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The Perfect Storm With COURTNEY LaPLANTE From SPIRITBOX · HEAVY Music Interviews

• 0:20
  Speaker 1: Hi.
• 0:21
  Speaker 2: I'm Courtney. I'm from the band's spirit Box and we
• 0:23
  Speaker 2: have a new album out. It's called Tsunami C Beautiful Courtney.
• 0:27
  Speaker 3: Thanks for joining us today.
• 0:29
  Speaker 4: Hi Hello.
• 0:30
  Speaker 3: So, as you mentioned, spirit Box release your sophomore albums
• 0:33
  Speaker 3: Tonami on March of seventh, so not long now. How
• 0:36
  Speaker 3: are you feeling about it with D Day approaching?
• 0:39
  Speaker 2: I guess well, there's a lot of work went into it,
• 0:42
  Speaker 2: like the planning and you know that, like when you
• 0:46
  Speaker 2: do a full length album, it's usually if you do
• 0:49
  Speaker 2: it more traditionally, like how we are doing this one,
• 0:51
  Speaker 2: it's like this whole dramatic, climactic rollout because you know
• 0:56
  Speaker 2: you want to you start promoting it. You want you
• 0:58
  Speaker 2: wanted to give it a fair shot, you want everyone
• 1:00
  Speaker 2: to hear it, so you start promoting it early and
• 1:03
  Speaker 2: so it's just this huge, big, like climactic thing.
• 1:08
  Speaker 4: Like you said, it's like D Day.
• 1:09
  Speaker 2: So it's I'm at the point now where I'm really
• 1:14
  Speaker 2: excited because now, like the this is like the fun part.
• 1:19
  Speaker 4: Everyone hear it.
• 1:21
  Speaker 3: So can tell us a bit more about the album
• 1:23
  Speaker 3: from musical perspective and what you're done.
• 1:25
  Speaker 4: For with it?
• 1:27
  Speaker 2: Well, I don't like, I don't normally say this till
• 1:30
  Speaker 2: after the album comes out. But the all of our work,
• 1:35
  Speaker 2: I would, yeah, everything everything we've ever made, like all this,
• 1:39
  Speaker 2: any body of work, it's always like a concept album,
• 1:42
  Speaker 2: but we just don't like market it as a concept album.
• 1:46
  Speaker 2: But each each so this one is no different like
• 1:48
  Speaker 2: each each body of work is its own little story.
• 1:53
  Speaker 2: So this one, the story of this one is like
• 1:57
  Speaker 2: it's just kind of representing lyric like myself and then
• 2:02
  Speaker 2: instrumentally Michael kind of expressing the push and pull that
• 2:08
  Speaker 2: we feel being from an island.
• 2:12
  Speaker 4: Off the west coast of Canada.
• 2:14
  Speaker 2: It's called Vancouver Island, and it's interesting living there. If
• 2:17
  Speaker 2: your goal is to leave the island to go play
• 2:20
  Speaker 2: your music to other people, as you guys know too,
• 2:23
  Speaker 2: it's it's same same. I think that a lot of
• 2:26
  Speaker 2: Australian bands feel sometimes as well.
• 2:28
  Speaker 4: When they're trying to leave.
• 2:29
  Speaker 2: You just feel like so remote and isolated and it
• 2:31
  Speaker 2: feels like impossible to leave, and then you leave and
• 2:37
  Speaker 2: you kind of miss it. So that kind of like
• 2:40
  Speaker 2: really intertwines to me with like depression, you know, like
• 2:45
  Speaker 2: like like deteriorating mental health.
• 2:48
  Speaker 4: There's like the deep depression and then.
• 2:52
  Speaker 2: There it can be like mania and then deep depression
• 2:55
  Speaker 2: and and it's just so like like polarizing. So it
• 3:00
  Speaker 2: reminded me of the ocean. It reminded me of growing
• 3:04
  Speaker 2: up surrounded by water, and it reminded me of how
• 3:09
  Speaker 2: you know.
• 3:10
  Speaker 4: Where we are from where we are at sea level.
• 3:14
  Speaker 2: Like if the big earthquake, as everyone here calls it
• 3:17
  Speaker 2: the Big One ever happens, our whole island will either
• 3:23
  Speaker 2: completely be submerged by water and we'll all die, or
• 3:29
  Speaker 2: or at least will be even more cut off and
• 3:32
  Speaker 2: will be no one will be able to get us
• 3:34
  Speaker 2: any food or anything.
• 3:36
  Speaker 4: And so so it's like it's just kind of like.
• 3:38
  Speaker 2: That that existential dread under the surface that you kind
• 3:44
  Speaker 2: of push down and suppress, and you have to live
• 3:46
  Speaker 2: your life. You have to kind of like push it
• 3:49
  Speaker 2: all the way down and not every day wake up
• 3:51
  Speaker 2: and be like, hopefully it's not.
• 3:52
  Speaker 3: Today, rather blake for the start of day.
• 3:56
  Speaker 2: I know.
• 3:59
  Speaker 3: So at least the singles No Loss, No Love, Soft Spide,
• 4:02
  Speaker 3: and Perfect Soul, and each of those songs is different
• 4:05
  Speaker 3: in its own way. So are they a good representation
• 4:08
  Speaker 3: of the album as a whole or they discratch the surface?
• 4:11
  Speaker 2: I think they are, But you know, I'm so close
• 4:13
  Speaker 2: to the music, Like it's kind of hard for me
• 4:16
  Speaker 2: to like try to be a little bit more objective.
• 4:20
  Speaker 2: It's going to take a while for me to see
• 4:23
  Speaker 2: it through the eyes of other.
• 4:24
  Speaker 4: People right now.
• 4:25
  Speaker 2: I just I can only see it through through my eyes,
• 4:29
  Speaker 2: where I'm just so excited for every single new song.
• 4:32
  Speaker 2: So I think it's a good representation. But I just
• 4:37
  Speaker 2: I think that because we're a new band, like every
• 4:40
  Speaker 2: song we make is a feels like a big departure
• 4:44
  Speaker 2: from what we did before, because there's really not a
• 4:46
  Speaker 2: lot of body of work to like reference back to.
• 4:50
  Speaker 3: Yeah, it follows on from your massively successful debut with
• 4:54
  Speaker 3: Gerald Blue, So was was a temptation there to just
• 4:58
  Speaker 3: rehash the winning formula on that because you knew it
• 5:00
  Speaker 3: worked so well, it was it important for you to
• 5:02
  Speaker 3: move forward from that.
• 5:04
  Speaker 2: I can't really I still haven't figured out and I
• 5:08
  Speaker 2: haven't ever really heard anyone figure out like what that
• 5:13
  Speaker 2: is for our band, because if I base it off
• 5:16
  Speaker 2: of like the song that really elevated our band at
• 5:22
  Speaker 2: that time, and I base it off like streaming numbers
• 5:28
  Speaker 2: and stuff like that, our song Holy Roller was it
• 5:32
  Speaker 2: probably would have been like very profitable to continue making
• 5:35
  Speaker 2: that song because it had a great response.
• 5:38
  Speaker 4: But so yeah, I don't, I don't know, I don't.
• 5:43
  Speaker 2: I feel like it's a sister album, but it it
• 5:49
  Speaker 2: does feel like, you know, that one was people that
• 5:52
  Speaker 2: were a little bit less sure of themselves and felt
• 5:57
  Speaker 2: a little bit more repressed, and then this one is
• 6:00
  Speaker 2: music made by people who don't have any like obstacle
• 6:05
  Speaker 2: that they can like pinpoint to be like, well, I
• 6:08
  Speaker 2: could have done this better if I had had yeah,
• 6:11
  Speaker 2: you know, if I didn't have to work sixty hours
• 6:13
  Speaker 2: a week or at my job I hate, or like
• 6:16
  Speaker 2: didn't have a butt. You know, I had to record
• 6:18
  Speaker 2: it in a kitchen because I couldn't afford to go
• 6:20
  Speaker 2: do it in the studio. You know, those those obstacles
• 6:23
  Speaker 2: are lifted, and it's just people that are we have
• 6:27
  Speaker 2: no excuses to not make the best music we ever made.
• 6:31
  Speaker 2: So I feel like it's really I feel like it's
• 6:33
  Speaker 2: different enough. But again, I feel like every musician when
• 6:36
  Speaker 2: they we make new music, we're just so excited about
• 6:38
  Speaker 2: it and we like we just reinvented the wheel.
• 6:41
  Speaker 4: But I don't know.
• 6:44
  Speaker 3: Son obviously opens with the track Fagana, which musically has
• 6:49
  Speaker 3: the intensity and field of the tsunami before there's a
• 6:52
  Speaker 3: moment of time and then it just explodes, like it's
• 6:55
  Speaker 3: a perfect way to start the album. Was it was
• 6:57
  Speaker 3: it intended like that?
• 6:59
  Speaker 2: Yeah, I think when when Michael started making it, I
• 7:03
  Speaker 2: was in the other room and I was actually I
• 7:07
  Speaker 2: think I was. I think I was cleaning the bathroom
• 7:11
  Speaker 2: and so I was like scrubbing and stuff and I
• 7:14
  Speaker 2: heard that riff start and I.
• 7:15
  Speaker 4: Was like, this is the intro. And he was having
• 7:18
  Speaker 4: the same thought in that other room, like this is
• 7:22
  Speaker 4: the intro of the record. And I think it's kind
• 7:26
  Speaker 4: of that's the that's the more.
• 7:28
  Speaker 2: Subtle thing, because like when you're the vocalist, things are
• 7:31
  Speaker 2: less subtle.
• 7:32
  Speaker 4: They're more.
• 7:34
  Speaker 2: On the nose, in your face because people can understand
• 7:37
  Speaker 2: what you're saying.
• 7:38
  Speaker 4: But then like the sub level is the music part.
• 7:42
  Speaker 2: Just so that's a great example of like, you know,
• 7:45
  Speaker 2: when Michael's writing music, he can't say any words he
• 7:49
  Speaker 2: has he can only express it through music. So I'm
• 7:52
  Speaker 2: very very pleased that you've felt the the story through
• 7:56
  Speaker 2: that of like this you know, giant wave coming to
• 8:00
  Speaker 2: destroy everything.
• 8:01
  Speaker 3: It's very it was quite impactful.
• 8:02
  Speaker 4: It was good, thank you.
• 8:04
  Speaker 3: No, right now, I know you're not supposed to pick
• 8:07
  Speaker 3: your favorite children, but do you have a personal favorite
• 8:10
  Speaker 3: on the album?
• 8:11
  Speaker 2: It's different, Like every time I listen to it right now,
• 8:16
  Speaker 2: right now, it's the right How's the final song on
• 8:20
  Speaker 2: the album that's my favorite one?
• 8:21
  Speaker 4: Right now? It's called Deep End and that I'm very
• 8:26
  Speaker 4: very happy.
• 8:27
  Speaker 2: I went on a walk yesterday and listened to that one,
• 8:30
  Speaker 2: Like I listened to the album again for the first
• 8:32
  Speaker 2: time in a couple of days, and right now, that's
• 8:35
  Speaker 2: that's the big one for me. It just feels so
• 8:40
  Speaker 2: it just feels like so beautiful but still fun a
• 8:44
  Speaker 2: bit nice.
• 8:46
  Speaker 3: So how does Tsunamis actually represent spirit Box moving forward
• 8:50
  Speaker 3: in twenty twenty five.
• 8:52
  Speaker 2: Well, I think it's a good I think it's a
• 8:55
  Speaker 2: really good example of us continuing to not like focus
• 9:04
  Speaker 2: group or music like, to try to have as little
• 9:07
  Speaker 2: outside influence from the parts of like making art that.
• 9:16
  Speaker 4: Artists don't like the.
• 9:20
  Speaker 2: Financial part and the pleasing your pleasing the people that
• 9:25
  Speaker 2: invested in you part, and like the business part, and
• 9:29
  Speaker 2: then also trying I think it's important if you're making music,
• 9:34
  Speaker 2: like for myself at least, there has to be like
• 9:37
  Speaker 2: a larger degree of selfishness about it unless like like
• 9:43
  Speaker 2: fan service, because.
• 9:46
  Speaker 4: I think that's like a it's like a bad cycle.
• 9:49
  Speaker 4: It's like if you're just chasing what you think people
• 9:52
  Speaker 4: want and not what you want.
• 9:54
  Speaker 2: I feel like by the time they hear it, they
• 9:56
  Speaker 2: don't want that anymore. So instead of like chasing that
• 10:00
  Speaker 2: carot of like what do I think people want to
• 10:02
  Speaker 2: hear right now, you have to have like the delayed
• 10:05
  Speaker 2: gratification of just being like, I like this.
• 10:07
  Speaker 4: This makes me happy. I can't.
• 10:09
  Speaker 2: I want to perform it, and I want to show
• 10:11
  Speaker 2: people it. So I'm very happy with that because I
• 10:16
  Speaker 2: feel like even though it would be it was, it's
• 10:18
  Speaker 2: probably more will get more difficult every time as we
• 10:21
  Speaker 2: grow as a band, I feel like we achieve that again,
• 10:25
  Speaker 2: like and and that makes me really that makes me
• 10:28
  Speaker 2: really happy because you can't it doesn't matter if someone
• 10:31
  Speaker 2: doesn't like something that you love, you love it.
• 10:34
  Speaker 3: I just actually thought of something to say, you're probably
• 10:36
  Speaker 3: one of the first fands in history to have an
• 10:38
  Speaker 3: album titled with a literation that is an actual alliteration
• 10:41
  Speaker 3: with Tsunami say sounds like a double as it's yeah, yeah,
• 10:46
  Speaker 3: I wonder if that's a fact.
• 10:48
  Speaker 4: I'm sure. I'm sure there's many before before. Maybe I'm
• 10:53
  Speaker 4: going to look for it.
• 10:56
  Speaker 3: So I got back to the early days, like Spirbox
• 10:58
  Speaker 3: started in Canada back in two thousand name with yourself
• 11:00
  Speaker 3: and Mike. So what was the musical climate like that
• 11:03
  Speaker 3: gave birth to the band and where did you fit in initially? I,
• 11:07
  Speaker 3: you know, I never I never fit in there.
• 11:10
  Speaker 2: We didn't play, we didn't have a real band, like,
• 11:13
  Speaker 2: it was just Michael and I really and then we
• 11:16
  Speaker 2: would have, you know, we'd try to do shows we
• 11:20
  Speaker 2: had we had Michael and me and Bill, and then
• 11:24
  Speaker 2: we could never like find a drummer and all of
• 11:27
  Speaker 2: us were working full time jobs and honestly just didn't
• 11:30
  Speaker 2: really have any disposable income to like invest on going
• 11:35
  Speaker 2: on tour.
• 11:35
  Speaker 4: Or anything like that.
• 11:36
  Speaker 2: We had a bit of you know, we'd save up
• 11:38
  Speaker 2: money and we would just be like, well, we could
• 11:40
  Speaker 2: either you know, save up to try to buy like
• 11:44
  Speaker 2: a tour van, or we could make you know, three
• 11:48
  Speaker 2: music videos on our iPhones and edit them ourselves. And
• 11:53
  Speaker 2: you know, so I feel like you can probably hear
• 11:56
  Speaker 2: on our first couple EP that we did just like
• 12:01
  Speaker 2: people that were really like lonely and desperate to like
• 12:05
  Speaker 2: be understood because our friends that made music either, they
• 12:11
  Speaker 2: just didn't really understand why we weren't playing shows and
• 12:16
  Speaker 2: touring like and then and investing into like the Internet
• 12:22
  Speaker 2: of it all and our other friends, Like, you know,
• 12:26
  Speaker 2: there's a certain point when you're it's cute when you're twenty,
• 12:29
  Speaker 2: but when your friends are like thirty years old and
• 12:32
  Speaker 2: they're trying to run around and like live in a
• 12:36
  Speaker 2: van and go on tour, You're like there's an arrested
• 12:39
  Speaker 2: development there that like it makes it harder to like
• 12:45
  Speaker 2: connect with with someone who's trying to do you know,
• 12:49
  Speaker 2: trying to do that.
• 12:52
  Speaker 3: Your debut album, it was basically it was a swirling
• 12:55
  Speaker 3: milestone of different genres of metal. The jet there, cinematics there,
• 12:59
  Speaker 3: there was sensibilities, lady, and there was so much going on. Like,
• 13:03
  Speaker 3: was your music still in an experimental phase back then
• 13:06
  Speaker 3: and you just managed to get it right the first
• 13:09
  Speaker 3: time or was it deliberate blending of styles and genres
• 13:12
  Speaker 3: that you knew was going to work.
• 13:15
  Speaker 2: I don't know if it's because like how we grew up,
• 13:19
  Speaker 2: like we didn't you know, there was only so many
• 13:21
  Speaker 2: bands on our island and there was really only so
• 13:24
  Speaker 2: many bands that like came to our island. I just
• 13:27
  Speaker 2: didn't really have any friends in the at the local
• 13:32
  Speaker 2: level that any of us like in our I'm sure
• 13:35
  Speaker 2: like categorizing music we liked, we liked genre, but none
• 13:40
  Speaker 2: of us like for our own music, like the genres
• 13:45
  Speaker 2: weren't really relevant to finding one another because we were
• 13:48
  Speaker 2: all kind of like stuck together, whether it was like
• 13:50
  Speaker 2: a pop punk band or like a scream o band
• 13:53
  Speaker 2: or a like a gent band like they we all
• 13:57
  Speaker 2: had to just play music together and then you know,
• 14:00
  Speaker 2: help this guy goes into this band, this guy goes
• 14:02
  Speaker 2: into that band, and we never like found our genre
• 14:06
  Speaker 2: and then like went on tour with the bands of
• 14:08
  Speaker 2: our genre. So I I think maybe a lot of
• 14:12
  Speaker 2: bands feel this way, but I don't.
• 14:14
  Speaker 4: I don't really. I don't ever think.
• 14:16
  Speaker 2: Or like perceive or am aware of like genre of
• 14:20
  Speaker 2: music when we're writing music, and you know, each thing
• 14:24
  Speaker 2: has its own time. But I feel like in the
• 14:28
  Speaker 2: in metal especially, like I think people are very interested
• 14:33
  Speaker 2: in like categorizing, yeah, interested genres, Like it's like a
• 14:38
  Speaker 2: it's I think it's like part of it. It's part
• 14:40
  Speaker 2: of like finding people with like minded interests as you.
• 14:44
  Speaker 4: Know, each of us.
• 14:45
  Speaker 2: But other music that I listened to, you know, like
• 14:47
  Speaker 2: pop music and R and B and rap, Like I
• 14:50
  Speaker 2: don't people don't seem as concerned with that because they're
• 14:54
  Speaker 2: not having to like find each other. Everyone found them,
• 14:57
  Speaker 2: you know, So I kind of have that same mentality.
• 15:00
  Speaker 2: So I don't know, I feel like there's little bits
• 15:03
  Speaker 2: of everything we made that I'll kind of have.
• 15:06
  Speaker 4: A through line.
• 15:07
  Speaker 2: But probably the through line is just that I did
• 15:10
  Speaker 2: the singing and Michael did the music.
• 15:15
  Speaker 3: I mentioned you just did come from a small olive
• 15:17
  Speaker 3: and stuff. So well, when success came for Spare Box,
• 15:20
  Speaker 3: it came pretty quickly. You like, how did you handle that?
• 15:23
  Speaker 3: Like it was it hard to deal with? Like I know,
• 15:25
  Speaker 3: it was great having success, but on a personal level,
• 15:28
  Speaker 3: was it hard to deal with?
• 15:30
  Speaker 4: It was just weird because.
• 15:33
  Speaker 2: I mean, I don't know if it maybe it wasn't
• 15:35
  Speaker 2: weird and this is just how everybody feels, but it
• 15:38
  Speaker 2: was weird because like all this success was happening, but
• 15:42
  Speaker 2: it was just like on paper, like I was just
• 15:46
  Speaker 2: sitting in my house during the pandemic, clocking into my
• 15:51
  Speaker 2: job online like remotely and working and then having my
• 15:58
  Speaker 2: manager be like you the cover of this magazine and
• 16:02
  Speaker 2: and your song got played this many times, and you
• 16:05
  Speaker 2: know it's like my feedback is like seeing people enjoying it,
• 16:12
  Speaker 2: like me performing it and having and seeing people that
• 16:15
  Speaker 2: came to you know, paid to come see me play.
• 16:17
  Speaker 2: So it just really it didn't It just felt so
• 16:21
  Speaker 2: far away, like it didn't feel real until I started
• 16:25
  Speaker 2: doing shows and and going on tour again. That's that's
• 16:28
  Speaker 2: kind of so the first like two years it just
• 16:31
  Speaker 2: felt like a weird dream.
• 16:35
  Speaker 3: And again after winding up because we're running out of time.
• 16:37
  Speaker 3: But Spare Box are currently in the middle of a
• 16:39
  Speaker 3: massive tool you gottawn the ride with Lincoln Park in
• 16:42
  Speaker 3: the northern somewhich. It's going to be great, but it'd
• 16:45
  Speaker 3: be remission me not to ask. Is Australia and your plans.
• 16:49
  Speaker 2: I'd like it to be in our plans, but we
• 16:52
  Speaker 2: just gotta it's got to be the right, it's got
• 16:54
  Speaker 2: to be perfect, Like we don't want to come to
• 16:57
  Speaker 2: Australia and and like, okay that those are the shows
• 17:03
  Speaker 2: we can do, these are the venues that are available,
• 17:05
  Speaker 2: and then we have to like charge in a sane
• 17:09
  Speaker 2: amount of money for tickets just so like I don't
• 17:11
  Speaker 2: have to sell my left kidney to.
• 17:13
  Speaker 4: Like fly there.
• 17:15
  Speaker 2: And then we also but we also are just we
• 17:19
  Speaker 2: want to come so badly that we're trying to figure
• 17:23
  Speaker 2: out the way that everybody can win, that we can
• 17:25
  Speaker 2: put on a really good show that you know, and
• 17:27
  Speaker 2: have some pretty cool production and kind of try to
• 17:30
  Speaker 2: bring this tour to Australia. But then also you know,
• 17:35
  Speaker 2: compromise a bit because we just so badly want to
• 17:38
  Speaker 2: come and play there. Because when we did come and
• 17:41
  Speaker 2: do a show and then don nof s, like you know,
• 17:45
  Speaker 2: we still talk about that all the time because it
• 17:47
  Speaker 2: was such an incredible week for us. We we love
• 17:50
  Speaker 2: it and we really want to come back and see,
• 17:52
  Speaker 2: like with the how how things change for us there,
• 17:58
  Speaker 2: Like how can we can we play a bigger venue?
• 18:01
  Speaker 2: Can we like push it a little bit? So we
• 18:04
  Speaker 2: we really really want to come back.
• 18:06
  Speaker 4: I would prefer not to come back when it's really
• 18:08
  Speaker 4: hot there, so I prefer to.
• 18:12
  Speaker 2: I've heard I would prefer to come in our summer,
• 18:13
  Speaker 2: not your summer. But it doesn't matter whenever. I whenever
• 18:17
  Speaker 2: we can get out there, I think we can have
• 18:19
  Speaker 2: an amazing tour and we can have some incredible friends
• 18:24
  Speaker 2: that you know go on the tour with us and
• 18:27
  Speaker 2: have some great opening acts on it.
• 18:30
  Speaker 3: Fantastic con Well, thanks very much for you talk.
• 18:31
  Speaker 4: It's been absolutely pleasure speaking with you.
• 18:33
  Speaker 3: So not me see is at my seven and it's
• 18:36
  Speaker 3: an absolutely precu of an album to see. Congratulations and
• 18:38
  Speaker 3: hopefully we say you when you do.
• 18:40
  Speaker 4: Come out, thank you. I can't we can't wait.
• 18:42
  Speaker 2: It'll be It'll be sooner than later before I'm before,
• 18:46
  Speaker 2: I'm too.
• 18:47
  Speaker 4: Old to you know, to get up on stage. And
• 18:50
  Speaker 4: I have like a knee brace on it.
• 19:00
  Speaker 5: I f alllive job.
• 19:01
  Speaker 6: I lay hid out of side, sorry job as my
• 19:05
  Speaker 6: roll shy side. I sat out ry side, sorry job
• 19:12
  Speaker 6: at all.
• 19:12
  Speaker 5: Longs all ride as a job, I got.
• 19:16
  Speaker 6: Lies sorry lies.
• 19:18
  Speaker 5: I make jobs like.
• 19:19
  Speaker 2: My y'all.
• 19:22
  Speaker 6: T I say fong shady job as a roll.
• 19:33
  Speaker 5: Long who.
• 19:41
  Speaker 1: I was born in the estuary distance to the sea.
• 19:48
  Speaker 1: I was surrounded but cross and then I could knock
• 19:51
  Speaker 1: me and so I instead I could not drink drawing joy.
• 19:57
  Speaker 5: Sho drop job by I'll dropp your frere sid well
• 20:04
  Speaker 5: God asks your joy Yeah girl.
• 20:10
  Speaker 6: Last as a side sorry jos shot side as sad
• 20:19
  Speaker 6: as sne sorry jocks away as a jellgas. My last
• 20:28
  Speaker 6: I savers down.
• 20:30
  Speaker 4: I felt as hair.
• 20:35
  Speaker 5: So sor.
• 20:52
  Speaker 6: It was like guys sign.
• 20:59
  Speaker 5: Rash white God, No, Lord No.
• 21:05
  Speaker 4: And obleaged to have it of bones.
• 21:07
  Speaker 1: I reached my destination, an island of solace beneath a
• 21:15
  Speaker 1: corps of city. I can feel something sinister under the surface.
• 21:26
  Speaker 1: I know in other in that breath is somebody that
• 21:29
  Speaker 1: needs and meds showing an.
• 21:35
  Speaker 2: I die.
• 21:38
  Speaker 6: Now h white side
• 21:41
  Speaker 4: God, I die