Latest / Fake Doctors, Real Friends with Zach and Donald / 905: Our Mysteries

Transcript

905: Our Mysteries · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: A new location for Donald Fazon. Is that your animation suite?
• 0:04
  Speaker 2: I am in my animation room right now.
• 0:05
  Speaker 1: Guys, are you rolling on your deck? Are you rolling?
• 0:10
  Speaker 2: I'm not rolling on my am I shooting something.
• 0:14
  Speaker 1: Make sure you're rolling on your audio recording.
• 0:16
  Speaker 2: Device, Yes, I am recording, says I'm recording. It's on
• 0:20
  Speaker 2: the zoom.
• 0:21
  Speaker 1: Can we hear your level? Can we hear your level?
• 0:23
  Speaker 2: Check?
• 0:24
  Speaker 1: Sound?
• 0:25
  Speaker 2: This is my level?
• 0:27
  Speaker 1: Well, that sounds like you're be singing loudly the whole time.
• 0:29
  Speaker 1: I don't think you will be.
• 0:31
  Speaker 3: Is this my level? It feels like my level. Yeah,
• 0:36
  Speaker 3: that might be too high. But that's too perfect.
• 0:38
  Speaker 1: That's too No one wants no one wants to hear yelling.
• 0:41
  Speaker 4: But you also shouldn't set your level at the point
• 0:44
  Speaker 4: that you're yelling.
• 0:45
  Speaker 1: You should see the level at the points a level check. Donald,
• 0:47
  Speaker 1: you've been in the business a long You've been in
• 0:49
  Speaker 1: the business a long time.
• 0:50
  Speaker 2: It's at seven. It's at seven.
• 0:53
  Speaker 1: Okay, okay? Donald? Do you notice anything about my image? No,
• 1:00
  Speaker 1: I switched back to using the fancy camera. I thought
• 1:03
  Speaker 1: you might notice it looks the same. That's not true, Daniel.
• 1:07
  Speaker 1: You notice right, you look very good.
• 1:09
  Speaker 3: You look well, I didn't say he didn't. I didn't
• 1:11
  Speaker 3: say he looked bad. I just said the imagery looks
• 1:13
  Speaker 3: the same.
• 1:14
  Speaker 1: I'm not crazy, right, Doude, dude, Daniel and Joel. You
• 1:17
  Speaker 1: notice the quality of the camera.
• 1:19
  Speaker 4: Right, yeah, pretty immediately the camera quality and also the
• 1:22
  Speaker 4: fact that it's not tracking you around the room a
• 1:24
  Speaker 4: zoom moves.
• 1:25
  Speaker 1: Yeah, that was annoying. I guess that's a good feature
• 1:28
  Speaker 1: from Apple. If you're what if you're like on zoom
• 1:31
  Speaker 1: calls for work or something, but if you're recording a
• 1:34
  Speaker 1: video podcast that is not.
• 1:35
  Speaker 2: Good for Zoom calls at your own work.
• 1:38
  Speaker 1: Why what happened to you?
• 1:40
  Speaker 2: Nothing happened to me.
• 1:41
  Speaker 3: But if you're being tracked by your camera, Let's say
• 1:43
  Speaker 3: you go take a shit and that camera tracks you
• 1:46
  Speaker 3: all the way into the bathroom.
• 1:47
  Speaker 1: It doesn't do that, Donald, It doesn't follow you around
• 1:49
  Speaker 1: the house.
• 1:50
  Speaker 2: Imagine the camera flies.
• 1:52
  Speaker 1: You said the camera tracks if you move left and right,
• 1:56
  Speaker 1: it pans left and right. It doesn't doesn't. It doesn't
• 1:59
  Speaker 1: walk around the house.
• 2:01
  Speaker 2: I was about to say, flies off of the monitor
• 2:04
  Speaker 2: like a robot.
• 2:06
  Speaker 1: I've been seeing these rolling robots all around West Hollywood.
• 2:09
  Speaker 1: I don't know if you if listeners if you have
• 2:11
  Speaker 1: these in your neighborhood yet, I'm sure those of you
• 2:14
  Speaker 1: in large American cities probably seen them. But in West
• 2:17
  Speaker 1: Hollywood there are so many robots it's very creepy rolling
• 2:22
  Speaker 1: around delivering stuff.
• 2:24
  Speaker 2: What are they delivering?
• 2:25
  Speaker 1: I guess food. I don't know. I've never I don't
• 2:27
  Speaker 1: live in an area where a where ald delivery robot
• 2:29
  Speaker 1: could make it what they do?
• 2:31
  Speaker 5: Anything you can order off of your grub Hub or post.
• 2:35
  Speaker 1: Mast made door dash and what happens. It rolls up
• 2:38
  Speaker 1: to your door and you put in a code.
• 2:40
  Speaker 2: Yeah you guys.
• 2:41
  Speaker 1: Have you guys received a robot delivery?
• 2:43
  Speaker 4: I have one time?
• 2:44
  Speaker 2: Yes?
• 2:45
  Speaker 1: And what was it like? Dane talk us through it?
• 2:47
  Speaker 4: Well, I uh, me and my friends were so excited.
• 2:50
  Speaker 4: The robot's name was George. We stood outside of our
• 2:52
  Speaker 4: apartment watching it roll down the street and then a
• 2:55
  Speaker 4: group of children stood in front of it such that
• 2:58
  Speaker 4: it stopped moving and we had They yelled down the street, Hey,
• 3:01
  Speaker 4: that's our robot. That's our robot, and they said, what
• 3:04
  Speaker 4: are you going to do about it?
• 3:06
  Speaker 1: Oh? My god?
• 3:07
  Speaker 2: And the neighborhood did you live in? Daniel?
• 3:10
  Speaker 6: Literally this is literally like in like West Hollywood off
• 3:13
  Speaker 6: of Lobrea, like a friendly neighborhood. And then all of
• 3:16
  Speaker 6: a sudden and then me and my friends are like, okay,
• 3:18
  Speaker 6: then we're coming down here, and then they ran inside
• 3:20
  Speaker 6: and then George brought us a McDonald's.
• 3:22
  Speaker 1: The robots are designed to look kind of like Wally
• 3:25
  Speaker 1: to me, yes, and they have big eyes.
• 3:28
  Speaker 2: And Eva like Wally and Eva.
• 3:31
  Speaker 1: Yes right. They were clearly designed to look very wide eyed,
• 3:34
  Speaker 1: and to me, I received them as little children who
• 3:38
  Speaker 1: are lost because they have they have big eyes. I
• 3:41
  Speaker 1: really my heart always breaks for these things. They're designed
• 3:45
  Speaker 1: with giant puppy dog eyes. They have their name on
• 3:48
  Speaker 1: the side, and every time I see them, they're confused
• 3:51
  Speaker 1: because they like you see them stopped at like a
• 3:55
  Speaker 1: sidewalk cafe because it doesn't know how to get around
• 3:57
  Speaker 1: the sidewalk cafe. The other day I saw one and
• 4:00
  Speaker 1: it would bumped into another robot and they didn't know
• 4:02
  Speaker 1: how to pass each other. They were just robots. But
• 4:08
  Speaker 1: when I see them crossing the street alone, I just
• 4:10
  Speaker 1: I feel like it's like a lost puppy that's that
• 4:12
  Speaker 1: doesn't know where it's going.
• 4:14
  Speaker 5: I'm always afraid someone's going to come and beat the
• 4:16
  Speaker 5: crap out of them.
• 4:17
  Speaker 1: And I'm sure they do.
• 4:18
  Speaker 5: They know they definitely have before. Was it in Boston
• 4:23
  Speaker 5: you kept beating up.
• 4:27
  Speaker 3: I don't understand. I don't understand the need to beat
• 4:30
  Speaker 3: up the road. I mean I do understand.
• 4:32
  Speaker 2: Way, I take that back. I understand the need to
• 4:35
  Speaker 2: beat up a robot.
• 4:36
  Speaker 3: I do understand because I remember when we were at
• 4:39
  Speaker 3: when I was a kid, and fucking whenever a mascot
• 4:42
  Speaker 3: would come out into the neighborhood, like it's when you
• 4:47
  Speaker 3: have security at Disneyland, that's one thing, But when you
• 4:51
  Speaker 3: walk into somebody's neighborhood in a fucking Teddy rock Spin
• 4:55
  Speaker 3: outfit and don't expect to get tackled and beat up,
• 5:00
  Speaker 3: you beat up. I was a part of a mob
• 5:04
  Speaker 3: that jumped on a ted at woman rink and we
• 5:10
  Speaker 3: didn't beat them Teddy Rocksman up.
• 5:12
  Speaker 2: He just took the clothes off the Teddy Russ. What
• 5:15
  Speaker 2: are you doing?
• 5:16
  Speaker 1: Oh my, you tackle.
• 5:18
  Speaker 3: There's a bunch of kids out there. They're all grown
• 5:20
  Speaker 3: now that know of this story. And was there that
• 5:23
  Speaker 3: day when some idiot decided to bring Teddy Rocksman out
• 5:28
  Speaker 3: amongst twelve to thirteen year old boys and girls at
• 5:33
  Speaker 3: ice skating rink.
• 5:34
  Speaker 1: Don't you think that person was trying to bring joy
• 5:36
  Speaker 1: to the children.
• 5:37
  Speaker 3: He bought a lot of joy or she WoT a
• 5:39
  Speaker 3: lot of joy.
• 5:40
  Speaker 2: I don't know.
• 5:42
  Speaker 3: All I know is we laughed so hard at the
• 5:45
  Speaker 3: fact that Teddy Roxman was a woman, and we were like, oh, I.
• 5:51
  Speaker 1: Have to tell you that Teddy the robots remind me
• 5:54
  Speaker 1: of a Teddy Rocks fin because I worry that that
• 5:57
  Speaker 1: teenagers are going to do the same thing and beat
• 5:59
  Speaker 1: up these robots.
• 6:00
  Speaker 3: Well, we didn't beat up this person. We just tackled
• 6:04
  Speaker 3: and took.
• 6:04
  Speaker 1: His tackled and took the clothing off of the rush.
• 6:08
  Speaker 3: No, the Teddy Rock's been clothing, not all of the clothing,
• 6:11
  Speaker 3: just the Teddy Rocks beIN clothing.
• 6:12
  Speaker 1: Got it. Well, there you go. It's very bizarre driving around.
• 6:17
  Speaker 1: I'm sure I'm not the only one who thinks like
• 6:18
  Speaker 1: this is such a weird future we're living in where
• 6:20
  Speaker 1: robots are doing all the delivery, and I'm sure drones
• 6:22
  Speaker 1: are aren't far behind.
• 6:24
  Speaker 2: There are drones.
• 6:25
  Speaker 3: If you drive through Hollywood right now, you're being tracked
• 6:28
  Speaker 3: by drones. If you if you go over the speed
• 6:30
  Speaker 3: limit and not Hollywood Beverly Hills. It says to you,
• 6:33
  Speaker 3: you're being tracked by drones.
• 6:35
  Speaker 1: Well, I had a I had a driver from the
• 6:37
  Speaker 1: airport tell me that in lower in downtown l A. There.
• 6:41
  Speaker 1: I don't know if he was crazy and making this up,
• 6:43
  Speaker 1: but they've begun doing deliveries from drones. I've seen videos
• 6:49
  Speaker 1: of that. Really.
• 6:50
  Speaker 4: Yeah, Like it's it's still like very beta testing, Like
• 6:53
  Speaker 4: you know, eventually we'll be seeing them flying around like
• 6:55
  Speaker 4: it's like the fifth element where it's just like a whole.
• 6:59
  Speaker 3: That that's what the flying car is. The flying car
• 7:02
  Speaker 3: isn't going to be a car like what we know.
• 7:04
  Speaker 3: It's literally going to be a drone and you sit
• 7:06
  Speaker 3: in a bubble in the middle of the drone.
• 7:08
  Speaker 1: Right, that's already a thing. Yeah, but I think in
• 7:11
  Speaker 1: our Daniel's right, in our lifetime, at the very least,
• 7:14
  Speaker 1: we're going to see we're going to look up and
• 7:16
  Speaker 1: see like drone traffic delivering shit.
• 7:18
  Speaker 2: For sure.
• 7:19
  Speaker 3: We might even see flying cars in our lifetime if
• 7:21
  Speaker 3: we're lucky in the next in the next will in the.
• 7:24
  Speaker 2: Next thirty years, I believe. Oh absolutely, wow.
• 7:29
  Speaker 1: Well there's already there's already a commercial thing you can
• 7:32
  Speaker 1: buy that's a flying one car drone. Yeah.
• 7:35
  Speaker 4: Yeah, the regulations for that stuff are going to be
• 7:38
  Speaker 4: real rough, I know.
• 7:40
  Speaker 1: But wouldn't you have thought the regulations for self driving
• 7:43
  Speaker 1: cars would be crazy? Wouldn't you have thought that robots
• 7:46
  Speaker 1: going down the street would be crazy. It's all happening
• 7:48
  Speaker 1: and people are getting it all through.
• 7:50
  Speaker 4: I agree. I just think that there's you know, three
• 7:53
  Speaker 4: dimensional space is a little bit different than like, you know,
• 7:55
  Speaker 4: I know, cars exist in a three dimensional space, but
• 7:58
  Speaker 4: they move into two dimensional plane, which a little bit
• 8:00
  Speaker 4: easier to control versus planes in the sky where it's
• 8:03
  Speaker 4: like height regulations, space regulations.
• 8:05
  Speaker 2: Well, who's to say that.
• 8:07
  Speaker 3: Who's to say that the airline business will be here
• 8:09
  Speaker 3: in thirty years. I mean, we're pushing towards electricity and
• 8:12
  Speaker 3: all of that stuff right now, and one of the
• 8:14
  Speaker 3: biggest pollutions in the sky right now or period are
• 8:18
  Speaker 3: airline companies and stuff like that. So who's to say
• 8:21
  Speaker 3: that in the future that's not the next thing to
• 8:25
  Speaker 3: go electrician.
• 8:27
  Speaker 1: It will be electric one day, but it's still there's
• 8:29
  Speaker 1: stillnna be airline traffic.
• 8:31
  Speaker 3: Right But even with airlines, I'm just saying, even with
• 8:33
  Speaker 3: airline traffic, it's still there will be levels to it,
• 8:36
  Speaker 3: you know what I mean. I don't think anybody's trying
• 8:37
  Speaker 3: to fly a drone thirty thousand feet in the air,
• 8:42
  Speaker 3: you know what I mean?
• 8:42
  Speaker 2: Like, yeah, you know, I think I definitely agree with you.
• 8:46
  Speaker 3: There will be no flying around the airport that you'll
• 8:49
  Speaker 3: have to land that thing.
• 8:50
  Speaker 2: All of that shit, You're right, Danil, And.
• 8:53
  Speaker 3: Then they're going to also have to put some type
• 8:55
  Speaker 3: of chip in the shit to make sure that you
• 8:58
  Speaker 3: can't just go rogue. And oh my god, just so
• 9:01
  Speaker 3: many things to It won't be free like what's what's.
• 9:05
  Speaker 2: The ship that we do when we play video games?
• 9:07
  Speaker 2: There's there's free water pilot. It won't be free world, No,
• 9:11
  Speaker 2: that shit will be straight up track.
• 9:13
  Speaker 4: Also, also imagine that you imagine that you get in
• 9:15
  Speaker 4: a self driving car and you have a known warrant
• 9:17
  Speaker 4: for your arrest. Where do you think that car is
• 9:19
  Speaker 4: going to drive.
• 9:19
  Speaker 1: You right to face recognition? And it just that's good.
• 9:23
  Speaker 1: That's a good sci fi movie. By the way, I
• 9:25
  Speaker 1: want to highly recommend the show Ripley on Netflix.
• 9:30
  Speaker 2: Is it about Ripley from Aliens?
• 9:32
  Speaker 7: Now?
• 9:32
  Speaker 1: It's about It's from the novel The Talented Mister Ripley,
• 9:36
  Speaker 1: and everyone remembers the famous Matt Damon, Jude Law Gwyneth
• 9:40
  Speaker 1: Paltrow movie, But that's just a two hour tale from
• 9:44
  Speaker 1: this epic novel, and it was just retold with Andrew Scott,
• 9:48
  Speaker 1: who's a phenomenal actor. Those of you who don't recognize
• 9:52
  Speaker 1: his name, he was the hot priest on Flea Bag
• 9:55
  Speaker 1: and he's such a good actor. And so they were
• 9:58
  Speaker 1: able to tell an eight our version of the story
• 10:02
  Speaker 1: on Netflix, and it's so beautifully shot and wonderfully acted.
• 10:07
  Speaker 1: I highly highly recommend it.
• 10:09
  Speaker 2: I didn't want to go even more in depth.
• 10:11
  Speaker 1: Yeah, it's a whole lot more story than the movie,
• 10:15
  Speaker 1: And honestly, I think it might be one of the
• 10:19
  Speaker 1: best examples of cinematography I've ever seen on television. Really,
• 10:23
  Speaker 1: it's black and white every single frame. It's all takes
• 10:26
  Speaker 1: place in like nineteen fifties Italy and every single rate.
• 10:31
  Speaker 3: That's a big thing coming from you, bro. Best cinematography
• 10:34
  Speaker 3: and television.
• 10:35
  Speaker 1: History, definitely, I think in the top of five television
• 10:40
  Speaker 1: shows I've ever seen in terms of cinematography. Wow, every frame.
• 10:44
  Speaker 1: When you watch it, audience and you three, you'll be
• 10:48
  Speaker 1: aware that just of the framing and the lighting, every
• 10:51
  Speaker 1: frame is more and beautiful than the last. It's stunning.
• 10:55
  Speaker 1: And the fact that they executed it in Italy, you know,
• 10:58
  Speaker 1: in twenty twenty three or whatever. They magically really make
• 11:03
  Speaker 1: you believe that you're in the fifties in Italy and
• 11:08
  Speaker 1: the acting is so good. Well, mister, there you go.
• 11:12
  Speaker 1: There's my recommendation of the week I'm watching that I have.
• 11:18
  Speaker 2: I have no recommendations.
• 11:19
  Speaker 1: Has started?
• 11:21
  Speaker 2: No?
• 11:22
  Speaker 1: When does that start? Which one lyrics Acolyte.
• 11:27
  Speaker 2: I'm not really excited about Acolyte. I don't know much about.
• 11:30
  Speaker 1: It, even from such excitement before.
• 11:33
  Speaker 2: I like the trailer. It was good, but then after
• 11:35
  Speaker 2: you watch it after a while, it's like, what's this
• 11:37
  Speaker 2: show going to be?
• 11:38
  Speaker 4: June fourth? We'll find out.
• 11:40
  Speaker 2: No, we'll find out June fourth.
• 11:41
  Speaker 3: And then and then like right after that, there's another
• 11:44
  Speaker 3: Star Wars show coming on, and then we have Tales
• 11:47
  Speaker 3: of the Empire coming. There are a bunch of Star
• 11:50
  Speaker 3: Wars things coming that I am excited about.
• 11:52
  Speaker 5: But are you watching Shogun?
• 11:54
  Speaker 1: I gotta watch that.
• 11:55
  Speaker 2: I think I might have to.
• 11:55
  Speaker 3: I need to watch something because right now, my fucking
• 11:58
  Speaker 3: like I feel like I'm just in a groundhog day
• 12:01
  Speaker 3: and everything I watch is, uh, it's the same, you know,
• 12:07
  Speaker 3: it's it's it's I'm a fantasy guy, and I guess
• 12:10
  Speaker 3: the fantasy is told the same.
• 12:12
  Speaker 2: Way every time.
• 12:14
  Speaker 3: It seems like, dude, it's.
• 12:18
  Speaker 1: Definitely got strong three body problem. I was going to
• 12:23
  Speaker 1: suggest that too, that's definitely Bill. Bill Lawrence, our friend
• 12:28
  Speaker 1: Bill Laurence said that he watched the pilot and really
• 12:31
  Speaker 1: liked that.
• 12:32
  Speaker 2: It's I need something because.
• 12:33
  Speaker 4: Whole seasons out on Netflix.
• 12:34
  Speaker 2: Watch that.
• 12:35
  Speaker 3: Okay, I watched all the Invincible that was fired, you
• 12:38
  Speaker 3: know what I mean? But I watched that in like
• 12:40
  Speaker 3: one day, you know what I mean, Like, uh, it's
• 12:44
  Speaker 3: too short, And then they tried to act like, well,
• 12:46
  Speaker 3: it's animation. Come on, motherfucker, that's to the animation on computer.
• 12:52
  Speaker 3: Y'all could have got that ship out a lot quicker
• 12:54
  Speaker 3: than you're pretending to be, you know what I mean?
• 12:58
  Speaker 3: Six episode seven and how many episodes and of a
• 13:01
  Speaker 3: fucking comic book that's been out for decades or over
• 13:06
  Speaker 3: a decade.
• 13:08
  Speaker 2: Get the fuck out of here, man, Thank you?
• 13:13
  Speaker 1: All right, Shall we get into the TV show Scrubs?
• 13:15
  Speaker 1: Where what is this? I think it's the penultimate episode
• 13:19
  Speaker 1: of JD. On season nine. It is episode five of
• 13:24
  Speaker 1: season nine, Count of Sin, Donald.
• 13:26
  Speaker 7: Five six seven stories that show we made about a
• 13:32
  Speaker 7: bunch of dogs and nurses said.
• 13:37
  Speaker 2: Here's the stories news.
• 13:41
  Speaker 8: So YadA ra here, yeada here show.
• 13:51
  Speaker 1: Okay, Donald, tell us about your feelings of this episode.
• 13:55
  Speaker 1: You have been.
• 13:57
  Speaker 2: Very I've been the most critical.
• 13:59
  Speaker 1: Out of them, you've been the most critical and I
• 14:01
  Speaker 1: and I want to give the audience a balanced view.
• 14:05
  Speaker 1: I want them to to.
• 14:07
  Speaker 3: There's no way this is a there's going to be
• 14:08
  Speaker 3: a balanced view because I feel like all of your
• 14:11
  Speaker 3: all of you are going to be on the same
• 14:12
  Speaker 3: page as me.
• 14:14
  Speaker 1: Yeah, this episode was not good. Let's be you. But
• 14:16
  Speaker 1: I want to give the audience.
• 14:18
  Speaker 2: I don't want.
• 14:21
  Speaker 1: I try audience to watch each one with new eyes
• 14:25
  Speaker 1: and go no judgment. It's a clean slate. Let's take
• 14:28
  Speaker 1: this in. I'm not I'm not going in with negativity.
• 14:32
  Speaker 1: And this was just not funny. It is a half
• 14:37
  Speaker 1: hour comedy.
• 14:38
  Speaker 3: Remember it was boring as can be too, Like it
• 14:42
  Speaker 3: was like, listen, were you and I aren't high on
• 14:47
  Speaker 3: the highest level of fucking acting right now?
• 14:50
  Speaker 2: That way, we're going way too overboard.
• 14:53
  Speaker 1: What show are we on?
• 14:55
  Speaker 2: What are we doing. What are we doing?
• 14:57
  Speaker 1: Do you remember when you when I make fun of
• 14:59
  Speaker 1: your acting in that that commercial is a child coffee commercial.
• 15:03
  Speaker 1: When you go you have been away a long time.
• 15:06
  Speaker 2: We are doing that.
• 15:07
  Speaker 1: We are like you as a nine year old. How
• 15:11
  Speaker 1: old are you that?
• 15:12
  Speaker 2: I was probably eleven.
• 15:14
  Speaker 1: Yeah, we're acting like eleven year olds who got their
• 15:17
  Speaker 1: first job.
• 15:18
  Speaker 2: Yes, you know, I take that back. It's polished, it's good.
• 15:24
  Speaker 3: It's it's not like we're bad actors, but we're just
• 15:28
  Speaker 3: overdoing it.
• 15:29
  Speaker 2: We're like so.
• 15:29
  Speaker 1: Far over I think my acting is bad. I've said
• 15:32
  Speaker 1: I don't think.
• 15:33
  Speaker 3: I don't think your acting is bad. As Donald, you
• 15:36
  Speaker 3: will have gone. I think you have gone the way
• 15:40
  Speaker 3: of You're now just a complete laugh war and we're
• 15:44
  Speaker 3: trying so hard for the laugh that we're that we're crashing.
• 15:49
  Speaker 1: I think Donald, it's I, as the British say, have
• 15:53
  Speaker 1: lost the plot. I am just so cartoonishly large. Yes,
• 15:58
  Speaker 1: and you're right, I guess I'll laugh for but not
• 16:02
  Speaker 1: even like any basis in reality.
• 16:06
  Speaker 3: No, there's nothing grounded about our performance. No, Like when
• 16:10
  Speaker 3: I'm watching this, I'm like, holy shit, dude, you're like
• 16:13
  Speaker 3: if you were to compare the first episode of scrubs
• 16:17
  Speaker 3: to this.
• 16:18
  Speaker 1: Yeah, it's I want to take responsibility to the audience
• 16:21
  Speaker 1: because I've always should talked season nine, but I'm I'm
• 16:24
  Speaker 1: I'm a contributor to the problem.
• 16:25
  Speaker 2: I am such a contributor to the problem in the situation.
• 16:29
  Speaker 1: I am such a contribute I want to take responsibility
• 16:32
  Speaker 1: and apologize to the audience for my contributions to this
• 16:36
  Speaker 1: being a really broad, not based in reality form of acting.
• 16:43
  Speaker 3: And then so there's that, and then my favorite part
• 16:45
  Speaker 3: of the show now is fucking Drew and Denise. That's
• 16:51
  Speaker 3: the better part of the show. You know, what they're doing.
• 16:53
  Speaker 3: What it felt like to me is like when we
• 16:55
  Speaker 3: remember when we were watching it in the beginning and
• 16:58
  Speaker 3: a lot of the story was yours and Cox.
• 17:02
  Speaker 2: They're like the same couple. They're like that couple.
• 17:04
  Speaker 3: All of a sudden, it's like they make fun of
• 17:07
  Speaker 3: each other, they shit on each other, one trying to
• 17:10
  Speaker 3: up the other, but they're in love with each other.
• 17:12
  Speaker 2: Like you could follow these two, I know, but everyone
• 17:14
  Speaker 2: would be the same storyline.
• 17:16
  Speaker 1: Everyone has a person that's their new incarnation. Like you know,
• 17:21
  Speaker 1: Carrie Bosche is the new JD. Coole. I guess he's
• 17:25
  Speaker 1: the new todd Ish, they're the new Jordan and Cox.
• 17:30
  Speaker 3: And then now Cox is like the new Kelso, Like,
• 17:33
  Speaker 3: what the fuck he's sitting here causing He's causing all
• 17:36
  Speaker 3: of his trouble.
• 17:37
  Speaker 2: What is your problem, bro? What's your problem?
• 17:39
  Speaker 1: He's a dick?
• 17:41
  Speaker 2: I mean, what is your problem?
• 17:42
  Speaker 1: He was always like a jerk because he it was
• 17:45
  Speaker 1: tough love and he wanted them to be good doctors.
• 17:47
  Speaker 1: And I guess this plot tries to pull that as well,
• 17:50
  Speaker 1: but it really felt like several times I was like,
• 17:53
  Speaker 1: what a dick? Yeah, yeah, Like there's nothing redeemable about him.
• 17:58
  Speaker 3: No, And even at the end when he's like I'm trying,
• 18:00
  Speaker 3: I'm gonna like, yeah, he tried. When he gives her
• 18:02
  Speaker 3: the I, we're gonna jump ahead, guys, sorry, and then
• 18:04
  Speaker 3: we'll go back when he lets himself be the buddy
• 18:08
  Speaker 3: for the IV at the end, I don't give a shit.
• 18:12
  Speaker 3: The conversation with JD doesn't land the way it should
• 18:16
  Speaker 3: because you're like, why are you still trying to teach
• 18:18
  Speaker 3: lessons to this fucking to the teacher in front of
• 18:22
  Speaker 3: the students. If anything, you made the student's whole lessons,
• 18:27
  Speaker 3: all of his lessons, not have any credibility because you
• 18:30
  Speaker 3: clown him in front of the whole class right before
• 18:33
  Speaker 3: he leaves.
• 18:33
  Speaker 1: And also JD's leaving again, Like didn't he just leave?
• 18:36
  Speaker 1: Why is he leaving again? I mean, I know I'm
• 18:38
  Speaker 1: leaving because my contracts up, but as an exer, but
• 18:41
  Speaker 1: why I even lost track of story? Why is JD
• 18:44
  Speaker 1: leaving again?
• 18:46
  Speaker 2: I couldn't tell you.
• 18:47
  Speaker 5: I think she gives another offer difference.
• 18:50
  Speaker 1: I missed whatever exposition was. Why JD's leaving yet again?
• 18:55
  Speaker 2: It all long? Does I work at the hospital with Sam? Where? Sam? Where?
• 18:59
  Speaker 2: It's close to say it?
• 19:00
  Speaker 1: I don't know, but I know that I only did
• 19:02
  Speaker 1: six episodes and in this episode I was carrying a
• 19:05
  Speaker 1: box and You're like, come on one more Eagle, and
• 19:07
  Speaker 1: I'm like, what the fuck didn't we just do this
• 19:09
  Speaker 1: four episodego? Five episodes ago? Anyway, it is what it is.
• 19:15
  Speaker 1: JD's last day, guys.
• 19:17
  Speaker 2: Uh.
• 19:17
  Speaker 1: JD had to watch a four hour video called Boundaries because.
• 19:22
  Speaker 2: He touched a person in the chest in.
• 19:25
  Speaker 1: Their heart, a woman he meant to he meant, he
• 19:28
  Speaker 1: meant to reference something in their heart, and he touched
• 19:30
  Speaker 1: her heart and then was forced to take a course.
• 19:33
  Speaker 1: So now when he speaks to Lucy. He references her
• 19:36
  Speaker 1: stomach and she says, why are you pointing to my stomach?
• 19:39
  Speaker 1: And he said, because I had to watch a four
• 19:40
  Speaker 1: hour video on boundaries.
• 19:42
  Speaker 2: Yeah.
• 19:44
  Speaker 3: I actually did like this part where Cox is talking
• 19:47
  Speaker 3: to the students and he's, you know, saying, how all
• 19:53
  Speaker 3: of them are probably going to pass this test. This
• 19:55
  Speaker 3: is an easy test, but there's sometimes as that one person,
• 20:01
  Speaker 3: that one student that can't do it. And it's a
• 20:04
  Speaker 3: gift for him because he gets to send somebody home
• 20:08
  Speaker 3: at a very very early stage in their career. You
• 20:11
  Speaker 3: want to be a doctor and you can't draw blood.
• 20:14
  Speaker 3: This ain't for you, kid, you know what I mean.
• 20:16
  Speaker 3: And it's rare, but it right. You want you got dreams,
• 20:20
  Speaker 3: you want fame, but it's rare it happens. It's rare
• 20:23
  Speaker 3: that it happens, and it happens, and when it does happen,
• 20:26
  Speaker 3: it happened for him.
• 20:28
  Speaker 2: It's like Christmas.
• 20:29
  Speaker 3: I did like that analogy because don't waste my time, right,
• 20:33
  Speaker 3: That's pretty much what he's saying.
• 20:35
  Speaker 2: All of y'all here.
• 20:36
  Speaker 3: If you can't pass this test, you are wasting my
• 20:39
  Speaker 3: fucking time and you don't.
• 20:41
  Speaker 1: Deserve to be nice to learn that a med student
• 20:45
  Speaker 1: this far along in where they are wouldn't be able
• 20:49
  Speaker 1: to draw blood.
• 20:51
  Speaker 2: But maybe his motherfucker skate dude, I'm.
• 20:54
  Speaker 1: Sh I suppose yeah, I just would have thought that. Again,
• 20:58
  Speaker 1: I guess I don't really fully get how how along
• 21:00
  Speaker 1: these kids are, but I guess maybe obviously they're at
• 21:03
  Speaker 1: the point where it's time to draw blood for the
• 21:05
  Speaker 1: first time. I don't know. I was just surprised that,
• 21:06
  Speaker 1: like Lucy didn't know how to draw blood, And.
• 21:08
  Speaker 2: Why are they drawing blood through a needle and pulling it?
• 21:13
  Speaker 3: Don't you put the stint and the thing in it
• 21:17
  Speaker 3: and you put the tube and all that, Like, isn't.
• 21:18
  Speaker 1: That they were doing? They had that little butterfly needle
• 21:20
  Speaker 1: and then they were putting the just the test tube.
• 21:23
  Speaker 2: It looked like she was pulling it with the no.
• 21:26
  Speaker 1: I think I think we would have gotten that right
• 21:28
  Speaker 1: for sure. You know, Scrubbs did pride itself on being acted.
• 21:30
  Speaker 2: I don't know, man, this is this is med.
• 21:32
  Speaker 1: School, okay, So Cox is just on a tear. He's
• 21:36
  Speaker 1: really just I mean, screaming at these kids, trying to
• 21:40
  Speaker 1: scare the fuck out of them and tells them they
• 21:42
  Speaker 1: all need to draw blood or they're gonna be kicked
• 21:44
  Speaker 1: out of med school. Jad's slide presentation to time in
• 21:48
  Speaker 1: my life was pretty funny, especially when you pull back
• 21:51
  Speaker 1: to reveal me in the exact position as the ending slide.
• 21:54
  Speaker 3: I remember this episode us dressing up as a Hardy boys.
• 21:58
  Speaker 3: This is not so far enough away that I don't
• 22:02
  Speaker 3: remember it, you know what I mean? This is like
• 22:05
  Speaker 3: I do remember me putting on the hairpiece for the
• 22:07
  Speaker 3: Hardy Boys, and.
• 22:08
  Speaker 1: That that party boys thing is pretty funny when I go,
• 22:13
  Speaker 1: Dad's gonna be so proud of us, black adopted brother.
• 22:21
  Speaker 1: I don't know anything about the Hardy Boys, but either
• 22:24
  Speaker 1: do you guys know anything about the Hardy Boys?
• 22:26
  Speaker 9: Yeah?
• 22:27
  Speaker 5: Boy detective sometimes hung out with Nancy Drew classic stories
• 22:32
  Speaker 5: somewhat like Scooby Doo, a little less silly.
• 22:36
  Speaker 1: So they were boys that that solved mysteries.
• 22:39
  Speaker 3: Did you ever read the book about the Girl with
• 22:41
  Speaker 3: the Photographic Memory? Was a series of novels of little
• 22:45
  Speaker 3: teenage books. And she would go click and was the
• 22:50
  Speaker 3: name of that ship? And she would say that ship
• 22:54
  Speaker 3: And that's how she would remember shit, like if she
• 22:57
  Speaker 3: and and and she was a detective, right, and so
• 23:00
  Speaker 3: she'd be out and about and if she thought something
• 23:02
  Speaker 3: was just a little odd, she'd go click and then
• 23:05
  Speaker 3: she could remember everything that was happening.
• 23:08
  Speaker 2: Yeah.
• 23:09
  Speaker 1: I remade that into a TV show or a movie.
• 23:12
  Speaker 5: Cam Jansen, Oh my god, Yeah, what's it called cam Jansen?
• 23:17
  Speaker 2: Cam Jansen, the cam Jansen series.
• 23:19
  Speaker 1: Wow, she had a photographic memory.
• 23:23
  Speaker 2: Yeah, that was her superpower.
• 23:25
  Speaker 5: That's amazing.
• 23:26
  Speaker 2: That's probably the best superpower.
• 23:28
  Speaker 3: And for people who don't, who can't fly and can't
• 23:32
  Speaker 3: turn invisible and all of that shit. Okay, I'm gonna
• 23:35
  Speaker 3: jump off on another tangent. There's two things I learned
• 23:38
  Speaker 3: during spring break and while looking at the computer. One,
• 23:43
  Speaker 3: if we train our bodies at a certain point, we
• 23:48
  Speaker 3: can reach superpower. I'm not saying we can fly and
• 23:52
  Speaker 3: stuff like that, but to leap far and to be
• 23:56
  Speaker 3: extra strong. You'd be surprised how far the human body
• 23:59
  Speaker 3: can go. That's the first thing. But an actual superpower
• 24:02
  Speaker 3: to me is a photographic memory. If you can remember
• 24:06
  Speaker 3: anything in everything, and there are people out there who
• 24:09
  Speaker 3: can do that. If you can say I want to
• 24:11
  Speaker 3: remember this, how can you ever? Like, you could be
• 24:16
  Speaker 3: a doctor, you could be a lawyer, well case study,
• 24:18
  Speaker 3: you could be anything that has to do with some
• 24:21
  Speaker 3: type of reference or history, a detective, anything that has
• 24:25
  Speaker 3: to do with that, you'd be the best at it.
• 24:27
  Speaker 3: Like if you had if you had that power, And
• 24:30
  Speaker 3: that's the Oh I wish I had that. That's the
• 24:31
  Speaker 3: one thing I wish I had. I wish I had
• 24:33
  Speaker 3: a photographic memory.
• 24:34
  Speaker 7: Yeah.
• 24:34
  Speaker 1: I saw a movie where a guy referenced it and
• 24:37
  Speaker 1: he's he if he read something once, he could recite it.
• 24:40
  Speaker 1: He just that is I guess that is a real
• 24:42
  Speaker 1: thing for some people.
• 24:43
  Speaker 5: They have whole competitions really yeah, like memorize memorization contests,
• 24:49
  Speaker 5: and they have these really funky ways of like remembering
• 24:52
  Speaker 5: very very very long passages of texts, or they'll give
• 24:55
  Speaker 5: them like really convoluted directions and they have to navigate
• 24:58
  Speaker 5: a map from memory.
• 25:00
  Speaker 2: How long do they have to do the memorization.
• 25:03
  Speaker 5: It depends on the competition. I saw, Oh man, it
• 25:06
  Speaker 5: was like a New York Times piece or something they
• 25:08
  Speaker 5: did like what video essay where they give the girl
• 25:10
  Speaker 5: like seven and a half minutes to read like fifty
• 25:13
  Speaker 5: pages and she was like doing the speed read thing,
• 25:16
  Speaker 5: but then she was also like creating a memory map
• 25:19
  Speaker 5: in her head of what she was reading. So that
• 25:21
  Speaker 5: when they were asked her to call specific details, she
• 25:24
  Speaker 5: could do it and like the blink of an eye.
• 25:26
  Speaker 5: It was crazy. I don't know, Like, there's there's a
• 25:28
  Speaker 5: way you can teach yourself. She's like, you don't have
• 25:30
  Speaker 5: to be a genius to learn memorization.
• 25:32
  Speaker 2: Memorization.
• 25:33
  Speaker 1: There's another one of these things. Have you guys seen
• 25:36
  Speaker 1: have we talked about this where you can remember exactly
• 25:39
  Speaker 1: what happened on any day of your life.
• 25:42
  Speaker 5: Yeah, that's awesome, it would be awesome.
• 25:45
  Speaker 1: I saw a special on this. It is a specific
• 25:48
  Speaker 1: brain skill and there was a famous actress. What's the
• 25:52
  Speaker 1: name of the actress who was the female lead on
• 25:55
  Speaker 1: Taxi Mary Lou No, Yeah, you're close. Will you guys
• 25:59
  Speaker 1: look that up? She had She was in special now
• 26:05
  Speaker 1: maryly w Red I think is the gymnast Mary Lou Henner,
• 26:07
  Speaker 1: Mary Lou Henner, Is that correct?
• 26:09
  Speaker 5: Mariel Henner?
• 26:10
  Speaker 1: Mary, Yeah, Muriel Henner, Mary.
• 26:14
  Speaker 5: Lou Henner, Yeah, m A R I l U.
• 26:17
  Speaker 1: Mary Lou Henner has this And if you guys are more,
• 26:21
  Speaker 1: google or YouTube the video about Mary Lou Henner and
• 26:24
  Speaker 1: being able to remember any dates because they had this
• 26:26
  Speaker 1: special on these people and they were like an including
• 26:29
  Speaker 1: celebrity Mary Lou Henner, who's also one of these people,
• 26:32
  Speaker 1: and they would just the interviewer would name a date,
• 26:35
  Speaker 1: any date in their life, and they would tell you
• 26:37
  Speaker 1: exactly what happened that day, what they what the day
• 26:40
  Speaker 1: was like, what the weather was like. They just their
• 26:42
  Speaker 1: brain has a thing where that just locks into a
• 26:45
  Speaker 1: storage drive is as easy as you reading it.
• 26:47
  Speaker 5: Highly superior autobiographical memory or h SAM that Mary Lou
• 26:54
  Speaker 5: Henner has, that's h SAM.
• 26:56
  Speaker 2: Wow.
• 26:57
  Speaker 3: So look, it's a it's a it's a well, I
• 27:00
  Speaker 3: guess if not everybody has it, it's considered a what's
• 27:04
  Speaker 3: the word I'm looking for?
• 27:06
  Speaker 1: Not a party truck that's considered a party.
• 27:09
  Speaker 3: No, well, that's that's what it could be used for.
• 27:12
  Speaker 3: But isn't it like a debilitation if you have some
• 27:15
  Speaker 3: shit like that, Like.
• 27:16
  Speaker 5: They describe it as a condition. So it doesn't inhibit
• 27:19
  Speaker 5: her from doing anything, you know, it just gives her
• 27:23
  Speaker 5: like all of these.
• 27:23
  Speaker 1: Other But if you get a chance, watch the video
• 27:25
  Speaker 1: of her being interviewed. She was with like I don't
• 27:27
  Speaker 1: know five other people that there weren't celebrities. She just
• 27:29
  Speaker 1: happens to be a famous actress who has it and
• 27:32
  Speaker 1: they were just going around the room, like nineteen eighty two,
• 27:35
  Speaker 1: January third. She goes, I remember it was very cold
• 27:38
  Speaker 1: and I was wearing red sweatpants and I had just
• 27:41
  Speaker 1: gone to the theater and then we went to I mean,
• 27:44
  Speaker 1: it's just so trippy. Wow.
• 27:45
  Speaker 3: So she should be able to pull from some horrific
• 27:49
  Speaker 3: days and everything like that.
• 27:51
  Speaker 1: Yeah, if you pick a bad one.
• 27:53
  Speaker 2: That's fucking horrible. Man.
• 27:56
  Speaker 1: I don't think that, Like she's sitting there living them
• 27:58
  Speaker 1: all at the same time, she's if you call one up.
• 28:01
  Speaker 1: I mean, it's just it's just how foul foul and
• 28:04
  Speaker 1: just how impressive and amazing is an infinite are our brain.
• 28:07
  Speaker 3: If you could remember any day vividly, vividly, what would
• 28:13
  Speaker 3: it be like. There's people there, There's people that are
• 28:15
  Speaker 3: probably like I remember when I was born. I came
• 28:17
  Speaker 3: out the woomb it was light.
• 28:20
  Speaker 1: I wonder if that that fall category, if she can remember,
• 28:23
  Speaker 1: like I remember, there was bright light and it was
• 28:26
  Speaker 1: coming from sort of an envelope sized space.
• 28:30
  Speaker 2: It stretched and stretched.
• 28:33
  Speaker 1: And the light got bigger and bigger.
• 28:35
  Speaker 3: The next thing I knew, I was being slept on
• 28:37
  Speaker 3: the ass by some white man.
• 28:39
  Speaker 1: Some white man was hitting me hard on my back
• 28:43
  Speaker 1: and then there was a titty in my face. It
• 28:47
  Speaker 1: was good, and that it was and that milk was
• 28:51
  Speaker 1: delicious and warm. Sorry, we go to break right back
• 28:57
  Speaker 1: after these Fine what you're trying to get into one day?
• 29:02
  Speaker 1: What you're trying to.
• 29:03
  Speaker 10: Do, and we're back.
• 29:13
  Speaker 2: We're We're so back, We're back.
• 29:16
  Speaker 1: Okay. So JD he does this whole PowerPoint demonstration. He's
• 29:20
  Speaker 1: trying to get points for the teacher evaluations. He says
• 29:26
  Speaker 1: powerful stuff, huh. And then he tried to do a
• 29:29
  Speaker 1: balloon drop and that didn't work. And then he did
• 29:31
  Speaker 1: two hours off froyo And if you tell him doctor
• 29:33
  Speaker 1: D sent you, you get a extra whip.
• 29:37
  Speaker 3: Like they went all out. They went all out to
• 29:39
  Speaker 3: try and make JD fucking arkle, like they went all out,
• 29:46
  Speaker 3: like everything is like straight up, yeah, think about it,
• 29:50
  Speaker 3: doctor D.
• 29:51
  Speaker 2: He's just like straight up this character, now you know
• 29:55
  Speaker 2: what I mean?
• 29:57
  Speaker 3: Yeah, man, like like or or screech or and I'm
• 30:02
  Speaker 3: building like that's the fucking crazy shit.
• 30:04
  Speaker 2: It's like, holy can you not a teacher?
• 30:06
  Speaker 1: How come you're not being a value?
• 30:07
  Speaker 3: I'm a surgeon. I'm a surgeon, dude. Surgeons don't I mean,
• 30:11
  Speaker 3: I don't know what the fuck I am.
• 30:12
  Speaker 2: I'm just there.
• 30:13
  Speaker 1: I wouldn't say that the black friend.
• 30:16
  Speaker 2: There's no reason.
• 30:17
  Speaker 1: I don't know why.
• 30:18
  Speaker 2: They never.
• 30:20
  Speaker 1: Explained there's no reason for any of us to be there. Well,
• 30:24
  Speaker 1: they don't explain what you're doing there, like you don't
• 30:27
  Speaker 1: seem to teach, and I would teach.
• 30:30
  Speaker 5: One of season nine, you do visit Turk's extremely small
• 30:33
  Speaker 5: classrooms giant lecture hall, but we haven't been back to
• 30:37
  Speaker 5: a classroom of Turk since.
• 30:39
  Speaker 1: They weren't really tracking Turk as teacher. Because we're talking
• 30:42
  Speaker 1: about the teacher evaluations.
• 30:43
  Speaker 3: I am John Boyega in episode eight of Star Wars.
• 30:52
  Speaker 1: What does that mean?
• 30:52
  Speaker 5: I see in the Last Jedi when they instead of
• 30:55
  Speaker 5: making him the lead Jedi, they made him the goofy
• 30:57
  Speaker 5: best friend.
• 31:00
  Speaker 1: I thought he was the stormtrooper who saves.
• 31:03
  Speaker 2: The day in the first movie.
• 31:04
  Speaker 1: In the first I didn't watch the second one.
• 31:06
  Speaker 3: The second movie, they just abandoned that completely. Fuck that shit. Dude,
• 31:10
  Speaker 3: you know what you're gonna do. You're gonna dance.
• 31:13
  Speaker 1: Did he dance?
• 31:14
  Speaker 2: No, but he kind of dances.
• 31:16
  Speaker 5: He does stumble out half naked in like a sprouting
• 31:19
  Speaker 5: water suit. Gag. That's his introduction back into.
• 31:21
  Speaker 1: The Sorry these are references. I don't know, all right,
• 31:26
  Speaker 1: So what about Cox flicking the dead corpse? That was
• 31:29
  Speaker 1: so weird to me? Didn't you just feel like that
• 31:32
  Speaker 1: was like like out, I mean, I know Cox is
• 31:35
  Speaker 1: Cox doesn't have disrespect for corpses, does he?
• 31:38
  Speaker 5: No, it's gonna say. The main thing with Cox is
• 31:40
  Speaker 5: so weird. It's like his anger in the original Scrub
• 31:43
  Speaker 5: series is always at the institution for not treating people
• 31:47
  Speaker 5: with the lover Wilfs respect he thinks they deserve. It's
• 31:49
  Speaker 5: always at the larger institution. But here, man, it's is
• 31:53
  Speaker 5: that anybody who can take a shot, anybody.
• 31:58
  Speaker 2: I agree with you, Joelle, it was about the institution.
• 32:00
  Speaker 3: No, back in the day, it was about, look, the
• 32:02
  Speaker 3: institution can't fuck you, and yo respect the institution too,
• 32:06
  Speaker 3: you know what I mean.
• 32:07
  Speaker 2: That was what was redeeming about him. That was what
• 32:09
  Speaker 2: was awesome.
• 32:10
  Speaker 3: It was like, look, it's not only about how the
• 32:13
  Speaker 3: system treats you, it's how you treat the system also.
• 32:15
  Speaker 3: There's a level of respect going both ways. Now he
• 32:18
  Speaker 3: just seems to be like you're in my way, You're
• 32:20
  Speaker 3: in my way.
• 32:25
  Speaker 1: And also flicking a corpse's ear, Like that just seems
• 32:28
  Speaker 1: really out of character, Like disrespecting a cadaver does not
• 32:31
  Speaker 1: seem in line with doctor Cox agreed. JD says that
• 32:38
  Speaker 1: he had one line in his theater camp's production of Oliver,
• 32:41
  Speaker 1: and it was no thank you, I don't like soup.
• 32:50
  Speaker 1: So he gets an anonymous negative review and he totally spirals,
• 32:55
  Speaker 1: and he says, Turk in my needy tell me one
• 32:58
  Speaker 1: hundred times.
• 33:01
  Speaker 2: This. I feel like we've done this episode before.
• 33:06
  Speaker 1: Well, JD, I don't know we have.
• 33:09
  Speaker 3: Just in fact, Okay, I get that we're on the
• 33:12
  Speaker 3: show and that we're the original cast, but when you
• 33:16
  Speaker 3: watch the opening, it's about the interns and the freaking
• 33:20
  Speaker 3: students and stuff.
• 33:21
  Speaker 2: Why are we the main characters in this shit?
• 33:24
  Speaker 1: Like the concept was to wean the audience off of us.
• 33:29
  Speaker 3: But what happens when you leave though? That's the thing.
• 33:31
  Speaker 3: Sarah comes in, like what the fuck? Like, we're just it.
• 33:35
  Speaker 3: It's there is no weaning. It's like we're tricking the
• 33:39
  Speaker 3: audience almost this we I'm sorry. I think this show
• 33:42
  Speaker 3: would have done way better if I wasn't on it,
• 33:46
  Speaker 3: Like straight up, like I'm not going to say you
• 33:49
  Speaker 3: or anybody else that's from the original cast. It would
• 33:52
  Speaker 3: have been better if I was like a like, this
• 33:53
  Speaker 3: is the one time where I look at this like
• 33:55
  Speaker 3: a reboot would have been better than this shit, Like
• 33:58
  Speaker 3: you know what I mean, Like this is I'm I'm
• 34:00
  Speaker 3: I'm angry at Turk and JD right now. It's like, y'all,
• 34:04
  Speaker 3: they've gone so far off the rails and into this
• 34:08
  Speaker 3: new world and stuff that it's not even believable. And
• 34:11
  Speaker 3: it's not even like even with the Ostriches and and
• 34:14
  Speaker 3: and and them forming a century, you know what i mean, Like,
• 34:17
  Speaker 3: even with all of that, that's still kind of felt
• 34:20
  Speaker 3: grounded in some way.
• 34:22
  Speaker 1: I just felt grounded. That's a bad example, but I
• 34:25
  Speaker 1: do know.
• 34:25
  Speaker 3: But I'm saying I'm using that because that's the most
• 34:28
  Speaker 3: extreme that it got.
• 34:29
  Speaker 1: The just stole your cago and it came in. They
• 34:33
  Speaker 1: put it on, put it and then he closed he
• 34:37
  Speaker 1: closed the gate of the garden with his horse or
• 34:40
  Speaker 1: whatever you call it. Yes, and then they started alternating
• 34:45
  Speaker 1: guard duty to keep it in the tree.
• 34:47
  Speaker 2: Yes, and still and still and it was more grounded.
• 34:51
  Speaker 1: And then through Jason Bateman's window.
• 34:55
  Speaker 3: Yes and still seems more grounded than what we're watching
• 34:59
  Speaker 3: right now.
• 35:00
  Speaker 1: This definitely is a tone change, and it's very noticeable.
• 35:05
  Speaker 7: You know.
• 35:05
  Speaker 1: Yeah, sometimes if you watch a series. I'm not going
• 35:08
  Speaker 1: to call anyone out because I don't want to be
• 35:09
  Speaker 1: that guy. But if you watch a series you love
• 35:12
  Speaker 1: and all of a sudden season two, it really feels different.
• 35:16
  Speaker 1: You know, the writer's changed, often a different show runner
• 35:20
  Speaker 1: or a different team, and you might be going I
• 35:24
  Speaker 1: kind of still like this, maybe, but what is different?
• 35:27
  Speaker 1: And you might not be able to put your finger
• 35:28
  Speaker 1: on it. And sometimes it's something as big as it's
• 35:32
  Speaker 1: a different showrunner, and obviously that was the case here.
• 35:35
  Speaker 1: It's for the first time, a totally different showrunner and
• 35:38
  Speaker 1: the tone is different.
• 35:39
  Speaker 2: But the showrunner of this show has gone on to
• 35:41
  Speaker 2: do some successful stuff.
• 35:42
  Speaker 1: I'm not saying that he couldn't be brilliant. I'm sure
• 35:44
  Speaker 1: he's brilliant. I'm just saying that you can't. No two
• 35:50
  Speaker 1: showrunners are going to be able to mimic the exact
• 35:52
  Speaker 1: same tone.
• 35:54
  Speaker 3: I was a part of a change a shift like
• 35:55
  Speaker 3: that one time that was it was like, Wow, this
• 35:59
  Speaker 3: isn't even the same. I was on Clueless and Clueless
• 36:03
  Speaker 3: was on ABC, and when it went from the movie
• 36:06
  Speaker 3: to the television show, Amy Heckerling still was involved and
• 36:09
  Speaker 3: she show ran the first season. At the end of
• 36:12
  Speaker 3: the season, ABC decided they weren't going to pick it up,
• 36:15
  Speaker 3: and I don't know what happened, but she kind of
• 36:17
  Speaker 3: left as the showrunner. And the dude Tim O'Donnell, who
• 36:23
  Speaker 3: show ran Growing Pains for a little bit, he came
• 36:26
  Speaker 3: on and started doing the show, and the show shifted
• 36:29
  Speaker 3: from this Beverly Hills show like that was very similar
• 36:33
  Speaker 3: to the movie, to something that was written for young teens,
• 36:38
  Speaker 3: and you know what I mean, Like the movie. When
• 36:39
  Speaker 3: you watch the movie, it's for everyone. It's adults, and
• 36:42
  Speaker 3: when you're a kid, you kind of fantasize, this is
• 36:45
  Speaker 3: kind of how I want to be.
• 36:46
  Speaker 2: But the movie's really for adults, you know what I mean.
• 36:48
  Speaker 3: The television show was aspired to be that and ABC
• 36:53
  Speaker 3: was like, we don't like it. And when we moved
• 36:56
  Speaker 3: to UPN, it became something great you want to laugh at.
• 37:03
  Speaker 1: No, I haven't heard the term of UPN in so long.
• 37:08
  Speaker 1: Some of our listeners probably don't know yet, Like.
• 37:10
  Speaker 2: What the fuck is the UPN?
• 37:12
  Speaker 3: But when it moved, it became like a completely different
• 37:15
  Speaker 3: show and these kids were dealing with stuff like Arnold
• 37:19
  Speaker 3: Jackson and and and uh and and sitcom World.
• 37:23
  Speaker 1: Right, it became way broader.
• 37:24
  Speaker 3: It became way broader, and all of a sudden, it
• 37:27
  Speaker 3: wasn't as you know, it wasn't clueless anymore.
• 37:30
  Speaker 2: It was called the uthing else.
• 37:31
  Speaker 1: UPN also didn't have the budget that ABC had, right,
• 37:34
  Speaker 1: so probably had a.
• 37:35
  Speaker 2: Pretty good budget.
• 37:36
  Speaker 3: I mean, we were I was on that the at
• 37:38
  Speaker 3: a time when Moesha was on when you know what
• 37:41
  Speaker 3: I mean, like there were a bunch of Buffy the
• 37:42
  Speaker 3: Vampire Slayer. All of the UPN and the w B
• 37:45
  Speaker 3: were kind of like the or yeah, the w B, right,
• 37:48
  Speaker 3: that's what it was, kind of like the same thing.
• 37:50
  Speaker 3: And then they merged and became the c W c
• 37:54
  Speaker 3: W I think that's the c W, right.
• 37:56
  Speaker 1: But were UPN?
• 38:00
  Speaker 2: You used to have so many names for that network.
• 38:02
  Speaker 1: Man, what did you call it?
• 38:04
  Speaker 2: I don't want to say it because there were a
• 38:10
  Speaker 2: lot of black people. There were a lot of black
• 38:12
  Speaker 2: people on up IN, and they called it let's just
• 38:17
  Speaker 2: put it that.
• 38:18
  Speaker 1: Way, Okay, we'll beat that. Wow. I didn't know that.
• 38:26
  Speaker 1: But UPN I'm sure had a different tone than ABC.
• 38:30
  Speaker 5: Uh.
• 38:30
  Speaker 3: Yeah, they would just starting remember when Fox first came
• 38:33
  Speaker 3: out and how Fox was the network Fox.
• 38:36
  Speaker 1: Yeah.
• 38:36
  Speaker 2: A lot of y'all are too young to remember that,
• 38:38
  Speaker 2: but I.
• 38:38
  Speaker 1: Remember it was like early yeah.
• 38:41
  Speaker 3: Right, So it was like the programming was so risque.
• 38:45
  Speaker 3: I guess you would is the terms you would use,
• 38:47
  Speaker 3: like we.
• 38:48
  Speaker 2: Had to show for Fox.
• 38:48
  Speaker 1: Yeah, they were trying to push the envelope on UPN.
• 38:51
  Speaker 3: Also, there was a show on that network where they
• 38:53
  Speaker 3: had a man.
• 38:54
  Speaker 2: It was a.
• 38:56
  Speaker 3: It was a show that took place during slavery, and
• 39:00
  Speaker 3: in an opening scene they had a walk and talk
• 39:04
  Speaker 3: with two people walking and a black man hanging in
• 39:08
  Speaker 3: a tree as they walk by.
• 39:09
  Speaker 1: Oh my god, damn.
• 39:11
  Speaker 5: They said, we're starting of tough get in there.
• 39:14
  Speaker 1: Wow is this on early UPN?
• 39:17
  Speaker 2: Yeah? That show was canceled, like right away, I'll never
• 39:20
  Speaker 2: forget that shit. Let's take a break.
• 39:21
  Speaker 1: We'll be right back after these fine words. All right,
• 39:31
  Speaker 1: let's get back to Scrubs Season nine, episode five. So
• 39:35
  Speaker 1: he gets the anonymous negative review. JD tells Turk that
• 39:40
  Speaker 1: Eagles are played out, which is true. Enough of the eagling, I.
• 39:43
  Speaker 2: Think, are you fucking on crack man?
• 39:45
  Speaker 1: Listen? I know the audience loves eagling and I like
• 39:48
  Speaker 1: to eagle.
• 39:49
  Speaker 2: When I get to fucking eagle.
• 39:51
  Speaker 1: You never get to eagle your too.
• 39:53
  Speaker 2: I sometimes get to eagle.
• 39:54
  Speaker 1: Who eagles you?
• 39:56
  Speaker 2: I got to eagle at like a comic con type
• 39:58
  Speaker 2: situation where I was.
• 40:00
  Speaker 1: You got was? It? Was it a large man who
• 40:02
  Speaker 1: has big muscles, very strong, because.
• 40:05
  Speaker 2: I was like, and I was like, I don't want
• 40:07
  Speaker 2: to get on your back, and he was like, just
• 40:08
  Speaker 2: do it for God. Back out now. He was big
• 40:12
  Speaker 2: and he helped me up, and I'm.
• 40:14
  Speaker 1: Oh, so well, listen, I don't know if there's a reboot.
• 40:19
  Speaker 2: Do you clinch your knees together when you eagle?
• 40:22
  Speaker 1: Yes, you have to. You have to get a good grip.
• 40:28
  Speaker 1: I should teach a course and how to eagle properly.
• 40:31
  Speaker 3: Yeah, and how to say eagle too. Well, now people
• 40:36
  Speaker 3: use it in the wrong way. People like I would
• 40:38
  Speaker 3: love it if we could do the eagle.
• 40:43
  Speaker 1: Well, no, you don't do the I don't know if
• 40:45
  Speaker 1: we should egle. If we do a reboot, it feels.
• 40:48
  Speaker 2: You're on crack. Are you serious?
• 40:51
  Speaker 1: I don't think we should do it.
• 40:52
  Speaker 2: They want us to eagle and T mobile commercials. You
• 40:55
  Speaker 2: don't want an eagle, dude.
• 40:57
  Speaker 1: I just think that eagling is is something. I just
• 41:06
  Speaker 1: think that eagling is.
• 41:10
  Speaker 7: Me.
• 41:11
  Speaker 1: I don't know, Joelle. Do you think if we do
• 41:13
  Speaker 1: a reboot of Scrubs that it would be it would
• 41:15
  Speaker 1: be okay for us to forego eagling.
• 41:18
  Speaker 5: No, I don't think it would get on his back
• 41:23
  Speaker 5: an eagle for us?
• 41:24
  Speaker 2: What the fuck?
• 41:27
  Speaker 1: They're like, look, give the people what they want. I
• 41:29
  Speaker 1: guess that would be.
• 41:30
  Speaker 3: The dopest eagle left. That would have been a dope eagle.
• 41:33
  Speaker 3: I have to make the back of Jason Momoa.
• 41:35
  Speaker 2: E double eagle, double eagle eagle.
• 41:41
  Speaker 1: We'll have to do a bit about it where we're like,
• 41:45
  Speaker 1: like both of our backs hurt and I'm like, hold
• 41:47
  Speaker 1: on his step stool to get on you.
• 41:50
  Speaker 2: You know, I would love to eagle.
• 41:53
  Speaker 1: I was thinking, me so funny, Did I tell you
• 41:55
  Speaker 1: this about my idea for how the reboot.
• 41:57
  Speaker 2: Would open where you're flying on an eagle.
• 42:00
  Speaker 1: No where, It's like, you totally do a an homage
• 42:04
  Speaker 1: to the first episode of Scrubs, you know when JD
• 42:08
  Speaker 1: hits the alarm and then he hops out of bed
• 42:10
  Speaker 1: and remember didn't we talk.
• 42:12
  Speaker 5: About this, Yeah, we did talk about ideas.
• 42:15
  Speaker 1: The idea is that He's got like a seapap on
• 42:17
  Speaker 1: and he's like he's like back hurts. As he gets
• 42:19
  Speaker 1: out of bed. You look over and Elliott's got like
• 42:22
  Speaker 1: a night gear on, like a you know, like because
• 42:24
  Speaker 1: she's like, you know, snores or something. I mean, I
• 42:27
  Speaker 1: don't know, like like total contrasts. And then and then
• 42:29
  Speaker 1: he gets to the mirror. Instead of like putting a
• 42:32
  Speaker 1: shaving cream all over my chest, I'm like so exhausted
• 42:35
  Speaker 1: and I'm like really bored shaving, and like, you know,
• 42:38
  Speaker 1: JD's just become like a tired You know.
• 42:41
  Speaker 3: That that would be an actual great moment to use
• 42:44
  Speaker 3: the mirror as what had what's happened in the last
• 42:48
  Speaker 3: few years, also what's.
• 42:50
  Speaker 2: Happened in the last you know what I mean.
• 42:52
  Speaker 3: He goes to the mirror and as he's shaving or
• 42:54
  Speaker 3: whatever it is, you can see in his reflection everything
• 42:57
  Speaker 3: that's happened. So the audience catches up and now we
• 43:00
  Speaker 3: understand why we're back at a hospital with everybody again.
• 43:03
  Speaker 1: Right, get you could do that, or you could also
• 43:06
  Speaker 1: have the original JD from the pilot in the mirror
• 43:08
  Speaker 1: and he's like looking at his young self being like
• 43:10
  Speaker 1: what's become of me?
• 43:12
  Speaker 2: Right, does that too, here's.
• 43:14
  Speaker 1: No joy left in his life?
• 43:17
  Speaker 3: How come everybody gets cynical as they get older? How
• 43:20
  Speaker 3: come everybody?
• 43:21
  Speaker 2: How come?
• 43:22
  Speaker 3: How why does wisdom seem to freaking promote cynicism?
• 43:27
  Speaker 2: Like or you know what I mean? Like, why is that?
• 43:30
  Speaker 3: Why the more knowledge I get, the more pessimism I.
• 43:34
  Speaker 2: Feel towards the world and stuff?
• 43:37
  Speaker 5: Like?
• 43:38
  Speaker 2: Why is that?
• 43:39
  Speaker 5: Because you've experienced the.
• 43:40
  Speaker 1: Negative experienced When you're a child, you're just so wide
• 43:43
  Speaker 1: eyed and you don't know what you don't know. And
• 43:46
  Speaker 1: then as you grow and you experience heartache and loss
• 43:49
  Speaker 1: and grief and financial strain and worry about providing for
• 43:54
  Speaker 1: your family and all these things, it's sort of like
• 43:57
  Speaker 1: it's sort of like mud accumulating on a on a windshield,
• 44:01
  Speaker 1: and by the time you're forty nine years old, it's
• 44:05
  Speaker 1: hard to see through that windshield, and so there's things
• 44:08
  Speaker 1: we can all do to clean off that windshield. But
• 44:11
  Speaker 1: I think that's what came up for me when you
• 44:13
  Speaker 1: said that, is like you're operating with all of this,
• 44:17
  Speaker 1: with all of this mud on your windshield.
• 44:20
  Speaker 3: That's a great that's a great way to put it.
• 44:22
  Speaker 3: But it feels like it feels like that we see
• 44:25
  Speaker 3: it in the television show. You just described it in
• 44:28
  Speaker 3: the opening of the new series Scrubs. You know what
• 44:30
  Speaker 3: I mean, It just seems like that's always.
• 44:33
  Speaker 1: What I was thinking, Like, you know, a young, joyful
• 44:37
  Speaker 1: twenty something who has his first day as an intern.
• 44:40
  Speaker 1: He just has so much excitement at him. He doesn't
• 44:42
  Speaker 1: he can't believe he got here, doesn't it. And then
• 44:45
  Speaker 1: after twenty five years of dealing with the stress and
• 44:51
  Speaker 1: insurance companies and death and loss and the trouble in
• 44:54
  Speaker 1: his marriage, and you know, I'm just making shit up,
• 44:58
  Speaker 1: But you know, it's a different pint of view. It's
• 45:00
  Speaker 1: someone who's weathered a lot of storms.
• 45:03
  Speaker 3: It's an interesting show, especially because we know the characters already.
• 45:06
  Speaker 1: You know, I think that's what would make a reboot better.
• 45:09
  Speaker 1: To be honest, that's what it would interest me, would be.
• 45:13
  Speaker 1: And this isn't labn't said this to Bill, although I will.
• 45:16
  Speaker 1: But to me, what makes interesting is like exactly what
• 45:18
  Speaker 1: you just said, Don was like, it's still a comedy,
• 45:21
  Speaker 1: of course, but it's coming from someone who's lived a
• 45:24
  Speaker 1: lot of life and see and had a lot of
• 45:27
  Speaker 1: ups and downs, and he's no longer that wide eyed
• 45:30
  Speaker 1: kid who can't believe he's got this experience. He's someone
• 45:33
  Speaker 1: who's who maybe has lost some joy in his life,
• 45:36
  Speaker 1: and maybe through coming back together with the community of
• 45:40
  Speaker 1: the people that love that he loved so much and
• 45:42
  Speaker 1: reminds him of the joy in his life. Maybe that's
• 45:44
  Speaker 1: what the premise of the show could be, is in
• 45:47
  Speaker 1: reuniting with these seven people or so that he that
• 45:50
  Speaker 1: he remembered such joy with some of that joy comes
• 45:54
  Speaker 1: back into his life and cleans off his proverbial wind screen.
• 45:59
  Speaker 3: It's just like I said in the beginning of the show,
• 46:02
  Speaker 3: it's always Star Wars, Baby, it always goes back to
• 46:05
  Speaker 3: fantasy at the end of the day, when.
• 46:08
  Speaker 1: Did you get Star Wars?
• 46:10
  Speaker 3: Because Yoda at the end of he goes off because
• 46:14
  Speaker 3: of his experience and and all of the stuff. He
• 46:17
  Speaker 3: exiles himself. Luke Skywalker exiles himself. All of these people
• 46:23
  Speaker 3: exile himself, and it's just something that that's one thing
• 46:26
  Speaker 3: that brings them back, and it's something from their past,
• 46:28
  Speaker 3: whether it be Luke Skywalker, whether it be Ray with
• 46:33
  Speaker 3: the with the with the message that his you know
• 46:35
  Speaker 3: that Princess Leiah needs him. It always brings the hero,
• 46:40
  Speaker 3: the dude who we started the hero's journey with back
• 46:44
  Speaker 3: into purpose, and I feel like, you know, that's a
• 46:49
  Speaker 3: great idea. I think that's no matter, it always works,
• 46:52
  Speaker 3: but I think that's a great way to bring j
• 46:54
  Speaker 3: D back into this whole situation.
• 46:57
  Speaker 2: You know what I mean?
• 46:59
  Speaker 5: Is Doctor Cox's journey the first time the first time around?
• 47:03
  Speaker 7: Mm hmm.
• 47:04
  Speaker 5: If you have this guy who's so beat up by
• 47:07
  Speaker 5: life of his crazy parents, his relationship fell apart, he's
• 47:11
  Speaker 5: unhappy with the institution he's in, and then this kid
• 47:13
  Speaker 5: comes into his life and sort of ree sparks and
• 47:16
  Speaker 5: reimagines all of this like beauty he has for his job,
• 47:19
  Speaker 5: so that at the very end of season eight, anyway,
• 47:21
  Speaker 5: we get to see into this future where he's part
• 47:24
  Speaker 5: of this kid's family and they spend holidays together and stuff.
• 47:27
  Speaker 3: That's another story right there. What the fuck was doctor
• 47:30
  Speaker 3: Cox like as an intern when he was a student.
• 47:34
  Speaker 2: What's that story? Who would play who would play Johnny?
• 47:38
  Speaker 2: Who would play Kelso? Who would play Jordan? Like? These
• 47:41
  Speaker 2: are stories that are all there ready for the freaking taking.
• 47:46
  Speaker 3: If Scrubs comes back and trust Yellowstone shit or that,
• 47:50
  Speaker 3: you know, we could go.
• 47:50
  Speaker 2: I don't want to Stone.
• 47:51
  Speaker 1: We're not gonna do like young Kelso. I mean, we're gonna,
• 47:54
  Speaker 1: you know, if we do it, we're gonna do.
• 47:55
  Speaker 2: Like young Kelso. Sounds funny though, Young Sheldon Young Kelso.
• 48:00
  Speaker 1: God, all right, I don't think somebody. I don't think
• 48:03
  Speaker 1: you and I. I don't think you and I are
• 48:05
  Speaker 1: in Young.
• 48:05
  Speaker 2: Kelso executive producer on it. Let's take a break.
• 48:09
  Speaker 1: We're a break and we come back. We are gonna
• 48:11
  Speaker 1: finish talking about the television show scrubb zach As Zacha
• 48:17
  Speaker 1: love you. She really does, Yeah, she does.
• 48:29
  Speaker 2: And we're back because you're a dick.
• 48:32
  Speaker 1: She's such a good wife. You really married well I did?
• 48:35
  Speaker 2: All right?
• 48:36
  Speaker 1: All right, Sonny Sonny is back and uh is this
• 48:41
  Speaker 1: Sonny's first appearance in season nine?
• 48:43
  Speaker 5: Yes? I think.
• 48:45
  Speaker 1: Okay, So Sonny's back and she wants to go on
• 48:48
  Speaker 1: a date with her boyfriend. And there's this whole power
• 48:51
  Speaker 1: play between Denise and Drew. Cox puts in her head
• 48:56
  Speaker 1: that you know, our relationship is her. She's being dominated
• 49:01
  Speaker 1: by Drew and the Drew is winning and he's controlling
• 49:03
  Speaker 1: the relationship. Okay, and then we learned that Barry Friedman
• 49:11
  Speaker 1: and when we do our hunting, it is the person
• 49:13
  Speaker 1: who uh perhaps gave you the bad review gave us
• 49:18
  Speaker 1: the bad review.
• 49:19
  Speaker 2: Because there rs kind of look alike.
• 49:22
  Speaker 1: Turk loves the magnifying glass.
• 49:24
  Speaker 2: That he made JD buy.
• 49:27
  Speaker 1: And they knock on Barry's They knock on Barry's door,
• 49:31
  Speaker 1: and this is sort of a copy of the first
• 49:35
  Speaker 1: episode I directed when We're looking for Heather Graham, because
• 49:39
  Speaker 1: we knock on the mysterious door and kelto Kelso answers, yeah.
• 49:45
  Speaker 2: He's he's taken over Barry's room.
• 49:47
  Speaker 3: Barry was We find out that Barry hasn't been in
• 49:51
  Speaker 3: school since the first couple of weeks and he washed out,
• 49:55
  Speaker 3: and Kelso took his room and has been using it
• 49:58
  Speaker 3: as his sex pad because he kid because having sex
• 50:02
  Speaker 3: in the same bed that he had sex within it
• 50:06
  Speaker 3: in gives him the softies.
• 50:08
  Speaker 1: Right, And he says, come on in, you're letting all
• 50:11
  Speaker 1: the funk.
• 50:11
  Speaker 3: Out, meaning he's smoking that ship he got that gas?
• 50:15
  Speaker 3: Really he got that gas?
• 50:16
  Speaker 1: Does that mean that does that mean that he was
• 50:19
  Speaker 1: letting he was smoking gonzo or does.
• 50:21
  Speaker 2: It mean that he It ain't the sex funk, it's.
• 50:24
  Speaker 1: The guy thought It meant like the smell of nobody
• 50:27
  Speaker 1: else who.
• 50:28
  Speaker 2: Had a person that where the fun where where where?
• 50:32
  Speaker 1: She may have just left thirty seconds before they knocked.
• 50:34
  Speaker 1: We don't know.
• 50:36
  Speaker 2: Sure.
• 50:37
  Speaker 3: I took it as this motherfuckers smoking weed. He's not
• 50:40
  Speaker 3: a doctor anymore. He smokes weed. He freaking teaches classes,
• 50:45
  Speaker 3: he's living the best life.
• 50:46
  Speaker 1: Okay, well he's getting high in the dorm room. And
• 50:50
  Speaker 1: there it is. Yeah, I'm he says, I'm working the
• 50:54
  Speaker 1: case right now, and I am this close to cracking
• 50:56
  Speaker 1: and open.
• 50:57
  Speaker 2: Right this is when? So so that was.
• 51:05
  Speaker 1: JD is like sew into being a detective of us.
• 51:08
  Speaker 2: Yeah, watched it.
• 51:10
  Speaker 1: Really And I had a moment, dude where I was
• 51:12
  Speaker 1: like kind of stoked about watching you and I'm being detectives.
• 51:17
  Speaker 1: I guess that's what psych is.
• 51:19
  Speaker 2: Right, Yeah, it's it's us. It's us as detectives.
• 51:23
  Speaker 1: It's us as detectives.
• 51:24
  Speaker 2: But it's stars. But it's stars two different people.
• 51:27
  Speaker 1: I know.
• 51:28
  Speaker 2: But is there?
• 51:28
  Speaker 1: Not D, I've never watched psych?
• 51:30
  Speaker 2: Is there?
• 51:31
  Speaker 1: Is there? A? Is there? What is the what is
• 51:34
  Speaker 1: psych about?
• 51:34
  Speaker 2: What is I've never watched it in my life? Friends,
• 51:37
  Speaker 2: and I've never watched psych.
• 51:39
  Speaker 3: Fabulous, Sure we should rewatch watch everybody. Everybody says to
• 51:44
  Speaker 3: every all the time you and Zach should have guest
• 51:47
  Speaker 3: starred on Psych.
• 51:48
  Speaker 5: I'm like, get the fabulous gut starts. Here's the thing.
• 51:51
  Speaker 5: It's a white guy and a start on scrubs.
• 51:53
  Speaker 2: Y'all can eat a dick?
• 52:00
  Speaker 1: Was in the Psych?
• 52:01
  Speaker 2: You, Sae Joe.
• 52:02
  Speaker 3: I'm not shuying you directly, such.
• 52:06
  Speaker 1: A hoe for being other TV?
• 52:10
  Speaker 2: Your mother yea psych? Yeah?
• 52:12
  Speaker 1: What else? She's always fucking somebody other, some other jewish
• 52:17
  Speaker 1: looking TV character's girlfriend. And I'm pissed off about it.
• 52:22
  Speaker 1: Don't be mad, all right, Joell? What is psych about it?
• 52:25
  Speaker 1: In a nutshell? Please?
• 52:27
  Speaker 5: Okay? This a black friend and a white friend. A
• 52:29
  Speaker 5: white friend is a great detective. He's fabulous, but his
• 52:33
  Speaker 5: dad's a detective. He doesn't like his dad, so he
• 52:35
  Speaker 5: doesn't want to follow in his shoes, so instead he
• 52:37
  Speaker 5: pretends to be a psychic detective so to help solve
• 52:40
  Speaker 5: crimes without becoming a part of the hooly unit his
• 52:42
  Speaker 5: father is a part of. His best friend tags along
• 52:45
  Speaker 5: to try to be the grounding element when he goes off.
• 52:48
  Speaker 5: And it's crazy and they have all kinds of crazy
• 52:51
  Speaker 5: hijinks and adventures and it's amazing. If you like people
• 52:55
  Speaker 5: with photographic memories. He has one frequently he'll be like,
• 52:57
  Speaker 5: oh yeah, I'll do the Detective TV thing. He touches
• 53:00
  Speaker 5: his forehead, He's like, I remember, and then you get
• 53:01
  Speaker 5: a black and white flashback other thing you saw sc
• 53:04
  Speaker 5: that's the Scrubs flash. It's so good, guys. It's super
• 53:09
  Speaker 5: funny and delightful. There are so many episodes. It's like
• 53:12
  Speaker 5: trying to do react to the last year, Like there
• 53:14
  Speaker 5: are just simply too many episodes, but there are mostly great,
• 53:17
  Speaker 5: and they keep doing movies.
• 53:18
  Speaker 1: They've done like three movies because.
• 53:20
  Speaker 5: It's so good.
• 53:22
  Speaker 3: This thing, actually, this thing actually was was actually like
• 53:26
  Speaker 3: like I get this a lot whenever I take pictures
• 53:30
  Speaker 3: with Doulay or whenever in Deulay, and like I've known
• 53:33
  Speaker 3: Delay since we were kids, and that's my connection. But
• 53:35
  Speaker 3: everybody's connection to me and Doulay is pretty much we
• 53:39
  Speaker 3: pretty much played the same character, but in two different worlds, you.
• 53:43
  Speaker 2: Know what I mean?
• 53:43
  Speaker 1: Really, all right, let's keep going. Uh, let's see, uh
• 53:48
  Speaker 1: Lucy gives j D puppy dog.
• 53:49
  Speaker 2: Guys, and he falls for it.
• 53:52
  Speaker 1: He falls for it. Perry wrote the bad review we
• 53:55
  Speaker 1: learned and just as it, by the way, then the
• 53:57
  Speaker 1: balloons drop This not a second commercial break? Did you
• 54:00
  Speaker 1: guys notice that that isn't the norm?
• 54:04
  Speaker 5: I thought there was a weird set up with.
• 54:06
  Speaker 1: A strange it had a weird second commercial break.
• 54:10
  Speaker 3: How do you feel about commercials, guys? To be honest,
• 54:12
  Speaker 3: would you prefer commercials not existed or would you prefer that?
• 54:16
  Speaker 1: You to add, I wouldn't want to watch a commercial break.
• 54:21
  Speaker 1: I'd rather pay for a streaming service without commercials.
• 54:24
  Speaker 2: I don't mind commercials.
• 54:25
  Speaker 5: It depends on the mood I'm in. Sometimes I'm not
• 54:27
  Speaker 5: trying to think, and it's commercial just except the amount
• 54:30
  Speaker 5: of time I don't have to be thinking. But if
• 54:32
  Speaker 5: I'm into a show like oh man, we had a
• 54:34
  Speaker 5: friend's place watching Shogun and they didn't have no commercial Hulu,
• 54:38
  Speaker 5: so here we are, well, I know.
• 54:42
  Speaker 3: It was it a commercial break at the time where
• 54:44
  Speaker 3: you need where it was like a dun dunt like
• 54:46
  Speaker 3: I like a perfect set.
• 54:50
  Speaker 2: Right. I think that's kind of cool. There's something cool.
• 54:53
  Speaker 1: I don't like commercials. Everybody all right? So Cox confronts JD.
• 54:58
  Speaker 1: These fucking kids need tough low of you know, gives
• 55:01
  Speaker 1: him a whole lesson. He's back to giving JD lessons,
• 55:04
  Speaker 1: this time about being a teacher. Denise decides not to
• 55:09
  Speaker 1: steal from Drew, so that means that she's in a relationship.
• 55:13
  Speaker 2: Yeah, he was part of the show right now, if
• 55:16
  Speaker 2: you ask, adorable.
• 55:17
  Speaker 1: And as I always say each each episode of this podcast,
• 55:21
  Speaker 1: Michael Mosley is the most grounded person in the show.
• 55:26
  Speaker 1: JD doesn't show up for Lucy on purpose because Cox
• 55:29
  Speaker 1: got to his head. And there's a fantasy where she
• 55:32
  Speaker 1: imagines roller skating with JD. And he's dressed as a
• 55:35
  Speaker 1: needle and I guess this has been Scrubs. What he
• 55:40
  Speaker 1: said that needle has been in an episode of Scrubs
• 55:42
  Speaker 1: before the needle costume, I don't remember. And then then
• 55:47
  Speaker 1: they decide they're going to do a big, fucking massive
• 55:50
  Speaker 1: super Eagle and they tell all the kids that the
• 55:53
  Speaker 1: cast of Twilight is in the quad.
• 55:55
  Speaker 2: Do you remember that day? Yeah?
• 55:57
  Speaker 1: I do remember that day.
• 55:58
  Speaker 3: Do you remember who was watching us from the balcony
• 56:00
  Speaker 3: that day?
• 56:02
  Speaker 1: Tim Burton?
• 56:03
  Speaker 2: Yeah?
• 56:04
  Speaker 1: Yeah, shut up?
• 56:06
  Speaker 5: What was watching you guys do super Eagles? In the
• 56:08
  Speaker 5: parking lot?
• 56:09
  Speaker 1: I think he was cutting? Do you remember what movie
• 56:11
  Speaker 1: was cutting? Was?
• 56:12
  Speaker 2: Sure?
• 56:12
  Speaker 1: Maybe Alice in Wonderland? Would that line up twenty ten.
• 56:16
  Speaker 5: Then els Whener comes out twenty eleven, I think.
• 56:19
  Speaker 1: Wow, Joelle, you might have that photographic memory thing that that.
• 56:23
  Speaker 5: A movie theater in twenty eleven. I remember.
• 56:28
  Speaker 1: Tim Burton was working on the same lot cutting a
• 56:30
  Speaker 1: movie I think was Alice in Wonderland, and we were
• 56:33
  Speaker 1: all doing that Super Eagle and I think we all
• 56:35
  Speaker 1: looked up and Tim Burton was watching a Super Eagle.
• 56:38
  Speaker 2: Yeah.
• 56:41
  Speaker 1: And then Kelso sells Cole viagra as the tag.
• 56:46
  Speaker 2: That's a good drug dealer right there.
• 56:48
  Speaker 1: I don't know why Cole needs viagra, but he's curious
• 56:52
  Speaker 1: about having some, and he scores some from Kelso.
• 56:55
  Speaker 5: We have an airport bar control for women together. What
• 56:58
  Speaker 5: a nightmare?
• 56:59
  Speaker 3: Oh my god, that's wait, hold up, I got to
• 57:03
  Speaker 3: talk about airport bars. I was just recently in an
• 57:06
  Speaker 3: airport bar. I was traveling go ahead, and I asked,
• 57:10
  Speaker 3: are their regulars? And I don't mean people that fly
• 57:13
  Speaker 3: in and out? I mean people that just come to
• 57:15
  Speaker 3: the bar at the airport.
• 57:18
  Speaker 1: But how do you get past security if you're going
• 57:19
  Speaker 1: to an airport, I mean before security?
• 57:21
  Speaker 2: Yeah? Yes, And they were like, yeah, that actually is
• 57:27
  Speaker 2: a thing.
• 57:27
  Speaker 3: There are quite a few people that frequent the Burbank
• 57:31
  Speaker 3: Airport and drink.
• 57:36
  Speaker 2: Like cheers and then go home.
• 57:39
  Speaker 1: That's really sad.
• 57:40
  Speaker 2: That's so sad.
• 57:45
  Speaker 1: I don't know why I feel sad for them, but
• 57:46
  Speaker 1: I do.
• 57:47
  Speaker 3: I when I heard that, I was like, holy shit,
• 57:52
  Speaker 3: the drinks aren't that good?
• 57:55
  Speaker 5: What were you?
• 57:57
  Speaker 3: I was having a bloody Mary at the time, and
• 57:59
  Speaker 3: I was like, this ain't the best blay. I wouldn't travel.
• 58:03
  Speaker 1: You wouldn't travel to Burbank for that bloody Mary.
• 58:06
  Speaker 3: I wouldn't travel from the Burbank okay, for there were
• 58:11
  Speaker 3: serving at the Burbank airport.
• 58:13
  Speaker 1: All right. On that note, Joelle, do you have any
• 58:16
  Speaker 1: people that want to weigh in on Scrubs Season nine,
• 58:19
  Speaker 1: episode five.
• 58:21
  Speaker 5: We have two voicemails. One is the review. You can
• 58:25
  Speaker 5: play that one first dannel. That would be awesome, and
• 58:28
  Speaker 5: the second one will let that be a surprise.
• 58:31
  Speaker 9: I hope it's Tamika, Joel, Daniel, Zach and Donald. My
• 58:35
  Speaker 9: name is Katie. I'm calling in from Harrisburg, Pennsylvania. I'm
• 58:39
  Speaker 9: watching Scrub season nine for the first time ever. I
• 58:42
  Speaker 9: really could never bring myself to watch it when it
• 58:44
  Speaker 9: originally aired, and I've always skipped it in my rewatches.
• 58:47
  Speaker 9: My biggest issue, and I'll discuss this specifically in regards
• 58:51
  Speaker 9: to season nine, episode five, is that we seem to
• 58:54
  Speaker 9: have lost all traces of this being one of the
• 58:56
  Speaker 9: most medically accurate shows on television. To have an opinion
• 59:01
  Speaker 9: on medical accuracy, I know that's what you're thinking, and
• 59:03
  Speaker 9: that's a great question. My husband completed medical school, residency
• 59:07
  Speaker 9: and anesthesiology, and is currently doing a fellowship in regional
• 59:10
  Speaker 9: anesthesia and acute pain Medicine. I've been by his side
• 59:14
  Speaker 9: every step of the way, and anyone who's been on
• 59:16
  Speaker 9: this journey knows that the spouse goes through it just
• 59:18
  Speaker 9: as much as the doctor. As a side note, my
• 59:20
  Speaker 9: husband was an intern at the start of COVID when
• 59:22
  Speaker 9: your podcast started. It was a lot for us to
• 59:24
  Speaker 9: take on, and your podcast was a huge support for
• 59:27
  Speaker 9: me during that time. My oldest child was actually born
• 59:30
  Speaker 9: on Joelle's birthday, October first, in twenty twenty. Anyways, I
• 59:34
  Speaker 9: digress to set the stage for season nine, episode five.
• 59:38
  Speaker 9: According to JD at the top of the episode, we're
• 59:41
  Speaker 9: now six weeks into medical school. Under no circumstances would
• 59:45
  Speaker 9: a student who has completed only six weeks of medical
• 59:48
  Speaker 9: school be doing any type of procedure on live patients.
• 59:52
  Speaker 9: Drew and the crash cart in episode three. This really
• 59:55
  Speaker 9: pushed me over the edge, and I knew that I
• 59:56
  Speaker 9: had to send in a review for you. Medical students
• 1:00:00
  Speaker 9: are not interns. They would not be drawing blood. This
• 1:00:03
  Speaker 9: is a skill learned much later. Drew wouldn't be walking
• 1:00:06
  Speaker 9: around the hospital grabbing medical files off the counter to
• 1:00:09
  Speaker 9: go see a patient. That really bothered me when he
• 1:00:12
  Speaker 9: did that as he was talking to Joe Denise, and
• 1:00:16
  Speaker 9: it seems to just have lost the authenticity that the
• 1:00:20
  Speaker 9: original eight seasons had. Besides that, JD is just still
• 1:00:24
  Speaker 9: so needy. At the end of season eight, we see
• 1:00:27
  Speaker 9: a beautiful montage of JD Elliott, doctor Cox, and Jordan
• 1:00:31
  Speaker 9: Turk and Carla. Their relationship has grown and they've become
• 1:00:34
  Speaker 9: more like a family than just coworkers. Season nine seems
• 1:00:38
  Speaker 9: to disregard that entirely. All of the character growth for
• 1:00:40
  Speaker 9: JD over the eight years totally crumbles as he reverts
• 1:00:44
  Speaker 9: to striving for everyone's approval all the time. Searching for
• 1:00:47
  Speaker 9: the author of his negative evaluation is just so unethical.
• 1:00:52
  Speaker 9: It's just not the spot we left him. At the
• 1:00:54
  Speaker 9: end of season eight, I was also disappointed in the
• 1:00:56
  Speaker 9: joke he made about the deaf student in his class.
• 1:00:58
  Speaker 9: This was just insensitive and not funny. The Hardy Boys
• 1:01:02
  Speaker 9: book covers did make me laugh, and I liked the
• 1:01:04
  Speaker 9: old school shenanigans between JD and Turk. I just can't
• 1:01:07
  Speaker 9: appreciate it as much within the context of this greater
• 1:01:10
  Speaker 9: character degradation. We've left the world of realism and turned
• 1:01:13
  Speaker 9: the whole foundation of the show into a farce. Thank
• 1:01:16
  Speaker 9: you for letting me speak my piece. I love your
• 1:01:18
  Speaker 9: show and hope you all have a great day.
• 1:01:20
  Speaker 1: We've left the world of realism for a farce. I mean,
• 1:01:24
  Speaker 1: she said it better than we've been trying to say it.
• 1:01:27
  Speaker 2: I've been stuttering and stuttering and stammering and stumbling trying
• 1:01:31
  Speaker 2: to say exactly that.
• 1:01:32
  Speaker 1: Yeah, well she did a very good job. And you're right, Katie, Right, Katie,
• 1:01:37
  Speaker 1: everything you said is accurate, and yeah, we agree, we agree.
• 1:01:45
  Speaker 2: There's got to be somebody out there that's like, all.
• 1:01:48
  Speaker 11: Of you are fucking wrong. This is the best television
• 1:01:51
  Speaker 11: I've ever seen in my life, and all of you
• 1:01:54
  Speaker 11: deserved Emmys, and fucking it's got to be some I'm inferring.
• 1:01:59
  Speaker 1: I'm in deferring that Joelle is having trouble finding those people.
• 1:02:03
  Speaker 5: There's not as many of them. We will have some
• 1:02:06
  Speaker 5: more positive reviews coming up in the your future. I
• 1:02:09
  Speaker 5: did want to end this episode on a positive note,
• 1:02:11
  Speaker 5: so why don't we go ahead and play our second
• 1:02:13
  Speaker 5: voice note really quickly.
• 1:02:14
  Speaker 1: I hope it's the couple that allow the woman to
• 1:02:17
  Speaker 1: have sex with the friend.
• 1:02:19
  Speaker 2: Do you get me too? Please be back, please come back.
• 1:02:22
  Speaker 4: I have a feeling it's not okay.
• 1:02:33
  Speaker 12: There's a new doctor in town and he's ready to
• 1:02:37
  Speaker 12: get down. Prest In in Journal Medicine, paint on the
• 1:02:43
  Speaker 12: take your last mistake because you say your HMO about
• 1:02:49
  Speaker 12: his bed.
• 1:02:59
  Speaker 8: As a matter of.
• 1:03:11
  Speaker 1: That was fire.
• 1:03:12
  Speaker 5: That's what our good friend Travis, he heard us shout
• 1:03:14
  Speaker 5: about on the pod and he was like, I have
• 1:03:17
  Speaker 5: this one that's been in the chamber for a while.
• 1:03:19
  Speaker 5: I wanted to share it with you guys, and I
• 1:03:21
  Speaker 5: was like, this really lifted my spirits.
• 1:03:23
  Speaker 1: That's amazing. Damn I need that for the sound I
• 1:03:25
  Speaker 1: need that for my soundboard.
• 1:03:26
  Speaker 4: I'll set it over.
• 1:03:28
  Speaker 1: I just need the hook, doctor Ala and the horns.
• 1:03:33
  Speaker 2: Doctor dark Cula.
• 1:03:37
  Speaker 1: Thank you, Travis, Travis, we really appreciate that. Wow, I
• 1:03:42
  Speaker 1: that was great. I was a bop much appreciate it.
• 1:03:45
  Speaker 1: Tea Fresh, I love a nice BOPO we love a bob.
• 1:03:50
  Speaker 1: How you guys been listening to Beyonce's Country.
• 1:03:52
  Speaker 2: It's amazing, real good. I'm gonna say something right now, Zach.
• 1:03:56
  Speaker 2: I'm gonna say something right now.
• 1:03:57
  Speaker 1: Howbody calm down, Zach?
• 1:03:59
  Speaker 2: I can't. I cannot calm down and listen? Oh my right,
• 1:04:07
  Speaker 2: Oh god.
• 1:04:09
  Speaker 5: I listened to her every the first thing I do
• 1:04:11
  Speaker 5: in the morning, as I say and hit play on
• 1:04:13
  Speaker 5: America Let's Go. I listened to it no lesson three
• 1:04:16
  Speaker 5: times a day every day since it came out. I
• 1:04:18
  Speaker 5: am absolutely obsessed. Almost off book. I've almost memorized now
• 1:04:23
  Speaker 5: getting into harmonies, been in the harmonies.
• 1:04:26
  Speaker 2: Wow.
• 1:04:27
  Speaker 5: The song she does with Miley Cyrus to.
• 1:04:29
  Speaker 2: Most most want is Fire. That one.
• 1:04:34
  Speaker 1: With Miley Cyrus.
• 1:04:35
  Speaker 4: Yeah, yeah, harmonized.
• 1:04:37
  Speaker 5: You don't know Thelma and Louise of song because each
• 1:04:44
  Speaker 5: song is based off of a movie. This is definitely
• 1:04:46
  Speaker 5: the Thelma and Louise track.
• 1:04:49
  Speaker 2: Bodyguard is Fire, Bodyguard? Everybody else?
• 1:04:52
  Speaker 5: A Deeke produced the hell out of Bodyguard.
• 1:04:54
  Speaker 2: Oh my god, freaking projector Fire projector.
• 1:04:58
  Speaker 5: Protector made me. I send it to my mom Immediately,
• 1:05:01
  Speaker 5: I was like, this is how you love me like
• 1:05:03
  Speaker 5: a baby, a baby.
• 1:05:04
  Speaker 2: It's rare, it's rare good.
• 1:05:06
  Speaker 5: It's the really spaghetti. When she brings out the rap,
• 1:05:09
  Speaker 5: I said, you have to do this to us. She
• 1:05:11
  Speaker 5: sings opera? Is that she sings opera?
• 1:05:14
  Speaker 2: And my favorite, you know, my favorite song on the
• 1:05:16
  Speaker 2: whole record is do you tell me.
• 1:05:19
  Speaker 5: Come here?
• 1:05:20
  Speaker 3: You pretty little thing like Levi's jeans, that is fire,
• 1:05:26
  Speaker 3: turn you on?
• 1:05:29
  Speaker 2: You know all this shall change the logo to the
• 1:05:34
  Speaker 2: two US.
• 1:05:35
  Speaker 5: It's perfect, It's divine.
• 1:05:38
  Speaker 3: Is it doing well in hole? This woman went out
• 1:05:43
  Speaker 3: and did her research. Not only is she coming into
• 1:05:48
  Speaker 3: country as an artist, but she's coming with the knowledge
• 1:05:52
  Speaker 3: of everything that's came in the past, all the black
• 1:05:55
  Speaker 3: knowledge too, and she'd bring in the white knowledge.
• 1:05:57
  Speaker 2: Also. She's not turning her back on.
• 1:06:00
  Speaker 3: Anybody, turning back on anybody.
• 1:06:04
  Speaker 5: Blackbird is so beautiful.
• 1:06:07
  Speaker 2: A country song that's a fucking country song.
• 1:06:13
  Speaker 5: On the country Apple iTunes. She's the first black woman
• 1:06:15
  Speaker 5: to hit number one and no I'm sorry, the first
• 1:06:18
  Speaker 5: person in America with a country album to hit number
• 1:06:21
  Speaker 5: one on the UK charts. It's doing very good everything.
• 1:06:24
  Speaker 3: The first black outist ever have a number one record
• 1:06:26
  Speaker 3: on the country charts.
• 1:06:28
  Speaker 1: Question was is the country community embracing It's a mixed bag.
• 1:06:34
  Speaker 5: It's a mixed bag. I think there's definitely a segment
• 1:06:37
  Speaker 5: of the country community who was like, this isn't country
• 1:06:40
  Speaker 5: and I don't want it. They were overturned pretty quickly
• 1:06:44
  Speaker 5: as as far as people like calling into country radios
• 1:06:47
  Speaker 5: and requesting the songs. Eventually they had to capitown and
• 1:06:49
  Speaker 5: be like, it is country and we will play it. Uh,
• 1:06:51
  Speaker 5: it's weird and foolish. I think for anyone to be
• 1:06:54
  Speaker 5: like Beyonce of the Deep South, Texas and by way
• 1:06:57
  Speaker 5: of Louisiana can't hold down this genre. I think she
• 1:07:00
  Speaker 5: killed it.
• 1:07:01
  Speaker 2: But yeah, you know, it all comes. It all stems
• 1:07:03
  Speaker 2: from when she did that song with the Dixie Chicks, Samtis.
• 1:07:13
  Speaker 1: When it comes to Beyonce, you have that skill where
• 1:07:15
  Speaker 1: you can remember anything, any date that happened.
• 1:07:18
  Speaker 5: Oh yeah, for sure, for sure, for sure.
• 1:07:20
  Speaker 3: But but it was you could tell by watching the
• 1:07:23
  Speaker 3: audience this young lady's on stage killing it, you know,
• 1:07:26
  Speaker 3: like literally on stage giving a great performance. And there
• 1:07:31
  Speaker 3: were certain people in the audience who didn't appreciate the
• 1:07:33
  Speaker 3: fact that a black woman was singing a black pop
• 1:07:37
  Speaker 3: star was singing their music.
• 1:07:40
  Speaker 5: Or that she brought their outlaws. They kicked the Dixie
• 1:07:42
  Speaker 5: Chicks out and she said, I'm bringing them back with me.
• 1:07:44
  Speaker 3: Yeah, and she brought the Outlaws with her, right, that's
• 1:07:47
  Speaker 3: what The Dixie Chicks should change their name to the Outlaws.
• 1:07:51
  Speaker 2: You know what I mean?
• 1:07:56
  Speaker 3: But hold on, We're not done.
• 1:07:59
  Speaker 5: Are not?
• 1:07:59
  Speaker 2: We're not done.
• 1:08:00
  Speaker 3: Everybody likes a little ass flay, don't even act like
• 1:08:02
  Speaker 3: you don't. But they were hating on her, and that's
• 1:08:06
  Speaker 3: where this album comes from. The album comes from. You know,
• 1:08:09
  Speaker 3: it would have been different if people would have been like, yo, yo,
• 1:08:12
  Speaker 3: come on through, everybody's welcome. But instead she got a
• 1:08:16
  Speaker 3: lot of pushback and it showed up again.
• 1:08:21
  Speaker 2: Man, I'm a Beyonce fan. I can't lie. Look at you.
• 1:08:23
  Speaker 3: I sound like a hive behive, freaking like, how can
• 1:08:28
  Speaker 3: I don't get it?
• 1:08:29
  Speaker 5: Man?
• 1:08:29
  Speaker 3: Like if Beyonce was like, I'm gonna save Star Wars,
• 1:08:33
  Speaker 3: I'd be.
• 1:08:34
  Speaker 2: Like, go save it, then show me what it is.
• 1:08:47
  Speaker 1: Like.
• 1:08:47
  Speaker 3: This ever country ain't never seen nothing. Not only a
• 1:08:51
  Speaker 3: country people buying it, but everybody else.
• 1:08:54
  Speaker 2: Is to they ain't never seen.
• 1:08:57
  Speaker 1: In house arrest.
• 1:09:00
  Speaker 2: I can't wait.
• 1:09:02
  Speaker 1: I'm gonna listen. You've convinced me.
• 1:09:04
  Speaker 5: Oh, I have one more announcement. We have a sweepstakes
• 1:09:07
  Speaker 5: for the backpack giveaway. That's how I Heart says we
• 1:09:09
  Speaker 5: should do it. We should do a sleep stakes. So
• 1:09:11
  Speaker 5: there will be a website iHeartRadio dot com slash f
• 1:09:15
  Speaker 5: d r F. So the initials of this show fake
• 1:09:18
  Speaker 5: Doctor's Real Friends f as in Frank Dias and doctor
• 1:09:22
  Speaker 5: RS and Richard f isn't Frank again, iHeart dot com
• 1:09:27
  Speaker 5: slash f d r F. You must enter before the
• 1:09:33
  Speaker 5: last day of April, I believe. So just go to
• 1:09:36
  Speaker 5: iHeartRadio dot com slash f d r F f as
• 1:09:40
  Speaker 5: in Frank Dias and doctor RS and Richard f as
• 1:09:43
  Speaker 5: in Frank to win the sleep stakes. Get yourself a
• 1:09:46
  Speaker 5: Scrubs backpack today.
• 1:09:49
  Speaker 1: All right, everybody, thank you for tuning in. We appreciate you.
• 1:09:53
  Speaker 1: We really know you can choose many podcasts in your day,
• 1:09:57
  Speaker 1: and we thank you for choosing Fake Doctors, real friends.
• 1:10:00
  Speaker 1: It is our pleasure to entertain you and hopefully make
• 1:10:04
  Speaker 1: you giggle. Donald.
• 1:10:07
  Speaker 3: If you didn't giggle today, I apologize if you didn't giggle.
• 1:10:11
  Speaker 1: We apologized, but we tried. We tried for an hour
• 1:10:13
  Speaker 1: and twenty minutes.
• 1:10:14
  Speaker 2: Yeah, we went. We went extra long.
• 1:10:16
  Speaker 1: Yeah to hopefully hopefully coax a giggle out of you.
• 1:10:21
  Speaker 2: All I wanted was.
• 1:10:24
  Speaker 1: Yeah, if we gotta, if we gotta, if we got one,
• 1:10:27
  Speaker 1: if we got one.
• 1:10:30
  Speaker 2: I'm happy.
• 1:10:31
  Speaker 1: Yeah me too.
• 1:10:32
  Speaker 3: Job well done, Well, take care of your loved ones everyone.
• 1:10:39
  Speaker 1: Stories were not show. We made about a bunch of
• 1:10:45
  Speaker 1: dogs and nurses.
• 1:10:48
  Speaker 8: He said, he's the stories. So yeah here Yeah jackto