Latest / DISGRACELAND / Bonus Episode: The Red X Tapes, True Badasses, and Ronnie Wood Guys

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Bonus Episode: The Red X Tapes, True Badasses, and Ronnie Wood Guys · DISGRACELAND

• 0:00
  Speaker 1: Hey Disco's, You can listen to an extended version of
• 0:02
  Speaker 1: this after party episode by becoming a member of Disgraceland
• 0:06
  Speaker 1: All Access. Just go to disgracelandpod dot com slash membership
• 0:11
  Speaker 1: for more details and to sign up. What's up, everybody,
• 0:14
  Speaker 1: Welcome to Disgraceland, which is brought to you by Double Elvis.
• 0:17
  Speaker 1: This week, we have a part two of our Peter
• 0:19
  Speaker 1: Tosh story in the Disgraceland feed. And don't forget about
• 0:22
  Speaker 1: that exclusive Hunter S. Thompson episode that's available to our
• 0:25
  Speaker 1: All Access members and our Patreon and Apple subscription feeds.
• 0:29
  Speaker 1: You can go get that now. You got to do
• 0:30
  Speaker 1: a sign up. Another reminder to all the parents out there,
• 0:33
  Speaker 1: we have a brand new episode of our new season
• 0:36
  Speaker 1: of Music Land Stories, Season two, set this time not
• 0:39
  Speaker 1: in space but in the ocean. That's our fiction show
• 0:43
  Speaker 1: for kids and families, and that's available for you right
• 0:45
  Speaker 1: now as well. And finally, over in Shred with Shifty,
• 0:49
  Speaker 1: that's our show hosted by Chris Shiflett of the Foo Fighters.
• 0:51
  Speaker 1: He's got a brand new episode talking to guitar slinger
• 0:53
  Speaker 1: Joe Bonamasa. All right, let's do this, Hey Disco, need
• 1:00
  Speaker 1: a little more Disgraceland in your life, just to touch,
• 1:03
  Speaker 1: to get you through. Yeah, me too. This is the
• 1:06
  Speaker 1: podcast that comes after the podcast. Welcome to Disgraceland. The
• 1:11
  Speaker 1: after Party. Welcome to the Disgraceland bonus episode, a little
• 1:28
  Speaker 1: thing we like to call the after party. This is
• 1:31
  Speaker 1: the show after the show, the party after the party,
• 1:33
  Speaker 1: the bridge to get you from one full episode of
• 1:35
  Speaker 1: Disgraceland to the other, the backyard to dig into the dirt.
• 1:38
  Speaker 1: On this episode, we are talking about the conclusion of
• 1:42
  Speaker 1: our two part Peter Tosh story, with part two in
• 1:44
  Speaker 1: your Disgraceland feeds right now. Conspiracy theories, some of them
• 1:47
  Speaker 1: involving Peter Tosh's assassination, and of course your voicemails, text,
• 1:51
  Speaker 1: dms and more, and as always, a whole lot of rosy.
• 1:55
  Speaker 1: All right, disc goes, let's get into it, all right.
• 2:11
  Speaker 1: Conspiracy theories they're a tough hang for me. They are
• 2:14
  Speaker 1: a useless wormhole in my opinion. On the one hand,
• 2:17
  Speaker 1: I don't really believe it actually in conspiracy theories. Let
• 2:21
  Speaker 1: me explain. In the world out there, of course, on
• 2:23
  Speaker 1: the Internet and elsewhere, there are of course conspiracy theories.
• 2:27
  Speaker 1: I acknowledge that they do exist. I believe that those
• 2:29
  Speaker 1: are a thing, Yes, of course I do. But what
• 2:32
  Speaker 1: I don't believe in most of the time anyways, is
• 2:34
  Speaker 1: that these secret cabals, these powerful elements of society, the
• 2:38
  Speaker 1: Illuminati or whatever. I don't believe that they band together
• 2:40
  Speaker 1: in secret to come up with some sort of master
• 2:42
  Speaker 1: plan to pull off that results in people being killed
• 2:45
  Speaker 1: or subjugated or whatever. What I do believe happens more
• 2:49
  Speaker 1: often than not is that powerful forces are unleashed for
• 2:53
  Speaker 1: whatever reason, but usually by happenstance, sometimes by willful ignorance,
• 2:57
  Speaker 1: and very rarely in conjunction with one another. And these
• 2:59
  Speaker 1: four does affect this super dramatic result. Sure, I will
• 3:04
  Speaker 1: admit that, so in retrospect, after say, I don't know
• 3:08
  Speaker 1: the President of the United States gets shot in Dallas
• 3:10
  Speaker 1: in nineteen sixty three, or Jeffrey Epstein kills himself in
• 3:13
  Speaker 1: his jail cell, or whatever. It's easy for armchair internet
• 3:17
  Speaker 1: sluse modern day tinfoil hat wearers to piece together these
• 3:22
  Speaker 1: grand narratives to help explain what can be seen as
• 3:26
  Speaker 1: either a super complex storyline that is highly compelling in
• 3:29
  Speaker 1: the case of the JFK assassination, or a super obvious explanation,
• 3:33
  Speaker 1: as is the case with Jeffrey Epstein's death. The conspiracy
• 3:37
  Speaker 1: theory is just the way to explain the unexplainable. Does
• 3:40
  Speaker 1: that make sense? It makes sense to me anyways. The conspiracy,
• 3:44
  Speaker 1: the theory behind the conspiracy is not the motivating factor,
• 3:47
  Speaker 1: you know what I'm saying. The CIA did not hold
• 3:50
  Speaker 1: meetings with the Mafia and Lyndon Baines Johnson to plot
• 3:52
  Speaker 1: out how to murder John F. Kennedy. Bill Clinton did
• 3:55
  Speaker 1: not Venmo Prince Andrew five grand to hire a convict
• 3:57
  Speaker 1: to make Jeffrey Epstein's murder look like a suicide. No,
• 4:01
  Speaker 1: what happened was JFK was a handsome, spoiled rich kid
• 4:04
  Speaker 1: who was used to getting whatever the hell he wanted
• 4:07
  Speaker 1: and making his way through the world on his rich
• 4:08
  Speaker 1: daddy's dime and his own considerable charm, and in an
• 4:11
  Speaker 1: extreme act of hubrist despite however well meeting it might
• 4:14
  Speaker 1: have been, he managed to betray and threaten the existence
• 4:17
  Speaker 1: of two of the most powerful institutions in the world
• 4:19
  Speaker 1: at the same time, the CIA and the Mafia. No
• 4:23
  Speaker 1: conspiracy was needed. The writing was plain as day, and
• 4:27
  Speaker 1: it was right there on the wall. El Prez had
• 4:30
  Speaker 1: to go. And in the case of Epstein, the reason
• 4:33
  Speaker 1: behind his death barely requires any further discussion, so I'm
• 4:36
  Speaker 1: not even gonna touch it, but to say just that
• 4:38
  Speaker 1: there was no conspiracy. It was just decided he had
• 4:41
  Speaker 1: to go. And if it wasn't put into motion by
• 4:43
  Speaker 1: one powerful player who Epstein had compromising info on, it
• 4:46
  Speaker 1: eventually would have been put into motion by another. Again,
• 4:49
  Speaker 1: Bill Hillary, jay Z, Danny DeVito, Cara Toop, whoever the
• 4:52
  Speaker 1: fuck else was on Epstein's list did not hold conspiratorial
• 4:56
  Speaker 1: meetings to determine how to kill the man. It was
• 4:58
  Speaker 1: just gonna happen. He knew too much about two many people.
• 5:00
  Speaker 1: Someone was eventually going to step up, and they did.
• 5:03
  Speaker 1: And no one empower is interested in the truth ever
• 5:05
  Speaker 1: coming out, so it won't. On the other hand, the
• 5:07
  Speaker 1: world is flat, cocaine is a wonder drug, the g
• 5:11
  Speaker 1: spot is real, Lebron James is the greatest basketball player
• 5:14
  Speaker 1: of all time. If you disagreed with any of these
• 5:16
  Speaker 1: things at one point or another throughout the course of
• 5:18
  Speaker 1: our shared history, then you were considered a conspiracy theorist.
• 5:21
  Speaker 1: So what the fuck do I know? Well? I do
• 5:25
  Speaker 1: know how Peter Tosh died. He was murdered by some
• 5:28
  Speaker 1: shit heel Xicon who added out for him for reasons
• 5:30
  Speaker 1: you'll have to listen to. In the recent episode of Disgraceland.
• 5:33
  Speaker 1: I'm gonna take a quick break and I'll be back
• 5:34
  Speaker 1: on the other side to discuss some of the sources
• 5:37
  Speaker 1: that helped us tell this story of Peter Tosh's death.
• 6:02
  Speaker 1: All Right, we talked a little about the sources that
• 6:04
  Speaker 1: we used for the first Peter Tosh episode in the
• 6:05
  Speaker 1: last week's after Party. I'm not going to rehash those here,
• 6:08
  Speaker 1: but I did want to talk about some really interesting
• 6:09
  Speaker 1: stuff that we dug up that didn't exactly make it
• 6:11
  Speaker 1: into the episode. In a way it did, but not
• 6:14
  Speaker 1: really in a deep dive kind of way. One of
• 6:16
  Speaker 1: the other books that we used that I haven't mentioned
• 6:18
  Speaker 1: yet was This Is Reggae, The Story of Jamaican Music
• 6:21
  Speaker 1: by Lloyd Bradley, which came in really handy, not so
• 6:25
  Speaker 1: much about Peter Tosh himself, but about the world reggae
• 6:27
  Speaker 1: music and Jamaican culture and all that. There's a lot
• 6:29
  Speaker 1: of violence in these episodes, these two Peter Tosh episodes
• 6:32
  Speaker 1: that we did, because this is a lot of violence
• 6:34
  Speaker 1: going on in that world in general. It's like if
• 6:37
  Speaker 1: Martin Scorsese made a movie about the music industry. Okay,
• 6:40
  Speaker 1: political violence, class violence. The music scene in Jamaica at
• 6:43
  Speaker 1: the time was corrupt, but the music side of it
• 6:46
  Speaker 1: was healthy. There was huge sound systems which I touched
• 6:49
  Speaker 1: upon briefly in this episode. These trucks or wagons, whatever
• 6:52
  Speaker 1: you want to call them, outfitted with big, huge speakers
• 6:54
  Speaker 1: and amplifiers that made the music portable and home to present.
• 6:57
  Speaker 1: These systems traveled all over the island. These sounds. Was
• 7:00
  Speaker 1: it parked on a street corner. They were spinning the
• 7:02
  Speaker 1: best vinyl for people, the latest singles that were coming
• 7:05
  Speaker 1: out of Jamaica, the latest American and British releases as
• 7:07
  Speaker 1: well old favorites. It was fucking great. That sounds amazing
• 7:10
  Speaker 1: to me, just like in America of Britain, though nothing new.
• 7:13
  Speaker 1: As all this music is being played over and over
• 7:15
  Speaker 1: again all over the place. The one is making all
• 7:17
  Speaker 1: the money with the record companies and the studio owners.
• 7:19
  Speaker 1: Crime bosses went hand in hand during this time with
• 7:22
  Speaker 1: the studios, with the record companies, loan sharks making high
• 7:25
  Speaker 1: interest loans. It went unpaid. It led to some really
• 7:27
  Speaker 1: brutal consequences if you didn't pay up. And then there's
• 7:31
  Speaker 1: the music royalties which are supposed to be paid out
• 7:33
  Speaker 1: to the artists, but of course they're not, so that
• 7:35
  Speaker 1: in turn leads to the studios and the car is
• 7:37
  Speaker 1: getting tortured is paid back. A lot of violence, a
• 7:38
  Speaker 1: lot of drama. Very interesting. So if you want any
• 7:41
  Speaker 1: of that, go to This is Reggae The Story of
• 7:42
  Speaker 1: Jamaican Music by Lloyd Bradley. You're gonna get a lot
• 7:44
  Speaker 1: of it. And if you're a Jamaican musician back of
• 7:47
  Speaker 1: the day at Peter Tosh, someone like Peter Tosh, if
• 7:49
  Speaker 1: you're gonna rock the boat too much, you're gonna get
• 7:51
  Speaker 1: a target on your back. Peter Tosh, as you heard
• 7:54
  Speaker 1: in this episode, did a lot of rocking the boat,
• 7:58
  Speaker 1: including you know it's funny and the Bob Marley episode.
• 8:02
  Speaker 1: We talked about Bob Marley, strong army DJs, Peter Tosh
• 8:06
  Speaker 1: just trying to buy the fucking radio station. Okay, it
• 8:11
  Speaker 1: wasn't so much to get his music out as it
• 8:13
  Speaker 1: was his message. And you know, the theory, the conspiracy theory,
• 8:17
  Speaker 1: I hate that word phrase, I mean, was that there
• 8:21
  Speaker 1: was a target on his back because of it, and
• 8:23
  Speaker 1: it just we're forced to ask because of all this,
• 8:27
  Speaker 1: because it's out there, it's in the ether, it's very
• 8:29
  Speaker 1: much part of this story. We're forced to ask, why
• 8:31
  Speaker 1: was Peter Tosh murdered? He was shot and killed by
• 8:34
  Speaker 1: a criminal. Of course, we talked about this someone he
• 8:36
  Speaker 1: had pissed off. We talked about the reason why. But
• 8:39
  Speaker 1: that answer is not good enough for most people. Most
• 8:42
  Speaker 1: people think there is more. I did this little Peter
• 8:45
  Speaker 1: Tosh story on part of these episodes where Key takes
• 8:50
  Speaker 1: over Keith Richard's home and Keith comes to kick him out,
• 8:53
  Speaker 1: and I did this in like ninety seconds over on TikTok,
• 8:57
  Speaker 1: and this whole thing erupts, and the comments about how
• 9:02
  Speaker 1: Peter Tosh was murdered and who murdered him, why, and YadA,
• 9:05
  Speaker 1: YadA YadA. For some reason, with some people, these theories
• 9:08
  Speaker 1: just do not go away. So when we do these episodes,
• 9:11
  Speaker 1: we are forced to reckon with them, even if we
• 9:12
  Speaker 1: don't necessarily believe them, believe that it was a conspiracy.
• 9:15
  Speaker 1: That is to say, so we did. We got into it,
• 9:17
  Speaker 1: and I think we presented it in a compelling and
• 9:19
  Speaker 1: interesting way. But I want to know what you think. Okay,
• 9:22
  Speaker 1: this is not TikTok, this is not Instagram. I have
• 9:27
  Speaker 1: time to get into this a little more fully, to
• 9:28
  Speaker 1: get into your thoughts on this in a way that
• 9:32
  Speaker 1: is perhaps a little bit more comprehensive and a little
• 9:34
  Speaker 1: more compelling for us. I want to know what you
• 9:36
  Speaker 1: thought about Peter Tosh in his death. Was he murdered
• 9:39
  Speaker 1: for some other reason than just criminal revenge or wounded pride?
• 9:44
  Speaker 1: Was this something deeper than that? Do you believe that anyways?
• 9:47
  Speaker 1: I obviously don't. Do you think it was powerful forces
• 9:50
  Speaker 1: to be either from the US government or working with
• 9:53
  Speaker 1: Jamaican politicians or the Jamaican government, or with the CIA.
• 9:57
  Speaker 1: What is it? What's your theory? I want to know?
• 9:59
  Speaker 1: Hit me up six one seven nine oh six six
• 10:02
  Speaker 1: six three eight and while we're at it, And this
• 10:04
  Speaker 1: is not a conspiracy theory. I just believe it's the
• 10:06
  Speaker 1: truth hiding in plain sight. Let me know what you
• 10:09
  Speaker 1: think of the vengeance that was distributed to Bob Marley's assassins. Okay,
• 10:14
  Speaker 1: the seven assassins or would be assassins, I should say,
• 10:17
  Speaker 1: who tried to kill Bob Marley? As we discuss in
• 10:20
  Speaker 1: the Bob Marley episode of Disgrace Land, which is a
• 10:22
  Speaker 1: kin of course, and in conversation with the Peter Tosh episode,
• 10:25
  Speaker 1: we discuss how all seven of those assassins wind it
• 10:29
  Speaker 1: up dying violent, brutally violent deaths. One was fucking buried alive. Okay,
• 10:35
  Speaker 1: Before we get to those deaths, we talk about Bob
• 10:38
  Speaker 1: Marley and the violence that is part of his history.
• 10:40
  Speaker 1: I alluded to it earlier when I talked about Bob
• 10:42
  Speaker 1: Marley strong arming that DJ But of course there's another
• 10:45
  Speaker 1: story about Bob Marley finding out that his manager was
• 10:48
  Speaker 1: stealing from him, and to force a confession out of
• 10:50
  Speaker 1: his manager, he has two of his friends his bodyguards
• 10:53
  Speaker 1: hold his manager outside of a seventh story window upside down,
• 10:57
  Speaker 1: and then Bob himself, if you're to believe this story,
• 11:00
  Speaker 1: holds a gun to his head. So we paint this picture. Obviously,
• 11:03
  Speaker 1: that violence was definitely part of Bob Marley's backstory, So
• 11:06
  Speaker 1: when all of his assassins wind up dead, it's not
• 11:10
  Speaker 1: out of the realm of possibility that Bob had something
• 11:13
  Speaker 1: to do with it. Perhaps, what do you think I
• 11:15
  Speaker 1: want to know? Six one seven nine oh six six
• 11:19
  Speaker 1: six three eight. You can send me a text you
• 11:21
  Speaker 1: can send me a voicemail just like Johnny from the
• 11:23
  Speaker 1: six to one seven.
• 11:25
  Speaker 2: Yo, what's up Jacobs? Johnny Vinyl from the six one
• 11:28
  Speaker 2: seven here in Boston my band to shelve our album,
• 11:32
  Speaker 2: I would demand five million dollars because I would take
• 11:36
  Speaker 2: a lot of that five million, right. I would buy
• 11:39
  Speaker 2: my way out of the contract, take the album to
• 11:41
  Speaker 2: a different label that believes in US and would release
• 11:44
  Speaker 2: the album, and we would pocket change.
• 11:47
  Speaker 1: Johnny Vinel appreciate the voicemail man, Johnny's calling in on
• 11:49
  Speaker 1: the question of how much money would you take or
• 11:51
  Speaker 1: would you take excuse me, a million dollars to shelve
• 11:54
  Speaker 1: a piece of work that you created, that you love,
• 11:57
  Speaker 1: that you wanted to put out into the world, but
• 11:59
  Speaker 1: the powers that be to that it wasn't good enough,
• 12:01
  Speaker 1: so they would offer you a million dollars not to
• 12:03
  Speaker 1: put it out. That is, of course, from the story
• 12:04
  Speaker 1: of Inexcess and their record kick Johnny calling in. Johnny
• 12:09
  Speaker 1: taking a different approach, and I like it being entrepreneurial here.
• 12:13
  Speaker 1: You know, give me the five million, and you know
• 12:16
  Speaker 1: I'll take what I can million plus two maybe three,
• 12:19
  Speaker 1: buy my way out of the contract, go to another
• 12:21
  Speaker 1: label that believes in me and release the record there
• 12:24
  Speaker 1: and if there's anything left over, you know, I'll put
• 12:26
  Speaker 1: it in my pocket, buy myself some new records, maybe
• 12:28
  Speaker 1: kick up a couple of shekels to some charity or something.
• 12:31
  Speaker 1: I don't know, put a little extra in the basket
• 12:34
  Speaker 1: on Sunday masks. Maybe Johnny who Knows eight one six
• 12:37
  Speaker 1: writes in hey found you on Instagram. Love watching Disgrace
• 12:41
  Speaker 1: Land on YouTube. My thing to binge, my new thing
• 12:44
  Speaker 1: to binge. I'm having trouble finding your Kurt Cobing and
• 12:45
  Speaker 1: suicide episode years ago. I watched Soaked in Bleach and
• 12:49
  Speaker 1: believe that both Cobing and Epstein didn't kill them. So
• 12:52
  Speaker 1: here we go. Wanted to know your opinion. Also, I
• 12:55
  Speaker 1: almost believed that the sixties, San Francisco and LSD would
• 12:58
  Speaker 1: keep you busy for the next here. Thank you again
• 13:00
  Speaker 1: for your content. Yeah, yeah, eight one six. Okay, let's
• 13:05
  Speaker 1: just rewind this a bit. First of all, it sounds
• 13:08
  Speaker 1: like you're new you. Sounds like you found us on
• 13:09
  Speaker 1: Instagram in the recent future and sorry, in the recent past,
• 13:13
  Speaker 1: in the recent future, and I thank you for that.
• 13:16
  Speaker 1: At this Grazeslam pod, guys, if you're not following us
• 13:18
  Speaker 1: on Instagram, head over there. As for finding us or
• 13:22
  Speaker 1: watching us on YouTube, thank you. Those are not our
• 13:26
  Speaker 1: podcast episodes, however, we've got a couple of them up there.
• 13:30
  Speaker 1: You want to go to Spotify, you want to go
• 13:31
  Speaker 1: to Apple Podcasts, you want to go to Iheard, iHeart
• 13:34
  Speaker 1: Radio app. You want to go to Amazon Music, and
• 13:36
  Speaker 1: you want to find us there, and that's where you
• 13:39
  Speaker 1: will find the Kurt Cobaine episode and every other episode
• 13:41
  Speaker 1: that we've done. We have some very few episodes up
• 13:46
  Speaker 1: on YouTube, and then we have these little sort of
• 13:48
  Speaker 1: twenty minute stories that I put together last year that
• 13:51
  Speaker 1: are up there as well. I'm currently figuring out, though
• 13:54
  Speaker 1: have no fear, how to get all the podcast episodes
• 13:57
  Speaker 1: up onto YouTube in short order. We are working on
• 13:59
  Speaker 1: that as we speak, all right, but that should not
• 14:02
  Speaker 1: delay you from running to your music streaming app of
• 14:05
  Speaker 1: choice right now and listening to Disgraceland. And if you do,
• 14:09
  Speaker 1: and if you check out the Charles Manson episodes, the
• 14:12
  Speaker 1: Mama Cast episodes, you will get all of your San
• 14:17
  Speaker 1: Francisco LSD conspiracy content that you sow crave. It's all
• 14:22
  Speaker 1: there for you. I'm going to take a quick break
• 14:24
  Speaker 1: and I'll be back for you in just a second.
• 14:41
  Speaker 1: All right, we're back, and we're approaching the end of
• 14:43
  Speaker 1: this week's after party. But if you, like me, don't
• 14:46
  Speaker 1: want the after party to end just yet. If you
• 14:48
  Speaker 1: need more of this, more behind the scenes, more holy
• 14:50
  Speaker 1: shit moments, more engagement, voicemails, more texts, more emails, more interaction,
• 14:55
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• 14:57
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• 16:02
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• 16:13
  Speaker 1: like I said, an extended version of this year after party,
• 16:15
  Speaker 1: where I'm going to be talking more about the various
• 16:18
  Speaker 1: conspiracy theories. See, I'm getting sucked in the various conspiracy
• 16:21
  Speaker 1: theories surrounding Peter Tosh's assassination. Specifically, one that said, it
• 16:26
  Speaker 1: was a contract hit that was put out there by
• 16:28
  Speaker 1: some government officials behind closed doors, all clandestine like. All right,
• 16:33
  Speaker 1: So if you want to get into these deeper revelations
• 16:35
  Speaker 1: about Peter Tosh and get more of me talking with
• 16:38
  Speaker 1: all of you, your voicemails, your text, your DMS, your emails,
• 16:40
  Speaker 1: Disgrace lampod dot com slash membership gets you in on
• 16:44
  Speaker 1: all this, all right, hang tight back in flash. All right,
• 17:01
  Speaker 1: let's recap this thing, shall we? Number one? There is
• 17:03
  Speaker 1: more after party to listen to right now. All you
• 17:06
  Speaker 1: got to do is go to Disgrace lampod dot com
• 17:07
  Speaker 1: slash membership, sign up to become an all access member.
• 17:11
  Speaker 1: But that ain't your bag, then, hey number two. Right
• 17:12
  Speaker 1: now in your feed, we get the second part of
• 17:14
  Speaker 1: our two part episode on Peter Tosh. Number three coming tomorrow,
• 17:16
  Speaker 1: a rebind episode on Michael Alec number four. Over in
• 17:19
  Speaker 1: the bad Lands feed. We've got episodes from the archive
• 17:21
  Speaker 1: on Salminio and Danny Treyhu number five. Next week in
• 17:24
  Speaker 1: the Disgrace LAMD feed, a brand new episode on Steve McQueen.
• 17:27
  Speaker 1: That's right, the man himself, number six, my number six
• 17:31
  Speaker 1: one seven nine zero six six six, three eight, call
• 17:34
  Speaker 1: me on the telephone or text me number seven. Remember
• 17:36
  Speaker 1: no one kids about the musical that you love more
• 17:38
  Speaker 1: than you're doing. Well, that's a disgrace, all right. And
• 17:40
  Speaker 1: now my moment of bliss in honor of this week's
• 17:42
  Speaker 1: episode on Peter Tosh me reading you. The Billboard Hot
• 17:45
  Speaker 1: one hundred from the week of September fifth, nineteen eighty seven,
• 17:48
  Speaker 1: the week that the reggae superstar was brutally gunned down
• 17:50
  Speaker 1: in his own home. Number one LaBamba Los Lobos last
• 17:57
  Speaker 1: week one, peak position one weeks on chart eleven, Number two.
• 18:05
  Speaker 1: I just can't stop loving you. Michael Jackson last week six,
• 18:10
  Speaker 1: peak position two weeks on chart five, number three. Who's
• 18:16
  Speaker 1: that Girl? Madonna? Last week to peak position one weeks
• 18:23
  Speaker 1: on chart nine, number four. One only in my dreams
• 18:28
  Speaker 1: that Debbie Gibson Donnas last week last one five, peak
• 18:32
  Speaker 1: position one four, number two, number sixty. Michael jack Richard
• 18:40
  Speaker 1: last last six, six, position three weeks, number one. Quit
• 18:51
  Speaker 1: talking and start mixing.