01:44
  Speaker 5: be making you look less like an oop lumpa. They
• 1:01:48
  Speaker 5: were like, we're trying to float filters in front of
• 1:01:49
  Speaker 5: your face because we can't color time it and just
• 1:01:52
  Speaker 5: jack out, like we can't just wind the knob and
• 1:01:55
  Speaker 5: take out some of the color because we keep doing it.
• 1:01:57
  Speaker 5: You're see with Donald and then make Donald white.
• 1:02:00
  Speaker 3: Dude, I'm gonna say something right now. I remember, I
• 1:02:02
  Speaker 3: remember when it happened. I remember you being on set
• 1:02:04
  Speaker 3: and I remember saying to you, did you change something?
• 1:02:07
  Speaker 3: Did you do your hair different or something like that?
• 1:02:09
  Speaker 3: What's so different?
• 1:02:11
  Speaker 2: And you were I remember ten.
• 1:02:12
  Speaker 1: I remember, just like kids in a in a family,
• 1:02:14
  Speaker 1: the three of us, whenever one of us was in trouble,
• 1:02:17
  Speaker 1: I was always so happy when it wasn't me, and
• 1:02:19
  Speaker 1: you just be like you just be on set, just
• 1:02:21
  Speaker 1: kind of bouncing around like shit, somebody's in trouble and
• 1:02:24
  Speaker 1: it's not me, and Sarah is freaking orange, so embarrassing.
• 1:02:30
  Speaker 1: It's like we were laughing the other time.
• 1:02:32
  Speaker 2: I got the braces on the inside of my mouth.
• 1:02:34
  Speaker 1: They were laughing about that. When Donald showed up with
• 1:02:36
  Speaker 1: bracest and he would like, so Bill, I got braefif
• 1:02:39
  Speaker 1: and nobody couldn't even notice.
• 1:02:43
  Speaker 2: The exact same thing.
• 1:02:45
  Speaker 5: Oh good, So did you just have to go get
• 1:02:48
  Speaker 5: and taken out?
• 1:02:48
  Speaker 1: Yeah?
• 1:02:49
  Speaker 2: Right off? Yeah dude, Yeah, he made me getting taken out.
• 1:02:51
  Speaker 5: I got in visil line in like season two. Everybody
• 1:02:53
  Speaker 5: made so much fun of me, but I had to.
• 1:02:55
  Speaker 5: I would like, I had to take him out like
• 1:02:56
  Speaker 5: right before tape. But you're supposed to war like twenty
• 1:02:58
  Speaker 5: two to tween, like it was just a disaster.
• 1:03:01
  Speaker 1: I just remember Donald. It was so funny watching him
• 1:03:03
  Speaker 1: try to sell the bill that the brace is. Nobody
• 1:03:06
  Speaker 1: was gonna notice those braces on the inside of his teeth.
• 1:03:08
  Speaker 2: It's gonna be great. Everybody's gonna love this. Nobody keep
• 1:03:10
  Speaker 2: a good notice.
• 1:03:11
  Speaker 1: And I think it's gonna be great for my It's
• 1:03:13
  Speaker 1: gonna be great for my teeth.
• 1:03:16
  Speaker 5: I remember I went I went home that night after
• 1:03:18
  Speaker 5: the spray tan and I had to scrub every ounce
• 1:03:21
  Speaker 5: of my body. I just my face and my body.
• 1:03:24
  Speaker 5: I just was like taking to it. And then I
• 1:03:26
  Speaker 5: did a movie in Hawaii last year and the person
• 1:03:28
  Speaker 5: wanted us to do a spray tand so Lauren Lapis
• 1:03:31
  Speaker 5: who plays the lead in the movie, and I was
• 1:03:33
  Speaker 5: supposed sposed to spray TANNDS and I said, I've actually
• 1:03:35
  Speaker 5: had a couple of really bad experiences with spray tanns.
• 1:03:38
  Speaker 5: I don't recommend it. I think it's just reacts with
• 1:03:41
  Speaker 5: me the bad Orangeewey And they're like, no, no, no,
• 1:03:44
  Speaker 5: we have like the best people in Hawaii. They're gonna
• 1:03:46
  Speaker 5: come they're gonna do it. You're gonna love it. So
• 1:03:48
  Speaker 5: I come down. The next morning, the woman comes to
• 1:03:51
  Speaker 5: how Tell room, the four sprays you down. I come down.
• 1:03:53
  Speaker 5: It's the hair and makeup trailer, and they are freaking out.
• 1:03:55
  Speaker 5: They're like, your legs are orange. And then Lauren Lapis
• 1:03:58
  Speaker 5: hasn't seen any of this preamble chee walks and she's like,
• 1:04:02
  Speaker 5: who loves the sprint? And they're like, Sarah, quickly go
• 1:04:06
  Speaker 5: back up, Joe tone, take some salt. Scrub, scrub it
• 1:04:08
  Speaker 5: all off, get.
• 1:04:09
  Speaker 1: It all off quick.
• 1:04:09
  Speaker 5: I'm like, okay, I'll be right back.
• 1:04:12
  Speaker 1: Oh God, So Sarah, I don't think Spray's hands are
• 1:04:14
  Speaker 1: for you.
• 1:04:14
  Speaker 6: No.
• 1:04:15
  Speaker 2: Do you burn when you get into the sun?
• 1:04:17
  Speaker 3: Uh?
• 1:04:18
  Speaker 6: He is?
• 1:04:19
  Speaker 1: She's very pale. Look at her, like how pale she is.
• 1:04:22
  Speaker 5: It was the other joke on this movie Reason Hawaii.
• 1:04:25
  Speaker 5: I would literally, in between in between scenes, I would be,
• 1:04:28
  Speaker 5: you know, completely covered up to the point where we
• 1:04:31
  Speaker 5: would go out at night and everyone else would be like, uh, chock,
• 1:04:37
  Speaker 5: do you have your son screening on? Like I just
• 1:04:39
  Speaker 5: I mean, oh I burn.
• 1:04:41
  Speaker 1: Let's talk about this scene. But the dramatic scene, Sarah,
• 1:04:43
  Speaker 1: I think your acting is really good. Here at seventeen
• 1:04:46
  Speaker 1: oh three, there's this awesome scene where you and Judy
• 1:04:49
  Speaker 1: where Judy comes to get you and you're at the
• 1:04:50
  Speaker 1: soda machine. I think this is a really really good
• 1:04:52
  Speaker 1: acting on your part.
• 1:04:54
  Speaker 2: Was this Was this the first big monologue for you
• 1:04:57
  Speaker 2: on the show?
• 1:04:58
  Speaker 5: I thought you were gonna say? Was this the first
• 1:05:00
  Speaker 5: that you put in your iPod and listen to Josh Raiden?
• 1:05:02
  Speaker 6: Oh?
• 1:05:03
  Speaker 1: Is that what you did? Or you're giving Josh Raiden?
• 1:05:05
  Speaker 2: Was it Josh Raiden?
• 1:05:05
  Speaker 5: Or was it?
• 1:05:06
  Speaker 2: Who was it?
• 1:05:07
  Speaker 1: I will remember, well, don't don't take away her, don't
• 1:05:12
  Speaker 1: take away her. Josh Raiden plugged Donald.
• 1:05:15
  Speaker 2: Josh Rayden's gotten enough plugs on this show?
• 1:05:17
  Speaker 5: Is that? Is that?
• 1:05:17
  Speaker 1: Is that how you used to get to make your
• 1:05:19
  Speaker 1: eyes uh, to make yourself emotional in eyes tear up?
• 1:05:22
  Speaker 5: Well? I was still young, I mean at that point.
• 1:05:24
  Speaker 5: Now you know, as you grow old or you have
• 1:05:27
  Speaker 5: many more experiences draw from. But I used to use
• 1:05:29
  Speaker 5: an iPod and I would play sad music and kind
• 1:05:32
  Speaker 5: of get into the mode. I don't know then that
• 1:05:34
  Speaker 5: scene was kind of it was very early on. It
• 1:05:37
  Speaker 5: was enough. I mean I remember just shooting.
• 1:05:38
  Speaker 1: It, and it was was it babies got back. I
• 1:05:42
  Speaker 1: mean there's something about the lyrics.
• 1:05:44
  Speaker 6: This.
• 1:05:45
  Speaker 5: You can see if you look very closely, if you
• 1:05:46
  Speaker 5: stop freeze the frame, you can see my hips just
• 1:05:49
  Speaker 5: kind of undulate. My booty's shaken a little bit. Yeah,
• 1:05:53
  Speaker 5: Josh Raiden, let's give a plug man. He he obviously
• 1:05:57
  Speaker 5: was a soundtrack to many things. I delivered my children
• 1:05:59
  Speaker 5: to josh O Raydory.
• 1:06:01
  Speaker 1: You go if you're gonna, if you're gonna deliver your
• 1:06:03
  Speaker 1: children and that's coming up, we recommend you use the
• 1:06:06
  Speaker 1: musical stylings of Joshua Raidon.
• 1:06:09
  Speaker 3: Josh Raidon sang the song at my wedding. Their first
• 1:06:13
  Speaker 3: dance was to Josh Raydon and he fucked up the
• 1:06:15
  Speaker 3: song tremendously, he did. But I love them, Oh my god.
• 1:06:18
  Speaker 3: He didn't even remember the song. I got the video,
• 1:06:21
  Speaker 3: Which got the video?
• 1:06:22
  Speaker 1: Which which song of it was it? It was? It
• 1:06:25
  Speaker 1: was which song of his?
• 1:06:26
  Speaker 3: No, it was moon pours through the ceiling tonight and
• 1:06:31
  Speaker 3: praises us with life And it was perfect for the uh,
• 1:06:35
  Speaker 3: for the moment.
• 1:06:36
  Speaker 2: The rest of my life. Cake of this night. Whoa yeah,
• 1:06:42
  Speaker 2: And only the heartaches have given me side. They bring
• 1:06:47
  Speaker 2: me to you, right, bring me to you fucked it
• 1:06:50
  Speaker 2: up the whole He fucked up the whole song, dude.
• 1:06:53
  Speaker 2: I wish op No, it was It's fun, dude, he
• 1:06:58
  Speaker 2: did it. Listen.
• 1:06:59
  Speaker 3: It's not every day you get somebody like him to
• 1:07:02
  Speaker 3: one perform at your wedding, also to do it for free.
• 1:07:05
  Speaker 1: So you know that he also performed at Ellen's wedding.
• 1:07:08
  Speaker 2: I'm sure they paid him. I didn't have to pay
• 1:07:11
  Speaker 2: him and for that alone. And thank you Josh Raydon.
• 1:07:16
  Speaker 2: You are one of my heroes.
• 1:07:19
  Speaker 5: KEVII Donald didn't ask me to sing at his wedding.
• 1:07:21
  Speaker 1: By the way, has the worst voice in the world. America.
• 1:07:24
  Speaker 1: Let me tell you something, America and all other nations listening,
• 1:07:27
  Speaker 1: don't ever let Sarah sing. Windows will break these what
• 1:07:32
  Speaker 1: this what's happening in my house? The windows going?
• 1:07:36
  Speaker 5: I was conspicuously absent in the musical episode.
• 1:07:39
  Speaker 1: And also, do you remember when when the whenyl when
• 1:07:43
  Speaker 1: Daryl Hannah and splash says her name. That's what happens
• 1:07:45
  Speaker 1: when Sarah.
• 1:07:48
  Speaker 5: I guess we haven't covered that yet that you guys
• 1:07:50
  Speaker 5: didn't ask me to help you record the opening song?
• 1:07:53
  Speaker 5: Can you imagine?
• 1:07:53
  Speaker 1: Do you like our song?
• 1:07:55
  Speaker 5: I love your song?
• 1:07:56
  Speaker 1: Yeah, Charlie Pooth wrote the music and Donald and I
• 1:07:58
  Speaker 1: were Donald and I were the lyrisis.
• 1:08:00
  Speaker 2: Well, we wrote the melody too and then sent it
• 1:08:02
  Speaker 2: to him. Well the melody is right.
• 1:08:04
  Speaker 1: Credit for melody melody was us. Charlie Pooth is producer
• 1:08:08
  Speaker 1: and music writer, right, and you and I are the lyricists.
• 1:08:13
  Speaker 2: But we can also we also need to give a
• 1:08:15
  Speaker 2: little shout out to sitcom shows from back in the day,
• 1:08:18
  Speaker 2: like the Jefferson Oh.
• 1:08:20
  Speaker 1: Yeah, and someone said on Twitter, I thought it was
• 1:08:22
  Speaker 1: it was right. It said it's a mix between the
• 1:08:24
  Speaker 1: Brady Bunch theme and the Jeffersons theme.
• 1:08:26
  Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah, that's exactly what it is.
• 1:08:30
  Speaker 1: Yeah, I thought that was really perfect. Sarah, do you
• 1:08:33
  Speaker 1: find yourself singing our theme song when you're in your
• 1:08:36
  Speaker 1: house in quarantine?
• 1:08:37
  Speaker 5: It's it's you know, I I've actually learned it. I've
• 1:08:40
  Speaker 5: got learning the guitar of the ukulelea actually, and i''ll
• 1:08:43
  Speaker 5: send you guys a clip of me singing and you
• 1:08:45
  Speaker 5: you know, I'll leave it in your hands if you show.
• 1:08:48
  Speaker 1: My girlfriend caught me on the treadmill listening to our
• 1:08:50
  Speaker 1: theme song and laughed at me, not with me, at me,
• 1:08:56
  Speaker 1: you're proud of it.
• 1:08:56
  Speaker 5: You're proud of it.
• 1:08:57
  Speaker 3: Things I noticed about the show, about this show go ahead.
• 1:09:00
  Speaker 3: I had no idea that I bopped that hard in
• 1:09:02
  Speaker 3: the hallway. And when I say bop, I mean like
• 1:09:05
  Speaker 3: I had this straight up. My walk is legendary.
• 1:09:10
  Speaker 1: To go strut? Is it like a stress?
• 1:09:12
  Speaker 2: It's like a struck. But it's like so over the top, dude,
• 1:09:15
  Speaker 2: it's so over the top.
• 1:09:16
  Speaker 1: It's like George Jefferson when he would this is.
• 1:09:18
  Speaker 2: Exactly like George jeffersons it's like so heavy. It's like, yo, dude,
• 1:09:24
  Speaker 2: why are you going so hard with that?
• 1:09:26
  Speaker 1: And that was your inspiration? Do you remember who your
• 1:09:28
  Speaker 1: inspiration was?
• 1:09:29
  Speaker 2: It's always Sherman Hemsley, Sherman Hemsley always.
• 1:09:32
  Speaker 1: I wanted to say something about the scene in nineteen
• 1:09:36
  Speaker 1: oh seven There's the I had this dramatic scene with
• 1:09:38
  Speaker 1: Catherinejustin and it was the first time I ever had
• 1:09:41
  Speaker 1: the balls to go to Bill because I thought I
• 1:09:44
  Speaker 1: did a good job. And then he showed me an
• 1:09:46
  Speaker 1: edit of it and he had taken out some of
• 1:09:48
  Speaker 1: my dramatic pauses, and it was one of the first
• 1:09:52
  Speaker 1: times in my acting career where I was like I
• 1:09:54
  Speaker 1: was like, I gotta go talk to him because he's
• 1:09:56
  Speaker 1: making me look like a bad actor. He's he's taking
• 1:09:58
  Speaker 1: out the pauses like you know, because you know, the
• 1:10:00
  Speaker 1: show had to be cut down to twenty two minutes
• 1:10:02
  Speaker 1: or something, and I remember Bill Willing like, dude, there's
• 1:10:04
  Speaker 1: no time. It's twenty two minutes. There's no time for pauses.
• 1:10:06
  Speaker 1: There's no time for dramatic pauses. And I think in
• 1:10:10
  Speaker 1: the end he put he put a little bit back,
• 1:10:12
  Speaker 1: but it was like it was when she goes, are
• 1:10:14
  Speaker 1: you okay? And then I go, I'm scared. And then
• 1:10:18
  Speaker 1: when I saw it edited together for the first time,
• 1:10:19
  Speaker 1: I was like, are you okay? I'm scared? And I
• 1:10:21
  Speaker 1: was like, oh, that makes me look really bad. And
• 1:10:23
  Speaker 1: this is the thing that actors, I'm sure I know
• 1:10:26
  Speaker 1: as a director feel all the time. Sometimes you look
• 1:10:29
  Speaker 1: and go, why did you cut me like that? Like
• 1:10:31
  Speaker 1: on the day, I thought I was doing a much
• 1:10:32
  Speaker 1: better job. But if you take out that pause and
• 1:10:35
  Speaker 1: cut to me like like that, I don't look as
• 1:10:38
  Speaker 1: good as I want to be. You know, I'm sure
• 1:10:39
  Speaker 1: you guys had that feeling throughout the show sometimes.
• 1:10:41
  Speaker 3: Well yeah, you know you We would tell jokes sometimes
• 1:10:44
  Speaker 3: and jokes wouldn't make the show, and you know, we'd
• 1:10:47
  Speaker 3: have moments where we thought, you know, we were crushing
• 1:10:51
  Speaker 3: it and then only to see you know, the editors
• 1:10:55
  Speaker 3: and Bill decided to use the reaction shot instead of
• 1:10:58
  Speaker 3: your actual you know, instead of your.
• 1:11:00
  Speaker 2: Before gone right or the joke's just completely gone right. Yeah,
• 1:11:03
  Speaker 2: I love that.
• 1:11:04
  Speaker 5: I love that scene that you're talking about, Zac. It
• 1:11:06
  Speaker 5: was one of my favorite ones in the in the
• 1:11:07
  Speaker 5: episode when you know, she tells you to go and
• 1:11:10
  Speaker 5: live your life and you're like, you know, uh huh uh,
• 1:11:13
  Speaker 5: I'm just taking on a few things and you go
• 1:11:14
  Speaker 5: up to the thing and you're kind of pretending.
• 1:11:16
  Speaker 1: I don't want to go, and and then it's always
• 1:11:18
  Speaker 1: you know, my father, who passed away recently, always always
• 1:11:22
  Speaker 1: would reference this moment in Scrubs that he thought it
• 1:11:25
  Speaker 1: was so incredibly moving, the idea of a of an
• 1:11:27
  Speaker 1: older woman comforting a young doctor about death. And and
• 1:11:33
  Speaker 1: he said, I just you know, he was He's like,
• 1:11:35
  Speaker 1: I never seen anything like that before, and and and
• 1:11:38
  Speaker 1: I just watching it this time, I just remember how
• 1:11:41
  Speaker 1: much he would always reference that because it was so
• 1:11:44
  Speaker 1: beautiful that that sentiment that the JD doesn't know how
• 1:11:47
  Speaker 1: to deal with death yet, but here's this older woman
• 1:11:48
  Speaker 1: who's ready to go and she's the one comforting him
• 1:11:51
  Speaker 1: about it. I just thought that was beautifully written.
• 1:11:53
  Speaker 5: Somehow managed to also be funny in parts. That was
• 1:11:55
  Speaker 5: what I couldn't believe, Like when she's just like everybody dies,
• 1:11:58
  Speaker 5: No they don't.
• 1:11:59
  Speaker 2: Right, No, they don't right. The Scheifel to the Miffel Tower.
• 1:12:03
  Speaker 1: The Mindful Tower, the Minffel Tower, about the Minfele Tower.
• 1:12:06
  Speaker 3: That being said, the whole list thing, especially the way
• 1:12:10
  Speaker 3: things are right now, that whole list thing, got me
• 1:12:14
  Speaker 3: to thinking, you know what I mean, I don't have
• 1:12:15
  Speaker 3: any regrets in my life or anything like that, but
• 1:12:18
  Speaker 3: there are certain things that I still want to do,
• 1:12:21
  Speaker 3: you know what I mean. And uh, you know, we're
• 1:12:25
  Speaker 3: in quarantine and it doesn't seem like, you know, it
• 1:12:28
  Speaker 3: doesn't feel like we're going to get out of this
• 1:12:29
  Speaker 3: anytime soon, you know what I mean. Not to sound
• 1:12:32
  Speaker 3: more but or dark or anything like that, but when
• 1:12:35
  Speaker 3: JD brings up the list and she's like, I've done
• 1:12:37
  Speaker 3: all of those things already, it really made me think, like, well,
• 1:12:42
  Speaker 3: you know, when this is over, I'm gonna make sure
• 1:12:45
  Speaker 3: that I get out and I live a lot more
• 1:12:47
  Speaker 3: than I did before, you know what I mean?
• 1:12:49
  Speaker 1: And well, that's interesting. I mean, this quarantine thing, I agree.
• 1:12:53
  Speaker 1: I think it gives you perspective. And I've just been
• 1:12:56
  Speaker 1: feeling focusing on gratitude a lot because I just think that,
• 1:12:59
  Speaker 1: like when all this is so insane, and it makes
• 1:13:03
  Speaker 1: you focus on how lucky we are and what we
• 1:13:06
  Speaker 1: want to appreciate in life. You know, they just the
• 1:13:08
  Speaker 1: simple things like being able to go to a restaurant
• 1:13:11
  Speaker 1: with friends and laugh and have a drink. And I
• 1:13:14
  Speaker 1: don't know, it's interesting you say that. So have you
• 1:13:16
  Speaker 1: made a list on? Are you making lists of things
• 1:13:18
  Speaker 1: you want to know?
• 1:13:19
  Speaker 2: I'm going to start a list.
• 1:13:20
  Speaker 1: I know.
• 1:13:20
  Speaker 3: A lot of it has to do with my kids
• 1:13:22
  Speaker 3: and making sure that they get to experience a lot
• 1:13:24
  Speaker 3: of the things that I didn't experience when I was
• 1:13:26
  Speaker 3: a kid when I was young, you know what I mean.
• 1:13:29
  Speaker 3: I try to do that now, but I feel like
• 1:13:31
  Speaker 3: maybe I need to go a little bit overboard, and then,
• 1:13:34
  Speaker 3: you know, have my wife tell me we need to
• 1:13:36
  Speaker 3: dial it back a little bit. We're going too far,
• 1:13:40
  Speaker 3: you know what I mean, Like, Uh, there's certain things
• 1:13:43
  Speaker 3: that my kids have never done that and that's because
• 1:13:46
  Speaker 3: I don't do it, you know what I mean, and don't.
• 1:13:48
  Speaker 2: I don't want to do that to them. I want
• 1:13:50
  Speaker 2: them to have that experience in that adventure.
• 1:13:53
  Speaker 5: I feel like I feel like it's it's also because
• 1:13:57
  Speaker 5: we don't know when this is over. We don't know
• 1:13:59
  Speaker 5: how long we're going to be doing for, and it
• 1:14:00
  Speaker 5: doesn't seem to be short. Obviously it sounds like potent
• 1:14:03
  Speaker 5: until we have a vaccine. Who knows how long this
• 1:14:06
  Speaker 5: chunk of our lives is and what it looks like
• 1:14:07
  Speaker 5: and whether it opens back up. I feel like as
• 1:14:10
  Speaker 5: impossible it is, it is and has trite as it's
• 1:14:13
  Speaker 5: like trying to be in the moment and trying to
• 1:14:14
  Speaker 5: figure out what like the rare times with them that
• 1:14:17
  Speaker 5: I have now that are so hard to get in
• 1:14:21
  Speaker 5: the like in the every day you think about how
• 1:14:22
  Speaker 5: much time you spend in the car driving them to activities,
• 1:14:25
  Speaker 5: doing whatever, and when work takes over and that becomes
• 1:14:28
  Speaker 5: so all consuming, and I feel like as much of
• 1:14:30
  Speaker 5: it is that we can squeeze out just here, like
• 1:14:34
  Speaker 5: just sitting with them. Like I was reading something the
• 1:14:36
  Speaker 5: other day saying, you know, people are worried about their
• 1:14:38
  Speaker 5: kids getting behind in education. What if they actually came
• 1:14:41
  Speaker 5: out ahead. And I thought that was such a cool
• 1:14:42
  Speaker 5: way to look at it, Like, kids, this is going
• 1:14:44
  Speaker 5: to form who they are and who they become. And
• 1:14:47
  Speaker 5: what if they actually start to appreciate the small things
• 1:14:49
  Speaker 5: that we're starting to appreciate right now instead of just
• 1:14:54
  Speaker 5: the grind of everyday life. And what if they actually
• 1:14:56
  Speaker 5: learn to do meaningful chores at home and learn the
• 1:15:00
  Speaker 5: the value in that and learn how to you know, actually.
• 1:15:03
  Speaker 2: Be I hear you know.
• 1:15:05
  Speaker 3: The only thing I worry about with all of that
• 1:15:07
  Speaker 3: is there's social skills when this is all said and done,
• 1:15:10
  Speaker 3: you know what I mean, That's the only thing I
• 1:15:12
  Speaker 3: worry about. But yeah, you know, we got this kid reading,
• 1:15:16
  Speaker 3: you know, she's on site words and we're trying to
• 1:15:18
  Speaker 3: get her to read and stuff like that, and we're
• 1:15:20
  Speaker 3: working with math and all of that stuff. But at
• 1:15:23
  Speaker 3: the end of the day, it's like, you know, there's
• 1:15:25
  Speaker 3: something special about being around other children their age to
• 1:15:29
  Speaker 3: interact with, you know what I mean.
• 1:15:31
  Speaker 5: It's so true. I know, my heartbreaks for only kids
• 1:15:34
  Speaker 5: who are you know, having to go through this right
• 1:15:36
  Speaker 5: now with no kids to play with. It's really hard.
• 1:15:39
  Speaker 1: The show ends with Hallelujah by John Cale, which has
• 1:15:42
  Speaker 1: been covered by lots of folks. I thought this was
• 1:15:45
  Speaker 1: a particularly beautiful rendition, and again I think it was
• 1:15:50
  Speaker 1: the first real time I noticed the show ending with
• 1:15:53
  Speaker 1: a sweet, somber, uplifting song in a beautiful way cutting
• 1:15:58
  Speaker 1: to the montage, and I got I wrote down, I
• 1:16:00
  Speaker 1: got goosebumps at twenty fourteen when we all three whip
• 1:16:04
  Speaker 1: our heads around, yeah, revealing that we've all it's not
• 1:16:08
  Speaker 1: one in three in this case, the odds have fallen,
• 1:16:10
  Speaker 1: so we've lost three of three. I got goosebumps up
• 1:16:14
  Speaker 1: and down my arms at that moment. I thought that
• 1:16:15
  Speaker 1: was really beautifully done.
• 1:16:17
  Speaker 5: Absolutely so shocking when that happens, right Like, as a viewer,
• 1:16:20
  Speaker 5: I think you're not expecting that. You're kind of waiting
• 1:16:22
  Speaker 5: for that statistic that they set up at the beginning.
• 1:16:25
  Speaker 2: And then we end the show.
• 1:16:26
  Speaker 3: And this is what I was saying a few episodes before, Sarah,
• 1:16:30
  Speaker 3: you weren't here for this, but it's really important for
• 1:16:32
  Speaker 3: doctors to be able to pick themselves back up after
• 1:16:36
  Speaker 3: something like this happens. And you know, it's also very
• 1:16:40
  Speaker 3: important that this happens to these young doctors at an
• 1:16:43
  Speaker 3: early time, so they do know how to set up
• 1:16:45
  Speaker 3: boundaries and do know how to set up balls to
• 1:16:49
  Speaker 3: help them be professional. It's tragic that it has to
• 1:16:52
  Speaker 3: be death that does it, but yeah, you know, to
• 1:16:55
  Speaker 3: lose someone you care about and then show up the
• 1:16:56
  Speaker 3: next day at that job, it's very difficult. I can't
• 1:17:00
  Speaker 3: I can't imagine it. I find it difficult to watch
• 1:17:03
  Speaker 3: and it's very difficult to experience.
• 1:17:05
  Speaker 2: I would imagine.
• 1:17:06
  Speaker 5: And that was that, and that piece of It's so
• 1:17:07
  Speaker 5: cool that the show kind of owes that right after,
• 1:17:09
  Speaker 5: with all, you know, Churt going back and introducing himself
• 1:17:12
  Speaker 5: to the patient, Jad taking the time to go be
• 1:17:14
  Speaker 5: on the grass, Elliott kind of figuring out how to
• 1:17:16
  Speaker 5: take charge. And that was kind of cool too. Johnny's
• 1:17:19
  Speaker 5: conversation with Elliott when he says, you made the right call,
• 1:17:23
  Speaker 5: you did, and she says, I know, and I don't.
• 1:17:26
  Speaker 5: I didn't remember that. And when I saw that, I,
• 1:17:29
  Speaker 5: you know, just sort of having her take that confident position.
• 1:17:32
  Speaker 1: Yeah, that was really powerful. I was really powerful. I thought, Okay, listen, guys,
• 1:17:37
  Speaker 1: we did it. We did it. I'm so glad Sarah
• 1:17:39
  Speaker 1: we had you because we wanted to have you on
• 1:17:40
  Speaker 1: this one, because we all keep saying this was a
• 1:17:43
  Speaker 1: very special episode for all of us, and thank you
• 1:17:46
  Speaker 1: for for coming on. And I hope you know we're
• 1:17:49
  Speaker 1: having fun doing this. I hope that Donald and I
• 1:17:51
  Speaker 1: both hope that you'll come as as as many times
• 1:17:53
  Speaker 1: as you're willing to and and rewatch the show with us.
• 1:17:56
  Speaker 5: I loved it. It was so fun, so fun to do.
• 1:17:59
  Speaker 2: So is that a yes?
• 1:18:00
  Speaker 1: Was that a yes? That was a very non chemical
• 1:18:02
  Speaker 1: very that is?
• 1:18:03
  Speaker 6: That is?
• 1:18:03
  Speaker 5: I'm in you? Just you can know where I am, Guys,
• 1:18:05
  Speaker 5: I'm not doing anything.
• 1:18:06
  Speaker 1: How do you say? How do you say goodbye? And Canadians?
• 1:18:09
  Speaker 2: I think it's goodbye? Wait? Is it something like? That's French?
• 1:18:16
  Speaker 1: That's well, you know there's a lot of them speak
• 1:18:18
  Speaker 1: French up there, Donald Bilingo country here, guys?
• 1:18:21
  Speaker 6: Is it?
• 1:18:22
  Speaker 1: Yes? On that note? Donald, if you'll lead us in song?
• 1:18:26
  Speaker 6: Uh?
• 1:18:26
  Speaker 5: Why god?
• 1:18:27
  Speaker 2: Donald?
• 1:18:27
  Speaker 5: Why can't I lead us in song?
• 1:18:28
  Speaker 1: Sorry? You can lead us in song? We will now, Donald, Countison,
• 1:18:32
  Speaker 1: please one two? I prefer when you count down like DeBie.
• 1:18:38
  Speaker 2: Okay, you got big dreams, you take the monologue. This
• 1:18:42
  Speaker 2: time fame costs and right here is where you start paying.
• 1:18:46
  Speaker 4: The sweat by six stories, I'm not sure we made
• 1:18:55
  Speaker 4: about a bunch of.
• 1:19:00
  Speaker 1: The story. Next all should know
• 1:19:04
  Speaker 4: So Gadder Rado here, hop Gatherer rad you here, Hobbs Butch,
• 1:19:09
  Speaker 4: We watch your Witz and and no