Latest / I Believe / Blood & Fruit
Transcript
- 0:22SPEAKER_00: The banana cost 47 cents.
- 0:26SPEAKER_00: I got it from the vending machine at work.
- 0:29SPEAKER_00: I grab it on my way out to the parking lot.
- 0:32SPEAKER_00: 15 minutes of freedom.
- 0:34SPEAKER_00: The break room smells like microwaved fish.
- 0:37SPEAKER_00: I just need to be outside for a minute.
- 0:40SPEAKER_00: I lean against the wall by the loading dock.
- 0:43SPEAKER_00: Trucks roll past on the 15.
- 0:46SPEAKER_00: The sun's already down, but the sky is still that burnt orange it gets out here.
- 0:51SPEAKER_00: The smog holds onto the light.
- 1:02SPEAKER_00: I toss the peel in the trash on my way back in.
- 1:06SPEAKER_00: I don't think about where it came from.
- 1:08SPEAKER_00: Nobody does.
- 1:10SPEAKER_00: It's a banana.
- 1:11SPEAKER_00: 47 cents.
- 1:13SPEAKER_00: Later, I can't stop thinking about it.
- 1:18SPEAKER_00: Maybe there's blood in the fruit.
- 1:43SPEAKER_02: I'm Joel Douglas, and I believe in America.
- 1:46SPEAKER_02: Thanks for joining me.
- 1:54SPEAKER_00: Act one, the racket, scene one.
- 1:58SPEAKER_00: My name is Elena, 26.
- 2:01SPEAKER_00: I work at a fulfillment center in Fontana, one of those massive warehouses off the 15 where the trucks run all night.
- 2:08SPEAKER_00: You've ordered from us.
- 2:09SPEAKER_00: Even if you don't think you have, everyone has.
- 2:12SPEAKER_00: I'm good at my job.
- 2:13SPEAKER_00: Fast, reliable.
- 2:15SPEAKER_00: Management likes me.
- 2:16SPEAKER_00: I've been there four years now since I dropped out of Cal State San Bernardino.
- 2:21SPEAKER_00: Couldn't afford to stay.
- 2:22SPEAKER_00: I live with my parents in San Bernardino, a working class town on the outskirts of Los Angeles.
- 2:29SPEAKER_00: Railroad, then steel, then military, now shipping.
- 2:33SPEAKER_00: Hot and dry.
- 2:34SPEAKER_00: The mountains trap the smog from LA.
- 2:37SPEAKER_00: But on a clear winter morning, when the wind comes down the pass, you can see the snow on Mount San Gargonio.
- 2:44SPEAKER_00: My grandfather bought the house in 1971.
- 2:47SPEAKER_00: He never talked about where he came from before that.
- 2:50SPEAKER_00: None of us asked.
- 2:51SPEAKER_00: He worked the rail yards in Barstow, saved everything, bought the house outright.
- 2:57SPEAKER_00: Three generations later, we're still there.
- 3:00SPEAKER_00: We don't love it, but we own it.
- 3:02SPEAKER_00: The only security that feels real.
- 3:04SPEAKER_00: My parents are citizens.
- 3:06SPEAKER_00: I'm a citizen.
- 3:07SPEAKER_00: Born at St.
- 3:08SPEAKER_00: Bernardine's, San Bernardino County, California.
- 3:12SPEAKER_00: Seven pounds, six ounces.
- 3:14SPEAKER_00: Birth certificate in the safe.
- 3:17SPEAKER_00: But my mother won't answer the door if she doesn't recognize the car in the driveway.
- 3:21SPEAKER_00: My father keeps a folder in the fireproof box by the bed.
- 3:25SPEAKER_00: Birth certificates.
- 3:26SPEAKER_00: Naturalization papers, deed to the house.
- 3:29SPEAKER_00: Just in case.
- 3:30SPEAKER_00: I asked him once, just in case of what?
- 3:33SPEAKER_00: He didn't answer.
- 3:37SPEAKER_00: You know what I want.
- 3:38SPEAKER_00: I want to stop living like we're here on a past that could get revoked.
- 3:42SPEAKER_00: I want my mother to open the door without checking the driveway first.
- 3:46SPEAKER_00: I want my father to throw that folder away.
- 3:49SPEAKER_00: I want to feel like I belong in my own country.
- 3:53SPEAKER_00: Like the word citizen means what it says.
- 3:56SPEAKER_00: I want to be able to drive down my street and not worry about being shot during one of the raids.
- 4:02SPEAKER_00: Three generations.
- 4:03SPEAKER_00: My grandfather built a life here.
- 4:05SPEAKER_00: My parents built a life here.
- 4:07SPEAKER_00: I was born here.
- 4:08SPEAKER_00: I am an American.
- 4:09SPEAKER_00: And still, there's a folder in the safe.
- 4:12SPEAKER_00: Still, my mother won't answer the door.
- 4:16SPEAKER_00: I was home when the news broke.
- 4:18SPEAKER_00: Saturday, January 3rd, 2026.
- 4:22SPEAKER_00: Half watching something, scrolling my phone.
- 4:24SPEAKER_00: My mother had the TV on in the kitchen.
- 4:27SPEAKER_00: Background noise.
- 4:28SPEAKER_00: She doesn't really watch.
- 4:30SPEAKER_00: She likes the sound of voices.
- 4:31SPEAKER_00: The news broadcast cut in urgent.
- 4:36SPEAKER_05: U.S.
- 4:37SPEAKER_05: Special Operations Forces have successfully captured Venezuelan leader Nicolas Maduro in a pre-dawn raid in Caracas.
- 4:46SPEAKER_05: Maduro, who has been under federal indictment since 2020 on charges of narco-terrorism and drug trafficking, was extracted by helicopter and is currently in U.S.
- 4:58SPEAKER_05: custody.
- 4:59SPEAKER_05: President Trump addressed the nation from the White House.
- 5:05SPEAKER_00: My mother turned it off, didn't say anything, started wiping down the counter.
- 5:10SPEAKER_00: She cleans things that are already clean when she worries.
- 5:14SPEAKER_00: My father was in his chair.
- 5:16SPEAKER_00: I said, Papa, what do you think?
- 5:18SPEAKER_00: He didn't look at me, pursed his lips, glanced at my mother.
- 5:22SPEAKER_00: He said, I think it's going to be a long year.
- 5:25SPEAKER_00: Then he went to get a tool from the garage.
- 5:28SPEAKER_00: I could feel something in the room.
- 5:30SPEAKER_00: Old.
- 5:31SPEAKER_00: Something they weren't saying.
- 5:35SPEAKER_00: That night I can't sleep.
- 5:36SPEAKER_00: I have homework for my history class at Chaffee College.
- 5:40SPEAKER_00: Latin America, Colonial Period to Modern Day.
- 5:44SPEAKER_00: A speech by some old dead guy from the 1930s.
- 5:48SPEAKER_00: I hadn't started it.
- 5:49SPEAKER_00: I made coffee.
- 5:50SPEAKER_00: Sat at the kitchen table, opened my laptop, started reading.
- 5:58SPEAKER_00: Act one, The Racket.
- 6:00SPEAKER_00: Scene 2.
- 6:02SPEAKER_00: 1935.
- 6:04SPEAKER_00: A Marine Corps general named Smedley Butler.
- 6:07SPEAKER_00: I keep reading.
- 6:08SPEAKER_00: Then I was there.
- 6:10SPEAKER_00: A folding chair.
- 6:11SPEAKER_00: Wood seat, cold metal frame.
- 6:13SPEAKER_00: Room smells like cigarette smoke and wool coats.
- 6:17SPEAKER_00: A banner on the wall.
- 6:18SPEAKER_00: VFW posts something.
- 6:20SPEAKER_00: American flags on either side of the stage.
- 6:23SPEAKER_00: The man at the podium is old.
- 6:25SPEAKER_00: 60 maybe, but he stands like he's still in uniform.
- 6:29SPEAKER_00: Proud.
- 6:30SPEAKER_00: Shoulders back, chin up, two metals on his chest I don't recognize.
- 6:35SPEAKER_00: He's looking out at the crowd.
- 6:37SPEAKER_00: Starts to speak.
- 6:39SPEAKER_00: His hands grip the podium.
- 6:41SPEAKER_00: His knuckles, white, holding on like he might fall if he lets go.
- 6:50SPEAKER_04: War is a racket.
- 6:51SPEAKER_04: At the expense of the very many.
- 6:53SPEAKER_04: A few people make huge fortunes.
- 6:55SPEAKER_04: I spent 33 years and four months in active military service.
- 7:00SPEAKER_04: And during that period, I spent most of my time being a high-class muscle man for big business.
- 7:07SPEAKER_04: I helped make Mexico safe for American oil interests in 1914.
- 7:11SPEAKER_04: Haiti and Cuba a decent place for the National City Bank Boys to collect revenues.
- 7:17SPEAKER_04: Nicaragua for the International Banking House of Brown Brothers in 1909 to 1912.
- 7:25SPEAKER_04: The Dominican Republic for American sugar interests in 1916.
- 7:35SPEAKER_04: There are only two things we should fight for.
- 7:38SPEAKER_04: One is the defense of our homes, and the other is the Bill of Rights.
- 7:43SPEAKER_04: War for any other reason is simply a racket.
- 7:49SPEAKER_00: He stops.
- 7:50SPEAKER_00: Quiet.
- 7:51SPEAKER_00: Someone coughs.
- 7:52SPEAKER_00: Butler looks at a man in the front row.
- 7:55SPEAKER_00: Old.
- 7:55SPEAKER_00: Maybe his age.
- 7:56SPEAKER_00: Maybe they served together.
- 7:58SPEAKER_00: He doesn't look away.
- 8:01SPEAKER_00: Marine Corps General Smedley Butler.
- 8:03SPEAKER_00: The most highly decorated Marine in history.
- 8:06SPEAKER_00: The only Marine to earn both the Brevet Medal and two Medals of Honor.
- 8:12SPEAKER_00: A gangster, he said, for Wall Street.
- 8:14SPEAKER_00: He didn't say we should never fight.
- 8:16SPEAKER_00: He said we shouldn't lie about why we are fighting.
- 8:21SPEAKER_00: Next morning I go to work.
- 8:23SPEAKER_00: Same shift, same trucks, same routine.
- 8:26SPEAKER_00: On my break, I go outside.
- 8:28SPEAKER_00: Banana in the vending machine.
- 8:30SPEAKER_00: I stand there looking at it through the glass.
- 8:33SPEAKER_00: Forty-seven cents?
- 8:34SPEAKER_00: I don't buy it.
- 8:39SPEAKER_06: Act two, the blood and the fruit.
- 8:42SPEAKER_06: Scene one.
- 8:45SPEAKER_06: Chaffee College.
- 8:47SPEAKER_06: Health Sciences Building.
- 8:50SPEAKER_06: The room smells like formaldehyde and cold air.
- 8:53SPEAKER_06: Fluorescent lights, steel tables.
- 8:56SPEAKER_06: A skeleton hanging in the corner like it's waiting for someone to ask it a question.
- 9:02SPEAKER_01: My name is Valentina.
- 9:04SPEAKER_01: I left Caracas, Venezuela, in 2018, with two suitcases and a pharmacy degree.
- 9:12SPEAKER_01: The suitcases are in my closet.
- 9:15SPEAKER_01: Degree framed on my wall, neither useful here.
- 9:18SPEAKER_01: I work at CVS in Rancho Cucamonga, shift supervisor, not a pharmacist.
- 9:25SPEAKER_01: I wear the red polo and the name tag.
- 9:28SPEAKER_01: I answer questions about where the cough syrup is.
- 9:31SPEAKER_01: Sometimes people ask me for medical advice.
- 9:34SPEAKER_01: I give it because I know the answer.
- 9:36SPEAKER_01: Then I tell them to talk to the pharmacist.
- 9:38SPEAKER_01: I'm not allowed to know the answer.
- 9:40SPEAKER_01: Three years I've been trying to get my credentials transferred.
- 9:44SPEAKER_01: Forms, fees, evaluations, more forms.
- 9:48SPEAKER_01: They want me to retake classes.
- 9:50SPEAKER_01: They want transcripts that don't exist anymore because the university can't keep the lights on.
- 9:57SPEAKER_01: They want me to prove I am who I say I am, over and over, in a language that isn't mine.
- 10:06SPEAKER_01: The bureaucracy isn't a wall.
- 10:08SPEAKER_01: It's a maze.
- 10:09SPEAKER_01: It lets you keep walking so you don't notice there's no exit.
- 10:13SPEAKER_01: So here I am, Chaffey College, 28 years old, anatomy and physiology.
- 10:20SPEAKER_01: Sitting in a room full of 19-year-olds, learning the names of bones I learned six years ago in Spanish.
- 10:29SPEAKER_06: She's at a lab table, skeleton hand in front of her.
- 10:33SPEAKER_06: Index cards.
- 10:36SPEAKER_01: Carpels, metacarpals, phalanges.
- 10:39SPEAKER_01: I know this.
- 10:40SPEAKER_01: I knew this before most of these kids had driver's licenses, but the paper says I don't know it, so I'm learning it again.
- 10:48SPEAKER_01: My phone buzzes.
- 10:50SPEAKER_01: I should ignore it.
- 10:51SPEAKER_01: Lab policy.
- 10:52SPEAKER_01: Professors are hard ass about phones.
- 10:54SPEAKER_01: But I see the notification.
- 10:57SPEAKER_01: WhatsApp?
- 10:58SPEAKER_01: Mama.
- 10:59SPEAKER_01: I grab my bag and walk out.
- 11:04SPEAKER_06: Hallway, cinder block walls, the hum of vending machines.
- 11:08SPEAKER_01: I lean against the wall and press play.
- 11:12SPEAKER_01: The connection is bad.
- 11:14SPEAKER_01: Static.
- 11:15SPEAKER_01: Her voice cutting in and out.
- 11:18SPEAKER_01: But I can hear it underneath.
- 11:20SPEAKER_01: Something I haven't heard in a long time.
- 11:23SPEAKER_01: Oh.
- 11:25SPEAKER_01: She's talking about the news.
- 11:27SPEAKER_01: Maduro.
- 11:28SPEAKER_01: The Americans.
- 11:29SPEAKER_01: She's saying maybe, maybe, maybe.
- 11:32SPEAKER_01: Mihita, Stan Keto va a cambiar, que porfin.
- 11:37SPEAKER_01: Baby, they're saying everything is going to change.
- 11:41SPEAKER_01: Finally, I play it again.
- 11:44SPEAKER_01: Her voice sounds younger.
- 11:45SPEAKER_01: That's what hope does, takes years off.
- 11:49SPEAKER_01: I remember what she sounded like before.
- 11:51SPEAKER_01: Before the lines for bread, before my brother couldn't find work, before the hospitals ran out of everything, and people started dying from things that shouldn't kill anyone.
- 12:04SPEAKER_01: She sounds like that again.
- 12:05SPEAKER_01: Just for a minute?
- 12:07SPEAKER_01: Just in a voice message from eight thousand miles away.
- 12:10SPEAKER_01: I want to believe it.
- 12:12SPEAKER_01: I remember 2019.
- 12:14SPEAKER_01: Guido standing in the plaza, declaring himself president, the crowds, the speeches, the whole world recognizing him, saying this is it.
- 12:25SPEAKER_01: This is the turn.
- 12:27SPEAKER_01: And then nothing.
- 12:29SPEAKER_01: Maduro stayed.
- 12:30SPEAKER_01: More sanctions.
- 12:32SPEAKER_01: Hospitals got worse.
- 12:34SPEAKER_01: People kept leaving.
- 12:35SPEAKER_01: People kept dying.
- 12:37SPEAKER_01: I left.
- 12:39SPEAKER_01: I press record.
- 12:43SPEAKER_01: I love you, we'll see.
- 12:45SPEAKER_01: I send it before I can say anything else.
- 12:55SPEAKER_06: A bed, a desk, a hot plate.
- 12:58SPEAKER_06: The pharmacy degree on the wall, next to a calendar from a Venezuelan bakery in Panorama City.
- 13:03SPEAKER_06: She's in bed, phone in her hand, the only light in the room.
- 13:07SPEAKER_01: I open WhatsApp, the family group chat, Familia Caracas, 17 members.
- 13:14SPEAKER_01: I scroll through the icons, people I grew up with, people I left behind.
- 13:20SPEAKER_01: My mother, brother, Tia Rosa, Cousin Diego, cousin Maria.
- 13:26SPEAKER_01: The photos are old.
- 13:28SPEAKER_01: Everyone frozen in time.
- 13:30SPEAKER_01: My mother's icon is from 2016.
- 13:33SPEAKER_01: She's wearing lipstick, smiling.
- 13:35SPEAKER_01: She doesn't look like that anymore.
- 13:38SPEAKER_01: I scrolled back through the chat.
- 13:40SPEAKER_01: It used to be different.
- 13:42SPEAKER_01: Memes, birthday messages, photos of food, my brother posting terrible jokes.
- 13:48SPEAKER_01: Diego sharing football highlights.
- 13:51SPEAKER_01: Now it's logistics.
- 13:52SPEAKER_01: Does anyone have power?
- 13:54SPEAKER_01: The water's been out for three days.
- 13:56SPEAKER_01: Mama found rice at the Bodega on Avenida Sur.
- 14:00SPEAKER_01: Expensive, but it's there.
- 14:03SPEAKER_01: Has anyone heard from Abuela?
- 14:05SPEAKER_01: She's not answering.
- 14:08SPEAKER_01: When the news broke that the Americans grabbed Maduro, the chat exploded.
- 14:13SPEAKER_01: Forty-seven messages in an hour.
- 14:16SPEAKER_01: I watched them scroll past.
- 14:18SPEAKER_01: Diego?
- 14:19SPEAKER_01: Siraque Porfin?
- 14:22SPEAKER_01: Maria?
- 14:23SPEAKER_01: Dios mío, I can't believe it.
- 14:26SPEAKER_01: My brother.
- 14:27SPEAKER_01: Dorget your hopes up.
- 14:29SPEAKER_01: Tia Rosa.
- 14:30SPEAKER_01: Praying.
- 14:32SPEAKER_01: Just praying.
- 14:35SPEAKER_01: I didn't respond.
- 14:37SPEAKER_01: I didn't know what to say.
- 14:38SPEAKER_01: I still don't.
- 14:40SPEAKER_01: Everyone was so happy.
- 14:41SPEAKER_01: I know what this is.
- 14:43SPEAKER_01: I'm not stupid.
- 14:44SPEAKER_01: The Americans aren't doing this because they care about Venezuela.
- 14:48SPEAKER_01: They're not doing it for my mother.
- 14:50SPEAKER_01: They're doing it because uh there's oil in the ground.
- 14:53SPEAKER_01: And someone's getting paid.
- 14:54SPEAKER_01: I know there are contracts being signed right now in rooms I'll never see by people who couldn't find Caracas on a map.
- 15:03SPEAKER_01: I know.
- 15:04SPEAKER_01: But my mother is 63.
- 15:06SPEAKER_01: She walked six hours last year to find bread.
- 15:09SPEAKER_01: Six hours.
- 15:10SPEAKER_01: And if the ships come and the shells fill up and she can get her medication, I don't care why they did it.
- 15:16SPEAKER_01: Is that wrong?
- 15:17SPEAKER_01: Probably.
- 15:18SPEAKER_01: But I'm tired.
- 15:19SPEAKER_01: Tired of being right about how broken everything is.
- 15:22SPEAKER_01: I just want her to eat.
- 15:29SPEAKER_06: Act two, the blood in the fruit.
- 15:32SPEAKER_06: Scene two.
- 15:35SPEAKER_06: Later that night, Valentina's laptop opened to a PDF.
- 15:39SPEAKER_06: Testimony from the Sienega Massacre, translated from Spanish.
- 15:45SPEAKER_01: I'm in this history class.
- 15:46SPEAKER_01: Need the credits.
- 15:48SPEAKER_01: Latin America, H108.
- 15:51SPEAKER_01: Colonial period to present.
- 15:53SPEAKER_01: Preparing a response paper, two pages, double spaced.
- 15:57SPEAKER_01: Due Thursday.
- 15:58SPEAKER_01: I'm reading testimony from a survivor, a woman, age 19 in 1928.
- 16:06SPEAKER_01: Describing what she saw.
- 16:11SPEAKER_06: Chenaga, Columbia, December 6th, 1928.
- 16:15SPEAKER_06: The banana zone.
- 16:16SPEAKER_06: I can smell it.
- 16:17SPEAKER_06: Salt, rot, gunpowder.
- 16:19SPEAKER_06: I can feel the heat.
- 16:20SPEAKER_06: I can see their faces, people everywhere, thousands of them.
- 16:24SPEAKER_06: Workers, families, children sitting on their father's shoulders, women holding babies, old men in white shirts, sweating through the cotton.
- 16:33SPEAKER_06: They've been on strike for weeks, 25,000 banana workers.
- 16:37SPEAKER_06: They work for United Fruit, except they don't.
- 16:40SPEAKER_06: Not officially.
- 16:41SPEAKER_06: The company uses subcontractors, so they don't have to call anyone an employee, no contracts, no protections, no rights.
- 16:48SPEAKER_06: They get paid in script, company money.
- 16:51SPEAKER_06: Only good at the company store, where the prices are whatever the company says they are.
- 16:56SPEAKER_06: They're asking for direct contracts, cash wages, toilets at work.
- 17:01SPEAKER_06: The company said no.
- 17:02SPEAKER_06: The U.S.
- 17:03SPEAKER_06: government sent a message to Colombia.
- 17:05SPEAKER_06: Protect American property or we send Marines.
- 17:09SPEAKER_06: Colombia didn't want American boots on their soil, so they sent their own army instead.
- 17:14SPEAKER_06: The soldiers arrive in the plaza, they form a line, rifles ready.
- 17:20SPEAKER_01: I see a woman near the front, young, about my age, holding a little girl, maybe three years old.
- 17:28SPEAKER_01: The girl is playing with a piece of ribbon, red.
- 17:31SPEAKER_01: She keeps winding it around her fingers.
- 17:34SPEAKER_01: I want to yell at them to run.
- 17:36SPEAKER_01: A general steps forward, Cortes Vargas.
- 17:40SPEAKER_01: He reads from a piece of paper.
- 17:42SPEAKER_01: His voice carries across the plaza.
- 17:45SPEAKER_01: He says, You have five minutes to disperse.
- 17:49SPEAKER_01: Nobody moves.
- 17:51SPEAKER_01: Where would they go?
- 17:52SPEAKER_01: They've been camped here for days.
- 17:53SPEAKER_01: This is where they wait during the negotiations.
- 17:56SPEAKER_01: Five minutes.
- 17:57SPEAKER_01: The soldiers raise their rifles.
- 17:59SPEAKER_01: The woman with the little girl looking around now, confused.
- 18:05SPEAKER_01: The girl still playing with a ribbon.
- 18:07SPEAKER_01: Then the guns, loud, sharp.
- 18:11SPEAKER_01: The sound hits your chest before it reaches your ears.
- 18:16SPEAKER_01: The screaming and then silence.
- 18:21SPEAKER_01: And then screaming again.
- 18:23SPEAKER_01: Trains waiting at the edge of town.
- 18:27SPEAKER_01: They load the bodies onto the trains.
- 18:29SPEAKER_01: Hundreds of them.
- 18:31SPEAKER_01: Nobody counts.
- 18:32SPEAKER_01: The trains go to the coast, the bodies into the sea.
- 18:36SPEAKER_01: The official report will say 47 dead.
- 18:40SPEAKER_01: Survivors will say hundreds.
- 18:42SPEAKER_01: Some 3,000.
- 18:44SPEAKER_01: Nobody knows.
- 18:46SPEAKER_01: The company reopened the plantations within a week.
- 18:50SPEAKER_01: The strike broken.
- 18:52SPEAKER_01: The workers who survived went back to the fields.
- 18:56SPEAKER_01: Company script.
- 18:58SPEAKER_01: No toilets.
- 18:59SPEAKER_01: Nothing changed.
- 19:00SPEAKER_01: The government called it restoring order.
- 19:05SPEAKER_06: Years later, Gabriel Garcia Marquez will write about this.
- 19:09SPEAKER_06: One hundred years of solitude, a chapter, the massacre, thousands dead.
- 19:14SPEAKER_06: Then the town forgets.
- 19:15SPEAKER_06: Everyone forgets.
- 19:17SPEAKER_06: The rain comes and washes the blood away, and the streets look like they always looked.
- 19:22SPEAKER_06: And life goes on, and nobody remembers.
- 19:25SPEAKER_06: Valentina closes her laptop, opens WhatsApp, plays her mother's message again.
- 19:42SPEAKER_06: Act 3, Butler, Marquez, The Question.
- 19:48SPEAKER_06: Chaffee College.
- 19:50SPEAKER_06: The courtyard, concrete table, January sun, cool air.
- 19:54SPEAKER_06: The hum of the freeway.
- 19:58SPEAKER_00: Valentina's already there.
- 20:00SPEAKER_00: Bag of takis and a monster energy.
- 20:02SPEAKER_00: I sit down, pull out my Tupperware, rice and beans.
- 20:06SPEAKER_00: I tell her she's eating a breakfast of champions.
- 20:09SPEAKER_01: You know your mom's food makes my takis taste like depression.
- 20:12SPEAKER_00: I push her the Tupperware.
- 20:14SPEAKER_00: You want some?
- 20:15SPEAKER_00: She made too much.
- 20:16SPEAKER_00: It's better than that red dust.
- 20:18SPEAKER_01: The red dust has caffeine.
- 20:20SPEAKER_01: I need to be awake for my shift.
- 20:22SPEAKER_01: Suit yourself.
- 20:23SPEAKER_00: Hey, did you read the butler speech?
- 20:26SPEAKER_00: For Thursday?
- 20:27SPEAKER_01: I skimmed it.
- 20:28SPEAKER_00: You skimmed it?
- 20:29SPEAKER_00: Val, it's the whole thing.
- 20:31SPEAKER_00: I helped make Mexico safe for oil.
- 20:33SPEAKER_00: Honduras for the fruit companies.
- 20:36SPEAKER_01: Yeah, I saw it.
- 20:37SPEAKER_00: And then Cienega, the strike.
- 20:39SPEAKER_00: They killed them because they wanted toilets.
- 20:42SPEAKER_00: And the US threatened to invade, so the Colombian army did the dirty work.
- 20:46SPEAKER_01: History repeats itself, I know.
- 20:48SPEAKER_00: And now Maduro.
- 20:50SPEAKER_00: They're saying it's for democracy.
- 20:52SPEAKER_00: It's not.
- 20:53SPEAKER_00: It's the racket.
- 20:54SPEAKER_00: The oil, the contracts, it's a setup.
- 20:57SPEAKER_00: You should be furious.
- 20:59SPEAKER_00: I am furious.
- 21:02SPEAKER_00: You don't look furious.
- 21:04SPEAKER_00: You look like you're doing homework.
- 21:06SPEAKER_01: Because I am doing homework.
- 21:09SPEAKER_00: I have an anatomy quiz in ten minutes.
- 21:12SPEAKER_00: How can you care about anatomy when they're invading your home?
- 21:16SPEAKER_01: Elena, stop.
- 21:17SPEAKER_01: If I fail anatomy, I don't get the degree.
- 21:20SPEAKER_01: If I don't get the degree, I don't get the raise.
- 21:22SPEAKER_01: If I don't get the raise, I can't send money home.
- 21:25SPEAKER_01: You think I don't know it's a racket?
- 21:27SPEAKER_01: I know exactly what it is.
- 21:28SPEAKER_01: I know they're stealing the oil.
- 21:30SPEAKER_01: I know they don't care about us.
- 21:32SPEAKER_01: But my mother called me yesterday, and for the first time in three years, she wasn't crying about the blackout.
- 21:38SPEAKER_01: She was talking about bread.
- 21:40SPEAKER_01: You get to write a paper about the racket.
- 21:43SPEAKER_01: You get an A.
- 21:44SPEAKER_01: You go home to your parents' house.
- 21:47SPEAKER_01: I don't have that luxury.
- 21:49SPEAKER_01: I don't care if the bread is stolen.
- 21:51SPEAKER_01: I just need her to eat.
- 21:56SPEAKER_06: The air feels heavy.
- 21:58SPEAKER_06: Elena pulls her.
- 22:00SPEAKER_06: Tupperware backs lightly.
- 22:01SPEAKER_06: Neither woman moves.
- 22:03SPEAKER_06: Elena's grandfather never talked about Guatemala.
- 22:06SPEAKER_06: She used to think that meant it didn't matter.
- 22:08SPEAKER_06: Old news, history.
- 22:10SPEAKER_06: Now she thinks he carried it the whole time.
- 22:12SPEAKER_06: Like weight you don't name, because naming it doesn't make it lighter.
- 22:17SPEAKER_06: Valentina looks at her phone, but doesn't unlock it.
- 22:20SPEAKER_06: The message is still there.
- 22:22SPEAKER_06: Her mother's voice full of hope.
- 22:24SPEAKER_06: Valentina will play it again later, alone, like she's checking that hope is still real.
- 22:29SPEAKER_06: They sit at the concrete table.
- 22:31SPEAKER_06: The campus noise moves around them.
- 22:33SPEAKER_06: The freeway hum doesn't stop.
- 22:36SPEAKER_06: Elena slides at the Tupperware a few inches farther away from Valentina.
- 22:40SPEAKER_06: Valentina folds the talking back down flat, presses the crease with her thumb.
- 22:44SPEAKER_06: Red dust on her fingers.
- 22:46SPEAKER_06: Neither of them speaks.
- 22:48SPEAKER_06: Then Valentina stands and she says, I have to go.
- 22:51SPEAKER_06: Elena nods.
- 22:52SPEAKER_06: Yeah.
- 22:53SPEAKER_06: Valentina walks toward the lab.
- 22:56SPEAKER_06: Elena stays seated, watching her go, like she's watching a door close slowly.
- 23:00SPEAKER_06: A minute later, Elena gets up and heads for the parking lot.
- 23:04SPEAKER_06: She passes the vending machines by the student center without meaning to.
- 23:08SPEAKER_06: Bright glass, rows of salt and sugar, a banana.
- 23:12SPEAKER_06: 47 cents.
- 23:13SPEAKER_06: She stops, stares at it.
- 23:15SPEAKER_06: Her hand hovers near the button like it has its own memory.
- 23:19SPEAKER_06: She turns and keeps walking.
- 23:23SPEAKER_06: At home, her father's folder, still in the safe.