Latest / The Breakfast Club / INTERVIEW: Jonesy Opens Up About Reconnecting With DJ Envy, Radio History, Wendy Williams, Tina Knowles + More

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INTERVIEW: Jonesy Opens Up About Reconnecting With DJ Envy, Radio History, Wendy Williams, Tina Knowles + More · The Breakfast Club

• 0:00
  Speaker 1: Wake that ass up in the morning. The Breakfast Club Morning.
• 0:05
  Speaker 2: Everybody is Steve, j n V, Jess Hilarious, Charlamagne the guy.
• 0:09
  Speaker 2: We are the Breakfast Club. Lona La Rossa is here
• 0:12
  Speaker 2: as well, and we got a special guest in the
• 0:13
  Speaker 2: buildings we do now. She is the first black woman
• 0:16
  Speaker 2: to hold the syndicated morning show. She had one in
• 0:18
  Speaker 2: New York and Philly has one in New York right now.
• 0:20
  Speaker 2: She does entertainment rapport of Picks eleven and she has
• 0:23
  Speaker 2: her own morning shows where I got my start. Ladies
• 0:26
  Speaker 2: and gentlemen, it's Miss Jones aka Jonesy.
• 0:30
  Speaker 3: Welcome, good morning, Thank you, thank you, MV. Thank you
• 0:33
  Speaker 3: for that, thank you for having me here.
• 0:37
  Speaker 2: So if you don't know, Jones is how I got
• 0:40
  Speaker 2: my start in morning radio. And I'll just break down
• 0:43
  Speaker 2: the store and then I'll let you girls take over
• 0:45
  Speaker 2: because I.
• 0:46
  Speaker 1: Know everything about Jones.
• 0:47
  Speaker 3: Yes, I'll shut it.
• 0:49
  Speaker 2: So I was doing morning radio with Joe Button at
• 0:53
  Speaker 2: Hot ninety seven.
• 0:54
  Speaker 1: This is when Starring Buck left, Swaye left.
• 0:58
  Speaker 2: They tried a bunch of different shows, didn't work, and
• 1:00
  Speaker 2: they had Joe Button and me. We were doing morning
• 1:03
  Speaker 2: show and Joe Button was a rapper at the time,
• 1:04
  Speaker 2: so he was doing his he was on tour and
• 1:06
  Speaker 2: doing all types of things, and it just didn't work.
• 1:08
  Speaker 1: Uh, So they brought in Jones.
• 1:10
  Speaker 2: And when they brought in Jones, me and Jones really
• 1:12
  Speaker 2: didn't have a relationship. We knew of each other, but
• 1:14
  Speaker 2: didn't know each other. And I remember the first day,
• 1:16
  Speaker 2: you know, me being nosy. I was air hustling, and
• 1:19
  Speaker 2: I found out she was talking out on her manager
• 1:22
  Speaker 2: or whoever at the time, and she said how much
• 1:24
  Speaker 2: they made and how much they were giving her, and
• 1:27
  Speaker 2: I pulled her to the side and I said, look,
• 1:29
  Speaker 2: just to let you know, they paid Joe Button this.
• 1:31
  Speaker 1: Much, so you should ask for that much. And right
• 1:33
  Speaker 1: then and.
• 1:33
  Speaker 3: There, that's what he said. They paying Joe to fifty.
• 1:38
  Speaker 1: And we became brother and sister.
• 1:40
  Speaker 4: She asked for that, and you're a starting point.
• 1:46
  Speaker 2: And that's how our brother and sister became. And from
• 1:50
  Speaker 2: now on we've been through ups and downs and battles
• 1:53
  Speaker 2: and wars, and we always had each other's backs, the
• 1:56
  Speaker 2: good the bad. We were always there for each other.
• 1:59
  Speaker 2: And even after we always there for each other. And
• 2:01
  Speaker 2: that's how it became. So she is somebody that I
• 2:03
  Speaker 2: look up to in radio. So when I talk about radio,
• 2:06
  Speaker 2: she taught me how.
• 2:06
  Speaker 1: To do interviews. She taught me how to tease.
• 2:08
  Speaker 2: She taught me how to not have anything to talk
• 2:11
  Speaker 2: about and just pull a topic out of thin air,
• 2:13
  Speaker 2: make it big like she was the moments, and she
• 2:15
  Speaker 2: was somebody that mentor or idolized when it came to
• 2:19
  Speaker 2: radio because she knew how to do it and she
• 2:20
  Speaker 2: did it so effortlessly.
• 2:22
  Speaker 1: So miss Jones, ladies, and I love how.
• 2:24
  Speaker 4: You advocated for her first of all, like you, because
• 2:27
  Speaker 4: you know nobody would have, did you know what I'm saying?
• 2:29
  Speaker 4: Not many people would do that. Oh this person getting
• 2:31
  Speaker 4: paid this, and you knew that, you knew who she
• 2:33
  Speaker 4: was and that her worth and what she was worth,
• 2:35
  Speaker 4: you know, and that was really your value.
• 2:38
  Speaker 3: No one does that anymore, no, nobody, no, So that
• 2:41
  Speaker 3: that's really dope. Thank you.
• 2:43
  Speaker 4: How do you feel about how radio is ran today,
• 2:45
  Speaker 4: the current state of radio today?
• 2:48
  Speaker 3: You know what business is always business? Once I got that,
• 2:52
  Speaker 3: Once I understood that, it just became an understanding of
• 2:56
  Speaker 3: do your show and expect them to perform the business.
• 3:00
  Speaker 3: You take the personal out of it. It's easier to
• 3:02
  Speaker 3: just focus and move on. And do your other things.
• 3:05
  Speaker 5: Yeah, let's talk about you getting to radio. So before radio,
• 3:09
  Speaker 5: you were a music artist, yes, R and B singer.
• 3:13
  Speaker 3: Yeah, I had singles where I Want to be Boy.
• 3:16
  Speaker 3: My first album actually never came out. It wasn't until
• 3:20
  Speaker 3: I left stepsn Records and got with Andre Herrel at Motown.
• 3:24
  Speaker 3: It was going to be the new Motown and then
• 3:26
  Speaker 3: he got fired, and then it was just bringing an A
• 3:29
  Speaker 3: and R bringing a new It was a mess. So
• 3:32
  Speaker 3: I'm glad that when they asked me to do weekends
• 3:34
  Speaker 3: at Hot ninety seven. Although first I was like radio,
• 3:37
  Speaker 3: I'm going to be a big singer, so I don't
• 3:38
  Speaker 3: got time. I'm glad I humored them because that wound
• 3:41
  Speaker 3: up maintaining my lifestyle, which wasn't a huge lifestyle, but
• 3:45
  Speaker 3: paying my bills because my mother died June twenty sixth
• 3:49
  Speaker 3: of ninety one, right after I got home from college.
• 3:51
  Speaker 3: My dad died freshman year, so I had nothing. I
• 3:55
  Speaker 3: had nothing, so I needed that little weekend job, and
• 3:57
  Speaker 3: I didn't know I would wind up needing it to
• 3:59
  Speaker 3: be my full time job when they offered me Morning.
• 4:01
  Speaker 2: Now Jones was the R and B singer we're talking
• 4:03
  Speaker 2: to Miss Jones. She was the R and B singer,
• 4:05
  Speaker 2: kind of like how Fab.
• 4:07
  Speaker 1: Used to do the Clue mixtapes.
• 4:08
  Speaker 2: She used to do the R and B version of
• 4:10
  Speaker 2: that before Fab. So she would sing on the mixtapes.
• 4:12
  Speaker 1: Who was ever beat was out? She would kill it.
• 4:15
  Speaker 2: And that's how Jones got popular, and she did with
• 4:17
  Speaker 2: ron g legendary mixtape, DJ ron G.
• 4:20
  Speaker 4: I am no, go ahead, no no, that that's amazing.
• 4:23
  Speaker 4: Ain't never have an R and B mixtape?
• 4:25
  Speaker 3: Oh yeah, oh yeah? That was the start. And it's
• 4:30
  Speaker 3: funny because once I did it, it started catching on.
• 4:33
  Speaker 3: But I was just doing it for fun, primarily because
• 4:36
  Speaker 3: I loved the beats and I always wanted to sing.
• 4:38
  Speaker 3: I didn't want to necessarily be a rapper. But that
• 4:41
  Speaker 3: was a good fusion and it was safe because I,
• 4:43
  Speaker 3: you know, I studied music. I thought I could sing.
• 4:45
  Speaker 3: I know that people liked it, But hearing a mixtape
• 4:48
  Speaker 3: on Jamaica Avenue in front of the coliseum wall was everything.
• 4:51
  Speaker 3: You already made it when that happened.
• 4:52
  Speaker 4: So what happened, like, why aren't we?
• 4:57
  Speaker 3: We could blame it on a lot of things. Now,
• 4:59
  Speaker 3: I'm so glad I avoided the baby oil of it all.
• 5:03
  Speaker 3: I'm glad that I always wound up with labels that
• 5:07
  Speaker 3: didn't necessarily have the resources. I was always with a
• 5:10
  Speaker 3: small engine, and then when you have the other artists
• 5:12
  Speaker 3: that have the bigger engines and maybe not necessarily the
• 5:15
  Speaker 3: bigger talent or the bigger gifts, you lose. But I
• 5:19
  Speaker 3: flipped it and I just stayed the chorus of radio,
• 5:22
  Speaker 3: never knowing that that would be my full time thing,
• 5:25
  Speaker 3: and that from radio I would then go back to
• 5:27
  Speaker 3: making records, because last year I went back to music.
• 5:30
  Speaker 3: I have a song called Calling Old Ladies that was
• 5:32
  Speaker 3: Grammy nominated and this is the first time graduation ever,
• 5:35
  Speaker 3: Thank you so, and I have a new single, let's
• 5:38
  Speaker 3: play it's the birthday song. Hopefully ve you'll give it
• 5:42
  Speaker 3: a spin or something.
• 5:45
  Speaker 1: Do you think Diddy took what you were doing back then?
• 5:48
  Speaker 3: I know for a facts he did. Women to tell
• 5:50
  Speaker 3: the story, please, so if you remember the so back
• 5:55
  Speaker 3: then it was Mary J. Blige, and it was well
• 5:57
  Speaker 3: before that it was like maybe and Williams, but she
• 6:00
  Speaker 3: wasn't really a contender because she was a little more
• 6:02
  Speaker 3: mature at her marketing. But back then it was Michelle A.
• 6:05
  Speaker 3: Allison Williams and Mary J. Blige was the new kid
• 6:07
  Speaker 3: on the block. Michelle was from the West Coast, so
• 6:09
  Speaker 3: she didn't really have the edge, the New York edge,
• 6:12
  Speaker 3: and they knew well then I came and Ron G
• 6:15
  Speaker 3: was my person and Diddy was behind Mary. So Mary's
• 6:18
  Speaker 3: first album, if you go back and listen, it was
• 6:20
  Speaker 3: really all jazz, R and B. Diddy always had his
• 6:23
  Speaker 3: ear to the street and so he heard about my
• 6:25
  Speaker 3: stuff coming and he came to ron G heard the
• 6:28
  Speaker 3: mixtapes that we were doing, and he knew that my
• 6:30
  Speaker 3: album was supposed to be like the mixtapes, which wound
• 6:35
  Speaker 3: up being Mary's remix album. So when he couldn't get
• 6:38
  Speaker 3: Ron to give him my stuff, because Ron was like, no,
• 6:40
  Speaker 3: miss Jones was going to be my artist, I'm getting
• 6:42
  Speaker 3: her a deal, he took the music and went and
• 6:44
  Speaker 3: remixed her first album and released it before we could
• 6:47
  Speaker 3: even get out the gate with mine.
• 6:49
  Speaker 4: So because he couldn't have you or.
• 6:51
  Speaker 3: Not me, he wanted the music for Mary Oh Good.
• 6:53
  Speaker 3: He wanted the music from Roanji for Mary. So every
• 6:56
  Speaker 3: song that was supposed to be mine that's on the
• 7:00
  Speaker 3: remix album that was he got it from. And he
• 7:04
  Speaker 3: tricked Ron to Ron just bring all your tapes down here.
• 7:07
  Speaker 3: I just want to vibe. And Ron dumped all the
• 7:09
  Speaker 3: tapes there, and I'm like, why would you do that?
• 7:12
  Speaker 3: In hindsight, he didn't know. We didn't know that Dinny
• 7:14
  Speaker 3: would wind up being you know, the way it was.
• 7:18
  Speaker 3: But so that's it. But she didn't know.
• 7:21
  Speaker 5: Have you and married je oblige ever sat and had
• 7:23
  Speaker 5: a conversation about.
• 7:24
  Speaker 3: This and no, and she doesn't know. She doesn't like
• 7:27
  Speaker 3: I probably shouldn't even still remember, right, Why.
• 7:30
  Speaker 4: Shouldn't you remember? Did somebody give you somewhere you ain't
• 7:32
  Speaker 4: supposed to remember?
• 7:33
  Speaker 3: I mean, because it's so many years, after so many years,
• 7:35
  Speaker 3: are supposed to move on, right, So don't get me wrong.
• 7:39
  Speaker 3: I have my moments of Tourette's and going down the rabbit,
• 7:43
  Speaker 3: But primarily I realized that she did not know, and
• 7:47
  Speaker 3: it wasn't her fault. And that's not to say that
• 7:50
  Speaker 3: even if she didn't, she wouldn't have been the huge
• 7:52
  Speaker 3: star she is today. But I just know that particular
• 7:56
  Speaker 3: situation happened that way, and that is the truth. But
• 7:59
  Speaker 3: I'm not denying her success.
• 8:01
  Speaker 5: A note after that, Diddy did the reality show for
• 8:04
  Speaker 5: you for free.
• 8:05
  Speaker 6: I've heard you talk about that.
• 8:07
  Speaker 3: Remember that Enva My god.
• 8:11
  Speaker 6: What was the exact reality show?
• 8:12
  Speaker 3: We don't even know. We were just kids happy to
• 8:14
  Speaker 3: have some cameras because this is before reality shows, this
• 8:17
  Speaker 3: is before Keisha call, this is before anything. And they
• 8:19
  Speaker 3: brought cameras into the High ninety seven studios. So Mvy
• 8:22
  Speaker 3: was like, it would be good, it would be dope. Actually,
• 8:24
  Speaker 3: if you could get Diddy to Cosan. You go to
• 8:26
  Speaker 3: shoot some scenes with Didty, I'm like, what are you
• 8:27
  Speaker 3: talking about? He's like whatever. So we get in there.
• 8:30
  Speaker 3: I get into the office and he's first thing he
• 8:32
  Speaker 3: says is why are you always talking about Beyonce? And
• 8:35
  Speaker 3: I'm like, I don't know. What are you drinking? It's
• 8:37
  Speaker 3: like crog ray T. Do you want something? And I'm
• 8:40
  Speaker 3: like yeah, And then we just broke the ice and
• 8:41
  Speaker 3: started talking. So the show never went anywhere. Emmy said
• 8:44
  Speaker 3: it was horribly produced. It was so bad. How old
• 8:46
  Speaker 3: were you at this time, thirty thirty year early thirties
• 8:54
  Speaker 3: because yeah, because then yeah, because when I went to
• 9:00
  Speaker 3: after that, I had my thirty fifth birthday and the
• 9:04
  Speaker 3: mayor it was like they sent me thirty five birthday
• 9:07
  Speaker 3: cakes up to the radio station. The mayor gave me
• 9:10
  Speaker 3: the key to the city and all the things. So
• 9:12
  Speaker 3: I remember it was.
• 9:13
  Speaker 1: Thirty so when you left.
• 9:15
  Speaker 2: So when you started doing weekends on Hot ninety seven,
• 9:17
  Speaker 2: then you started doing mornings, right you started doing morning
• 9:19
  Speaker 2: with starring buck Wow, how was that being into that
• 9:22
  Speaker 2: because they threw you into the mix.
• 9:24
  Speaker 3: Well, actually before starring Bucklow, remember and before that it
• 9:27
  Speaker 3: was Steph Lover Kurt Flirt. And they asked me. I
• 9:31
  Speaker 3: was home in the midst of boxes. I had to
• 9:34
  Speaker 3: leave my apartment because I could no longer afford that rent.
• 9:37
  Speaker 3: And I'll never forget Tracy. Our boss then called me
• 9:40
  Speaker 3: and she's like, what's wrong. Why do you say what
• 9:41
  Speaker 3: I'm saying. I'm like nothing, I'm fine, and she goes, so,
• 9:44
  Speaker 3: what do you think about joining the morning show? Being
• 9:46
  Speaker 3: like the girl on the streets, And I was like,
• 9:48
  Speaker 3: but I didn't want to let her know. I'm like,
• 9:49
  Speaker 3: it depends how much is it pay? Correct And this
• 9:52
  Speaker 3: is before the whole replaced Joe Buttensing. This is I'm
• 9:55
  Speaker 3: coming straight off of weekends making union scale was like
• 9:57
  Speaker 3: one hundred and twenty dollars per shiit, which is really
• 10:01
  Speaker 3: nothing to live off of, but I made it work
• 10:04
  Speaker 3: and now I realized that the record label is like,
• 10:06
  Speaker 3: they're like, okay, we're done with your project. So that
• 10:10
  Speaker 3: call changed my life. And then it was me, Steph
• 10:13
  Speaker 3: and Kurt flirt and I came back one morning and
• 10:16
  Speaker 3: Steph yelled at me and we wound up having a
• 10:18
  Speaker 3: fight in the studio. But we didn't know that the
• 10:20
  Speaker 3: microphones were on, so then the salespeople came running down
• 10:23
  Speaker 3: the hall to It was crazy. So when we heard
• 10:26
  Speaker 3: that and Tracy, we knew she was on her way
• 10:28
  Speaker 3: into the studio. I one of my girlfriends worked in sales,
• 10:32
  Speaker 3: and she was like, before Tracy can come to you,
• 10:34
  Speaker 3: go back there and apologize, just to apologize and say
• 10:36
  Speaker 3: you know you were wrong. And I'm like, but it
• 10:37
  Speaker 3: wasn't it, she said, trust me. I went in there.
• 10:39
  Speaker 3: I said, Tracy, I know I was wrong. I apologized
• 10:42
  Speaker 3: for disrespecting you and the studio like that. I just
• 10:44
  Speaker 3: got really emotional. So she goes, Okay, Then she called Steph.
• 10:49
  Speaker 3: Steph goes, what the fuck I can't so Tracy's gonna
• 10:53
  Speaker 3: calm down. Said, I'm not calming down. So she goes,
• 10:57
  Speaker 3: you know what, stay home indefinitely, staph. And then that
• 11:01
  Speaker 3: next Monday, it was me Fatman's Scoop and Kurt Flirt.
• 11:04
  Speaker 3: She put Scoop in to replace Steph. God rest his soul. Yeah,
• 11:09
  Speaker 3: it was, it was, and it was in a moment's time.
• 11:11
  Speaker 3: I had to think quick, listen to my friend Karen
• 11:13
  Speaker 3: shout out to Quarrant and do that, or else I
• 11:17
  Speaker 3: could have been the one because her and Steph were friends.
• 11:19
  Speaker 4: Yeah.
• 11:19
  Speaker 3: Wow yeah.
• 11:20
  Speaker 1: So then from that transition went from after fat Man's Scoop.
• 11:23
  Speaker 3: Was Scoop introduced darn Buckwold to Tracy and they they
• 11:27
  Speaker 3: would wind up taking over his job in mornings. I'm like,
• 11:32
  Speaker 3: you walked in our competition, but Scoop had that type
• 11:36
  Speaker 3: of heart. So they got rid of Scoop. And she
• 11:38
  Speaker 3: told me, Tracy, you better not fucking say nothing because
• 11:42
  Speaker 3: this like you got to protect yourself and your life.
• 11:45
  Speaker 3: But I'm getting rid of Scoop and I'm moving him
• 11:47
  Speaker 3: to overnights and I'm putting you on mornings with Starrn
• 11:50
  Speaker 3: buck Wilde. Now, mind you. Starn Buckwold used to write
• 11:53
  Speaker 3: talk shit about me and their little magazine that they
• 11:55
  Speaker 3: had as an R and B singer. They always talking
• 11:57
  Speaker 3: about the gap in my mouth and all the things
• 11:59
  Speaker 3: and I'm like, since when do dude talk about a
• 12:01
  Speaker 3: woman's feature? But that was them, and so when they
• 12:05
  Speaker 3: put me together with them, I was, you know my scorpio,
• 12:08
  Speaker 3: it's always on scorpio. I am, are you twenty second scorpio? Scorpio?
• 12:14
  Speaker 3: Oh come on, yeah, I'm October okay. But so I
• 12:18
  Speaker 3: still had an attitude. So he apologized, but it don't matter,
• 12:22
  Speaker 3: like you know what I mean, And then he used
• 12:24
  Speaker 3: to talk about everyone, which I understood what he was doing,
• 12:27
  Speaker 3: but I didn't necessarily want to be a part of
• 12:29
  Speaker 3: that because I'm still an ARM and B singer trying
• 12:31
  Speaker 3: to make a comeback and rub hands or shake hands,
• 12:34
  Speaker 3: and I'm outside at nights or not. You go back
• 12:37
  Speaker 3: to wherever it is you live. I'm in these streets
• 12:38
  Speaker 3: and I gotta wow, yes, yeah, And why.
• 12:42
  Speaker 1: Did you leave that show?
• 12:44
  Speaker 5: Because I, yes, I had before we get to while
• 12:49
  Speaker 5: you left, I wanted to ask because it kind of
• 12:50
  Speaker 5: sets up for that question. So just hearing that background
• 12:53
  Speaker 5: and knowing about the magazine and you coming in with
• 12:55
  Speaker 5: attitude of I gotta protect myself, is that why before
• 12:58
  Speaker 5: you left you chose to protect yourself in this tuition that.
• 13:01
  Speaker 3: With Aliyah yes, that was the straight disrespect. And it
• 13:03
  Speaker 3: was too early for the bullshit. And I didn't like
• 13:05
  Speaker 3: the fact that I knew all morning they were whispering,
• 13:08
  Speaker 3: so I knew something was browing. It was always something
• 13:10
  Speaker 3: brewing with the kids, right, but that morning it was
• 13:12
  Speaker 3: too soon for the bullshit, and I knew she had
• 13:14
  Speaker 3: just died, so it was And I was like, but
• 13:15
  Speaker 3: I know they would never like go that far or
• 13:17
  Speaker 3: what happened.
• 13:18
  Speaker 4: I don't know.
• 13:19
  Speaker 6: Oh, go ahead, you tell.
• 13:20
  Speaker 3: So Aliah passed away the week before. This was right
• 13:23
  Speaker 3: before nine to eleven would happen, right, she passed away.
• 13:26
  Speaker 3: This is tragic because no one girl R and B
• 13:29
  Speaker 3: young singer had been dying at all. The next week,
• 13:33
  Speaker 3: starring Buck Wow primarily Star and his assistant Reese, they
• 13:38
  Speaker 3: decide to reenact her dying on the plane crash, and
• 13:43
  Speaker 3: they played on the screams and the and the sound
• 13:46
  Speaker 3: of fire burning like a plane crashing, and I knew
• 13:50
  Speaker 3: they were up to something like to this day, He goes,
• 13:52
  Speaker 3: Miss Jones knew, no, you kept it from me, and
• 13:54
  Speaker 3: you know you didn't tell me what it was. But
• 13:55
  Speaker 3: when I heard it, I walked out and I said,
• 13:58
  Speaker 3: I wish you had died in a plane rather than
• 14:00
  Speaker 3: a Leah. And then Tracy used that. She was like,
• 14:04
  Speaker 3: you don't wish death on your coworkers and go home
• 14:07
  Speaker 3: and you cool off and you think about this. Like
• 14:09
  Speaker 3: she punished me, right, She yelled at me and not
• 14:12
  Speaker 3: them on the radio. And then an hour later, McDonald's
• 14:17
  Speaker 3: pulled their money. Bergie King PEPSI, everybody pulled their money.
• 14:21
  Speaker 3: I don't know if it was Jay Z and Dame
• 14:23
  Speaker 3: Dash telling them this is what happened. I don't know,
• 14:25
  Speaker 3: because we don't have social media back then. Word didn't
• 14:27
  Speaker 3: travel that quickly, but we had a lot of listeners
• 14:30
  Speaker 3: back then, and everyone that was listening to the starn
• 14:31
  Speaker 3: Buckwold feat from Miss Jones heard it and knew someone
• 14:34
  Speaker 3: that heard it. So when the corporation started pulling the money,
• 14:39
  Speaker 3: bring hello Jones. Is Tracy Tracy the one that just
• 14:42
  Speaker 3: wanted me to go home and think about it. We
• 14:45
  Speaker 3: need you back. I have to pull starm Buckwow off
• 14:47
  Speaker 3: the air. The world everybody's mad, yeah, and we need
• 14:51
  Speaker 3: you to calm the savage beast that is. And I
• 14:54
  Speaker 3: did what I was told and went back on air.
• 14:58
  Speaker 5: There's always been conversation that either Dame or jay Z
• 15:01
  Speaker 5: either called the station or came to the station or
• 15:03
  Speaker 5: something like that.
• 15:04
  Speaker 6: After all that happen.
• 15:05
  Speaker 3: Probably, and now that all this other stuff is coming
• 15:07
  Speaker 3: out now years later, I'm sure they probably took her
• 15:10
  Speaker 3: to breakfast and made the threat that either you get
• 15:12
  Speaker 3: them off the air or elsewhere, you won't have any
• 15:15
  Speaker 3: more Rockefeller artists. I'm sure of that. I'm finding out now,
• 15:19
  Speaker 3: We're all finding out that those type of conversations were had.
• 15:22
  Speaker 3: You know, Wendy got let go because did he allegedly
• 15:26
  Speaker 3: called Tracy and said, by the time I get back
• 15:28
  Speaker 3: in town, she'd better be going, or you won't have
• 15:29
  Speaker 3: any bad boy artists. But I want to say this
• 15:33
  Speaker 3: Star was on his way right then of being let
• 15:35
  Speaker 3: go because the listeners and the corporations would not stop.
• 15:39
  Speaker 3: Be it not for nine to eleven happening the next week,
• 15:42
  Speaker 3: he would have been let go. When nine to eleven happened,
• 15:45
  Speaker 3: everybody forgot about Aleyah, No one gave a damn about
• 15:48
  Speaker 3: Star war Buck Wild, right, So we got to live
• 15:51
  Speaker 3: this or he got to live to see another day
• 15:53
  Speaker 3: under the quiet cloak of let's chill, Let's be easy
• 15:56
  Speaker 3: for a little while. Let's focus on nine to eleven.
• 15:58
  Speaker 2: So when they finally left Hot ninety seven and you
• 16:02
  Speaker 2: were in Philly just right, we got to call a
• 16:05
  Speaker 2: come back to New York. How was that and how
• 16:07
  Speaker 2: difficult it was it back then for a woman to
• 16:10
  Speaker 2: a woman.
• 16:11
  Speaker 1: To have her own show, especially in mornings.
• 16:13
  Speaker 3: It was hard when I went there had never been
• 16:15
  Speaker 3: a woman in mornings in that format of radio in Philadelphia.
• 16:18
  Speaker 3: But I needed a job because I was fired so
• 16:20
  Speaker 3: abruptly as soon as things turned around and we forgot
• 16:22
  Speaker 3: about nine to eleven and everyone's back popping, Star without
• 16:27
  Speaker 3: me knowing, kicked me off the show and Tracy, I said,
• 16:29
  Speaker 3: I don't work for him. I worked for you, and
• 16:31
  Speaker 3: she's like, yeah, but if Star doesn't feel comfortable, she
• 16:33
  Speaker 3: did never let me know. And I had just gotten
• 16:34
  Speaker 3: this fabulous apartment at the Renaissance on one sixteenth. The
• 16:36
  Speaker 3: Lennox was brand new. She knew this, they knew it.
• 16:39
  Speaker 3: And she goes, well, go talk to him, go beg him,
• 16:42
  Speaker 3: go beg for your job back. Yeah.
• 16:44
  Speaker 4: So after she called you and begged you to come
• 16:47
  Speaker 4: in be the saving grade, yep, turned around. I don't
• 16:51
  Speaker 4: know what to do now, go and bag him?
• 16:53
  Speaker 3: Yeah, let me build it back up, let things get normalized,
• 16:56
  Speaker 3: let the sponsors come back on. Then she let him
• 16:59
  Speaker 3: kick me off the show. And he only wanted me
• 17:01
  Speaker 3: off the show because I was never going to be
• 17:03
  Speaker 3: the Robin Quivers. He wanted to be Howard Stern a lot.
• 17:05
  Speaker 3: That was his style and whatever. But Robin Quivers, to me,
• 17:09
  Speaker 3: never really had a position. If she did, she never
• 17:11
  Speaker 3: stood up to Haward Stern. That ain't me. That was
• 17:14
  Speaker 3: just not me. So maybe I should have just been
• 17:17
  Speaker 3: a laugh track and I would have kept that job.
• 17:19
  Speaker 3: But thankfully I was able to go to Philly be
• 17:22
  Speaker 3: the first woman. I didn't know I was being the
• 17:24
  Speaker 3: first woman. I just knew I needed a job, and
• 17:26
  Speaker 3: anybody got time to think about, oh my god, what
• 17:28
  Speaker 3: am I going to say? Well, just getting there and
• 17:29
  Speaker 3: do and so I I did that. And now apparently
• 17:34
  Speaker 3: they think I enjoyed doing that because I'm by myself
• 17:36
  Speaker 3: at the block talking to myself and Wayne, my producer.
• 17:40
  Speaker 3: But so yeah, it worked out. It worked out for
• 17:43
  Speaker 3: times like this where companies can't afford to have a
• 17:46
  Speaker 3: fully staffed breakfast club.
• 17:48
  Speaker 1: So then you came back.
• 17:49
  Speaker 5: Right, Yeah, wait, don't let's stay in Philly real quick,
• 17:53
  Speaker 5: because you going to Philly.
• 17:54
  Speaker 6: Was Wendy Williams giving you a call?
• 17:55
  Speaker 3: So I called wend Wendy called me. I think she
• 17:58
  Speaker 3: called me.
• 17:58
  Speaker 6: Yeah, I heard I've seen any where you said.
• 18:00
  Speaker 5: She called you because she heard what was happening. Wendy
• 18:07
  Speaker 5: Williams info Angie Martinez, You guys are like the pinnacle
• 18:10
  Speaker 5: of like if I could have a radio career on
• 18:13
  Speaker 5: her mind, it is that. So I enjoy all your interview,
• 18:17
  Speaker 5: especially your drink Tins interview. I've watched it a couple
• 18:18
  Speaker 5: of times.
• 18:19
  Speaker 3: Thank you, Thank you for carrying the torch and getting
• 18:22
  Speaker 3: in there and getting no stories. Because I pay attention
• 18:24
  Speaker 3: to you too, I'd be like this, like what, thank you.
• 18:27
  Speaker 6: I appreciate that, and I.
• 18:27
  Speaker 3: Appreciate you still having the love of it. So Wendy
• 18:30
  Speaker 3: call Jones because she always had to sneak to call
• 18:32
  Speaker 3: me because her husband, Kevin later would try to have
• 18:35
  Speaker 3: me murdered in front of ninety seven. That's a whole
• 18:37
  Speaker 3: nother story.
• 18:37
  Speaker 4: Child, hold on, damn.
• 18:39
  Speaker 3: Put you something to drink.
• 18:46
  Speaker 1: But but that was paging the paper. But we'll get
• 18:49
  Speaker 1: into that later. It's a lot, Child, been.
• 18:51
  Speaker 3: So much, I don't even know how I'm still staying
• 18:53
  Speaker 3: the child.
• 18:53
  Speaker 1: What they call again?
• 18:55
  Speaker 3: Call yes, she said, I heard what's going on? Called
• 18:57
  Speaker 3: Golden Boy who was then doing more or the PD
• 19:01
  Speaker 3: for Power ninety nine, and call Luscious Ice over at
• 19:07
  Speaker 3: the Beat. I didn't know either of these people, but
• 19:09
  Speaker 3: I needed a job, so I called Luscious Ice responded quickly,
• 19:16
  Speaker 3: and in a couple of weeks I had the position.
• 19:19
  Speaker 3: I didn't know anyone in Philadelphia except for Charlie Baltimore
• 19:22
  Speaker 3: and thank God for Chuck. She took me under her wings.
• 19:25
  Speaker 3: She sat and with me on my first week and
• 19:28
  Speaker 3: introduced me to people, told me kind of we're at
• 19:31
  Speaker 3: a party where not the party, but to stay away from.
• 19:34
  Speaker 3: And Derek Coleman he called from the Sixers and we
• 19:38
  Speaker 3: went to Syracuse together. He helped me find my apartment
• 19:41
  Speaker 3: and he just was being a real big brother to
• 19:43
  Speaker 3: me when I got to Philadelphia. But it was very
• 19:46
  Speaker 3: rewarding because when I got to that station, they were
• 19:49
  Speaker 3: like number of fifty in the ratings. They had no
• 19:52
  Speaker 3: signal and they had little resources, and I brought them
• 19:56
  Speaker 3: to number three in three months.
• 19:58
  Speaker 4: Wow.
• 19:59
  Speaker 3: So for me that was self what self? It was?
• 20:07
  Speaker 3: Because I still had the hurt of did I mean
• 20:10
  Speaker 3: that little to the Star and Bucklow show that they
• 20:12
  Speaker 3: think that they could just throw me out, And then
• 20:15
  Speaker 3: I'm like, wait, maybe I ain't shit.
• 20:17
  Speaker 4: And then you go somewhere and you revamp it, you
• 20:21
  Speaker 4: replenish it, and then you make it a whole.
• 20:22
  Speaker 3: New thing, and you just I just bought the same thing,
• 20:25
  Speaker 3: and they were happy to have the same old thing
• 20:27
  Speaker 3: that they had discarded in Hot ninety seven. Right, they
• 20:29
  Speaker 3: were happy to have me. They were coming to my
• 20:31
  Speaker 3: grown folks Fridays, which I created. By the way they
• 20:34
  Speaker 3: were coming. It was everything I did in Philly. I
• 20:36
  Speaker 3: love Philly so much because they gave me what my
• 20:39
  Speaker 3: soul needed without being paid or without yeah, without being
• 20:43
  Speaker 3: paid to do so. They showed up for me and
• 20:46
  Speaker 3: at that time in my life, they gave me the
• 20:48
  Speaker 3: confidence I needed to stand in being the only woman
• 20:52
  Speaker 3: doing morning radios like that. And then it was so
• 20:54
  Speaker 3: gratifying when Hot ninety seven had to call me back
• 20:57
  Speaker 3: to save that ass.
• 20:59
  Speaker 6: So now we're getting jest. You want to ask her
• 21:01
  Speaker 6: about the front page with a.
• 21:02
  Speaker 1: Year So.
• 21:05
  Speaker 4: Somebody trying to have you killed?
• 21:07
  Speaker 3: Oh of Kevin, Wendy William's husband. According to the court documents,
• 21:12
  Speaker 3: I was saying, okay, break.
• 21:13
  Speaker 4: It down, allegedly breaking down allegedly.
• 21:16
  Speaker 3: Suppose, Well, Kevin never liked me and Wendy's friendship. And
• 21:19
  Speaker 3: I think it's because when Wendy introduced me to Kevin,
• 21:21
  Speaker 3: when she very first met him, he and I were
• 21:23
  Speaker 3: sitting in the car together because she had gone in
• 21:24
  Speaker 3: the store to get some gum, and we had a
• 21:26
  Speaker 3: conversation and I told him to take care of my friend,
• 21:28
  Speaker 3: and he goes, no, when she makes it, I'm gonna
• 21:30
  Speaker 3: make it, I'm gonna take care of her. I didn't
• 21:31
  Speaker 3: like that. I didn't like that. What you mean, when
• 21:33
  Speaker 3: she becomes a star, you're gonna be right there. I
• 21:34
  Speaker 3: didn't like that. And maybe it was harmless, but no,
• 21:37
  Speaker 3: it's not, because look how it ended up. So I
• 21:40
  Speaker 3: knew and he knew. You know, when your boyfriend, when
• 21:43
  Speaker 3: a boy a bad boyfriend, knows that girl friend that
• 21:46
  Speaker 3: sees him for what he is. He tried to keep
• 21:48
  Speaker 3: her away, and Wendy was so happy to have a
• 21:51
  Speaker 3: Bulge because remember back in the day when she used
• 21:53
  Speaker 3: to be in the studio, she acts like she had
• 21:55
  Speaker 3: a security guard named Bulge, and she'd be like, Bulge,
• 21:57
  Speaker 3: close the door, let me tell you about total bulge.
• 22:00
  Speaker 3: There was never a bald Kevin. Well. Later on she
• 22:03
  Speaker 3: married Kevin and then he became her bulge right a protection.
• 22:08
  Speaker 3: So when he told her not to talk to me,
• 22:10
  Speaker 3: she used to sneak to talk to me, and so yeah,
• 22:13
  Speaker 3: and so it would come out later on when she
• 22:15
  Speaker 3: made her return to New York on nine to eleven,
• 22:19
  Speaker 3: two weeks after the whole Alia thing happened, Kevin didn't
• 22:22
  Speaker 3: want her having any part to me. And I guess
• 22:24
  Speaker 3: it got to the point because I wasn't backing down
• 22:27
  Speaker 3: at that point she was start saying slick stuff about
• 22:29
  Speaker 3: me on Aaron. I was started saying stuff back. For
• 22:31
  Speaker 3: many years, I did nothing, but I was tired of
• 22:34
  Speaker 3: being a punk ass bitch and so I started saying
• 22:37
  Speaker 3: stuff back and he went to silence me. And so
• 22:39
  Speaker 3: in the court documents when they're intern, Nicole I think
• 22:41
  Speaker 3: was her name, sued them. She came out and testified
• 22:45
  Speaker 3: that he attempted to have a murder plot placed on
• 22:48
  Speaker 3: Miss Jones. Now three years ago, when me and Wendy
• 22:51
  Speaker 3: Williams reunited, I think this was twenty twenty two, twenty
• 22:54
  Speaker 3: twenty two, we started hanging out. I'm spending the night
• 22:57
  Speaker 3: at her house. She's driving all the way out to
• 22:59
  Speaker 3: Manalop into my house. You still have the ring camera
• 23:01
  Speaker 3: as evidence. She told me. She goes, oh, as far
• 23:05
  Speaker 3: as keV trying to have you murdered. He was just playing.
• 23:08
  Speaker 3: He didn't mean it. But that doesn't mean he didn't
• 23:10
  Speaker 3: say it, And that doesn't mean that someone who is
• 23:12
  Speaker 3: trying to be in his graces. We see people now
• 23:16
  Speaker 3: shooting and killing people because they think they're doing something
• 23:19
  Speaker 3: in the spirit of I got her, I got her.
• 23:22
  Speaker 3: So how are you playing? How you shooting?
• 23:25
  Speaker 6: How do you feel right now about this?
• 23:31
  Speaker 4: Yeah?
• 23:32
  Speaker 3: Yeah, yeah, thanks, thank you because I almost missed it regularly.
• 23:43
  Speaker 1: Oh my god. So she gets back to New York.
• 23:47
  Speaker 3: Wait, I was gonna, I was going that was my life,
• 23:51
  Speaker 3: that was our life.
• 23:52
  Speaker 6: I was going to ask you.
• 23:54
  Speaker 5: We went off to dinner with Wendy and she said
• 23:55
  Speaker 5: that she feels like what she's going through right now
• 23:57
  Speaker 5: is because of all of the things that she said,
• 24:00
  Speaker 5: the things that have happened because of her karma, right,
• 24:03
  Speaker 5: She said that, Yeah, she told me, Charlotte mage Dade,
• 24:05
  Speaker 5: that's the first steps.
• 24:08
  Speaker 3: I feel like God was waiting for that. I feel
• 24:11
  Speaker 3: like when she had the issues with her feet spiritually,
• 24:15
  Speaker 3: that was God teaching her about kicking people when they're Downah,
• 24:19
  Speaker 3: I said, of all the body parts to get affected publicly,
• 24:23
  Speaker 3: be affected because she couldn't hide from that. That is
• 24:26
  Speaker 3: you and God. Y'all gotta work that out. You gotta
• 24:28
  Speaker 3: acknowledge that. Despite the fact that Kevin is the one
• 24:31
  Speaker 3: that gave her the foot surgery, y'all know about that, right,
• 24:35
  Speaker 3: So he is a foot surgeon. When they first got together,
• 24:38
  Speaker 3: he was giving her foot surgery for her birthday, and
• 24:41
  Speaker 3: she went on air because I have the CD, I
• 24:43
  Speaker 3: have all her things, and so she said, I don't
• 24:46
  Speaker 3: know if I should be offended or grateful that my
• 24:47
  Speaker 3: husband get me foot surgery for my birthday. But I'm
• 24:50
  Speaker 3: researching the doctors and I got an appointment this afternoon,
• 24:52
  Speaker 3: and blah blah blah blah blah. So she went and
• 24:54
  Speaker 3: had the foot surgery to have her bunions removed. Right,
• 24:56
  Speaker 3: this is many many years ago when this happened, and
• 25:00
  Speaker 3: when we got back together in twenty twenty two, she
• 25:02
  Speaker 3: came in the room and woke me up. She said, Johnson,
• 25:04
  Speaker 3: I want you to look at something. She pulled the
• 25:05
  Speaker 3: robe up she wear these elongated versace robes. She'd buy
• 25:09
  Speaker 3: two robes of the same pattern so that her tailor
• 25:12
  Speaker 3: could cut the bottom and have it long to cover
• 25:15
  Speaker 3: her legs. So she made me touch it, and she said,
• 25:18
  Speaker 3: this is limb fidem. I want to have the surgery.
• 25:20
  Speaker 3: The doctor manipulated the nerve in my feet. My lymph
• 25:23
  Speaker 3: knows the wrong way. And I said, well, that was
• 25:25
  Speaker 3: years ago. She said, yeah, but it takes so many
• 25:27
  Speaker 3: years for it to get like this. And so in
• 25:29
  Speaker 3: my mind, I'm saying that he had you have that surgery,
• 25:34
  Speaker 3: so just another way he's tearing you down. Whether he
• 25:37
  Speaker 3: knew it or I don't think he knew. I think
• 25:38
  Speaker 3: he really just wanted her to get rid of the bidians.
• 25:40
  Speaker 3: But love my feet as they ease, Perriod, love all
• 25:44
  Speaker 3: of that. H don't go.
• 25:46
  Speaker 4: Changing, right because I got my bunions from my father
• 25:49
  Speaker 4: and I'm keeping them.
• 25:50
  Speaker 3: Keep them, just keep on.
• 25:52
  Speaker 1: And let me just tell y'all.
• 25:53
  Speaker 2: So when she started doing morning radio in New York,
• 25:55
  Speaker 2: when I was involved, Jones went through mouth surgery for
• 25:59
  Speaker 2: too m. She went through childbirth and still did the
• 26:04
  Speaker 2: show from my hospital bed and from the bed.
• 26:06
  Speaker 1: At the crib.
• 26:07
  Speaker 6: The childbirth was when you had the y'all had something
• 26:10
  Speaker 6: set up where she and this.
• 26:13
  Speaker 1: Before the stuff that we had. This is like she
• 26:15
  Speaker 1: had to do it for this like.
• 26:16
  Speaker 3: Ten thousand, thousand months. The biggest fraud of.
• 26:19
  Speaker 4: Your ass in there not did you have postpartum depression
• 26:24
  Speaker 4: or did you go? You just you right?
• 26:27
  Speaker 3: You know, I had a tsunami song. I was going
• 26:31
  Speaker 3: to say that that mom saved you, and they tried
• 26:34
  Speaker 3: to bring it they So I'm glad that I was home.
• 26:38
  Speaker 3: I know, you know you did the research on this.
• 26:40
  Speaker 5: Is this your baby right here? That that is Oh wow,
• 26:43
  Speaker 5: it's so crazy. This is in real time, I know, right,
• 26:45
  Speaker 5: So now you're hearing about something you brought it in
• 26:48
  Speaker 5: the tsunami song and working from home. So I was
• 26:50
  Speaker 5: working from home because Jayden was just born, and it
• 26:53
  Speaker 5: was hard because I lived still down in the Philly area.
• 26:57
  Speaker 5: Our producer at the time, they brought in a new
• 26:59
  Speaker 5: fancy producer, del Gatto, who came from OPI and Anthony Opian.
• 27:03
  Speaker 3: Anthony was a very racy, charged shock jockey type of show.
• 27:07
  Speaker 3: They're the ones that had the couple having sex in
• 27:09
  Speaker 3: the cathedral. So my boss, Tracy decided that bringing Rick
• 27:12
  Speaker 3: Delgatto to be the producer of the This is when
• 27:14
  Speaker 3: she asked me to come back to New York would
• 27:16
  Speaker 3: be a great idea. So then as soon as he
• 27:18
  Speaker 3: comes in, they let her go and he starts just
• 27:21
  Speaker 3: letting loose. So he comes up with this idea to
• 27:23
  Speaker 3: do a tsunami song because the tsunami had just happened.
• 27:25
  Speaker 3: But when the ish hit the fan people were pissed off,
• 27:30
  Speaker 3: and rightfully so, but they tried to spin it. Our
• 27:33
  Speaker 3: boss at the time, Barry Mao, he came in actually
• 27:37
  Speaker 3: when the Tsunami song first aired and high fived, I
• 27:40
  Speaker 3: have to say allegedly because he'll suit allegedly high fived
• 27:43
  Speaker 3: and was like, that's a crazy song. You guys are crazy,
• 27:46
  Speaker 3: laughing all the way. But then when the corporation started
• 27:49
  Speaker 3: McDonald's Pepsi Burgy King, they come and take their money
• 27:53
  Speaker 3: again because who is this Miss Jones woman that has
• 27:55
  Speaker 3: this tasteless tsunami song that's making fun of Asians and
• 27:59
  Speaker 3: all the things things. He didn't even tell them. The
• 28:03
  Speaker 3: name of the show is Miss Jones in the Morning,
• 28:04
  Speaker 3: but Miss Jones hasn't even been in the studio to
• 28:07
  Speaker 3: sing on a tsunami song. Or push a button to
• 28:10
  Speaker 3: make it play right, so but no one wanted to
• 28:13
  Speaker 3: hear that. He was trying to quickly get me out
• 28:16
  Speaker 3: the door. Out the door. Thank god for Melsachs attorney Malsacks,
• 28:20
  Speaker 3: the one that will later on represent Little Kima. We
• 28:22
  Speaker 3: had a meeting with him and he had the head
• 28:24
  Speaker 3: of the Asian their coalition or some organization, and he
• 28:28
  Speaker 3: had them come in behind closed doors. Was after hours,
• 28:31
  Speaker 3: and they said, listen, we know that it ain't you.
• 28:34
  Speaker 3: We know that it's the company. My beef is that
• 28:37
  Speaker 3: the owner of Hot ninety seven had some shady dealers
• 28:40
  Speaker 3: with my dad years ago when my dad wound up
• 28:42
  Speaker 3: going to prison. Like it always be something else. It's
• 28:44
  Speaker 3: never you know just what is in front of you
• 28:48
  Speaker 3: now it always be something bigger than you. But they
• 28:51
  Speaker 3: were willing to let me be sacrificed, knowing good and well,
• 28:54
  Speaker 3: I couldn't have sung on a Snami song. I wasn't
• 28:56
  Speaker 3: even there. My fault was insisting that to be played again.
• 29:01
  Speaker 3: That was the arrogance of me and the ego of me,
• 29:04
  Speaker 3: And I was only doing that because we had a
• 29:06
  Speaker 3: member on our show at that time that was trying
• 29:08
  Speaker 3: to separate herself from the messiness that was to show,
• 29:14
  Speaker 3: And in hindsight, I understand that, but I just I
• 29:17
  Speaker 3: always like team to be team for the audience. Yeah,
• 29:20
  Speaker 3: y'all could fight, pull each other's hair out, scratch each
• 29:23
  Speaker 3: other's eyes out behind the scenes, but we always must
• 29:27
  Speaker 3: appear to be a team, and she wasn't doing it.
• 29:29
  Speaker 3: So that's what my answer to that was, We'll play
• 29:31
  Speaker 3: it again. Stupid, stupid, Jonesy Stupid. To this day, I regret.
• 29:36
  Speaker 6: That I feel like I'm asking all the questions.
• 29:40
  Speaker 3: You did, all the research going on, because you have
• 29:43
  Speaker 3: so much.
• 29:43
  Speaker 5: Because well, first of all, I wanted to know if
• 29:45
  Speaker 5: you and Wendy have spoken recently.
• 29:47
  Speaker 3: No, she has not spun my block, but she's spoken
• 29:50
  Speaker 3: to you. But you know what, I think somebody took
• 29:53
  Speaker 3: my number out of her phone because you don't have
• 29:56
  Speaker 3: started and then there.
• 29:58
  Speaker 6: Would you speak to her now?
• 29:59
  Speaker 3: Absolutely, we had good times when we reconnected. We was
• 30:01
  Speaker 3: going to Carolines. We were the night we went to Carolines,
• 30:06
  Speaker 3: Angela Yee and her friends were sitting at the table
• 30:08
  Speaker 3: next to us, and I told Wendy and she was like,
• 30:13
  Speaker 3: don't act like you're telling me. It's like she's so
• 30:15
  Speaker 3: shady now. But angel was trying to insist that Wendy
• 30:19
  Speaker 3: come up and take a picture on the stage, and
• 30:21
  Speaker 3: I was trying to not tell that Wendy couldn't get up,
• 30:24
  Speaker 3: so I don't wanted to give her hippoprivacy but her feet.
• 30:26
  Speaker 3: But then the next day, Angela Yee's friend, who was
• 30:30
  Speaker 3: writing for the poster or the something the page six,
• 30:33
  Speaker 3: wrote that Wendy refused to take pictures with Angela Yee
• 30:36
  Speaker 3: and Jonesy, and I'm like, we were we were together
• 30:39
  Speaker 3: number one, and she couldn't get on the stage because
• 30:42
  Speaker 3: her feet would not allow her. But then I realized
• 30:44
  Speaker 3: the angle of the camera. They were sneaking pictures of
• 30:46
  Speaker 3: us from underneath their table. So now my Wendy knew.
• 30:49
  Speaker 3: Wendy knew.
• 30:50
  Speaker 6: When was that? When year was that?
• 30:52
  Speaker 3: Twenty twenty two? Twenty Yeah, I think it was twenty
• 30:55
  Speaker 3: twenty two. You remember, because we were doing a reunion
• 30:57
  Speaker 3: show and she tormented me and you were like, my phone,
• 31:00
  Speaker 3: I don't care what time of the night this is.
• 31:01
  Speaker 2: If you need me to come get yep, absolutely talk
• 31:04
  Speaker 2: about that. So then you left Hot ninety seven and
• 31:07
  Speaker 2: you could ask questions about that because that was craziness.
• 31:10
  Speaker 2: We left Hot ninety seven. We left and we were
• 31:11
  Speaker 2: beefing with everybody at that time.
• 31:13
  Speaker 3: He was social media.
• 31:14
  Speaker 1: Yeah, we were social media. We beef. What people don't understand.
• 31:17
  Speaker 2: Is back then it was real beef, like we came
• 31:20
  Speaker 2: up to parties, clubs, stations.
• 31:22
  Speaker 4: It was really private.
• 31:23
  Speaker 2: Yes, you leave Hot ninety seven, you decide not to
• 31:27
  Speaker 2: do Hot ninety seven again, and you go back into
• 31:28
  Speaker 2: Philly and you had a run in Philly, and then
• 31:30
  Speaker 2: Philly let you go wrongly.
• 31:33
  Speaker 3: Yeah, I would realize that the only reason Philly was
• 31:35
  Speaker 3: syndicating me from Hot ninety seven is because they didn't
• 31:38
  Speaker 3: want me to come back into the market on Power
• 31:40
  Speaker 3: ninety nine because powerdat nine always had resources Hey, thea
• 31:44
  Speaker 3: Hey and THEO who always loved me, and they didn't
• 31:47
  Speaker 3: want to get to Milish, So when they knew I
• 31:49
  Speaker 3: could not be a threat, they let me go. That
• 31:52
  Speaker 3: was again Barry Mayo, the man that brought me back
• 31:54
  Speaker 3: to New York, syndicated me in Philadelphia because when they
• 31:56
  Speaker 3: fired him, really behind the Tsunami song, he went back
• 31:59
  Speaker 3: to Radio one and got a job in Philly and
• 32:01
  Speaker 3: asked me to be syndicated. Right now, think about it
• 32:04
  Speaker 3: if I did all this tsunami song stuff and you
• 32:06
  Speaker 3: were ready to fire my ass, why are you hiring
• 32:09
  Speaker 3: me back? Which just holds me what the judges would say,
• 32:11
  Speaker 3: because I wound up suing everyone.
• 32:13
  Speaker 1: Jones is suerr by the way, she will sue you
• 32:14
  Speaker 1: in a minute. But so.
• 32:17
  Speaker 3: Yeah, I see over here living all morning. I'd be like,
• 32:22
  Speaker 3: I'm so excited, So Philly keep us on the guard rails.
• 32:26
  Speaker 5: And because he was in Philly at the time, was
• 32:28
  Speaker 5: it Golden Girl? Like what era of Philly radio was
• 32:30
  Speaker 5: its Golden Girl?
• 32:31
  Speaker 3: It was the hotways on Power ninety nine. Golden Girl
• 32:33
  Speaker 3: was at night. She was always trying to nip at
• 32:35
  Speaker 3: my heels and I'm.
• 32:36
  Speaker 1: Like, shoot at everybody, but she's well they.
• 32:40
  Speaker 2: To this day, Jones will called me and be like,
• 32:43
  Speaker 2: I'm about to go in and I have to talk
• 32:44
  Speaker 2: off the ledge at our big.
• 32:46
  Speaker 3: Because you don't stand up for yourself enough.
• 32:48
  Speaker 6: See talk about that, would you right?
• 32:51
  Speaker 3: What you mean? No MVB trying to take high rolls.
• 32:54
  Speaker 3: He's petty. It's all petty. But then when it's time
• 32:57
  Speaker 3: for him, when you got them it's time to kill,
• 32:59
  Speaker 3: he'll fall back because I guess he thinks about the
• 33:01
  Speaker 3: potential lawsuits and his easy prey and.
• 33:06
  Speaker 1: If something go in before me, I know, Jones, but.
• 33:10
  Speaker 3: Will burn the whole house down.
• 33:12
  Speaker 4: Crazy good exact scene. So when I went live, they
• 33:16
  Speaker 4: can understand. It's sometimes and I ain't a scoop you,
• 33:19
  Speaker 4: I'm an aquarius. Oh but I just went live that
• 33:22
  Speaker 4: day and but you had to. I didn't know if
• 33:25
  Speaker 4: I was gonna have a job the next day, Jonesy,
• 33:27
  Speaker 4: That's what I did. I came to hear my bank
• 33:29
  Speaker 4: still works, and.
• 33:31
  Speaker 3: Then I caught. I was like, tell me, this is scripted.
• 33:34
  Speaker 6: Everybody thought it was fake.
• 33:35
  Speaker 4: He can't listen.
• 33:37
  Speaker 3: It was real.
• 33:37
  Speaker 4: Let me tell you though, when it bothered me the
• 33:42
  Speaker 4: most that I hurt his feelings, right, because Envy is
• 33:47
  Speaker 4: very loyal, right, although I still, you know, I I
• 33:52
  Speaker 4: still felt like, you know, I wasn't heard and I
• 33:54
  Speaker 4: felt like, you know, things were done wrong. He has
• 33:58
  Speaker 4: had my back since I started this ship. I'm talking
• 34:01
  Speaker 4: about like calling me, checking on me before my pregnancy,
• 34:05
  Speaker 4: my whole pregnancy, after I had the baby, everything, So
• 34:08
  Speaker 4: I understood, like him coming and heared no, it was wet,
• 34:12
  Speaker 4: it was corny, and I'm like, hold up, don't say
• 34:14
  Speaker 4: it with the New York accident, and that's what made
• 34:19
  Speaker 4: me cry. And I'm just like.
• 34:21
  Speaker 3: Because you knew there was a little bit of truth
• 34:22
  Speaker 3: in that.
• 34:23
  Speaker 4: Big brother a big brother spanking and like, no, would
• 34:27
  Speaker 4: not make eye contact with me when I look at
• 34:29
  Speaker 4: me when I talk to me, and I don't like,
• 34:33
  Speaker 4: I did not like that, you know what I mean.
• 34:35
  Speaker 4: But it was like what I did, I felt like
• 34:37
  Speaker 4: needed to be done, but definitely maybe a different way.
• 34:41
  Speaker 4: He's not professional, but it was just like, but.
• 34:45
  Speaker 3: Yeah, I'm sorry, and I'm sorry that you went through
• 34:49
  Speaker 3: that on air, but that made you humanize because you
• 34:53
  Speaker 3: have this tough persona and you always have a comeback
• 34:57
  Speaker 3: and I love that about you. But people need to
• 34:59
  Speaker 3: know that you still bleed too. Yeah, and they got
• 35:02
  Speaker 3: to see that, so well done.
• 35:04
  Speaker 4: So yes, he definitely is the one that, Yeah, he
• 35:07
  Speaker 4: go hard and everything, but like he do, he makes
• 35:10
  Speaker 4: sensible decisions and you can trust because.
• 35:12
  Speaker 3: He's never going to let you lose it all, although
• 35:16
  Speaker 3: he almost lost it all from me. So when I
• 35:19
  Speaker 3: came back to New York after I had had my son,
• 35:21
  Speaker 3: Jalen Sterron Buck, Wow, at this point they were over
• 35:23
  Speaker 3: here and they went on air asking anyone at the
• 35:27
  Speaker 3: hospital where I had my son to send his medical
• 35:29
  Speaker 3: records because he was down syndrome.
• 35:32
  Speaker 1: He's not down syndrome, as you can see, guys.
• 35:38
  Speaker 3: Nothing wrong with down syndrome. We love that. But the
• 35:44
  Speaker 3: point is he was just born, you know what I mean,
• 35:48
  Speaker 3: and he's asking for medical records.
• 35:49
  Speaker 4: Right.
• 35:50
  Speaker 3: This man right here stood up for me on the air.
• 35:53
  Speaker 3: Envy stood up for me. The company told him, Ebro,
• 35:57
  Speaker 3: I'm a big Zach told him, don't do that. Don't
• 35:59
  Speaker 3: mention the the station. They're still playing those old radio games.
• 36:02
  Speaker 3: We don't mention the other station on air. So so
• 36:05
  Speaker 3: Envy jumped in. He got so that same experience you
• 36:08
  Speaker 3: have with Envy, that little passion he got. So he
• 36:11
  Speaker 3: got more angry than I was, because I had gone
• 36:13
  Speaker 3: to Jalen's father and I was like, what are we
• 36:15
  Speaker 3: gonna do about it? I went to the uncle's Oh,
• 36:17
  Speaker 3: just ignore it. Envy said, f that. So he said
• 36:20
  Speaker 3: a man that will go after a woman and a
• 36:22
  Speaker 3: newborn and a man at all. And then Starr went
• 36:25
  Speaker 3: in on Envy's kids, and so Envy and his wife
• 36:29
  Speaker 3: heki Hey, they took that ass to quietly, took him
• 36:32
  Speaker 3: to court and want all that money and I want
• 36:35
  Speaker 3: my cut her.
• 36:40
  Speaker 4: That's crazy.
• 36:42
  Speaker 1: Yeah, before I don't I lose it.
• 36:51
  Speaker 3: It was so bad. It was so bad because there
• 36:54
  Speaker 3: was nothing that this company could do but fire him.
• 36:58
  Speaker 3: But it all started because Star was coming for me.
• 37:01
  Speaker 4: And his loyalty for kids, Like what.
• 37:05
  Speaker 3: That kids weren't off. It's kind of like how America
• 37:07
  Speaker 3: is right now. We're so desensitized to school shootings, We're
• 37:10
  Speaker 3: so desensitized to so many things. We're like, why is
• 37:13
  Speaker 3: this happening? And yet it continues to happen. I don't
• 37:16
  Speaker 3: want to get political in here, but it feels like
• 37:18
  Speaker 3: we're back there where he just thought he could say
• 37:21
  Speaker 3: and do anything, and thankfully there was a judge that
• 37:24
  Speaker 3: shut it down. And I'm glad I had you as
• 37:25
  Speaker 3: a big brother friend.
• 37:26
  Speaker 1: Absolutely, I'll do it again.
• 37:28
  Speaker 4: Damn he would, and.
• 37:30
  Speaker 6: It'd be louder, and he would use Instagram as he
• 37:33
  Speaker 6: is big bro.
• 37:33
  Speaker 2: So now you know, when Jones goes back to Philly
• 37:36
  Speaker 2: leaves Hot ninety seven, I was like you me and
• 37:39
  Speaker 2: miss Jones right, meaning I was mad because I'm like,
• 37:41
  Speaker 2: how she just gonna leave us in Philly. We've been
• 37:43
  Speaker 2: doing this show for three four years. And I was
• 37:46
  Speaker 2: mad at Jones. And I don't think I spoke to
• 37:47
  Speaker 2: Jones for like two years, three.
• 37:49
  Speaker 3: Years, right, I don't know you were mad at me.
• 37:50
  Speaker 1: We just speak maybe for five months.
• 37:52
  Speaker 3: No, Envy, that's not true.
• 37:53
  Speaker 1: I had to be long enough for a minute.
• 37:55
  Speaker 3: No, we spoke because I was at Power ninety nine
• 37:58
  Speaker 3: and Doc Winner had them conference calls. You were on it,
• 38:01
  Speaker 3: I was on it, and we were talking and we
• 38:04
  Speaker 3: didn't talk personally, but we were always on those conference calls.
• 38:08
  Speaker 3: So I had no idea you were mad because I
• 38:10
  Speaker 3: thought I did infight you to come to Philly, and
• 38:11
  Speaker 3: you said you had money in the clubs.
• 38:14
  Speaker 2: So I thought I was coming. I thought we was
• 38:15
  Speaker 2: gang gang. Yeah, she eyed your deuces and left, so
• 38:18
  Speaker 2: I was always mad. I'm like, damn, so I had
• 38:20
  Speaker 2: to start over.
• 38:21
  Speaker 3: But sorry, wait wait, wait, no, bring it back rewind.
• 38:25
  Speaker 3: I am sorry because I wanted you. I don't Maybe
• 38:29
  Speaker 3: I didn't come to you directly. Maybe I knew I
• 38:32
  Speaker 3: couldn't afford you, so maybe I asked somebody in the team.
• 38:35
  Speaker 3: Do you think I should ask Envy because he's not
• 38:37
  Speaker 3: gonna come. I can't afford to pay him. But I
• 38:40
  Speaker 3: thought I.
• 38:41
  Speaker 1: Did different free.
• 38:42
  Speaker 2: So when COVID hit, I haven't spoke to Jones and
• 38:45
  Speaker 2: you was watching the own network, you.
• 38:47
  Speaker 3: And your wife, and I did not know this. Jack
• 38:50
  Speaker 3: and Joe Mom called and said, I had no idea
• 38:52
  Speaker 3: your Miss Jones, because I had created a new life
• 38:54
  Speaker 3: for myself. Once I got fired in Philly the last,
• 38:56
  Speaker 3: the third time, the last time, I couldn't have I
• 39:01
  Speaker 3: couldn't mess around anymore. So I separated myself from the industry.
• 39:04
  Speaker 3: I couldn't listen to radio. It made me bleed.
• 39:07
  Speaker 1: To hear radio industry stuff at all.
• 39:09
  Speaker 3: Nothing. I changed my name. I started using my married name,
• 39:13
  Speaker 3: just so that no one could trace Miss Jones back
• 39:16
  Speaker 3: to me and that my kids would have a shame
• 39:18
  Speaker 3: free upbringing, you know, so I was I was not
• 39:24
  Speaker 3: doing that. So one of my Jack and Jail Mom
• 39:26
  Speaker 3: shot out to Jack and Jail of America called and said,
• 39:28
  Speaker 3: I didn't know that was you, and I said, we
• 39:30
  Speaker 3: took about and then she said there's a program on
• 39:32
  Speaker 3: own DJ MVY and his wife just said that were
• 39:34
  Speaker 3: it not for you giving her husband a starting radio,
• 39:36
  Speaker 3: he wouldn't be where he is. And I broke down
• 39:39
  Speaker 3: crying because I hadn't spoken or heard from him in years,
• 39:41
  Speaker 3: and I was angry because I felt like he's doing well.
• 39:45
  Speaker 3: The other call hosts, everybody's doing well. They started on
• 39:48
  Speaker 3: my show, and no one has reached out a hand
• 39:50
  Speaker 3: to even see if my kids had Christmas, if everybody
• 39:52
  Speaker 3: was doing okay or nothing. I was upset, but that
• 39:56
  Speaker 3: gave me the to get outside of my ego, to
• 40:00
  Speaker 3: pick up the phone and call and say hey, can
• 40:02
  Speaker 3: we talk? And he was like, hey, Jones was he.
• 40:04
  Speaker 4: Was very yeah, you were very yeah. Yeah.
• 40:13
  Speaker 2: Maybe crying here make me cry, so I can't look
• 40:17
  Speaker 2: at it out. So during COVID, she was telling me
• 40:19
  Speaker 2: what she was going through. She left the industry, she.
• 40:21
  Speaker 1: Didn't want to do radio anymore. She was fine just
• 40:24
  Speaker 1: being a mom. She had two boys.
• 40:26
  Speaker 2: And I'm like, nah, be, I'm like, I don't think
• 40:29
  Speaker 2: you understand what you bring.
• 40:31
  Speaker 1: So I said, this is what we're gonna do. Let's
• 40:33
  Speaker 1: create a reunion show.
• 40:35
  Speaker 2: We use my platform to push it, and I guarantee
• 40:38
  Speaker 2: you a program director will call you. Then I say that,
• 40:41
  Speaker 2: and then what happened in a couple of months.
• 40:43
  Speaker 4: I'm crying.
• 40:46
  Speaker 3: I know alone.
• 40:49
  Speaker 6: I mean, we don't, we don't know.
• 40:50
  Speaker 5: You're height of it me and Jess, but like, you
• 40:52
  Speaker 5: know what it's like to be dealing with.
• 40:54
  Speaker 3: It and being alone and feeling alone. And I felt
• 40:58
  Speaker 3: so alone all the time that I became him numb
• 41:00
  Speaker 3: to It just felt like it was always going to
• 41:02
  Speaker 3: be me and just me and'sally because in this I
• 41:06
  Speaker 3: think people look at you.
• 41:07
  Speaker 6: It's like you had a career. People think you're doing well.
• 41:09
  Speaker 6: You just don't know what.
• 41:10
  Speaker 3: People Some people think that you're so resilient that she's
• 41:13
  Speaker 3: not back because she doesn't choose to be back. Looking her,
• 41:15
  Speaker 3: she's out there being football mom, wrestling mom, pta mom.
• 41:17
  Speaker 3: She doesn't want to come back into the industry, and
• 41:19
  Speaker 3: God bless her because the industry is poisoned. Not knowing
• 41:23
  Speaker 3: I would have enjoyed, you know, having a stable check. Yeah,
• 41:28
  Speaker 3: and I was sick and I had multiple more surgeries
• 41:30
  Speaker 3: with the tumor, which is I want to say it's gone.
• 41:35
  Speaker 3: It may never leave me completely, but I had I
• 41:37
  Speaker 3: had been diagnosed with amelia blastoma since I was child
• 41:40
  Speaker 3: and was told I would never sing or have a
• 41:42
  Speaker 3: career that required speaking, which is why God is just
• 41:46
  Speaker 3: so miraculous right and wonderful.
• 41:49
  Speaker 2: But can I can I talk about the surveys.
• 41:53
  Speaker 1: Yes, this is what made me cry.
• 41:56
  Speaker 7: Okay, yeah, so for Jones to make money, she would
• 42:05
  Speaker 7: do surveys.
• 42:07
  Speaker 1: Should go home on the wig.
• 42:12
  Speaker 2: And do the survey again, then go home, put on
• 42:14
  Speaker 2: another wig and do the survey again.
• 42:16
  Speaker 1: So you had three different yes to get paid to do.
• 42:19
  Speaker 1: Oh sorry.
• 42:22
  Speaker 3: Baby, at this point you had to feed your baby. Yeah,
• 42:25
  Speaker 3: he's learning. Cry till we all crying. We're not We're
• 42:33
  Speaker 3: not going down after all of that time, and I'm back.
• 42:39
  Speaker 2: So she would do the surveys to pay the bills
• 42:41
  Speaker 2: and rent and to get food, and she would change
• 42:44
  Speaker 2: the wigs.
• 42:46
  Speaker 4: And although it's humor in it and you know now
• 42:51
  Speaker 4: or whatever, but like you were doing what you could
• 42:54
  Speaker 4: do to take care of your baby, well you're not,
• 42:56
  Speaker 4: and to pay your bills.
• 42:58
  Speaker 6: Right, but do you know that feeling?
• 43:02
  Speaker 4: So it's like.
• 43:05
  Speaker 3: I just wanted like for me, My kids did not
• 43:08
  Speaker 3: ask to be born to me. Yeah, so why should
• 43:12
  Speaker 3: they have to suffer and go without what their classmates
• 43:14
  Speaker 3: have because of my reckless mouth or poor decisions. And
• 43:20
  Speaker 3: the last go round, I was accused of doing something
• 43:23
  Speaker 3: that I didn't do and didn't even bother to investigate
• 43:26
  Speaker 3: whether or not I did it and a woman that
• 43:28
  Speaker 3: accused me, who they paid millions of dollars to and
• 43:31
  Speaker 3: they fired me. She wound up going to prison and
• 43:34
  Speaker 3: then they found out that I wasn't lying and that
• 43:36
  Speaker 3: she had frauded them. And then but at that point,
• 43:39
  Speaker 3: your name is mud you were You're blacklisted and black balled,
• 43:44
  Speaker 3: and no one wants to hire you. So you have
• 43:46
  Speaker 3: to do what you have to do. And those surveys
• 43:49
  Speaker 3: like real talk. I like still do. So this just
• 43:58
  Speaker 3: want your opinion on do you like this freshion eary?
• 44:01
  Speaker 3: Do you like that one that's easy to money?
• 44:05
  Speaker 1: This is crazy? So listen.
• 44:07
  Speaker 2: So if we start doing the podcast and within in
• 44:10
  Speaker 2: about three weeks, she gets a call, right somebody, a
• 44:12
  Speaker 2: program director from down South, offers her a job.
• 44:15
  Speaker 1: She goes, MVY, what should I do?
• 44:17
  Speaker 2: I said you should wait, and she goes, why are
• 44:18
  Speaker 2: they gonna give me a deal?
• 44:19
  Speaker 1: This that to the other.
• 44:20
  Speaker 2: I said, you're not from down there, this is your town.
• 44:24
  Speaker 2: This is where you're from. I said, somebody from New
• 44:26
  Speaker 2: York was gonna call you. She's like, you think another
• 44:29
  Speaker 2: month later, you got the call from New.
• 44:30
  Speaker 3: York, but no, but I'm in the phone store buying
• 44:33
  Speaker 3: a phone I remember because Envy calls and goes, oh,
• 44:36
  Speaker 3: you're keeping secrets, and I'm like, what are you talking about?
• 44:38
  Speaker 3: Because remember I'm doing the podcast, but I'm still in
• 44:42
  Speaker 3: the no one still knows. So so he goes, rumor
• 44:47
  Speaker 3: has it that there's a new nineties station about to
• 44:50
  Speaker 3: open up in New York this afternoon, and that Ed
• 44:52
  Speaker 3: Lover is going to be doing mornings and you're slated
• 44:54
  Speaker 3: to do afternoons. And I was like, what. He goes,
• 44:57
  Speaker 3: you're not listening to the radio, mind you, you still can't.
• 45:00
  Speaker 3: So sure enough I get a call and it's true,
• 45:04
  Speaker 3: but it wasn't. They didn't know well, they know it
• 45:07
  Speaker 3: was Nick Cannon and they were still building. And it
• 45:11
  Speaker 3: took about a good year and a half of me
• 45:13
  Speaker 3: meeting with Skip and Chris to convince them that the
• 45:19
  Speaker 3: Jonesy that they're hearing about, or the Jonesy that they
• 45:22
  Speaker 3: once knew that was doing shock jock stuff, has matured,
• 45:25
  Speaker 3: has children, has reasons to not come and destroy your
• 45:28
  Speaker 3: radio station, sir and say reckless stuff to cause us
• 45:30
  Speaker 3: all lose our jobs, right, And ultimately that really was
• 45:34
  Speaker 3: who I had grown into. Yeah, I had grown up.
• 45:38
  Speaker 3: I had grown up, and so it was I felt
• 45:42
  Speaker 3: like for me because the radio station dropped on my birthday.
• 45:46
  Speaker 3: That's me and God's thing. He knows when he does
• 45:48
  Speaker 3: things on my birthday. Oh, that's for me. So I
• 45:51
  Speaker 3: hung in their. I did get discouraged along the course
• 45:54
  Speaker 3: of the way because it was just taking so long.
• 45:56
  Speaker 3: Every air spot ed lover got the job at night
• 45:59
  Speaker 3: or after whatever, and mornings were still hanging out there.
• 46:01
  Speaker 3: Then I'm hearing rumors, Oh, you know, Fat Joe and
• 46:04
  Speaker 3: Ramy are gonna get it because this is when they
• 46:05
  Speaker 3: were filling them for Wendy. Yeah, and this one's gonna
• 46:09
  Speaker 3: get it, and that one's DJ sus one's gonna get it.
• 46:12
  Speaker 3: Was And then ultimately mister C called me and he said,
• 46:17
  Speaker 3: who is Gary? And I said an agent that I
• 46:23
  Speaker 3: that I fired because he was misrepresenting. And he said,
• 46:27
  Speaker 3: get that man out the way because that's the reason
• 46:30
  Speaker 3: why they're not hiring you, because they don't want to
• 46:33
  Speaker 3: deal with him. And I said, but I already let
• 46:36
  Speaker 3: him go, and he said, well, you need to let
• 46:37
  Speaker 3: them know. So why let them know? And in fifteen
• 46:41
  Speaker 3: minutes I had a contract in my inbox.
• 46:42
  Speaker 4: Period. Wow, going back to what you said is not
• 46:45
  Speaker 4: always was in front of you. It's some whole other
• 46:47
  Speaker 4: thing you didn't even know.
• 46:48
  Speaker 3: I had no idea. First of all, when is the
• 46:51
  Speaker 3: last time they opened up a new station in New York?
• 46:54
  Speaker 3: I think it was Power one oh five back in
• 46:56
  Speaker 3: two thousand and two. Right, who's the that They're going
• 47:00
  Speaker 3: to start a whole news station in New York and
• 47:02
  Speaker 3: making nineties and I am the nineties girl? Well, I
• 47:06
  Speaker 3: want to be boys sugar Hill period. I'm like, this
• 47:09
  Speaker 3: is too easy, and God, you don't make things easy
• 47:11
  Speaker 3: for me. A lot of women and maybe men too,
• 47:14
  Speaker 3: we're so used to fighting and things not happening that
• 47:17
  Speaker 3: we're always waiting for their other shoe to drop. But
• 47:20
  Speaker 3: I'm so thankful. I guess that I had nothing to
• 47:23
  Speaker 3: lose and everything to gain by humbling myself and letting
• 47:26
  Speaker 3: it happen in their time and in God's time. Because
• 47:29
  Speaker 3: here I am, and now I feel like God is
• 47:31
  Speaker 3: moving me up so quickly. Because I did do a
• 47:39
  Speaker 3: lot of work. When I was home. I got into
• 47:41
  Speaker 3: the scripture and I would write down my pastor Darius Daniels.
• 47:44
  Speaker 3: I would write down everything and so I could apply
• 47:47
  Speaker 3: it whenever I was faced with a challenge because I
• 47:49
  Speaker 3: don't want to go back to being hot heead Tarsha.
• 47:52
  Speaker 3: I want to write, and so I was doing the
• 47:54
  Speaker 3: work and I was applying the work. And even now
• 47:56
  Speaker 3: I listen to the scripture every morning on my drive
• 47:59
  Speaker 3: into the block because I don't want the listeners that
• 48:02
  Speaker 3: God has blessed me with again to be tortured or
• 48:05
  Speaker 3: tormented with some bullshit that I'm going through, right, because
• 48:07
  Speaker 3: it's bigger than me, right, and so there's always work
• 48:15
  Speaker 3: to be done. It never stops. I'm just thankful that
• 48:18
  Speaker 3: I'm able to sit here with you and you and
• 48:20
  Speaker 3: you and Charlamagne. You're here in spirit, But thank you
• 48:24
  Speaker 3: for allowing me and y'all's house because I never imagined
• 48:28
  Speaker 3: I thought it was over. I thought I was going
• 48:29
  Speaker 3: to be Jayalen and Chay's mom, and I was happy
• 48:31
  Speaker 3: being that, right, But as my kids grew older, they
• 48:36
  Speaker 3: had needs. So I'm glad I'm in position yeah to
• 48:39
  Speaker 3: meet the needs.
• 48:41
  Speaker 4: I love you, your story, Thank you everything.
• 48:44
  Speaker 1: I want to get into some bs to just some
• 48:46
  Speaker 1: fun bs, if y'all don't mind.
• 48:48
  Speaker 4: I would.
• 48:50
  Speaker 1: Ask when she met miss Knowles, when.
• 48:52
  Speaker 4: Did when did you meet Miss Knowles?
• 48:55
  Speaker 3: And v why did you say that she told me off.
• 48:58
  Speaker 3: You know, I want that I get me what happened?
• 49:02
  Speaker 1: He was arguing with Miss Knowles.
• 49:04
  Speaker 4: So.
• 49:07
  Speaker 3: Beyond sy. It was a Friday afternoon and I don't
• 49:10
  Speaker 3: know why at ninety seven, yes, and the staff was
• 49:13
  Speaker 3: trying to rush me out. You're still here, Jonesy.
• 49:15
  Speaker 1: You always would leave the same thing as now Friday gone.
• 49:19
  Speaker 3: Most of the time, I wasn't even coming in. I'm
• 49:21
  Speaker 3: at the book Gotta.
• 49:22
  Speaker 1: I was listening Jones is winning at the book Gott's
• 49:27
  Speaker 1: coming to work.
• 49:35
  Speaker 3: But on that day I was there, I didn't know
• 49:37
  Speaker 3: Beyonce was coming up, and I don't think she was
• 49:39
  Speaker 3: coming up for us. I think she was coming up
• 49:40
  Speaker 3: for our sister station Kiss, which was two steps away.
• 49:42
  Speaker 4: Right.
• 49:43
  Speaker 3: So Michael Sean, the comedian on our show at the time,
• 49:46
  Speaker 3: who's now my kind of co host at the block,
• 49:48
  Speaker 3: he happened to be downstairs because his routine was to
• 49:49
  Speaker 3: go down after the show and smoke. Okay, so he said,
• 49:52
  Speaker 3: he sees a whole secret service black s uvs pull
• 49:55
  Speaker 3: up and all of a sudden, doors fling open, doors
• 49:58
  Speaker 3: fling open, and hair hair is just blowing in the wind,
• 50:02
  Speaker 3: and these long, beautiful elongated legs step out of the suv.
• 50:04
  Speaker 3: He's like.
• 50:08
  Speaker 4: Jones.
• 50:09
  Speaker 3: So he runs back in the building and let me
• 50:11
  Speaker 3: know that Beyonce, who we have been joking on, laughing on,
• 50:15
  Speaker 3: I mean because we don't always played too much, we
• 50:17
  Speaker 3: don't have personal There was really nothing, never beef.
• 50:21
  Speaker 4: Wow, Okay.
• 50:23
  Speaker 3: I was just being stupid, right, And I was being
• 50:26
  Speaker 3: paid to be stupid and to mind the people's business.
• 50:29
  Speaker 3: And if you ever want me to stop minding your business,
• 50:32
  Speaker 3: you have to pay me a separation fee. So she
• 50:37
  Speaker 3: came upstairs and she went to hug me, but I
• 50:40
  Speaker 3: being just being stupid. I was like, I don't hug
• 50:43
  Speaker 3: I have newborns at home or whatever, just some stupid
• 50:45
  Speaker 3: just to be I didn't know she was gonna be
• 50:49
  Speaker 3: love on top.
• 50:50
  Speaker 6: I would say, what era, Beyonce?
• 50:51
  Speaker 4: Is this? What's the song? Was?
• 50:54
  Speaker 3: A song was popping from the kuchie of tin and
• 50:57
  Speaker 3: know from the kucci didn't matter?
• 51:02
  Speaker 4: Does this saying my name? What was this?
• 51:04
  Speaker 3: Ring me along?
• 51:05
  Speaker 6: She's you know I got kids at home.
• 51:12
  Speaker 1: Don't touch me, don't touch me, don't hug me.
• 51:14
  Speaker 3: Don't know why didn't say like that? I was just
• 51:16
  Speaker 3: was like, you know, she went in for the hug
• 51:17
  Speaker 3: and I did the stiff arm and she was like,
• 51:19
  Speaker 3: I'm Beyonce and I was like, nice to meet you,
• 51:23
  Speaker 3: and she nice to meet you too, and she walked
• 51:24
  Speaker 3: on to the studio to do her voice work. Yeah,
• 51:27
  Speaker 3: come that, damn Tina Knowles. Yeah. I like how you
• 51:31
  Speaker 3: keep my daughter's name in your mouth all the time.
• 51:34
  Speaker 1: This is public, It's from everybody, now, everybody. I'm there,
• 51:36
  Speaker 1: it's in the hallway, okay.
• 51:38
  Speaker 3: And now I'm gonna continue to keep it. And now
• 51:40
  Speaker 3: I'm gonna add yours to the list. You need to
• 51:42
  Speaker 3: worry about that joker lipstick making you look like the
• 51:45
  Speaker 3: damn joker. What you said that I did.
• 51:48
  Speaker 5: Yes, you still feel like that. I said that I believe,
• 51:54
  Speaker 5: but you just said that was so much conviction. I
• 51:55
  Speaker 5: just wanted to know if, like where we at right
• 51:57
  Speaker 5: now with miss Tina, and she was reenacting with you know, yeah.
• 52:00
  Speaker 3: That's came out, But no, I had so I didn't
• 52:02
  Speaker 3: have a problem with Beyonce back then, despite all the
• 52:05
  Speaker 3: parody songs, all the things.
• 52:07
  Speaker 6: Y'all made parody songs.
• 52:08
  Speaker 3: Would you like to hear one? It was a radio
• 52:10
  Speaker 3: show was fun because they have grown up and I
• 52:17
  Speaker 3: get it.
• 52:17
  Speaker 5: But it's like man's sit And I've been so excited
• 52:20
  Speaker 5: all morning just for you to come in here and
• 52:21
  Speaker 5: do this because.
• 52:22
  Speaker 3: We don't get this version of it.
• 52:24
  Speaker 4: See why because they oh you see we be doing
• 52:28
  Speaker 4: here with Jonesy.
• 52:30
  Speaker 1: Was doing then doing that.
• 52:33
  Speaker 3: They're traumatized him and Charlotmage Charlamine got it from Wendy.
• 52:36
  Speaker 3: He got a whole other trauma and Hevy. I'm sure
• 52:39
  Speaker 3: you're Trump, Mitch. We're trauma bonded the things we've done
• 52:42
  Speaker 3: this scene. But yeah, so back then we could make songs. Well,
• 52:44
  Speaker 3: that's also a special skill set. I can make up
• 52:47
  Speaker 3: songs on the fly. That's the R and B singer
• 52:49
  Speaker 3: in me. And I can flip your lyrics and make
• 52:51
  Speaker 3: them be lyrics about you in a funny way.
• 53:02
  Speaker 1: Now, sometimes your food order to be wrong. Yes, as
• 53:04
  Speaker 1: if food orders.
• 53:05
  Speaker 4: Wrong, your food order is wrong, what happens Jonesy, the
• 53:09
  Speaker 4: new jones the old Jonesy. Yeah, I'm talking about old
• 53:13
  Speaker 4: What I'm talking about Joneses?
• 53:15
  Speaker 3: I might be like what, I might throw it.
• 53:17
  Speaker 1: At you for real if it's wrong. This was every day,
• 53:22
  Speaker 1: this was Morning Show boot camp. You had to get
• 53:26
  Speaker 1: it right. There was no mistakes.
• 53:27
  Speaker 3: Everything.
• 53:28
  Speaker 4: You don't have.
• 53:28
  Speaker 1: People make mistakes, nah order every day.
• 53:33
  Speaker 4: That's why Envy and Charloama made every chance they get.
• 53:36
  Speaker 4: They say, man, y'all got it too easy because back
• 53:38
  Speaker 4: in it and y'all would have never made it y'all
• 53:41
  Speaker 4: too soft.
• 53:44
  Speaker 1: It would be hell yeah, not just for five minutes,
• 53:46
  Speaker 1: for the whole show.
• 53:47
  Speaker 3: It's still that way.
• 53:49
  Speaker 2: If a curse played, you'd have to deal with Jones,
• 53:52
  Speaker 2: you would have to deal with program director.
• 53:54
  Speaker 1: Music, and we get it nice.
• 53:56
  Speaker 3: But look, y'all need absolutely what that like because there
• 54:04
  Speaker 3: was a lot on the line back then. We didn't
• 54:07
  Speaker 3: know what we were doing was going to be youtuba
• 54:09
  Speaker 3: bull and people were gonna go back and be like, oh, shoot,
• 54:11
  Speaker 3: y'all played with us, you'll like that. Shoot y'all, y'all
• 54:14
  Speaker 3: did this. Y'all banged Hammer.
• 54:16
  Speaker 4: We know, we were like.
• 54:18
  Speaker 3: Kids being let loose in the funhouse.
• 54:21
  Speaker 1: Remember came and you wasn't there, that I wasn't there,
• 54:23
  Speaker 1: and he came from ye I want you.
• 54:25
  Speaker 4: So I happen with mc hammer first of all because
• 54:29
  Speaker 4: he has a game from Oakland, absolutely right.
• 54:34
  Speaker 1: I heard you know you see the dance can't touch this?
• 54:36
  Speaker 2: Yeah, So we were This is when interviews were live
• 54:40
  Speaker 2: really low, so when he landed, he was on his
• 54:43
  Speaker 2: way to the station. Jones was in the casino, so
• 54:46
  Speaker 2: she didn't come that day winning. So me and show
• 54:48
  Speaker 2: was making fun of him, like Hammer's coming, what you're
• 54:50
  Speaker 2: gonna say, can't touch this? Like Hammer, what happened? I
• 54:52
  Speaker 2: got to pray, like we were making.
• 54:54
  Speaker 3: Fun of Hammer's in the cab listening to him Selfie
• 54:58
  Speaker 3: Cloud because he's thinking he's coming out love a great
• 55:01
  Speaker 3: interview and it's New York. Who wants to be clowned
• 55:03
  Speaker 3: in New York?
• 55:04
  Speaker 1: He's never expecting, right.
• 55:05
  Speaker 2: So he gets to the station, him and the older
• 55:08
  Speaker 2: gentleman come inside, closes the door, stands at the door, says,
• 55:13
  Speaker 2: I'm here to test the coward's heart. I don't even
• 55:15
  Speaker 2: know what that means, right, I was like, what that means?
• 55:18
  Speaker 2: I'm here to fuck y'all up? Talk that shit in
• 55:21
  Speaker 2: front of me. At that point, he's not letting us out. Yeah,
• 55:25
  Speaker 2: he's not letting us out.
• 55:26
  Speaker 6: So what you started doing dancing?
• 55:27
  Speaker 4: I was I was nervous.
• 55:29
  Speaker 3: You joked again. You was like, can't touch this and
• 55:31
  Speaker 3: started dipping his dodging away from here. He playing around yep,
• 55:34
  Speaker 3: and then Mike Sean starts going in with his type
• 55:36
  Speaker 3: of comedy and then somebody called Ebro. Ebro came from
• 55:40
  Speaker 3: the Bay Area and he had a relationship with Hammer.
• 55:42
  Speaker 3: But it got so real, like I think Hammer started
• 55:44
  Speaker 3: sweating and was in their face like when you're talking
• 55:46
  Speaker 3: and spitting out. Oh yeah. And then had it not
• 55:50
  Speaker 3: been for Ebro saying chill, chill, chill, chill, Hammer, they
• 55:54
  Speaker 3: not this.
• 55:55
  Speaker 2: Yeah, they had the squad, Hebro said. Ebro caught me
• 55:57
  Speaker 2: and said, look, I don't know if you know, but
• 56:00
  Speaker 2: him is real. And that little that that guy, the
• 56:02
  Speaker 2: old guy, you probably got a gun in his bag
• 56:04
  Speaker 2: right there. So he was like, at the time, I
• 56:06
  Speaker 2: carry my little too. He said, So those little tw
• 56:08
  Speaker 2: bulletinern do nothing.
• 56:10
  Speaker 1: Leave him alone. And that was that was my probably
• 56:12
  Speaker 1: my scariest interview after that was about to fuck us.
• 56:15
  Speaker 4: So he was the original bird man, my nig Yes,
• 56:17
  Speaker 4: he was, yeah, yeah, so your ass at the casino
• 56:24
  Speaker 4: tumbling down on a hard four or something, but the
• 56:27
  Speaker 4: fours or something.
• 56:29
  Speaker 1: Don't think about it. You don't think about it. She
• 56:31
  Speaker 1: plays no, no, no, but but but she she's the
• 56:35
  Speaker 1: one to be like, you know what, I ain't coming
• 56:36
  Speaker 1: into that I'm broadcast from the crib you know you
• 56:38
  Speaker 1: had the landscape is in the background. Excuse me not to.
• 56:40
  Speaker 4: State that I'll be there m anytime I could broadcast
• 56:45
  Speaker 4: from somewhere else, I'll be doing it.
• 56:46
  Speaker 3: Yeah, damn Yo.
• 56:51
  Speaker 4: So you have new music? I you do? Okay, let's
• 56:55
  Speaker 4: get to that. What made you get back in? But
• 56:57
  Speaker 4: what what is this new music about? Like?
• 56:59
  Speaker 3: What is it?
• 56:59
  Speaker 4: Is it a you know, all that time that you've
• 57:02
  Speaker 4: been gone or your hiatus?
• 57:03
  Speaker 3: What kind it's more? I haven't gotten into that yet.
• 57:07
  Speaker 3: I have a newer, newer song that's that's for weddings.
• 57:12
  Speaker 3: But and it's a remake. But I don't want to
• 57:14
  Speaker 3: take the light against this. What this was is that
• 57:16
  Speaker 3: when I did start being able to listen to radio again,
• 57:19
  Speaker 3: there was nothing on radio being played that I really loved.
• 57:22
  Speaker 3: So I said, let me create something. That's how I
• 57:24
  Speaker 3: did grown Folk Fridays. There was no parties that were
• 57:27
  Speaker 3: just for the adults. So I created grown Folk Fridays
• 57:29
  Speaker 3: where we played throwback music and invited the throwback artists
• 57:32
  Speaker 3: to come and perform. Now it would be called pastor mic.
• 57:35
  Speaker 3: I did it first. But okay, so the songs are
• 57:38
  Speaker 3: just good feeling music, dance music, and everybody loves their
• 57:42
  Speaker 3: birthday and we all think our birthday signs are the best.
• 57:44
  Speaker 3: So this song is like called best Birthday, Best Birthday,
• 57:48
  Speaker 3: and let's play.
• 57:49
  Speaker 4: Yeah yeah, oh we want to hear it.
• 57:52
  Speaker 1: We could get that on that.
• 57:52
  Speaker 4: We got to hear it in.
• 57:54
  Speaker 1: Do you have any more questions for the legendary Misgi?
• 57:57
  Speaker 6: Well, I would you want to your relationship with Nas day?
• 58:00
  Speaker 6: What's that?
• 58:00
  Speaker 4: Like?
• 58:05
  Speaker 3: What do you mean like? Like what it like?
• 58:07
  Speaker 5: Because I know, like you were the first person to
• 58:09
  Speaker 5: put him on air around the ether time, like today,
• 58:12
  Speaker 5: are y'all still friends?
• 58:14
  Speaker 6: Are y'all speaking.
• 58:17
  Speaker 4: Like that?
• 58:18
  Speaker 3: No?
• 58:18
  Speaker 6: No, no, no, I mean like like, are y'all speaking?
• 58:20
  Speaker 6: Are you okay?
• 58:23
  Speaker 5: I wasn't even laying in today? No, I mean I
• 58:26
  Speaker 5: did have a dating question because I know you talked
• 58:28
  Speaker 5: about bust of rines.
• 58:28
  Speaker 3: But we can go either, like my son's getting mad,
• 58:36
  Speaker 3: just want to be going to be friends because he's
• 58:37
  Speaker 3: from the Bridge and I'm from the story yet and
• 58:39
  Speaker 3: we have that connection with like a cult. Yeah right,
• 58:42
  Speaker 3: that's hometown here a hometown friend. I actually would love
• 58:46
  Speaker 3: to catch up with Nas because Nas is another one
• 58:48
  Speaker 3: that has a lot of stories and when you reconnect
• 58:51
  Speaker 3: sometimes it brings you back so you can appreciate what
• 58:53
  Speaker 3: you've gone through to be where you are right now.
• 58:56
  Speaker 3: And he's so bought up right now. So proud of him.
• 58:58
  Speaker 3: But yeah, that's the hometown.
• 59:00
  Speaker 1: Yeah, I do want to ask last question. You were
• 59:02
  Speaker 1: in Biggie's video One More Chance? How was that video?
• 59:05
  Speaker 3: That was very very special because everyone didn't get invited
• 59:10
  Speaker 3: to be in it, and I was one of the
• 59:12
  Speaker 3: girls whose records may not have been the biggest, but
• 59:15
  Speaker 3: they invited me because Surety was ill, and everybody was
• 59:18
  Speaker 3: showing up and everyone was being regular, like nobody was
• 59:22
  Speaker 3: being nasty. Luke showed up first. You know, my ego,
• 59:27
  Speaker 3: bigg ass I was probably there first. D nice before
• 59:30
  Speaker 3: he was he was still DJing, but he wasn't, but
• 59:34
  Speaker 3: he was there. Everyone came with love and excitement because
• 59:38
  Speaker 3: we didn't even hear the song. Did He wouldn't let
• 59:40
  Speaker 3: anybody hear And the only song that was out was
• 59:42
  Speaker 3: the remix, So all night before I'm practicing in the
• 59:46
  Speaker 3: mirror to the remix, not knowing that that wasn't gonna
• 59:48
  Speaker 3: be the one, but everybody was and there were people
• 59:51
  Speaker 3: outside still trying to get in, So I'm actually glad
• 59:53
  Speaker 3: I got there early. But Patra shah Nay like, I'm
• 59:58
  Speaker 3: fans of these girls and I'm and now I'm like
• 1:00:00
  Speaker 3: in a video with them. And to this day when
• 1:00:03
  Speaker 3: those see things like that would happen while I was
• 1:00:05
  Speaker 3: raising my kids when they were little, a video would
• 1:00:07
  Speaker 3: come on and somebody would be like that looks like you.
• 1:00:10
  Speaker 3: Things like that, And I think the defining moment when
• 1:00:13
  Speaker 3: the cat came out the bag that Tasha Jayalen and
• 1:00:16
  Speaker 3: Jay's mom was Miss Showones I was running around, was
• 1:00:19
  Speaker 3: football mom. And before a football game, you have to
• 1:00:22
  Speaker 3: make sure that the announcer booth, everybody has the names
• 1:00:25
  Speaker 3: of the players, the coaches, all the things, and then
• 1:00:28
  Speaker 3: you have to press a button for the Whitney Houston
• 1:00:30
  Speaker 3: national anthem. Bitch, I'm pressing buttons and nothing's playing, and
• 1:00:34
  Speaker 3: they're all looking at the black lady in the booth
• 1:00:36
  Speaker 3: that they probably think should have had no business up
• 1:00:38
  Speaker 3: there to begin with. I grabbed the microphone and bust
• 1:00:42
  Speaker 3: down the national anthem to the point they're clapping before
• 1:00:46
  Speaker 3: I even get to the and the Land of the
• 1:00:50
  Speaker 3: Free and my sons they're looking there like Jalen, that's
• 1:00:53
  Speaker 3: your mom. And I'm like, hey, and the mom and
• 1:00:58
  Speaker 3: at that moment they're like you're somebody you do you know?
• 1:01:02
  Speaker 3: White folks start Google oh yeah up at that point
• 1:01:08
  Speaker 3: and I couldn't hide. And then I was like, maybe
• 1:01:09
  Speaker 3: I'm not supposed to. Maybe I need to figure out,
• 1:01:12
  Speaker 3: you know, some things, and I wanted to sing. I
• 1:01:14
  Speaker 3: just didn't want to be back in the industry. So
• 1:01:15
  Speaker 3: I started singing a little band and that fulfilled me.
• 1:01:18
  Speaker 3: And then that and my little surveys. The money from
• 1:01:23
  Speaker 3: singing in the band. In the service we were we
• 1:01:25
  Speaker 3: were boiling.
• 1:01:27
  Speaker 4: White people with be like, oh she has so much
• 1:01:29
  Speaker 4: soul and they had no idea, and that one person
• 1:01:31
  Speaker 4: was like, this is why that's who she is.
• 1:01:34
  Speaker 3: This is the video and yeah, you got.
• 1:01:36
  Speaker 1: A park story too. And birthday was just.
• 1:01:47
  Speaker 3: Too much and to much that I just want to.
• 1:01:50
  Speaker 1: Say one last thing. I appreciate you, miss Jones. I
• 1:01:53
  Speaker 1: love you, I love you Envy.
• 1:01:55
  Speaker 3: But you asked money about the threesome.
• 1:01:59
  Speaker 1: You had a three pix eleven. Tell them all the
• 1:02:02
  Speaker 1: stuff that you do. You entertainment reporting pis eleven Thursdays.
• 1:02:05
  Speaker 3: My son is do you see how he jumped in.
• 1:02:07
  Speaker 6: It was like, you don't forget to for a minute.
• 1:02:11
  Speaker 3: All right, okay, all right, so and be finished.
• 1:02:14
  Speaker 2: I love you give I was gonna do it so
• 1:02:16
  Speaker 2: pick I was gonna say, we appreciate you, we love you.
• 1:02:18
  Speaker 2: I appreciate you so much. You could check her on
• 1:02:20
  Speaker 2: pix eleven on Thursdays.
• 1:02:21
  Speaker 3: And now I have a TV talk show special on
• 1:02:24
  Speaker 3: Picks eleven, hopefully June twenty second. If not, because I'm
• 1:02:31
  Speaker 3: you know me, I'm never like satisfied. So I'm still tweaking.
• 1:02:34
  Speaker 3: If I don't make my June twenty second debut, it'll
• 1:02:36
  Speaker 3: be July six with reporting.
• 1:02:39
  Speaker 1: Go out and watch that.
• 1:02:40
  Speaker 2: Of course, she's on ninety four seven the Block each
• 1:02:42
  Speaker 2: and every Monday morning. And you, young man and your brother,
• 1:02:46
  Speaker 2: if I tell you how many times your moms call
• 1:02:48
  Speaker 2: me and I talked off the ledge for whooping.
• 1:02:49
  Speaker 4: Your asses, Oh my no, you don't understand.
• 1:02:54
  Speaker 6: I'm about right now.
• 1:02:56
  Speaker 3: The Lawsville School appreciate and brother to Burg and Cathin,
• 1:03:04
  Speaker 3: you're the reason Chase In Bergen Cathin.
• 1:03:05
  Speaker 1: That's right, he's doing very well. I love it.
• 1:03:07
  Speaker 4: Yeah, I love it so much. History here man and.
• 1:03:12
  Speaker 3: Carrying the torch on ladies.
• 1:03:14
  Speaker 4: No problem. That's really really good for us.
• 1:03:16
  Speaker 3: We here because you realterally because well, thank you, because
• 1:03:19
  Speaker 3: you're doing it well and you're looking great doing it,
• 1:03:21
  Speaker 3: and you stay focused, black out the white noise, okay,
• 1:03:25
  Speaker 3: and just keep going.
• 1:03:27
  Speaker 4: Thank you, thank you.
• 1:03:28
  Speaker 3: Guys.
• 1:03:28
  Speaker 1: We listen, miss Jones Jones Are. It's the breakfast Club.
• 1:03:31
  Speaker 1: Good morning, period, wake that ass up in the morning.
• 1:03:35
  Speaker 1: Breakfast Club.